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♪ ARE YOU READY, Y'ALL
TO HAVE SOME FUN
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♪ ON THE SHOW TONIGHT
♪ PICK A PENNY OF WHAT YOU KNOW
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♪ IT'S "THE LATE LATE SHOW."
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>> Reggie: LADIES AND
GENTLEMEN, ALL THE WAY FROM
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ASTERBURY SYNDROME NEARLY
DEVISED PLAN, GIVE IT UP FOR THE
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ONE, THE ONLY... JAMES CORDEN.
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[CHEERS AND APPLAUSE]
>> James: HOW ARE YOU?
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THANK YOU VERY, VERY MUCH.
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CHEERS, GUYS!
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IT'S VERY NICE TO SEE YOU.
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THANK YOU VERY, VERY MUCH,
EVERYBODY!
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HELLO, GOOD EVENING AND WELCOME
TO "THE LATE LATE SHOW."
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BLESS YOU FOR STOPPING BY.
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THANK YOU FOR BEING HERE.
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THANK YOU VERY, VERY MUCH,
EVERYBODY.
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LET'S TAKE A LOOK TO SEE WHO OUR
GUESTS ARE ON THE SHOW TONIGHT!
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SHE IS AN INCREDIBLE ACTOR YOU
KNOW FROM THE NETFLIX SERIES
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"MAID," "GROUNDHOG DAY," "FOUR
WEDDINGS AND A FUNERAL," AND SO
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MUCH MORE.
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THE MAGNIFICENT, ANDIE MACDOWELL
IS ON THE SHOW TONIGHT!
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[CHEERS AND APPLAUSE]
ANDIE, WHO IS THIS?
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>> OH, THIS IS MY NEW LITTLE
TINY BABY, DAISY.
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IS THIS DAISY'S FIRST-EVER TALK
SHOW APPEARANCE?
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>> MOST DEFINITELY!
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>> James: I MEAN, LOOK, I SAID
IT BEFORE, WHO DOESN'T LOVE
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ANDIE MACDOWELL?
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THE ONLY THING WE FOUND TONIGHT
TO IMPROVE TONIGHT IS ANDIE
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MACDOWELL HOLDING A PUPPY.
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WE ABSOLUTELY LOVE YOU.
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ANDIE MACDOWELL AND DAYS SEEKERS
EVERYBODY!
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[CHEERS AND APPLAUSE]
AND HE IS AN EMMY, GRAMMY, AND
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TONY AWARD-WINNER-- THERE IS
NOTHING HE CAN'T DO.
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THE POWERHOUSE THAT IS, BILLY
PORTER IS ON THE SHOW TONIGHT!
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[CHEERS AND APPLAUSE]
>> HEY!
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>> I'M FANTASTIC, HOW ARE YOU?
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>> James: I'M VERY, VERY WELL.
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I'M SO HAPPY THAT YOU'RE HERE.
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TALK -- HANG ON, WHAT'S
HAPPENING EYE-WISE HERE, BILLY?
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>> IT'S MY ROCK STAR EYES,
HONEY.
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>> James: YOUR ROCK STAR EYES?
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I LOVE IT.
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BILLY, WE LOVE YOU SO MUCH.
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>> I LOVE YOU.
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>> James: I COULD SPEND THE
WHOLE AFTERNOON WITH YOU.
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WE'RE GOING TO SHOW YOU WHY A
LITTLE LATER.
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BILLY PORTER, EVERYBODY!
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>> MWAH, MWAH, MWAH!
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AND SHE IS A TALENTED
SINGER-SONGWRITER AND MUSICIAN
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HAILING FROM MONTREAL.
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SHE'S HERE TONIGHT TO MAKE HER
LATE-NIGHT TELEVISION DEBUT.
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WE'RE DELIGHTED SHE'S HERE WITH
US.
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THE ALWAYS LOVELY, STACEY RYAN
IS ON THE SHOW TONIGHT!
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[CHEERS AND APPLAUSE]
STACEY, HOW ARE YOU?
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>> I'M GOOD.
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HAVE YOU FINISHED THAT LITTLE
DRINK WE WERE TALKING ABOUT A
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MOMENT AGO?
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>> NOT YET, I'M SIPPING.
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>> James: I RECOMMEND SIPPING
A GIN AND TONIC ON YOUR
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LATE-NIGHT TELEVISION DEBUT.
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WHATEVER YOU DO, DON'T ORDER
ANOTHER ONE UNTIL YOU PERFORM.
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>> I WILL NOT.
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>> James: I LEARNED THAT THE
HARD WAY.
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THANK YOU FOR BEING HERE.
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STACEY RYAN, EVERYBODY!
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ARE YOU READY?
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THEN LET'S.
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AND THIS, THIS IS "THE LATE LATE
SHOW."
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ROLL THE TITLES, COME ON!
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Captioning sponsored by CBS
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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW, WOO!
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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW OH-OH!
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♪ IT'S THE LATE, LATE SHOW ♪
>> James: HEY, GOOD SHOW
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>> James: PACKED SHOW.
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>> PACKED SHOW.
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>> James: BILLY PORTER AND
ANDIE MACDOWELL, THOSE ARE TWO
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THAT I WOULD WATCH ON A ROAD
TRIP.
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>> ROBBIN BANKS?
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>> James: ROBBING BANKS ACROSS
THE COUNTRY?
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>> IS THERE SOMEONE CALLED
ROBBIN BANKS?
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>> James: IT'S INCONCEIVABLE
THERE IS NOT SOMEONE CALLED
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ROBBIN BANKS?
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CAN WE PUT UP A PHOTO OF ROBBIN
BANKS?
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IS IT OK TO SHOW PHOTOS OF
PEOPLE?
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>> PROBABLY NOT BUT WE'RE GOING
TO FIND ONE.
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>> James: LOOK AT THAT ARE
THEY ALL CALLED ROBBIN BANKS?
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THERE WE GO.
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CAN WE ZOOM IN ON THAT GUY?
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THERE WE GO.
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HERE HE COMES.
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HERE HE COMES.
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HERE HE COMES.
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HERE HE COMES.
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THERE YOU GO!
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THERE HE IS!
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THERE'S ROBBIN BANKS, EVERYBODY!
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[APPLAUSE]
I MEAN, I WOULD LOVE IT SO MUCH
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IF HE HAPPENS TO BE WATCHING THE
SHOW TONIGHT!
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COULD YOU IMAGINE HOW MUCH THAT
WOULD FREAK YOU OUT IF YOU WERE
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ON YOUR COUCH AND SUDDENLY YOUR
PICTURE ZOOMS TOWARDS YOU ON THE
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TV.
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BE LIKE, WHOA!
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[LAUGHTER]
BOLD MOVE OF WHOEVER THE PARENTS
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ARE IF YOUR SECOND NAME IS
BANKS.
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>> I GUESS IT COULD BE
ASPIRATIONAL, YOU KNOW WHAT I
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MEAN?
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IF LIKE -- IF LIKE YOU GREW UP
ROBBING CONVENIENCE STORES AND
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LIQUOR STORES AND YOU'RE LIKE, I
WANT BETTER FOR MY KID!
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[LAUGHTER]
>> James: YEAH, I WANT THEM
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ROBBING BANKS!
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ROBIN BANKS!
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DO -- ARE PEOPLE STILL ROBBING
BANKS THESE DAYS?
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IS IT HAPPENING A LOT?
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>> YEAH.
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YEAH.
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THEY'RE DOING IT.
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>> James: STILL OUT THERE
DOING IT?
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>> STILL OUT THERE DOING IT.
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IT'S POPULAR.
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>> James: I DON'T KNOW IF I
COULD ROB A BANK THESE DAYS.
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THERE WAS A TIME IN MY LIFE
WHERE I WOULD ROB A BANK.
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>> IT WOULD BE SILLY FOR YOU AT
THIS POINT IN YOUR LIFE TO ROB A
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BANK.
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>> James: STAY CALM.
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STAY CALM OR NOTHING HAS TO
HAPPEN HERE.
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I WANT THE BILLS FROM THE
BOTTOM, NOTHING FROM THE TOP,
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JUST PUT THEM IN THE BAG.
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PUT THEM IN THE BAG.
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WHAT'S YOUR NAME?
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JEANNINE?
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JEANNINE?
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PLEASE DON'T WORRY.
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MY NAME?
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ROBBIN BANKS.
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THANKS FOR BEING HERE, GANG.
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IT'S THAT TIME, IT'S TIME FOR
THE NEWS.
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>> Reggie: THE NEWS!
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>> James: THIS MORNING, IT WAS
ANNOUNCED EVEN MORE CLASSIFIED
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DOCUMENTS HAVE BEEN FOUND, THIS
TIME IT WAS AT THE INDIANA HOME
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OF FORMER VICE PRESIDENT MIKE
PENCE!
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NOW I'M STARTING TO WONDER IF I
HAVE CLASSIFIED DOCUMENTS IN MY
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HOUSE.
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WHAT IS HAPPENING?
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IS EVERYONE JUST HANDED A BOX
WHEN THEY LEAVE THE WHITE HOUSE?
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LIKE, "THANKS FOR COMING, HERE'S
SOME STATE SECRETS!"
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AT THIS POINT, I JUST ASSUME
THAT EVERY POLITICIAN HAS
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TOP SECRET DOCUMENTS AT THEIR
HOUSE -- EXCEPT FOR BERNIE
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SANDERS, WHO LEFT HIS AT THE
PARK WHILE HE WAS FEEDING
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PIGEONS.
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[LAUGHTER]
AND, ACCORDING TO A NEW POLL,
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THE MAJORITY OF DEMOCRATS WANT
JOE BIDEN TO BE THE 2024
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PRESIDENTIAL NOMINEE.
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58% NOW SAY BIDEN SHOULD RUN
AGAIN.
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IT MAKES SENSE.
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NOW THAT BIDEN HAS SO MANY
SCANDALS, HE SUDDENLY SEEMS
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PRESIDENTIAL.
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IT'S EITHER BIDEN, OR THAT OTHER
PROMINENT DEMOCRAT...
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UH, YOU KNOW...
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YOU KNOW, THE ONE THAT WE ALL --
IT'LL BE JOE BIDEN OR THE
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PROMINENT DEMOCRAT THAT WE -- I
DON'T -- YOU KNOW, THE ONE WE
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ALL THING DEFINITELY COULD LEAD
THE COUNTRY.
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WE KNOW THEIR NAME.
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NO POINT IN SAYING IT.
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WE ALL KNOW WHO WE'RE TALKING
ABOUT NOW!
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BUT IT'S NOT GOOD NEWS FOR THE
PRESIDENT.
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IN THE SAME POLL, DONALD TRUMP
HOLDS A THREE-POINT LEAD OVER
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BIDEN IN THE 2024 REMATCH!
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NOW, TO BE FAIR, TRUMP VOTED
NINE TIMES!
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[LAUGHTER]
PUT IT COULD BE TRUMP AND BIDEN
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AGAIN.
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I GET IT.
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I GET IT.
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THE LAST ELECTION WAS SO MUCH
FUN FOR EVERYONE, WHO WOULDN'T
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WANT TO RECAPTURE THAT GLORY?
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FRTRUMP AND BIDEN AGAIN.
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HOW WOULD YOU FEEL ABOUT IT?
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>> HOW WOULD I FEEL ABOUT TRUMP
AND BIDEN AGAIN?
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>> James: YEAH.
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>> TERRIBLE.
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>> James: IF YOU COULD CHOOSE
WHO IS THE NEXT PRESIDENT OF THE
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UNITED STATES, WHO WOULD IT BE?
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>> GUY FERRARI?
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>> James: FOR REAL, THOUGH?
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FOR REAL?
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>> YEAH.
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YEAH.
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>> James: THERE'S A MAN IN THE
BACK THERE WHO WAS SO PASSIONATE
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ABOUT THAT, HE CLAPPED IN A WAY
THAT SAID, "FINALLY SOMEONE SAID
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IT!"
>> YEAH.
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>> James: HE WENT -- LOOK AT
HIM UP THERE.
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YOU CAN SEE HIM.
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00:08:15,027 --> 00:08:15,728
LOOK.
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00:08:15,795 --> 00:08:18,998
WHY ARE YOU SO BIG ON GUY
FERRARI!
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00:08:19,065 --> 00:08:20,433
>> HE'S THE MAYOR OF FLAVORTOWN.
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00:08:20,499 --> 00:08:21,701
HE COULD RUN THE COUNTRY.
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00:08:21,767 --> 00:08:23,135
THAT'S WHAT I SAY.
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COME ON, GUY.
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COME ON, GUY COME ON, GUY!
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>> James: HE'S THE MAYOR OF
FLAVORTOWN, HE COULD DEFINITELY
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00:08:28,975 --> 00:08:29,742
RUN THE COUNTRY.
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00:08:29,809 --> 00:08:31,777
>> HE HAS POLITICAL EXPERIENCE,
YEAH.
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00:08:31,844 --> 00:08:32,545
ABSOLUTELY.
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00:08:32,612 --> 00:08:34,814
>> James: HE'S A FULLY-PLEDGED
MAN.
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>> THE RIGHT LOVES HIM.
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THE LEFT LOVES HIM.
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HE INVENTED DONKEY SAUCE.
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THAT'S THE KIND OF BIG THINKING
I WANT IN THE WHITE HOUSE.
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>> James: CRAZY THING IS NOW
YOU'VE ACTUALLY CONVINCED ME
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THAT MIGHT BE TRUE.
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[LAUGHTER]
>> YEAH.&
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>> James: YOU'VE ACTUALLY
CONVINCED ME THAT MAYBE THAT'S A
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GOOD ALTERNATIVE!
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WHAT ABOUT YOU, CECE?
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THE NEXT PRESIDENT, WHO IS IT?
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>> OPRAH.
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>> James: OPRAH.
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[APPLAUSE]
SHE MUST HAVE BEEN ASKED
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00:09:02,575 --> 00:09:04,143
COUNTLESS TIMES, SURELY.
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00:09:04,210 --> 00:09:06,545
DON'T YOU THINK, NICK?
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00:09:06,612 --> 00:09:08,547
WOULD SHE HAVE BEEN ASKED?
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>> MANY A TIMES.
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GUY FERRARI HAS NEVER BEEN ASKED
AND HE PROBABLY SHOULD HAVE BEEN
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00:09:13,819 --> 00:09:14,921
ASKED.
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00:09:14,987 --> 00:09:16,656
>> James: YOU DON'T KNOW THAT
YOU DON'T [BLEEP] KNOW THAT!
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00:09:16,722 --> 00:09:17,757
YOU DON'T KNOW THAT, NICK!
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00:09:17,823 --> 00:09:23,729
I THINK GUY FERRARI MIGHT HAVE
BEEN ASKED.
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00:09:23,796 --> 00:09:27,667
>> THINK GUY'S MY GUY IS A GREAT
SLOGAN.
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00:09:27,733 --> 00:09:28,334
>> James: GUY'S MY GUY!
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OH MY GOD!
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>> COME ON!
230
00:09:30,503 --> 00:09:34,774
TODAY WE'RE CRUISING ON DOWN TO
1,600 PENNSYLVANIA BOULEVARD!
231
00:09:34,840 --> 00:09:43,382
[LAUGHTER]
[APPLAUSE]
232
00:09:43,449 --> 00:09:44,984
>> James: AND, THE ACADEMY
AWARD NOMINATIONS WERE ANNOUNCED
233
00:09:45,051 --> 00:09:46,118
THIS MORNING.
234
00:09:46,185 --> 00:09:47,186
WITH HIS NOMINATION FOR "THE
FABLEMANS," STEVEN SPIELBERG
235
00:09:47,253 --> 00:09:48,621
EXTENDED HIS RECORD AS THE
ONLY PERSON NOMINATED FOR
236
00:09:48,688 --> 00:09:55,261
BEST DIRECTOR IN SIX DIFFERENT
DECADES.
237
00:09:55,328 --> 00:09:56,562
YEAH.
238
00:09:56,629 --> 00:09:57,530
YEAH.
239
00:09:57,596 --> 00:09:59,732
SIX DIFFERENT DECADES.
240
00:09:59,799 --> 00:10:02,868
BUT WHAT HAS HE DONE BESIDES
THAT?
241
00:10:02,935 --> 00:10:05,304
THIS IS A BIG MOVIE FOR HIM.
242
00:10:05,371 --> 00:10:11,010
IN FACT, SPIELBERG IS ALREADY
SPINNING THE FILM OFF INTO ITS
243
00:10:11,077 --> 00:10:11,844
OWN FRANCHISE.
244
00:10:11,911 --> 00:10:12,445
LOOK FOR THIS IN THEATERS THIS
SUMMER:
245
00:10:12,511 --> 00:10:15,247
"TWO FAST, TWO FABLEMANS."
246
00:10:15,314 --> 00:10:16,983
AND, "TOP GUN: MAVERICK" WAS
NOMINATED FOR BEST PICTURE.
247
00:10:17,049 --> 00:10:20,152
AS A PRODUCER, IF THE MOVIE
WINS, IT WOULD BE TOM CRUISE'S
248
00:10:20,219 --> 00:10:26,058
FIRST-EVER ACADEMY AWARD.
249
00:10:26,125 --> 00:10:28,327
IF "TOP GUN: MAVERICK" WINS, IT
WILL ALSO BE THE FIRST MOVIE TO
250
00:10:28,394 --> 00:10:32,164
WIN BEST PICTURE IN TEN YEARS
THAT ANYBODY HAS ACTUALLY SEEN.
251
00:10:32,231 --> 00:10:36,469
[LAUGHTER]
I HOPE TOM WINS THE OSCAR, I DO.
252
00:10:36,535 --> 00:10:37,203
I DO.
253
00:10:37,269 --> 00:10:39,438
I WANT HIM TO WIN IT SO MUCH.
254
00:10:39,505 --> 00:10:41,741
AND HE SHOULD ACCEPT IT BY
SKYDIVING FROM 30,000 FEET ONTO
255
00:10:41,807 --> 00:10:44,710
THE STAGE.
256
00:10:44,777 --> 00:10:46,645
I KNOW THERE'S A ROOF, BUT HE'LL
FIND A WAY.
257
00:10:46,712 --> 00:10:48,647
[LAUGHTER]
THE MOVIES WITH THE MOST
258
00:10:48,714 --> 00:10:51,217
NOMINATIONS THIS YEAR ARE
"EVERYTHING EVERYWHERE ALL AT
259
00:10:51,283 --> 00:11:02,094
ONCE," "THE BANSHEES OF
INISHERIN," "CONVERSATIONS WITH
260
00:11:02,161 --> 00:11:04,864
- - VESTIBULE AND ALL QUIET ON
THE WESTERN FRONT.
261
00:11:04,930 --> 00:11:05,664
ALL OF THOSE AREN'T REAL.
262
00:11:05,731 --> 00:11:12,605
YOU DON'T KNOW WHICH ONE I MADE
UP!
263
00:11:12,671 --> 00:11:13,773
IN OTHER NEWS, A THREE-YEAR-OLD
HAS JUST BECOME THE U.K.'S
264
00:11:13,839 --> 00:11:14,440
YOUNGEST MEMBER OF THE HIGH-I.Q.
265
00:11:14,507 --> 00:11:15,141
SOCIETY, MENSA.
266
00:11:15,207 --> 00:11:18,577
TEDDY HOBBS HAS AN I.Q. OF 139.
267
00:11:18,644 --> 00:11:21,013
THE U.K.'S YOUNGEST MEMBER OF
MENSA.
268
00:11:21,080 --> 00:11:23,115
I KNEW I COULDN'T HOLD THE TITLE
FOREVER.
269
00:11:23,182 --> 00:11:26,318
[LAUGHTER]
TEDDY CAN COUNT TO 100 IN FOUR
270
00:11:26,385 --> 00:11:29,255
LANGUAGES, AND TAUGHT HIMSELF TO
READ WHEN HE WAS TWO YEARS OLD.
271
00:11:29,321 --> 00:11:34,693
NOT ONLY THAT, HE'S ALSO THE
FIRST THREE-YEAR-OLD EVER
272
00:11:34,760 --> 00:11:37,863
KNOWN TO USE THE PHRASE, "UM,
ACTUALLY..."
273
00:11:37,930 --> 00:11:39,432
[APPLAUSE]
AND HIS MUM AND DAD HAVE ALSO
274
00:11:39,498 --> 00:11:43,669
SET A RECORD FOR MOST
INSUFFERABLY PROUD PARENTS.
275
00:11:43,736 --> 00:11:46,639
"OH, JEREMY KNOWS HIS COLORS?
276
00:11:46,705 --> 00:11:48,040
TEDDY JUST BROKERED PEACE IN THE
MIDDLE EAST."
277
00:11:48,107 --> 00:11:50,943
[LAUGHTER]
WHO ON THE SHOW DO YOU THINK HAS
278
00:11:51,010 --> 00:11:57,149
THE HIGHEST I.Q.?
279
00:11:57,216 --> 00:12:01,253
REG, WHO ON THE SHOW HAS THE
HIGHEST I.Q.?
280
00:12:01,320 --> 00:12:02,655
>> I.Q.'S ARE HARD TO MEASURE.
281
00:12:02,721 --> 00:12:05,691
YOU'RE SAYING WHO IS EMPLOYED
HERE ON THE SHOW?
282
00:12:05,758 --> 00:12:06,592
>> James: YEAH.
283
00:12:06,659 --> 00:12:08,060
>> OK, I THINK THERE'S A SLEEPER
SOMEWHERE.
284
00:12:08,127 --> 00:12:12,698
I THINK I'M NOT THINKING OF --
I'M GOING TO SAY, IS IT -- DOES
285
00:12:12,765 --> 00:12:15,734
IT START WITH A "K?"
>> James: NO.
286
00:12:15,801 --> 00:12:15,968
NO.
287
00:12:16,035 --> 00:12:16,435
NO.
288
00:12:16,502 --> 00:12:17,103
IT'S NOT A TEST.
289
00:12:17,169 --> 00:12:23,509
[LAUGHTER]
NO.
290
00:12:23,576 --> 00:12:28,581
IT'S NOT -- IT'S NOT -- THERE'S
NO -- WE HAVEN'T TESTED EVER
291
00:12:28,647 --> 00:12:29,815
EVERYONE.
292
00:12:29,882 --> 00:12:34,420
I'M SAYING OFF THE TOP OF YOUR
HEAD, WHO DO YOU THINK IT MIGHT
293
00:12:34,487 --> 00:12:35,121
BE?
294
00:12:35,187 --> 00:12:35,621
THERE'S NO RIGHT OR WRONG HERE.
295
00:12:35,688 --> 00:12:36,355
IT'S NOT -- OK?
296
00:12:36,422 --> 00:12:40,025
YEAH.
297
00:12:40,092 --> 00:12:41,293
NO, DRINK IT IN, REG.
298
00:12:41,360 --> 00:12:42,428
DRINK THE WHOLE THING IN.
299
00:12:42,495 --> 00:12:44,630
UM.
300
00:12:44,697 --> 00:12:49,668
WHAT -- NOPE, THEY DON'T WORK
HERE SO -- WHAT DO YOU THINK?
301
00:12:49,735 --> 00:12:53,839
>> I HAVE A FEELING IT'S SOMEONE
IN A BACK ROOM SOMEWHERE.
302
00:12:53,906 --> 00:12:54,406
>> James: OK.
303
00:12:54,473 --> 00:12:55,508
>> THAT I'VE NEVER MET.
304
00:12:55,574 --> 00:12:58,444
THAT'S THE THING, BUT YOU'RE
SAYING WHO I KNOW HERE?
305
00:12:58,511 --> 00:13:00,479
>> James: YEAH, I MEAN, I
REGRET --
306
00:13:00,546 --> 00:13:03,849
[LAUGHTER]
>> BECAUSE IT COULD BE SO MANY
307
00:13:03,916 --> 00:13:04,416
PEOPLE.
308
00:13:04,483 --> 00:13:05,017
>> James: IT COULD, REG.
309
00:13:05,084 --> 00:13:06,685
THAT'S THE POINT OF IT.
310
00:13:06,752 --> 00:13:07,953
YES.
311
00:13:08,020 --> 00:13:10,823
>> MAYBE, WHO'S THE ENGLISH GUY
YOU GET IN ARGUMENTS WITH A LOT?
312
00:13:10,890 --> 00:13:12,758
>> James: LOUIE?
313
00:13:12,825 --> 00:13:14,627
>> YEAH.
314
00:13:14,693 --> 00:13:15,027
>> James: LOUIE?
315
00:13:15,094 --> 00:13:16,162
>> YEAH.
316
00:13:16,228 --> 00:13:17,396
>> James: THE ENGLISH GUY?
317
00:13:17,463 --> 00:13:25,905
I REFUSE TO EVEN OPEN THE DOOR
TO THE IDEA -- I REFUSE TO EVEN
318
00:13:25,971 --> 00:13:29,341
PEEK AROUND THE CURTAIN TO THE
IDEA THAT LOUIE MIGHT HAVE THE
319
00:13:29,408 --> 00:13:30,643
HIGHEST -- LOOK AT HIM!
320
00:13:30,709 --> 00:13:31,143
I MEAN.
321
00:13:31,210 --> 00:13:31,777
LOOK.
322
00:13:31,844 --> 00:13:32,044
LOOK.
323
00:13:32,111 --> 00:13:32,678
LOOK.
324
00:13:32,745 --> 00:13:33,946
HE HEARD HIS NAME MENTIONED.
325
00:13:34,013 --> 00:13:37,416
HE WENT FROM -- HE WAS SO ZONED
OUT DURING THIS MONOLOGUE, HE'S
326
00:13:37,483 --> 00:13:40,819
LIKE THIS AND THEN HE HEARD HIS
NAME AND THE WORD I.Q. AND HE'S
327
00:13:40,886 --> 00:13:42,788
LIKE...
328
00:13:42,855 --> 00:13:45,391
[APPLAUSE]
[LAUGHTER]
329
00:13:45,457 --> 00:13:47,026
HAVE YOU GOT A HIGH I.Q.?
330
00:13:47,092 --> 00:13:47,826
DO YOU KNOW HOW HIGH YOUR I.Q.
331
00:13:47,893 --> 00:13:48,360
IS?
332
00:13:48,427 --> 00:13:50,029
>> THAT'S THE BIG ONE.
333
00:13:50,095 --> 00:13:51,363
>> James: GO ON.
334
00:13:51,430 --> 00:13:52,198
WHAT'S THE NUMBER?
335
00:13:52,264 --> 00:13:53,132
>> IT'S A BIG ONE.
336
00:13:53,199 --> 00:13:53,966
>> James: OK.
337
00:13:54,033 --> 00:13:54,767
HOW HIGH IS IT?
338
00:13:54,833 --> 00:13:56,869
>> IT'S JUST RIGHT UP THERE.
339
00:13:56,936 --> 00:13:58,837
>> James: WHAT DO YOU THINK?
340
00:13:58,904 --> 00:14:01,006
WHO DO YOU THINK?
341
00:14:01,073 --> 00:14:03,175
HIGHEST I.Q. ON THE TEAM ON THE
SHOW?
342
00:14:03,242 --> 00:14:03,776
>> DON'T ASK ME.
343
00:14:03,842 --> 00:14:05,811
I HAVE A QUESTION FOR YOU.
344
00:14:05,878 --> 00:14:10,349
IT'S NOT IMPORTANT BUT I'M STUCK
ON THE PREVIOUS -- WHAT IS A
345
00:14:10,416 --> 00:14:10,983
DONKEY SAUCE?
346
00:14:11,050 --> 00:14:12,284
>> DONKEY SAUCE?
347
00:14:12,351 --> 00:14:20,526
[LAUGHTER]
>> WHAT IS A DONKEY SAUCE?
348
00:14:20,593 --> 00:14:23,262
[LAUGHTER]
SAUCE FROM A DONKEY?
349
00:14:23,329 --> 00:14:26,398
>> James: THIS IS LIKE THREE
STORIES AGO?
350
00:14:26,465 --> 00:14:29,268
THE ENTIRE TIME -- WE'VE GONE
THROUGH SO MANY -- WE'VE DONE
351
00:14:29,335 --> 00:14:33,839
THE ENTIRE ACADEMY AWARDS AND
YOU'RE, LIKE, "WHAT IS A DONKEY
352
00:14:33,906 --> 00:14:35,241
SAUCE?"
[LAUGHTER]
353
00:14:35,307 --> 00:14:40,512
>> SO, IT'S A MAYONNAISE-BASED
SAUCE.
354
00:14:40,579 --> 00:14:45,384
IT HAS WORCHESTER SAUCE ON THER-
>> WHAT DO YOU USE IT FOR?
355
00:14:45,451 --> 00:14:47,353
>> THROW IT ON ANYTHING.
356
00:14:47,419 --> 00:14:50,889
>> James: IT'S NOT FOR EATING
DONKEYS.
357
00:14:50,956 --> 00:14:51,457
>> WHY DONKEY SNAPS.
358
00:14:51,523 --> 00:14:54,293
>> -- SAUCE?
359
00:14:54,360 --> 00:14:55,761
>> IT'S GOT A KICK.
360
00:14:55,828 --> 00:14:58,731
>> IT'S THE HORSE RADISH.
361
00:14:58,797 --> 00:15:00,332
>> WHAT ABOUT BEN?
362
00:15:00,399 --> 00:15:01,367
>> James: WINSTON?
363
00:15:01,433 --> 00:15:02,401
NAT!
364
00:15:02,468 --> 00:15:05,371
>> HE'S GOT GOOD INSTINCTS.
365
00:15:05,437 --> 00:15:07,539
>> James: NAH!
366
00:15:07,606 --> 00:15:10,809
BEN'S VERY MUCH IN THE SORT OF
DO IT WRONG, DO IT STRONG
367
00:15:10,876 --> 00:15:11,777
CATEGORY.
368
00:15:11,844 --> 00:15:12,044
>> I SEE.
369
00:15:12,111 --> 00:15:13,479
YEP.
370
00:15:13,545 --> 00:15:14,680
>> James: DO YOU KNOW WHAT I
MEAN?
371
00:15:14,747 --> 00:15:19,251
IF BEN GOES OUT ON A LIMB AND
SAYS THAT THIS IS ASH WOOD AND
372
00:15:19,318 --> 00:15:21,053
SOMEBODY SAYS, NO, NO, IT'S NOT.
373
00:15:21,120 --> 00:15:22,354
THIS IS OAK.
374
00:15:22,421 --> 00:15:23,255
HE'D GO, UH-UH.
375
00:15:23,322 --> 00:15:24,456
IT'S ASH.
376
00:15:24,523 --> 00:15:25,591
I KNOW IT WAS.
377
00:15:25,658 --> 00:15:31,530
AND THERE'S NO -- YOU CAN'T --
IT'S -- HE'D TIE YOU UP IN
378
00:15:31,597 --> 00:15:32,197
KNOTS.
379
00:15:32,264 --> 00:15:33,832
DO YOU HAVE A HIGH I.Q., BEN?
380
00:15:33,899 --> 00:15:36,869
>> IT IS ASH WOOD!
381
00:15:36,935 --> 00:15:43,542
>> James: HA-HA!
382
00:15:43,609 --> 00:15:45,077
AND FINALLY, ACCORDING TO A NEW
SURVEY, 57% OF AMERICAN WORKERS
383
00:15:45,144 --> 00:15:48,514
SAID THEY WOULD LIE IN A JOB
INTERVIEW.
384
00:15:48,580 --> 00:15:51,784
DO YOU THINK ANYONE HERE HAS
LIED ON THE RESUME, IAN?
385
00:15:51,850 --> 00:15:54,420
I'M SORRY -- DR. KARMEL.
386
00:15:54,486 --> 00:15:59,058
[LAUGHTER]
THEY FOUND THAT PEOPLE IN
387
00:15:59,124 --> 00:16:00,225
MANUFACTURING LIE TO THEIR
EMPLOYERS THE MOST, FOLLOWED BY
388
00:16:00,292 --> 00:16:02,895
THOSE IN HEALTHCARE.
389
00:16:02,961 --> 00:16:05,364
JUST SOMETHING TO THINK ABOUT,
NEXT TIME YOU'RE CHECKING INTO
390
00:16:05,431 --> 00:16:07,800
THE HOSPITAL FOR SURGERY.
391
00:16:07,866 --> 00:16:10,769
57% OF PEOPLE SAID THEY WOULD
TELL A LIE TO GET A JOB.
392
00:16:10,836 --> 00:16:14,740
AND ONE GUY SAID HE'D LIE ABOUT
ABSOLUTELY EVERYTHING TO BECOME
393
00:16:14,807 --> 00:16:17,810
A CONGRESSMAN.
394
00:16:17,876 --> 00:16:19,411
AND THAT'S THE NEWS!
395
00:16:19,478 --> 00:16:21,480
WE'LL BE RIGHT BACK WITH MORE
"LATE LATE SHOW!"
396
00:16:37,996 --> 00:16:38,831
>> James: WELCOME BACK.
397
00:16:38,897 --> 00:16:39,998
BILLY PORTER IS ON THE SHOW
TONIGHT.
398
00:16:40,065 --> 00:16:45,938
BESIDES BEING A DEAR FRIEND,
BILLY IS AN ABSOLUTE LEGEND ON
399
00:16:46,004 --> 00:16:47,106
THE DANCE FLOOR.
400
00:16:47,172 --> 00:16:50,943
WHETHER PERFORMING ON STAGE OR
STRIKING A POSE, BILLY NEVER
401
00:16:51,009 --> 00:16:52,211
FAILS TO BRING THE HEAT.
402
00:16:52,277 --> 00:16:54,246
SO, I THOUGHT IT'D BE FUN TO POP
IN ON L.A.'S HOTTEST NEW WORKOUT
403
00:16:54,313 --> 00:16:55,781
CLASS AND LEARN A FEW MOVES.
404
00:16:55,848 --> 00:17:00,819
THIS IS "TODDLEROGRAPHY."
405
00:17:00,886 --> 00:17:02,454
[APPLAUSE]
>> LOOK, REAL QUICK, I KNOW THAT
406
00:17:02,521 --> 00:17:05,491
YOU KNOW YOUR WAY AROUND A DANCE
NUMBER BUT I GOT TO WARN YOU,
407
00:17:05,557 --> 00:17:08,727
THIS CLASS IS BRUTAL!
408
00:17:08,794 --> 00:17:09,795
>> THAT'S CUTE, JAMES.
409
00:17:09,862 --> 00:17:10,729
I THINK I'LL BE FINE, THANK YOU
VERY MUCH.
410
00:17:10,796 --> 00:17:12,831
>> James: NO, NO, IT'S NOT
YOU.
411
00:17:12,898 --> 00:17:13,665
YOU DON'T UNDERSTAND.
412
00:17:13,732 --> 00:17:14,500
IT'S NOT YOU.
413
00:17:14,566 --> 00:17:15,768
IT'S THE INSTRUCTORS.
414
00:17:15,834 --> 00:17:16,335
THEY'RE FIERCE.
415
00:17:16,402 --> 00:17:18,303
THEY'RE RUTHLESS!
416
00:17:18,370 --> 00:17:18,837
>> WELL, GREAT.
417
00:17:18,904 --> 00:17:19,371
THAT MAKES TWO OF US.
418
00:17:19,438 --> 00:17:19,938
>> James: I'M SERIOUS.
419
00:17:20,005 --> 00:17:20,572
OH, AND WHATEVER YOU DO?
420
00:17:20,639 --> 00:17:24,610
DON'T LOOK THEM IN THE EYE.
421
00:17:24,676 --> 00:17:25,511
>> FOR REAL?
422
00:17:25,577 --> 00:17:27,112
>> James: FOR REAL?
423
00:17:27,179 --> 00:17:33,218
>> WHO EVEN ARE THESE
INSTRUCTORS ANY WAY?
424
00:17:33,285 --> 00:17:40,459
[APPLAUSE]
>> COME ON, HARRY, WE WANT TO
425
00:17:40,526 --> 00:17:44,563
SAY GOOD NIGHT TO YOU!
426
00:17:44,630 --> 00:17:59,511
♪
♪
427
00:17:59,578 --> 00:18:00,913
♪
♪
428
00:18:08,754 --> 00:18:23,635
♪ ♪ ♪
♪ ♪ ♪
429
00:18:23,702 --> 00:18:39,418
♪ ♪ ♪
♪ ♪ ♪
430
00:18:50,362 --> 00:19:05,244
♪ ♪ ♪
( LAUGHTER AND APPLAUSE )
431
00:19:05,310 --> 00:19:05,611
♪ ♪ ♪
( LAUGHTER AND APPLAUSE )
432
00:19:06,245 --> 00:19:21,126
♪ ♪ ♪
♪ ♪ ♪
433
00:19:21,193 --> 00:19:23,896
♪ ♪ ♪
♪ ♪ ♪
434
00:19:23,962 --> 00:19:30,068
( LAUGHTER AND APPLAUSE )
>> OH, THAT WAS INTENSE!
435
00:19:30,135 --> 00:19:31,503
>> James: WE NEED TO
REHYDRATE.
436
00:19:31,570 --> 00:19:35,173
>> YEAH!
437
00:19:35,240 --> 00:19:41,313
JUST NOT WORKING OUT.
438
00:19:41,380 --> 00:19:44,917
DADDY NEEDS AN ADULT BEVERAGE.
439
00:19:44,983 --> 00:19:52,558
[APPLAUSE]
>> James: OUR HUGE THANKS TO
440
00:19:52,624 --> 00:19:53,659
BILLY PORTER!
441
00:19:53,725 --> 00:19:55,594
BILLY AND ANDIE MACDOWELL ARE
HERE WHEN WE COME BACK!
442
00:19:55,661 --> 00:19:57,663
COME ON BACK, EVERYBODY!
443
00:20:16,014 --> 00:20:17,149
>> James: WELCOME BACK.
444
00:20:17,215 --> 00:20:17,950
LET'S MEET OUR GUESTS TONIGHT!
445
00:20:18,016 --> 00:20:18,650
SHE STARS IN "THE WAY HOME."
446
00:20:18,717 --> 00:20:19,585
PLEASE WELCOME ANDIE MACDOWELL!
447
00:20:19,651 --> 00:20:21,820
[CHEERS AND APPLAUSE]
>> Reggie: IT'S ANDIE
448
00:20:21,887 --> 00:20:27,893
MACDOWELL!
449
00:20:34,032 --> 00:20:34,967
♪
>> James: HE STARS IN "80 FOR
450
00:20:35,033 --> 00:20:35,601
BRADY."
451
00:20:35,667 --> 00:20:36,668
PLEASE WELCOME BILLY PORTER!
452
00:20:36,735 --> 00:20:37,836
[CHEERS AND APPLAUSE]
>> Reggie: IT'S BILLY PORTER!
453
00:20:58,657 --> 00:20:59,925
THANK YOU SO MUCH FOR BEING HE
HERE.
454
00:20:59,992 --> 00:21:02,728
I'M SO HAPPY THAT YOU ARE BOTH
HERE.
455
00:21:02,794 --> 00:21:07,232
NOW, ANDIE WE SAW WITH YOU YOUR
NEW PUPPY, DAISY, EARLIER IN THE
456
00:21:07,299 --> 00:21:10,502
SHOW, HOWEVER, DAISY ISN'T THE
ONLY NEW ADDITION TO YOUR FAM
457
00:21:10,569 --> 00:21:11,169
FAMILY.
458
00:21:11,236 --> 00:21:11,937
YOU HAVE BECOME A GRANDMOTHER?
459
00:21:12,004 --> 00:21:13,071
>> THAT'S CORRECT!
460
00:21:13,138 --> 00:21:14,239
>> James: CONGRATULATIONS!
461
00:21:14,306 --> 00:21:15,407
>> THANK YOU.
462
00:21:15,474 --> 00:21:17,643
>> James: HOW IS IT -- IS IT
EVERYTHING -- IS IT EVERYTHING
463
00:21:17,709 --> 00:21:19,845
YOU THOUGHT THAT IT WOULD BE?
464
00:21:19,911 --> 00:21:21,079
>> SO IT'S JUST THE SWEETEST
THING EVER.
465
00:21:21,146 --> 00:21:25,050
I MEAN, SHE LOOKS AT ME, SHE
LOOKS DEEP INTO MY EYES AND SHE
466
00:21:25,117 --> 00:21:27,119
COULD SEE INTO MY SOUL.
467
00:21:27,185 --> 00:21:31,056
I'VE NEVER HAD ANYBODY STARE AT
ME THAT LONG EITHER.
468
00:21:31,123 --> 00:21:32,624
IT REALLY WAS AH!
469
00:21:32,691 --> 00:21:36,261
I DIDN'T KNOW WHAT WAS GOING TO
HAPPEN AND, YEAH, IT WAS
470
00:21:36,328 --> 00:21:37,429
AMAZING.
471
00:21:37,496 --> 00:21:38,230
>> OH.
472
00:21:38,296 --> 00:21:40,432
>> SHE JUST LOOKS AT YOU LIKE
THIS.
473
00:21:40,499 --> 00:21:41,967
AH!
474
00:21:42,034 --> 00:21:45,303
>> James: WELL, WE ARE
THRILLED FOR YOU.
475
00:21:45,370 --> 00:21:45,804
CONGRATULATIONS!
476
00:21:45,871 --> 00:21:46,938
>> CONGRATULATIONS!
477
00:21:47,005 --> 00:21:51,243
>> James: WE HAVE TO
CONGRATULATE YOU, BILLY, BECAUSE
478
00:21:51,309 --> 00:21:53,178
LAST MONTH, YOU RECEIVED YOUR
STAR ON THE HOLLYWOOD WALK OF
479
00:21:53,245 --> 00:21:53,779
FAME.
480
00:21:53,845 --> 00:21:55,947
THERE YOU ARE RIGHT THERE!
481
00:21:56,014 --> 00:21:57,115
SO HAPPY FOR YOU.
482
00:21:57,182 --> 00:21:59,284
>> THAT WAS A MERMAID POSE.
483
00:21:59,351 --> 00:22:01,119
>> James: THAT'S THE MERMAID
POSE?
484
00:22:01,186 --> 00:22:02,187
>> YES, I DO THAT WELL.
485
00:22:02,254 --> 00:22:04,723
>> James: NOW, HAS THIS SUNK
IN FOR YOU?
486
00:22:04,790 --> 00:22:05,490
>> NO.
487
00:22:05,557 --> 00:22:07,793
YOU KNOW, IT'S REALLY
INTERESTING.
488
00:22:07,859 --> 00:22:09,695
I'M TRYING TO PROCESS IT.
489
00:22:09,761 --> 00:22:14,266
UM, EVERY DAY, I'M TRYING TO
PROCESS IT.
490
00:22:14,332 --> 00:22:17,235
I STILL HAVEN'T BEEN ABLE TO,
LIKE, GO AND LOOK AT IT.
491
00:22:17,302 --> 00:22:20,105
I'VE BEEN HERE FOR HALF A MONTH
AND I STILL HAVEN'T BEEN ABLE TO
492
00:22:20,172 --> 00:22:20,772
LOOK AT IT.
493
00:22:20,839 --> 00:22:21,740
>> James: WHERE IS YOUR STAR?
494
00:22:21,807 --> 00:22:27,846
>> IT'S A BLOCK EAST OF THE
PANTAGES THEATER!
495
00:22:27,913 --> 00:22:33,652
BECAUSE SHE'S A THESPIAN.
496
00:22:33,719 --> 00:22:35,353
IT EMBRACES THAT SIDE OF MYSELF.
497
00:22:35,420 --> 00:22:36,455
IT'S MAGICAL.
498
00:22:36,521 --> 00:22:38,490
I'VE ALWAYS HAD HUGE DREAMS.
499
00:22:38,557 --> 00:22:39,424
THAT WASN'T EVEN ON THE LIST!
500
00:22:39,491 --> 00:22:40,959
YOU KNOW?
501
00:22:41,026 --> 00:22:44,696
AND LOOK AT GOD, LOOK AT THE
UNIVERSE, LOOK AT HOW MAGICAL
502
00:22:44,763 --> 00:22:45,831
LIFE CAN BE!
503
00:22:45,897 --> 00:22:46,965
REALLY AND TRULY.
504
00:22:47,032 --> 00:22:47,466
>> James: YEAH.
505
00:22:47,532 --> 00:22:48,266
IT'S TRUE.
506
00:22:48,333 --> 00:22:50,335
WELL, WE ARE SO HAPPY FOR YOU.
507
00:22:50,402 --> 00:22:53,638
NOW, ANDIE, I WANT TO TALK TO
YOU ABOUT THIS.
508
00:22:53,705 --> 00:22:58,577
I UNDERSTAND YOUR DAUGHTERS,
THEY ARE PUSHING YOU TO DATE
509
00:22:58,643 --> 00:23:01,279
MORE AND TO GET ONTO DATING
APPS.
510
00:23:01,346 --> 00:23:03,949
>> YES, THEY WANT ME TO GET ON
THIS DATING APP, YOU KNOW,
511
00:23:04,015 --> 00:23:10,155
THAT'S SPECIFICALLY FOR PEOPLE
THAT ARE IN THE BUSINESS.
512
00:23:10,222 --> 00:23:11,757
>> James: RAIA IS THE APP.
513
00:23:11,823 --> 00:23:14,092
THEY'RE TELLING YOU TO GET ON
RAIA!
514
00:23:14,159 --> 00:23:15,427
HOW DO YOU FEEL ABOUT THIS?
515
00:23:15,494 --> 00:23:16,528
ARE YOU RESISTING IT?
516
00:23:16,595 --> 00:23:18,530
>> AT FIRST I WAS RESISTING IT.
517
00:23:18,597 --> 00:23:19,498
THEY DIDN'T LIKE THIS IDEA.
518
00:23:19,564 --> 00:23:21,933
I THOUGHT I WOULD PUT ON IT,
DON'T EXPECT MUCH.
519
00:23:22,000 --> 00:23:23,235
I DON'T FEEL LIKE WORKING VERY
HARD.
520
00:23:23,301 --> 00:23:24,269
SOMETHING LIKE THAT.
521
00:23:24,336 --> 00:23:26,304
ME IN MY HIKING CLOTHES, YOU
KNOW?
522
00:23:26,371 --> 00:23:28,073
BECAUSE I REALLY DON'T,
HONESTLY.
523
00:23:28,140 --> 00:23:30,842
I DON'T WANT TO HAVE TO --
>> GOOGLE ME!
524
00:23:30,909 --> 00:23:31,676
>> YEAH!
525
00:23:31,743 --> 00:23:34,279
>> James: THAT'S WHAT YOU
SHOULD PUT.
526
00:23:34,346 --> 00:23:36,381
IMAGE NOT AVAILABLE.
527
00:23:36,448 --> 00:23:36,882
GOOGLE ME.
528
00:23:36,948 --> 00:23:37,649
>> GOOGLE IT!
529
00:23:37,716 --> 00:23:39,017
>> AFTER A WHILE, I THOUGHT OF
IT.
530
00:23:39,084 --> 00:23:44,422
I WAS LIKE, YOU KNOW, FOR WORK,
I'M SUPPOSED TO BE PLAYING THESE
531
00:23:44,489 --> 00:23:47,092
ROMANTIC CHARACTERS AND I DON'T
REMEMBER WHAT TO DO SO I THOUGHT
532
00:23:47,159 --> 00:23:48,226
IT'D BE LIKE AN EXERCISE.
533
00:23:48,293 --> 00:23:49,261
>> YEAH!
534
00:23:49,327 --> 00:23:49,828
GREAT EXERCISE.
535
00:23:49,895 --> 00:23:50,362
>> I DID SOME RESEARCH!
536
00:23:50,428 --> 00:23:52,330
I NEED SOME RESEARCH!
537
00:23:52,397 --> 00:23:53,732
>> GOOD FOR YOU.
538
00:23:53,799 --> 00:23:54,866
>> James: HAVE YOU JOINED?
539
00:23:54,933 --> 00:23:57,936
>> I HAVEN'T BUT I'M GOING TO,
ONLY BECAUSE I NEED TO DO
540
00:23:58,003 --> 00:23:58,737
RESEARCH.
541
00:23:58,804 --> 00:23:59,504
>> James: WHEN ARE YOU GOING
TO JOIN?
542
00:23:59,571 --> 00:24:02,207
>> LET'S DO A PICTURE FOR
TONIGHT.
543
00:24:02,274 --> 00:24:03,308
THAT'LL BE A GOOD PICTURE.
544
00:24:03,375 --> 00:24:04,509
DO YOU WANT TO DO A PICTURE.
545
00:24:04,576 --> 00:24:06,778
>> James: ARE YOU BEING DEADLY
SERIOUS?
546
00:24:06,845 --> 00:24:09,915
CAN WE TAKE YOUR DATING PROFILE
PICTURE NOW?
547
00:24:09,981 --> 00:24:11,349
>> SHOULD I BE SERIOUS?
548
00:24:11,416 --> 00:24:12,784
>> DON'T ASK ME.
549
00:24:12,851 --> 00:24:13,885
ASK BILLY, LOOK.
550
00:24:13,952 --> 00:24:18,957
THE GUY CAN LIE ON THE SIDEWALK
AND LOOK AMAZING.
551
00:24:19,024 --> 00:24:20,292
>> WHAT SHOULD I DO?
552
00:24:20,358 --> 00:24:22,294
>> FIND THE BALANCE.
553
00:24:22,360 --> 00:24:23,061
RIGHT HERE.
554
00:24:23,128 --> 00:24:24,563
RIGHT HERE.
555
00:24:24,629 --> 00:24:25,163
>> LIKE THIS?
556
00:24:25,230 --> 00:24:25,730
>> NO.
557
00:24:25,797 --> 00:24:26,031
NO.
558
00:24:26,097 --> 00:24:28,333
NO.
559
00:24:28,400 --> 00:24:29,634
AND THAT GORGEOUS HAIR!
560
00:24:29,701 --> 00:24:34,806
>> James: HANG ON, DO WE NOT
WANT TO DO -- BILLY, LET'S DO A
561
00:24:34,873 --> 00:24:36,074
FEW HERE.
562
00:24:36,141 --> 00:24:38,743
NOW, BILLY, I [BLEEP] -- WHEN I
ASK YOU TO, I WANT YOU TO CREATE
563
00:24:38,810 --> 00:24:40,946
SOME WIND, OK?
564
00:24:41,012 --> 00:24:43,582
OK.
565
00:24:43,648 --> 00:24:44,816
EXACTLY?
566
00:24:44,883 --> 00:24:45,417
>> BEYONCE!
567
00:24:45,483 --> 00:24:46,852
>> James: HANG ON HANG ON.
568
00:24:46,918 --> 00:24:47,886
HANG ON.
569
00:24:47,953 --> 00:24:50,021
TELL ME IF YOU THINK THAT THIS
IS -- IS THIS GOOD?
570
00:24:50,088 --> 00:24:51,223
HANG ON.
571
00:24:51,289 --> 00:24:51,790
NO, WAIT.
572
00:24:51,857 --> 00:24:54,459
WE HAVE A SHADOW.
573
00:24:54,526 --> 00:24:54,793
PORTRAIT MODE.
574
00:24:54,860 --> 00:24:55,460
HANG ON.
575
00:24:55,527 --> 00:24:55,861
YOU HAVE TO COME TO THIS SIDE.
576
00:24:55,927 --> 00:24:57,696
IT'S SHADOWED.
577
00:24:57,762 --> 00:25:00,866
STUDIO LIGHT, OK.
578
00:25:00,932 --> 00:25:03,101
>> ONE, TWO, THREE!
579
00:25:03,168 --> 00:25:04,502
HA-HA!
580
00:25:04,569 --> 00:25:06,438
[APPLAUSE]
YES!
581
00:25:06,504 --> 00:25:07,906
>> James: NOW, REALLY WORKING.
582
00:25:07,973 --> 00:25:08,607
YES, OH MY GOD.
583
00:25:08,673 --> 00:25:09,274
THAT'S IT.
584
00:25:09,341 --> 00:25:10,008
OH.
585
00:25:10,075 --> 00:25:10,709
WHAT?
586
00:25:10,775 --> 00:25:11,910
HA-HA!
587
00:25:11,977 --> 00:25:13,245
HA-HA!
588
00:25:13,311 --> 00:25:14,746
HA-HA!
589
00:25:14,813 --> 00:25:18,917
[CHEERS AND APPLAUSE]
OH MY GOODNESS.
590
00:25:18,984 --> 00:25:20,719
>> OH MY GOODNESS, THANK YOU.
591
00:25:20,785 --> 00:25:21,519
>> James: WOW.
592
00:25:21,586 --> 00:25:22,254
WOW.
593
00:25:22,320 --> 00:25:23,188
SOMETHING HAPPENED THERE.
594
00:25:23,255 --> 00:25:25,290
>> YOU'RE GOING TO GET A LOT OF
DATES, GIRL!
595
00:25:25,357 --> 00:25:26,191
>> James: OH!
596
00:25:26,258 --> 00:25:26,992
>> HA-HA!
597
00:25:27,058 --> 00:25:28,159
THAT WAS SO FUN.
598
00:25:28,226 --> 00:25:30,095
>> James: I THINK THAT'S GOING
TO -- ANDIE, THAT'S GOING TO
599
00:25:30,161 --> 00:25:30,829
BLOW UP.
600
00:25:30,896 --> 00:25:32,898
I MEAN, LOOK AT -- LOOK AT
THESE!
601
00:25:32,964 --> 00:25:34,266
LOOK, HANG ON, LET ME JUST.
602
00:25:34,332 --> 00:25:38,403
>> WHAT'S GOING TO HAPPEN WHEN I
SAY, "LET'S GO HIKING?"
603
00:25:38,470 --> 00:25:39,738
THAT'S GOING TO BE THE PROBLEM.
604
00:25:39,804 --> 00:25:40,872
>> James: NO, IT'S NOT.
605
00:25:40,939 --> 00:25:42,807
THAT'S NOT GOING TO BE A PROBLEM
AT ALL.
606
00:25:42,874 --> 00:25:43,441
LOOK AT YOU.
607
00:25:43,508 --> 00:25:44,209
LOOK AT YOU.
608
00:25:44,276 --> 00:25:46,411
IF YOU RUN IT LIKE A MOVIE --
NO.
609
00:25:46,478 --> 00:25:47,612
LOOK AT THIS LOOK AT THIS.
610
00:25:47,679 --> 00:25:49,714
HANG ON -- CAN YOU SEE THAT?
611
00:25:49,781 --> 00:25:51,249
CAN YOU SEE THAT THERE?
612
00:25:51,316 --> 00:25:51,883
DO YOU GOT THAT?
613
00:25:51,950 --> 00:25:52,651
LOOK!
614
00:25:52,717 --> 00:25:55,020
>> OH GOSH!
615
00:25:55,086 --> 00:25:57,722
>> AND THEN YOU HAVE OTHER
PHOTOS.
616
00:25:57,789 --> 00:25:58,623
YES!
617
00:25:58,690 --> 00:25:59,224
>> OK.
618
00:25:59,291 --> 00:26:00,158
OK.
619
00:26:00,225 --> 00:26:01,993
>> YES, HONEY.
620
00:26:02,060 --> 00:26:07,299
THEN YOU HAVE OTHER PHOTOS THAT
SHOW YOUR HIKING.
621
00:26:07,365 --> 00:26:09,134
>> HA-HA.
622
00:26:09,200 --> 00:26:10,168
HA-HA.
623
00:26:10,235 --> 00:26:14,072
>> James: THIS IS --
>> OTHER PHOTOS THAT SHOW YOUR
624
00:26:14,139 --> 00:26:17,108
HIKING AND STUFF BUT THE PROFILE
PICTURE HAS TO BE.
625
00:26:17,175 --> 00:26:19,077
>> James: I THINK WE WOULD
BOTH LIKE TO BE CREDITED SO
626
00:26:19,144 --> 00:26:22,480
PHOTOGRAPH TAKEN BY ME, WIND
SUPPLIED BY BILLY PORTER, OK?
627
00:26:22,547 --> 00:26:26,051
>> BEYONCE FAN BY BILLY PORTER.
628
00:26:26,117 --> 00:26:33,425
>> James: BILLY, WE HUNG OUT
WHEN WE DID THE TODDLEROGRAPHY
629
00:26:33,491 --> 00:26:34,326
THE OTHER DAY.
630
00:26:34,392 --> 00:26:37,062
YOU'RE ON QUITE THE HAIR JOURNEY
RIGHT NOW.
631
00:26:37,128 --> 00:26:38,163
WHAT'S THE DESTINATION WE HAVE
IN MIND?
632
00:26:38,229 --> 00:26:42,000
>> I'M TRYING TO BE LIKE ROCK
STAR REGGIE OVER THERE.
633
00:26:42,067 --> 00:26:45,804
I HAVE NEW MUSIC COMING OUT,
WORLD DOMINATION IS MY GOAL, AND
634
00:26:45,870 --> 00:26:47,072
MY NEW MUSIC IS HAPPENING!
635
00:26:47,138 --> 00:26:49,507
I HAVE A NEW SINGLE COMING OUT
IN MARCH.
636
00:26:49,574 --> 00:26:54,379
I'VE GOT A NEW ALBUM COMING OUT
IN THE NEW YEAR.
637
00:26:54,446 --> 00:26:55,180
BLACK MONA LISA!
638
00:26:55,246 --> 00:26:57,182
>> James: IS THAT WHAT IT'S
CALLED?
639
00:26:57,248 --> 00:26:59,017
>> IT'S CALLED BLACK MONA LISA.
640
00:26:59,084 --> 00:27:01,252
>> James: THE SONG AND THE
ALBUM?
641
00:27:01,319 --> 00:27:02,053
>> THE SONG AND THE ALBUM.
642
00:27:02,120 --> 00:27:04,923
>> James: BLACK MONA LISA?
643
00:27:04,990 --> 00:27:10,395
>> BLACK MONA LISA, BITCHES.
644
00:27:10,462 --> 00:27:11,429
I'M REALLY EXCITED.
645
00:27:11,496 --> 00:27:12,297
IT'S THE ORIGINAL GIFT.
646
00:27:12,364 --> 00:27:13,298
I STARTED SINGING IN CHURCH.
647
00:27:13,365 --> 00:27:15,367
THAT WAS THE THING THAT GOT ME
INTO THE BUSINESS.
648
00:27:15,433 --> 00:27:19,738
THAT WAS THE THING THAT GAVE MY
VOICE, MY SINGING VOICE WAS THE
649
00:27:19,804 --> 00:27:22,674
THING THAT GAVE ME THE COURAGE
TO, YOU KNOW, EXPAND AND DO ALL
650
00:27:22,741 --> 00:27:27,812
THE OTHER THINGS THAT I'M KNOWN
FOR NOW AND, YOU KNOW, I'M JUST
651
00:27:27,879 --> 00:27:28,446
REALLY EXCITED.
652
00:27:28,513 --> 00:27:29,748
I'M GOING ON TOUR IN APRIL.
653
00:27:29,814 --> 00:27:32,751
[CHEERS AND APPLAUSE]
SO I'M GOING ON, LIKE, A, YOU
654
00:27:32,817 --> 00:27:35,320
KNOW, 30-CITY TOUR ON A BUS AND
STUFF.
655
00:27:35,387 --> 00:27:36,488
I'M NERVOUS.
656
00:27:36,554 --> 00:27:40,558
I'M VERY NERVOUS, BUT LOOK FOR
BILLY PORTER IN A PERFORMING
657
00:27:40,625 --> 00:27:41,192
ARTS CENTER NEAR YOU!
658
00:27:41,259 --> 00:27:42,427
>> James: OH, I CANNOT WAIT!
659
00:27:42,494 --> 00:27:44,229
[APPLAUSE]
NOW, BILLY, LET'S TALK ABOUT "80
660
00:27:44,295 --> 00:27:45,563
FOR BRADY."
661
00:27:45,630 --> 00:27:47,232
IT'S THE MOST INCREDIBLE CAST.
662
00:27:47,298 --> 00:27:52,337
YOU, JANE FONDA, LILY TOMLIN,
SALLIE FIELD, RITA MORENO.
663
00:27:52,404 --> 00:27:53,772
TALK TO ME WHAT IT WAS LIKE
BEING ON SET?
664
00:27:53,838 --> 00:28:00,812
>> YOU KNOW, I AM A THESPIAN
ARTIST, YOU KNOW, STUDIER OF THE
665
00:28:00,879 --> 00:28:02,047
ARTS.
666
00:28:02,113 --> 00:28:10,055
THESE FOUR WOMEN HAVE INSPIRED
ME FOR MY ENTIRE LIFE, YOU KNOW?
667
00:28:10,121 --> 00:28:14,359
NOT JUST IN THE WORK THAT
THEY'VE DONE BUT ALSO IN HOW
668
00:28:14,426 --> 00:28:15,894
THEY LIVE THEIR LIVES.
669
00:28:15,960 --> 00:28:20,365
THE EXAMPLE OF HOW THEY LIVE
THEIR LIVES THROUGH ACTIVISM,
670
00:28:20,432 --> 00:28:23,368
THROUGH PHILANTHROPY, ALL OF
THOSE THINGS SO THOSE -- YOU
671
00:28:23,435 --> 00:28:27,605
KNOW, THOSE ARE THINGS THAT I
HAVE TRIED TO ASPIRE TO IN MY
672
00:28:27,672 --> 00:28:31,543
LIFE, NEVER ONCE DID I THINK I
WOULD BE IN A ROOM WITH ONE OF
673
00:28:31,609 --> 00:28:33,945
THEM LET ALONE FOUR OF THEM AT
THE SAME TIME.
674
00:28:34,012 --> 00:28:37,115
AND I JUST SPENT THE WHOLE TIME
TRYING TO MAKE SURE THAT THE
675
00:28:37,182 --> 00:28:41,920
BACK OF MY HEAD DIDN'T BLOW OFF.
676
00:28:41,986 --> 00:28:44,923
[LAUGHTER]
>> James: WELL, THE FILM --
677
00:28:44,989 --> 00:28:48,993
>> James: LET'S TAKE A LOOK AT
A CLIP FROM "80 FOR BRADY" WHICH
678
00:28:49,060 --> 00:28:50,728
IS IN THEATERS FEBRUARY 3rd.
679
00:28:50,795 --> 00:28:52,864
>> HANG O LET ME SEE YOUR
BADGES.
680
00:28:52,931 --> 00:28:53,932
>> NO, NO, THEY'RE WITH ME.
681
00:28:53,998 --> 00:28:54,632
THESE ARE MY DANCERS.
682
00:28:54,699 --> 00:28:55,633
>> THEY DON'T LOOK LIKE DANCERS.
683
00:28:55,700 --> 00:28:58,136
>> WELL, THAT'S AGEIST, ISN'T
IT?
684
00:28:58,203 --> 00:29:01,673
>> I DON'T CARE HOW OLD THEY
ARE, THEY JUST NEED BADGES LIKE
685
00:29:01,739 --> 00:29:02,841
THESE DANCERS.
686
00:29:02,907 --> 00:29:04,876
>> YOU WANT US TO SHOW YOU?
687
00:29:04,943 --> 00:29:05,543
>> OK!
688
00:29:05,610 --> 00:29:06,144
>> OK.
689
00:29:06,211 --> 00:29:09,414
UM, Y'ALL GOT THIS.
690
00:29:09,481 --> 00:29:10,281
COME ON COME ON.
691
00:29:10,348 --> 00:29:11,816
LET'S TALK ABOUT THIS FOR A
SECOND.
692
00:29:11,883 --> 00:29:15,186
OK, UM, SO WHAT ARE SOME DANCE
MOVES YOU LADIES KNOW?
693
00:29:15,253 --> 00:29:20,758
>> THE TWIST?
694
00:29:20,825 --> 00:29:21,359
>> THE TWIST.
695
00:29:21,426 --> 00:29:22,160
>> THE JERK.
696
00:29:22,227 --> 00:29:23,428
>> STEP TOUCH.
697
00:29:23,495 --> 00:29:25,930
>> ALL RIGHT, WE'LL DO THE STEP
TOUCH, THE TWIST, THE SHIMMY AND
698
00:29:25,997 --> 00:29:27,899
THEN WE'LL END WITH JAZZ HANDS,
HOW ABOUT THAT?
699
00:29:27,966 --> 00:29:29,200
ONE, TWO, THREE.
700
00:29:29,267 --> 00:29:31,236
>> James: STICK AROUND, MORE
WITH THESE TWO WHEN WE COME
701
00:29:31,302 --> 00:29:32,303
BACK.
702
00:29:42,480 --> 00:29:43,581
>> ALICE, YOU START SCHOOL
TOMORROW?
703
00:29:43,648 --> 00:29:45,817
>> UM, ACTUALLY, I'M JUST GOING
TO DO THE REST OF THE YEAR
704
00:29:45,884 --> 00:29:46,417
ONLINE.
705
00:29:46,484 --> 00:29:47,318
>> THAT'S A TERRIBLE IDEA.
706
00:29:47,385 --> 00:29:48,720
GO TO SCHOOL AND MEET SOME KIDS
YOUR AGE.
707
00:29:48,786 --> 00:29:49,988
>> HONESTLY, I THINK I'M FINE.
708
00:29:50,054 --> 00:29:54,125
>> SUIT YOURSELF BUT THE
INTERNET OUT HERE IS SPOTTY AT
709
00:29:54,192 --> 00:29:54,893
BEST.
710
00:29:54,959 --> 00:29:57,462
YOU'LL HAVE TO TREK TO THE
LIBRARY.
711
00:29:57,529 --> 00:30:01,199
ON THE BRIGHT SIDE, I HEAR THEY
JUST GOT A SET OF THOSE TWILIGHT
712
00:30:01,266 --> 00:30:07,939
BOOKS!
713
00:30:08,006 --> 00:30:09,941
♪
>> James: THAT WAS A CLIP FROM
714
00:30:10,008 --> 00:30:11,142
"THE WAY HOME," WHICH AIRS
SUNDAYS AT 9:00 ON THE HALLMARK
715
00:30:11,209 --> 00:30:16,948
CHANNEL.
716
00:30:17,015 --> 00:30:19,584
FOR ANYONE WHO HASN'T CAUGHT IT
YET, TELL US WHAT IT'S ABOUT AND
717
00:30:19,651 --> 00:30:20,785
WHO YOU PLAY?
718
00:30:20,852 --> 00:30:26,591
>> I PLAY THE GRANDMOTHER AND
IT'S MULTIGENERATIONAL WHICH I
719
00:30:26,658 --> 00:30:27,926
APPRECIATE.
720
00:30:27,992 --> 00:30:28,793
THREE STRONG WOMEN.
721
00:30:28,860 --> 00:30:31,863
ALL THREE OF US ARE VERY STRONG.
722
00:30:31,930 --> 00:30:33,998
WE'VE BEEN THROUGH A LOT OF PAIN
IN THE FAMILY.
723
00:30:34,065 --> 00:30:35,733
MY GRANDDAUGHTER IS ABLE TO GO
BACK IN TIME THROUGH THE POND
724
00:30:35,800 --> 00:30:38,570
AND SEE WHAT HAPPENED.
725
00:30:38,636 --> 00:30:45,109
IN 1999 THAT ANSWERS SO MANY
QUESTIONS FOR HER AS TO WHY HER
726
00:30:45,176 --> 00:30:46,711
MOTHER AND I JUST DON'T GET
ALONG.
727
00:30:46,778 --> 00:30:48,346
SO IT'S DIFFERENT FOR HALLMARK.
728
00:30:48,413 --> 00:30:53,218
IT'S DEFINITELY MY FRIENDS AND
FAMILY THAT HAVE WATCHED IT HAVE
729
00:30:53,284 --> 00:30:57,388
BEEN VERY SURPRISED BY IT AND
THE LAST SCRIPTS, THE LAST TWO
730
00:30:57,455 --> 00:31:00,091
SCRIPTS -- I THINK THE WRITERS
DID A GREAT JOB OF KEEPING --
731
00:31:00,158 --> 00:31:03,094
YOU JUST DON'T KNOW WHAT'S GOING
TO HAPPEN.
732
00:31:03,161 --> 00:31:04,796
>> James: PEOPLE HAVE REALLY
RESPONDED TO YOU.
733
00:31:04,862 --> 00:31:10,702
BILLY, I WANT TO TALK TO YOU
ABOUT THIS, YOUR DIRECTORIAL
734
00:31:10,768 --> 00:31:18,710
DEBUT, "ANYTHING'S POSSIBLE" WAS
JUST NOMINATED FOR A G LAAD
735
00:31:18,776 --> 00:31:19,444
AWARD.
736
00:31:19,510 --> 00:31:22,947
NEXT EPISODE ON FOX, IT'LL AIR.
737
00:31:23,014 --> 00:31:25,383
ARE YOU GOING FOCUS MORE ON THIS
IN THE NEXT FEW YEARS?
738
00:31:25,450 --> 00:31:27,919
>> YOU KNOW, I WALK THROUGH THE
DOORS THAT ARE OPEN.
739
00:31:27,986 --> 00:31:30,755
YOU KNOW, I DON'T TRY TO CONTROL
ANYTHING.
740
00:31:30,822 --> 00:31:33,925
WHAT I LOVE ABOUT DIRECTING, AND
I'VE BEEN DIRECTING IN THE
741
00:31:33,992 --> 00:31:39,030
THEATER FOR ABOUT 20+ YEARS,
WHAT I LOVE ABOUT DIRECTING IS
742
00:31:39,097 --> 00:31:46,237
THAT I GET TO BE IN CONTROL OF
THE NARRATIVE, THE AUTHENTIC
743
00:31:46,304 --> 00:31:47,839
NARRATIVE.
744
00:31:47,905 --> 00:31:52,677
I DID NOT GROW UP SEEING MANY
STORIES ABOUT BLACK QUEER PEO
745
00:31:52,744 --> 00:31:53,778
PEOPLE.
746
00:31:53,845 --> 00:31:57,248
YOU KNOW, NOW I'M IN A POSITION
TO USHER THESE STORIES
747
00:31:57,315 --> 00:32:02,120
AUTHENTICALLY INTO THE WORLD AND
THAT'S -- IT MAKES ME REALLY,
748
00:32:02,186 --> 00:32:03,855
REALLY HAPPY.
749
00:32:03,921 --> 00:32:04,989
[APPLAUSE]
>> James: AS IT SHOULD.
750
00:32:05,056 --> 00:32:08,793
I WOULD LOVE --
[APPLAUSE]
751
00:32:08,860 --> 00:32:11,896
I CAN'T THINK OF ANYTHING OTHER
THAN BEING DIRECTED BY YOU.
752
00:32:11,963 --> 00:32:16,534
GIVE US YOUR BEST -- WHAT'S
BILLY PORTER'S ACTION?
753
00:32:16,601 --> 00:32:18,670
>> I'M NOT GOING TO GIVE YOU MY
ACTION.
754
00:32:18,736 --> 00:32:20,471
>> James: ME AND ANDIE ARE
ABOUT TO DO A SCENE.
755
00:32:20,538 --> 00:32:21,639
WHAT HAPPENS?
756
00:32:21,706 --> 00:32:23,941
>> WELL, SEE, WHAT HAPPENS --
>> James: WE'RE WARMING UP.
757
00:32:24,008 --> 00:32:25,076
>> OK.
758
00:32:25,143 --> 00:32:26,477
>> WHAT HAPPENS IS YOU'RE
SITTING AND YOU'RE WAITING FOR
759
00:32:26,544 --> 00:32:30,481
THE CAMERA SETUP TO HAPPEN AND
YOU'RE GETTING ANNOYED.
760
00:32:30,548 --> 00:32:31,549
>> James: OK.
761
00:32:31,616 --> 00:32:36,054
>> AND SO WHAT I DO IS, WHERE
ARE THESE CAMERAS AT?
762
00:32:36,120 --> 00:32:38,389
WHERE ARE THESE CAMERAS AT?
763
00:32:38,456 --> 00:32:39,324
>> WHAT HAPPENED?
764
00:32:39,390 --> 00:32:42,060
>> LET'S GET THESE CAMERAS
TOGETHER, DARLING.
765
00:32:42,126 --> 00:32:45,129
>> TICK TOCK, TICK TOCK!
766
00:32:45,196 --> 00:32:46,831
>> I DO THAT FOR YOU!
767
00:32:46,898 --> 00:32:47,565
I GET TO DO THAT FOR YOU.
768
00:32:47,632 --> 00:32:48,866
>> James: NOW WE'RE IN THE
SCENE.
769
00:32:48,933 --> 00:32:54,072
NOW WE'RE IN THE SCENE AND --
>> AND ACTION!
770
00:32:54,138 --> 00:32:56,774
>> James: I LOVE IT!
771
00:32:56,841 --> 00:32:59,277
>> HA-HA.
772
00:32:59,344 --> 00:33:00,845
>> James: BIG HAND.
773
00:33:00,912 --> 00:33:02,013
SHOVE ACTION.
774
00:33:02,080 --> 00:33:05,149
REGGIE, DO YOU HAVE A QUESTION
FOR OUR GUESTS THIS EVENING?
775
00:33:05,216 --> 00:33:09,153
>> Reggie: HERE'S EVERY
QUESTION, ALL IN ME.
776
00:33:09,220 --> 00:33:10,121
ALL RIGHT.
777
00:33:10,188 --> 00:33:11,389
HERE IS THE QUESTION.
778
00:33:11,456 --> 00:33:15,126
HERE IS THE QUESTION: WHAT COLOR
HAVE YOU BEEN OBSESSED WITH AND
779
00:33:15,193 --> 00:33:21,466
WHAT DO YOU THINK IS YOUR NEXT
COLOR OR HUE YOU'RE GOING TO BE
780
00:33:21,532 --> 00:33:22,367
OBSESSED WITH?
781
00:33:22,433 --> 00:33:25,503
>> James: OH, ANDIE, LET'S
START WITH YOU.
782
00:33:25,570 --> 00:33:26,204
>> I LOVE GREEN.
783
00:33:26,270 --> 00:33:27,305
I'VE ALWAYS REALLY LOVED GREEN.
784
00:33:27,372 --> 00:33:31,142
I FEEL LIKE I NEED TO DO VIOLET
MAYBE.
785
00:33:31,209 --> 00:33:31,642
PURPLE, VIOLET.
786
00:33:31,709 --> 00:33:32,210
YOU DON'T THINK SO?
787
00:33:32,276 --> 00:33:33,978
>> YEAH, NO, I LOVE IT.
788
00:33:34,045 --> 00:33:35,146
PURPLE IS MY FAVORITE COLOR.
789
00:33:35,213 --> 00:33:36,381
>> OK.
790
00:33:36,447 --> 00:33:48,793
>> AND RIGHT NOW, I'M VERY INTO
THE, LIKE, CHROME, IRIDESCENCE
791
00:33:48,860 --> 00:33:53,297
OF WHATEVER THE COLOR WOULD BE,
SO I WOULD SAY IRIDESCENCE AND
792
00:33:53,364 --> 00:33:54,866
CHAMPAGNE MAYBE?
793
00:33:54,932 --> 00:33:56,234
A CHAMPAGNE SITUATION?
794
00:33:56,300 --> 00:33:57,502
>> OH, THAT'S NICE.
795
00:33:57,568 --> 00:34:02,206
>> James: IRIDESCENT
CHAMPAGNE?
796
00:34:02,273 --> 00:34:02,740
REG?
797
00:34:02,807 --> 00:34:03,508
>> Reggie: THANK YOU.
798
00:34:03,574 --> 00:34:05,843
OH, SORRY, YES AND THAT'S
CORRECT!
799
00:34:05,910 --> 00:34:10,982
>> James: THAT'S ABSOLUTELY
CORRECT.
800
00:34:11,048 --> 00:34:12,116
PLEASE THANK OUR INCREDIBLE
GUESTS, ANDIE MACDOWELL AND
801
00:34:12,183 --> 00:34:13,251
BILLY PORTER!
802
00:34:13,317 --> 00:34:14,519
WE'LL BE RIGHT BACK WITH A
PERFORMANCE FROM STACEY RYAN!
803
00:34:32,003 --> 00:34:33,171
>> James: WELCOME BACK.
804
00:34:33,237 --> 00:34:35,306
HERE MAKING HER LATE NIGHT TV
DEBUT, PERFORMING "FALL IN LOVE
805
00:34:35,373 --> 00:34:39,777
ALONE," PLEASE WELCOME STACEY
RYAN!
806
00:34:39,844 --> 00:34:52,690
[CHEERS AND APPLAUSE]
♪ I DON'T WANNA FALL
807
00:34:52,757 --> 00:35:00,097
♪ I DO TO WANNA FALL IN LOVE
ALONE
808
00:35:00,164 --> 00:35:15,046
♪ OH FALL -- I DON'T WANNA FALL
♪ I DON'T WANNA FALL IN LOVE...
809
00:35:15,112 --> 00:35:20,818
♪ OH FALL -- I DON'T WANNA FALL
♪ I DON'T WANNA FALL IN LOVE...
810
00:35:20,885 --> 00:35:24,922
♪
♪ I'M FAMILIAR WITH UNREQUITED
811
00:35:24,989 --> 00:35:27,925
I KNOW YOU GOT A HEART
♪ THAT'S UNDECIDED
812
00:35:27,992 --> 00:35:33,130
JUST LIKE MINE
♪ IT TAKES ITS SWEET TIME
813
00:35:33,197 --> 00:35:36,000
I BEEN SHY TO DIVE INTO
♪ THE DEEP END
814
00:35:36,067 --> 00:35:38,703
'CAUSE I DON'T REALLY WANNA
♪ LOSE A GOOD FRIEND
815
00:35:38,769 --> 00:35:41,839
BUT I MIGHT
♪ FIND SOMETHING DIVINE
816
00:35:41,906 --> 00:35:47,011
IT'S ELECTRIC
♪ EVERY TIME WE TOUCH
817
00:35:47,078 --> 00:35:51,382
I'VE BEEN LIVING FOR
♪ THIS HEAD RUSH
818
00:35:51,449 --> 00:35:59,290
BUT SOMETIMES IT'S TOO MUCH
♪ IF WE NEVER TRY
819
00:35:59,357 --> 00:36:05,463
HOW WILL WE KNOW
♪ BABY, HOW FAR
820
00:36:05,530 --> 00:36:11,869
THIS THING COULD GO
♪ GIVE ME A SIGN
821
00:36:11,936 --> 00:36:16,574
IF I'M ON YOUR MIND
♪ I DON'T WANT TO
822
00:36:16,641 --> 00:36:23,514
FALL IN LOVE ALONE
♪ I WISH THAT I COULD TELL
823
00:36:23,581 --> 00:36:25,483
WHAT YOU WERE THINKING
♪ I HATE THAT I SLIP UP
824
00:36:25,550 --> 00:36:29,587
WHEN I'VE BEEN DRINKING
♪ BUT, OH WELL
825
00:36:29,654 --> 00:36:35,693
I CAN'T HELP MYSELF
♪ I'M GETTING REALLY TIRED
826
00:36:35,760 --> 00:36:39,330
OF THIS BACK AND FORTH
♪ WHY DON'T WE JUST GIVE IN TO
827
00:36:39,397 --> 00:36:40,164
THIS DRIVING FORCE?
828
00:36:40,231 --> 00:36:43,067
♪ I MEAN
THERE'S SOMETHING BETWEEN US
829
00:36:43,134 --> 00:36:45,937
♪ IT'S ELECTRIC
EVERY TIME WE TOUCH
830
00:36:46,003 --> 00:36:49,707
♪ I'VE BEEN LIVING FOR THIS
HEAD RUSH
831
00:36:49,774 --> 00:36:58,049
BUT SOMETIMES IT'S TOO MUCH
♪ IF WE NEVER TRY
832
00:36:58,115 --> 00:37:03,221
HOW WILL WE KNOW
♪ BABY, HOW FAR
833
00:37:03,287 --> 00:37:09,327
THIS THING COULD GO
♪ GIVE ME A SIGN
834
00:37:09,393 --> 00:37:15,566
IF I'M ON YOUR MIND
YOU KNOW THAT YOU'RE ON MY MIND
835
00:37:15,633 --> 00:37:19,837
♪ I DON'T WANT TO
FALL IN LOVE ALONE
836
00:37:19,904 --> 00:37:25,076
♪ IF WE NEVER TRY
♪ HOW WILL WE KNOW
837
00:37:25,142 --> 00:37:30,247
BABY, HOW FAR
♪ THIS THING COULD GO
838
00:37:30,314 --> 00:37:35,019
♪ GIVE ME A SIGN
♪ IF I'M ON YOUR MIND
839
00:37:35,086 --> 00:37:45,663
I DON'T WANT TO FALL IN LOVE
♪ ALONE
840
00:37:45,730 --> 00:37:52,069
OOH
♪ FALL
841
00:37:52,136 --> 00:37:58,209
I DON'T WANNA FALL
♪ I DON'T WANNA FALL IN LOVE
842
00:37:58,275 --> 00:38:06,417
ALONE
♪ I DON'T WANNA FALL
843
00:38:06,484 --> 00:38:14,892
I DON'T WANNA FALL IN LOVE ALONE
I DON'T WANNA FALL IN LOVE ALONE
844
00:38:14,959 --> 00:38:21,866
♪ I DON'T WANNA FALL IN LOVE
♪ FALL
845
00:38:21,932 --> 00:38:25,403
♪ I DON'T WANNA FALL IN LOVE
ALONE
846
00:38:25,469 --> 00:38:29,740
♪ FALL
I DON'T WANNA FALL
847
00:38:29,807 --> 00:38:35,613
♪ I DON'T WANNA FALL IN LOVE
ALONE ♪
848
00:38:35,680 --> 00:38:39,383
[CHEERS AND APPLAUSE]
>> James: OH MY WORD!
849
00:38:39,450 --> 00:38:40,751
CAN YOU BELIEVE IT!
850
00:38:40,818 --> 00:38:42,720
STACEY -- THAT WAS UNBELIEVABLE!
851
00:38:42,787 --> 00:38:45,356
THAT WAS SO -- WHAT A TALENT!
852
00:38:45,423 --> 00:38:47,525
STACEY RYAN, EVERYONE!
853
00:38:47,591 --> 00:38:50,795
CAPTURE HER ON TOUR THIS SPRING
COME ON BACK, EVERYBODY!
854
00:38:50,861 --> 00:38:51,362
YOU ARE SO GOOD!
855
00:39:05,943 --> 00:39:08,879
>> James: THANK YOU SO MUCH
FOR WATCHING.
856
00:39:08,946 --> 00:39:09,947
REGGIE, TAKE US HOME!