1 00:10:21,020 --> 00:10:22,688 NATO'S ARTICLE 5 SAYS THAT AN ATTACK AGAINST ONE ALLY IS 2 00:10:22,755 --> 00:10:24,423 CONSIDERED AN ATTACK AGAINST ALL ALLIES. 3 00:10:24,490 --> 00:10:31,964 SO, BASICALLY, NATO HAS THE SAME SELF-DEFENSE STRATEGY AS A GROUP 4 00:10:32,031 --> 00:10:40,373 OF DRUNK BACHELORETTES "WHAT'D YOU SAY ABOUT ROCHELLE? 5 00:10:40,439 --> 00:10:45,811 OH, OH, IT IS ON, BITCH. JUST WAIT 'TIL I TAKE OFF MY 6 00:10:45,878 --> 00:10:49,815 NOVELTY PENIS EARRINGS AND THEN I'M GOING TO ( BLEEP )! 7 00:10:49,882 --> 00:10:52,952 NO! NO! 8 00:10:53,019 --> 00:10:57,957 NO!" ( APPLAUSE ) 9 00:10:58,024 --> 00:11:02,495 RECOGNITION, I SEE. NATO IS SAYING THAT IT'S LIKELY 10 00:11:02,561 --> 00:11:07,933 RUSSIA DIDN'T ATTACK POLAND, THAT IT'S MORE LIKELY THAT A 11 00:11:08,000 --> 00:11:09,368 MISSILE FIRED BY UKRAINIAN AIR DEFENSES ACCIDENTALLY CROSSED 12 00:11:09,435 --> 00:11:17,810 THE BORDER. BUT AT THE TIME, LAST NIGHT, NO 13 00:11:17,877 --> 00:11:19,278 ONE KNEW THAT. SO, PEOPLE RACED TO TWITTER, 14 00:11:19,345 --> 00:11:20,546 WHERE IN THE PAST, YOU COULD GET RELIABLE INFORMATION. 15 00:11:20,613 --> 00:11:22,281 NOT THIS TIME, ACCORDING TO ONE REPORTER, WHO TWEETED 16 00:11:22,348 --> 00:11:23,482 RELIABLE INFORMATION. NOT THIS TIME, ACCORDING TO ONE 17 00:11:23,549 --> 00:11:24,683 REPORTER, WHO TWEETED: "WORLD WAR III IS MAYBE BREAKING OUT, 18 00:11:24,750 --> 00:11:26,986 AND I AM HERE CLICKING ON ACCOUNTS' VERIFIED CHECKS TO SEE 19 00:11:27,053 --> 00:11:30,623 WHETHER THEY'RE OFFICIALS OR TWITTER BLUE SUBSCRIBERS." 20 00:11:30,689 --> 00:11:37,863 ( LAUGHTER ) WORLD WAR III, AND WE HAVE NO 21 00:11:37,930 --> 00:11:42,034 WAY OF KNOWING-- WE DON'T EVEN KNOW IF THAT'S THE REAL MARIO 22 00:11:42,101 --> 00:11:46,372 ADDRESSING THE U.N.! ( WITH ITALIAN ACCENT ) 23 00:11:46,439 --> 00:11:49,875 AND WHILE PEOPLE WERE SCRAMBLING TO SEE WHETHER WORLD WAR III HAD 24 00:11:49,942 --> 00:11:52,711 STARTED, THE BIG TRENDING TOPIC LAST NIGHT WAS FROM A FAKE, 25 00:11:52,778 --> 00:11:58,717 PHOTOSHOPPED "TONIGHT SHOW" TWEET THAT STARTED THE HASHTAG, 26 00:11:58,784 --> 00:11:59,885 #R.I.P. JIMMY FALLON, WHICH WENT SUPER VIRAL. 27 00:11:59,952 --> 00:12:04,757 NOT TO WORRY. JIMMY IS ALIVE AND WELL. 28 00:12:04,824 --> 00:12:07,526 AND I WOULD KNOW: ALL US OF LATE-NIGHT HOSTS ARE EACH 29 00:12:07,593 --> 00:12:13,032 OTHER'S EMERGENCY CONTACTS. VERY MUCH ALIVE, JIMMIE WENT 30 00:12:13,099 --> 00:12:19,605 STRAIGHT TO THE SOURCE. NEW TWITTER C.E.O. ELON MUSK, 31 00:12:19,672 --> 00:12:24,710 SEEN HERE TRAPPED INSIDE A FOGGY GRAPE. 32 00:12:24,777 --> 00:12:25,578 JIMMY TWEETED, "ELON CAN YOU FIX THIS?" 33 00:12:25,644 --> 00:12:28,481 TO WHICH MUSK RESPONDED, "FIX WHAT?" 34 00:12:28,547 --> 00:12:30,916 ONE ISSUE MUSK HAS BEEN TRYING TO FIX IS HAVING EMPLOYEES. 35 00:12:30,983 --> 00:12:33,953 SINCE HE BOUGHT TWITTER, HE'S LAID OFF HALF THE COMPANY'S 36 00:12:34,019 --> 00:12:36,989 7,500 WORKERS, AND HE'S CONTINUED CUTTING TWITTER'S WORK 37 00:12:37,056 --> 00:12:40,593 FORCE IN HIS THIRD WEEK. AT THIS RATE, BY CHRISTMAS, THE 38 00:12:40,659 --> 00:12:42,495 ONLY PEOPLE LEFT WORKING AT TWITTER WILL BE ELON MUSK AND 39 00:12:42,561 --> 00:12:46,932 HIS RIGHT-HAND MAN, HIS RIGHT HAND. 40 00:12:46,999 --> 00:12:54,573 ( LAUGHTER ) ( APPLAUSE ) 41 00:12:54,640 --> 00:13:00,546 ULTIMATUM TO HIS REMAINING STAFF, SAYING THEY HAD TO SIGN A 42 00:13:00,613 --> 00:13:08,087 PLEDGE TO COMMIT TO A "HARDCORE" TWITTER OR LEAVE. 43 00:13:08,154 --> 00:13:10,122 IN FACT, HE EVEN RELEASED A NEW HARDCORE LOGO. 44 00:13:10,189 --> 00:13:11,123 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT! 45 00:13:11,190 --> 00:13:12,525 MY GUESTS ARE MICHAEL SHANNON AND TIG NOTARO. 46 00:13:12,591 --> 00:13:14,894 BUT WHEN WE COME BACK, I DEBUT SOME BRAND-NEW HOLIDAY MOVIE 47 00:13:14,960 --> 00:13:15,594 CLASSICS. ♪ ♪ ♪ 48 00:13:56,101 --> 00:13:57,269 ( APPLAUSE ) EVERYBODY. 49 00:13:57,336 --> 00:14:00,940 GIVE IT UP FOR THE LATE SHOW BAND. 50 00:14:01,006 --> 00:14:10,849 HELLO, JOSEPH. VERY EXCITED TONIGHT. 51 00:14:10,916 --> 00:14:14,453 TWO FANTASTIC PERFORMERS OUT HERE TONIGHT. 52 00:14:14,520 --> 00:14:17,056 MICHAEL SHANNON, FANTASTIC ACTOR, MICHAEL SHANNON WILL BE 53 00:14:17,122 --> 00:14:19,358 OUT HERE. ( APPLAUSE ) 54 00:14:19,425 --> 00:14:25,464 COMEDIANS, A WONDERFUL GUEST TO HAVE THE SHOW, I THINK FRIEND AT 55 00:14:25,531 --> 00:14:28,801 THIS POINT. TIG NOTARO. 56 00:14:28,867 --> 00:14:33,572 I THINK I CAN SAY FRIEND. I CAN SAY FRIEND, PROBABLY, 57 00:14:33,639 --> 00:14:36,141 CAN'T I. ONE OF THE REASONS I'M EXCITED 58 00:14:36,208 --> 00:14:41,447 ABOUT ALL THE GUESTS, ONE OF THE REASONS I'M EXCITED ABOUT TIG IS 59 00:14:41,513 --> 00:14:46,051 SHE'S ONE OF THE PLAYERS IN TOMORROW NIGHT'S CHARITY SPECIAL 60 00:14:46,118 --> 00:14:47,486 "PICKLED." 9:00 EASTERN. 61 00:14:47,553 --> 00:14:49,555 OTHER TIMES ELSEWHERE. ( LAUGHTER ) 62 00:14:49,622 --> 00:14:57,763 8:00, SOMETHING LIKE THAT. ANYWAY-- ANYBODY HERE EVER PLAY 63 00:14:57,830 --> 00:14:58,931 PICKLEBALL? WE'RE RIDING A WAVE. 64 00:14:58,998 --> 00:15:02,234 LISTEN TO THAT. EVERYONE PLAYS PICKLEBALL. 65 00:15:02,301 --> 00:15:06,372 AND, YOU KNOW, I'VE MADE A LOT OF CULTURAL IMPACTS OVER THE 66 00:15:06,438 --> 00:15:07,806 YEARS. I'VE BEEN LUCKY ENOUGH TO BE ON 67 00:15:07,873 --> 00:15:13,579 THE COVER OF LIKE "ROLLING STONE" "TIME" "VANITY FAIR" 68 00:15:13,646 --> 00:15:17,049 "SPORTS ILLUSTRATED." BUT I THINK I HAVE PEAKED, 69 00:15:17,116 --> 00:15:18,484 LADIES AND GENTLEMEN, BECAUSE I HAVE MADE THE COVER OF THE 70 00:15:18,550 --> 00:15:23,889 HIGHEST PROFILE MAGAZINE IN THE WORLD, IN "PICKLEBALL" MAGAZINE. 71 00:15:23,956 --> 00:15:25,758 RIGHT THERE. YEAH. 72 00:15:25,824 --> 00:15:30,329 ( APPLAUSE ) FULL-- FULL SPREAD. 73 00:15:30,396 --> 00:15:32,431 YOU SEE THE PICKLE AND THE BALLS. 74 00:15:32,498 --> 00:15:34,600 I'M TELLING YOU. ( LAUGHTER ) 75 00:15:34,667 --> 00:15:41,740 IT'S ALL FOR CHARITY. FOLKS, AS YOU MAY KNOW, I'M A 76 00:15:41,807 --> 00:15:43,509 HUGE FAN OF HOLIDAY MOVIES. AND I'M NOT THE ONLY ONE. 77 00:15:43,575 --> 00:15:46,478 LAST YEAR ALONE, THE HALLMARK CHANNEL RELEASED A WHOPPING 41 78 00:15:46,545 --> 00:15:54,720 BRAND-NEW CHRISTMAS MOVIES. 41 MOVIES IN A YEAR? 79 00:15:54,787 --> 00:15:55,921 THOSE HALLMARK EXECUTIVES REALLY NEED TO TAKE SOME TIME OFF. 80 00:15:55,988 --> 00:15:57,423 MAYBE GET AWAY FROM THE BIG CITY, HEAD BACK TO THEIR 81 00:15:57,489 --> 00:16:01,093 HOMETOWN, RECONNECT WITH THEIR OLD HIGH SCHOOL SWEETHEART WHO 82 00:16:01,160 --> 00:16:02,194 WORKS AT THE MISTLETOE FACTORY AND HAS A DAUGHTER NAMED 83 00:16:02,261 --> 00:16:06,031 "ORNAMENT." ( LAUGHTER ) 84 00:16:06,098 --> 00:16:13,572 HOLIDAY MOVIE AVALANCHE GETS EARLIER EVERY YEAR. 85 00:16:13,639 --> 00:16:14,907 BECAUSE THIS YEAR, HALLMARK EVEN HAS A FALL HARVEST MOVIE 86 00:16:14,973 --> 00:16:16,875 LINEUP. BECAUSE THEY HAVE A HUGE 87 00:16:16,942 --> 00:16:20,946 STOCKPILE OF AUTUMNAL MOVIES AND THIS IS TRUE-- 88 00:16:21,013 --> 00:16:22,247 LIKE "AN OLD FASHIONED THANKSGIVING," "A FAMILY 89 00:16:22,314 --> 00:16:28,721 THANKSGIVING," "THE THANKSGIVING HOUSE," AND "PUMPKIN PIE WARS," 90 00:16:28,787 --> 00:16:29,922 WHICH MAY BE THE ONLY WAR I AM PHYSICALLY FIT TO SERVE IN. 91 00:16:29,988 --> 00:16:33,592 I'M PREPARED TO TAKE DOWN 15 ENEMY PIES. 92 00:16:33,659 --> 00:16:35,461 BUT IT'S NOT JUST THANKSGIVING. HALLMARK CHANNEL COVERS ALL OF 93 00:16:35,527 --> 00:16:37,996 SPOOKY CHUNKY PUMPKIN SPICY SWEATER SEASON, WITH MOVIES LIKE 94 00:16:38,063 --> 00:16:42,401 "OCTOBER KISS," "FALLING FOR VERMONT," AND THE ENTIRE "THE 95 00:16:42,468 --> 00:16:44,670 GOOD WITCH" FRANCHISE, INCLUDING "THE GOOD WITCH'S GARDEN," "THE 96 00:16:44,737 --> 00:16:47,706 GOOD WITCH'S FAMILY," "THE GOOD WITCH'S GIFT," AND "THE GOOD 97 00:16:47,773 --> 00:16:50,709 WITCH'S DESTINY"-- WHICH, APPARENTLY, IS TO APPEAR IN AN 98 00:16:50,776 --> 00:16:57,149 INFINITE NUMBER OF GOOD WITCH MOVIES. 99 00:16:57,216 --> 00:16:59,752 AND THIS GOT ME THINKING, FOLKS. I CELEBRATE FALL, AND I LIKE 100 00:16:59,818 --> 00:17:01,353 MONEY." WHICH IS WHY I'M PROUD TO 101 00:17:01,420 --> 00:17:03,689 ANNOUNCE THE LATE SHOW'S "AUTUMN-TACULAR MOVIE 102 00:17:03,756 --> 00:17:08,293 FESTI-FALL." ENJOY. 103 00:17:08,360 --> 00:17:12,998 ( APPLAUSE ). >> WE'VE GOT TO GET THESE APPLES 104 00:17:13,065 --> 00:17:15,167 TO THE ORCHARD BEFORE THE INSPECTOR GETS THERE. 105 00:17:15,234 --> 00:17:18,504 >> I HAVE TO GO. I'M LATE FOR MY ORCHARD 106 00:17:18,570 --> 00:17:22,374 INSPECTION. >> TO FALL IN LOVE. 107 00:17:22,441 --> 00:17:26,912 >> DO YOU JULIA MACINTOSH TAKE PETER GRANNY SMITH TO BE YOUR 108 00:17:26,979 --> 00:17:27,780 HUSBAND? >> I DO. 109 00:17:27,846 --> 00:17:33,218 >> I APPLE PICK YOU. BUT THAT'S NOT ALL. 110 00:17:33,285 --> 00:17:36,288 GET READY FOR THE AUTUMN HUNT. A LEAF FOR ALLEN. 111 00:17:36,355 --> 00:17:40,993 A PUMPKIN SPICE NOON. HAYRIDE TO MY HEART. 112 00:17:41,059 --> 00:17:45,030 PLUS LEAF PEEPING TOM, SWEATER HEATHER, OCTOBER KISS TOO. 113 00:17:45,097 --> 00:17:48,534 I HAVE MONO. PUMPKIN DREAM. 114 00:17:48,600 --> 00:17:51,737 PUMPKIN SLEEPWALKING. PUMPKIN NARCOLEPSY. 115 00:17:51,804 --> 00:17:55,340 THE BATTLE OF CORNUCOPIA HILL. AND HALLMARK MAY HAVE FALLING 116 00:17:55,407 --> 00:18:04,316 FOR VERMONT, BUT ONLY WE HAVE FALL FOR FALL. 117 00:18:04,383 --> 00:18:19,164 >> AND IF YOU LIKE THOSE GOOD WITCH MOVIES YOU'LL LOVE THE: 118 00:18:30,042 --> 00:18:33,011 IT'S A THANKSGIVING CHRISTMAS MOVIE MARATHON, WHERE YOU WATCH 119 00:18:33,078 --> 00:18:35,314 THIS FAMILY WATCH ALL OUR CHRISTMAS MOVIES ON THANKSGIVING 120 00:18:35,380 --> 00:18:38,217 DAY. >> I GOTTA GO FOR A WALK. 121 00:18:38,283 --> 00:18:42,321 >> SIT YOUR ASS DOWN! WE HAVE 600 HOLIDAY MOVIES IN 122 00:18:42,387 --> 00:18:44,556 OUR VAULT, AND YOU'RE WATCHING EVERY LAST ONE OF THEM. 123 00:18:44,623 --> 00:18:47,826 >> BUT I HAVE TO GO TO THE BATHROOM. 124 00:18:47,893 --> 00:18:50,762 >> ALL THAT AND MORE ON "THE LATE SHOW'S" AUTUMN-TACULAR 125 00:18:50,829 --> 00:19:00,539 MOVIE FESTI-FALL." ( APPLAUSE ) 126 00:19:00,606 --> 00:19:02,140 WITH MICHAEL SHANNON. 127 00:19:25,664 --> 00:19:35,207 WELCOME BACK, EVERYBODY. LADIES AND GENTLEMEN, YOU KNOW 128 00:19:35,274 --> 00:19:36,441 MY FIRST GUEST IS AN ACTOR YOU KNOW FROM "REVOLUTIONARY ROAD," 129 00:19:36,508 --> 00:19:39,244 "NOCTURNAL ANIMALS," AND "THE SHAPE OF WATER." 130 00:19:39,311 --> 00:19:41,847 HE NOW STARS AS GEORGE JONES IN "GEORGE & TAMMY." 131 00:19:41,914 --> 00:19:45,284 >> HOW YOU ALL DOING TONIGHT, HUH? 132 00:19:45,350 --> 00:19:48,120 THAT'S GOOD. I'M FEELING PRETTY HAPPY MYSELF. 133 00:19:48,186 --> 00:19:56,795 THANKS FOR ASKING. ♪ ♪ ♪ 134 00:19:56,862 --> 00:20:05,737 ♪ ROLLING MY SWEET BABY'S ARMS ROLLING IN MY SWEET BABY'S ARMS 135 00:20:05,804 --> 00:20:10,876 ♪ I LAY AROUND THE SHACK TILL THE MOUNTAIN TRAIN COMES 136 00:20:10,943 --> 00:20:16,815 BACK ♪ ROLLING IN MY SWEET BABY'S 137 00:20:16,882 --> 00:20:20,185 ARMS ♪ ♪ I AIN'T GOG WORK ON THE 138 00:20:20,252 --> 00:20:22,054 RAILROAD ♪ >> YOU AIN'T GOING TO WORK AT 139 00:20:22,120 --> 00:20:25,157 ALL IF YOU CAN HELP IT! >> Stephen: PLEASE WELCOME BACK 140 00:20:25,223 --> 00:20:28,493 TO "THE LATE SHOW," MICHAEL SHANNON. 141 00:20:28,560 --> 00:20:29,428 ♪ ♪ ♪ ♪ ♪ ♪ 142 00:20:29,494 --> 00:20:44,376 ( APPLAUSE ) >> Stephen: GOOD TO SEE YOU 143 00:20:44,443 --> 00:20:45,444 ( APPLAUSE ) >> Stephen: GOOD TO SEE YOU 144 00:20:45,510 --> 00:20:46,445 AGAIN. >> THANK YOU. 145 00:20:46,511 --> 00:20:48,714 >> Stephen: YOU LOOK VERY DAPPER THIS EVENING. 146 00:20:48,780 --> 00:20:53,318 YOU LOOK VERY NICE. >> THAT'S A BRITISH SUIT. 147 00:20:53,385 --> 00:20:58,657 >> Stephen: OH, REALLY? THANK YOU VERY MUCH. 148 00:20:58,724 --> 00:21:02,594 GEORGE JONES, MUSICAL ICON, YOU GREW UP IN KENTUCKY, WHICH I 149 00:21:02,661 --> 00:21:05,998 DIDN'T-- I DIDN'T KNOW. I ALWAYS THINK OF YOU AS A 150 00:21:06,064 --> 00:21:07,966 CHICAGO GUY. HOW OLD WERE YOU WHEN YOU LEFT 151 00:21:08,033 --> 00:21:10,035 KENTUCKY? >> WELL, MY FATHER LIVED IN 152 00:21:10,102 --> 00:21:12,104 CHICAGO, SO I WOULD GO BACK AND FORTH. 153 00:21:12,170 --> 00:21:15,941 MY MOM IS STILL DOWN IN LEXINGTON, WHICH IS WHERE I GREW 154 00:21:16,008 --> 00:21:18,010 UP AS A LITTLE BOY. >> Stephen: DID YOU LISTEN TO 155 00:21:18,076 --> 00:21:20,412 A LOT OF COUNTRY MUSIC? ING DID YOU LISTEN TO GEORGE 156 00:21:20,479 --> 00:21:22,681 JONES AS A KID? >> NOT A STITCH. 157 00:21:22,748 --> 00:21:27,085 >> Stephen: DID YOU KNOW "ROLLING IN MY SWEET BABY'S 158 00:21:27,152 --> 00:21:28,520 ARMS?" EVEN THOUGH THAT WASN'T A BIG 159 00:21:28,587 --> 00:21:30,322 HIT OF HIS. >> I DIDN'T KNOW HIS MUSIC. 160 00:21:30,389 --> 00:21:33,659 WHEN I SAW A PICTURE OF HIM, I VAGUELY REMEMBERED HIM AS 161 00:21:33,725 --> 00:21:42,567 SOMEBODY I WOULD SEE ON "HE HAW. >> Stephen: OH, YEAH, CLANG, 162 00:21:42,634 --> 00:21:46,505 CLACKETY CLANG. >> MINI PEARL AND ALL THAT. 163 00:21:46,571 --> 00:21:48,907 WE WOULD PUT THAT ON THE TV SOMETIMES. 164 00:21:48,974 --> 00:21:51,877 MY MOM DIDN'T HAVE ANY RECORDS IN THE HOUSE SO THE ONLY TIME I 165 00:21:51,943 --> 00:21:55,047 HEARD MUSIC WAS ON TV. >> Stephen: YOU ARE REUNITED 166 00:21:55,113 --> 00:21:59,084 WITH JESSICA CHASTAIN HERE. YOU LAST PERFORMED TOGETHER IN 167 00:21:59,151 --> 00:22:02,254 2011. WHAT FILM DID YOU DO TOGETHER? 168 00:22:02,320 --> 00:22:07,159 >> "TAKE SHELTER. >> Stephen: YOU'RE PLAYING NOW 169 00:22:07,225 --> 00:22:10,896 IN "GEORGE & TAMMY." GOING THERE TO INHABIT THE 170 00:22:10,962 --> 00:22:12,931 GIANTS? >> OH, IT WAS VERY INTIMIDATING. 171 00:22:12,998 --> 00:22:19,604 YOU KNOW, THEY-- THEY'RE ROYALTY IN COUNTRY MUSIC, YOU KNOW. 172 00:22:19,671 --> 00:22:23,542 AND I FELT A LITTLE BIT SELF-CONSCIOUS ABOUT IT. 173 00:22:23,608 --> 00:22:27,779 I'M NOT NECESSARILY SURE, I RESEMBLE GEORGE JONES SO MUCH. 174 00:22:27,846 --> 00:22:30,482 BUT I DON'T RESEMBLE ELVIS, AND I PLAYED HIM. 175 00:22:30,549 --> 00:22:33,618 >> Stephen: WHICH IS A BETTER ICON TO PLAY, GEORGE JONES OR 176 00:22:33,685 --> 00:22:36,021 ELVIS, BY THE WAY? >> YOU KNOW, I JUST CAME TO LOVE 177 00:22:36,088 --> 00:22:37,789 THE STUFFING OUT OF BOTH OF THEM. 178 00:22:37,856 --> 00:22:39,658 I HAVE TO SAY. WHEN YOU DO THE RESEARCH AND YOU 179 00:22:39,725 --> 00:22:44,696 LISTEN TO THE INTERVIEWS AND READ ALL THE BOOKS, THEY'RE BOTH 180 00:22:44,763 --> 00:22:48,066 JUST REALLY SWEET, SWEET MEN THAT WAS KIND OF... 181 00:22:48,133 --> 00:22:52,604 THEIR LIFE WAS LIKE A TSUNAMI THAT JUST BOWLED OVER THEM AND 182 00:22:52,671 --> 00:22:54,573 THEY GOT A LITTLE OVERWHELMED BY IT SOMETIMES. 183 00:22:54,639 --> 00:22:56,775 >> Stephen: THE FAME AND THE TENSION AND THAT KIND OF STUFF? 184 00:22:56,842 --> 00:23:04,416 >> YEAH, THE DEMANDS OF THE LIFE AND I THINK GEORGE, AS MUCH AS 185 00:23:04,483 --> 00:23:09,521 HE LOVED SINGING, WISHED THAT PERHAPS EVEN IF HE WASN'T ONE OF 186 00:23:09,588 --> 00:23:13,024 THE GREATEST SINGERS IN THE WORLD, THAT MAYBE HE WOULD STILL 187 00:23:13,091 --> 00:23:15,293 BE ABLE TO RECEIVE, YOU KNOW, SOME KIND OF LOVE. 188 00:23:15,360 --> 00:23:21,166 I DON'T WANT TO GET TOO POP PSYCHOLOGY 101 ABOUT IT, BUT 189 00:23:21,233 --> 00:23:22,300 YEAH. >> Stephen: DID YOU TALK TO 190 00:23:22,367 --> 00:23:24,703 PEOPLE WHO WERE CLOSE TO GEORGE, LIKE, TO GET SOME SENSE? 191 00:23:24,770 --> 00:23:30,108 >> WELL, YOU KNOW, THE SHOW IS SOMEWHAT BASED ON A BOOK THAT 192 00:23:30,175 --> 00:23:32,978 GEORGETTE JONES WROTE. SHE'S THE ONLY CHILD THAT GEORGE 193 00:23:33,044 --> 00:23:36,915 AND TAMMY HAD TOGETHER. SO SHE WAS AROUND. 194 00:23:36,982 --> 00:23:42,187 AND, ALSO, A FELLA, A LOVELY FELLA NAMED PEANUTT MONTGOMERY. 195 00:23:42,254 --> 00:23:43,588 >> Stephen: THAT'S A GOOD NAME. 196 00:23:43,655 --> 00:23:46,825 >> YEAH, ISN'T IT? >> PLAYED GUITAR WITH GEORGE AND 197 00:23:46,892 --> 00:23:49,895 WROTE SONGS FOR GEORGE AND BASICALLY WAS PROBABLY ONE OF 198 00:23:49,961 --> 00:23:53,732 HIS BEST FRIENDS. AND PEANUTT'S WIFE, CHARLENE. 199 00:23:53,799 --> 00:23:56,668 YEAH, WE SPENT A LOT OF TIME TOGETHER. 200 00:23:56,735 --> 00:23:58,270 YEAH. >> Stephen: WELL, SPEAKING OF 201 00:23:58,336 --> 00:24:03,441 MUSICAL ICONS, ONE OF YOUR COSTARS IN "AMSTERDAM" ANOTHER 202 00:24:03,508 --> 00:24:05,610 FILM OF YOURSELF, IS TAYLOR SWIFT. 203 00:24:05,677 --> 00:24:08,246 AND SHE'S ENJOYING YET ANOTHER WONDERFUL MOMENT. 204 00:24:08,313 --> 00:24:10,215 AND, YOU KNOW, THAT MOVIE CAME OUT LAST MONTH. 205 00:24:10,282 --> 00:24:13,418 YOU HAVE TWO DAUGHTERS, CORRECT? >> I DO. 206 00:24:13,485 --> 00:24:15,687 >> Stephen: SO ANSWER CAREFULLY HERE. 207 00:24:15,754 --> 00:24:20,258 ARE YOU A SWIFTIE? ARE YOU-- ARE YOU A FAN OF 208 00:24:20,325 --> 00:24:22,460 TAYLOR SWIFT? >> OH, BOY. 209 00:24:22,527 --> 00:24:24,362 I'M MORE OF A JAZZ GUY. ( LAUGHTER ) 210 00:24:24,429 --> 00:24:27,199 >> Stephen: THEY'RE GOING TO SEE THIS. 211 00:24:27,265 --> 00:24:28,934 THEY'RE GOING TO SEE THIS, MICHAEL. 212 00:24:29,000 --> 00:24:34,139 ( APPLAUSE ) NO, IT'S FUNNY, BECAUSE -- 213 00:24:34,206 --> 00:24:37,142 >> Stephen: I HOPE YOU SAID THAT TO TAYLOR SWIFT THE FIRST 214 00:24:37,209 --> 00:24:39,477 DAY OF SHOOTING, "I'M MORE OF A JAZZ GUY." 215 00:24:39,544 --> 00:24:43,682 >> "I'M MORE OF A JAZZ GUY, BUT NICE TO SEE YOU." 216 00:24:43,748 --> 00:24:48,386 NO, MY DAUGHTER SILVI, ACTUALLY SHE ASKED IF SHE COULD GO TO THE 217 00:24:48,453 --> 00:24:53,358 PREMIERE OF "AMSTERDAM" WHICH SHE DOESN'T TYPICALLY ASK IF SHE 218 00:24:53,425 --> 00:24:56,795 COULD GO TO A PREMIERE. AND I THOUGHT WOW, SHE'S 219 00:24:56,862 --> 00:25:00,298 ACTUALLY STARTING TO SHOW AN INTEREST IN WHAT I DO. 220 00:25:00,365 --> 00:25:04,803 IT'S KIND OF AN EDUCATIONAL MOVIE SO, SURE, WHY NOT, FROM A 221 00:25:04,870 --> 00:25:07,205 HISTORY STANDPOINT. AND THEN I SAID, "SURE, HONEY, 222 00:25:07,272 --> 00:25:09,574 YOU CAN COME AND BRING SOME FRIENDS." 223 00:25:09,641 --> 00:25:12,010 SHE SAID, "IS TAYLOR SWIFT GOING TO BE THERE?" 224 00:25:12,077 --> 00:25:15,614 AND I SAID, "WELL, I MEAN, I IMAGINE SHE WOULD BE THERE. 225 00:25:15,680 --> 00:25:18,450 I MEAN,s SHE'S IN THE MOVIE." BUT UNFORTUNATELY SHE WASN'T 226 00:25:18,516 --> 00:25:20,752 ABLE TO ATTEND FOR WHATEVER REASON. 227 00:25:20,819 --> 00:25:22,654 BUT MY DAUGHTER STILL WENT WITH HER FRIENDS. 228 00:25:22,721 --> 00:25:25,490 I THINK THEY HAD A GOOD TIME. ( LAUGHTER ) 229 00:25:25,557 --> 00:25:28,460 CAN'T GET TICKETS-- ( APPLAUSE ) 230 00:25:28,526 --> 00:25:34,099 SITE CRASHED, PEOPLE COULDN'T GET TICKETS TO TAYLOR'S TOUR. 231 00:25:34,165 --> 00:25:35,800 >> OH, NO. >> Stephen: MAYBE YOU COULD 232 00:25:35,867 --> 00:25:39,004 ACTUALLY GET YOUR DAUGHTERS -- GET BACK IN THEIR GOOD GRACES, 233 00:25:39,070 --> 00:25:40,739 IF YOU COULD REACH OUT TO TAYLOR. 234 00:25:40,805 --> 00:25:43,308 WE COULD DO IT RIGHT NOW. TAYLOR, IF YOU'RE WATCHING, HIS 235 00:25:43,375 --> 00:25:46,478 TWO DAUGHTERS NEED TICKETS TO YOUR TOUR. 236 00:25:46,544 --> 00:25:49,681 SINCE YOU DIDN'T SHOW UP TO THE PREMIERE, I THINK THE LEAST SHE 237 00:25:49,748 --> 00:25:53,818 CAN DO FOR YOU SINCE SHE EMBARRASSED YOU IN FRONT OFIER 238 00:25:53,885 --> 00:25:56,187 DAUGHTER. >> RIGHT, RIGHT, RIGHT, DO ME A 239 00:25:56,254 --> 00:25:57,656 SOLID. >> Stephen: SAVE A FAMILY 240 00:25:57,722 --> 00:25:58,556 HERE. >> EXACTLY. 241 00:25:58,623 --> 00:25:59,824 >> Stephen: WE HAVE TO TAKE A QUICK BREAK. 242 00:25:59,891 --> 00:26:02,394 WE'LL BE RIGHT BACK WITH MORE MR. MICHAEL SHANNON, EVERYBODY. 243 00:26:02,460 --> 00:26:02,894 STICK AROUND. 244 00:26:11,002 --> 00:26:14,472 >> Stephen: HEY, LOOK HERE. IT'S THE STAR OF THE NEW MOVIE 245 00:26:14,539 --> 00:26:17,642 "GEORGE & TAMMY." MICHAEL SHANNON. 246 00:26:17,709 --> 00:26:20,178 YOU HAVE BEEN IN BAND OF YOUR OWN, I UNDERSTAND. 247 00:26:20,245 --> 00:26:23,481 >> I DABBLED IN IT. I DABBLED IN IT. 248 00:26:23,548 --> 00:26:26,551 >> Stephen: ANY PLANS TO GET THE GANG BACK TOGETHER AND GO 249 00:26:26,618 --> 00:26:31,022 BACK ON TOUR? >> WELL, MY BAND, WE HAVEN'T 250 00:26:31,089 --> 00:26:34,759 PLAYED IN A WHILE. >> Stephen: THE BAND IS CALLED 251 00:26:34,826 --> 00:26:36,594 CORPORAL? >> YEAH, THIS BAND, WE STARTED 252 00:26:36,661 --> 00:26:41,833 UP ABOUT 10 YEARS AGO OR SO. BUT AS OF LATE, I'VE BEEN MOSTLY 253 00:26:41,900 --> 00:26:46,404 PLAYING SHOWS WHERE I PICK A RECORD AND JUST COVER THE WHOLE 254 00:26:46,471 --> 00:26:48,039 RECORD BACK TO FRONT. >> Stephen: WOW. 255 00:26:48,106 --> 00:26:55,080 BUT YOU DO IT AT, LIKE A BAR? >> YEAH, THOSE SHADY BARS, YEAH, 256 00:26:55,146 --> 00:26:57,415 YEAH. >> Stephen: OLD TOWN ALE 257 00:26:57,482 --> 00:26:59,117 HOUSE. >> OH, HEY! 258 00:26:59,184 --> 00:27:00,852 BULL'S EYE! THERE YOU GO! 259 00:27:00,919 --> 00:27:02,887 YEAH. THAT'S A LITTLE INSIDE JOKE. 260 00:27:02,954 --> 00:27:08,693 ( LAUGHTER ) THE CORNER" JOKE. 261 00:27:08,760 --> 00:27:13,865 >> YEAH, SEE YOU THERE. YEAH, ONCE WE DID HIGHWAY 61 262 00:27:13,932 --> 00:27:17,268 REVISITED, THE DYLAN ALBUM, WE DID THAT ONCE. 263 00:27:17,335 --> 00:27:23,108 I MEMORIZED "DESOLATION ROW," THE WHOLE THING. 264 00:27:23,174 --> 00:27:25,777 >> Stephen: ONE OF THE BEST LINE. 265 00:27:25,844 --> 00:27:29,247 >> ABE SAID MAN, YOU MUST BE PUTTING ME ON. 266 00:27:29,314 --> 00:27:31,116 GOD SAID NO. ABE SAID WHAT? 267 00:27:31,182 --> 00:27:34,486 GOD SAID YOU CAN DO WHAT YOU WANT, ABE, BUT NEXT TIME YOU SEE 268 00:27:34,552 --> 00:27:37,088 ME COMING, YOU BETTER RUN. YEAH, YEAH. 269 00:27:37,155 --> 00:27:40,658 >> Stephen: THAT'S IT. >> THAT'S HOW I SING IT. 270 00:27:40,725 --> 00:27:43,161 ( APPLAUSE ). THING YOU'RE GOING TO DO? 271 00:27:43,228 --> 00:27:45,830 YOU GOT AN ALBUM YOU THINKING ABOUT COVERING? 272 00:27:45,897 --> 00:27:49,667 >> WELL, MY BUDDY JASON IN CHICAGO, HE CALLED ME UP THE 273 00:27:49,734 --> 00:27:53,238 OTHER DAY, AND HE SAID, "ARE YOU COMING OVER FOR THE HOLIDAYS? 274 00:27:53,304 --> 00:27:57,108 WE SHOULD DO A SHOW?" AND I SAID, MAYBE, MAYBE." 275 00:27:57,175 --> 00:27:58,977 HE SAID, "WHAT DO YOU WANT TO DO?" 276 00:27:59,044 --> 00:28:01,946 AND I SAID HOW ABOUT "THE MODERN LOVERS." 277 00:28:02,013 --> 00:28:05,383 I DON'T KNOW IF ANYBODY HERE KNOWS "THE MODERN LOVERS. 278 00:28:05,450 --> 00:28:07,685 THERE YOU GO. >> Stephen: WHAT YEAR ARE WE 279 00:28:07,752 --> 00:28:10,955 TALKING ABOUT IN "LOVERS?" >> THE FIRST RECORD, THE ONE 280 00:28:11,022 --> 00:28:16,528 THAT SAYS "MODERN LOVERS ON IT? >> Stephen: 76? 281 00:28:16,594 --> 00:28:19,064 NOT RICHMOND AND THE MODERN LOVERS. 282 00:28:19,130 --> 00:28:22,333 >> NOW YOU'RE TRYING TO TRIP ME UP. 283 00:28:22,400 --> 00:28:25,870 ROAD RUNNER, ASTROPLANE, PABLO PICASSO. 284 00:28:25,937 --> 00:28:30,708 >> Stephen: HE'S NO ( BLEEP ). >> HE'S NO A-HOLE. 285 00:28:30,775 --> 00:28:32,077 YEAH. >> Stephen: NOW, YOU'RE 286 00:28:32,143 --> 00:28:35,780 TACKLING A NEW CHALLENGE. YOU'RE KURNL IS THIS YOUR FIRST 287 00:28:35,847 --> 00:28:39,150 MOVIE YOU'RE DIRECTING? >> I'M DIRECTING A MOVIE, YEAH. 288 00:28:39,217 --> 00:28:42,187 >> Stephen: WHAT'S THE NAME OF THE MOVIE? 289 00:28:42,253 --> 00:28:46,925 ( APPLAUSE ). NAME OF THE FILM IS "JAWS." 290 00:28:46,991 --> 00:28:48,460 >> Stephen: HOW, I HEAR GOOD THINGS. 291 00:28:48,526 --> 00:28:54,199 >> NO, I'M KIDDING. THE NAME OF THE FILM IS CALLED 292 00:28:54,265 --> 00:28:58,503 "ERIC LARU." >> Stephen: WHAT IS IT BEING 293 00:28:58,570 --> 00:29:01,406 ON THE OTHER SIDE OF THE CAMERA THAT APPEALED TO YOU? 294 00:29:01,473 --> 00:29:04,275 WHY DID YOU WANT TO DO THAT? >> FOR A LONG TIME I KIND OF 295 00:29:04,342 --> 00:29:06,711 DREADED IT. WHENEVER I'D GO TO WORK I'D LOOK 296 00:29:06,778 --> 00:29:09,080 AT THE DIRECTOR AND IT JUST LOOKED LIKE A NIGHTMARE, ALL THE 297 00:29:09,147 --> 00:29:11,583 STUFF THEY HAD TO DEAL WITH. AND PEOPLE WOULD SAY, "WHEN ARE 298 00:29:11,649 --> 00:29:14,719 YOU GOING TO DO THIS?" AND I SAID, "NEVER, NEVER GOING 299 00:29:14,786 --> 00:29:17,622 TO DO THAT." AND I READ THIS SCRIPT AND IT 300 00:29:17,689 --> 00:29:20,825 WAS THIS WEIRD THING WHERE I COULD JUST SEE IT SO VIVIDLY IN 301 00:29:20,892 --> 00:29:25,630 MY MIND THAT I COULDN'T IMAGINE NOT DOING IT. 302 00:29:25,697 --> 00:29:28,700 AND MY FRIEND WHO WROTE IT ORIGINALLY HE JUST WANTED TO 303 00:29:28,766 --> 00:29:32,737 HEAR, LIKE, MY OPINION OR "YOU THINK THIS IS GOOD? 304 00:29:32,804 --> 00:29:34,606 HAD? AND AS SOON AS I READ IT, HE 305 00:29:34,672 --> 00:29:38,510 SAID, "WHAT DO YOU THINK?" AND I SAID, "I WANT TO DIRECT 306 00:29:38,576 --> 00:29:40,712 IT." AND HE SAID, "OH, OKAY." 307 00:29:40,778 --> 00:29:43,047 I DON'T KNOW, IT WAS KIND OF MYSTICAL. 308 00:29:43,114 --> 00:29:46,684 >> Stephen: AS AN ACTOR, WHAT DID YOU-- AS AN ACTOR IN 309 00:29:46,751 --> 00:29:48,219 SOMETHING WHAT KIND OF DIRECTOR DO YOU WANT? 310 00:29:48,286 --> 00:29:51,756 WHAT DO YOU WANT A DIRECTOR TO DO FOR YOU OR DO WITH YOU? 311 00:29:51,823 --> 00:29:56,961 >> WELL, I MEAN, THE WAY I LOOK AT IT IS MOST OF THE TIME WHEN 312 00:29:57,028 --> 00:30:00,798 AN ACTOR GOES TO WORK THEY'RE SCARED OUT OF THEIR MIND BECAUSE 313 00:30:00,865 --> 00:30:03,301 IT'S TERRIFYING TO DO. YOU JUST THINK, "OH, I'M NOT 314 00:30:03,368 --> 00:30:06,938 GOING TO GET IT RIGHT." OR "I DON'T KNOW WHAT I'M 315 00:30:07,005 --> 00:30:10,108 DOING," OR WHATEVER. THE WAY I APPROACHED IT WAS JUST 316 00:30:10,175 --> 00:30:15,113 TO TRY TO CREATE A REAL SAFE ATMOSPHERE WHERE PEOPLE FELT 317 00:30:15,180 --> 00:30:19,951 LIKE THEY COULD TRY ANYTHING AND THERE WERE NO RIGHT ANSWERS, NO 318 00:30:20,018 --> 00:30:22,654 RIGHT WAY TO DO IT. AND LET'S JUST KEEP EXPLORING. 319 00:30:22,720 --> 00:30:26,057 EVEN THOUGH WE DIDN'T HAVE A BIG BUDGET, I WAS ABLE TO HAVE 320 00:30:26,124 --> 00:30:32,430 ENOUGH TIME WHERE WE WEREN'T RUSHING, AND I-- I DON'T KNOW. 321 00:30:32,497 --> 00:30:36,801 I WOULD JUST ALWAYS TRY AND HAVE SOMETHING TO SAY THEY FELT WOULD 322 00:30:36,868 --> 00:30:41,839 BE-- WOULD BE HELPFUL. BECAUSE A LOT OF TIMES, 323 00:30:41,906 --> 00:30:44,509 HONESTLY, THE DIRECTORS DON'T SAY MUCH AT ALL. 324 00:30:44,576 --> 00:30:47,645 >> Stephen: IS THAT OKAY WITH YOU, OR DO YOU WANT THEM TO SAY 325 00:30:47,712 --> 00:30:49,781 SOMETHING? >> WELL, WHEN YOU'RE AS GOOD AS 326 00:30:49,847 --> 00:30:52,083 ME, YOU DON'T REALLY NEED MUCH GUIDANCE. 327 00:30:52,150 --> 00:30:54,252 BUT OTHER PEOPLE... ( APPLAUSE ). 328 00:30:54,319 --> 00:30:57,322 >> WEAK PEOPLE, EXACTLY. >> Stephen: MICHAEL SO LOVELY 329 00:30:57,388 --> 00:30:58,556 TO SEE YOU. >> NICE TO SEE YOU, STEPHEN. 330 00:30:58,623 --> 00:31:01,192 >> Stephen: "GEORGE & TAMMY" PREMIERES DECEMBER 4 ON 331 00:31:01,259 --> 00:31:02,794 SHOWTIME. MICHAEL SHANNON, EVERYBODY. 332 00:31:02,860 --> 00:31:05,530 WE'LL BE RIGHT BACK WITH TIG NOTARO. 333 00:31:22,680 --> 00:31:27,752 LADIES AND GENTLEMEN, MY NEXT GUEST IS A HILARIOUS COMEDIAN 334 00:31:27,819 --> 00:31:42,700 IS ( CHEERS AND APPLAUSE ) 335 00:31:42,767 --> 00:31:43,534 IS ( CHEERS AND APPLAUSE ) 336 00:31:43,601 --> 00:31:58,483 YOU. AS ALWAYS. 337 00:31:58,549 --> 00:32:09,394 YOU. AS ALWAYS. 338 00:32:09,460 --> 00:32:24,342 CAN I JUST SAY SOMETHING REALLY FAST? 339 00:32:24,409 --> 00:32:56,974 CAN I JUST SAY SOMETHING REALLY FAST? 340 00:32:57,041 --> 00:33:07,185 CAN TAKE AWAY OTHERS FREEDOM TO LIVE IN A SAFE MANNER. 341 00:33:07,251 --> 00:33:10,588 THAT'S ALL I WANTED TO SAY. >> Stephen: I LIKE IT. 342 00:33:10,655 --> 00:33:13,458 THERE ARE RAMIFICATIONS FOR THE EXERCISE OF ALL OF OUR FREEDOMS. 343 00:33:13,524 --> 00:33:16,294 THERE YOU GO. >> YES, YES, ABSOLUTELY. 344 00:33:16,361 --> 00:33:19,163 BUT, IT'S GOOD TO SEE YOU. >> Stephen: IT IS. 345 00:33:19,230 --> 00:33:23,067 IT IS GOOD TO SEE YOU. I REALLY LIKE ANY INTERVIEWS 346 00:33:23,134 --> 00:33:25,236 HAVE PREAMBLES. ME, TOO. 347 00:33:25,303 --> 00:33:28,740 WE HOLD THESE TRUTH TO BE SELF-EVIDENT. 348 00:33:28,806 --> 00:33:30,208 >> I WANTED TO GET THAT OUT THERE. 349 00:33:30,274 --> 00:33:33,778 >> Stephen: IF YOU WERE JARED LETO, I WOULD SAY THAT CANE IS 350 00:33:33,845 --> 00:33:35,413 AN AFFECTATION. BUT YOU ARE NOT. 351 00:33:35,480 --> 00:33:37,782 YOU ARE TIG NOTARO. THIS IS NOT A BIT, I'M GUESSING. 352 00:33:37,849 --> 00:33:39,684 >> NO, IT'S NOT. >> Stephen: WHAT IS HAPPENING? 353 00:33:39,751 --> 00:33:43,921 >> I HAVE A FRACTURED FEMUR. >> Stephen: OOOH. 354 00:33:43,988 --> 00:33:46,924 >> AND THIS IS MY ALLIGATOR CANE. 355 00:33:46,991 --> 00:33:53,131 AND IT'S JUST KIND OF A HELLO TO THE SOUTH THAT-- YOU KNOW, I'M 356 00:33:53,197 --> 00:33:57,068 FROM THE-- TWO OTHER PEOPLE! >> Stephen: I HAVE A QUESTION 357 00:33:57,135 --> 00:33:59,237 FOR YOU. THAT LOOKS LIKE YOU COULD 358 00:33:59,303 --> 00:34:02,006 UNSCREW THE TO3 AND IT WOULD HAVE A SWORD INSIDE OF IT, OR 359 00:34:02,073 --> 00:34:03,107 SOMETHING. >> NO. 360 00:34:03,174 --> 00:34:06,711 IT'S JUST THE FULL BODY OF AN ALLIGATOR IS IN THERE. 361 00:34:06,778 --> 00:34:10,081 >> Stephen: SO, HERE'S THE THING THE REASON I FEEL TERRIBLE 362 00:34:10,148 --> 00:34:14,218 ABOUT YOUR CANE IS THAT WE SHOT "PICKLED" EARLIER THIS FALL. 363 00:34:14,285 --> 00:34:16,053 >> WE DID. >> Stephen: WHICH IS, AS 364 00:34:16,120 --> 00:34:21,793 EVERYONE KNOWS, IT'S THE FIRST CELEBRITY CHARIT PICKLEBALL 365 00:34:21,859 --> 00:34:28,032 TOURNAMENT OF ALL TIME. ( APPLAUSE ) 366 00:34:28,099 --> 00:34:32,937 DISTRIBUTES HUNDREDS OF MILLIONS OF DOLLARS TO CHILDREN AND 367 00:34:33,004 --> 00:34:35,606 FAMILY AT RISK, AND YOU WERE ONE OF THE MEGASTARS WHO WAS KIND 368 00:34:35,673 --> 00:34:42,814 ENOUGH TO SHOW UP AND PLAY PICKLEBALL IN 107-DEGREE HEAT IN 369 00:34:42,880 --> 00:34:46,851 THOUSAND OAKS, CALIFORNIA. AND YOU HAD A FRACTURED FEMUR 370 00:34:46,918 --> 00:34:48,019 THEN. >> YEAH, YEAH. 371 00:34:48,085 --> 00:34:50,855 >> Stephen: AND THE DOCTOR SAID IN NO UNCERTAIN TERMS... 372 00:34:50,922 --> 00:34:53,124 >> YOU SHOULD GET AN ALLIGATOR CANE. 373 00:34:53,191 --> 00:34:57,862 ( LAUGHTER ) >> Stephen: CAN YOU SHARE YOUR 374 00:34:57,929 --> 00:35:00,698 DOCTOR'S CARD. I WOULD LIKE TO GO TO THAT 375 00:35:00,765 --> 00:35:03,801 DOCTOR. >> YEAH, I-- YEAH, HE WAS LIKE, 376 00:35:03,868 --> 00:35:06,037 "LOOK, YOU'RE GOING TO DO WHAT YOU WANT TO DO, BUT YOU 377 00:35:06,103 --> 00:35:09,740 SHOULDN'T BE PLAYING PICKLEBALL WITH A FRACTURED FEMUR." 378 00:35:09,807 --> 00:35:13,211 AND I WAS LIKE, "YOU DO YOUR THING, AND I'LL DO MINE." 379 00:35:13,277 --> 00:35:14,912 ( LAUGHTER ). PLAY ALONE. 380 00:35:14,979 --> 00:35:18,249 YOU PLAYED WITH THERE'S A MYSTERY PARTNER FOR YOU. 381 00:35:18,316 --> 00:35:21,919 >> WHICH MAKES ME FEEL LIKE I PLAYED ALONE, BECAUSE NOBODY 382 00:35:21,986 --> 00:35:23,588 WILL SAY HIS NAME. ( LAUGHTER ). 383 00:35:23,654 --> 00:35:26,924 AREN'T IMPORTANT. WE'RE NOT GOING TO SAY HIS NAME. 384 00:35:26,991 --> 00:35:29,360 >> YEAH. >> Stephen: UNTIL TOMORROW. 385 00:35:29,427 --> 00:35:32,163 I'M NOT EVEN GOING TO SAY WHETHER IT'S A HE OR SHE. 386 00:35:32,230 --> 00:35:35,099 >> WELL, I AM. ( LAUGHTER ). 387 00:35:35,166 --> 00:35:38,469 ENOUGH. >> IT WAS A HE. 388 00:35:38,536 --> 00:35:40,838 >> Stephen: FAIR ENOUGH. IT WAS A HE. 389 00:35:40,905 --> 00:35:43,441 WE HAVE A CLIP HERE. AND WE'RE GOING TO BLUR THIS 390 00:35:43,508 --> 00:35:44,609 PERSON'S FACE. >> GREAT. 391 00:35:44,675 --> 00:35:46,711 >> Stephen: AND WE HAVE AFFECTED THEIR VOICE. 392 00:35:46,777 --> 00:35:48,779 >> IS IT BLURRED IN THE SPECIAL, TOO? 393 00:35:48,846 --> 00:35:52,383 >> Stephen: NO, IN THE SPECIAL YOU WILL SEE-- YOU'LL SEE THIS 394 00:35:52,450 --> 00:35:54,485 PERSON'S FACE. BUT FOR TONIGHT, IT'S BLURRED 395 00:35:54,552 --> 00:35:57,188 BECAUSE THIS IS THE MYSTERY GUEST. 396 00:35:57,255 --> 00:35:59,023 >> I GET IT. >> Stephen: OKAY. 397 00:35:59,090 --> 00:36:03,628 JIM. >> WE'RE GOING TO BE SEEING 398 00:36:03,694 --> 00:36:08,165 JUNE JUNE DIANE RAPHAEL, AND PAUL SCHEER PLAY ( BLEEP ) AND 399 00:36:08,232 --> 00:36:12,069 TIG NOTARO. AND ( BLEEP ). 400 00:36:12,136 --> 00:36:23,114 >> NO WE WERE JUST HUGGING. DON'T WORRY ABOUT IT. 401 00:36:23,180 --> 00:36:27,485 MUFFLED VOICE ( BLEEP ). 402 00:36:27,552 --> 00:36:40,898 ( APPLAUSE ) PADEM STAKES VERSUS PARTY 'TIL 403 00:36:40,965 --> 00:36:42,800 YOU CUKE. LET'S WATCH. 404 00:36:42,867 --> 00:36:48,539 >> EVERYBODY, YOUR PRODUCERS, OTHER PICKLEBALL PLAYERS, EVEN 405 00:36:48,606 --> 00:36:54,211 THE CARD YOU WROTE ME AFTER JUST REALLY EMPHASIZED HOW INCREDIBLE 406 00:36:54,278 --> 00:36:57,248 IT WAS THAT I WAS THE FIRST ONE TO SIGN ON TO THE PROJECT. 407 00:36:57,315 --> 00:37:01,786 >> Stephen: YOU WERE. >> OKAY, BUT... 408 00:37:01,852 --> 00:37:02,653 SO. ( LAUGHTER ) 409 00:37:02,720 --> 00:37:08,793 OF LOW-RENT THING DID I JUST SIGN UP FOR? 410 00:37:08,859 --> 00:37:23,207 ( LAUGHTER ) STEPHEN, EVERY TIME-- EVERY TIME 411 00:37:23,274 --> 00:37:27,712 I TURNED AROUND, SOMEONE SAID, "I HEARD YOU WERE THE FIRST ONE 412 00:37:27,778 --> 00:37:28,713 TO SIGN ON TO THIS." AND THE FACT THAT YOU WROTE ME A 413 00:37:28,779 --> 00:37:31,983 CARD THANKING ME. I WAS TRULY LIKE, WELL, NO. 414 00:37:32,049 --> 00:37:34,251 >> Stephen: MAY I EXPLAIN? >> YEAH, PLEASE! 415 00:37:34,318 --> 00:37:38,089 BECAUSE, STILL, EVEN SITTING RIGHT HERE, YOU'RE LIKE, "I 416 00:37:38,155 --> 00:37:39,657 KNOW! THANK YOU!" 417 00:37:39,724 --> 00:37:44,161 HOW MANY-- HOW MANY HARD PASSES DID YOU GET? 418 00:37:44,228 --> 00:37:49,300 ( LAUGHTER ) BEFORE I -- 419 00:37:49,367 --> 00:37:50,668 >> Stephen: BEFORE YOU? BEFORE YOU? 420 00:37:50,735 --> 00:37:52,770 >> YEAH, YEAH. >> Stephen: NONE. 421 00:37:52,837 --> 00:37:55,740 I SWEAR TO GOD. YOU WERE THE FIRST THING I 422 00:37:55,806 --> 00:37:57,575 HEARD, PASS OR OTHERWISE. TIG NOTARO IS IN. 423 00:37:57,642 --> 00:38:00,177 AND I WAS LIKE, "OH, THAT'S FANTASTIC!" 424 00:38:00,244 --> 00:38:02,613 BECAUSE WE THOUGHT WE HAD A GOOD IDEA. 425 00:38:02,680 --> 00:38:06,450 WE THOUGHT IT GOING TO BE FUN, RAISE MONEY FOR COMIC RELIEF, 426 00:38:06,517 --> 00:38:11,188 HAVE SOME FUN, PLAY PICKLEBALL. AND I WAS LIKE I WONDER IF 427 00:38:11,255 --> 00:38:13,090 ANYBODY WILL UNDERSTAND HOW THIS CAN BE FUN. 428 00:38:13,157 --> 00:38:15,459 >> I STILL DON'T UNDERSTAND. >> Stephen: AND YOU DID IT. 429 00:38:15,526 --> 00:38:18,195 DID YOU HAVE NO FUN? >> YOU ARE THE LOVE OF MY LIFE, 430 00:38:18,262 --> 00:38:20,197 AND YOU KNOW THAT. I HAD A BLAST. 431 00:38:20,264 --> 00:38:24,669 I HAD SO MUCH FUN. BUT IT REMINDED ME OF THE FACT 432 00:38:24,735 --> 00:38:27,872 THAT I FOR A BRIEF PERIOD OF TIME, I WAS WITH A MANAGEMENT 433 00:38:27,938 --> 00:38:31,609 COMPANY THAT MADE A PHONE CALL TO ME BECAUSE THEY WERE 434 00:38:31,676 --> 00:38:37,081 CONCERNED SAYING-- THEY HAD WE FEEL LIKE YOU SAY YES TO 435 00:38:37,148 --> 00:38:41,452 EVERYTHING YOU'RE OFFERED. AND THEY SAID, "DO YOU NEED 436 00:38:41,519 --> 00:38:43,788 MONEY?" ( LAUGHTER ) 437 00:38:43,854 --> 00:38:47,625 HUMILIATING PHONE CALLS I'VE EVER GOTTEN. 438 00:38:47,692 --> 00:38:51,562 BUT, YOU KNOW, I LIKE TO TAKE PROJECTS THAT SEEM INTERESTING 439 00:38:51,629 --> 00:38:53,431 OR, LIKE -- >> Stephen: I'M SO PLEASED. 440 00:38:53,497 --> 00:38:56,067 BECAUSE HERE'S THE THING-- WE WERE WORRIED THAT SOME PEOPLE 441 00:38:56,133 --> 00:38:57,568 WOULDN'T UNDERSTAND HOW THIS COULD BE FUN. 442 00:38:57,635 --> 00:39:01,739 AND WHEN I FOUND OUT THAT YOU WANTED TO DO IT, I WENT, "OH, 443 00:39:01,806 --> 00:39:05,076 THIS MUST BE GOOD BECAUSE TIG WANTS TO DO IT." 444 00:39:05,142 --> 00:39:09,246 >> NO, TALK TO MY OLD MANAGERS. IT MEANS NOTHING. 445 00:39:09,313 --> 00:39:12,316 >> Stephen: OH... >> IN FACT -- 446 00:39:12,383 --> 00:39:15,186 >> Stephen: I THOUGHT YOU WERE SAYING IT WAS A BENEDICTION ON 447 00:39:15,252 --> 00:39:17,488 WHAT WE WERE DOING. >> NO, IN FACT, THEY'RE PROBABLY 448 00:39:17,555 --> 00:39:20,491 GOING TO BE HORRIFIED WHEN THEY SEE THEY ALSO TOOK THIS JOB. 449 00:39:20,558 --> 00:39:28,699 ( LAUGHTER ) >> THANK YOU. 450 00:39:28,766 --> 00:39:33,270 >> Stephen: THANK YOU. HOLD ON. 451 00:39:33,337 --> 00:39:36,440 HOLD ON. THERE'S TIG RIGHT THERE. 452 00:39:36,507 --> 00:39:39,343 THERE'S TIG RIGHT THERE. WE HAVE THAT SHOT? 453 00:39:39,410 --> 00:39:53,524 ( CHEERS AND APPLAUSE ) "PICKLED" PREMIERES TOMORROW ON 454 00:39:53,591 --> 00:39:57,261 CBS AT 9:00 P.M. STARRING TIG NOTARO, EVERYBODY. 455 00:39:57,328 --> 00:39:58,996 WE'LL BE RIGHT BACK. 456 00:40:17,848 --> 00:40:19,216 >> Stephen: THAT'S IT FOR "THE LATE SHOW." 457 00:40:19,283 --> 00:40:22,086 TUNE IN TOMORROW WHEN MY GUESTS WILL BE MICHELLE WILLIAMS AND 458 00:40:22,153 --> 00:40:25,289 THE WINNERS OF "PICKLED." JAMES CORDEN IS NEXT. 459 00:40:25,356 --> 00:40:26,223 GOOD NIGHT.