1 00:00:02,001 --> 00:00:03,136 >> CITY OFFICIALS IN SAN FRANCISCO APPROVED A 2 00:00:03,203 --> 00:00:04,938 CONTROVERSIAL MEASURE THAT ALLOWS POLICE-CONTROLLED ROBOTS 3 00:00:05,004 --> 00:00:06,940 TO USED DEADLY FORCE. 4 00:00:07,006 --> 00:00:11,378 >> THE S.F.P.D. POLICY JUST CONSIDERED BY SAN FRANCISCO'S 5 00:00:11,444 --> 00:00:14,948 SUPERVISORS ALLOWING ROBOTS TO KILL SUSPECTS IN CERTAIN 6 00:00:15,014 --> 00:00:16,015 CRITICAL SITUATIONS. 7 00:00:40,640 --> 00:00:42,275 >> THAT'S IT. 8 00:00:42,342 --> 00:00:43,843 THIS WEEKEND, YOU ARE GROUNDED! 9 00:00:43,910 --> 00:00:47,881 >> HEAT STRIKE. 10 00:00:47,947 --> 00:00:48,848 >> CUT IT OUT! 11 00:00:48,915 --> 00:00:51,217 I LOVE YOU. 12 00:00:51,284 --> 00:00:53,520 >> HA-HA-HA. 13 00:00:54,988 --> 00:00:58,324 >> Announcer: IT'S "THE LATE SHOW WITH STEPHEN COLBERT." 14 00:00:58,858 --> 00:01:04,931 TONIGHT: TWETWEEDLE DUM. 15 00:01:04,998 --> 00:01:07,500 PLUS, STEPHEN WELCOMES: JOHN KRASINSKI 16 00:01:07,567 --> 00:01:09,436 AND SARAH POLLEY 17 00:01:12,138 --> 00:01:14,741 FEATURING LOUIS CATO AND THE LATE SHOW BAND. 18 00:01:16,109 --> 00:01:21,948 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 19 00:01:22,015 --> 00:01:24,017 CITY, IT'S STEPHEN COLBERT! 20 00:01:26,286 --> 00:01:26,753 ( CHEERS AND APPLAUSE ). 21 00:01:26,820 --> 00:01:29,255 >> Stephen: WHOA! 22 00:01:29,322 --> 00:01:31,324 WOW! 23 00:01:37,730 --> 00:01:39,032 >> Stephen: OH! 24 00:01:39,098 --> 00:01:39,265 OH! 25 00:01:39,332 --> 00:01:41,334 HEY! 26 00:01:46,206 --> 00:01:48,208 HEY, EVERYBODY! 27 00:01:56,049 --> 00:02:00,920 WHEN YOU'RE RIGHT, YOU'RE RIGHT. 28 00:02:00,987 --> 00:02:01,988 UP HERE, DOWN THERE. 29 00:02:02,055 --> 00:02:02,789 THANK YOU, LADIES AND GENTLEMEN. 30 00:02:02,856 --> 00:02:09,929 THANK YOU, MY FRIENDS. 31 00:02:09,996 --> 00:02:11,998 ♪ ♪ ♪ THAT'S A THURSDAY VIBE. 32 00:02:17,003 --> 00:02:17,937 YOU KNOW WHAT THAT IS, LOUIS? 33 00:02:18,004 --> 00:02:18,938 THAT IS A THURSDAY AUDIENCE? 34 00:02:19,005 --> 00:02:21,207 YOU CANNOT FAKE THAT FEEL RIGHT THERE. 35 00:02:21,274 --> 00:02:21,941 >> Louis: UNMISTAKABLE. 36 00:02:22,008 --> 00:02:23,710 >> Stephen: YOU CAN'T BOTTLE IT. 37 00:02:23,776 --> 00:02:25,945 WELCOME TO "THE LATE SHOW." 38 00:02:26,012 --> 00:02:28,381 I AM YOUR HOST, STEPHEN COLBERT. 39 00:02:28,448 --> 00:02:33,720 IT IS THURSDAY-- ( CHEERS AND APPLAUSE ) 40 00:02:33,786 --> 00:02:36,422 IT IS THURSDAY, DECEMBER 1st, WHICH MEANS, BY LAW, YOU MUST 41 00:02:36,489 --> 00:02:38,291 THROW OUT THAT TURKEY FROM THANKSGIVING. 42 00:02:38,358 --> 00:02:39,592 STUFFING'S PROBABLY STILL GOOD. 43 00:02:39,659 --> 00:02:41,728 ASK A LOVED ONE TO GIVE IT A SNIFF. 44 00:02:41,794 --> 00:02:46,766 ( LAUGHTER ) SPEAKING-- SPEAKING OF THINGS 45 00:02:46,833 --> 00:02:50,970 THAT ARE STARTING TO SMELL BAD-- ELON MUSK. 46 00:02:51,037 --> 00:02:52,639 EVER SINCE-- ( APPLAUSE ) 47 00:02:52,705 --> 00:02:53,540 THERE YOU GO! 48 00:02:53,606 --> 00:02:59,512 THERE YOU GO! 49 00:02:59,579 --> 00:03:01,414 EVER SINCE HE TOOK OVER TWITTER, IT'S BECOME A FLAMING 50 00:03:01,481 --> 00:03:04,150 PORT-A-POTTY DROPPED OUT OF A HELICOPTER. 51 00:03:04,217 --> 00:03:08,855 AMONG OTHER BLUNDERS, MUSK UNLEASHED CHAOS BY LETTING 52 00:03:08,922 --> 00:03:11,424 ANYONE BUY A VERIFIED BLUE CHECKMARK FOR $8. 53 00:03:11,491 --> 00:03:16,963 THAT CAUSED A LOT OF CONFUSION, AND SOME COMPANIES, LIKE 54 00:03:17,030 --> 00:03:21,067 ELI LILLY, LOST BILLIONS, THANKS TO TWITTER IMPERSONATORS. 55 00:03:21,134 --> 00:03:23,369 WELL, NOW MUSK HAS FOUND A SOLUTION TO ALL THE PROBLEMS 56 00:03:23,436 --> 00:03:28,408 CAUSED BY THAT STUPID CHECKMARK: THREE MORE STUPID CHECKMARKS. 57 00:03:28,474 --> 00:03:32,345 HE ANNOUNCED THAT HE'S ROLLING OUT A "GOLD CHECK FOR COMPANIES, 58 00:03:32,412 --> 00:03:34,180 A GREY CHECK FOR GOVERNMENT, AND A BLUE FOR INDIVIDUALS." 59 00:03:34,247 --> 00:03:37,050 IS THIS TWITTER OR A NEW BREAKFAST CEREAL? 60 00:03:37,116 --> 00:03:39,619 ( LAUGHTER ) ( IRISH ACCENT ) 61 00:03:39,686 --> 00:03:41,087 "THEY'RE AFTER ME MUSKY CHARMS! 62 00:03:41,154 --> 00:03:43,990 BLUE CHECKS, GOLD CHECKS, YELLOW MOONS, AND PURPLE NAZIS!" 63 00:03:44,057 --> 00:03:45,191 ( LAUGHTER ) ( APPLAUSE ) 64 00:03:45,258 --> 00:03:51,264 OT ONLY-- DANCING WITH THAT CHICKEN! 65 00:03:51,331 --> 00:03:56,970 I'M DANCING WITH THAT CHICKEN! 66 00:03:57,036 --> 00:04:04,277 ( CHEERS AND APPLAUSE ) I'M REALLY A HOOVER. 67 00:04:04,344 --> 00:04:06,346 NOT ONLY THAT, BUT MUSK CLAIMS THAT ALL VERIFIED ACCOUNTS WILL 68 00:04:06,412 --> 00:04:08,281 BE MANUALLY AUTHENTICATED BEFORE THE CHECK ACTIVATES. 69 00:04:08,348 --> 00:04:11,451 WHAT? 70 00:04:11,517 --> 00:04:13,319 ELON MUSK IS GOING TO PERSONALLY VERIFY EVERY ACCOUNT ON TWITTER? 71 00:04:13,386 --> 00:04:14,354 "HELLO, THIS IS ELON MUSK. 72 00:04:14,420 --> 00:04:19,726 AM I SPEAKING WITH THE REAL MAGA-BUTTFACE-69? 73 00:04:19,792 --> 00:04:21,995 ( LAUGHTER ) NICE." 74 00:04:22,061 --> 00:04:24,330 THAT'S NOT MUSK'S ONLY POLICY CHANGE. 75 00:04:24,397 --> 00:04:27,066 AS OF LAST WEEK, "TWITTER IS NO LONGER ENFORCING ITS COVID 76 00:04:27,133 --> 00:04:30,470 MISINFORMATION POLICY." 77 00:04:30,536 --> 00:04:40,380 ( AUDIENCE BOOING ) NO, THIS IS GREAT, TWITTER CAN 78 00:04:40,446 --> 00:04:42,348 NOW GO BACK TO BEING MY NUMBER-ONE SOURCE OF NEWS ABOUT 79 00:04:42,415 --> 00:04:43,816 WHAT THE VACCINE DID TO A RAPPER'S COUSIN'S FRIEND'S 80 00:04:43,883 --> 00:04:44,917 BALLS. 81 00:04:44,984 --> 00:04:49,355 I DIDN'T KNOW-- WHO KNOWS WHAT GLAND WAS SWOLLEN WHERE. 82 00:04:49,422 --> 00:04:54,527 NOW THAT IT'S OKAY TO LIE ABOUT COVID, MUSK HAS UN-BANNED THE 83 00:04:54,594 --> 00:04:56,629 PERSONAL ACCOUNT OF ONE OF OUR NATION'S TOP DUMMY DUMB-DUMBS, 84 00:04:56,696 --> 00:05:00,400 GEORGIA REPUBLICAN CONGRESSWOMAN MARJORIE TAYLOR GREENE, SEEN 85 00:05:00,466 --> 00:05:02,468 HERE RELEASING DOVES INTO A WIND TURBINE. 86 00:05:02,535 --> 00:05:08,508 ( LAUGHTER ) GREENE WENT RIGHT BACK TO WORK, 87 00:05:08,574 --> 00:05:10,843 ON TWITTER, TWEETING THE FOLLOWING, WHICH I SWEAR, IS 88 00:05:10,910 --> 00:05:13,513 100% REAL: "SO MANY PEOPLE STILL WEARING MASKS. 89 00:05:13,579 --> 00:05:17,150 I JUST WANT TO ASK YOU: IF A PAIR OF UNDERWEAR-- REALLY THICK 90 00:05:17,216 --> 00:05:19,819 ONES, HIGH-QUALITY COTTON-- CAN'T PROTECT YOU FROM A FART, 91 00:05:19,886 --> 00:05:22,555 THEN HOW WILL A MASK PROTECT YOU FROM COVID?" 92 00:05:22,622 --> 00:05:27,994 ( LAUGHTER ) OKAY. 93 00:05:28,061 --> 00:05:28,761 OKAY. 94 00:05:28,828 --> 00:05:30,563 LET'S TAKE IT ONE STEP AT A TIME. 95 00:05:30,630 --> 00:05:32,165 YEAH. 96 00:05:32,231 --> 00:05:37,103 THERE'S A LOT GOING ON THERE. 97 00:05:37,170 --> 00:05:39,972 FIRST OF ALL, MARGE, TRY LACTAID. 98 00:05:40,039 --> 00:05:41,607 SECOND, WHAT ON EARTH DOES SHE SAY AT THE STORE? 99 00:05:41,674 --> 00:05:44,477 "EXCUSE ME, I AM LOOKING FOR YOUR THICKEST, MOST PADDED, 100 00:05:44,544 --> 00:05:48,047 COTTON UNDERPANTS-- Y'KNOW, THE KIND OF ACTIVE GAL WHO-- HOW 101 00:05:48,114 --> 00:05:49,282 DO I PUT THIS DELICATELY-- BLASTS SEVEN-CHILI-PEPPER 102 00:05:49,348 --> 00:05:51,818 NUCLEAR BUTT WIND? 103 00:05:51,884 --> 00:05:55,154 UNDERGARMENTS FOR THE KIND OF ASS-NADO THAT TEARS A HOLE IN 104 00:05:55,221 --> 00:05:57,523 THE SPACE-TIME CONTINUUM AND SUCKS YOUR GRANDMA INTO THE 105 00:05:57,590 --> 00:06:05,665 FUTURE TO SMELL THE UNHOLY MESS HER LOINS HAVE WROUGHT. 106 00:06:05,732 --> 00:06:08,101 AND DO YOU HAVE THAT IN A THONG." 107 00:06:08,167 --> 00:06:12,839 ( APPLAUSE ) THANKS, JUST-- JUST GETTA BRITA. 108 00:06:12,905 --> 00:06:15,675 JUST GET A BRITA. 109 00:06:15,742 --> 00:06:17,877 EVER SINCE MUSK HAS RE-RELEASED RIGHT-WING NUTBALLS LIKE GREENE 110 00:06:17,944 --> 00:06:24,851 ON TWITTER, IT SEEMS THAT TENS OF THOUSANDS OF LIBERALS MAY BE 111 00:06:24,917 --> 00:06:26,018 LEAVING THE SITE. 112 00:06:26,085 --> 00:06:27,120 WELL, YEAH! 113 00:06:27,186 --> 00:06:28,154 NO ONE WANTSTTO STAY WHERE THEY'RE BEING THREATENED AND 114 00:06:28,221 --> 00:06:29,355 HARASSED. 115 00:06:29,422 --> 00:06:30,323 THAT'S WHY DISNEYLAND HAD TO PULL THE PLUG ON THEIR INFAMOUS 116 00:06:30,389 --> 00:06:32,692 CHARACTER, FRANK THE HORNY CANNIBAL. 117 00:06:32,759 --> 00:06:37,997 ( LAUGHTER ) MUSK-- 118 00:06:38,064 --> 00:06:39,665 ( LAUGHTER ) YOUR REACTION IS WHY THEY HAD TO 119 00:06:39,732 --> 00:06:41,567 PULL THE PLUG ON THEM. 120 00:06:41,634 --> 00:06:43,402 MUSK ISN'T JUST ELEVATING RIGHT WINGERS. 121 00:06:43,469 --> 00:06:47,173 HE'S ALSO ATTACKING TWITTER'S TOP ADVERTISER. 122 00:06:47,240 --> 00:06:49,675 THIS WEEK, HE TWEETED, "APPLE HAS MOSTLY STOPPED ADVERTISING 123 00:06:49,742 --> 00:06:51,077 ON TWITTER. 124 00:06:51,144 --> 00:06:59,852 DO THEY HATE FREE SPEECH IN AMERICA?" 125 00:06:59,919 --> 00:07:01,487 ELON, ELON, ELON, FREE SPEECH MEANS THE GOVERNMENT CAN'T TELL 126 00:07:01,554 --> 00:07:02,688 YOU WHAT TO SAY. 127 00:07:02,755 --> 00:07:03,756 IT DOESN'T MEAN PEOPLE HAVE TO GIVE YOU MONEY NO MATTER WHAT 128 00:07:03,823 --> 00:07:05,391 YOU SAY. 129 00:07:05,458 --> 00:07:08,094 I KNOW-- I KNOW YOU'RE MAD AT THEM-- 130 00:07:08,161 --> 00:07:12,165 ( APPLAUSE ) I KNOW YOU'RE MAD AT THEM, BUT 131 00:07:12,231 --> 00:07:14,834 THEY DON'T HATE FREE SPEECH. 132 00:07:14,901 --> 00:07:18,738 THEY'RE MAD AT YOU BECAUSE YOU FREED HATE SPEECH. 133 00:07:18,805 --> 00:07:21,774 ( CHEERS AND APPLAUSE ) BUT-- BUT-- 134 00:07:21,841 --> 00:07:23,009 >> Louis: UH-HUH. 135 00:07:23,075 --> 00:07:24,210 >> Stephen: THAT WORKS. 136 00:07:24,277 --> 00:07:25,411 THAT WORKS. 137 00:07:25,478 --> 00:07:27,113 BUT MUSK'S TWITTER FEED ISN'T ALL FUN AND DELUSIONAL ATTACKS 138 00:07:27,180 --> 00:07:28,381 ON HIS ADVERTISERS. 139 00:07:28,447 --> 00:07:32,185 HE ALSO TWEETED THIS PICTURE OF HIS BEDSIDE TABLE, WITH GUNS AND 140 00:07:32,251 --> 00:07:35,788 CANS OF CAFFEINE-FREE DIET COKE. 141 00:07:35,855 --> 00:07:37,890 WELL, THE MESSAGE IS CLEAR: ELON IS ALWAYS READY, JUST IN CASE HE 142 00:07:37,957 --> 00:07:40,259 HAS TO WAKE UP IN THE MIDDLE OF THE NIGHT AND SHOOT THE MOST 143 00:07:40,326 --> 00:07:43,196 USELESS SODA IN THE WORLD. 144 00:07:43,262 --> 00:07:46,032 ( LAUGHTER ) ( APPLAUSE ) 145 00:07:46,098 --> 00:07:49,035 BROWN WATER THAT KEEPS YOU SLEEPY. 146 00:07:49,101 --> 00:07:53,506 SPEAKING OF KOO-KOO CRAZYPANTS, WE'VE GOT AN UPDATE ABOUT 147 00:07:53,573 --> 00:07:55,808 MYPILLOW C.E.O. MIKE LINDELL, SEEN HERE CHALLENGING A MAILBOX 148 00:07:55,875 --> 00:07:57,910 TO A KARATE FIGHT. 149 00:07:57,977 --> 00:08:00,313 ( LAUGHTER ) EVER SINCE LATCHING ONTO THE 150 00:08:00,379 --> 00:08:06,219 EX-PRESIDENT'S ELECTION CONSPIRACIES, LINDELL HAS HAD A 151 00:08:06,285 --> 00:08:07,987 GROWING INFLUENCE ON THE G.O.P., AND NOW HE WANTS TO MAKE IT 152 00:08:08,054 --> 00:08:10,523 OFFICIAL, BECAUSE HE IS LAUNCHING A CAMPAIGN FOR 153 00:08:10,590 --> 00:08:13,459 REPUBLICAN NATIONAL COMMITTEE CHAIR, IN A BID TO RUN THE 154 00:08:13,526 --> 00:08:20,533 REPUBLICAN PARTY. 155 00:08:20,600 --> 00:08:27,440 SORRY, I JUST NEED A MOMENT. 156 00:08:27,506 --> 00:08:29,275 "DEAR SANTA--" ( LAUGHTER ) 157 00:08:29,342 --> 00:08:36,515 ( APPLAUSE ) "I HAVE BEEN A VERY GOOD BOY 158 00:08:36,582 --> 00:08:39,552 THIS YEAR, AND I JUST WANT ONE THING FOR CHRISTMAS: PLEASE PUT 159 00:08:39,619 --> 00:08:42,288 THE SCREAMY MUSTACHE MAN IN CHARGE OF THE REPUBLICAN PARTY." 160 00:08:42,355 --> 00:08:47,159 ( LAUGHTER ) ( APPLAUSE ) 161 00:08:47,226 --> 00:08:49,562 ALSO, A TOBLERONE THE SIZE OF A BASEBALL BAT. 162 00:08:49,629 --> 00:08:57,904 BUT DESPITE LINDELL'S MAGA LOYALTY, THE FORMER PRESIDENT 163 00:08:57,970 --> 00:08:59,105 HAS NOT YET PUBLICLY SUPPORTED HIS BID. 164 00:08:59,171 --> 00:08:59,906 WOW. 165 00:08:59,972 --> 00:09:01,107 HE HASN'T SAID ANYTHING SUPPORTIVE? 166 00:09:01,173 --> 00:09:02,341 BUT LINDELL'S BEEN LIKE A SON TO... 167 00:09:02,408 --> 00:09:03,809 OHH, YEAH. 168 00:09:03,876 --> 00:09:05,378 ALL RIGHT. 169 00:09:05,444 --> 00:09:06,412 THAT MAKES SENSE. 170 00:09:06,479 --> 00:09:08,447 THAT MAKES SENSE. 171 00:09:08,514 --> 00:09:11,550 SO WHAT HAPPENS IF/WHEN LINDELL DOESN'T WIN THE R.N.C. CHAIR? 172 00:09:11,617 --> 00:09:14,987 WELL, HERE'S WHAT HE SAID ABOUT ACCEPTING THE RESULTS: 173 00:09:15,054 --> 00:09:19,225 "IF THERE'S ANY COMPUTER USED, I WOULD QUESTION ANY ELECTION 174 00:09:19,292 --> 00:09:20,927 WHICH USED A COMPUTER." 175 00:09:20,993 --> 00:09:26,432 ( AS LINDELL ) "I DON'T TRUST THE COMPUTERS. 176 00:09:26,499 --> 00:09:28,601 CAN'T TRUST-- ( APPLAUE ) 177 00:09:28,668 --> 00:09:30,036 NO, NO, NO. 178 00:09:30,102 --> 00:09:31,304 NO, NO, NO. 179 00:09:31,370 --> 00:09:33,372 YOU CAN'T TRUST THE COMPUTERS. 180 00:09:33,439 --> 00:09:35,641 I'VE BEEN GOOGLING ALL THE BAD STUFF THEY DO AND IT IS NO 181 00:09:35,708 --> 00:09:37,276 BUENO. 182 00:09:37,343 --> 00:09:41,047 SO I'M TAKING THE COMPUTERS ON, ALL OF EM: THE FOLDY GUYS, THE 183 00:09:41,113 --> 00:09:47,320 DESKTOP SQUARE FELLAS, THE BIG ONE AT THE AIRPORT, THE 184 00:09:47,386 --> 00:09:52,858 ONE THAT GLOWS ORANGE AND MAKES MY BREAD CRISPY. 185 00:09:52,925 --> 00:09:55,828 ALL OF THEM." 186 00:09:55,895 --> 00:09:58,464 I'M SUPPOSED TO TAKE THIS OFF NOW, BUT I KIND OF LIKE THIS 187 00:09:58,531 --> 00:09:59,465 LOOK. 188 00:09:59,532 --> 00:10:05,905 THIS IS-- I FEEL LIKE-- ( CHEERS AND APPLAUSE ) 189 00:10:05,972 --> 00:10:08,874 ♪ WE ARE THE CHAMPIONS ♪ >> Louis: YES! 190 00:10:08,941 --> 00:10:11,410 >> Stephen: YOU KNOW WHAT I MEAN? 191 00:10:11,477 --> 00:10:18,050 ♪ ♪ ♪ BUT I'M A BIT WORRIED HERE, 192 00:10:18,117 --> 00:10:21,053 BECAUSE AN R.N.C. ELECTION PITTING LINDELL AGAINST 193 00:10:21,120 --> 00:10:24,423 INCUMBENT RONNA McDANIEL COULD TEAR THE PARTY APART BETWEEN 194 00:10:24,490 --> 00:10:27,460 MYPILLOW MAGA CRAZIES AND TRADITIONAL CONSERVATIVES. 195 00:10:27,526 --> 00:10:29,528 WHICH IS WHY I PROPOSE A COMPROMISE CANDIDATE, SOMEONE 196 00:10:29,595 --> 00:10:32,598 RIGHT DOWN THE MIDDLE: "PILLOW." 197 00:10:32,665 --> 00:10:39,171 ( LAUGHTER ) ( APPLAUSE ) 198 00:10:39,238 --> 00:10:41,240 HE'S GOT EVERYTHING THE REPUBLICANS WANT. 199 00:10:41,307 --> 00:10:43,442 HE'S WHITE AND SHE'S SQUARE. 200 00:10:43,509 --> 00:10:47,179 OH, THERE'S SOME NEWS-- WHAT HAPPENED. 201 00:10:47,246 --> 00:10:49,181 THERE'S SOME NEWS OUT OF CALIFORNIA, THE GARDEN STATE, 202 00:10:49,248 --> 00:10:53,019 BECAUSE YESTERDAY, SAN FRANCISCO VOTED TO LET THEIR POLICE FORCE 203 00:10:53,085 --> 00:10:55,254 DEPLOY POTENTIALLY LETHAL, REMOTE-CONTROLLED ROBOTS IN 204 00:10:55,321 --> 00:10:56,489 EMERGENCY SITUATIONS. 205 00:10:56,555 --> 00:10:59,959 THIS IS WHERE IT STARTS. 206 00:11:00,026 --> 00:11:04,497 BUT BEFORE YOU KNOW IT, POLICE ARE GONNA BE PLAYING THE OLD 207 00:11:04,563 --> 00:11:06,332 MIND GAME: "GOOD COP, BLEEP BLORP." 208 00:11:06,399 --> 00:11:09,368 SEEMS LIKE AN OBVIOUSLY BAD IDEA, BUT THE VOTE WAS EIGHT IN 209 00:11:09,435 --> 00:11:12,104 FAVOR AND THREE ABOUT TO BE EXECUTED BY ROBOTS. 210 00:11:12,171 --> 00:11:13,773 ( LAUGHTER ) THE SAN FRANCISCO POLICE 211 00:11:13,839 --> 00:11:17,910 DEPARTMENT DOESN'T WANT ANYONE TO PANIC, PROMISING THEY HAVE 212 00:11:17,977 --> 00:11:21,447 NO PLANS TO ARM ROBOTS WITH GUNS, BUT COULD DEPLOY ROBOTS 213 00:11:21,514 --> 00:11:23,783 EQUIPPED WITH EXPLOSIVE CHARGES. 214 00:11:23,849 --> 00:11:29,055 ( LAUGHTER ) OH, IT'S LIKE THE OLD SAYING: 215 00:11:29,121 --> 00:11:31,624 NEVER BRING A GUN TO AN EXPLODING ROBOT FIGHT. 216 00:11:31,690 --> 00:11:34,560 NOW, ON A PERSONAL NOTE, I JUST WANT TO SAY, IT TAKES A LOT OF 217 00:11:34,627 --> 00:11:39,231 PEOPLE TO PUT ON A SHOW LIKE THIS, AND WE'D NEVER BE ABLE TO 218 00:11:39,298 --> 00:11:41,634 MAKE IT TO AIR WITHOUT OUR INCREDIBLE TEAM OF INTERNS. 219 00:11:41,700 --> 00:11:45,504 THEY DO IT ALL, FROM STOCKING SNACKS TO STOCKING BEVERAGES, 220 00:11:45,571 --> 00:11:49,742 ALONG WITH A LOT OF OTHER STUFF THAT DOES NOT AFFECT ME 221 00:11:49,809 --> 00:11:50,976 DIRECTLY. 222 00:11:51,043 --> 00:11:52,445 I ALWAYS LIKE TO HEAR ABOUT WHAT OUR FORMER INTERNS ARE UP TO. 223 00:11:52,511 --> 00:11:57,249 SO TONIGHT, I'M DEBUTING MY LONG-RUNNING OR ONE-TIME-ONLY 224 00:11:57,316 --> 00:12:03,122 SEGMENT, "INTERN CHECK-IN." 225 00:12:03,189 --> 00:12:09,295 ( COUGHING ) ( APPLAUSE ) 226 00:12:09,361 --> 00:12:14,900 TONIGHT WE'RE CATCHING UP WITH A FELLOW NAMED JORDAN, AN INTERN 227 00:12:14,967 --> 00:12:17,036 FROM THE AMAZING CLASS OF SPRING 2018, 228 00:12:17,103 --> 00:12:23,275 THAT'S A GOOD LOOKING-GROUP. 229 00:12:23,342 --> 00:12:27,780 THERE'S JORDAN RIGHT THERE, AND THAT GUY IN THE MIDDLE MUST HAVE 230 00:12:27,847 --> 00:12:29,014 BEEN A GRAD STUDENT. 231 00:12:29,081 --> 00:12:30,149 JORDAN WAS A GREAT INTERN. 232 00:12:30,216 --> 00:12:31,383 WE ALL LOVED WORKING WITH HIM. 233 00:12:31,450 --> 00:12:32,952 FUN FACT: HE'S ALSO THE SON OF THEN-BROOKLYN BOROUGH PRESIDENT 234 00:12:33,018 --> 00:12:34,954 ERIC ADAMS, WHO IS NOW THE MAYOR OF NEW YORK-- WHICH MAY EXPLAIN 235 00:12:35,020 --> 00:12:36,122 WHY JORDAN HAS LEFT FOR ALBANIA. 236 00:12:36,188 --> 00:12:41,961 LET ME EXPLAIN: JORDAN HAS A BURGEONING CAREER AS A RAPPER 237 00:12:42,027 --> 00:12:43,629 UNDER THE STAGE NAME "JAY-OH." 238 00:12:43,696 --> 00:12:47,700 AND THIS IS TRUE: THIS WEEK, JAY-OH APPEARED IN THE FINALS OF 239 00:12:47,766 --> 00:12:52,571 THE ALBANIAN VERSION OF "AMERICAN IDOL," "MAGIC SONG"-- 240 00:12:52,638 --> 00:12:54,907 OR AS THEY CALL IT, "KONGA MAJIKA"-- HOSTED BY THE RYAN 241 00:12:54,974 --> 00:12:59,278 SEACREST OF ALBANIA, RYGAN SYEE-KREPST. 242 00:12:59,345 --> 00:13:02,581 ( LAUGHTER ) OUR OLD INTERN JORDAN PERFORMED 243 00:13:02,648 --> 00:13:03,516 ON THE SHOW. 244 00:13:03,582 --> 00:13:05,317 HE DID AN ORIGINAL SONG CALLED "ITSY BITSY." 245 00:13:05,384 --> 00:13:07,920 AWW. 246 00:13:07,987 --> 00:13:09,588 LET'S SEE WHAT THAT CUTE LITTLE SPIDER'S UP TO THIS TIME! 247 00:13:09,655 --> 00:13:11,657 >> ♪ YEAH THE ITSY BITSY, WANNA TWERK THAT (BLEEP) AND SHAKE 248 00:13:16,996 --> 00:13:19,431 >> Stephen: OH, MY. 249 00:13:19,498 --> 00:13:22,268 HE CHANGED OUR PRINTER PAPER WITH THAT MOUTH? 250 00:13:22,334 --> 00:13:25,871 ( LAUGHTER ) WE'VE GOT A GREAT SHOW FOR YOU 251 00:13:25,938 --> 00:13:27,139 TONIGHT! 252 00:13:27,206 --> 00:13:29,375 MY GUESTS ARE JOHN KRASINSKI AND THE DIRECTOR OF "WOMEN TALKING," 253 00:13:29,441 --> 00:13:32,411 SARAH POLLEY. 254 00:13:32,478 --> 00:13:34,480 WE WILL BE RIGHT BACK. 255 00:14:16,989 --> 00:14:19,925 WELCOME BACK 256 00:14:19,992 --> 00:14:22,595 LADIES AND GENTLEMEN-- PUT THAT AWAY. 257 00:14:22,661 --> 00:14:24,964 PUT THAT AWAY RIGHT THERE. 258 00:14:25,030 --> 00:14:26,966 FOLKS, WHERE AM I TALKING HERE, MARK? 259 00:14:27,032 --> 00:14:28,300 RIGHT HERE? 260 00:14:28,367 --> 00:14:37,376 LADIES AND GENTLEMEN, YOU KNOW MY FIRST GUEST TONIGHT FROM "A 261 00:14:37,443 --> 00:14:38,844 QUIET PLACE," "JACK RYAN," AND "THE OFFICE." 262 00:14:38,911 --> 00:14:43,582 PLEASE WELCOME BACK TO "THE LATE SHOW," JOHN KRASINSKI! 263 00:14:43,649 --> 00:14:52,291 ♪ ♪ ♪ ( APPLAUSE ) 264 00:14:52,358 --> 00:15:00,833 ( CHEERS AND APPLAUSE ) >> Stephen: GOOD TO SEE YOU. 265 00:15:00,899 --> 00:15:04,403 >> I ONLY WANT TO BE A SURPRISE GUEST NOW. 266 00:15:04,470 --> 00:15:05,371 THIS IS IT. 267 00:15:05,437 --> 00:15:06,205 >> Stephen: HEY. 268 00:15:06,272 --> 00:15:06,972 >> THIS IS IT. 269 00:15:07,039 --> 00:15:09,041 >> Stephen: IT'S LOVELY TO SEE YOU. 270 00:15:09,108 --> 00:15:10,476 >> IT'S SO GOOD TO SEE YOU. 271 00:15:10,542 --> 00:15:12,211 >> Stephen: IT'S SO NICE TO HAVE YOU HERE. 272 00:15:12,278 --> 00:15:13,212 >> THANK YOU VERY MUCH. 273 00:15:13,279 --> 00:15:15,114 ( CHEERS AND APPLAUSE ). 274 00:15:15,180 --> 00:15:19,818 THANK YOU. 275 00:15:19,885 --> 00:15:23,989 >> Stephen: JACK KRASINSKI, EVERYBODY! 276 00:15:24,056 --> 00:15:25,958 NOW, THEN-- >> GO OUT ON A HIGH. 277 00:15:26,025 --> 00:15:29,161 THAT'S WHAT THEY TAUGHT US BACK IN SNOW BIZ DAYS. 278 00:15:29,228 --> 00:15:30,729 >> Stephen: LEAVE THEM WANTING EVERYTHING. 279 00:15:30,796 --> 00:15:31,930 >> THAT'S RIGHT. 280 00:15:31,997 --> 00:15:35,601 >> Stephen: YOUR DELIGHTFUL WIFE, EMILY BLUNT WAS ON HERE A 281 00:15:35,668 --> 00:15:37,336 WEEK AGO, OR SOMETHING LIKE THAT? 282 00:15:37,403 --> 00:15:38,037 >> A WEEK AGO. 283 00:15:38,103 --> 00:15:40,005 >> Stephen: A WEEK AGO TONIGHT. 284 00:15:40,072 --> 00:15:40,472 >> YEAH. 285 00:15:40,539 --> 00:15:41,573 ALL RIGHT, ENOUGH. 286 00:15:41,640 --> 00:15:45,177 >> Stephen: IT'S HARD TO TELL WHICH ONE OF YOU I ENJOY 287 00:15:45,244 --> 00:15:45,611 INTERVIEWING MORE. 288 00:15:45,678 --> 00:15:46,545 >> THAT'S NICE. 289 00:15:46,612 --> 00:15:47,379 IT'S HER. 290 00:15:47,446 --> 00:15:48,414 IT'S VERY CLEAR. 291 00:15:48,480 --> 00:15:50,549 IT'S A LITTLE CREEPY HOW YOU LOOK AT HER SOMETIMES. 292 00:15:50,616 --> 00:15:52,651 IT'S A BIT LIKE, YOU KNOW... 293 00:15:52,718 --> 00:15:54,186 WITH ME IT'S JUST FRIENDLY. 294 00:15:54,253 --> 00:15:55,521 WITH HER IT'S A LITTLE LIKE... 295 00:15:55,587 --> 00:16:00,225 >> Stephen: IT GETS CREEPY WHEN YOU'RE NOT LOOKING. 296 00:16:00,292 --> 00:16:01,760 LET ME ASK YOU ABOUT THE KIDS. 297 00:16:01,827 --> 00:16:03,562 DO YOU MIND IF I ASK YOU SOMETHING ABOUT THE KIDS? 298 00:16:03,629 --> 00:16:05,831 >> YEAH, LET'S GET PERSONAL. 299 00:16:05,898 --> 00:16:06,799 YEAH. 300 00:16:06,865 --> 00:16:08,734 I DIDN'T KNOW I WAS ON BARBARA WALTERS TONIGHT. 301 00:16:08,801 --> 00:16:09,868 FULL TEARS. 302 00:16:09,935 --> 00:16:11,670 >> Stephen: IF I DON'T MAKE YOU CRY, I HAVE FAILED AS A 303 00:16:11,737 --> 00:16:12,604 HOST. 304 00:16:12,671 --> 00:16:14,340 WE'RE GOING TO SHOOT YOU IN REAL SOFT FOCUS. 305 00:16:14,406 --> 00:16:16,742 >> PLEASE, AND SLOW PUSH-IN. 306 00:16:16,809 --> 00:16:19,478 >> Stephen: THE KIDS, HAVE THEY WATCHED "THE OFFICE." 307 00:16:19,545 --> 00:16:22,548 MY KIDS, WHO ARE IN THEIR 20s, LOVE "THE OFFICE. 308 00:16:22,614 --> 00:16:23,248 THE. 309 00:16:23,315 --> 00:16:24,049 YOUR KIDS ARE SOMEWHAT YOUNGER. 310 00:16:24,116 --> 00:16:26,618 >> EIGHT AND SIX. 311 00:16:26,685 --> 00:16:27,820 YES. 312 00:16:27,886 --> 00:16:30,155 >> Stephen: NEVER TOO EARLY TO START DOING THE COLLEGE TOUR, 313 00:16:30,222 --> 00:16:30,589 THOUGH. 314 00:16:30,656 --> 00:16:30,989 I'M TELLING YOU. 315 00:16:31,056 --> 00:16:32,658 >> IT IS TRUE. 316 00:16:32,725 --> 00:16:35,828 >> Stephen: HAVE THEY STARTED WATCHING "THE OFFICE"? 317 00:16:35,894 --> 00:16:38,831 >> THEY LITERALLY JUST STARTED WATCHING "THE OFFICE." 318 00:16:38,897 --> 00:16:42,067 I SHOWED THEM ONE EPISODE, THEIR ACTUAL QUOTE WE WERE DRIVING AND 319 00:16:42,134 --> 00:16:46,305 FROM THE BACK SEAT I HEARD, "SO WHAT'S THE DEAL WITH THIS OFFICE 320 00:16:46,372 --> 00:16:48,507 THING?" AND I WAS LIKE, IT'S A BIG 321 00:16:48,574 --> 00:16:49,375 QUESTION. 322 00:16:49,441 --> 00:16:51,744 WE'LL CUT IT DOWN IN BITE-SIZED MORSELS. 323 00:16:51,810 --> 00:16:54,680 EMILY IS LIKE, "SHOW THEM THE PILOT." 324 00:16:54,747 --> 00:16:55,914 THEY WERE WATCHING THE FIRST EPISODE. 325 00:16:55,981 --> 00:17:00,252 AND THE OLDEST, IT TURNS OUT SHE'S A SCREEN TALKER-ATTAR. 326 00:17:00,319 --> 00:17:01,420 SHE'S TALKING TO THE SCREEN. 327 00:17:01,487 --> 00:17:04,857 WHEN STEVE FIRED JENNA, SHE GOES, WHAT, ARE YOU DOING? 328 00:17:04,923 --> 00:17:07,760 WHAT ARE YOU DOING?" AND THEN SHE GOES, "YOU'RE A 329 00:17:07,826 --> 00:17:09,027 HORRIBLE PERSON." 330 00:17:09,094 --> 00:17:12,164 AND I SAID YOU SHOULD MEET STEVE CARELL. 331 00:17:12,231 --> 00:17:12,731 DID YOU SEE THAT. 332 00:17:12,798 --> 00:17:13,766 >> Stephen: I SAW THAT. 333 00:17:13,832 --> 00:17:16,635 >> AND MY SIX-YEAR-OLD KEPT ASKING, "IS THAT YOU?" 334 00:17:16,702 --> 00:17:18,737 >> AND I SAID, "YEAH IT IS." 335 00:17:18,804 --> 00:17:22,241 AND SHE SAID, "YOU LOOK VERY DIFFERENT. 336 00:17:22,307 --> 00:17:26,645 I SAID, I'LL TRY TO TAKE THAT AS NOT A HURTFUL THING. 337 00:17:26,712 --> 00:17:28,247 SHE SAID THAT'S NOT YOU. 338 00:17:28,313 --> 00:17:31,350 AND WATCHED TWO MORE EPISODES. 339 00:17:31,417 --> 00:17:32,618 "THAT'S NOT YOU. 340 00:17:32,684 --> 00:17:37,990 GUY LOOKS A LOT LIKE YOU, THOUGH." 341 00:17:38,056 --> 00:17:41,693 ARE THEN SHE'LL BE LIKE THERE'S A BRITISH VERSION OF YOU? 342 00:17:41,760 --> 00:17:43,061 I'LL BE LIKE YEAH. 343 00:17:43,128 --> 00:17:47,032 >> Stephen: DOES IT MAKE YOU COOL AT ALL THAT YOU'RE ON THE 344 00:17:47,099 --> 00:17:47,966 TV? 345 00:17:48,033 --> 00:17:50,135 I DON'T KNOW WHAT ELSE THEY'VE SEEN OF YOURS. 346 00:17:50,202 --> 00:17:54,206 >> EMILY HAD A HEAD START BY BEING IN "MARY POPPIN'S." 347 00:17:54,273 --> 00:17:55,174 >> Stephen: A SLIGHT EDGE. 348 00:17:55,240 --> 00:17:58,143 >> A LITTLE EDGE ( APPLAUSE ) 349 00:17:58,210 --> 00:18:02,714 AND I THINK MY-- MY KIDS THOUGHT THAT SHE HAD MARRIED ME AT A 350 00:18:02,781 --> 00:18:03,782 CHARITY. 351 00:18:03,849 --> 00:18:06,051 THEY'RE LIKE, "YOU'RE SO NICE TO MARRY AN ACCOUNTANT. 352 00:18:06,118 --> 00:18:07,186 THAT'S SO NICE OF YOU." 353 00:18:07,252 --> 00:18:08,554 THEY DON'T KNOW WHAT I DO. 354 00:18:08,620 --> 00:18:10,055 >> Stephen: THEY THINK YOU WORK AT AN OFFICE? 355 00:18:10,122 --> 00:18:11,290 >> I THINK SO. 356 00:18:11,356 --> 00:18:14,359 THE REASON WHY I THINK THAT,s I WAS WALKING THEM IT SCHOOL ONE 357 00:18:14,426 --> 00:18:16,895 DAY, AND THIS GUY CAME UP-- HE WAS VERY NICE, AND HE SAID, 358 00:18:16,962 --> 00:18:19,898 "JOHN, FROM 'THE OFFICE." 359 00:18:19,965 --> 00:18:20,732 I SAID THANKS. 360 00:18:20,799 --> 00:18:24,903 AND SHE SAID, "DO YOU WORK WITH HIM?" 361 00:18:24,970 --> 00:18:26,371 AND I SAID, "NO." 362 00:18:26,438 --> 00:18:28,540 AND SHE SAID, "WHY ARE YOU LYING TO ME? 363 00:18:28,607 --> 00:18:32,211 AND I WENT,"I'M NOT LYING TO YOU." 364 00:18:32,277 --> 00:18:36,849 "NO, HE JUST SAID HE KNOWS YOU FROM 'THE OFFICE." 365 00:18:36,915 --> 00:18:40,486 >> Stephen: HERE'S ONE SAID IN FRONT OF MY CHILDREN. 366 00:18:40,552 --> 00:18:43,989 A GUY SAID, "MY WIFE GOES TO BED WITH YOU EVERY NIGHT." 367 00:18:44,056 --> 00:18:47,960 ( LAUGHTER ) >> THAT'S AMAZING. 368 00:18:48,026 --> 00:18:49,061 >> Stephen: THANK YOU. 369 00:18:49,127 --> 00:18:50,395 WE HAVE TO TAKE A QUICK BREAK. 370 00:18:50,462 --> 00:18:51,597 >> DO WE? 371 00:18:51,663 --> 00:18:54,132 >> Stephen: BUT DON'T GO ANYWHERE. 372 00:18:54,199 --> 00:18:55,200 WE'LL BE RIGHT BACK WITH MORE JOHN KRASINSKI, EVERYBODY. 373 00:19:07,946 --> 00:19:08,447 >> Stephen: HEY, LOOK AT THIS. 374 00:19:08,514 --> 00:19:11,316 LOOK AT THAT. 375 00:19:11,383 --> 00:19:14,753 WE'RE HERE WITH THE STAR OF "JACK RYAN." 376 00:19:14,820 --> 00:19:16,321 JOHN KRASINSKI. 377 00:19:16,388 --> 00:19:19,258 EVERYBODY KNOWS AND LOVES YOU AS AN ACTOR, BUT OF COURSE NOW 378 00:19:19,324 --> 00:19:21,927 YOU'RE A BILGE BIG-TIME DIRECTOR. 379 00:19:21,994 --> 00:19:26,164 >> AM I A BIG-TIME DIRECTOR. 380 00:19:26,231 --> 00:19:30,502 >> Stephen: "A QUIET PLACE," "A QUIET PLACE 2." 381 00:19:30,569 --> 00:19:33,872 YOU WERE ON "THE OFFICE," A SEMIDOCUMENTARY STYLE. 382 00:19:33,939 --> 00:19:35,507 DID THAT INFLUENCE YOUR DIRECTING? 383 00:19:35,574 --> 00:19:40,646 >> "THE OFFICE" WAS MY FILM SCHOOL. 384 00:19:40,712 --> 00:19:43,515 I WAS A PROFESSIONAL EIGHTER. 385 00:19:43,582 --> 00:19:46,585 I WENT BACK TO WAITING TABLES AFTER THE PILOT. 386 00:19:46,652 --> 00:19:50,422 I SAID THIS IS NOT GOING ANYWHERE. 387 00:19:50,489 --> 00:19:53,125 IT FELT LIKE I WAS IN A REPERTORY COMPANY OF ACTORS 388 00:19:53,191 --> 00:19:54,927 BECAUSE NOBODY WAS WATCHING US IN THE BEGINNING. 389 00:19:54,993 --> 00:19:58,664 I GOT TO IN MY FREE TIME GO UP TO THE WRITERS' ROOM AND SEE 390 00:19:58,730 --> 00:20:01,833 WHAT IT REALLY IS TO FOSTER AN IDEA, AND EVERY JOKE THAT WAS 391 00:20:01,900 --> 00:20:05,370 TOLD YOU COULD ALMOST SEE IT IN THE AIR. 392 00:20:05,437 --> 00:20:07,105 THIS COULD WORK, AND THIS IS GREAT. 393 00:20:07,172 --> 00:20:08,941 AND THEY WERE ALL WORKING TOGETHER. 394 00:20:09,007 --> 00:20:12,544 AND THE EDITOR BROUGHT ME DOWN AND SAID THIS IS WHAT THE FIRST 395 00:20:12,611 --> 00:20:15,213 CUT LOOKS LIKE, THE SECOND CUT. 396 00:20:15,280 --> 00:20:18,350 I DEFINITELY WOULD NOT BE DIRECTING IF IT WASN'T FOR THAT 397 00:20:18,417 --> 00:20:18,984 SHOW. 398 00:20:19,051 --> 00:20:19,551 YEAH, TRUE. 399 00:20:19,618 --> 00:20:20,085 >> Stephen: TRUE STORY. 400 00:20:20,152 --> 00:20:22,020 >> IT'S A TRUE STORY. 401 00:20:22,087 --> 00:20:22,955 ( APPLAUSE ). 402 00:20:23,021 --> 00:20:24,957 >> Stephen: OBVIOUS FOLLOW-UP-- WHAT KIND OF 403 00:20:25,023 --> 00:20:27,960 RESTAURANT? 404 00:20:28,026 --> 00:20:29,261 I GOT FIRED FROM NINE. 405 00:20:29,328 --> 00:20:31,063 ( LAUGHTER ) >> Stephen: DID YOU REALLY GET 406 00:20:31,129 --> 00:20:31,563 FIRED? 407 00:20:31,630 --> 00:20:32,731 >> YEAH. 408 00:20:32,798 --> 00:20:33,665 >> Stephen: IT'S HARD TO GET FIRED FROM A RESTAURANT, MAN. 409 00:20:33,732 --> 00:20:34,766 >> WELL. 410 00:20:34,833 --> 00:20:36,335 >> Stephen: WERE YOU PUTTING YOUR THUMB IN THE CHOWDER? 411 00:20:36,401 --> 00:20:37,669 >> NOT MY THUMB. 412 00:20:37,736 --> 00:20:40,606 ( LAUGHTER ) NOPE. 413 00:20:40,672 --> 00:20:41,139 NOPE. 414 00:20:41,206 --> 00:20:44,443 AS I-- ( LAUGHTER ) 415 00:20:44,509 --> 00:20:46,812 ( APPLAUSE ) >> Stephen: ARE YOUR KIDS 416 00:20:46,878 --> 00:20:47,379 GOING TO WATCH THIS? 417 00:20:47,446 --> 00:20:48,981 >> ARE WE STILL EDITING? 418 00:20:49,047 --> 00:20:51,383 CAN WE EDIT THAT OUT? 419 00:20:51,450 --> 00:20:52,451 WE CAN'T. 420 00:20:52,517 --> 00:20:52,884 >> Stephen: DID YOU REALLY GET FIRED THAT MANY TIMES? 421 00:20:52,951 --> 00:20:54,152 >> I DID. 422 00:20:54,219 --> 00:20:57,389 I REMEMBER GOING TO AN AUDITION AND SOME GUY SAID, "IF YOU WALK 423 00:20:57,456 --> 00:21:00,792 OUT THAT DOOR TO GO TO AN ODDDITION, DON'T EVEN COME 424 00:21:00,859 --> 00:21:02,027 BACK." 425 00:21:02,094 --> 00:21:03,528 AND I TURNED AND AROUND SAID, "OKAY," AND WALKED OUT AND WENT 426 00:21:03,595 --> 00:21:06,264 TO AN AUDITION, THEY DIDN'T GET. 427 00:21:06,331 --> 00:21:06,732 >> Stephen: OKAY. 428 00:21:06,798 --> 00:21:08,200 >> THAT WAS SAD. 429 00:21:08,266 --> 00:21:09,368 I SHOULD TELL A DIFFERENT STORY. 430 00:21:09,434 --> 00:21:11,336 AND THEN I GOT "THE OFFICE"! 431 00:21:11,403 --> 00:21:14,373 ( APPLAUSE ) >> Stephen: AND THEN YOU GOT 432 00:21:14,439 --> 00:21:14,806 "JACK RYAN." 433 00:21:14,873 --> 00:21:15,273 >> THAT'S RIGHT. 434 00:21:15,340 --> 00:21:17,175 >> THAT'S RIGHT. 435 00:21:17,242 --> 00:21:18,310 ( APPLAUSE ). 436 00:21:18,377 --> 00:21:22,347 >> Stephen: I WANT TO-- I'M A BIG FAN OF YOUR JACK RYAN. 437 00:21:22,414 --> 00:21:26,952 >> THANK YOU VERY MUCH YOU'VE ALWAYS BEEN A NICE FAN OF THE 438 00:21:27,019 --> 00:21:27,886 SHOW. 439 00:21:27,953 --> 00:21:31,390 >> Stephen: I DON'T REMEMBER-- OH, WE FOUGHT. 440 00:21:31,456 --> 00:21:33,091 >> YOU DON'T REMEMBER THE BIT WE DID. 441 00:21:33,158 --> 00:21:35,227 >> Stephen: I REMEMBER KICKING YOUR ASS. 442 00:21:35,293 --> 00:21:35,961 THAT'S ALL I REMEMBER. 443 00:21:36,028 --> 00:21:37,295 >> I THREW YOU OFF A ROOF. 444 00:21:37,362 --> 00:21:38,930 >> Stephen: AND I'M OKAY. 445 00:21:38,997 --> 00:21:42,401 NOW WHO SEEMS MORE INTIMIDATING? 446 00:21:42,467 --> 00:21:44,703 SO I LOVED SEASON ONE, LOVED SEASON TWO. 447 00:21:44,770 --> 00:21:46,471 WHEN IS SEASON 3 AVAILABLE? 448 00:21:46,538 --> 00:21:50,909 >> DECEMBER 21 FOR CHRISTMAS, THE HOLIDAY S. 449 00:21:50,976 --> 00:21:51,777 >> Stephn: THE SOLSTICE. 450 00:21:51,843 --> 00:21:53,311 >> THE SOLSTICE. 451 00:21:53,378 --> 00:21:55,947 >> Stephen: WHAT DO WE LEARN FROM JACK THIS TIME? 452 00:21:56,014 --> 00:21:56,882 WHO ARE WE FIGHTING? 453 00:21:56,948 --> 00:21:59,017 >> THIS TIME JACK IS ON THE LAM. 454 00:21:59,084 --> 00:22:00,952 HE'S OUT ON HIS OWN. 455 00:22:01,019 --> 00:22:01,953 HE'S GONE ROGUE. 456 00:22:02,020 --> 00:22:03,855 >> Stephen: IS THAT HOW THE SECOND SEASON ENDED? 457 00:22:03,922 --> 00:22:04,890 >> THAT'S THE BEST. 458 00:22:04,956 --> 00:22:05,957 CAN WE JUST CAPTURE THAT. 459 00:22:06,024 --> 00:22:07,192 THAT WAS AMAZING. 460 00:22:07,259 --> 00:22:08,460 >> Stephen: GREAT CELL PHONE RING. 461 00:22:08,527 --> 00:22:09,761 >> YEAH. 462 00:22:09,828 --> 00:22:13,298 SO THE C.I.A. IS AFTER JACK THIS SEASON, AND YOU DON'T KNOW WHY. 463 00:22:13,365 --> 00:22:15,634 >> Stephen: IS WENDELL PIERCE STILL IN IT? 464 00:22:15,701 --> 00:22:18,937 >> WENDELL PIERCE IS VERY MUCH STILL THERE IT. 465 00:22:19,004 --> 00:22:19,971 THE BEST. 466 00:22:20,038 --> 00:22:21,239 MICHAEL KELLY, AMAZING. 467 00:22:21,306 --> 00:22:22,541 >> Stephen: DID YOU HAVE TO GET JACK RYAN? 468 00:22:22,607 --> 00:22:26,211 >> I DON'T KNOW, YOU TELL ME. 469 00:22:26,278 --> 00:22:27,746 THAT WAS EMBARRASSING EVEN TO SAY IT. 470 00:22:27,813 --> 00:22:29,648 >> Stephen: HOW LONG DID YOU ACTUALLY SHOOT IT? 471 00:22:29,715 --> 00:22:31,750 WERE YOU SHOOTING IT DURING COVID? 472 00:22:31,817 --> 00:22:33,885 >> WE SHOT SEASON THREE AND FOUR BACK TO BACK. 473 00:22:33,952 --> 00:22:36,221 SO WE SHOT FOR TWO YEARS DURING COVID. 474 00:22:36,288 --> 00:22:37,122 >> Stephen: WOW. 475 00:22:37,189 --> 00:22:39,424 >> SO WE WERE -- >> Stephen: WAS IT HARD TO 476 00:22:39,491 --> 00:22:42,794 STAY, YOU KNOW, FIGHTING FORM WITH ALL THAT SOURDOUGH BREAD 477 00:22:42,861 --> 00:22:43,795 WAITING BACK HOME. 478 00:22:43,862 --> 00:22:46,064 >> I THOUGHT YOU WERE CALLING ME SOURDOUGH BREAD. 479 00:22:46,131 --> 00:22:48,567 I WAS LIKE, OH, THAT HURT MY FEELINGS. 480 00:22:48,633 --> 00:22:51,603 >> Stephen: THE YEAST IS RISING. 481 00:22:51,670 --> 00:22:52,337 >> OH, OKAY. 482 00:22:52,404 --> 00:22:53,572 >> Stephen: WE HAVE A CLIP HERE. 483 00:22:53,638 --> 00:22:55,340 IS IT GOING TO BE OBVIOUS WHAT'S HAPPENING HERE? 484 00:22:55,407 --> 00:22:57,943 >> I THINK OF ALL THE CLIPS I'VE EVER SHOWN ON A TALK SHOW, THIS 485 00:22:58,009 --> 00:23:00,479 IS THE MOST OBVIOUS CLIP EVER. 486 00:23:00,545 --> 00:23:03,048 >> Stephen: JIM, LET'S FIND OUT IF HE'S RIGHT. 487 00:23:03,115 --> 00:23:05,250 >> THIS IS TANGO, 3-6. 488 00:23:05,317 --> 00:23:09,421 ASKING TO LAND AND DROP OFF ONE PACK. 489 00:23:09,488 --> 00:23:11,790 >> THIS IS NAVY U.S. NAVY WARSHIP. 490 00:23:11,857 --> 00:23:12,858 YOU ARE NOT CLEAR TO LAND. 491 00:23:12,924 --> 00:23:16,495 I SAY AGAIN, YOU ARE NOT CLEARED TO LAND. 492 00:23:16,561 --> 00:23:19,898 >> SORRY, AMIGOS, THEY SAID NO GO. 493 00:23:19,965 --> 00:23:20,665 >> ( BLEEP ). 494 00:23:20,732 --> 00:23:23,835 >> >> HOW ABOUT YOU NEED TO GET ON 495 00:23:23,902 --> 00:23:24,770 THAT SHIP? 496 00:23:24,836 --> 00:23:26,204 >> LIFE OR DEATH. 497 00:23:26,271 --> 00:23:35,280 >> HAVE A NICE SWIM! 498 00:23:42,120 --> 00:23:44,322 ( CHEERS AND APPLAUSE ) >> Stephen: CLASSIC, CLASSIC 499 00:23:44,389 --> 00:23:44,856 JACK RYAN. 500 00:23:44,923 --> 00:23:46,858 >> CLASSIC JACK RYAN. 501 00:23:46,925 --> 00:23:48,093 >> Stephen: MIDDLE OF THE OCEAN. 502 00:23:48,160 --> 00:23:50,695 HERE'S THE THING-- THAT REALLY LOOKS LIKE YOU FELL OUT OF THAT 503 00:23:50,762 --> 00:23:51,830 HELICOPTER. 504 00:23:51,897 --> 00:23:55,033 >> THAT IS ME NOT BEING-- THAT'S ME BEING THROWN OUT OF A 505 00:23:55,100 --> 00:23:56,168 HELICOPTER. 506 00:23:56,234 --> 00:23:59,271 SO WHAT HAPPENED WAS,s THAT MORNING, THEY HAD DONE THAT 507 00:23:59,337 --> 00:24:01,173 STUNT WITH THE STUNT TEAM OVER AND OVER SCPOFER. 508 00:24:01,239 --> 00:24:03,608 AND THEY WERE FLYING ME OUT IN A BLACK HAWK TO GET TO THE MIDDLE 509 00:24:03,675 --> 00:24:07,813 OF THE OCEAN, SLOWLY DROP ME DOWN IN THE WATER AND THEN JUST 510 00:24:07,879 --> 00:24:09,414 DO THE SHOT OF THE HELICOPTER PULLING AWAY. 511 00:24:09,481 --> 00:24:11,917 AND AS WE'RE GOING, ONE OF MY FAVORITE PARTS ABOUT DOING THE 512 00:24:11,983 --> 00:24:13,919 SHOW IS TO INTERACT WITH THE MILITARY COMMUNITY. 513 00:24:13,985 --> 00:24:16,421 AND WE WERE IN BLACK HAWK WITH ALL SEALs. 514 00:24:16,488 --> 00:24:18,557 AND THAT GENTLEMAN RIGHT THERE IS KEVIN KENT. 515 00:24:18,623 --> 00:24:21,293 HE'S A WONDERFUL GUY, AND I'VE DONE FOUR SEASONS WITH HIM. 516 00:24:21,359 --> 00:24:22,527 >> Stephen: THIS GUY? 517 00:24:22,594 --> 00:24:24,129 >> YEAH, THIS GUY. 518 00:24:24,196 --> 00:24:27,599 NOW YOU JUST LABELED HIM AS "THIS GUY." 519 00:24:27,666 --> 00:24:28,834 HE'S SO MUCH MORE THAN THIS. 520 00:24:28,900 --> 00:24:32,070 AS WE WERE FLYING HE SAID, "ARE YOU GOING TO DO THIS STUNT?" 521 00:24:32,137 --> 00:24:36,041 I SAID, "NO, THEY SHOT IT THIS MORNING." 522 00:24:36,107 --> 00:24:38,677 "IT WOULD LOOK A LOT COOLER IF YOU DID IT." 523 00:24:38,743 --> 00:24:40,846 I SAID, "WE DIDN'T PLAN FOR THAT. 524 00:24:40,912 --> 00:24:43,315 I DON'T KNOW WHAT IT WOULD LOOK LIKE." 525 00:24:43,381 --> 00:24:47,485 IT WOULD LOOK LIKE, ME GRAB BE THE SEAT BELT AND THROWING YOU 526 00:24:47,552 --> 00:24:48,453 OUT OF THE HELICOPTER. 527 00:24:48,520 --> 00:24:50,121 I SAID, "I DON'T KNOW IF I'M GOING TO DO THIS." 528 00:24:50,188 --> 00:24:53,091 AND THE CAMERA GUY WAS SITTING THERE LIKE THIS, LIKE PLEASE 529 00:24:53,158 --> 00:24:54,359 DON'T DO THIS. 530 00:24:54,426 --> 00:24:55,961 THEY HASN'T TOLD ANY OF THE PRODUCERS OR ANYTHING. 531 00:24:56,027 --> 00:24:58,029 AND I SAID LET'S DO IT. 532 00:24:58,096 --> 00:25:01,833 THE CAMERA GUY JUMPS UP, HE UNBUCKLED ME AND THREW ME OUT OF 533 00:25:01,900 --> 00:25:02,667 THE BLACK HAWK. 534 00:25:02,734 --> 00:25:04,703 >> Stephen: AND THE CAMERA GUY KNOT IT. 535 00:25:04,769 --> 00:25:05,303 >> YES. 536 00:25:05,370 --> 00:25:05,837 >> Stephen: AND GOT THIS. 537 00:25:05,904 --> 00:25:06,671 >> YEAH. 538 00:25:06,738 --> 00:25:08,273 ( APPLAUSE ) IT WAS GREAT. 539 00:25:08,340 --> 00:25:10,442 >> Stephen: WE HAVE TO TAKE ANOTHER LITTLE BREAK HERE. 540 00:25:10,508 --> 00:25:11,476 >> DO WE? 541 00:25:11,543 --> 00:25:12,444 >> Stephen: WE DO. 542 00:25:12,510 --> 00:25:19,184 ( LAUGHTER ) WE'LL BE RIGHT BACK-- I DON'T 543 00:25:19,251 --> 00:25:19,618 KNOW. 544 00:25:19,684 --> 00:25:20,352 GET OUT OF HERE. 545 00:25:20,418 --> 00:25:21,786 YOU KNOW WHO HE IS! 546 00:25:21,853 --> 00:25:22,354 ♪ ♪ ♪ ( APPLAUSE ) 547 00:25:31,496 --> 00:25:32,130 >> Stephen: HEY, LOOK AT THAT! 548 00:25:32,197 --> 00:25:33,565 THAT IS THE STAR OF "JACK RYAN." 549 00:25:33,632 --> 00:25:36,835 JOHN KRASINSKI. 550 00:25:36,902 --> 00:25:40,005 GOT A REALLY IMPORTANT QUESTION TO ASK YOU: HOW LONG AGO WERE 551 00:25:40,071 --> 00:25:42,240 YOU IN JACK RYAN SHAPE? 552 00:25:42,307 --> 00:25:43,608 THAT'S MY QUICK QUESTION FOR YOU. 553 00:25:43,675 --> 00:25:46,378 >> AGAIN, I'M OFFENDED BECAUSE I'M STILL IN JACK RYAN SHAPE. 554 00:25:46,444 --> 00:25:49,881 >> Stephen: YOU COULD JUST SAY, "RIGHT NOW. 555 00:25:49,948 --> 00:25:52,684 RIGHT NOW I'M STILL IN JACK RYAN SHAPE." 556 00:25:52,751 --> 00:25:54,686 YOUR WIFE SAID YOU HAD NOODLE ARMS. 557 00:25:54,753 --> 00:25:57,555 SHE SAID YOU WEREN'T-- >> HOLD ON ONE SECOND. 558 00:25:57,622 --> 00:25:58,924 >> Stephen: BUT YOU WEREN'T JACKED RYAN. 559 00:25:58,990 --> 00:26:01,426 >> I WANTED TO TALK ABOUT THIS RIGHT WHEN WE CAME OUT. 560 00:26:01,493 --> 00:26:04,930 SO MY WIFE LAST WEEK SAID I'M NOT-- I'VE BEEN DIRECTING A 561 00:26:04,996 --> 00:26:05,997 MOVIE-- WHICH IS TRUE. 562 00:26:06,064 --> 00:26:08,033 I JUST WRAPPED THIS MOVIE I DIRECTED TWO NIGHTS AGO. 563 00:26:08,099 --> 00:26:11,236 AND SHE SAID, "SO HE'S NOT QUITE IN JACK RYAN SHAPE. 564 00:26:11,303 --> 00:26:12,671 HE HAS NOODLE ARMS." 565 00:26:12,737 --> 00:26:13,772 >> Stephen: YEAH. 566 00:26:13,838 --> 00:26:16,308 >> AND THEN SHE SAID, "I WOULDN'T NECESSARILY CALL HIM 567 00:26:16,374 --> 00:26:20,378 FAT RYAN, BUT YOU JUST DID." 568 00:26:20,445 --> 00:26:22,914 SO -- >> Stephen: SO HOW IS THE 569 00:26:22,981 --> 00:26:24,215 LINGUINI HOLDING UP OVER THERE. 570 00:26:24,282 --> 00:26:26,251 THE RIGATONI, HOW IS IT DOING OVER THERE? 571 00:26:26,318 --> 00:26:28,153 >> WHY DON'T YOU COME FIND OUT. 572 00:26:28,219 --> 00:26:31,756 >> Stephen: WE HAVE ARM WRESTLED BEFORE. 573 00:26:31,823 --> 00:26:34,326 ARM WRESTLED UP IN THAT LITTLE ROOM. 574 00:26:34,392 --> 00:26:35,994 >> I ARM WRESTLED. 575 00:26:36,061 --> 00:26:37,662 I DON'T KNOW WHAT YOU WERE DOING. 576 00:26:37,729 --> 00:26:38,697 >> Stephen: HOW ARE YOU FEELING? 577 00:26:38,763 --> 00:26:40,632 ARE YOU READY TO GO ANOTHER ROUND? 578 00:26:40,699 --> 00:26:42,167 >> YEAH, FOR SURE. 579 00:26:42,233 --> 00:26:43,702 >> Stephen: BRING IT OUT, BOYS. 580 00:26:43,768 --> 00:26:44,336 LET'S GO. 581 00:26:44,402 --> 00:26:44,936 LET'S GO. 582 00:26:45,003 --> 00:26:45,971 RIGHT OVER THERE. 583 00:26:46,037 --> 00:26:48,340 >> OH, WE HAVE THE FULL -- >> Stephen: THERE WE GO. 584 00:26:48,406 --> 00:26:49,074 THERE WE GO. 585 00:26:49,140 --> 00:26:58,616 ( APPLAUSE ) >> YOU WANT SOME! 586 00:26:58,683 --> 00:27:00,986 COME GET SOME! 587 00:27:01,052 --> 00:27:03,488 THERE IS NO TOMORROW! 588 00:27:03,555 --> 00:27:07,158 ( APPLAUSE ) COME ON! 589 00:27:07,225 --> 00:27:08,994 HA, HA, HA. 590 00:27:09,060 --> 00:27:09,627 WE HAVE FUN. 591 00:27:09,694 --> 00:27:11,162 IT'S TIME TO PAY THE PIPER. 592 00:27:11,229 --> 00:27:15,300 I'M GOING TO GIVE YOU A MERIT BADGE IN PAIN. 593 00:27:15,367 --> 00:27:17,702 IS THIS ROCK 'EM-SOCK 'EM ROBOTS? 594 00:27:17,769 --> 00:27:18,937 >> IT IS. 595 00:27:19,004 --> 00:27:20,972 >> Stephen: WHAT DO YOU MEAN WHAT ARE WE GOING TO DO? 596 00:27:21,039 --> 00:27:25,176 >> THIS IS THE OFFICIAL ARM WRESTLING. 597 00:27:25,243 --> 00:27:26,444 >> Stephen: YES. 598 00:27:26,511 --> 00:27:29,447 >> DOES THIS ELECTROCUTE US? 599 00:27:29,514 --> 00:27:32,150 >> Stephen: JUST HOLD ON TO THAT BABY. 600 00:27:32,217 --> 00:27:34,052 THAT'S A STABLIZER. 601 00:27:34,119 --> 00:27:35,787 >> I CAN'T BELIEVE WE'RE DOING THIS AGAIN. 602 00:27:35,854 --> 00:27:38,990 >> Stephen: IT'S GOING TO BE THE LAST TIME, #-R BUDDY. 603 00:27:39,057 --> 00:27:40,925 HAVE YOU READ "BAY WOLF." 604 00:27:40,992 --> 00:27:42,727 YOU'RE GENDLE AND I'M RIPPING THAT ARM OFF. 605 00:27:42,794 --> 00:27:44,295 >> YOU GUYS ALL GOT THAT. 606 00:27:44,362 --> 00:27:45,030 YOU GOT THAT. 607 00:27:45,096 --> 00:27:48,967 THE MOST LITERARY AUDIENCE EVER. 608 00:27:49,034 --> 00:27:50,402 >> Stephen: LET'S DO IT. 609 00:27:50,468 --> 00:27:51,236 SERIOUSLY, ARE YOU SCARED? 610 00:27:51,302 --> 00:27:52,337 ARE YOU NERVOUS? 611 00:27:52,404 --> 00:27:53,738 >> I'M NOT NERVOUS AT ALL. 612 00:27:53,805 --> 00:27:55,607 DO YOU WANT TO TAKE YOUR JACKET OFF. 613 00:27:55,673 --> 00:27:56,074 >> Stephen: NO. 614 00:27:56,141 --> 00:27:57,075 >> OH, WE GOT IT. 615 00:27:57,142 --> 00:28:00,612 >> Stephen: YOU WON'T WIN THROUGH INTIMIDATION. 616 00:28:00,678 --> 00:28:03,515 >> THESE PADS ARE SO COMFORTABLE. 617 00:28:03,581 --> 00:28:04,149 >> Stephen: STRAIGHT UP. 618 00:28:04,215 --> 00:28:05,250 YOU CAN'T BREAK YOUR WRIST. 619 00:28:05,316 --> 00:28:06,584 NO, YOU CAN'T START THAT WAY. 620 00:28:06,651 --> 00:28:07,318 YOU CAN'T START THAT WAY. 621 00:28:07,385 --> 00:28:09,054 >> CAN I DO THAT LATER? 622 00:28:09,120 --> 00:28:11,022 >> Stephen: YOU CAN DO ANYTHING YOU WANT LATER. 623 00:28:11,089 --> 00:28:12,257 >> HOW BAD DO YOU WANT THIS. 624 00:28:12,323 --> 00:28:14,926 >> Stephen: MY STAGE MANAGER, MARK -- 625 00:28:14,993 --> 00:28:16,127 >> Stephen: IS EVIE HERE. 626 00:28:16,194 --> 00:28:17,295 EVIE WAS HERE LAST NAME. 627 00:28:17,362 --> 00:28:18,430 >> Stephen: SHE'S NOT HERE. 628 00:28:18,496 --> 00:28:20,665 >> I'M DOING THIS FOR EVIE. 629 00:28:20,732 --> 00:28:24,402 >> READY, SET, GO! 630 00:28:24,469 --> 00:28:30,008 ( APPLAUSE ) >> ERRR. 631 00:28:30,075 --> 00:28:31,776 >> AAHHH. 632 00:28:31,843 --> 00:28:35,280 >> ERRRR! 633 00:28:35,346 --> 00:28:45,457 ( APPLAUSE ) ( BLEEP ). 634 00:28:45,523 --> 00:28:48,426 >> AAAHHH! 635 00:28:48,493 --> 00:28:54,065 ( APPLAUSE ) >> IT'S RIGHT THERE. 636 00:28:54,132 --> 00:28:54,799 IT'S RIGHT THERE. 637 00:28:54,866 --> 00:28:56,468 >> Stephen: YOU CAN DO IT, TOO. 638 00:28:56,534 --> 00:28:57,235 IT'S RIGHT THERE. 639 00:28:57,302 --> 00:28:58,136 IT'S RIGHT THERE. 640 00:28:58,203 --> 00:28:58,903 ( BLEEP ). 641 00:28:58,970 --> 00:29:06,211 ♪ ♪ ♪ >> Stephen: I HAD YOU SO 642 00:29:06,277 --> 00:29:06,611 CLOSE. 643 00:29:06,678 --> 00:29:07,312 >> OH, MY GOD. 644 00:29:07,378 --> 00:29:10,515 >> Stephen: I HAD YOU SO CLOSE. 645 00:29:10,582 --> 00:29:12,717 WITH WE GET PLAY-BACK ON THIS. 646 00:29:12,784 --> 00:29:16,454 CAN WE GET SLOW-MO ON THIS, PLEASE. 647 00:29:16,521 --> 00:29:17,522 >> YOU DID GREAT. 648 00:29:17,589 --> 00:29:18,490 YOU DID GREAT. 649 00:29:18,556 --> 00:29:19,991 >> Stephen: ALL RIGHT, I'LL SEE YOU NEXT TIME. 650 00:29:20,058 --> 00:29:21,526 >> I'LL SEE YOU NEXT TIME. 651 00:29:21,593 --> 00:29:23,461 >> Stephen: I'LL SEAL YOU NEXT TIME. 652 00:29:23,528 --> 00:29:26,865 ( CHEERS AND APPLAUSE ). 653 00:29:26,931 --> 00:29:29,334 >> Stephen: THE NEW SEASON OF "JACK RYAN" PREMIERES 654 00:29:29,400 --> 00:29:30,068 DECEMBER 21. 655 00:29:30,135 --> 00:29:31,202 JOHN KRASINSKI, EVERYBODY. 656 00:29:31,269 --> 00:29:32,904 WE'LL BE RIGHT BACK WITH THE DIRECTOR OF "WOMEN TALKING," 657 00:29:32,971 --> 00:29:34,973 SARAH POLLEY. 658 00:30:03,001 --> 00:30:04,269 >> Stephen: HEY, EVERYBODY! 659 00:30:04,335 --> 00:30:05,537 THANK YOU, MARK. 660 00:30:05,603 --> 00:30:09,474 WELCOME BACK, EVERYBODY. 661 00:30:09,541 --> 00:30:12,177 MY NEXT GUEST IS AN ACTRESS, WRITER, AND DIRECTOR OF THE 662 00:30:12,243 --> 00:30:14,379 MOVIES "AWAY FROM HER" AND "TAKE THIS WALTZ." 663 00:30:14,445 --> 00:30:15,380 HER LATEST FILM IS "WOMEN TALKING." 664 00:30:15,446 --> 00:30:19,851 PLEASE WELCOME TO "THE LATE SHOW," SARAH POLLEY! 665 00:30:19,918 --> 00:30:31,729 ♪ ♪ ♪ ( APPLAUSE ) 666 00:30:31,796 --> 00:30:33,331 >> Stephen: SO NICE TO MEET YOU. 667 00:30:33,398 --> 00:30:34,465 >> SO NICE TO MEET YOU. 668 00:30:34,532 --> 00:30:38,636 >> Stephen: NOW, TUESDAY NIGHT, YOU HAVE-- BESIDES BEING 669 00:30:38,703 --> 00:30:42,340 A DIRECTOR OF THE NEW FILM, YOU ALSO HAVE A MEMOIR CALLED "RUN 670 00:30:42,407 --> 00:30:45,343 TOWARD THE DANGER," WHICH I WANT TO GET INTO IN A MOMENT HERE. 671 00:30:45,410 --> 00:30:48,846 BUT YOU HAD AN EVENT AT THE STRAND BOOKSTORE HERE IN NEW 672 00:30:48,913 --> 00:30:52,450 YORK WITH THE GREAT FRANCES McDORMAND. 673 00:30:52,517 --> 00:30:53,384 THERE ARE THE TWO OF YOU TOGETHER. 674 00:30:53,451 --> 00:30:54,686 SHE INTERVIEWED YOU. 675 00:30:54,752 --> 00:30:55,887 SHE MODERATED THIS EVENING. 676 00:30:55,954 --> 00:30:58,756 I DON'T THINK-- I NEVER HAD A CHANCE TO INTERVIEW HER, SPEND 677 00:30:58,823 --> 00:31:00,792 TIME WITH HER. 678 00:31:00,858 --> 00:31:02,393 WHAT-- WHAT'S SHE LIKE? 679 00:31:02,460 --> 00:31:04,529 DOES SHE ASK TOUGH QUESTIONS? 680 00:31:04,596 --> 00:31:08,766 >> SHE'S-- YEAH, THERE'S NOT, LIKE, A LOT OF NICETIES. 681 00:31:08,833 --> 00:31:09,934 SHE GETS TO THE POINT. 682 00:31:10,001 --> 00:31:11,169 IT'S PRETTY DIRECT. 683 00:31:11,236 --> 00:31:13,938 BUT THE THING THAT SHE DID LAST NIGHT THAT WAS SO AMAZING WAS 684 00:31:14,005 --> 00:31:17,108 SHE READ FROM THE BOOK, AND I HAD THIS AMAZING EXPERIENCE OF 685 00:31:17,175 --> 00:31:21,079 HEARING MY INNER-MOST THOUGHTS READ BY FRANCES McDORMAND, 686 00:31:21,145 --> 00:31:24,082 WHICH I ACTUALLY THINK IS AN EXPERIENCE WE SHOULD ALL HAVE. 687 00:31:24,148 --> 00:31:25,617 >> Stephen: LIKE PLAYING YOU TO YOU. 688 00:31:25,683 --> 00:31:27,452 >> YEAH, BUT AS FRANCES McDORMAND, TOO. 689 00:31:27,518 --> 00:31:30,255 NOW I HEAR MY VOICE AS VERY CONFIDENT. 690 00:31:30,321 --> 00:31:31,289 LAUGH. 691 00:31:31,356 --> 00:31:33,691 >> Stephen: I WOULDN'T PICTURING MYSELF AS FRANCES 692 00:31:33,758 --> 00:31:34,325 McDORMAND. 693 00:31:34,392 --> 00:31:36,361 >> IT'S REALLY THERAPEUTIC. 694 00:31:36,427 --> 00:31:39,664 >> Stephen: NOW, THE BOOK, AS I SAID BEFORE, IT'S CALLED "RUN 695 00:31:39,731 --> 00:31:41,099 TOWARD THE DANGER." 696 00:31:41,165 --> 00:31:44,302 WHICH IS AN EVOCATIVE AND AN ATTRACTIVE IDEA. 697 00:31:44,369 --> 00:31:48,506 WHERE DOES THAT TITLE COME FROM FOR YOU? 698 00:31:48,573 --> 00:31:49,207 WHAT DOES THAT MEAN? 699 00:31:49,274 --> 00:31:53,778 >> I HAD A CONCUSSION IN 20 15. 700 00:31:53,845 --> 00:31:57,649 A VERY LARGE EXPIRE EXTINGUISHER FOAL MY HEAD AND I HAD A 701 00:31:57,715 --> 00:32:00,218 CONCUSSION THAT LASTED THREE AND A HALF YEARS, ON AND OFF. 702 00:32:00,285 --> 00:32:03,388 >> Stephen: WHAT DOES THAT MEAN, A CONCUSSION-- I THINK I 703 00:32:03,454 --> 00:32:05,156 PROBABLY HAD THEM BRIEFLY WHEN I WAS A KID. 704 00:32:05,223 --> 00:32:08,626 WHAT IS-- HOW DOES THAT MANIFEST ITSELF OVER A LONG PERIOD OF 705 00:32:08,693 --> 00:32:09,694 TIME? 706 00:32:09,761 --> 00:32:12,530 >> SO IT CAME AND WENT IN INTENSITY, BUT BRAIN FOG, 707 00:32:12,597 --> 00:32:16,968 HEADACHES, ENORMOUS TENSIVITY TO LIGHT AND NOISE, IMPOSSIBLE TO 708 00:32:17,035 --> 00:32:18,002 MULTITASK. 709 00:32:18,069 --> 00:32:20,438 I CERTAINLY WASN'T GOING TO BE MAKING A FILM AGAIN. 710 00:32:20,505 --> 00:32:25,410 AND SO I DID ALL KIND OF TREATMENTS, WENT TO ALL KINDS OF 711 00:32:25,476 --> 00:32:26,411 DOCTORS. 712 00:32:26,477 --> 00:32:28,780 A LOT OF THE ADVICE WAS, "GO LIE IN A DARK ROOM. 713 00:32:28,846 --> 00:32:29,280 REST. 714 00:32:29,347 --> 00:32:30,481 LISTEN TO YOUR BODY. 715 00:32:30,548 --> 00:32:32,550 LISTEN TO YOUR LIMITATIONS." 716 00:32:32,617 --> 00:32:38,222 AND I FINALLY FOUND MYSELF TO FITZBURG MEDICAL CENTER AND 717 00:32:38,289 --> 00:32:42,060 DR. MICHAEL COLLINS WHO SAID IF YOU REMEMBER ONLY ONE THING FROM 718 00:32:42,126 --> 00:32:44,462 THIS MEETING, REMEMBER THIS, "RUN TOWARDS THE DANGER." 719 00:32:44,529 --> 00:32:47,465 BY THAT HE MEANT ALL OF THE THINGS I HAD BEEN AVOIDING 720 00:32:47,532 --> 00:32:50,001 BECAUSE THEY WERE TOO MUCH FROM MY HEAD WHERE I HAD TO GO LIE IN 721 00:32:50,068 --> 00:32:53,338 A DARK ROOM OR AVOITH THINGS THAT TRIGGERED SYMPTOMS WERE 722 00:32:53,404 --> 00:32:54,939 THINGS I HAD TO DO MORE OF. 723 00:32:55,006 --> 00:32:59,277 MY BRAIN WAS BECOMING WEAKER WHAT I WAS AVOIDING OUT OF JIET. 724 00:32:59,344 --> 00:33:01,679 >> Stephen: DESENSITIZE YOURSELF TO THAT STIMULUS. 725 00:33:01,746 --> 00:33:04,582 >> YEAH, AND YOU HAVE TO MOVE TOWARDS THE THINGS THAT MAKE YOU 726 00:33:04,649 --> 00:33:05,616 VERY UNCOMFORTABLE. 727 00:33:05,683 --> 00:33:07,085 AND THAT'S THE ONLY WAY YOU'RE GOING TO GET BETTER. 728 00:33:07,151 --> 00:33:10,455 >> Stephen: WHAT DOES THAT MEAN ON A BROADER SENSE TO YOU? 729 00:33:10,521 --> 00:33:13,224 YOU NAME YOUR BOOK, I ASSUME, BECAUSE THAT HAS RESONANCE TO 730 00:33:13,291 --> 00:33:14,992 THE REST OF YOUR LIFE AND YOUR WORK. 731 00:33:15,059 --> 00:33:17,428 WHAT DOES THAT MEAN TO YOU GENERALLY NOW? 732 00:33:17,495 --> 00:33:19,964 >> I THINK IT WAS A REAL PARADIGM SHIFT. 733 00:33:20,031 --> 00:33:20,932 I THINK I'M SOMEONE WHO LISTENED TO THEIR ANXIETY A LOT IN LIFE, 734 00:33:20,998 --> 00:33:22,166 LISTENED TO THEIR LIMITATIONS. 735 00:33:22,233 --> 00:33:24,836 AND I THINK IT MADE ME THINK THESE ARE ACTUALLY CHALLENGES. 736 00:33:24,902 --> 00:33:30,942 THESE ARE EXCITING OBSTACLES TO OVERCOME, THE THINGS I'M AFRAID 737 00:33:31,008 --> 00:33:33,378 OF, I CAN MOVE ALONGSIDE THE ANXIETY. 738 00:33:33,444 --> 00:33:35,813 I DON'T EVEN HAVE TO OVERCOME IT. 739 00:33:35,880 --> 00:33:37,949 I CAN MOVE WITH IT AND DO THE THINGS THAT ARE UNCOMFORTABLE 740 00:33:38,015 --> 00:33:38,516 >> Stephen: HOW DO YOU FEEL? 741 00:33:38,583 --> 00:33:39,751 HOW IS YOUR HEAD NOW? 742 00:33:39,817 --> 00:33:42,687 >> WITHIN SIX WEEKS OF BEING AT THAT PROGRAM I WAS COMPLETELY 743 00:33:42,754 --> 00:33:45,957 BETTER. 744 00:33:46,023 --> 00:33:47,792 >> Stephen: AFTER THREE AND A HALF YEARS OF SUFFERING THROUGH 745 00:33:47,859 --> 00:33:48,192 THIS. 746 00:33:48,259 --> 00:33:48,926 >> YEAH, YEAH. 747 00:33:48,993 --> 00:33:49,894 >> Stephen: THAT'S EXTRAORDINARY. 748 00:33:49,961 --> 00:33:55,867 ( APPLAUSE ) ANOTHER THING, ANOTHER THING 749 00:33:55,933 --> 00:33:59,404 ABOUT FRANCES McDORMAND IS SHE OPTIONED THE 2018 NOVEL "WOMEN 750 00:33:59,470 --> 00:34:01,205 TALKING," WHEN YOU'VE ADAPTED AND DIRECTED. 751 00:34:01,272 --> 00:34:06,611 AND SHE ALSO ACTS IN THE FILM AND IS A PRODUCER. 752 00:34:06,677 --> 00:34:10,348 YOU'VE ALREADY SAID SHE HAS AN ENORMOUS AMOUNT OF CONFIDENCE 753 00:34:10,415 --> 00:34:13,050 AND, YOU KNOW, SHE SEEMS FUN BUT TOUGH. 754 00:34:13,117 --> 00:34:15,052 IS SHE INTIMIDATING TO WORK WITH AT ALL? 755 00:34:15,119 --> 00:34:17,588 >> I MEAN, SHE'S-- SHE IS REALLY FUN. 756 00:34:17,655 --> 00:34:19,657 AND SHE HAS AN ENORMOUSLY KIND HEART. 757 00:34:19,724 --> 00:34:23,528 BUT SHE DOES CUT TO THE CHASE, SO THERE WAS A GUY WHO WAS OUR 758 00:34:23,594 --> 00:34:26,330 HOST AT THE STRAND NAMED WALKER LAST NIGHT, AND THERE WAS A 759 00:34:26,397 --> 00:34:30,435 MOMENT WHERE SUDDENLY I SAID, "WALKER, HOW ABOUT A TOILET?" 760 00:34:30,501 --> 00:34:32,804 AND IT WAS LIKE YOU JUST GET STRAIGHT TO THE ACTUAL THING 761 00:34:32,870 --> 00:34:34,005 YOU'RE TALKING ABOUT. 762 00:34:34,071 --> 00:34:36,974 >> Stephen: WHAT WAS IT LIKE MEETING HER ORIGINALLY WHEN SHE 763 00:34:37,041 --> 00:34:38,075 CAME TO YOU WITH THE BOOK? 764 00:34:38,142 --> 00:34:41,879 >> I MEAN, I WAS THRILLED BECAUSE IT WAS A BOOK "WOMEN 765 00:34:41,946 --> 00:34:43,114 TALKING," A BOOK THEY LOVED SO MUCH. 766 00:34:43,181 --> 00:34:46,751 AND I HAD ACTUALLY REACHED OUT WHEN I FOUND OUT SHE HAD THE 767 00:34:46,818 --> 00:34:50,188 RIGHTS, AND SHE AND DEED GARDNER, WHO ARE PRODUCING IT 768 00:34:50,254 --> 00:34:54,358 TOGETHER, REACHED OUT TO ME ON THE SAME DAY SO IT FELT VERY 769 00:34:54,425 --> 00:34:55,726 MEANT TO BE AND VERY EXCITING. 770 00:34:55,793 --> 00:34:58,296 >> Stephen: I UNDERSTAND YOU HADN'T DIRECTED IN A LONG TIME, 771 00:34:58,362 --> 00:34:59,297 YOU KNOW, AS YOU SAID. 772 00:34:59,363 --> 00:35:01,132 YOU CERTAINLY COULDN'T DIRECT. 773 00:35:01,199 --> 00:35:02,300 IT HAD BEEN 10 YEARS. 774 00:35:02,366 --> 00:35:05,803 DID YOU APPROACH DIRECTING DIFFERENTLY AFTER THIS THAN YOU 775 00:35:05,870 --> 00:35:06,103 DID BEFORE? 776 00:35:06,170 --> 00:35:07,338 >> YEAH. 777 00:35:07,405 --> 00:35:09,707 I MEAN, I FELT SO GRATEFUL EVERY DAY JUST TO BE ABLE TO DO THE 778 00:35:09,774 --> 00:35:11,976 JOB AND TO BE ABLE TO COLLABORATE WITH PEOPLE. 779 00:35:12,043 --> 00:35:16,481 AND, YOU KNOW, IT SOUNDS TRITE BUT IT WAS A REALLY TRUE SENSE 780 00:35:16,547 --> 00:35:21,118 OF EUPHORIA EVERY DAY BEING ABLE TO DO A JOB THAT REQUIRED 781 00:35:21,185 --> 00:35:23,287 IMAGINE SCPAGZ COLLABORATION AND MULTITASKING. 782 00:35:23,354 --> 00:35:26,424 AND ALSO, I'VE HAD THREE KIDS IN THE LAST 10 YEARS AND THAT WAS A 783 00:35:26,491 --> 00:35:29,060 BIG PART OF THE REASON I TOOK THE TIME OFF. 784 00:35:29,126 --> 00:35:32,163 THE STAKES JUST FEEL LOWER WITH EVERYTHING AFTER THREE KIDS. 785 00:35:32,230 --> 00:35:34,432 >> Stephen: NOTHING CAN BE AS HARD AS THREE KIDS. 786 00:35:34,499 --> 00:35:35,633 >> NO. 787 00:35:35,700 --> 00:35:39,704 I WAS-- ALL THE PEOPLE I WAS WORKING WITH HAD FULLY DEVELOPED 788 00:35:39,770 --> 00:35:40,705 FRONTAL LOBES. 789 00:35:40,771 --> 00:35:43,374 NO ONE YELLED ABOUT THE WRONG-SIZED SPOON. 790 00:35:43,441 --> 00:35:45,977 IT WAS REALLY EASY. 791 00:35:46,043 --> 00:35:50,381 >> Stephen: WELL, THE FILM HAS GOT AN EXTRAORDINARY CAST. 792 00:35:50,448 --> 00:35:55,786 CLAIRE FOY, ROONEY MARA, JESSIE BUCKLEY, EXTRAORDINARY ACTRESS. 793 00:35:55,853 --> 00:35:57,054 WHAT IS IT ABOUT? 794 00:35:57,121 --> 00:36:00,324 AND WE HAVE A CLIP HERE, IF YOU COULD SET UP WHAT WE'RE ABOUT TO 795 00:36:00,391 --> 00:36:01,492 SEE? 796 00:36:01,559 --> 00:36:04,829 >> SURE, SO "WOMEN TALKING" IS ABOUT A GROUP OF WOMEN IN AN 797 00:36:04,896 --> 00:36:05,997 ISOLATED RELIGIOUS COLONY. 798 00:36:06,063 --> 00:36:08,366 THERE HAS BEEN A SERIES OF SEXUAL ASSAULTS OVER MANY, MANY 799 00:36:08,432 --> 00:36:09,033 YEARS. 800 00:36:09,100 --> 00:36:09,834 WE DON'T SEE THIS IN THE FILM. 801 00:36:09,901 --> 00:36:11,202 THIS IS THE BACKDROP. 802 00:36:11,269 --> 00:36:15,306 AND THEY GATHER WHEN THE MEN HAVE BEEN CAUGHT, THE MEN HAVE 803 00:36:15,373 --> 00:36:16,474 GONE TO JAIL. 804 00:36:16,541 --> 00:36:19,043 ALL OF THE MEN OF THE COLONY HAVE LEFT TO BAIL OUT THE MEN. 805 00:36:19,110 --> 00:36:22,413 THE WOMEN ARE THROFT DECIDE THE FATE OF THEIR COLONY. 806 00:36:22,480 --> 00:36:24,081 ARE THEY GOING TO STAY AND FIGHT? 807 00:36:24,148 --> 00:36:27,051 ARE THEY GOING TO STAY AND DO NOTHING AND FORGIVE THE MEN? 808 00:36:27,118 --> 00:36:30,488 OR ARE THEY GOING TO LEAVE AND BUILD THEIR OWN COLONY? 809 00:36:30,555 --> 00:36:33,524 THE FILM FOLLOWS THIS VERY RIGOROUS, PASSIONATE DEBATE 810 00:36:33,591 --> 00:36:34,692 BETWEEN THESE WOMEN. 811 00:36:34,759 --> 00:36:38,496 AND IN THE CLIP WE'RE ABOUT TO SEE, SOME OF THE MORE STICKY 812 00:36:38,563 --> 00:36:39,931 QUESTIONS ARE GETTING ASKED. 813 00:36:39,997 --> 00:36:42,633 LIKE, WHAT IF WE HAVE THE WRONG GUYS. 814 00:36:42,700 --> 00:36:43,768 >> Stephen: JIM. 815 00:36:43,834 --> 00:36:45,069 >> THIS. 816 00:36:45,136 --> 00:36:47,104 >> NO! 817 00:36:47,171 --> 00:36:48,306 NO! 818 00:36:48,372 --> 00:36:49,073 THAT IS NOT OUR RESPONSIBILITY BECAUSE WE AREN'T IN CHARGE OF 819 00:36:49,140 --> 00:36:50,341 WHETHER OR NOT THEY ARE PUNISHED. 820 00:36:50,408 --> 00:36:53,377 WE KNOW THAT WE'VE BEEN ATTACKED BY MEN, NOT BY GHOSTS OR SATAN, 821 00:36:53,444 --> 00:36:55,346 AS WE WERE LED TO BELIEVE FOR SO LONG. 822 00:36:55,413 --> 00:36:58,215 WE KNOW THAT WE'VE NOT IMAGINED THESE ATTACKS. 823 00:36:58,282 --> 00:37:01,285 THAT WE WERE MADE UNCONSCIOUS WITH COW TRANQUILIZER. 824 00:37:01,352 --> 00:37:07,024 WE KNOW THAT WE ARE BRUISED AND INFECTED AND PREGNANT AND 825 00:37:07,091 --> 00:37:10,428 TERRIFIED AND IN PAIN, AND SOME OF US ARE DEAD! 826 00:37:10,494 --> 00:37:14,632 WE KNOW THAT WE MUST PROTECT OUR CHILDREN, REGARDLESS OF WHO IS 827 00:37:14,699 --> 00:37:16,834 GUILTY! 828 00:37:16,901 --> 00:37:21,772 >> ALL RIGHT, SALOME, THANK YOU, PLEASE, SIT DOWN. 829 00:37:21,839 --> 00:37:26,744 ( APPLAUSE ) >> Stephen: BESIDES BEING A 830 00:37:26,811 --> 00:37:29,547 DIRECTOR AND AN AUTHOR, YOU STARTED ACTING WHEN YOU WERE 831 00:37:29,614 --> 00:37:31,916 VERY YOUNG. 832 00:37:31,983 --> 00:37:35,219 HERE-- HERE YOU ARE. 833 00:37:35,286 --> 00:37:37,455 HOW OLD ARE YOU WHEN YOU'RE DOING THIS? 834 00:37:37,521 --> 00:37:40,858 >> I THINK I'M FIVE, BUT WHEN I WAS A KID, I USED TO LIE AND SAY 835 00:37:40,925 --> 00:37:43,928 I WAS FOUR, BECAUSE IT MEANT I HAD BEEN DOING IT FOR LONGER. 836 00:37:43,995 --> 00:37:46,197 BUT I THINK I'M FIVE. 837 00:37:46,263 --> 00:37:49,667 >> Stephen: WHAT-- WHAT WAS THIS EXPERIENCE LIKE FOR YOU AS 838 00:37:49,734 --> 00:37:50,801 A KID? 839 00:37:50,868 --> 00:37:55,573 NOT EVERYBODY ENJOYS BEING A CHILD ACTOR, LATER WHEN THEY 840 00:37:55,640 --> 00:37:58,576 LOOK AT IT, AT THE TIME THEY WANT TO DO IT, THERE'S A LOT OF 841 00:37:58,643 --> 00:38:00,945 EXCITEMENT BEING AROUND ADULTS AND DOING THIS ADULT THING AND 842 00:38:01,012 --> 00:38:01,679 GETTING THE ATTENTION. 843 00:38:01,746 --> 00:38:02,880 WHAT WAS THAT LIKE FOR YOU? 844 00:38:02,947 --> 00:38:04,749 YOU HAVE KIDS, DO YOU ENCOURAGE THEM TO DO IT? 845 00:38:04,815 --> 00:38:05,783 >> NO. 846 00:38:05,850 --> 00:38:09,620 I DO NOT ENCOURAGE THEM TO DO IT. 847 00:38:09,687 --> 00:38:12,657 I WOULD SAY IN GENERAL IT'S A REALLY WEIRD THING TO HAVE KIDS 848 00:38:12,723 --> 00:38:15,793 IN A PROFESSIONAL ENVIRONMENT AMONGST PEOPLE WHO ARE NOT 849 00:38:15,860 --> 00:38:16,627 TRAINED TO BE AROUND CHILDREN. 850 00:38:16,694 --> 00:38:17,862 IT DOESN'T MAKE A TON OF SENSE. 851 00:38:17,928 --> 00:38:21,098 I DON'T KNOW HOW ETHICAL IT IS. 852 00:38:21,165 --> 00:38:25,703 SO I DON'T ENCOURAGE-- WILL ANY OF MY THREE KIDS TO DO THAT AS 853 00:38:25,770 --> 00:38:26,704 CHILDREN. 854 00:38:26,771 --> 00:38:27,872 IF THEY WANT TO DO IT WHEN THEY'RE OLDER, GREAT. 855 00:38:27,938 --> 00:38:29,473 >> Stephen: DO THEY COME TO SET WITH YOU? 856 00:38:29,540 --> 00:38:33,844 >> THEY CAME ON THIS SET BECAUSE WITH COVID PROTOCOLS, THE ONLY 857 00:38:33,911 --> 00:38:36,347 WAY THEY COULD COME WAS BY BEING BACKGROUND PERFORMERS. 858 00:38:36,414 --> 00:38:40,317 AND MY OLDEST KID, OF COURSING, WANTS DESPERATELY TO BE A CHILD 859 00:38:40,384 --> 00:38:43,954 ACTOR BECAUSE EVERY BUTTON MUST BE PUSHED. 860 00:38:44,021 --> 00:38:44,922 SO... 861 00:38:44,989 --> 00:38:47,258 ( LAUGHTER ) SO THEY KIND OF NEGOTIATED THEIR 862 00:38:47,324 --> 00:38:49,126 WAY ON SET. 863 00:38:49,193 --> 00:38:52,329 AND DID A LOT OF-- EVERY TIME I WOULD TALK TO THE KID ON SET, 864 00:38:52,396 --> 00:38:56,267 WHO I WAS VERY UNCOMFORTABLE HAVING THERE, "ANY TIME YOU'RE 865 00:38:56,333 --> 00:38:58,436 UNCOMFORTABLE, ANY TIME YOU NEED TO LEAVE OR TAKE A BREAK, JUST 866 00:38:58,502 --> 00:38:59,270 LET US KNOW. 867 00:38:59,336 --> 00:39:00,438 YOU DON'T NEED TO BE HERE." 868 00:39:00,504 --> 00:39:03,974 AND MY OLDEST WOULD BE LIKE, "WE KNOW. 869 00:39:04,041 --> 00:39:05,810 STOP BORING US WITH YOUR CHILDHOOD. 870 00:39:05,876 --> 00:39:07,244 WE'RE FINE." 871 00:39:07,311 --> 00:39:11,348 SO, YES, THEY VERY MUCH WANT TO BE ACTORS, AND THEY WILL NOT BE 872 00:39:11,415 --> 00:39:12,183 UNTIL THEY'RE OLDER. 873 00:39:12,249 --> 00:39:13,350 >> Stephen: GOOD LUCK WITH THAT. 874 00:39:13,417 --> 00:39:14,351 >> THANK YOU. 875 00:39:14,418 --> 00:39:15,986 >> Stephen: SARAH, IT WAS SO LOVELY TO MEET YOU. 876 00:39:16,053 --> 00:39:16,787 THANK YOU FOR BEING HERE. 877 00:39:16,854 --> 00:39:18,255 >> THANK YOU. 878 00:39:18,322 --> 00:39:22,893 >> Stephen: "WOMEN TALKING" IS IN SELECT THEATERS DECEMBER 23rd 879 00:39:22,960 --> 00:39:23,894 AND "RUN TOWARD DANGER" IS AVAILABLE NOW. 880 00:39:23,961 --> 00:39:24,428 SARAH POLLEY, EVERYBODY. 881 00:39:24,495 --> 00:39:26,497 WE'LL BE RIGHT BACK. 882 00:39:45,349 --> 00:39:46,117 >> Stephen: THAT'S IT FOR "THE LATE SHOW." 883 00:39:46,183 --> 00:39:46,584 JAMES CORDEN IS NEXT. 884 00:39:46,650 --> 00:39:48,652 GOOD NIGHT!