1 00:00:02,001 --> 00:00:08,608 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:08,675 --> 00:00:12,078 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY, BABY 3 00:00:12,145 --> 00:00:14,147 ♪ WHERE YOU COME FROM IT'LL BE ALL RIGHT 4 00:00:14,214 --> 00:00:19,953 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: LADIES AND GENTLEMEN, 5 00:00:20,019 --> 00:00:22,756 ALL THE WAY FROM GENTLEMEN, ALL THE WAY FROM 6 00:00:22,822 --> 00:00:25,625 WHEREVER IT IS YOU THINK THAT THIS IS HAPPENING FROM, GIVE IT 7 00:00:25,692 --> 00:00:31,231 UP FOR YOUR HOST, THE ONE, THE ONLY JAMES CORDEN! 8 00:00:31,297 --> 00:00:40,640 [CHEERS AND APPLAUSE] >> James: THANK YOU VERY, VERY 9 00:00:40,707 --> 00:00:41,574 MUCH. 10 00:00:41,641 --> 00:00:42,275 OH, BLESS YOU. 11 00:00:42,342 --> 00:00:44,077 THANK YOU, ALL, FOR BEING HERE. 12 00:00:44,144 --> 00:00:45,779 CHEERS, GUYS. 13 00:00:45,845 --> 00:00:47,981 THANK YOU VERY, VERY MUCH. 14 00:00:48,047 --> 00:00:50,984 GOOD EVENING AND WELCOME TO "THE LATE LATE SHOW." 15 00:00:51,050 --> 00:00:52,452 THANKS FOR STOPPING BY, WE APPRECIATE YOU BEING HERE. 16 00:00:52,519 --> 00:00:53,820 LET'S SEE WHO THE GUESTS ARE ON THE SHOW TONIGHT! 17 00:00:53,887 --> 00:00:56,022 HE'S AN INCREDIBLY TALENTED ACTOR YOU KNOW FROM "THE 18 00:00:56,089 --> 00:00:59,759 BATMAN," "LOVE AND MERCY," AND HIS GOLDEN GLOBE WINNING FILM, 19 00:00:59,826 --> 00:01:05,532 "THE FABELMANS," THE LOVELY, THE DIVINE, PAUL DANO! 20 00:01:05,598 --> 00:01:07,867 PAUL, HOW ARE YOU? 21 00:01:07,934 --> 00:01:08,835 >> I'M ALL RIGHT. 22 00:01:08,902 --> 00:01:09,803 HOW ARE YOU DOING? 23 00:01:09,869 --> 00:01:12,272 >> James: YOU LOOK TERRIFIC. 24 00:01:12,338 --> 00:01:15,675 YOU JUST TREATED YOURSELF TO A LITTLE MAKEUP COOKIE THERE. 25 00:01:15,742 --> 00:01:17,877 >> LITTLE PICK-ME-UP BEFORE THE SHOW. 26 00:01:17,944 --> 00:01:19,579 >> James: A LITTLE -- HEY, DO YOU KNOW WHAT? 27 00:01:19,646 --> 00:01:21,181 YOU NEED A COOKIE BUT WE DON'T. 28 00:01:21,247 --> 00:01:24,884 YOU KNOW WHAT PICKS US UP ON THIS SHOW? 29 00:01:24,951 --> 00:01:25,852 PAUL DANO BEING HERE BECAUSE WE LOVE YOU. 30 00:01:25,919 --> 00:01:26,953 THANK YOU FOR COMING. 31 00:01:27,020 --> 00:01:29,322 PAUL DANO, EVERYBODY! 32 00:01:29,389 --> 00:01:30,557 SHE'S AN EMMY-NOMINATED ACTOR YOU KNOW FROM "THE WHITE LOTUS," 33 00:01:30,623 --> 00:01:33,960 "TRUE DETECTIVE," AND SO MUCH MORE, THE WONDROUS, THE 34 00:01:34,027 --> 00:01:37,897 ENCHANTING, ALEXANDRA DADDARIO! 35 00:01:37,964 --> 00:01:39,966 [CHEERS AND APPLAUSE] ALEXANDRA, HOW ARE YOU? 36 00:01:40,033 --> 00:01:40,967 >> I'M GREAT, HOW ARE YOU? 37 00:01:41,034 --> 00:01:41,568 >> James: I AM GOOD. 38 00:01:41,634 --> 00:01:42,368 I'M SO HAPPY YOU'RE HERE. 39 00:01:42,435 --> 00:01:43,770 HOW'S IT GOING? 40 00:01:43,837 --> 00:01:44,704 HOW'S YOUR LIFE? 41 00:01:44,771 --> 00:01:46,072 >> IT'S GOING GREAT. 42 00:01:46,139 --> 00:01:47,006 EVERYTHING IS GOOD. 43 00:01:47,073 --> 00:01:49,309 >> James: GOOD SHOULDER PAD. 44 00:01:49,375 --> 00:01:52,045 YOU PROBABLY HEAR THAT ALL THE TIME, DON'T YOU? 45 00:01:52,111 --> 00:01:52,979 >> CONSTANTLY, THROUGHOUT THE DAY. 46 00:01:53,046 --> 00:01:53,980 >> James: YOU CRUSHED IT. 47 00:01:54,047 --> 00:01:56,850 ALEXANDRA DADDARIO, EVERYBODY! 48 00:01:56,916 --> 00:02:00,920 SHE'S A TREMENDOUSLY TALENTED STAND-UP COMEDIAN AND WE'RE 49 00:02:00,987 --> 00:02:04,924 THRILLED SHE'LL BE PERFORMING HERE FOR US TONIGHT, THE 50 00:02:04,991 --> 00:02:05,458 HILARIOUS, JENNY ZIGRINO! 51 00:02:05,525 --> 00:02:10,930 JENNY ZIGRINO! 52 00:02:10,997 --> 00:02:14,000 >> GOOD, HOW ARE YOU DOING? 53 00:02:14,067 --> 00:02:14,934 >> James: I AM GOOD. 54 00:02:15,001 --> 00:02:15,368 HOW ARE YOU DOING? 55 00:02:15,435 --> 00:02:16,069 >> GREAT. 56 00:02:16,135 --> 00:02:19,772 >> James: I LOVE THIS SUIT.pA L. 57 00:02:19,839 --> 00:02:21,007 >> IT'S LOOKING GOOD, RIGHT? 58 00:02:21,074 --> 00:02:25,078 >> James: IT'S LOOKING -- OH, OH. 59 00:02:25,144 --> 00:02:30,083 [LAUGHTER] >> HE CAME WITH THE ROOM. 60 00:02:30,149 --> 00:02:39,325 [APPLAUSE] >> James: OH, I KNOW HE DID. 61 00:02:39,392 --> 00:02:41,561 THANK YOU FOR BEING HERE. 62 00:02:41,628 --> 00:02:43,229 JENNY ZIGRINO, EVERYBODY. 63 00:02:43,296 --> 00:02:44,364 ARE YOU READY? 64 00:02:44,430 --> 00:02:46,533 >> Reggie: REGGIE, ARE YOU READY? 65 00:02:46,599 --> 00:02:47,166 THEN LET'S! 66 00:02:47,233 --> 00:02:48,134 I'M JAMES CORDEN, AND THIS? 67 00:02:48,201 --> 00:02:48,801 THIS IS "THE LATE LATE SHOW!" ROLL THE TITLES! 68 00:02:48,868 --> 00:02:50,036 COME ON! 69 00:02:51,604 --> 00:02:53,806 Captioning sponsored by CBS 70 00:02:55,041 --> 00:03:00,046 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 71 00:03:00,113 --> 00:03:06,486 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 72 00:03:06,553 --> 00:03:11,925 ♪ IT'S THE LATE, LATE SHOW ♪ >> James: IT CERTAINLY IS! 73 00:03:11,991 --> 00:03:12,458 BLESS YOU FOR BEING HERE. 74 00:03:12,525 --> 00:03:13,326 I LOVE PAUL DANO. 75 00:03:13,393 --> 00:03:14,327 >> Ian: OH YEAH. 76 00:03:14,394 --> 00:03:19,399 >> James: SO HAPPY HE'S HERE. 77 00:03:19,465 --> 00:03:20,733 HE'S FANTASTIC IN EVERYTHING. 78 00:03:20,800 --> 00:03:25,071 >> Ian: THE LOVE AND MERCY MOVIE IS SO GOOD. 79 00:03:25,138 --> 00:03:25,805 EXHIBIT THE FABLEMANS. 80 00:03:25,872 --> 00:03:27,273 >> James: YOU LOVE THE FABLEMANS? 81 00:03:27,340 --> 00:03:30,443 >> Ian: LOVE THE FABLEMANS. 82 00:03:30,510 --> 00:03:32,612 >> James: HAVE YOU SEEN THE FABLEMANS, REG? 83 00:03:32,679 --> 00:03:34,647 >> Reggie: I WON'T SEE IT BECAUSE I DON'T LIKE THE NAME. 84 00:03:34,714 --> 00:03:37,116 >> James: THAT'S HUGE FOR YOU. 85 00:03:37,183 --> 00:03:38,217 REG AESTHETICS ARE BIG. 86 00:03:38,284 --> 00:03:49,829 >> James: WHAT IS IT THAT DOESN'T WANT YOU TO SEE IT? 87 00:03:49,896 --> 00:03:54,334 >> Reggie: I DON'T LIKE THE NAME. 88 00:03:54,400 --> 00:03:58,605 >> James: WHAT ACTOR WHAT YOU WANT TO PLAY YOU IF YOU WERE 89 00:03:58,671 --> 00:04:00,506 GOING TO DIRECT A MOVIE OF YOUR LIFE? 90 00:04:00,573 --> 00:04:03,209 WHO WOULD YOU WANT TO PLAY YOU? 91 00:04:03,276 --> 00:04:07,647 >> Reggie: EITHER BE KANYE WEST OR WILL SMITH. 92 00:04:07,714 --> 00:04:11,684 >> James: OK. 93 00:04:11,751 --> 00:04:16,589 [LAUGHTER] I NEVER THOUGHT I'D SAY THIS BUT 94 00:04:16,656 --> 00:04:21,394 I ACTUALLY THINK BOTH ARE AVAILABLE. 95 00:04:21,461 --> 00:04:27,934 WELL, LOOK, WE CAN TALK LIKE THIS ALL DAY BUT WE CAN'T, 96 00:04:28,001 --> 00:04:32,305 SHAN'T, WON'T BECAUSE IT'S TIME FOR THE NEWS. 97 00:04:32,372 --> 00:04:33,973 AIDES TO PRESIDENT BIDEN HAVE FOUND A SECOND BATCH OF 98 00:04:34,040 --> 00:04:36,676 CLASSIFIED DOCUMENTS FROM HIS TIME IN THE OBAMA 99 00:04:36,743 --> 00:04:41,948 ADMINISTRATION, THIS TIME, AT A DIFFERENT LOCATION. 100 00:04:42,015 --> 00:04:43,816 NO OTHER DETAILS HAVE COME OUT YET. 101 00:04:43,883 --> 00:04:48,955 IMAGINE HOW WEIRD IT WOULD BE IF THAT SECOND LOCATION WAS 102 00:04:49,022 --> 00:04:50,456 MAR-A-LAGO. 103 00:04:50,523 --> 00:04:53,960 [LAUGHTER] BIDEN'S JUST KEPT A ROOM THERE 104 00:04:54,027 --> 00:04:55,962 THIS WHOLE TIME. 105 00:04:56,029 --> 00:04:59,265 IN MOMENTS LIKE THIS, I GENUINELY FEEL IT'S A SHAME 106 00:04:59,332 --> 00:05:01,334 TRUMP ISN'T ON TWITTER, LIKE, FOR THESE MOMENTS. 107 00:05:01,401 --> 00:05:06,739 WE CAN REALLY USE THE NICKNAME HIDIN' BIDEN RIGHT NOW. 108 00:05:06,806 --> 00:05:09,575 [LAUGHTER] I WILL SAY IN BIDEN'S DEFENSE, 109 00:05:09,642 --> 00:05:15,615 I'M 100% TAKING HOME CLASSIFIED DOCUMENTS WHEN I LEAVE HERE! 110 00:05:15,682 --> 00:05:17,984 AND BY CLASSIFIED DOCUMENTS, I MEAN THE PHOTOS I HAVE OF MARK 111 00:05:18,051 --> 00:05:23,556 NAKED. 112 00:05:23,623 --> 00:05:28,995 HEY, NO -- OH, LOOK AT THAT. 113 00:05:29,062 --> 00:05:32,331 ARE YOU GOING TO STEAL ANYTHING FROM THE SET? 114 00:05:32,398 --> 00:05:33,599 >> Ian: YES! 115 00:05:33,666 --> 00:05:35,601 >> James: WHAT ARE YOU GOING TO TAKE? 116 00:05:35,668 --> 00:05:40,573 >> Ian: I'M TAKING THE CARPOOL KARAOKE CAR. 117 00:05:40,640 --> 00:05:42,108 [LAUGHTER] >> James: ACTUALLY A GREAT 118 00:05:42,175 --> 00:05:42,775 IDEA. 119 00:05:42,842 --> 00:05:44,077 >> Ian: NOT A BAD IDEA, RIGHT? 120 00:05:44,143 --> 00:05:45,878 >> James: THAT'S A GREAT IDEA. 121 00:05:45,945 --> 00:05:47,013 I DON'T KNOW WHAT I SHOULD TAKE. 122 00:05:47,080 --> 00:05:48,915 DO YOU THINK I SHOULD TAKE THIS DESK? 123 00:05:48,981 --> 00:05:49,382 >> Ian: YES. 124 00:05:49,449 --> 00:05:50,349 >> James: DO YOU? 125 00:05:50,416 --> 00:05:51,551 >> Ian: YES. 126 00:05:51,617 --> 00:05:55,154 >> James: WHAT AM I ACTUALLY GOING TO BE DO WITH IT -- GOING 127 00:05:55,221 --> 00:05:56,689 TO DO WITH IT REALLY? 128 00:05:56,756 --> 00:05:58,357 IT'LL BE A WEIRD DESK IN THE ROOM. 129 00:05:58,424 --> 00:06:03,296 I'LL HAVE TO JUSTIFY IT BY BEING THERE BY GOING, YOU KNOW, THAT'S 130 00:06:03,362 --> 00:06:04,097 THE... 131 00:06:04,163 --> 00:06:07,600 [LAUGHTER] AND THEY'LL GO, OH, RIGHT. 132 00:06:07,667 --> 00:06:10,603 YOU REALLY CAN'T LET IT GO, CAN YOU? 133 00:06:10,670 --> 00:06:11,237 YOU KNOW? 134 00:06:11,304 --> 00:06:12,438 I MIGHT TAKE SOME OF THIS. 135 00:06:12,505 --> 00:06:13,406 >> Ian: YEAH. 136 00:06:13,473 --> 00:06:15,441 >> James: SOME OF THESE BUILDINGS. 137 00:06:15,508 --> 00:06:16,375 >> Ian: THAT'S THE MOVE. 138 00:06:16,442 --> 00:06:18,544 >> James: THAT'S THE MOVE I THINK, ISN'T IT? 139 00:06:18,611 --> 00:06:19,679 THAT'S THE MOVE. 140 00:06:19,746 --> 00:06:24,250 TAKE THE HOLLYWOOD BOWL MAYBE. 141 00:06:24,317 --> 00:06:28,221 WEAR IT AS A HALLOWEEN COSTUME. 142 00:06:28,287 --> 00:06:28,988 THAT'S IT. 143 00:06:29,055 --> 00:06:29,355 PETE. 144 00:06:29,422 --> 00:06:30,490 YOU GOT IT. 145 00:06:30,556 --> 00:06:33,559 THAT IS -- THAT IS THE MOST I'VE SEEN PETE MOVE -- 146 00:06:33,626 --> 00:06:36,996 - [LAUGHTER] - - IN 1,000 -- I ACTUALLY THINK 147 00:06:37,063 --> 00:06:40,500 IN 1,200 SHOWS, PETE, THIS IS THE FIRST TIME I'VE SEEN YOU 148 00:06:40,566 --> 00:06:41,200 FILM ANYTHING. 149 00:06:41,267 --> 00:06:49,842 [LAUGHTER] [APPLAUSE] 150 00:06:49,909 --> 00:06:56,149 MOVING ON, THE 80TH GOLDEN GLOBES WERE ON NBC LAST NIGHT. 151 00:06:56,215 --> 00:06:57,116 AND, CONTRACTUALLY, I MUST ADD... 152 00:06:57,183 --> 00:06:58,251 "FBI" AND "FBI INTERNATIONAL" WAS ALSO ON CBS. 153 00:06:58,317 --> 00:07:00,086 ONE OF THE BIG WINNERS WAS "THE BANSHEES OF INISHERIN." 154 00:07:00,153 --> 00:07:04,123 OR, AS YOUR MOM CALLS IT, "THE BANSHEES OF ED SHEERAN." 155 00:07:04,190 --> 00:07:05,625 [LAUGHTER] AND STEPHEN SPIELBERG WON THE 156 00:07:05,691 --> 00:07:11,664 GOLDEN GLOBE FOR BEST DIRECTOR FOR HIS MOVIE "THE FABELMANS." 157 00:07:11,731 --> 00:07:13,432 I THINK THIS IS GOING TO START THINGS OFF FOR HIM. 158 00:07:13,499 --> 00:07:16,869 [LAUGHTER] IF HE COULD USE THIS AS A 159 00:07:16,936 --> 00:07:21,140 JUMPING-OFF POINT, I DON'T KNOW, HE CAN LAND A BIG FRANCHISE 160 00:07:21,207 --> 00:07:22,275 MOVIE. 161 00:07:22,341 --> 00:07:24,277 [LAUGHTER] EVERYONE LOOKED GREAT, BUT I 162 00:07:24,343 --> 00:07:25,711 MUST SAY, THE MEN REALLY BROUGHT IT WITH THEIR OUTFITS LAST 163 00:07:25,778 --> 00:07:27,647 NIGHT. 164 00:07:27,713 --> 00:07:30,783 LOOK HOW MANY WARDROBE CHANGES HOST JERROD CARMICHAEL HAD 165 00:07:30,850 --> 00:07:33,653 DURING THE CEREMONY. 166 00:07:33,719 --> 00:07:36,889 LOOK AT THAT. 167 00:07:36,956 --> 00:07:38,124 SIX OUTFITS. 168 00:07:38,191 --> 00:07:42,128 EVERY SINGLE TIME IT'S BECAUSE HE SPILLED MUSTARD ON HIS SHIRT. 169 00:07:42,195 --> 00:07:44,797 HE LOOKED AMAZING! 170 00:07:44,864 --> 00:07:46,399 IF YOU'RE GONNA CHANGE YOUR OUTFIT SIX TIMES, YOU GOTTA AT 171 00:07:46,465 --> 00:07:47,466 LEAST HAVE MORE FUN WITH IT. 172 00:07:47,533 --> 00:07:52,238 DO A COWBOY ONCE, A CONSTRUCTION WORKER OR A MIGNON. 173 00:07:52,305 --> 00:07:55,942 WE'RE CELEBRATING MOVIES. 174 00:07:56,008 --> 00:07:57,109 HERE'S SETH ROGEN, WHO WENT FOR A BOLD ALL-PINK LOOK. 175 00:07:57,176 --> 00:07:59,378 HE LOOKS GREAT. 176 00:07:59,445 --> 00:08:06,886 ANYONE ELSE SUDDENLY CRAVING A POACHED SALMON? 177 00:08:06,953 --> 00:08:10,022 [LAUGHTER] I SAW THAT, I THOUGHT HE LOOKED 178 00:08:10,089 --> 00:08:11,257 SO GOOD. 179 00:08:11,324 --> 00:08:14,894 IF I TRIED TO PULL THAT OFF, I WOULD LIKE LIKE A GIANT ERASER. 180 00:08:14,961 --> 00:08:16,262 AND TAKE A LOOK AT EDDIE REDMAYNE, WHO OPTED FOR AN 181 00:08:16,329 --> 00:08:17,463 OVERSIZED BROWN BOUTONNIERE. 182 00:08:17,530 --> 00:08:22,902 THAT FLOWER IS SO BIG, EDDIE REDMAYNE HAD TO BRING IT AS HIS 183 00:08:22,969 --> 00:08:24,403 PLUS-ONE. 184 00:08:24,470 --> 00:08:27,807 [LAUGHTER] THIS LOOKS LIKE A PROJECT RUNWAY 185 00:08:27,874 --> 00:08:31,577 CHALLENGE WHERE THE MISSION WAS TO MAKE A SEXY UPS UNIFORM. 186 00:08:31,644 --> 00:08:34,180 [LAUGHTER] HERE'S ADAM SCOTT. 187 00:08:34,247 --> 00:08:36,949 HE DECIDED TO MIX THINGS UP WITH HIS TIE. 188 00:08:37,016 --> 00:08:38,751 LOOK AT THIS. 189 00:08:38,818 --> 00:08:39,919 WHEW. 190 00:08:39,986 --> 00:08:40,853 LOOKS LIKE SOMEONE WANTS TO LAND A ROLE ON A "YELLOWSTONE" 191 00:08:40,920 --> 00:08:41,687 SPINOFF. 192 00:08:41,754 --> 00:08:43,990 [LAUGHTER] SERIOUSLY, HE LOOKS AMAZING. 193 00:08:44,056 --> 00:08:45,024 EVEN BETTER, HE SMELLED LIKE FRIED CHICKEN. 194 00:08:45,091 --> 00:08:51,130 [LAUGHTER] "WHITE LOTUS" CREATOR MIKE WHITE 195 00:08:51,197 --> 00:08:54,333 ACKNOWLEDGED HE WAS A LITTLE DRUNK. 196 00:08:54,400 --> 00:08:58,537 >> I WAS GOING TO GIVE THIS SPEECH IN ITALIAN BUT I'M TOO 197 00:08:58,604 --> 00:09:00,840 DRUNK, BECAUSE THERE WAS NO FOOD. 198 00:09:00,907 --> 00:09:04,443 THE FOOD -- WHEN WE GOT THERE, THEY WERE LIKE, THE FOOD IS OV 199 00:09:04,510 --> 00:09:07,780 OVER. 200 00:09:07,847 --> 00:09:08,281 JUST DRINK. 201 00:09:08,347 --> 00:09:08,714 >> James: SO SMART. 202 00:09:08,781 --> 00:09:09,682 SO SMART. 203 00:09:09,749 --> 00:09:11,751 I'M GOING TO USE THAT THE NEXT TIME I'M DRUNK. 204 00:09:11,817 --> 00:09:14,520 I'M JUST GOING TO BE BASICALLY GOING BE "I'M NOT DRUNK! 205 00:09:14,587 --> 00:09:20,559 I'M HUNGRY!" DRINKING ON TELEVISION, I DON'T 206 00:09:20,626 --> 00:09:22,628 CONDONE THAT AT ALL. 207 00:09:22,695 --> 00:09:30,002 [LAUGHTER] [APPLAUSE] 208 00:09:30,069 --> 00:09:31,871 OF COURSE, JENNIFER COOLIDGE STOLE THE SHOW DURING HER 209 00:09:31,938 --> 00:09:32,638 ACCEPTANCE SPEECH. 210 00:09:32,705 --> 00:09:35,441 TAKE A LOOK AT HOW SHE STARTED OFF. 211 00:09:35,508 --> 00:09:40,446 >> WOW, I AM -- YEAH, I CAN'T -- I COULD PUT THIS DOWN, RIGHT? 212 00:09:40,513 --> 00:09:46,118 NO, I JUST -- [LAUGHTER] 213 00:09:46,185 --> 00:09:46,652 - - I DON'T WORK OUT. 214 00:09:46,719 --> 00:09:47,253 YOU KNOW WHAT I MEAN? 215 00:09:47,320 --> 00:09:49,188 I CAN'T HOLD IT THAT LONG. 216 00:09:49,255 --> 00:09:52,224 >> James: I CANNOT TELL YOU HOW MANY TIMES THAT LINE HAS 217 00:09:52,291 --> 00:09:56,963 GOTTEN ME OUT OF HELPING MY FRIENDS MOVE. 218 00:09:57,029 --> 00:10:01,968 BUT I MUST SAY, IT'S REALLY NICE TO SEE MYSELF REPRESENTED-- 219 00:10:02,034 --> 00:10:03,636 A HOLLYWOOD CELEBRITY OPENLY SAYING THE WORDS "I DON'T WORK 220 00:10:03,703 --> 00:10:05,271 OUT." 221 00:10:05,338 --> 00:10:09,008 [LAUGHTER] I FEEL SEEN! 222 00:10:09,075 --> 00:10:11,077 IF YOU DIDN'T WATCH THE ENTIRE SHOW, YOU WEREN'T ALONE. 223 00:10:11,143 --> 00:10:13,679 EVEN THE HOST, JERROD CARMICHAEL, HAD A HARD TIME 224 00:10:13,746 --> 00:10:15,614 GETTING PEOPLE WHO WERE ACTUALLY THERE IN THE ROOM TO PAY 225 00:10:15,681 --> 00:10:18,651 ATTENTION. 226 00:10:18,718 --> 00:10:20,853 >> SETTLE. 227 00:10:20,920 --> 00:10:21,487 SETTLE. 228 00:10:21,554 --> 00:10:22,488 SETTLE. 229 00:10:22,555 --> 00:10:25,291 PEOPLE IN THE BACK, LET'S BE A LITTLE QUIET HERE. 230 00:10:25,358 --> 00:10:26,859 CAN I TAKE A SECOND. 231 00:10:26,926 --> 00:10:27,893 WHOA. 232 00:10:27,960 --> 00:10:28,294 WHOA. 233 00:10:28,361 --> 00:10:28,661 WHOA. 234 00:10:28,728 --> 00:10:29,028 REAL QUICK. 235 00:10:29,095 --> 00:10:29,695 REAL QUICK. 236 00:10:29,762 --> 00:10:30,997 LET'S BE QUIET. 237 00:10:31,063 --> 00:10:32,498 LISTEN, EVERYBODY SETTLE. 238 00:10:32,565 --> 00:10:33,699 EVERYBODY GET QUIET. 239 00:10:33,766 --> 00:10:36,802 MAN, I DIDN'T THINK I'D SPEND THIS MUCH TIME TELLING YOU ALL 240 00:10:36,869 --> 00:10:41,273 TO SHUT UP. 241 00:10:41,340 --> 00:10:44,977 >> THAT'S THE FACE OF NICK BERNSTEIN WHILE HE'S TRYING TO 242 00:10:45,044 --> 00:10:46,212 ADDRESS THE CREW. 243 00:10:46,278 --> 00:10:49,081 I NOTICED ONE TABLE IN THE ROOM THAT WERE DEFINITELY HAVING A 244 00:10:49,148 --> 00:10:50,282 GREAT TIME. 245 00:10:50,349 --> 00:10:53,019 THERE WAS A GUY WHO WAS TRYING TO HIGH-FIVE EVERYBODY WHO WON 246 00:10:53,085 --> 00:10:56,822 WHILE THE PERSON NEXT TO HIM WAS DOING EVERYTHING HE COULD TO GET 247 00:10:56,889 --> 00:10:57,523 ON CAMERA. 248 00:10:57,590 --> 00:11:00,026 HAVE A LOOK AT THIS. 249 00:11:00,092 --> 00:11:03,562 HIGH-FIVES LIKE THIS, HOWEVER, AND NOW THE GUY IN THE GLASSES 250 00:11:03,629 --> 00:11:05,464 JUST STARTED STARING STRAIGHT DOWN THE CAMERA. 251 00:11:05,531 --> 00:11:05,965 AND THEN WHEN SPIELBERG WON, LOOK AT HIM THERE, HE WENT 252 00:11:06,032 --> 00:11:06,832 STRAIGHT OUT FOR IT. 253 00:11:06,899 --> 00:11:07,600 LOOK AT ME! 254 00:11:07,666 --> 00:11:14,974 [APPLAUSE] WAY TO MAKE IT ALL ABOUT 255 00:11:15,041 --> 00:11:15,307 YOURSELF. 256 00:11:15,374 --> 00:11:16,075 YOU KNOW? 257 00:11:16,142 --> 00:11:17,510 WHO DO YOU THINK YOU ARE? 258 00:11:17,576 --> 00:11:18,944 EVERYBODY ELSE IN HOLLYWOOD? 259 00:11:19,011 --> 00:11:19,645 AND THAT'S THE NEWS. 260 00:11:19,712 --> 00:11:21,714 WE'LL BE RIGHT BACK, EVERYBODY! 261 00:11:33,025 --> 00:11:35,194 >> James: WELCOME BACK. 262 00:11:35,261 --> 00:11:38,597 NOW, THE HOLIDAYS ARE OVER AND A LOT OF PEOPLE RECEIVED THE 263 00:11:38,664 --> 00:11:42,368 POPULAR APPLE WATCH SERIES 8 AS GIFTS. 264 00:11:42,435 --> 00:11:45,037 ANYONE IN HERE GET ONE AS A HOLIDAY GIFT? 265 00:11:45,104 --> 00:11:48,974 LIKE I SAY, A LOT OF PEOPLE GOT ONE AS A GIFT, BUT THE THING IS 266 00:11:49,041 --> 00:11:52,878 WITH OUR SHOW, WE ARE -- YOU ALREADY KNOW THIS BUT I'LL SAY 267 00:11:52,945 --> 00:11:57,116 IT ANY WAY -- WE'RE VERY MUCH AHEAD OF THE CURVE, YOU KNOW 268 00:11:57,183 --> 00:11:58,317 WHAT I MEAN? 269 00:11:58,384 --> 00:12:00,319 WE'RE SO AHEAD OF THE CURVE, WE'RE ACTUALLY A STRAIGHT LINE. 270 00:12:00,386 --> 00:12:02,088 WE CAN'T EVEN SEE THE CURVE. 271 00:12:02,154 --> 00:12:04,356 WE ALWAYS -- WE GOT OUR FINGER RIGHT THERE. 272 00:12:04,423 --> 00:12:07,126 IF IT'S NOT THERE, IT'S THERE, OK? 273 00:12:07,193 --> 00:12:08,494 IT'S ON THE PULSE. 274 00:12:08,561 --> 00:12:14,100 SO APPLE, UM, TIM COOK ACTUALLY SENT US THIS BRAND-NEW 275 00:12:14,166 --> 00:12:17,503 UNRELEASED APPLE WATCH SERIES 9 BECAUSE HE WANTED US TO SHARE 276 00:12:17,570 --> 00:12:20,806 WITH YOU -- BECAUSE WE'RE AHEAD OF THE CURVE -- SOME OF THE 277 00:12:20,873 --> 00:12:23,309 INCREDIBLE FEATURES, SO I'M GOING TO DO THAT NOW. 278 00:12:23,375 --> 00:12:26,245 NOW, ONE FEATURE THAT YOU'RE ABSOLUTELY GOING TO LOVE ON 279 00:12:26,312 --> 00:12:28,414 THIS, THEY ADDED UKELELE MODE. 280 00:12:28,481 --> 00:12:33,419 OK, WHEN YOU THINK, OH, I WISH I COULD PLAY THE UKELELE NOW, DO 281 00:12:33,486 --> 00:12:34,653 YOU KNOW WHAT I MEAN? 282 00:12:34,720 --> 00:12:38,023 AND YOU HAVEN'T GOT ONE, I THINK THAT HAPPENS ALL THE TIME, SO 283 00:12:38,090 --> 00:12:39,625 WELL NOW YOU CAN. 284 00:12:39,692 --> 00:12:41,927 YOU SET IT TO UKELELE MODE, OK? 285 00:12:41,994 --> 00:12:44,430 WE CAN ALWAYS PRESET THIS, GUYS. 286 00:12:44,497 --> 00:12:47,299 WE SHOULD ALWAYS PRESET THIS. 287 00:12:47,366 --> 00:12:55,274 I'VE SAID IT COUNTLESS TIMES, IF IT'S PRESET, THE BIT WILL START 288 00:12:55,341 --> 00:12:57,243 - - [LAUGHTER] 289 00:12:57,309 --> 00:13:02,848 ACTUALLY WRITE THAT DOWN FOR TIM. 290 00:13:02,915 --> 00:13:09,221 JUST A MENTAL NOTE. 291 00:13:09,288 --> 00:13:09,922 TIM? 292 00:13:09,989 --> 00:13:17,563 TIMBO, PRESET IT. 293 00:13:17,630 --> 00:13:20,366 THIS IS A TV SHOW. 294 00:13:20,432 --> 00:13:26,405 [LAUGHTER] IT TAKES TOO LONG TO GET TO THE 295 00:13:26,472 --> 00:13:38,450 BIT AND THEN THE BIT DOESN'T BIT TART. HEN THE BIT DOESN'T 296 00:13:38,517 --> 00:13:39,218 I'VE WRITTEN TOO BIG. 297 00:13:39,285 --> 00:13:41,153 I GOT DO ANOTHER ONE. 298 00:13:41,220 --> 00:13:43,088 THE BIT IS HELD UP. 299 00:13:43,155 --> 00:13:47,793 [APPLAUSE] DOWN THAT? 300 00:13:47,860 --> 00:13:48,594 I'LL CALL HIM. 301 00:13:48,661 --> 00:13:50,062 - - I'LL CALL HIM. 302 00:13:50,129 --> 00:13:50,696 I'LL CALL HIM. 303 00:13:50,763 --> 00:13:51,897 THAT'S EASIER. 304 00:13:51,964 --> 00:13:55,634 ALL RIGHT, SO YOU SET IT -- YOU SET IT TO UKELELE MODE, OK? 305 00:13:55,701 --> 00:13:57,269 AND THEN WATCH. 306 00:13:57,336 --> 00:14:12,218 [UKELELE STRUMMING] SEE? 307 00:14:12,284 --> 00:14:14,153 [UKELELE STRUMMING] SEE? 308 00:14:14,220 --> 00:14:17,489 IT'S LIKE YOU CAN PICK AROUND. 309 00:14:17,556 --> 00:14:19,592 SO THAT'S UKELELE MODE. 310 00:14:19,658 --> 00:14:24,029 THIS, I THOUGHT -- THIS IS A -- THIS IS A -- THIS IS A NICE 311 00:14:24,096 --> 00:14:26,198 LITTLE NOD, ACTUALLY THIS TO A SIMPLER TIME. 312 00:14:26,265 --> 00:14:30,669 WE ALL KNOW TYPE ON TABLETS OR COMPUTERS BUT THIS, YOU MIGHT 313 00:14:30,736 --> 00:14:36,175 WANT TO TYPE ON A TYPEWRITER SO YOU COULD JUST SET IT TO 314 00:14:36,242 --> 00:14:37,243 TYPEWRITER MODE, OK? 315 00:14:37,309 --> 00:14:41,814 AND WATCH. 316 00:14:41,880 --> 00:14:56,762 [CLICKING AND DINGING SOUNDS] [SILENCE] 317 00:14:56,829 --> 00:15:00,466 [CLICKING AND DINGING SOUNDS] [SILENCE] 318 00:15:00,532 --> 00:15:07,206 [ZIPPING NOISES] [CRUNCHING] 319 00:15:07,273 --> 00:15:09,208 GOT ALL THE JOYS OF ALL OF IT! 320 00:15:09,275 --> 00:15:24,156 NOW -- NOW -- NOW, IF YOU'VE EVER -- I'M SURE MANY OF YOU 321 00:15:24,223 --> 00:15:25,424 NOW -- NOW -- NOW, IF YOU'VE EVER -- I'M SURE MANY OF YOU 322 00:15:25,491 --> 00:15:27,126 HAVE OFTEN FANTASIZED ABOUT WHAT IT WOULD FEEL LIKE TO BE IN AN 323 00:15:27,192 --> 00:15:28,360 80'S SPORTS MOVIE. 324 00:15:28,427 --> 00:15:34,967 WELL, THEY'VE GOT THIS MODE WHICH IS CALLED "80'S WORKOUT 325 00:15:35,034 --> 00:15:36,235 MONTAGE." 326 00:15:36,302 --> 00:15:48,647 YOU SET IT TO 80'S -- IS IT -- U SET IT TO 80'S MONTAGE MODE AND 327 00:15:48,714 --> 00:15:52,985 WATCH. 328 00:15:53,052 --> 00:16:03,362 [ELECTRONIC MUSIC] NOW, IF YOU -- IF YOU KNOW -- 329 00:16:03,429 --> 00:16:08,934 YOU KNOW WHEN YOU'RE HAVING A STRESSFUL DAY -- I DON'T KNOW 330 00:16:09,001 --> 00:16:14,373 ABOUT YOU -- YOU KNOW WHEN YOU'RE HAVING A STRESSFUL DAY 331 00:16:14,440 --> 00:16:17,276 AND YOU WISH YOU COULD POP A BALLOON? 332 00:16:17,343 --> 00:16:21,513 YOU KNOW THAT FEELING, RIGHT? 333 00:16:21,580 --> 00:16:31,256 WELL, THIS -- THIS -- THIS IS. 334 00:16:31,323 --> 00:16:33,092 [CHUCKLES] THIS IS BALLOON POP MODE, OK? 335 00:16:33,158 --> 00:16:38,564 AND YOU DON'T HAVE TO WORRY ABOUT WHETHER YOU'VE GOT 336 00:16:38,630 --> 00:16:39,365 BALLOONS. 337 00:16:39,431 --> 00:16:43,268 [LAUGHTER] >> Ian: WHEN MIGHT YOU USE 338 00:16:43,335 --> 00:16:44,303 THIS ONE AGAIN? 339 00:16:44,370 --> 00:16:47,239 >> James: MAYBE IF YOU'RE HAVING A STRESSFUL DAY. 340 00:16:47,306 --> 00:16:47,539 >> Ian: OK. 341 00:16:47,606 --> 00:16:48,374 OK. 342 00:16:48,440 --> 00:16:50,309 >> James: SO THIS IS BALLOON POP MODE. 343 00:16:50,376 --> 00:16:51,477 OK? 344 00:16:51,543 --> 00:16:53,979 YOU SET IT TO THIS AND JUST WHENEVER YOU WANT, YOU CAN DO 345 00:16:54,046 --> 00:16:55,280 THIS. 346 00:16:55,347 --> 00:16:58,617 [POP] [POP] 347 00:16:58,684 --> 00:17:13,565 [POP] [APPLAUSE] 348 00:17:13,632 --> 00:17:15,734 [POP] [APPLAUSE] 349 00:17:15,801 --> 00:17:27,112 [POP] NOW, I DIDN'T GROW UP HERE. 350 00:17:27,179 --> 00:17:31,250 I KNOW THAT SHOCKS YOU, BUT ONE THING I DO WANT TO DO BEFORE I 351 00:17:31,316 --> 00:17:34,520 MOVE BACK TO LONDON IS I REALLY WANT TO ATTEND MARDI GRAS. 352 00:17:34,586 --> 00:17:37,723 NOW, IF YOU CAN'T GET TO MARDI GRAS, YOU CAN JUST GO TO THEIR 353 00:17:37,790 --> 00:17:39,191 NEW MARDI GRAS MODE, OK? 354 00:17:39,258 --> 00:17:51,570 SO YOU SET THE WATCH TO MARDI GRAS MODE AND YOU JUST GO! 355 00:17:51,637 --> 00:17:57,376 [MUSIC] WHAT'S GREAT IS -- BECAUSE IT 356 00:17:57,443 --> 00:17:58,877 SENSES THE WATCH. 357 00:17:58,944 --> 00:18:03,115 IT JUST CUTS OFF AT THE EXACT TIME YOU STOP. 358 00:18:03,182 --> 00:18:06,318 NOW, I KNOW WHAT YOU'RE THINKING, YOU'RE THINKING, 359 00:18:06,385 --> 00:18:09,354 JAMES, THESE MODES ARE BRILL BRILLIANT. 360 00:18:09,421 --> 00:18:12,224 THANK YOU FOR SHARING THEM. 361 00:18:12,291 --> 00:18:16,995 I CAN'T WAIT TO BUY THE NEW APPLE WATCH SERIES 9. 362 00:18:17,062 --> 00:18:19,631 THE ONLY THING HOLDING ME BACK IS WHETHER YOU CAN SWITCH 363 00:18:19,698 --> 00:18:23,135 BETWEEN ALL OF THEM IN SOME SORT OF SWITCH MODE, AND YOU CAN! 364 00:18:23,202 --> 00:18:32,177 BECAUSE YOU GO TO SWITCH MODE -- [LAUGHTER] 365 00:18:32,244 --> 00:18:34,546 - - THIS IS -- THE PROBLEM IS THIS IS TOO SMALL. 366 00:18:34,613 --> 00:18:41,019 [LAUGHTER] >> SOUNDS LIKE TIM COOK IS 367 00:18:41,086 --> 00:18:41,954 GETTING ANOTHER LETTER. 368 00:18:42,020 --> 00:18:46,859 [LAUGHTER] >> James: WHAT WOULD YOU CALL 369 00:18:46,925 --> 00:18:47,559 THAT? 370 00:18:47,626 --> 00:18:48,594 THE ROLLER? 371 00:18:48,660 --> 00:18:51,029 >> Reggie: DIGITAL CROWN. 372 00:18:51,096 --> 00:18:51,930 >> James: WHAT? 373 00:18:51,997 --> 00:18:53,765 >> Reggie: THE DIGITAL CROWN. 374 00:18:53,832 --> 00:18:56,735 >> James: THE DIGITAL CROWN IS TOO SMALL. 375 00:18:56,802 --> 00:19:04,042 FYI. 376 00:19:04,109 --> 00:19:08,180 [PIANO MUSIC] I DON'T THINK WE CAN DO ME 377 00:19:08,247 --> 00:19:10,816 WRITING LETTERS WITH MUSIC ON. 378 00:19:10,883 --> 00:19:13,919 [APPLAUSE] OK, SO YOU GO -- THE SWITCH MO 379 00:19:13,986 --> 00:19:21,126 MODE, AND, WATCH, YOU CAN DO THEM ALL AT THE SAME TIME. 380 00:19:21,193 --> 00:19:27,332 [MUSIC] [POP] 381 00:19:27,399 --> 00:19:33,672 [UKELELE STRUMMING] [POP] 382 00:19:33,739 --> 00:19:34,706 [UKELELE STRUMMING] [POP] 383 00:19:34,773 --> 00:19:36,341 [POP] [POP] 384 00:19:36,408 --> 00:19:44,816 [UKELELE STRUMMING] [DINGING] 385 00:19:44,883 --> 00:19:47,886 [MUSIC] WE'LL BE RIGHT BACK! 386 00:19:47,953 --> 00:19:49,955 WE'LL BE RIGHT BACK WITH MORE OF "THE LATE LATE SHOW," EVERYBODY. 387 00:20:02,000 --> 00:20:03,101 >> James: WELCOME BACK. 388 00:20:03,168 --> 00:20:05,771 LET'S MEET OUR GUESTS TONIGHT! 389 00:20:05,837 --> 00:20:07,806 HE STARS IN "THE FABELMANS," PAUL DANO! 390 00:20:07,873 --> 00:20:12,511 [CHEERS AND APPLAUSE] ♪ 391 00:20:12,578 --> 00:20:15,314 >> Reggie: IT'S PAUL DANO! 392 00:20:15,380 --> 00:20:19,184 ♪ [CHEERS AND APPLAUSE] 393 00:20:19,251 --> 00:20:27,159 >> James: SHE STARS IN "ANNE RICE'S MAYFAIR WITCHES," 394 00:20:27,225 --> 00:20:28,994 ALEXANDRA DADDARIO. 395 00:20:29,061 --> 00:20:39,271 >> Reggie: IT'S ALEXANDRA DADDARIO! ♪ 396 00:20:39,338 --> 00:20:43,542 [CHEERS AND APPLAUSE] >> James: BLESS YOU, BLESS 397 00:20:43,609 --> 00:20:44,409 YOU, BOTH, FOR BEING HERE. 398 00:20:44,476 --> 00:20:46,278 MUCH TO TALK ABOUT. 399 00:20:46,345 --> 00:20:47,212 I'M THRILLED THAT YOU'RE HERE. 400 00:20:47,279 --> 00:20:49,982 NOW, PAUL, THE GOLDEN GLOBES WERE LAST NIGHT. 401 00:20:50,048 --> 00:20:51,350 FABLEMANS WON BIG! 402 00:20:51,416 --> 00:20:54,920 CONGRATULATIONS TO YOU AND THE ENTIRE CAST AND CREW. 403 00:20:54,987 --> 00:20:57,990 NOW, YOU SAT NEXT TO STEVEN SPIELBERG WHICH I'M SURE EVEN 404 00:20:58,056 --> 00:21:00,859 WHEN YOU'VE WORKED WITH HIM IS A THRILL, BUT HERE'S A PHOTO OF 405 00:21:00,926 --> 00:21:02,761 THE TWO OF YOU. 406 00:21:02,828 --> 00:21:04,129 NOW, WHAT IS HAPPENING HERE? 407 00:21:04,196 --> 00:21:07,699 IS HE VIDEOING YOU OR TAKING A PHOTO? 408 00:21:07,766 --> 00:21:08,934 WHAT'S GOING ON? 409 00:21:09,001 --> 00:21:12,371 >> WELL, YES, SO THAT'S ACTUALLY US SENDING A VIDEO TO HIS WIFE 410 00:21:12,437 --> 00:21:13,372 WHO WASN'T THERE. 411 00:21:13,438 --> 00:21:14,539 LITTLE FAMILY VIDEO. 412 00:21:14,606 --> 00:21:18,644 - YOU KNOW, I MEAN, IT'S -- IT'S - - IT'S A FILM ABOUT FAMILY, 413 00:21:18,710 --> 00:21:19,811 RIGHT? 414 00:21:19,878 --> 00:21:21,346 AND STEVEN AND HIS SISTERS REALLY SORT OF TOOK US IN THEIR 415 00:21:21,413 --> 00:21:22,414 HEART. 416 00:21:22,481 --> 00:21:24,349 WE'VE MADE MANY A VIDEO THAT WE SEND TO HIS FAMILY. 417 00:21:24,416 --> 00:21:28,520 >> James: ARE YOU EVER TEMPTED TO BE LIKE, STEVEN, I THINK 418 00:21:28,587 --> 00:21:30,222 YOU'RE SHOOTING THIS ALL WRONG? 419 00:21:30,288 --> 00:21:31,023 >> DEFINITELY NOT. 420 00:21:31,089 --> 00:21:32,658 >> James: NO. 421 00:21:32,724 --> 00:21:34,793 ALEXANDRA, SINCE YOU WERE LAST YEAR, CONGRATULATIONS! 422 00:21:34,860 --> 00:21:35,994 YOU GOT MARRIED. 423 00:21:36,061 --> 00:21:37,896 UM, NOW -- [CHEERS AND APPLAUSE] 424 00:21:37,963 --> 00:21:39,765 WEDDINGS ARE ALWAYS A STRESSFUL TIME. 425 00:21:39,831 --> 00:21:43,935 ON A SCALE OF 1-10, HOW STRESSFUL WAS IT PLANNING THE 426 00:21:44,002 --> 00:21:45,504 WEDDING? 427 00:21:45,570 --> 00:21:48,540 >> SO MY HUSBAND AND I ARE REALLY BAD PARTY PLANNERS IN 428 00:21:48,607 --> 00:21:55,447 GENERAL AND WE DON'T NEED EXTRA STRESS, SO WE EVEN JUMPED LIKE 429 00:21:55,514 --> 00:21:59,051 FIRST WE WERE GOING TO GET INTO MONTANA AND THEN ITALY AND THEN 430 00:21:59,117 --> 00:22:00,285 I SHOT A SHOW IN NEW ORLEANS. 431 00:22:00,352 --> 00:22:03,321 I WAS LIKE, WHY NOT JUST GET MARRIED IN NEW ORLEANS? 432 00:22:03,388 --> 00:22:05,123 >> James: BECAUSE YOU WERE THERE AT THE TIME. 433 00:22:05,190 --> 00:22:08,527 >> BECAUSE I WAS THERE AT THE TIME. 434 00:22:08,593 --> 00:22:10,929 I EVEN TEXTED COOLIDGE THE NIGHT BEFORE. 435 00:22:10,996 --> 00:22:12,264 I KNEW SHE LIVED IN NEW ORLEANS. 436 00:22:12,330 --> 00:22:14,399 IF YOU WANT TO COME, YOU CAN COME. 437 00:22:14,466 --> 00:22:15,200 SHE'S LIKE, SURE! 438 00:22:15,267 --> 00:22:15,801 OF COURSE. 439 00:22:15,867 --> 00:22:16,501 SHE CAME. 440 00:22:16,568 --> 00:22:17,903 IT WAS SORT OF LIKE A BIG PARTY. 441 00:22:17,969 --> 00:22:20,572 >> James: I WOULD ARGUE THAT'S THE PERFECT WAY TO GET MARRIED, 442 00:22:20,639 --> 00:22:24,710 TO JUST DO IT ON A GROUP TEXT. 443 00:22:24,776 --> 00:22:25,444 >> YEAH. 444 00:22:25,510 --> 00:22:26,712 >> James: PAUL, CONGRATULATIONS. 445 00:22:26,778 --> 00:22:30,982 SINCE YOU WERE LAST ON THE SHOW, YOU AND ZOE, YOUR PARTNER, HAVE 446 00:22:31,049 --> 00:22:33,518 HAD YOUR SECOND BABY, CONGRATULATIONS! 447 00:22:33,585 --> 00:22:36,321 [APPLAUSE] NOW, A CHILD WAS BORN, YOUR 448 00:22:36,388 --> 00:22:36,988 SECOND CHILD. 449 00:22:37,055 --> 00:22:38,924 ALWAYS A HUGE JUMP AND A LEAP. 450 00:22:38,990 --> 00:22:43,028 YOU GO FROM SORT OF HAVING A PET TO OWNING A ZOO, AND YOU BOTH -- 451 00:22:43,095 --> 00:22:48,433 BUT YOU BOTH RELEASED NEW MOVIES LIKE WEEKS AFTER THE BABY WAS 452 00:22:48,500 --> 00:22:49,367 BORN. 453 00:22:49,434 --> 00:22:50,669 HOW WAS THAT? 454 00:22:50,736 --> 00:22:52,404 WAS ANYBODY GETTING ANY SLEEP AROUND THAT TIME? 455 00:22:52,471 --> 00:22:56,775 >> UM, YOU -- I -- I SUPPOSE REALLY -- I'M NOT THE ONE IN 456 00:22:56,842 --> 00:23:00,479 POSITION TO, UM, COMPLAIN ABOUT SLEEP AT THE MOMENT, BECAUSE 457 00:23:00,545 --> 00:23:01,146 THIS LITTLE GUY EATS. 458 00:23:01,213 --> 00:23:04,616 I MEAN, HE JUST EATS ALL DAY. 459 00:23:04,683 --> 00:23:08,220 HE CHOWS HARD SO -- YOU -- YOU KNOW, MY -- MY -- MY -- SHE'S 460 00:23:08,286 --> 00:23:09,454 NOT MY WIFE ACTUALLY. 461 00:23:09,521 --> 00:23:12,524 WE'RE SO BAD AT PLAYING -- WE JUST NEVER GOT MARRIED. 462 00:23:12,591 --> 00:23:13,258 IT'S BEEN 15 YEARS. 463 00:23:13,325 --> 00:23:14,459 >> James: YEAH. 464 00:23:14,526 --> 00:23:16,728 >> AND I THINK THAT NEITHER OF US FRANKLY WANTED TO PLAN THE 465 00:23:16,795 --> 00:23:20,599 WEDDING AND SO WE JUST SAID, WELL, WE'LL JUST -- WE'LL JUST 466 00:23:20,665 --> 00:23:21,066 LIVE TOGETHER. 467 00:23:21,133 --> 00:23:21,900 >> James: CORRECT. 468 00:23:21,967 --> 00:23:22,501 YEAH. 469 00:23:22,567 --> 00:23:23,735 >> YEAH. 470 00:23:23,802 --> 00:23:26,905 UM, YES, SO WE'RE -- WE'RE -- WE'RE TIRED BUT WE'RE ALSO LIKE 471 00:23:26,972 --> 00:23:28,173 HAPPY. 472 00:23:28,240 --> 00:23:31,643 LIKE, WE HAVE A SWEET LITTLE -- SWEET LITTLE GUY AND IT'S REALLY 473 00:23:31,710 --> 00:23:32,410 NICE. 474 00:23:32,477 --> 00:23:34,780 >> James: AW, I'M SO HAPPY FOR YOU. 475 00:23:34,846 --> 00:23:38,216 NOW, YOU'VE BOTH BEEN IN THE BUSINESS FOR A LONG TIME. 476 00:23:38,283 --> 00:23:40,852 ALEXANDRA, YOU STARTED ACTING AS A CHILD. 477 00:23:40,919 --> 00:23:44,856 AND WHEN YOU WERE 13 -- IS THIS RIGHT -- YOU AUDITIONED FOR A 478 00:23:44,923 --> 00:23:48,460 "GOT MILK" CAMPAIGN BUT IT NEVER MADE IT TO AIR. 479 00:23:48,527 --> 00:23:49,194 WHAT HAPPENED? 480 00:23:49,261 --> 00:23:49,995 WHY? 481 00:23:50,061 --> 00:23:53,899 >> IT WAS A "GOT CHOCOLATE MILK" AD. 482 00:23:53,965 --> 00:23:55,133 >> James: AH, I SEE. 483 00:23:55,200 --> 00:23:59,271 >> THEY PAIRED US UP -- A BUNCH OF REALLY YOUNG TEENAGERS, 13 484 00:23:59,337 --> 00:24:02,040 AND 14 -- AND WE GOT IN THE ROOM AND YOU HAD TO PUT -- THE GIRLS 485 00:24:02,107 --> 00:24:08,446 HAD TO PUT MILK IN THEIR MOUTH AND THE BOY HAD TO PUT CHOCOLATE 486 00:24:08,513 --> 00:24:14,820 SYRUP IN HIS MOUTH AND THEN YOU HAD TO, UM, MAKEOUT. 487 00:24:14,886 --> 00:24:16,855 THEN YOU HAD TO TURN TO THE CAMERA -- THE GIRL, I HAD TO 488 00:24:16,922 --> 00:24:21,626 TURN TO THE CAMERA AND GO, "GOT CHOCOLATE MILK WITH THE 489 00:24:21,693 --> 00:24:23,361 CHOCOLATE MILK MUSTACHE." 490 00:24:23,428 --> 00:24:26,498 I WAS JUST EXCITED TO KISS A BOY, I THINK, BUT -- 491 00:24:26,565 --> 00:24:28,567 >> James: BUT IN HINDSIGHT. 492 00:24:28,633 --> 00:24:30,702 >> LOOKING BACK, VERY STRANGE! 493 00:24:30,769 --> 00:24:34,139 >> James: IT'S -- IT'S ARGUABLY ONE OF THE MOST 494 00:24:34,206 --> 00:24:35,240 HORRIFIC THINGS I'VE EVER HEARD ON THIS SHOW. 495 00:24:35,307 --> 00:24:37,242 [LAUGHTER] >> YEAH, I'M NOT SURE HOW PEOPLE 496 00:24:37,309 --> 00:24:38,944 ARE GOING TO REACT TO THAT ONE. 497 00:24:39,010 --> 00:24:40,912 LOOK, IT WAS OVER 20 YEARS AGO NOW. 498 00:24:40,979 --> 00:24:44,950 >> James: SURE, BUT I THINK WE ALL UNDERSTAND WHY IT NEVER 499 00:24:45,016 --> 00:24:45,383 AIRED. 500 00:24:45,450 --> 00:24:46,551 >> THAT'S RIGHT! 501 00:24:46,618 --> 00:24:48,119 SOMEONE CAME TO THEIR SENSES AND SAID, "WHAT ARE WE DOING?" 502 00:24:48,186 --> 00:24:51,923 >> James: CAN YOU IMAGINE THE GUYS GOING, "HEY, WE SHOT THE 503 00:24:51,990 --> 00:24:53,058 COMMERCIAL. 504 00:24:53,124 --> 00:24:55,393 LET'S SEE WHAT YOU THINK, BOSS!" AND THEY'RE LIKE, "NO!" 505 00:24:55,460 --> 00:24:58,129 >> I THINK THAT MIGHT HAVE BEEN WHAT HAPPENED. 506 00:24:58,196 --> 00:24:59,898 >> James: NOW, LET'S TALK ABOUT THE 507 00:24:59,965 --> 00:25:00,899 FABELMANS. 508 00:25:00,966 --> 00:25:01,700 HUGE SUCCESS. 509 00:25:01,766 --> 00:25:03,902 IT WON TWO GOLDEN GLOBES LAST NIGHT. 510 00:25:03,969 --> 00:25:08,907 NOMINATED THIS MORNING FOR TWO SAG AWARDS. 511 00:25:08,974 --> 00:25:10,208 FOR ANYONE WHO DOESN'T KNOW YET, TELL US ABOUT THE MOVIE AND WHO 512 00:25:10,275 --> 00:25:10,709 YOU PLAY. 513 00:25:10,775 --> 00:25:11,910 >> SURE, FABELMANS. 514 00:25:11,977 --> 00:25:15,914 IT'S ABOUT STEVEN SPIELBERG'S UPBRINGING. 515 00:25:15,981 --> 00:25:17,015 IT'S ABOUT HIS FAMILY. 516 00:25:17,082 --> 00:25:20,919 IT'S ABOUT A KID DISCOVERING WHAT HE LOVES WHICH IS THE 517 00:25:20,986 --> 00:25:24,923 MOVIES AND THE CAMERA, AND IT'S ABOUT HIS PARENTS GETTING 518 00:25:24,990 --> 00:25:26,091 DIVORCED AND THOSE TWO THINGS HAPPENING AT THE SAME TIME. 519 00:25:26,157 --> 00:25:32,931 UM, I THINK IT'S, UM, REALLY, REALLY BEAUTIFUL AND TO SEE 520 00:25:32,998 --> 00:25:34,866 STEVEN AT THIS POINT IN HIS CAREER SORT OF PUT HIS HEART ON 521 00:25:34,933 --> 00:25:37,369 THE LINE LIKE THIS HAS BEEN REALLY, UM, EXCITING. 522 00:25:37,435 --> 00:25:43,441 >> James: WAS HE INCREDIBLY -- I CAN ONLY -- WHEN I WATCHED THE 523 00:25:43,508 --> 00:25:44,609 FILM, WHICH I REALLY LOVED. 524 00:25:44,676 --> 00:25:45,577 I LOVE ALL OF HIS WORK. 525 00:25:45,644 --> 00:25:46,978 I LOVE ALL OF YOUR WORK. 526 00:25:47,045 --> 00:25:51,016 WAS HE INCREDIBLY EMOTIONAL WHILE YOU WERE MAKING THE MONTH 527 00:25:51,082 --> 00:25:52,017 OF SNEEP. 528 00:25:52,083 --> 00:25:54,219 >> YEAH, I MEAN, RIGHT FROM -- MAKING THE MOVIE? 529 00:25:54,286 --> 00:25:57,489 >> YEAH, I MEAN RIGHT FROM THE FIRST ZOOM WHICH HELPED US SEE 530 00:25:57,555 --> 00:26:01,426 THIS GUY THAT WE ALL REVERE AND HE HAD HIS IMPRINT ON OUR 531 00:26:01,493 --> 00:26:07,098 CULTURE, BUT TO SEE IT IN HIS EYES, IT ALLOWED ME TO KIND OF 532 00:26:07,165 --> 00:26:13,305 BE PAUL AND BE ON A REAL LEVEL AND SEE HIM WHO HE IS, NOT JUST 533 00:26:13,371 --> 00:26:14,940 THE STEVEN SPIELBERG WE THINK ABOUT BUT CERTAINLY THERE WERE A 534 00:26:15,006 --> 00:26:19,344 LOT OF DAYS ON SET WHERE MICHELLE WILLIAMS AND I WOULD GO 535 00:26:19,411 --> 00:26:23,081 AND, YOU KNOW, WOULD GIVE HIM A HUG, BECAUSE, UM, BEHIND HIS 536 00:26:23,148 --> 00:26:29,721 MASK WERE, YOU KNOW, TEARS AND SNIFFLES. 537 00:26:29,788 --> 00:26:30,855 >> James: I CAN ONLY IMAGINE. 538 00:26:30,922 --> 00:26:33,925 BUT HOW DO YOU EVEN BEGIN TO PREP FOR A ZOOM WITH STEVEN 539 00:26:33,992 --> 00:26:34,993 SPIELBERG? 540 00:26:35,060 --> 00:26:37,262 WHEN SOMEONE SAYS, "CAN YOU ZOOM TOMORROW AT 11:00?" 541 00:26:37,329 --> 00:26:39,864 MY HEAD WOULD IMMEDIATELY GO TO WHAT'S THE BACKGROUND? 542 00:26:39,931 --> 00:26:41,232 WHAT AM I GOING TO DO? 543 00:26:41,299 --> 00:26:43,835 WHAT DO I HAVE? 544 00:26:43,902 --> 00:26:45,670 A "JAWS" POSTER OR NOT HAVE A "JAWS" POSTER? 545 00:26:45,737 --> 00:26:46,371 WHAT DO I DO? 546 00:26:46,438 --> 00:26:48,273 >> THIS WAS DURING THE PANDEMIC. 547 00:26:48,340 --> 00:26:50,709 WE WERE LIVING WITH MY IN-LAWS AT THE MOMENT. 548 00:26:50,775 --> 00:26:53,979 WE DIDN'T HAVE CHILDCARE WE DIDN'T KNOW WHAT WAS GOING ON AT 549 00:26:54,045 --> 00:26:54,746 THIS POINT. 550 00:26:54,813 --> 00:26:56,915 THIS WAS SPRING OF WHENEVER IT WAS. 551 00:26:56,982 --> 00:27:01,619 I WENT FROM ROOM TO ROOM LOOKING FOR THE BEST BACKGROUND. 552 00:27:01,686 --> 00:27:02,153 I DO SHAVE? 553 00:27:02,220 --> 00:27:02,988 DO I PUT IN CONTACTS? 554 00:27:03,054 --> 00:27:05,090 I NORMALLY WEAR GLASSES EVERY DAY. 555 00:27:05,156 --> 00:27:07,325 I DID A STRAIGHT RAZOR SHADE. 556 00:27:07,392 --> 00:27:08,326 I PUT IN MY CONTACTS. 557 00:27:08,393 --> 00:27:10,095 I TRIED TO GET THE RIGHT LIGHT. 558 00:27:10,161 --> 00:27:13,665 I HAD NO CLUE WHAT THE FILM WAS GOING TO BE ABOUT, WHY I WAS 559 00:27:13,732 --> 00:27:14,899 MEETING HIM. 560 00:27:14,966 --> 00:27:18,269 HE TOLD ME WHAT THE MOVIE WAS ABOUT, HIS FATHER, ARNOLD 561 00:27:18,336 --> 00:27:19,070 SPIELBERG. 562 00:27:19,137 --> 00:27:19,637 HIS FATHER HAS A THICK 5:00 SHADOW. 563 00:27:19,704 --> 00:27:20,305 HE'S GOT THICK GLASSES. 564 00:27:20,372 --> 00:27:24,909 AND I THOUGHT, OH, I BLEW IT. 565 00:27:24,976 --> 00:27:26,444 I HAD A GREAT TIME TALKING TO HIM. 566 00:27:26,511 --> 00:27:30,615 I LOOKED UP THE IMAGE, RIGHT AFTER IT, I THOUGHT I BLEW IT. 567 00:27:30,682 --> 00:27:31,816 I BLEW IT. 568 00:27:31,883 --> 00:27:33,051 >> James: HOW LONG AFTER THAT SOON DID YOU FIND OUT YOU GOT 569 00:27:33,118 --> 00:27:33,718 THE JOB? 570 00:27:33,785 --> 00:27:35,920 >> UM, IT ACTUALLY TOOK A BIT. 571 00:27:35,987 --> 00:27:38,823 IT WAS -- IT WAS HARD TO WAIT, BECAUSE THIS IS ONE OF THE TIMES 572 00:27:38,890 --> 00:27:41,126 WHERE I REALLY HAD A BIG FEELING ABOUT IT. 573 00:27:41,192 --> 00:27:46,064 REALLY WANTED TO BE THERE, ESPECIALLY KNOWING WHAT THIS 574 00:27:46,131 --> 00:27:47,298 FILM WOULD MEAN TO HIM. 575 00:27:47,365 --> 00:27:51,069 AND THEN WE ENDED UP HAVING A THIRD ZOOM WHERE HE HAD A CIGAR 576 00:27:51,136 --> 00:27:55,206 IN HIS MOUTH, UNLIT CIGAR, AND HE SAID, "I THINK YOU'LL MAKE MY 577 00:27:55,273 --> 00:27:56,741 DAD PROUD." 578 00:27:56,808 --> 00:27:58,810 >> James: LET'S TAKE A LOOK AT A CLIP FROM "THE FABELMANS" IN 579 00:28:01,946 --> 00:28:05,583 >> YOU KNOW YOU'LL WORK LIKE THE DICKENS ON WHATEVER YOU WIND UP 580 00:28:05,650 --> 00:28:12,957 DOING BECAUSE YOU'RE A CHIP OFF THE OLD BLOCK. 581 00:28:13,024 --> 00:28:18,129 WE'RE NEVER NOT GOING TO KNOW EACH OTHER, SAMMY. 582 00:28:18,196 --> 00:28:20,632 >> HOW DO YOU KNOW THAT? 583 00:28:20,698 --> 00:28:23,201 YOU AND MOM DON'T ANYMORE. 584 00:28:23,268 --> 00:28:25,003 >> YES, WE DO. 585 00:28:25,070 --> 00:28:28,473 WE ALWAYS WILL. 586 00:28:28,540 --> 00:28:37,182 I KNOW IT BECAUSE WE'VE GONE TOO FAR IN OUR STORY TO ACTUALLY SAY 587 00:28:37,248 --> 00:28:39,250 "THE END." 588 00:28:41,986 --> 00:28:43,421 [APPLAUSE] >> James: STICK AROUND. 589 00:28:43,488 --> 00:28:44,489 MORE WITH THESE TWO WHEN WE COME BACK. 590 00:28:51,129 --> 00:28:59,771 >> HEY, WHY ARE YOU FOLLOWING ME? 591 00:28:59,838 --> 00:29:03,108 >> I'M NOT A THREAT. 592 00:29:03,174 --> 00:29:04,409 >> WHO ARE YOU? 593 00:29:04,476 --> 00:29:07,078 ARE YOU THE GUY WITH THE SUV? 594 00:29:07,145 --> 00:29:14,252 >> MY NAME IS -- >> KAK PAY YOU? 595 00:29:14,319 --> 00:29:16,888 >> NO, WHO IS KAK? 596 00:29:16,955 --> 00:29:18,990 LET'S GO SOMEWHERE WHERE WE CAN TALK IN PRIVATE. 597 00:29:19,057 --> 00:29:20,125 I WILL EXPLAIN EVERYTHING. 598 00:29:20,191 --> 00:29:21,025 >> JUST STAY. 599 00:29:21,092 --> 00:29:21,826 DON'T. 600 00:29:21,893 --> 00:29:23,061 >> PLEASE, I'M NOT GOING TO HURT YOU. 601 00:29:23,128 --> 00:29:25,096 >> YOU DON'T KNOW WHAT I'M CAPABLE OF. 602 00:29:25,163 --> 00:29:27,866 >> I KNOW MORE ABOUT YOU THAN YOU THINK. 603 00:29:27,932 --> 00:29:30,101 PLEASE WAIT! 604 00:29:30,168 --> 00:29:34,706 ♪ ♪ 605 00:29:34,772 --> 00:29:41,913 >> James: THAT WAS A CLIP FROM "ANNE RICE'S MAYFAIR WITCHES" 606 00:29:41,980 --> 00:29:45,483 WHICH AIRS SUNDAYS AT 9:00 ON AMC AND AMC+. 607 00:29:45,550 --> 00:29:48,219 WHAT IS IT ABOUT AND WHO DO YOU PLAY? 608 00:29:48,286 --> 00:29:51,823 >> IT'S ABOUT WITCHES IF YOU LIKE MAGIC. 609 00:29:51,890 --> 00:29:53,057 IT'S ABOUT ANNE RICE. 610 00:29:53,124 --> 00:29:56,294 ANNE RICE WAS A REALLY, REALLY INCREDIBLE WRITER IF YOU'VE READ 611 00:29:56,361 --> 00:30:00,765 "INTERVIEW WITH THE VAMPIRE" OR SEEN THE MOVIE. 612 00:30:00,832 --> 00:30:05,770 SHE REALLY PUT THE DIFFICULTIES OF HUMAN NATURE INTO THIS SORT 613 00:30:05,837 --> 00:30:09,274 OF MAGICAL WORLD SO I THINK IT'S REALLY FUN SORT OF WITCH SHOW. 614 00:30:09,340 --> 00:30:13,845 >> James: ARE YOU SOMEONE WHO IS INTO WHAT I WOULD CALL A 615 00:30:13,912 --> 00:30:14,979 MYSTICAL WITCHY WORLD? 616 00:30:15,046 --> 00:30:16,247 >> I AM. 617 00:30:16,314 --> 00:30:19,851 I'M INTERESTED IN MAGIC AND SORT OF WHERE THOSE STORIES COME FROM 618 00:30:19,918 --> 00:30:21,686 AND WHY THEY EXIST. 619 00:30:21,753 --> 00:30:25,323 I DON'T KNOW THAT MAGIC ACTUALLY EXISTS IN THE WAY THAT IT'S 620 00:30:25,390 --> 00:30:29,561 PRESENTED IN THE SHOW BUT, UM, I THINK IT'S REALLY COOL. 621 00:30:29,627 --> 00:30:32,297 >> James: I ALWAYS THINK IT'S WEIRD WHEN YOU SEE -- WHEN 622 00:30:32,363 --> 00:30:36,000 THERE'S A -- LIKE A MAGICIAN PERFORMING AND SOMEONE GOES, 623 00:30:36,067 --> 00:30:41,406 "OH, THAT'S NOT MAGIC!" OF COURSE IT'S NOT [BLEEP] 624 00:30:41,472 --> 00:30:42,607 MAGIC! 625 00:30:42,674 --> 00:30:46,544 IT'S A -- ARE YOU SOMEONE -- ARE YOU INTO WITCHCRAFT AT ALL? 626 00:30:46,611 --> 00:30:47,145 IN YOUR LIFE? 627 00:30:47,212 --> 00:30:48,413 >> NO. 628 00:30:48,479 --> 00:30:51,082 - I THINK -- I THINK -- I THINK MY - - I THINK MY PARTNER IS WITCHY. 629 00:30:51,149 --> 00:30:53,218 I THINK SHE'S WITCHY. 630 00:30:53,284 --> 00:30:53,585 >> James: OH? 631 00:30:53,651 --> 00:30:55,553 IN WHAT WAY? 632 00:30:55,620 --> 00:31:00,925 RIDES ON A BROOM? 633 00:31:00,992 --> 00:31:03,861 >> I JUST THINK SHE'S A LITTLE WITCHY. 634 00:31:03,928 --> 00:31:04,829 DO YOU KNOW WHAT I MEAN? 635 00:31:04,896 --> 00:31:05,997 >> James: I DON'T KNOW WHAT YOU MEAN. 636 00:31:06,064 --> 00:31:07,732 >> I KNOW WHAT YOU MEAN. 637 00:31:07,799 --> 00:31:08,333 >> YOU KNOW WHAT I MEAN. 638 00:31:08,399 --> 00:31:09,601 >> SHE'S A LITTLE WITCHY. 639 00:31:09,667 --> 00:31:12,070 >> James: HONESTLY, I DON'T KNOW WHAT YOU MEAN. 640 00:31:12,136 --> 00:31:13,571 I MEAN, IN WHAT WAY? 641 00:31:13,638 --> 00:31:17,508 [WITCHY LAUGH] >> NO, SHE'S JUST A LITTLE 642 00:31:17,575 --> 00:31:19,210 WITCHY. 643 00:31:19,277 --> 00:31:19,777 SHE'S A LITTLE WITCHY. 644 00:31:19,844 --> 00:31:20,478 DO YOU KNOW WHAT I MEAN? 645 00:31:20,545 --> 00:31:20,845 >> YEAH. 646 00:31:20,912 --> 00:31:21,980 >> UM, UM. 647 00:31:22,046 --> 00:31:24,115 >> James: HONESTLY, I DON'T KNOW WHAT YOU MEAN. 648 00:31:24,182 --> 00:31:27,352 >> SHE'S A LITTLE MAGICAL. 649 00:31:27,418 --> 00:31:29,053 >> SHE'S A LITTLE MAGICAL. 650 00:31:29,120 --> 00:31:30,855 SHE'S JUST A LITTLE WITCHY. 651 00:31:30,922 --> 00:31:31,789 YOU KNOW WHAT I MEAN? 652 00:31:31,856 --> 00:31:39,030 THAT SORT OF CONNECTION -- I'M NOT PSYCHIC -- 653 00:31:39,097 --> 00:31:41,966 >> James: IMAGINE WE JUST SAID THAT UNTIL THE END OF THIS PART. 654 00:31:42,033 --> 00:31:44,435 SHE'S A LITTLE WITCHY, DO YOU KNOW WHAT I MEAN? 655 00:31:44,502 --> 00:31:46,904 PAUL, LET'S TALK ABOUT THIS... 656 00:31:46,971 --> 00:31:49,274 OBVIOUSLY, YOU STARRED IN THE BATMAN. 657 00:31:49,340 --> 00:31:52,644 YOU'RE ABSOLUTELY BRILLIANT AS THE RIDDLER AND YOU LOVED 658 00:31:52,710 --> 00:31:55,780 PLAYING HIM SO MUCH THAT YOU'VE WRITTEN -- YOU'VE WRITTEN A 659 00:31:55,847 --> 00:31:59,017 COMIC BOOK SERIES ABOUT THE RIDDLER'S ORIGIN STORY. 660 00:31:59,083 --> 00:32:00,118 TALK ME THROUGH THIS. 661 00:32:00,184 --> 00:32:01,085 HOW DID THIS HAPPEN? 662 00:32:01,152 --> 00:32:04,489 >> UM, YES, SO I -- I WAS NOT EXPECTING THIS. 663 00:32:04,555 --> 00:32:07,625 I'VE NOT DONE A LOT OF FILMS LIKE THE BATMAN. 664 00:32:07,692 --> 00:32:12,797 I FELL IN LOVE WITH THE BATMAN AND WITH GOTHAM AND THE COMIC 665 00:32:12,864 --> 00:32:17,635 BOOKS AND JUST BECAME FULL-ON BATMAN NERD AND I TOLD MATT 666 00:32:17,702 --> 00:32:21,205 REEVES, OUR WONDERFUL DIRECTOR, ABOUT SORT OF THE BACK STORY I 667 00:32:21,272 --> 00:32:21,906 HAD AND UP WITH. 668 00:32:21,973 --> 00:32:23,541 HE SAID, THAT SHOULD BE A COMIC. 669 00:32:23,608 --> 00:32:29,080 IN MY HEAD, I WAS SECRETLY LIKE, I DO THINK SO, TOO. 670 00:32:29,147 --> 00:32:31,949 LUCKILY, HE SAID I THINK THAT SHOULD BE A COMIC. 671 00:32:32,016 --> 00:32:35,353 I TOOK ALMOST A YEAR OFF AFTER THE FABELMANS AND PRETTY MUCH 672 00:32:35,420 --> 00:32:36,721 WORKED ON THIS SIX-ISSUE COMIC. 673 00:32:36,788 --> 00:32:38,923 IT'S BEEN REALLY FUN. 674 00:32:38,990 --> 00:32:40,158 I REALLY LIKE IT. 675 00:32:40,224 --> 00:32:42,994 >> James: IS THERE ANY BIT OF YOU -- AND I KNOW THIS ISN'T WHY 676 00:32:43,061 --> 00:32:44,395 YOU WOULD START SUCH A THING. 677 00:32:44,462 --> 00:32:46,064 BUT YOU STARTED IT BECAUSE YOU LOVE IT. 678 00:32:46,130 --> 00:32:50,001 IS THERE ANY BIT OF YOU THINKING, OH, THIS COULD BE ALSO 679 00:32:50,068 --> 00:32:51,235 A FILM? 680 00:32:51,302 --> 00:32:53,071 WHAT I'M SAYING IS, I LIKE THE IDEA OF SEEING A RIDDLER ORIGIN 681 00:32:53,137 --> 00:32:54,939 STORY IF YOU WERE PLAYING IT. 682 00:32:55,006 --> 00:33:01,279 DO YOU AGREE, ALEXANDRA DADDARIO? 683 00:33:01,346 --> 00:33:02,480 >> YES. 684 00:33:02,547 --> 00:33:03,715 >> SAY YES. 685 00:33:03,781 --> 00:33:06,651 >> NOT THAT I WAS LEFT WITH MUCH OF A CHOICE BUT GENUINELY YES. 686 00:33:06,718 --> 00:33:08,986 >> James: I THINK YOU SHOULD PURSUE THIS. 687 00:33:09,053 --> 00:33:09,620 I REALLY. 688 00:33:09,687 --> 00:33:10,254 REALLY DO. 689 00:33:10,321 --> 00:33:13,391 DO WE AGREE, GANG? 690 00:33:13,458 --> 00:33:15,293 [APPLAUSE] PLEASE THANK OUR WONDERFUL 691 00:33:15,360 --> 00:33:17,362 GUESTS, ALEXANDRA DADDARIO AND PAUL DANO. 692 00:33:32,009 --> 00:33:33,378 >> James: WELCOME BACK. 693 00:33:33,444 --> 00:33:39,083 OUR NEXT GUEST IS A BRILLIANT STAND-UP COMEDIAN WITH A 694 00:33:39,150 --> 00:33:40,952 BRAND-NEW ALBUM ENTITLED "JEN DIS," COMING OUT THIS SPRING. 695 00:33:41,018 --> 00:33:45,990 PLEASE WELCOME, THE FABULOUS, JENNY ZIGRINO! 696 00:33:46,057 --> 00:33:47,759 >> HI. 697 00:33:47,825 --> 00:33:49,293 HI! 698 00:33:49,360 --> 00:33:53,765 OH MY GOSH, HI, EVERYBODY! 699 00:33:53,831 --> 00:33:55,166 THANK YOU. 700 00:33:55,233 --> 00:33:57,668 HAPPY NEW YEAR, EVERYBODY! 701 00:33:57,735 --> 00:33:58,102 HUH? 702 00:33:58,169 --> 00:33:59,203 HAPPY NEW YEAR! 703 00:33:59,270 --> 00:33:59,871 YES. 704 00:33:59,937 --> 00:34:01,639 I HAD A NEW YEARS RESOLUTION. 705 00:34:01,706 --> 00:34:06,811 IT WAS TO DELETE ALL OF MY DATING APPEARS -- APPS, AND I 706 00:34:06,878 --> 00:34:07,712 DID IT! 707 00:34:07,779 --> 00:34:10,948 I'M GOING TO DO IT THE OLD-FASHIONED WAY. 708 00:34:11,015 --> 00:34:12,917 PRISON LETTERS, OK? 709 00:34:12,984 --> 00:34:13,718 THAT'S HOW YOU DO IT. 710 00:34:13,785 --> 00:34:15,620 THEY'VE ALREADY GONE TO THERAPY. 711 00:34:15,686 --> 00:34:17,688 DON'T NEED TO WORK ON IT. 712 00:34:17,755 --> 00:34:18,956 ALSO, THOUGH, I'M 35. 713 00:34:19,023 --> 00:34:20,491 I'M SINGLE. 714 00:34:20,558 --> 00:34:24,929 IT'S ROUGH BEING 35 AND SINGLE, BECAUSE THE ADVICE DOESN'T WORK 715 00:34:24,996 --> 00:34:28,166 FOR ME LIKE IT DID IN MY 20'S, RIGHT? 716 00:34:28,232 --> 00:34:29,700 ADVICE IN YOUR 20'S IS SO CUTE. 717 00:34:29,767 --> 00:34:39,277 IT'S ALWAYS JUST LIKE, IF IT'S NOT A HELL YEAH, THEN IT'S A 718 00:34:39,343 --> 00:34:40,178 HUN-NA! 719 00:34:40,244 --> 00:34:42,046 I CAN'T DO THAT. 720 00:34:42,113 --> 00:34:42,346 RIGHT? 721 00:34:42,413 --> 00:34:43,514 I'M 35. 722 00:34:43,581 --> 00:34:49,086 FOR ME IT'S LIKE, IF IT'S NOT A EW, THEN IT'S A YEAH, OK, 723 00:34:49,153 --> 00:34:52,857 WHATEVER. 724 00:34:52,924 --> 00:34:56,594 [APPLAUSE] YEAH, WHATEVER. 725 00:34:56,661 --> 00:35:00,665 HE HAS A CAR, OK? 726 00:35:00,731 --> 00:35:02,867 HASN'T SAID ANYTHING RACIST. 727 00:35:02,934 --> 00:35:04,669 WE'LL GO ON ANOTHER DATE. 728 00:35:04,735 --> 00:35:07,338 THIS IS MYFAVORITE ADVICE, THOUGH, FOR WHEN YOU'RE IN YOUR 729 00:35:07,405 --> 00:35:08,639 20'S. 730 00:35:08,706 --> 00:35:13,845 MY FAVORITE ADVICE IS WHEN THEY'RE LIKE, DON'T SETTLE, OK? 731 00:35:13,911 --> 00:35:14,145 QUEEN? 732 00:35:14,212 --> 00:35:14,946 QUEEN? 733 00:35:15,012 --> 00:35:16,147 SLAY, SLA, SLAY, DON'T SETTLE. 734 00:35:16,214 --> 00:35:21,919 WHY WOULD YOU GO FOR CRUMBS WHEN YOU CAN HAVE THE WHOLE CAKE? 735 00:35:21,986 --> 00:35:24,088 BECAUSE I'M HUNGRY NOW, ALL RIGHT? 736 00:35:24,155 --> 00:35:24,989 OK, YEAH. 737 00:35:25,056 --> 00:35:28,826 HAVE YOU SEEN 35-YEAR-OLD UNMARRIED CAKE? 738 00:35:28,893 --> 00:35:29,994 IT IS CREEPY, OK? 739 00:35:30,061 --> 00:35:33,798 ALSO NOW I'M IN MY MID-30'S, HALF THE CAKE CAN'T EVEN RISE 740 00:35:33,865 --> 00:35:35,933 WHEN I PUT HIM IN THE OVEN BECAUSE THEY HAVE TOO MUCH ON 741 00:35:36,000 --> 00:35:36,501 THEIR MINDS. 742 00:35:36,567 --> 00:35:36,734 OH. 743 00:35:36,801 --> 00:35:36,968 OH. 744 00:35:37,034 --> 00:35:37,301 OH. 745 00:35:37,368 --> 00:35:37,568 OH. 746 00:35:37,635 --> 00:35:38,236 OH. 747 00:35:38,302 --> 00:35:41,906 OH. 748 00:35:41,973 --> 00:35:42,673 MY BITCOIN. 749 00:35:42,740 --> 00:35:45,643 RELAX, TALK TO YOUR DAD, CAKE. 750 00:35:45,710 --> 00:35:47,778 ARE THERE ANY MILLENIALS IN HERE? 751 00:35:47,845 --> 00:35:53,818 [CHEERING] OK, COOL, GEN Z? 752 00:35:53,885 --> 00:35:54,151 OK, GROSS. 753 00:35:54,218 --> 00:35:54,485 EW. 754 00:35:54,552 --> 00:35:55,653 I HATE IT. 755 00:35:55,720 --> 00:36:00,525 UM -- I FOUND THIS OUT THAT GEN Z, YOU GUYS LIKE TO DRINK 756 00:36:00,591 --> 00:36:03,060 FOR FUN AND NOT TO FORGET AND THAT'S WILD, OK? 757 00:36:03,127 --> 00:36:03,694 THAT'S CRAZY. 758 00:36:03,761 --> 00:36:05,463 I DO -- I LIKE TO DRINK, OK? 759 00:36:05,530 --> 00:36:08,900 BUT A LOT OF PEOPLE SAY THAT GIRLY DRINKS ARE THE WEAKER 760 00:36:08,966 --> 00:36:09,500 DRINK. 761 00:36:09,567 --> 00:36:11,903 I'M LIKE, THAT'S SO WRONG. 762 00:36:11,969 --> 00:36:15,172 HAVE YOU EVER ACTUALLY HAD A GIRLY DRINK? 763 00:36:15,239 --> 00:36:16,407 LIKE IT WILL MESS YOU UP. 764 00:36:16,474 --> 00:36:23,214 SURE, I COULD DRINK 12 BEERS, PASS OUT, WAKE UP IN A FOUNTAIN 765 00:36:23,281 --> 00:36:26,817 SMELLING LIKE SOURDOUGH OR I DRINK 2/3 OF AN APPLETINI, BLACK 766 00:36:26,884 --> 00:36:29,520 OUT AND WAKE UP THE NEXT DAY AND I'VE STARTED A SMALL BUSINESS, 767 00:36:29,587 --> 00:36:31,522 OK? 768 00:36:31,589 --> 00:36:31,789 YEAH. 769 00:36:31,856 --> 00:36:32,690 YEAH. 770 00:36:32,757 --> 00:36:36,794 [APPLAUSE] THAT'S HOW MESSED UP I GOT, OK? 771 00:36:36,861 --> 00:36:38,996 I DID NOT BLACKOUT. 772 00:36:39,063 --> 00:36:39,964 I GIRL BUST. 773 00:36:40,031 --> 00:36:42,800 I WAKE UP THE NEXT DAY AND I'M LIKE, OH MY GOD. 774 00:36:42,867 --> 00:36:46,337 DID I INCORPORATE AGAIN LAST NIGHT? 775 00:36:46,404 --> 00:36:47,305 OH. 776 00:36:47,371 --> 00:36:51,008 THESE DUDES IN MY BED, THEY'RE MY SHAREHOLDERS. 777 00:36:51,075 --> 00:36:55,446 WHAT I DO LIKE ABOUT GEN Z IS THEY GOT RID OF THE BABY PART IN 778 00:36:55,513 --> 00:36:57,381 BABY BOOMIER, RIGHT? 779 00:36:57,448 --> 00:37:02,053 IF THERE'S ANY BOOMERS HERE, THAT BABY PART MADE YOU SOUND 780 00:37:02,119 --> 00:37:03,955 BAY TOO INNOCENT WHERE YOU'RE GUYS ARE JUST LIKE, SORRY FOR 781 00:37:04,021 --> 00:37:08,726 THE HOUSING CRISIS. 782 00:37:08,793 --> 00:37:09,894 NOT MY FAULT! 783 00:37:09,961 --> 00:37:12,997 I'M JUST A BABY. 784 00:37:13,064 --> 00:37:16,400 MY DAD IS A BOOMER, SO HE HAS BAD OPINIONS. 785 00:37:16,467 --> 00:37:20,137 I LOVE HIM, BUT HE DOES, RIGHT? 786 00:37:20,204 --> 00:37:23,341 WE GOT IN THIS FIGHT DURING THE PANDEMIC. 787 00:37:23,407 --> 00:37:25,042 HE'S LIKE, I'M NOT WEARING A MASK, JENNY. 788 00:37:25,109 --> 00:37:26,711 I'M LIKE, WHY? 789 00:37:26,777 --> 00:37:30,214 HE'S LIKE, WHAT WOULD OUR FOUNDING FATHERS THINK IF HE SAW 790 00:37:30,281 --> 00:37:32,149 US WEARING MASKS TODAY,HAH? 791 00:37:32,216 --> 00:37:35,353 AND I WAS LIKE, UM, I DON'T THINK THEY WOULD CARE. 792 00:37:35,419 --> 00:37:38,322 DAD, I THINK THOMAS JEFFERSON WOULD GET HERE AND BE LIKE, WHY 793 00:37:38,389 --> 00:37:40,992 ARE THERE WOMEN IN POWER? 794 00:37:41,058 --> 00:37:42,193 AND THEN -- [APPLAUSE] 795 00:37:42,259 --> 00:37:43,694 RIGHT? 796 00:37:43,761 --> 00:37:48,799 [APPLAUSE] HE WOULD SEE A PLANE, SCREAM, 797 00:37:48,866 --> 00:37:49,767 AND GET HIT BY A BUS. 798 00:37:49,834 --> 00:37:51,435 I'M SORRY. 799 00:37:51,502 --> 00:37:54,372 EVERY FOUNDING FATHER WOULD JUST GET STEAM ROLLED BY PUBLIC 800 00:37:54,438 --> 00:37:55,640 TRANSPORTATION. 801 00:37:55,706 --> 00:37:58,376 NOW, HE WANTS ME TO FIND A GOOD GUY BUT I LIVE IN L.A. SO THAT'S 802 00:37:58,442 --> 00:38:02,480 NOT GOING TO HAPPEN, UM, ALSO TO BE -- LOOK, I'LL BE HONEST. 803 00:38:02,546 --> 00:38:04,315 I'M A BIG GIRL. 804 00:38:04,382 --> 00:38:05,082 IT'S PLUS SIZE. 805 00:38:05,149 --> 00:38:06,550 IT'S HARD TO DATE WHEN YOU'RE FAT. 806 00:38:06,617 --> 00:38:09,620 WHERE ARE MY OTHER FAT PEOPLE A AT. 807 00:38:09,687 --> 00:38:11,055 I HAVE EYES. 808 00:38:11,122 --> 00:38:15,226 YOU SHOULD BE CLAPPING. 809 00:38:15,292 --> 00:38:16,460 [APPLAUSE] BUT I GET IT, OK? 810 00:38:16,527 --> 00:38:17,728 I GET IT. 811 00:38:17,795 --> 00:38:21,032 WHEN I CALL MYSELF FAT, I COULD HEAR PEOPLE -- I COULD FEEL THEM 812 00:38:21,098 --> 00:38:22,299 WANT TO BE LIKE, NO. 813 00:38:22,366 --> 00:38:23,167 STOP IT. 814 00:38:23,234 --> 00:38:24,602 YOU'RE BEAUTIFUL. 815 00:38:24,669 --> 00:38:27,204 [LAUGHTER] IT'S LIKE, YEAH, I KNOW. 816 00:38:27,271 --> 00:38:28,906 I DIDN'T SAY I WAS UGLY. 817 00:38:28,973 --> 00:38:31,208 THAT'S NOT -- THEY'RE NOT THE SAME THING, ALL RIGHT? 818 00:38:31,275 --> 00:38:33,411 LIKE IF A SHORT PERSON WAS LIKE, I'M SHORT. 819 00:38:33,477 --> 00:38:34,612 YOU WOULDN'T BE LIKE, NO. 820 00:38:34,679 --> 00:38:35,413 STOP IT. 821 00:38:35,479 --> 00:38:36,213 YOU'RE SMART! 822 00:38:36,280 --> 00:38:38,983 LIKE, IT'S NOT THE SAME! 823 00:38:39,050 --> 00:38:40,818 YOU GUYS HAVE BEEN FANTASTIC. 824 00:38:40,885 --> 00:38:45,990 I'M JENNY ZIGRINO. 825 00:38:46,057 --> 00:38:46,924 THANK YOU SO MUCH. 826 00:38:46,991 --> 00:38:48,025 >> James: JENNY ZIGRINO, EVERYONE! 827 00:38:48,092 --> 00:38:50,928 SEE HER LIVE NEXT WEEK AT THE LAS VEGAS COMEDY CELLAR. 828 00:38:50,995 --> 00:38:51,996 WE'LL BE RIGHT BACK. 829 00:39:04,942 --> 00:39:07,445 >> James: THANK YOU SO MUCH FOR WATCHING. 830 00:39:07,511 --> 00:39:10,047 TOMORROW NIGHT, SIGOURNEY WEAVER, BRYAN CRANSTON, AND 831 00:39:10,114 --> 00:39:11,716 MUSIC FROM QUINN 92. 832 00:39:11,782 --> 00:39:12,950 WE HOPE YOU'LL JOIN US. 833 00:39:13,017 --> 00:39:15,019 REGGIE, TAKE US HOME.