1 00:00:01,334 --> 00:00:03,970 THE JANUARY 6TH COMITTEE IS MAKING ITS CASE PUBLIC WITH 2 00:00:04,037 --> 00:00:05,939 PRIME TIME HEARINGS. >> THEY'RE TRYING TO MAKE SURE 3 00:00:06,005 --> 00:00:09,442 THIS DOES NOT LOOKING LIKER CONGRESSIONAL HEARINGS, BRINGING 4 00:00:09,509 --> 00:00:12,245 IN A TV EXECUTIVE WHO CAN HELP PRODUCE TELEVISION. 5 00:00:12,312 --> 00:00:15,382 >> THE FORMER PRODUCER AND EXECUTIVE PRODUCER TO HELP 6 00:00:15,448 --> 00:00:18,284 PRODUCE THE HEARINGS, AND MAKE THEM MORE COMPELLING TO THE 7 00:00:18,351 --> 00:00:23,289 AMERICAN PEOPLE. >> THIS THURSDAY ON CBS IT'S... 8 00:00:23,356 --> 00:00:30,130 ♪ ♪ ♪ "THE INSURRECTIONISTS." 9 00:00:30,196 --> 00:00:34,434 ♪ ♪ ♪ >> THE NEXT THING I KNOW, LEG 10 00:00:34,501 --> 00:00:43,042 IRON, HANDCUFFS, STRIP SEARCHED. ♪ ♪ ♪ 11 00:00:49,282 --> 00:00:54,187 >> "THE INSURRECTIONISTS" THURSDAYS ON CBS, FOLLOWED BY 12 00:00:54,254 --> 00:01:00,393 "YOUNG SHAMON." >> Announcer: IT'S "THE LATE 13 00:01:00,460 --> 00:01:03,263 SHOW WITH STEPHEN COLBERT." TONIGHT: 14 00:01:03,329 --> 00:01:07,867 PRIME TIME SPECIAL. PLUS, STEPHEN WELCOMES: 15 00:01:07,934 --> 00:01:12,705 ROBERT De NIRO AND ROSIE PEREZ 16 00:01:15,208 --> 00:01:17,844 FEATURING JON BATISTE AND STAY HUMAN. 17 00:01:20,513 --> 00:01:23,750 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 18 00:01:23,817 --> 00:01:26,953 CITY, IT'S STEPHEN COLBERT! 19 00:01:30,423 --> 00:01:39,899 ( CHEERS AND APPLAUSE ) I'LL GET IT TO YOU AS SOON AS I 20 00:01:39,966 --> 00:01:45,238 CAN. ( CHEERS AND APPLAUSE ) 21 00:01:45,305 --> 00:01:56,549 >> Audience: STEPHEN! STEPHEN! 22 00:01:56,616 --> 00:01:58,818 STEPHEN! STEPHEN! 23 00:01:58,885 --> 00:02:05,058 >> Stephen: HELLO! HELLO, EVERYBODY! 24 00:02:05,124 --> 00:02:10,997 ( CHEERS AND APPLAUSE ) THANK YOU. 25 00:02:11,064 --> 00:02:14,467 THANK YOU, PLEASE, HAVE A SEAT. HAVE A SEAT. 26 00:02:14,534 --> 00:02:16,736 THANK YOU, SIR. THANK YOU VERY MUCH. 27 00:02:16,803 --> 00:02:20,340 WELCOME ONE AND ALL TO "THE LATE SHOW." 28 00:02:20,406 --> 00:02:22,876 I AM YOUR HOST, STEPHEN COLBERT. NOW I DON'T KNOW-- 29 00:02:22,942 --> 00:02:31,050 ( CHEERS AND APPLAUSE ) CAN NOT WAIT FOR THE JANUARY 6th 30 00:02:31,117 --> 00:02:32,785 COMMITTEE'S LIVE HEARINGS ON THURSDAY IN PRIME TIME. 31 00:02:32,852 --> 00:02:35,355 THEY ARE DESTINED TO GO DOWN IN THE ANNALS OF LIVE TV, LIKE 32 00:02:35,421 --> 00:02:39,158 THE WATERGATE HEARINGS, THE MOON LANDING, 33 00:02:39,225 --> 00:02:42,896 AND THE TIME WALTER CRONKITE WAS SWALLOWED BY A PYTHON. 34 00:02:42,962 --> 00:02:55,375 ( LAUGHTER ) EVENING, WHICH IS WHY "THE LATE 35 00:02:55,441 --> 00:03:01,915 SHOW" WILL BE GOING LIVE, LIVE, BABY, RIGHT THERE, AFTER THE 36 00:03:01,981 --> 00:03:03,917 HEARINGS. YOU CAN'T KEEP US DOWN! 37 00:03:03,983 --> 00:03:06,586 YOU GO LIVE, WE GO LIVE! COME ON! 38 00:03:06,653 --> 00:03:10,256 I'M TIRED ALREADY! >> Jon: YEAH, BABY. 39 00:03:10,323 --> 00:03:16,129 >> Stephen: I AM PREEXHAUSTED. NOW, HERE'S THE DEAL: 40 00:03:16,195 --> 00:03:18,031 ALL THE MAJOR NEWS OUTFITS-- CBS, NBC, ABC, MSNBC, CNN-- 41 00:03:18,097 --> 00:03:20,533 WILL BE COVERING THE HEARINGS LIVE, WHILE THE FOX NEWS CHANNEL 42 00:03:20,600 --> 00:03:24,804 WILL STAY WITH ITS USUAL PRIMETIME LINEUP. 43 00:03:24,871 --> 00:03:30,677 WELL, THAT'S ACTUALLY GOOD. NO, IT'S ACTUALLY GOOD. 44 00:03:30,743 --> 00:03:33,313 WE'LL HEAR DIRECTLY FROM THE PEOPLE WHO PLANNED THE COU 45 00:03:33,379 --> 00:03:38,418 ( CHEERS AND APPLAUSE ) TWEETS. 46 00:03:38,484 --> 00:03:42,422 WE'RE LEARNING MORE ABOUT WHAT TO EXPECT FROM THE HEARINGS, 47 00:03:42,488 --> 00:03:49,796 THIS THURSDAY, THANKS TO MARYLAND REPRESENTATIVE AND MAN 48 00:03:49,862 --> 00:03:51,898 IN THE DENTIST'S WAITING ROOM REALIZING EVERYONE FORGOT ABOUT 49 00:03:51,965 --> 00:03:57,804 HIM AND WENT HOME, JAMIE RASKIN. ( CHEERS AND APPLAUSE ) 50 00:03:57,870 --> 00:04:00,707 SPELL A LOT OF TROUBLE FOR FORMER PRESIDENT FRAUD-O 51 00:04:00,773 --> 00:04:04,477 BAGGINS. ( LAUGHTER ) 52 00:04:04,544 --> 00:04:11,951 FIRE UP THAT MOB AND TELL THEM TO MARCH ON THE CAPITOL BUT 53 00:04:12,018 --> 00:04:13,987 RASKIN SAYS THERE'S MORE TO THE STORY. 54 00:04:14,053 --> 00:04:16,856 >> THE SELECT COMMITTEE HAS FOUND EVIDENCE ABOUT A LOT MORE 55 00:04:16,923 --> 00:04:19,959 THAN INCITEMENT HERE. >> Stephen: OOH, THAT IS 56 00:04:20,026 --> 00:04:24,330 TANTALIZINGLY VAGUE. ( LAUGHTER ) 57 00:04:24,397 --> 00:04:25,898 TITLE OF BREAKING BAD: "ABOUT A LOT MORE THAN 58 00:04:25,965 --> 00:04:29,702 CHEMISTRY." ( LAUGHTER ) 59 00:04:29,769 --> 00:04:36,843 PRESIDENT'S PLAN TO OVERTHROW THE LEGITIMATE RESULTS 60 00:04:36,909 --> 00:04:39,212 OF A FREE AND FAIR ELECTION WAS TO GO TO THE SEVEN BATTLEGROUND 61 00:04:39,278 --> 00:04:42,615 STATES HE LOST AND JUST MAKE UP ALTERNATE SLATES OF ELECTORS WHO 62 00:04:42,682 --> 00:04:44,617 WOULD CLAIM HE HAD WON THEIR STATE. 63 00:04:44,684 --> 00:04:47,787 WHY STOP THERE? WHY NOT JUST BRING IN A FAKE 64 00:04:47,854 --> 00:04:52,725 MIKE PENCE? YOU COULD BORROW MINE. 65 00:04:52,792 --> 00:05:07,674 ( CHEERS AND APPLAUSE ) SO LIFELIKE. 66 00:05:07,740 --> 00:05:11,177 ( CHEERS AND APPLAUSE ) SO LIFELIKE. 67 00:05:11,244 --> 00:05:14,247 YESTERDAY, WE LEARNED THE JUSTICE DEPARTMENT HAS 68 00:05:14,313 --> 00:05:18,451 DISCOVERED AN EMAIL FROM THE FORMER PRESIDENT'S CAMPAIGN IN 69 00:05:18,518 --> 00:05:21,187 GEORGIA URGING FAKE ELECTORS THERE TO USE, "COMPLETE 70 00:05:21,254 --> 00:05:24,590 SECRECY." NEVER A SIGN YOU'RE PROUD OF 71 00:05:24,657 --> 00:05:28,127 YOUR ACTIONS: "HERE'S MY RESUME. 72 00:05:28,194 --> 00:05:31,364 TELL NO ONE." ( LAUGHTER ) 73 00:05:31,431 --> 00:05:32,999 THE MAN-- ( APPLAUSE ) 74 00:05:33,066 --> 00:05:41,541 ♪ ♪ ♪ THE MAN BEHIND THAT EMAIL WAS 75 00:05:41,607 --> 00:05:44,777 THE FORMER PRESIDENT'S ELECTION-DAY HEAD OF OPERATIONS 76 00:05:44,844 --> 00:05:47,814 IN GEORGIA. WHAT WAS HIS NAME AGAIN? 77 00:05:47,880 --> 00:05:49,382 OH, YEAH, ROBERT SINNERS. FINALLY, A SIGN FROM GOD WHO THE 78 00:05:49,449 --> 00:05:57,557 BAD GUYS ARE. OTHER PEOPLE ON THE EMAIL CHAIN 79 00:05:57,623 --> 00:06:00,727 WERE HIS COWORKERS, SONNY O'SATAN, IMA JAGOFF, AND JOHNNY 80 00:06:00,793 --> 00:06:06,199 DEPP. ( CHEERS AND APPLAUSE ) 81 00:06:06,265 --> 00:06:08,234 >> Stephen: THERE YOU GO. THERE YOU GO. 82 00:06:08,301 --> 00:06:11,304 YOU'VE BEEN WATCHING? >> Jon: I'VE BEEN WATCHING. 83 00:06:11,370 --> 00:06:18,911 A LOT HAPPENING. >> Stephen: SOME COUP PLOTTERS 84 00:06:18,978 --> 00:06:21,114 ARE ACTUALLY FACING SERIOUS CONSEQUENCES, BECAUSE YESTERDAY, 85 00:06:21,180 --> 00:06:23,950 FIVE MEMBERS OF THE PROUD BOYS WERE INDICTED FOR SEDITION IN 86 00:06:24,016 --> 00:06:30,389 THE CAPITOL ATTACK, WHICH CARRIES A MAXIMUM SENTENCE OF 20 87 00:06:30,456 --> 00:06:35,895 YEARS IN PRISON. I GOT TO TELL YOU, 88 00:06:35,962 --> 00:06:37,597 SEEING THOSE GUYS ARRESTED ( CHOKING UP ) 89 00:06:37,663 --> 00:06:50,076 ( CHEERS AND APPLAUSE ) MMMM! 90 00:06:50,143 --> 00:06:54,347 NOW, IF YOU'RE NOT FAMILIAR WITH THE PROUD BOYS-- THAT SOUNDS 91 00:06:54,413 --> 00:06:59,919 LOVELY. BUT AS A REFRESHER, THEY'RE 92 00:06:59,986 --> 00:07:01,621 A FAR-RIGHT, ANTI-IMMIGRANT, ALL-MALE GROUP WHO TAKE THEIR 93 00:07:01,687 --> 00:07:02,989 NAME FROM AN OBSCURE SHOW TUNE FROM THE DISNEY MUSICAL 94 00:07:03,055 --> 00:07:05,958 "ALADDIN" ENTITLED "PROUD OF YOUR BOY." 95 00:07:06,025 --> 00:07:11,798 IT WAS ACTUALLY THEIR SECOND DISNEY SONG CHOICE. 96 00:07:11,864 --> 00:07:13,432 ORIGINALLY, THEY WERE THE SUPERCALIFRAGILISTICEXPIALI- 97 00:07:13,499 --> 00:07:16,469 DOUCHEBAGS. ( CHEERS AND APPLAUSE ) 98 00:07:16,536 --> 00:07:30,616 >> Jon: AAAHHH! AAAHH! 99 00:07:30,683 --> 00:07:31,818 >> Stephen: THE PROUD BOYS HAVE A LOT OF STRANGE RULES, LIKE 100 00:07:31,884 --> 00:07:33,953 THIS ONE: "NO HETEROSEXUAL BROTHER OF THE 101 00:07:34,020 --> 00:07:38,191 FRATERNITY SHALL MASTURBATE MORE THAN ONE TIME IN ANY CALENDAR 102 00:07:38,257 --> 00:07:45,131 MONTH." THAT'S GONNA MAKE THOSE 20 YEARS 103 00:07:45,198 --> 00:07:48,534 IN PRISON SEEM PRETTY LONG. BUT I DO-- 104 00:07:48,601 --> 00:07:58,945 ( APPLAUSE ) ANGRY. 105 00:07:59,011 --> 00:08:01,814 I DON'T GET-- WE WERE TALKING ABOUT THIS BEFORE-- I DON'T GET 106 00:08:01,881 --> 00:08:04,517 ONCE A MONTH. I GET NONE, THAT MAKES SENSE. 107 00:08:04,584 --> 00:08:08,955 BUT ONCE A MONTH? AS A TREAT, YOU KNOW. 108 00:08:09,021 --> 00:08:11,524 THE PROUD BOYS ARE GOING TO BE PROMINENTLY FEATURED DURING THE 109 00:08:11,591 --> 00:08:14,460 LIVE HEARINGS ON THURSDAY, BECAUSE THE COMMITTEE INTENDS TO 110 00:08:14,527 --> 00:08:22,301 PRESENT LIVE TESTIMONY FROM A BRITISH DOCUMENTARIAN WHO WAS 111 00:08:22,368 --> 00:08:23,870 FILMING THE GROUP, WITH THEIR PERMISSION, DURING THE RIOT. 112 00:08:23,936 --> 00:08:25,972 WHY DO YOU LET A FILM CREW FOLLOW YOU WHILE YOU COMMIT 113 00:08:26,038 --> 00:08:28,741 TREASON? WELL, SAME REASON BENEDICT 114 00:08:28,808 --> 00:08:30,142 ARNOLD COMMISSIONED THAT PAINTING OF HIM HANDING OVER THE 115 00:08:30,209 --> 00:08:34,881 PLANS. ACROSS THE POND-- 116 00:08:34,947 --> 00:08:41,287 ( APPLAUSE ) OF BENEDICT ARNOLD, 117 00:08:41,354 --> 00:08:43,089 ACROSS THE POND, THERE'S NEWS ABOUT BRITISH PRIME MINISTER AND 118 00:08:43,155 --> 00:08:45,491 HAUNTED BOSS BABY, BORIS JOHNSON. 119 00:08:45,558 --> 00:08:49,295 BOJO'S BEEN IN TROUBLE EVER SINCE IT CAME OUT THAT DURING 120 00:08:49,362 --> 00:08:52,598 THE PANDEMIC, HE THREW MULTIPLE BOOZEY PARTIES IN VIOLATION OF 121 00:08:52,665 --> 00:08:55,635 HIS OWN COVID LOCKDOWN. IT'S THE BIGGEST PRIME MINISTER 122 00:08:55,701 --> 00:08:58,237 SCANDAL SINCE WORLD WAR II, WHEN THE PRESS DISCOVERED THAT, 123 00:08:58,304 --> 00:09:02,041 SOMETIMES, CHURCHILL WASN'T DRUNK. 124 00:09:02,108 --> 00:09:06,913 ( LAUGHTER ) WITH JOHNSON, ESPECIALLY NOT 125 00:09:06,979 --> 00:09:12,451 YOUR AVERAGE JOE 6-PINT. RIGHT NOW, BORIS'S APPROVAL 126 00:09:12,518 --> 00:09:15,821 RATING IS DOWN TO 29%. OF COURSE, THAT'S 29% IN METRIC, 127 00:09:15,888 --> 00:09:23,462 SO TO CONVERT THAT TO IMPERIAL, WE HAVE TO MULTIPLY BY 9... 128 00:09:23,529 --> 00:09:28,401 PLUS OR MINUS 32... DIVIDED BY FIVE... 129 00:09:28,467 --> 00:09:35,875 PLUS OR MINUS 32... STILL BETTER THAN BIDEN. 130 00:09:35,942 --> 00:09:40,613 ( LAUGHTER ) OOOH! 131 00:09:40,680 --> 00:09:42,782 >> Stephen: HEY! READ A NEWSPAPER. 132 00:09:42,848 --> 00:09:48,888 ( LAUGHTER ) LOW POINT YESTERDAY WHEN THE 133 00:09:48,955 --> 00:09:52,892 BRITISH PARLIAMENT HELD A "NO CONFIDENCE" VOTE TO REMOVE HIM 134 00:09:52,959 --> 00:09:56,762 FROM OFFICE, A VOTE HE SURVIVED. WELL, OF COURSE HE DID! 135 00:09:56,829 --> 00:10:03,002 JUST LOOK AT HIM. THE MAN IS OBVIOUSLY A 136 00:10:03,069 --> 00:10:06,138 SURVIVOR OF MULTIPLE SHIPWRECKS. NOW AFTER-- 137 00:10:06,205 --> 00:10:10,977 ( CHEERS AND APPLAUSE ) >> Stephen: THANK YOU, LOUIS. 138 00:10:11,043 --> 00:10:13,813 BACK AT YOU. BACK AT YOU. 139 00:10:13,879 --> 00:10:16,048 AFTER BARELY HOLDING ONTO HIS JOB, JOHNSON STILL FELT 140 00:10:16,115 --> 00:10:20,553 ABSOLUTELY TICKETY-BOO. >> I THINK THIS IS A VERY GOOD 141 00:10:20,619 --> 00:10:25,925 RESULT FOR POLITICS AND FOR THE COUNTRY. 142 00:10:25,992 --> 00:10:29,962 WHAT IT MEANS IS THAT AS A GOVERNMENT, WE CAN MOVE ON AND 143 00:10:30,029 --> 00:10:33,099 FOCUS ON THE STUFF THAT I THINK REALLY MATTERS TO PEOPLE. 144 00:10:33,165 --> 00:10:41,273 >> Stephen: "THE STUFF THAT REALLY MATTERS TO PEOPLE, LIKE, 145 00:10:41,340 --> 00:10:43,709 AM I A HUMAN MAN OR SOME SORT OF GRIZZLED MUPPET, PART OF 146 00:10:43,776 --> 00:10:49,648 AN ELABORATE PRANK BY THE JIM HENSON CREATURE SHOP? 147 00:10:49,715 --> 00:10:52,585 I'VE NEVER SEEN ME FROM THE WAIST DOWN. 148 00:10:52,651 --> 00:10:54,920 OH, MY. OH, MY." 149 00:10:54,987 --> 00:10:58,891 ( APPLAUSE ) OPTIMISM LASTS, BECAUSE OTHER 150 00:10:58,958 --> 00:11:04,463 PRIME MINISTERS, LIKE THERESA MAY AND MARGARET THATCHER, ALSO 151 00:11:04,530 --> 00:11:06,032 WON NO-CONFIDENCE VOTES, ONLY TO RESIGN SHORTLY THEREAFTER. 152 00:11:06,098 --> 00:11:09,869 AT BEST, RIGHT NOW, JOHNSON STANDS ON THE PRECIPICE OF A 153 00:11:09,935 --> 00:11:14,073 DIVIDED CONSERVATIVE PARTY, TO WHICH JOHNSON SAID, "PARTY?? 154 00:11:14,140 --> 00:11:16,642 WHERE? APPLETINIS ON ME!" 155 00:11:16,709 --> 00:11:27,586 ( APPLAUSE ) THROUGH SOME POST-PANDEMIC 156 00:11:27,653 --> 00:11:29,021 WEIRDNESS, AND THAT MEANS MORE SHORTAGES. 157 00:11:29,088 --> 00:11:31,891 AND THIS SUMMER COULD BRING A BIG ONE, BECAUSE WE ARE FACING A 158 00:11:31,957 --> 00:11:35,661 LIFEGUARD SHORTAGE. AND JUST TO BE SAFE, I'VE SPENT 159 00:11:35,728 --> 00:11:38,197 THE LAST TWO YEARS TURNING MY BODY INTO A FLOATATION DEVICE. 160 00:11:38,264 --> 00:11:43,969 ( LAUGHTER ) THIRD OF PUBLIC POOLS 161 00:11:44,036 --> 00:11:46,505 NATIONWIDE, WITH SOME HAVING TO REDUCE HOURS OR CLOSE 162 00:11:46,572 --> 00:11:50,209 ALTOGETHER. OH, NO! 163 00:11:50,276 --> 00:11:54,346 NOW WHERE WILL KIDS MAKE CLASSIC SUMMER MEMORIES, LIKE GETTING 164 00:11:54,413 --> 00:11:56,515 PINK EYE AND ACCIDENTALLY SWALLOWING A BAND-AID? 165 00:11:56,582 --> 00:12:02,054 ( LAUGHTER ) ACCORDING TO AN OFFICIAL AT THE 166 00:12:02,121 --> 00:12:08,494 LAS VEGAS ASSOCIATION, WE WILL HAVE A LAS VEGAS SHORTAGE NEXT 167 00:12:08,561 --> 00:12:10,296 YEAR. IT'S GOING TO TAKE YEARS TO GET 168 00:12:10,362 --> 00:12:12,364 OUT OF THIS. I'M NOT SURPRISED. 169 00:12:12,431 --> 00:12:16,168 LAS VEGASES FAMOUSLY TRAVEL ONLY IN SLOW MOTION. 170 00:12:16,235 --> 00:12:23,642 NOW, IT'S NOT JUST... ( APPLAUSE ) 171 00:12:23,709 --> 00:12:30,416 PEOPLE. IT'S ALSO SHORTAGES OF STUFF 172 00:12:30,483 --> 00:12:35,754 PEOPLE USE, BECAUSE, APPARENTLY, THE UNITED STATES IS 173 00:12:35,821 --> 00:12:45,865 EXPERIENCING A TAMPON SHORTAGE. ON AMAZON ONE BOX OF 18 TAMPAX 174 00:12:45,931 --> 00:12:47,900 LISTED AS $114. THAT IS AWFUL. 175 00:12:47,967 --> 00:12:51,537 I HAVE A SUGGESTION WHERE THOSE COMPANIES CAN STICK THEIR PRICE 176 00:12:51,604 --> 00:12:59,378 GOUGING. AND THEY MIGHT GET TOXIC SHOCK. 177 00:12:59,445 --> 00:13:01,981 ( APPLAUSE ) RUINING YOUR JEANS. 178 00:13:02,047 --> 00:13:05,451 IT'S ALSO RUINING YOUR FUN, BECAUSE THERE'S A HELIUM 179 00:13:05,518 --> 00:13:09,121 SHORTAGE IMPACTING PROM AND GRADUATION PARTIES. 180 00:13:09,188 --> 00:13:10,289 A HELIUM SHORTAGE? I HAVE ONLY ONE THING TO 181 00:13:10,356 --> 00:13:18,631 SAY TO THAT. ( IN HIGH VOICE ) 182 00:13:18,697 --> 00:13:24,036 PROM, KIDS, BUT IT WAS IMPORTANT FOR ME TO TALK FUNNY 183 00:13:24,103 --> 00:13:26,972 ON TV. WE'VE GOT A GREAT SHOW FOR YOU 184 00:13:27,039 --> 00:13:28,307 TONIGHT. MY GUESTS ARE ROBERT DE NIRO 185 00:13:28,374 --> 00:13:29,275 AND ROSIE PEREZ. BUT WHEN WE COME BACK, 186 00:13:29,341 --> 00:13:33,679 "MEANWHILE"! STICK AROUND, WON'T YOU. 187 00:14:20,626 --> 00:14:27,600 ( APPLAUSE ) STAY HUMAN, EVERYBODY! 188 00:14:27,666 --> 00:14:31,837 >> Jon: HELLO. >> Stephen: HELLO, FRIENDS. 189 00:14:31,904 --> 00:14:39,878 OH, MY GOODNESS. SO, WE'VE GOT TWO EXTRAORDINARY 190 00:14:39,945 --> 00:14:42,781 GUESTS TONIGHT. THE LOVELY, THE TALENTED, ROSIE 191 00:14:42,848 --> 00:14:44,717 PEREZ IS GOING TO BE HERE TONIGHT. 192 00:14:44,783 --> 00:14:49,722 >> Jon: YES. >> Stephen: AND A FRIEND OF 193 00:14:49,788 --> 00:14:54,893 THE SHOW, BOBBY D., TOUGH GUY HIMSELF, ROBERT De NIRO WILL 194 00:14:54,960 --> 00:14:56,395 BE OVER HERE TONIGHT. A GIANT. 195 00:14:56,462 --> 00:15:01,934 >> Jon: A LEGEND, A LIVING LEGEND. 196 00:15:02,001 --> 00:15:03,202 >> Stephen: YOU KNOW, FOLKS, I SPEND MOST OF MY TIME, RIGHT 197 00:15:03,269 --> 00:15:06,438 OVER THERE, PORING OVER THE DAY'S BIGGEST STORIES, 198 00:15:06,505 --> 00:15:08,140 COLLECTING THE FINEST, MOST-TOPICAL NEWS CALFSKINS AND 199 00:15:08,207 --> 00:15:09,908 PAINSTAKINGLY WASHING THEM IN A CALCIUM HYDROXIDE SOLUTION, THEN 200 00:15:09,975 --> 00:15:13,245 SOAKING THEM IN LIME FOR DAYS TO REMOVE ALL NARRATIVE IMPURITIES 201 00:15:13,312 --> 00:15:15,748 AND CREATE A PALE VELLUM THAT I LATER PLACE ON MY SCRIPTORIUM IN 202 00:15:15,814 --> 00:15:18,384 A MONASTERY ON THE CLIFFS OF DOVER. 203 00:15:18,450 --> 00:15:22,821 THERE, USING A PEN CUT FROM THE WING FEATHER OF A SWAN ON THE 204 00:15:22,888 --> 00:15:26,859 RIVER AVON, I DESIGN COPTIC AND SYRIAC ILLUSTRATIONS, ADORNED 205 00:15:26,925 --> 00:15:35,100 WITH WHIMSICAL CELTIC SPIRALS AND USE GERMANIC ZOOMORPHIC 206 00:15:35,167 --> 00:15:37,136 DESIGNS TO CREATE THE MARGINALIA SURROUNDING PAGES OF ELEGANT 207 00:15:37,202 --> 00:15:41,173 HALF-UNSIAL INSULAR SCRIPT THAT TELL THE HOLIEST OF STORIES, 208 00:15:41,240 --> 00:15:43,976 WHICH I THEN BIND WITH GOLDEN THREAD UNDER A PROTECTIVE CASE 209 00:15:44,043 --> 00:15:46,779 OF CARVED OAK TO CREATE FOR YOU THE GLORIOUS LATE 210 00:15:46,845 --> 00:15:53,986 ANGLO-SAXON PERIOD ILLUMINATED MANUSCRIPT THAT IS MY MONOLOGUE. 211 00:15:54,053 --> 00:15:56,855 BUT SOMETIMES, FOLKS, SOMETIMES, ( CHEERS AND APPLAUSE ) 212 00:15:56,922 --> 00:16:06,565 THEY DONE. BUT SOMETIMES, FOLKS, 213 00:16:06,632 --> 00:16:07,933 I COME TO UNDER A RAMP IN THE MIDDLE OF A DEMOLITION DERBY, 214 00:16:08,000 --> 00:16:09,501 HOTWIRE THE TRUCKASAURUS AND LEAD THE POLICE ON A CHASE 215 00:16:09,568 --> 00:16:12,538 BEFORE CRASHING INTO A SWAMP GATHERING JUST AS, WHAT I ASSUME 216 00:16:12,604 --> 00:16:14,773 IS A PRIEST SAYS, "YOU MAY KISS THE BRIDE," RIP A LEECH OFF MY 217 00:16:14,840 --> 00:16:17,609 ASS, AND USE IT TO HASTILY DOODLE A SKETCH OF THE SCENE IN 218 00:16:17,676 --> 00:16:21,313 MY OWN BLOOD ON AN OLD DAVE AND BUSTERS RECEIPT, THEN STAGGER 219 00:16:21,380 --> 00:16:23,549 TOWARD THE HAPPY COUPLE CLUTCHING THE NIGHTMARE 220 00:16:23,615 --> 00:16:26,352 STALKER'S WEDDING ALBUM OF NEWS THAT IS MY SEGMENT: 221 00:16:26,418 --> 00:16:32,758 MEANWHILE! ( CHEERS AND APPLAUSE ) 222 00:16:32,825 --> 00:16:43,302 HARBOR, BUT ALWAYS SAILS STRONG. MEANWHILE, A POPCORN SHORTAGE IS 223 00:16:43,369 --> 00:16:45,938 LOOMING AS MOVIE THEATER ATTENDANCE PICKS UP. 224 00:16:46,004 --> 00:16:50,275 POPCORN SUPPLIES ARE SO TIGHT RIGHT NOW THAT MOVIE THEATERS 225 00:16:50,342 --> 00:16:51,643 MAY NO LONGER BE ABLE TO OFFER POPCORN IN LARGE, EXTRA LARGE, 226 00:16:51,710 --> 00:16:56,548 AND DUMPSTER. ( LAUGHTER ) 227 00:16:56,615 --> 00:16:59,618 REMEMBER HOW "MORBIUS" WAS THE BIGGEST BOX OFFICE DISASTER OF 228 00:16:59,685 --> 00:17:04,356 THE YEAR? I THINK "MORBIOUS" IS HERE THIS 229 00:17:04,423 --> 00:17:10,129 EVENING. ( CHEERS AND APPLAUSE ) 230 00:17:10,195 --> 00:17:17,970 WELL, AFTER PEOPLE ON TWITTER STARTED SARCASTICALLY PRAISING 231 00:17:18,036 --> 00:17:19,571 THE MOVIE, SONY DECIDED TO RE-RELEASE IT IN THEATERS LAST 232 00:17:19,638 --> 00:17:23,041 WEEK, WHERE IT IMMEDIATELY BOMBED AGAIN, ONLY GROSSING 233 00:17:23,108 --> 00:17:31,016 $85,000 ON FRIDAY. I WOULD LOVE TO HEAR THAT PITCH: 234 00:17:31,083 --> 00:17:34,019 "OKAY, LIGHTNING BOLT IDEA-- HEAR ME OUT-- WHAT IF THE ENTIRE 235 00:17:34,086 --> 00:17:38,557 COUNTRY DIDN'T SEE THIS MOVIE... BUT TWICE!" 236 00:17:38,624 --> 00:17:43,061 MEANWHILE, IN MAN'S BEST FRIEND NEWS, A CHICAGO SUBURB PASSED A 237 00:17:43,128 --> 00:17:50,702 LAW LIMITING HOW MUCH DOGS CAN BARK, AND NOW OWNERS OF ANIMALS 238 00:17:50,769 --> 00:17:55,741 THAT ARE MAKING EXCESSIVE NOISE BETWEEN 7:00 A.M. AND 10:00 P.M. 239 00:17:55,808 --> 00:17:57,042 COULD RECEIVE A $100 TICKET. ESPECIALLY IF THAT EXCESSIVE 240 00:17:57,109 --> 00:17:59,144 NOISE COMES FROM YOUR DOG'S METAL BAND. 241 00:17:59,211 --> 00:18:07,453 ( LAUGHTER ) WORLD'S NUMBER-ONE PRODUCER OF 242 00:18:07,519 --> 00:18:09,655 ENNUI, A MAN IN A WIG WAS DETAINED AFTER THROWING A 243 00:18:09,721 --> 00:18:16,261 PIECE OF CAKE AT THE "MONA LISA." 244 00:18:16,328 --> 00:18:19,598 HE SMEARED CAKE ON THE GLASS AND THREW ROSES EVERYWHERE. 245 00:18:19,665 --> 00:18:25,137 SO HIS ACT OF VANDALISM WAS HURLING PATISSERIE AND FLOWERS? 246 00:18:25,204 --> 00:18:26,839 IS ALL CRIME IN FRANCE THIS FRENCH? 247 00:18:26,905 --> 00:18:29,575 ( AS FRENCH CRIMINAL ) BAGUETTE. 248 00:18:29,641 --> 00:18:31,777 NOBODY MOVES, AND NOBODY GETS BUTTERED." 249 00:18:31,844 --> 00:18:41,453 ( LAUGHTER ) SPARKED RETIREMENT RUMORS. 250 00:18:41,520 --> 00:18:43,188 OH, WE'VE SEEN THIS BEFORE. HE'LL SAY HE'S RETIRING, NEXT 251 00:18:43,255 --> 00:18:44,456 THING YOU KNOW, HE'S TAKING THE BUCCANEERS TO THE SUPER 252 00:18:44,523 --> 00:18:47,125 BOWL. ( LAUGHTER ) 253 00:18:47,192 --> 00:18:59,004 MEANWHILE, THANKS TO HIS SALARY, ENDORSEMENTS, AND VARIOUS 254 00:18:59,071 --> 00:19:03,442 BUSINESS DEALS, LEBRON JAMES IS NOW A BILLIONAIRE. 255 00:19:03,509 --> 00:19:07,212 GREAT, YET ANOTHER BILLIONAIRE WITH A POINTLESS, MONEY-LOSING 256 00:19:07,279 --> 00:19:10,249 SPACE PROGRAM. WE'LL BE RIGHT BACK WITH 257 00:19:10,315 --> 00:19:11,550 ROBERT De NIRO. ♪ ♪ ♪ 258 00:19:27,666 --> 00:19:36,341 ( APPLAUSE ) THANK YOU, LADIES AND GENTLEMEN. 259 00:19:36,408 --> 00:19:38,644 WELCOME BACK TO "THE LATE SHOW," EVERYBODY. 260 00:19:38,710 --> 00:19:43,015 FOLKS, MY FIRST GUEST IS A TWO-TIME ACADEMY AWARD WINNER 261 00:19:43,081 --> 00:19:46,652 AND ONE OF THE FOUNDERS OF THE TRIBECA FILM FESTIVAL, WHICH 262 00:19:46,718 --> 00:19:49,821 RETURNS TOMORROW FOR ITS 21st YEAR. 263 00:19:49,888 --> 00:19:54,226 PLEASE WELCOME BACK TO "THE LATE SHOW," ROBERT DE NIRO! 264 00:19:54,293 --> 00:20:09,174 ( CHEERS AND APPLAUSE ) ( CHEERS AND APPLAUSE ) 265 00:20:09,241 --> 00:20:20,285 ( CHEERS AND APPLAUSE ) ( CHEERS AND APPLAUSE ) 266 00:20:20,352 --> 00:20:26,158 >> Stephen: IT IS-- IT IS SO NICE TO HAVE YOU BACK. 267 00:20:26,224 --> 00:20:29,027 YOU REALLY CLASS UP A PLACE. >> WELL, THAT'S VERY-- VERY NICE 268 00:20:29,094 --> 00:20:31,897 OF YOU. >> Stephen: I'M A VERY NICE 269 00:20:31,964 --> 00:20:32,698 PERSON. >> YOU ARE. 270 00:20:32,764 --> 00:20:33,932 >> Stephen: THANK YOU. >> YOU ARE. 271 00:20:33,999 --> 00:20:36,702 >> Stephen: YOU EVIDENTLY JUST NOTICED THAT I'M A NICE PERSON. 272 00:20:36,768 --> 00:20:39,271 >> NO, I'VE KNOWN THAT FOR A WHILE. 273 00:20:39,338 --> 00:20:41,773 I'VE ALWAYS LIKED YOU. >> Stephen: HOW HAVE YOU BEEN? 274 00:20:41,840 --> 00:20:43,809 I HAVEN'T TALKED TO YOU IN PERSON. 275 00:20:43,875 --> 00:20:47,713 YOU WERE ON COVID OVER ZOOM, BUT I HAVEN'T SEEN YOU IN PERSON IN 276 00:20:47,779 --> 00:20:49,481 A COUPLE OF YEARS. HOW ARE YOU HOLDING TOGETHER? 277 00:20:49,548 --> 00:20:52,551 >> EVERYTHING IS MOVING ALONG. IT'S REALLY NICE THAT IT'S 278 00:20:52,618 --> 00:20:55,921 OVER-- NOT OVER, HOPEFULLY IT'S GETTING-- BECOMING OVER. 279 00:20:55,988 --> 00:20:58,624 >> Stephen: YEAH, YEAH, WE'VE BEEN FOOLED COUPLE OF TIMES 280 00:20:58,690 --> 00:21:01,360 BEFORE, YEAH. WHAT ABOUT-- I KNOW YOU HAVE A 281 00:21:01,426 --> 00:21:04,262 FAIR AMOUNT OF-- YOU HAVE EMOTIONS ABOUT POLITICS. 282 00:21:04,329 --> 00:21:06,932 YOU HAVE THOUGHTS, OF COURSE, FIRST. 283 00:21:06,999 --> 00:21:09,434 THOSE STIR EMOTIONS. I KNOW YOU HAVE SOME ANXIETY 284 00:21:09,501 --> 00:21:11,570 ABOUT THE STATE OF POLITICS IN THE UNITED STATES. 285 00:21:11,637 --> 00:21:15,440 HAVING A NEW GUY AT 1600 PENNSYLVANIA AVENUE, DO YOU 286 00:21:15,507 --> 00:21:16,775 SLEEP ANY BETTER AT NIGHT? >> YES. 287 00:21:16,842 --> 00:21:27,753 ( LAUGHTER ) HE'S-- YOU KNOW, HE GOT US INTO 288 00:21:27,819 --> 00:21:29,721 CALM WATERS. THAT WAS ALWAYS THE IDEA. 289 00:21:29,788 --> 00:21:32,924 >> Stephen: YEAH, YEAH. >> HE'S DOING A VERY GOOD JOB. 290 00:21:32,991 --> 00:21:37,763 IT'S A TOUGH ONE. I COULDN'T IMAGINE-- I CAN 291 00:21:37,829 --> 00:21:40,599 IMAGINE HOW DIFFICULT IT IS. I HAVE DECISIONIN MY OWN 292 00:21:40,666 --> 00:21:43,902 PERSONAL LIFE, BUT I IMAGINE WHAT HE GOES THROUGH IS 100 293 00:21:43,969 --> 00:21:46,872 TIMES THAT. AND SO-- NO, HE'S DOING THE BEST 294 00:21:46,938 --> 00:21:51,877 HE CAN, AND WE'VE GOT TO GET THROUGH A BAD PERIOD, PERIOD. 295 00:21:51,943 --> 00:21:54,112 >> Stephen: YEAH, YEAH. IT'S GRADUATION SEASON. 296 00:21:54,179 --> 00:21:58,116 ONE THING YOU AND I HAVE HAD IN COMMON, WE'VE DONE A COUPLE OF 297 00:21:58,183 --> 00:22:00,886 GRADUATION, COMMENCEMENT ADDRESSES OVER THE YEARS. 298 00:22:00,952 --> 00:22:03,121 >> YES. >> Stephen: WHAT ADVICE DO YOU 299 00:22:03,188 --> 00:22:05,090 LIKE TO GIVE? I GAVE SOME ADVICE TONIGHT. 300 00:22:05,157 --> 00:22:07,192 I JUST TOLD A YOUNG LADY OVER HERE. 301 00:22:07,259 --> 00:22:09,561 I SAID, "DON'T WORRY. IT'S NOT GOING TO HELP." 302 00:22:09,628 --> 00:22:13,665 AND I'M CURIOUS-- WHAT KIND OF ADVICE WOULD YOU TO HAVE GOTTEN? 303 00:22:13,732 --> 00:22:16,768 >> I THINK I GOT-- YOU CAN'T GIVE ADVICE REALLY AT THE END OF 304 00:22:16,835 --> 00:22:19,071 THE DAY. YOU'RE OUT THERE ON YOUR OWN. 305 00:22:19,137 --> 00:22:20,806 AND I GUESS -- >> Stephen: THAT'S THE ADVICE? 306 00:22:20,872 --> 00:22:26,745 ( LAUGHTER ) "GOOD LUCK!" 307 00:22:26,812 --> 00:22:31,216 >> I TELL ANY ACTOR, AND I TELL MY OWN KIDS, IF YOU'RE READING 308 00:22:31,283 --> 00:22:33,452 FOR SOMETHING, JUST ASSUME YOU'RE NOT GOING TO GET THE 309 00:22:33,518 --> 00:22:36,755 PART, AND THAT WILL FREE YOU. IF ANYTHING, IT WILL FREELY YOU 310 00:22:36,822 --> 00:22:40,625 TO MAKE A BOLDER CHOICE MAYBE. AND WHAL HAPPEN, IT'S MORE 311 00:22:40,692 --> 00:22:44,062 IMPORTANT THAN EVEN THE DIRECTOR WATCHING YOU DO THE READING, 312 00:22:44,129 --> 00:22:47,032 IT'S THE CASTING DIRECTOR, BECAUSE THEY-- THEY WORK WITH 313 00:22:47,099 --> 00:22:49,935 DIRECTORS ALL THE TIME. SO IF THEY SEE YOU DO SOMETHING 314 00:22:50,001 --> 00:22:54,473 THAT'S KIND OF INTERESTING AND BOLD, THEY'LL TELL THE DIRECTOR 315 00:22:54,539 --> 00:22:58,643 OF ANOTHER PROJECT THEY'RE WORKING ON. 316 00:22:58,710 --> 00:23:02,380 "WELL, MAYBE THIS ACTOR IS NOT QUITE WHAT YOU'RE LOOKING FOR. 317 00:23:02,447 --> 00:23:04,516 THEY'RE INTERESTING AND YOU SHOULD MEET THEM." 318 00:23:04,583 --> 00:23:07,085 YOU NEVER KNOW WHAT'S GOING TO HAPPEN. 319 00:23:07,152 --> 00:23:09,287 >> Stephen: HE HAS AN INTERESTING QUALITY, THIS ACTOR, 320 00:23:09,354 --> 00:23:13,358 WHERE HE DOESN'T THINK HE'S EVER GOING TO HAVE ANYTHING GOOD 321 00:23:13,425 --> 00:23:14,593 HAPPEN FOR HIM. >> THAT'S RIGHT. 322 00:23:14,659 --> 00:23:18,296 >> Stephen: DID YOU EVER GO IN AS A YOUNG ACTOR GO IN AND SAY, 323 00:23:18,363 --> 00:23:22,534 "I'M NOT GOING TO GET THIS"? >> NO, IT'S NOT EASY BUT YOU DO 324 00:23:22,601 --> 00:23:24,336 ASSUME YOU'RE NOT GOING TO GET IT. 325 00:23:24,402 --> 00:23:27,205 I'VE READ FOR THINGS OVER AND OVER AND OVER AGAIN, AND I'VE 326 00:23:27,272 --> 00:23:31,910 DONE IT EVERY WHICH WAY TO THE POINT ABSURDITY. 327 00:23:31,977 --> 00:23:35,080 AND AT THE END OF THE DAY, THEY JUST WANTED SOMEBODY-- I WASN'T 328 00:23:35,147 --> 00:23:38,083 QUITE RIGHT NO MATTER HOW YOU SLICED IT, SO THEY GOT SOMEBODY 329 00:23:38,150 --> 00:23:41,019 WITH A NAME VALUE, AND THAT'S UNDERSTANDABLE. 330 00:23:41,086 --> 00:23:42,687 >> Stephen: ROBERT De NIRO, DOESN'T HAVE-- 331 00:23:42,754 --> 00:23:46,424 >> NOT THEN. WHEN I WAS IN MY EARLY 20. 332 00:23:46,491 --> 00:23:47,626 >> Stephen: YOUNG ROBERT De NIRO. 333 00:23:47,692 --> 00:23:50,195 I DON'T KNOW IF YOU HAD THIS EXPERIENCE, WHEN I WAS YOUNGER 334 00:23:50,262 --> 00:23:53,965 AND A STRUGGLING ACTOR TRYING TO REALLY BE AN ACTOR, AS OPPOSED 335 00:23:54,032 --> 00:23:55,667 TO WHATEVER THIS IS. ( LAUGHTER ) 336 00:23:55,734 --> 00:24:00,438 THIS IS. IS THAT I ALWAYS FELT WHEN I WAS 337 00:24:00,505 --> 00:24:02,340 WORKING, OF COURSE I'M GOING TO KEEP WORKING. 338 00:24:02,407 --> 00:24:06,812 I'M AN ACT OF A WORKING ACTOR. BUT THE MINUTE I WASN'T WORKING, 339 00:24:06,878 --> 00:24:08,146 "I'LL NEVER WORK AGAIN. THE. 340 00:24:08,213 --> 00:24:09,347 THAT WAS THE FEELING. THAT WAS THE ANXIETY. 341 00:24:09,414 --> 00:24:12,050 >> I DON'T KNOW WHY I DIDN'T HAVE THAT FEELING. 342 00:24:12,117 --> 00:24:14,152 I MEAN, I JUST DIDN'T. ( LAUGHTER ). 343 00:24:14,219 --> 00:24:18,423 THE FEELING YOU DIDN'T HAVE A LOT OF FEELINGS. 344 00:24:18,490 --> 00:24:23,395 >> I DIDN'T HAVE ANY FEELINGS. >> Stephen: YOU'RE DEAD 345 00:24:23,461 --> 00:24:24,863 INSIDE. >> I'M DEAD INSIDE. 346 00:24:24,930 --> 00:24:27,732 I WALKED THROUGH IT ALL. NO, YOU ALWAYS ARE LOOKING FOR 347 00:24:27,799 --> 00:24:31,136 THE NEXT THING, HOPING IT'S-- THE EXCITEMENT OF SOMETHING NEW 348 00:24:31,203 --> 00:24:34,105 COMING ALONG. NOT LIKE YOU HAD A JOB AND THEN 349 00:24:34,172 --> 00:24:37,609 ALL OF A SUDDEN "WHAT AM I GOING TO DO NEXT? 350 00:24:37,676 --> 00:24:39,911 I ALWAYS FELT VERY OPTIMISTIC. I DON'T KNOW WHY. 351 00:24:39,978 --> 00:24:42,547 I JUST DID. >> Stephen: WE HAVE TO TAKE A 352 00:24:42,614 --> 00:24:45,483 QUICK BREAK, BUT WHEN WE COME BACK, I WILL ASK ROBERT De 353 00:24:45,550 --> 00:24:51,957 NIRO ABOUT A REUNION OF THE CAST AND DIRECTOR OF "HEAT" AT THE 354 00:24:52,023 --> 00:24:54,259 TRIBECA FILM FESTIVAL. STICK AROUND. 355 00:25:06,738 --> 00:25:09,341 ( APPLAUSE ). WE'RE BACK WITH MR. ROBERT De 356 00:25:09,407 --> 00:25:13,011 NIRO. THE TRIBECA FILM FESTIVAL STARTS 357 00:25:13,078 --> 00:25:14,813 TOMORROW. CONGRATULATIONS, 21st 358 00:25:14,880 --> 00:25:22,787 SEASON. YOU FOUNDED IT IN 2002. 359 00:25:22,854 --> 00:25:26,625 DID YOU HAVE ANY SENSE THAT IT WOULD BECOME WHAT IT IS, A MAJOR 360 00:25:26,691 --> 00:25:29,961 FILM FESTIVAL? >> NO, WE JUST DID IT THAT YEAR. 361 00:25:30,028 --> 00:25:32,430 WE DIDN'T KNOW WHERE IT WAS GOING TO GO AFTER THAT, AND 362 00:25:32,497 --> 00:25:34,699 SLOWLY IT -- >> Stephen: THIS IS IN THE 363 00:25:34,766 --> 00:25:37,702 SHADOW OF 9/11, WHEN NOBODY IS GOING DOWNTOWN. 364 00:25:37,769 --> 00:25:42,674 >> WELL, THAT WAS THE IDEA, TO REVITALIZE DOWNTOWN, AND THAT 365 00:25:42,741 --> 00:25:45,744 WAS THE IDEA. AND THEN EACH YEAR, IT WOULD-- 366 00:25:45,810 --> 00:25:48,880 WE'D GET IT GOING AGAIN, AND PEOPLE WANTED TO COME. 367 00:25:48,947 --> 00:25:50,548 >> Stephen: WHAT ARE SOME OF THE HIGHLIGHTS THIS YEAR? 368 00:25:50,615 --> 00:25:55,353 >> WE'RE HAVING A "HEAT" REUNION TOWARD THE END OF THE FESTIVAL. 369 00:25:55,420 --> 00:26:02,193 >> Stephen: THIS I KNEW. YOU, MICHAEL MANN, AL PACINO. 370 00:26:02,260 --> 00:26:03,862 THERE'S THE FAMOUS SCENE RIGHT THERE. 371 00:26:03,929 --> 00:26:09,467 ( APPLAUSE ) >> YEAH. 372 00:26:09,534 --> 00:26:15,240 >> Stephen: YEAH. >> WE'RE-- I'M INTRODUCING AL 373 00:26:15,307 --> 00:26:20,278 PACINO FOR "GOD FATHER." THAT'S THE DAY BEFORE, I THINK. 374 00:26:20,345 --> 00:26:23,081 >> Stephen: WHAT DO YOU REMEMBER ABOUT MAKING "HEAT"? 375 00:26:23,148 --> 00:26:25,550 DO YOU MIND IF I ASK. THIS IS A CLASSIC. 376 00:26:25,617 --> 00:26:27,352 PEOPLE LOVE THIS MOVIE. WHAT DO YOU REMEMBER ABOUT 377 00:26:27,419 --> 00:26:29,821 MAKING THIS? >> WELL, IT WAS HARD WORK. 378 00:26:29,888 --> 00:26:37,162 A LOT OF WORK. MICHAEL MANN IS A GUY WHO REALLY 379 00:26:37,228 --> 00:26:42,400 IS A STICKLER FOR DETAIL AND CERTAIN THINGS. 380 00:26:42,467 --> 00:26:47,806 AND HE WOULD HAVE YOU DO THINGS MORE AND MORE THAN, SAY, THE 381 00:26:47,872 --> 00:26:52,243 NORMAL OR TYPICAL SITUATION. BUT YOU KNEW THAT SOMETHING WAS 382 00:26:52,310 --> 00:27:00,452 SPECIAL ABOUT WHY HE WAS DOINGp. IT CREATED A CERTAIN FEELING 383 00:27:00,518 --> 00:27:03,121 THAT, YOU KNOW, YOU KNEW IT WAS GOING TO BE SOMETHING. 384 00:27:03,188 --> 00:27:04,689 >> Stephen: HOW MANY TAKES ARE WE TALKING? 385 00:27:04,756 --> 00:27:08,994 >> 125. NO, I'M KIDDING 386 00:27:09,060 --> 00:27:11,830 ( LAUGHTER ). KUBRICK WOULD DO THAT. 387 00:27:11,896 --> 00:27:15,934 >> THAT, I HEARD. A NORMAL AMOUNT OF TAKES, BUT 388 00:27:16,001 --> 00:27:18,636 CERTAIN THINGS JUST VERY CAREFUL ABOUT HOW TO-- IT WAS ALL GOOD. 389 00:27:18,703 --> 00:27:22,173 IT WAS ALL AS IT SHOULD BE. >> Stephen: WHAT COUNT A 390 00:27:22,240 --> 00:27:25,143 DIRECTOR TO BE GIVING YOU AS AN ACTOR? 391 00:27:25,210 --> 00:27:26,878 SOME PEOPLE SAY JUST LET ME DO MY THING. 392 00:27:26,945 --> 00:27:31,349 >> WELL, THEY SHOULD-- THEY GIVE YOU WHAT YOU WANT. 393 00:27:31,416 --> 00:27:35,153 THEY'VE HIRED YOU, FIRST OF ALL, SO ALREADY, THEY KNOW WHAT YOU 394 00:27:35,220 --> 00:27:41,359 CAN BASICALLY GIVE THEM. AND THEN, YOU-- THEY LET YOU DO 395 00:27:41,426 --> 00:27:44,062 WHAT YOU DO. AND THEN THEY GUIDE YOU. 396 00:27:44,129 --> 00:27:47,432 IF YOU'RE A LITTLE OVER HERE, THEY PULL YOU OVER, OR THEY LET 397 00:27:47,499 --> 00:27:51,636 YOU GO OVER THERE AND THEY'LL JUST CUT IT OUT IN THE EDITING. 398 00:27:51,703 --> 00:27:53,972 THAT'S OKAY. SOMETIMES YOU SAY TO A DIRECTOR, 399 00:27:54,039 --> 00:27:58,610 "WELL, LOOK, I'LL DO IT THE WAY YOU WANT, AND LET ME JUST TRY 400 00:27:58,676 --> 00:28:01,780 THIS OR THAT." OR NOT SAY, "THE WAY YOU WANT." 401 00:28:01,846 --> 00:28:04,049 MOST DIRECTORS I WORK WITH ARE REALLY GOOD. 402 00:28:04,115 --> 00:28:06,885 THEY DON'T EVEN DO THAT. YOU DO IT A FEW WAYS AND THEN 403 00:28:06,951 --> 00:28:09,988 THEY DECIDE. I SAY, "YOU SEE WHAT REALLY 404 00:28:10,055 --> 00:28:12,157 WORKS ONCE YOU'RE IN THE EDITING." 405 00:28:12,223 --> 00:28:14,659 IT'S THAT SIMPLE. >> Stephen: IS THERE A COSTAR 406 00:28:14,726 --> 00:28:16,294 THAT YOU HAVE MOST ENJOYED WORKING WITH? 407 00:28:16,361 --> 00:28:19,330 >> I'LL TELL YOU WHO I ENJOYED WORKING WITH A LOT-- THERE ARE 408 00:28:19,397 --> 00:28:28,540 MANY, OF COURSE-- BUT I ENJOYED WORKING WITH MICHELLE PHIFFER A 409 00:28:28,606 --> 00:28:31,009 LOT, NOT THEY ENJOYED WORKING A LOT WITH HER. 410 00:28:31,076 --> 00:28:34,679 I ONLY WORKED DEVICE WITH HER. BUT I ENJOYED IT. 411 00:28:34,746 --> 00:28:37,315 SHE WAS TERRIFIC. >> Stephen: LET ME ASK YOU 412 00:28:37,382 --> 00:28:43,755 ABOUT RAY LIOTTA. YOU GUYS FROM THE CLASSIC 413 00:28:43,822 --> 00:28:45,890 "GOODFELLAS." IS IT TRUE YOU KIND OF PITCHED 414 00:28:45,957 --> 00:28:50,328 FOR HIM TO PLAY HENRY HILL THERE, THAT YOU KIND OF HAD TO-- 415 00:28:50,395 --> 00:28:54,966 NOT TALK SCORSESE INTO IT, BUT YOU WERE A REAL BOOSTER FOR HIM 416 00:28:55,033 --> 00:29:01,306 FOR THAT PART. >> I TOLD MARTY I SAW HIM IN THE 417 00:29:01,372 --> 00:29:03,741 JONATHAN DEMIFILM. >> Stephen: "SOMETHING WILD." 418 00:29:03,808 --> 00:29:07,312 >> I TOLD HIM THIS GUY YOU SHOULD LOOK AT. 419 00:29:07,378 --> 00:29:09,848 HOW MUCH INFLUENCE, I DON'T KNOW, BUT THAT'S WHAT I SAID. 420 00:29:09,914 --> 00:29:13,818 >> Stephen: WHAT MADEY YOU FEEL HE COULD PLAY THAT? 421 00:29:13,885 --> 00:29:17,188 >> HE HAD A GREAT QUALITY, IF YOU WILL. 422 00:29:17,255 --> 00:29:20,425 AND HE WAS RIGHT FOR THE PART, IF YOU WANTED TO CAST IT THAT 423 00:29:20,492 --> 00:29:22,227 WAY. MARTY HAD SEEN PEOPLE-- I DON'T 424 00:29:22,293 --> 00:29:26,798 KNOW WHO, BUT I KNOW HE WENT THROUGH EVERYBODY. 425 00:29:26,865 --> 00:29:30,135 AND CHOSE RAY. SO THAT WAS GREAT. 426 00:29:30,201 --> 00:29:31,636 >> Stephen: IT WAS A GOOD CHOICE. 427 00:29:31,703 --> 00:29:33,838 >> YEAH. >> Stephen: IT WAS A GOOD 428 00:29:33,905 --> 00:29:35,473 CHOICE. BEFORE-- LAST TIME YOU WERE HERE 429 00:29:35,540 --> 00:29:38,476 IN 2019, IN PERSON, I MEANT TO GIVE YOU SOMETHING. 430 00:29:38,543 --> 00:29:43,014 AND I DIDN'T GET A CHANCE TO. I JUST-- IT ESCAPED MY MIND. 431 00:29:43,081 --> 00:29:48,753 BUT ONE OF MY WRITERS, CAROLINE LAZAR, ALWAYS PUTS TOGETHER WHAT 432 00:29:48,820 --> 00:29:53,424 SHE CALLS, "TODAY'S HUNK." AND YOU'VE WON EVERY AWARD THAT 433 00:29:53,491 --> 00:29:57,562 THERE IS, TWO-TIME OSCAR WINNER. BUT YOU HAVE NEVER WON "TODAY'S 434 00:29:57,629 --> 00:29:59,797 HUNK." AND I JUST WANT TO PRESENT THIS 435 00:29:59,864 --> 00:30:03,201 TO YOU RIGHT NOW. HERE IT IS. 436 00:30:03,268 --> 00:30:07,472 IT'S "TODAY'S HUNK." ROBERT De NIRO. 437 00:30:07,539 --> 00:30:13,945 "YOU TALKIN' TO ME. ONLY IN MY DREAMS. 438 00:30:14,012 --> 00:30:15,180 CONGRATS. >> OH, GEEZ. 439 00:30:15,246 --> 00:30:17,815 >> Stephen: THERE YOU GO. I JUST WANTED YOU TO HAVE THAT. 440 00:30:17,882 --> 00:30:21,953 I WANTED YOU TO HAVE THAT. YOU CAN PUT THAT UP ON... 441 00:30:22,020 --> 00:30:26,024 YOU CAN PUT THAT UP ON YOUR REFRIGERATOR OR SOMETHING. 442 00:30:26,090 --> 00:30:26,858 YEAH. ANYTHING YOU'D LIKE TO SAY? 443 00:30:26,925 --> 00:30:30,495 >> NO, I'M HONORED. ( LAUGHTER ) 444 00:30:30,562 --> 00:30:35,700 TO BE HUNKY. >> YEAH, I-- I NEVER THOUGHT OF 445 00:30:35,767 --> 00:30:37,835 MYSELF THIS WAY, BUT, YOU KNOW, I'LL TAKE IT. 446 00:30:37,902 --> 00:30:40,171 ( LAUGHTER ) >> Stephen: HOLD ON A SECOND. 447 00:30:40,238 --> 00:30:45,510 HOLD ON. AND MAYBE WE'LL EDIT THIS OUT 448 00:30:45,577 --> 00:30:49,514 LATER, BUT HAVE YOU NEVER THOUGHT OF YOURSELF AS A SEX 449 00:30:49,581 --> 00:30:50,281 SYMBOL? WHATEVER THAT MEANS. 450 00:30:50,348 --> 00:30:51,749 BUT YOU KNOW WHAT I MEAN. >> NO. 451 00:30:51,816 --> 00:30:54,852 >> Stephen: YOU NEVER THOUGHT OF YOURSELF AS SEXY? 452 00:30:54,919 --> 00:30:58,189 >> NOT IN-- NO. ( LAUGHTER ) 453 00:30:58,256 --> 00:31:02,427 APPLAUSE. IS ROBERT De NIRO SEXY? 454 00:31:02,493 --> 00:31:15,673 ( CHEERS AND APPLAUSE ) >> Stephen: HOLD ON. 455 00:31:15,740 --> 00:31:20,044 AM I SEXY? ( CHEERS AND APPLAUSE ) 456 00:31:20,111 --> 00:31:24,148 YOURS WAS DEFINITELY LOUDER THAN MINE! 457 00:31:24,215 --> 00:31:26,751 HOW OLD ARE YOU? >> HOW OLD AM I? 458 00:31:26,818 --> 00:31:29,787 >> Stephen: YEAH >> 78. 459 00:31:29,854 --> 00:31:35,493 ( APPLAUSE ) ONLY... 460 00:31:35,560 --> 00:31:38,062 THAT ONLY GIVES ME 20 YEARS TO GET SEXIER. 461 00:31:38,129 --> 00:31:40,832 >> LISTEN. >> Stephen: BOB, IT'S GOOD TO 462 00:31:40,898 --> 00:31:42,166 SEE YOU. >> GOOD SEEING YOU. 463 00:31:42,233 --> 00:31:47,639 ALWAYS GOOD TO SEE YOU. >> Stephen: TICKETS TO THE 464 00:31:47,705 --> 00:31:49,574 TRIBECA FILM FESTIVAL ARE AVAILABLE AT tribecafilm.com. 465 00:31:49,641 --> 00:31:53,678 IT'S ROBERT DE NIRO, EVERYBODY! WE'LL BE RIGHT BACK WITH ROSIE 466 00:31:53,745 --> 00:31:54,479 PEREZ. 467 00:32:10,295 --> 00:32:14,332 ( APPLAUSE ) THERE YOU GO! 468 00:32:14,399 --> 00:32:16,601 WELCOME BACK. LADIES AND GENTLEMEN, MY NEXT 469 00:32:16,668 --> 00:32:19,337 GUEST IS AN OSCAR-NOMINATED ACTOR YOU KNOW FROM "DO THE 470 00:32:19,404 --> 00:32:23,041 RIGHT THING," "PINEAPPLE EXPRESS," AND "THE FLIGHT 471 00:32:23,107 --> 00:32:25,810 ATTENDANT." PLEASE WELCOME TO "THE LATE 472 00:32:25,877 --> 00:32:28,913 SHOW," ROSIE PEREZ! ♪ ♪ ♪ 473 00:32:28,980 --> 00:32:43,861 ( APPLAUSE ) THIS IS-- THIS IS THE FIRST TIME 474 00:32:43,928 --> 00:32:47,865 ( APPLAUSE ) THIS IS-- THIS IS THE FIRST TIME 475 00:32:47,932 --> 00:32:50,001 I'VE HAD A CHANCE TO INTERVIEW YOU. 476 00:32:50,068 --> 00:32:52,770 THANK YOU FOR BEING HERE. BUT IT'S NOT YOUR FIRST TIME IN 477 00:32:52,837 --> 00:32:55,139 THE ED SULLIVAN. YOU WERE A QUEST WITH DAVE ALL 478 00:32:55,206 --> 00:32:57,342 THE TIME, RIGHT? >> A LOT. 479 00:32:57,408 --> 00:33:00,378 >> Stephen: HOW MANY TIMES DO YOU THINK YOU WERE ON WITH DAVE? 480 00:33:00,445 --> 00:33:03,214 >> EIGHT? >> Stephen: I'M NOT GONNA I'M 481 00:33:03,281 --> 00:33:07,485 NOT GONNA-- IT'S NOT A CONTEST, BUT I WAS ON 10 TIMES. 482 00:33:07,552 --> 00:33:10,054 >> YOU WERE ON 10 TIMES. >> Stephen: 10 TIMES. 483 00:33:10,121 --> 00:33:13,891 AND I I LOVED BEING ON HERE. IT WAS SUCH AN HONOR TO BE ON 484 00:33:13,958 --> 00:33:16,427 HERE WITH DAVE. I DIDN'T KNOW HIM OFF CAMERA. 485 00:33:16,494 --> 00:33:20,131 WE MET A FEW TIMES AND SAT AND TALKED SOCIALLY, ESPECIALLY 486 00:33:20,198 --> 00:33:22,166 AFTER I GOT THIS GIG. DO YOU KNOW HIM? 487 00:33:22,233 --> 00:33:24,402 DO YOU HAVE ANY SORT OF RELATIONSHIP WITH HIM OFF 488 00:33:24,469 --> 00:33:25,803 CAMERA? >> YES AND NO. 489 00:33:25,870 --> 00:33:28,773 BECAUSE HE'S WEIRD, YOU KNOW ( LAUGHTER ) 490 00:33:28,840 --> 00:33:32,009 >> Stephen: I DON'T-- I DON'T THINK YOU'RE WEIRD AT ALL, DAVE. 491 00:33:32,076 --> 00:33:38,383 ( LAUGHTER ) HE'S SOCIALLY AWKWARD, BUT SO AM 492 00:33:38,449 --> 00:33:39,717 I. HONESTLY I AM. 493 00:33:39,784 --> 00:33:42,520 >> Stephen: OH, YEAH. >> YEAH, YEAH, THIS IS A FACADE 494 00:33:42,587 --> 00:33:45,189 THAT'S HAPPENING RIGHT NOW. >> Stephen: THAT'S WHAT ACTORS 495 00:33:45,256 --> 00:33:46,391 DO. >> YEAH. 496 00:33:46,457 --> 00:33:48,893 >> Stephen: THEY GET PAID TO. >> ONE TIME I WAS FLYING BACK 497 00:33:48,960 --> 00:33:51,162 FROM LOS ANGELES, RIGHT. I'M IN FIRST CLASS. 498 00:33:51,229 --> 00:33:54,298 THERE'S A GUY I KNEW, AND HE WAS SITTING IN THE SEAT. 499 00:33:54,365 --> 00:33:59,036 AND I GO, "HEY, HOW YOU DOING?" HE GOES, "GOOD, GOOD, I'M 500 00:33:59,103 --> 00:34:00,338 CHILLIN'." I WAS LIKE, ALL RIGHT." 501 00:34:00,405 --> 00:34:02,673 DAVE COMES ON, RIGHT. AND HE'S STANDING THERE AND HE 502 00:34:02,740 --> 00:34:04,876 STARTS TO KIND OF, LIKE, SHAKE A LITTLE BIT. 503 00:34:04,942 --> 00:34:07,912 AND I'M LIKE, "DAVE, IT'S ME, ROSE. 504 00:34:07,979 --> 00:34:10,848 ARE YOU ALL RIGHT." HE SAID, "SOMEBODY'S SITTING IN 505 00:34:10,915 --> 00:34:13,151 MY SEAT." I SAID, "TELL HIM TO MOVE." 506 00:34:13,217 --> 00:34:18,589 HE SAID, "I CAN'T DO THAT." I SAID, "I GOT YOU." 507 00:34:18,656 --> 00:34:22,493 GET OUT OF SEAT." AND THE GUY SAYS, "DAVE, I'M 508 00:34:22,560 --> 00:34:25,229 SORRY, I'M SORRY." AND DAVE SITS DOWN. 509 00:34:25,296 --> 00:34:27,265 AND HE GOES, "THAT WAS VERY NIEFS YOU." 510 00:34:27,331 --> 00:34:30,334 AND I SAID, "ABSOLUTELY." HE SAID, "WHY DON'T YOU COME 511 00:34:30,401 --> 00:34:35,673 OVER MY HOUSE." I SAID, "GO OVER YOUR HOUSE." 512 00:34:35,740 --> 00:34:37,809 "YEAH, AND HAVE DINNER WITH ME AND THE FOLKS." 513 00:34:37,875 --> 00:34:39,977 SO HE WAS NIGHT. I STOOD HIM UP, BUT... 514 00:34:40,044 --> 00:34:41,579 >> Stephen: WE JUST HAD ROBERT De NIRO OUT HERE. 515 00:34:41,646 --> 00:34:43,414 >> YEAH. >> 516 00:34:43,481 --> 00:34:46,784 >> Stephen: AND YOU AND BOB ARE ICONIC NEW YORKERS. 517 00:34:46,851 --> 00:34:48,286 EVERYBODY ASSOCIATES YOU WITH THIS CITY. 518 00:34:48,352 --> 00:34:51,956 DO YOU GUYS-- HAVE YOU GUYS WORKED TOGETHER? 519 00:34:52,023 --> 00:34:55,293 >> WE'VE NEVER WORKED TOGETHER. ISN'T THAT SO SAD? 520 00:34:55,359 --> 00:34:57,295 >> Stephen: WOW. >> I MEAN, SHOULDN'T THERE BE A 521 00:34:57,361 --> 00:35:00,198 MOVIE WITH US TOGETHER IN IT? I MEAN, COME ON. 522 00:35:00,264 --> 00:35:02,533 ( APPLAUSE ). TOGETHER. 523 00:35:02,600 --> 00:35:04,135 I LOVE BOB. HE'S AMAZING. 524 00:35:04,202 --> 00:35:05,837 >> Stephen: SO HAVE YOU MET BEFORE? 525 00:35:05,903 --> 00:35:07,805 >> YEAH, YEAH. WE'VE MET BEFORE. 526 00:35:07,872 --> 00:35:11,309 FUNNY THING IS THAT I KNEW HIS DAUGHTER, DRENNA, BEFORE I KNEW 527 00:35:11,375 --> 00:35:13,311 HIM. AND DRENNA I KNEW ON THE SCENE, 528 00:35:13,377 --> 00:35:18,649 YOU KNOW, SHE WAS AN ACTRESS, THE "IT" GIRL, THE MODEL, THE 529 00:35:18,716 --> 00:35:20,685 D.J. SHE WAS JUST LIKE THIS 530 00:35:20,751 --> 00:35:22,453 RENAISSANCE WOMAN, RIGHT. AND WE CLICKED. 531 00:35:22,520 --> 00:35:25,089 BUT ALL I KNEW HER WAS AS DRENNA. 532 00:35:25,156 --> 00:35:31,896 AND ONE DAY SHE'S DJINGAP THIS MAN'S BEAUTIFUL HOUSE. 533 00:35:31,963 --> 00:35:34,499 "COME ON BY, MY DAD WILL BE THERE." 534 00:35:34,565 --> 00:35:37,502 I WAS LIKE, "THAT'S RANDOM. YOU'RE GOING TO INVITE YOUR 535 00:35:37,568 --> 00:35:40,304 FATHER, ALL RIGHT." SO I GET TO THE PARTY EARLY AND 536 00:35:40,371 --> 00:35:43,307 BOB IS PLAYING POOL. THERE WAS A POOL TABLE THERE. 537 00:35:43,374 --> 00:35:47,745 AND I WAS LIKE OH, BLEEP! IT'S ROBERT De NIRO. 538 00:35:47,812 --> 00:35:52,016 AND HE GOES, "OH, ( BLEEP ), IT'S ROSIE PEREZ." 539 00:35:52,083 --> 00:35:54,418 AND I GO ( BLEEP ). AND HE COMES OVER AND HE SHAKES 540 00:35:54,485 --> 00:35:56,854 MY HAND. AND THEN DRENNA COMES BEHIND AND 541 00:35:56,921 --> 00:35:59,824 GOES, "DAD, ARE YOU FLIRTING WITH MY GIRLFRIENDS AGAIN?" 542 00:35:59,891 --> 00:36:03,728 AND I WENT, "GET THE ( BLEEP ) OUT OF HERE!" 543 00:36:03,794 --> 00:36:05,796 I COULDN'T BELIEVE IT. I'M CURSING ON YOUR SHOW. 544 00:36:05,863 --> 00:36:11,369 WHY AM I CURSING ON YOUR SHOW? IS THERE IT'S PERFECTLY FINE. 545 00:36:11,435 --> 00:36:15,673 >> ARE YOU GOING TO BLEEP IT. >> Stephen: NO, WE DON'T DO IT 546 00:36:15,740 --> 00:36:16,741 ANYMORE. WE HAVE TO. 547 00:36:16,807 --> 00:36:20,411 THAT PART IS STAYING THE SAME. I'M JUST JOSHING YOU. 548 00:36:20,478 --> 00:36:22,613 I'M GIVING YOU THE BUSINESS. I APOLOGIZE FOR THAT. 549 00:36:22,680 --> 00:36:24,582 YOU HAVE A NEW SERIES CALLED "NOW & THEN." 550 00:36:24,649 --> 00:36:28,586 AND THE INTERESTING THING ABOUT THIS IS THAT, WELL, YOU PLAY 551 00:36:28,653 --> 00:36:31,656 YOURSELF 20 YEARS APART, WHICH I'LL GET TO IN A MOMENT. 552 00:36:31,722 --> 00:36:33,324 BUT TELL THE PEOPLE WHAT IT'S ABOUT. 553 00:36:33,391 --> 00:36:38,129 >> IT'S ABOUT A GROUP OF COLLEGE KIDS, FIVE COLLEGE KIDS, WHO ON 554 00:36:38,195 --> 00:36:40,464 THEIR NIGHT OF GRADUATION, THEY HAVE A PARTY ON A BEACH. 555 00:36:40,531 --> 00:36:44,402 AND IT GETS A LITTLE BIT OUT OF CONTROL, AND ONE OF THEM ENDS UP 556 00:36:44,468 --> 00:36:46,404 DEAD. THEY TRIED TO COVER IT UP. 557 00:36:46,470 --> 00:36:49,607 AND MET MIDST OF THEM COVERING IT UP, ANOTHER PERSON ENDS UP 558 00:36:49,674 --> 00:36:53,044 DEAD, AND I PLAY THE ROOKY DETECTIVE. 559 00:36:53,110 --> 00:36:56,514 20 YEARS LATER, ANOTHER BODY AMONGST THOSE FRIENDS SHOWS UP. 560 00:36:56,581 --> 00:37:00,051 AND NOW 20 YEARS LATER, I AM A SEASONED SERGEANT DETECTIVE, AND 561 00:37:00,117 --> 00:37:02,320 I AM GOING TO GET THEM. >> Stephen: WE HAVE A CLIP 562 00:37:02,386 --> 00:37:03,955 RIGHT HERE. ( APPLAUSE ) 563 00:37:04,021 --> 00:37:09,093 THIS-- BECAUSE YOU PLAY YOURSELF 20 YEARS AGO, AND YOU PLAY 564 00:37:09,160 --> 00:37:12,029 YOURSELF NOW. IS THAT HARD? 565 00:37:12,096 --> 00:37:14,332 DID YOU HAVE TO, LIKE-- >> YES! 566 00:37:14,398 --> 00:37:17,201 >> Stephen: BUT YOU LOOK LIKE ROSIE PEREZ FROM 20 YEARS AGO. 567 00:37:17,268 --> 00:37:19,337 >> WHO DOES. >> Stephen: YOU DO. 568 00:37:19,403 --> 00:37:21,405 >> ME! OH, GET OUT OF TOWN! 569 00:37:21,472 --> 00:37:22,940 I DO NOT! >> Stephen: YOU REALLY DO. 570 00:37:23,007 --> 00:37:25,977 >> OH! >> Stephen: WHAT DID YOU DO TO 571 00:37:26,043 --> 00:37:27,912 KINCHATE? WHAT DID YOU DO TO BE YOUNG YOU 572 00:37:27,979 --> 00:37:31,415 AND PRESENT-- NOT EVEN PRESENT JUST 20 YEARS OLDER THAN THAT 573 00:37:31,482 --> 00:37:33,718 PERSON? >> A LOT OF MAKEUP. 574 00:37:33,784 --> 00:37:35,920 >> Stephen: WHICH WAY THE YOUNG OR THE OLD? 575 00:37:35,987 --> 00:37:39,190 >> BOTH, BOTH. FOR THE YOUNGER, THERE WAS TONS 576 00:37:39,256 --> 00:37:43,361 OF MAKEUP ON ME. AND I HAD TO WEAR, LIKE, TWO 577 00:37:43,427 --> 00:37:44,228 SPANX. UN... 578 00:37:44,295 --> 00:37:50,468 ( LAUGHTER ) >> Stephen: EXACTLY. 579 00:37:50,534 --> 00:37:56,307 >> FOR THE OLDER LOOK, I TOLD THE PRODUCER, "HOW WOULD YOU 580 00:37:56,374 --> 00:37:59,810 FEEL IF I JUST WENT WITHOUT MAKEUP? 581 00:37:59,877 --> 00:38:03,481 EVEN BETTER IF I HAVE, LIKE, SKIN DISCOLORATION, HEIGHTEN 582 00:38:03,547 --> 00:38:06,584 THAT, PUT DARK CIRCLES AND REALLY LOOK REAL LIKE THAT. 583 00:38:06,651 --> 00:38:10,154 AND HE GOES, "I LOVE IT." I SAID, "GREAT, THIS IS AMAZING. 584 00:38:10,221 --> 00:38:12,123 I ALWAYS WANTED A CHALLENGE LIKE THIS." 585 00:38:12,189 --> 00:38:15,593 DAY COMES. THEY HAD THE OLD LADY MAKEUP ON. 586 00:38:15,660 --> 00:38:18,929 I LOOK AT THE CAMERA, AND I WENT, "OH, MY GOD! 587 00:38:18,996 --> 00:38:20,831 I LOOK HORRIBLE." AND I STARTED CRYING. 588 00:38:20,898 --> 00:38:22,967 AND I WAS LIKE, "I LOOK SO BUSTED." 589 00:38:23,034 --> 00:38:26,070 AND HE GOES, "OH, MY GOD. ARE YOU OKAY? 590 00:38:26,137 --> 00:38:30,241 DO YOU WANT TO CHANGE IT?" I GO, "NO, IT LOOKS GREAT. 591 00:38:30,307 --> 00:38:32,777 BUT I LOOK BUSTED." IT WAS GREAT FOR THE CHARACTER. 592 00:38:32,843 --> 00:38:37,581 IT WAS REALLY GREAT. THIS THING HAS BEEN ONE OF THE 593 00:38:37,648 --> 00:38:41,552 BIGGEST CHALLENGES IN MY CAREER SINCE "FEARLESS," AND I'M REALLY 594 00:38:41,619 --> 00:38:45,122 PROUD OF THE WORK EVERYONE HAS DONE, ITS ENTIRE CAST ON THE 595 00:38:45,189 --> 00:38:47,858 SHOW. >> Stephen: WE HAVE A CLIP. 596 00:38:47,925 --> 00:38:50,494 CAN YOU TELL US AGO WHEN HAPPENING? 597 00:38:50,561 --> 00:38:52,196 THIS IS YOUNG YOU. >> THIS IS YOUNG ME. 598 00:38:52,263 --> 00:38:57,001 WE'RE COMING OUT OF ONE OF THE KID'S, SUSPECTS, DORMITORIES AT 599 00:38:57,068 --> 00:39:01,172 THEIR UNIVERSITY. AND I'M TRYING TO CONVINCE MY 600 00:39:01,238 --> 00:39:06,444 OLDER PARTNER THAT THEY'RE ALL LYING. 601 00:39:06,510 --> 00:39:08,913 >> IT'S YOUR FIRST CASE. >> IT'S NOT MY FIRST CASE. 602 00:39:08,979 --> 00:39:13,150 >> IN HOMICIDE IT IS. YOU WANT TO GET IT RIGHT, OKAY. 603 00:39:13,217 --> 00:39:16,854 IT'S GOOD TO BE THOROUGH. BUT, COME ON, THERE'S SUCH A 604 00:39:16,921 --> 00:39:18,489 THING AS TACT. >> YES. 605 00:39:18,556 --> 00:39:20,825 I'M VERY WELL AWARE OF THAT, THANK YOU. 606 00:39:20,891 --> 00:39:25,096 I COULD USE A TAD LESS OF A CONDESCENDING TONE, PLEASE. 607 00:39:25,162 --> 00:39:28,632 I'M JUST SAYING, IT'S SURPRISING THAT THEY ALL REMEMBERED THE 608 00:39:28,699 --> 00:39:33,504 EXACT TIME WHEN ALEJANDRO LEFT. IT JUST SEEMS LIKE THEY ALL 609 00:39:33,571 --> 00:39:42,379 AGREED UPON THE SAME STORY, IS ALL I'M SAYING. 610 00:39:42,446 --> 00:39:44,682 WHAT? ( APPLAUSE ) 611 00:39:44,749 --> 00:39:47,485 BELIEVABLE. >> OH, THANK YOU. 612 00:39:47,551 --> 00:39:49,019 >> Stephen: ROSIE, IT WAS LOVELY TO SEE YOU. 613 00:39:49,086 --> 00:39:50,654 >> THANK YOU SO MUCH FOR BEING HERE. 614 00:39:50,721 --> 00:39:54,692 >> THANK YOU, THANK YOU. >> Stephen: NEW EPISODES OF "NOW 615 00:39:54,759 --> 00:39:55,659 & THEN" ARE AVAILABLE FRIDAYS ON APPLETV+. 616 00:39:55,726 --> 00:39:58,162 ROSIE PEREZ, EVERYBODY! WE'LL BE RIGHT BACK. 617 00:40:17,748 --> 00:40:19,083 >> Stephen: THAT'S IT FOR "THE LATE SHOW." 618 00:40:19,150 --> 00:40:22,686 TUNE IN TOMORROW WHEN MY GUESTS WILL BE CONGRESSMAN ADAM SCHIFF 619 00:40:22,753 --> 00:40:26,323 AND CHIWETEL EJIOFOR. JAMES CORDEN IS NEXT. 620 00:40:26,390 --> 00:40:27,158 GOOD NIGHT!