1
00:00:03,421 --> 00:00:04,964
DYLAN:
LET'S DO THIS ALREADY!
2
00:00:05,089 --> 00:00:06,841
TEDDY:
YOU GOTTA CALM DOWN, D.
3
00:00:06,966 --> 00:00:09,302
THIS IS GONNA BE
ONE OF THE EASIEST HITS
WE'VE EVER DONE.
4
00:00:09,427 --> 00:00:11,471
HOMEVAULT DOES SECURITY
FOR THE ENTIRE BUILDING.
5
00:00:11,596 --> 00:00:13,389
'KAY, I'VE GOT THE INTERCOM
WIRED TO MY PHONE.
6
00:00:13,556 --> 00:00:15,058
DYLAN:
LIKE A KID IN A CANDY STORE.
7
00:00:15,183 --> 00:00:16,934
TEDDY:
ALL RIGHT.
(GRUNTS)
8
00:00:17,101 --> 00:00:20,146
I'LL CALL YOU,
BUZZ YOU UP.
9
00:00:20,271 --> 00:00:21,898
DYLAN:
WHAT THE HELL ARE YOU DOING?
10
00:00:22,064 --> 00:00:24,150
DREW: WHAT?
ALEX: LOSE THE MASK, IDIOT.
11
00:00:24,275 --> 00:00:25,902
DYLAN:
AS FAR AS ANYONE KNOWS,
WE'RE VISITING A FRIEND.
12
00:00:26,027 --> 00:00:28,154
ALL WE GOTTA DO IS ACT COOL
AND WALK THROUGH THE DOOR.
13
00:00:28,279 --> 00:00:30,156
RAYNA:
WHAT, YOU DON'T WANNA JUST
SMASH A ROCK THROUGH THE WINDOW
FOR OLD TIMES' SAKE? (LAUGHS)
14
00:00:30,281 --> 00:00:31,449
DYLAN:
ALL I WANNA DO
IS GET IN AND OUT
15
00:00:31,616 --> 00:00:32,950
WITHOUT ANYBODY
CALLING THE COPS.
16
00:00:33,117 --> 00:00:35,161
TOO LATE FOR THAT.
17
00:00:35,286 --> 00:00:37,121
(CAR DOOR OPENS,
POLICE CHATTER OVER RADIO)
18
00:00:37,288 --> 00:00:39,540
RAYNA:
WHO BROUGHT THE HEAT?
19
00:00:39,665 --> 00:00:42,168
DYLAN:
OH NO... HEY! HEY, OFFICER!
20
00:00:42,293 --> 00:00:44,420
CAN I GET SOME DIRECTIONS
OFF YOU OR WHAT?!
21
00:00:48,424 --> 00:00:51,052
(TRUCK RUMBLES NEARBY)
22
00:00:51,177 --> 00:00:53,054
DIRECTIONS TO WHERE?
23
00:00:53,179 --> 00:00:54,764
DUNNO. THE MALL?
24
00:00:54,889 --> 00:00:57,266
GOODIS:
MALL'S CLOSED.
25
00:00:57,433 --> 00:00:59,310
WHAT'S GOING ON OUT HERE?
UH, WHAT'S YOUR NAME?
26
00:00:59,477 --> 00:01:00,269
I DON'T HAVE TO TELL YOU
MY NAME.
27
00:01:00,436 --> 00:01:04,232
WE'RE JUST HANGING OUT.
28
00:01:04,357 --> 00:01:06,359
GOODIS:
ALL RIGHT, WELL,
I'M GOING INSIDE.
29
00:01:06,484 --> 00:01:08,903
WHEN I COME BACK OUT,
I WANT YOU BOTH GONE.
30
00:01:09,028 --> 00:01:10,738
CATCH YOU LATER,
CRIME STOPPER.
31
00:01:18,121 --> 00:01:21,541
TEDDY:
WHAT WAS THAT, HUH?!
YOU SET US UP?
32
00:01:21,666 --> 00:01:22,917
DYLAN: WHAT'RE YOU
TALKING ABOUT?
TEDDY: WE BAIL ON YOU,
YOU DIME ON US?
33
00:01:23,042 --> 00:01:24,460
DYLAN:
HEY, I JUST SAVED YOUR ASS.
34
00:01:24,627 --> 00:01:26,379
IN CASE YOU DIDN'T NOTICE,
I'M THE ONE WHO STUCK AROUND.
35
00:01:26,504 --> 00:01:31,801
TEDDY:
YEAH, YOU'RE RIGHT.
I'M SORRY, OKAY?
36
00:01:31,926 --> 00:01:35,179
IT'S JUST... THAT WAS INSANE.
YOU WERE COOL AS ICE THOUGH.
37
00:01:39,267 --> 00:01:42,019
SO, WHAT'S THE PLAN THEN, HUH?
WAIT FOR HIM TO LEAVE?
38
00:01:42,186 --> 00:01:43,896
SNEAK IN WHEN HE'S GONE?
39
00:01:44,021 --> 00:01:47,608
NO. THIS PLACE IS LIT.
WE'RE DONE HERE.
40
00:01:47,733 --> 00:01:48,943
(EXHALES HEAVILY)
AND YOU'RE WELCOME
BY THE WAY.
41
00:01:49,110 --> 00:01:52,321
♪♪
42
00:01:52,446 --> 00:01:55,283
(HEARTBEAT PULSES)
43
00:01:55,408 --> 00:01:57,451
(SIREN WAILS IN THE DISTANCE,
TRAFFIC RUMBLES)
44
00:01:57,577 --> 00:01:58,828
DYLAN:
BUT I SAW THE BLONDE WOMAN
THERE!
45
00:01:58,995 --> 00:02:00,037
GOODIS:
SORRY, DYLAN,
THE LOFT CHECKS OUT.
46
00:02:00,204 --> 00:02:01,497
NOBODY SEEMS TO HAVE SEEN HER.
47
00:02:01,664 --> 00:02:03,124
THE LEASE ON UNIT 202
IS PAID ON TIME.
48
00:02:03,249 --> 00:02:04,834
DYLAN:
BY WHO? HOW?
49
00:02:05,001 --> 00:02:06,335
I NEED A WARRANT
TO GET THAT INFO.
50
00:02:06,502 --> 00:02:08,045
DYLAN:
THEN GET A WARRANT.
51
00:02:08,212 --> 00:02:10,548
WELL, FOR THAT
I NEED PROBABLE CAUSE,
52
00:02:10,715 --> 00:02:12,967
AND NOTHING SUSPICIOUS
HAS HAPPENED IN THAT BUILDING -
53
00:02:13,092 --> 00:02:16,053
OH, EXCEPT FOR LAST NIGHT.
THERE WAS A BUNCH OF TEENS
LOITERING ABOUT.
54
00:02:16,220 --> 00:02:17,305
YOU KNOW WHAT HAPPENS IF YOU
GET CAUGHT WITH THOSE KIDS,
RIGHT?
55
00:02:17,430 --> 00:02:18,806
SO, THE DRAWINGS, THE LOFT,
THE BLONDE WOMAN,
56
00:02:18,931 --> 00:02:21,017
IT'S ALL JUST A COINCIDENCE?!
SOMEBODY'S LYING.
57
00:02:21,183 --> 00:02:23,269
GOODIS:
I NEED YOU TO SIT TIGHT.
58
00:02:23,394 --> 00:02:25,521
I'M NOT GOOD AT SITTING TIGHT,
GOODIS.
59
00:02:25,688 --> 00:02:28,566
WILL YOU JUST TAKE THE DAY OFF
AND BE A NORMAL TEENAGE GIRL
FOR ONCE?!
60
00:02:28,733 --> 00:02:31,360
(HANG UP CLICK)
61
00:02:31,527 --> 00:02:34,739
FOR SERIOUS?
HE HUNG UP ON ME.
62
00:02:34,906 --> 00:02:36,699
THAT'S JUST GREAT.
63
00:02:36,866 --> 00:02:38,034
WES:
MM... AT LEAST NOW
YOU DON'T HAVE TO SLUM IT
64
00:02:38,159 --> 00:02:39,869
WITH TEDDY
AND THE BLING RING.
65
00:02:39,994 --> 00:02:42,830
DRACO MALFOY
AND THE SLYTHERINS?
(CHUCKLES)
66
00:02:42,955 --> 00:02:45,207
(LIGHT KNOCKING)
67
00:02:48,085 --> 00:02:49,921
SPEAK OF THE DEVIL,
RIGHT?
68
00:02:50,087 --> 00:02:51,213
DYLAN:
WHAT'RE YOU DOING?
YOU CAN'T BE HERE,
69
00:02:51,339 --> 00:02:53,549
IT VIOLATES MY PROBATION.
TEDDY: RELAX.
70
00:02:53,716 --> 00:02:54,550
JUST WANNA KNOW WHEN
WE'RE HITTING THE APARTMENT.
71
00:02:54,717 --> 00:02:56,886
WE'RE NOT.
THE COPS ARE ON IT.
72
00:02:57,053 --> 00:02:59,180
TEDDY:
I'M SORRY,
AM I IN THE WRONG PLACE HERE?
73
00:02:59,305 --> 00:03:00,640
I WAS LOOKING FOR THE BADASS
FROM LAST NIGHT.
74
00:03:00,765 --> 00:03:02,350
OH, TAKE A HINT.
SHE WANTS YOU GONE.
75
00:03:02,475 --> 00:03:04,894
I DON'T THINK SHE KNOWS
WHAT SHE WANTS, BRO.
76
00:03:05,019 --> 00:03:07,480
SERIOUSLY, D, I'M NOT BUYING
THIS WHOLE GOOD GIRL ACT.
77
00:03:07,605 --> 00:03:09,565
I'M NOT SELLING IT.
TEDDY: NAH...
78
00:03:09,732 --> 00:03:11,108
FROM THE LOOKS OF IT
YOU'RE ALL SOLD OUT.
79
00:03:11,275 --> 00:03:11,692
YOU DON'T KNOW ANYTHING
ABOUT ME, TEDDY.
80
00:03:11,817 --> 00:03:15,196
DON'T I?!
81
00:03:15,321 --> 00:03:18,407
LOOK, I KNOW YOU'RE STUCK HERE
RIGHT NOW,
82
00:03:18,574 --> 00:03:20,701
BUT IF YOU HAD THE CHOICE,
THE DYLAN BLAKE I KNOW
83
00:03:20,826 --> 00:03:22,870
WOULDN'T BE SLUMMING IT WITH
THE SESAME STREET GANG HERE.
84
00:03:22,995 --> 00:03:25,998
THIS ISN'T YOU.
85
00:03:26,123 --> 00:03:27,416
AND IT'S JUST A MATTER OF TIME
BEFORE YOU COME BACK
TO YOUR REAL FRIENDS.
86
00:03:30,336 --> 00:03:32,922
YOU JUST NEED
THE RIGHT MOTIVATION.
87
00:03:37,426 --> 00:03:38,844
WES:
WHAT A TOOL.
(CHUCKLES)
88
00:03:40,805 --> 00:03:42,974
DYLAN.
89
00:03:46,894 --> 00:03:49,605
(BABIES FUSS AND CRY)
90
00:03:55,611 --> 00:03:57,530
(APPROACHING FOOTSTEPS)
91
00:04:05,997 --> 00:04:10,334
HARD TO BELIEVE YOU WERE
EVER THAT SMALL, HUH?
92
00:04:10,501 --> 00:04:13,921
DYLAN:
SOMETIMES I FORGET
I ALMOST DIDN'T MAKE IT.
93
00:04:14,046 --> 00:04:16,841
SO I GUESS THAT ONE'S ME?
THE BAD SEED OVER THERE.
94
00:04:17,008 --> 00:04:18,551
(BABY FUSSES)
95
00:04:21,846 --> 00:04:23,889
JANE:
NO, YOU WERE
A REALLY GOOD BABY.
96
00:04:26,392 --> 00:04:29,270
YOU NEVER CRIED.
97
00:04:29,395 --> 00:04:31,480
I USED TO WORRY
SOMETHING WAS WRONG,
98
00:04:31,647 --> 00:04:33,941
BUT YOU WERE JUST GOOD...
99
00:04:34,066 --> 00:04:37,445
YOU STILL ARE.
100
00:04:37,570 --> 00:04:39,822
YOU JUST LOST YOUR WAY
FOR A WHILE.
101
00:04:43,534 --> 00:04:45,328
I'M REALLY GLAD
TO HAVE YOU BACK.
102
00:04:45,453 --> 00:04:47,913
(BABY FUSSES)
103
00:04:50,458 --> 00:04:52,835
(LOW HUM OF CHATTER,
RECEDING FOOTSTEPS)
104
00:04:53,002 --> 00:04:55,421
(MACHINE WHIRS)
105
00:04:58,716 --> 00:05:01,802
APRIL: HE'S JUST A KID.
LONDON: KIDS DON'T LIKE ME.
106
00:05:01,927 --> 00:05:03,304
YOU KNOW, I DON'T SEE WHY
WE HAVE TO ASSESS A BUNCH
OF DAY CAMPERS ANYWAY.
107
00:05:03,429 --> 00:05:05,431
THEIR BUS WAS ONLY IN
A FENDER BENDER.
108
00:05:08,517 --> 00:05:10,019
(NERVOUS EXHALE)
109
00:05:12,480 --> 00:05:15,441
HEY, AIDAN.
110
00:05:15,566 --> 00:05:18,611
IT'S A...
IT'S A PRETTY BIG BUMP.
111
00:05:18,736 --> 00:05:21,238
DO YOU WANNA TELL ME
HOW YOU HURT YOUR HEAD?
112
00:05:21,405 --> 00:05:23,616
OH...
(SIGHS HEAVILY)
113
00:05:23,741 --> 00:05:26,702
CAN YOU... OPEN YOUR EYES
REALLY WIDE FOR ME?
114
00:05:26,869 --> 00:05:29,914
NO, I SAID OPEN YOUR-
OH, I SEE.
115
00:05:30,081 --> 00:05:33,709
OKAY, UM...
116
00:05:33,876 --> 00:05:36,712
HOW ABOUT THIS?
WANNA SEE SOMETHING COOL?
117
00:05:36,837 --> 00:05:39,632
SEE THAT EYE CHART BEHIND ME?
I HAVE A PHOTOGRAPHIC MEMORY.
118
00:05:39,757 --> 00:05:41,801
E-F-P-T-O-Z-L-P-E-D.
(HEAVY THUMP)
119
00:05:44,220 --> 00:05:46,347
AND YOU DON'T CARE.
120
00:05:46,472 --> 00:05:49,517
(NERVOUS EXHALE)
121
00:05:49,642 --> 00:05:51,644
HUD:
ALL RIGHT, BUDDY,
AND YOU ARE GOOD TO GO.
122
00:05:51,769 --> 00:05:53,062
NURSE APRIL'S GONNA TAKE YOU
BACK TO YOUR TEACHER.
123
00:05:53,229 --> 00:05:54,814
YOU WANNA DO ONE OF THESE?
124
00:05:54,939 --> 00:05:56,398
HUD AND PATIENT:
(MIMIC SOUND OF AN EXPLOSION)
125
00:05:56,524 --> 00:05:59,276
HUD:
OH! ALL RIGHT.
GET OUTTA HERE.
126
00:05:59,443 --> 00:06:01,612
LONDON:
WAIT, HOW'D YOU DO THAT?
127
00:06:01,779 --> 00:06:03,781
HUD:
BELIEVE IT OR NOT,
KIDS LIKE ME.
128
00:06:03,948 --> 00:06:05,116
I FIND A WAY TO BOND WITH THEM.
LONDON: IT TRIED THAT!
129
00:06:05,282 --> 00:06:07,034
I READ MY KID
THE SNELLEN CHART.
130
00:06:07,159 --> 00:06:10,287
HUD:
OKAY, THAT'S...
NOT WHAT I WAS THINKING.
131
00:06:10,454 --> 00:06:11,580
OBSERVE.
132
00:06:11,747 --> 00:06:13,332
HEY.
133
00:06:13,457 --> 00:06:14,500
APRIL: HEY.
HUD: LET'S SEE HERE...
134
00:06:14,625 --> 00:06:17,086
APRIL:
(MUMBLES INSTRUCTIONS)
HEY.
135
00:06:17,253 --> 00:06:20,089
HUD:
LET'S TAKE A LOOK AT THAT CUT
ON YOUR ARM.
136
00:06:20,214 --> 00:06:23,217
NOW THIS IS ANTIBIOTIC OINTMENT,
AND WHAT IT'S GONNA DO,
137
00:06:23,342 --> 00:06:25,010
IT'S GONNA PREVENT INFECTION,
OKAY?
138
00:06:27,680 --> 00:06:30,933
AND THIS BANDAGE HERE,
IT'S GONNA HELP BOND THE SKIN.
139
00:06:31,100 --> 00:06:32,935
YOU ARE GONNA REGENERATE
IN NO TIME, KID.
140
00:06:33,060 --> 00:06:35,604
JUST LIKE WOLVERINE.
141
00:06:35,771 --> 00:06:38,232
LONDON:
HUH. I CAN DO THAT.
142
00:06:38,357 --> 00:06:40,109
OKAY.
143
00:06:40,276 --> 00:06:42,611
(CURTAIN SCRAPES BACK)
144
00:06:42,736 --> 00:06:44,029
UM...
(PANICKING BREATHS)
145
00:06:47,658 --> 00:06:50,661
OH NO. (PANICKY BREATHS)
OH... NO.
146
00:06:50,828 --> 00:06:52,830
(BABIES FUSS AND CRY)
147
00:06:52,997 --> 00:06:55,875
WES:
(BLOWS OUT HIS BREATH)
UH... YOU OKAY?
148
00:06:56,000 --> 00:06:57,334
YOU SEEMED PRETTY RATTLED
BY YOUR BLAST FROM THE PAST.
149
00:06:57,501 --> 00:06:59,795
I THOUGHT YOU MIGHT WANNA
TALK ABOUT IT.
150
00:06:59,920 --> 00:07:01,964
DYLAN:
TALK? ABOUT FEELINGS?
151
00:07:02,089 --> 00:07:04,049
IT'S LIKE YOU DON'T KNOW ME
AT ALL.
152
00:07:04,175 --> 00:07:06,635
I THINK WE SHOULD CHANGE THAT.
LIKE... TONIGHT.
153
00:07:06,802 --> 00:07:08,304
IS THAT YOUR WAY
OF ASKING ME OUT?
154
00:07:08,470 --> 00:07:09,680
DO YOU HAVE A PROBLEM
WITH THAT?
155
00:07:09,847 --> 00:07:11,640
WELL, I MEAN,
TIMING'S A LITTLE SUSPECT.
156
00:07:11,765 --> 00:07:13,893
TEDDY SHOWS UP
AND YOU'RE HOT ON ME
ALL OF A SUDDEN?
157
00:07:14,018 --> 00:07:18,731
DYLAN:
OKAY, TO BE FAIR,
I WAS NEVER NOT HOT ON YOU.
158
00:07:18,856 --> 00:07:21,317
TEDDY CAN SAY WHATEVER HE
WANTS, BUT I KNOW WHO I AM
159
00:07:21,442 --> 00:07:23,944
AND WHO I WANT TO SPEND
MY TIME WITH.
160
00:07:24,069 --> 00:07:25,571
SO WHAT DO YOU SAY?
161
00:07:25,696 --> 00:07:27,323
GOT THE CONDO
TO OURSELVES TONIGHT.
162
00:07:27,448 --> 00:07:29,450
WE CAN ORDER A PIZZA,
STREAM A MOVIE...
163
00:07:29,575 --> 00:07:32,161
GET TO KNOW EACH OTHER
BETTER.
164
00:07:32,286 --> 00:07:34,163
WES:
I'LL THINK ABOUT IT.
UH, YEAH, I'M IN.
165
00:07:34,288 --> 00:07:37,583
ON ONE CONDITION: NO PIZZA.
I'LL MAKE US DINNER.
166
00:07:37,708 --> 00:07:40,502
BREAKFAST FOR DINNER.
HOW DO YOU FEEL ABOUT PANCAKES?
167
00:07:40,669 --> 00:07:42,504
DYLAN:
I LOVE PANCAKES.
168
00:07:42,630 --> 00:07:44,215
WES:
AND YOU SAID
I DON'T KNOW YOU AT ALL.
169
00:07:44,381 --> 00:07:46,008
HMM.
(CHUCKLES)
170
00:07:46,217 --> 00:07:49,303
♪♪
171
00:07:49,428 --> 00:07:52,181
♪ Oh, come on, my love... ♪
172
00:07:52,348 --> 00:07:54,683
JARED:
SO I'M THINKING
IF WE FINISH UP EARLY TONIGHT,
173
00:07:54,850 --> 00:07:56,185
MY BUDDY'S BAND IS OPENING
A SHOW DOWNTOWN.
174
00:07:56,310 --> 00:07:59,146
(KISSING)
175
00:07:59,271 --> 00:08:01,941
IT'S GONNA BE RAMMED,
BUT... I CAN GET US IN.
176
00:08:02,066 --> 00:08:03,651
LINE BYPASS. NO COVER.
NO DELINQUENTS.
177
00:08:03,776 --> 00:08:06,946
SHHH... MORE KISSING.
178
00:08:07,071 --> 00:08:12,076
AND LET'S JUST STAY HERE
WHERE WE CAN BE ALONE.
179
00:08:12,243 --> 00:08:16,497
YOU'RE EMBARRASSED OF ME.
I'M YOUR MOPED, AREN'T I?
180
00:08:16,622 --> 00:08:19,041
MIKAYLA: MY WHAT?
JARED: YOUR MOPED.
181
00:08:19,208 --> 00:08:20,834
FUN FOR FOOLING AROUND
AS LONG AS NOBODY SEES YOU.
182
00:08:20,960 --> 00:08:24,380
NO, THAT'S NOT IT
AT ALL.
183
00:08:24,505 --> 00:08:26,882
WHAT IS IT THEN?
WHY DON'T YOU WANNA GO?
184
00:08:30,302 --> 00:08:32,930
THAT'S WHAT I THOUGHT.
185
00:08:33,097 --> 00:08:34,473
MIKAYLA: (SIGHS HEAVILY)
JARED: GUESS I'LL GO WITH
A GIRL WHO DOESN'T SUCK.
186
00:08:34,598 --> 00:08:36,684
THAT! THAT'S IT!
THAT'S WHY!
187
00:08:36,809 --> 00:08:40,854
WHAT? WHAT'RE YOU EVEN-
AH, WHATEVER.
188
00:08:40,980 --> 00:08:43,566
I'LL TAKE SOMEONE ELSE.
CHECK YOUR PAGER FEED LATER.
189
00:08:43,691 --> 00:08:45,818
I'LL BE POSTING THROUGHOUT
MY WHOLE DATE.
190
00:08:48,612 --> 00:08:49,571
(DOOR BANGS SHUT)
191
00:08:52,199 --> 00:08:55,452
♪ So let's open up ♪
192
00:08:55,619 --> 00:08:57,204
DYLAN:
SO DO WE HAVE A TRUCE NOW
OR WHAT?
193
00:08:57,329 --> 00:08:59,456
WES:
HEY, YOU KNOW, I WAS MINDING
MY OWN BUSINESS, OKAY,
194
00:08:59,623 --> 00:09:00,916
TRYING TO MAKE A PANCAKE
BRONTOSAURUS,
195
00:09:01,083 --> 00:09:02,501
WHEN YOU DECIDED TO GET ALL
CUTE WITH THE FLOUR.
196
00:09:02,626 --> 00:09:04,753
I MEAN, WHO EVEN DOES THAT?
197
00:09:04,878 --> 00:09:08,674
DYLAN:
WHAT CAN I SAY?
I GUESS I JUST WANNA BE BAD.
198
00:09:08,799 --> 00:09:11,427
WES:
YEAH, ABOUT THAT.
I MEAN...
199
00:09:11,552 --> 00:09:13,721
LOOK, WHAT'S PAST IS PAST.
I DON'T WANNA GRILL YOU
ABOUT YOUR EX-BOYFRIENDS,
200
00:09:13,846 --> 00:09:16,015
BUT... WELL, IF YOU EVER
WANNA TALK...
201
00:09:18,934 --> 00:09:21,854
DYLAN:
ME AND TEDDY ARE OVER.
HE WAS...
202
00:09:25,149 --> 00:09:27,568
WHEN MY DAD DISAPPEARED,
I WAS HURT AND ANGRY.
203
00:09:27,693 --> 00:09:30,029
AND I NEEDED SOMEWHERE
TO PUT THE PAIN.
204
00:09:30,154 --> 00:09:33,073
TEDDY WAS GOOD FOR THAT.
HE DIDN'T ASK QUESTIONS.
205
00:09:33,198 --> 00:09:35,534
HE DIDN'T CONSTANTLY CHECK TO
SEE IF I WAS ALL RIGHT OR NOT.
206
00:09:35,659 --> 00:09:39,121
HE JUST LET ME BE
NOT ALL RIGHT.
207
00:09:39,246 --> 00:09:41,749
HE... I DUNNO. IT FEELS LIKE
ANCIENT HISTORY NOW.
208
00:09:41,874 --> 00:09:43,250
WHY DON'T WE JUST FOCUS
ON THE FUTURE?
209
00:09:43,375 --> 00:09:45,794
WES:
I CAN DO THAT.
210
00:09:45,961 --> 00:09:47,963
FUTURE'S LOOKING
PRETTY GOOD TONIGHT.
211
00:09:48,130 --> 00:09:50,132
EXCEPT FOR...
212
00:09:50,341 --> 00:10:00,309
♪♪
213
00:10:01,643 --> 00:10:03,729
(PHONE CHIMES)
214
00:10:07,524 --> 00:10:08,817
IT'S A VIDEO MESSAGE
FROM TEDDY.
215
00:10:08,984 --> 00:10:11,570
AND THE PAST REARS
ITS UGLY HEAD.
216
00:10:11,695 --> 00:10:14,365
TEDDY:
YOU KNOW, D, I'VE BEEN THINKING
ABOUT YOU AND ME ALL DAY.
217
00:10:14,531 --> 00:10:17,368
WE'VE GOT A LOT OF UNFINISHED
BUSINESS TO DEAL WITH. TONIGHT.
218
00:10:17,534 --> 00:10:18,827
RAYNA: (SHRIEKS AND LAUGHS)
TEDDY: WOO! (LAUGHING)
219
00:10:18,994 --> 00:10:22,748
DYLAN:
THE LOFT...
THEY BROKE IN WITHOUT ME.
220
00:10:22,873 --> 00:10:25,167
TEDDY:
SO ALL YOU GOTTA DO
IS GIVE ME A CALL
221
00:10:25,292 --> 00:10:28,170
AND I'LL BUZZ YOU UP.
222
00:10:28,337 --> 00:10:29,380
HOW'S THAT FOR THE RIGHT
MOTIVATION? (BLOWS A KISS)
223
00:10:29,546 --> 00:10:33,342
♪♪
224
00:10:35,552 --> 00:10:36,970
(SIREN WAILS IN THE DISTANCE)
225
00:10:37,096 --> 00:10:39,848
WES:
WAIT, WAIT.
DYLAN, NO. COME ON! WAIT!
226
00:10:40,015 --> 00:10:42,184
HEY!
(DOOR BANGS SHUT)
227
00:10:42,351 --> 00:10:43,977
THAT IS EXACTLY
WHAT TEDDY WANTS, OKAY?
228
00:10:44,103 --> 00:10:45,521
THAT VIDEO COULD BE A SET-UP.
229
00:10:45,687 --> 00:10:47,147
AND WHAT IF IT'S MY DAD'S LOFT?
230
00:10:47,272 --> 00:10:48,982
HE'S OUT THERE SOMEWHERE,
SICK AND SCARED.
231
00:10:49,108 --> 00:10:51,568
HE NEEDS MY HELP.
WES: GOODIS SAID TO SIT TIGHT.
232
00:10:51,735 --> 00:10:52,945
DYLAN:
HE ALSO SAID
HE CAN'T DO ANYTHING
233
00:10:53,070 --> 00:10:55,030
UNTIL THERE'S
SUSPICIOUS ACTIVITY.
234
00:10:55,155 --> 00:10:56,407
SO I NEED TO FIND
SOMETHING SUSPICIOUS.
235
00:10:59,701 --> 00:11:03,205
WES:
THEN YOU'RE NOT GOING ALONE.
236
00:11:03,330 --> 00:11:05,416
AND YOU KNOW WHAT? DON'T EVEN
TRY TO TALK ME OUT OF THIS.
237
00:11:08,752 --> 00:11:10,879
(DOOR BANGS SHUT,
TRAFFIC RUMBLES)
238
00:11:13,257 --> 00:11:14,716
(BANGS ON DOOR,
MUSIC BLASTS INSIDE)
239
00:11:16,969 --> 00:11:20,764
(TEDDY'S CREW LAUGHS,
LOCK TUMBLES)
240
00:11:20,931 --> 00:11:22,182
TEDDY:
WELCOME BACK TO THE DARK SIDE.
241
00:11:25,436 --> 00:11:27,730
I DON'T KNOW IF YOU HEARD, BRO,
BUT, UH, NO PLUS ONES.
242
00:11:27,896 --> 00:11:28,939
DYLAN:
DON'T BE A PUNK.
243
00:11:31,567 --> 00:11:34,403
(DANCE MUSIC BLASTS)
♪ Go, go, go, go, go, go... ♪
244
00:11:34,528 --> 00:11:38,073
RAYNA:
OMIGOD! AGGGHHHH!
I'M SO GLAD YOU CAME.
245
00:11:38,240 --> 00:11:40,075
OH, IT'LL JUST BE LIKE
OLD TIMES!
246
00:11:40,200 --> 00:11:43,620
DYLAN:
YEAH, SOME THINGS
NEVER CHANGE.
247
00:11:43,787 --> 00:11:46,123
RAYNA: WHO'S THE CUTIE?
DYLAN: UH, RAYNA, WES.
WES, RAYNA.
248
00:11:46,290 --> 00:11:47,791
RAYNA: WANNA HAVE SOME FUN?
WES: I DUNNO.
249
00:11:47,958 --> 00:11:48,917
LOOKS LIKE YOU'RE HAVING
ENOUGH FUN FOR THE BOTH OF US.
250
00:11:49,042 --> 00:11:52,421
(LAUGHING)
DYLAN, I LIKE HIM.
251
00:11:52,546 --> 00:11:54,256
TEDDY:
THAT MAKES ONE OF US.
252
00:11:54,423 --> 00:11:55,132
TEDDY: (GRUNTS WITH EFFORT)
RAYNA: (SHRIEKS HAPPILY)
253
00:11:55,299 --> 00:11:57,926
(LAUGHING AND CHEERING)
YEAH!
254
00:11:58,093 --> 00:11:59,553
DYLAN:
OKAY, SO HERE'S THE PLAN.
255
00:11:59,678 --> 00:12:01,180
YOU HANG BACK AND MINGLE,
AND I'M GONNA GO SNOOP AROUND,
256
00:12:01,305 --> 00:12:03,265
AND MAKE SURE THEY
DON'T DESTROY THE PLACE.
257
00:12:03,432 --> 00:12:06,351
(MUSIC BLARES)
258
00:12:06,477 --> 00:12:08,562
RAYNA:
(LAUGHING)
259
00:12:08,687 --> 00:12:09,772
(SIREN WAILS NEARBY)
260
00:12:09,897 --> 00:12:10,522
(DOORS CLICK OPEN)
261
00:12:12,316 --> 00:12:14,193
AIDAN?!
262
00:12:14,318 --> 00:12:16,403
AIDAN!
263
00:12:21,825 --> 00:12:23,494
AIDAN!
264
00:12:26,413 --> 00:12:27,456
(STRUGGLES WITH DOORS)
265
00:12:30,501 --> 00:12:33,212
(NERVOUS WHIMPER, GASPS)
266
00:12:35,631 --> 00:12:37,341
(SHAKY BREATHS)
267
00:12:40,302 --> 00:12:42,095
YOUNG LONDON:
(WEEPING SOFTLY)
268
00:12:44,681 --> 00:12:47,309
(STARTLED GASP)
269
00:12:47,434 --> 00:12:49,603
WHEN YOU'RE DONE ADMIRING
YOURSELF, YOU STILL GOT
THAT KID TO DEAL WITH.
270
00:12:49,728 --> 00:12:53,732
LONDON: WHAT?
HUD: MAYBE GO CHECK
WHERE YOU LEFT HIM.
271
00:12:53,857 --> 00:12:55,442
(SIGHS, DISTRACTED)
272
00:12:55,567 --> 00:12:57,945
(DOORS BURST OPEN)
273
00:12:58,070 --> 00:13:01,073
LONDON:
OH, THANK GOD, AIDAN!
I THOUGHT I LOST YOU.
274
00:13:01,198 --> 00:13:03,116
I'M SO GLAD YOU'RE ALL RIGHT.
ARE YOU NUTS?
275
00:13:03,242 --> 00:13:04,993
YOU COULD'VE PASSED OUT.
YOU COULD'VE BEEN KIDNAPPED!
276
00:13:05,118 --> 00:13:08,372
OH, I THOUGHT I WAS IN
SO MUCH TROUBLE.
277
00:13:08,539 --> 00:13:10,791
OH, HEY... ARE YOU AFRAID
YOU'RE GONNA GET IN TROUBLE
278
00:13:10,916 --> 00:13:13,001
IF YOU TELL ME WHAT HAPPENED?
279
00:13:13,126 --> 00:13:15,087
HEY, WHAT HAPPENED?
280
00:13:15,212 --> 00:13:18,006
AIDAN:
I BUMPED MY HEAD
ON THE BUS WINDOW.
281
00:13:18,173 --> 00:13:22,094
I WAS STANDING ON THE SEAT
AND I'M NOT SUPPOSED TO.
282
00:13:22,219 --> 00:13:24,304
I WON'T TELL ANYONE.
I PROMISE, 'KAY?
283
00:13:26,723 --> 00:13:29,059
ALL RIGHT.
IT'S OKAY.
284
00:13:34,731 --> 00:13:37,109
(LOW HUM OF CHATTER,
CART RATTLES)
285
00:13:44,032 --> 00:13:45,701
(PHONE RINGS NEARBY)
286
00:13:45,826 --> 00:13:48,161
MIKAYLA:
(DISGUSTED SIGH)
287
00:13:52,624 --> 00:13:54,710
OMIGOD! YOU SCARED ME!
288
00:13:54,835 --> 00:13:57,170
OH, SORRY.
IT'S MY FIRST DAY.
289
00:13:57,296 --> 00:13:59,089
UM, I WAS LOOKING
FOR THE ELEVATORS.
290
00:13:59,256 --> 00:14:01,133
MIKAYLA:
OH, UM... OUT THAT DOOR,
TO YOUR RIGHT.
291
00:14:01,258 --> 00:14:02,634
VERONICA:
HUH. I GUESS I...
GOT TURNED AROUND.
292
00:14:02,759 --> 00:14:05,095
MIKAYLA:
YEAH, I GUESS.
293
00:14:07,764 --> 00:14:10,517
(HEELS CLACK)
294
00:14:23,447 --> 00:14:26,074
(PAGES FLUTTER,
PAPER RUSTLES)
295
00:14:30,412 --> 00:14:34,708
(DANCE MUSIC BLASTS)
RAYNA: I GOTTA PEE.
296
00:14:34,833 --> 00:14:36,752
TEDDY:
REMIND ME AGAIN
WHY YOU BROUGHT THIS LOSER?
297
00:14:36,877 --> 00:14:38,003
THIS WAS SUPPOSED
TO BE OUR THING.
298
00:14:38,128 --> 00:14:39,922
HE'S NOT A LOSER.
299
00:14:40,088 --> 00:14:41,590
I'M NOT HERE FOR YOU,
THIS IS MY THING.
300
00:14:41,715 --> 00:14:46,011
TEDDY:
OH, I GET IT.
THIS IS ABOUT YOUR DAD.
301
00:14:46,136 --> 00:14:48,263
WHAT IS THIS? LIKE A SECRET
LOVE NEST OR SOMETHING?
302
00:14:48,430 --> 00:14:50,849
RAYNA:
(LAUGHING) YO,
YOU GUYS EVER TRY ANTI-PSYCHS?
303
00:14:50,974 --> 00:14:53,060
DYLAN:
DON'T TAKE THOSE!
304
00:14:53,185 --> 00:14:54,645
RAYNA:
EASY, IT'S NOT LIKE
I'M GONNA FOAM AT THE MOUTH.
305
00:14:58,815 --> 00:14:59,900
DYLAN:
I WAS RIGHT!
THIS IS MY DAD'S HIDING SPOT.
306
00:15:00,025 --> 00:15:02,152
LOOK, IT'S HIS PRESCRIPTION.
307
00:15:02,319 --> 00:15:04,613
HARD EVIDENCE.
THIS IS CRAZY.
308
00:15:04,780 --> 00:15:05,697
DYLAN:
NO, I KNOW. THIS IS THE CLOSEST
I'VE EVER BEEN TO THE TRUTH.
309
00:15:05,822 --> 00:15:07,491
I FEEL LIKE I'M GONNA CRY.
310
00:15:07,658 --> 00:15:09,701
WES:
NO. NO, DON'T-DON'T CRY NOW.
YOU CAN CRY LATER, OKAY?
311
00:15:09,826 --> 00:15:10,661
WE JUST-
WE HAVE TO GET OUT OF HERE.
312
00:15:10,827 --> 00:15:12,788
DYLAN:
NO. NO, NO, NO.
313
00:15:12,913 --> 00:15:14,039
THIS WHOLE THING IS STARTING
TO FEEL A WHOLE LOT WORSE
314
00:15:14,164 --> 00:15:15,957
THAN JUST SOME STUPID AFFAIR.
315
00:15:16,083 --> 00:15:16,792
I DON'T KNOW, I CAN'T-
I CAN'T EXPLAIN IT,
316
00:15:16,917 --> 00:15:18,794
IT JUST-
IT FEELS BIGGER.
317
00:15:18,919 --> 00:15:20,962
I NEED A FEW MOMENTS
IN HERE, ALONE,
TO FIGURE THIS OUT.
318
00:15:21,088 --> 00:15:21,922
GOOD LUCK SHUTTING DOWN
THE PARTY.
I MEAN, WHAT DO YOU WANNA DO?
319
00:15:22,047 --> 00:15:24,299
DYLAN:
(SIGHS)
320
00:15:27,844 --> 00:15:30,514
(MUSIC CUTS OUT)
321
00:15:30,681 --> 00:15:31,556
DYLAN:
EVERYONE OUT
OR I'M CALLING THE COPS!
322
00:15:33,517 --> 00:15:35,977
(HEELS CLACK)
323
00:15:42,985 --> 00:15:43,985
(MIKAYLA'S PHONE RINGS,
VERONICA SIGHS)
324
00:15:49,533 --> 00:15:52,828
VERONICA: (ANNOYED SIGH)
(DOORS RUMBLE SHUT)
325
00:15:52,994 --> 00:15:54,913
DYLAN:
I MEAN IT, TEDDY. I DON'T WANNA
DO THIS, BUT I WILL.
326
00:15:55,038 --> 00:15:57,874
RAYNA:
TEDDY, FORGET HER.
LET'S GO.
327
00:15:58,041 --> 00:16:00,001
TEDDY:
SHE'S BLUFFING. THE DYLAN BLAKE
I KNOW WOULDN'T SELL OUT
HER FRIENDS.
328
00:16:00,168 --> 00:16:01,545
DYLAN:
YEAH, WELL, THAT GIRL'S GONE.
329
00:16:01,712 --> 00:16:03,296
I TOOK THE FALL FOR YOU ONCE,
BUT I'M NOT GONNA DO IT AGAIN.
330
00:16:03,422 --> 00:16:05,007
SO WHY DON'T YOU DO
WHAT YOU DO BEST, AND BAIL.
331
00:16:05,132 --> 00:16:06,425
WES:
YEAH, JUST LEAVE
WHILE YOU STILL CAN.
332
00:16:06,550 --> 00:16:09,261
TEDDY:
YOU KNOW WHAT, DUDE?
I REALLY DON'T LIKE YOU...
333
00:16:09,386 --> 00:16:10,679
AND I REALLY DON'T LIKE
THE NEW DYLAN BLAKE EITHER.
334
00:16:10,804 --> 00:16:13,515
DYLAN:
I DON'T NEED YOU TO.
335
00:16:13,640 --> 00:16:15,183
I'D LIKE TO REPORT
A BREAK AND ENTER.
336
00:16:15,350 --> 00:16:17,185
METAL FACTORY LOFTS,
UNIT 202.
337
00:16:17,352 --> 00:16:18,103
YOU NEED TO HURRY.
THEY'RE STILL HERE.
338
00:16:18,228 --> 00:16:20,188
TEDDY:
YEAH, NICE TRY.
339
00:16:20,313 --> 00:16:22,733
THERE'S NO ONE EVEN
ON THE PHONE.
340
00:16:22,899 --> 00:16:23,942
911 DISPATCHER OVER SPEAKER:
OFFICERS ARE ON THEIR WAY.
341
00:16:24,067 --> 00:16:25,193
YOU SAY THEY'RE STILL
IN THE BUILDING?
342
00:16:25,360 --> 00:16:27,362
HELLO!
YOU STILL THERE?
343
00:16:27,529 --> 00:16:28,405
CAN YOU TELL ME
HOW MANY THERE ARE?
344
00:16:28,572 --> 00:16:31,074
TEDDY:
I HOPE YOUR DAD'S DEAD.
345
00:16:31,241 --> 00:16:34,119
DYLAN:
ACTUALLY, IT'S JUST ONE GUY.
I KNOW WHO IT IS, TOO.
HE GOES TO MY SCHOOL.
346
00:16:34,244 --> 00:16:36,288
TEDDY: DON'T EVEN THINK
ABOUT IT, DYLAN.
DYLAN: HIS NAME'S TEDDY RALSTON
347
00:16:36,413 --> 00:16:37,873
AND HIS PARENTS OWN
HOMEVAULT SECURITY.
RAYNA: NO!
348
00:16:37,998 --> 00:16:39,666
DYLAN:
HE STEALS THE SECURITY CODES!
(SOMEONE BANGS ON THE DOOR)
349
00:16:39,791 --> 00:16:41,418
NEIGHBOUR:
HEY! OPEN UP! YOU'VE BEEN
DRIVING ME NUTS ALL NIGHT!
350
00:16:41,585 --> 00:16:43,420
WHAT'S GOING ON IN THERE?!
OPEN THE DAMN DOOR!
351
00:16:43,587 --> 00:16:45,255
RAYNA:
TEDDY, IT'S OVER!
LET'S GO!
352
00:16:45,422 --> 00:16:47,799
TEDDY:
YOU'RE DEAD, DYLAN!
YOU'RE AS GOOD AS DEAD!
353
00:16:47,924 --> 00:16:50,886
TEDDY: COME ON!
NEIGHBOUR: HEY! HEY!
354
00:16:51,011 --> 00:16:53,430
HEY! WHAT THE HELL'S
YOUR PROBLEM?!
355
00:16:55,682 --> 00:16:57,684
WES:
HERE!
356
00:16:57,809 --> 00:16:59,394
GO, GO, GO. GO.
357
00:17:00,479 --> 00:17:02,814
WES AND DYLAN:
(BREATHING HARD)
358
00:17:06,651 --> 00:17:09,237
(BREATHING HARD)
359
00:17:09,404 --> 00:17:10,697
(WHISPERING)
YOU OKAY?
360
00:17:14,868 --> 00:17:18,497
(APPROACHING FOOTSTEPS)
361
00:17:18,622 --> 00:17:22,000
POLICE OFFICER:
POLICE, WE'RE COMING IN!
362
00:17:22,125 --> 00:17:24,544
SIR, I NEED YOU
TO STOP WALKING NOW.
363
00:17:24,669 --> 00:17:26,088
NEIGHBOUR:
IT'S OKAY, I LIVE IN
THE APARTMENT DOWNSTAIRS.
364
00:17:26,213 --> 00:17:27,297
OFFICER: GET DOWN ON THE GROUND-
WES: WE HAVE TO GET OUTTA HERE
NOW!
365
00:17:27,464 --> 00:17:29,633
I DON'T HAVE THE PILLS.
366
00:17:29,800 --> 00:17:31,426
WE CAN JUST TELL THEM
IT'S MY DAD'S LOFT.
367
00:17:31,551 --> 00:17:33,720
THE PILLS PROVE HE WAS HERE,
THEY DON'T PROVE THAT
THIS PLACE IS HIS.
368
00:17:33,845 --> 00:17:35,680
IT JUST LOOKS LIKE
WE BROKE IN.
I MEAN, WE SORT OF DID!
369
00:17:35,806 --> 00:17:38,266
DO YOU REALLY WANNA ROLL
THAT DICE WITH THE COPS?
370
00:17:38,391 --> 00:17:40,852
NO. THE FIRE ESCAPE.
IT'S OUR ONLY SHOT.
371
00:17:43,980 --> 00:17:45,232
(DOORS SLIDE BACK QUIETLY)
372
00:17:48,443 --> 00:17:50,237
(WINDOW RATTLES,
DOOR CLOSES)
373
00:17:50,362 --> 00:17:52,489
OFFICER: HEY! WHO'S IN THERE!
DYLAN: IT'S STUCK.
374
00:17:52,656 --> 00:17:54,574
OFFICER: THIS IS THE POLICE!
DYLAN AND WES: (GRUNTING)
375
00:17:54,699 --> 00:17:56,451
UNLOCK THE DOOR AND COME OUT
WITH YOUR HANDS UP!
376
00:17:56,618 --> 00:17:58,453
(DOORKNOB RATTLES)
WE'RE COMING IN!
377
00:17:58,620 --> 00:18:00,914
(WOOD SPLINTERS,
DOOR SLAMS AGAINST WALL)
378
00:18:01,081 --> 00:18:11,049
♪♪
379
00:18:12,092 --> 00:18:13,885
JARED:
WHAT THE HELL?
380
00:18:14,010 --> 00:18:15,470
ARE YOU GONNA REFOLLOW ME,
OR WHAT?
381
00:18:15,595 --> 00:18:17,806
MIKAYLA:
NOT NOW, JARED.
DYLAN HAS A STALKER.
382
00:18:17,931 --> 00:18:19,641
SHE'S NOT ANSWERING HER PHONE,
AND NEITHER IS WES.
383
00:18:19,808 --> 00:18:22,144
JARED:
OH, HERE WE GO. MORE DRAMA
FROM "THE GIRL WHO LIVED."
384
00:18:22,310 --> 00:18:23,311
I'M NOT GONNA BE
YOUR MOPED.
385
00:18:23,478 --> 00:18:25,313
OH MY GOD,
YOU'RE NOT MY MOPED.
386
00:18:25,480 --> 00:18:27,482
YOU'RE MORE LIKE
A MEAN RINGTONE.
387
00:18:27,649 --> 00:18:29,609
YOU KNOW,
IF YOU WANNA BE MY BOYFRIEND,
388
00:18:29,734 --> 00:18:32,529
YOU NEED TO BE WAY NICER.
LIKE, AS A PERSON.
389
00:18:32,696 --> 00:18:35,615
WELL...
390
00:18:35,740 --> 00:18:38,201
OBVIOUSLY I'M SORRY.
391
00:18:38,368 --> 00:18:41,329
CLEARLY, I WANNA BE
YOUR BOYFRIEND.
392
00:18:41,454 --> 00:18:43,999
ALSO, THE GIRL IN THE PHOTO
WAS MY COUSIN.
393
00:18:44,166 --> 00:18:47,711
(LAUGHS)
THANK YOU.
394
00:18:47,878 --> 00:18:51,131
REFOLLOWED.
395
00:18:51,256 --> 00:18:53,884
OKAY. NOW CAN YOU HELP ME
WITH THIS DYLAN THING?
396
00:18:54,050 --> 00:18:55,635
SETH: (SIGHS)
YOU'RE TIRED. YOUR EYES ARE
PLAYING TRICKS ON YOU.
397
00:18:55,760 --> 00:18:57,679
SETH, IT WAS ME.
I WAS SIX YEARS OLD,
398
00:18:57,804 --> 00:18:59,848
I WAS IN THIS HOSPITAL,
AND I WAS CRYING.
399
00:18:59,973 --> 00:19:01,183
WHAT IF I'M SCHIZOPHRENIC?
400
00:19:01,349 --> 00:19:02,851
HEY... LET'S NOT JUMP
TO CONCLUSIONS.
401
00:19:03,018 --> 00:19:04,811
WELL, MY DAD IS.
I'M THE RIGHT AGE.
I'M HALLUCINATING.
402
00:19:04,936 --> 00:19:06,521
MIKAYLA:
LONDON!
403
00:19:06,646 --> 00:19:08,356
YOU NEED TO TAKE A LOOK
AT THIS PHOTO.
404
00:19:08,481 --> 00:19:10,609
SOME SKETCHY NURSE IS LEAVING
THREATENING NOTES FOR DYLAN.
405
00:19:10,734 --> 00:19:12,819
LONDON:
THAT WOMAN'S NOT A NURSE.
SHE WAS MY PATIENT.
406
00:19:12,944 --> 00:19:14,696
I RAN EVERY TEST,
BUT THERE WAS NOTHING WRONG
WITH HER.
407
00:19:14,863 --> 00:19:15,864
MIKAYLA:
NO, NO, NO. THERE'S DEFINITELY
SOMETHING WRONG WITH THIS CHICK.
408
00:19:15,989 --> 00:19:16,781
LONDON:
WELL, SHE KEPT ASKING
ABOUT MY DAD,
409
00:19:16,907 --> 00:19:18,033
IF HE HAD CONTACTED ME.
410
00:19:18,158 --> 00:19:19,576
SHE MENTIONED DYLAN.
411
00:19:19,743 --> 00:19:22,704
JARED:
SOUNDS LIKE A STALKER TO ME.
412
00:19:22,871 --> 00:19:25,123
LONDON: WHERE IS DYLAN NOW?
MIKAYLA: SHE'S NOT ANSWERING
HER PHONE.
413
00:19:25,248 --> 00:19:27,667
SHE AND WES WERE SUPPOSED TO BE
AT YOUR PLACE
HAVING SOME ALONE TIME.
414
00:19:27,792 --> 00:19:29,461
LONDON:
YEAH, WELL, THEY'RE ABOUT
TO GET INTERRUPTED.
415
00:19:32,339 --> 00:19:34,299
DYLAN: THAT WAS INSANE!
WES: (LAUGHING)
416
00:19:34,424 --> 00:19:36,468
I CAN'T BELIEVE WE ACTUALLY
MADE IT OUT OF THERE.
417
00:19:36,593 --> 00:19:37,677
GOD, YOU SHOULD FEEL GOOD.
I MEAN, YOU WERE RIGHT
ABOUT YOUR DAD.
418
00:19:37,802 --> 00:19:39,804
IF HE SHOWS UP,
GOODIS WILL FIND HIM.
419
00:19:39,930 --> 00:19:41,973
THANKS FOR COMING.
420
00:19:42,098 --> 00:19:43,558
YOU DON'T NEED
TO THANK ME.
421
00:19:43,725 --> 00:19:45,769
I AM SORRY MY TORTURED PAST
RUINED OUR NIGHT THOUGH.
422
00:19:45,936 --> 00:19:49,272
WES:
RUINED? THE BEST NIGHT
OF MY LIFE.
423
00:19:49,439 --> 00:19:51,483
COME ON, A LITTLE... DANGER,
SOME INTRIGUE,
424
00:19:51,608 --> 00:19:52,901
SOME ROMANCE, YOU KNOW-
425
00:19:53,026 --> 00:19:53,985
(KISSING)
426
00:20:00,867 --> 00:20:04,371
DYLAN: WE SHOULD GO INSIDE.
WES: YES WE SHOULD.
427
00:20:04,496 --> 00:20:08,250
(KEYS JINGLE, LOCK TUMBLES)
428
00:20:08,416 --> 00:20:10,085
(RUNNING FOOTSTEPS,
HARD PUNCH)
429
00:20:10,252 --> 00:20:12,212
(DOOR CRASHES AGAINST WALL)
DYLAN: WHAT THE HELL
ARE YOU DOING?!
430
00:20:12,337 --> 00:20:14,381
NO! DON'T! STOP!
WES: (GRUNTING IN PAIN)
431
00:20:14,506 --> 00:20:16,716
WES: (GRUNTING IN PAIN)
DYLAN: STOP! DON'T! STOP!
432
00:20:16,841 --> 00:20:18,760
(WES GRUNTS IN PAIN)
433
00:20:18,885 --> 00:20:20,303
TEDDY:
(PANTING)
434
00:20:22,847 --> 00:20:25,642
DID YOU REALLY THINK
I WAS GONNA LET THIS GO?
435
00:20:25,809 --> 00:20:27,435
THERE'S PROBABLY POLICE STANDING
OUTSIDE MY HOUSE RIGHT NOW.
436
00:20:27,602 --> 00:20:30,939
(WES GRUNTS,
TEDDY PANTS FROM EXERTION)
437
00:20:31,064 --> 00:20:33,358
IF I'M GOING TO JAIL,
I'M GETTING REVENGE FIRST.
438
00:20:33,483 --> 00:20:36,236
THIS ONE'S ON YOU!
439
00:20:36,361 --> 00:20:38,697
DYLAN: NO! STOP!
WES: (GRUNTS IN PAIN)
440
00:20:38,822 --> 00:20:40,031
SETH: WHAT THE HELL?
LONDON: GET OFF OF THEM!
GET YOUR HANDS OFF OF HER!
441
00:20:40,156 --> 00:20:41,241
TEDDY:
GO, GO, GO, GO, GO!
442
00:20:41,366 --> 00:20:42,993
DYLAN:
HAVE FUN IN JAIL, TEDDY!
443
00:20:43,159 --> 00:20:45,078
LONDON! HELP!
444
00:20:45,203 --> 00:20:46,371
SETH:
I'M CALLING THE COPS.
445
00:20:49,791 --> 00:20:51,584
LONDON:
AND GET AN AMBULANCE!
446
00:20:51,751 --> 00:20:56,756
♪♪