1 00:00:03,837 --> 00:00:05,405 ♪ ARE YOU READY, Y'ALL 2 00:00:05,472 --> 00:00:16,649 TO HAVE SOME FUN ♪ ON THE SHOW TONIGHT 3 00:00:16,716 --> 00:00:20,487 IT'LL BE ALL RIGHT ♪ IT'S "THE LATE LATE SHOW!" 4 00:00:20,553 --> 00:00:23,123 >> Reggie: LADIES AND GENTLEMEN, GENTLEMEN, ALL THE WAY FROM 5 00:00:23,189 --> 00:00:26,226 WHENST, WHERE, WHAT, WAS, GIVE IT UP FOR YOUR HOST, THE ONE, 6 00:00:26,292 --> 00:00:32,599 THE ONLY... JAMES CORDEN! [CHEERS AND APPLAUSE] 7 00:00:32,665 --> 00:00:47,547 JAMES HOW ARE YOU? >> James: GOOD EVENING, LADIES 8 00:00:47,614 --> 00:00:48,581 JAMES HOW ARE YOU? >> James: GOOD EVENING, LADIES 9 00:00:48,648 --> 00:00:52,419 AND GENTLEMEN, WELCOME TO "THE LATE LATE SHOW." 10 00:00:52,485 --> 00:00:54,287 THANKS FOR STOPPING BY, WE APPRECIATE YOU BEING HERE. 11 00:00:54,354 --> 00:00:57,190 LET'S SEE WHO THE GUESTS ARE ON THE SHOW TONIGHT! 12 00:00:57,257 --> 00:01:00,260 SHE IS A TALENTED ACTOR YOU KNOW FROM "AMERICAN HORROR 13 00:01:00,326 --> 00:01:01,995 STORY," "WE'RE THE MILLERS," "SCREAM QUEENS" AND SO MUCH 14 00:01:02,061 --> 00:01:06,599 MORE, THE MIGHTY, THE MAGNIFICENT, EMMA ROBERTS! 15 00:01:06,666 --> 00:01:10,437 [CHEERS AND APPLAUSE] HEY, EMMA, HOW ARE YOU? 16 00:01:10,503 --> 00:01:11,371 HOW ARE YOU JAMES HOW NICE TO SEE YOU. 17 00:01:11,438 --> 00:01:13,840 HOW ARE YOU DOING? >> I'M LIVING THE DREAM. 18 00:01:13,907 --> 00:01:17,677 >> I'M LOVING THIS LOOK TONIGHT! THIS IS AN ABSOLUTE TRIUMPH. 19 00:01:17,744 --> 00:01:19,546 >> THIS IS ALL FOR YOU. >> REALLY? 20 00:01:19,612 --> 00:01:22,115 YOU'RE NOT GOING TO DUMP THIS AS SOON AS THE SHOW IS FINISHED, 21 00:01:22,182 --> 00:01:24,417 THOUGH? YOU'RE GOING TO GO OUT TO SOME 22 00:01:24,484 --> 00:01:26,953 INCREDIBLE RESTAURANT. >> I'M GOING OUT TO DINNER WITH 23 00:01:27,020 --> 00:01:28,922 MY MOTHER. >> THEN IT'S THE PERFECT OUTFIT. 24 00:01:28,988 --> 00:01:31,591 WE LOVE IT THANK YOU FOR BEING HERE. 25 00:01:31,658 --> 00:01:34,828 EMMA ROBERTS, EVERYBODY! HE'S AN EXCITING ACTOR YOU KNOW 26 00:01:34,894 --> 00:01:38,865 FROM "I TONYA," "RICHARD JEWELL" AND HIS GOLDEN GLOBE WINNING 27 00:01:38,932 --> 00:01:45,104 PERFORMANCE IN "BLACK BIRD," THE SPECTACULAR, PAUL WALTER HAUSER! 28 00:01:45,171 --> 00:01:47,540 >> GIVE ME ONE SECOND. ONE SECOND. 29 00:01:47,607 --> 00:01:49,175 HEY. >> James: HEY, HOW ARE YOU? 30 00:01:49,242 --> 00:01:53,446 IT'S GREAT TO SEE YOU, EVEN FROM THIS FAR AWAY. 31 00:01:53,513 --> 00:02:01,154 WHO ARE YOU ON THE PHONE WITH? >> SOME GUY WANTS ME TO DO A 32 00:02:01,221 --> 00:02:03,490 REMAKE OF A REMAKE. I'M JUST TRYING TO GET THE 33 00:02:03,556 --> 00:02:05,859 NUMBERS RIGHT. YOU DIDN'T HEAR THAT, DID YOU? 34 00:02:05,925 --> 00:02:09,629 WHAT'S THAT? >> James: WE CAN LISTEN IN. 35 00:02:09,696 --> 00:02:11,698 WE'RE GOOD TO -- >> YEAH, IT'S A DEAL SO LONG AS 36 00:02:11,764 --> 00:02:14,467 WE BREAK JESSIE'S LEGS. LET'S DO IT. 37 00:02:14,534 --> 00:02:19,873 >> James: PAUL, LET ME ASK YOU ABOUT THS... LAST TIME I SAW 38 00:02:19,939 --> 00:02:21,007 YOU, DO YOU REMEMBER WHAT WE WERE DOING? 39 00:02:21,074 --> 00:02:24,177 >> UM, I WAS TRYING TO SHOW MARTY SHORT MY TATTOO OF HIS 40 00:02:24,244 --> 00:02:28,248 NAME ON MY ARM. >> James: IT'S TRUE, SO HANG 41 00:02:28,314 --> 00:02:32,652 ON, DON'T REVEAL IT RIGHT NOW. >> I'M GOING TO CALL YOU BACK. 42 00:02:32,719 --> 00:02:37,891 >> James: GOING INTO A FUN PARTY, I HAPPENED TO SEE MARTIN 43 00:02:37,957 --> 00:02:39,325 SHORT. I SAID, HELLO! 44 00:02:39,392 --> 00:02:42,996 BIG FRIEND OF THE SHOW. AT THAT MOMENT, PAUL WALKS OVER 45 00:02:43,062 --> 00:02:45,098 AND GOES OH MY GOD, I HAVE TO SHOW YOU SOMETHING. 46 00:02:45,164 --> 00:02:48,501 I'VE GOT A TATTOO OF YOUR NAME ON MY ARM AND MARTIN SHORT IS 47 00:02:48,568 --> 00:02:51,471 LIKE WHAT? I'M LIKE, REALLY? 48 00:02:51,538 --> 00:02:54,374 HE'S LIKE, YEAH. BUT HE'S WEARING A SUIT SO HE'S 49 00:02:54,440 --> 00:02:57,043 GOING LIKE THIS AND HE'S GOING, OH, I CAN'T AND WE WERE THERE 50 00:02:57,110 --> 00:03:01,414 PROBABLY A GOOD I'M GOING TO SAY SEVEN MINUTES -- 51 00:03:01,481 --> 00:03:02,715 [LAUGHTER] >> IT WAS NOT SEVEN MINUTES! 52 00:03:02,782 --> 00:03:05,351 IT WAS LIKE 12. [LAUGHTER] 53 00:03:05,418 --> 00:03:09,389 BUT I DO -- DUDE, YEAH, YOU WERE VERY KIND AND GRACIOUS AND -- 54 00:03:09,455 --> 00:03:13,126 >> James: BUT NOW WE CAN -- NOW LOOK, WE CAN SEND THIS CLIP 55 00:03:13,192 --> 00:03:17,764 TO MARTIN SHORT TO KNOW IT IS REAL. 56 00:03:17,830 --> 00:03:21,267 SHOW US THIS TATTOO. >> THIS'LL BE GREAT FOR THE LOS 57 00:03:21,334 --> 00:03:24,571 ANGELES COUNTY POLICE DEPARTMENT WHEN HE FILES A RESTRAINING 58 00:03:24,637 --> 00:03:25,772 ORDER. >> James: WHO IS ON THERE? 59 00:03:25,838 --> 00:03:30,243 >> IT'S MY COMEDY HEROES FROM CHILDHOOD I STILL LOVE TODAY. 60 00:03:30,310 --> 00:03:36,749 MARTY SHORT, DANIEL STERN, CHRIS FARLEY, JIM ERNEST, JIM CARREY 61 00:03:36,816 --> 00:03:40,320 AND ROBIN WILLIAMS. >> James: LOOK AT THAT. 62 00:03:40,386 --> 00:03:44,257 BLESS YOU FOR BEING HERE. PAUL WALTER HAUSER, EVERYBODY! 63 00:03:44,324 --> 00:03:47,393 [CHEERS AND APPLAUSE] HE'S A BRILLIANT ALT-POP 64 00:03:47,460 --> 00:03:51,164 SINGER-SONGWRITER HAILING FROM PERTH, AUSTRALIA. 65 00:03:51,230 --> 00:03:54,267 WE'RE SO HONORED HE'S CHOSEN THIS SHOW TO MAKE HIS U.S. 66 00:03:54,334 --> 00:03:57,003 TELEVISION DEBUT. WE'RE SO EXCITED HE'S HERE! 67 00:03:57,070 --> 00:04:01,874 THE DASHING BLAKE ROSE IS ON THE SHOW! 68 00:04:01,941 --> 00:04:02,976 [CHEERS AND APPLAUSE] HELLO. 69 00:04:03,042 --> 00:04:04,611 HOW ARE YOU? >> I'M GOOD. 70 00:04:04,677 --> 00:04:05,945 THANK YOU FOR HAVING ME TODAY. >> James: HOW'S IT GOING? 71 00:04:06,012 --> 00:04:06,846 ARE YOU WELL? >> I'M WELL. 72 00:04:06,913 --> 00:04:09,015 I'M A LONG WAY FROM HOME, BUT I'M WELL. 73 00:04:09,082 --> 00:04:10,416 >> James: YOU'RE A LONG WAY FROM HOME. 74 00:04:10,483 --> 00:04:13,653 HOW ARE YOU FINDING BEING HERE IN THIS HERE LOS ANGELES, 75 00:04:13,720 --> 00:04:14,921 CALIFORNIA? >> IT IS CRAZY. 76 00:04:14,988 --> 00:04:17,624 THERE'S A LOT OF CELEBRITIES. THERE'S DEFINITELY WAY TOO MANY 77 00:04:17,690 --> 00:04:20,960 CELEBRITIES I EVER THOUGHT I'D BE HAVING COMMUNICATIONS WITH 78 00:04:21,027 --> 00:04:22,629 AND I'VE LEARNED I ACTUALLY CAN'T COMMUNICATE. 79 00:04:22,695 --> 00:04:26,699 >> James: OH, GO ON. WHO HAVE YOU SEEN THAT YOU CAN'T 80 00:04:26,766 --> 00:04:29,002 COMMUNICATE WITH? >> UM, I MEAN, I DON'T KNOW 81 00:04:29,068 --> 00:04:32,705 WHERE EMMA IS BUT I DEFINITELY HAVEN'T SPOKEN TO HER SO THAT'S 82 00:04:32,772 --> 00:04:35,708 NOT COMMUNICATING. >> James: BUT THAT'S AVOIDING 83 00:04:35,775 --> 00:04:37,176 SOMEONE. THAT'S NOT -- THAT'S NOT A LACK 84 00:04:37,243 --> 00:04:39,278 OF COMMUNICATION. IS IT? 85 00:04:39,345 --> 00:04:43,282 DO YOU WANT TO COMMUNICATE WITH EMMA ROBERTS? 86 00:04:43,349 --> 00:04:45,685 >> James: OK. JUST GO AND COMMUNICATE. 87 00:04:45,752 --> 00:04:47,186 GO ON. IT'S OK. 88 00:04:47,253 --> 00:04:50,757 THIS IS IT. [APPLAUSE] 89 00:04:50,823 --> 00:04:56,129 JUST KNOCK ON THE DOOR. KNOCK ON THE DOOR AND SAY, 90 00:04:56,195 --> 00:04:57,163 "EMMA?" >> James: BLAKE WOULD LIKE TO 91 00:04:57,230 --> 00:04:58,998 SAY HI. >> HI. 92 00:04:59,065 --> 00:05:01,234 I'M BLAKE. >> NICE TO MEET YOU. 93 00:05:01,300 --> 00:05:02,769 >> HOW'S IT GOING? >> James: WE'RE GOING TO LEAVE 94 00:05:02,835 --> 00:05:04,237 YOU TWO. YOU CAN ABSOLUTELY CONVERSE. 95 00:05:04,303 --> 00:05:09,042 EMMA AND BLAKE ROSE, EVERYBODY! REGGIE, ARE YOU READY? 96 00:05:09,108 --> 00:05:10,443 I'M JAMES CORDEN, AND THIS? THIS IS "THE LATE LATE SHOW!" 97 00:05:10,510 --> 00:05:18,451 ROLL THE TITLES! COME ON! 98 00:05:18,518 --> 00:05:20,053 ♪ THE LATE LATE SHOW, OH, OH 99 00:05:20,119 --> 00:05:22,455 THE LATE LATE SHOW, WOO! ♪ THE LATE LATE SHOW, OH, OH 100 00:05:22,522 --> 00:05:33,199 THE LATE LATE SHOW OH-OH! ♪ IT'S THE LATE, LATE SHOW ♪ 101 00:05:33,266 --> 00:05:47,847 >> James: IT CERTAINLY IS! THIS IS A HOT CROWD TONIGHT! 102 00:05:47,914 --> 00:05:51,751 FOR A MOMENT, I THOUGHT IT WAS BECAUSE OF ME AND THEN I SAW 103 00:05:51,818 --> 00:05:59,092 THIS GUY. SIR, HOW ARE YOU? 104 00:05:59,158 --> 00:06:02,328 >> I'M GREAT. HOW ARE YOU? 105 00:06:02,395 --> 00:06:04,797 >> I AM GOOD. WILL YOU STAND UP FOR US? 106 00:06:04,864 --> 00:06:11,003 TAKE A LOOK AT THIS. [CHEERS AND APPLAUSE] 107 00:06:11,070 --> 00:06:14,040 WHAT'S YOUR NAME, SIR? >> JAMES. 108 00:06:14,107 --> 00:06:15,108 >> James: JAMES! OH. 109 00:06:15,174 --> 00:06:17,610 I LOVE THE HAIR. I LOVE THE JACKET AND I LOVE YOU 110 00:06:17,677 --> 00:06:20,046 FOR BEING HERE. BLESS YOU FOR COMING. 111 00:06:20,113 --> 00:06:23,649 BLESS YOU FOR BEING HERE. [APPLAUSE] 112 00:06:23,716 --> 00:06:26,719 NOT ONLY THIS, THERE IS -- THERE IS, NICK, IS THIS RIGHT? 113 00:06:26,786 --> 00:06:31,724 THERE'S A VERY -- WE HAVE A V.V.V.I.P. IN THE AUDIENCE IS 114 00:06:31,791 --> 00:06:32,925 THIS RIGHT? >> YEAH. 115 00:06:32,992 --> 00:06:34,627 >> James: WHO IS IN THE CROWD TONIGHT? 116 00:06:34,694 --> 00:06:36,896 >> MY BROTHER WHOSE NAME IS ALSO JAMES. 117 00:06:36,963 --> 00:06:40,166 >> James: HOW ARE YOU? >> HA-HA! 118 00:06:40,233 --> 00:06:43,903 >> James: ARE YOU GOOD, JAMES? >> JAMES, I CAN'T THANK YOU 119 00:06:43,970 --> 00:06:48,441 ENOUGH FOR EVERY PRANK YOU PULLED ON MY BROTHER. 120 00:06:48,508 --> 00:06:51,644 IT'S BEEN A DREAM COME TRUE. >> James: REALLY? 121 00:06:51,711 --> 00:06:54,847 HAVE YOU -- TALK TO ME. HAVE YOU ENJOYED THE RISE OF 122 00:06:54,914 --> 00:06:57,283 YOUR BROTHER NICK OVER THE LAST COUPLE OF YEARS? 123 00:06:57,350 --> 00:06:59,252 >> HA-HA. >> James: HAVE YOU ENJOYED 124 00:06:59,318 --> 00:07:01,420 WHAT'S BEEN HAPPENING TO HIM? >> I HAVE LOVED IT. 125 00:07:01,487 --> 00:07:04,490 IT HAS GOTTEN TO HIS HEAD JUST A LITTLE. 126 00:07:04,557 --> 00:07:07,193 JUST A LITTLE. >> James: A LITTLE? 127 00:07:07,260 --> 00:07:09,762 A LITTLE? >> YEAH. 128 00:07:09,829 --> 00:07:14,000 IT'S GOTTEN SO INTO HIS HEAD IT'S KIND OF POURING OUT THE 129 00:07:14,066 --> 00:07:15,201 HAIR FOLLICLES. >> CORRECT. 130 00:07:15,268 --> 00:07:17,837 >> James: HAVE YOU BEEN INVITED TO ANY MALAYSIAN 131 00:07:17,904 --> 00:07:20,406 PODCASTS OVER THE LAST COUPLE OF YEARS? 132 00:07:20,473 --> 00:07:24,177 >> NOT A SINGLE INVITE. >> James: IT ALL CHANGES 133 00:07:24,243 --> 00:07:26,279 TONIGHT. ONCE SCOTTY GETS YOU ON CAMERA, 134 00:07:26,345 --> 00:07:29,248 THAT'S IT. THE SKY'S THE LIMIT. 135 00:07:29,315 --> 00:07:30,783 JAMES, BLESS YOU FOR COMING. THANK YOU FOR BEING HERE. 136 00:07:30,850 --> 00:07:37,390 IT'S THAT TIME, IT'S TIME FOR THE NEWS! 137 00:07:37,456 --> 00:07:38,991 PRESIDENT BIDEN VISITED BALTIMORE THIS AFTERNOON TO KICK 138 00:07:39,058 --> 00:07:43,396 OFF A NEW RAIL TUNNEL PROJECT FUNDED BY THE BIPARTISAN 139 00:07:43,462 --> 00:07:45,364 INFRASTRUCTURE LAW. IT'S A PROJECT TO REPLACE A 140 00:07:45,431 --> 00:07:49,235 150-YEAR-OLD TUNNEL. OR AS BIDEN SAID, "UM, NOT THAT 141 00:07:49,302 --> 00:07:54,173 YOU NEED TO REPLACE ANYTHING JUST BECAUSE IT'S OLD..." 142 00:07:54,240 --> 00:07:56,742 [LAUGHTER] THEY BROKE GROUND ON THE $6 143 00:07:56,809 --> 00:07:59,612 BILLION PROJECT TODAY, AND BY THE TIME BIDEN IS DONE 144 00:07:59,679 --> 00:08:02,815 TALKING ABOUT TRAINS, THEY SHOULD BE ALL FINISHED. 145 00:08:02,882 --> 00:08:05,384 [LAUGHTER] BIDEN VISITED IN THE AFTERNOON, 146 00:08:05,451 --> 00:08:07,887 WHICH IS A BIT OF A DOWNER, BECAUSE THE PRESIDENT SPENT ALL 147 00:08:07,954 --> 00:08:11,390 WEEKEND LEARNING THE LYRICS FOR "GOOD MORNING BALTIMORE." 148 00:08:11,457 --> 00:08:17,763 [LAUGHTER] THANKS, DAVE. 149 00:08:17,830 --> 00:08:20,499 THANKS, DAVE. ROB WANTED TO CUT THAT JOKE. 150 00:08:20,566 --> 00:08:22,902 HE WANTED TO CUT IT. >> THAT WAS A JOKE JUST FOR ME. 151 00:08:22,969 --> 00:08:24,937 >> James: HE WANTED TO CUT IT. YOU KNOW WHY? 152 00:08:25,004 --> 00:08:27,473 HE DOESN'T KNOW HIS MUSICALS. JUST DOESN'T KNOW. 153 00:08:27,540 --> 00:08:29,175 AND OVER THE WEEKEND, DONALD TRUMP KICKED OFF HIS 2024 154 00:08:29,242 --> 00:08:30,576 PRESIDENTIAL CAMPAIGN. AND WHILE SPEAKING IN NEW 155 00:08:30,643 --> 00:08:34,914 HAMPSHIRE, TRUMP SAID HE WAS "MORE ANGRY" THAN EVER. 156 00:08:34,981 --> 00:08:37,817 >> THEY SAID "HE'S NOT DOING RALLIES! 157 00:08:37,884 --> 00:08:42,421 HE'S NOT CAMPAIGNING! MAYBE HE'S LOST THAT STEP!" 158 00:08:42,488 --> 00:08:47,059 I'M MORE ANGRY NOW AND MORE COMMITTED NOW THAN I EVER WAS. 159 00:08:47,126 --> 00:08:48,561 >> James: BECAUSE THERE'S NO BETTER WAY TO LEAD A COUNTRY 160 00:08:48,628 --> 00:08:54,533 THAN OUT OF SPITE. [LAUGHTER] 161 00:08:54,600 --> 00:08:59,739 ANGRIER THAN EVER. THAT'S NOT HOW YOU START A 162 00:08:59,805 --> 00:09:02,408 PRESIDENTIAL CAMPAIGN. THAT'S HOW GORDON RAMSAY STARTS 163 00:09:02,475 --> 00:09:04,277 A NEW SEASON OF "HELL'S KITCHEN." 164 00:09:04,343 --> 00:09:05,845 [LAUGHTER] I'M ANGRIER THAN EVER! 165 00:09:05,912 --> 00:09:07,079 IT'S RAW! IT'S RAW! 166 00:09:07,146 --> 00:09:11,150 I'LL TELL YOU WHAT, THOUGH, WATCHING THAT VIDEO, I FEEL LIKE 167 00:09:11,217 --> 00:09:14,287 TRUMP'S LOST HIS FAST BALL. THE OLD TRUMP DIDN'T NEED TO 168 00:09:14,353 --> 00:09:20,026 TELL US HOW ANGRY HE WAS. HE WOULD JUST C SHOW US BY 169 00:09:20,092 --> 00:09:24,096 INCITING A MASSIVE RIOT. >> James: IN OTHER NEWS, IT 170 00:09:24,163 --> 00:09:25,331 WAS ANNOUNCED TODAY THAT TIKTOK'S C.E.O. WILL TESTIFY 171 00:09:25,398 --> 00:09:30,069 BEFORE CONGRESS IN MARCH, TO ANSWER QUESTIONS ABOUT SECURITY 172 00:09:30,136 --> 00:09:31,504 CONCERNS RELATED TO THE APP. WHEN TIKTOK'S C.E.O. HEARD ABOUT 173 00:09:31,570 --> 00:09:37,376 THIS, HE WAS LIKE, "OH NO OH NO.ù OH NO, NO, NO, NO" 174 00:09:37,443 --> 00:09:49,922 [APPLAUSE] HERE'S THE COMPANY'S C.E.O. 175 00:09:49,989 --> 00:09:53,059 HERE. UP UNTIL THIS POINT I HAD JUST 176 00:09:53,125 --> 00:09:56,595 ASSUMED THE C.E.O. OF TIKTOK WAS A 15-YEAR-OLD. 177 00:09:56,662 --> 00:09:59,298 [LAUGHTER] pDIDN'T YOU? 178 00:09:59,365 --> 00:10:01,400 I JUST ASSUMED IT HAD TO BE A 15-YEAR-OLD? 179 00:10:01,467 --> 00:10:04,103 >> YEAH, I THOUGHT IT WAS A 15-YEAR-OLD LIVING OUT SOME SORT 180 00:10:04,170 --> 00:10:07,006 OF DISNEY CHANNEL PLOT LINE. YOU KNOW WHAT I MEAN? 181 00:10:07,073 --> 00:10:09,008 >> James: THIS IS TRUE! LAST MONTH, PRESIDENT BIDEN 182 00:10:09,075 --> 00:10:11,877 SIGNED LEGISLATION BANNING TIKTOK ON 183 00:10:11,944 --> 00:10:13,579 GOVERNMENT DEVICES. WHICH IS A REAL SHAME BECAUSE 184 00:10:13,646 --> 00:10:16,449 MERRICK GARLAND HAD JUST NAILED THE CHOREOGRAPHY TO "CUFF IT." 185 00:10:16,515 --> 00:10:21,921 [LAUGHTER] >> WHAT IS THE CHOREOGRAPHY TO 186 00:10:21,988 --> 00:10:23,422 "CUFF IT?" >> James: I DON'T KNOW. 187 00:10:23,489 --> 00:10:25,758 >> YOU DON'T HAVE THAT ONE? >> James: I DON'T KNOW. 188 00:10:25,825 --> 00:10:27,626 >> YOU DO KNOW SOME TIKTOK CHOREOGRAPHY, RIGHT? 189 00:10:27,693 --> 00:10:33,032 >> James: I ONLY KNOW THE ONE MY NIECE TILLY TAUGHT ME A FEW 190 00:10:33,099 --> 00:10:41,240 YEARS AGO AND IT'S THIS... [LAUGHTER] 191 00:10:41,307 --> 00:10:44,243 YEAH, THAT'S THE ONLY ONE. SHOULD I GET INTO IT? 192 00:10:44,310 --> 00:10:46,412 SHOULD I START DOING IT A BIT MORE? 193 00:10:46,479 --> 00:10:55,855 [CHEERING] LOOK, HONESTLY, I APPRECIATE 194 00:10:55,921 --> 00:10:56,756 YOUR ENTHUSIASM. I LOVE IT. 195 00:10:56,822 --> 00:10:59,025 I LOVE IT. IT'S JUST -- I JUST THINK -- I 196 00:10:59,091 --> 00:11:01,594 JUST THINK I'M TOO OLD TO BE LEARNING TIKTOK DANCES. 197 00:11:01,660 --> 00:11:05,297 >> NOWAY. >> James: NO. 198 00:11:05,364 --> 00:11:06,599 I AM. I THINK I'M THE WRONG AGE. 199 00:11:06,665 --> 00:11:09,869 IT'S JUST A BIT THIRSTY, ISN'T IT? 200 00:11:09,935 --> 00:11:12,171 >> IT IS A LITTLE THIRSTY BUT THAT'S NEVER STOPPED US BEFORE. 201 00:11:12,238 --> 00:11:18,044 >> James: I KNOW BUT -- [CHEERS AND APPLAUSE] 202 00:11:18,110 --> 00:11:22,448 >> I THINK YOU BORROW JAMES' JACKET, MAKE A COUPLE TIKTOKS 203 00:11:22,515 --> 00:11:24,950 AND YOU START THIS NEXT PART OF YOUR CAREER. 204 00:11:25,017 --> 00:11:30,089 [CHEERS AND APPLAUSE] >> James: WE'LL SEE. 205 00:11:30,156 --> 00:11:32,191 WHAT DO YOU THINK, REG? ARE YOU ON TIKTOK? 206 00:11:32,258 --> 00:11:35,928 >> Reggie: I AM, BUT I POST VERY SPECIFIC VIDEOS. 207 00:11:35,995 --> 00:11:38,764 >> James: RIGHT. >> Reggie: WHICH I ADDRESS TO 208 00:11:38,831 --> 00:11:41,133 THE CHINESE GOVERNMENT. >> James: OK. 209 00:11:41,200 --> 00:11:47,640 >> Reggie: SO. [CHEERS AND APPLAUSE] 210 00:11:47,706 --> 00:11:52,311 I GIVE THEM FAKE SOCIAL SECURITY NUMBERS, FAKE CREDIT CARD 211 00:11:52,378 --> 00:11:54,313 NUMBERS. I TELL THEM THEY'RE DOING A 212 00:11:54,380 --> 00:11:58,684 GREAT JOB MONITORING ME. IT'S AWESOME. 213 00:11:58,751 --> 00:12:03,422 >> James: REG, WE HAVE SOME OF YOUR TIKTOKS HERE. 214 00:12:03,489 --> 00:12:04,490 CAN WE PLAY THEM? >> Reggie: SURE. 215 00:12:04,557 --> 00:12:07,593 >> WHAT'S UP, TIKTOK. WHAT'S UP, CHINESE GOVERNMENT. 216 00:12:07,660 --> 00:12:09,762 I WANT THE CHINESE GOVERNMENT TO KNOW I'M DOING GOOD. 217 00:12:09,829 --> 00:12:23,642 THANK YOU FOR CHECKING IN ON ME AND, UM, YOU KNOW? 218 00:12:23,709 --> 00:12:25,077 [CHEERS AND APPLAUSE] >> James: AND THE SUPER BOWL 219 00:12:25,144 --> 00:12:28,814 MATCHUP HAS NOW BEEN SET WITH THE CHIEFS PLAYING THE EAGLES 220 00:12:28,881 --> 00:12:31,784 AND FOR THE FIRST TIME EVER, TWO BROTHERS WILL BE FACING OFF 221 00:12:31,851 --> 00:12:34,153 AGAINST EACH OTHER. KANSAS CITY TIGHT END TRAVIS 222 00:12:34,220 --> 00:12:36,889 KELCE WILL BE PLAYING AGAINST HIS OLDER BROTHER PHILADELPHIA 223 00:12:36,956 --> 00:12:40,793 CENTER JASON KELCE. THIS IS REALLY HIGH STAKES 224 00:12:40,860 --> 00:12:45,698 BECAUSE THEY'RE PLAYING FOR WHO GETS THE TOP BUNK. 225 00:12:45,764 --> 00:12:47,533 TWO BROTHERS GOING HEAD-TO-HEAD AT THE SUPER BOWL. 226 00:12:47,600 --> 00:12:57,176 MAYBE THIS IS HOW PRINCE WILLIAM PROBLEMS. 227 00:12:57,243 --> 00:12:59,912 [LAUGHTER] I LITERALLY CAN'T IMAGINE THIS 228 00:12:59,979 --> 00:13:03,149 HAPPENING. MOSTLY BECAUSE I CAN'T SEE ONE 229 00:13:03,215 --> 00:13:05,084 OF MY SISTERS PLAYING FOR THE PHILADELPHIA EAGLES. 230 00:13:05,151 --> 00:13:07,720 [LAUGHTER] NICK, YOUR BROTHER'S HERE. 231 00:13:07,786 --> 00:13:10,256 NOW, BE HONEST, WHO'S YOUR PARENTS' FAVORITE? 232 00:13:10,322 --> 00:13:16,128 IS IT YOU OR IS IT JAMES? >> [LAUGHTER] 233 00:13:16,195 --> 00:13:17,396 >> James: JAMES, WHAT DO YOU THINK? 234 00:13:17,463 --> 00:13:18,564 HANG ON. NO. 235 00:13:18,631 --> 00:13:21,567 JAMES S THIS YOUR PARTNER? YOU'RE THE BEST PERSON TO SAY 236 00:13:21,634 --> 00:13:24,603 BECAUSE YOU'RE AN OUTSIDER LOOKING IN ON WHAT I COULD ONLY 237 00:13:24,670 --> 00:13:29,909 IMAGINE IS THE MOST DYSFUNCTIONAL FAMILY. 238 00:13:29,975 --> 00:13:32,945 WHAT -- WHO -- WHO IS -- WHO IS THE MOM'S FAVORITE? 239 00:13:33,012 --> 00:13:38,050 >> HE CALLS THEM MORE, I THINK. >> James: THAT'S BECAUSE -- 240 00:13:38,117 --> 00:13:44,657 NICK'S -- NICK'S VERY BUSY WATCHING RERUNS OF CONAN. 241 00:13:44,723 --> 00:13:48,093 >> I CALL ONCE A WEEK MOST OF THE TIME. 242 00:13:48,160 --> 00:13:50,896 >> James: RIGHT, OK. >> GROWING UP, I MIGHT HAVE BEEN 243 00:13:50,963 --> 00:13:53,332 THE FAVORITE BUT I THINK HE'S TAKEN THE MANTLE. 244 00:13:53,399 --> 00:13:54,533 WE WERE TIGHT, WE WERE THICK AS THIEVES. 245 00:13:54,600 --> 00:13:57,937 WHEN HE WOULD CRY, I WOULD GET SO UPSET THAT I WOULD START 246 00:13:58,003 --> 00:14:02,208 CRYING, LIKE THAT WAS -- THAT WAS HOW IT WAS. 247 00:14:02,274 --> 00:14:07,012 >> James: YET, WHEN HE GREW HIS HAIR, YOU THOUGHT, NAH! 248 00:14:07,079 --> 00:14:08,647 AND WE WANTED TO SHOW YOU THIS. IN A NEW BREAKTHROUGH, 249 00:14:08,714 --> 00:14:13,452 SCIENTISTS IN KOREA HAVE CREATED A ROBOT DOG THAT CAN NAVIGATE 250 00:14:13,519 --> 00:14:14,720 COMPLEX TERRAIN, INCLUDING BEING ABLE TO WALK ON SAND AT A PACE 251 00:14:14,787 --> 00:14:22,962 OF SEVEN MILES PER HOUR. HERE IT IS IN ACTION. 252 00:14:23,028 --> 00:14:31,403 WHO'S A TERRIFYING BOY? WHO'S A TERRIFYING BOY? 253 00:14:31,470 --> 00:14:36,508 YEAH, NO, GOOD IDEA, BUT IF THERE'S ONE THING REAL DOGS 254 00:14:36,575 --> 00:14:40,045 HATE, IT'S RUNNING ON A BEACH. THE ROBOT DOG IS JUST LIKE A 255 00:14:40,112 --> 00:14:45,284 REAL DOG. IT CAN OBEY VARIOUS COMMANDS 256 00:14:45,351 --> 00:14:48,687 LIKE, "SIT", "STAY", "ROLL OVER" AND "BREACH THAT BRICK WALL WITH 257 00:14:48,754 --> 00:14:52,358 A CONTROLLED EXPLOSION." [LAUGHTER] 258 00:14:52,424 --> 00:14:56,562 AND THIS IS EXCITING, THE ROBOT HAS JUST MOVED TO L.A. AND BEEN 259 00:14:56,629 --> 00:15:03,769 CAST IN A NEW SHOW. ♪ 260 00:15:03,836 --> 00:15:10,242 ♪ [LAUGHTER] 261 00:15:10,309 --> 00:15:13,746 >> James: AND THAT'S THE NEWS! WE'LL BE RIGHT BACK WITH 262 00:15:13,812 --> 00:15:16,415 OUR GUESTS, EVERYBODY! 263 00:15:27,693 --> 00:15:29,094 >> James: LET'S MEET OUR GUESTS TONIGHT! 264 00:15:29,161 --> 00:15:31,463 SHE STARS IN "MAYBE I DO," EMMA ROBERTS! 265 00:15:31,530 --> 00:15:39,305 [CHEERS AND APPLAUSE] >> Reggie: IT'S EMMA ROBERTS! 266 00:15:39,371 --> 00:15:43,709 [CHEERS AND APPLAUSE] >> James: HE STARS IN "BLACK 267 00:15:43,776 --> 00:15:49,915 BIRD," IT'S PAUL WALTER HAUSER! >> Reggie: IT'S PAUL WALTER 268 00:15:49,982 --> 00:16:03,429 HAUSER III OF LITHUANIA. ILLUSTRATOR/WRITER/MEMBER OF THE 269 00:16:03,495 --> 00:16:10,336 AUDUBON SOCIETY/NUTRITION EXP EXPERT. 270 00:16:10,402 --> 00:16:11,170 >> James: BLESS YOU FOR BEING HERE. 271 00:16:11,236 --> 00:16:13,472 THANK YOU FOR COMING OUT TO SEE US. 272 00:16:13,539 --> 00:16:14,406 >> HELLO. >> James: NOW. 273 00:16:14,473 --> 00:16:16,875 YOU KNOW EACH OTHER. YOU'RE ACTUAL FRIENDS. 274 00:16:16,942 --> 00:16:22,414 WHEN DID YOU FIRST MEET? >> OVER A DECADE AGO. 275 00:16:22,481 --> 00:16:29,054 >> SHE WAS IN MY FIRST MOVIE I EVER DID, DUSTIN LANCE'S FILM, 276 00:16:29,121 --> 00:16:30,322 "VIRGINIA." I HAVE FOND MEMORIES OF HER 277 00:16:30,389 --> 00:16:32,224 BEING SUPER COOL. SHE CAN TELL YOU I WAS VERY 278 00:16:32,291 --> 00:16:35,794 GREEN AT THE TIME. I LOVED HANGING OUT WITH HER. 279 00:16:35,861 --> 00:16:45,504 >> James: YOU SENT A PHOTO OF YOU BOTH HERE FROM MANY YEARS 280 00:16:45,571 --> 00:16:47,873 AGO. EMMA, WHAT DO YOU REMEMBER ABOUT 281 00:16:47,940 --> 00:16:49,308 THIS PHOTO? >> I THINK YOU WERE MY DIETITIAN 282 00:16:49,375 --> 00:16:53,112 AT THAT TIME. >> IT LITERALLY LOOKED 283 00:16:53,178 --> 00:16:55,481 PHOTOSHOPPED. THAT IS SO FUNNY. 284 00:16:55,547 --> 00:16:56,715 >> THAT WAS NEW YEAR'S EVE. >> James: WAS IT REALLY? 285 00:16:56,782 --> 00:16:58,484 >> 2010. >> YEAH. 286 00:16:58,550 --> 00:17:01,687 >> YEAH. >> WE WERE FACEBOOK CHATTING -- 287 00:17:01,754 --> 00:17:06,458 IF ANYONE REMEMBERS THAT. AND SHE'S LIKE, "WHAT ARE YOU 288 00:17:06,525 --> 00:17:08,460 DOING?" I'M LIKE, "I'M DRINKING WITH MY 289 00:17:08,527 --> 00:17:12,064 FRIENDS." SHE'S LIKE "COME DRINK WITH MY 290 00:17:12,131 --> 00:17:13,198 FRIENDS." WE DID. 291 00:17:13,265 --> 00:17:15,701 >> James: YOU WON A GOLDEN GLOBE FOR YOUR BEAUTIFUL 292 00:17:15,768 --> 00:17:20,406 PERFORMANCE IN "BLACK BIRD," RIGHTLY SO! 293 00:17:20,472 --> 00:17:23,609 A LOT OF PEOPLE WHEN THEY WIN A GOLDEN GLOBE, THEY'LL GO OUT TO 294 00:17:23,675 --> 00:17:28,714 SOME KIND OF BIG SHOWBIZ HOLLYWOOD PARTY. 295 00:17:28,781 --> 00:17:29,915 TELL US ABOUT YOUR UNCONVENTIONAL WAY OF 296 00:17:29,982 --> 00:17:33,652 CELEBRATING YOUR WIN THAT NIGHT? >> I WENT TO WRESTLING. 297 00:17:33,719 --> 00:17:40,959 ELITE WRESTLING AEW. I GOT DO A SEGMENT WITH A COUPLE 298 00:17:41,026 --> 00:17:42,494 OF WRESTLERS. >> James: YOU'RE SAYING GOOF 299 00:17:42,561 --> 00:17:43,862 OFF. THAT'S A LOVELY WAY OF 300 00:17:43,929 --> 00:17:45,998 DESCRIBING IT BUT THIS IS YOU IN THE RING. 301 00:17:46,064 --> 00:17:52,838 LOOK AT THAT. THIS IS PAUL HAVING A GUITAR 302 00:17:52,905 --> 00:17:56,875 SMASHED OVER HIS HEAD AND THAT'S THE GOLDEN GLOBE ON THE EDGE, 303 00:17:56,942 --> 00:18:00,913 LIKE, DID ANYONE -- HOW DID YOU GET IN THE RING THERE? 304 00:18:00,979 --> 00:18:03,449 HOW DOES THIS HAPPEN? DOES ANYONE IN THE RING WITH YOU 305 00:18:03,515 --> 00:18:05,551 CARE YOU WON A GOLDEN GLOBE? >> CLEARLY NOT. 306 00:18:05,617 --> 00:18:08,320 THERE WAS NOT MUCH DEFERENCE TO IT. 307 00:18:08,387 --> 00:18:11,156 I'M BUDDIES WITH THIS GUY TONY KAHN WHO OWNS THE COMPANY. 308 00:18:11,223 --> 00:18:15,093 I TOLD THE COMPANY, CAN I COME? YOU'RE IN L.A. 309 00:18:15,160 --> 00:18:16,995 I WILL BRING MY GOLDEN GLOBE. MAYBE YOU CAN USE IT AS A 310 00:18:17,062 --> 00:18:18,497 WEAPON. I DIDN'T KNOW HE WAS GOING TO 311 00:18:18,564 --> 00:18:23,168 BRING ME IN THE RING AND DO THIS WHOLE BIT AND THIS GUY, JEFFREY 312 00:18:23,235 --> 00:18:25,904 GARRETT, IS DECIDING TO STRIKE ME WITH A GUITAR OVER THE HEAD. 313 00:18:25,971 --> 00:18:34,246 >> James: SO HANG ON, YOU DIDN'T KNOW YOU WERE GOING TO 314 00:18:34,313 --> 00:18:36,148 HAVE A GUITAR SMASHED OVER YOUR HEAD? 315 00:18:36,215 --> 00:18:37,716 >> I KNEW THERE WAS GOING TO BE A BIT. 316 00:18:37,783 --> 00:18:41,653 THEY TOLD US WE WERE GOING TO KIND OF DO THESE LITTLE PROMO 317 00:18:41,720 --> 00:18:43,622 THINGS. THEY SAID, "THINK OF A COUPLE 318 00:18:43,689 --> 00:18:47,593 THINGS TO SAY." THEN THIS GUY GRABBED MY SHIRT 319 00:18:47,659 --> 00:18:52,197 AND I JUST SLAPPED HIM AND THEN THAT DUDE J LETHAL HITS ME IN 320 00:18:52,264 --> 00:18:53,966 THE CHEST. I DON'T KNOW WHERE HE HIT ME BUT 321 00:18:54,032 --> 00:18:56,201 I FELL AND THEY PICKED ME UP AND DID THE WHOLE BIT. 322 00:18:56,268 --> 00:18:59,238 >> James: I HAVE ONE MORE QUESTION ABOUT THIS PHOTO, HOW 323 00:18:59,304 --> 00:19:02,241 BIG IS THIS GUY? >> OH MY GOSH! 324 00:19:02,307 --> 00:19:05,244 >> James: BUT LOOK, HE -- LIKE, LET'S JUST HONESTLY TAKE 325 00:19:05,310 --> 00:19:14,186 - - I DON'T UNDERSTAND ANY -- BECAUSE THESE ARE BIG PEOPLE! 326 00:19:14,253 --> 00:19:19,625 HE'S NOT A SMALL MAN. AND HE'S FURTHER AWAY. 327 00:19:19,691 --> 00:19:21,860 WHAT'S HAPPENING THERE? >> THAT GUY IN THE CORNER, HIS 328 00:19:21,927 --> 00:19:27,933 NAME IS SATNAM SINGH. HE LOOKS LIKE IF ONE OF THE 329 00:19:28,000 --> 00:19:31,236 SPACE JAM MONSTERS WERE GOING OUT FOR A JOB INTERVIEW, THAT'S 330 00:19:31,303 --> 00:19:32,838 KIND OF THE VIBE. >> James: THAT'S THE VIBE HE'S 331 00:19:32,905 --> 00:19:34,039 GOING FOR. >> HE'S THAT GUY. 332 00:19:34,106 --> 00:19:36,074 >> James: I WOULD ABSOLUTELY NEVER TURN THAT MAN DOWN FOR A 333 00:19:36,141 --> 00:19:39,545 JOB BUT THAT'S ONE WAY TO CELEBRATE A GOLDEN GLOBE AND 334 00:19:39,611 --> 00:19:42,080 RIGHTLY SO. IT'S BRILLIANT! 335 00:19:42,147 --> 00:19:44,850 [CHEERS AND APPLAUSE] NOW, EMMA, I WANT TO TALK TO 336 00:19:44,917 --> 00:19:46,552 YOU. THERE'S A LOT GOING ON -- A LOT 337 00:19:46,618 --> 00:19:48,520 GOING ON IN YOUR HOUSEHOLD AT THE MOMENT. 338 00:19:48,587 --> 00:19:51,823 YOUR SON IS 2 YEARS OLD. NOT ONLY THAT, YOU JUST ADOPTED 339 00:19:51,890 --> 00:19:56,194 A PUPPY AND YOUR MOTHER HAS MOVED INTO YOUR HOUSE. 340 00:19:56,261 --> 00:20:01,466 SHE MOVED IN OVER COVID. THEY ARE THREE HUGE LIFE CHOI 341 00:20:01,533 --> 00:20:03,435 CHOICES. INDIVIDUALLY, THOSE ARE BIG 342 00:20:03,502 --> 00:20:05,504 THINGS. TOGETHER, HOW IS THAT GOING? 343 00:20:05,571 --> 00:20:09,474 >> MY MOM CAME OUT FOR TWO WEEKS DURING COVID THAT WAS THREE 344 00:20:09,541 --> 00:20:12,611 YEARS AGO. SHE'S NEVER LEFT. 345 00:20:12,678 --> 00:20:15,147 THAT'S GREAT. I HAVE A BUILT-IN BABY-SITTER. 346 00:20:15,213 --> 00:20:18,817 IT'S A BUILT-IN BABY-SITTER THAT DOESN'T FOLLOW ANY OF THE RULES. 347 00:20:18,884 --> 00:20:22,287 MY MOM LOVES TO SAY, "HE'S NOT TIRED SO WE WENT OUT." 348 00:20:22,354 --> 00:20:27,392 IT'S "IT'S 9:30 AND HE'S TWO!" HE WON'T GO, "I WANT TO GO TO 349 00:20:27,459 --> 00:20:29,695 BED. PLEASE." 350 00:20:29,761 --> 00:20:30,862 THEY'RE BESTIES. THEY TEAM UP AGAINST ME. 351 00:20:30,929 --> 00:20:34,266 IT'S A WHOLE THING. >> James: YOU'RE COMPLETELY 352 00:20:34,333 --> 00:20:36,134 FINE WITH YOUR MOTHER STILL LIVING IN THE HOUSE? 353 00:20:36,201 --> 00:20:41,139 >> I HAVE NO CHOICE. DANCE WITH THE DEVIL. 354 00:20:41,206 --> 00:20:43,942 >> James: YOU'RE NOT WALKING AROUND, ISN'T IT GREAT? 355 00:20:44,009 --> 00:20:46,812 WE DON'T HAVE TO WEAR MASKS ANYMORE! 356 00:20:46,878 --> 00:20:48,413 >> I WANT TO SEE THE REALITY SHOW. 357 00:20:48,480 --> 00:20:53,752 >> OH, IT'S LIKE GRAY GARDENS MEETS "WHO'S TALKING." 358 00:20:53,819 --> 00:20:57,823 BECAUSE SOME DAYS I'M LIKE, MOMMY, I LOVE YOU. 359 00:20:57,889 --> 00:20:58,991 I'M SO GRATEFUL. YOU'RE THE BEST. 360 00:20:59,057 --> 00:21:01,159 OTHER DAYS I'M LIKE, STOP TALKING! 361 00:21:01,226 --> 00:21:03,395 IT'S A LOT OF THAT. IT GOES BACK-AND-FORTH. 362 00:21:03,462 --> 00:21:06,798 SHE DOES PUT WATER NEXT TO MY BED EVERY NIGHT AND DO TURN-DOWN 363 00:21:06,865 --> 00:21:12,671 SERVICE FOR ME, SO THAT I REALLY LIKE. 364 00:21:12,738 --> 00:21:14,439 THAT'S FINE. >> James: MY MOM DOESN'T KNOW 365 00:21:14,506 --> 00:21:17,843 WHAT TURN DOWN SERVICE IS SHE BARELY KNOWS WHAT WATER IS. 366 00:21:17,909 --> 00:21:22,214 >> MY WIFE'S TURN DOWN SERVICE IS LIKE, HEY, THERE'S JENNY'S 367 00:21:22,280 --> 00:21:23,782 ICE CREAM IN THE FREEZER. >> THAT'S AMAZING. 368 00:21:23,849 --> 00:21:27,552 >> THAT'S OUR TURN DOWN SERVICE. >> James: NOW, PAUL, YOU AND 369 00:21:27,619 --> 00:21:31,323 YOUR WIFE ARE EXPECTING YOUR SECOND SON. 370 00:21:31,390 --> 00:21:34,026 AM I OK TO SAY THAT? IN A MATTER OF WEEKS! 371 00:21:34,092 --> 00:21:36,161 WHEN IS IT DUE? HOW ARE YOU FEELING AT HOME? 372 00:21:36,228 --> 00:21:39,698 ARE YOU READY FOR THE JUMP FROM ONE SMALL PERSON TO TWO? 373 00:21:39,765 --> 00:21:42,401 >> I DON'T KNOW. YOU'RE NEVER -- ARE YOU EVER 374 00:21:42,467 --> 00:21:45,804 REALLY READY? YOU KNOW, BUT I THINK, YOU KNOW, 375 00:21:45,871 --> 00:21:46,838 WE'RE EXCITED. WE'RE ENTHUSIASTIC. 376 00:21:46,905 --> 00:21:50,308 IT WAS ON PURPOSE. WE -- WE -- WE KNEW THIS COULD 377 00:21:50,375 --> 00:21:52,044 HAPPEN. >> James: YEAH. 378 00:21:52,110 --> 00:21:52,878 YEAH. YEAH. 379 00:21:52,944 --> 00:21:54,146 YEAH. YEAH. 380 00:21:54,212 --> 00:21:56,615 >> WE'RE LIKE, I THINK, EIGHT OR NINE WEEKS OUT, SOMETHING LIKE 381 00:21:56,682 --> 00:21:59,518 THAT AND MY WIFE HAS BEEN SUCH A TROOPER AND A CHAMP. 382 00:21:59,584 --> 00:22:02,688 SHE'S BEEN INCREDIBLE. AND THE FACT WE HAVE BOYS WITHIN 383 00:22:02,754 --> 00:22:07,159 A TWO-YEAR SPAN, LIKE, HOPEFULLY THEY'RE BUDDIES AND THEY DON'T 384 00:22:07,225 --> 00:22:08,393 HATE EACH OTHER. I DON'T KNOW WHAT TO EXPECT. 385 00:22:08,460 --> 00:22:12,064 WHAT -- DON'T YOU HAVE TWO KIDS? >> I HAVE THREE CHILDREN. 386 00:22:12,130 --> 00:22:13,999 >> THREE? >> James: I HAVE THREE, YES. 387 00:22:14,066 --> 00:22:17,302 >> IT'S BEEN A WHILE SINCE I HAVE STALKED YOU. 388 00:22:17,369 --> 00:22:22,607 >> James: THE JUMP FROM TWO TO THREE IS ALMOST IRRELEVANT. 389 00:22:22,674 --> 00:22:24,576 BECAUSE YOU'VE BEEN -- YOU'VE BEEN -- YOU'RE DEAD BY THAT 390 00:22:24,643 --> 00:22:27,612 POINT. THE JUMP FROM ZERO TO ONE IS 391 00:22:27,679 --> 00:22:31,216 HUGE BUT YOU'VE GOT THIS PERSON THAT YOU LOVE MORE THAN ANYTHING 392 00:22:31,283 --> 00:22:36,788 IN THE WORLD. THE JUMP FROM ONE TO TWO IS 393 00:22:36,855 --> 00:22:37,923 ABSOLUTE CARNAGE AND I WISH YOU WELL WITH IT. 394 00:22:37,989 --> 00:22:41,993 I REALLY DO. >> ABSOLUTE CARNAGE. 395 00:22:42,060 --> 00:22:42,994 >> James: JUST CAN'T EVEN BEGIN TO IMAGINE. 396 00:22:43,061 --> 00:22:45,664 >> THANKS, JAMES. >> I FEEL LIKE IT'S GOING TO 397 00:22:45,731 --> 00:22:48,233 LOOK LIKE THAT PHOTO. >> James: THAT'S YOU EVERY 398 00:22:48,300 --> 00:22:53,939 WEEKEND. AND THE GUITAR -- THE GUITAR IS 399 00:22:54,005 --> 00:22:55,774 A METAPHOR FOR EVERY MEMBER OF YOUR FAMILY. 400 00:22:55,841 --> 00:22:58,977 THAT'S WHAT IT IS. NOW, EMMA, LET'S TALK ABOUT YOUR 401 00:22:59,044 --> 00:23:01,780 BRILLIANT MOVIE, "MAYBE I DO." FOR ANYONE WHO DOESN'T KNOW, 402 00:23:01,847 --> 00:23:05,050 TELL US WHAT IT'S ABOUT AND WHO YOU PLAY. 403 00:23:05,117 --> 00:23:09,020 >> "MAYBE I DO" IS A ROMANTIC COMEDY. 404 00:23:09,087 --> 00:23:12,724 IT'S ABOUT THIS GIRL -- ME -- AND HER BOYFRIEND. 405 00:23:12,791 --> 00:23:15,293 SHE WANTS TO GET MARRIED. HE DOESN'T SHOCK HER. 406 00:23:15,360 --> 00:23:17,162 THEY BRING THEIR PARENTS TOGETHER TO HELP THEM DECIDE 407 00:23:17,229 --> 00:23:20,265 WHAT THEY'RE GOING TO DO WITH THEIR LIVES AND THEY FIND OUT 408 00:23:20,332 --> 00:23:24,302 THEIR PARENTS ARE ROMANTICALLY ENTANGLED IN WAYS THEY SHOULDN'T 409 00:23:24,369 --> 00:23:25,437 BE. >> James: IT HAS THE MOST 410 00:23:25,504 --> 00:23:28,774 EXTRAORDINARY CAST. DIANE KEATON PLAYS YOUR MOM. 411 00:23:28,840 --> 00:23:30,776 THAT'S ESSENTIALLY A DREAM FOR ANY ACTOR. 412 00:23:30,842 --> 00:23:35,914 HOW DID YOU GET ON? HAVE YOU BECOME LIFE-LONG 413 00:23:35,981 --> 00:23:37,349 FRIENDS? >> SHE'S MY QUEEN. 414 00:23:37,415 --> 00:23:40,385 I LOVE HER. WE DM SOMETIMES. 415 00:23:40,452 --> 00:23:44,756 I LOST HER PHONE NUMBER BECAUSE SHE WROTE IT DOWN FOR ME ON A 416 00:23:44,823 --> 00:23:48,660 PIECE OF PAPER AND GAVE IT TO ME AND I WAS -- I TREASURED IT SO 417 00:23:48,727 --> 00:23:51,429 MUCH SO THAT I PUT IT IN MY POCKET AND IT FELL OUT AND I WAS 418 00:23:51,496 --> 00:23:57,903 TOO EMBARRASSED TO ASK HER FOR IT AGAIN. 419 00:23:57,969 --> 00:24:00,906 I DON'T KNOW, MAYBE SHE THINKS I JUST NEVER TEXTED HER. 420 00:24:00,972 --> 00:24:02,474 MAYBE SHE WROTE SOMETHING ELSE ON THE PAPER. 421 00:24:02,541 --> 00:24:04,876 I'LL NEVER KNOW BUT IT KEEPS ME UP AT NIGHT. 422 00:24:04,943 --> 00:24:09,147 >> DIANA, IF YOU'RE WATCHING THIS RIGHT NOW, WE WOULD BOTH 423 00:24:09,214 --> 00:24:10,916 LOVE YOUR PHONE NUMBER. BOTH OF US. 424 00:24:10,982 --> 00:24:15,554 WE WOULD BOTH LOVE TO HAVE YOUR PHONE NUMBER. 425 00:24:15,620 --> 00:24:17,155 >> James: LET'S TAKE A LOOK AT A CLIP FROM "MAYBE I DO," WHICH 426 00:24:17,222 --> 00:24:20,225 IS IN THEATERS NATIONWIDE NOW. >> CAN I ASK YOU A COUPLE OF 427 00:24:20,292 --> 00:24:22,928 QUESTIONS? IT'S ABOUT YOUR HUSBAND AND -- 428 00:24:22,994 --> 00:24:25,430 >> MOM? >> HONEY? 429 00:24:25,497 --> 00:24:29,634 IT'S ALL REALLY TOO MUCH, HONEY THIS COULD DECIDE THE REST OF 430 00:24:29,701 --> 00:24:34,472 OUR LIVES. >> YEAH. 431 00:24:34,539 --> 00:24:35,974 >> YEAH, I THINK SHE'S RIGHT. >> YEAH. 432 00:24:36,041 --> 00:24:42,747 >> I THINK -- I THINK THAT EVERYBODY SHOULD GO HOME. 433 00:24:42,814 --> 00:24:46,251 >> WHAT? >> AS CLEARLY AS I COULD I SAID 434 00:24:46,318 --> 00:24:49,087 IT. >> GUYS, THIS IS HAPPENING. 435 00:24:49,154 --> 00:24:51,990 WE WANT TO DECIDE THE REST OF OUR LIVES. 436 00:24:52,057 --> 00:24:55,026 >> WE DON'T ACTUALLY. >> WE DO. 437 00:24:55,093 --> 00:24:58,597 WE CAN'T IF YOU DON'T OPEN THE DOOR. 438 00:24:58,663 --> 00:24:59,598 [APPLAUSE] >> James: STICK AROUND, MORE 439 00:24:59,664 --> 00:25:03,101 WITH THESE TWO WHEN WE COME BACK. 440 00:25:09,608 --> 00:25:13,211 >> MAN, WHAT I DON'T LIKE IS THIS GUY I'M MARRYING TRYING TO 441 00:25:13,278 --> 00:25:19,217 TAKE CREDIT FOR MY ACT. HE DIDN'T FOLD THE CLOTHES. 442 00:25:19,284 --> 00:25:20,652 HE DIDN'T FOLD THE CLOTHES, DID HE? 443 00:25:20,719 --> 00:25:22,087 >> NO. >> NO. 444 00:25:22,153 --> 00:25:26,258 BECAUSE HE DIDN'T BREAK THE ZIPPER AND HE DIDN'T FEEL BAD 445 00:25:26,324 --> 00:25:35,834 ABOUT IT, AND THAT'S WHY I FOLDED THE CLOTHES. 446 00:25:35,901 --> 00:25:45,243 >> YEAH. [CHEERS AND APPLAUSE] 447 00:25:45,310 --> 00:25:47,045 >> James: THAT WAS A CLIP FROM "BLACK BIRD," THE ENTIRE SEASON 448 00:25:47,112 --> 00:25:51,149 IS STREAMING NOW ON APPLE TV PLUS. 449 00:25:51,216 --> 00:25:54,653 CONGRATULATIONS ON THE SHOW! YOU'RE RIGHTLY WINNING AWARDS 450 00:25:54,719 --> 00:25:57,622 AFTER AWARDS FOR SUCH A BRILLIANT AND COMPELLING 451 00:25:57,689 --> 00:25:58,857 PERFORMANCE. FOR ANYONE WHO HASN'T CAUGHT IT 452 00:25:58,924 --> 00:26:01,893 YET, TELL US WHAT IT'S ABOUT AND WHO YOU PLAY. 453 00:26:01,960 --> 00:26:03,595 >> THANKS, MAN. THAT MEANS A LOT COMING FROM 454 00:26:03,662 --> 00:26:05,530 YOU. YOU'RE AN INCREDIBLE PERFORMER 455 00:26:05,597 --> 00:26:08,900 AND MULTIFACETED. >> James: IT'S AN AMAZING 456 00:26:08,967 --> 00:26:16,174 PERFORMANCE. >> I GOT TO DO THIS SHOW BASED 457 00:26:16,241 --> 00:26:19,311 ON A TRUE STORY. ESSENTIALLY IT'S ABOUT A GUY WHO 458 00:26:19,377 --> 00:26:23,348 GOES UNDERCOVER IN A MAXIMUM SECURITY PRISON PLAYED BY TARON 459 00:26:23,415 --> 00:26:28,887 EDGERTON TRYING TO EELICIT A FORCED CONFESSION. 460 00:26:28,954 --> 00:26:38,396 IT'S LIKE "SILENCE OF THE LAMBS" MEETS "SHAWSHANK REDEFINITION." 461 00:26:38,463 --> 00:26:43,201 >> James: THE THING THAT BINDS THE ENTIRE SHOW TOGETHER IS IT'S 462 00:26:43,268 --> 00:26:48,173 ABSOLUTELY GREAT. YOU AND TARON EGERTON HAVE THE 463 00:26:48,239 --> 00:26:50,809 MOST SPECTACULAR CHEMISTRY. SOME OF THE STUFF YOU DO IS 464 00:26:50,875 --> 00:26:53,979 QUITE SCARY. ANY MOMENT WHEN YOU WERE 465 00:26:54,045 --> 00:26:56,381 SHOOTING WHERE IT EVER WENT TOO FAR? 466 00:26:56,448 --> 00:27:00,652 >> I PUT MY -- THERE WAS A TAKE IN THE END IN EPISODE 6 WHERE I 467 00:27:00,719 --> 00:27:04,089 KIND OF GO REALLY CRAZY BILL. TAKE THREE, I'M LIKE, WE ALREADY 468 00:27:04,155 --> 00:27:06,391 GOT THE SAFE TAKES. LET'S BE WEIRDOS. 469 00:27:06,458 --> 00:27:09,327 WHILE I'M FIGHTING HIM, I STUCK MY FINGERS IN HIS MOUTH. 470 00:27:09,394 --> 00:27:12,731 I WAS LIKE -- I WAS TRYING GIVE HIM THIS RESIDUE OF TELLING THE 471 00:27:12,797 --> 00:27:17,502 CHARACTER LIKE EVEN AFTER -- IF WE NEVER SEE EACH OTHER AGAIN, 472 00:27:17,569 --> 00:27:20,905 YOU WILL NOT FORGET ME. I'M LEAVING A TASTE IN YOUR 473 00:27:20,972 --> 00:27:25,577 MOUTH. SO I GOT PRETTY CREEPY. 474 00:27:25,643 --> 00:27:27,779 >> James: DID YOU TELL HIM YOU WERE GOING TO DO THAT? 475 00:27:27,846 --> 00:27:29,014 >> NO. NO. 476 00:27:29,080 --> 00:27:30,515 I MIGHT HAVE SAID SOMETHING. I HAVE THAT THING, THOUGH, TOO, 477 00:27:30,582 --> 00:27:33,251 WHERE YOU WANT TO -- >> James: YOU WANT IT TO BE 478 00:27:33,318 --> 00:27:36,488 REAL. >> SEBASTIAN AND I GOT INTO A 479 00:27:36,554 --> 00:27:38,890 SLAPPING CONTEST. HE GOT ROUGH IN ONE TAKE AND 480 00:27:38,957 --> 00:27:40,759 DIDN'T REALIZE IT. I SAID, OK. 481 00:27:40,825 --> 00:27:45,330 THE NEXT TAKE I IMPROVISED A SLAP AND SLAPPED HIM ACROSS THE 482 00:27:45,397 --> 00:27:47,365 FACE. IT MELTED INTO THE SCENE. 483 00:27:47,432 --> 00:27:49,300 IT WAS GOOD. >> James: THERE ARE REAL SCARY 484 00:27:49,367 --> 00:27:52,670 MOMENTS IN "BLACK BIRD." IF WE'RE TALKING ABOUT SCARING 485 00:27:52,737 --> 00:27:56,274 PEOPLE, I MEAN, YOU HAVE AN OBSESSION WHICH TERRIFIES ME FAR 486 00:27:56,341 --> 00:27:59,044 MORE THAN PAUL EVER PUTTING HIS FINGERS IN MY MOUTH WHICH IS YOU 487 00:27:59,110 --> 00:28:07,652 HAVE -- YOU COLLECT DOLLS WHICH IS AN IMMEDIATE -- WHAT KIND OF 488 00:28:07,719 --> 00:28:09,687 DOLLS -- WHAT KIND OF DOLLS ARE WE TALKING ABOUT? 489 00:28:09,754 --> 00:28:12,123 HOW MANY? >> UM, I LOVE DOLLS. 490 00:28:12,190 --> 00:28:15,060 I'M OBSESSED WITH DOLLS. THE CREEPIER THE BETTER. 491 00:28:15,126 --> 00:28:21,366 I FIND THEM ON ALL CORNERS OF THE INTERNET. 492 00:28:21,433 --> 00:28:23,334 WHEN I CAN'T SLEEP, I LOOK AT DOLLS. 493 00:28:23,401 --> 00:28:25,370 IT'S MORE ABOUT THEHUNT THAN THE ACTUAL DOLL. 494 00:28:25,437 --> 00:28:29,040 I HAVE PROBABLY LIKE 15 BUT IT'S REALLY ABOUT FINDING THE DOLL, 495 00:28:29,107 --> 00:28:37,882 NOT REALLY GETTING THE DOLL. I LIKE LIFE DOLLS, DOLLY -- 496 00:28:37,949 --> 00:28:40,952 >> James: YOU GOT A TATTOO IN RELATION TO YOUR DOLL OBSESSION. 497 00:28:41,019 --> 00:28:44,055 >> WORD TRAVELS FAST AROUND HERE. 498 00:28:44,122 --> 00:28:47,325 >> James: WHAT IS THE TATTOO? >> IT'S THE MATTEL SYMBOL. 499 00:28:47,392 --> 00:28:51,196 >> James: THAT'S THE MATTEL SYMBOL ON EMMA ROBERTS' FOOT AND 500 00:28:51,262 --> 00:28:58,436 YOUR MOM STILL HASN'T MOVED OUT? AMAZING. 501 00:28:58,503 --> 00:29:02,340 REGGIE, DO YOU HAVE A QUESTION FOR OUR GUESTS THIS EVENING? 502 00:29:02,407 --> 00:29:07,712 >> Reggie: YES, I DO. TONIGHT'S QUESTION IS... 503 00:29:07,779 --> 00:29:10,081 [DRUMROLL] UM, IF YOU HAD THE CHOICE 504 00:29:10,148 --> 00:29:12,884 BETWEEN DIFFERENT SHAPED -- WELL, MANY BIRDS CREATE 505 00:29:12,951 --> 00:29:14,119 DIFFERENT SHAPES OF NESTS -- >> YOU'RE RIGHT. 506 00:29:14,185 --> 00:29:17,255 >> UH-HUH. >> Reggie: WHAT'S YOUR 507 00:29:17,322 --> 00:29:21,793 FAVORITE SHAPE OF NEST AND ALSO MAYBE GENERAL SIZE? 508 00:29:21,860 --> 00:29:25,530 >> I LIKE ROUND. I FEEL LIKE FOR FENG SHUI 509 00:29:25,597 --> 00:29:28,733 REASONS, ROUND IS ALWAYS BEST. >> ROUND MAKES A LOT OF SENSE. 510 00:29:28,800 --> 00:29:34,939 I THINK FOR ME, IT'S MORE -- IT'S REALLY NOT EVEN ABOUT THE 511 00:29:35,006 --> 00:29:38,243 SHAPE SO MUCH AS IT IS ABOUT HAVING ENOUGH ROOM FOR ALL OF 512 00:29:38,309 --> 00:29:43,681 THE FAMILY AND FOR GUESTS, WHOEVER IS GOING TO FLY IN THAT 513 00:29:43,748 --> 00:29:44,516 DAY. >> YEAH. 514 00:29:44,582 --> 00:29:47,919 >> MAYBE A ROMBUS. MAYBE A BIG ROMBUS. 515 00:29:47,986 --> 00:29:51,322 >> James: GOOD USE OF ROMBUS. >> Reggie: THOSE ARE CORRECT 516 00:29:51,389 --> 00:29:52,257 ANSWERS. >> James: THEY'RE ABSOLUTELY 517 00:29:52,323 --> 00:29:54,559 CORRECT. PLEASE THANK OUR WONDERFUL 518 00:29:54,626 --> 00:29:56,194 GUESTS, EMMA ROBERTS 519 00:29:56,261 --> 00:29:57,896 AND PAUL WALTER HAUSER! COMING UP, MUSIC FROM BLAKE 520 00:29:57,962 --> 00:29:59,697 ROSE. 521 00:30:14,078 --> 00:30:16,214 [CHEERS AND APPLAUSE] >> James: WELCOME BACK. 522 00:30:16,281 --> 00:30:19,284 NOW, WE'VE GOT SOME GREAT GUESTS COMING UP ON THE SHOW IN THE 523 00:30:19,350 --> 00:30:21,419 NEXT FEW WEEKS... SALLY FIELD, MICHAEL DOUGLAS, 524 00:30:21,486 --> 00:30:23,087 DAVE BAUTISTA, SHANIA TWAIN, TREVOR NOAH, AND GORDON RAMSAY. 525 00:30:23,154 --> 00:30:28,726 IF YOU CAN'T MAKE IT TO L.A. TO WATCH IN PERSON, YOU CAN STREAM 526 00:30:28,793 --> 00:30:32,530 FULL EPISODES ON PARAMOUNT PLUS OR CHECK OUT OUR YOUTUBE PAGE. 527 00:30:32,597 --> 00:30:34,766 AND PLEASE DON'T FORGET TO FOLLOW ME ON TWITTER AT "LATE, 528 00:30:34,832 --> 00:30:36,868 LATE SHOW." YOU CAN ALSO HEART ME ON 529 00:30:36,935 --> 00:30:39,704 INSTAGRAM, LINK ME ON LINKED IN, PIN ME ON PINTEREST, SNAP ME ON 530 00:30:39,771 --> 00:30:40,939 SNAPCHAT, TEXT ME ON WHATSAPP SAY "GOOD GAME" ON BUTTSLAPP, 531 00:30:41,005 --> 00:30:46,644 SAVE PICS FOR ME ON IPHOTO, SING "AFRICA" ON ITOTO, 532 00:30:46,711 --> 00:30:49,480 GET WELL WITH ME ON ZOCDOC, GET FULL WITH ME ON HAMHOCK, 533 00:30:49,547 --> 00:30:52,417 BOOST ME ON MASTODON, SPICE ME ON CARDAMON, GET TEXTBOOKS 534 00:30:52,483 --> 00:30:55,520 ON WILEY, GET FLOWERS ON MILEY, TRACK THE RAIN ON DARK SKY 535 00:30:55,587 --> 00:30:58,423 WEATHER, "PSH, GET REAL" ON "YEAH RIGHT, HEATHER!" 536 00:30:58,489 --> 00:31:00,959 SAY "WELL ACTUALLY" ON REDDIT. SAY "WELL SNACKTUALLY" ON 537 00:31:01,025 --> 00:31:03,328 BREADIT, TAKE IT ALL BACK ON EDIT, BE TOO SEXY FOR YOUR 538 00:31:03,394 --> 00:31:05,730 SHIRT ON RIGHT SAID FREDDIT, BUY ME TICKETS ON GAMETIME, 539 00:31:05,797 --> 00:31:08,967 SEND IN THE CLOWNS ON SONDHEIM, MAKE ME A SITE ON SQUARE SPACE, 540 00:31:09,033 --> 00:31:12,403 MAKE ME WOLF ON HAIRFACE, TRUTH ME ON TRUTH SOCIAL, PUTH ME ON 541 00:31:12,470 --> 00:31:15,139 PUTH SOCIAL, SEND ME A VIDEO WITH GIPHY, MAKE ME A SANDWICH 542 00:31:15,206 --> 00:31:18,543 WITH JIFFY, STREAM ME ON TWITCH SCHEME ME ON MITCH, DIG ME ON 543 00:31:18,610 --> 00:31:21,346 DITCH, CALL ME BACK ON YOU LITTLE BITCH! 544 00:31:21,412 --> 00:31:24,315 FIND LOVE ON HINGE, COMMIT ARSON ON SINGE, GET A RIDE ON LYFT, 545 00:31:24,382 --> 00:31:27,318 CRASH TICKETMASTER ON SWIFT, CHECK OUT MY WEBSITE ON WIX, 546 00:31:27,385 --> 00:31:30,822 CHECK OUT MY SNEAKERS ON KICKS, MAKE IT OFFICIAL ON DOCUSIGN, 547 00:31:30,888 --> 00:31:32,657 HOLLER AND WHISTLE ON "DAMNYOUFINE!" 548 00:31:32,724 --> 00:31:35,326 STREAM WITH ME ON STAN, LEIBOWITZ ME ON FRAN, FIND ME A 549 00:31:35,393 --> 00:31:37,562 SONG ON SHAZAM, "WAKE ME UP BEFORE YOU GO GO!" ON WHAM! 550 00:31:37,629 --> 00:31:40,031 OR, IF YOU WISH, FEEL FREE TO WRITE ME AN 551 00:31:40,098 --> 00:31:41,933 OLD-FASHIONED LETTER BY ADDRESSING IT TO TELEVISION CITY 552 00:31:42,000 --> 00:31:44,035 STUDIOS, 7800 BEVERLY BOULEVARD, LOS 553 00:31:44,102 --> 00:31:47,839 ANGELES, CALIFORNIA, 90036. OF COURSE, YOU WANT TO MAKE SURE 554 00:31:47,905 --> 00:31:49,641 YOUR LETTER STANDS OUT, SO YOU GO TO THE STATIONARY STORE 555 00:31:49,707 --> 00:31:52,577 TO PICK OUT A FUN ENVELOPE. WHILE YOU'RE THERE, YOU CHECK 556 00:31:52,644 --> 00:31:55,346 OUT SOME OF THE GREETING CARDS, BECAUSE HEY, YOU ALWAYS NEED 557 00:31:55,413 --> 00:31:57,882 GREETINGS CARDS. IT'S PRETTY STANDARD STUFF, AND 558 00:31:57,949 --> 00:31:59,517 NOTHING REALLY CATCHES YOUR EYE, EXCEPT FOR A BIRTHDAY CARD 559 00:31:59,584 --> 00:32:04,455 THAT SAYS "YOLO, BABY!" IT GRABS YOU, HOLDS YOU, REFUSES 560 00:32:04,522 --> 00:32:06,357 TO LET YOU GO. YOLO. 561 00:32:06,424 --> 00:32:08,459 YOU ONLY LIVE ONCE. YOU'VE HEARD IT A MILLION TIMES, 562 00:32:08,526 --> 00:32:12,030 BUT FOR SOME REASON, THIS TIME, IT REALLY STICKS WITH YOU. 563 00:32:12,096 --> 00:32:14,032 YOU REALLY DO ONLY LIVE ONCE. IT COULD ALL BE OVER AT ANY 564 00:32:14,098 --> 00:32:15,967 MOMENT. WHAT ARE YOU DOING STANDING IN 565 00:32:16,034 --> 00:32:19,570 A STATIONARY STORE? YOU DECIDE, IN THAT MOMENT, 566 00:32:19,637 --> 00:32:21,139 TO START LIVING YOUR LIFE WITH INTENTION. 567 00:32:21,205 --> 00:32:22,840 YOU GO SKYDIVING. YOLO! 568 00:32:22,907 --> 00:32:24,309 YOU HIKE THE PACIFIC COAST TRAIL. 569 00:32:24,375 --> 00:32:26,544 YOLO! YOU LEARN HOW TO COOK REALLY 570 00:32:26,611 --> 00:32:29,647 GOOD ITALIAN FOOD. I MEAN REALLY GOOD. 571 00:32:29,714 --> 00:32:31,816 SO GOOD, THAT YOU START HOSTING DINNERS AT YOUR HOUSE, FOR YOUR 572 00:32:31,883 --> 00:32:34,452 FRIENDS, ON TUESDAYS. WEIRD NIGHT FOR A DINNER PARTY, 573 00:32:34,519 --> 00:32:36,954 BUT HEY, YOLO RIGHT? ONE NIGHT WHILE YOU'RE COOKING 574 00:32:37,021 --> 00:32:40,325 AN ESPECIALLY SPICY RIGATONI IT DAWNS ON YOU THAT YOU'VE NEVER 575 00:32:40,391 --> 00:32:43,394 BEEN TO ITALY. WELL, THAT CHANGES IMMEDIATELY. 576 00:32:43,461 --> 00:32:44,228 YOU BUY THE NEXT TICKET AVAILABLE. 577 00:32:44,295 --> 00:32:45,863 YOU HOP ON A PLANE. YOU GO TO ITALY. 578 00:32:45,930 --> 00:32:48,166 BOY, DO YOU GO TO ITALY! YOU RIDE A VESPA. 579 00:32:48,232 --> 00:32:49,801 YOU THROW A COIN IN THE TREVI FOUNTAIN. 580 00:32:49,867 --> 00:32:53,338 YOU KISS A MAN NAMED LUIGI. YOU YOLO ALL OVER THE PLACE! 581 00:32:53,404 --> 00:32:55,106 BUT ALL GOOD THINGS MUST COME TO AN END, YOU FLY BACK TO 582 00:32:55,173 --> 00:32:58,476 AMERICA, BUT YOUR FLIGHT HOME HAS A LAYOVER IN LONDON. 583 00:32:58,543 --> 00:33:00,745 WHILE YOU'RE KILLING TIME IN THE AIRPORT YOU SEE ME. 584 00:33:00,812 --> 00:33:01,846 WHAT WAS IT YOU WANTED TO TELL ME? 585 00:33:01,913 --> 00:33:04,215 ALL THOSE YEARS AGO? YOU WROTE A LETTER. 586 00:33:04,282 --> 00:33:07,185 YOU WENT TO A STATIONARY STORE. BUT YOU CAN'T REMEMBER, IT ALL 587 00:33:07,251 --> 00:33:11,089 FEELS SO INSIGNIFICANT NOW, SO YOU JUST WALK UP TO ME AND SAY 588 00:33:11,155 --> 00:33:12,657 "JAMES CORDEN! WHAT ARE YOU DOING HERE?" 589 00:33:12,724 --> 00:33:15,393 AND I SAY "I'M GETTING A CINNABON. 590 00:33:15,460 --> 00:33:17,362 BECAUSE YOU ONLY LIVE ONCE, BABY." 591 00:33:17,428 --> 00:33:19,430 WE'LL BE RIGHT BACK WITH MUSIC FROM BLAKE ROSE! 592 00:33:39,217 --> 00:33:41,552 >> James: WELCOME BACK. HERE MAKING HIS U.S. TELEVISION 593 00:33:41,619 --> 00:33:44,922 DEBUT PERFORMING "DIZZY," FROM HIS FORTHCOMING E.P. "YOU'LL GET 594 00:33:44,989 --> 00:33:47,125 IT WHEN YOU'RE OLDER," WHICH IS OUT FEBRUARY 24TH, PLEASE 595 00:33:47,191 --> 00:33:54,232 WELCOME BLAKE ROSE! [APPLAUSE] 596 00:33:54,298 --> 00:34:02,740 ♪ 597 00:34:02,807 --> 00:34:09,714 ♪ ♪ YOU'RE LIKE A 1980S OLD CD 598 00:34:09,781 --> 00:34:16,020 PLAYER THE WAY YOU SPIN MY HEAD 599 00:34:16,087 --> 00:34:23,227 ♪ AM I DEAD OR ALIVE? YOU WALKED UP IN YOUR RETRO FIT 600 00:34:23,294 --> 00:34:26,297 ♪ THEN YOU KISSED MY LIPS AND YOU SAID 601 00:34:26,364 --> 00:34:29,801 ♪ I DON'T WANNA SEE YOU AGAIN IF I WAS SPIDER-MAN 602 00:34:29,867 --> 00:34:35,072 ♪ BABY, YOU'D BE ZENDAYA 'CAUSE YOU'RE THE ONLY ONE 603 00:34:35,139 --> 00:34:37,642 ♪ THAT I CAN'T GET MY HEAD AROUND 604 00:34:37,708 --> 00:34:40,778 IT'S MAKIN' ME DIZZY NOW ♪ KING OF THE GAME 605 00:34:40,845 --> 00:34:44,849 YOU WEAR THE CROWN ♪ MY FRIENDS WON'T LIVE IT DOWN 606 00:34:44,916 --> 00:34:49,153 THINK I SHOULD KNOW BETTER NOW ♪ IT AIN'T FAIR 607 00:34:49,220 --> 00:34:52,623 BABY, I CAN'T FIGURE YOU OUT ♪ FIGURE YOU OUT 608 00:34:52,690 --> 00:34:56,694 'CAUSE ONE MINUTE, YOU'RE IN ♪ THE NEXT, YOU'RE OUT 609 00:34:56,761 --> 00:34:59,363 CAN'T FIGURE IT OUT ♪ FIGURE IT OUT 610 00:34:59,430 --> 00:35:09,974 WHY I STILL STAND IT ♪ I'M TOO DIZZY NOW 611 00:35:10,041 --> 00:35:16,848 YOU DRIVE AN OLD MERCEDES ♪ BUT WON'T WASTE PAPER 612 00:35:16,914 --> 00:35:20,852 YOUR FAVORITE POP BAND'S ♪ LANY BUT HATE JOHN MAYER 613 00:35:20,918 --> 00:35:22,954 WHAT? ♪ JOHN MAYER'S SICK 614 00:35:23,020 --> 00:35:24,555 I KNOW ♪ OH, YOU WALKED UP AND YOU HIT 615 00:35:24,622 --> 00:35:27,158 MY CHEEK ♪ AND YOU KISSED YOUR TEETH 616 00:35:27,225 --> 00:35:31,095 AND YOU SID ♪ LOVE, I HOPE I SEE YOU AGAIN 617 00:35:31,162 --> 00:35:36,267 IF YOU WERE PADMEÉ ♪ I COULD BE YOUR DARTH VADER 618 00:35:36,334 --> 00:35:39,937 'CAUSE YOU'RE THE ONLY ONE THAT ♪ I CAN'T GET MY HEAD AROUND 619 00:35:40,004 --> 00:35:42,874 IT'S MAKIN' ME DIZZY NOW ♪ KING OF THE GAME 620 00:35:42,940 --> 00:35:47,211 YOU WEAR THE CROWN ♪ MY FRIENDS WON'T LIVE IT DOWN 621 00:35:47,278 --> 00:35:51,015 THINK I SHOULD KNOW BETTER NOW ♪ IT AIN'T FAIR 622 00:35:51,082 --> 00:35:54,886 BABY, I CAN'T FIGURE YOU OUT ♪ FIGURE YOU OUT 623 00:35:54,952 --> 00:35:59,056 'CAUSE ONE MINUTE, YOU'RE IN ♪ THE NEXT, YOU'RE OUT 624 00:35:59,123 --> 00:36:01,425 CAN'T FIGURE IT OUT ♪ FIGURE IT OUT 625 00:36:01,492 --> 00:36:16,374 WHY I STILL STAND IT ♪ I'M TOO DIZZY NOW 626 00:36:16,440 --> 00:36:19,176 WHY I STILL STAND IT ♪ I'M TOO DIZZY NOW 627 00:36:19,243 --> 00:36:21,245 'CAUSE YOU'RE THE ONLY ONE THAT 628 00:36:21,312 --> 00:36:24,749 ♪ I CAN'T GET MY HEAD AROUND IT'S MAKIN' ME DIZZY NOW 629 00:36:24,815 --> 00:36:27,952 ♪ KING OF THE GAME YOU WEAR THE CROWN 630 00:36:28,019 --> 00:36:32,890 ♪ MY FRIENDS WON'T LIVE IT DOWN THINK I SHOULD KNOW BETTER NOW 631 00:36:32,957 --> 00:36:36,227 ♪ IT AIN'T FAIR BABY, I CAN'T FIGURE YOU OUT 632 00:36:36,294 --> 00:36:40,031 ♪ FIGURE YOU OUT 'CAUSE ONE MINUTE, YOU'RE IN 633 00:36:40,097 --> 00:36:43,367 ♪ THE NEXT, YOU'RE OUT CAN'T FIGURE IT OUT 634 00:36:43,434 --> 00:36:46,837 ♪ FIGURE IT OUT WHY I STILL STAND IT 635 00:36:46,904 --> 00:36:52,176 ♪ I'M TOO DIZZY NOW ♪ [CHEERS AND APPLAUSE] 636 00:36:52,243 --> 00:36:53,744 >> James: OH! COME ON! 637 00:36:53,811 --> 00:36:58,616 WHAT ABOUT THAT! BLAKE ROWS, EVERYBODY! 638 00:36:58,683 --> 00:36:59,850 - - BLAKE ROSE, EVERYBODY! THAT WAS BRILLIANT. 639 00:36:59,917 --> 00:37:01,285 "DIZZY" IS AVAILABLE NOW. COME ON BACK! 640 00:37:22,139 --> 00:37:23,240 ♪ >> James: THANKS SO MUCH FOR 641 00:37:23,307 --> 00:37:23,941 WATCHING! WE'LL SEE YOU TOMORROW NIGHT. 642 00:37:24,008 --> 00:37:26,010 REGGIE, TAKE US HOME!