1 00:00:02,001 --> 00:00:04,938 >> RUSSIAN PRESIDENT VLADIMIR PUTIN SIGNALED A MAJOR, PUBLIC 2 00:00:05,004 --> 00:00:09,042 ESCALATION OF THE WAR IN UKRAINE, ANNOUNCING THE 3 00:00:09,109 --> 00:00:12,078 MOBILIZATION OF SOME 300,000 RUSSIAN RESERVISTS. 4 00:00:12,145 --> 00:00:14,948 >> AFTER PUTIN'S CONSCRIPTION ANNOUNCEMENT, RUSSIANS ARE 5 00:00:15,014 --> 00:00:17,016 LOOKING FOR WAYS OUT OF THE WAR, MAKING "HOW TO BREAK ARM" THE 6 00:00:46,045 --> 00:00:48,982 ♪ ♪ ♪ 7 00:00:51,050 --> 00:00:53,319 >> Announcer: IT'S "THE LATE SHOW WITH STEPHEN COLBERT." 8 00:00:53,386 --> 00:01:01,761 TONIGHT: JAMES AND THE GIANT PREACH. 9 00:01:01,828 --> 00:01:05,331 PLUS, STEPHEN WELCOMES: OLIVIA WILDE 10 00:01:05,398 --> 00:01:08,401 AND UKRAINE'S FOREIGN MINISTER, DMYTRO KULEBA 11 00:01:10,003 --> 00:01:15,074 FEATURING LOUIS CATO AND THE LATE SHOW BAND. 12 00:01:16,443 --> 00:01:20,380 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 13 00:01:20,447 --> 00:01:23,082 CITY, IT'S STEPHEN COLBERT! 14 00:01:23,416 --> 00:01:28,455 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 15 00:01:39,232 --> 00:01:39,799 ( CHEERS AND APPLAUSE ). 16 00:01:39,866 --> 00:01:42,702 >> Stephen: GOOD TO SEE YOU. 17 00:01:42,769 --> 00:01:43,903 LOVELY TO SEE YOU. 18 00:01:43,970 --> 00:01:45,805 GENTLEMEN, GENTLEMEN, MY LADIES. 19 00:01:45,872 --> 00:01:48,708 HAPPY WEDNESDAY. 20 00:01:48,775 --> 00:01:52,378 NICE TO SEE YOU. 21 00:01:52,445 --> 00:01:53,146 HEY! 22 00:01:53,213 --> 00:01:56,216 HEY, PLEASE HAVE A SEAT, EVERYBODY. 23 00:01:56,282 --> 00:02:02,822 WELCOME, WELCOME, ONE AND ALL, LADIES AND GENTLEMEN TO "THE 24 00:02:02,889 --> 00:02:04,390 LATE SHOW." 25 00:02:04,457 --> 00:02:05,658 I'M YOUR HOST, STEPHEN COLBERT. 26 00:02:05,725 --> 00:02:10,597 AND I'M HERE TO SALE YOU, FOLKS IT'S BEEN A TERRIBLE, HORRIBLE, 27 00:02:10,663 --> 00:02:12,332 NO-GOOD, VERY BAD WEEK FOR FORMER PRESIDENT, THE REAL DIM 28 00:02:12,398 --> 00:02:20,373 SHADY. 29 00:02:20,440 --> 00:02:23,343 AND THINGS JUST A LITTLE BIT MORE WORSER, BECAUSE TODAY, NEW 30 00:02:23,409 --> 00:02:26,579 YORK ATTORNEY GENERAL LETITIA JAMES, WHO HAS BEEN 31 00:02:26,646 --> 00:02:27,280 INVESTIGATING THE EX-PRESIDENT'S BUSINESS DEALINGS FOR THREE 32 00:02:27,347 --> 00:02:28,848 YEARS, MADE A BIG ANNOUNCEMENT. 33 00:02:28,915 --> 00:02:32,919 >> I AM ANNOUNCING THAT TODAY WE'RE FILING A LAWSUIT AGAINST 34 00:02:32,986 --> 00:02:36,456 DONALD TRUMP FOR VIOLATING THE LAW AS PART OF HIS EFFORTS TO 35 00:02:36,523 --> 00:02:42,962 GENERATE PROFITS FOR HIMSELF, HIS FAMILY, HIS COMPANY. 36 00:02:43,029 --> 00:02:44,964 ( RINGING BELL ) >> Stephen: THAT SOUND MEANS THE 37 00:02:45,031 --> 00:02:48,034 EX-PRESIDENT JUST HIT HIS 1,000th LAWSUIT! 38 00:02:48,101 --> 00:02:53,072 ( CHEERS AND APPLAUSE ) JONNY... 39 00:02:53,139 --> 00:03:00,013 ( APPLAUSE ) JOHNNY, TELL HIM WHAT HE'S 40 00:03:00,079 --> 00:03:01,080 WON! 41 00:03:01,147 --> 00:03:05,084 >> CONTINUED FREEDOM! 42 00:03:05,151 --> 00:03:06,052 THERE ARE NO CONSEQUENCES! 43 00:03:06,119 --> 00:03:09,088 CAUSE AND EFFECT IS A LIE! 44 00:03:09,155 --> 00:03:13,059 WE'RE NOTHING BUT CLUSTERS OF MATTER HURTLING THROUGH AN 45 00:03:13,126 --> 00:03:17,063 INDIFFERENT UNIVERSE! 46 00:03:17,130 --> 00:03:23,236 I'M GOING TO GO EAT AN ENTIRE SHEET CAKE ON MY BRAND-NEW 47 00:03:23,303 --> 00:03:24,037 DINETTE SET FROM BROYHILL. 48 00:03:24,103 --> 00:03:27,240 BROYHILL: GOD IS DEAD! 49 00:03:27,307 --> 00:03:28,841 BACK TO YOU, STEVE! 50 00:03:28,908 --> 00:03:29,676 >> Stephen: THANKS, JOHNNY! 51 00:03:29,742 --> 00:03:31,945 SO, WHAT CRIME DID HE CRIME THIS TIME? 52 00:03:32,011 --> 00:03:33,079 BANK FRAUD. 53 00:03:33,146 --> 00:03:36,049 ALLEGEDLY. 54 00:03:36,115 --> 00:03:37,083 AND REPEATEDLY. 55 00:03:37,150 --> 00:03:41,087 ( LAUGHTER ) THE PRESIDENT WOULD CLAIM HIS 56 00:03:41,154 --> 00:03:45,091 PROPERTIES WERE WORTH A LOT MORE THAN THEY ACTUALLY WERE, SO HE 57 00:03:45,158 --> 00:03:54,033 COULD USE THEM AS COLLATERAL FOR HUGE LOANS HE DESPERATELY 58 00:03:54,100 --> 00:03:57,070 NEEDED FROM THINK ABOUTS. 59 00:03:57,136 --> 00:03:59,439 AND WHEN IT COMES TO FAKING THE NUMBERS, LETICIA JAMES ISN'T. 60 00:03:59,505 --> 00:04:01,074 SHE HAS THE RECEIPTS, OVER 200 OF THEM, INCLUDING HIS COMPANY 61 00:04:01,140 --> 00:04:05,078 CLAIMING THAT A DOZEN RENT-STABILIZED APARTMENTS WERE 62 00:04:05,144 --> 00:04:08,281 WORTH MORE THAN $49.5 MILLION WHEN, IN FACT, THEY HAD BEEN 63 00:04:08,348 --> 00:04:16,489 APPRAISED AT A COMBINED $750,000. 64 00:04:16,556 --> 00:04:17,090 THAT IS 65 TIMES LESS MONEY! 65 00:04:17,156 --> 00:04:18,024 AND IT'S NO SURPRISE. 66 00:04:18,091 --> 00:04:24,030 THE PRESIDENT IS KNOWN FOR INFLATED ASSETS. 67 00:04:24,097 --> 00:04:30,003 ( CHEERS AND APPLAUSE ) I'M GUESSING THIS PRESS 68 00:04:30,069 --> 00:04:35,041 CONFERENCE GOT THE EX-PREZ RANKLED TO HIS CANKLES, BECAUSE 69 00:04:35,108 --> 00:04:41,080 THE ONE THING HE HATES MORE THAN ANYTHING IS PEOPLE HEARING HE'S 70 00:04:41,147 --> 00:04:42,315 NOT AS RICH AS HE CLAIMS HE IS. 71 00:04:42,382 --> 00:04:44,651 CASE IN POINT, JAMES REVEALED HIS PROPERTY AT MAR-A-LAGO HAS A 72 00:04:44,717 --> 00:04:45,118 VALUE OF $75 MILLION. 73 00:04:45,184 --> 00:04:48,054 NOT BAD. 74 00:04:48,121 --> 00:04:53,059 BUT THE EX-PRESIDENT HAD CLAIMED IT WAS WORTH $739 MILLION. 75 00:04:53,126 --> 00:04:56,029 WELL, OF COURSE, IT'S WORTH LESS NOW! 76 00:04:56,095 --> 00:04:58,531 THE F.B.I. TOOK AWAY ALL THE MOST RE-SELLABLE DOCUMENTS! 77 00:04:58,598 --> 00:05:03,336 ( LAUGHTER ) ( APPLAUSE ) 78 00:05:03,403 --> 00:05:04,637 SO-- ( APPLAUSE ) 79 00:05:04,704 --> 00:05:06,039 THEY ENJOYED THAT. 80 00:05:06,105 --> 00:05:06,639 THEY ENJOYED THAT. 81 00:05:06,706 --> 00:05:08,941 >> Louis: I ENJOYED THAT! 82 00:05:09,008 --> 00:05:11,310 >> Stephen: ENJOYED THE JOKE. 83 00:05:11,377 --> 00:05:13,146 SO WHAT, EXACTLY, IS THE FAMILY LOOKING AT IN TERMS OF 84 00:05:13,212 --> 00:05:17,083 PUNISHMENT? 85 00:05:17,150 --> 00:05:20,586 THE ATTORNEY GENERAL HAS ASKED THAT A JUDGE REVOKE THE FAMILY'S 86 00:05:20,653 --> 00:05:23,289 BUSINESS CERTIFICATE, BAR THE FAMILY FROM SERVING AS AN 87 00:05:23,356 --> 00:05:25,091 OFFICER OF ANY BUSINESS IN THE STATE, AND A FIVE-YEAR BAN ON 88 00:05:25,158 --> 00:05:29,162 THE FAMILY FROM ACQUIRING REAL ESTATE OR GETTING BUSINESS LOANS 89 00:05:29,228 --> 00:05:33,066 FROM ANY COMPANY IN NEW YORK. 90 00:05:33,132 --> 00:05:42,942 ( CHEERS AND APPLAUSE ) SO... SO... THE FAMILY WOULDN'T 91 00:05:43,009 --> 00:05:44,944 BE ALLOWED TO HAVE A BUSINESS BE ON THE BOARD OF A BUSINESS, 92 00:05:45,011 --> 00:05:46,846 BE ON THE BOARD OF A BUSINESS, DO REAL ESTATE BUSINESS, GET 93 00:05:46,913 --> 00:05:48,648 BUSINESS LOANS, OR ROCK TO BACHMAN TURNER OVERDRIVE'S 94 00:05:48,715 --> 00:05:50,717 "TAKING CARE OF BUSINESS." 95 00:05:58,024 --> 00:06:00,793 THE ATTORNEY GENERAL ALSO WANTS PAYBACK-- LITERALLY. 96 00:06:00,860 --> 00:06:09,902 SHE'S ASKING FOR THE FAMILY TO REPAY $250 MILLION TO LENDERS. 97 00:06:09,969 --> 00:06:11,871 ( APPLAUSE ) LONG GREEN, BABY. 98 00:06:11,938 --> 00:06:16,843 >> Louis: PAYBACK! 99 00:06:16,909 --> 00:06:19,045 >> Stephen: TO WHICH THE FAMILY SAID, "WHAT A COINCIDENCE! 100 00:06:19,112 --> 00:06:21,380 WE HAVE A 300-SQUARE-FOOT STUDIO APARTMENT ON STATEN ISLAND 101 00:06:21,447 --> 00:06:24,584 THAT'S VALUED AT EXACTLY $250 MILLION!" 102 00:06:24,650 --> 00:06:27,920 ( APPLAUSE ) WE ALSO HAVE A HORSE. 103 00:06:27,987 --> 00:06:31,891 IN CLOSING, THE ATTORNEY GENERAL BROKE OUT THE RHYMING 104 00:06:31,958 --> 00:06:34,827 DICTIONARY. 105 00:06:34,894 --> 00:06:39,665 >> CLAIMING YOU HAVE MONEY THAT YOU DO NOT HAVE DOES NOT AMOUNT 106 00:06:39,732 --> 00:06:40,266 TO THE ART OF THE DEAL. 107 00:06:40,333 --> 00:06:43,870 IT'S THE ART OF THE STEAL. 108 00:06:43,936 --> 00:06:49,642 ( APPLAUSE ) >> Stephen: PRETTY GOOD. 109 00:06:49,709 --> 00:06:53,613 IT'S PRETTY GOOD, BUT YOU GOTTA WONDER, HOW LONG DID THE 110 00:06:53,679 --> 00:06:58,184 ATTORNEY GENERAL'S OFFICE WORK ON THAT ONE? 111 00:06:58,251 --> 00:06:58,818 "ART OF THE SQUEAL? 112 00:06:58,885 --> 00:06:59,685 NO. 113 00:06:59,752 --> 00:07:00,052 ART OF CONGEAL? 114 00:07:00,119 --> 00:07:01,420 NO. 115 00:07:01,487 --> 00:07:02,288 ART OF SHAQUILLE O'NEAL? 116 00:07:02,355 --> 00:07:03,890 DAMMIT! 117 00:07:03,956 --> 00:07:04,590 PUT ON A POT OF COFFEE. 118 00:07:04,657 --> 00:07:07,860 WE'RE HERE TILL WE GET IT RIGHT! 119 00:07:07,927 --> 00:07:10,830 THE LEGAL NEWS TODAY ISN'T ALL BAD FOR THE FORMER PRESIDENT. 120 00:07:10,897 --> 00:07:14,267 SOME OF IT IS EXTRAORDINARILY TERRIBLE, BECAUSE HE'S STILL IN 121 00:07:14,333 --> 00:07:19,272 BIG, BIG, BIG TROUBLE FOR STEALING A BUNCH OF 122 00:07:19,338 --> 00:07:22,842 CLASSIFIED DOCUMENTS AND USING THEM TO PROP UP THE SHORT LEG OF 123 00:07:22,909 --> 00:07:23,643 THE MAR-A-LAGO WAFFLE STATION. 124 00:07:23,709 --> 00:07:27,780 HERE'S BASICALLY WHERE THINGS STAND. 125 00:07:27,847 --> 00:07:28,981 LAST WEEK, A FLORIDA JUDGE WHO THE FORMER PRESIDENT APPOINTED 126 00:07:29,048 --> 00:07:31,551 AGREED TO HELP HIM STALL THE D.O.J. BY RULING THAT THE 127 00:07:31,617 --> 00:07:34,620 CLASSIFIED DOCUMENTS SHOULD BE REVIEWED BY A "SPECIAL 128 00:07:34,687 --> 00:07:39,091 MASTER"-- SPECIFICALLY, JUDGE RAYMOND DEARIE. 129 00:07:39,158 --> 00:07:42,128 AND IF YOU THOUGHT THE TERM "SPECIAL MASTER" DIDN'T COME OFF 130 00:07:42,195 --> 00:07:45,832 AS KINKY ENOUGH, MEET "SPECIAL MASTER DEARIE." 131 00:07:45,898 --> 00:07:46,966 ( LAUGHTER ) SOUNDS LIKE AN S&M GRANDMA. 132 00:07:47,033 --> 00:07:51,404 ( AS SWEET GRANDMA ) "I'M YOUR SPECIAL MASTER NOW, 133 00:07:51,470 --> 00:07:51,871 DEARIE. 134 00:07:51,938 --> 00:07:54,473 OKAY? 135 00:07:54,540 --> 00:07:59,879 YOU CRAWL INTO THE RED ROOM OF PAIN, YOU CRAWL-- LISTEN HERE, 136 00:07:59,946 --> 00:08:02,481 WORM, LISTEN HERE, WARM. 137 00:08:02,548 --> 00:08:07,887 YOU CRAWL INTO THE RED ROOM OF PAIN AND YOU LICK THE TENNIS 138 00:08:07,954 --> 00:08:10,590 BALLS AT THE BOTTOM OF MY WALKER. 139 00:08:10,656 --> 00:08:11,858 OR YOUR ORTHOTICS. 140 00:08:11,924 --> 00:08:14,594 THE. 141 00:08:14,660 --> 00:08:15,895 YESTERDAY, JUDGE DEARIE GREW IMPATIENT WITH THE FORMER 142 00:08:15,962 --> 00:08:16,829 PRESIDENT'S LAWYERS. 143 00:08:16,896 --> 00:08:19,866 HERE'S WHY. 144 00:08:19,932 --> 00:08:21,934 THE EX-PRESIDENT HAS REPEATEDLY MADE PUBLIC STATEMENTS CLAIMING 145 00:08:22,001 --> 00:08:23,836 THAT HE HAD DECLASSIFIED THE RECORDS. 146 00:08:23,903 --> 00:08:26,005 BUT NEITHER HE NOR HIS LAWYERS HAVE EVER MADE THOSE SAME 147 00:08:26,072 --> 00:08:27,139 ASSERTIONS IN COURT, WHERE THEY COULD FACE PENALTIES FOR LYING. 148 00:08:27,206 --> 00:08:29,375 THE D.O.J., ON THE OTHER HAND, SAYS ALL THE DOCUMENTS ARE 149 00:08:29,442 --> 00:08:30,843 CLASSIFIED, POINTING TO THE EVIDENCE THAT THE DOCUMENTS 150 00:08:30,910 --> 00:08:34,847 ALL SAY "CLASSIFIED." 151 00:08:34,914 --> 00:08:39,785 ( LAUGHTER ) SO THE JUDGE STRAIGHT-UP ASKED 152 00:08:39,852 --> 00:08:42,288 THE EX-PRESIDENT'S LAWYERS, "ARE THESE 'DECLASSIFIED'?" 153 00:08:42,355 --> 00:08:44,290 AND THEN THEY SAID, "WE CAN'T TELL YOU IF THOSE CLASSIFIED 154 00:08:44,357 --> 00:08:45,791 DOCUMENTS ARE CLASSIFIED OR DECLASSIFIED, AND WE CAN'T TELL 155 00:08:45,858 --> 00:08:51,797 YOU WHY WE CAN'T TELL YOU, 'CUZ IT'S CLASSIFIED." 156 00:08:51,864 --> 00:08:55,067 JUDGE DEARIE DID NOT GO FOR THE WHOLE NOT-GONNA-ANSWER-YOU 157 00:08:55,134 --> 00:09:00,773 THING, SAYING "YOU CAN'T HAVE YOUR CAKE AND EAT IT." 158 00:09:00,840 --> 00:09:02,842 WELL, HOLD ON. IN THIS CASE, THAT'S NOT ACTUALLY TRUE. 159 00:09:02,909 --> 00:09:04,210 BECAUSE AT MAR-A-LAGO, AS SOON AS THE EX-PRESIDENT FINISHES HIS 160 00:09:04,277 --> 00:09:06,846 PIECE OF CHOCOLATE CAKE, WHAT DOES HE GET? 161 00:09:06,913 --> 00:09:10,182 >> THE MOST BEAUTIFUL PIECE OF CHOCOLATE CAKE THAT YOU'VE EVER 162 00:09:10,249 --> 00:09:12,818 SEEN. 163 00:09:12,885 --> 00:09:14,453 >> Stephen: WITH ALL THIS BAD NEWS, THE EX-PRESIDENT NEEDS A 164 00:09:14,520 --> 00:09:15,688 LITTLE PICK-ME-UP. 165 00:09:15,755 --> 00:09:19,225 AND, APPARENTLY, HE GETS IT OUT ON THE LINKS, BECAUSE WE JUST 166 00:09:19,292 --> 00:09:21,794 LEARNED FROM THE "NEW YORK TIMES'" MAGGIE HABERMAN, THAT 167 00:09:21,861 --> 00:09:26,432 EVER SINCE HE'S BEEN OUT OF OFFICE, A ROTATING CAST OF AIDES 168 00:09:26,499 --> 00:09:27,800 HAS BEEN TASKED WITH FOLLOWING HIM AROUND THE GOLF COURSE AND 169 00:09:27,867 --> 00:09:32,038 GIVING HIM POSITIVE REINFORCEMENT FROM TWITTER. 170 00:09:32,104 --> 00:09:34,907 ( LAUGHTER ) ( APPLAUSE ) 171 00:09:34,974 --> 00:09:36,175 THAT IS JUST SAD! 172 00:09:36,242 --> 00:09:39,912 THAT IS SO PATRETTIC. 173 00:09:39,979 --> 00:09:41,714 ( AS AIDE ) "UH, DON'T WORRY ABOUT THAT 174 00:09:41,781 --> 00:09:43,916 FEDERAL INVESTIGATION, MR. PRESIDENT, 'CUZ LOOKS LIKE 175 00:09:43,983 --> 00:09:48,921 @Q-PATRIOT-LINDA-845 SAYS, 'YOU HAVE MUCH STRONGER ARMS THAN 176 00:09:48,988 --> 00:09:52,591 PRESIDENT BRANDON, HASHTAG-MAGA, HASHTAG-NOT-MY-LITTLEMERMAID.'" 177 00:09:52,658 --> 00:09:59,966 >> Louis: WOW, WOW, WOW, REALLY? 178 00:10:00,032 --> 00:10:01,334 # >> Stephen: SPEAKING OF PEOPLE 179 00:10:01,400 --> 00:10:06,939 WHO FLATTER THE FORMER PRESIDENT, VLADIMIR PUTIN. 180 00:10:07,006 --> 00:10:10,076 TODAY, VLAD ANNOUNCED A MAJOR ESCALATION IN HIS INVASION OF 181 00:10:10,142 --> 00:10:13,479 UKRAINE IN A RARE ADDRESS DIRECTLY TO THE RUSSIAN PEOPLE. 182 00:10:13,546 --> 00:10:17,950 PUTIN GAVE HIS ADDRESS FROM WHAT APPEARS TO BE RUSSIA'S BASEMENT 183 00:10:18,017 --> 00:10:20,987 REC ROOM WHERE HE KEEPS HIS COLLECTION OF USED PHONES FROM 184 00:10:21,053 --> 00:10:23,022 1987. 185 00:10:23,089 --> 00:10:24,457 ( LAUGHTER ) HIS BIG ANNOUNCEMENT WAS THAT 186 00:10:24,523 --> 00:10:31,197 RUSSIA WAS CALLING UP ROUGHLY 300,000 RESERVISTS, INCLUDING 187 00:10:31,263 --> 00:10:39,605 MEN AND WOMEN AGED 18 TO 60 YEARS OLD. 188 00:10:39,672 --> 00:10:40,973 THAT MIGHT CHANGE THE ENERGY ON THE BATTLEFIELD: 189 00:10:41,040 --> 00:10:42,108 ( AS MIDDLE-AGED PERSON ) "I'LL ATTACK THAT HILL IN A 190 00:10:42,174 --> 00:10:44,243 SECOND. 191 00:10:44,310 --> 00:10:44,977 I GOTTA FINISH THIS WORDLE. 192 00:10:45,044 --> 00:10:47,947 I'M GONNA START WITH "AIOLI." 193 00:10:48,014 --> 00:10:52,985 NO CAN THE CRAVE." 194 00:10:53,052 --> 00:10:53,853 DAMN IT! 195 00:10:53,919 --> 00:10:54,387 I FORGOT MY C-PAP MACHINE. 196 00:10:54,453 --> 00:10:56,055 ALEXA? 197 00:10:56,122 --> 00:10:57,356 SET UP A REMINDER TO GET UP THREE TIMES TO PEE!" 198 00:10:57,423 --> 00:11:00,960 PUTIN IS SO DESPERATE FOR REINFORCEMENTS, HE'S RESORTED TO 199 00:11:01,027 --> 00:11:04,964 SENDING VOLUNTEERS TO THE FRONT LINE WITH LITTLE TRAINING. 200 00:11:05,031 --> 00:11:12,505 YOU CAN SPOT THE NEWBIES RIGHT AWAY, ESPECIALLY IF THEY'RE 201 00:11:12,571 --> 00:11:14,640 DRIVING A TANK. 202 00:11:14,707 --> 00:11:17,910 PUTIN'S ANNOUNCEMENT SEEMS TO HAVE REALLY RESONATED WITH THE 203 00:11:17,977 --> 00:11:19,545 RUSSIAN PEOPLE, BECAUSE RIGHT AFTER HE SPOKE, FLIGHTS LEAVING 204 00:11:19,612 --> 00:11:20,646 RUSSIA SOLD OUT. 205 00:11:20,713 --> 00:11:21,947 AND, REPORTEDLY, RUSSIAN AIRLINES HAVE BEEN ORDERED TO 206 00:11:22,014 --> 00:11:26,952 STOP SELLING TICKETS TO RUSSIAN MEN BETWEEN 18 TO 65. 207 00:11:27,019 --> 00:11:29,989 ( AS RUSSIAN, ON PHONE ) "CHHHELLO, RON DeSANTIS? 208 00:11:30,056 --> 00:11:33,959 I WANT TO GO TO MARTHA'S VINEYARD. 209 00:11:34,026 --> 00:11:41,200 ( CHEERS AND APPLAUSE ) DA, DA, YA, YA, D. 210 00:11:41,267 --> 00:11:42,001 DA, I AM VENEZUELAN. 211 00:11:42,068 --> 00:11:44,937 I HAVE A GREAT RECIPE FOR EMPANADA. 212 00:11:45,004 --> 00:11:49,975 IS POTATO." 213 00:11:50,042 --> 00:11:53,979 ( LAUGHTER ) PUTIN'S ALREADY TRYING TO CREAT 214 00:11:54,046 --> 00:12:01,987 ( CHEERS AND APPLAUSE ) PUTIN'S ALREADY TRYING TO CREATE 215 00:12:02,054 --> 00:12:04,890 HIS ARMY OF THE FUTURE. 216 00:12:04,957 --> 00:12:08,928 LAST MONTH, HE RESTORED A MILLION-RUBLE AWARD ESTABLISHED 217 00:12:08,994 --> 00:12:13,432 BY STALIN IN 1944 FOR WOMEN WHO GIVE BIRTH TO 10 OR MORE 218 00:12:13,499 --> 00:12:17,436 CHILDREN, CALLED THE "MOTHER HEROINE AWARD." 219 00:12:17,503 --> 00:12:20,906 BECAUSE AFTER GIVING BIRTH TO 10 OR MORE CHILDREN, THOSE MOTHERS 220 00:12:20,973 --> 00:12:22,108 ARE GONNA WANT SOME HEROIN. 221 00:12:22,174 --> 00:12:26,011 BUT THE MOBILIZATION WAS THE LIGHTER PART OF PUTIN'S SPEECH, 222 00:12:26,078 --> 00:12:33,953 BECAUSE HE WARNED "THOSE WHO TRY TO BLACKMAIL US WITH NUCLEAR 223 00:12:34,019 --> 00:12:36,222 WEAPONS SHOULD KNOW THAT THE PREVAILING WINDS CAN TURN IN 224 00:12:36,288 --> 00:12:40,960 THEIR DIRECTION," ADDING, "THIS IS NOT A BLUFF." 225 00:12:41,026 --> 00:12:42,094 FIRST OF ALL, GULP. 226 00:12:42,161 --> 00:12:44,964 SECOND, PEOPLE WHO AREN'T BLUFFING GENERALLY DON'T SAY, 227 00:12:45,030 --> 00:12:46,665 "THIS IS NOT A BLUFF." 228 00:12:46,732 --> 00:12:48,434 I WANT TO PLAY CARDS WITH THAT GUY, BECAUSE I THINK HE'S 229 00:12:48,501 --> 00:12:52,972 ALREADY LOST A FEW HANDS OF STRIP POKER. 230 00:12:53,038 --> 00:12:56,976 ( LAUGHTER ) PUTIN, ALSO-- 231 00:12:57,042 --> 00:12:59,945 ( APPLAUSE ) SURE. 232 00:13:00,012 --> 00:13:08,988 LOVE HIS NIPPLES! 233 00:13:09,054 --> 00:13:11,924 "THIS IS THE BBC." 234 00:13:11,991 --> 00:13:15,127 PUTIN ALSO ANNOUNCED HE HAS PLANS TO HAVE THE 235 00:13:15,194 --> 00:13:17,096 RUSSIAN-OCCUPIED PARTS OF UKRAINE HOLD IMMINENT VOTES ON 236 00:13:17,163 --> 00:13:18,264 JOINING RUSSIA. 237 00:13:18,330 --> 00:13:23,435 AND DON'T WORRY ABOUT MAIL-IN BALLOTS BECAUSE, REPORTEDLY, 238 00:13:23,502 --> 00:13:26,739 RUSSIAN OFFICIALS WOULD GO DOOR TO DOOR WITH THE POLICE TO 239 00:13:26,805 --> 00:13:29,942 ENCOURAGE PEOPLE "FREED FROM NAZISM" TO VOTE. 240 00:13:30,009 --> 00:13:32,978 'CUZ NOTHING SAYS "FREE FROM NAZISM" LIKE POLICE BANGING ON 241 00:13:33,045 --> 00:13:35,948 EVERY DOOR AND GOING: "OPEN UP! 242 00:13:36,015 --> 00:13:38,684 IT'S NOT THE NAZIS! 243 00:13:38,751 --> 00:13:40,986 LET US IN AND TELL US HOW HAPPY YOU ARE THAT WE'VE INVADED YOU! 244 00:13:41,053 --> 00:13:44,190 OR ELSE WE'LL GIVE YOU A HIGH-CALIBER 'I VOTED' STICKER." 245 00:13:44,256 --> 00:13:48,961 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 246 00:13:49,028 --> 00:13:52,965 MY GUESTS ARE OLIVIA WILDE AND UKRAINE'S FOREIGN MINISTER 247 00:13:53,032 --> 00:13:56,035 DMYTRO KULEBA. 248 00:13:56,101 --> 00:13:58,103 STICK AROUND, WON'T YOU. 249 00:14:28,500 --> 00:14:28,934 ( APPLAUSE ) >> Stephen: HEY, EVERYBODY, 250 00:14:29,001 --> 00:14:33,939 WELCOME BACK. 251 00:14:34,006 --> 00:14:35,507 LADIES AND GENTLEMEN, MY FIRST GUEST IS AN ACTOR AND DIRECTOR 252 00:14:35,574 --> 00:14:40,946 YOU KNOW FROM "DRINKING BUDDIES," "HOUSE," AND 253 00:14:41,013 --> 00:14:42,114 "BOOKSMART." 254 00:14:42,181 --> 00:14:43,482 HER NEW FILM THAT SHE DIRECTED AND STARS IN IS "DON'T WORRY 255 00:14:43,549 --> 00:14:45,551 DARLING." 256 00:14:54,026 --> 00:14:55,594 >> BOYS AND THEIR TOYS. 257 00:14:55,661 --> 00:14:57,429 AT LEAST WE KNOW THEY'RE GETTING WORK DONE. 258 00:14:57,496 --> 00:15:03,168 >> WHAT DO YOU THINK THEY'RE REALLY DOING OUT THERE? 259 00:15:03,235 --> 00:15:04,570 >> WHAT DO YOU MEAN? 260 00:15:04,637 --> 00:15:09,208 >> I MEAN, I KNOW WHAT THEY SAY KNOW-- DEVELOPMENT OF 261 00:15:09,275 --> 00:15:10,409 PROGRESSIVE MATERIALS. 262 00:15:10,476 --> 00:15:15,714 BUT SOMETIMES PETER INSIGNEUATES THAT THEY'RE ACTUALLY MAKING 263 00:15:15,781 --> 00:15:19,652 WEAPONS AND THAT IT'S ALL HAPPENING UNDERGROUND BECAUSE 264 00:15:19,718 --> 00:15:21,787 FRANKLY I DISCOVERED-- >> HEY. 265 00:15:21,854 --> 00:15:24,723 >> SORRY. 266 00:15:24,790 --> 00:15:27,693 >> WE'RE ALL HERE BECAUSE WE BELIEVE IN THE MISSION. 267 00:15:27,760 --> 00:15:28,827 >> YES. 268 00:15:28,894 --> 00:15:33,198 >> WE HAVE JOBS, TOO, THAT ARE JUST AS IMPORTANT, JUST AS 269 00:15:33,265 --> 00:15:36,769 VITAL, WHAT WE DO AT HOME-- SUPPORTING THEM, TAKING CARE OF 270 00:15:36,835 --> 00:15:37,970 THEM. 271 00:15:38,037 --> 00:15:38,070 WITHOUT THAT, THEY COULDN'T BE OUT THERE CHANGING THE WORLD. 272 00:15:39,238 --> 00:15:42,908 >> Stephen: PLEASE WELCOME BACK TO "THE LATE SHOW," OLIVIA 273 00:15:42,975 --> 00:15:43,842 WILDE! 274 00:15:43,909 --> 00:15:45,177 ♪ IT'S ALL RIGHT ♪ ( CHEERS AND APPLAUSE ) 275 00:15:59,925 --> 00:16:00,826 >> Stephen: THERE YOU GO. 276 00:16:00,893 --> 00:16:01,960 NICE TO SEE YOU AGAIN. 277 00:16:02,027 --> 00:16:03,162 >> IT'S SO GOOD TO BE HERE. 278 00:16:03,228 --> 00:16:05,030 >> Stephen: IT'S BEEN TOO LONG. 279 00:16:05,097 --> 00:16:05,764 >> I KNOW. 280 00:16:05,831 --> 00:16:09,902 >> Stephen: SINCE-- "BOOKSMART." 281 00:16:09,968 --> 00:16:12,471 >> Stephen: A YEAR BEFORE COVID HIT. 282 00:16:12,538 --> 00:16:13,706 >> TWEFT YEARS AGO. 283 00:16:13,772 --> 00:16:15,107 >> Stephen: SOMETHING LIKE THAT. 284 00:16:15,174 --> 00:16:15,774 THERE IS NO TIME ANYMORE. 285 00:16:15,841 --> 00:16:17,409 >> IT HAS NO MEANING. 286 00:16:17,476 --> 00:16:20,145 >> Stephen: DO YOU REMEMBER WHEN YOU WERE HERE, WE GAVE YOU 287 00:16:20,212 --> 00:16:22,614 A LITTLE DIRECTOR'S CHAIR? 288 00:16:22,681 --> 00:16:24,016 >> OF COURSE, IT'S BY MY BED. 289 00:16:24,083 --> 00:16:27,052 >> Stephen: IT'S TO CELEBRATE WHAT AN EXTRAORDINARY FRESHMAN 290 00:16:27,119 --> 00:16:29,154 OFFERING FROM A NEW DIRECTOR THAT WAS. 291 00:16:29,221 --> 00:16:31,490 IT CAME OUT OF THE GATE SO BEAUTIFULLY WITH THAT MOVIE. 292 00:16:31,557 --> 00:16:32,658 >> OH, THANK YOU. 293 00:16:32,725 --> 00:16:34,560 >> Stephen: AND I JUST WANTED TO SAY-- PEOPLE ARE GOING TO 294 00:16:34,626 --> 00:16:37,863 HAVE THEIR OWN OPINIONS ABOUT MOVIES, BUT I WATCHED "DON'T 295 00:16:37,930 --> 00:16:40,699 WORRY DARLING," AND I DON'T WANT TO GIVE ANYTHING AWAY, 296 00:16:40,766 --> 00:16:42,634 OBVIOUSLY, BECAUSE THERE'S SOMETHING TO GIVE AWAY, WHICH I 297 00:16:42,701 --> 00:16:43,736 DON'T WANT TO DO. 298 00:16:43,802 --> 00:16:47,373 BUT THE WAY THAT YOU LAY OUT THIS CONCEPT-- WHICH IS A 299 00:16:47,439 --> 00:16:51,744 CONCEPT THAT WE'VE SEEN BEFORE, WHICH IS SORT OF AN UNSETTLING 300 00:16:51,810 --> 00:16:52,211 UTOPIA, YOU KNOW. 301 00:16:52,277 --> 00:16:53,379 >> EXACTLY. 302 00:16:53,445 --> 00:16:56,648 >> Stephen: OR A SEDUCTIVE DISTONIA. 303 00:16:56,715 --> 00:16:57,449 >> YES. 304 00:16:57,516 --> 00:16:58,417 >> Stephen: YOU DO IT WITH INTRIGUE. 305 00:16:58,484 --> 00:17:00,018 YOU DO IT WITH TENSION. 306 00:17:00,085 --> 00:17:03,088 AND YOU DO IT IN WAYS THAT I HAVEN'T SEEN BEFORE THAT ARE 307 00:17:03,155 --> 00:17:04,256 ALSO FUNNY. 308 00:17:04,323 --> 00:17:07,159 FOR INSTANCE, YOUR CHARACTER, PARTICULARLY, IS VERY FUNNY. 309 00:17:07,226 --> 00:17:08,293 >> SHE IS. 310 00:17:08,360 --> 00:17:12,131 >> Stephen: IT'S LAID OUT IN A WAY I HAVEN'T SEEN BEFORE. 311 00:17:12,197 --> 00:17:13,399 IT'S ABSOLUTELY INTRIGUING. 312 00:17:13,465 --> 00:17:17,102 MY FIRST REACTION WATCHING THE MOVIE WAS IT'S NO MISTAKE WHAT 313 00:17:17,169 --> 00:17:19,071 YOU DID IN "BOOKSMART." 314 00:17:19,138 --> 00:17:21,306 YOU BELONG IN THAT DIRECTOR'S CHAIR. 315 00:17:21,373 --> 00:17:22,808 AND CONGRATULATIONS ON YOUR SECOND FILM. 316 00:17:22,875 --> 00:17:24,710 >> THANK YOU SO MUCH, THANK YOU. 317 00:17:24,777 --> 00:17:25,911 THAT MEANS A LOT ( APPLAUSE ). 318 00:17:25,978 --> 00:17:28,147 >> Stephen: I KNOW YOU WORKED ON IT FOR-- HOW LONG? 319 00:17:28,213 --> 00:17:29,048 >> THREE YEARS. 320 00:17:29,114 --> 00:17:30,482 >> Stephen: THREE YEARS. 321 00:17:30,549 --> 00:17:32,918 THROUGH COVID? 322 00:17:32,985 --> 00:17:34,987 >> YES, AND IT WAS A MASSIVE TEAM EFFORT. 323 00:17:35,053 --> 00:17:38,323 THERE WERE SO MANY OF US WHO CAME TOGETHER AND PUSHED 324 00:17:38,390 --> 00:17:39,892 TROUGH, YOU KNOW, CHALLENGE AFTER CHALLENGE. 325 00:17:39,958 --> 00:17:41,260 BUT WE'RE SO PROUD OF IT. 326 00:17:41,326 --> 00:17:42,795 IT'S SO EXCITING. 327 00:17:42,861 --> 00:17:44,863 >> Stephen: WELL, AFTER WORKING FOR THREE YEARS ON 328 00:17:44,930 --> 00:17:45,330 SOMETHING LIKE THIS. 329 00:17:45,397 --> 00:17:46,432 >> YES. 330 00:17:46,498 --> 00:17:48,934 >> Stephen: IT MUST BE PARTICULARLY FRUSTRATING TO HAVE 331 00:17:49,001 --> 00:17:51,270 PEOPLE TALKING ABOUT A LOT OF THINGS THAT AREN'T THE FILM 332 00:17:51,336 --> 00:17:51,703 ITSELF. 333 00:17:51,770 --> 00:17:52,504 >> OH, ARE THEY. 334 00:17:52,571 --> 00:17:53,272 >> Stephen: REALLY? 335 00:17:53,338 --> 00:17:55,641 YOU HAVEN'T HEARD? 336 00:17:55,707 --> 00:17:56,308 NO. 337 00:17:56,375 --> 00:17:56,642 THERE HAVE BEEN A LOT OF TALK. 338 00:17:56,708 --> 00:17:57,409 >> YUP. 339 00:17:57,476 --> 00:17:58,944 >> Stephen: THESE ARE THINGS THAT-- 340 00:17:59,011 --> 00:17:59,912 >> YEAH. 341 00:17:59,978 --> 00:18:01,980 >> Stephen: THE REPORTS OF FEUD. 342 00:18:02,047 --> 00:18:02,881 >> RIGHT. 343 00:18:02,948 --> 00:18:05,284 >> Stephen: PEOPLE ANALYZING BODY LANGUAGE. 344 00:18:05,350 --> 00:18:06,885 PRIVATE MESSAGES BEING RELEASED? 345 00:18:06,952 --> 00:18:07,820 >> YES. 346 00:18:07,886 --> 00:18:11,256 >> Stephen: NARRATIVES AND COUNTER-NARRATIVE. 347 00:18:11,323 --> 00:18:13,759 OLIVIA WILDE, IS THERE ANYTHING OR NOTHING IN THAT LIST YOU 348 00:18:13,826 --> 00:18:14,993 WOULD LIKE TO CLEAR UP? 349 00:18:15,060 --> 00:18:17,596 >> WELL, YOU KNOW, IT'S KIND OF-- IT'S INTERESTING. 350 00:18:17,663 --> 00:18:20,332 THE WHOLE EXPERIENCE HAS SORT OF CHANGED MY WAY OF THINKING ABOUT 351 00:18:20,399 --> 00:18:24,169 THE INTERNET AND HOW WE CHOOSE TO INTERACT WITH IT-- OR NOT. 352 00:18:24,236 --> 00:18:26,939 BUT, REALLY, IT'S KIND OF IRONIC, BECAUSE ALL OF THIS IS 353 00:18:27,005 --> 00:18:28,740 REALLY WHAT THE FILM'S ABOUT. 354 00:18:28,807 --> 00:18:33,045 THE FILM IS ABOUT THE NARRATIVES WE ARE FED AND WHETHER WE CHOOSE 355 00:18:33,111 --> 00:18:36,248 TO ACCEPT THEM OR QUESTION THEIR SOURCES. 356 00:18:36,315 --> 00:18:40,252 AND AS YOU SAID, THERE WERE PRIVATE MESSAGES THAT WERE 357 00:18:40,319 --> 00:18:44,156 RELEASED WITHOUT CONTEXT TO TRY TO MAKE A SITUATION LOOK LIKE 358 00:18:44,223 --> 00:18:46,258 SOMETHING THAT IT WASN'T. 359 00:18:46,325 --> 00:18:50,529 I-- EARLY ON IN THE PROCESS OF MAKING THE FILM, AS THE 360 00:18:50,596 --> 00:18:54,867 DIRECTOR, I TRIED TO MEDIATE, YOU KNOW, A SITUATION BETWEEN 361 00:18:54,933 --> 00:18:57,603 PEOPLE TO TRY TO SEE IF THEY COULD WORK TOGETHER HAPPILY. 362 00:18:57,669 --> 00:19:02,341 ONCE IT BECAME CLEAR THAT IT WAS NOT A TENABLE WORKING 363 00:19:02,407 --> 00:19:04,409 RELATIONSHIP, I WAS GIVEN AN ULTIMATUM. 364 00:19:04,476 --> 00:19:06,879 I CHOSE MY ACTRESS-- WHICH I'M VERY HAPPY I DID. 365 00:19:06,945 --> 00:19:11,183 AT THE TIME WAS I BUMMED THAT WE WEREN'T ABLE TO MAKE IT WORK? 366 00:19:11,250 --> 00:19:12,351 SURE. 367 00:19:12,417 --> 00:19:15,320 DID INFORMATION ABOUT HIM COME TO LIGHT LATER THAT MADE ME 368 00:19:15,387 --> 00:19:17,289 CONFIDENT WE MADE THE RIGHT DECISION? 369 00:19:17,356 --> 00:19:18,490 ABSOLUTELY. 370 00:19:18,557 --> 00:19:26,231 >> Stephen: JUST TO BE CLEAR HERE, DID YOU FIRE SHIA LABOUF. 371 00:19:26,298 --> 00:19:30,068 >> WE HAD TO REPLACE SHIA. 372 00:19:30,135 --> 00:19:33,205 HE'S A FANTASTIC ACTOR AND IT DIDN'T WORK. 373 00:19:33,272 --> 00:19:40,012 WHEN HE GAVE ME THE ULTIMATUM HIM OR FLORENCE, I CHOSE 374 00:19:40,078 --> 00:19:41,213 FLORENCE. 375 00:19:41,280 --> 00:19:44,116 >> Stephen: ARE YOU, JUST TO BE CLEAR HERE BECAUSE PEOPLE ARE 376 00:19:44,182 --> 00:19:44,416 PARSING. 377 00:19:44,483 --> 00:19:45,551 >> YES. 378 00:19:45,617 --> 00:19:49,788 >> Stephen: ARE YOU SAYING-- AND CORRECT ME IF I'M WRONG, 379 00:19:49,855 --> 00:19:52,958 THAT HE WOULDN'T... 380 00:19:53,025 --> 00:19:57,696 DO THE MOVIE IN THE WAY THAT YOU WANTED HIM TO? 381 00:19:57,763 --> 00:19:58,564 >> YEAH. 382 00:19:58,630 --> 00:20:00,198 >> Stephen: AND, THEREFORE, HE HAD TO GO. 383 00:20:00,265 --> 00:20:04,803 SO HE CAN SAY HE QUIT, AND YOU FIRED HIM, AND BOTH OF YOU CAN 384 00:20:04,870 --> 00:20:05,504 THINK YOU'RE RIGHT? 385 00:20:05,571 --> 00:20:07,105 >> IT'S A QUESTION OF SEMANTICS. 386 00:20:07,172 --> 00:20:09,007 >> Stephen: BUT, HONEST TO GOD, IS THAT IT? 387 00:20:09,074 --> 00:20:09,775 >> YEAH, ABSOLUTELY. 388 00:20:09,841 --> 00:20:11,143 >> Stephen: IT HAS TO BE THIS WAY. 389 00:20:11,209 --> 00:20:13,946 HE SAID, "I CAN'T DO THAT, I'M LEAVING." 390 00:20:14,012 --> 00:20:15,781 AND YOU SAID, "YOU'RE FIRED." 391 00:20:15,847 --> 00:20:20,852 >> I SAID, "THAT'S GREAT, YOU GO AND WE WILL MOVE ON." 392 00:20:20,919 --> 00:20:24,089 IT WASN'T GOING TO MOVE FORWARD IN THE WAY HE WANTED IT TO, SO 393 00:20:24,156 --> 00:20:25,624 HE HAD TO LEAVE. 394 00:20:25,691 --> 00:20:28,126 >> Stephen: SO WHO CONTROLS THE NARRATIVE OF THAT STORY? 395 00:20:28,193 --> 00:20:31,863 IS IT THE STAR WHO GETS TO SAY THEY LEFT OR THE DIRECTOR WHO 396 00:20:31,930 --> 00:20:33,799 GETS TO SAY, "YOU'RE FIRED." 397 00:20:33,865 --> 00:20:36,935 BECAUSE THAT'S A BIG STRUGOLE MOVIE SETS. 398 00:20:37,002 --> 00:20:38,904 WHO'S IN CONTROL, THE STAR OR DIRECTOR. 399 00:20:38,971 --> 00:20:39,705 OLIVIA WILDE, I ASK YOU. 400 00:20:39,771 --> 00:20:41,139 >> IT HAPPENS ALL THE TIME. 401 00:20:41,206 --> 00:20:43,875 I THINK EVERY PRODUCTION, THERE ARE SO MANY PEOPLE WHO ARE IN, 402 00:20:43,942 --> 00:20:47,846 WHO ARE OUT IN THE PERIOD OF TIME LEADING UP TO ANY 403 00:20:47,913 --> 00:20:49,047 PRODUCTION. 404 00:20:49,114 --> 00:20:51,516 THERE'S SO MANY PEOPLE WHO ARE IN FOR A PERIOD AND OUT FOR A 405 00:20:51,583 --> 00:20:52,651 PERIOD. 406 00:20:52,718 --> 00:20:56,688 AND IT'S ALL A MATTER OF, YOU KNOW, RESOLVING CONFLICT. 407 00:20:56,755 --> 00:21:00,292 AND ANYONE WHO HAS DEALT WITH CONFLICT KNOWS THERE ARE LEVELS 408 00:21:00,359 --> 00:21:02,260 BEFORE THERE IS A CONCLUSION. 409 00:21:02,327 --> 00:21:05,263 IN THIS CASE, EVERYONE IN THE END ENDED UP WHAT THEY WANTED. 410 00:21:05,330 --> 00:21:08,233 HE DIDN'T WANT TO BE PART OF THE PRODUCTION IN THE WAY I LIKE TO 411 00:21:08,300 --> 00:21:08,834 MAKE PRODUCTIONS. 412 00:21:08,900 --> 00:21:10,369 SO HE MOVED ON. 413 00:21:10,435 --> 00:21:14,740 HE MOVED ON AND REPLACED HIM AND ENDED UP WITH A CAST THAT I'M SO 414 00:21:14,806 --> 00:21:15,941 PROUD OF WIKH A MOVIE I'M REALLY PROUD ABOUT. 415 00:21:16,008 --> 00:21:16,942 >> Stephen: WE HAVE TO TAKE A QUICK BREAK. 416 00:21:17,009 --> 00:21:19,211 WE'LL BE BACK WITH MORE OLIVIA WILDE. 417 00:21:19,277 --> 00:21:19,645 STICK AROUND. 418 00:21:28,020 --> 00:21:29,821 >> Stephen: HEY, EVERYBODY, WE'RE BACK HERE WITH OLIVIA 419 00:21:29,888 --> 00:21:31,923 WILDE, DIRECTOR OF "DON'T WORRY DARLING." 420 00:21:31,990 --> 00:21:35,927 OLIVIA WILDE, CHRIS PINE IS PARTICULARLY SEDUCTIVELY SPOOKY. 421 00:21:35,994 --> 00:21:37,095 >> HE IS. 422 00:21:37,162 --> 00:21:41,533 >> Stephen: IT'S A SORT OF PORTRAYALAVE CULT LEADER THAT IS 423 00:21:41,600 --> 00:21:44,236 ONE AND THE SAME TIME RECOGNIZABLE AND ATTRACTIVE IN 424 00:21:44,302 --> 00:21:45,303 WAYS I DON'T EXPECT. 425 00:21:45,370 --> 00:21:48,774 I HOPE YOU'LL TAKE THIS THE RIGHT WAY. 426 00:21:48,840 --> 00:21:52,644 BEING SOMETHING OF A MIDCENTURY MALE, I WOULD MOVE TO VICTORY IN 427 00:21:52,711 --> 00:21:53,545 A MINUTE. 428 00:21:53,612 --> 00:21:55,747 >> THAT'S EXACTLY WHAT I WANT YOU TO FEEL. 429 00:21:55,814 --> 00:21:58,850 >> Stephen: MORALLY, I WOULDN'T WANT TO LIVE THERE-- 430 00:21:58,917 --> 00:22:00,052 >> THAT'S MY POINT. 431 00:22:00,118 --> 00:22:03,922 >> Stephen: BUT FROM MY OWN APPETITES, I WOULD MOVE THERE IN 432 00:22:03,989 --> 00:22:05,023 A SECOND. 433 00:22:05,090 --> 00:22:05,557 DON'T JUDGE YOU. 434 00:22:05,624 --> 00:22:07,426 >> I DON'T JUDGE YOU. 435 00:22:07,492 --> 00:22:08,160 THIS IS WORSE. 436 00:22:08,226 --> 00:22:10,529 I'M A WOMAN. 437 00:22:10,595 --> 00:22:12,931 >> Stephen: WHO COULDN'T WOONT LIKE A COLD COCKTAIL AND AN 438 00:22:12,998 --> 00:22:18,937 >> MARTINIS FOR BREAKFAST. 439 00:22:19,004 --> 00:22:22,307 WHO IS ACTUALLY BRAVE ENOUGH TO QUESTION A SYSTEM THAT REALLY 440 00:22:22,374 --> 00:22:25,477 WORKS FOR THEM IN A REALLY AMAZING WAY, A COMFORTABLE 441 00:22:25,544 --> 00:22:26,578 WORLD. 442 00:22:26,645 --> 00:22:28,980 WE'RE ALL REALLY GOOD AT BEING COMFORTABLE IN BUBBLES. 443 00:22:29,047 --> 00:22:31,917 THAT'S WHAT WE WERE TRYING TO KIND OF UNPACK. 444 00:22:31,983 --> 00:22:37,589 >> Stephen: FLORENCE PUGH'S CHARACTER-- CHOOSE NAME ESCAPED 445 00:22:37,656 --> 00:22:37,923 ME. 446 00:22:37,989 --> 00:22:39,091 >> ALICE. 447 00:22:39,157 --> 00:22:42,494 >> Stephen: ALICE GOES DOWN THE RABBIT HOLE, SHALL WE SAY. 448 00:22:42,561 --> 00:22:43,929 AND SHE QUESTIONS IT. 449 00:22:43,995 --> 00:22:45,063 >> SHE DOES. 450 00:22:45,130 --> 00:22:47,566 >> Stephen: A BEAUTIFUL PERFORMANCE. 451 00:22:47,632 --> 00:22:49,768 >> SHE IS SENSATIONAL IN THIS FILM. 452 00:22:49,835 --> 00:22:53,972 SHE IS BRAVE ENOUGH TO LISTEN TO THE BRAVE PEOPLE WHO CAME BEFORE 453 00:22:54,039 --> 00:22:57,476 HER, WHO EVERYBODY ELSE IGNORED AND TRUST HER INSTINCTS. 454 00:22:57,542 --> 00:23:01,413 AND SHE IS THE ONE BRAVE ENOUGH TO DISMANTLE THE SYSTEM. 455 00:23:01,480 --> 00:23:03,348 SHE IS A SUPER HERO. 456 00:23:03,415 --> 00:23:07,319 AND FLORENCE PUGH IS AS GOOD AT DRAMATIC WORK AS SHE IS AT 457 00:23:07,385 --> 00:23:08,253 ACTION. 458 00:23:08,320 --> 00:23:10,021 THERE ARE REAL ACTION SEQUENCESS IN THE FILM. 459 00:23:10,088 --> 00:23:13,759 SHE HAS A RUN WHICH I REFER TO AS HER "TOM CRUISE RUN." 460 00:23:13,825 --> 00:23:16,228 IT'S THE MOST IMPRESSIVE RUN I'VE EVER SEEN. 461 00:23:16,294 --> 00:23:17,929 >> Stephen: SPEAKING OF FLORENCE PUGH, AMAZING 462 00:23:17,996 --> 00:23:18,930 PERFORMANCE, LET'S GET TO ANOTHER QUESTION YOU SHOULDN'T 463 00:23:18,997 --> 00:23:19,898 HAVE TO ANSWER. 464 00:23:19,965 --> 00:23:22,534 PEOPLE SAY YOU ARE FEUDING WITH FLORENCE PUGH. 465 00:23:22,601 --> 00:23:24,402 IS THERE ANYTHING UP TO THE SAY THAT'S? 466 00:23:24,469 --> 00:23:29,674 >> THE ONLY THING I WANT TO SAY TO THAT, ANOTHER WEIRD RUMOR 467 00:23:29,741 --> 00:23:30,175 SPIT-GATE -- >> Stephen: DID HARRY STYLES 468 00:23:30,242 --> 00:23:31,510 SPIT ON CHRIS PINE? 469 00:23:31,576 --> 00:23:32,978 WHY OR WHY NOT? 470 00:23:33,044 --> 00:23:33,411 SUPPORT YOUR ANSWER. 471 00:23:33,478 --> 00:23:34,813 >> HE DID NOT. 472 00:23:34,880 --> 00:23:39,217 BUT I THINK IT'S A PERFECT EXAMPLE OF PEOPLE WILL LOOK FOR 473 00:23:39,284 --> 00:23:40,051 DRAMA ANYWHERE THEY CAN. 474 00:23:40,118 --> 00:23:42,521 HARRY DID NOT SPIT ON CHRIS, IN FACT. 475 00:23:42,587 --> 00:23:44,589 BUT THAT -- >> Stephen: TIME WILL TELL. 476 00:23:44,656 --> 00:23:47,359 >> NO, HE REALLY DIDN'T! 477 00:23:47,425 --> 00:23:49,194 >> Stephen: WELL... WE SHALL SEE. 478 00:23:49,261 --> 00:23:50,662 >> WE'VE SEEN IT. 479 00:23:50,729 --> 00:23:52,330 WE'VE SEEN IT. 480 00:23:52,397 --> 00:23:56,568 >> Stephen: SCIENCE ISN'T IN YET GEE, THAT'S EXACTLY WHAT I 481 00:23:56,635 --> 00:23:57,803 MEAN. 482 00:23:57,869 --> 00:24:02,040 PEOPLE CAN LOOK AT A VIDEO THAT SHOWS EVIDENCE OF SOMEONE NOT 483 00:24:02,107 --> 00:24:05,877 SPITTING ON SOMEONE ELSE AND THEY WILL STILL SEE WHAT THEY 484 00:24:05,944 --> 00:24:06,344 WILL SEE. 485 00:24:06,411 --> 00:24:07,712 THAT IS CLICKBAIT. 486 00:24:07,779 --> 00:24:12,651 >> Stephen: I HAVE NOTHING BUT RESPECT FOR FLORENCE'S TALENT. 487 00:24:12,717 --> 00:24:16,588 SHE'S ON THE SET OF HER MOVIE, "DUNE." 488 00:24:16,655 --> 00:24:18,790 AND I HAVE NOTHING AGAINST HER FOR ANY REASON. 489 00:24:18,857 --> 00:24:22,060 >> Stephen: PEOPLE POINTED OUT THAT HE WAS HAVING AN APERRAL 490 00:24:22,127 --> 00:24:24,229 SPRITZ DURING THE PRESS CONFERENCE AND SHE DIDN'T SHOW 491 00:24:24,296 --> 00:24:25,230 UP FOR IT. 492 00:24:25,297 --> 00:24:27,199 >> THEY DID POINT THAT OUT. 493 00:24:27,265 --> 00:24:34,539 I DON'T FEEL LIKE MY LEAL MALE DIRECTOR COLLEAGUES ARE 494 00:24:34,606 --> 00:24:35,974 ANSWERING QUESTIONS ABOUT THEIR CAST -- 495 00:24:36,041 --> 00:24:37,042 >> Stephen: I AGREE WITH YOU. 496 00:24:37,108 --> 00:24:37,676 HERE'S THE THING. 497 00:24:37,742 --> 00:24:38,910 YOU'RE RIGHT, YOU'RE RIGHT. 498 00:24:38,977 --> 00:24:46,952 I THINK YOU'RE EXACTLY RIGHT. 499 00:24:47,018 --> 00:24:51,556 MUCH IN THE SAME WAY THAT I WANT TO GO TO VICTORY, NOT ON MORAL 500 00:24:51,623 --> 00:24:54,192 GROUNDS, BUT ON APPETITE ROUNDS. 501 00:24:54,259 --> 00:24:55,994 THESE ARE NOT QUESTIONS TO GIVE A DIRECTOR. 502 00:24:56,061 --> 00:24:57,529 THEY SHOULD BE TALKING ABOUT THE MOVIE ITSELF. 503 00:24:57,596 --> 00:24:58,697 >> THAT'S RIGHT. 504 00:24:58,763 --> 00:25:00,565 >> Stephen: BUT THESE ARE THE QUESTIONS THAT HAVE SORT OF 505 00:25:00,632 --> 00:25:00,999 CONSUMED THIS MOVIE. 506 00:25:01,066 --> 00:25:02,167 >> YES. 507 00:25:02,234 --> 00:25:04,436 >> Stephen: AND I AM GIVING IN TO AN APPETITE BY ASKING YOU 508 00:25:04,502 --> 00:25:05,070 THESE QUESTIONS. 509 00:25:05,136 --> 00:25:06,071 >> YES, I FULLY UNDERSTAND. 510 00:25:06,137 --> 00:25:08,006 >> Stephen: BUT I WILL ALSO SAY THIS. 511 00:25:08,073 --> 00:25:10,609 WE'RE COMING UP ON THE 100th ANNIVERSARY OF THE HOLLYWOOD 512 00:25:10,675 --> 00:25:11,042 SIGN. 513 00:25:11,109 --> 00:25:12,043 IT'S 100 YEARS. 514 00:25:12,110 --> 00:25:13,144 >> OH, YEAH. 515 00:25:13,211 --> 00:25:16,381 >> Stephen: MOSTLY MALE DIRECTOR, ALMOST ENTIRELY MALE 516 00:25:16,448 --> 00:25:17,616 DIRECTORS FOR THAT 100 YEARS. 517 00:25:17,682 --> 00:25:21,419 HOLLYWOOD, FOR LACK OF A BETTER WORD, IS ESSENTIALLY A BOX OF 518 00:25:21,486 --> 00:25:22,687 BROKEN TOYS. 519 00:25:22,754 --> 00:25:27,993 WE ALL HAVE OUR PROBLEMS. EVEN IF EVER RUMOR OF YOUR MOVIE WERE 520 00:25:28,059 --> 00:25:33,565 TRUE, IT WOULD BE PRETTY LIGHT FARE COMPARE TO ALFRED HITCHCOCK 521 00:25:33,632 --> 00:25:36,201 OR ANY OF THE GREAT DIRECTORS OUT THERE WE ADMIRE SO MUCH. 522 00:25:36,268 --> 00:25:37,402 >> THANK YOU. 523 00:25:37,469 --> 00:25:39,905 >> Stephen: AND I DON'T THINK, I DON'T THINK A MALE DIRECTOR 524 00:25:39,971 --> 00:25:40,839 WOULD BE-- >> NO. 525 00:25:40,906 --> 00:25:41,640 >> Stephen: WOULD BE RUMORED. 526 00:25:41,706 --> 00:25:43,308 I WOULDN'T EVEN HAVE THESE QUESTIONS. 527 00:25:43,375 --> 00:25:44,409 >> NO, YOU WOULDN'T. 528 00:25:44,476 --> 00:25:47,679 >> Stephen: THEY WOULDN'T BE SWIRLING AROUND THE FILM. 529 00:25:47,746 --> 00:25:49,981 >> PEOPLE WOULD BE TALKING ABOUT THE MOVIE. 530 00:25:50,048 --> 00:25:52,984 THEY'RE PRAISED FOR BEING TYRANNICAL. 531 00:25:53,051 --> 00:25:55,186 THEY CAN BE INVESTIGATED TIME AND TIME AGAIN AND IT DOESN'T 532 00:25:55,253 --> 00:25:58,490 TAKE OVER THE CONVERSATION THE THEIR TALENT OR THE FILM ITSELF. 533 00:25:58,556 --> 00:26:01,126 THIS IS SOMETHING WE HAVE COME TO EXPECT. 534 00:26:01,192 --> 00:26:04,930 IT IS VERY DIFFERENT STANDARDS CREATED FOR WOMEN AND MEN. 535 00:26:04,996 --> 00:26:06,598 IN THE WORLD AT LARGE. 536 00:26:06,665 --> 00:26:07,899 I'M NOT JUST TALKING ABOUT HOLLYWOOD. 537 00:26:07,966 --> 00:26:11,169 WHEN PEOPLE SEE THE FILM-- AND I REALLY HOPE YOU DO-- THEY WILL 538 00:26:11,236 --> 00:26:13,738 FIND WE WERE TRYING TO DO SOMETHING REALLY AMBITIOUS AND A 539 00:26:13,805 --> 00:26:15,840 LOT OF PEOPLE DID A LOT OF HARD WORK. 540 00:26:15,907 --> 00:26:17,776 WE MADE A MOVIE DURING THE PANDEMIC. 541 00:26:17,842 --> 00:26:19,511 THAT'S LIKE BUILDING A HOUSE IN A HURRICANE. 542 00:26:19,577 --> 00:26:22,547 SO WE CAN HANDLE A LITTLE TWITTER STORM. 543 00:26:22,614 --> 00:26:23,715 WE'RE ALL RIGHT. 544 00:26:23,782 --> 00:26:26,451 BUT IT'S VERY-- IT'S VERY FRUSTRATING WHEN PEOPLE ARE SORT 545 00:26:26,518 --> 00:26:28,954 OF SIDELINING US IN A WAY I DON'T SEE THEM DOING TO MEN. 546 00:26:29,020 --> 00:26:30,188 YOU KNOW WHAT? 547 00:26:30,255 --> 00:26:34,926 THE FILM IS SOMETHING THAT IS A PRODUCT OF SO MUCH HARD WORK, 548 00:26:34,993 --> 00:26:36,127 AND WE'RE JUST PROUD. 549 00:26:36,194 --> 00:26:38,430 >> Stephen: WE HAVE TO TAKE A BREAK, BUT WE'LL BE RIGHT BACK 550 00:26:38,496 --> 00:26:40,498 WITH MORE OF THE DIRECTOR OF "DON'T WORRY DARLING," OLIVIA 551 00:26:51,009 --> 00:26:52,310 >> Stephen: HEY, EVERYBODY, WE'RE BACK HERE WITH YOUNG 552 00:26:52,377 --> 00:26:53,511 OLIVIA WILDE. 553 00:26:53,578 --> 00:26:55,880 OLIVIA WILDE, I WANT TO TALK ABOUT SOME OF THE HARD WORK YOU 554 00:26:55,947 --> 00:26:57,382 DID, AND THAT IS DIRECTING YOURSELF. 555 00:26:57,449 --> 00:27:00,785 AS I SAID, YOU'RE A CHARACTER IN THIS, AND YOU'RE A FUN CHARACTER 556 00:27:00,852 --> 00:27:01,353 IN THIS. 557 00:27:01,419 --> 00:27:02,554 >> YEAH. 558 00:27:02,620 --> 00:27:03,955 >> Stephen: ESPECIALLY I LOVE THE FACT THAT THIS YOUNG LADY 559 00:27:04,022 --> 00:27:06,391 RIGHT HERE WHO PLAYS YOUR DAUGHTER IS YOUR DAUGHTER. 560 00:27:06,458 --> 00:27:08,893 >> SHE IS MY REAL DAUGHTER. 561 00:27:08,960 --> 00:27:09,894 THAT'S DAISY. 562 00:27:09,961 --> 00:27:12,364 AND SHE WAS VERY GOOD AT PLAYING MY DAUGHTER. 563 00:27:12,430 --> 00:27:16,368 >> Stephen: THERE'S A LOT OF-- THERE ARE MANY FUNNY LINES OF 564 00:27:16,434 --> 00:27:20,905 YOU YELLING AT YOUR CHILDREN OFF CAMERA YELLING, "DON'T DO THAT. 565 00:27:20,972 --> 00:27:22,040 DON'T HIT HER." 566 00:27:22,107 --> 00:27:24,209 WAS THAT A NATURAL WAY YOU EFFECT SPEAK TO YOUR CHILDREN? 567 00:27:24,275 --> 00:27:28,680 >> I WAS A LITTLE MEANER THAN I WAS SPEAKING TO HER. 568 00:27:28,747 --> 00:27:33,018 IT WAS THE DRUNK 1960s VERSION OF ME, I GUESS. 569 00:27:33,084 --> 00:27:35,453 IT WAS GREAT HAVING HER THERE. 570 00:27:35,520 --> 00:27:38,456 I WAS LIKE SOMEWHERE UB SENTENCERLY THIS IS SEEPING IN 571 00:27:38,523 --> 00:27:40,291 THAT HER MOTHER IS. 572 00:27:40,358 --> 00:27:42,761 IN CHARGE AND SUPPORTED BY THIS AWESOME CREW. 573 00:27:42,827 --> 00:27:44,863 >> Stephen: IN CHARGE AND PERFORMING IN IT. 574 00:27:44,929 --> 00:27:46,297 WHAT IS THAT LIKE TO DIRECT YOURSELF? 575 00:27:46,364 --> 00:27:47,232 >> I MEAN, IT'S INSANE. 576 00:27:47,298 --> 00:27:48,666 IT WAS INSANE. 577 00:27:48,733 --> 00:27:51,169 BECAUSE I WAS ALSO PRODUCING THE MOVIE. 578 00:27:51,236 --> 00:27:55,306 IT WOULD BE LIKE ACTING A SCENE IN A BIKINI-- WHICH MAKES IT 579 00:27:55,373 --> 00:27:58,443 WEIRD-- GETTING UP, HOLDING MY DAUGHTER, RUNNING OVER TO THE 580 00:27:58,510 --> 00:28:00,045 MONITOR, TALKING TO MY D.P. 581 00:28:00,111 --> 00:28:03,715 AND THE OTHER PRODUCER TELLING ME ABOUT COVID SHUTDOWNS, WHICH 582 00:28:03,782 --> 00:28:08,019 WAS INSANITY, SITTING DOWN, CALLING "ACTION," AND DOING IT 583 00:28:08,086 --> 00:28:08,386 AGAIN. 584 00:28:08,453 --> 00:28:09,454 IT WAS WILD. 585 00:28:09,521 --> 00:28:10,889 >> Stephen: WAS THERE A PARTICULAR TYPE OF SCENE YOU 586 00:28:10,955 --> 00:28:11,556 ENJOYED. 587 00:28:11,623 --> 00:28:12,724 WAS IT THE COMEDY OR SUSPENSE? 588 00:28:12,791 --> 00:28:16,494 THERE ARE A FEW MOMENT THERE THAT DO MAKE YOUR SKIN CRAWL. 589 00:28:16,561 --> 00:28:18,363 YOU'RE NOT SURE ABOUT WHAT'S TO HAPPEN IN THE SCENE. 590 00:28:18,430 --> 00:28:19,464 >> ALL OF THAT WAS SO FUN. 591 00:28:19,531 --> 00:28:23,334 I THINK MY FAVORITE STUFF TO DIRECT WERE THE ACTION 592 00:28:23,401 --> 00:28:23,802 SEQUENCES. 593 00:28:23,868 --> 00:28:24,903 I LOVE CAR CHASES. 594 00:28:24,969 --> 00:28:29,741 WHAT I REALLY WANT TO DO IS "FAST AND FURIOUS 45," OR 595 00:28:29,808 --> 00:28:30,875 WHATEVER THEY'RE ON. 596 00:28:30,942 --> 00:28:34,079 THIS IS A RIG, CALLED THE BISCUIT RIG, WHICH IS HOW YOU 597 00:28:34,145 --> 00:28:36,881 SHOOT HIGH-SPEED CAR CHASES. AND IT'S REALLY FUN. 598 00:28:36,948 --> 00:28:40,518 IT'S BASICALLY THE BEST DISNEYLAND RIDE YOU CAN IMAGINE. 599 00:28:40,585 --> 00:28:44,756 AND I GOT TO BE RIPPED AROUND AS FLORENCE WAS PRETENDING TO DRIVE 600 00:28:44,823 --> 00:28:48,259 THIS AMAZING ABILITYs CORVETTE AND IT WAS GREATEST DAY OF MY 601 00:28:48,326 --> 00:28:49,661 LIFE, WEEK OF MY LIFE. 602 00:28:49,727 --> 00:28:54,732 AND THAT MADE ME REALIZE YEAH, I WANT TO DIRECT CRAZY ACTION 603 00:28:54,799 --> 00:28:55,900 SEQUENCE S. 604 00:28:55,967 --> 00:28:58,803 >> Stephen: YOUR CHARACTER BUNNY HAS A HELL OF A PAIR OF 605 00:28:58,870 --> 00:28:59,838 EYEBROWS. 606 00:28:59,904 --> 00:29:01,639 SHE'S A RECOGNIZABLE CHARACTER. 607 00:29:01,706 --> 00:29:09,114 SHE'S SORT OF AN ARCHTYPE OF MIDCENTURY, SORT OF UNSETTLING 608 00:29:09,180 --> 00:29:09,814 UTOPIA. 609 00:29:09,881 --> 00:29:11,015 IS THERE AN INSPIRATION FOR HER? 610 00:29:11,082 --> 00:29:13,318 >> YES, SHE IS VERY MUCH BASED ON MY GRANDMOTHER JEANNE, WHO 611 00:29:13,384 --> 00:29:16,488 WAS A REALLY FABULOUS WOMAN, WHO WAS INCREDIBLY BRILLIANT. 612 00:29:16,554 --> 00:29:20,258 AND SHE LARGELY LIVED TO CREATE A VERY FABULOUS LIFE FOR HER 613 00:29:20,325 --> 00:29:21,192 FAMILY. 614 00:29:21,259 --> 00:29:23,361 WAS A WONDERFUL WIFE, A VERY GLAMOROUS WIFE. 615 00:29:23,428 --> 00:29:26,764 BUT I ALWAYS THOUGHT, YOU KNOW, SHE WAS VERY WELL EDUCATED. 616 00:29:26,831 --> 00:29:28,900 SHE STUDIED POETRY. 617 00:29:28,967 --> 00:29:30,902 SHE WAS VERY WELL READ. 618 00:29:30,969 --> 00:29:33,404 BUT HER EXISTENCE WAS LARGELY BASED AROUND HER HUSBAND. 619 00:29:33,471 --> 00:29:36,574 AND I THOUGHT, YOU KNOW, I WONDER WHAT IT REALLY WOULD BE 620 00:29:36,641 --> 00:29:38,143 LIKE TO GET IN HER SKIN. 621 00:29:38,209 --> 00:29:41,513 BECAUSE I COULD KIND OF JUDGE THE LACK OF AUTONOMY FOR A TIME, 622 00:29:41,579 --> 00:29:43,615 IT REALLY SEALED LIKE A FABULOUS LIFE. 623 00:29:43,681 --> 00:29:44,883 THEY PARTIED A LOT. 624 00:29:44,949 --> 00:29:46,551 >> Stephen: BUT HER CLOTHES. 625 00:29:46,618 --> 00:29:48,553 >> THEY HAD BETTER CLOTHES. 626 00:29:48,620 --> 00:29:49,854 THEY DRESSED UP TO FLY. 627 00:29:49,921 --> 00:29:51,589 I FLY LOOKING VERY BAD. 628 00:29:51,656 --> 00:29:53,525 JUST A LOT OF SWEAT PANTS, SO MESSY. 629 00:29:53,591 --> 00:29:54,826 JEANNE WAS ALWAYS FABULOUS. 630 00:29:54,893 --> 00:29:59,330 AND I THOUGHT, OKAY, FOR A MINUTE I'LL GET TO BE AS OF 631 00:29:59,397 --> 00:30:01,132 FABULOUS AS GRANDMA JEANNE? 632 00:30:01,199 --> 00:30:04,969 .>> Stephen: ANYBODY IN THE FAMILY RECOGNIZE HER? 633 00:30:05,036 --> 00:30:08,806 >> YES, MY SIBLINGS SAW HER. 634 00:30:08,873 --> 00:30:12,377 I I THINK SHE WOULD BE REALLY PROUD OF IT IT. 635 00:30:12,443 --> 00:30:15,146 IF I TOLD HER I WOULD BE DIRECTING MOVIES WILL AT THIS 636 00:30:15,213 --> 00:30:17,749 SCALE, I DON'T THINK SHE WOULD HAVE BELIEVED IT WAS POSSIBLE, 637 00:30:17,815 --> 00:30:18,316 AND THAT'S COOL. 638 00:30:18,383 --> 00:30:19,884 >> Stephen: WHAT'S NEXT? 639 00:30:19,951 --> 00:30:21,119 >> SO MANY FUN THINGS. 640 00:30:21,186 --> 00:30:24,122 I'M MAKING A DOCUMENTARY AND A FEW PROJECTS ARE IN DEVELOPMENT. 641 00:30:24,189 --> 00:30:25,190 IT'S BEEN THREE YEARS. 642 00:30:25,256 --> 00:30:27,592 I'M EXCITED TO JUST GET THIS BABY OUT. 643 00:30:27,659 --> 00:30:30,228 IT'S LIKE I'VE BEEN PREGNANT FOR 1,000 MONTHS. 644 00:30:30,295 --> 00:30:32,897 I DON'T KNOW HOW MANY MONTHS ARE IN THREE YEARS. 645 00:30:32,964 --> 00:30:34,032 DON'T QUIZ ME. 646 00:30:34,098 --> 00:30:37,335 BUT THEN JUST TO SEE IT IN THEATERS AND JUST HAVE PEOPLE 647 00:30:37,402 --> 00:30:40,271 OWN IT ON THEIR OWN, AND THEN I WILL REST FOR A SMALL PERIOD OF 648 00:30:40,338 --> 00:30:41,639 TIME AND GET BACK IN THE GAME. 649 00:30:41,706 --> 00:30:43,575 >> Stephen: OLIVIA, IT WAS LOVELY IT SEE YOU. 650 00:30:43,641 --> 00:30:44,409 >> THANK YOU SO MUCH. 651 00:30:44,475 --> 00:30:45,577 >> Stephen: THANK YOU FOR BEING HERE. 652 00:30:45,643 --> 00:30:48,980 >> THANK YOU. 653 00:30:49,047 --> 00:30:50,348 >> Stephen: "DON'T WORRY DARLING" IS IN THEATERS FRIDAY. 654 00:30:50,415 --> 00:30:51,382 OLIVIA WILDE, EVERYBODY! 655 00:30:51,449 --> 00:30:53,284 WE'LL BE RIGHT BACK WITH UKRAINE'S FOREIGN MINISTER 656 00:30:53,351 --> 00:30:54,352 DMYTRO KULEBA. 657 00:31:09,000 --> 00:31:15,940 ( APPLAUSE ) >> Stephen: HEY, EVERYBODY, 658 00:31:16,007 --> 00:31:17,642 IT IS AN HONOR TO INTRODUCE MY NEXT GUEST. 659 00:31:17,709 --> 00:31:21,613 HE SERVES AS UKRAINE'S MINISTER OF FOREIGN AFFAIRS. 660 00:31:21,679 --> 00:31:25,617 PLEASE WELCOME DMYTRO KULEBA! 661 00:31:25,683 --> 00:31:27,685 ♪ ♪ ♪ ( APPLAUSE ) 662 00:31:38,796 --> 00:31:41,532 >> Stephen: MINISTER, THANKS FOR BEING HERE. 663 00:31:41,599 --> 00:31:45,069 IT'S KIND OF AN AUSPICIOUS NIGHT FOR YOU TO BE HERE, GIVEN THE 664 00:31:45,136 --> 00:31:47,805 SPEECH THAT PUTIN GAVE THIS MORNING TO THE RUSSIAN PEOPLE 665 00:31:47,872 --> 00:31:52,777 ABOUT CALLING UP THOSE CONSCRIPTS, ESSENTIALLY. 666 00:31:52,844 --> 00:31:56,614 BEFORE WE GET TO THAT, I WANT TO ASK YOU ABOUT THE MORALE OF THE 667 00:31:56,681 --> 00:31:57,849 UKRAINIAN PEOPLE. 668 00:31:57,915 --> 00:32:03,454 YOU STUNNED PROGNOSTICATORS WHEN YOU HELD THE RUSSIANS OFF FROM 669 00:32:03,521 --> 00:32:05,623 KYIV AT THE BEGINNING OF THE WAR. 670 00:32:05,690 --> 00:32:09,560 ( APPLAUSE ) AND THEN TOOK BACK MUCH OF THAT 671 00:32:09,627 --> 00:32:10,862 AREA IN THE NORTH. 672 00:32:10,928 --> 00:32:14,832 AND THEN, THIS LATEST COUNTEROFFENSIVE, WHERE YOU TOOK 673 00:32:14,899 --> 00:32:17,702 BACK THE KHARKIV REGION HAS BEEN CALLED THE GREATEST 674 00:32:17,769 --> 00:32:20,638 COUNTEROFFENSIVE SINCE WORLD WAR II. 675 00:32:20,705 --> 00:32:24,008 AGAIN, IT'S IMPRESSED AND STUNNED THOSE, FOR LACK OF A 676 00:32:24,075 --> 00:32:26,311 BETTER WORD, IN THE WEST. 677 00:32:26,377 --> 00:32:28,646 WHAT HAS THAT MEANT TO THE MORAL OF THE UKRAINIAN PEOPLE? 678 00:32:28,713 --> 00:32:31,783 >> WELL, IT PROVES NOT ONLY TO US BUT TO THE ENTIRE WORLD THAT 679 00:32:31,849 --> 00:32:36,587 WE KNOW HOW TO WIN AND WE WILL. 680 00:32:36,654 --> 00:32:48,700 ( APPLAUSE ) IF I MAY, I JUST WANTED TO SAY 681 00:32:48,766 --> 00:32:51,502 THANK YOU FOR THIS ROUND OF APPLAUSE. 682 00:32:51,569 --> 00:32:52,637 THIS IS YOUR APPLAUSE. 683 00:32:52,704 --> 00:32:55,473 IT'S NOT TO ME BUT TO THE PEOPLE OF UKRAINE AND OUR BRAVE 684 00:32:55,540 --> 00:32:55,973 SOLDIERS. 685 00:32:56,040 --> 00:32:56,841 THANK YOU VERY MUCH. 686 00:32:56,908 --> 00:32:58,543 ( APPLAUSE ) >> Stephen: I THINK YOU'RE 687 00:32:58,609 --> 00:33:03,181 VERY RIGHT THERE. 688 00:33:03,247 --> 00:33:18,129 ( CHEERING ) 689 00:33:18,196 --> 00:33:21,699 ( CHEERING ) 690 00:33:26,804 --> 00:33:30,508 >> Stephen: VLADIMIR PUTIN THIS MORNING SAID THAT, AMONG 691 00:33:30,575 --> 00:33:36,581 OTHER THINGS, THAT HE PLANS TO HOLD VOTE, SO HE SAYS, ON 692 00:33:36,647 --> 00:33:39,917 ANNEXATION OF THESE RUSSIAN-OCCUPIED AREAS IN 693 00:33:39,984 --> 00:33:40,918 EASTERN UKRAINE. 694 00:33:40,985 --> 00:33:43,287 SPOILER ALERT-- HE'S GOING TO SAY THE VOTES WERE 695 00:33:43,354 --> 00:33:46,891 OVERWHELMINGLY IN FAVOR, NO MATTER WHAT ACTUALLY HAPPENS. 696 00:33:46,958 --> 00:33:52,196 WHAT DOES IT MEAN TO UKRAINE IF THOSE VOTES ARE HELD, THE 697 00:33:52,263 --> 00:33:54,966 RUSSIAN CLAIM THAT THAT IS NOW PART OF RUSSIA, AND THEN HE'LL 698 00:33:55,032 --> 00:34:00,471 BE TIEBL SAY IF YOU GO TO TAKE BACK THAT PART OF YOUR COUNTRY, 699 00:34:00,538 --> 00:34:01,839 YOU ARE ACTUALLY INVADING HIS COUNTRY. 700 00:34:01,906 --> 00:34:04,809 >> IT REALLY DOESN'T MEAN ANYTHING TO US, WE WILL KEEP 701 00:34:04,876 --> 00:34:05,943 FIGHTING. 702 00:34:06,010 --> 00:34:10,181 WHATEVER HE SAYS, WHATEVER HE DOES, HE CAN ARRANGE SHAM 703 00:34:10,248 --> 00:34:12,150 REFERENDUMS, HE CAN CALL IT PART OF THE MOON-- WHATEVER. 704 00:34:12,216 --> 00:34:12,650 THIS IS OUR LAND. 705 00:34:12,717 --> 00:34:14,152 THIS IS OUR PEOPLE. 706 00:34:14,218 --> 00:34:18,256 WE WILL RETAKE EVERY SQUARE MEET OF OUR TERRITORY, AND WE WILL 707 00:34:18,322 --> 00:34:18,923 LIBERATE PEOPLE. 708 00:34:18,990 --> 00:34:20,691 YOU ASKED ME ABOUT THE MORAL. 709 00:34:20,758 --> 00:34:24,529 YOU KNOW, THE MOST IMPRESSIVE PART FOR ME WAS THE MORAL OF THE 710 00:34:24,595 --> 00:34:27,932 PEOPLE THAT WE LIBERATED IN OUR TERRITORIES. 711 00:34:27,999 --> 00:34:31,469 SOME OF THEM CAME TO OUR SOLDIERS AND SAID, "WE ALMOST 712 00:34:31,536 --> 00:34:35,406 LOST HOPE THAT YOU WOULD BE BACK, AND NOW YOU ARE HERE." 713 00:34:35,473 --> 00:34:38,409 AND THERE WERE THESE SCENES OF JOY AND TEARS. 714 00:34:38,476 --> 00:34:40,678 NOTHING INSPIRES MORE THAN THESE SCENES BECAUSE YOU UNDERSTAND 715 00:34:40,745 --> 00:34:44,415 THERE ARE SOME PEOPLE STILL UNDER OCCUPATION. 716 00:34:44,482 --> 00:34:47,919 AND PUTIN AND RUSSIAN OCCUPIERS CONVINCED THEM THAT THIS IS IT. 717 00:34:47,985 --> 00:34:49,620 RUSSIA IS HERE FOREVER. 718 00:34:49,687 --> 00:34:50,988 WE'RE NEVER GOING TO LEAVE. 719 00:34:51,055 --> 00:34:52,089 TAKE US. 720 00:34:52,156 --> 00:34:52,957 ACCEPT US. 721 00:34:53,024 --> 00:34:53,624 EPIBRACE US. 722 00:34:53,691 --> 00:34:55,460 BUT THEY'RE STILL WAITING. 723 00:34:55,526 --> 00:34:56,627 WAITING FOR LIBERATION. 724 00:34:56,694 --> 00:35:00,598 WHEN YOU IMAGINE HOW THESE PEOPLE FEEL, IT REALLY MAKES YOU 725 00:35:00,665 --> 00:35:04,869 WORK MUCH HARDER, BE YOU A DIPLOMAT OR SOLDIER, YOU REALLY 726 00:35:04,936 --> 00:35:09,040 WANT TO LIBERATE THESE PEOPLE AS SOON AS POSSIBLE, WHATEVER PUTIN 727 00:35:09,106 --> 00:35:11,876 THINKS OF IT OR WHATEVER DECISION HE MAKES. 728 00:35:11,943 --> 00:35:15,012 >> Stephen: HE IMPLIED THIS MORNING, ALMOST DIRECTLY, THAT 729 00:35:15,079 --> 00:35:19,250 NUCLEAR WEAPONS ARE NOT OFF THE TABLE, FIRST CITING, SOMEHOW, 730 00:35:19,317 --> 00:35:22,320 THAT THE WEST IS ACTUALLY RATCHETING UP THE NUCLEAR DANGER 731 00:35:22,386 --> 00:35:25,490 HERE, AND THAT NUCLEAR WEAPONS ARE NOT OFF THE TABLE. 732 00:35:25,556 --> 00:35:31,529 AND SAID, AS I SAID EARLIER, "I'M NOT BLUFFING," HE SAYS. 733 00:35:31,596 --> 00:35:33,598 DOES PRESIDENT ZELENSKYY BELIEVE THAT HE'S BLUFFING? 734 00:35:33,664 --> 00:35:39,303 >> I THINK WHEN SOMEONE SAYS, "I'M NOT BLUFFING," AND ALSO THE 735 00:35:39,370 --> 00:35:40,238 CASE HE ACTUALLY IS. 736 00:35:40,304 --> 00:35:44,308 BECAUSE IF YOU ARE SO-- ( APPLAUSE ) 737 00:35:44,375 --> 00:35:47,478 BECAUSE IF YOU ARE SO CONFIDENT IN YOURSELF, YOU KNOW, WHY 738 00:35:47,545 --> 00:35:49,380 SHOULD YOU BE REPEATING ALL OF THIS? 739 00:35:49,447 --> 00:35:53,618 BUT THIS DOESN'T MEAN WE SHOULDN'T TAKE HIM SERIOUSLY. 740 00:35:53,684 --> 00:35:57,021 AND I CAN SAY TWO THINGS. 741 00:35:57,088 --> 00:36:01,626 FIRST, WE AS A NATION ARE READY TO FACE ANY CHALLENGE THAT WE 742 00:36:01,692 --> 00:36:05,129 HAVE TO IN ORDER TO PREVAIL. 743 00:36:05,196 --> 00:36:08,432 BECAUSE WE UNDERSTAND THAT WE ARE FIGHTING FOR OUR FREEDOM AND 744 00:36:08,499 --> 00:36:10,167 FOR OUR RIGHT TO BE OURSELVES. 745 00:36:10,234 --> 00:36:15,606 AND IF WE HAVE TO GO THROUGH THE MOST DEVASTATING, DIFFICULT 746 00:36:15,673 --> 00:36:19,477 THINGS, WE WILL TAKE UP, WE WILL FACE THIS CHALLENGE WITH 747 00:36:19,544 --> 00:36:20,711 DIGNITY. 748 00:36:20,778 --> 00:36:25,550 AND THIS IS HOW OUR PRESIDENT, PRESIDENT ZELENSKYY, REALLY KIND 749 00:36:25,616 --> 00:36:28,586 OF POSITIONED HIMSELF FROM THE VERY BEGINNING OF THE WAR, FROM 750 00:36:28,653 --> 00:36:29,987 THE DAY ONE. 751 00:36:30,054 --> 00:36:32,723 HE SAID, "THIS WAR IS NOT OUR CHOICE. 752 00:36:32,790 --> 00:36:34,592 IT WAS IMPOSED ON US. 753 00:36:34,659 --> 00:36:38,195 BUT IF YOU DECIDE TO FIGHT WITH US, WE WILL STAND UP TO THE 754 00:36:38,262 --> 00:36:39,363 CHALLENGE." 755 00:36:39,430 --> 00:36:44,569 AND I DON'T WANT YOU TO THINK THAT WE ARE KIND OF FULL OF 756 00:36:44,635 --> 00:36:45,836 BRAVADO, AND ARE IRRESPONSIBLE PEOPLE. 757 00:36:45,903 --> 00:36:46,771 NO, WE ARE NOT. 758 00:36:46,837 --> 00:36:48,573 BUT WE DO BELIEVE IN OUR CAUSE. 759 00:36:48,639 --> 00:36:52,577 AND WE GUILTY-- IF WE HAVE TO, WE WILL GO THROUGH EVERYTHING. 760 00:36:52,643 --> 00:36:56,614 THIS SAID, I WANT TO SAY ONE THING, ANOTHER THING. 761 00:36:56,681 --> 00:37:00,351 FOR MANY YEARS, FOR DECADES, THE SOVIET UNION WAS THREATENING THE 762 00:37:00,418 --> 00:37:03,988 UNITED STATES AND OTHER FREE NATIONS OF THE WORLD WITH THE 763 00:37:04,055 --> 00:37:05,122 USE OF NUCLEAR WEAPONS. 764 00:37:05,189 --> 00:37:07,658 AND THERE WAS NOT A SINGLE MOMENT WHEN YOU IN THE UNITED 765 00:37:07,725 --> 00:37:12,597 STATES OR OTHER PARTS-- OTHER COUNTRIES OF THE WORLD SAID, 766 00:37:12,663 --> 00:37:16,334 "OH, THEY'RE THREATENING US WITH NUKES. 767 00:37:16,400 --> 00:37:17,301 MAYBE WE SHOULD STEP BACK. 768 00:37:17,368 --> 00:37:19,937 MAYBE WE SHOULD MAKE A CONCESSION. 769 00:37:20,004 --> 00:37:23,107 MAYBE WE SHOULD ABANDON CONCEDE TO THEM. 770 00:37:23,174 --> 00:37:24,342 RIGHT? 771 00:37:24,408 --> 00:37:26,277 YOU ALWAYS HAD A VERY EFFECTIVE DETERRENT STRATEGY THAT HELPED 772 00:37:26,344 --> 00:37:28,312 YOU TO WIN IN THE COLD WAR. 773 00:37:28,379 --> 00:37:32,817 SO THIS IS WHAT WE CALL ON YOU AND OTHER NATIONS, DO NOT BE 774 00:37:32,883 --> 00:37:33,084 AFRAID. 775 00:37:33,150 --> 00:37:33,417 DETER. 776 00:37:33,484 --> 00:37:33,985 BE STRONG. 777 00:37:34,051 --> 00:37:36,120 AND WE WILL WIN JOINTLY. 778 00:37:36,187 --> 00:37:39,924 >> Stephen: WE WEREN'T DETERRED, BUT WE WERE AFRAID. 779 00:37:39,991 --> 00:37:41,025 THERE WAS A LOT OF ANXIETY. 780 00:37:41,092 --> 00:37:43,294 THERE WAS A LOT OF DUCK-AND-COVER. 781 00:37:43,361 --> 00:37:44,795 >> WE ARE ALL HUMAN BEINGS. 782 00:37:44,862 --> 00:37:46,430 IT'S OKAY TO BE AFRAID. 783 00:37:46,497 --> 00:37:53,137 BUT I THINK-- YOU KNOW WHAT I LEARNED IN THIS WAR? 784 00:37:53,204 --> 00:37:56,941 IT'S ABSOLUTELY NORMAL NOT TO HAVE FEAR, YET TO BE AFRAID. 785 00:37:57,008 --> 00:37:59,577 YOU KNOW, YOU ARE A HUMAN BEING. 786 00:37:59,644 --> 00:38:05,616 I AM AFRAID OF MY-- OF THE SECURITY, OF WHAT WILL HAPPEN TO 787 00:38:05,683 --> 00:38:06,250 MY CHILDREN. 788 00:38:06,317 --> 00:38:07,551 THEY ARE WITH ME IN UKRAINE. 789 00:38:07,618 --> 00:38:08,753 THEY GO TO SCHOOL. 790 00:38:08,819 --> 00:38:11,722 THEY HAVE TO GO TO THE BOMB SHELTER EVERY TIME THE AIR RIDE 791 00:38:11,789 --> 00:38:12,890 SIREN IS ON. 792 00:38:12,957 --> 00:38:16,794 BUT AT THE SAME TIME, I HAVE NO FEAR TOWARDS THE ENEMY, AS 793 00:38:16,861 --> 00:38:17,795 PARADOXICALLY AS IT SOUNDS. 794 00:38:17,862 --> 00:38:21,632 WE SHOULD NOT ALLOW FEAR TO PARALYZE OURSELVES. 795 00:38:21,699 --> 00:38:24,802 BUT IT'S ABSOLUTELY NORMAL TO BE AFRAID OF CERTAIN THINGS-- OF 796 00:38:24,869 --> 00:38:29,607 LOSING SOMEONE CLOSE TO YOU OOR, YOU KNOW, FACING A PROBLEM YOU 797 00:38:29,674 --> 00:38:32,810 CANNOT STAND. 798 00:38:32,877 --> 00:38:36,347 BUT NUMBER ONE, WHEN THE ENTERED UKRAINE ON THE 24th OF 799 00:38:36,414 --> 00:38:37,948 FEBRUARY-- I WAS COMING BACK FROM THE UNITED STATES, BY THE 800 00:38:38,015 --> 00:38:41,385 WAY-- I LEFT MY FEAR AT THE BORDER. 801 00:38:41,452 --> 00:38:45,122 AND MILLIONS OF UKRAINIANS, THEY ABANDONED FEAR. 802 00:38:45,189 --> 00:38:48,025 THIS IS THE ONLY-- THIS IS REALLY THE ONLY WAY FOR YOU TO 803 00:38:48,092 --> 00:38:49,226 WIN. 804 00:38:49,293 --> 00:38:52,496 YOU HAVE TO REMAIN REASONABLE, BUT YOU HAVE TO ABANDON FEAR. 805 00:38:52,563 --> 00:38:57,635 AND WHEN MY PRESIDENT SAID, "I'M NOT LEAVING KYIV, I'M STAYING 806 00:38:57,702 --> 00:38:58,636 HERE. 807 00:38:58,703 --> 00:39:00,738 I WILL STAY WITH THE NATION, WITH THE SOLDIERS." 808 00:39:00,805 --> 00:39:05,342 THAT WAS THE MOMENT WHEN WE AS A NATION PUT FEAR ASIDE AND SAID, 809 00:39:05,409 --> 00:39:06,610 "WE'RE GOING TO FIGHT." 810 00:39:06,677 --> 00:39:12,583 ( APPLAUSE ) >> Stephen: YOU HAVE PUSHED 811 00:39:12,650 --> 00:39:16,921 THE RUSSIAN ARMY BACK TO THEIR OWN BORDERS, AND YOU HAVE DONE 812 00:39:16,987 --> 00:39:21,625 SO WITH A COUNTRY THAT CERTAINLY EIGHT YEARS AGO WAS LARGELY 813 00:39:21,692 --> 00:39:24,895 AGRARIAN, DOESN'T HAVE A LARGE MILITARY, WITH THE ASSISTANCE OF 814 00:39:24,962 --> 00:39:27,298 SOME OF THE EQUIPMENT WE HAVE, BUT WITH YOUR OWN GRIT YOU HAVE 815 00:39:27,364 --> 00:39:31,135 DONE THIS, AGAINST AN ARMY THAT THE WESTERN POWERS-- TO CALL 816 00:39:31,202 --> 00:39:35,072 THEM THAT-- HAVE SPENT TRILLIONS OF DOLLARS OVER THE LAST 70 817 00:39:35,139 --> 00:39:37,374 YEARS TO PREPARE TO FIGHT AGAINST. 818 00:39:37,441 --> 00:39:42,480 HOW DOES IT FEEL TO BE THE PEOPLE WHO DID THAT WITHOUT THAT 819 00:39:42,546 --> 00:39:46,317 LEVEL OF PREPARATION FOR 70 YEARS YOU? GUYS PICKED 820 00:39:46,383 --> 00:39:51,489 YOURSELVES UP AFTER 2014, AND THE TAKEOVER OF CRIMEA, AND HAVE 821 00:39:51,555 --> 00:39:54,725 NOW FOUND YOURSELF DEFEATING THE VAUNTED RUSSIAN ARMY? 822 00:39:54,792 --> 00:39:59,063 >> WELL, IT PRETTY MUCH FEELS LIKE BEING UKRAINIAN. 823 00:39:59,130 --> 00:40:02,967 ( APPLAUSE ) >> Stephen: MINISTER, THANK 824 00:40:03,033 --> 00:40:08,072 YOU SO MUCH FOR BEING HERE. 825 00:40:08,139 --> 00:40:10,541 UKRAINIAN FOREIGN MINISTER DMYTRO KULEBA, 826 00:40:10,608 --> 00:40:11,075 EVERYBODY! 827 00:40:11,142 --> 00:40:12,143 WE'LL BE RIGHT BACK. 828 00:40:19,784 --> 00:40:21,952 TUNE IN TOMORROW WHEN MY GUESTS WILL BE NEIL DEGRASSE TYSON AND 829 00:40:22,019 --> 00:40:23,888 STAR OF "SOMEBODY FEED PHIL," PHIL ROSENTHAL. 830 00:40:23,954 --> 00:40:25,956 GOOD NIGHT.