1 00:00:01,267 --> 00:00:04,537 TECH BILLIONARE ELON MUSK PUSHING BACK AGAINST ALLEGATIONS 2 00:00:04,604 --> 00:00:08,074 THAT HE SEXUALLY HARASSED A SpaceX FLIGHT ATTENDANT IN 3 00:00:08,141 --> 00:00:10,810 2016. >> MUSK ALLEGEDLY EXPOSED 4 00:00:10,877 --> 00:00:14,681 HIMSELF TO THE FLIGHT ATTENDANT DURING A MASSAGE AND THEN 5 00:00:14,748 --> 00:00:19,486 OFFERED TO BUY HER A HORSE IN EXCHANGE FOR SEX ACTS. 6 00:00:19,552 --> 00:00:27,494 >> SpaceX EMPLOYEES -- GIVE IT UP FOR YOUR C.E.O. ELON MUSK! 7 00:00:27,560 --> 00:00:29,796 >> GOOD AFTERNOON. TODAY, I WOULD LIKE TO CLARIFY 8 00:00:29,863 --> 00:00:34,033 SOMETHING TO ALL QUIEWF, MY STAFF, AND THAT IS, UM, WHAT 9 00:00:34,100 --> 00:00:39,539 SEXUAL FAVOR I AM SEEKING WHEN I OFFER WHICH ANIMAL. 10 00:00:39,606 --> 00:00:42,942 REMEMBER, THEY ALL RHYME. A HORSE MEANS INTERCOURSE. 11 00:00:43,009 --> 00:00:47,480 IF I GIVE YOU A REASON BIT, GO AHEAD AND GRAB IT. 12 00:00:47,547 --> 00:00:52,352 AND THEN, OF COURSE, A STICK BUG FOR A QUICK TUG. 13 00:00:52,419 --> 00:00:56,523 NOW, ANYONE WHO IS UPSET THEY WEREN'T OFFERED AN ANIMAL CAN 14 00:00:56,589 --> 00:01:01,628 STOP BY MY OFFICE AND I WILL PERSONALLY GIVE YOU CRABS. 15 00:01:02,495 --> 00:01:08,701 >> Announcer: IT'S "THE LATE SHOW" WITH STEPHEN COLBERT! 16 00:01:08,768 --> 00:01:16,409 TONIGHT, MONKEY SEE MONKEY DO. PLUS STEPHEN WELCOMES JENNIFER 17 00:01:16,476 --> 00:01:20,447 CONNELLY! AND PATTI LUPONE! 18 00:01:20,513 --> 00:01:25,018 FEATURING JON BATISTE AND "STAY HUMAN." 19 00:01:25,084 --> 00:01:30,690 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 20 00:01:30,757 --> 00:01:37,597 CITY, IT'S STEPHEN COLBERT! ( CHEERS AND APPLAUSE ) 21 00:01:37,664 --> 00:01:52,011 ( THEME SONG PLAYING ) WA>> Stephen: WATCH OUT, WATCH 22 00:01:52,078 --> 00:01:53,079 OUT! EVERY MONDAY. 23 00:01:53,146 --> 00:01:58,418 EVERY MONDAY. HELLO, IT'S GOOD TO SEE YOU. 24 00:01:58,485 --> 00:02:06,025 ( AUDIENCE CHANTING STEPHEN ) >> Stephen: WELCOME ONE AND 25 00:02:06,092 --> 00:02:09,629 ALL DOWN HERE, UP THERE, HIGH AND AWAY UP THERE. 26 00:02:09,696 --> 00:02:11,764 HELLO, LADIES AND GENTLEMEN, GOOD TO SEE YOU. 27 00:02:11,831 --> 00:02:14,033 WELCOME ONE AND ALL TO "THE LATE SHOW." 28 00:02:14,100 --> 00:02:20,540 I AM YOUR SHOWS STEPHEN COLBERT. ( CHEERS AND APPLAUSE ) 29 00:02:20,607 --> 00:02:24,210 FOLKS, IF YOU WATCH THIS SHOW REGULARLY, AND I HOPE YOU DO, 30 00:02:24,277 --> 00:02:27,046 YOU KNOW THAT I TRY TO HAVE A PRETTY POSITIVE OUTLOOK ON THE 31 00:02:27,113 --> 00:02:30,450 WORLD, SUCH AS IT IS. I SEE THE GLASS AS HALF FULL. 32 00:02:30,517 --> 00:02:33,052 I DON'T KNOW WHAT THE LIQUID IS, AND I'M NOT DRINKING IT. 33 00:02:33,119 --> 00:02:40,226 BUT IT'S HALF FULL. BUT CURRENT EVENTS HAVE ME 34 00:02:40,293 --> 00:02:44,230 FEELING A LITTLE UNSETTLED, AND A LITTLE 'FLURPY,' ABOUT 35 00:02:44,297 --> 00:02:48,001 AMERICA'S FUTURE. AND I'M NOT ALONE. 36 00:02:48,067 --> 00:02:50,436 ACCORDING TO A RECENT CBS NEWS-YOUGOV-MOUNTAIN DEW: CODE 37 00:02:50,503 --> 00:02:54,908 RED- POLL, AMERICA'S MOOD IS UNEASY AND WORRIED. 38 00:02:54,974 --> 00:02:56,276 THINGS ARE SO STRESSFUL OUR NATIONAL BIRD IS NOW THE 39 00:02:56,342 --> 00:03:03,016 'BALDING EAGLE.' ( APPLAUSE ) 40 00:03:03,082 --> 00:03:07,387 SO IT'S GOOD. LONG MAY HE WAVE. 41 00:03:07,453 --> 00:03:11,157 JUST GOING TO SAVE IT? ( LAUGHTER ) 42 00:03:11,224 --> 00:03:14,928 ACCORDING TO THE POLL, 74% OF AMERICANS SAY THINGS IN AMERICA 43 00:03:14,994 --> 00:03:18,197 ARE GOING BADLY, AND 65% OF AMERICANS SAY THAT WHEN 44 00:03:18,264 --> 00:03:21,067 IMPORTANT THINGS COME UP, PRESIDENT BIDEN IS SLOW TO ACT. 45 00:03:21,134 --> 00:03:26,739 WELL, YEAH. HE'S 79. 46 00:03:26,806 --> 00:03:28,207 ( LAUGHTER ) AT HIS AGE IF HE MOVES TOO FAST, 47 00:03:28,274 --> 00:03:32,345 HE'LL GET BRUISED BY HIS SHIRT. ( LAUGHTER ) 48 00:03:32,412 --> 00:03:35,114 THE G.O.P. DOESN'T FARE WELL EITHER, BECAUSE THE REPUBLICANS 49 00:03:35,181 --> 00:03:38,084 ARE DESCRIBED BY A MAJORITY AS EXTREME. 50 00:03:38,151 --> 00:03:40,219 THE GOP RESPONDED: THIS POLL IS ILLEGITIMATE. 51 00:03:40,286 --> 00:03:43,556 NO ONE FEELS THAT WAY. AND WHEN WE RETURN TO POWER, 52 00:03:43,623 --> 00:03:45,058 ANYONE WHO FEELS THAT WAY WILL BE SORRY WHEN WE MAKE THE PURGE 53 00:03:45,124 --> 00:03:50,563 REAL. ( LAUGHTER ) 54 00:03:50,630 --> 00:03:56,202 GOOD MOVIE, THOUGH. QUALITY MOVIE. 55 00:03:56,269 --> 00:04:00,306 ( CHEERS AND APPLAUSE ) SPEAKING OF THE PRESIDENT 56 00:04:00,373 --> 00:04:03,376 DEALING WITH OUR PROBLEMS, HE LEFT US. 57 00:04:03,443 --> 00:04:06,279 HE'S IN ASIA. THIS WEEKEND, HE WAS IN SOUTH 58 00:04:06,346 --> 00:04:08,715 KOREA, AND DURING A PRESS CONFERENCE, HE WAS ASKED ABOUT 59 00:04:08,781 --> 00:04:09,882 THE THREAT THAT NORTH KOREA MIGHT SHOOT OFF SOME MISSILES 60 00:04:09,949 --> 00:04:15,321 WHILE HE'S THERE. >> DO YOU HAVE A FOR KIM JONG UN 61 00:04:15,388 --> 00:04:16,856 WHILE YOU'RE HERE? >> HELLO. 62 00:04:16,923 --> 00:04:24,864 PERIOD. ( LAUGHTER ) 63 00:04:24,931 --> 00:04:27,467 >> Stephen: FIRST OF ALL, WHO'S IDEA WAS IT TO HOLD A 64 00:04:27,533 --> 00:04:28,635 PRESS CONFERENCE IN FRONT OF A RAGING WATERFALL? 65 00:04:28,701 --> 00:04:32,005 THAT'S WHAT YOU DO IF YOU'RE A MOBSTER AND YOU'RE AFRAID 66 00:04:32,071 --> 00:04:33,039 SOMEBODY'S WEARING A WIRE. TODAY, HE HELD A PRESS 67 00:04:33,106 --> 00:04:39,479 CONFERENCE NEXT TO A GUY OPERATING A JACKHAMMER. 68 00:04:39,545 --> 00:04:44,417 AND THAT MESSAGE ITSELF, HELLO, HAS GOT TO BE PRETTY 69 00:04:44,484 --> 00:04:45,685 DISAPPOINTING FOR KIM JONG-UN. HE SPENT FOUR YEARS BEING THE 70 00:04:45,752 --> 00:04:48,788 FOCUS OF US FOREIGN POLICY, GETTING LOVE LETTERS FROM THE 71 00:04:48,855 --> 00:04:50,690 PREVIOUS PRESIDENT. AND ALL HE GETS FROM BIDEN IS 72 00:04:50,757 --> 00:04:52,792 HELLO? IT'S THE MOST CASUAL 73 00:04:52,859 --> 00:04:56,396 PRESIDENTIAL GREETING OF AN ADVERSARY SINCE REAGAN AT THE 74 00:04:56,462 --> 00:05:00,867 BERLIN WALL: >> MR GORBACHEV, HOW'S IT 75 00:05:00,933 --> 00:05:03,703 HANGING, BRO? ( LAUGHTER ) 76 00:05:03,770 --> 00:05:06,039 >> Stephen: HOUSE OF IT HANGIN'? 77 00:05:06,105 --> 00:05:12,845 I REMEMBER HOW IT HUNG. HOW IT HANGED. 78 00:05:12,912 --> 00:05:15,915 TO THE RIGHT? BUT NORTH KOREA'S NOT THE ONLY 79 00:05:15,982 --> 00:05:18,484 FOREIGN POWER BIDEN HAS A FOR. TODAY, WHILE IN TOKYO, HE WAS 80 00:05:18,551 --> 00:05:21,688 ASKED THIS HYPOTHETICAL ABOUT CHINA ATTACKING TAIWAN: 81 00:05:21,754 --> 00:05:26,325 >> ARE YOU WILLING TO GET INVOLVED MILITARILY TO DEFEND 82 00:05:26,392 --> 00:05:34,233 TAIWAN IF IT COMES TO THAT? >> YES. 83 00:05:34,300 --> 00:05:35,101 >> STEPHEN: GULP. ( LAUGHTER ) 84 00:05:35,168 --> 00:05:38,104 COME ON, JOE, WE HAVE ENOUGH GOING ON. 85 00:05:38,171 --> 00:05:39,772 IT'S LIKE THAT OLD COCO CHANEL SAYING: BEFORE YOU LEAVE THE 86 00:05:39,839 --> 00:05:45,178 HOUSE, LOOK IN THE MIRROR. AND DON'T GO TO WAR WITH CHINA. 87 00:05:45,244 --> 00:05:46,579 ( LAUGHTER ) BIDEN'S VERY BLUNT STATEMENT 88 00:05:46,646 --> 00:05:48,281 SURPRISED MANY, INCLUDING THE REPORTER WHO ASKED IT, SO SHE 89 00:05:48,347 --> 00:05:51,984 FOLLOWED UP. >> YOU ARE? 90 00:05:52,051 --> 00:05:53,753 >> THAT'S A COMMITMENT WE MADE. >> STEPHEN: HE SOUNDS SO 91 00:05:53,820 --> 00:05:56,022 RESIGNED. (AS GRANDPA) 92 00:05:56,089 --> 00:05:57,957 "I KNOW THE SPARK HAS GONE OUT OF OUR MARRIAGE, DORIS, BUT IT'S 93 00:05:58,024 --> 00:06:03,763 A COMMITMENT WE MADE, SO LET'S GO UPSTAIRS AND DO THE NASTY, I 94 00:06:03,830 --> 00:06:07,400 GUESS. OR RIGHT HERE ON THE KITCHEN 95 00:06:07,467 --> 00:06:11,471 COUNTER. IT'S NOT LIKE THE KIDS ARE 96 00:06:11,537 --> 00:06:17,009 AROUND ANYMORE TO INTERRUPT." ( LAUGHTER ) 97 00:06:17,076 --> 00:06:18,711 BUT THIS IS IMPORTANT BECAUSE THE US HAS HISTORICALLY WARNED 98 00:06:18,778 --> 00:06:23,483 CHINA NOT TO USE FORCE AGAINST TAIWAN WHILE GENERALLY REMAINING 99 00:06:23,549 --> 00:06:27,487 VAGUE ABOUT HOW FAR IT WOULD GO, IN A POLICY CALLED, STRATEGIC 100 00:06:27,553 --> 00:06:30,323 AMBIGUITY. JOHNNY, TELL THEM WHAT STRATEGIC 101 00:06:30,389 --> 00:06:34,460 AMBIGUITY MEANS. >> IF YOU INVADE TAIWAN 102 00:06:34,527 --> 00:06:38,598 YOU'LL GET WHATEVER'S IN THE MYSTERY BOX. 103 00:06:38,664 --> 00:06:42,335 IT COULD BE A NUCLEAR STRIKE OR A BROYHILL DINETTE SET. 104 00:06:42,401 --> 00:06:47,473 MAY GOD HAVE MERCY ON OUR SOULS STEVE. 105 00:06:47,540 --> 00:06:53,613 >> STEPHEN: THANK YOU, JOHNNY. ( APPLAUSE ) 106 00:06:53,679 --> 00:06:55,515 SO, IT SEEMS LIKE BIDEN MIGHT HAVE STEPPED IN IT JUST A 107 00:06:55,581 --> 00:06:59,485 LITTLE, WHICH MIGHT BE WHY, AFTER HIS VERY FIRM YES, HE DID 108 00:06:59,552 --> 00:07:02,889 THE BACKSTROKE: >> LOOK, HERE'S THE SITUATION: 109 00:07:02,955 --> 00:07:06,325 WE AGREE WITH A ONE CHINA POLICY. 110 00:07:06,392 --> 00:07:11,497 BUT THE IDEA THAT IT COULD BE TAKEN BY FORCE, JUST TAKEN BY 111 00:07:11,564 --> 00:07:15,501 FORCE IS JUST NOT APPROPRIATE. IT WILL DISLOCATE THE ENTIRE 112 00:07:15,568 --> 00:07:18,304 REGION AND BE ANOTHER ACTION, SIMILAR TO WHAT HAPPENED IN 113 00:07:18,371 --> 00:07:23,743 UKRAINE. AND, SO, IT'S A BURDEN THAT IS 114 00:07:23,810 --> 00:07:38,691 EVEN STRONGER. ( LAUGHTER ) 115 00:07:38,758 --> 00:07:39,692 EVEN STRONGER. ( LAUGHTER ) 116 00:07:39,759 --> 00:07:47,099 ( APPLAUSE ) >> STEPHEN: I WOULD DESCRIBE THE 117 00:07:47,166 --> 00:07:51,137 BIDEN FOREIGN POLICY AS WISTFUL ANXIETY. 118 00:07:51,204 --> 00:07:52,438 ( LAUGHTER ) HE'S JUST FOLLOWING TEDDY 119 00:07:52,505 --> 00:07:58,244 ROOSEVELT'S FAMOUS DICTUM: SPEAK SOFTLY. 120 00:07:58,311 --> 00:08:00,346 ( LAUGHTER ) WHILE THE PRESIDENT WAS IN ASIA, 121 00:08:00,413 --> 00:08:03,583 HE ADDRESSED THE HOT NEW VIRUS EVERYONE'S TALKING ABOUT. 122 00:08:03,649 --> 00:08:10,356 I'LL TELL YOU ABOUT IT IN OUR UNFORTUNATELY RECURRING SEGMENT: 123 00:08:10,423 --> 00:08:13,092 PLANET OF THE MONKEYPOX! TAKE YOUR STINKING POCKS OFF ME 124 00:08:13,159 --> 00:08:20,099 YOU DAMN DIRTY APRIL! >> Stephen: WHILE HE WAS IN 125 00:08:20,166 --> 00:08:21,267 KOREA, THE PRESIDENT WAS ASKED ABOUT THE 126 00:08:21,334 --> 00:08:23,169 DISEASE, AND SAID THAT EVERYBODY SHOULD BE CONCERNED. 127 00:08:23,236 --> 00:08:26,038 WAY AHEAD OF YOU. ( LAUGHTER ) 128 00:08:26,105 --> 00:08:27,573 AND I UNDERSTAND WHY, BECAUSE THERE ARE MORE THAN 190 129 00:08:27,640 --> 00:08:32,044 CONFIRMED OR SUSPECTED CASES IN 16 COUNTRIES, INCLUDING THE 130 00:08:32,111 --> 00:08:34,080 U.K., PORTUGAL, GERMANY, BELGIUM, FRANCE, THE 131 00:08:34,146 --> 00:08:36,415 NETHERLANDS, ITALY, SWEDEN, AND SPAIN. 132 00:08:36,482 --> 00:08:39,185 EVIDENTLY, MONKEYPOX IS TRAVELING THROUGH EUROPE. 133 00:08:39,252 --> 00:08:44,056 EVEN WORSE, IT NOW INSISTS ON PRONOUNCING IT 'BARTH-AY-LONA.' 134 00:08:44,123 --> 00:08:51,731 ( LAUGHTER ) DRIVING IN A LAURIE. 135 00:08:51,797 --> 00:08:55,167 MONKEYPOX HAS ALSO MONKEYED ITS WAY OVER TO AMERICA, WHERE THERE 136 00:08:55,234 --> 00:09:00,139 IS NOW A THIRD CASE IN FLORIDA. BUT THAT'S FINE, BECAUSE FLORIDA 137 00:09:00,206 --> 00:09:01,774 KNOWS HOW TO HANDLE A DISEASE OUTBREAK, RIGHT GOVERNOR RON 138 00:09:01,841 --> 00:09:03,175 DE SANTIS? >> COVID, I VIEW AS A VERY MINOR 139 00:09:03,242 --> 00:09:11,183 RISK OKAY WE'RE DEAD. >> Stephen: OKAY, WE'RE ALL 140 00:09:11,250 --> 00:09:12,485 DEAD. ( LAUGHTER ) 141 00:09:12,551 --> 00:09:14,020 >> STEPHEN: THERE'S A REASON MONKEYPOX HAS BEEN SPREADING SO 142 00:09:14,086 --> 00:09:15,288 QUICKLY. ACCORDING ONE INFECTIOUS DISEASE 143 00:09:15,354 --> 00:09:20,026 EXPERT AT THE W-H-O, IT HAS GOTTEN INTO THE POPULATION AS A 144 00:09:20,092 --> 00:09:25,898 SEXUAL FORM, AS A GENITAL FORM. I'M NO DOCTOR, BUT I KNOW THAT 145 00:09:25,965 --> 00:09:29,168 THE GENITAL FORM OF SOMETHING IS ALWAYS THE WORST FORM. 146 00:09:29,235 --> 00:09:31,170 (AS DOCTOR) "MISTER SMITH, I'M SORRY, BUT IT 147 00:09:31,237 --> 00:09:35,174 LOOKS LIKE YOU HAVE A SINUS INFECTION. 148 00:09:35,241 --> 00:09:43,182 THE GENITAL FORM. ( LAUGHTER ) 149 00:09:43,249 --> 00:09:46,585 ( APPLAUSE ) HERE'S A NASAL SPRAY. 150 00:09:46,652 --> 00:09:51,257 YOU'RE NOT GONNA LIKE WHERE IT GOES." 151 00:09:51,324 --> 00:09:57,663 ( LAUGHTER ) THANKS TO OUR MEDDLING GENITALS, 152 00:09:57,730 --> 00:10:00,232 THIS COULD JUST KEEP SPREADING. THE W.H.O. IS CONCERNED 153 00:10:00,299 --> 00:10:03,703 MONKEYPOX COULD ACCELERATE DURING SUMMER MONTHS WITH MASS 154 00:10:03,769 --> 00:10:07,974 GATHERINGS LIKE FESTIVALS. SO BE CAREFUL AROUND 155 00:10:08,040 --> 00:10:09,942 PRIMATE-THEMED FESTIVALS LIKE LOLLAPA-LEMUR 156 00:10:10,009 --> 00:10:16,816 CHIMP-CHELLA AND BONOBO-ROO. 157 00:10:16,882 --> 00:10:19,652 ( LAUGHTER ) THERE'S GOOD NEWS FOR BABIES, 158 00:10:19,719 --> 00:10:21,954 AND IT'S NOT JUST THAT I NEVER REALLY HAD YOUR NOSE. 159 00:10:22,021 --> 00:10:25,958 SORRY FOR THE MIXUP. BECAUSE TO HELP RELIEVE THE 160 00:10:26,025 --> 00:10:28,794 COUNTRY'S ONGOING FORMULA SHORTAGE, ON SUNDAY, THE US 161 00:10:28,861 --> 00:10:33,699 MILITARY AIRLIFTED BABY FORMULA FROM EUROPE. 162 00:10:33,766 --> 00:10:36,602 THAT IS A SHOCKING HEADLINE. THE UNITED STATES, THE LAND OF 163 00:10:36,669 --> 00:10:38,204 THE FREE AND THE HOME OF UNLIMITED BREADSTICKS, HAS BEEN 164 00:10:38,270 --> 00:10:41,941 FORCED TO AIRLIFT FORMULA FROM EUROPE BECAUSE WE CAN'T FEED OUR 165 00:10:42,008 --> 00:10:45,945 BABIES. IF I TOLD YOU FIVE YEARS AGO 166 00:10:46,012 --> 00:10:47,646 THIS WAS HAPPENING, YOU'D SAY, THAT'S GOTTA BE THE WORST NEWS 167 00:10:47,713 --> 00:10:50,449 OF THE DAY. THEN I WOULD TELL YOU ABOUT 168 00:10:50,516 --> 00:10:59,091 GENITAL MONKEYPOX. ( LAUGHTER ) 169 00:10:59,158 --> 00:11:05,164 WHICH ALSO CAME FROM EUROPE. WHICH WE ALSO GOT FROM EUROPE. 170 00:11:05,231 --> 00:11:06,465 BUT THANKS TO OUR EUROPEAN FRIENDS, OUR BABIES ARE READY TO 171 00:11:06,532 --> 00:11:10,302 CHOW DOWN ON 132 PALLETS OF FORMULA FROM ZURICH, 172 00:11:10,369 --> 00:11:12,338 SWITZERLAND. OH, AND THE SWISS FORMULA IS THE 173 00:11:12,405 --> 00:11:14,440 BEST. IT'S GOT THOSE LITTLE 174 00:11:14,507 --> 00:11:18,344 MARSHMALLOWS. ( LAUGHTER ) 175 00:11:18,411 --> 00:11:22,448 I'M BEING TOLD WE HAVE JUST RECEIVED FOOTAGE OF 176 00:11:22,515 --> 00:11:31,590 THE FLIGHT LANDING. >> BRRRRRRRRRR, HERE COMES THE 177 00:11:31,657 --> 00:11:34,460 PLANE. HERE IT COMES. 178 00:11:34,527 --> 00:11:49,408 OPEN UP NOM NOM NOM SPEAKING OF SNOOD SPEAKING OF WHINEY LITTLE 179 00:11:49,475 --> 00:11:50,576 OPEN UP NOM NOM NOM SPEAKING OF SNOOD SPEAKING OF WHINEY LITTLE 180 00:11:50,643 --> 00:11:53,145 BABIES, BILLIONAIRES. ACCORDING TO A NEW STUDY, DURING 181 00:11:53,212 --> 00:11:54,480 THE COVID PANDEMIC, A NEW BILLIONAIRE WAS CREATED EVERY 30 182 00:11:54,547 --> 00:11:56,348 HOURS. AND NONE OF THEM WERE ME. 183 00:11:56,415 --> 00:11:57,983 I'M BEGINNING TO GET THIS WHOLE INCOME INEQUALITY THING. 184 00:11:58,050 --> 00:11:59,318 SPECIFICALLY, BETWEEN MARCH 2020 AND MARCH 2022, 573 PEOPLE 185 00:11:59,385 --> 00:12:01,053 BECAME NEW BILLIONAIRES, INCLUDING 40 NEW PHARMACEUTICAL 186 00:12:01,120 --> 00:12:02,388 BILLIONAIRES. WHICH IS SAD. 187 00:12:02,455 --> 00:12:03,823 YOU KNOW THEY'RE JUST GONNA BLOW IT ALL ON DRUGS. 188 00:12:03,889 --> 00:12:05,324 WE ALSO SAW THE ADDITION OF 62 NEW FOOD BILLIONAIRES. 189 00:12:05,391 --> 00:12:10,463 WE ACTUALLY HAVE A REACTION FROM ONE SUCH BILLIONAIRE. 190 00:12:10,529 --> 00:12:13,732 >> IIIIIIIII'M RICH, BITCH! >> Stephen: BEV GOT A GREAT 191 00:12:13,799 --> 00:12:15,067 SHOW. MY GUESTS ARE JENNIFER CONNELLY 192 00:12:15,134 --> 00:12:17,803 AND PATTI LUPONE. WHEN WE COME BACK, ARE 193 00:12:17,870 --> 00:12:18,871 CELEBRITIES SCAMMING YOU ABOUT CRYPTO? 194 00:12:18,938 --> 00:12:22,374 STAY TUNED AFTER THE CELEBRITY CRYPTO COMMERCIALS. 195 00:12:22,441 --> 00:12:23,476 WE'LL FIND OUT. 196 00:12:58,677 --> 00:13:01,413 >> Stephen: GIVE IT UP FOR THE BAND, EVERYBODY! 197 00:13:01,480 --> 00:13:12,725 THAT'S LOUIS CATO, AND EVERYBODY ELSE IN "STAY HUMAN"! 198 00:13:12,791 --> 00:13:21,300 ( CHEERS AND APPLAUSE ) WE'VE GOT TWO TREMENDOUS GUESTS 199 00:13:21,367 --> 00:13:24,637 TONIGHT, LOUIS, I'M VERY EXITED. 200 00:13:24,703 --> 00:13:27,173 >> YES, WE DO. >> Stephen: THESE TWO WOMEN 201 00:13:27,239 --> 00:13:29,341 ARE AMAZING. OSCAR WINNER JENNIFER CONNELLY 202 00:13:29,408 --> 00:13:31,477 IS HERE. SHE'S IN THE NEW "TOP GUN" 203 00:13:31,544 --> 00:13:32,678 MOVIE. AND BROADWAY ROYALTY, PATTI 204 00:13:32,745 --> 00:13:37,049 LUPONE IS OUT HERE, SHE'S IN A REVIVAL OF "COMPANY" DOWN THE 205 00:13:37,116 --> 00:13:38,250 STREET. ABSOLUTELY AMAZING. 206 00:13:38,317 --> 00:13:40,653 BEFORE WE GO ON WITH THE REST OF THE SHOW, I WANT TO TAKE A 207 00:13:40,719 --> 00:13:47,359 MOMENT TO GIVE A SHOUTOUT TO OUR PORKD OUT THERE FOR THOSE OF YOU 208 00:13:47,426 --> 00:13:50,529 WHO LISTEN WHICH IS EVERYONE, AT THIS POINT. 209 00:13:50,596 --> 00:13:54,366 OUR PODCAST IS EVERY EPISODE OF "THE LATE SHOW" PLUS OTHER STUFF 210 00:13:54,433 --> 00:13:58,204 YOU DON'T GET IN "THE LATE SHOW" PODCAST -- I MEAN THAT DON'T GET 211 00:13:58,270 --> 00:14:02,942 IN THE SHOW, SPECIAL STUFF LIKE ME EXPLAINING THIS RIGHT NOW. 212 00:14:03,008 --> 00:14:06,045 MAYBE NOT ON THE SHOW. YOU CAN LISTEN TO IT SEVEN DAYS 213 00:14:06,111 --> 00:14:08,113 A WEEK. THE REASON I BRING THAT UP IS 214 00:14:08,180 --> 00:14:11,684 I'M NOT THE ONLY ONE WHO LIKES OUR PODCAST, SO DO THE PEOPLE, 215 00:14:11,750 --> 00:14:15,554 BECAUSE WE JUST WON A WEBBY AWARD. 216 00:14:15,621 --> 00:14:25,264 WE WON A WEBBY AWARD. ( APPLAUSE ) 217 00:14:25,331 --> 00:14:28,601 LOOK AT THAT. PRACTICAL. 218 00:14:28,667 --> 00:14:31,904 USE THIS. IF YOUR SUSPENSION GOES OUT ON 219 00:14:31,971 --> 00:14:34,440 YOUR JEEP YOU CAN PUT THIS RIGHT IN. 220 00:14:34,506 --> 00:14:39,578 WE WON, THIS IS THE PEOPLE'S VOICE AWARD FOR INTERVIEW/TALK 221 00:14:39,645 --> 00:14:48,287 SHOW PODCAST AND AN HONOREE IN THE PODCAST CATEGORY. 222 00:14:48,354 --> 00:14:50,956 THANK YOU EVERYONE. ( APPLAUSE ) 223 00:14:51,023 --> 00:14:53,892 SO, LADIES AND GENTLEMEN, IF YOU'RE A 224 00:14:53,959 --> 00:14:55,361 DAREDEVIL INVESTOR, THEN YOU KNOW IT'S BEEN A BUMPY RIDE 225 00:14:55,427 --> 00:14:58,797 RECENTLY FOR CRYPTOCURRENCY. BITCOIN IS DOWN 59% FROM ITS 226 00:14:58,864 --> 00:15:02,801 ALL-TIME HIGH, AND ETHEREUM IS DOWN 60 PERCENT. 227 00:15:02,868 --> 00:15:05,704 THERE'S ALSO BEEN A BIG DROP IN AMAZE-EUM, AND 228 00:15:05,771 --> 00:15:10,809 I-JUST-MADE-THAT-UP-EUM. ( LAUGHTER ) 229 00:15:10,876 --> 00:15:14,813 WITH CRYPTO CRASHING, IF YOU OWN A NONFUNGIBLE TOKEN, OR N.F.T., 230 00:15:14,880 --> 00:15:17,683 YOU ARE SOOO FUNGED. BECAUSE, EVIDENTLY, 231 00:15:17,750 --> 00:15:19,351 CELEBRITY-ENDORSED N.F.T.S ARE LEAVING INVESTORS FINANCIALLY 232 00:15:19,418 --> 00:15:23,022 CRIPPLED. EVEN WORSE, THE N.F.T.'S THAT DO 233 00:15:23,088 --> 00:15:26,792 STILL HAVE VALUE JUST CAUGHT MONKEYPOX. 234 00:15:26,859 --> 00:15:30,195 REPORTEDLY, SOME CELEBRITIES HAVE GOTTEN BIG MONEY TO ENDORSE 235 00:15:30,262 --> 00:15:38,637 N.F.T.'S-- FOR INSTANCE, BORED BUNNY N.F.T.S ENDORSED BY FLOYD 236 00:15:38,704 --> 00:15:42,608 MAYWEATHER. THERE'S NO BETTER SOURCE OF 237 00:15:42,675 --> 00:15:45,511 LONG-TERM FINANCIAL ADVICE THAN FROM A MAN WHO MADE HIS MONEY 238 00:15:45,577 --> 00:15:50,149 GETTING PUNCHED IN THE HEAD. AND WHILE WE'RE HERE, WHY BORED 239 00:15:50,215 --> 00:15:52,885 BUNNY? DO ALL N.F.T. ANIMALS HAVE TO BE 240 00:15:52,951 --> 00:15:54,920 BORED? WHY CAN'T WE BE RIPPED OFF BY 241 00:15:54,987 --> 00:15:58,157 SOMETHING WITH A LITTLE MORE ZAZZ, LIKE A MILDLY-INTERESTED 242 00:15:58,223 --> 00:16:05,731 MARMOT, OR AN EMO EMU? NOW, WHEN MAYWEATHER FIRST 243 00:16:05,798 --> 00:16:08,934 ENDORSED BORED BUNNIES, EACH N.F.T. COST ABOUT $1500. 244 00:16:09,001 --> 00:16:14,039 NOW, A BORED BUNNY WILL FETCH YOU $104.09. 245 00:16:14,106 --> 00:16:16,475 PAINFUL. BUT NOT NEARLY AS PAINFUL AS 246 00:16:16,542 --> 00:16:18,277 HAVING TO TELL YOUR KIDS: YOU WON'T BE ATTENDING COLLEGE 247 00:16:18,344 --> 00:16:20,913 BECAUSE DADDY BOUGHT A PICTURE OF A RABBIT WITH A MACHINE GUN 248 00:16:20,979 --> 00:16:26,085 AND A PACIFIER. ( LAUGHTER ) 249 00:16:26,151 --> 00:16:27,653 OF COURSE, I CAN SEE WHY PEOPLE GOT DUPED. 250 00:16:27,720 --> 00:16:29,254 IF YOU GO TO THE BORED BUNNY WEBSITE, YOU'LL SEE THEIR 251 00:16:29,321 --> 00:16:32,925 PROMISE: TOGETHER, LET'S BUILD THE BEST EXCLUSIVE CLUB NEVER 252 00:16:32,991 --> 00:16:34,593 SEEN BEFORE. SHOW TO THE WORLD HOW STRONG AND 253 00:16:34,660 --> 00:16:40,299 INFLUENT WE ARE. ( LAUGHTER ) 254 00:16:40,366 --> 00:16:42,034 IF YOU FELL FOR THAT, I'M GUESSING YOU WERE UNDER THE 255 00:16:42,101 --> 00:16:50,042 INFLUENT. ( LAUGHTER ) 256 00:16:50,109 --> 00:16:55,881 ( APPLAUSE ) IT'S A RED FLAG WHEN YOUR 257 00:16:55,948 --> 00:16:58,050 RETIREMENT PLAN DOESN'T HAVE A GREAT GRASP OF GRAMMAR. 258 00:16:58,117 --> 00:17:02,921 REMINDS ME OF CAPITAL ONE'S FAILED AD CAMPAIGN: 259 00:17:02,988 --> 00:17:06,191 CAP PAL ONE -- WHAT WALLET INSIDE? 260 00:17:06,258 --> 00:17:07,126 LOUD AND POWER IN! WE'LL BE RIGHT BACK WITH 261 00:17:07,192 --> 00:17:07,760 JENNIFER CONNELLY. ( CHEERS AND APPLAUSE ) 262 00:17:23,809 --> 00:17:26,345 >> Stephen: HEY! WELCOME BACK, EVERYBODY! 263 00:17:26,412 --> 00:17:33,519 LADIES AND GENTLEMEN, MY FIRST GUEST IS AN ACADEMY 264 00:17:33,585 --> 00:17:35,721 AWARD-WINNING ACTRESS YOU KNOW FROM "LABYRINTH," "A BEAUTIFUL 265 00:17:35,788 --> 00:17:37,990 MIND," AND "SNOWPIERCER." SHE NOW STARS IN 266 00:17:38,056 --> 00:17:41,326 "TOP GUN: MAVERICK." PLEASE WELCOME BACK TO THE LATE 267 00:17:41,393 --> 00:17:48,434 SHOW, JENNIFER CONNELLY ( CHEERS AND APPLAUSE ) 268 00:17:48,500 --> 00:18:01,547 ( BAND PLAYING ) >> HI! 269 00:18:01,613 --> 00:18:02,948 >> Stephen: HI. NICE TO SEE YOU. 270 00:18:03,015 --> 00:18:05,083 >> Stephen: NICE TO SEE YOU, TOO. 271 00:18:05,150 --> 00:18:09,021 >> NICE TO SEE ALL OF YOU! >> Stephen: LOVELY TO HAVE YOU 272 00:18:09,087 --> 00:18:11,156 BACK. YOU KNOW, YOU'VE STARTED OFF 273 00:18:11,223 --> 00:18:18,730 YOUR SUMMER IN A BIG WAY BECAUSE THE TOP GUN OVER THERE, THE "TOP 274 00:18:18,797 --> 00:18:22,000 GUN: MAVERICK, SIX-MINUTE STANDING OVATION IN THE END AND 275 00:18:22,067 --> 00:18:24,870 THOSE FRENCH DON'T GIVE THAT AWAY FOR NOTHING. 276 00:18:24,937 --> 00:18:31,777 >> IT WAS AMAZING. THE ENERGY WAS PALPABLE, 277 00:18:31,844 --> 00:18:33,712 UNBELIEVABLE. I'VE SEEN THE MOVIE THREE TIMES 278 00:18:33,779 --> 00:18:35,247 WITH AUDIENCES. >> Stephen: YES. 279 00:18:35,314 --> 00:18:39,284 AND EVERY TIME, PEOPLE ARE JUST READY TO HAVE A GREAT TIME 280 00:18:39,351 --> 00:18:42,721 IN THE MOVIE THEATER, I THINK. >> Stephen: HAVE YOU SEEN IT 281 00:18:42,788 --> 00:18:45,724 IN AN I MAX? I HAVE BEEN TOLD GO SEW THAT. 282 00:18:45,791 --> 00:18:46,758 >> YES. I THINK WHAT THEY HAVE BEEN ABLE 283 00:18:46,825 --> 00:18:50,996 TO DO WITH THE FLYING SEQUENCES IS SO IMPACTFUL. 284 00:18:51,063 --> 00:18:55,701 >> Stephen: IT ALL HAPPENS. ALL THE ACTORS PLAYING PILOTS 285 00:18:55,767 --> 00:18:58,003 WENT THROUGH TRAINING, THEY'RE UP THERE IN THE PLANES AND YOU 286 00:18:58,070 --> 00:19:00,339 CAN FEEL IT. >> Stephen: I'VE GOT TO ASK A 287 00:19:00,405 --> 00:19:04,209 VERY IMPORTANT QUESTION -- AT ANY POINT IN THIS MOVIE -- AND 288 00:19:04,276 --> 00:19:11,517 DON'T GIVE ANYTHING AWAY -- BUT AT ANY POINT, DOES ANYONE IN 289 00:19:11,583 --> 00:19:16,755 THIS MOVIE T TAKE A HIGHWAY TO E DANGER ZONE OR AN OFF RAMP TO A 290 00:19:16,822 --> 00:19:18,857 PERILOUS JUNCTION OR SOMETHING LIKE THAT? 291 00:19:18,924 --> 00:19:22,261 IS THERE DANGER ZONE IN THE MOVIE? 292 00:19:22,327 --> 00:19:25,130 >> SO MUCH DANGER ZONE. >> Stephen: GOOD. 293 00:19:25,197 --> 00:19:29,768 THEN YOU GO TO LONDON. THE ROYAL PREMIERE. 294 00:19:29,835 --> 00:19:32,771 >> THE ROYAL PREMIERE. WHICH IS VERY SPECIAL. 295 00:19:32,838 --> 00:19:35,641 >> Stephen: WITH KATE AND WILLIAM. 296 00:19:35,707 --> 00:19:39,511 HAD YOU EVER MET THEM? >> I HAD NOT. 297 00:19:39,578 --> 00:19:42,748 >> Stephen: YOU MUST LOVE THIS PHOTO. 298 00:19:42,814 --> 00:19:45,584 TELL THE FOLKS. >> THE LAST TIME I WAS AT A 299 00:19:45,651 --> 00:19:51,390 WORLD PREMIERE WAS IN 1986, AND I MET DIANA FOR THE MOVIE 300 00:19:51,456 --> 00:19:53,659 "LABYRINTH," WHICH I WAS A TEENAGER WHEN I MADE. 301 00:19:53,725 --> 00:19:58,196 >> Stephen: THAT'S A NICE PHOTO. 302 00:19:58,263 --> 00:19:58,997 >> YEAH. ( APPLAUSE ) 303 00:19:59,064 --> 00:19:59,898 YOU CAN SEE HOW PINK MY CHEEKS ARE. 304 00:19:59,965 --> 00:20:01,900 I WAS SO OVERWHELMED MEETING HER. 305 00:20:01,967 --> 00:20:04,970 >> Stephen: SHE SEEM NICE? HE WAS IMPECCABLE. 306 00:20:05,037 --> 00:20:08,774 SHE WAS IMPECCABLE. >> Stephen: YOU'RE NOT SO BAD 307 00:20:08,840 --> 00:20:10,042 YOURSELF HERE. >> OH, THANK YOU. 308 00:20:10,108 --> 00:20:15,213 >> Stephen: AGE 16, THAT'S THE SAME YEAR "TOP GUN" CAME OUT. 309 00:20:15,280 --> 00:20:17,482 >> SAME YEAR, A LITTLE BIT OF TRIVIA THERE. 310 00:20:17,549 --> 00:20:19,818 >> Stephen: DID YOU WATCH THE ORIGINAL BACK IN THE DAY. 311 00:20:19,885 --> 00:20:23,789 >> I WATCHED THE ORIGINAL BACK IN THE DAY AND I'VE REWATCHED IT 312 00:20:23,855 --> 00:20:24,856 SEVERAL TIMES. >> Stephen: I BET. 313 00:20:24,923 --> 00:20:28,527 IS THERE SHIRTLESS VOLLEYBALL IN THIS ONE? 314 00:20:28,594 --> 00:20:31,029 >> THERE MIGHT BE SHIRTLESS SOMETHING OR ANOTHER. 315 00:20:31,096 --> 00:20:33,131 ( LAUGHTER ) >> Stephen: HAD YOU MET TOM -- 316 00:20:33,198 --> 00:20:38,670 I CALL HIM TOM -- HAD YOU MET TOM CRUISE? 317 00:20:38,737 --> 00:20:46,612 I HAD NEVER MET HIM. >> HE'S EXTRAORDINARY. 318 00:20:46,678 --> 00:20:51,750 I HADN'T. >> Stephen: HOW DID YOU NOT 319 00:20:51,817 --> 00:20:54,119 CROSS PATHS BY ACCIDENT. >> I DON'T THINK ANYTHING 320 00:20:54,186 --> 00:20:56,989 HAPPENS BY ACCIDENT. THE PREPARATION, THE SKILL, 321 00:20:57,055 --> 00:21:00,225 EVERYTHING IS EXTRAORDINARY. BUT I MET HIM AND MY FIRST 322 00:21:00,292 --> 00:21:04,596 IMPRESSION WAS KIND OF THE TAKEWEAR, WHICH IS I NEVER MET 323 00:21:04,663 --> 00:21:08,567 ANYONE MORE ENTHUSIASTIC THAN EVERYTHING THAN TOM CRUISE. 324 00:21:08,634 --> 00:21:12,004 >> Stephen: WOW. I THINK FOR ME IT WOULD PROBABLY 325 00:21:12,070 --> 00:21:15,941 BE THE TEETH. SO BEAUTIFUL. 326 00:21:16,008 --> 00:21:17,142 SUCH BEAUTIFUL TEETH. ( LAUGHTER ) 327 00:21:17,209 --> 00:21:20,712 IT'S TRUE. YOU'VE GOT TO GRANT ME THAT. 328 00:21:20,779 --> 00:21:24,016 >> BEAUTIFUL TEETH. >> Stephen: YOU'RE NO SLOUCH 329 00:21:24,082 --> 00:21:34,393 YOURSELF. THOSE ARE NICE GNASHERS. 330 00:21:34,459 --> 00:21:36,828 ( LAUGHTER ) "TOP GUN," THE ORIGINAL, AND 331 00:21:36,895 --> 00:21:39,665 THEY REALLY KICKED IT UP A NOTCH. 332 00:21:39,731 --> 00:21:42,000 BUT YOU'RE NOT A HUGE FAN OF FLYING? 333 00:21:42,067 --> 00:21:44,770 >> NO, I'M NOT A BIG FAN OF FLYING, AND I ACTUALLY WENT 334 00:21:44,836 --> 00:21:49,174 THROUGH A STAGE ARE I WAS INCREDIBLY BAD AT FLYING. 335 00:21:49,241 --> 00:21:53,145 IT WAS VERY TRAUMATIC FOR ME AND ANYONE NEAR ME ON AN AIRPLANE. 336 00:21:53,211 --> 00:21:58,083 I LITERALLY GOT TO A POINT WHERE I -- IT STARTED WITH A BANG ON 337 00:21:58,150 --> 00:22:02,621 ONE FLIGHT WHEN WE TOOK OFF AND I JUST DECIDED IT WASN'T OKAY 338 00:22:02,688 --> 00:22:07,959 AND I SHOUTED THAT IT WASN'T OKAY TO THE WHOLE PLANEFUL OF 339 00:22:08,026 --> 00:22:09,961 PEOPLE. >> Stephen: YOU SHOUTED WHAT, 340 00:22:10,028 --> 00:22:11,630 THIS ISN'T OKAY? >> HELP! 341 00:22:11,697 --> 00:22:14,599 HELP! AND NO ONE CAME BECAUSE WE WERE 342 00:22:14,666 --> 00:22:17,135 TAKING OFF. >> Stephen: AND YOUR NAME WAS 343 00:22:17,202 --> 00:22:20,105 ON A LIST SOMEWHERE. >> IT WAS THE BEGINNING OF A BAD 344 00:22:20,172 --> 00:22:21,907 CHAPTER. >> Stephen: I KNOW YOU'RE NOT 345 00:22:21,973 --> 00:22:25,143 A PILOT, BUT DID YOU GO UP AND FLY WITH THE JETS OR ANYTHING 346 00:22:25,210 --> 00:22:27,846 LIKE THAT? >> I WASN'T SUPPOSED TO BUT 347 00:22:27,913 --> 00:22:32,451 THERE WAS A VERY LOVELY SCENE WHERE TOM AND I ARE IN THIS 348 00:22:32,517 --> 00:22:37,022 PLANE, WE'RE SUPPOSED COBB JUST SITTING ON THE TARMAC AND HE 349 00:22:37,089 --> 00:22:42,828 STARTS TALKING TO ME ABOUT THIS PLANE, IT'S A P51, A VINTAGE 350 00:22:42,894 --> 00:22:46,798 PLANE, IT HAPPENS TO BE HIS PLANE AND HAVE I EVER DONE ANY 351 00:22:46,865 --> 00:22:50,102 AEROBATIC FLYING AND AM I INTERESTED IN AEROBATIC FLYING 352 00:22:50,168 --> 00:22:54,473 AND I START TO BECOME SUSPICIOUS I'M GOING TO BE DOING AEROBATIC 353 00:22:54,539 --> 00:22:59,745 FLAYING AND I SAID, AM I? HE SAID, IT'S GOING TO BE VERY 354 00:22:59,811 --> 00:23:02,214 BEAUTIFUL. WE'RE GOING TO DO VERY GENTLE, 355 00:23:02,280 --> 00:23:04,416 GRACEFUL ROLLS IN THE PLANE AND -- 356 00:23:04,483 --> 00:23:06,485 >> Stephen: WOW. -- AND IT'S TOM. 357 00:23:06,551 --> 00:23:08,954 SO YOU'RE TRYING TO BE A LITTLE BIT COOL AROUND HIM. 358 00:23:09,020 --> 00:23:11,957 >> Stephen: YEAH. O I DIDN'T SAY, HOLD ON, 359 00:23:12,023 --> 00:23:14,926 WAIT, I HAVE A TERRIBLE FEAR OF FLYING. 360 00:23:14,993 --> 00:23:17,996 I SAID, YEAH, THAT'S COOL. IT WILL BE GREAT. 361 00:23:18,063 --> 00:23:20,899 >> Stephen: DID YOU TAKEOFF AT THAT MOMENT? 362 00:23:20,966 --> 00:23:23,001 >> NO. >> Stephen: I THOUGHT MAYBE HE 363 00:23:23,068 --> 00:23:25,871 TRAPPED YOU AND SAID LET'S GO. >> NO, THEY PLANNED FOR IT. 364 00:23:25,937 --> 00:23:28,507 >> Stephen: WAS IT BEAUTIFUL AND GRAISMS AND EVERYTHING YOU 365 00:23:28,573 --> 00:23:32,377 WANTED IT TO BE? >> HONESTLY -- LOOK, WE STARTED, 366 00:23:32,444 --> 00:23:36,915 AND HE STARTED THE ENGINE AND FLAMES BURST OUT. 367 00:23:36,982 --> 00:23:38,917 THAT SURPRISED ME DEFINITELY. >> Stephen: BUT THAT'S 368 00:23:38,984 --> 00:23:41,286 SUPPOSED TO HAPPEN. >> EVIDENTLY, YEAH. 369 00:23:41,353 --> 00:23:44,289 HE FORGET TO TELL ME THAT THAT MIGHT HAPPEN. 370 00:23:44,356 --> 00:23:45,791 >> Stephen: YEAH. IT ACTUALLY WAS. 371 00:23:45,857 --> 00:23:51,530 WE TOOK OFF AND IT WAS DAWN AND WE WERE IN THE DESERT AND IT WAS 372 00:23:51,596 --> 00:23:53,498 KIND OF BEAUTIFUL. >> Stephen: FANTASTIC. 373 00:23:53,565 --> 00:23:59,404 TOM, I'LL GO UP WITH YOU. ( LAUGHTER ) 374 00:23:59,471 --> 00:24:02,007 JUST TRYING TO TEMPT HIM IN SOME WAY. 375 00:24:02,073 --> 00:24:03,475 YEAH. WE HAVE TO TAKE A QUICK BREAK, 376 00:24:03,542 --> 00:24:08,146 BUT WHEN WE COME BACK, I WILL ASK JENNIFER IF SHE, LIKE TOM, 377 00:24:08,213 --> 00:24:10,148 DOES HER OWN STUNTS. STICK AROUND. 378 00:24:18,590 --> 00:24:20,759 >> Stephen: HEY, EVERYBODY, WE'RE BACK HERE WITH JENNIFER 379 00:24:20,826 --> 00:24:23,328 CONNELLY FROM "TOP GUN: MAVERICK. 380 00:24:23,395 --> 00:24:27,165 OBVIOUSLY, MR. CRUISE FAMOUSLY DOES HIS OWN STUNTS. 381 00:24:27,232 --> 00:24:28,834 >> YES. >> Stephen: I DO, TOO. 382 00:24:28,900 --> 00:24:33,071 BUT DO YOU DO YOUR OWN STUNTS? BECAUSE THERE'S A LITTLE ACTION 383 00:24:33,138 --> 00:24:36,608 SEQUENCE, A BIT OF AN ACTION SEQUENCE HERE, AND I WANT TO 384 00:24:36,675 --> 00:24:38,777 KNOW IF THIS IS REALLY YOU DOING THIS HERE. 385 00:24:38,844 --> 00:24:43,215 YOU'RE NOT A PILOT, BUT YOU PILOT SOMETHING. 386 00:24:43,281 --> 00:24:46,985 >> I. DO I'M AT THE HELM OF A VESSEL. 387 00:24:47,052 --> 00:24:48,553 >> Stephen: JIM. WE HAVE TO. 388 00:24:48,620 --> 00:24:50,622 I CAN'T GO. WHAT DO YOU MEAN. 389 00:24:50,689 --> 00:24:52,324 TEST TOMORROW. I HAVE TO STUDY. 390 00:24:52,390 --> 00:24:56,161 THEY ONLY TOLD US TODAY. >> I CAN'T TELL HER ALONE. 391 00:24:56,228 --> 00:24:59,598 JUST USE THE ENGINE. WHY ARE WE TAKING HER TO THE 392 00:24:59,664 --> 00:25:02,234 YARD. >> TO FIX THE ENGINE. 393 00:25:02,300 --> 00:25:11,209 I CAN HELP. ROUGHER THAN IT WAS 394 00:25:11,276 --> 00:25:14,145 EXPECTING! >> YOU DON'T SAY! 395 00:25:14,212 --> 00:25:18,717 PULL ON THE BACK, DEPOWER THE SAILS. 396 00:25:18,783 --> 00:25:20,118 >> OKAY. WHAT IS HAPPENING? 397 00:25:20,185 --> 00:25:25,056 >> YOU'RE SUPPOSED TO BE IN THE NAVY! 398 00:25:25,123 --> 00:25:33,164 >> I DON'T SAILBOATS, PENNY, I LAND ON THEM! 399 00:25:33,231 --> 00:25:38,637 ( APPLAUSE ) >> Stephen: THAT'S A 400 00:25:38,703 --> 00:25:40,772 CONTINUOUS SHOT. YOU'RE DRIVING THAT BOAT THERE. 401 00:25:40,839 --> 00:25:45,176 >> I AM. >> Stephen: AND IT'S A BIT 402 00:25:45,243 --> 00:25:47,012 RUMPLY OUT THERE. >> IT WAS. 403 00:25:47,078 --> 00:25:52,150 WE FILMED THE SEQUENCE TWICE. WE FILMED IT FIRST OUTSIDE 404 00:25:52,217 --> 00:25:53,251 SAN DIEGO. IT WAS BEAUTIFUL. 405 00:25:53,318 --> 00:25:58,023 WE HAD LOVELY SHOTS. DOLPHINS WERE SWIMMING BESIDE US 406 00:25:58,089 --> 00:26:01,159 AND TOM WAS, LIKE, THIS ISN'T FAST ENOUGH. 407 00:26:01,226 --> 00:26:05,163 SO WE REDID THE SCENE AND WENT TO SAN FRANCISCO. 408 00:26:05,230 --> 00:26:07,198 >> Stephen: FOR THE ROUGH WEATHER. 409 00:26:07,265 --> 00:26:10,669 >> FOR THE ROUGH WEATHER AND THE WIND AND THAT'S WHAT WE HAD. 410 00:26:10,735 --> 00:26:12,270 >> Stephen: HAD YOU SAILED BEFORE? 411 00:26:12,337 --> 00:26:14,839 >> I WAS TAKING LESSONS BEFORE IN PREPARATION. 412 00:26:14,906 --> 00:26:18,677 >> Stephen: SO JUST FOR THIS MOVIE? 413 00:26:18,743 --> 00:26:20,645 >> YEAH. >> Stephen: BECAUSE THAT'S A 414 00:26:20,712 --> 00:26:23,715 SIZABLE BOAT. >> YEAH, AND WE'RE MOVING REALLY 415 00:26:23,782 --> 00:26:24,749 FAST. >> Stephen: DID YOU LIKE THE 416 00:26:24,816 --> 00:26:27,852 FEELING OF THE HELM IN YOUR HAND? 417 00:26:27,919 --> 00:26:30,422 >> SOUNDS LIKE A EUPHEMISM, BUT, YEAH. 418 00:26:30,488 --> 00:26:32,857 >> Stephen: SURE. IT CAN BE BOTH. 419 00:26:32,924 --> 00:26:34,059 ( LAUGHTER ) >> IT WAS GREAT. 420 00:26:34,125 --> 00:26:37,529 IT WAS AMAZING. I WAS TAKING LESSONS. 421 00:26:37,595 --> 00:26:40,398 I STARTED IN NEW YORK BECAUSE I LIVE IN BROOKLYN. 422 00:26:40,465 --> 00:26:43,668 >> Stephen: IN THE HARBOR. YES, WHICH IS INTERESTING. 423 00:26:43,735 --> 00:26:45,303 >> Stephen: THAT'S BUSY. LIKE LEARNING TO DRIVE ON THE 424 00:26:45,370 --> 00:26:49,741 AUDUBAN. >> Stephen: OR LEARNING HOW TO 425 00:26:49,808 --> 00:26:54,512 SKATE BOARD ON THE AUDUBAN. >> YEAH, EXACTLY. 426 00:26:54,579 --> 00:26:58,116 I WAS DOING THAT AND BEFORE FILMING I WAS TAKING SAILING 427 00:26:58,183 --> 00:27:01,820 LESSONS TO PREPARE. >> Stephen: JENNIFER, THOV FOR 428 00:27:01,886 --> 00:27:04,456 BEING HERE. >> THANK YOU. 429 00:27:04,522 --> 00:27:07,993 >> Stephen: MY BEST TO YOUR HUSBAND. 430 00:27:08,059 --> 00:27:10,161 "TOP GUN: MAVERICK," IS IN THEATERS FRIDAY. 431 00:27:10,228 --> 00:27:13,231 JENNIFER CONNELLY, EVERYBODY WE'LL BE RIGHT BACK WITH 432 00:27:13,298 --> 00:27:16,167 BROADWAY LEGEND PATTI LUPONE. ( CHEERS AND APPLAUSE ) 433 00:27:29,447 --> 00:27:32,083 >> Stephen: HEY! WELCOME BACK, EVERYBODY! 434 00:27:32,150 --> 00:27:39,591 GOOD TO SEE YOU! FOLKS, MY NEXT GUEST TONIGHT IS 435 00:27:39,657 --> 00:27:44,262 A TWO-TIME TONY ABARRED WINNER AND BROADWAY LEGEND. 436 00:27:44,329 --> 00:27:45,864 SHE NOW STARS IN "COMPANY" ON BROADWAY WHICH JUST EARNED HER 437 00:27:45,930 --> 00:27:49,634 ANOTHER TONY NOMINATION. PLEASE WELCOME TO THE LATE SHOW, 438 00:27:49,701 --> 00:27:52,804 PATTI LUPONE. ( CHEERS AND APPLAUSE ) 439 00:27:52,871 --> 00:28:07,752 ( BAND PLAYING ) 440 00:28:07,819 --> 00:28:09,554 ( BAND PLAYING ) 441 00:28:14,325 --> 00:28:17,362 >> Stephen: HEY, KIDDO. GOOD TO SEE YOU AGAIN. 442 00:28:17,429 --> 00:28:21,366 >> AND YOU. >> Stephen: IT'S BEEN A LONG, 443 00:28:21,433 --> 00:28:24,002 LONG TIME. >> YOU GOT ME THROUGH THE 444 00:28:24,069 --> 00:28:27,472 PANDEMIC IN ALL SO SORTS OF ROOS YOU WERE IN. 445 00:28:27,539 --> 00:28:32,243 >> Stephen: WE MIGRATED. IT WAS A MOVABLE FEAST. 446 00:28:32,310 --> 00:28:33,812 ( LAUGHTER ) EARLIER AT THIS MONTH, YOU WERE 447 00:28:33,878 --> 00:28:38,183 IN A TALKBACK AT THE END OF "COMPANY." 448 00:28:38,249 --> 00:28:43,421 >> LOOK AT THESE LOVELY PEOPLE WITH THEIR MASKS ON! 449 00:28:43,488 --> 00:28:45,390 >> Stephen: YES! THESE PEOPLE GET IT. 450 00:28:45,457 --> 00:28:48,693 >> YES. >> Stephen: SO YOU MADE NEWS. 451 00:28:48,760 --> 00:28:53,531 YOU TOLD AN AUDIENCE MEMBER DURING THIS TALKBACK TO PUT 452 00:28:53,598 --> 00:28:57,135 THEIR MASK ON INSIDE THE THEATER BECAUSE THEY WEREN'T WEARING IT 453 00:28:57,202 --> 00:29:02,874 CORRECTLY AND MAKING TROUBLE. WE HAVE A LITTLE CLIP. 454 00:29:02,941 --> 00:29:06,244 >> PUT YOUR MASK OVER YOUR NOSE. THAT'S WHY YOU'RE IN THE 455 00:29:06,311 --> 00:29:07,445 THEATER. THAT IS THE RULE. 456 00:29:07,512 --> 00:29:17,355 IF YOU DON'T WANT TO FOLLOW THE RULE, GET ( BLEEP ) OUT! 457 00:29:17,422 --> 00:29:19,491 ( APPLAUSE ) YOU DO NOT RESPECT THE PEOPLE 458 00:29:19,557 --> 00:29:25,130 THAT ARE SITTING AROUND YOU! YOU ( BLEEP ). 459 00:29:25,196 --> 00:29:28,833 CHRIS HARPER PAYS MY SALARY. >> EXCUSE ME. 460 00:29:28,900 --> 00:29:34,239 WHO DO YOU THINK YOU ARE? YES. 461 00:29:34,305 --> 00:29:36,241 ( APPLAUSE ) >> Stephen: SO HOW DID IT GET 462 00:29:36,307 --> 00:29:39,511 TO THAT POINT? BECAUSE YOU'RE A LOVELY PERSON. 463 00:29:39,577 --> 00:29:41,312 >> SOMETIMES. >> Stephen: WHAT LED UP TO 464 00:29:41,379 --> 00:29:43,715 THAT MOMENT? >> WELL, FOR INSTANCE, WE ARE 465 00:29:43,781 --> 00:29:47,452 NOW USED TO LOOKING AT THE AUDIENCE, AND YOU SEE PEOPLE 466 00:29:47,519 --> 00:29:49,754 WITH MASKS ON. I SEE THE EYES. 467 00:29:49,821 --> 00:29:52,957 USUALLY YOU SEE THE WHOLE FACE, BUT I SEE THE EYES. 468 00:29:53,024 --> 00:29:57,295 I KNOW WHAT'S GOING ON BACKSTAGE. 469 00:29:57,362 --> 00:29:59,397 THIS WAS A TALKBACK. WHEN YOU SEE EVERYBODY EXCEPT 470 00:29:59,464 --> 00:30:03,234 TWO PEOPLE, THIS WOMAN AND HER HALF ASLEEP HUSBAND WITH THE 471 00:30:03,301 --> 00:30:05,737 MASK OFF, YOU IMMEDIATELY SEE IT. 472 00:30:05,803 --> 00:30:09,674 WHAT LED UP TO IT IS WHAT SHE DID WHEN OUR COVID SAFETY 473 00:30:09,741 --> 00:30:12,210 MANAGERS CAME DOWN TO TELL HER TO PUT IT ON CORRECTLY. 474 00:30:12,277 --> 00:30:17,115 SHE TOOK IT OFF, WAVED IT IN THE AIR, AND PUT IT OVER HER EYES. 475 00:30:17,182 --> 00:30:22,053 SO SHE WAS MOCKING THE MAN DATE AND MOCKING THE COVID SAFETY 476 00:30:22,120 --> 00:30:25,390 MANAGERS WHO GET ABUSE EVERY NIGHT. 477 00:30:25,456 --> 00:30:29,594 I MEAN, THE USHERS GO UP AND DOWN THE AISLE, AND WE JUST GOT 478 00:30:29,661 --> 00:30:33,665 AN EMAIL TODAY, SOMEBODY ELSE IS OUT, YOU KNOW, WE'RE NOT OUT OF 479 00:30:33,731 --> 00:30:38,536 THIS. WE'RE NOT OUT OF IT AT THE 480 00:30:38,603 --> 00:30:41,372 JACOBS THEATER. >> Stephen: DO YOU NEED ME TO 481 00:30:41,439 --> 00:30:44,242 GO IN? >> DO YOU KNOW HOW MUCH THEY'D 482 00:30:44,309 --> 00:30:47,278 LOVE THAT! >> Stephen: NOW YOU CAN BUY 483 00:30:47,345 --> 00:30:53,051 MERCHANDISE THAT HAS IT ON IT. YOU CAN HAVE "WHO DO YOU THINK 484 00:30:53,117 --> 00:30:55,954 YOU ARE, PATTI LUPONE." ( APPLAUSE ) 485 00:30:56,020 --> 00:30:58,890 >> WE SEEMS TO BE MY GO-TO. >> Stephen: WHO DO YOU THINK 486 00:30:58,957 --> 00:31:01,693 YOU ARE. >> IT SEEMS TO BE MY GO-TO. 487 00:31:01,759 --> 00:31:04,095 I HAVE TO COME UP WITH ANOTHER EXPRESSION. 488 00:31:04,162 --> 00:31:07,732 >> Stephen: YOU'RE BACK ON A BROADWAY WITH THIS BEAUTIFUL 489 00:31:07,799 --> 00:31:10,768 REVIVAL OF "COMPANY." HERE'S THE PLAY BILL FOR IT 490 00:31:10,835 --> 00:31:13,738 RIGHT THERE. ( CHEERS AND APPLAUSE ) 491 00:31:13,805 --> 00:31:17,375 PEOPLE MAY NOT KNOW, YOU AND I DID THIS SHOW TOGETHER WITH THE 492 00:31:17,442 --> 00:31:20,178 NEW YORK PHILHARMONIC. >> WE CERTAINLY DID. 493 00:31:20,245 --> 00:31:24,515 >> Stephen: IN 2011. THIS WAS TO ME KIND OF THE 494 00:31:24,582 --> 00:31:26,818 DEFINITIVE PRODUCTION HERE. HERE WE ARE TOGETHER, THAT'S YOU 495 00:31:26,884 --> 00:31:32,257 RIGHT THERE, AND THAT YOUNG GUY RIGHT THERE IS ME. 496 00:31:32,323 --> 00:31:35,493 ( CHEERS AND APPLAUSE ) AND MOST TERRIFYING THING I'VE 497 00:31:35,560 --> 00:31:37,795 EVER DONE. MOST TERRIFYING THING I'VE EVER 498 00:31:37,862 --> 00:31:39,464 DONE. >> IT IS TERRIFYING. 499 00:31:39,530 --> 00:31:42,367 >> Stephen: YES. YOU HAVE TEN DAYS TO ABSORB A 500 00:31:42,433 --> 00:31:47,739 MUSICAL AND YOU HAVE ONE HOUR TO BE ON THE STAGE OF THE NEW YORK 501 00:31:47,805 --> 00:31:49,874 PHILHARMONIC BECAUSE THE STAGE HANDS ARE SO STRICT WITH HOW 502 00:31:49,941 --> 00:31:51,776 MUCH TIME YOU CAN SPEND ON THE STAGE. 503 00:31:51,843 --> 00:31:54,045 >> Stephen: YOU'VE ALSO DONE IT IN THE WEST END, AND NOW HERE 504 00:31:54,112 --> 00:31:57,749 YOU ARE DOING IT AGAIN. WHAT'S DIFFERENT ABOUT HOW YOU 505 00:31:57,815 --> 00:32:01,085 APPROACH THE ROLE, OR DOES IT CHANGE WITH EACH PRODUCTION? 506 00:32:01,152 --> 00:32:04,956 >> IT DOES. IT CHANGES WITH THE DIRECTION. 507 00:32:05,023 --> 00:32:07,125 >> Stephen: OKAY. MARY ANN ELLIOTT, THE 508 00:32:07,191 --> 00:32:12,330 BRILLIANT DIRECTOR OF THIS CONCEPT OF BOBBY BEING FEMALE, I 509 00:32:12,397 --> 00:32:15,366 NEVER WORKED WITH HER BEFORE AND I WANTED TO. 510 00:32:15,433 --> 00:32:19,937 IT'S JUST HER APPROACH WITH ACTORS, AND SHE ISEN A ACTORS' 511 00:32:20,004 --> 00:32:23,274 DIRECTOR. AND THIS IS PROBABLY MY FAVORITE 512 00:32:23,341 --> 00:32:25,343 INTERPRETATION OF JO ANN BECAUSE SHE'S FUNNY. 513 00:32:25,410 --> 00:32:33,351 SHE GETS TO LAUGH, YOU KNOW, AND SHE'S NOT DOWER. 514 00:32:33,418 --> 00:32:38,256 IS IT DO-ER OR DOWER? >> Stephen: YOU'RE THE LEGEND 515 00:32:38,323 --> 00:32:42,193 OF BROADWAY. ( LAUGHTER ) 516 00:32:42,260 --> 00:32:46,531 "COMPANY" WAS WRITTEN BY STEPHEN SONDHEIM. 517 00:32:46,597 --> 00:32:49,567 TO HONOR HIM, THERE ARE SPECIAL PLAY BILLS FOR STEPHEN SONDHEIM 518 00:32:49,634 --> 00:32:51,469 FOR THE LOVERS AND THE COLLECTORS OUT THERE. 519 00:32:51,536 --> 00:32:54,339 THIS IS THE MAN THAT I MET AND KNEW. 520 00:32:54,405 --> 00:32:57,375 ( CHEERS AND APPLAUSE ) AND HERE HE IS AS A VERY YOUNG 521 00:32:57,442 --> 00:33:00,978 MAN. AND I'M CURIOUS, I WAS LUCKY 522 00:33:01,045 --> 00:33:04,849 ENOUGH TO INTERVIEW HIM A COUPLE OF TIMES, TO DO THAT, SHORTLY 523 00:33:04,916 --> 00:33:06,951 BEFORE HE DIED, INTERVIEWED HIM RGHT THERE. 524 00:33:07,018 --> 00:33:09,087 >> I REMEMBER THAT INTERVIEW. >> Stephen: AND IT WAS 525 00:33:09,153 --> 00:33:14,659 DEEPLY -- THOUGH I DIDN'T GO DO MUCH OF HIS WORK, DEEPLY 526 00:33:14,726 --> 00:33:19,263 INFLUENTIAL TO ME. >> YOU DID SIX. 527 00:33:19,330 --> 00:33:24,168 >> Stephen: STEPHEN SONDHEIMS. WHAT DID YOU LEARN FROM HIM? 528 00:33:24,235 --> 00:33:27,638 >> I RE-CREATED. IT'S ALWAYS INTIMIDATING WHEN 529 00:33:27,705 --> 00:33:31,342 SOMEONE YOU DEEPLY RESPECT AND ARE DEEPLY INTIMIDATED BY SHOWS 530 00:33:31,409 --> 00:33:36,080 UP IN THE REHEARSAL ROOM BECAUSE I JUST WANT APPROVAL, I WANT A 531 00:33:36,147 --> 00:33:41,119 VALIDATION OF MY INTERPRETATION, AND HE WAS A TASK MASTER. 532 00:33:41,185 --> 00:33:44,255 HIS NOTES WERE AT TIMES EXTREMELY HARSH. 533 00:33:44,322 --> 00:33:50,261 BUT WHEN THEY WEREN'T HARSH AND THEY WERE APPROVING, IT WAS -- I 534 00:33:50,328 --> 00:33:53,364 COULD CRY NOW. IT WAS SORT OF -- IT'S, YOU 535 00:33:53,431 --> 00:33:58,236 KNOW, WHEN HE DIED, MY FIRST THOUGHT WAS WHO WILL MAKE ME 536 00:33:58,302 --> 00:34:01,873 BETTER? AND NO ONE -- I MEAN, NO ONE -- 537 00:34:01,939 --> 00:34:08,646 HE HAD SUCH -- DAVID AND STEPHEN SONDHEIM ARE MY STRONGEST 538 00:34:08,713 --> 00:34:14,252 INFLUENCES IN MY PROFESSION IN THEATER, AND I DON'T THINK 539 00:34:14,318 --> 00:34:22,994 THEY'LL EVER -- THERE'LL EVER BE SOMEONE AS COMPLEX AS STEPHEN TO 540 00:34:23,060 --> 00:34:29,200 INFLUENCE THE INTERPRETERS OF HIS WORK AND MUSICAL THEATER. 541 00:34:29,267 --> 00:34:33,371 >> Stephen: BEAUTIFULLY SAID. ( APPLAUSE ) 542 00:34:33,438 --> 00:34:37,375 >> Stephen: IN JUST A MOMENT, I'M HAPPY TO SAY THAT YOU ARE 543 00:34:37,442 --> 00:34:40,912 GOING TO PERFORM A NUMBER FROM "COMPANY." 544 00:34:40,978 --> 00:34:46,451 WHAT WILL WE BE HEARING? ( CHEERS AND APPLAUSE ) 545 00:34:46,517 --> 00:34:53,357 >> WE'LL BE HEARING JO ANN'S ANTHEM, "THE LADIES WHO LUNCH" 546 00:34:53,424 --> 00:34:54,959 ( CHEERS AND APPLAUSE ) >> STEPHEN: "COMPANY," IS ON 547 00:34:55,026 --> 00:34:55,960 BROADWAY AT THE BERNARD B. JACOBS THEATRE. 548 00:34:56,027 --> 00:34:57,595 STICK AROUND FOR A PERFORMANCE BY PATTI LUPONE. 549 00:35:18,483 --> 00:35:20,618 >> Stephen: AND NOW PERFORMING "THE LADIES WHO LUNCH" FROM 550 00:35:20,685 --> 00:35:24,522 STEPHEN SONDHEIM "COMPANY," PATTI LUPONE. 551 00:35:24,589 --> 00:35:35,600 ( CHEERS AND APPLAUSE ) 552 00:35:45,676 --> 00:35:48,513 ♪ ♪ ♪ ♪ ♪ ♪ 553 00:35:48,579 --> 00:36:03,461 ♪ HERE'S TO THE LADIES WHO LUNCH EVERYBODY LAUGH 554 00:36:03,528 --> 00:36:05,162 ♪ HERE'S TO THE LADIES WHO LUNCH EVERYBODY LAUGH 555 00:36:05,229 --> 00:36:11,302 ♪ LOUNGING IN THEIR CAFTANS AND PLANNING A BRUNCH 556 00:36:11,369 --> 00:36:22,179 ♪ ON THEIR OWN BEHALF OFF TO THE GYM, 557 00:36:22,246 --> 00:36:29,086 ♪ THEN TO A FITTING CLAIMING THEY'RE FAT 558 00:36:29,153 --> 00:36:34,191 ♪ AND LOOKING GRIM 'CAUSE THEY'VE BEEN SITTING 559 00:36:34,258 --> 00:36:46,170 ♪ CHOOSING A HAT DOES ANYONE STILL WEAR A HAT? 560 00:36:46,237 --> 00:36:52,643 ♪ I'LL DRINK TO THAT HERE'S TO THE GIRLS 561 00:36:52,710 --> 00:36:58,049 ♪ WHO STAY SMART AREN'T THEY A GAS? 562 00:36:58,115 --> 00:37:02,186 ♪ RUSHING TO THEIR CLASSES IN OPTICAL ART 563 00:37:02,253 --> 00:37:11,095 ♪ WISHING IT WOULD PASS ANOTHER LONG EXHAUSTING DAY 564 00:37:11,162 --> 00:37:17,101 ♪ ANOTHER THOUSAND DOLLARS A MATINEE, 565 00:37:17,168 --> 00:37:22,173 ♪ A PINTER PLAY PERHAPS A PIECE OF MAHLER'S 566 00:37:22,239 --> 00:37:31,616 ♪ I'LL DRINK TO THAT AND ONE FOR MAHLER 567 00:37:31,682 --> 00:37:34,218 ♪ HERE'S TO THE GIRLS WHO PLAY WIFE 568 00:37:34,285 --> 00:37:41,125 ♪ AREN'T THEY TOO MUCH? KEEPING HOUSE BUT CLUTCHING 569 00:37:41,192 --> 00:37:47,098 ♪ A COPY OF LIFE JUST TO KEEP IN TOUCH 570 00:37:47,164 --> 00:37:53,104 ♪ THE ONES WHO FOLLOW THE RULES AND MEET THEMSELVES 571 00:37:53,170 --> 00:37:58,175 ♪ AT THE SCHOOLS TOO BUSY TO KNOW 572 00:37:58,242 --> 00:38:05,082 ♪ THAT THEY'RE FOOLS AREN'T THEY A GEM? 573 00:38:05,149 --> 00:38:18,462 ♪ I'LL DRINK TO THEM LET'S ALL DRINK TO THEM 574 00:38:18,529 --> 00:38:22,166 ♪ AND HERE'S TO THE GIRLS WHO JUST WATCH 575 00:38:22,233 --> 00:38:29,106 ♪ AREN'T THEY THE BEST? WHEN THEY GET DEPRESSED, 576 00:38:29,173 --> 00:38:35,079 ♪ IT'S A BOTTLE OF SCOTCH PLUS A LITTLE JEST 577 00:38:35,146 --> 00:38:46,190 ♪ ANOTHER CHANCE TO DISAPPROVE ANOTHER BRILLIANT ZINGER 578 00:38:46,257 --> 00:38:58,169 ♪ ANOTHER REASON NOT TO MOVE ANOTHER VODKA STINGER 579 00:38:58,235 --> 00:39:01,706 ♪ AH I'LL DRINK TO THAT SO HERE'S TO THE GIRLS 580 00:39:01,772 --> 00:39:06,210 ♪ ON THE GO EVERYBODY TRIES LOOK 581 00:39:06,277 --> 00:39:10,414 ♪ INTO THEIR EYES AND YOU'LL SEE WHAT THEY KNOW 582 00:39:10,481 --> 00:39:18,189 ♪ EVERYBODY DIES A TOAST TO THAT INVINCIBLE BUNCH 583 00:39:18,255 --> 00:39:23,094 ♪ THE DINOSAURS SURVIVING THE CRUNCH 584 00:39:23,160 --> 00:39:26,163 ♪ LET'S HEAR IT FOR THE LADIES WHO LUNCH 585 00:39:26,230 --> 00:39:35,106 ♪ EVERYBODY RISE RISE 586 00:39:35,172 --> 00:39:38,175 ♪ RISE, RISE RISE, RISE 587 00:39:38,242 --> 00:39:49,520 ♪ RISE, RISE RISE 588 00:39:49,587 --> 00:39:53,090 ♪ ♪ ♪ ♪ ♪ ♪ 589 00:39:53,157 --> 00:40:06,704 ♪ ( CHEERS AND APPLAUSE ) 590 00:40:06,771 --> 00:40:08,706 >> STEPHEN: "COMPANY," IS ON BROADWAY AT THE BERNARD B. 591 00:40:08,773 --> 00:40:10,541 JACOBS THEATRE. PATTI LUPONE, EVERYBODY! 592 00:40:10,608 --> 00:40:13,677 THAT'S IT FOR THE LATE SHOW. TUNE IN TOMORROW WHEN MY GUESTS 593 00:40:13,744 --> 00:40:17,248 WILL BE PRIME MINISTER JACINDA ARDERN AND DAVID SEDARIS, JAMES 594 00:40:17,314 --> 00:40:18,015 CORDEN IS NEXT. GOODNIGHT.