1 00:00:02,001 --> 00:00:07,674 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:07,741 --> 00:00:10,610 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY, BABY 3 00:00:10,677 --> 00:00:14,614 ♪ WHERE YOU COME FROM IT'LL BE ALL RIGHT 4 00:00:14,681 --> 00:00:23,957 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: LADIES AND GENTLEMEN, 5 00:00:24,023 --> 00:00:25,225 GENTLEMEN, ALL THE WAY FROM LADIES AND GENTLEMEN AND 6 00:00:25,291 --> 00:00:28,628 EVERYBODY IN BETWEEN, GIVE IT UP FOR YOUR HOST, THE ONE, THE ONLY 7 00:00:28,695 --> 00:00:32,699 JAMES CORDEN! 8 00:00:36,035 --> 00:00:37,971 [CHEERS AND APPLAUSE] >> James: HOW ARE YOU? 9 00:00:38,037 --> 00:00:39,973 THANK YOU VERY, VERY MUCH! 10 00:00:40,039 --> 00:00:41,241 I APPRECIATE IT. 11 00:00:41,307 --> 00:00:42,475 THANK YOU SO MUCH. 12 00:00:42,542 --> 00:00:44,878 YOU ARE DELIGHTFUL. 13 00:00:44,944 --> 00:00:46,479 THANK YOU. 14 00:00:46,546 --> 00:00:48,648 HELLO, EVERYBODY! 15 00:00:48,715 --> 00:00:49,916 WELCOME TO "THE LATE LATE SHOW"! 16 00:00:49,983 --> 00:00:50,784 THANK YOU FOR BEING HERE. 17 00:00:50,850 --> 00:00:51,751 THANKS FOR STAYING UP. 18 00:00:51,818 --> 00:00:53,720 THANKS FOR COMING OUT, EVERYBODY! 19 00:00:53,787 --> 00:00:56,589 LET'S TAKE A LOOK AND SEE WHO OUR GUESTS ARE ON THE SHOW 20 00:00:56,656 --> 00:00:57,991 TONIGHT! 21 00:00:58,057 --> 00:00:59,592 SHE'S ALREADY WON A GOLDEN GLOBE AND A CRITICS CHOICE AWARD FOR 22 00:00:59,659 --> 00:01:03,930 HER SENSATIONAL PERFORMANCE IN "BLACK PANTHER: WAKANDA 23 00:01:03,997 --> 00:01:07,734 FOREVER," THE ICONIC, THE REGAL, ANGELA BASSETT! 24 00:01:07,801 --> 00:01:10,503 [CHEERS AND APPLAUSE] ANGELA! 25 00:01:10,570 --> 00:01:10,904 HOW ARE YOU? 26 00:01:10,970 --> 00:01:12,338 >> HI, JAMES! 27 00:01:12,405 --> 00:01:15,875 >> James: I'M SO HAPPY THAT YOU ARE HERE! 28 00:01:15,942 --> 00:01:17,477 YOU ARE SO BUSY AT THE MOMENT. 29 00:01:17,544 --> 00:01:20,547 THANK YOU SO MUCH FOR FINDING THE TIME TO COME AND SEE US. 30 00:01:20,613 --> 00:01:22,282 WE LOVE YOU HERE AT THIS SHOW. 31 00:01:22,348 --> 00:01:23,082 ARE YOU GOOD? 32 00:01:23,149 --> 00:01:24,484 ARE YOU WELL? 33 00:01:24,551 --> 00:01:25,018 IS EVERYTHING OK? 34 00:01:25,084 --> 00:01:26,219 >> I'M DOING GREAT. 35 00:01:26,286 --> 00:01:29,189 THANK YOU FOR TAKING CARE OF ME AND IT'S ALWAYS GREAT TO SEE 36 00:01:29,255 --> 00:01:30,323 YOU. 37 00:01:30,390 --> 00:01:30,957 >> James: ANGELA, WHAT HAVE YOU GOT ON YOUR WRIST THERE? 38 00:01:31,024 --> 00:01:31,558 WHAT IS THIS? 39 00:01:31,624 --> 00:01:33,493 >> IT'S A LITTLE BRACELET. 40 00:01:33,560 --> 00:01:34,794 >> James: IS IT A BRACELET? 41 00:01:34,861 --> 00:01:36,563 >> OR A WEAPON. 42 00:01:36,629 --> 00:01:38,264 >> James: IS IT A BRACELET? 43 00:01:38,331 --> 00:01:41,301 IT LOOKS LIKE IT COULD BE ONE OF YOUR MANY AWARDS THAT YOU'RE 44 00:01:41,367 --> 00:01:42,101 WINNING AT THE MOMENT. 45 00:01:42,168 --> 00:01:45,505 I ABSOLUTELY LOVE IT AND WE LOVE YOU! 46 00:01:45,572 --> 00:01:46,673 ANGELA BASSETT, EVERYBODY! 47 00:01:46,739 --> 00:01:50,777 [CHEERS AND APPLAUSE] HE'S AN EMMY AND TONY-NOMINATED 48 00:01:50,844 --> 00:01:52,145 ACTOR YOU KNOW AND LOVE FROM "ATLANTA," "WIDOWS" AND 49 00:01:52,212 --> 00:01:58,985 "SPIDER-MAN: INTO THE SPIDER VERSE," THE DASHING, THE 50 00:01:59,052 --> 00:02:05,892 TALENTED, BRIAN TYREE HENRY! 51 00:02:05,959 --> 00:02:06,359 THERE HE IS! 52 00:02:06,426 --> 00:02:07,560 >> I'M GOOD, MAN. 53 00:02:07,627 --> 00:02:09,929 YOU KNOW I'VE BEEN LIVING IN HERE FOR THE PAST THREE MONTHS, 54 00:02:09,996 --> 00:02:12,265 >> James: YOU'VE BEEN LIVING IN THERE FOR THREE MONTHS? 55 00:02:12,332 --> 00:02:14,501 >> I SIGNED A LEASE THREE MONTHS AGO. 56 00:02:14,567 --> 00:02:15,702 >> James: I DID HEAR A RUMOR. 57 00:02:15,768 --> 00:02:17,303 HAVE YOU GOT EVERYTHING YOU NEED? 58 00:02:17,370 --> 00:02:19,939 >> ANGELA'S HERE SO THAT'S -- >> James: HAVE YOU MET HER 59 00:02:20,006 --> 00:02:20,874 HAVE YOU SEEN HER YET TODAY? 60 00:02:20,940 --> 00:02:22,175 >> YES, I HAVE. 61 00:02:22,242 --> 00:02:25,578 I WANT YOU TO BE PREPARED, I COULD BE CRYING THROUGHOUT THE 62 00:02:25,645 --> 00:02:28,548 ENTIRE INTERVIEW BECAUSE I'M SITTING NEXT TO ANGELA BASSETT. 63 00:02:28,615 --> 00:02:30,617 >> James: WE LOVE YOU. 64 00:02:30,683 --> 00:02:34,087 BRIAN TYREE HENRY, EVERYBODY! 65 00:02:34,153 --> 00:02:35,655 SHE'S A TALENTED SINGER-SONGWRITER WHOSE DEBUT 66 00:02:35,722 --> 00:02:36,890 ALBUM "GOOD THING WE STAYED" IS OUT NOW. 67 00:02:36,956 --> 00:02:41,961 SHE'S HERE TONIGHT TO MAKE HER TELEVISION DEBUT, WE'RE THRILLED 68 00:02:42,028 --> 00:02:44,497 TO HAVE HER, THE ELECTRIC, JULIA WOLF! 69 00:02:44,564 --> 00:02:46,599 [CHEERS AND APPLAUSE] JULIA! 70 00:02:46,666 --> 00:02:47,367 HOW ARE YOU? 71 00:02:47,433 --> 00:02:48,968 >> HELLO! 72 00:02:49,035 --> 00:02:50,503 I'M NOT NERVOUS AT ALL, JAMES. 73 00:02:50,570 --> 00:02:51,337 THANK YOU. 74 00:02:51,404 --> 00:02:52,472 >> James: YOU DON'T NEED TO BE NERVOUS! 75 00:02:52,539 --> 00:02:53,206 >> OF COURSE. 76 00:02:53,273 --> 00:02:54,040 THERE'S NOTHING TO WORRY ABOUT. 77 00:02:54,107 --> 00:02:56,175 WE HAVE THE SISTER HERE. 78 00:02:56,242 --> 00:02:57,143 YOU KNOW? 79 00:02:57,210 --> 00:02:57,977 >> James: THE SISTER IS HERE. 80 00:02:58,044 --> 00:02:58,945 FIRST TIME ON TV. 81 00:02:59,012 --> 00:03:00,647 >> YES! 82 00:03:00,713 --> 00:03:01,381 FIRST TIME! 83 00:03:01,447 --> 00:03:02,549 >> James: IT'S GOING TO BE GREAT. 84 00:03:02,615 --> 00:03:03,816 WHAT'S IN THAT SHOT RIGHT THERE? 85 00:03:03,883 --> 00:03:05,952 >> TEQUILA! 86 00:03:06,019 --> 00:03:07,921 >> James: ARE YOU GOING TO DO IT NOW OR WAIT UNTIL RIGHT 87 00:03:07,987 --> 00:03:10,523 BEFORE YOU GO ON? 88 00:03:10,590 --> 00:03:11,925 >> WE CAN TAKE A SIP. 89 00:03:11,991 --> 00:03:14,594 >> James: JULIA WOLF, EVERYBODY! 90 00:03:14,661 --> 00:03:15,328 ARE YOU READY? 91 00:03:15,395 --> 00:03:17,263 THEN LET'S! 92 00:03:17,330 --> 00:03:18,298 I'M JAMES CORDEN, AND THIS? 93 00:03:18,364 --> 00:03:19,299 THIS IS "THE LATE LATE SHOW!" ROLL THE TITLES! 94 00:03:19,365 --> 00:03:19,666 COME ON! 95 00:03:21,601 --> 00:03:23,403 Captioning sponsored by CBS 96 00:03:27,006 --> 00:03:29,709 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 97 00:03:29,776 --> 00:03:35,715 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 98 00:03:35,782 --> 00:03:45,692 ♪ IT'S THE LATE, LATE SHOW ♪ >> James: IT CERTAINLY IS! 99 00:03:45,758 --> 00:03:46,259 HOT CROWD! 100 00:03:46,326 --> 00:03:48,995 HOT CROWD TONIGHT! 101 00:03:49,062 --> 00:03:49,696 HOT CROWD. 102 00:03:49,762 --> 00:03:50,930 HOT CROWD. 103 00:03:50,997 --> 00:03:55,535 I GOT TO BE HONEST -- I CAN'T TAKE MY EYES OFF THIS BEAUTIFUL 104 00:03:55,602 --> 00:03:56,369 CARDIGAN ON THE FRONT ROW. 105 00:03:56,436 --> 00:03:57,670 LOOK AT THIS! 106 00:03:57,737 --> 00:04:02,709 WHERE DO YOU FIND SUCH A CARDIGAN? 107 00:04:02,775 --> 00:04:03,409 >> FROM REBEL HOME. 108 00:04:03,476 --> 00:04:06,813 THEY BE AT THE SILVER LAKE.pSHE. 109 00:04:06,879 --> 00:04:08,881 SHE'S A GREAT CURATION. 110 00:04:08,948 --> 00:04:09,682 >> James: STAND UP. 111 00:04:09,749 --> 00:04:10,617 I WANT TO TAKE THIS WHOLE THING IN. 112 00:04:10,683 --> 00:04:11,951 LOOK AT THIS. 113 00:04:12,018 --> 00:04:12,785 THAT'S -- [CHEERS AND APPLAUSE] 114 00:04:12,852 --> 00:04:13,186 I JUST LOVE IT. 115 00:04:13,252 --> 00:04:14,287 I LOVE IT! 116 00:04:14,354 --> 00:04:16,723 I LOVE IT! 117 00:04:16,789 --> 00:04:17,256 I LOVE IT! 118 00:04:17,323 --> 00:04:18,591 I LOVE IT! 119 00:04:18,658 --> 00:04:19,092 >> THANK YOU. 120 00:04:19,158 --> 00:04:20,193 >> James: OK, NOW. 121 00:04:20,259 --> 00:04:22,462 I SAW T I THOUGHT, OOH! 122 00:04:22,528 --> 00:04:24,998 I CAN WEAR A CARDIGAN LIKE THAT. 123 00:04:25,064 --> 00:04:27,667 AND NOW YOU'VE STOOD UP. 124 00:04:27,734 --> 00:04:29,802 I CAN'T! 125 00:04:29,869 --> 00:04:33,906 I DID NOT REALIZE IT WAS A SORT OF BOLERO CUT. 126 00:04:33,973 --> 00:04:38,444 >> I WAS GOING ASK HOW YOU WOULD STYLE IT. 127 00:04:38,511 --> 00:04:39,979 >> James: HOW I WOULD STYLE IT? 128 00:04:40,046 --> 00:04:40,513 >> YEAH. 129 00:04:40,580 --> 00:04:41,381 >> James: I WOULDN'T. 130 00:04:41,447 --> 00:04:46,786 I WOULD LOOK LIKE IT SHRUNK IN THE WASH. 131 00:04:46,853 --> 00:04:48,154 >> IT'S A SIZE-INCLUSIVE BRAND. 132 00:04:48,221 --> 00:04:50,223 I'M SURE SHE'S GOT YOUR STYLE. 133 00:04:50,289 --> 00:04:51,357 >> James: LET ME TRY IT . 134 00:04:51,424 --> 00:05:00,933 [CHEERS AND APPLAUSE] >> THERE YOU GO. 135 00:05:01,000 --> 00:05:14,347 [CHEERS AND APPLAUSE] ♪ 136 00:05:14,414 --> 00:05:16,883 >> James: CAN I SEE ON THE MONITOR? 137 00:05:16,949 --> 00:05:17,383 OH, HANG ON. 138 00:05:17,450 --> 00:05:19,485 ACTUALLY... 139 00:05:19,552 --> 00:05:20,887 >> IT LOOKS REALLY GOOD. 140 00:05:20,953 --> 00:05:24,290 >> James: I THOUGHT I WOULD LOOK LIKE A CHILDREN'S 141 00:05:24,357 --> 00:05:26,559 TELEVISION PRESENTER, BUT ACTUALLY -- 142 00:05:26,626 --> 00:05:28,761 >> THAT'S CARDY-A! 143 00:05:28,828 --> 00:05:29,862 >> YOU LOOK GOOD. 144 00:05:29,929 --> 00:05:32,465 - >> James: AND YOU -- AND YOU - - YOU LOOK -- 145 00:05:32,532 --> 00:05:33,733 >> I DO LOOK GOOD. 146 00:05:33,800 --> 00:05:35,635 >> James: YOU'RE LIKE, OH NO. 147 00:05:35,702 --> 00:05:36,502 IT'S OVERSIZED. 148 00:05:36,569 --> 00:05:37,770 YOU'RE LIKE, IT'S OVERSIZED. 149 00:05:37,837 --> 00:05:40,106 >> BUT I'M STILL KILLING IT. 150 00:05:40,173 --> 00:05:41,374 >> James: BUT LOOK. 151 00:05:41,441 --> 00:05:43,843 TOGETHER WE ARE ABSOLUTELY CRUSHING THIS! 152 00:05:43,910 --> 00:05:44,744 WHAT'S -- WHAT'S YOUR NAME? 153 00:05:44,811 --> 00:05:46,045 >> I'M JONATHAN. 154 00:05:46,112 --> 00:05:46,813 >> James: JONATHAN. 155 00:05:46,879 --> 00:05:48,014 >> NICE TO MEET YOU. 156 00:05:48,081 --> 00:05:51,150 >> James: JONATHAN, YOU ARE BEST DRESSED AUDIENCE MEMBER OF 157 00:05:51,217 --> 00:05:51,651 THE YEAR. 158 00:05:51,718 --> 00:05:52,285 >> THANK YOU. 159 00:05:52,351 --> 00:05:52,819 THANK YOU. 160 00:05:52,885 --> 00:05:53,352 >> James: WE LOVE YOU. 161 00:05:53,419 --> 00:05:54,454 THANK YOU FOR COMING. 162 00:05:54,520 --> 00:05:56,122 THANK YOU FOR LETTING ME TRY IT. 163 00:05:56,189 --> 00:05:56,489 BLESS YOU. 164 00:05:56,556 --> 00:05:57,290 HAVE A SEAT. 165 00:05:57,356 --> 00:06:00,059 WHEW! 166 00:06:00,126 --> 00:06:03,563 >> WE GOT, LIKE, 47 SHOWS LEFT OR SOMETHING LIKE THAT? 167 00:06:03,629 --> 00:06:06,032 WHY DON'T YOU MIX IT UP FOR THE REST OF THEM. 168 00:06:06,099 --> 00:06:09,102 >> James: I DID THINK THE OTHER DAY -- I DID THINK THE 169 00:06:09,168 --> 00:06:11,537 OTHER DAY, I'M NOT GOING TO DO A SHIRT AND TIE. 170 00:06:11,604 --> 00:06:17,643 ONE OF THESE DAYS I'M GOING TO COME OUT WITHOUT A SUIT. 171 00:06:17,710 --> 00:06:19,746 I THINK ROB'S HEAD WOULD EXPLODE. 172 00:06:19,812 --> 00:06:24,984 ROB, I WORE SNEAKERS ONCE AND ROB WAS LIKE, "LATE NIGHT 173 00:06:25,051 --> 00:06:28,354 TELEVISION CAN'T DO THAT!" >> I ALMOST PASSED OUT WHEN YOU 174 00:06:28,421 --> 00:06:29,555 WORE THOSE SNEAKERS. 175 00:06:29,622 --> 00:06:34,560 >> James: ARE YOU ALL RIGHT WITH ME ONE NIGHT NOT WEARING A 176 00:06:34,627 --> 00:06:35,161 SHIRT AND TIE? 177 00:06:35,228 --> 00:06:36,429 >> CAN WE START OFF SLOW? 178 00:06:36,496 --> 00:06:37,630 >> James: NO. 179 00:06:37,697 --> 00:06:40,933 BECAUSE IF I DON'T WEAR A TIE, IT LOOKS LIKE I FORGOT A TIE. 180 00:06:41,000 --> 00:06:47,607 >> YOU'RE SAYING NO SHIRT AND TIE SO JUST A JACKET? 181 00:06:47,673 --> 00:06:49,075 >> I SEE THAT. 182 00:06:49,142 --> 00:06:54,914 >> James: SORRY, YOU THINK I'M GOING TO BE NAKED UNDERNEATH? 183 00:06:54,981 --> 00:06:59,085 >> IF YOU'RE GOING TO BE BRAVE, BE BRAVE. 184 00:06:59,152 --> 00:07:00,253 >> James: NO. 185 00:07:00,319 --> 00:07:03,089 THAT'S NOT BRAVE, THAT'S A MAN ON THE EDGE OF A BREAKDOWN! 186 00:07:03,156 --> 00:07:05,892 IF YOU'RE MY SIZE, YOU CAN'T DO THAT. 187 00:07:05,958 --> 00:07:06,726 YOU CAN'T. 188 00:07:06,793 --> 00:07:08,795 YOU JUST CAN'T TAKE THAT LEVEL OF RISK. 189 00:07:08,861 --> 00:07:09,629 BUT HANG ON. 190 00:07:09,695 --> 00:07:10,263 HANG ON. 191 00:07:10,329 --> 00:07:12,398 WE'RE TALKING ABOUT FASHION. 192 00:07:12,465 --> 00:07:14,734 WE SHOULD JUST ASK HAROLD. 193 00:07:14,801 --> 00:07:15,601 HAROLD. 194 00:07:15,668 --> 00:07:16,836 HAROLD. 195 00:07:16,903 --> 00:07:18,471 pHAROLD, DEAR FRIEND OF THE SHOW VISITING FROM LONDON, ARGUABLY 196 00:07:18,538 --> 00:07:26,112 LONDON'S1uúR BEST-DRESSED MAN, A CAREER IN FASHION -- 197 00:07:26,179 --> 00:07:28,848 [APPLAUSE] , NOW, WHAT I LOVE ABOUT YOU, 198 00:07:28,915 --> 00:07:31,150 HAROLD, IT DOESN'T MATTER WHATEVER THE WEATHER ALWAYS, 199 00:07:31,217 --> 00:07:32,185 ALWAYS BEAUTIFULLY DRESSED. 200 00:07:32,251 --> 00:07:33,920 I MEAN, LOOK AT THAT. 201 00:07:33,986 --> 00:07:36,355 DO YOU THINK IT WOULD BE A MISTAKE FOR ME TO WEAR A SORT OF 202 00:07:36,422 --> 00:07:43,996 NICE ROUND-NECK, CREW-NICK CASHMERE SWEATER UNDERNEATH A 203 00:07:44,063 --> 00:07:44,463 SUIT. 204 00:07:44,530 --> 00:07:44,997 >> ABSOLUTELY NOT. 205 00:07:45,064 --> 00:07:45,498 DEFINITELY GO FOR IT. 206 00:07:45,565 --> 00:07:46,032 >> James: THAT'S IT! 207 00:07:46,098 --> 00:07:47,967 WE'RE DOING IT, FOLKS! 208 00:07:48,034 --> 00:07:49,368 THAT WAS SETTLED. 209 00:07:49,435 --> 00:07:52,939 IF HAROLD SAYS IT, THEN IT'S DONE. 210 00:07:53,005 --> 00:07:54,507 IT'S DONE. 211 00:07:54,574 --> 00:07:57,577 >> I -- I JUST ASSUME THAT GUY OWNED THE ENTIRE NETWORK. 212 00:07:57,643 --> 00:08:02,682 [LAUGHTER] >> James: HAROLD? 213 00:08:02,748 --> 00:08:03,916 >> YEAH. 214 00:08:03,983 --> 00:08:05,117 >> James: HE'S GOT A LOOK THAT THERE'S NOT AN ESTABLISHMENT -- 215 00:08:05,184 --> 00:08:07,587 THERE'S NOT AN ESTABLISHMENT ON PLANET EARTH HE DOESN'T WALK 216 00:08:07,653 --> 00:08:11,624 INTO AND PEOPLE DON'T ASSUME, OH, HE MUST OWN THE BUILDING. 217 00:08:11,691 --> 00:08:13,226 THAT'S -- IT'S JUST A FACT. 218 00:08:13,292 --> 00:08:16,562 LOOK AT HIM. 219 00:08:16,629 --> 00:08:18,831 BRITAIN'S BEST-DRESSED MAN. 220 00:08:18,898 --> 00:08:19,198 >> YEAH. 221 00:08:19,265 --> 00:08:20,032 ABSOLUTELY. 222 00:08:20,099 --> 00:08:22,368 [APPLAUSE] >> James: WELL, LOOK, WE CAN 223 00:08:22,435 --> 00:08:26,639 TALK ABOUT THIS, BUT HAROLD IS BRITAIN'S BEST-DRESSED MAN BUT 224 00:08:26,706 --> 00:08:29,208 HE HASN'T COME TO TALK FASHION. 225 00:08:29,275 --> 00:08:32,311 HE'S COME TO FIND OUT THE DAY'S NEWS AND IT'S OUR DUTY TO GIVE 226 00:08:32,378 --> 00:08:35,815 IT TO HIM AND OUR INCREDIBLY WELL-DRESSED AUDIENCE. 227 00:08:35,882 --> 00:08:41,487 IT'S TIME FOR "THE NEWS!" [APPLAUSE] 228 00:08:41,554 --> 00:08:43,155 THE BIDEN ADMINISTRATION AND HOUSE REPUBLICANS ARE HEADING 229 00:08:43,222 --> 00:08:44,657 TOWARD AN INITIAL THURSDAY DEBT CEILING DEADLINE, WITHOUT EVEN A 230 00:08:44,724 --> 00:08:46,158 HINT OF A COMPROMISE. 231 00:08:46,225 --> 00:08:49,762 REPUBLICANS ARE INSISTING ON MASSIVE SPENDING CUTS, WHILE THE 232 00:08:49,829 --> 00:08:51,130 PRESIDENT IS REFUSING TO BUDGE. 233 00:08:51,197 --> 00:08:53,766 MOSTLY BECAUSE HE'S IN HIS COMFIEST CHAIR AND "WHEEL OF 234 00:08:53,833 --> 00:08:56,402 FORTUNE" IS ON. 235 00:08:56,469 --> 00:08:58,971 [LAUGHTER] BIDEN ISN'T WILLING TO 236 00:08:59,038 --> 00:09:00,239 COMPROMISE ON SPENDING CUTS. 237 00:09:00,306 --> 00:09:02,441 BESIDES, HE'S ALREADY DOING HIS BIT TO HELP THE FEDERAL BUDGET, 238 00:09:02,508 --> 00:09:05,978 BY USING HIS GARAGE AS OFFICIAL GOVERNMENT STORAGE. 239 00:09:06,045 --> 00:09:14,220 [LAUGHTER] AND DID YOU SEE THIS? 240 00:09:14,287 --> 00:09:15,888 BBC FOOTBALL COMMENTATOR GARY LINEKER WAS INTERRUPTED DURING A 241 00:09:15,955 --> 00:09:18,391 LIVE BROADCAST LAST NIGHT BY LOUD SEX NOISES. 242 00:09:18,457 --> 00:09:20,192 TAKE A LOOK. 243 00:09:20,259 --> 00:09:21,827 >> I THINK THEY COULD WIN THE GAME. 244 00:09:21,894 --> 00:09:22,962 I DON'T THINK THERE'S ENOUGH EXPERIENCE. 245 00:09:23,029 --> 00:09:25,364 >> WELL, WE'LL FIND OUT SHORTLY. 246 00:09:25,431 --> 00:09:30,202 WE'VE BEEN -- THE ONLY POLICY IN THE STUDIO TONIGHT. 247 00:09:30,269 --> 00:09:36,175 I DON'T KNOW WHO IS MAKING THAT NOISE. 248 00:09:36,242 --> 00:09:39,845 ALONGSIDE STEVE BOWER -- ALLEN? 249 00:09:39,912 --> 00:09:40,813 IT'S TOASTY IN THIS STUDIO. 250 00:09:40,880 --> 00:09:42,748 IT'S A BIT NOISY WELL. 251 00:09:42,815 --> 00:09:46,018 SOMEONE SENDING SOMETHING ON SOMEONE'S PHONE I THINK IS -- 252 00:09:46,085 --> 00:09:47,053 >> James: OH! 253 00:09:47,119 --> 00:09:49,689 NOW, ARE THOSE SEX NOISES? 254 00:09:49,755 --> 00:09:53,459 BECAUSE IF THEY ARE, I'VE BEEN DOING SEX ALL WRONG! 255 00:09:53,526 --> 00:09:59,031 [LAUGHTER] TURNS OUT, THIS IS TRUE, IT WAS 256 00:09:59,098 --> 00:10:04,103 A PRANKSTER WHO TAPED A BURNER PHONE ONTO THE BACK OF THE SET. 257 00:10:04,170 --> 00:10:07,873 THE SEX NOISES WERE A RINGTONE, AND THE PRANKSTER REPEATEDLY 258 00:10:07,940 --> 00:10:11,010 CALLED THE PHONE DURING THE LIVE SHOW. 259 00:10:11,077 --> 00:10:12,545 [LAUGHTER] LOOK AT THAT PHONE! 260 00:10:12,611 --> 00:10:13,412 LOOK AT THAT. 261 00:10:13,479 --> 00:10:17,483 THAT IS NOT A PHONE YOU USE FOR A PRANK. 262 00:10:17,550 --> 00:10:22,088 THAT'S WHAT A HITMAN USES TO CALL HIS HANDLER AND JUST GO, 263 00:10:22,154 --> 00:10:27,493 "IT'S DONE" BEFORE THROWING IT IN A RIVER! 264 00:10:27,560 --> 00:10:31,864 BUT THAT PRANK WOULD NEVER WORK HERE, ON THIS SHOW. 265 00:10:31,931 --> 00:10:33,833 IF WE WERE EVER INTERRUPTED BY A BUNCH OF SEX NOISES, WE'D ALL 266 00:10:33,899 --> 00:10:35,701 JUST ASSUME IT WAS MARK. 267 00:10:35,768 --> 00:10:41,440 [LAUGHTER] LOOK AT HIM. 268 00:10:41,507 --> 00:10:42,441 LOOK AT HIM. 269 00:10:42,508 --> 00:10:43,242 LOOK AT HIM. 270 00:10:43,309 --> 00:10:43,609 LOOK. 271 00:10:43,676 --> 00:10:45,411 THERE HE IS. 272 00:10:45,478 --> 00:10:56,222 [APPLAUSE] [LAUGHTER] 273 00:10:56,288 --> 00:10:56,822 ALSO, LOOK. 274 00:10:56,889 --> 00:11:00,159 LOOK. 275 00:11:00,226 --> 00:11:06,699 LOOK AT THE WAY -- LOOK AT THE WAY THAT MARK CHOOSES TO STAND 276 00:11:06,766 --> 00:11:09,301 WITH THAT CRANE. 277 00:11:09,368 --> 00:11:10,469 LIKE IN THAT MANNER. 278 00:11:10,536 --> 00:11:14,673 LIKE, YOU KNOW, MARK, YOU KNOW, MARK -- LOOK. 279 00:11:14,740 --> 00:11:23,315 [APPLAUSE] >> PEOPLE LOOK LIKE THEIR DOGS 280 00:11:23,382 --> 00:11:24,116 AFTER A WHILE. 281 00:11:24,183 --> 00:11:26,752 I START LOOKING LIKE MY CAMERA CREW. 282 00:11:26,819 --> 00:11:27,853 >> James: HA-HA! 283 00:11:27,920 --> 00:11:33,325 [LAUGHTER] YOU KNOW ON MARK'S FIRST DAY, HE 284 00:11:33,392 --> 00:11:36,662 NEVER ACTUALLY OPERATED A JIB BEFORE WHEN HE WAS AT CBS. 285 00:11:36,729 --> 00:11:41,967 THEY WERE LIKE, "ARE YOU GOING TO BE OK MOVING SUCH A BIG PIECE 286 00:11:42,034 --> 00:11:44,870 OF MACHINERY?" AND HE LOOKED AT IT AND SAID, "I 287 00:11:44,937 --> 00:11:49,942 DON'T CONSIDER THAT TO BE A BIG PIECE OF MACHINERY." 288 00:11:57,049 --> 00:11:58,984 [APPLAUSE] HONESTLY, YOU COULD CAMP UNDER 289 00:11:59,051 --> 00:11:59,452 IT. 290 00:11:59,518 --> 00:12:01,420 UM. 291 00:12:01,487 --> 00:12:05,424 [LAUGHTER] THE CRANE -- I MEANT THE CANE. 292 00:12:05,491 --> 00:12:06,625 DON'T BE SMUTTY. 293 00:12:06,692 --> 00:12:07,159 UM. 294 00:12:07,226 --> 00:12:08,928 AND DID YOU SEE THIS? 295 00:12:08,994 --> 00:12:11,130 EARLIER TODAY, THE ROBOTICS COMPANY BOSTON DYNAMICS RELEASED 296 00:12:11,197 --> 00:12:12,331 NEW FOOTAGE OF ONE OF ITS ROBOTS IN ACTION, SHOWING HOW THEY 297 00:12:12,398 --> 00:12:19,004 COULD ONE DAY PROVE HELPFUL ON A CONSTRUCTION SITE. 298 00:12:19,071 --> 00:12:23,576 HAVE A LOOK. 299 00:12:23,642 --> 00:12:25,644 [CLATTERING NOISES] 300 00:12:44,897 --> 00:12:46,398 [LAUGHTER] >> James: WHAT COULD POSSIBLY 301 00:12:46,465 --> 00:12:50,703 GO WRONG? 302 00:12:50,769 --> 00:12:53,506 I WATCHED THAT AND I'M LIKE, WE'RE ALL GOING TO DIE! 303 00:12:53,572 --> 00:12:54,707 I'M NOT INTO IT! 304 00:12:54,773 --> 00:12:58,444 I DON'T MIND IT WORKING ON, YOU KNOW, CONSTRUCTION SITES -- 305 00:12:58,511 --> 00:12:59,078 >> IT'S STRONG. 306 00:12:59,145 --> 00:12:59,812 >> James: THEY LOOK STRONG. 307 00:12:59,879 --> 00:13:00,546 >> THEY'RE VERY STRONG. 308 00:13:00,613 --> 00:13:03,749 >> James: IT WASN'T IN THE VIDEO. 309 00:13:03,816 --> 00:13:06,185 WHENEVER SOMEBODY WALKS BY THAT CONSTRUCTION SITE, THE ROBOT 310 00:13:06,252 --> 00:13:07,553 HOLLERS, "OH, MOMMA. 311 00:13:07,620 --> 00:13:11,323 GIVE ME SOME OF THAT. 312 00:13:11,390 --> 00:13:12,158 WHEW." 313 00:13:12,224 --> 00:13:18,330 [APPLAUSE] A ROBOT CONSTRUCTION WORKER. 314 00:13:18,397 --> 00:13:20,699 NOT ONLY CAN IT LIFT HEAVY OBJECTS AND NAVIGATE 315 00:13:20,766 --> 00:13:22,935 CONSTRUCTION SITES, IT'S ALSO PROGRAMMED TO EXPLAIN WHY YOUR 316 00:13:23,002 --> 00:13:27,673 BATHROOM REMODEL IS TAKING SEVEN MONTHS LONGER THAN PROMISED. 317 00:13:27,740 --> 00:13:31,243 [LAUGHTER] >> James: IN OTHER NEWS, A 318 00:13:31,310 --> 00:13:33,579 BRITISH AIRWAYS FLIGHT ATTENDANT ENDED UP HAVING A REALLY BAD 319 00:13:33,646 --> 00:13:35,681 FIRST DAY ON THE JOB, BY ACCIDENTALLY ACTIVATING THE 320 00:13:35,748 --> 00:13:36,949 EVACUATION SLIDE. 321 00:13:37,016 --> 00:13:40,653 DON'T WORRY, THE PLANE WAS STILL ON THE RUNWAY, BUT THE ACCIDENT 322 00:13:40,719 --> 00:13:44,323 COST THE AIRLINE $50,000. 323 00:13:44,390 --> 00:13:46,692 WHEN THEY HEARD THIS, SPIRIT AIRLINES WAS LIKE, "WAIT, WHAT'S 324 00:13:46,759 --> 00:13:50,663 AN EVACUATION SLIDE?" [LAUGHTER] 325 00:13:50,729 --> 00:14:00,039 [APPLAUSE] THIS IS ONE OF THE REASONS I 326 00:14:00,105 --> 00:14:05,544 NEVER BECAME A FLIGHT ATTENDANT. 327 00:14:05,611 --> 00:14:07,279 IT'S ACTUALLY TRUE. 328 00:14:07,346 --> 00:14:08,681 YOU GIVE ME THE OPTION TO ACTIVATE A SLIDE, I'M GONNA 329 00:14:08,747 --> 00:14:11,016 ACTIVATE A SLIDE. 330 00:14:11,083 --> 00:14:12,952 WHEN ASKED FOR A COMMENT, THE PASSENGERS EXITING THE PLANE 331 00:14:13,018 --> 00:14:20,492 SAID "WHEEEEEEE!" [LAUGHTER] 332 00:14:20,559 --> 00:14:21,293 $50 GRAND. 333 00:14:21,360 --> 00:14:22,461 ROB. 334 00:14:22,528 --> 00:14:25,698 WHAT'S THE MOST COSTLY MISTAKE WE'VE EVER HAD ON THIS SHOW? 335 00:14:25,764 --> 00:14:30,202 >> OH, I THINK I KNOW THE ANSWER TO THAT, BUT I'M HESITANT TO SA 336 00:14:30,269 --> 00:14:34,139 SAY, BECAUSE I THINK YOU'D FORGOTTEN ABOUT IT. 337 00:14:34,206 --> 00:14:35,941 ONCE I SAY IT, YOU'LL WASTE MONEY AGAIN. 338 00:14:36,008 --> 00:14:37,977 >> James: I HAVEN'T FORGOTTEN ABOUT IT. 339 00:14:38,043 --> 00:14:39,945 THAT'S NOT A MISTAKE, THOUGH. 340 00:14:40,012 --> 00:14:41,413 >> IN HINDSIGHT, YES, IT IS. 341 00:14:41,480 --> 00:14:42,848 >> James: NO! 342 00:14:42,915 --> 00:14:46,652 I THINK YOU'RE BEING VERY UNF UNFAIR. 343 00:14:46,719 --> 00:14:51,557 >> WE CAN PUT 25 OF MONTEL JORDAN'S EXTENDED FAMILY THROUGH 344 00:14:51,624 --> 00:14:52,558 COLLEGE. 345 00:14:52,625 --> 00:14:54,126 >> James: YOU'RE LOOKING AT THAT AS A BAD THING? 346 00:14:54,193 --> 00:15:01,867 [LAUGHTER] YOU'RE A [BLEEP]. 347 00:15:01,934 --> 00:15:03,402 YOU'RE A [BLEEP] TALKING ABOUT THIS BAD BOY? 348 00:15:03,469 --> 00:15:05,738 >> TALKING ABOUT THAT BAD BOY. 349 00:15:05,804 --> 00:15:08,741 >> James: WHAT THIS IS IS ROB AND BEN FOR MY BIRTHDAY BOUGHT 350 00:15:08,807 --> 00:15:11,844 ME THIS BUTTON WHICH MEANS AT ANY POINT I PUSH IT, I CAN HEAR 351 00:15:11,910 --> 00:15:16,081 THE OPENING OF MONTEL JORDAN'S "THIS IS HOW WE DO IT." 352 00:15:16,148 --> 00:15:18,217 WHAT THEY DIDN'T -- DID YOU KNOW AT THE TIME? 353 00:15:18,284 --> 00:15:21,553 >> NO, WE DIDN'T REALIZE IT UNTIL AFTER. 354 00:15:21,620 --> 00:15:33,966 >> James: IT COSTS $6,000 EVERY TIME I PUSH IT. 355 00:15:34,033 --> 00:15:38,370 [CHEERING] I'M NOT GOING TO DO IT. 356 00:15:38,437 --> 00:15:40,873 NO. 357 00:15:40,939 --> 00:15:55,821 [CROWD CHANTING PUSH IT] >> James: AND CHECK THIS OUT! 358 00:15:55,888 --> 00:15:57,022 [CROWD CHANTING PUSH IT] >> James: AND CHECK THIS OUT! 359 00:15:57,089 --> 00:15:58,457 THIS VALENTINE'S DAY, YOU CAN VISIT A TAYLOR SWIFT-THEMED 360 00:15:58,524 --> 00:15:59,591 "BREAKUP BAR" IN CHICAGO. 361 00:15:59,658 --> 00:16:00,459 THE POP-UP VENUE IS NAMED "BAD BLOOD" AFTER THE SONG FROM 362 00:16:00,526 --> 00:16:05,864 SWIFT'S ALBUM "1989." 363 00:16:05,931 --> 00:16:08,067 THIS EVENT COST $20 PER PERSON TO GO IN. 364 00:16:08,133 --> 00:16:09,201 YEAH. 365 00:16:09,268 --> 00:16:11,570 DON'T WORRY, ALL TICKETS ARE AVAILABLE BY TICKETMASTER SO 366 00:16:11,637 --> 00:16:14,440 EVERYTHING SHOULD RUN VERY SMOOTHLY. 367 00:16:14,506 --> 00:16:16,909 YEAH, BUT IF YOU'RE AT THE TAYLOR 368 00:16:16,975 --> 00:16:18,577 SWIFT "BREAKUP BAR," I THINK YOU CAN SAFELY ASSUME THE PERSON 369 00:16:18,644 --> 00:16:20,913 RESPONSIBLE FOR THE BREAKUP WAS YOU. 370 00:16:20,979 --> 00:16:21,580 IT'S YOU, HI. 371 00:16:21,647 --> 00:16:24,917 YOU'RE THE PROBLEM, IT'S YOU. 372 00:16:24,983 --> 00:16:26,085 >> James: AND FINALLY, AN AUSTRALIAN WOMAN HAS BROKEN THE 373 00:16:26,151 --> 00:16:30,923 WORLD RECORD FOR ARCHERY, USING HER FEET. 374 00:16:30,989 --> 00:16:34,927 SHE SHOT AN ARROW INTO THE BULLSEYE FROM NEARLY 60 FEET 375 00:16:34,993 --> 00:16:38,697 AWAY, HAVE A LOOK. 376 00:16:38,764 --> 00:16:48,173 ♪ >> OH! 377 00:16:48,240 --> 00:16:50,442 >> James: AMAZING! 378 00:16:50,509 --> 00:16:51,076 AMAZING! 379 00:16:51,143 --> 00:16:52,511 I'LL TELL YOU WHAT, THOUGH. 380 00:16:52,578 --> 00:16:52,945 IMPRESSIVE. 381 00:16:53,011 --> 00:16:53,212 SURE. 382 00:16:53,278 --> 00:16:53,579 YEAH. 383 00:16:53,645 --> 00:16:54,146 DO IT. 384 00:16:54,213 --> 00:16:55,013 ABSOLUTELY. 385 00:16:55,080 --> 00:16:55,447 IMPRESSIVE. 386 00:16:55,514 --> 00:16:56,682 VERY IMPRESSIVE. 387 00:16:56,749 --> 00:17:00,319 I'LL HAVE YOU KNOW I ONCE PICKED UP A DORITO OFF THE FLOOR WITH 388 00:17:00,386 --> 00:17:07,526 MY TOES BECAUSE I DIDN'T WANT TO LEAN OVER AND GRAB IT! 389 00:17:07,593 --> 00:17:10,863 [LAUGHTER] IT TRULY IS AN IMPRESSIVE RECORD 390 00:17:10,929 --> 00:17:14,433 AND TO THINK IT ONLY TOOK US SIX YEARS AND 13 MANSLAUGHTER 391 00:17:14,500 --> 00:17:17,503 CHARGES. 392 00:17:17,569 --> 00:17:18,470 SEE? 393 00:17:18,537 --> 00:17:20,773 NOW, THAT JOKE DIDN'T WORK, OK? 394 00:17:20,839 --> 00:17:22,374 THAT JOKE DIDN'T WORK AND RIGHT NOW WE'RE GOING TO GO TO BREAK 395 00:17:22,441 --> 00:17:28,013 AND IT'S GOING TO BE BAD, EXCEPT IT ISN'T BECAUSE... 396 00:17:28,080 --> 00:17:33,886 ♪ THIS IS HOW WE DO IT ♪ THIS IS HOW WE DO IT 397 00:17:33,952 --> 00:17:46,498 ♪ THIS IS HOW WE DO IT ♪ ♪ THIS IS, THIS IS, THIS IS HOW 398 00:17:46,565 --> 00:17:50,569 WE DO IT ♪ THIS IS ONE WAY THAT WE DO IT 399 00:17:59,011 --> 00:18:03,382 LADIES AND GENTLEMEN, SIMON AND GARFUNKEL. 400 00:18:09,688 --> 00:18:13,892 ♪ HELLO DARKNESS, MY OLD FRIEND 401 00:18:13,959 --> 00:18:16,929 ♪ I'VE COME TO TALK WITH YOU AGAIN 402 00:18:16,995 --> 00:18:21,633 ♪ BECAUSE A VISION SOFTLY CREEPING 403 00:18:21,700 --> 00:18:26,939 ♪ LEFT ITS SEEDS WHILE I WAS SLEEPING 404 00:18:27,005 --> 00:18:32,911 ♪ AND THE VISION THAT WAS PLANTED 405 00:18:32,978 --> 00:18:39,251 ♪ IN MY BRAIN STILL REMAINS 406 00:18:39,318 --> 00:18:46,191 ♪ WITHIN THE SOUND OF SILENCE 407 00:18:46,258 --> 00:18:52,865 ♪ IN RESTLESS DREAMS, I WALKED ALONE 408 00:18:52,931 --> 00:18:55,300 ♪ NARROW STREETS OF COBBLE STONE 409 00:18:55,367 --> 00:19:00,472 ♪ 'NEATH THE HALO OF A STREET LAMP 410 00:19:00,539 --> 00:19:05,611 ♪ I TURNED MY COLLAR TO THE COLD AND DAMP 411 00:19:05,677 --> 00:19:12,651 ♪ WHEN MY EYES WERE STABBED BY THE FLASH OF A NEON LIGHT 412 00:19:12,718 --> 00:19:19,157 ♪ THAT SPLIT THE NIGHT AND TOUCHED THE 413 00:19:19,224 --> 00:19:25,531 ♪ SOUND OF SILENCE AND IN THE NAKED LIGHT 414 00:19:25,597 --> 00:19:29,601 ♪ I SAW TEN THOUSAND PEOPLE, 415 00:19:29,668 --> 00:19:34,806 ♪ MAYBE MORE PEOPLE TALKING 416 00:19:34,873 --> 00:19:38,710 ♪ WITHOUT SPEAKING PEOPLE HEARING 417 00:19:38,777 --> 00:19:44,783 ♪ WITHOUT LISTENING PEOPLE WRITING SONGS 418 00:19:44,850 --> 00:19:53,525 ♪ THAT VOICES NEVER SHARED AND NO ONE DARED 419 00:19:53,592 --> 00:20:08,473 ♪ DISTURB THE SOUND OF SILENCE 420 00:20:08,540 --> 00:20:09,341 ♪ DISTURB THE SOUND OF SILENCE 421 00:20:09,408 --> 00:20:10,642 ♪ AND THE PEOPLE BOWED AND PRAYED 422 00:20:10,709 --> 00:20:12,044 ♪ TO THE NEON GOD THEY MADE 423 00:20:12,110 --> 00:20:14,613 ♪ AND THE SIGN FLASHED OUT ITS WARNING 424 00:20:14,680 --> 00:20:20,719 ♪ IN THE WORDS THAT IT WAS FORMING 425 00:20:20,786 --> 00:20:23,322 ♪ AND THE SIGN SAID "THE WORDS OF THE PROPHETS 426 00:20:23,388 --> 00:20:27,626 ♪ ARE WRITTEN ON THE SUBWAY WALLS 427 00:20:27,693 --> 00:20:33,332 ♪ AND TENEMENT HALLS AND WHISPERED 428 00:20:33,398 --> 00:20:44,042 ♪ IN THE SOUND OF SILENCE" 429 00:20:44,109 --> 00:20:45,477 [LAUGHTER] 430 00:20:45,544 --> 00:20:56,822 [APPLAUSE] 431 00:20:56,822 --> 00:20:58,123 >> James: MY THANKS TO BRYAN CRANSTON! 432 00:20:58,190 --> 00:20:59,591 THE NEW SEASON OF "YOUR HONOR" IS CURRENTLY STREAMING ON 433 00:20:59,658 --> 00:21:00,692 SHOWTIME. 434 00:21:00,759 --> 00:21:02,494 WE'LL BE RIGHT BACK WITH ANGELA BASSETT AND BRIAN TYREE 435 00:21:02,561 --> 00:21:04,563 HENRY! 436 00:21:27,019 --> 00:21:29,121 >> James: WELCOME BACK, LET'S MEET OUR GUESTS TONIGHT! 437 00:21:29,187 --> 00:21:31,189 HE STARS IN "CAUSEWAY," BRIAN TYREE HENRY! 438 00:21:33,759 --> 00:21:39,197 ♪ ♪ 439 00:21:39,264 --> 00:21:42,801 >> Reggie: IT'S BRIAN TYREE HENRY! 440 00:21:42,868 --> 00:21:50,442 ♪ ♪ 441 00:21:50,509 --> 00:21:51,777 SHE STARS IN "BLACK PANTHER: WAKANDA FOREVER," ANGELA 442 00:21:51,843 --> 00:21:54,880 BASSETT! 443 00:21:54,946 --> 00:21:59,184 >> Reggie: IT'S ANGELA BASSETT! 444 00:21:59,251 --> 00:22:07,726 ♪ ♪ 445 00:22:07,793 --> 00:22:16,935 >> James: HAVE A SEAT, PLEASE. 446 00:22:17,002 --> 00:22:19,471 NOW LOOK AT US! 447 00:22:19,538 --> 00:22:22,874 THESE ARE THE DAYS I AM SO HAPPY TO HAVE THIS JOB. 448 00:22:22,941 --> 00:22:27,012 I CANNOT BELIEVE HOW LUCKY I AM TO GET TO SPEAK TO YOU BOTH, BUT 449 00:22:27,079 --> 00:22:29,548 I GOT TO TELL YOU -- BRIAN, ARE YOU OK? 450 00:22:29,614 --> 00:22:33,885 I KNOW THIS IS A BIG DAY AND MOMENT FOR YOU, BECAUSE ANGELA 451 00:22:33,952 --> 00:22:36,855 HAS BEEN A HUGE PART OF YOUR LIFE. 452 00:22:36,922 --> 00:22:38,724 >> SHE IS THE REASON WHY I'M SITTING HERE DOING WHAT I'M 453 00:22:38,790 --> 00:22:39,891 DOING. 454 00:22:39,958 --> 00:22:42,227 LIKE, I MEAN, FROM THE MOMENT THAT I SAW YOU, I WAS LIKE I 455 00:22:42,294 --> 00:22:45,063 WANT TO DO THAT AND I WANT TO DO THAT WITH HER. 456 00:22:45,130 --> 00:22:45,764 >> WOW! 457 00:22:45,831 --> 00:22:47,199 >> SO, YEAH, THANK YOU FOR THIS. 458 00:22:47,265 --> 00:22:47,766 THANK YOU FOR THIS. 459 00:22:47,833 --> 00:22:49,134 THIS IS TRULY AN HONOR. 460 00:22:49,201 --> 00:22:50,035 >> WOW. 461 00:22:50,102 --> 00:22:53,972 >> James: DID YOU KNOW ABOUT THIS, ANGELA? 462 00:22:54,039 --> 00:22:56,575 WE JUST MET EACH OTHER RECENTLY, RIGHT? 463 00:22:56,641 --> 00:22:59,911 ON THE WHOLE SPRINT -- AWARDS SPRINT/PRESS STUFF THAT WE'RE 464 00:22:59,978 --> 00:23:01,046 GOING THROUGH. 465 00:23:01,113 --> 00:23:02,180 YEAH. 466 00:23:02,247 --> 00:23:04,883 >> AND I DIDN'T KNOW WHAT TO SAY, BECAUSE, YOU KNOW, WHEN 467 00:23:04,950 --> 00:23:07,786 YOU'RE STANDING NEXT TO GREATNESS, YOU KIND OF CLAM UP. 468 00:23:07,853 --> 00:23:11,790 MY ONLY THING I COULD THINK TO DO WAS JUST BOW AND JUST NOD, 469 00:23:11,857 --> 00:23:12,891 YOU KNOW? 470 00:23:12,958 --> 00:23:16,161 BUT I'M JUST SO GRATEFUL YOU'RE GETTING YOUR FLOWERS. 471 00:23:16,228 --> 00:23:16,895 YOU DESERVE SO MUCH. 472 00:23:16,962 --> 00:23:18,063 >> James: YEAH. 473 00:23:18,130 --> 00:23:19,798 >> I'M JUST REALLY GRATEFUL THAT THIS IS HAPPENING FOR YOU. 474 00:23:19,865 --> 00:23:21,833 >> James: YOU'RE ABSOLUTELY RIGHT -- I MEAN -- 475 00:23:21,900 --> 00:23:26,738 [CHEERS AND APPLAUSE] I FEEL LIKE -- I MEAN, BRIAN, 476 00:23:26,805 --> 00:23:29,007 TAKE THE -- TAKE THE -- TAKE THE MOMENT. 477 00:23:29,074 --> 00:23:32,677 DO YOU WANT TO INTERVIEW ANGELA? 478 00:23:32,744 --> 00:23:36,014 YOU COULD BE HERE -- I'M JUST GOING TO SIT OVER HERE. 479 00:23:36,081 --> 00:23:37,983 >> WHERE ARE YOU GOING? 480 00:23:38,049 --> 00:23:39,050 >> James: LET BRIAN. 481 00:23:39,117 --> 00:23:41,319 THIS IS A BIG MOMENT FOR BRIAN. 482 00:23:41,386 --> 00:23:45,223 >> I CAME IN PREPARED. 483 00:23:45,290 --> 00:23:46,792 >> I HAVE BEEN AMBUSHED. 484 00:23:46,858 --> 00:23:47,459 OK. 485 00:23:47,526 --> 00:23:48,627 OK. 486 00:23:48,693 --> 00:23:52,464 >> I JUST WANT TO SAY, UM, WELCOME TO "THE LATE LATE SHOW" 487 00:23:52,531 --> 00:23:55,200 WITH BRIAN TYREE HENRY. 488 00:23:55,267 --> 00:23:57,769 [APPLAUSE] MY FIRST GUEST IS THE ONE, THE 489 00:23:57,836 --> 00:24:01,039 ONLY -- AND I FEEL LIKE I WISH THIS COUNTRY TO KNIGHT PEOPLE SO 490 00:24:01,106 --> 00:24:05,811 YOU COULD BE DAME ANGELA BASSETT, SO I'LL REFER TO YOU AS 491 00:24:05,877 --> 00:24:06,878 DAME ANGELA BASSETT IF THAT'S OK WITH YOU. 492 00:24:06,945 --> 00:24:08,780 >> THAT'S QUITE ALL RIGHT. 493 00:24:08,847 --> 00:24:11,516 >> DO YOU MIND IF I ASK YOU A FEW QUESTIONS? 494 00:24:11,583 --> 00:24:14,619 I'M SURE THESE QUESTIONS ARE THINGS ALL OF YOU WANTED TO KNOW 495 00:24:14,686 --> 00:24:15,253 AS WELL. 496 00:24:15,320 --> 00:24:16,588 I WANT TO MAKE SURE. 497 00:24:16,655 --> 00:24:19,658 MY FIRST QUESTION FOR YOU, DAME ANGELA, AT THIS POINT IN YOUR 498 00:24:19,724 --> 00:24:23,328 CAREER, DO YOU STILL GET NERVOUS? 499 00:24:23,395 --> 00:24:26,164 >> SIR BRIAN -- [LAUGHTER] 500 00:24:26,231 --> 00:24:27,833 - - INDEED, I DO. 501 00:24:27,899 --> 00:24:28,233 >> YOU DO? 502 00:24:28,300 --> 00:24:29,367 >> YEAH, I DO. 503 00:24:29,434 --> 00:24:32,704 I GET A LITTLE BUTTERFLIES BUT I THINK THAT'S OK. 504 00:24:32,771 --> 00:24:33,004 >> YEAH. 505 00:24:33,071 --> 00:24:34,005 >> YEAH. 506 00:24:34,072 --> 00:24:36,074 IT SHOWS YOU'RE STILL IN LOVE WITH WHAT YOU DO. 507 00:24:36,141 --> 00:24:37,175 YOU'RE STILL EXCITED ABOUT IT. 508 00:24:37,242 --> 00:24:39,511 AND I DON'T REALLY WANT TO TAKE ANYTHING FOR GRANTED. 509 00:24:39,578 --> 00:24:40,812 I DON'T TAKE IT FOR GRANTED. 510 00:24:40,879 --> 00:24:43,682 >> THE GRACE WITH WHICH YOU DO EVERYTHING IS SHOCKING TO HEAR 511 00:24:43,748 --> 00:24:44,482 THAT YOU'RE NERVOUS ABOUT ANYTHING. 512 00:24:44,549 --> 00:24:45,717 IT'S REALLY AMAZING. 513 00:24:45,784 --> 00:24:49,087 UM, MY OTHER QUESTION IS, WHO DO YOU LOVE MORE RIGHT NOW? 514 00:24:49,154 --> 00:24:50,188 ME OR JAMES? 515 00:24:50,255 --> 00:24:52,791 >> James: HA-HA! 516 00:24:52,858 --> 00:24:59,898 [APPLAUSE] >> I LOVE WITH MY EYES HAVE LAID 517 00:24:59,965 --> 00:25:03,435 SIGHT ON. 518 00:25:03,501 --> 00:25:06,938 - - I LOVE WHAT MY EYES HAVE LAID SIGHT ON, AND THAT IS A 519 00:25:07,005 --> 00:25:12,110 COMPLETELY BRILLIANT ARTIST WHOSE WORK I'VE COME TO ADMIRE 520 00:25:12,177 --> 00:25:13,545 AND TO LOVE. 521 00:25:13,612 --> 00:25:17,215 I APPRECIATE THE WORK THAT YOU DO, AND I HOPE TO BE LUCKY ONE 522 00:25:17,282 --> 00:25:20,719 DAY TO WORK WITH YOU. 523 00:25:20,785 --> 00:25:23,989 YOUR VULNERABILITY AND SENSITIVITY AND STRENGTH -- AND 524 00:25:24,055 --> 00:25:25,790 YOU JUST BAD ASS! 525 00:25:25,857 --> 00:25:33,031 [APPLAUSE] >> THANK YOU. 526 00:25:33,098 --> 00:25:33,398 WELL. 527 00:25:33,465 --> 00:25:38,904 I'M DONE. 528 00:25:38,970 --> 00:25:41,640 [LAUGHTER] THANK YOU. 529 00:25:41,706 --> 00:25:45,310 OH THAT -- THAT'S -- THAT'S -- I'M GRATEFUL. 530 00:25:45,377 --> 00:25:46,344 >> James: ALSO, THERE'S A JOB COMING UP IN APRIL. 531 00:25:46,411 --> 00:25:47,979 IF YOU WANT IT, IT'S YOURS. 532 00:25:48,046 --> 00:25:50,582 >> THE LAST THING YOU WANT IS ME IN YOUR HOUSE LATE AT NIGHT. 533 00:25:50,649 --> 00:25:51,983 >> James: HA-HA! 534 00:25:52,050 --> 00:25:54,886 NOW, ANGELA, MY QUESTION IS DO YOU STILL GET NERVOUS? 535 00:25:54,953 --> 00:25:57,355 NO, I CAN'T DO THAT. 536 00:25:57,422 --> 00:26:00,125 NOW, ANGELA, THIS IS AN AMAZING MOMENT IN YOUR LIFE. 537 00:26:00,191 --> 00:26:03,495 YOU WON A GOLDEN GLOBE, A CRITICS CHOICE. 538 00:26:03,561 --> 00:26:06,965 I HOPE SO MUCH AND I'M CERTAIN THERE IS MORE TO COME. 539 00:26:07,032 --> 00:26:11,937 HOW DIFFERENT DOES IT FEEL THIS MOMENT, BECAUSE IT WAS ALMOST 30 540 00:26:12,003 --> 00:26:15,941 YEARS AGO SINCE YOUR FIRST OSCAR NOMINATION WITH "WHAT'S LOVE GOT 541 00:26:16,007 --> 00:26:19,811 TO DO WITH IT?" TALK TO ME ABOUT THAT TIME. 542 00:26:19,878 --> 00:26:24,082 WHEN THAT HAPPENED, THAT MUST HAVE GIVEN YOUR CAREER AN INSANE 543 00:26:24,149 --> 00:26:24,616 BOOST. 544 00:26:24,683 --> 00:26:25,650 DID IT AT THAT MOMENT? 545 00:26:25,717 --> 00:26:27,052 >> THE TIMING WAS DIFFERENT THEN. 546 00:26:27,118 --> 00:26:29,220 - AS I SAID IN ONE OF MY SPEECHES - - 547 00:26:29,287 --> 00:26:31,089 >> HOW SO? 548 00:26:31,156 --> 00:26:35,226 >> BLACK WOMEN WEREN'T IN A VERY SIGNIFICANT WAY SHOWN IN MOVIES 549 00:26:35,293 --> 00:26:35,760 DURING THAT TIME. 550 00:26:35,827 --> 00:26:36,962 >> James: RIGHT. 551 00:26:37,028 --> 00:26:39,864 >> SO YOU HAD TO WAIT FOR THE TIMING TO BE RIGHT, YOU KNOW? 552 00:26:39,931 --> 00:26:41,032 WAIT FOR THE WRITERS. 553 00:26:41,099 --> 00:26:44,469 WAIT FOR THE DIRECTORS LIKE KATHERINE BIGELOW IN "STRANGE 554 00:26:44,536 --> 00:26:45,904 DAYS." 555 00:26:45,971 --> 00:26:49,274 WAIT FOR THE WRITERS LIKE TERRY MCMILLAN COMING UP WITH "HOW 556 00:26:49,341 --> 00:26:52,711 STELLA GOT HER GROOVE" AND "WAITING TO EXHALE." 557 00:26:52,777 --> 00:26:55,880 YOU HAD TO WAIT FOR THOSE PROJECTS TO HAPPEN FOR THOSE 558 00:26:55,947 --> 00:26:58,950 ARTISTS TO CREATE, YOU KNOW, UM,AND THEN TO BE READY WHEN 559 00:26:59,017 --> 00:26:59,784 THEY WERE. 560 00:26:59,851 --> 00:27:01,419 SO IT TOOK ME A MINUTE. 561 00:27:01,486 --> 00:27:07,225 IT TOOK ME 17 MONTHS TO REST AFTER "WHAT'S LOVE" LIKE A 562 00:27:07,292 --> 00:27:08,426 17-MONTH NAP AFTER THAT ALSO. 563 00:27:08,493 --> 00:27:10,695 >> WHAT'S ALSO GREAT IS THAT, LIKE, YOU'VE DONE SOMETHING SO 564 00:27:10,762 --> 00:27:13,765 REVOLUTIONARY THAT YOU HAVE BROKEN DOWN SO MANY DOORS AND 565 00:27:13,832 --> 00:27:17,035 OPENED SO MANY WAYS FOR OTHER BLACK ACTRESSES TO FOLLOW. 566 00:27:17,102 --> 00:27:20,538 LIKE, YOU HAVE CREATED THIS LANE THAT HAS DONE SOMETHING SO 567 00:27:20,605 --> 00:27:23,608 REMARKABLE WHERE YOU HAVE INSPIRED PEOPLE TO GO, WAIT A 568 00:27:23,675 --> 00:27:25,477 MINUTE, WE NEED TO MAKE ROLES LIKE THAT. 569 00:27:25,543 --> 00:27:29,047 WE NEED TO SEE, YOU KNOW, QUEENS OF WAKANDA. 570 00:27:29,114 --> 00:27:30,915 WE NEED TO SEE ALL OF THESE THINGS THAT YOU HAVE MADE ON 571 00:27:30,982 --> 00:27:31,616 YOUR OWN. 572 00:27:31,683 --> 00:27:33,284 AND IT'S JUST REALLY REMARKABLE. 573 00:27:33,351 --> 00:27:34,586 AND -- [APPLAUSE] 574 00:27:34,652 --> 00:27:35,053 - - YEAH, IT IS. 575 00:27:35,120 --> 00:27:35,954 >> James: IT IS. 576 00:27:36,021 --> 00:27:36,654 IT IS REMARKABLE. 577 00:27:36,721 --> 00:27:37,522 IT IS. 578 00:27:37,589 --> 00:27:39,924 >> YOU KNOW, IT'S -- IT'S TRULY A GIFT. 579 00:27:39,991 --> 00:27:40,992 IT'S TRULY A GIFT. 580 00:27:41,059 --> 00:27:43,194 >> James: AND, BRIAN, ANGELA'S RIGHT. 581 00:27:43,261 --> 00:27:45,230 BRIAN, WHAT'S -- WHAT'S -- I FEEL LIKE SINCE THE FIRST TIME 582 00:27:45,296 --> 00:27:47,699 YOU CAME ON THE SHOW WHEN YOU DID, LIKE, WHEN WE MET AND YOU 583 00:27:47,766 --> 00:27:51,069 WERE DOING "DROP THE MIC" LIKE, YOUR ENTIRE WORLD HAS CHANGED 584 00:27:51,136 --> 00:27:54,572 AND YOU'RE JUST CONSTANTLY FILMING SOME INCREDIBLE PROJECTS 585 00:27:54,639 --> 00:27:55,807 AND WORK. 586 00:27:55,874 --> 00:27:58,009 LAST YEAR, YOU SPENT A LOT OF LAST YEAR IN AUSTRALIA SHOOTING 587 00:27:58,076 --> 00:27:59,044 DOWN THERE. 588 00:27:59,110 --> 00:28:01,379 WHAT DID YOU -- DID YOU ENJOY SHOOTING DOWN THERE? 589 00:28:01,446 --> 00:28:03,748 WHAT DID YOU MAKE OF LIFE DOWN UNDER? 590 00:28:03,815 --> 00:28:05,617 >> BECAUSE I'VE NEVER BEEN THERE SO -- 591 00:28:05,683 --> 00:28:08,386 >> I'M GOING TO TELL YOU RIGHT OFF BAT EVERYTHING COULD KILL 592 00:28:08,453 --> 00:28:08,853 YOU. 593 00:28:08,920 --> 00:28:09,687 IT IS NOT A JOKE. 594 00:28:09,754 --> 00:28:11,289 THINGS ARE BIGGER THAN THEY SHOULD BE. 595 00:28:11,356 --> 00:28:14,225 THERE WAS, LIKE -- WE WERE DOING GODZILLA SO WE WERE ON LOCATION 596 00:28:14,292 --> 00:28:16,361 A LOT. 597 00:28:16,428 --> 00:28:17,896 SO WE WERE FILMING IN ALL THE DIFFERENT KINDS OF RAIN FORESTS 598 00:28:17,962 --> 00:28:18,763 THERE. 599 00:28:18,830 --> 00:28:19,998 OK? 600 00:28:20,065 --> 00:28:22,267 SO THERE ARE ANIMALS THAT ARE STILL ALIVE AND ROAMING IN THESE 601 00:28:22,333 --> 00:28:28,006 RAIN FORESTS THAT PREDATE -- LIKE, THEIR COUSINS ARE LIKE THE 602 00:28:28,073 --> 00:28:28,907 VELOCIRAPTORS. 603 00:28:28,973 --> 00:28:35,480 ONE IN PARTICULAR IS CALLED THE CASS WARY. 604 00:28:35,547 --> 00:28:39,984 THIS OSTRICH MONSTROSITY HAS THE BODY OF THE OSTRICH, COLOR OF 605 00:28:40,051 --> 00:28:43,421 THE PEACOCK AND EYE LASHES OF A KARDASHIAN. 606 00:28:43,488 --> 00:28:44,055 I'M NOT KIDDING. 607 00:28:44,122 --> 00:28:44,689 LOOK IT UP! 608 00:28:44,756 --> 00:28:46,057 I WAS LIKE WHAT IS GOING ON? 609 00:28:46,124 --> 00:28:49,561 SO YOU GO TO SET AND THEY'RE LIKE, JUST MAKE SURE YOU DON'T 610 00:28:49,627 --> 00:28:54,766 STAND NEAR THE KASAWARY. 611 00:28:54,833 --> 00:28:57,068 THEY'LL RIP YOUR GUTS OUT. 612 00:28:57,135 --> 00:29:01,339 THAT'S THE SAFETY SPEECH IS JUST MAKE SURE TO STEER CLEAR? 613 00:29:01,406 --> 00:29:05,110 THERE ARE VIDEOS IF YOU WANT TO LOOK IT UP -- NOT SAYING YOU 614 00:29:05,176 --> 00:29:11,116 SHOULD, BUT DO IT -- OF KASAWARY CHASING CARS. 615 00:29:11,182 --> 00:29:15,153 >> James: THAT'S WHAT SNOW PATROL WROTE THAT SHOW ABOUT. 616 00:29:15,220 --> 00:29:20,325 LET'S TALK ABOUT "BLACK PANTHER: WAKANDA FOREVER." 617 00:29:20,391 --> 00:29:21,326 SPOILER ALERT. 618 00:29:21,392 --> 00:29:24,329 SPOILER ALERT -- MUTE THE TV. 619 00:29:24,395 --> 00:29:25,029 NO. 620 00:29:25,096 --> 00:29:27,265 YOU SHOULD HAVE [BLEEP] SEEN IT. 621 00:29:27,332 --> 00:29:28,800 SO YOUR CHARACTER DOESN'T MAKE IT AT THE END OF THE MOVIE. 622 00:29:28,867 --> 00:29:32,370 SO WHAT DID YOU THINK WHEN YOU READ THE SCRIPT? 623 00:29:32,437 --> 00:29:34,772 >> I WAS CRESTFALLEN. 624 00:29:34,839 --> 00:29:37,876 I WAS SO HEARTBROKEN WHEN I GOT TO THAT AGE AND GOT TO THAT 625 00:29:37,942 --> 00:29:40,411 MOMENT AND, UM, SPOKE TO RYAN. 626 00:29:40,478 --> 00:29:44,115 NEXT TIME I SPOKE TO RYAN -- HE CALLED ME ON THE PHONE. 627 00:29:44,182 --> 00:29:46,117 >> James: RYAN KUEBLER, THE DIRECTOR. 628 00:29:46,184 --> 00:29:47,152 >> I'M LIKE, RYAN, PLEASE. 629 00:29:47,218 --> 00:29:47,986 YOU DON'T WANT TO DO THIS. 630 00:29:48,052 --> 00:29:49,287 YOU DON'T WANT TO DO THIS. 631 00:29:49,354 --> 00:29:50,054 COME ON, RYAN. 632 00:29:50,121 --> 00:29:51,556 YOU RULE THE DAY. 633 00:29:51,623 --> 00:29:52,357 THIS IS NOT GOOD. 634 00:29:52,423 --> 00:29:54,225 OF COURSE, HE WAS LIKE, OH, ANGELA. 635 00:29:54,292 --> 00:29:55,293 DON'T WORRY ABOUT IT. 636 00:29:55,360 --> 00:29:55,793 YOU KNOW. 637 00:29:55,860 --> 00:29:56,961 YOU CAN COME BACK. 638 00:29:57,028 --> 00:29:58,029 DEAD DOESN'T HAVE TO MEAN DEAD. 639 00:29:58,096 --> 00:29:58,930 >> IN MARVEL. 640 00:29:58,997 --> 00:29:59,998 THAT'S TRUE. 641 00:30:00,064 --> 00:30:00,365 IN MARVEL. 642 00:30:00,431 --> 00:30:01,599 THAT'S TRUE. 643 00:30:01,666 --> 00:30:05,503 THEY WILL RESURRECT YOU IN A HOT ASS MINUTE SO THERE'S HOPE THE 644 00:30:05,570 --> 00:30:06,237 THERE. 645 00:30:06,304 --> 00:30:07,238 >> James: WELL, I HOPE THEY DO. 646 00:30:07,305 --> 00:30:09,941 LET'S TAKE A LOOK AT A CLIP FROM "BLACK PANTHER: 647 00:30:10,008 --> 00:30:11,409 WAKANDA FOREVER," WHICH IS AVAILABLE ON DISNEY+ FEBRUARY 648 00:30:11,476 --> 00:30:12,810 1ST AND DVD AND BLU RAY SHORTLY AFTER. 649 00:30:12,877 --> 00:30:18,049 >> WHEN HE TOOK YOUR BROTHER FROM US, I HAD TO LEAD A WOUNDED 650 00:30:18,116 --> 00:30:22,921 NATION AND A BROKEN WORLD, BUT I STILL TOOK TIME IN THE BUSH. 651 00:30:22,987 --> 00:30:28,993 I WANDERED UNTIL I FOUND WATER, AND I SAT. 652 00:30:29,060 --> 00:30:35,767 THEN I DID THIS RITUAL THAT I AM ABOUT TO SHOW YOU NOW. 653 00:30:35,833 --> 00:30:45,476 I FOUND YOUR BROTHER IN THE BREEZE PUSHING ME GENTLY BY FIRM 654 00:30:45,543 --> 00:30:51,616 LIKE HIS HAND ON MY SHOULDER. 655 00:30:51,683 --> 00:30:58,990 TOOK SOME TIME, BUT HE WAS THERE. 656 00:30:59,057 --> 00:30:59,924 [APPLAUSE] >> James: STICK AROUND, MORE 657 00:30:59,991 --> 00:31:01,926 WITH THESE TWO WHEN WE COME BACK! 658 00:31:11,035 --> 00:31:13,137 >> OH, ALL I KNOW IS THAT YOU DON'T -- YOU DON'T HAVE TO LIVE 659 00:31:13,204 --> 00:31:21,946 WITH YOUR MOTHER. 660 00:31:22,013 --> 00:31:25,516 >> YEAH, MOVE IN. 661 00:31:25,583 --> 00:31:26,918 YOU KNOW HOW MANY ROOMS I GOT? 662 00:31:26,985 --> 00:31:28,886 I WON'T EVEN KNOW YOU WAS HERE. 663 00:31:28,953 --> 00:31:31,322 >> I DON'T THINK THAT WAS -- >> NO. 664 00:31:31,389 --> 00:31:38,963 YOU'RE NOT JUST GOING TO -- >> I KNOW. 665 00:31:39,030 --> 00:31:40,398 BUT YOU'RE DRUNK. 666 00:31:40,465 --> 00:31:43,501 >> THAT'S TRUE. 667 00:31:43,568 --> 00:31:47,338 ♪ ♪ 668 00:31:47,405 --> 00:31:49,741 >> James: THAT WAS A CLIP FROM "CAUSEWAY," WHICH IS STREAMING 669 00:31:49,807 --> 00:31:52,910 NOW ON APPLE TV+. 670 00:31:52,977 --> 00:31:56,080 BRIAN, CONGRATULATIONS ON YOUR AWARD-WINNING PERFORMANCE IN 671 00:31:56,147 --> 00:31:57,348 THIS BRILLIANT MOVIE. 672 00:31:57,415 --> 00:32:00,518 FOR ANYONE WHO HASN'T CAUGHT IT YET, TELL US WHAT IT'S ABOUT AND 673 00:32:00,585 --> 00:32:02,287 WHO YOU PLAY? 674 00:32:02,353 --> 00:32:04,856 >> CAUSEWAY IS ABOUT THIS CHARACTER NAMED LINDSEY PLAYED 675 00:32:04,922 --> 00:32:07,158 BY JENNIFER LAWRENCE WHO SUFFERED A DISABILITY, AN INJURY 676 00:32:07,225 --> 00:32:11,362 THAT CAUSED HER TO HAVE A DISABILITY IN AFGHANISTAN. 677 00:32:11,429 --> 00:32:15,667 SHE HAS TO GO BACK HOME AND REHABILITATE IN HER 678 00:32:15,733 --> 00:32:16,968 REHABILITATION, SHE MEETS ANOTHER MAN WHO SUFFERED HIS OWN 679 00:32:17,035 --> 00:32:19,804 DISABILITY, JAMES, IN THIS CAR ACCIDENT. 680 00:32:19,871 --> 00:32:24,642 YOU SAW THEM TRAVERSE THIS LANDSCAPE OF GRIEF AND TRAUMA 681 00:32:24,709 --> 00:32:27,245 WHILE FINDING THE POSSIBILITY OF NEW FRIENDSHIP WITH EACH OTHER. 682 00:32:27,312 --> 00:32:30,815 >> James: IT'S A BEAUTIFUL FILM AND A TRULY BRILLIANT 683 00:32:30,882 --> 00:32:32,216 PERFORMANCE BY YOU. 684 00:32:32,283 --> 00:32:35,320 BOTH OF YOU HAVE SOMETHING IN COMMON. 685 00:32:35,386 --> 00:32:37,088 YOU BOTH WENT TO THE YALE SCHOOL OF DRAMA. 686 00:32:37,155 --> 00:32:37,855 >> YES. 687 00:32:37,922 --> 00:32:38,890 >> James: BRIAN, WHAT WAS IT LIKE? 688 00:32:38,956 --> 00:32:40,925 I WOULD IMAGINE THAT'S A TOUGH SCHOOL TO GET INTO. 689 00:32:40,992 --> 00:32:44,329 WHAT WAS THE AUDITION PROCESS TO GET INTO YALE? 690 00:32:44,395 --> 00:32:46,798 >> YOU PREPARE A CLASSICAL MONLOG AND CONTEMPORARY 691 00:32:46,864 --> 00:32:47,799 MONOLOGUE. 692 00:32:47,865 --> 00:32:49,867 YOU ALSO WERE SUPPOSED TO PREPARE A SONG. 693 00:32:49,934 --> 00:32:50,368 I DID NOT KNOW THAT. 694 00:32:50,435 --> 00:32:51,402 >> I DIDN'T EITHER. 695 00:32:51,469 --> 00:32:53,638 >> James: WHEN DID YOU FIND OUT? 696 00:32:53,705 --> 00:32:58,376 >> I FOUND OUT AS I WAS SITTING IN MY FINAL KAULBACH. 697 00:32:58,443 --> 00:33:03,281 ONE OF THE GUYS THAT WAS CALLED BACK WITH ME WENT INSIDE AND 698 00:33:03,348 --> 00:33:05,216 STARTED SINGING "OLD MAN RIVER." 699 00:33:05,283 --> 00:33:10,221 I SAID, ARE WE SUPPOSED TO DO THAT? 700 00:33:10,288 --> 00:33:11,356 I HAVE NO SONG PREPARED. 701 00:33:11,422 --> 00:33:19,197 I SANG THE LAST SONG I HEARD, SANDRA-DEE FROM "GREASE." 702 00:33:19,263 --> 00:33:21,299 I WATCHED IT IN MY HOTEL ROOM. 703 00:33:21,366 --> 00:33:24,635 I THOUGHT IT'D BE FUNNY FOR ME TO STAND OUT THERE. 704 00:33:24,702 --> 00:33:27,572 >> James: YOU DID CHOREOGRAPHY! 705 00:33:27,638 --> 00:33:29,340 >> I WAS STOCKARD CHANNING. 706 00:33:29,407 --> 00:33:30,408 LIKE, DON'T DO THIS TO ME! 707 00:33:30,475 --> 00:33:31,609 >> SHOW ME! 708 00:33:31,676 --> 00:33:32,910 I WANT TO SEE! 709 00:33:32,977 --> 00:33:34,178 I WANT TO HEAR IT. 710 00:33:34,245 --> 00:33:34,979 >> James: BRIAN. 711 00:33:35,046 --> 00:33:35,613 BRIAN. 712 00:33:35,680 --> 00:33:38,449 I DIDN'T ASK YOU TO. 713 00:33:38,516 --> 00:33:38,950 ANGELA BASSETT DID. 714 00:33:39,016 --> 00:33:39,484 >> OH, ANGELA! 715 00:33:39,550 --> 00:33:40,818 >> JUST A LITTLE BIT. 716 00:33:40,885 --> 00:33:43,654 >> James: IT'S WHETHER YOU WANT TO -- 717 00:33:43,721 --> 00:33:51,562 ♪ LOOK AT ME I'M SANDRA-DEE ♪ LOUSY WITH VIRGINITY 718 00:33:51,629 --> 00:33:55,633 ♪ WON'T GO TO BED UNTIL I'M HAPPILY WED 719 00:33:55,700 --> 00:34:01,773 ♪ I CAN'T, I'M SANDRA-DEE ♪ [CHEERS AND APPLAUSE] 720 00:34:01,839 --> 00:34:05,042 >> James: WHAT DOES -- WHAT DID YOU HAVE TO SING? 721 00:34:05,109 --> 00:34:06,744 DID YOU HAVE TO SING AT YOUR AUDITION? 722 00:34:06,811 --> 00:34:09,580 >> I DID NOT THANKFULLY HAVE TO SING. 723 00:34:09,647 --> 00:34:09,914 >> OH MY GOD. 724 00:34:09,981 --> 00:34:11,048 LUCKY YOU. 725 00:34:11,115 --> 00:34:14,752 >> I DIDN'T HAVE TO SING BUT YALE SCHOOL DRAMA IS A THREE 726 00:34:14,819 --> 00:34:15,920 YEAR PROGRAM. 727 00:34:15,987 --> 00:34:20,291 FOR THRE YEARS ONCE I GOT IN, MY SONG WAS "LOVE FOR SALE." 728 00:34:20,358 --> 00:34:21,893 THAT WAS MY SONG. 729 00:34:21,959 --> 00:34:24,262 AND I DON'T THINK I ACHIEVED IT BY THE END OF THREE YEARS 730 00:34:24,328 --> 00:34:27,765 BECAUSE THERE'S A REALLY HIGH NOTE AT THE END. 731 00:34:27,832 --> 00:34:29,767 ONCE YOU ♪ CLIMB THE STAIRS ♪ 732 00:34:29,834 --> 00:34:30,668 YEAH. 733 00:34:30,735 --> 00:34:33,504 >> GIVE US A TASTE, PLEASE! 734 00:34:33,571 --> 00:34:40,411 >> IF YOU WANT TO TRY MY WAY ♪ FOLLOW ME AND CLIMB THE... 735 00:34:40,478 --> 00:34:42,213 STAIRS ♪ COME ON NOW! 736 00:34:42,280 --> 00:34:47,752 [APPLAUSE] >> James: OH, I LOVE THIS! 737 00:34:47,819 --> 00:34:51,789 PLEASE THANK OUR WONDERFUL GUESTS, ANGELA BASSETT AND BRIAN 738 00:34:51,856 --> 00:34:52,690 TYREE HENRY. 739 00:34:52,757 --> 00:34:54,759 JULIA WOLF IS HERE WHEN WE COME BACK. 740 00:35:07,472 --> 00:35:08,673 HERE MAKING HER TELEVISION DEBUT PERFORMING "HOT KILLER" FROM HER 741 00:35:08,739 --> 00:35:14,912 ALBUM, "GOOD THING WE STAYED," WHICH IS OUT NOW, PLEASE WELCOME 742 00:35:14,979 --> 00:35:19,917 JULIA WOLF! 743 00:35:19,984 --> 00:35:20,718 [APPLAUSE] ♪ TEAM DRACO, 744 00:35:20,785 --> 00:35:24,922 BORN INTO SLYTHERIN ♪ COLD-BLOODED, 745 00:35:24,989 --> 00:35:28,826 BUT MY SMALL TALK INNOCENT ♪ HE BOUGHT ME A DRINK, 746 00:35:28,893 --> 00:35:32,663 I WON'T FINISH IT ♪ AND I CUT OUT THE MIDDLEMAN 747 00:35:32,730 --> 00:35:39,837 I'M A HOT KILLER, ♪ I'M A, I'M A, I'M A, I'M A 748 00:35:39,904 --> 00:35:44,342 I'M A HOT KILLER, ♪ I'M A, I'M A, I'M A, I'M A 749 00:35:44,408 --> 00:35:47,445 I'M A HOT KILLER, ♪ I'M A BIG THRILLER 750 00:35:47,512 --> 00:35:49,380 AND MY LIL' SIS SICKER, ♪ SHE A BLOOD SPILLER 751 00:35:49,447 --> 00:35:52,450 I'M A HOT KILLER ♪ AND I BLEED GLITTER 752 00:35:52,517 --> 00:35:54,185 I'M A REDRUM SIPPER, ♪ KEEP IT SINISTER 753 00:35:54,252 --> 00:35:56,287 BITTER, HE VANILLA ♪ CHASE TRUE BLOOD 754 00:35:56,354 --> 00:35:58,789 WITH SOME FIREBALL ♪ SHY GIRL, NEVER THOUGHT 755 00:35:58,856 --> 00:36:01,325 I WAS DEADLY AT ALL ♪ ON MY SANDERSON, 756 00:36:01,392 --> 00:36:04,395 I'M GETTIN' INVOLVED ♪ WHEN THE SKY FALL, 757 00:36:04,462 --> 00:36:06,497 THEY WON'T BE READY AT ALL ♪ I BITE THE BULLET, 758 00:36:06,564 --> 00:36:08,466 THEY DON'T BITE ME ♪ I DON'T THROW PARTIES, 759 00:36:08,533 --> 00:36:11,235 THEY INVITE ME ♪ SKIPPIN' THE LINE IN 760 00:36:11,302 --> 00:36:13,905 MY SHORT SKIRT AND NIKE'S ♪ SNAKE IN MY PSYCHE, 761 00:36:13,971 --> 00:36:17,041 I'VE BEEN ON ♪TEAM DRACO, 762 00:36:17,108 --> 00:36:18,376 BORN INTO SLYTHERIN ♪COLD-BLOODED, 763 00:36:18,442 --> 00:36:21,379 BUT MY SMALL TALK INNOCENT ♪ HE BOUGHT ME A DRINK, 764 00:36:21,445 --> 00:36:25,116 I WON'T FINISH IT ♪ AND I CUT OUT THE MIDDLEMAN 765 00:36:25,182 --> 00:36:26,851 I'M A HOT KILLER, ♪ I'M A BIG THRILLER 766 00:36:26,918 --> 00:36:29,387 AND MY LIL' SIS SICKER, ♪ SHE A BLOOD SPILLER 767 00:36:29,453 --> 00:36:32,123 I'M A HOT KILLER ♪ AND I BLEED GLITTER 768 00:36:32,189 --> 00:36:34,191 I'M A REDRUM SIPPER, ♪ KEEP IT SINISTER 769 00:36:34,258 --> 00:36:36,561 BITTER, HE VANILLA ♪ I'M A, I'M A, 770 00:36:36,627 --> 00:36:38,629 I'M A HOT KILLER ♪ I'M A, I'M A, 771 00:36:38,696 --> 00:36:41,232 I'M A BIG THRILLER ♪ I'M A, I'M A, 772 00:36:41,299 --> 00:36:43,901 I'M A HOT KILLER ♪ HEART KILLER, 773 00:36:43,968 --> 00:36:46,437 I'M A BIG THRILLER, YEAH ♪ I'M A, I'M A, 774 00:36:46,504 --> 00:36:48,973 I'M A HOT KILLER ♪ I'M A, I'M A, 775 00:36:49,040 --> 00:36:51,042 I'M A BIG THRILLER ♪ I'M A, I'M A, 776 00:36:51,108 --> 00:36:53,811 I'M A HOT KILLER ♪ HEART KILLER, 777 00:36:53,878 --> 00:36:56,747 I'M A BIG THRILLER, YEAH ♪ KILLER, CALL ME BILLY 778 00:36:56,814 --> 00:36:59,216 WITH THAT SCREAM ♪ WEARIN' ALL BLACK 779 00:36:59,283 --> 00:37:01,385 IN THE TWO SEAT ♪ I WAS PLOTTIN' BACK 780 00:37:01,452 --> 00:37:05,523 WHEN I WAS SEVENTEEN ♪ I'M TALL WITH A SMALL TEAM 781 00:37:05,590 --> 00:37:08,225 ACTORS IN MY DM'S ♪ I FORGOT ABOUT 782 00:37:08,292 --> 00:37:10,194 THEY STAY PRESSED LIKE JUICE ♪ I WON'T CALL 'EM OUT 783 00:37:10,261 --> 00:37:13,397 THEY WANT WEEKEND FLINGS ♪ THAT I'M NOT ABOUT 784 00:37:13,464 --> 00:37:15,666 THEY JUST WANT A NEW NAME ♪ THEY CAN TALK ABOUT 785 00:37:15,733 --> 00:37:17,702 TEAM DRACO, ♪ BORN INTO SLYTHERIN 786 00:37:17,768 --> 00:37:20,671 COLD-BLOODED, ♪ BUT MY SMALL TALK INNOCENT 787 00:37:20,738 --> 00:37:22,974 HE BOUGHT ME A DRINK, ♪ I WON'T FINISH IT 788 00:37:23,040 --> 00:37:26,344 AND I CUT OUT THE MIDDLEMAN ♪I'M A HOT KILLER, 789 00:37:26,410 --> 00:37:28,913 I'M A BIG THRILLER ♪ AND MY LIL' SIS SICKER, 790 00:37:28,980 --> 00:37:31,215 SHE A BLOOD SPILLER ♪ I'M A HOT KILLER 791 00:37:31,282 --> 00:37:33,351 AND I BLEED GLITTER ♪I'M A REDRUM SIPPER, 792 00:37:33,417 --> 00:37:36,454 KEEP IT SINISTER ♪ BITTER, HE VANILLA 793 00:37:36,520 --> 00:37:38,255 I'M A, I'M A, ♪ I'M A HOT KILLER 794 00:37:38,322 --> 00:37:40,391 I'M A, I'M A, ♪ I'M A BIG THRILLER 795 00:37:40,458 --> 00:37:43,260 I'M A, I'M A, ♪ I'M A HOT KILLER 796 00:37:43,327 --> 00:37:45,563 HEART KILLER, ♪ I'M A BIG THRILLER, YEAH 797 00:37:45,630 --> 00:37:48,332 I'M A, I'M A, ♪ I'M A HOT KILLER 798 00:37:48,399 --> 00:37:50,534 I'M A, I'M A, ♪ I'M A BIG THRILLER 799 00:37:50,601 --> 00:37:53,304 I'M A, I'M A, ♪ I'M A HOT KILLER 800 00:37:53,371 --> 00:37:56,140 HEART KILLER, ♪ I'M A BIG THRILLER, YEAH 801 00:37:56,207 --> 00:38:04,048 ♪ ♪ 802 00:38:04,115 --> 00:38:16,460 ♪ ♪ 803 00:38:16,527 --> 00:38:18,496 ♪ I'M A, I'M A, I'M A HOT KILLER 804 00:38:18,562 --> 00:38:20,765 ♪ I'M A, I'M A, I'M A BIG THRILLER 805 00:38:20,831 --> 00:38:23,601 ♪ I'M A, I'M A, I'M A HOT KILLER 806 00:38:23,668 --> 00:38:26,037 ♪ HEART KILLER, I'M A BIG THRILLER, YEAH 807 00:38:26,103 --> 00:38:28,739 ♪ I'M A, I'M A, I'M A HOT KILLER 808 00:38:28,806 --> 00:38:31,108 ♪ I'M A, I'M A, I'M A BIG THRILLER 809 00:38:31,175 --> 00:38:33,377 ♪ I'M A, I'M A, I'M A HOT KILLER 810 00:38:33,444 --> 00:38:37,882 ♪ HEART KILLER, I'M A BIG THRILLER, YEAH ♪ 811 00:38:37,948 --> 00:38:43,521 [CHEERS AND APPLAUSE] >> James: COME ON NOW! 812 00:38:43,587 --> 00:38:44,255 WHAT ABOUT THAT? 813 00:38:44,321 --> 00:38:44,989 JULIA, THAT WAS SO GOOD. 814 00:38:45,056 --> 00:38:45,956 OH MY GOD, YOUR VOICE IS AMAZING. 815 00:38:46,023 --> 00:38:46,891 YOU CAN CATCH HER ON TOUR STARTING NEXT MONTH. 816 00:38:46,957 --> 00:38:48,959 COME ON BACK! 817 00:39:02,940 --> 00:39:04,442 >> James: THANK YOU SO MUCH FOR WATCHING. 818 00:39:04,508 --> 00:39:07,712 TOMORROW NIGHT, ANNA KENDRICK, MICHAEL YURIE, AND 819 00:39:07,778 --> 00:39:08,345 STAND-UP FROM FABRIZIO COPANO. 820 00:39:08,412 --> 00:39:12,416 REGGIE, TAKE US HOME.