1 00:00:02,001 --> 00:00:04,070 "THE PRO-LIFE SPIDER-MAN" WAS ARRESTED 60 STORIES IN THE AIR. 2 00:00:04,137 --> 00:00:07,440 HE FREE-CLIMBED SAN FRANCISCO'S SALESFORCE TOWER YESTERDAY, 3 00:00:07,507 --> 00:00:10,443 WHICH IS MORE THAN 1,000 FEET TALL. 4 00:00:10,510 --> 00:00:12,512 ♪ ♪ ♪ 5 00:00:50,049 --> 00:00:51,050 >> Announcer: IT'S "THE LATE 6 00:00:51,117 --> 00:00:57,023 SHOW WITH STEPHEN COLBERT." TONIGHT: 7 00:00:57,090 --> 00:01:03,029 >> SAY IT AIN'T ROE. AND MOTHER'S DAY FIRST DRAFTS 8 00:01:03,096 --> 00:01:09,035 WITH STEPHEN AND EVIE. PLUS, STEPHEN WELCOMES: 9 00:01:09,102 --> 00:01:13,940 GLENN CLOSE AND SHERYL CROW 10 00:01:14,007 --> 00:01:17,210 FEATURING JON BATISTE AND STAY 11 00:01:17,277 --> 00:01:19,979 HUMAN. AND NOW, LIVE ON TAPE FROM THE 12 00:01:20,046 --> 00:01:24,384 ED SULLIVAN THEATER IN NEW YORK CITY, IT'S STEPHEN COLBERT! 13 00:01:24,451 --> 00:01:26,453 ( CHEERS AND APPLAUSE ) 14 00:01:39,399 --> 00:01:41,401 ( CHEERS AND APPLAUSE ) 15 00:01:54,447 --> 00:01:59,452 >> Stephen: HEY, EVERYBODY! WELCOME, WELCOME ONE AND ALL. 16 00:01:59,519 --> 00:02:01,654 PLEASE HAVE A SEAT, EVERYBODY, THANK YOU VERY MUCH. 17 00:02:01,721 --> 00:02:05,592 WELCOME, DOWN HERE, UP THERE, ALL AROUND THE WORLD, TO "THE 18 00:02:05,658 --> 00:02:11,197 LATE SHOW." I AM YOUR HOST, STEPHEN COLBERT. 19 00:02:11,264 --> 00:02:16,069 ( CHEERS AND APPLAUSE ) 48 HOURS, LET'S SAY, AND 20 00:02:16,135 --> 00:02:18,171 AMERICA IS STILL REELING FROM MONDAY'S LEAKED SUPREME COURT 21 00:02:18,238 --> 00:02:23,076 DECISION OVERTURNING "ROE V. WADE." 22 00:02:23,142 --> 00:02:26,946 IT CAME OUT OF NOWHERE. BECAUSE WITH INFLATION, 23 00:02:27,013 --> 00:02:29,048 THE PANDEMIC, RISING FASCISM, UKRAINE, THIS WASN'T EXACTLY AN 24 00:02:29,115 --> 00:02:33,953 ISSUE ON THE FRONT BURNER. IN FACT, BACK IN 2021, A GALLUP 25 00:02:34,020 --> 00:02:36,089 POLL ASKED WHAT PEOPLE THOUGHT THE MOST IMPORTANT PROBLEM 26 00:02:36,155 --> 00:02:39,559 FACING THE U.S. WAS, AND FEWER THAN HALF OF 1% ANSWERED 27 00:02:39,626 --> 00:02:43,496 ABORTION. BY MARCH OF 2022, THAT NUMBER 28 00:02:43,563 --> 00:02:49,969 WAS ZERO. CLEARLY, AFTER 50 T TURBULENT 29 00:02:50,036 --> 00:02:53,973 YEARS, "ROE" WAS FINALLY NO LONGER A FIVE-ALARM FIRE. 30 00:02:54,040 --> 00:02:56,776 BUT THE CONSERVATIVE MAJORITY DECIDED TO FOLLOW THEIR STANDARD 31 00:02:56,843 --> 00:02:58,311 PROTOCOL: IN CASE OF NO EMERGENCY, BURN, BABY, BURN. 32 00:02:58,378 --> 00:03:04,918 IF PEOPLE DIDN'T CONSIDER THIS A PRESSING ISSUE BEFORE, THEY SURE 33 00:03:04,984 --> 00:03:07,453 DO NOW. LAST NIGHT, THOUSANDS OF PEOPLE 34 00:03:07,520 --> 00:03:11,057 SHOWED UP TO PROTESTS IN WASHINGTON D.C.; NEW YORK CITY; 35 00:03:11,124 --> 00:03:13,560 AUSTIN, TEXAS; AND LOS ANGELES. CALIFORNIA. 36 00:03:13,626 --> 00:03:18,698 ( CHEERS AND APPLAUSE ) THAT'S A LOT OF PEOPLE. 37 00:03:18,765 --> 00:03:22,502 USUALLY, YOU ONLY GET CROWDS LIKE THAT WHEN DELTA ANNOUNCES 38 00:03:22,569 --> 00:03:29,275 THEY'VE BEGUN PRE-BOARDING. ( LAUGHTER ) 39 00:03:29,342 --> 00:03:35,982 YOU CALL MY ZONE! OF COURSE. AFTER YEARS OF 40 00:03:36,049 --> 00:03:37,083 PACKING THE SUPREME COURT WITH THE EXPRESS INTENTION OF 41 00:03:37,150 --> 00:03:39,052 OVERTURNING "ROE V. WADE," REPUBLICANS IN CONGRESS 42 00:03:39,118 --> 00:03:42,956 TOOK A VICTORY LAP. JIMMY, SHOW THEIR CELEBRATION: 43 00:03:43,022 --> 00:03:46,593 OH, RIGHT. I FORGOT. 44 00:03:46,659 --> 00:03:47,560 THEY'RE COWARDS. BECAUSE THEY KNOW IT'S REALLY 45 00:03:47,627 --> 00:03:48,962 UNPOPULAR. SO THEY DIDN'T TALK ABOUT THE 46 00:03:49,028 --> 00:03:53,232 ACTUAL DECISION. INSTEAD, REPUBLICANS FOCUSED ON 47 00:03:53,299 --> 00:03:54,968 THE UNPRECEDENTED NATURE OF THE LEAK ITSELF. 48 00:03:55,034 --> 00:03:59,072 LOOK, I CAN UNDERSTAND THE ARGUMENT THAT THIS LEAK IS BAD 49 00:03:59,138 --> 00:04:05,211 FOR THE INSTITUTION OF THE SUPREME COURT. 50 00:04:05,278 --> 00:04:06,579 BUT COME ON, DID YOU THINK WAITING TO RELEASE IT THIS 51 00:04:06,646 --> 00:04:07,780 SUMMER WAS GOING TO MAKE IT A HOT BEACH READ: YOUR BODY, HIS 52 00:04:07,847 --> 00:04:12,952 CHOICE. ( LAUGHTER ) 53 00:04:13,019 --> 00:04:20,927 OUTRAGING ABOUT THE LEAK IS SENATE MINORITY LEADER AND LEAD 54 00:04:20,994 --> 00:04:26,032 SINGER FOR "HOOTIE AND THE BLOBFISH," 55 00:04:26,099 --> 00:04:29,569 THERE YOU GO. I THOUGHT IT WAS DARIUS. 56 00:04:29,636 --> 00:04:35,942 NO? MITCH McCONNELL. 57 00:04:36,009 --> 00:04:38,478 YESTERDAY, A REPORTER GAVE McCONNELL THE OBVIOUS CREDIT FOR 58 00:04:38,544 --> 00:04:41,247 THE DECISION, BUT HE WAS STRANGELY HUMBLE ABOUT IT: 59 00:04:41,314 --> 00:04:43,983 >> YOU SPENT DECADES TRYING TO REMAKE THE COURT, OVERTURN 60 00:04:44,050 --> 00:04:46,719 "ROE." YOU'RE POSSIBLY SINGLEHANDEDLY 61 00:04:46,786 --> 00:04:49,789 RESPONSIBLE FOR THE 6-3 MAJORITY. 62 00:04:49,856 --> 00:04:51,924 SO DO YOU TAKE PERSONAL CREDIT FOR ABORTION RIGHTS LIKELY TO GO 63 00:04:51,991 --> 00:04:59,899 AWAY FOR MILLIONS OF PEOPLE IN THIS COUNTRY? 64 00:04:59,966 --> 00:05:03,036 >> YOU KNOW, I THINK THE STORY TODAY IS AN EFFORT BY SOMEONE ON 65 00:05:03,102 --> 00:05:06,839 THE INSIDE TO DISCREDIT THE INSTITUTION OF THE SENATE. 66 00:05:06,906 --> 00:05:11,911 >> Stephen: COME ON! YOUR INGENIOUS PLOT WORKED. 67 00:05:11,978 --> 00:05:14,180 WHY DON'T YOU WANT TO CELEBRATE? IT'S LIKE A BOND VILLAIN SAYING, 68 00:05:14,247 --> 00:05:18,418 "YES, I DID LAUNCH A SPACE-BASED LASER FROM MY VOLCANIC FORTRESS, 69 00:05:18,484 --> 00:05:21,688 BUT GIVING ME CREDIT FOR INCINERATING LONDON IS JUST AN 70 00:05:21,754 --> 00:05:24,023 EFFORT TO DISCREDIT MY FLUFFY, WHITE CAT." 71 00:05:24,090 --> 00:05:30,496 4R5U6 LAUGH "ISN'T THAT RIGHT, SNUGGLES." 72 00:05:30,563 --> 00:05:34,667 ( LAUGHTER ) STAY! 73 00:05:34,734 --> 00:05:39,906 ( APPLAUSE ) VERY OBEDIENT. 74 00:05:39,972 --> 00:05:44,277 ( APPLAUSE ) >> ALL OF THIS PUTS THE CART 75 00:05:44,343 --> 00:05:53,453 BEFORE THE HORSE. YOU NEED, IT SEEMS TO ME-- 76 00:05:53,519 --> 00:05:55,521 EXCUSE THE LECTURE-- TO CONCENTRATE ON WHAT THE NEWS IS 77 00:05:55,588 --> 00:05:58,391 TODAY, NOT A LEAKED DRAFT, BUT THE FACT THAT THE DRAFT WAS 78 00:05:58,458 --> 00:06:02,261 LEAKED. ( LAUGHTER ) 79 00:06:02,328 --> 00:06:11,771 MITCH, IS EVERYTHING OKAY IN THE OLD SQUIRREL CAGE? 80 00:06:11,838 --> 00:06:12,839 YOU BEEN SNACKIN' ON PAINT CHIPS? 81 00:06:12,905 --> 00:06:13,873 BECAUSE YOU'RE IGNORING THE IMPORTANT PART. 82 00:06:13,940 --> 00:06:17,610 YOU'RE LIKE A HUSBAND GETTING A RANSOM NOTE: 83 00:06:17,677 --> 00:06:19,812 "OH, MY GOD! LOOK AT ALL THE LETTERS THEY CUT 84 00:06:19,879 --> 00:06:23,916 OUT OF A MAGAZINE. THEY'VE RUINED MY COLLECTION OF 85 00:06:23,983 --> 00:06:27,920 "NATIONAL GEOGRAPHICS"! MARGARET, MARGARET, COME AND SEE 86 00:06:27,987 --> 00:06:35,762 THIS! OH, MARGARET'S MISSING." 87 00:06:35,828 --> 00:06:38,898 >> Jon: THAT'S WHAT THE NOTE SAYS, SHE'S MISSING. 88 00:06:38,965 --> 00:06:43,803 >> Stephen: AND VERY EXPENSIVE. 89 00:06:43,870 --> 00:06:46,005 McCONNELL IS NOT ALONE. THERE WAS ALSO OUTCRY FROM SOUTH 90 00:06:46,072 --> 00:06:47,907 CAROLINA SENATOR AND NEWEST MEMBER OF "HOOTIE AND THE 91 00:06:47,974 --> 00:06:54,747 BLOBFISH," LINDSEY GRAHAM. GRAHAM CHIMED IN WITH THIS: 92 00:06:54,814 --> 00:06:56,115 >> WHAT HAPPENED TO THE COURT TODAY WAS THE SADDEST CHAPTER IN 93 00:06:56,182 --> 00:06:57,683 THE HISTORY OF THE UNITED STATES SUPREME COURT. 94 00:06:57,750 --> 00:07:07,794 >> Stephen: "THE SADDEST CHAPTER"? 95 00:07:07,860 --> 00:07:10,997 SO, SENATOR GRAHAM IS COOL WITH THE "DRED SCOTT" DECISION THAT 96 00:07:11,063 --> 00:07:12,165 SAID BLACK PEOPLE ARE PROPERTY, "PLESSY V. FERGUSON" THAT 97 00:07:12,231 --> 00:07:13,800 ESTABLISHED JIM CROW SEGREGATION, AND "BUCK V. 98 00:07:13,866 --> 00:07:15,468 BELL," WHICH SAID IT WAS OKAY TO STERILIZE THE MENTALLY ILL. 99 00:07:15,535 --> 00:07:16,903 I'M GUESSING, TO LINDSAY GRAHAM, THE SADDEST PART OF A FUNERAL IS 100 00:07:16,969 --> 00:07:21,908 WHEN THEY RUN OUT OF LEMON BARS. AS USUAL, FOX NEWS WAS COMMITTED 101 00:07:21,974 --> 00:07:26,913 TO NOT REPORTING THE NEWS AND INSTEAD REPORTING SPIN THE 102 00:07:26,979 --> 00:07:28,614 LEAKED DRAFT INTO A WIN FOR DEMOCRATS. 103 00:07:28,681 --> 00:07:33,920 >> THIS IS A GODSEND FOR A LOT OF DEMOCRATIC CANDIDATES. 104 00:07:33,986 --> 00:07:35,221 >> DEMOCRATS CLEARLY USING THIS FOR THE MIDTERMS. 105 00:07:35,288 --> 00:07:38,024 THEY DON'T WANT TO TALK ABOUT INFLATION. 106 00:07:38,090 --> 00:07:40,359 THEY WANT TO TALK ABORTION. >> IT'S VERY CURIOUS TO ME THAT 107 00:07:40,426 --> 00:07:43,629 THE DEMOCRATS WEREN'T TALKING ABOUT IT UNTIL TODAY. 108 00:07:43,696 --> 00:07:45,898 >> Stephen: YEAH, TYPICALLY, PEOPLE WAIT UNTIL SOMETHING 109 00:07:45,965 --> 00:07:50,002 HAPPENS TO TALK ABOUT IT. ( LAUGHTER ) 110 00:07:50,069 --> 00:07:57,376 COMPLAINING ABOUT ICEBERGS WHEN THEY LEFT THE HARBOR. 111 00:07:57,443 --> 00:07:58,945 BUT, THEN ABOUT HALFWAY THROUGH, IT WAS, "ICEBERG DEAD AHEAD" 112 00:07:59,011 --> 00:08:02,014 THIS, AND "NEVER LET GO... GLUG, GLUG, GLUG" THAT. 113 00:08:02,081 --> 00:08:13,593 ( APPLAUSE ) ONE REPUBLICAN TOOK A BREAK FROM 114 00:08:13,659 --> 00:08:19,699 ATTACKING THE LEAKER TO VILIFY WOMEN INSTEAD. 115 00:08:19,765 --> 00:08:21,434 I'M TALKING ABOUT FLORIDA REPUBLICAN AND SUBWAY RIDER 116 00:08:21,500 --> 00:08:23,236 CHEERING ON THE MASTURBATOR, MATT GAETZ. 117 00:08:23,302 --> 00:08:26,005 IN RESPONSE TO THE NATIONWIDE PROTESTS, THIS MORNING, GAETZ 118 00:08:26,072 --> 00:08:28,107 TWEETED, "HOW MANY OF THE WOMEN RALLYING AGAINST OVERTURNING 119 00:08:28,174 --> 00:08:32,478 "ROE" ARE OVER-EDUCATED, UNDER-LOVED MILLENNIALS WHO 120 00:08:32,545 --> 00:08:35,248 SADLY RETURN FROM PROTESTS TO A LONELY MICROWAVE DINNER WITH 121 00:08:35,314 --> 00:08:39,719 THEIR CATS AND NO BUMBLE MATCHES?" 122 00:08:39,785 --> 00:08:48,928 NOW, FOLKS, IF THAT STATEMENT SOUNDS INSANE, REMEMBER: FOR 123 00:08:48,995 --> 00:08:50,162 MATT GAETZ, OVER-EDUCATED IS ANY WOMAN WHO'S ALREADY GRADUATED 124 00:08:50,229 --> 00:08:53,799 HIGH SCHOOL. ( APPLAUSE ) 125 00:08:53,866 --> 00:08:59,939 NOT MEANWHILE. WHAT ELSE IS GOING ON. 126 00:09:00,006 --> 00:09:01,140 OVER IN THE PANDEMIC, COVID-19 CASES AND HOSPITALIZATIONS ARE 127 00:09:01,207 --> 00:09:02,742 RISING AGAIN IN THE UNITED STATES. 128 00:09:02,808 --> 00:09:06,012 HOW MANY COMEBACKS DOES COVID GET? 129 00:09:06,078 --> 00:09:11,350 IT'S THE MEL GIBSON OF VIRUSES. ( LAUGHTER ) 130 00:09:11,417 --> 00:09:15,922 WASHINGTON, MISSISSIPPI, GEORGIA, MAINE, HAWAII, SOUTH 131 00:09:15,988 --> 00:09:20,259 DAKOTA, NEVADA, AND MONTANA. COME ON! 132 00:09:20,326 --> 00:09:22,128 HOW DOES IT POSSIBLY SPREAD FROM PERSON TO PERSON IN MONTANA? 133 00:09:22,194 --> 00:09:25,998 EVERY PERSON IS 20 MILES APART TO GIVE SOMEONE COVID, YOU HAVE 134 00:09:26,065 --> 00:09:27,900 TO LICK A PRAIRIE DOG AND THROW IT THROUGH THE WINDOW OF A 135 00:09:27,967 --> 00:09:29,502 HOMESTEAD. ( LAUGHTER ) 136 00:09:29,568 --> 00:09:33,906 I BELIEVE-- I BELIEVE THEY STILL HOMESTEAD THERE, RIGHT? 137 00:09:33,973 --> 00:09:42,014 MONTANA STILL HAS CABINS. THE RISE IN CASES CAN BE BLAMED 138 00:09:42,081 --> 00:09:45,918 ON NEWER, FITTER DESCENDANTS OF THE OMICRON VARIANT. 139 00:09:45,985 --> 00:09:49,789 COME ON, OMICRON. WE BROKE UP WITH YOU, AND NOW 140 00:09:49,855 --> 00:09:51,090 YOU'RE GETTING FITTER? I HOPE YOU DON'T HAVE ABS, OR IN 141 00:09:51,157 --> 00:09:55,161 A MOMENT OF WEAKNESS, WE MIGHT HOOK UP AGAIN. 142 00:09:55,227 --> 00:10:01,834 ( LAUGHTER ) ROUNDS IS A SPINOFF OF OMICRON'S 143 00:10:01,901 --> 00:10:05,771 BA.2 SUBVARIANT, CALLED B2.12.1. 144 00:10:05,838 --> 00:10:07,974 EVIDENTLY, THE W.H.O. RAN OUT OF GREEK LETTERS, SO NOW THEY'RE 145 00:10:08,040 --> 00:10:13,846 JUST USING THE PASSWORD THAT COMES WITH YOUR ROUTER: 146 00:10:13,913 --> 00:10:21,120 ( AS DOCTOR ) WE RAN THE TESTS AND, 147 00:10:21,187 --> 00:10:25,825 UNFORTUNATELY, YOU'RE POSITIVE FOR LOWER CASE B, AMPERSAND, 5, 148 00:10:25,891 --> 00:10:28,561 6, CAPITAL Z AS IN ZAVID, 9,2,9, UNDERSCORE-NETGEAR, AND 149 00:10:28,627 --> 00:10:31,764 THEN A CAPITAL "O," OR A ZERO. THERE'S NO WAY OF KNOWING." 150 00:10:31,831 --> 00:10:42,008 ( LAUGHTER ) ( CHEERS AND APPLAUSE ) 151 00:10:42,074 --> 00:10:56,222 OFF AGAIN IS OUR NATION'S CAPITAL. 152 00:10:56,288 --> 00:10:57,690 ONE PLACE WHERE COVID IS TAKING OFF AGAIN IS OUR NATION'S 153 00:10:57,757 --> 00:10:59,091 CAPITAL. A BUNCH OF FOLKS TESTED POSITIVE 154 00:10:59,158 --> 00:11:00,693 AFTER ATTENDING THE WHITE HOUSE CORRESPONDENTS' DINNER, 155 00:11:00,760 --> 00:11:02,028 INCLUDING ABC NEWS' CHIEF WASHINGTON CORRESPONDENT, 156 00:11:02,094 --> 00:11:04,163 JONATHAN KARL, WHICH IS PARTICULARLY WORRISOME, BECAUSE 157 00:11:04,230 --> 00:11:05,998 AT THE DINNER, KARL SHOOK HANDS WITH PRESIDENT BIDEN-- A STORY 158 00:11:06,065 --> 00:11:08,234 THAT POLITICO REPORTED AS "JONATHAN KARL TESTS POSITIVE 159 00:11:08,300 --> 00:11:09,869 FOR COVID AFTER SITTING NEXT TO KIM KARDASHIAN." 160 00:11:09,935 --> 00:11:11,670 WELL, OF COURSE THAT'S THEIR LEDE. 161 00:11:11,737 --> 00:11:13,672 YOU WANT THE PRESIDENT TO BE HEALTHY, BUT COME ON, WE'VE HAD 162 00:11:13,739 --> 00:11:15,374 45 OF THOSE GUYS. THERE'S ONLY ONE FOUNDER OF 163 00:11:15,441 --> 00:11:18,010 SKIMS SHAPEWEAR. I'M WEARING ONE RIGHT NOW. 164 00:11:18,077 --> 00:11:21,981 ( LAUGHTER ) EVEN WORSE, THE DINNER WAS 165 00:11:22,048 --> 00:11:26,018 SATURDAY, AND ON MONDAY, KIM WENT TO THE MET GALA, WHICH-- I 166 00:11:26,085 --> 00:11:29,755 DON'T THINK I NEED TO REMIND YOU-- WAS ATTENDED BY ALL OF THE 167 00:11:29,822 --> 00:11:32,525 KARDASHIANS FOR THE FIRST TIME EVER. 168 00:11:32,591 --> 00:11:34,760 THANKS A LOT, JONATHAN KARL. YOU MAY HAVE JUST KNOCKED OUT 169 00:11:34,827 --> 00:11:38,064 OUR ENTIRE NATIONAL KARDASHIAN RESERVE. 170 00:11:38,130 --> 00:11:42,001 ( LAUGHTER ) THE HILTONS? 171 00:11:42,068 --> 00:11:45,771 DO THEY EVEN MAKE A LIP KIT? ( LAUGHTER ) 172 00:11:45,838 --> 00:11:49,008 AFTER ATTENDING THE DINNER, SECRETARY OF STATE ANTONY 173 00:11:49,075 --> 00:11:51,911 BLINKEN TESTED POSITIVE FOR COVID. 174 00:11:51,977 --> 00:11:53,512 NOW, MAYBE I'M OUT OVER MY SKIS HERE, BUT I'M STARTING TO THINK 175 00:11:53,579 --> 00:11:54,613 THEY SHOULDN'T HAVE SERVED DINNER "LADY AND THE TRAMP" 176 00:11:54,680 --> 00:11:58,084 STYLE. ( LAUGHTER ) 177 00:11:58,150 --> 00:12:02,021 TONIGHT. MY GUESTS ARE GLENN CLOSE AND 178 00:12:02,088 --> 00:12:12,064 SHERYL CROW. BUT WHEN WE COME BACK, MY WIFE, 179 00:12:12,131 --> 00:12:13,132 EVIE, AND I HAVE SOME FIRST DRAFTS OF MOTHER'S DAY CARDS. 180 00:12:53,038 --> 00:12:54,974 EVERYBODY. GIVE IT UP FOR JON BATISTE AND 181 00:12:55,040 --> 00:13:02,815 STAY HUMAN. HOW WE DOING OVER THERE? 182 00:13:02,882 --> 00:13:08,454 HOW WE DOING? JON. 183 00:13:08,521 --> 00:13:11,157 JON. DO YOU KNOW WHO WE'VE GOT ON 184 00:13:11,223 --> 00:13:15,528 TONIGHT, JON, AND THIS IS A JOY FOR ME, BECAUSE I LOVE BOTH OF 185 00:13:15,594 --> 00:13:18,397 THESE WOMEN. TWO VERY POWERFUL WOMEN, GLENN 186 00:13:18,464 --> 00:13:23,369 CLOSE AND SHERYL CROW ARE ON THIS EVENING. 187 00:13:23,435 --> 00:13:28,674 HAVE YOU DONE STUFF-- HAVE YOU DONE STUFF CAN SHERYL? 188 00:13:28,741 --> 00:13:33,179 >> WE'VE HUNG OUT BEFORE, NEVER DONE MUSIC TOGETHER. 189 00:13:33,245 --> 00:13:35,648 GLENN WAS AT THE MET BALL AND WE GOT TO SING TOGETHER. 190 00:13:35,714 --> 00:13:38,284 >> Stephen: YOU GOT TO SING WITH HER? 191 00:13:38,350 --> 00:13:41,687 >> Jon: YES. >> Stephen: SHE WAS REPLENDANT 192 00:13:41,754 --> 00:13:44,223 IN PINK. YOU COULD SEE HER FROM THE 193 00:13:44,290 --> 00:13:48,327 INTERNATIONAL SPACE STATION. VERY BEAUTIFUL. 194 00:13:48,394 --> 00:13:50,629 WELL, FOLKS, SPRING IS HERE, AND WITH IT, THAT LITTLE ICE CHIP IN 195 00:13:50,696 --> 00:13:53,866 YOUR HEART TELLING YOU, YOU FORGOT SOMETHING THAT YOU WERE 196 00:13:53,933 --> 00:13:55,134 SUPPOSED TO REMEMBER ABOUT THIS SUNDAY, WHICH CAN ONLY MEAN ONE 197 00:13:55,201 --> 00:13:57,736 THING: IT'S MOTHER'S DAY. NOW, THERE ARE PLENTY OF 198 00:13:57,803 --> 00:14:00,606 MOTHER'S DAY CARDS OUT THERE TO CHOOSE FROM, BUT THEY DON'T ALL 199 00:14:00,673 --> 00:14:05,177 GET IT RIGHT ON THE FIRST TRY. SO TONIGHT, WE'LL TAKE A LOOK AT 200 00:14:05,244 --> 00:14:07,880 SOME OF THE EARLY ATTEMPTS IN OUR SEGMENT "FIRST DRAFTS." 201 00:14:07,947 --> 00:14:16,455 ( CHEERS AND APPLAUSE ). AS ALWAYS, I'LL NEED SOME HELP 202 00:14:16,522 --> 00:14:22,962 FROM MY FAVORITE GUEST OF ALL TIME AND MY FAVORITE MOTHER, MY 203 00:14:23,028 --> 00:14:25,130 WIFE, EVIE. EVIE! 204 00:14:25,197 --> 00:14:29,702 DARLING! ( CHEERS AND APPLAUSE ) 205 00:14:29,768 --> 00:14:31,737 >> HI! >> Stephen: YOU LOOK 206 00:14:31,804 --> 00:14:32,805 BEAUTIFUL. >> THANK YOU! 207 00:14:32,871 --> 00:14:35,307 >> Stephen: LOVE THE NECKLACE. PLEASE HAVE A SEAT. 208 00:14:35,374 --> 00:14:38,077 >> DID I GET LIPSTICK ON YOU. >> Stephen: DID I? 209 00:14:38,143 --> 00:14:42,381 DID YOU-- >> DID I GET LIPSTICK ON YOU? 210 00:14:42,448 --> 00:14:44,950 >> Stephen: DARLING THANK YOU SO MUCH FOR BEING HERE. 211 00:14:45,017 --> 00:14:47,586 >> MY PLEASURE. >> Stephen: HAPPY MOTHER'S DAY 212 00:14:47,653 --> 00:14:48,687 AHEAD OF TIME. >> THANK YOU. 213 00:14:48,754 --> 00:14:52,625 >> Stephen: I GOT YOU A MIMOSA. 214 00:14:52,691 --> 00:14:55,027 >> VITAMIN "C" BECAUSE OF YOUR COLD. 215 00:14:55,094 --> 00:14:58,998 .>> Stephen: IT'S NOT A COLD. I HAVE ALLERGIES, REMEMBER? 216 00:14:59,064 --> 00:15:01,600 >> OH, RIGHT. >> Stephen: DARLING, FOR THOSE 217 00:15:01,667 --> 00:15:04,770 OF YOU AT HOME WHO ARE PLAYING OUR HOME GAME, LET ME EXPLAIN 218 00:15:04,837 --> 00:15:06,972 WHAT'S GOING ON HERE. YOU KNOW,SH-- 219 00:15:07,039 --> 00:15:09,208 >> I'M A PRO. >> Stephen: IF YOU HOLD THE 220 00:15:09,275 --> 00:15:11,610 CARDS RIGHT THERE, WHAT'S GOING TO HAPPEN IF YOU'LL GIVE ME THE 221 00:15:11,677 --> 00:15:14,346 TOP CARD-- AND HOW WOULD YOU DESCRIBE THE TOP CARD? 222 00:15:14,413 --> 00:15:16,915 >> NICE, FRIENDLY. >> Stephen: THE ONE YOU WOULD 223 00:15:16,982 --> 00:15:17,916 BUY. >> SAFE. 224 00:15:17,983 --> 00:15:19,785 >> Stephen: AND THE SECOND CARD WOULD BE WHAT? 225 00:15:19,852 --> 00:15:23,255 >> SOMETIMES OFFENSIVE. >> Stephen: THE FIRST DRAFT, 226 00:15:23,322 --> 00:15:26,458 THE FIRST DRAFT OF THAT CARD THAT WASN'T GOOD ENOUGH TO SELL. 227 00:15:26,525 --> 00:15:29,361 >> SOMETIMES OFFENSIVE. >> Stephen: SOMETIMES 228 00:15:29,428 --> 00:15:31,563 OFFENSIVE. COULD I PLEASE-- COULD I PLEASE 229 00:15:31,630 --> 00:15:38,804 HAVE THE FIRST CARD? >> Stephen: YES, YOU MAY. 230 00:15:38,871 --> 00:15:39,872 THIS ONE IS FOR THE NEW MOMS. IT SAYS, "I LOVE YOU. 231 00:15:39,938 --> 00:15:41,006 HAPPY FIRST MOTHER'S DAY TO MY WIFE. 232 00:15:41,073 --> 00:15:41,807 WATCHING YOU BECOME A MOTHER HAS BEEN THE MOST BEAUTIFUL 233 00:15:41,874 --> 00:15:44,476 EXPERIENCE. I LOVE YOU." 234 00:15:44,543 --> 00:15:46,245 OH! >> Stephen: STHANT THAT 235 00:15:46,312 --> 00:15:49,315 LOVELY? >> THAT IS SO SWEET! 236 00:15:49,381 --> 00:15:52,451 >> Stephen: WOULDN'T YOU LOVE TO GET THAT ONE? 237 00:15:52,518 --> 00:15:53,919 BUT THE FIRST DRAFT SAID, "HAPPY FIRST MOTHER'S DAY TO MY WIFE. 238 00:15:53,986 --> 00:15:55,387 WATCHING YOU BECOME A MOTHER WAS ONE OF THE MOST TERRIFYING 239 00:15:55,454 --> 00:15:56,588 EXPERIENCES OF MY LIFE. AND THEN YOU JUST WALKED AROUND 240 00:15:56,655 --> 00:15:57,956 LIKE AN HOUR LATER? I FEAR YOU." 241 00:15:58,023 --> 00:15:59,024 THAT'S TRUE. THAT'S TRUE. 242 00:15:59,091 --> 00:16:02,227 >> THAT'S TRUE. >> Stephen: BECAUSE 243 00:16:02,294 --> 00:16:04,496 ( WHISTLES ) >> THAT'S TRUE. 244 00:16:04,563 --> 00:16:06,398 >> Stephen: IT IS-- IT IS SCARY BUSINESS. 245 00:16:06,465 --> 00:16:09,401 >> DON'T MESS WITH US WOMEN AFTER HE HAVE BABY S. 246 00:16:09,468 --> 00:16:11,804 >> Stephen: ABSOLUTELY NOT. I REMEMBER WHEN OUR ELDEST WAS 247 00:16:11,870 --> 00:16:15,474 BORN, OUR DAUGHTER, WE HAD THIS PLAN TO BRING IN, LIKE, "I 248 00:16:15,541 --> 00:16:19,445 BROUGHT IN A LITTLE CD PLAYER AND MINI-SPEAKERS AND WE'RE 249 00:16:19,511 --> 00:16:21,580 GOING TO LISTEN TO WHALE NOISES AND THE SOUND OF THE SEA. 250 00:16:21,647 --> 00:16:25,918 AND I TURNED IT ON, AND ABOUT FIVE MINUTES LATER YOU SAID, 251 00:16:25,984 --> 00:16:29,388 TURN THAT ( BLEEP ) OFF. TRUE STORY. 252 00:16:29,455 --> 00:16:30,656 >> IT'S TRUE. >> Stephen: HERE'S THE SECOND 253 00:16:30,723 --> 00:16:34,226 THING I REMEMBER ABOUT THAT. >> I DON'T KNOW IF WE WANT TO 254 00:16:34,293 --> 00:16:36,228 TALK ABOUT THAT. >> Stephen: YOU WERE DOING A 255 00:16:36,295 --> 00:16:37,930 GREAT JOB. >> I DID A GREAT JOB! 256 00:16:37,996 --> 00:16:39,998 >> Stephen: OF COURSE, YOU WERE DOING A GREAT JOB. 257 00:16:40,065 --> 00:16:44,136 AND YOU WERE LIKE, "YOU KNOW WHAT, GIVE ME AN EPIDURAL." 258 00:16:44,203 --> 00:16:46,538 >> THE FIRST TIME. >> Stephen: AND THEY HAD, SIR, 259 00:16:46,605 --> 00:16:48,574 YOU HAVE TO LEAVE WHILE WE DO THIS. 260 00:16:48,640 --> 00:16:52,444 I LEFT, WENT DOWN TO THE McDONALD'S IN THE LOBBY OF THE 261 00:16:52,511 --> 00:16:56,849 HOSPITAL, GOT MYSELF A COFFEE AND HASHBROWNS, CAME BACK UP, 262 00:16:56,915 --> 00:17:02,488 AND YOU WERE LIKE, "WEEE! I'M READY TO RUN THE NEW YORK 263 00:17:02,554 --> 00:17:03,689 MARATHON." >> DRUGS. 264 00:17:03,756 --> 00:17:08,694 >> Stephen: DRUGS AND KNIVES. THAT'S WHAT WE'RE GOING WITH. 265 00:17:08,761 --> 00:17:15,634 >> THIS IS A SWEET ONE. >> THESE ARE REALLY SWEET. 266 00:17:15,701 --> 00:17:18,670 THE FIRST DRAFTS ARE VERY GOOD. >> Stephen: THAT'S WHY THEY 267 00:17:18,737 --> 00:17:28,480 SELL THEM. >> THE FIRST DRAFT SAID: 268 00:17:28,547 --> 00:17:32,451 ( CHEERS AND APPLAUSE ) >> THAT TRACKS. 269 00:17:32,518 --> 00:17:35,754 >> Stephen: WE KNOW. WHAT HARM COULD ONE GLASS OF 270 00:17:35,821 --> 00:17:38,257 WINE DO? IT WILL MAKE THE BABY SLEEP. 271 00:17:38,323 --> 00:17:40,659 >> EXACTLY! SHHH! 272 00:17:40,726 --> 00:17:43,429 >> Stephen: SHHH! THEY'RE TOO OLD, THEY CAN'T SUE 273 00:17:43,495 --> 00:17:45,664 AT THIS POINT. >> THESE KIDS DON'T DO THAT 274 00:17:45,731 --> 00:17:46,632 ANYMORE. >> Stephen: THEY DON'T? 275 00:17:46,698 --> 00:17:47,833 >> NO. >> Stephen: REALLY? 276 00:17:47,900 --> 00:17:52,905 >> I THINK WOMEN DON'T EVEN HAVE A GLASS OF WINE ANYMORE. 277 00:17:52,971 --> 00:17:54,673 I KNOW, THEIR LOSS. >> Stephen: IT REALLY IS. 278 00:17:54,740 --> 00:18:03,482 >> ONE GLASS OF WINE, I MEAN... >> HERE'S A "STAR WARS" THEMED 279 00:18:03,549 --> 00:18:07,352 ONE. >> ISN'T TODAY "MAY THE 4th 280 00:18:07,419 --> 00:18:08,287 BE WITH YOU?" >> Stephen: IT IS. 281 00:18:08,353 --> 00:18:10,656 >> I KNEW THAT. >> Stephen: BECAUSE YOU'RE 282 00:18:10,722 --> 00:18:12,391 YOUNG AND HIP. THAT'S WHY. 283 00:18:12,458 --> 00:18:14,493 >> BECAUSE I'M MARRIED TO A NERD. 284 00:18:14,560 --> 00:18:23,902 >> THE FIRST DRAFT SAID: THAT'S SCANDALOUS. 285 00:18:23,969 --> 00:18:25,604 THAT IS SCANDALOUS. >> SEE, THAT ONE IS A NO. 286 00:18:25,671 --> 00:18:27,072 >> Stephen: YOU CAN'T SELL THIS. 287 00:18:27,139 --> 00:18:30,409 >> THANK GOD, THANK GOD. >> Stephen: MAY I HAVE THE 288 00:18:30,476 --> 00:18:34,146 NEXT CARD? >> YES. 289 00:18:34,213 --> 00:18:34,947 >> Stephen: THANK YOU VERY MUCH. 290 00:18:35,013 --> 00:18:36,381 IS THIS A SHOW DRESS OR YOUR DRESS? 291 00:18:36,448 --> 00:18:38,484 >> I'M NOT TELLING. >> Stephen: OKAY. 292 00:18:38,550 --> 00:18:42,321 BECAUSE IF IT'S THE SHOW DRESS LET'S BUY IT AND MAKE IT YOURS 293 00:18:42,387 --> 00:18:43,622 BECAUSE YOU LOOK LOVELY. >> THANK YOU. 294 00:18:43,689 --> 00:18:45,290 >> Stephen: HOW ABOUT THE NECKLACE? 295 00:18:45,357 --> 00:18:47,626 >> NO, THIS IS -- >> Stephen: YOU LIKE COMING 296 00:18:47,693 --> 00:18:51,129 HERE-- >> THE SHOES ARE MINE. 297 00:18:51,196 --> 00:19:01,507 DOES THAT COUNT. >> Stephen: HERE'S ONE THAT 298 00:19:01,573 --> 00:19:14,353 SAYS: BUT THE FIRST DRAFT SAID: ( CHEERS AND APPLAUSE ) 299 00:19:14,419 --> 00:19:18,557 THE SPOT HERE FOR JUST A SECOND? >> Jon: YES. 300 00:19:18,624 --> 00:19:21,226 >> Stephen: ANYTHING YOU WANT TO SAY ABOUT YOUR LOVELY MOM 301 00:19:21,293 --> 00:19:22,528 HERE? >> Jon: OH, YES. 302 00:19:22,594 --> 00:19:26,498 MY MOM TAUGHT ME HOW TO BE AN AUTHENTIC PERSON AND THINK FOR 303 00:19:26,565 --> 00:19:28,467 MYSELF AND BELIEVE IN MYSELF. THANK YOU, MOM. 304 00:19:28,534 --> 00:19:35,207 I LOVE YOU. ( CHEERS AND APPLAUSE ). 305 00:19:35,274 --> 00:19:37,342 >> Stephen: THIS IS THE LAST ONE. 306 00:19:37,409 --> 00:19:40,345 IS THERE ANYTHING YOU WANT FOR MOTHER'S DAY? 307 00:19:40,412 --> 00:19:42,414 GIVE ME A HINT. >> I ASK FOR THE SAME THING 308 00:19:42,481 --> 00:19:43,649 EVERY YEAR. WHAT IS IT? 309 00:19:43,715 --> 00:19:46,618 >> Stephen: YOU WANT TO HAVE A CUP OF COFFEE AND THE NEWSPAPER 310 00:19:46,685 --> 00:19:48,453 IN BED. NOT EVEN BREAKFAST. 311 00:19:48,520 --> 00:19:51,089 YOU JUST WANT A HOT CUP OF COFFEE-- 312 00:19:51,156 --> 00:19:53,325 >> I JUST DON'T WANT TO BE THE FIRST PERSON UP. 313 00:19:53,392 --> 00:19:54,927 >> Stephen: YOU WANT TO SLEEP IN. 314 00:19:54,993 --> 00:19:56,929 >> I CAN'T EVEN SLEEP IN ANYMORE. 315 00:19:56,995 --> 00:20:00,933 JUST NOT THE FIRST PERSON-- YOU MAKE THE COFFEE. 316 00:20:00,999 --> 00:20:02,367 >> Stephen: I'LL GIVE THE COFFEE TO THE DOG. 317 00:20:02,434 --> 00:20:10,943 >> AND THE DOG WILL BRING IT UP. >> Stephen: THIS IS PEPPY. 318 00:20:11,009 --> 00:20:13,011 IT SAYS: THAT'S NICE. BUT THE FIRST DRAFT SAID: 319 00:20:22,220 --> 00:20:22,955 ( LAUGHTER ) >> I JUST DID THAT! 320 00:20:23,021 --> 00:20:25,991 >> Stephen: EVIE MAGEE, EVERYBODY! 321 00:20:26,058 --> 00:20:28,961 THE BEST MOM EVER. WE'LL BE RIGHT BACK WITH GLENN 322 00:20:29,027 --> 00:20:31,029 CLOSE. W 323 00:20:50,048 --> 00:20:52,985 ( APPLAUSE ) WELCOME BACK. 324 00:20:53,051 --> 00:21:01,059 LADIES AND GENTLEMEN, MY FIRST GUEST THIS EVENING IS AN EMMY 325 00:21:01,126 --> 00:21:04,930 AND TONY AWARD-WINNING ACTRESS YOU KNOW FROM "FATAL 326 00:21:04,997 --> 00:21:06,632 ATTRACTION," "GUARDIANS OF THE GALAXY," AND "THE WIFE." 327 00:21:06,698 --> 00:21:08,333 SHE NOW GUEST STARS IN SEASON TWO OF THE ISRAELI SPY SERIES 328 00:21:08,400 --> 00:21:10,636 "TEHRAN." PLEASE WELCOME BACK TO "THE LATE 329 00:21:10,702 --> 00:21:12,704 SHOW," GLENN CLOSE! ♪ ♪ ♪ 330 00:21:29,588 --> 00:21:31,590 ( APPLAUSE ) ( APPLAUSE ) 331 00:21:39,297 --> 00:21:46,171 >> HELLO. >> Stephen: NICE TO SEE YOU 332 00:21:46,238 --> 00:21:47,239 AGAIN. >> SHALOM. 333 00:21:47,305 --> 00:21:50,976 >> Stephen: YOU WERE AT THE MET GALA MONDAY NIGHT. 334 00:21:51,043 --> 00:21:52,978 >> YES. >> Stephen: YOUR OUTFIT WAS 335 00:21:53,045 --> 00:21:56,248 ABSOLUTELY EXTRAORDINARY. WHO ARE YOU WEARING HERE? 336 00:21:56,314 --> 00:21:57,649 >> VALENTINO. >> Stephen: THAT IS BEAUTIFUL. 337 00:21:57,716 --> 00:22:00,952 JON, YOU LIKE TO ROCK A CAPE. WHAT DO YOU THINK OF THE CAPE 338 00:22:01,019 --> 00:22:02,854 WORK? >> Jon: I LIKE THE CAPE WORK A 339 00:22:02,921 --> 00:22:05,924 LOT. >> Stephen: YOU GUYS WERE 340 00:22:05,991 --> 00:22:10,062 HANGING OUT THAT NIGHT, RIGHT? >> WE WERE, WE WERE AT THE SAME 341 00:22:10,128 --> 00:22:11,496 TABLE. AND JON BATISTE, YOU WERE 342 00:22:11,563 --> 00:22:15,667 PLAYING WITH SOME FABULOUS MUSICIANS UPON. 343 00:22:15,734 --> 00:22:20,839 WERE THEY FROM NEW ORLEANS? >> Jon: JOE WAS THERE, AND WE 344 00:22:20,906 --> 00:22:27,145 HAD MEMBERS OF THE SIOUX TRIBE. >> OH, YES. 345 00:22:27,212 --> 00:22:32,017 ( APPLAUSE ) THERE THEY ARE! 346 00:22:32,084 --> 00:22:35,253 OH, FANTASTIC! THEY HAD EVERYBODY-- EVERYBODY 347 00:22:35,320 --> 00:22:37,322 JIVING. >> Stephen: ALL RIGHT, FROM 348 00:22:37,389 --> 00:22:39,391 FIRST MET GALA, LET'S GO TO YOUR FIRST MOVIE. 349 00:22:39,458 --> 00:22:42,861 I JUST FOUND OUT-- I DID NOT KNOW THIS, OF COURSE I KNEW YOU 350 00:22:42,928 --> 00:22:47,265 WERE IN THIS MOVIE-- BUT YOUR FIRST MOVIE EVER WAS "WORLD 351 00:22:47,332 --> 00:22:48,433 ACCORDING TO GARP." >> YES. 352 00:22:48,500 --> 00:22:51,503 >> Stephen: WHAT A HUGE MOVIE TO MAKE THAT YOUR FIRST ONE. 353 00:22:51,570 --> 00:22:53,472 WAS THAT THE PLAN TO BE A MOVIE STAR? 354 00:22:53,538 --> 00:22:58,710 >> NO, I JUST WANTED TO ACT. I WANTED TO BE OTHER PEOPLE. 355 00:22:58,777 --> 00:23:01,313 I STARTED ON STAGE. I WAS ON STAGE SIX YEARS. 356 00:23:01,379 --> 00:23:06,218 I WAS CAST OUT OF BARNUM. GEORGE HILL SAW ME UP IN MY 357 00:23:06,284 --> 00:23:09,521 BALCONY KIND OF CROCHETING AND HE THOUGHT I HAD A STILLNESS 358 00:23:09,588 --> 00:23:12,657 ABOUT ME THAT HE LIKED. >> Stephen: WHAT WAS THAT 359 00:23:12,724 --> 00:23:13,625 LIKE? WHAT WAS THAT FIRST EXPERIENCE 360 00:23:13,692 --> 00:23:16,928 ON A FILM SET? >> WELL, I DIDN'T KNOW WHAT I 361 00:23:16,995 --> 00:23:24,035 DIDN'T KNOW. WE WENT UP EARLY TO REHEARSE 362 00:23:24,102 --> 00:23:28,406 WITH HUE CRONIN AND JESSICA TANDY. 363 00:23:28,473 --> 00:23:32,077 AND I WAS SHOWN THE HOUSE AND IN THE SCRIPT, IT WAS A HOUSE WITH 364 00:23:32,144 --> 00:23:34,613 A FAMILY GRAVEYARD, AND I SAW THE HOUSE, AND I SAW THIS 365 00:23:34,679 --> 00:23:37,482 GRAVEYARD. AND I THOUGHT, THEY FOUND A 366 00:23:37,549 --> 00:23:41,119 HOUSE WITH A GRAVEYARD? ( LAUGHTER ) 367 00:23:41,186 --> 00:23:46,625 AND THEN I WAS TAKEN OVER TO THE GRAVEYARD, AND REALIZED THAT IT 368 00:23:46,691 --> 00:23:49,327 WAS STYROFOAM. ( LAUGHTER ) 369 00:23:49,394 --> 00:23:53,265 PUT THESE STYROFOAM THINGS -- >> Stephen: DID YOU HAVE A 370 00:23:53,331 --> 00:23:55,901 SENSE THAT, LIKE, IN THE THEATER YOU KNOW EVERYTHING IS FAKE, BUT 371 00:23:55,967 --> 00:23:57,903 AT LEAST IN MOVIES EVERYTHING IS REAL. 372 00:23:57,969 --> 00:24:00,672 >> THAT'S RIGHT. I THOUGHT EVERYTHING WAS REAL. 373 00:24:00,739 --> 00:24:05,076 >> Stephen: WOW, IT'S LIKE FINDING OUT SANTA CLAUS IS 374 00:24:05,143 --> 00:24:06,311 STYROFOAM. >> IT WAS. 375 00:24:06,378 --> 00:24:09,181 >> Stephen: I UNDERSTAND ONE OF YOUR FAVORITE MOVIES IS MAYBE 376 00:24:09,247 --> 00:24:12,484 MY FAVORITE ALL-TIME MOVIE, AND MAYBE ONE OF MY ALL-TIME 377 00:24:12,551 --> 00:24:15,687 FAVORITE PLAYS, WHICH IS "A MAN FOR ALL SEASON." 378 00:24:15,754 --> 00:24:18,890 WHICH IS EXTRAORDINARY AND A WONDERFUL MESSAGE FOR TODAY, 379 00:24:18,957 --> 00:24:21,226 ABOUT SOMEONE IN POLITICAL LIFE ACTUALLY HAVING A SPINE. 380 00:24:21,293 --> 00:24:22,894 >> YES. >> Stephen: AND IT COST HIM 381 00:24:22,961 --> 00:24:25,931 HIS HEAD, BUT AT LEAST HE KEEPS THE REST OF HIS SPINE. 382 00:24:25,997 --> 00:24:27,532 WHAT IS IT THAT APPEALS TO YOU ABOUT IT? 383 00:24:27,599 --> 00:24:32,904 >> I THINK IT'S THAT. I THINK IT'S ABOUT A MAN WHO 384 00:24:32,971 --> 00:24:36,408 ENDS UP GIVING HIS LIFE BECAUSE HE REFUSES TO GO AGAINST HIS 385 00:24:36,474 --> 00:24:37,776 PRINCIPLE S. >> Stephen: THE STORY, FOR 386 00:24:37,843 --> 00:24:41,613 PEOPLE WHO DON'T KNOW, SIR THOMAS MOORE, WHO BECOMES SAINT 387 00:24:41,680 --> 00:24:46,518 THOMAS MOORE, THE CHANCELLOR AND FRIEND OF HENRY VIII. 388 00:24:46,585 --> 00:24:52,290 HE WILL NOT BEND TO THE MARRIAGE AND GETTING RID OF KATHRYN AND 389 00:24:52,357 --> 00:24:57,162 BRING ON ANNE BOLIN. AND HE WON'T BE QUIET. 390 00:24:57,229 --> 00:25:01,666 >> HE HAS A WONDERFUL SPEECH, IN LAW, IF YOU DON'T SAY SOMETHING, 391 00:25:01,733 --> 00:25:05,270 THAT MEANS YOU CONSENT. YOU CANNOT SAY ANYTHING YOU YOU 392 00:25:05,337 --> 00:25:09,174 TAKE IT THAT IT'S MOON CONSENT. AND HE SAID NO, YOU HAVE TO SAY 393 00:25:09,241 --> 00:25:12,477 IT OUT LOUD. >> Stephen: IF HE WILL NOT SAY 394 00:25:12,544 --> 00:25:14,679 THE LIE, THEY ASSUME HE IS REFUTING IT. 395 00:25:14,746 --> 00:25:17,616 >> "WON'T SAY THE LIE." IT'S SO RELEVANT TODAY. 396 00:25:17,682 --> 00:25:23,889 AND WE CAN ASK OURSELVES HOW FAR WILL WE GO WITH OUR PRINCIPLES, 397 00:25:23,955 --> 00:25:27,025 YOU KNOW? HOW THREATENED DO WE HAVE TO BE 398 00:25:27,092 --> 00:25:32,497 TO GO BACK ON WHAT WE THINK PERSONALLY IS THE RIGHT THING TO 399 00:25:32,564 --> 00:25:33,798 DO? AND I THINK THAT'S SOMETHING ALL 400 00:25:33,865 --> 00:25:37,702 OF US SHOULD ASK OURSELVES. >> Stephen: AS HE SAYS TO HIS 401 00:25:37,769 --> 00:25:44,109 FRIEND NORFOLK, IS THERE NO PART OF YOU-- HE SAYS TO HIS FRIEND, 402 00:25:44,175 --> 00:25:49,314 ANOTHER POLITICIAN, IS THERE NO PART OF YOU THAT IS NOT JUST 403 00:25:49,381 --> 00:25:51,850 APPETITE. SOME PLACE FROM WHICH YOU CANNOT 404 00:25:51,917 --> 00:25:53,919 RETREAT. THAT SEEMS LIKE WATER IN THE 405 00:25:53,985 --> 00:25:58,356 DESERT. I UNDERSTAND YOU MET THE ACTOR 406 00:25:58,423 --> 00:26:00,992 WHO PLAYED THOMAS MOORE. >> HE WAS A GREAT ACTOR. 407 00:26:01,059 --> 00:26:08,099 HE PLAYED "HAMLET" THE GHOST OF HAMLET'S FATHER, THAT I DID WITH 408 00:26:08,166 --> 00:26:10,902 MEL GIBSON. >> Stephen: "LETHAL HAMLET." 409 00:26:10,969 --> 00:26:14,439 I SAW THAT. >> THE FIRST TIME I SAW PAUL 410 00:26:14,506 --> 00:26:17,375 SCHOFIELD, WE WERE GETTING READY FOR A READING, AND IN WALKED 411 00:26:17,442 --> 00:26:22,514 THIS MAN TALL, WITH HAIR MY COLOR, AND A BRIGHT RED CASHMERE 412 00:26:22,580 --> 00:26:24,950 SCARF. AND HE HAD SUCH INCREDIBLE 413 00:26:25,016 --> 00:26:29,988 PRESENCE, AND, YET, THOSE ACTORS GAVE MEL GIBSON, YOU KNOW, THEY 414 00:26:30,055 --> 00:26:32,490 SAID, "NOW IT'S YOUR TURN. WE'VE ALL DONE IT. 415 00:26:32,557 --> 00:26:34,993 NOW IT'S YOUR TURN." THEY GAVE HIM RESPECT. 416 00:26:35,060 --> 00:26:42,867 AND ON THE SET, MEL TOLD ME THAT THE T TIMBER IN SCHOFIELD'S VOIE 417 00:26:42,934 --> 00:26:48,707 BROUGHT TEARS TO HIS EYES IN EVERY SINGLE TAKE. 418 00:26:48,773 --> 00:26:53,445 IT WAS AS IF HE HAD HIS OWN MIC IN HIS CHEST, AND HE WAS A 419 00:26:53,511 --> 00:26:55,213 LOVELY, BEAUTIFUL MAN, AND A GREAT ACTOR. 420 00:26:55,280 --> 00:26:58,383 >> Stephen: WELL, I STEPPED ON A BABY'S FINGER TO HAVE EVER MET 421 00:26:58,450 --> 00:27:00,685 HIM, SO I'M JEALOUS OF YOU. >> I KNOW. 422 00:27:00,752 --> 00:27:02,554 >> Stephen: WE HAVE TO TAKE A QUICK BREAK. 423 00:27:02,620 --> 00:27:06,858 WHEN WE COME BACK, I WILL ASK GLENN ABOUT HAVING TO LEARN A 424 00:27:06,925 --> 00:27:08,927 LITTLE FARSI FOR HER NEW PART. STICK AROUND. 425 00:27:17,969 --> 00:27:20,905 WE'RE BACK HERE WITH GLENN CLOSE. 426 00:27:20,972 --> 00:27:25,210 YOU'RE GUEST STARRING IN SEASON TWO OF THE ISRAELI SPY DRAMA 427 00:27:25,276 --> 00:27:27,412 SERIES "TEHRAN." AND WHAT IS THE SHOW ABOUT, FOR 428 00:27:27,479 --> 00:27:30,015 THE PEOPLE WHO DON'T KNOW? AND WHO DO YOU PLAY? 429 00:27:30,081 --> 00:27:36,388 >> THE SHOW IS ABOUT A YOUNG FEMALE MOSSAD AGENT WHO WAS 430 00:27:36,454 --> 00:27:40,458 INITIALLY SENT TO TEHRAN TO HACK THEIR SYSTEM BECAUSE WE WANT TO 431 00:27:40,525 --> 00:27:44,929 PREVENT THEM FROM GETTING A NUCLEAR WEAPON. 432 00:27:44,996 --> 00:27:51,736 AND SHE'S PLAYED BEAUTIFULLY BY A BEAUTIFUL YOUNG ISRAELI 433 00:27:51,803 --> 00:27:53,204 ACTRESS, NIV SULTAN. AND I'M IN THE SECOND SEASON. 434 00:27:53,271 --> 00:27:56,641 I HAVE BEEN-- I AM AN IRANIAN CITIZEN. 435 00:27:56,708 --> 00:28:02,113 I HAVE CONVERTED TO MASHIA. MY HUSBAND WAS IRANIAN. 436 00:28:02,180 --> 00:28:08,920 BOTH OF US ARE PSYCHIATRISTS. AND THE PROGRESSION OF POLITICS 437 00:28:08,987 --> 00:28:13,191 AND HISTORY HAVE MADE ME ACT IN A WAY THAT I THINK IS THE RIGHT 438 00:28:13,258 --> 00:28:14,659 THING TO DO. >> Stephen: WE HAVE A CLIP 439 00:28:14,726 --> 00:28:17,062 RIGHT HERE. CAN YOU TELL US WHAT'S ABOUT TO 440 00:28:17,128 --> 00:28:18,396 HAPPEN? IT'S YOU AND-- 441 00:28:18,463 --> 00:28:22,534 >> THIS IS ACTUALLY THE FIRST SCENE THAT NIV AND I SHOT 442 00:28:22,600 --> 00:28:28,339 TOGETHER, THE FIRST SCENE THAT I DID-- WE SHOT IT IN ATHENS. 443 00:28:28,406 --> 00:28:30,875 AND THE FIRST TIME I SPOKE FARSI ON SCREEN. 444 00:28:30,942 --> 00:28:45,824 >> Stephen: JIM. 445 00:28:45,890 --> 00:28:59,104 >> Stephen: JIM. 446 00:28:59,170 --> 00:29:05,977 >> GIVE ME YOUR HAND. TRUST ME. 447 00:29:06,044 --> 00:29:10,715 FOLLOW THAT HOLE ALL THE WAY DOWN TO THE END, EVEN IF IT 448 00:29:10,782 --> 00:29:13,218 LOOKS LIKE IT LEADS TO NOWHERE. LOOK FOR A GREEN LIGHT. 449 00:29:13,284 --> 00:29:17,489 THERE WILL BE A DOOR. >> WHERE WILL IT TAKE ME? 450 00:29:17,555 --> 00:29:21,292 >> WHEREVER YOU WANT IT TO TAKE YOU. 451 00:29:21,359 --> 00:29:32,670 ( CHEERS AND APPLAUSE ) 452 00:29:32,737 --> 00:29:38,510 EXCITING. BUT, I DON'T KNOW-- I DON'T KNOW 453 00:29:38,576 --> 00:29:42,013 A DROP OF FARSI. I KNOW A LITTLE BIT OF A LOT OF 454 00:29:42,080 --> 00:29:44,782 DIFFERENT LANGUAGES. HOW DIFFICULT WAS IT TO LEARN? 455 00:29:44,849 --> 00:29:48,286 >> IT WAS A GREAT CHALLENGE. IT WAS A GREAT CHALLENGE. 456 00:29:48,353 --> 00:29:50,822 IT HAS DIFFERENT SENTENCE STRUCTURE THAN ENGLISH. 457 00:29:50,889 --> 00:29:56,294 IT'S LIKE GERMAN. THE VERB IS AT THE END. 458 00:29:56,361 --> 00:30:02,066 AND IT'S THE SKHOMA. AND I BROUGHT THIS BECAUSE YOU 459 00:30:02,133 --> 00:30:06,538 CAN SAY YOU KNOW IT, BUT THEN WHEN YOU HAVE A BIG CROWD IN 460 00:30:06,604 --> 00:30:12,510 FRONT OF YOU-- SO I'M-- I THOUGHT... 461 00:30:12,577 --> 00:30:21,219 ( LAUGHS ) SHOMAR. 462 00:30:21,286 --> 00:30:23,288 "YOU ARE VERY FUNNY." ( APPLAUSE ) 463 00:30:33,898 --> 00:30:38,636 SIGN THAT, I'LL HAVE THAT FRAMED. 464 00:30:38,703 --> 00:30:40,338 GLENN, IT WAS LOVELY TO SEE YOU AGAIN. 465 00:30:40,405 --> 00:30:41,573 THANK YOU SO MUCH FOR BEING HERE. 466 00:30:41,639 --> 00:30:45,176 >> LOVELY TO SEE YOU. >> Stephen: SEASON TWO OF 467 00:30:45,243 --> 00:30:47,979 "TEHRAN" PREMIERES THIS FRIDAY ON APPLETV+. 468 00:30:48,046 --> 00:30:49,180 IT'S GLENN CLOSE, EVERYBODY! WE'LL BE RIGHT BACK WITH SHERYL 469 00:30:49,247 --> 00:30:49,747 CROW. 470 00:31:05,997 --> 00:31:11,936 ( APPLAUSE ) >> Stephen: THERE YOU GO. 471 00:31:12,003 --> 00:31:12,937 WHAT ARE YOU DOING OVER THERE? HEY, EVERYBODY! 472 00:31:13,004 --> 00:31:16,941 MY NEXT GUEST TONIGHT IS A NINE-TIME GRAMMY 473 00:31:17,008 --> 00:31:18,810 AWARD-WINNING SINGER AND SONGWRITER WHO HAS SOLD MORE 474 00:31:18,876 --> 00:31:21,679 THAN 50 MILLION ALBUMS WORLDWIDE. 475 00:31:21,746 --> 00:31:23,414 SHE IS NOW THE SUBJECT OF A DOCUMENTARY ON SHOWTIME CALLED 476 00:31:23,481 --> 00:31:27,518 "SHERYL." >> WE WOULD DRINK A BUNCH, AND 477 00:31:27,585 --> 00:31:32,624 WE'D GO TO THE BOOKSTORE DOWN THE ROAD, AND WE BOUGHT A POETRY 478 00:31:32,690 --> 00:31:36,227 BOOK BY THIS MAN NAMED WIN COOPER. 479 00:31:36,294 --> 00:31:38,496 AND THERE WAS A POEM CALLED "FUN." 480 00:31:38,563 --> 00:31:42,834 IT STARTED, "ALL I WANT TO DO IS HAVE A LITTLE FUN BEFORE I DIE." 481 00:31:42,900 --> 00:31:46,404 WE HAD THIS GROUP GOING THAT WAS SOMEWHERE BETWEEN STEELER'S 482 00:31:46,471 --> 00:31:51,909 WHEEL AND A MARVIN GAY TRACK. AND I PICKED UP THE POETRY BOOK 483 00:31:51,976 --> 00:31:55,513 AND STARTED FREE-FORM ♪ ALL I WANT TO DO IS HAVE A 484 00:31:55,580 --> 00:31:59,884 LITTLE FUN BEFORE I DIE. ♪ SAID A MAN NEXT TO ME OUT OF 485 00:31:59,951 --> 00:32:03,121 NOWHERE ♪ AND I JUST KIND OF ACTED OUT THE 486 00:32:03,187 --> 00:32:07,325 POEM, AND WE PUT THIS HOOK IN ♪ ALL I WANT TO DO ♪ 487 00:32:07,392 --> 00:32:10,928 AND THAT BECAME THE SONG. >> Stephen: PLEASE WELCOME BACK 488 00:32:10,995 --> 00:32:12,997 TO "THE LATE SHOW," SHERYL CROW! 489 00:32:15,233 --> 00:32:17,235 ♪ ♪ ♪ ( APPLAUSE ) 490 00:32:40,024 --> 00:32:42,026 >> Stephen: SO NICE TO SEE YOU AGAIN. 491 00:32:47,031 --> 00:32:49,400 SO MUCH TO TALK ABOUT. FIRST OF ALL, THANKS FOR BEING 492 00:32:49,467 --> 00:32:51,803 HERE LAST NIGHT. YOU PLAYED WITH LUCIUS. 493 00:32:51,869 --> 00:32:53,104 THAT WAS WONDERFUL TO SEE YOU OUT THERE. 494 00:32:53,171 --> 00:32:56,140 >> SO AWESOME. >> Stephen: LET'S GET STRAIGHT 495 00:32:56,207 --> 00:32:57,342 INTO THIS DOCUMENTARY, SHERYL. >> YEAH. 496 00:32:57,408 --> 00:32:59,344 >> Stephen: HOW DO YOU FEEL ABOUT A DOCUMENTARY BEING MADE 497 00:32:59,410 --> 00:33:03,047 ABOUT YOU, BECAUSE SO MUCH HAS ALREADY BEEN WRITTEN AND SAID 498 00:33:03,114 --> 00:33:05,516 ABOUT SHERYL CROW. ARE YOU RESISTANT TO IT? 499 00:33:05,583 --> 00:33:09,287 I'M GOING TO WATCH IT. BUT ARE YOU, AS THE SUBJECT OF 500 00:33:09,354 --> 00:33:13,358 IT, EVER RESISTANT TO THAT? >> WHEN THEY FIRST CAME TO ME, 501 00:33:13,424 --> 00:33:16,794 SHOWTIME AND MY MANAGER, AND SHADE, "WE THINK YOU SHOULD DO A 502 00:33:16,861 --> 00:33:19,197 DOCUMENTARY." AND I SAID, "YES, I THINK WE 503 00:33:19,263 --> 00:33:22,867 SHOULD, AFTER I'M DEAD. I THINK IT WOULD BE A FANTASTIC 504 00:33:22,934 --> 00:33:24,736 IDEA." BUT I DID FINALLY GIVE INTO IT. 505 00:33:24,802 --> 00:33:31,008 BECAUSE I DON'T THINK PEOPLE REALIZE IN-- I'VE GOTTEN MY AARP 506 00:33:31,075 --> 00:33:32,677 CARD. I DON'T KNOW IF YOU KNOW THAT. 507 00:33:32,744 --> 00:33:36,414 >> Stephen: CONGRATULATIONS. YOU CAN GET DISCOUNT MOVIE 508 00:33:36,481 --> 00:33:38,516 TICKETS FOR THAT. >> I CAN SEE MY OWN DOCUMENTARY 509 00:33:38,583 --> 00:33:41,519 FOR CHEAPER. I DO HAVE ABOUT 40 YEARS OF 510 00:33:41,586 --> 00:33:46,023 MUSIC LIFE, BUT THERE'S A TON OF LIVING THAT GOES INTO MAKING AN 511 00:33:46,090 --> 00:33:50,361 ARTIST WANT TO STICK THEIR NECK OUT, RAISE THEIR VOICE INTO THE 512 00:33:50,428 --> 00:33:51,596 FRAY. AND SO I TOLD ALL THE STORIES. 513 00:33:51,662 --> 00:33:54,432 >> Stephen: WELL, LET ME ASK YOU SOMETHING THAT THERE MAY NOT 514 00:33:54,499 --> 00:33:57,502 BE A STORY IN THERE. LET'S ASK A BASIC STORY, KIND OF 515 00:33:57,568 --> 00:33:59,537 LIKE AN ORIGIN STORY. >> OKAY. 516 00:33:59,604 --> 00:34:03,241 >> Stephen: WHY DO YOU THINK YOU WANTED TO BE A PERFORMING 517 00:34:03,307 --> 00:34:05,309 MUSICIAN? I TAKE THAT ASIDE FROM A 518 00:34:05,376 --> 00:34:08,079 COMPOSER OR SOMETHING. WHY DO YOU WANT TO BE OUT THERE 519 00:34:08,146 --> 00:34:11,549 WITH A GUITAR IN YOUR HAND? >> I WANT TO BE RICH AND FAMOUS. 520 00:34:11,616 --> 00:34:13,351 I'M KIDDING. >> Stephen: IT'S SUCH AN EASY 521 00:34:13,418 --> 00:34:16,120 WAY-- SUCH AN EASY WAY TO GET RICH, IS WHAT I HEAR. 522 00:34:16,187 --> 00:34:18,756 >> I'M GETTING READY TO GET A BUTT IMPLANT. 523 00:34:18,823 --> 00:34:21,492 >> Stephen: THAT'S COIN, BABY. >> THAT'S COIN. 524 00:34:21,559 --> 00:34:25,263 I GREW UP IN A REAL MUSICAL HOUSEHOLD. 525 00:34:25,329 --> 00:34:26,564 MY PARENTS -- >> Stephen: IN MISSOURI. 526 00:34:26,631 --> 00:34:32,270 >> MY PARENT STILL MARRIED 66 YEARS,s A TINY TOWN CALLED 527 00:34:32,336 --> 00:34:34,806 KINET, FOUR STOP LIGHTS, NOT CLOSE TO ANYTHING. 528 00:34:34,872 --> 00:34:37,475 AND ALBUMS WERE MY WAY OUT. THAT WAS MY TICKET OUT. 529 00:34:37,542 --> 00:34:43,481 I WOULD LAY UNDER THE PIANO AND I WOULD STUDY AND PORE OVER 530 00:34:43,548 --> 00:34:48,753 JAMES TAYLOR, ALL THE LINERRERS, FLEETWOOD MAC, CAROLE KING. 531 00:34:48,820 --> 00:34:50,455 >> Stephen: YOU GOT TO WORK WITH THOSE PEOPLE. 532 00:34:50,521 --> 00:34:56,060 WHAT'S THAT LIKE TO GET TO WORK WITH PEOPLE LIKE STEVIE NICKS 533 00:34:56,127 --> 00:34:58,763 AND BONNIE RAITT AND MASSIVE STAPLES? 534 00:34:58,830 --> 00:35:03,201 >> I'M STILL A FAN. EVEN TALKING ABOUT IT, I GET 535 00:35:03,267 --> 00:35:04,535 EMBARRASSED. IT'S INCREDIBLE, IT REALLY IS. 536 00:35:04,602 --> 00:35:06,838 >> Stephen: YOU MUST SEE THAT, TOO. 537 00:35:06,904 --> 00:35:10,641 THE LOOK IN PEOPLE'S EYES WHEN THEY GET A CHANCE TO WORK WITH 538 00:35:10,708 --> 00:35:11,909 SHERYL CROW. >> ALL I CAN SAY IS GETTING TO 539 00:35:11,976 --> 00:35:16,914 PLAY WITH LUCIUS LAST NIGHT, AND GETTING TO WORK WITH THESE YOUNG 540 00:35:16,981 --> 00:35:19,283 ARTISTS, MAN, FOR ME, THAT'S WHO I WAS. 541 00:35:19,350 --> 00:35:22,386 I WAS LIKE, I COULDN'T WAIT TO MEET STEVIE NICKS. 542 00:35:22,453 --> 00:35:26,457 AND THEN TO GET TO KNOW HER AND KNOW HOW GENEROUS SHE IS AND 543 00:35:26,524 --> 00:35:27,892 AMAZING. AND KEITH RICHARDS AND THE 544 00:35:27,959 --> 00:35:30,595 ROLLING STONES. ALL THESE PEOPLE THAT WERE SUCH 545 00:35:30,661 --> 00:35:35,266 A HUGE INFLUENCE FOR ME. EVEN SMOKY ROBINSON. 546 00:35:35,333 --> 00:35:39,437 PEOPLE I'VE GOTTEN TO STAND NEXT TO-- BURT BACHRACH-- PEOPLE THAT 547 00:35:39,504 --> 00:35:42,306 HAVE MATTERED TO ME SO MUCH. I CAN'T EVEN EXPLAIN IT. 548 00:35:42,373 --> 00:35:45,710 >> Stephen: YOU HAVE TWO BOYS. >> I DO. 549 00:35:45,776 --> 00:35:48,412 >> Stephen: WISCPAT LEVI. 1 AND 14, I UNDERSTAND. 550 00:35:48,479 --> 00:35:51,282 >> YOU ALL BETTER BE IN BED. IT'S A SCHOOL NIGHT. 551 00:35:51,349 --> 00:35:54,785 ( LAUGHTER ). MOM IS SHERYL CROW." 552 00:35:54,852 --> 00:35:57,889 DO THEY LISTEN TO YOUR MUSIC? ARE THEY LIKE, "ALL I WANT TO DO 553 00:35:57,955 --> 00:36:01,926 IS HAVE SOME FUN," "SOAK UP THE SUN." 554 00:36:01,993 --> 00:36:05,997 >> ARE YOU KIDDING ME? THEY'RE INTO KID LeROY. 555 00:36:06,063 --> 00:36:09,400 I'M SORRY, I DON'T EVEN KNOW WHO THAT IS. 556 00:36:09,467 --> 00:36:11,402 BUT THEY'RE INTO, LIKE, POPULAR MUSIC. 557 00:36:11,469 --> 00:36:13,838 .>> Stephen: SURE. >> AND I'M LIKE THE POLICE. 558 00:36:13,905 --> 00:36:17,275 I'M THE PERSON THAT SAID -- >> Stephen: NOT THE BAND THE 559 00:36:17,341 --> 00:36:18,376 POLICE. YOU'RE LIKE THE COPS. 560 00:36:18,442 --> 00:36:21,112 >> NO, I'M THE COP. I'M THE PERSON THAT SAYS, "THAT 561 00:36:21,178 --> 00:36:26,050 IS NOT A NICE SONG. DO YOU KNOW WHAT THEY'RE TALKING 562 00:36:26,117 --> 00:36:27,285 ABOUT?" >> Stephen: THERE ARE NO 563 00:36:27,351 --> 00:36:31,255 LYRICS IN ANY OF YOUR SONGS THAT YOU WOULD PULL YOURSELF OVER 564 00:36:31,322 --> 00:36:32,857 FOR? >> THEY DON'T LISTEN TO ME. 565 00:36:32,924 --> 00:36:35,726 I'M NOT WORRIED ABOUT THAT. THEY'RE LIKE, "MOM, YOU KNOW YOU 566 00:36:35,793 --> 00:36:38,629 WERE BORN IN THE 1870s." >> Stephen: DO YOU HAVE A 567 00:36:38,696 --> 00:36:41,699 FAVORITE SONG OF SHERYL CROW'S? >> I DO, ACTUALLY. 568 00:36:41,766 --> 00:36:44,902 AND I'M NOT JUST PUMPING THIS NEW ALBUM COMING OUT. 569 00:36:44,969 --> 00:36:48,306 I WROTE A SONG CALLED "FOREVER." AND I THINK IT MAY BE OUT NOW, 570 00:36:48,372 --> 00:36:51,242 OR COMING OUT ON MAY 6. I DON'T KNOW. 571 00:36:51,309 --> 00:36:53,878 THEY DON'T TELL ME ANYTHING. >> Stephen: THEY DON'T TELL 572 00:36:53,945 --> 00:36:57,782 YOU WHEN YOUR ALBUM IS RELEASED? >> I THINK IT'S COMING OUT MAY 573 00:36:57,848 --> 00:36:59,050 6. MY KID ARE IN THE VIDEO. 574 00:36:59,116 --> 00:37:03,654 IT WAS WRITTEN FOR MY KIDS, AND WRITTEN FOR MY 15-YEAR-OLD 575 00:37:03,721 --> 00:37:06,223 TALKING ABOUT STRESS AND HOW KIDS ARE SO STRESSED OUT NOW. 576 00:37:06,290 --> 00:37:10,061 >> Stephen: "ALL I WANT TO DO IS HAVE SOME FUN." 577 00:37:10,127 --> 00:37:13,230 WHAT'S THE NAME OF THE SONG? >> "ALL I WANT TO DO." 578 00:37:13,297 --> 00:37:18,202 >> Stephen: SO THAT HITS, AND IT BECOMES, "THAT'S A GOOD 579 00:37:18,269 --> 00:37:20,004 SONG." SHERYL CROW BECOMES HUGE. 580 00:37:20,071 --> 00:37:23,975 IT'S SUCH AN ENORMOUS HIT. AND EVERYBODY WAS LIKE, "WHO IS 581 00:37:24,041 --> 00:37:26,611 THIS GIRL DOING THIS SONG? WHAT WAS THAT LIKE, WHEN YOU 582 00:37:26,677 --> 00:37:29,580 WORKED SO LONG TO FIGURE OUT HOW YOU ARE GOING TO BREAK IN,s 583 00:37:29,647 --> 00:37:33,584 WHAT IS YOUR SOUND, HOW DO YOU CONNECT WITH A COMMERCIAL 584 00:37:33,651 --> 00:37:36,220 AUDIENCE, AND THEN IT HAPPENS? AND THERE ARE VERY FEW PEOPLE 585 00:37:36,287 --> 00:37:38,522 FOR WHOM IT HAPPENS LIKE A LIGHT SWITCH LIKE THAT. 586 00:37:38,589 --> 00:37:42,393 WHAT WAS THAT MOMENT LIKE? >> IT SHOULD HAVE BEEN EUPHORIC, 587 00:37:42,460 --> 00:37:45,896 BUT AT THAT TIME THERE WAS SO MUCH DEBATE ABOUT WHETHER I HAD 588 00:37:45,963 --> 00:37:49,734 EVEN WRITTEN MY OWN SONGS, AND KNOW-- 589 00:37:49,800 --> 00:37:52,503 >> Stephen: WHAT DO YOU MEAN? WHERE DID THAT COME FROM. 590 00:37:52,570 --> 00:37:57,108 >> THE LORE WAS A BUNCH OF GUYS WROTE MY FIRST ALBUM. 591 00:37:57,174 --> 00:38:00,411 BY THE TIME THAT TOOK OFF, THAT WAS ALREADY SWIRLING AROUND. 592 00:38:00,478 --> 00:38:05,983 BUT I WILL SAY ONE THING, WHEN IT REALLY HIT, THE GRAMMYS PUT 593 00:38:06,050 --> 00:38:08,419 ME ON THE MAP. BECAUSE THE GRAMMYS, BACK THEN, 594 00:38:08,486 --> 00:38:10,788 EVERYBODY WATCHED IT. AND YOU SOLD-- YOU SOLD RECORDS 595 00:38:10,855 --> 00:38:15,259 FROM THAT SHOW, YOU KNOW. AND IT PUT YOU ON THE MAP. 596 00:38:15,326 --> 00:38:19,030 AND IT WAS A REAL MOMENT. BUT IT DEFINITELY WAS-- IT WAS A 597 00:38:19,096 --> 00:38:22,900 MIXED BAG. IT WAS... IT WAS HARD. 598 00:38:22,967 --> 00:38:25,836 >> Stephen: WELL, MY FAVORITE GRAMMY MEMORY OF ALL TIME-- AND, 599 00:38:25,903 --> 00:38:28,906 YES, I HAVE AGREEMENT MEMORIES-- IS THE NIGHT BEFORE, THE CLIVE 600 00:38:28,973 --> 00:38:31,075 DAVIS PARTY THAT'S TRADITIONALLY THE NIGHT BEFORE. 601 00:38:31,142 --> 00:38:33,044 DID YOU GO TO THE CLIVE PARTY? >> Jon: YEAH. 602 00:38:33,110 --> 00:38:35,279 >> Stephen: IT'S FUN, ISN'T IT? 603 00:38:35,346 --> 00:38:37,214 >> IT'S A GOOD TIME. >> Stephen: TALKING ABOUT 604 00:38:37,281 --> 00:38:42,486 PEOPLE WHO BLOW UP AT THE FRAM GRAMMYS RIGHT OVER THERE. 605 00:38:42,553 --> 00:38:45,356 ( APPLAUSE ) >> Stephen: IT'S MY FIRST TIME 606 00:38:45,423 --> 00:38:47,525 OUT THERE. MY FIRST TIME OUT THERE. 607 00:38:47,591 --> 00:38:50,728 I'M JUST NOMINATED FOR, LIKE, A COMEDY ALBUM. 608 00:38:50,795 --> 00:38:53,597 AND CLIVE DAVIS GETS UP THERE WITH THE BIG GLASSES AND THE 609 00:38:53,664 --> 00:38:56,534 HEAD AND GOES, "WE HAVE A WONDERFUL ARTIST HERE TONIGHT. 610 00:38:56,600 --> 00:38:59,603 SHE'S AMAZING. ALL SHE WANTS TO DO IS HAVE SOME 611 00:38:59,670 --> 00:39:01,605 FUN. SHERYL CROW IS HERE TONIGHT." 612 00:39:01,672 --> 00:39:07,611 AND HE DOES THE WHOLE ROOM. "BARBRA STREISAND, GREATEST 613 00:39:07,678 --> 00:39:11,782 VOICE OF A GENERATION." AND I WENT WITH MY 14-YEAR-OLD 614 00:39:11,849 --> 00:39:14,051 DAUGHTER AND I SIT WITH SHERYL CROW. 615 00:39:14,118 --> 00:39:15,920 >> IT'S IN THE DOCUMENTARY! >> Stephen: I THINK THAT'S THE 616 00:39:15,986 --> 00:39:18,222 FIRST TIME WE MET. >> IT'S THE FIRST TIME WE MET. 617 00:39:18,289 --> 00:39:21,625 >> Stephen: AND YOU WERE SO NICE TO MY 14-YEAR-OLD DAUGHTER, 618 00:39:21,692 --> 00:39:25,129 AND JON BON JOVI WAS SITTING ON THE SIDE OF YOU AND OVER HERE ON 619 00:39:25,196 --> 00:39:31,435 THE OTHER SIDE OF MY DAUGHTER WAS RICHIE SAMBORA. 620 00:39:31,502 --> 00:39:36,741 THEY USED TO SAY MY FIRST PROM DATE WAS RICHIE SAMBORA. 621 00:39:36,807 --> 00:39:39,877 HE'S WEARING A TUX, AND SHE'S WEARING A BLUE DRESS. 622 00:39:39,944 --> 00:39:45,316 >> DID YOU GET A PICTURE? >> Stephen: I DID, IT WAS 623 00:39:45,382 --> 00:39:46,717 CREEPY. SHERYL, THANK YOU FOR BEING 624 00:39:46,784 --> 00:39:47,985 HERE. THANK YOU FOR LAST NIGHT AND 625 00:39:48,052 --> 00:39:48,919 TONIGHT. ANY TIME. 626 00:39:48,986 --> 00:39:53,591 >> MY PLEASURE >> Stephen: THE DOCUMENTARY 627 00:39:53,657 --> 00:39:54,859 "SHERYL" AIRS FRIDAY ON SHOWTIME. 628 00:39:54,925 --> 00:39:58,195 SHERYL CROW, EVERYBODY! WE'LL BE RIGHT BACK. 629 00:39:58,262 --> 00:39:59,597 ♪ ♪ ♪ 630 00:39:59,663 --> 00:40:00,164 ( APPLAUSE ) 631 00:40:16,514 --> 00:40:17,414 >> Stephen: THAT'S IT FOR "THE 632 00:40:17,481 --> 00:40:24,922 LATE SHOW." TUNE IN TOMORROW WHEN MY GUESTS 633 00:40:24,989 --> 00:40:25,823 WILL BE MATT WALSH AND I GIVE DANIEL CRAIG THE 634 00:40:25,890 --> 00:40:26,957 COLBERT QUESTIONERT. JAMES CORDEN IS NEXT. 635 00:40:27,024 --> 00:40:29,026 GOOD NIGHT