1 00:00:01,401 --> 00:00:03,570 >> AN UNEXPECTED SHARP DROP IN 2 00:00:03,636 --> 00:00:06,473 SUBSCRIBERS HAS NETFLIX CONSIDERING CHANGES TO ITS 3 00:00:06,539 --> 00:00:07,741 SERVICE. 4 00:00:07,807 --> 00:00:10,877 THE STREAMING GIANT LOST 200,000 SUBSCRIBERS IN THE FIRST QUARTER 5 00:00:10,944 --> 00:00:12,078 OF THIS YEAR. 6 00:00:12,145 --> 00:00:14,547 >> AND NOW NETFLIX IS LIKE, OKAY, WE NEED TO FIGURE OUT HOW 7 00:00:14,614 --> 00:00:18,084 TO RAISE MORE MONEY FROM OUR SUBSCRIBERS. 8 00:00:18,151 --> 00:00:19,986 SO THEY'RE CONSIDERING A PRODUCT THAT'S CHEAPER BUT WITH 9 00:00:20,053 --> 00:00:24,758 COMMERCIALS, SO ADVERTISERS ARE DEALING WITH SOME OF THE COST. 10 00:00:24,824 --> 00:00:28,728 >> HERE AT NETFLIX, WE'RE ALWAYS LOOKING FOR WAYS TO STAY AFLOAT, 11 00:00:28,795 --> 00:00:32,699 AND SINCE OUR TOP MINDS COULDN'T FIGURE OUT HOW TO STOP PEOPLE 12 00:00:32,766 --> 00:00:35,969 FROM SHARING PASSWORDS LIKE HAMBURGER123, WE'LL NOW BE 13 00:00:36,035 --> 00:00:39,272 SEAMLESSLY INTEGRATING PRODUCTS INTO OUR CONTENT. 14 00:00:39,339 --> 00:00:42,242 INTRODUCING NETFLIX LITE. 15 00:00:42,308 --> 00:00:47,247 ENJOY YOUR FAVORITE SHOWS, LIKE "SQUID GAME." 16 00:00:47,313 --> 00:00:49,749 OR "LOVE IS BLIND," WHERE CONTESTANTS PROPOSE WITHOUT 17 00:00:49,816 --> 00:00:50,683 SEEING EACH OTHER. 18 00:00:50,750 --> 00:00:54,721 >> WILL YOU MARRY ME? 19 00:00:54,788 --> 00:00:58,758 >> OR TAKE IN A REALITY SHOW LIKE "QUEER EYE." 20 00:00:58,825 --> 00:01:00,293 >> THEY'RE GAY! 21 00:01:00,360 --> 00:01:05,165 >> NETFLIX LITE, WHERE YOU CAN STILL WATCH "BRIDGERTON." 22 00:01:05,231 --> 00:01:06,699 >> OH, YEAH! 23 00:01:09,969 --> 00:01:12,205 >> Announcer: IT'S "THE LATE SHOW WITH STEPHEN COLBERT." 24 00:01:12,272 --> 00:01:19,979 TONIGHT: PLUS, STEPHEN WELCOMES: 25 00:01:20,046 --> 00:01:30,156 ALEXANDER SKARSGARD AND MUSICAL GUEST JACK WHITE 26 00:01:30,223 --> 00:01:35,261 FEATURING JON BATISTE AND STAY HUMAN. 27 00:01:35,328 --> 00:01:39,199 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 28 00:01:39,265 --> 00:01:43,870 CITY, IT'S STEPHEN COLBERT! 29 00:01:46,339 --> 00:01:49,108 ♪ ♪ ♪ ♪ ♪ ♪ 30 00:01:49,175 --> 00:02:03,990 ( CHEERS AND APPLAUSE ) >> Stephen: WOOO! 31 00:02:04,057 --> 00:02:09,062 SOME SHINY PANTS, MAN! 32 00:02:09,128 --> 00:02:14,367 HEY, EVERYBODY! 33 00:02:14,434 --> 00:02:17,203 WELCOME, WELCOME, ONE AND ALL TO "THE LATE SHOW." 34 00:02:17,270 --> 00:02:19,172 I AM YOUR HOST, STEPHEN COLBERT. 35 00:02:19,239 --> 00:02:27,280 ( CHEERS AND APPLAUSE ) ADIES AND GENTLEMEN, IT'S 4/20. 36 00:02:27,347 --> 00:02:32,418 AND YOU KNOW WHAT THAT MEANS. 37 00:02:32,485 --> 00:02:33,753 THAT'S RIFHT, IT'S NATIONAL LIMA BEAN RESPECT DAY! 38 00:02:33,820 --> 00:02:34,554 THAT'S RIGHT! 39 00:02:34,621 --> 00:02:35,622 THE WORLD'S MOST RESPECTABLE EDIBLE! 40 00:02:35,688 --> 00:02:37,023 TODAY'S ALL ABOUT GETTING BAKED... 41 00:02:37,090 --> 00:02:38,591 BEANS. 42 00:02:38,658 --> 00:02:42,829 REMEMBER, YOU DON'T HAVE TO LIKE LIMA BEANS TODAY. 43 00:02:42,896 --> 00:02:45,999 BUT YOU DAMN SURE BETTER RESPECT THEM. 44 00:02:46,065 --> 00:02:48,535 YOU TAKE OFF YOUR HAT WHEN YOU EAT THAT BEAN, MISTER! 45 00:02:48,601 --> 00:02:50,169 BEANS, BEANS THE MAGICAL FRUIT, THE MORE YOU EAT, 46 00:02:50,236 --> 00:02:52,839 THE MORE YOU SALUTE! 47 00:02:52,906 --> 00:02:58,545 ( LAUGHTER ) ( APPLAUSE ) 48 00:02:58,611 --> 00:02:59,746 NOW... 49 00:02:59,812 --> 00:03:02,315 I'M SERIOUS. 50 00:03:02,382 --> 00:03:04,417 AS WE ALWAYS DO ON THIS SOLEMN DAY, LET'S TAKE A LOOK AT THE 51 00:03:04,484 --> 00:03:06,719 OFFICIAL LIMA BEAN RESPECT DAY TIMELINE. 52 00:03:06,786 --> 00:03:10,056 AS YOU CAN SEE, IN THE 1500s, LIMA BEANS ARE DISCOVERED. 53 00:03:10,123 --> 00:03:12,592 NEXT MAJOR EVENT-- 2000s: NATIONAL LIMA BEAN 54 00:03:12,659 --> 00:03:16,829 RESPECT DAY. 55 00:03:16,896 --> 00:03:18,565 ( LAUGHTER ) JUST THOSE TWO. 56 00:03:18,631 --> 00:03:19,766 JUST THOSE TWO. 57 00:03:19,832 --> 00:03:21,267 THEY SPENT THE 500 YEARS IN BETWEEN GETTING SHOVED UNDER THE 58 00:03:21,334 --> 00:03:23,136 MASHED POTATOES. 59 00:03:23,202 --> 00:03:27,674 ( LAUGHTER ) NOW, FOR THOSE LESS RESPECTFUL 60 00:03:27,740 --> 00:03:29,008 OF BEAN, 4/20 IS ALSO THE UNOFFICIAL HOLIDAY FOR 61 00:03:29,075 --> 00:03:31,578 MARIJUANA. 62 00:03:31,644 --> 00:03:33,246 NOW-- ( CHEERS AND APPLAUSE ). 63 00:03:33,313 --> 00:03:35,848 OKAY. 64 00:03:35,915 --> 00:03:39,252 TIME FOR ALL YOU DOOBIE-LOVIN' POTHEADS TO GET UP TO YOUR USUAL 65 00:03:39,319 --> 00:03:41,654 SMOKEY HIJINKS: FOLDING LAUNDRY AND HOPING HALF A GUMMY WILL 66 00:03:41,721 --> 00:03:43,957 HELP YOU FALL ASLEEP. 67 00:03:44,023 --> 00:03:46,659 ( LAUGHTER ) ( APPLAUSE ) 68 00:03:46,726 --> 00:03:55,535 PARTY! 69 00:03:55,602 --> 00:03:57,203 THIS YEAR IS A A BIG ONE FOR 4/20, BECAUSE NEW POLLING SHOWS 70 00:03:57,270 --> 00:03:58,838 37% OF AMERICANS SAY THEY USE WEED, WHILE THE REMAINING 63% 71 00:03:58,905 --> 00:04:01,207 SAY THEY WERE JUST HOLDING IT FOR A FRIEND. 72 00:04:01,274 --> 00:04:05,044 AND THE TIDE SEEMS TO BE TURNING ON LEGALIZATION. 73 00:04:05,111 --> 00:04:07,647 TWO-THIRDS OF AMERICANS WANT RECREATIONAL MARIJUANA USE TO BE 74 00:04:07,714 --> 00:04:11,684 LEGAL UNDER FEDERAL LAW AND IN THEIR OWN STATE. 75 00:04:11,751 --> 00:04:15,788 NOW-- ( CHEERS AND APPLAUSE ) 76 00:04:15,855 --> 00:04:17,190 IF YOU SMOKE, OBVIOUSLY, YOU WANT IT TO BE LEGAL. 77 00:04:17,256 --> 00:04:20,493 BUT EVEN AMONG THOSE WHO SAY THEY NEVER USE MARIJUANA, A 78 00:04:20,560 --> 00:04:23,596 MAJORITY FAVOR LEGALIZATION. 79 00:04:23,663 --> 00:04:25,064 WELL, THAT MAKES SENSE. 80 00:04:25,131 --> 00:04:28,234 MARIJUANA IS TAME COMPARED TO OTHER CONTROLLED SUBSTANCES. 81 00:04:28,301 --> 00:04:30,069 ITS MOST DANGEROUS SIDE EFFECT IS MAKING HACKY SACK SEEM LIKE A 82 00:04:30,136 --> 00:04:31,671 SPORT. 83 00:04:31,738 --> 00:04:34,807 ( LAUGHTER ) LEGALIZING MARIJUANA COULD ALSO 84 00:04:34,874 --> 00:04:41,614 HELP FIGHT RACISM, BECAUSE BLACK PEOPLE ARE 264% MORE LIKELY THAN 85 00:04:41,681 --> 00:04:45,551 WHITE PEOPLE TO BE ARRESTED FOR CANNABIS POSSESSION, EVEN THOUGH 86 00:04:45,618 --> 00:04:49,756 THEY USE AT SIMILAR RATES. 87 00:04:49,822 --> 00:04:52,291 OKAY, THAT STAT COMES FROM A TRUE AUTHORITY ON RECREATIONAL 88 00:04:52,358 --> 00:04:54,927 MARIJUANA: THE TWITTER FEED OF BEN & JERRY'S. 89 00:04:54,994 --> 00:04:58,731 ( LAUGHTER ) YOU CAN TRUST-- YOU CAN TRUST 90 00:04:58,798 --> 00:05:04,070 THAT INFORMATION, BECAUSE NO ONE KNOWS CANNABIS LIKE THE GUYS WHO 91 00:05:04,137 --> 00:05:13,079 INVENTED PHISH FOOD, CHERRY GARCIA AND STEPHEN COLBERT'S 92 00:05:13,146 --> 00:05:14,280 AMERICONE DREAM. 93 00:05:14,347 --> 00:05:14,781 ( CHEERS AND APPLAUSE ). 94 00:05:14,847 --> 00:05:15,181 THERE YOU GO. 95 00:05:15,248 --> 00:05:16,249 OH, YEAH. 96 00:05:16,315 --> 00:05:17,784 THERE YOU GO. 97 00:05:17,850 --> 00:05:18,418 MMM. 98 00:05:18,484 --> 00:05:19,752 MMM. 99 00:05:19,819 --> 00:05:27,694 ( CHEERS AND APPLAUSE ) MY GLAUCOMA IS GETTING BETTER 100 00:05:27,760 --> 00:05:30,596 ALREADY. 101 00:05:30,663 --> 00:05:33,733 ALL PROCEEDS TO CHARITY. 102 00:05:33,800 --> 00:05:37,370 OF COURSE, THE TRIPPIEST TRUTH ABOUT MARIJUANA IS THAT EVEN 103 00:05:37,437 --> 00:05:41,474 THOUGH IT'S LEGAL IN 37 STATES, RECREATIONAL MARIJUANA USE 104 00:05:41,541 --> 00:05:44,243 REMAINS ILLEGAL AT THE FEDERAL LEVEL, BECAUSE G.O.P. LAWMAKERS 105 00:05:44,310 --> 00:05:49,615 STILL OPPOSE LEGALIZING WEED. 106 00:05:49,682 --> 00:05:50,283 COME ON, MITCH McCONNELL! 107 00:05:50,349 --> 00:05:51,150 DON'T BE A SQUARE. 108 00:05:51,217 --> 00:05:53,820 OR WHATEVER SHAPE YOU ARE ( LAUGHTER ) 109 00:05:53,886 --> 00:05:55,688 I WANT TO SAY... 110 00:05:55,755 --> 00:05:58,024 DECORATIVE GOURD? 111 00:05:58,091 --> 00:06:01,027 ( LAUGHTER ) ( APPLAUSE ) 112 00:06:01,094 --> 00:06:08,234 ONE-- ( CHEERS AND APPLAUSE ) 113 00:06:08,301 --> 00:06:11,637 THERE YOU GO. 114 00:06:11,704 --> 00:06:12,038 ( BLEEP ). 115 00:06:12,105 --> 00:06:12,872 THERE YOU GO. 116 00:06:12,939 --> 00:06:18,678 ( CHEERS AND APPLAUSE ). 117 00:06:18,745 --> 00:06:23,649 MY DOCTOR SAYS IT'S ONE OF THE BEST SOURCES OF WAFFLE CONE 118 00:06:23,716 --> 00:06:24,951 CHUNK. 119 00:06:25,017 --> 00:06:28,121 ONE BRIGHT SPARK IN THIS WEEK'S NEWS-BOWL IS THAT NEW JERSEY IS 120 00:06:28,187 --> 00:06:32,158 ABOUT TO BEGIN ADULT RECREATIONAL CANNABIS SALES. 121 00:06:32,225 --> 00:06:35,061 THAT IS EXCITING NEWS, BUT IT MEANS NEW YORKERS WILL HAVE TO 122 00:06:35,128 --> 00:06:38,598 DO THE UNTHINKABLE: DRIVE TO NEW JERSEY ON PURPOSE. 123 00:06:38,664 --> 00:06:42,201 ( LAUGHTER ) THE MOVE IS OVERWHELMINGLY 124 00:06:42,268 --> 00:06:45,204 SUPPORTED BY STATE RESIDENTS, WHO CAN NOW LOOK FORWARD TO 125 00:06:45,271 --> 00:06:48,941 JERSEY-SPECIFIC STRAINS LIKE: JON BONG JOVI, 126 00:06:49,008 --> 00:06:51,010 BRUCE SPRINGSTRAIN, JOINT STEWART, 127 00:06:51,077 --> 00:06:55,615 AND OF COURSE, STONEY SOPRANO'S GANJAGOO 128 00:06:55,681 --> 00:06:56,382 ( LAUGHTER ) ( APPLAUSE ) 129 00:06:56,449 --> 00:07:04,791 THE WEIRDEST PART-- ( APPLAUSE ) 130 00:07:04,857 --> 00:07:09,028 THE WEIRDEST PART OF THIS STORY IS THAT JERSEY WILL START SALES 131 00:07:09,095 --> 00:07:14,367 TOMORROW, ON 4/21, THE DAY AFTER 4/20! 132 00:07:14,433 --> 00:07:16,569 WHAT ARE THEY, HIGH? 133 00:07:16,636 --> 00:07:17,837 HAD ( LAUGHTER ) 134 00:07:17,904 --> 00:07:18,938 THAT'S NOT LEGAL 'TIL TOMORROW! 135 00:07:19,005 --> 00:07:21,474 BUT NOT EVERYBODY IN THE HYDROPONIC GARDEN STATE MIGHT 136 00:07:21,541 --> 00:07:23,643 GET TO ENJOY THE MARY JANE, BECAUSE AT A PRESS CONFERENCE, 137 00:07:23,709 --> 00:07:27,213 NEW JERSEY GOVERNOR PHIL MURPHY SAID HE'S OPEN TO CHANGING THE 138 00:07:27,280 --> 00:07:31,517 RULES TO EFFECTIVELY BAR POLICE OFFICERS FROM GETTING HIGH WHILE 139 00:07:31,584 --> 00:07:32,618 THEY'RE OFF DUTY. 140 00:07:32,685 --> 00:07:34,587 IT'S ALL PART OF GOVERNOR MURPHY'S PLAN TO DEFUND THE 141 00:07:34,654 --> 00:07:38,457 POLICE. 142 00:07:38,524 --> 00:07:41,727 ( LAUGHTER ) BUT, YOU GOTTA BE CAREFUL-- 143 00:07:41,794 --> 00:07:42,995 ( APPLAUSE ) SURE. 144 00:07:43,062 --> 00:07:45,865 WHY NOT? 145 00:07:45,932 --> 00:07:47,600 I'M NOT SURE THAT WAS WORTH THAT. 146 00:07:47,667 --> 00:07:50,469 NOT SURE THAT WAS WORTH THAT. 147 00:07:50,536 --> 00:07:52,605 BUT YOU GOTTA BE CAREFUL IF YOU'RE GETTING YOUR CANNABIS IN 148 00:07:52,672 --> 00:07:55,441 THE FORM OF EDIBLES, BECAUSE EXPERTS SAY COPYCAT PACKAGING OF 149 00:07:55,508 --> 00:08:01,480 POPULAR SNACKS COULD LEAD TO DANGEROUS MIX-UPS WITH YOUR 150 00:08:01,547 --> 00:08:05,084 EDIBLES. 151 00:08:05,151 --> 00:08:06,485 TAKE A LOOK AT ONE THESE PACKAGES: 152 00:08:06,552 --> 00:08:07,954 THOSE AREN'T REGULAR DORITOS YOU EAT WHEN YOU'RE HIGH. 153 00:08:08,020 --> 00:08:10,523 THEY'RE DORITOS YOU EAT WHEN YOU WANT TO GET HIGH. 154 00:08:10,590 --> 00:08:11,924 AND I CAN'T BELIEVE THEY WENT WITH "NACHO CHEESE" FLAVOR AND 155 00:08:11,991 --> 00:08:14,126 COMPLETELY MISSED THE OBVIOUS: "ARE YOU COOL?... 156 00:08:14,193 --> 00:08:16,295 RANCH." 157 00:08:16,362 --> 00:08:20,666 ( LAUGHTER ) SNACK MAKERS ARE NOT HAPPY. 158 00:08:20,733 --> 00:08:22,835 ONE SPOKESPERSON FOR THE NATIONAL CONFECTIONERS 159 00:08:22,902 --> 00:08:28,474 ASSOCIATION, WHICH IS A REAL THING, SAID THIS: 160 00:08:28,541 --> 00:08:33,346 "MANY CANNABIS EDIBLES COMPANIES ARE OVERSTEPPING ON MARKETING IN 161 00:08:33,412 --> 00:08:37,283 AN EGREGIOUS WAY." 162 00:08:37,350 --> 00:08:38,417 CAREFUL. 163 00:08:38,484 --> 00:08:39,318 WE'VE ALL SEEN WHAT HAPPENS TO PEOPLE WHO PISS OFF CANDY 164 00:08:39,385 --> 00:08:41,854 MAKERS. 165 00:08:41,921 --> 00:08:42,555 ( LAUGHTER ) ( APPLAUSE ). 166 00:08:42,622 --> 00:08:43,990 I NEED A CUP OF COFFEE. 167 00:08:44,056 --> 00:08:48,895 I NEED-- ( CHEERING ) 168 00:08:48,961 --> 00:08:50,329 NOW, NOT ALL THE "NUGS" ARE "DIGGITY-DANK," AS THE COOL KIDS 169 00:08:50,396 --> 00:08:53,266 DEFINITELY SAY. 170 00:08:53,332 --> 00:08:57,169 IN FACT, THE FOLKS AT "VICE NEWS" DECIDED TO LOOK FOR THE 171 00:08:57,236 --> 00:09:03,409 WORST WEED IN THE WORLD, WHICH IS EVIDENTALLY A PARAGUAYAN 172 00:09:03,476 --> 00:09:04,543 VARIETY CALLED "PARAGUAYO." 173 00:09:04,610 --> 00:09:06,012 IT'S COMPACTED INTO A BRICK TO MAKE IT EASIER TO SMUGGLE, 174 00:09:06,078 --> 00:09:08,180 OFTEN MIXED WITH MARMALADE TO HELP IT STICK TOGETHER AND 175 00:09:08,247 --> 00:09:09,482 COMPACT. 176 00:09:09,548 --> 00:09:11,884 MARMALADE MARIJUANA IS, OF COURSE, THE KIND FAVORED BY 177 00:09:11,951 --> 00:09:14,387 "POTTINGTON BEAR." 178 00:09:14,453 --> 00:09:18,391 ( LAUGHTER ) AND IF JAMMY GANJA WASN'T GROSS 179 00:09:18,457 --> 00:09:22,495 ENOUGH, THE GANGS WHO PRESS THE BRICKS REGULARLY LEAVE THE SEEDS 180 00:09:22,561 --> 00:09:26,032 INSIDE, WHICH RELEASE A URINE-ISH SMELL INTO THE 181 00:09:26,098 --> 00:09:28,868 MARIJUANA, WHICH COULD BE TOUGH TO EXPLAIN. 182 00:09:28,935 --> 00:09:30,870 ( AS MOM, SNIFFING ) "MATTHEW? ARE YOU SMOKING WEED 183 00:09:30,937 --> 00:09:31,470 IN THERE?" ( AS KID ) 184 00:09:31,537 --> 00:09:31,971 "NO, MOM! 185 00:09:32,038 --> 00:09:37,343 IT'S FINE! 186 00:09:37,410 --> 00:09:41,447 ME AND MY BUDDIES ARE PEEING ON EACH OTHER! 187 00:09:41,514 --> 00:09:45,551 IT'S FOR RAY SCHOOL PROJECT!" CONGRESS, CONGRESS-- THIS WOULD 188 00:09:45,618 --> 00:09:47,954 BE A GREAT YEAR TO LEGALIZE CANNABIS NATIONALLY. 189 00:09:48,020 --> 00:09:49,922 BECAUSE I THINK WE ALL NEED A LITTLE SOMETHING TO TAKE THE 190 00:09:49,989 --> 00:09:51,857 EDGE OFF. 191 00:09:51,924 --> 00:09:55,361 SO FAR, THIS YEAR'S ALL EDGE. 192 00:09:55,428 --> 00:09:56,996 FOR INSTANCE, WE ARE ALMOST EIGHT WEEKS INTO PUTIN'S ATTACK 193 00:09:57,063 --> 00:10:00,266 ON UKRAINE. 194 00:10:00,333 --> 00:10:01,834 AFTER A BRIEF LULL, RUSSIA LAUNCHED A MASSIVE ASSAULT ON 195 00:10:01,901 --> 00:10:05,871 THE EASTERN DONBAS REGION THAT THE KREMLIN CALLS "ANOTHER 196 00:10:05,938 --> 00:10:06,939 PHASE" OF ITS UKRAINE INVASION. 197 00:10:07,006 --> 00:10:08,207 OH, SURE, JUST ANOTHER PHASE PUTIN IS GOING THROUGH. 198 00:10:08,274 --> 00:10:10,109 THIS YEAR IT'S WAR CRIMES. 199 00:10:10,176 --> 00:10:12,111 LAST YEAR IT WAS GOTH. 200 00:10:12,178 --> 00:10:14,880 ( LAUGHTER ) SINCE INVADING, RUSSIA HAS TAKEN 201 00:10:14,947 --> 00:10:19,552 HEAVY LOSSES, BOTH MILITARILY AND ECONOMICALLY AND, 202 00:10:19,618 --> 00:10:22,788 REPORTEDLY, KREMLIN INSIDERS ARE NOW ALARMED OVER THE GROWING 203 00:10:22,855 --> 00:10:26,092 TOLL OF PUTIN'S WAR IN UKRAINE. 204 00:10:26,158 --> 00:10:28,027 CAREFUL. 205 00:10:28,094 --> 00:10:30,696 KREMLIN INSIDERS HAVE A WAY OF BECOMING KREMLIN OUTSIDERS, 206 00:10:30,763 --> 00:10:32,932 ESPECIALLY IF THEY'RE SITTING NEAR A WINDOW. 207 00:10:32,999 --> 00:10:36,669 ( LAUGHTER ) NOW, TO AVOID HEARING FROM A 208 00:10:36,736 --> 00:10:40,006 BUNCH OF DIMITRI DOWNERS, PUTIN HAS ISOLATED HIMSELF FURTHER, 209 00:10:40,072 --> 00:10:44,276 RELYING ON A NARROWING CIRCLE OF HARDLINE ADVISERS. 210 00:10:44,343 --> 00:10:47,613 ONLY THE MOST FEARED AND DESPISED REMAIN AROUND PUTIN'S 211 00:10:47,680 --> 00:10:52,218 GIANT TABLE: JOSEPH STALIN'S MUSTACHE, THE GUY WHO KILLED 212 00:10:52,284 --> 00:10:54,253 JOHN WICK'S DOG, SHAKE FROM "LOVE IS BLIND," 213 00:10:54,320 --> 00:10:56,756 "BRIDGERTON'S LORD FEATHERINGTON, 214 00:10:56,822 --> 00:10:59,658 THE MYPILLOW GUY, BUT, OF COURSE, PUTIN'S CRUELEST 215 00:10:59,725 --> 00:11:00,226 ADVISER... 216 00:11:00,292 --> 00:11:02,328 IS POTATO. 217 00:11:02,395 --> 00:11:04,897 ( LAUGHTER ) ( CHEERS AND APPLAUSE ) 218 00:11:04,964 --> 00:11:06,632 SPEAKING-- LONG WALK. 219 00:11:06,699 --> 00:11:11,904 LONG WALK. 220 00:11:11,971 --> 00:11:18,544 >> Jon: ♪ I'M WALKING, YES INDEED. 221 00:11:18,611 --> 00:11:20,112 >> Stephen: SPEAKING OF COUCH POTATOES: NETFLIX. 222 00:11:20,179 --> 00:11:21,580 TODAY, THEIR STOCK PRICE DROPPED OVER 35% AFTER THEY ANNOUNCED 223 00:11:21,647 --> 00:11:22,915 THEY HAD LOST 200,000 SUBSCRIBERS. 224 00:11:22,982 --> 00:11:24,116 THAT'S A LOT! 225 00:11:24,183 --> 00:11:26,352 EXPLAINS WHY THEY'VE CHANGED THEIR POP-UP MESSAGE FROM 226 00:11:26,419 --> 00:11:28,020 "ARE YOU STILL WATCHING?" TO "COME BACK! 227 00:11:28,087 --> 00:11:28,454 PLEASE! 228 00:11:28,521 --> 00:11:29,789 I CAN CHANGE! 229 00:11:29,855 --> 00:11:33,526 DO YOU WANT DVDs AGAIN?!" ( LAUGHTER ) 230 00:11:33,592 --> 00:11:35,528 NETFLIX IS BLAMING THE LOSS OF SUBSCRIBERS ON A COMBINATION OF 231 00:11:35,594 --> 00:11:38,064 FACTORS, LIKE THE GROWTH OF COMPETITIVE SERVICES. 232 00:11:38,130 --> 00:11:40,966 YEAH, THEY'RE NOT THE ONLY GAME IN TOWN ANYMORE. 233 00:11:41,033 --> 00:11:43,469 IT USED TO BE JUST "NETFLIX AND CHILL." 234 00:11:43,536 --> 00:11:53,546 NOW YOU CAN "HBO MAX AND RELAX," "HULU AND WOO-HOO," AND 235 00:11:53,612 --> 00:11:56,382 "PEACOCK." 236 00:11:56,449 --> 00:11:59,518 ( LAUGHTER ) ( APPLAUSE ) 237 00:11:59,585 --> 00:12:02,788 NETFLIX, USED TO-- USED TO GO-- REALLY? 238 00:12:02,855 --> 00:12:03,189 REALLY? 239 00:12:03,255 --> 00:12:03,789 I'M SURPRISED. 240 00:12:03,856 --> 00:12:05,424 SLIGHTLY SURPRISED. 241 00:12:05,491 --> 00:12:08,894 NETFLIX USED TO BE THE GO-TO SPOT FOR BIG TV AND FILM, BUT 242 00:12:08,961 --> 00:12:12,331 NOW, OTHER STREAMERS HAVE TAKEN BACK A LOT OF STUFF THAT USED TO 243 00:12:12,398 --> 00:12:14,433 RUN ON NETFLIX AND PUT IT ON THEIR OWN SERVICES. 244 00:12:14,500 --> 00:12:16,802 YEAH, LIKE "STAR TREK." 245 00:12:16,869 --> 00:12:23,609 THAT USED TO BE ON NETFLIX, AND NOW IT'S EXCLUSIVELY ON 246 00:12:23,676 --> 00:12:28,514 PARAMOUNT+ PARAMOUNT+, A MOUNTAIN OF RERUNS 247 00:12:28,581 --> 00:12:30,049 WE NEVER THOUGHT YOU'D PAY FOR. 248 00:12:30,116 --> 00:12:31,083 NETFLIX IS ALSO BLAMING THE SUBSCRIBER SLOWDOWN ON 249 00:12:31,150 --> 00:12:32,017 PASSWORD SHARING AND VOWING TO CRACK DOWN. 250 00:12:32,084 --> 00:12:32,618 WHAT?! 251 00:12:32,685 --> 00:12:34,553 ABSOLUTELY NOT! 252 00:12:34,620 --> 00:12:37,423 YOU HAVE THE LEGAL RIGHT TO USE YOUR EX-GIRLFRIEND'S PASSWORD 253 00:12:37,490 --> 00:12:39,558 UNTIL SHE GETS MARRIED. 254 00:12:39,625 --> 00:12:42,094 THEN YOU RETURN IT TO HER AS A WEDDING GIFT. 255 00:12:42,161 --> 00:12:45,197 ( LAUGHTER ) WE'VE GOT A GREAT SHOW FOR YOU 256 00:12:45,264 --> 00:12:49,101 TONIGHT, MY GUESTS ARE ALEXANDER 257 00:12:49,168 --> 00:12:50,469 SKARSGARD AND MUSICIAN JACK WHITE. 258 00:12:50,536 --> 00:12:53,973 BUT WHEN WE COME BACK, THE HAPPIEST PLACE ON EARTH IS SAD 259 00:12:54,039 --> 00:12:55,908 THANKS TO RON DeSANTIS. 260 00:12:55,975 --> 00:12:58,077 STICK AROUND, FRIENDS. 261 00:12:58,144 --> 00:13:00,012 ♪ ♪ ♪ ( APPLAUSE ) 262 00:13:21,200 --> 00:13:29,241 ♪ ♪ ♪ ♪ ♪ ♪ 263 00:13:29,308 --> 00:13:31,210 ( APPLAUSE ) >> Stephen: JON BATISTE AND 264 00:13:31,277 --> 00:13:33,546 STAY HUMAN, EVERYBODY! 265 00:13:33,612 --> 00:13:41,720 ( APPLAUSE ) NICE, NICE. 266 00:13:41,787 --> 00:13:42,955 NICE, NICE. 267 00:13:43,022 --> 00:13:46,992 JON, WE'VE GOT TWO-- TWO OF MY FAVORITE BUDDIES ARE ON THE SHOW 268 00:13:47,059 --> 00:13:47,493 TONIGHT. 269 00:13:47,560 --> 00:13:49,461 ALEXANDER SKARSGARD. 270 00:13:49,528 --> 00:13:52,164 >> Jon: YEAH ALEXANDER SKARSGARD. 271 00:13:52,231 --> 00:13:56,802 >> Stephen: WHO IS THE STAR OF THE NEW MOVIE "THE NORTHMAN." 272 00:13:56,869 --> 00:13:59,872 YEAH A LOT OF ABS IN THAT MOVIE. 273 00:13:59,939 --> 00:14:01,540 >> HE'S SHOWING IT ALL. 274 00:14:01,607 --> 00:14:04,410 >> Stephen: HE'S GOT, LIKE, A SEVEN-PACK. 275 00:14:04,476 --> 00:14:06,779 >> Jon: YOU GOT TO SELL THE TICKETS. 276 00:14:06,845 --> 00:14:07,947 >> Stephen: YOU'VE GOT TO. 277 00:14:08,013 --> 00:14:11,617 NOTHING LOOK A LITTLE BUTT TO PUT THOSE BUTTS IN THE SEAT. 278 00:14:11,684 --> 00:14:15,221 THAT'S GOING TO BE A LOT OF FUN TONIGHT, ALWAYS FUN TO TALK TO. 279 00:14:15,287 --> 00:14:18,557 AND BRILLIANT MUSICIAN JACK WHITE IS GOING TO BE HERE 280 00:14:18,624 --> 00:14:19,391 TONIGHT. 281 00:14:19,458 --> 00:14:22,428 ( APPLAUSE ) FOLKS, THERE'S NEWS FROM 282 00:14:22,494 --> 00:14:29,969 FLORIDA-- A.K.A., AMERICA'S SKIN TAG. 283 00:14:30,035 --> 00:14:33,439 WE REALLY GOTTA GET THAT LOOKED AT. 284 00:14:33,505 --> 00:14:35,007 PROBABLY BENIGN, BUT WORTH REMOVING. 285 00:14:35,074 --> 00:14:36,542 THERE'S A FIGHT BREWING BETWEEN DISNEY AND FLORIDA GOVERNOR AND 286 00:14:36,609 --> 00:14:39,545 MAN LEARNING NOT TO FEED HIS SNAPPING TURTLE PANTSLESS, 287 00:14:39,612 --> 00:14:41,880 RON DESANTIS. 288 00:14:41,947 --> 00:14:46,485 GOVERNOR DESANTIS IS UPSET BECAUSE DISNEY HAS VOWED TO HELP 289 00:14:46,552 --> 00:14:48,854 HAVE FLORIDA'S "DON'T SAY GAY" BILL REPEALED. 290 00:14:48,921 --> 00:14:54,326 ( CHEERS AND APPLAUSE ) DESANTIS WANTS DISNEY TO RETURN 291 00:14:54,393 --> 00:15:02,268 TO CELEBRATING TRADITIONAL FAMILY UNITS: ONE WOMAN AND 292 00:15:02,334 --> 00:15:04,236 SEVEN DWARVES, AS GOD INTENDED. 293 00:15:04,303 --> 00:15:08,507 SO, YESTERDAY, DESANTIS MOVED TO STRIP DISNEY OF SELF-GOVERNING 294 00:15:08,574 --> 00:15:10,976 POWER. 295 00:15:11,043 --> 00:15:12,544 NOW, WHAT IS DISNEY'S SELF-GOVERNING POWER? 296 00:15:12,611 --> 00:15:14,013 WELL, SINCE 1967, DISNEY HAS BEEN RESPONSIBLE FOR LOCAL 297 00:15:14,079 --> 00:15:16,749 GOVERNANCE IN AND AROUND DISNEY WORLD, AN AREA KNOWN AS THE 298 00:15:16,815 --> 00:15:22,288 25,000-ACRE REEDY CREEK IMPROVEMENT DISTRICT. 299 00:15:22,354 --> 00:15:26,058 IN THERE, THE COMPANY OVERSEES ENVIRONMENTAL AND LAND USE 300 00:15:26,125 --> 00:15:28,894 RULES, MAINTAINS ALL PUBLIC ROADS, AND PROVIDES FIRE AND 301 00:15:28,961 --> 00:15:31,964 EMERGENCY SERVICES. 302 00:15:32,031 --> 00:15:33,332 NOW, SOME QUESTION WHETHER A PRIVATE COMPANY SHOULD BE 303 00:15:33,399 --> 00:15:35,734 ALLOWED TO SELF-GOVERN, BUT DISNEY'S DONE WHAT NO OTHER 304 00:15:35,801 --> 00:15:40,673 COMPANY HAS: CAPTURED EVERY SINGLE PRESIDENT. 305 00:15:40,739 --> 00:15:43,842 ( LAUGHTER ) DESANTIS MADE HIS THREAT 306 00:15:43,909 --> 00:15:45,511 YESTERDAY MORNING, AND REPUBLICAN LAWMAKERS DELIVERED, 307 00:15:45,577 --> 00:15:51,650 QUICKLY ADVANCING A PAIR OF BILLS TARGETING DISNEY WITHIN 308 00:15:51,717 --> 00:15:53,285 HOURS. 309 00:15:53,352 --> 00:15:55,187 NOW, THIS SEEMS LIKE AN ODD DECISION BY THE 310 00:15:55,254 --> 00:15:56,488 SUPPOSEDLY PRO-BUSINESS PARTY, ESPECIALLY CONSIDERING DISNEY IS 311 00:15:56,555 --> 00:16:00,826 FLORIDA'S LARGEST PRIVATE EMPLOYER. 312 00:16:00,893 --> 00:16:03,896 NOT ONLY THAT, DISNEY IS ALSO THE REASON WHY ANYONE GOES TO 313 00:16:03,962 --> 00:16:09,635 FLORIDA-- OTHER THAN SPRING BREAK AND TO DIE. 314 00:16:09,702 --> 00:16:12,104 ( LAUGHTER ) DESANTIS ALSO WANTS TO MAKE 315 00:16:12,171 --> 00:16:17,543 DISNEY SUBJECT TO A STATE LAW THAT ALLOWS PEOPLE TO SUE BIG 316 00:16:17,609 --> 00:16:21,347 TECH COMPANIES FOR CENSORSHIP. 317 00:16:21,413 --> 00:16:23,615 OKAY, SO NO MORE CENSORSHIP, DISNEY! 318 00:16:23,682 --> 00:16:28,153 WE DEMAND YOU RELEASE THE "LION KING BUTTHOLE CUT." 319 00:16:28,220 --> 00:16:32,224 ♪ IT'S THE CIRCLE OF LIFE ♪ WE'LL BE RIGHT WITH ALEXANDER 320 00:16:32,291 --> 00:16:34,326 SKARSGARD. 321 00:16:34,393 --> 00:16:37,329 ♪ ♪ ♪ ♪ ♪ ♪ 322 00:16:37,396 --> 00:16:38,797 ( APPLAUSE ) 323 00:16:51,877 --> 00:16:59,785 ♪ ♪ ♪ ( APPLAUSE ) 324 00:16:59,852 --> 00:17:01,854 >> Stephen: HEY, EVERYBODY! 325 00:17:01,920 --> 00:17:04,123 WELCOME BACK! 326 00:17:04,189 --> 00:17:10,262 LADIES AND GENTLEMEN, MY FIRST GUEST TONIGHT IS AN EMMY 327 00:17:10,329 --> 00:17:13,632 AWARD-WINNING ACTOR YOU KNOW FROM "TRUE BLOOD," "BIG LITTLE 328 00:17:13,699 --> 00:17:14,600 LIES," AND "SUCCESSION." 329 00:17:14,666 --> 00:17:17,936 HE NOW STARS IN THE NEW MOVIE "THE NORTHMAN." 330 00:17:18,003 --> 00:17:21,974 PLEASE WELCOME BACK TO "THE LATE SHOW," ALEXANDER SKARSGARD! 331 00:17:22,040 --> 00:17:35,821 ♪ ♪ ♪ ( APPLAUSE ) 332 00:17:35,888 --> 00:17:37,923 THERE YOU GO. 333 00:17:37,990 --> 00:17:45,397 ( CHEERS AND APPLAUSE ). 334 00:17:45,464 --> 00:17:46,932 >> Stephen: GOOD TO SEE YOU AGAIN. 335 00:17:46,999 --> 00:17:48,133 >> IT'S GOOD TO SEE YOU AGAIN. 336 00:17:48,200 --> 00:17:49,101 IT'S BEEN A WHILE. 337 00:17:49,168 --> 00:17:51,170 >> Stephen: IT'S ALWAYS NICE TO HAVE YOU HERE. 338 00:17:51,236 --> 00:17:53,305 IT'S PARTICULARLY NICE TO HAVE YOU HERE BECAUSE I WANTED TO 339 00:17:53,372 --> 00:17:55,507 THANK YOU IN PERSON FOR SOMETHING YOU DID FOR ME OVER A 340 00:17:55,574 --> 00:18:00,145 YEAR AGO, A YEAR AND A HALF AGO, BECAUSE IT'S A WHILE YOU'VE BEEN 341 00:18:00,212 --> 00:18:01,380 ON HERE BECAUSE OF COVID. 342 00:18:01,447 --> 00:18:05,350 FOR PEOPLE WHO DON'T KNOW, I DID A PART ON A SHOW CALLED "GIRLS 343 00:18:05,417 --> 00:18:15,594 FIVE-EVA" AND I PLACED A MUSIC DIRECTOR, ARF MUSIC. 344 00:18:15,661 --> 00:18:17,362 >> ACTUALLY, I HAVEN'T SEEN IT. 345 00:18:17,429 --> 00:18:20,165 >> Stephen: YOU NEVER SAW IT, NO. 346 00:18:20,232 --> 00:18:22,868 I KNEW I DIDN'T WANT TO DO-- I CALLED YOU UP BECAUSE I DIDN'T 347 00:18:22,935 --> 00:18:27,339 WANT TO DO LIKE SWEDISH CHEF. 348 00:18:27,406 --> 00:18:32,177 SO I WANTED SOMETHING THAT WAS IDENTIFIABLY SWEDISH BUT NOT 349 00:18:32,244 --> 00:18:33,445 SUPER OVER THE TOP. 350 00:18:33,512 --> 00:18:35,914 YOU WERE ON YOUR WAY HOME FOR CHRISTMAS, RIGHT? 351 00:18:35,981 --> 00:18:39,518 >> I WAS IN STOCKHOLM IN SOUTH STOCKHOLM, WHERE I'M FROM. 352 00:18:39,585 --> 00:18:41,520 I WAS AT A LOCAL COFFEE SHOP WHEN YOU CALLED. 353 00:18:41,587 --> 00:18:42,788 >> Stephen: YES. 354 00:18:42,855 --> 00:18:49,661 >> I GUESS YOU FIGURED, BEING A- NEEDING A SWEDE, I KNOW A SWEDE. 355 00:18:49,728 --> 00:18:51,497 I'LL CALL ALEXANDER. 356 00:18:51,563 --> 00:18:54,199 >> Stephen: MEAT BALL RECIPES. 357 00:18:54,266 --> 00:19:00,138 >> AND I COULDN'T BE MORE THAN HAPPY TO OBLIGE. 358 00:19:00,205 --> 00:19:03,008 >> Stephen: YOU SAID, "CAN IICALLY YOU LATER TONIGHT, AND I 359 00:19:03,075 --> 00:19:04,176 MIGHT BE DRUNK." 360 00:19:04,243 --> 00:19:06,111 YOU HAD SOME PARENT TO GO TO. 361 00:19:06,178 --> 00:19:07,145 YOU COULDN'T BE BETTER. 362 00:19:07,212 --> 00:19:08,847 YOU RECORDED EVERY LINE FOR ME. 363 00:19:08,914 --> 00:19:11,016 AND I DID MY BEST. 364 00:19:11,083 --> 00:19:15,387 I DON'T KNOW IF YOU HAD A CHANCE-- YOU DID NOT HAVE A 365 00:19:15,454 --> 00:19:20,826 CHANCE-- >> I HADN'T HAD A CHANCE. 366 00:19:20,893 --> 00:19:24,897 >> Stephen: SUR-THROMMING. 367 00:19:24,963 --> 00:19:26,532 WHAT'S THE ACID TEST? 368 00:19:26,598 --> 00:19:33,171 >> THE MASTER CLASS WOULD BE... 369 00:19:33,238 --> 00:19:39,645 IT MEANS SEVEN SEA SICK SAILORS. 370 00:19:39,711 --> 00:19:40,078 SO... 371 00:19:40,145 --> 00:19:44,850 ( LAUGHTER ). 372 00:19:44,917 --> 00:19:47,686 >> Stephen: WHAT? 373 00:19:47,753 --> 00:19:52,791 ( LAUGHTER ) WHEU? 374 00:19:52,858 --> 00:19:57,195 >> WHEU. 375 00:19:57,262 --> 00:19:57,663 OOKA. EU. 376 00:19:57,729 --> 00:19:58,430 >> Stephen: HOOKA. 377 00:19:58,497 --> 00:19:59,231 >> SEA SICK. 378 00:19:59,298 --> 00:20:04,570 >> Stephen: SEA SICK. 379 00:20:04,636 --> 00:20:09,274 >> WHER MEN. 380 00:20:09,341 --> 00:20:11,176 NOW PUT THEM TOGETHER. 381 00:20:11,243 --> 00:20:19,551 ( LAUGHTER ) ( APPLAUSE ) 382 00:20:19,618 --> 00:20:24,022 >> I'M NOT GOING TO SOUND LIKE THE SWEDISH CHEF, BUT HERE I GO. 383 00:20:24,089 --> 00:20:25,390 MORE THAN HAPPY TO OBLIGE. 384 00:20:25,457 --> 00:20:26,592 GLAD I COULD HELP. 385 00:20:26,658 --> 00:20:29,494 >> Stephen: ALEXANDER SKARSGARD, REITZ GET DOWN TO THE 386 00:20:29,561 --> 00:20:30,662 HEAT OF THE MEAT HERE. 387 00:20:30,729 --> 00:20:33,398 I HAVE SEEN YOUR NEW MOVIE, "THE NORTHMAN," AND I WILL GIVE 388 00:20:33,465 --> 00:20:35,801 PEOPLE AN IDEA OF THE TONE WITH THIS PHOTOGRAPH RIGHT HERE. 389 00:20:35,867 --> 00:20:37,636 THIS IS YOU RAIDING A VILLAGE. 390 00:20:37,703 --> 00:20:38,704 THERE IT IS. 391 00:20:38,770 --> 00:20:44,109 ( CHEERING ) >> LIGHT FUN COMEDY FOR THE 392 00:20:44,176 --> 00:20:44,576 WHOLE FAMILY. 393 00:20:44,643 --> 00:20:45,811 >> Stephen: IT IS. 394 00:20:45,877 --> 00:20:49,514 THERE'S-- YOU MESS UP THAT VILLAGE REAL GOOD IN THIS SCENE. 395 00:20:49,581 --> 00:20:52,084 YOU ALSO PRODUCD IT. 396 00:20:52,150 --> 00:20:57,255 HOW LONG DID IT TAKE TO PRODUCE THESE? 397 00:20:57,322 --> 00:20:58,657 THE ABS WE KNOW YOU HAVE. 398 00:20:58,724 --> 00:21:00,392 BUT THESE, YOUR TRAPS, MAN. 399 00:21:00,459 --> 00:21:04,563 THESE TRAPS UP HERE, IT'S LIKE YOU GOT TWO SOURDOUGH LOAVES UP 400 00:21:04,630 --> 00:21:05,263 THERE. 401 00:21:05,330 --> 00:21:07,165 WAS IT JUST NOTHING BUT SHRUGS? 402 00:21:07,232 --> 00:21:08,967 HOW LONG DID IT TAKE TO GET THE TRAPS? 403 00:21:09,034 --> 00:21:14,172 >> WE SHOULD HAVE JUST GLUED ON SOME SOURDOUGHS UP THERE. 404 00:21:14,239 --> 00:21:15,140 IT WOULD HAVE BEEN WAY EASIER. 405 00:21:15,207 --> 00:21:16,375 >> Stephen: THAT'S EXTRAORDINARY. 406 00:21:16,441 --> 00:21:21,213 >> I JUST HAD TO KIND OF CARRY ROCKS AROUND FOR MONTHS, LIKE 407 00:21:21,279 --> 00:21:22,314 BOLDERS AROUND. 408 00:21:22,381 --> 00:21:28,887 >> Stephen: THIS MOVIE IS-- IT'S A REVENGE THRILLER... 409 00:21:28,954 --> 00:21:30,055 >> MUSICAL? 410 00:21:30,122 --> 00:21:31,089 >> Stephen: MYSTICAL. 411 00:21:31,156 --> 00:21:34,159 I WAS GOING TO SAY MYSTICAL, BECAUSE IT'S MYSTICAL. 412 00:21:34,226 --> 00:21:37,562 AS WE WERE SAYING BACKSTAGE, ONE OF THE THINGS I LOVE ABOUT THIS 413 00:21:37,629 --> 00:21:45,904 IS THAT IT REALLY TAKES NORDIC MYTH OINGS SERIOUSLY, AND THE 414 00:21:45,971 --> 00:21:49,307 RESPONSIBILITY TO AVENGE HIS FATHER-- I AM NOT GIVING 415 00:21:49,374 --> 00:21:54,146 ANYTHING AWAY-- YOU AVENGE ETHAN HAWKE YOUR FATHER. 416 00:21:54,212 --> 00:21:55,280 IT'S IN THE TRAILER. 417 00:21:55,347 --> 00:21:59,351 AND THE GODS HAVE THEIR NART THIS IN THIS OWN SUBTLE AND 418 00:21:59,418 --> 00:22:01,086 ORGANIC AND NATURALISTIC WAY. 419 00:22:01,153 --> 00:22:03,388 WHAT IS IT ABOUT THE STORY, YOU'RE NOT ONLY STARRING, YOU'RE 420 00:22:03,455 --> 00:22:05,524 THE PRODUCER-- WHY IS THIS STORY SO IMPORTANT TO YOU? 421 00:22:05,590 --> 00:22:07,492 >> I REALLY WANTED TO CAPTURE IT. 422 00:22:07,559 --> 00:22:13,598 I HAD NEVER SEEN THAT ON A BIG SCREEN, THE NORSE MYTHOLOGY COME 423 00:22:13,665 --> 00:22:14,666 TO LIFE. 424 00:22:14,733 --> 00:22:18,537 >> Stephen: THEY'RE VIKING MOVIES BUT THEY'RE KIND OF 425 00:22:18,603 --> 00:22:19,571 GLOSSY. 426 00:22:19,638 --> 00:22:22,307 >> THE IDEA WAS TO TRY TO CAPTURE THE SUPERNATURAL 427 00:22:22,374 --> 00:22:27,646 ELEMENTS THAT ARE FANTASTICICAL AND SUPERNATURAL TO MODERN-DAY 428 00:22:27,713 --> 00:22:28,880 AUDIENCE. 429 00:22:28,947 --> 00:22:30,582 THE GOAL WAS TO-- FOR PEOPLE TO FEEL TRANSPORTED BACK IN TIME 430 00:22:30,649 --> 00:22:34,019 AND SEE THE WORLD THROUGH AMLETH'S EYES 1,000 YEARS AGO. 431 00:22:34,086 --> 00:22:39,558 SO ALL THESE SCENES IN WHICH HE GETS-- HAS TO FIGHT A SEVEN-FOOT 432 00:22:39,624 --> 00:22:45,497 GIANT SKELETON, OR GETS PICKED UP ARE SUPERNATURAL AND CRAZY TO 433 00:22:45,564 --> 00:22:48,700 US, POTENTIALLY, BUT TO HIM IT'S 100% REAL. 434 00:22:48,767 --> 00:22:49,968 EVERYTHING MAKES SENSE TO HIM. 435 00:22:50,035 --> 00:22:52,337 IT'S LIKE THESE ARE STORIES SHE'S BEEN TOLD SINCE HE WAS 436 00:22:52,404 --> 00:22:53,205 YOUNG. 437 00:22:53,271 --> 00:22:54,306 THERE'S NO REASON FOR HIM TO QUESTION IT. 438 00:22:54,372 --> 00:22:57,709 THERE WAS NO SUCH THING AS A VIKING ATHEIST. 439 00:22:57,776 --> 00:23:01,012 THAT WAS KIND OF THE GOAL IN TRYING TO CAPTURE THAT. 440 00:23:01,079 --> 00:23:04,216 >> Stephen: WE HAVE TO TAKE A QUICK BREAK, BUT WHEN WE COME 441 00:23:04,282 --> 00:23:07,886 BACK, I WILL ASK ALEXANDER IF THERE IS ANY PARTICULAR PROP HE 442 00:23:07,953 --> 00:23:11,890 HAS TAKEN FROM HIS LATEST MOVIE, "THE NORTHMAN." 443 00:23:11,957 --> 00:23:14,025 IT MIGHT SURPRISE YOU. 444 00:23:14,092 --> 00:23:15,093 ♪ ♪ ♪ ( APPLAUSE ) 445 00:23:20,232 --> 00:23:21,299 ♪ ♪ ♪ ( APPLAUSE ). 446 00:23:21,366 --> 00:23:21,733 >> Stephen: HEY. 447 00:23:21,800 --> 00:23:22,667 WE CAN TALK. 448 00:23:22,734 --> 00:23:23,602 IT'S ALL RIGHT. 449 00:23:23,668 --> 00:23:24,770 HEY, EVERYBODY. 450 00:23:24,836 --> 00:23:28,874 WE'RE BACK WITH THE STAR OF THE NEW MOVIE "THE NORTHMAN," 451 00:23:28,940 --> 00:23:30,609 ALEXANDER SKARSGARD. 452 00:23:30,675 --> 00:23:34,312 YOU SHOOT A LOT OF THIS IN ICELAND, WHICH IS LIKE A TIME 453 00:23:34,379 --> 00:23:35,981 CAPSULE OF THE NORDIC WORLD. 454 00:23:36,047 --> 00:23:37,816 >> IN NORTHERN IRELAND AND ICELAND. 455 00:23:37,883 --> 00:23:39,351 >> Stephen: NORTHERN IRELAND AND ICELAND. 456 00:23:39,417 --> 00:23:41,319 IT LOOKS VERY CHILLY, THIS SHOOTING. 457 00:23:41,386 --> 00:23:43,989 THERE'S A LOT OF LIKE-- I'VE BEEN IN THE WATER UP IN ICELAND. 458 00:23:44,055 --> 00:23:45,957 IT'S REALLY COLD. 459 00:23:46,024 --> 00:23:49,895 THEY SHOW YOU GUYS WADING ASHORE IN ICELAND. 460 00:23:49,961 --> 00:23:51,062 YOU'RE WET A LOT IN THIS MOVIE. 461 00:23:51,129 --> 00:23:52,264 >> YUP. 462 00:23:52,330 --> 00:23:56,067 >> Stephen: WAS IT-- WAS IT A PLEASANT SHOOTING EXPERIENCE? 463 00:23:56,134 --> 00:23:59,104 >> I WAS WET, MUDDY, AND BLOODY FOR SEVEN MONTHS. 464 00:23:59,171 --> 00:24:00,972 WE ALL WERE. 465 00:24:01,039 --> 00:24:04,876 THE DIRECTOR ROBERT EGGERS, HE BELIEVES IN VERY IMMERSIVE FILM 466 00:24:04,943 --> 00:24:05,877 MAKING. 467 00:24:05,944 --> 00:24:10,515 >> Stephen: SURE, "THE WITCH," "THE LIGHTHOUSE." 468 00:24:10,582 --> 00:24:12,284 EXTRAORDINARY TRANSPORTIVE MOVIES. 469 00:24:12,350 --> 00:24:13,552 >> HE'S INCREDIBLE. 470 00:24:13,618 --> 00:24:17,455 AND ALL THESE SETS WERE BUILT-- HE'S ALL ABOUT AUTHENTICITY AND 471 00:24:17,522 --> 00:24:20,292 HISTORICAL ACCURACY, SO THE SETS WERE BUILT A YEAR BEFORE HE WERE 472 00:24:20,358 --> 00:24:24,162 SHOOTING, BY EXPERTS TO MAKE SURE THE LONGHOUSE, EVERYTHING 473 00:24:24,229 --> 00:24:28,433 WAS 100% AUTHENTIC. 474 00:24:28,500 --> 00:24:32,804 IT ALSO MEANS WHEN YOU'RE IN IT, YOU'RE IMMERSED IN THAT WORLD. 475 00:24:32,871 --> 00:24:35,373 YOU'RE NOT ON A SOUND, NICE WARM -- 476 00:24:35,440 --> 00:24:37,776 >> Stephen: WHAT DOES THAT SET SMELL LIKE? 477 00:24:37,843 --> 00:24:38,643 I'M JUST CURIOUS. 478 00:24:38,710 --> 00:24:43,114 >> DEATH, BASICALLY, AND DEATH AND FECES. 479 00:24:43,181 --> 00:24:44,482 HORSES, GUYS, HORSES. 480 00:24:44,549 --> 00:24:45,617 ( LAUGHTER ). 481 00:24:45,684 --> 00:24:47,085 >> Stephen: CAN YOU TELL US WHAT'S GOING ON IN THIS CLIP 482 00:24:47,152 --> 00:24:47,786 RIGHT HERE? 483 00:24:47,853 --> 00:24:50,021 THIS IS A VERY DRAMATIC MOMENT. 484 00:24:50,088 --> 00:24:51,056 YOU'RE SCREAMING AT SOME PEOPLE. 485 00:24:51,122 --> 00:24:53,225 >> I'M ABOUT TO AVEMPLE THE DEATH OF MY FATHER. 486 00:24:53,291 --> 00:24:56,595 >> Stephen: AND YOU SAY YOUR FATHER'S NAME, WHICH IS-- HAS 487 00:24:56,661 --> 00:24:59,464 SORT OF A HERALDIC NAME TO IT. 488 00:24:59,531 --> 00:25:01,233 WHAT'S YOUR CHARACTER'S NAME? 489 00:25:01,299 --> 00:25:03,535 >> AMLETH. 490 00:25:03,602 --> 00:25:04,903 >> Stephen: THE FULL NAME? 491 00:25:04,970 --> 00:25:06,938 >> AMLETH, THE BEAR WOLF. 492 00:25:07,005 --> 00:25:08,840 >> Stephen: I LOVE IT. 493 00:25:08,907 --> 00:25:14,713 NORDIC NAMES, MAN. 494 00:25:14,779 --> 00:25:19,851 >> WAR-RAVEN, IS MY OLD MAN. 495 00:25:19,918 --> 00:25:20,485 BOB. 496 00:25:20,552 --> 00:25:21,519 >> Stephen: BOB THE BUILDER. 497 00:25:21,586 --> 00:25:24,356 >> I'M HERE TO AVENGE THE DEATH OF MY FATHER, BOB! 498 00:25:24,422 --> 00:25:26,358 >> Stephen: JIM. 499 00:25:26,424 --> 00:25:33,064 >> I AM AMLETH, THE BEAR WOLF. 500 00:25:33,131 --> 00:25:34,432 SON OF WAR-RAVEN. 501 00:25:34,499 --> 00:25:44,476 AND I AM HIS AVEMPLER! 502 00:25:44,542 --> 00:25:54,019 AND I AM HIS AVEMPLER! 503 00:25:54,085 --> 00:26:01,626 ( CHEERS AND APPLAUSE ) >> Stephen: LIGHT. 504 00:26:01,693 --> 00:26:05,130 AS AN ACTOR, HOW DO YOU KEEP FROM BLOWING OUT YOUR VOICE. 505 00:26:05,196 --> 00:26:06,865 >> I WAS JUST ABOUT TO TELL YOU. 506 00:26:06,932 --> 00:26:08,533 I BELIEVE THIS WAS THE FIRST DAY. 507 00:26:08,600 --> 00:26:11,036 I BELIEVE WE ONLY GOT ONE TAKE WITH THE VOICE. 508 00:26:11,102 --> 00:26:15,273 I GUESS I DIDN'T ENGAGE MY DIAPHRAGM CORRECTLY THE FIRST 509 00:26:15,340 --> 00:26:16,541 TIME AND I TURNED IT UP TO 11. 510 00:26:16,608 --> 00:26:22,314 THE SECOND TIME WE DID IT, THAT MOMENT I STEP OUT, AND I GO, "I 511 00:26:22,380 --> 00:26:27,619 AM AMLETH ( HIGH PITCHED ) 512 00:26:27,686 --> 00:26:29,621 THE BEAR WOLF." 513 00:26:29,688 --> 00:26:33,825 AND THEY'RE ALL SUPPOSED TO LOOK LIKE TERRIFIED, AND I SEE 514 00:26:33,892 --> 00:26:37,062 EVERYONE, I GO ( HIGH PITCHED VOICE ) 515 00:26:37,128 --> 00:26:38,596 I AM HIS AVENGER. 516 00:26:38,663 --> 00:26:44,169 >> Stephen: I UNDERSTAND YOU TOOK ONE ITEM FROM THE MOVIE, 517 00:26:44,235 --> 00:26:48,540 AND THERE ARE SOME BEAUTIFUL PROPS, BEAUTIFUL SWORDS-- 518 00:26:48,606 --> 00:26:51,609 >> NICOLLE KID MAN GOT A SWORD. 519 00:26:51,676 --> 00:26:54,846 I BELIEVE WILLEM DAFOE GOT A LONG SHIP. 520 00:26:54,913 --> 00:26:55,814 >> Stephen: YOU'RE KIDDING. 521 00:26:55,880 --> 00:26:56,881 >> I THINK. 522 00:26:56,948 --> 00:27:06,224 I GUESS WHAT MIGHT HAVE HAPPENED-- AND SHE GOT THREE 523 00:27:06,291 --> 00:27:07,492 ICELANDIC HORSES. 524 00:27:07,559 --> 00:27:09,828 >> Stephen: CAN YOU DESCRIBE, BEFORE I SHOW THE PEOPLE, WHAT 525 00:27:09,894 --> 00:27:11,296 YOU DECIDED TO TAKE AS A SOUVENIR. 526 00:27:11,363 --> 00:27:12,163 >> IT WASN'T A CHOICE. 527 00:27:12,230 --> 00:27:13,465 IT WAS A GIFT. 528 00:27:13,531 --> 00:27:17,302 THAT'S HOW MUCH THEY VALUED MY PERFORMANCE, MY CONTRIBUTION TO 529 00:27:17,369 --> 00:27:21,539 THE MOVIE THIS IS... 530 00:27:21,606 --> 00:27:26,611 IT'S A THONG ( CHEERS AND APPLAUSE ). 531 00:27:26,678 --> 00:27:29,214 >> Stephen: A BLOOD-SOAKED... 532 00:27:29,280 --> 00:27:34,919 >> IT'S-- IT'S A G-STRING THAT I WORE FOR THE-- THE END FIGHT 533 00:27:34,986 --> 00:27:38,056 TAKES PLACE ON AN ERUPTING VOLCANO. 534 00:27:38,123 --> 00:27:40,258 >> Stephen: AND YOUR CLOTHES JUST BURN AWAY. 535 00:27:40,325 --> 00:27:41,292 >> AND YOU'RE NAKED. 536 00:27:41,359 --> 00:27:44,262 >> Stephen: AGAIN-- >> WHERE ELSE WOULD IT BE SET? 537 00:27:44,329 --> 00:27:45,764 >> Stephen: NAKED SWORD FIGHTING. 538 00:27:45,830 --> 00:27:50,769 >> THAT'S WHAT I WORE FOR A WEEK, AND MY CHARACTER'S QUITE, 539 00:27:50,835 --> 00:27:53,471 WOUNDED, SO HE'S BLEEDING A LOT PROFUTSLY. 540 00:27:53,538 --> 00:27:54,773 THAT WAS MY WRAP GIFT. 541 00:27:54,839 --> 00:27:59,878 >> Stephen: I'M GLAD THIS ISN'T ASK THE SCRATCH AND 542 00:27:59,944 --> 00:28:00,345 SNIFF." 543 00:28:00,412 --> 00:28:01,513 ( LAUGHTER ). 544 00:28:01,579 --> 00:28:04,482 >> WOULDN'T IT BE GREAT IF I TOOK MY PANTS OFF NOW AND I'M 545 00:28:04,549 --> 00:28:05,083 WEARING THEM. 546 00:28:05,150 --> 00:28:06,051 >> Stephen: GOOD RATINGS. 547 00:28:06,117 --> 00:28:07,152 >> GOOD RATINGS. 548 00:28:07,218 --> 00:28:08,586 >> Stephen: ALEXANDER, SO LOVELY TO SEE YOU. 549 00:28:08,653 --> 00:28:12,223 >> ALWAYS A PLEASURE, STEPHEN. 550 00:28:12,290 --> 00:28:13,491 >> Stephen: "THE NORTHMAN" OPENS IN THEATERS THIS FRIDAY. 551 00:28:13,558 --> 00:28:14,292 ALEXANDER SKARSGARD, EVERYBODY! 552 00:28:14,359 --> 00:28:16,628 WE'LL BE RIGHT BACK WITH JACK WHITE. 553 00:28:16,694 --> 00:28:18,763 ♪ ♪ ♪ ( APPLAUSE ) 554 00:28:27,072 --> 00:28:28,039 ♪ ♪ ♪ ♪ ♪ ♪ 555 00:28:28,106 --> 00:28:36,281 ( APPLAUSE ) >> Stephen: HEY, EVERYBODY! 556 00:28:36,347 --> 00:28:41,319 WELCOME BACK TO "THE LATE SHOW." 557 00:28:41,386 --> 00:28:43,254 FOLKS, LADIES AND GENTLEMEN, MY NEXT GUEST IS A 12-TIME GRAMMY 558 00:28:43,321 --> 00:28:46,224 AWARD-WINNING MUSICIAN YOU KNOW FROM THE WHITE STRIPES, THE 559 00:28:46,291 --> 00:28:51,229 RACONTEURS, AND HIS RECORD LABEL, THIRD MAN RECORDS. 560 00:28:51,296 --> 00:28:54,466 PLEASE WELCOME BACK TO "THE LATE SHOW," JACK WHITE! 561 00:28:54,532 --> 00:29:06,277 ♪ ♪ ♪ ( APPLAUSE ) 562 00:29:06,344 --> 00:29:07,245 >> STEPHEN. 563 00:29:07,312 --> 00:29:08,246 >> Stephen:ED ANY TO SEE YOU. 564 00:29:08,313 --> 00:29:09,747 >> HOW ARE YOU. 565 00:29:09,814 --> 00:29:11,483 >> Stephen: NICE TO SEE YOU AGAIN. 566 00:29:11,549 --> 00:29:14,652 REALLY APPRECIATE YOU COMING BY. 567 00:29:14,719 --> 00:29:19,991 IT'S ALWAYS NICE TO HAVE YOU HERE, AND I KNOW YOU DON'T DO 568 00:29:20,058 --> 00:29:20,925 THESE INTERVIEWS VERY OFTEN. 569 00:29:20,992 --> 00:29:23,628 >> IT'S A CONTRACTUAL OBLIGATION ONCE A YEAR. 570 00:29:23,695 --> 00:29:26,631 >> Stephen: IT'S ALL DEDUCTIBLE. 571 00:29:26,698 --> 00:29:27,665 YOU GET TO DEDUCT YOUR HAIR. 572 00:29:27,732 --> 00:29:28,700 I LIKE IT. 573 00:29:28,766 --> 00:29:30,702 I LIKE THE HAIR A LOT. 574 00:29:30,768 --> 00:29:31,803 >> THANK YOU. 575 00:29:31,870 --> 00:29:33,905 >> Stephen: IF YOU STICK OUT YOUR TONGUE, YOU HAVE RED, 576 00:29:33,972 --> 00:29:36,508 WHITE, AND BLUE, THE AMERICAN FLAG, OR FRENCH FLAG. 577 00:29:36,574 --> 00:29:37,408 HOW HAVE YOU BEEN? 578 00:29:37,475 --> 00:29:39,777 >> I'VE BEEN REALLY GOOD, REALLY GOOD, MAN. 579 00:29:39,844 --> 00:29:42,981 >> Stephen: YOU HAVE HAD BIG DOINGS LATELY. 580 00:29:43,047 --> 00:29:45,183 YOU SURPRISED A LOT OF PEOPLE THE OTHER DAY. 581 00:29:45,250 --> 00:29:49,287 A LOT OVER A WEEK AGO YOU SURPRISED FANS AND YOUR 582 00:29:49,354 --> 00:29:52,157 GIRLFRIEND, OLIVIA JEANNE, BY PROPOSING TO HER ON STAGE. 583 00:29:52,223 --> 00:29:53,791 >> I DID, YES. 584 00:29:53,858 --> 00:29:57,095 >> Stephen: HERE'S THE PHOTO OF YOU DOING THAT, PROPOSING. 585 00:29:57,162 --> 00:29:59,864 ( APPLAUSE ) AND THEN, MINUTES LATER. 586 00:29:59,931 --> 00:30:01,132 >> YES, MOMENTS LATER. 587 00:30:01,199 --> 00:30:03,434 >> Stephen: MINUTES LATER GETTING MARRIED RIGHT THERE ON 588 00:30:03,501 --> 00:30:03,735 STAGE. 589 00:30:03,801 --> 00:30:04,736 >> YES. 590 00:30:04,802 --> 00:30:06,437 >> Stephen: WAS THIS-- WAS THIS A LONG-TERM PLAN? 591 00:30:06,504 --> 00:30:09,107 OR DID YOU JUST GO LIKE, "LET'S GO FOR IT?" 592 00:30:09,174 --> 00:30:14,212 >> AS THE DAY WAS GOING ON, IF A DAY HAD SOME LEFT TURNS MAYBE IT 593 00:30:14,279 --> 00:30:17,615 WASN'T THE RIGHT DAY, BUT THE DAY HAD BEEN GOING SO WELL, I 594 00:30:17,682 --> 00:30:18,816 FIGURED IT WAS A GOOD TIME. 595 00:30:18,883 --> 00:30:21,252 >> Stephen: YOU STARTED THE DAY, YOU STARTED THE DAY-- AND I 596 00:30:21,319 --> 00:30:25,990 WATCHED THIS, TOO-- PLAYING A LITTLE SLIDE GUITAR NATIONAL 597 00:30:26,057 --> 00:30:27,425 ANTHEM AT THE DETROIT TIGERS GAME. 598 00:30:27,492 --> 00:30:28,493 >> THAT WENT OKAY. 599 00:30:28,560 --> 00:30:31,062 >> Stephen: HOW DID THE TEAM DO? 600 00:30:31,129 --> 00:30:31,930 >> THEY WON THE GAME. 601 00:30:31,996 --> 00:30:33,164 THAT WAS ANOTHER GOOD SIGN. 602 00:30:33,231 --> 00:30:38,436 >> Stephen: IF THEY POPPED OUT TO RIGHT FIELD, YOU WOULDN'T BE 603 00:30:38,503 --> 00:30:39,070 MARRIED. 604 00:30:39,137 --> 00:30:40,104 WAS OLIVIA JEANNE SURPRISED? 605 00:30:40,171 --> 00:30:42,907 >> VERY SURPRISED, YEAH, VERY SURPRISED. 606 00:30:42,974 --> 00:30:48,646 AND LUCKILY, BEN SWANKER, IS ALSO A MINISTER OF SOME CHURCH 607 00:30:48,713 --> 00:30:50,048 ON THE INTERNET-- I DON'T KNOW. 608 00:30:50,114 --> 00:30:53,284 AND HE WAS BACK STAGE, AND I ASKED HER, "DO YOU WANT TO GET 609 00:30:53,351 --> 00:30:55,286 MARRIED NOW OR DO YOU WANT TO WAIT? 610 00:30:55,353 --> 00:30:57,155 AND SHE SAID, "NO, RIGHT NOW. 611 00:30:57,222 --> 00:30:58,790 THIS IS A GREAT DAY." 612 00:30:58,856 --> 00:31:01,759 >> Stephen: I MET OLIVIA JEANNE BEFORE. 613 00:31:01,826 --> 00:31:03,061 WE MADE A RECORD TOGETHER. 614 00:31:03,127 --> 00:31:05,296 THAT WAS YOU, ME, AND HER 11 YEARS AGO. 615 00:31:05,363 --> 00:31:06,931 WE ALL LOOK VERY MUCH THE SAME. 616 00:31:06,998 --> 00:31:09,434 SHE'S THE ONLY ONE WHO HASN'T CHANGED. 617 00:31:09,500 --> 00:31:12,370 FOR MUSICIANS IN LOCKDOWN, KIND OF TOUGH. 618 00:31:12,437 --> 00:31:15,640 BECAUSE, YOU KNOW, SOMETIMES YOU FEED OFF THE AUDIENCE. 619 00:31:15,707 --> 00:31:16,975 YOU WERE AWAY FROM THE AUDIENCE. 620 00:31:17,041 --> 00:31:20,245 BUT IT WAS A REALLY-- IT WAS A REALLY CREATIVE TIME FOR YOU. 621 00:31:20,311 --> 00:31:20,979 >> YEAH. 622 00:31:21,045 --> 00:31:21,813 >> Stephen: EVENTUALLY. 623 00:31:21,879 --> 00:31:23,381 WE'LL GET TO IT IN A MINUTE. 624 00:31:23,448 --> 00:31:27,185 YOU HAVE TWO ALBUMS COMING OUT THIS YEAR, BUT AT FIRST YOU 625 00:31:27,252 --> 00:31:28,419 DIDN'T DO ANY MUSIC, RIGHT? 626 00:31:28,486 --> 00:31:29,520 >> NOT AT ALL. 627 00:31:29,587 --> 00:31:31,689 WE DIDN'T KNOW HOW LONG THE LOCKDOWN WAS GOING TO BE. 628 00:31:31,756 --> 00:31:34,325 AND I THOUGHT THERE'S NO TOURING, SO I KIND OF THOUGHT I 629 00:31:34,392 --> 00:31:37,262 DON'T WANT TO WRITE SONGS AND THEY DON'T COME OUT FOR A YEAR 630 00:31:37,328 --> 00:31:39,664 AND A HALF OR SOMETHING, AND MAYBE I WOULD HAVE MOVED ON IN 631 00:31:39,731 --> 00:31:40,531 MY MIND. 632 00:31:40,598 --> 00:31:42,634 I THOUGHT WHY DON'T I JUST TAKE A BREAK. 633 00:31:42,700 --> 00:31:46,070 IT'S BEEN A WHILE SINCE I TOOK A BREAK FROM WRITING. 634 00:31:46,137 --> 00:31:47,205 SO I DID THAT. 635 00:31:47,272 --> 00:31:49,040 >> Stephen: INSTEAD YOU MADE FURNITURE. 636 00:31:49,107 --> 00:31:50,208 >> I DID. 637 00:31:50,275 --> 00:31:53,845 >> Stephen: IF I GOT THIS RIGHT, YOUR ALBUM "THIRD MAN 638 00:31:53,911 --> 00:31:57,682 RECORDS" IS BECAUSE YOUR FAMILY'S UPHOLSTERY SHOP WHEN 639 00:31:57,749 --> 00:32:00,718 GROWING UP, YOU WERE THE LITTLE MAN PURP THE THIRD MAN-- 640 00:32:00,785 --> 00:32:04,155 >> I WAS THE THIRD MAN ON MY STREET TO DO UPHOLSTERY, WHICH 641 00:32:04,222 --> 00:32:07,125 IS KIND OF SHOCKING, YEAH. 642 00:32:07,191 --> 00:32:11,896 OF IT WAS ALSO FERDINAND STREET, THAT'S KIND OF LIKE THIRD MAN, 643 00:32:11,963 --> 00:32:12,630 FERDINAND. 644 00:32:12,697 --> 00:32:13,765 AND IT GOES ON AND ON FROM THERE. 645 00:32:13,831 --> 00:32:16,401 >> Stephen: A FAMILY THING, THIS WAS COMPETITION ON THE 646 00:32:16,467 --> 00:32:17,535 STREET. 647 00:32:17,602 --> 00:32:20,138 >> COMPETITION, YEAH, WHO COULD BE THE BEST UPOLSTERRER. 648 00:32:20,204 --> 00:32:22,140 >> Stephen: WHAT ARE WE LOOKING AT? 649 00:32:22,206 --> 00:32:23,541 IT LOOKS LIKE A CHURCH PEW. 650 00:32:23,608 --> 00:32:25,510 >> IT IS. 651 00:32:25,576 --> 00:32:32,817 ACTUALLY, IT'S A MASONIC TEMPEPLE IT'S CALLED MY SONIC 652 00:32:32,884 --> 00:32:34,886 TEMPLE, AND YOU CAN PLUG AN INSTRUMENT IN. 653 00:32:34,952 --> 00:32:36,020 >> Stephen: YOU CAN SIT ON IT? 654 00:32:36,087 --> 00:32:40,925 >> YOU CAN, YOU CAN ALSO PLAY AND IT HAS SOME MYSTERIOUS 655 00:32:40,992 --> 00:32:42,126 THINGS IT DOES TO THE SIGNAL. 656 00:32:42,193 --> 00:32:46,731 MY FRIEND HAS A STUDIO THAT'S BUILT IN A MASONIC LODGE IN 657 00:32:46,798 --> 00:32:47,198 KENTUCKY. 658 00:32:47,265 --> 00:32:48,433 AND A GIFT TO HIM. 659 00:32:48,499 --> 00:32:49,334 >> Stephen: NO WINDOWS? 660 00:32:49,400 --> 00:32:50,802 >> NO WINDOWS. 661 00:32:50,868 --> 00:32:54,405 >> Stephen: YOU CAN'T SEE WHAT'S GOING ON WITH THE APRONS. 662 00:32:54,472 --> 00:32:56,574 >> THE ILLUMINATI MEETINGS. 663 00:32:56,641 --> 00:32:58,676 > Stephen: WHAT IS GOING ON HERE? 664 00:32:58,743 --> 00:33:02,780 THIS LOOKS LIKE A LOUNGE CHAIR FOR BUMBLEBEES. 665 00:33:02,847 --> 00:33:04,882 >> THIS IS CALLED THE WARRIOR CHAIR. 666 00:33:04,949 --> 00:33:10,555 I OWN A BASEBALL BAT COMPANY CALLED WAR STICK. 667 00:33:10,621 --> 00:33:14,525 AND I BUILT THIS FOR OUR NEW HEADQUARTERS IN-- THIS IS 668 00:33:14,592 --> 00:33:18,396 INTERESTING, BECAUSE THIS IS THE FIRST-- THIS MIGHT NOT HAVE BEEN 669 00:33:18,463 --> 00:33:22,533 DONE BEFORE, BUT I PUT NETTED BAGS INSIDE THE ARMS AND IT 670 00:33:22,600 --> 00:33:26,904 CONTAINS PIECES OF ASH WOOD AND OIL AND LEATHER FROM GLOVES, 671 00:33:26,971 --> 00:33:29,540 THINGS THAT EVOKE THE SMELL OF BASEBALL. 672 00:33:29,607 --> 00:33:33,644 SO WHEN YOU SIT DOWN IN THE CUSHION YOU KNOW-- I'M GETTING 673 00:33:33,711 --> 00:33:37,281 INTO SOME DEEP UPOLISTRY ESOTERIC HERE-- WHEN YOU SIT ON 674 00:33:37,348 --> 00:33:39,250 THE CUSHION YOU RELEASE AIR. 675 00:33:39,317 --> 00:33:44,255 WHEN YOU SIT IN AN OLD MOLDY AND SOMEONE IS SMOKING CIGARS, YOU 676 00:33:44,322 --> 00:33:45,256 SMELL IT. 677 00:33:45,323 --> 00:33:48,326 SO A SCENT IS RELEASED EVERY TIME YOU SIT IN IT. 678 00:33:48,393 --> 00:33:48,960 >> Stephen: THE BALLPARK. 679 00:33:49,026 --> 00:33:50,061 >> YES. 680 00:33:50,128 --> 00:33:53,030 >> Stephen: AND BASEBALL BATSZ ARE MADE OF ASH, RIGHT. 681 00:33:53,097 --> 00:33:54,265 >> Stephen: MAPLE OR ASH. 682 00:33:54,332 --> 00:33:56,200 >> Stephen: I'M AN ASH MAN. 683 00:33:56,267 --> 00:33:57,702 >> I HEARD THAT ABOUT YOU. 684 00:33:57,769 --> 00:33:59,003 I DIDN'T WANT TO ASK. 685 00:33:59,070 --> 00:34:02,306 >> Stephen: YOUR LABEL "THIRD MAN RECORDS" IS DOING SOME 686 00:34:02,373 --> 00:34:03,274 INTERESTING THINGS. 687 00:34:03,341 --> 00:34:05,810 THEY'RE PUTTING OUT AN UNRELEASED PRINT ALBUM. 688 00:34:05,877 --> 00:34:06,944 >> YES. 689 00:34:07,011 --> 00:34:08,579 >> Stephen: FIRST OF ALL, PEOPLE WHO DON'T KNOW, YOU PUT 690 00:34:08,646 --> 00:34:11,783 OUT, YOU'RE THE NAME IN ANALOG AND VINYL THESE DAYS. 691 00:34:11,849 --> 00:34:14,419 YOU WENT ALL IN ON ANALOG AND VINYL. 692 00:34:14,485 --> 00:34:18,256 AND IT TURNS OUT TO BE, YOU KNOW, EVERYBODY WANTS THINGS PUT 693 00:34:18,322 --> 00:34:20,858 OUT-- >> WE MADE A VINYL RECORD WITH 694 00:34:20,925 --> 00:34:21,359 YOU. 695 00:34:21,426 --> 00:34:23,127 >> Stephen: WE DID. 696 00:34:23,194 --> 00:34:24,896 >> YEAH, IT'S GREAT. 697 00:34:24,962 --> 00:34:27,265 WE OWN A PRESSING PLANT IN DETROIT, AND IT'S WONDERFUL. 698 00:34:27,331 --> 00:34:30,334 AND, YEAH, THE-- WHAT WAS THE ORIGINAL QUESTION NOW BEFORE 699 00:34:30,401 --> 00:34:31,469 THAT. 700 00:34:31,536 --> 00:34:34,372 >> Stephen: THE PRINTS ALBUM, WHAT ARE YOU PUTTING OUT? 701 00:34:34,439 --> 00:34:37,875 >> PRINCE, YEAH, HE'S A PRETTY GOOD MUSICIAN. 702 00:34:37,942 --> 00:34:39,644 >> Stephen: I HEAR GOOD THINGS. 703 00:34:39,710 --> 00:34:42,213 >> IT'S CALLED "CAMILLE." 704 00:34:42,280 --> 00:34:45,016 IT'S A RECORD HE MADE UNDER A FEMININE AVATAR. 705 00:34:45,082 --> 00:34:50,121 HE SPED HIS VOICE UP ON THE MACHINE AND SPED HIS VOICE UP TO 706 00:34:50,188 --> 00:34:53,257 SOUND FEMININE AND HE WAS GOING TO RELEASE THE WHOLE ALBUM ON 707 00:34:53,324 --> 00:34:54,859 THE GUISE OF CAMILLE. 708 00:34:54,926 --> 00:34:59,597 IT WAS ON THE PRESSES, IT WAS DONE, AND AT THE RAFT SECOND HE 709 00:34:59,664 --> 00:35:02,099 CHANGED HIS MIND AND TOLD WARNER BROTHERS TO CANCEL. 710 00:35:02,166 --> 00:35:03,835 >> Stephen: NO ONE HAS HEARD THE ALBUM. 711 00:35:03,901 --> 00:35:06,370 >> SLOWLY THE SONGS VERY RELEASED OVER TIME. 712 00:35:06,437 --> 00:35:09,173 BUT THE ACTUAL ALBUM AS A PIECE TOGETHER HAVE NOT BEEN RELEASE. 713 00:35:09,240 --> 00:35:10,808 >> Stephen: DID YOU EVER WORK WITH HIM? 714 00:35:10,875 --> 00:35:11,709 DID YOU EVER MEET HIM? 715 00:35:11,776 --> 00:35:13,978 >> I MET HIM ONE TIME. 716 00:35:14,045 --> 00:35:18,516 IT WAS AT AN AFTER-PARTY. 717 00:35:18,583 --> 00:35:19,817 HE WAS INCREDIBLY NICE. 718 00:35:19,884 --> 00:35:22,119 >> Stephen: WHAT DID YOU TALK ABOUT? 719 00:35:22,186 --> 00:35:23,788 GUITAR SCBLIEG WE DID A LITTLE BIT. 720 00:35:23,855 --> 00:35:28,493 HE TOLD ME NO ONE WILL EVER TELL YOU HOW YOU PLAY YOUR GUITAR, 721 00:35:28,559 --> 00:35:30,761 JACK, AND THAT WAS SOLID ADVICE. 722 00:35:30,828 --> 00:35:34,565 DON'T LET ANYONE TELL YOU HOW TO PLAY YOUR GUITAR, IS THE ACTUAL 723 00:35:34,632 --> 00:35:35,800 WORDS, YEAH. 724 00:35:35,867 --> 00:35:37,802 >> Stephen: HAVE YOU EVER LET ANYONE TELL YOU HOW TO PLAY YOUR 725 00:35:37,869 --> 00:35:38,069 GUITAR? 726 00:35:38,135 --> 00:35:39,170 >> NO. 727 00:35:39,237 --> 00:35:42,573 ONE OF YOUR SOUND GUYS TOLD ME TO TURN DOWN EARLIER, SO 728 00:35:42,640 --> 00:35:43,274 MAYBE... 729 00:35:43,341 --> 00:35:44,342 ( LAUGHTER ) ( APPLAUSE ). 730 00:35:44,408 --> 00:35:46,511 >> Stephen: WELL, YOU'RE DOING A SONG FOR US TONIGHT. 731 00:35:46,577 --> 00:35:50,681 YOU'RE ABOUT TO PLAY A SONG FROM YOUR NEW ALBUM, "FEAR OF THE 732 00:35:50,748 --> 00:35:53,518 DAWN," ONE OF TWO YOU'RE PUTTING OUT THIS YEAR. 733 00:35:53,584 --> 00:35:56,053 WHAT ARE YOU GOING TO PLAY FOR US? 734 00:35:56,120 --> 00:35:57,421 >> "WHAT'S THE TRICK." 735 00:35:57,488 --> 00:36:02,093 >> Stephen: AND YOU WILL COME BACK NEXT JULY FOR THE NEXT 736 00:36:02,159 --> 00:36:02,426 ALBUM. 737 00:36:02,493 --> 00:36:03,060 >> PLEASE. 738 00:36:03,127 --> 00:36:05,162 >> Stephen: LEES COME BACK. 739 00:36:05,229 --> 00:36:07,198 WHAT COLOR WILL THE HAIR BE THEN? 740 00:36:07,265 --> 00:36:11,569 >> WE'LL SEE WHAT HAPPENS. 741 00:36:11,636 --> 00:36:12,703 >> Stephen: STICK AROUND FOR A PERFORMANCE BY JACK WHITE! 742 00:36:12,770 --> 00:36:14,805 WE'LL BE RIGHT BACK. 743 00:36:34,091 --> 00:36:35,192 >> Stephen: AND NOW, HERE PERFORMING "WHAT'S THE TRICK?" 744 00:36:35,259 --> 00:36:39,964 FROM HIS NEW ALBUM, "FEAR OF THE DAWN," JACK WHITE! 745 00:36:40,031 --> 00:36:44,168 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 746 00:36:51,409 --> 00:36:57,081 ♪ ♪ ♪ ♪ WHAT'S THE TRICK? 747 00:36:57,148 --> 00:37:01,686 IN MAKING ♪ MY LOVE STICK 748 00:37:01,752 --> 00:37:06,958 WHAT'S THE TRICK? 749 00:37:07,024 --> 00:37:08,726 ♪ ♪ ♪ ♪ TWO GENTLEMEN OF ELEGANT 750 00:37:08,793 --> 00:37:11,262 APPEARANCE ♪ IN A STATE OF 751 00:37:11,329 --> 00:37:13,564 BUSTITUDE ♪ I GIVE THEM COFFEE-COLORED 752 00:37:13,631 --> 00:37:15,366 CRYSTALS ♪ THAT'LL CHANGE THEIR 753 00:37:15,433 --> 00:37:17,168 ATTITUDE ♪ ♪ ♪ 754 00:37:17,234 --> 00:37:19,604 ♪ I'M USING APPROPRIATE COMPRESSION FOR 755 00:37:19,670 --> 00:37:21,939 ♪ MY INAPPROPRIATE CONFESSIONS FOR 756 00:37:22,006 --> 00:37:24,375 ♪ SOMEONE I GUESS WHO MIGHT NEED IT MORE 757 00:37:24,442 --> 00:37:26,110 ♪ I DON'T EVEN KNOW WHAT I AM DOING IT FOR 758 00:37:26,177 --> 00:37:31,983 ♪ ♪ ♪ ♪ ♪ ♪ 759 00:37:32,049 --> 00:37:35,519 ♪ THIS IS MY FIRST MY WORST 760 00:37:35,586 --> 00:37:38,990 ♪ MY PAST AND MY LAST 761 00:37:39,056 --> 00:37:41,959 IMPERFECT EFFORT ♪ ♪ ♪ 762 00:37:42,026 --> 00:37:44,528 ♪ ONE HUNDRED INSULTS LEFT ON MY WINDSHIELD 763 00:37:44,595 --> 00:37:47,431 ♪ IN THE MORNING RELEASE MY BEAST 764 00:37:47,498 --> 00:37:50,468 ♪ 'CAUSE THE RAIN NEVER CAME AND WASHED THEM AWAY 765 00:37:50,534 --> 00:37:51,902 ♪ ♪ ♪ ♪ ♪ ♪ 766 00:37:56,140 --> 00:38:00,144 ♪ IF I DIE TOMORROW WHAT DID I DO TODAY? 767 00:38:00,211 --> 00:38:02,747 ♪ YOU WANT FRESH AIR? 768 00:38:02,813 --> 00:38:07,184 YOU WON'T FIND IT THIS WAY ♪ CHECK YOUR LEFT 769 00:38:07,251 --> 00:38:09,487 CHECK YOUR RIGHT ♪ CHECK YOUR REAR-VIEW MIRROR 770 00:38:09,553 --> 00:38:13,791 CHECK IT EVERY NIGHT ♪ ♪ ♪ 771 00:38:13,858 --> 00:38:16,127 ♪ STOMPING ON A BOX THAT I THOUGHT WAS EMPTY 772 00:38:16,193 --> 00:38:22,199 ♪ BUT THERE WAS SOMETHING SHARP INSIDE 773 00:38:22,266 --> 00:38:24,969 ♪ SOMETHING SHARP INSIDE SHARP INSIDE 774 00:38:25,036 --> 00:38:28,673 ♪ ♪ ♪ SHARP INSIDE 775 00:38:28,739 --> 00:38:31,509 ♪ ♪ ♪ ♪ QUIT BOLTING YOUR FOOD 776 00:38:31,575 --> 00:38:33,544 DON'T BE RUDE ♪ PLUS ONE 777 00:38:33,611 --> 00:38:35,680 AND MINUS ONE ♪ EQUALS ZERO 778 00:38:35,746 --> 00:38:38,649 THAT'S A DEFEATIST ATTITUDE ♪ ♪ ♪ 779 00:38:38,716 --> 00:38:42,753 ♪ I'M SICK OF THIS DEAD TO THE WORLD, BUT 780 00:38:42,820 --> 00:38:47,358 ♪ NOT TO YOU, BUT I'M DEAD TO THE WORLD, BUT 781 00:38:47,425 --> 00:38:50,828 NOT TO YOU ♪ ♪ ♪ 782 00:38:50,895 --> 00:38:57,702 ♪ ♪ ♪ ♪ ♪ ♪ 783 00:38:57,768 --> 00:39:12,450 ♪ ♪ ♪ ♪ ♪ ♪ 784 00:39:12,516 --> 00:39:13,417 ♪ ♪ ♪ ♪ ♪ ♪ 785 00:39:13,484 --> 00:39:24,762 ♪ ♪ ♪ ♪ WHAT'S THE TRICK? 786 00:39:24,829 --> 00:39:27,631 ♪ ♪ ♪ TO MAKING MY LOVE STICK 787 00:39:27,698 --> 00:39:30,668 ♪ ♪ ♪ ♪ WHAT'S THE TRICK? 788 00:39:30,735 --> 00:39:36,073 ♪ ♪ ♪ AHHHH! 789 00:39:36,140 --> 00:39:39,043 ♪ ♪ ♪ ♪ ♪ ♪ 790 00:39:39,110 --> 00:39:41,278 ♪ ♪ ♪ ♪ ♪ ♪ 791 00:39:41,345 --> 00:39:44,115 ♪ ♪ ♪ ♪ ♪ ♪ 792 00:39:44,181 --> 00:39:47,384 ♪ ♪ ♪ ♪ ♪ ♪ 793 00:39:47,451 --> 00:39:50,521 ♪ ♪ ♪ ♪ ♪ ♪ 794 00:39:50,588 --> 00:39:51,722 ♪ WHAT'S THE TRICK? 795 00:39:51,789 --> 00:39:59,163 ♪ ♪ ♪ ♪ ♪ ♪ 796 00:39:59,230 --> 00:40:03,100 WHAT'S THE TRICK? ♪ ♪ IN MAKING MY LOVE STICK 797 00:40:03,167 --> 00:40:07,505 WHAT'S THE TRICK? ♪ ♪ ♪ ♪ 798 00:40:07,571 --> 00:40:13,811 ( CHEERS AND APPLAUSE ) >> Stephen: JACK WHITE, 799 00:40:15,179 --> 00:40:15,780 EVERYBODY! 800 00:40:15,846 --> 00:40:16,981 THAT'S IT FOR "THE LATE SHOW." 801 00:40:17,047 --> 00:40:18,682 TUNE IN TOMORROW WHEN MY GUESTS WILL BE JASON BATEMAN, LAURA 802 00:40:18,749 --> 00:40:21,118 LINNEY, AND MATT WALSH. 803 00:40:21,185 --> 00:40:21,585 JAMES CORDEN IS NEXT. 804 00:40:21,652 --> 00:40:26,123 GOOD NIGHT. 805 00:40:26,190 --> 00:40:27,191 Captioning sponsored by CBS Captioned by 806 00:40:27,258 --> 00:40:30,261 Media Access Group at WGBH access.wgbh.org