1 00:00:03,737 --> 00:00:05,038 ♪ ♪ ♪ ARE YOU READY, Y'ALL, TO HAVE 2 00:00:05,105 --> 00:00:06,740 SOME FUN ♪ ♪ 3 00:00:06,806 --> 00:00:09,242 ♪ YOU'VE GOT PHON ♪ ♪ WERE GOING TO HAVE FUN ♪ 4 00:00:09,309 --> 00:00:18,985 ♪ ♪ IT'S "THE LATE LATE SHOW!" ♪ 5 00:00:19,052 --> 00:00:21,187 >> Reggie: LADIES AND GENTLEMEN, ALL THE WAY FROM 6 00:00:21,254 --> 00:00:30,063 INSIDE A SMALL TURTLE SHELL, GIVE IT UP FOR YOUR POST, THE 7 00:00:30,130 --> 00:00:38,972 GUY IN THE SUIT JAMES CORDEN! >> James: THANK YOU VERY MUCH! 8 00:00:39,038 --> 00:00:48,148 I AM HAPPY TO SEE YOU! THANK YOU VERY MUCH, EVERYONE! 9 00:00:48,214 --> 00:00:52,986 THANK YOU VERY MUCH! VERY HAPPY THAT YOU ARE HERE! 10 00:00:53,052 --> 00:00:55,789 LET'S TAKE A LOOK AND SEE WHO OUR GUESTS ARE ON THE SHOW 11 00:00:55,855 --> 00:00:57,757 TONIGHT. HE'S AN OSCAR AND EMMY-WINNING 12 00:00:57,824 --> 00:01:01,561 ACTOR AND PRODUCER YOU KNOW FROM "WALL STREET," "FATAL 13 00:01:01,628 --> 00:01:03,563 ATTRACTION", THE "ANT MAN" MOVIES, AND SO MUCH MORE. 14 00:01:03,630 --> 00:01:11,971 THE ONE AND ONLY, MICHAEL DOUGLAS IS ON THE SHOW, HOW ARE 15 00:01:12,038 --> 00:01:14,808 YOU, MICHAEL, ARE YOU WELL? >> Michael: I TOLD YOU NOT 16 00:01:14,874 --> 00:01:16,876 TILL LATER. >> James: IT'S A THING WE DO 17 00:01:16,943 --> 00:01:19,879 IN THE SHOW, DO YOU WANT US TO LEAVE? 18 00:01:19,946 --> 00:01:21,881 >> Michael: WHO ARE THESE PEOPLE? 19 00:01:21,948 --> 00:01:24,284 YOU SAID IT WOULD BE AN INTIMATE EVENING. 20 00:01:24,350 --> 00:01:28,888 XP ON IT WILL JUST BE ME, YOU WILL COME OF THIS AUDIENCE, THE 21 00:01:28,955 --> 00:01:36,629 BAND, AND THE CREW, AND WHAT ITN ONLY IMAGINE AS OUR GUEST, 25, E 22 00:01:36,696 --> 00:01:39,466 WATCHING. >> Michael: JUST TO LET YOU 23 00:01:39,532 --> 00:01:45,438 KNOW I GAVE IT THE OFFICE. >> James: OKAY, MICHAEL 24 00:01:45,505 --> 00:01:48,208 DOUGLAS, EVERYBODY! HE'S AN OSCAR-WINNING DIRECTOR 25 00:01:48,274 --> 00:01:50,043 WHO'S BEHIND MOVIES LIKE "THE SHAPE OF WATER" AND "NIGHTMARE 26 00:01:50,109 --> 00:01:51,377 ALLEY". HIS LATEST FILM, "GUILLERMO DEL 27 00:01:51,444 --> 00:01:54,647 TORO'S PINOCCHIO," IS NOMINATED FOR BEST ANIMATED FEATURE AT 28 00:01:54,714 --> 00:01:57,350 THIS YEAR'S OSCARS. WE ABSOLUTELY LOVE HIM HERE AT 29 00:01:57,417 --> 00:01:59,152 THE SHOW. THE INCOMPARABLE, GUILLERMO 30 00:01:59,219 --> 00:02:05,391 DEL TORO! HOW ARE YOU? 31 00:02:05,458 --> 00:02:07,260 >> Guillermo: VERY GOOD, MY FRIEND. 32 00:02:07,327 --> 00:02:12,398 >> James: I LOVE IT EVERY TIME YOU COME BY, ARE YOU WELL, ARE 33 00:02:12,465 --> 00:02:13,566 YOU GOOD? >> Guillermo: I'M VERY GOOD 34 00:02:13,633 --> 00:02:15,902 AND VERY HAPPY TO BE HERE. >> James: WE LOVE IT WHEN YOU 35 00:02:15,969 --> 00:02:19,839 STOP BY, THANK YOU FOR FINDING THE TIME FOR US 36 00:02:19,906 --> 00:02:23,276 GUILLERMO DEL TORO, EVERYBODY! THEY'RE A PAIR OF CRITICALLY 37 00:02:23,343 --> 00:02:27,847 ACCLAIMED SINGER-SONGWRITERS. THEY'RE HERE TONIGHT TO DEBUT 38 00:02:27,914 --> 00:02:29,549 THEIR BRAND-NEW SINGLE "HOWLING AT THE MOON". 39 00:02:29,616 --> 00:02:31,751 WE'RE SO HAPPY THEY STOPPED BY, THE ELECTRIC, MIKE POSNER AND 40 00:02:31,818 --> 00:02:38,191 SALEM ILESE! ARE HERE! 41 00:02:38,258 --> 00:02:41,294 HOW ARE YOU? >> Mike: BEST EVER. 42 00:02:41,361 --> 00:02:45,031 >> James: SO HAPPY TO SEE YOU, JUST HAVE TO SAY THAT MIKE GAVE 43 00:02:45,098 --> 00:02:48,635 ME A GIFT BEFORE THE SHOW WHICH IS THE FIRST TIME, WILL YOU 44 00:02:48,701 --> 00:02:53,840 SHARE WITH EVERYBODY WHAT YOU JUST GAVE ME AS A PRESENT? 45 00:02:53,907 --> 00:02:57,777 >> Mike: ABSOLUTELY, I GIFTED JAMES SOME ORGANIC BROCCOLI 46 00:02:57,844 --> 00:03:01,781 SPROUTS I SPROUTED. >> James: I AM DEEPLY TOUCHED, 47 00:03:01,848 --> 00:03:05,018 I WILL ENJOY THEM WHILE LISTENING TO YOUR INCREDIBLE 48 00:03:05,084 --> 00:03:08,221 SONG. MIKE POSNER AND SALEM ILESE 49 00:03:08,288 --> 00:03:10,089 EVERYBODY! [CHEERS AND APPLAUSE] 50 00:03:10,156 --> 00:03:14,627 I AM JAMES CORDEN, AND THIS IS "THE LATE LATE SHOW"! 51 00:03:14,694 --> 00:03:21,034 [CHEERS AND APPLAUSE] ♪ ♪ 52 00:03:21,100 --> 00:03:22,702 ♪ THE LATE LATE SHOW, OH, OH, THE LATE LATE SHOW, WOO! ♪ 53 00:03:22,769 --> 00:03:27,206 ♪ THE LATE LATE SHOW, OH, OH, THE LATE LATE SHOW OH-OH! ♪ 54 00:03:27,273 --> 00:03:34,981 ♪ IT'S THE LATE, LATE SHOW ♪ [CHEERS AND APPLAUSE] 55 00:03:35,048 --> 00:03:39,419 >> James: IT CERTAINLY IS. HOT CROWD, HOT CROWD TONIGHT! 56 00:03:39,485 --> 00:03:45,091 HERE WE ARE! VERY HAPPY THAT YOU ARE HERE. 57 00:03:45,158 --> 00:03:48,628 HI. JUST WENT WITH THE TWO HANDED 58 00:03:48,695 --> 00:03:52,231 WAVE, YOU HAVE CEMENTED WHAT I ALWAYS KNOW, THAT IT IS 59 00:03:52,298 --> 00:03:54,734 IMPOSSIBLE TO DO IT AND STILL LOOK COOL. 60 00:03:54,801 --> 00:03:56,836 [LAUGHTER] YOU KNOW WHAT I MEAN? 61 00:03:56,903 --> 00:04:00,106 EVEN BRAD PITT, WHO I THINK WE ALL CAN AGREE COULD BE THE 62 00:04:00,173 --> 00:04:03,610 COOLEST MAN ON THE PLANET, IF YOU WENT HEY -- 63 00:04:03,676 --> 00:04:06,713 YOU WOULD BE LIKE BREAD, NO, YOU'RE SURELY SURELY A ONE ARMED 64 00:04:06,779 --> 00:04:08,114 GUY. THERE ARE WAYS TO MAKE IT LOOK 65 00:04:08,181 --> 00:04:16,222 COOL, LIKE YOU SAY LIKE -- >> NOPE. 66 00:04:16,289 --> 00:04:18,958 >> James: WE NEED TO THINK ABOUT WHAT THE WORD COOL MEANS. 67 00:04:19,025 --> 00:04:23,863 WHAT ABOUT THIS? HEY -- 68 00:04:23,930 --> 00:04:25,665 [LAUGHTER] THE WINDSHIELD WIPERS. 69 00:04:25,732 --> 00:04:29,869 THAT WAS COOL, I THOUGHT THAT WAS COOL. 70 00:04:29,936 --> 00:04:35,575 GIVE US YOUR BEST TWO HANDED WAVE. 71 00:04:35,642 --> 00:04:45,118 [LAUGHTER] HEY! 72 00:04:45,184 --> 00:04:50,356 I LIKE THAT. I LOVE THAT TO BE MY THING. 73 00:04:50,423 --> 00:04:52,892 >> Reggie: YEAH. >> James: WHEN I FINISH THE 74 00:04:52,959 --> 00:04:58,498 SHOW AND I GO OUT -- ON LIKE COLBERT OR 75 00:04:58,564 --> 00:05:02,902 ""THE TONIGHT SHOW"" AND THEN JUST GO HEY! 76 00:05:02,969 --> 00:05:05,738 DIDN'T WE DO THAT? DO WE DO THAT? 77 00:05:05,805 --> 00:05:09,108 >> THE SNAPPING I THINK. >> James: WHO WAS IT? 78 00:05:09,175 --> 00:05:14,080 DIDN'T WE SAY WOULDN'T IT BE GREAT IF THE GUEST CAME OUT IF 79 00:05:14,147 --> 00:05:19,652 THE AUDIENCE DID THIS? BUT WHAT WE DID NOT DO IS TELL 80 00:05:19,719 --> 00:05:23,923 THE GUEST. AND I FORGOT TO THE GUEST WAS, 81 00:05:23,990 --> 00:05:26,559 BUT I REMEMBER THINKING AT THE MOMENT THEY WALKED OUT, DO YOU 82 00:05:26,626 --> 00:05:32,432 REMEMBER, ROB? >> WAS IT JEFF GOLDBLUM? 83 00:05:32,498 --> 00:05:41,374 >> James: WE FOUND IT. PLEASE WELCOME JOHN LITHGOW! 84 00:05:41,441 --> 00:05:51,617 [LAUGHTER] >> AMAZING. 85 00:05:51,684 --> 00:06:00,660 >> James: JOHN LITHGOW! OH, DEAR AMY! 86 00:06:00,727 --> 00:06:08,101 WELL COME ON THAT NOTE, IT'S TIME FOR THE NEWS. 87 00:06:08,167 --> 00:06:10,837 [CHEERS AND APPLAUSE] AND THIS IS THE BIG NEWS, OVER 88 00:06:10,903 --> 00:06:15,808 THE WEEKEND U.S. FIGHTER JETS SHOT DOWN A CHINESE SPY BALLOON 89 00:06:15,875 --> 00:06:20,446 ON SATURDAY, I KNOW THAT THIS IS VERY, VERY SERIOUS, I KNOW IT IS 90 00:06:20,513 --> 00:06:22,982 A SERIOUS SITUATION, BUT YOU HAVE TO ADMIT, THE FACT THAT IT 91 00:06:23,049 --> 00:06:28,488 IS A BALLOON -- [LAUGHTER] 92 00:06:28,554 --> 00:06:31,691 IT DOES MAKE IT FEEL QUITE SILLY, DOESN'T IT? 93 00:06:31,758 --> 00:06:35,328 ON THE BRIGHT SIDE, FROM NOW ON WHEN IT IS YOUR KIDS BIRTHDAY 94 00:06:35,394 --> 00:06:41,334 BALLOON POPS AND THEY ARE UPSET, CAN GO, "IT WAS A CHINESE SPY 95 00:06:41,400 --> 00:06:43,970 BALLOON, TIMMY." THE CHINESE CAN'T SPY ON US 96 00:06:44,036 --> 00:06:47,840 ANYMORE, AND YOU'RE A PATRIOT!" CHINA SAYS THE AMERICAN 97 00:06:47,907 --> 00:06:48,975 GOVERNMENT OVERREACTED. I'M SORRY, BUT IF YOU WANTED 98 00:06:49,041 --> 00:06:50,076 EVERYONE TO SMILE ABOUT THIS, AT LEAST SEND US BALLOONS 99 00:06:50,143 --> 00:06:55,648 IN FUNNY SHAPES. [LAUGHTER] 100 00:06:55,715 --> 00:06:57,550 AND OF COURSE THE GRAMMYS WERE HELD HERE IN LOS ANGELES LAST 101 00:06:57,617 --> 00:07:02,321 NIGHT. DID EVERYBODY WATCH? 102 00:07:02,388 --> 00:07:04,190 [CHEERS AND APPLAUSE] ABSOLUTELY BRILLIANT SHOW. 103 00:07:04,257 --> 00:07:05,558 AS ALWAYS, THINGS KICKED OFF WITH SOME INCREDIBLE LOOKS ON 104 00:07:05,625 --> 00:07:07,460 THE RED CARPET. LIZZO WORE THIS SPECTACULAR 105 00:07:07,527 --> 00:07:14,934 FLORAL CAPE. [CHEERS AND APPLAUSE] 106 00:07:15,001 --> 00:07:18,404 LIZZO RED RIDING HOOD. THIS OUTFIT IS AMAZING. 107 00:07:18,471 --> 00:07:21,707 IT ALSO LOOKS LIKE CAMOUFLAGE YOU'D USE TO SNEAK INTO ELTON 108 00:07:21,774 --> 00:07:25,845 JOHN'S HOUSE. [LAUGHTER] 109 00:07:25,912 --> 00:07:27,079 I HAVE NOTICED. HERE'S WHAT HARRY STYLES WORE ON 110 00:07:27,146 --> 00:07:35,321 THE RED CARPET. LOOK AT THAT! 111 00:07:35,388 --> 00:07:38,124 [CHEERS AND APPLAUSE] ONLY HARRY STYLES CAN LOOK GOOD 112 00:07:38,191 --> 00:07:43,729 IN THAT. IF YOU SAW ME WALKING DOWN THE 113 00:07:43,796 --> 00:07:49,168 ROAD WEARING THIS, YOU'D THINK I JUST FAILED OUT OF CLOWN SCHOOL. 114 00:07:49,235 --> 00:07:53,372 IF YOU LOOK CAREFULLY, YOU'LL SEE HE ONLY EXPOSED HALF OF EACH 115 00:07:53,439 --> 00:07:55,208 NIPPLE. THAT'S HOW YOU CAN TELL IT'S A 116 00:07:55,274 --> 00:07:59,612 FORMAL OCCASION. AND DID YOU SEE SHANIA TWAIN? 117 00:07:59,679 --> 00:08:05,051 HERE SHE IS IN A BLACK-AND-WHITE POLKA DOT SUIT WITH A MATCHING 118 00:08:05,117 --> 00:08:07,153 OVERSIZED HAT. [CHEERS AND APPLAUSE] 119 00:08:07,220 --> 00:08:10,223 I SAW THAT, I WAS LIKE, YEAH, THAT ACTUALLY DOES IMPRESS ME 120 00:08:10,289 --> 00:08:11,190 MUCH. I LOVE IT. 121 00:08:11,257 --> 00:08:15,661 SHE LOOKS LIKE BEETLEJUICE ON MUSHROOMS. 122 00:08:15,728 --> 00:08:22,702 THE BIG LOOK OF THE NIGHT WAS SPARKLY SILVER OUTFITS. 123 00:08:22,768 --> 00:08:24,770 BEYONCE, LIZZO, FIRST LADY JILL BIDEN, AND HARY STYLES. 124 00:08:24,837 --> 00:08:28,774 ALL TAKING THEIR LEAD FROM THE FASHION ICON THAT IS. 125 00:08:28,841 --> 00:08:34,013 CYBERMAN FROM "DOCTOR WHO" ALL THE SILVER WAS SPECIALLY 126 00:08:34,080 --> 00:08:39,485 DESIGNED TO DEFLECT ANY RADARS ON THAT CHINESE BALLOON. 127 00:08:39,552 --> 00:08:41,020 I WAS THERE LAST NIGHT, AND I'LL TELL YOU WHO I WAS JEALOUS OF. 128 00:08:41,087 --> 00:08:45,324 CHRIS MARTIN. HE LOOKED SO COMFORTABLE! 129 00:08:45,391 --> 00:08:56,068 I WAS LIKE -- I SAW HIM, AND I LOOKED AT HIM, 130 00:08:56,135 --> 00:08:59,372 AND I LOOKED IN THE MIRROR, AND I THOUGHT -- 131 00:08:59,438 --> 00:09:03,342 YOU KNOW, YOU LOOK AND YOU GO OH, YEAH, I LOOK PRETTY CHIC. 132 00:09:03,409 --> 00:09:05,244 BUT THEN I GOT THERE AND WAS AROUND PEOPLE WHO ACTUALLY 133 00:09:05,311 --> 00:09:09,949 LOOKED CHIC, AND REALIZED I WAS DRESSED LIKE A GEOGRAPHY 134 00:09:10,016 --> 00:09:14,186 TEACHER. [CHEERS AND APPLAUSE] 135 00:09:14,253 --> 00:09:20,660 SIMMER DOWN! SIMMER DOWN! 136 00:09:20,726 --> 00:09:25,131 SIMMER DOWN! I WILL NOT OPEN THIS ENVELOPE 137 00:09:25,197 --> 00:09:28,634 UNTIL EVERYONE HAS CALMED IT DOWN! 138 00:09:28,701 --> 00:09:33,172 THEN I SAW CHRIS MARTIN, AND HE LOOKS VERY EXCITED TO SPEND THE 139 00:09:33,239 --> 00:09:36,242 QUARTER THAT THE TOOTH FAIRY HAS JUST LEFT HIM. 140 00:09:36,309 --> 00:09:39,412 [LAUGHTER] CHRIS MARTIN LOOKS LIKE HE'S 141 00:09:39,478 --> 00:09:40,613 TRYING TO PRETEND HE'S NOT UPSET THAT I JUST TOLD HIM I DON'T 142 00:09:40,680 --> 00:09:46,552 HAVE A MINUTE TO DISCUSS GREENPEACE. 143 00:09:46,619 --> 00:09:52,825 [LAUGHTER] COULD YOU PULL OFF ANY OF THESE 144 00:09:52,892 --> 00:09:54,493 OUTFITS? IF YOU WERE GOING, WHAT WOULD 145 00:09:54,560 --> 00:09:57,330 YOU WEAR? >> NO, I LOOK LIKE I COACH 146 00:09:57,396 --> 00:10:01,467 MIDDLE SCHOOL FOOTBALL, I CAN'T WEAR COOL OUTFITS, NO, IF I WERE 147 00:10:01,534 --> 00:10:05,972 ANY OF THOSE SILVER ONES I WOULD LOOK LIKE A BAKED POTATO. 148 00:10:06,038 --> 00:10:08,941 CHRIS MARTIN THOUGH, GOD BLESS HIM, YOU KNOW? 149 00:10:09,008 --> 00:10:14,880 >> James: HE LOOKED GREAT. >> Ian: HE IS A ROCK STAR, HE 150 00:10:14,947 --> 00:10:18,584 LOOKS LIKE HE FELL ASLEEP AT STABLE CENTER AND THEN WAS 151 00:10:18,651 --> 00:10:21,587 INTERRUPTED BY THE GRAMMYS. >> James: I LOVE IT, BECAUSE 152 00:10:21,654 --> 00:10:29,128 WHAT HE HAS DONE IS HAS LEANED INTO SUSPENSION, THE BIGGEST 153 00:10:29,195 --> 00:10:33,532 SELLING TOUR, HE IS NOMINATED, HIS LIKE OH, WELL! 154 00:10:33,599 --> 00:10:39,638 I WILL COME, BUT JUST -- I WILL COME, BUT I'M WEARING A 155 00:10:39,705 --> 00:10:42,541 HAT. >> AT SOME POINT, THE MONEY, THE 156 00:10:42,608 --> 00:10:47,480 FAME, THE PEOPLE YOU WANT TO HAVE SEX WITH THROWING 157 00:10:47,546 --> 00:10:52,618 THEMSELVES AT YOU, BUT THE ABILITY TO WEAR WHATEVER THE 158 00:10:52,685 --> 00:10:55,721 HELL YOU WANT STAYS GOOD FOREVER. 159 00:10:55,788 --> 00:10:59,725 XP ON CORRECT, YOU ARE ABSOLUTELY RIGHT. 160 00:10:59,792 --> 00:11:03,496 OF COURSE, BEYONCE WAS ONE OF THE BIG WINNERS. 161 00:11:03,562 --> 00:11:04,697 BUT SHE WAS ACTUALLY STUCK IN TRAFFIC AND MISSED HER FIRST 162 00:11:04,764 --> 00:11:11,404 TELEVISED AWARD OF THE NIGHT. I DON'T CARE HOW MUCH TRAFFIC 163 00:11:11,470 --> 00:11:14,240 THERE WAS, MISSING YOUR GRAMMY WIN IS AN AUTOMATIC ONE-STAR 164 00:11:14,306 --> 00:11:18,611 DEDUCTION FOR AN UBER DRIVER. YOU KNOW, IT IS. 165 00:11:18,677 --> 00:11:23,716 AS SOMEONE WHO LIVES IN LA, I REALLY FELT FOR HER. 166 00:11:23,783 --> 00:11:25,351 TRAFFIC ON THE 405 IS ONE OF THE ONLY THINGS THAT ACTUALLY CAN 167 00:11:25,418 --> 00:11:33,159 BREAK YOUR SOUL. IT WAS A HISTORIC NIGHT FOR 168 00:11:33,225 --> 00:11:34,360 BEYONCE. SHE WON FOUR GRAMMYS, BRINGING 169 00:11:34,427 --> 00:11:36,762 HER TOTAL NUMBER OF WINS TO 32 MAKING HER THE MOST DECORATED 170 00:11:36,829 --> 00:11:47,006 ARTIST IN GRAMMYS HISTORY. [CHEERS AND APPLAUSE] 171 00:11:47,073 --> 00:11:49,742 I THINK THAT'S IT, I THINK THAT THIS IS -- 172 00:11:49,809 --> 00:11:53,946 I THINK THAT PEOPLE ARE GOING TO FINALLY JUST STOPPED LISTENING 173 00:11:54,013 --> 00:11:57,083 TO BEYONCE. BEYONCE SURPASSED GEORG SOLTI, 174 00:11:57,149 --> 00:12:02,054 THE HUNGARIAN-BORN CLASSICAL CONDUCTOR WHO DIED IN 1997. 175 00:12:02,121 --> 00:12:07,193 AND LET ME TELL YOU, THE SOLTI-HIVE WAS FURIOUS. 176 00:12:07,259 --> 00:12:08,994 [LAUGHTER] THERE WERE SOME AMAZING 177 00:12:09,061 --> 00:12:09,962 PERFORMANCES. HERE'S SAM SMITH AND KIM PETRAS 178 00:12:10,029 --> 00:12:16,335 DOING "UNHOLY". ♪ ♪ 179 00:12:16,402 --> 00:12:20,973 ♪ SO WE CAN GET THAT OH, NO, GETTING HOT ♪ 180 00:12:21,040 --> 00:12:25,544 >> James: ♪ DOING SOMETHING ON HOLY ♪ 181 00:12:25,611 --> 00:12:30,015 , I LOVE SAM, BUT NOT EVERYONE WAS OF VAN, SENATOR TED CRUZ HAD 182 00:12:30,082 --> 00:12:40,726 THIS TO SAY ABOUT IT ON TWITTER. "THIS IS EVIL." 183 00:12:40,793 --> 00:12:44,130 [LAUGHTER] I HAVE THOUGHT THIS A LOT, LET'S 184 00:12:44,196 --> 00:12:49,368 JUST REALLY REPLAYED THE STEPS IN TED CRUZ'S MIND. 185 00:12:49,435 --> 00:12:55,674 HE IS LIKE FIRST, LIKE TED CRUZ, HE HAS ON HIS COUCH I IMAGINE 186 00:12:55,741 --> 00:12:58,611 COMING HE SAID, OH, THE GRAMMYS ARE ON. 187 00:12:58,677 --> 00:13:02,515 ARE THEY? YES, CBS, PUT IT ON. 188 00:13:02,581 --> 00:13:09,188 AND HE IS WATCHING THAT AND HE IS GOING, I HAVE TO TWEET. 189 00:13:09,255 --> 00:13:13,626 [LAUGHTER] I HAVE TO TWEET. 190 00:13:13,692 --> 00:13:22,067 I HAVE TO -- I AM SENATOR TED CRUZ, I HAVE TO TWEET ABOUT TH 191 00:13:22,134 --> 00:13:26,338 THIS. >> SHOULDN'T YOU SEND SOME 192 00:13:26,405 --> 00:13:28,574 TWEETS OUT ABOUT THE CHINESE SPY BALLOON MAY BE? 193 00:13:28,641 --> 00:13:31,944 >> James: NO, I HAVE HAD ENOUGH OF THAT. 194 00:13:32,011 --> 00:13:34,914 >> Ian: YOU ARE U.S. SENATOR, MAYBE INFLATION? 195 00:13:34,980 --> 00:13:39,652 >> James: I AM A U.S. SENATOR, I AM SENATOR TED CRUZ. 196 00:13:39,718 --> 00:13:47,660 I HAVE TWITTER ON MY PHONE, I HAVE HAD TWO GLASSES OF WINE. 197 00:13:47,726 --> 00:13:51,797 AND I HAVE SOMETHING TO SAY. >> Ian: SENATOR, THE U.S. 198 00:13:51,864 --> 00:13:53,165 EDUCATION SYSTEM IS FALLING APART. 199 00:13:53,232 --> 00:13:57,536 >> James: BECAUSE OF THIS. [LAUGHTER] 200 00:13:57,603 --> 00:14:01,340 I AM SENATOR TED CRUZ, AND IF I DON'T TWEET ABOUT THIS, PEOPLE 201 00:14:01,407 --> 00:14:11,450 ARE GOING TO SAY "WHERE WERE YOU?" 202 00:14:11,517 --> 00:14:16,822 "WHY DIDN'T YOU STAND UP?" >> IT'S JUST PLASTIC DEVIL HOR 203 00:14:16,889 --> 00:14:19,325 HORNS. >> James: DO YOU MIND? 204 00:14:19,391 --> 00:14:25,965 I AM COMPOSING A VERY, VERY ARTICULATE TWEET. 205 00:14:26,031 --> 00:14:29,535 I'M NOT GOING TO MENTION, I'M NOT GOING TO MENTION THE 206 00:14:29,602 --> 00:14:32,638 GRAMMYS. I'M NOT GOING TO MENTION THAT I 207 00:14:32,705 --> 00:14:35,574 AM WATCHING THE GRAMMYS. I'M JUST GOING TO WRITE THE 208 00:14:35,641 --> 00:14:40,779 WORDS "THIS IS EVIL. >> Ian: SENATOR COMING UP 209 00:14:40,846 --> 00:14:44,850 6 MILLION FOLLOWERS ON TWITTER, YOU DON'T WANT TO QUOTE AND 210 00:14:44,917 --> 00:14:48,687 SPREAD THAT VIDEO AROUND TO ALL 6 MILLION OF YOUR VIDEO 211 00:14:48,754 --> 00:14:51,090 FOLLOWERS? >> James: I WILL TELL YOU, IT 212 00:14:51,156 --> 00:14:54,860 IS EVIL AND PEOPLE NEED TO SEE IT. 213 00:14:54,927 --> 00:15:02,401 [LAUGHTER] YOU KNOW, HE ACTUALLY HAD THE 214 00:15:02,468 --> 00:15:07,773 SAME REACTION TO ABBA LOSING BEST ALBUM. 215 00:15:07,840 --> 00:15:12,177 BIG ABBA FAN. I WOULD LOVE TO WATCH TED CRUZ 216 00:15:12,244 --> 00:15:17,850 DANCE TO ABBA, YOU KNOW WHAT I MEAN? 217 00:15:17,916 --> 00:15:23,889 WHAT A [BLEEP]. [LAUGHTER] 218 00:15:23,956 --> 00:15:30,362 [CHEERS AND APPLAUSE] ADELE HAD A BIG NIGHT. 219 00:15:30,429 --> 00:15:31,563 IN ADDITION TO WINNING A GRAMMY, SHE GOT TO MEET THE ROCK 220 00:15:31,630 --> 00:15:35,200 SOMETHING SHE HAD ALWAYS WANTED TO DO. 221 00:15:35,267 --> 00:15:40,105 >> YOU HAVE SOMEONE CALLED THE ROCK! 222 00:15:40,172 --> 00:15:49,515 [CHEERS AND APPLAUSE] ADELE MEET THE ROCK, ROCK MEAT 223 00:15:49,581 --> 00:15:51,617 ADELE. WE WILL KEEP THE SHOW MOVING. 224 00:15:51,684 --> 00:15:52,918 >> James: THE ROCK WAS DELIGHTED HE HAD SOMEONE NEW HE COULD TALK 225 00:15:52,985 --> 00:15:59,758 TO ABOUT HIS TEQUILA. REMEMBER WHEN CELEBRITIES USED 226 00:15:59,825 --> 00:16:04,496 TO SURPRISE KIDS IN HOSPITALS? NOW THEY'RE JUST SURPRISING EACH 227 00:16:04,563 --> 00:16:10,669 OTHER AT AWARDS CEREMONIES. IS THERE ANYONE IN THE SHOW, 228 00:16:10,736 --> 00:16:14,840 ANYONE THAT WE HAVE DONE IN THE TIME OF THE SHOW THAT YOU HAVE 229 00:16:14,907 --> 00:16:18,177 NOT MET YET, WHO IS A CELEBRITY WOULD LOVE TO MEET? 230 00:16:18,243 --> 00:16:21,480 >> Ian: IT WOULD BE FUN TO MEET DRAKE. 231 00:16:21,547 --> 00:16:28,721 [LAUGHTER] JUST LIKE TWO YOUNG JEWISH 232 00:16:28,787 --> 00:16:34,326 HIP-HOP STARS GETTING THE CHAT IT UP, JUST TALK ABOUT PASSOVER, 233 00:16:34,393 --> 00:16:38,063 GETTING BAR MITZVAHED IN ALL OF THAT. 234 00:16:38,130 --> 00:16:42,868 >> James: WHAT ABOUT YOU, REG? ANYONE YOU WOULD LOVE TO MEET 235 00:16:42,935 --> 00:16:43,602 YOU. >> Reggie: I WILL SAY 236 00:16:43,669 --> 00:16:48,173 BARBRA STREISAND. [APPLAUSE] 237 00:16:48,240 --> 00:16:55,013 >> James: AND OF COURSE, HARRY STYLES WON ALBUM OF THE 238 00:16:55,080 --> 00:16:59,585 YEAR. A VERY EXCITING WIN FOR HARRY. 239 00:16:59,651 --> 00:17:01,120 ALL HE HAS TO DO NOW IS FIGURE OUT HOW TO GET HIS GRAMMY TO 240 00:17:01,186 --> 00:17:07,726 STICK TO HIS CEILING SIDE TABLE. AND THAT'S THE NEWS! 241 00:17:07,793 --> 00:17:11,864 [CHEERS AND APPLAUSE] WE WILL BE RIGHT BACK, 242 00:17:11,930 --> 00:17:13,932 EVERYBODY! >> Announcer: "THE 243 00:17:27,613 --> 00:17:29,615 >> James: WELCOME BACK, LET'S MEET OUR GUESTS TONIGHT! 244 00:17:29,681 --> 00:17:31,049 HE DIRECTED "GUILLERMO DEL TORO'S PINOCCHIO". 245 00:17:31,116 --> 00:17:35,988 GUILLERMO DEL TORO! >> Reggie: IT'S 246 00:17:36,054 --> 00:17:45,264 GUILLERMO DEL TORO BROWN! AND IT UP! 247 00:17:45,330 --> 00:17:46,732 [CHEERS AND APPLAUSE] >> James: HE STARS IN "ANT MAN& 248 00:17:46,799 --> 00:17:51,737 AND THE WASP: QUANTUMANIA" MICHAEL DOUGLAS! 249 00:17:51,804 --> 00:17:57,176 >> Reggie: IT IS MICHAEL DOUGLAS! 250 00:17:57,242 --> 00:18:11,890 [CHEERS AND APPLAUSE] 251 00:18:11,957 --> 00:18:16,428 >> James: BLESS YOU FOR BEING HERE, WHAT A THRILL! 252 00:18:16,495 --> 00:18:24,303 I'VE GOT TO SAY, AS I LOOKED TOWARDS NOW LIKE THE END, US 253 00:18:24,369 --> 00:18:28,073 WRAPPING UP THE SHOW, THESE ARE I PROMISE YOU, I MEAN THIS FROM 254 00:18:28,140 --> 00:18:30,476 THE BOTTOM OF MY HEART, THESE ARE THE MOMENTS I WILL MISS 255 00:18:30,542 --> 00:18:33,946 WHERE I GET TO SIT FOR A BIT OF TIME TALKING TO PEOPLE I HAVE 256 00:18:34,012 --> 00:18:37,049 NOTHING BUT LOVE, RESPECT, AND ADMIRATION FOR HER. 257 00:18:37,115 --> 00:18:39,885 AND I AM SO GRATEFUL YOU ARE HERE NOW. 258 00:18:39,952 --> 00:18:45,057 TELL ME, YOUR PATHS TO MUST HAVE CROSSED, HAVE YOU MET BEFORE? 259 00:18:45,123 --> 00:18:47,659 >> Guillermo: WE HAVE -- >> Michael: WE HAVE PASSED 260 00:18:47,726 --> 00:18:48,994 BEFORE, GUILLERMO CAME TO ME YEARS AGO WITH A WONDERFUL 261 00:18:49,061 --> 00:18:52,464 PROJECT AND I SAID THEN YOU ARE GOING TO DIRECT, RIGHT, AND HE 262 00:18:52,531 --> 00:18:57,102 SAID NO, WELL, GUILLERMO YOU HAVE TO DIRECT IT. 263 00:18:57,169 --> 00:19:00,272 >> Guillermo: YES, THANK YOU. IT IS TO BE TOO BEAUTIFUL, 264 00:19:00,339 --> 00:19:03,842 BEAUTIFUL JOB. IF YOU HAVE NOT SEEN IT, GO SEE 265 00:19:03,909 --> 00:19:05,878 IT. >> James: CAN YOU REMEMBER 266 00:19:05,944 --> 00:19:10,349 WHAT THE PROJECT WAS, GUILLERMO? >> Guillermo: THERE WERE TWO, 267 00:19:10,415 --> 00:19:15,821 ONE WAS A HEIST WITH A THIEF, AND THE OTHER WAS CALLED "RIDING 268 00:19:15,888 --> 00:19:20,759 SHOTGUN" AND A GUY GOING ON ONE LAST RIDE! 269 00:19:20,826 --> 00:19:24,997 OR SOMETHING, SOMETHING. >> James: OKAY, AND WHAT 270 00:19:25,063 --> 00:19:29,701 HAPPENED TO THE PROJECTS? >> Guillermo: I'VE DONE 12 271 00:19:29,768 --> 00:19:32,504 MUSICS, I'VE WRITTEN OR COWRITTEN 33 SCREENPLAYS, SO 272 00:19:32,571 --> 00:19:35,741 THAT MEANS THERE ARE 22 IN THE TOP DRAWER! 273 00:19:35,807 --> 00:19:42,748 AND THEY NEVER HAPPEN, YOU KNOW, I CALL HOLLYWOOD THE LAND OF THE 274 00:19:42,814 --> 00:19:44,449 SLOW KNOW. >> James: WHAT DO YOU MEAN? 275 00:19:44,516 --> 00:19:48,287 >> Guillermo: EVERYONE IN HOLLYWOOD IS A LOUD -- ALLOWED 276 00:19:48,353 --> 00:19:51,690 TO START A PROJECT, BUT THEN IT NEVER HAPPENS. 277 00:19:51,757 --> 00:19:55,294 SO THE NATURAL STATE OF A FILM IS NOT TO HAPPEN. 278 00:19:55,360 --> 00:20:00,766 AND THEN ONLY BY BEING STUBBORN AND CRAZY, LIKE IT TOOK AND I 279 00:20:00,832 --> 00:20:06,238 STARTED TALKING ABOUT IN THE FORMAL VERSION IN 2004. 280 00:20:06,305 --> 00:20:10,042 >> James: STOP. >> Guillermo: AND WE WERE 281 00:20:10,108 --> 00:20:13,378 FULLY REJECTED IN 2009, WHERE EVERYBODY HAD PASSED TWICE BY 282 00:20:13,445 --> 00:20:18,050 THE WAY. >> James: I WANT TO TALK TO 283 00:20:18,116 --> 00:20:24,690 YOU ABOUT THIS, MICHAEL DOUGLAS, THIS PHOTO I SAW YOU, I WANT TO 284 00:20:24,756 --> 00:20:29,027 TALK ABOUT TO THIS HAIR. [LAUGHTER] 285 00:20:29,094 --> 00:20:31,797 NOW, WHAT IS THIS? WE ALL WENT THROUGH SOMETHING 286 00:20:31,863 --> 00:20:34,232 AND LOCKED DOWN, THAT WHAT THIS IS? 287 00:20:34,299 --> 00:20:38,537 WHAT HAPPENED? >> Michael: NO, I'M JUST 288 00:20:38,604 --> 00:20:41,607 FINISHING UP PLAYING BEN FRANKLIN. 289 00:20:41,673 --> 00:20:45,444 IN THE APPLE SERIES BEN FRANKLIN, AND THIS IS IN PARIS, 290 00:20:45,510 --> 00:20:48,814 I WAS ACTUALLY AT A BASKETBALL GAME IN PARIS AND IT WAS GOING 291 00:20:48,880 --> 00:20:52,751 TO BE THE NUMBER ONE, LIKE THE NUMBER ONE NBA DRAFT CHOICE THAT 292 00:20:52,818 --> 00:20:57,089 COMING YEAR. >> James: THIS HAIR? 293 00:20:57,155 --> 00:21:01,059 >> Michael: NO, THIS HAIR, AND OBVIOUSLY I JUST DIED, AND WHAT 294 00:21:01,126 --> 00:21:05,897 YOU'RE SEEING NOW IS MY HEAD NOW, BECAUSE THEY CUT MY HAIR IS 295 00:21:05,964 --> 00:21:07,899 MY REAL COLORS COMING OUT. >> James: WHAT IS THE LONGEST 296 00:21:07,966 --> 00:21:10,469 YOU HAVE EVER GONE WITH YOUR HAIR? 297 00:21:10,535 --> 00:21:12,771 >> Michael: I WAS A HIPPIE. I WAS A HIPPIE BACK IN THE 298 00:21:12,838 --> 00:21:18,744 '60s, SO I WAS BACK DOWN TO HEAR. 299 00:21:18,810 --> 00:21:20,178 [LAUGHTER] IT WAS REALLY LONG. 300 00:21:20,245 --> 00:21:23,048 YOU KNOW, I FOUND OUT, I REALIZED SOMETHING, JACK 301 00:21:23,115 --> 00:21:26,718 NICHOLSON ACCUSED ME OF IT ALONG TIME AGO AGO AND HE SAYS, 302 00:21:26,785 --> 00:21:31,790 ACTUALLY WITH YOUR HAIR -- AND I SAID, WHAT ARE YOU TALKING 303 00:21:31,857 --> 00:21:34,559 ABOUT? I KNOW WALL STREET, AND DID THIS 304 00:21:34,626 --> 00:21:41,433 PICTURE CALLED "FALLING DOWN" "BLACK RAIN" THERE WAS A PERM. 305 00:21:41,500 --> 00:21:44,136 SOMETIMES YOU FIND YOUR CHARACTER IN DIFFERENT WAYS, I 306 00:21:44,202 --> 00:21:46,004 FIND MY CHARACTER THROUGH MY HAIR. 307 00:21:46,071 --> 00:21:49,875 >> James: THROUGH THEIR HAIR, IT'S ALL IN THE HAIR. 308 00:21:49,941 --> 00:21:52,844 >> Michael: HAVE YOU EVER CHANGED YOUR HAIR? 309 00:21:52,911 --> 00:21:58,116 >> James: I HAVE HAD THIS HAIR SINCE I WAS 11. 310 00:21:58,183 --> 00:22:01,520 [LAUGHTER] I HAVE NEVER CHANGED IT. 311 00:22:01,586 --> 00:22:03,422 >> Michael: DO YOU EVER DO A DONALD TRUMP THING? 312 00:22:03,488 --> 00:22:06,992 >> James: NEVER CHANGED IT, BECAUSE WHEN IT IS WORKING, IT 313 00:22:07,059 --> 00:22:13,565 IS WORKING, YOU KNOW? THAT'S THE TRUTH OF IT. 314 00:22:13,632 --> 00:22:19,504 GUILLERMO, HOW LONG HAVE YOU HAD WHAT I LIKE TO CALL THE DEL TO 315 00:22:19,571 --> 00:22:20,706 TORO? >> Guillermo: EVERY SIX MONTHS 316 00:22:20,772 --> 00:22:24,543 I GO TO A PLACE, 25 BUCKS, AND THEY GET ME LOOKING LIKE 317 00:22:24,609 --> 00:22:27,646 MR. PINEAPPLE AND "SLING THE BLADE" AND THEN SIX MONTHS LATER 318 00:22:27,713 --> 00:22:33,151 I HAVE THE LONG HAIR, AND THEN RINSE AND REPEAT. 319 00:22:33,218 --> 00:22:36,154 >> James: RINSE AND REPEAT, YOU HAVE RITUALS COME I WANT TO 320 00:22:36,221 --> 00:22:39,725 TALK ABOUT YOUR SUNDAY RITUAL, CAN YOU EXPLAIN WHAT YOU DO ON A 321 00:22:39,791 --> 00:22:41,793 SUNDAY? >> Guillermo: MOST OF THE TIME 322 00:22:41,860 --> 00:22:47,099 ON SUNDAYS I GET TOGETHER WITH OTHER DIRECTORS, AND WE PAINT 323 00:22:47,165 --> 00:22:53,772 MODEL KITS OF MY HOUSE, AND WE PAINT LIKE MINIATURE SPACEMAN OR 324 00:22:53,839 --> 00:22:56,475 MONSTERS, AND THIS IS WHAT YOU DOING HOLLYWOOD, YOU ARE 325 00:22:56,541 --> 00:23:03,315 SURROUNDED BY MODELS, AND IN THIS CASE IT'S MODEL CARS. 326 00:23:03,381 --> 00:23:06,985 >> James: SO WHO IS THERE? WHO COMES OVER? 327 00:23:07,052 --> 00:23:10,922 >> Guillermo: THE ONE THAT I KNOW WON'T MIND ME SAYING THIS 328 00:23:10,989 --> 00:23:14,192 IS J.J. ABRAMS, BECAUSE WE HAVE BEEN FRIENDS FOR DECADES, AND WE 329 00:23:14,259 --> 00:23:20,766 STARTED WITH THE SAME TEACHER OF MAKEUP EFFECTS, AND I'VE STUDIED 330 00:23:20,832 --> 00:23:27,773 THE MAKEUP EFFECTS FROM THE SAME SENSE -- 331 00:23:27,839 --> 00:23:31,243 WE GET THE MODELS TOGETHER, WE PAINT, WE CHAT. 332 00:23:31,309 --> 00:23:35,313 >> Michael: THEY GET A LITTLE SLIP WITH THE GLUE. 333 00:23:35,380 --> 00:23:37,816 >> Guillermo: ITS CRAZY GLUE. >> James: [LAUGHS] 334 00:23:37,883 --> 00:23:41,219 YOU BOTH HAVE BEEN MAKING MOVIES FOR MANY, MANY YEARS, MICHAEL, 335 00:23:41,286 --> 00:23:44,156 CAN YOU REMEMBER THE FIRST FILM THAT YOU SAW THAT HAD AN IMPACT 336 00:23:44,222 --> 00:23:47,826 ON YOUR LIFE? >> Michael: THE ONE THAT COMES 337 00:23:47,893 --> 00:23:55,700 TO MIND WAS A PICTURE OF MY FATHER CALLED "LUST FOR LIFE," 338 00:23:55,767 --> 00:24:01,373 AND MY BROTHER IS THREE YEARS YOUNGER THAN I, HE WAS ABOUT 339 00:24:01,439 --> 00:24:04,276 SEVEN, AND I WAS TEN, AND IN THIS PICTURE MY FATHER PLAYED 340 00:24:04,342 --> 00:24:07,012 THIS FAMOUS PAINTER WHO WAS RENOWNED AND HAD A NERVOUS 341 00:24:07,078 --> 00:24:11,216 BREAKDOWN AND CUTS HIS EAR OFF. AND IT WAS ONE OF THE GREATEST 342 00:24:11,283 --> 00:24:15,887 PERFORMANCES FOR MY DAD, GOT NOMINATED FOR AN OSCAR, AND I 343 00:24:15,954 --> 00:24:18,557 REMEMBER IT SORT OF LOSS THE FACT THAT IT WAS DAD ON THE 344 00:24:18,623 --> 00:24:22,561 SCREEN AND WE WERE WATCHING IT, AND COMES TO THE SCENE IN THE 345 00:24:22,627 --> 00:24:28,099 EAR AND HE CUTS HIS EAR OFF, AND MY BROTHER JOE -- 346 00:24:28,166 --> 00:24:30,302 [SCREAMING] OH, DAD, AND HE RAN OUT OF THE 347 00:24:30,368 --> 00:24:34,739 THEATER, THAT WAS ONE OF THE THINGS THAT LEFT A BIG 348 00:24:34,806 --> 00:24:39,244 IMPRESSION. IT'S BEYOND WHAT ABOUT YOU, 349 00:24:39,311 --> 00:24:41,546 GUILLERMO? >> Guillermo: I THINK 350 00:24:41,613 --> 00:24:44,816 "PINOCCHIO" AND "FRANKENSTEIN" THEY ARE THE SAME STORY, 351 00:24:44,883 --> 00:24:47,786 SOMEBODY WHO CREATES A CHILD, AND THEN DOES NOT HAVE A 352 00:24:47,853 --> 00:24:51,990 GUIDANCE TO FIGURE OUT THE WORLD, AND I CALLED BETWEEN THE 353 00:24:52,057 --> 00:24:55,627 TWO OF THEM IS MY BIOGRAPHY, MY AUTOBIOGRAPHY, BECAUSE WHEN I 354 00:24:55,694 --> 00:25:04,402 SAW "FRANKENSTEIN" WHEN HE CROSSES THE THRESHOLD, I 355 00:25:04,469 --> 00:25:10,208 WANTED -- IT WAS LIKE A RELIGIOUS MOMENT FOR ME, I SAID, 356 00:25:10,275 --> 00:25:14,312 THAT IS THE MOST BEAUTIFUL SAINTLY SUPERNATURAL IMAGE I 357 00:25:14,379 --> 00:25:18,083 HAVE EVER SEEN. >> James: I MEAN, YOU ARE AN 358 00:25:18,149 --> 00:25:20,018 OSCAR WINNING DIRECTOR, GUILLERMO COME I DON'T KNOW IF 359 00:25:20,085 --> 00:25:22,988 MANY PEOPLE KNOW THIS, BUT YOU WORKED YOUR WAY UP THROUGH THE 360 00:25:23,054 --> 00:25:26,591 ENTIRE FILM INDUSTRY WORKING MANY, MANY JOBS ONSET, WHAT WAS 361 00:25:26,658 --> 00:25:31,029 THE JOB THAT YOU DID OR WHAT DID YOU FIND THE HARDEST IN THE 362 00:25:31,096 --> 00:25:32,998 INDUSTRY? >> Guillermo: THE WEIRDEST WAS 363 00:25:33,064 --> 00:25:37,202 IN THE FIRST PROFESSIONAL WORK I DID, I WAS A TA AND I WOULD DO 364 00:25:37,269 --> 00:25:40,205 EVERYTHING AND GET COFFEE AND DRIVE ACTORS, WHATEVER. 365 00:25:40,272 --> 00:25:43,775 I THINK IT IS IMPORTANT TO DO ALL OF THOSE JOBS BEFORE YOU 366 00:25:43,842 --> 00:25:47,512 DIRECT, BECAUSE YOU LEARN HOW TO DIRECT, BUT THE ONE THING I DID 367 00:25:47,579 --> 00:25:53,184 NOT EXPECT WAS ONE DAY THEY SAID, YOU HAVE TO GO TO THIS 368 00:25:53,251 --> 00:25:56,988 GRAVEYARD, DRIVE A CARETAKER AND DIG A GRAVE, BECAUSE WE ARE 369 00:25:57,055 --> 00:26:01,526 SHOOTING A SCENE SORT OF GORILLA STYLE TOMORROW. 370 00:26:01,593 --> 00:26:06,932 SO THE GUY SAID I'M NOT GOING TO DIG, YOU DIG, SO I ENDED UP 371 00:26:06,998 --> 00:26:09,834 DIGGING 6 FEET DOWN A GRAVE, AND MY MAIN CONCERN WAS THAT IT WAS 372 00:26:09,901 --> 00:26:13,238 NOT REALLY PLANNED, SO I WAS THINKING, WHAT IF I FIND 373 00:26:13,305 --> 00:26:15,173 SOMETHING? [LAUGHTER] 374 00:26:15,240 --> 00:26:21,780 WHAT AM I GOING TO DO? AM I GOING TO HAVE TO DISPOSE OF 375 00:26:21,846 --> 00:26:23,114 MR. OR MRS. WHATEVER. >> James: THAT ALREADY SOUNDS 376 00:26:23,181 --> 00:26:29,220 LIKE IT COULD BE ONE OF YOUR MOVIES, THAT'S THE BEAUTY OF IT. 377 00:26:29,287 --> 00:26:31,623 NOW MICHAEL, LET'S TALK ABOUT "ANT MAN AND THE WASP: 378 00:26:31,690 --> 00:26:32,824 QUANTUMANIA"! [CHEERS AND APPLAUSE] 379 00:26:32,891 --> 00:26:36,227 I THINK IT WILL BE A HUGE SUCCESS, SO FOR ANYONE WHO DOES 380 00:26:36,294 --> 00:26:38,964 NOT KNOW, WHAT'S HAPPENING? >> Michael: I DON'T KNOW, 381 00:26:39,030 --> 00:26:42,934 WE'RE SO SCARED TO TALK ABOUT THIS, BECAUSE MARVEL IS SO 382 00:26:43,001 --> 00:26:45,670 SECRET ABOUT THE INFORMATION, BUT WE ARE IN THE THIRD ONE NOW. 383 00:26:45,737 --> 00:26:54,779 IF YOU REMEMBER, ON THE SECOND ONE MY WIFE PLAYED BY MICHELLE 384 00:26:54,846 --> 00:26:58,249 PFEIFFER, WE RESCUED HER BACK FROM THE QUANTUM REALM, AND NOW 385 00:26:58,316 --> 00:27:01,186 SHE IS BACK WE HAVE HAD A CHANCE TO KIND OF GET TO KNOW EACH 386 00:27:01,252 --> 00:27:05,156 OTHER AFTER BEING MISSING FOR 30 YEARS. 387 00:27:05,223 --> 00:27:10,061 AND SO IT'S A NICE FAMILY SENSE OF GETTING TOGETHER BEFORE AN 388 00:27:10,128 --> 00:27:15,633 INCREDIBLE MISTAKE HAPPENS, AND WE FIND A HOLE GROUP OF US, 389 00:27:15,700 --> 00:27:20,872 PAUL RUDD, THE ANTMAN, ANGELINE, MICHELLE AND I AND A PARTICULAR 390 00:27:20,939 --> 00:27:23,041 UNIQUE ENVIRONMENT. >> James: LET'S TAKE A LOOK AT 391 00:27:23,108 --> 00:27:24,242 "ANT MAN AND THE WASP: QUANTUMANIA" WHICH IS IN 392 00:27:24,309 --> 00:27:32,851 THEATERS FEBRUARY 17TH. >> THERE ARE BEINGS DOWN HERE, 393 00:27:32,917 --> 00:27:38,189 INTELLIGENT BEINGS. I WAS THOUGHT IT WAS PAST THIS, 394 00:27:38,256 --> 00:27:43,528 BUT TO BE HERE IN THIS UNIVERSE, THIS CHANGES EVERYTHING WE KNOW 395 00:27:43,595 --> 00:27:47,699 ABOUT LIFE, EVOLUTION, OUR PLACE IN THE GALAXY, HOLY [BLEEP]. 396 00:27:47,766 --> 00:27:52,737 THAT KIND OF LOOKS LIKE BROC BROCCOLI. 397 00:27:52,804 --> 00:27:55,507 [LAUGHTER] >> James: STICK AROUND! 398 00:27:55,573 --> 00:27:58,576 MORE WITH THESE TWO WHEN WE COME BACK! 399 00:28:09,054 --> 00:28:14,125 >> GOOD MORNING, PAPA! >> WHAT IS THIS? 400 00:28:14,192 --> 00:28:17,595 WHAT KIND OF SORCERY? >> YOU WANTED ME TO LIVE! 401 00:28:17,662 --> 00:28:23,535 YOU ASKED FOR ME TO LIVE! >> WHO ARE YOU? 402 00:28:23,601 --> 00:28:27,138 >> MY NAME IS PINOCCHIO! I'M YOUR SON! 403 00:28:27,205 --> 00:28:30,241 >> YOU ARE NOT MY SON, DON'T COME NEAR ME. 404 00:28:30,308 --> 00:28:45,190 >> THE BOY IS TELLING THE TRUTH, MASTER GEPPETTO! 405 00:28:45,256 --> 00:28:48,660 >> THE BOY IS TELLING THE TRUTH, MASTER GEPPETTO! 406 00:28:48,726 --> 00:28:49,861 [CHEERS AND APPLAUSE] >> James: THAT WAS A CLIP FROM 407 00:28:49,928 --> 00:28:52,330 "GUILLERMO DEL TORO'S PINOCCHIO" STREAMING NOW ON NETFLIX. 408 00:28:52,397 --> 00:28:55,400 CONGRATULATIONS ON THE FILM, IT HAS BEEN OSCAR NOMINATED FOR 409 00:28:55,467 --> 00:28:59,003 BEST ANIMATED FEATURE. I LOVE THIS FILM SO MUCH, I 410 00:28:59,070 --> 00:29:02,574 WATCHED IT WITH MY ELDEST TWO KIDS AND WE HAD AN ABSOLUTE 411 00:29:02,640 --> 00:29:07,112 BLAST. EXPLAIN TO US HOW DOES STOP 412 00:29:07,178 --> 00:29:09,848 MOTION ANIMATION WORKS AND THAT PROCESS. 413 00:29:09,914 --> 00:29:11,850 >> Guillermo: YOU TAKE THE PUPPETS AT -- 414 00:29:11,916 --> 00:29:15,954 >> James: SHOULD I BRING THEM OUT? 415 00:29:16,020 --> 00:29:22,293 GUILLERMO HAS BROUGHT THE REAL PUPPETS FROM THE MOVIE. 416 00:29:22,360 --> 00:29:23,495 HE ACTUALLY JUST -- [CHEERS AND APPLAUSE] 417 00:29:23,561 --> 00:29:27,765 HE ALSO TOLD US DURING THE COMMERCIAL BREAK HOW MUCH THEY 418 00:29:27,832 --> 00:29:30,435 COST, AND IT HAS CHANGED THE WAY I'M LOOKING AT THIS ENTIRE 419 00:29:30,502 --> 00:29:35,540 MOMENT OF THE SHOW. AND HERE HE IS. 420 00:29:35,607 --> 00:29:38,977 THE LITTLE PINOCCHIO. NOW TALK US THROUGH HOW YOU DO 421 00:29:39,043 --> 00:29:42,480 THIS, WHEN YOU ARE DOING WORKING IN THE STOP MOTION? 422 00:29:42,547 --> 00:29:46,417 >> Guillermo: EACH OF THESE PUPPETS, AND THE HEAD OF 423 00:29:46,484 --> 00:29:50,255 GEPPETTO, THERE ARE AN INTRICATE AMOUNT OF MECHANISMS TO CONTROL 424 00:29:50,321 --> 00:29:54,159 THE JAW THROUGH THAT LITTLE HO HOPE, YOU OPEN AND CLOSE WITH AN 425 00:29:54,225 --> 00:29:56,961 ALLEN WRENCH, AND THEN YOU MOVE -- 426 00:29:57,028 --> 00:30:01,933 LET'S SAY I MOVE THE FINGER LIKE THIS, AND A LITTLE BIT LIKE THIS 427 00:30:02,000 --> 00:30:05,336 AND A LITTLE LIKE THIS ONE, I TAKE A PHOTO. 428 00:30:05,403 --> 00:30:10,175 EVERY 24 TIMES I DO IT COMPLETES ONE SECOND OF MOTION. 429 00:30:10,241 --> 00:30:16,814 AND IF YOU DO IT EVERY DAY, A GOOD ANIMATOR GETS 2-3 SECONDS A 430 00:30:16,881 --> 00:30:20,451 WEEK. SOME OF THE SCENES WHEN GEPPETTO 431 00:30:20,518 --> 00:30:24,856 PUTS PINOCCHIO TO BED IN THE BEDROOM, AND HIS SON CARLO, THAT 432 00:30:24,923 --> 00:30:30,195 ANIMATOR DID THOSE TWO SCENES IN OVER TWO YEARS. 433 00:30:30,261 --> 00:30:36,034 IT TOOK HIM TWO YEARS. WHEN YOU TALK AND YOU DO THIS, 434 00:30:36,100 --> 00:30:40,872 IT'S NOT JUST YOUR HAND MOVING. LOOK AT MY HEAD AND MY 435 00:30:40,939 --> 00:30:44,509 SHOULDERS, THERE'S A WHOLE MOVEMENT YOU HAVE TO BREAK DOWN 436 00:30:44,576 --> 00:30:48,580 AND REPRODUCE WITH THIS PUPPETS ONE FRAME AT A TIME. 437 00:30:48,646 --> 00:30:54,085 AND FOR EXAMPLE, WAS SHOT FOR ABOUT 1,000 DAYS, 960 SOMETHING 438 00:30:54,152 --> 00:30:57,255 DAYS. NORMALLY IN A MOVIE YOU TALK 439 00:30:57,322 --> 00:31:09,133 ABOUT FIRST UNIT, SECOND TO 30 PINOCCHIO, GEPPETTO, TWOTS,- 440 00:31:09,200 --> 00:31:12,303 CHURCHES, WE HAVE TO HAVE 60 PEOPLE SHOOTING AT THE SAME TI 441 00:31:12,370 --> 00:31:16,941 TIME. >> James: I WILL BE THE WORST 442 00:31:17,008 --> 00:31:19,410 STOP/MOTION ANIMATOR, BECAUSE I AM INHERENTLY LAZY, SO IF 443 00:31:19,477 --> 00:31:23,181 SOMEBODY KNOCKED ON MY ROOM AND SAID, JAMES, HOW ARE YOU GETTING 444 00:31:23,248 --> 00:31:26,384 ON? I WILL BE LIKE, YEAH, I AM DOING 445 00:31:26,451 --> 00:31:30,188 IT. I JUST DID IT. 446 00:31:30,255 --> 00:31:32,790 >> Michael: THAT'S IT. >> James: I AM TRYING MY BEST, 447 00:31:32,857 --> 00:31:38,930 MAN. IT'S TAKEN ME A WHOLE WEEK. 448 00:31:38,997 --> 00:31:41,666 >> Guillermo: LIKE THIS, INTERNAL MECHANISM. 449 00:31:41,733 --> 00:31:46,104 THAT CONTROLS THE -- THE MOVEMENT. 450 00:31:46,170 --> 00:31:49,107 THIS IS WHAT THEY CALL A SHOULDER ROLL, SO THIS PUPPET 451 00:31:49,173 --> 00:31:54,646 CAN DO THIS MOVEMENT, AND IT IS A VERY INTRICATE LITTLE 452 00:31:54,712 --> 00:31:59,150 MECHANISM THAT IS THERE. >> James: IF YOU TAUGHT THEM 453 00:31:59,217 --> 00:32:03,288 LIKE THE DANCE AND WOULD BE READY IN ABOUT SEVEN YEARS. 454 00:32:03,354 --> 00:32:07,525 THANK YOU SO MUCH FOR BRINGING THOSE, GUILLERMO! 455 00:32:07,592 --> 00:32:10,862 AND CONGRATULATIONS ON THE FILM! IT'S AN ABSOLUTE MASTERPIECE. 456 00:32:10,928 --> 00:32:15,933 MICHAEL, I REALLY WANT TO TALK ABOUT YOUR FATHER THE GREAT KIRK 457 00:32:16,000 --> 00:32:19,837 DOUGLAS WHO PASSED AWAY THREE YEARS AGO AT THE AGE 103, AND 458 00:32:19,904 --> 00:32:24,242 WHAT BETTER WAY THEN TO HONOR HIM, BECAUSE TODAY YOU HAVE 459 00:32:24,309 --> 00:32:27,812 LAUNCHED A WEBSITE IN HIS HONOR. CAN YOU EXPLAIN TO US WHAT IT IS 460 00:32:27,879 --> 00:32:32,150 THAT YOU HAVE LAUNCHED? >> Michael: YES, MY FATHER 461 00:32:32,216 --> 00:32:37,588 MARRIED TO MY STEPMOTHER AND FOR 63 YEARS SHE WAS MY STEPMOTHER, 462 00:32:37,655 --> 00:32:40,725 AND IN WAS ORIGINALLY A PUBLICIST, AND THAT'S HOW THEY 463 00:32:40,792 --> 00:32:47,532 FIRST MET, SO OVER 63 YEARS, SHE COLLECTED EVERYTHING THEY EVER 464 00:32:47,598 --> 00:32:52,770 HAD, EVERY MEMORABILIA, THE SCRIPTS, WRITERS, NOTES, AND PUT 465 00:32:52,837 --> 00:32:55,273 THEM ON THIS HUGE BASEMENT DOWNSTAIRS, AND WE WERE ABLE TO 466 00:32:55,340 --> 00:33:01,546 GET A BRILLIANT ARCHIVIST, AN ISRAELI GUY WHO DID THE DEAD SEA 467 00:33:01,612 --> 00:33:05,717 SCROLLS AND VATICAN PAPERS, AND HE PUT TOGETHER THE MOST 468 00:33:05,783 --> 00:33:11,322 INCREDIBLE ARCHIVE COLLECTION OF DAD'S MOVIES, HIS WORK AND 469 00:33:11,389 --> 00:33:14,559 ALTOGETHER, AND IT DAD PASSED AWAY YESTERDAY WAS HIS 470 00:33:14,625 --> 00:33:17,495 THIRD ANNIVERSARY SINCE HE PASSED AWAY, AND NOW WE ARE 471 00:33:17,562 --> 00:33:22,166 ANNOUNCING THE ARCHIVES WHICH WILL BE FOR FREE, SO ANYBODY 472 00:33:22,233 --> 00:33:33,277 COULD GO TO IT A PHENOMENAL HISTORY OF DAD AND ANNE, HIS 473 00:33:33,344 --> 00:33:34,946 WIFE AND WHAT THEY DID. >> James: I'M SO HAPPY YOU 474 00:33:35,012 --> 00:33:42,387 HAVE DONE THIS, YOU SENT US SOME PHOTOS, WHAT ARE WE LOOKING AT 475 00:33:42,453 --> 00:33:45,590 HERE? >> Michael: THAT HIS DAD, MY 476 00:33:45,656 --> 00:33:51,162 BROTHER JOEL AND I AT "20,000 LEAGUES UNDER THE SEA" WHEN THEY 477 00:33:51,229 --> 00:33:54,866 HAVE THE BIG GIANT SQUID. >> James: AND TO THIS ONE THAT 478 00:33:54,932 --> 00:33:58,102 I ABSOLUTELY LOVE, WHICH IS YOUR FATHER WITH FRANK SINATRA, WHAT 479 00:33:58,169 --> 00:34:01,606 ARE WE COOKING UP? >> Michael: PROBABLY IN 480 00:34:01,672 --> 00:34:05,910 FRANK'S KITCHEN, HE LOVED TO COOK, AND THIS IS HOW WE WOULD 481 00:34:05,977 --> 00:34:08,112 CHARM I STEPMOTHER. HE WAS VERY GOOD AT THAT. 482 00:34:08,179 --> 00:34:12,417 AND THIS IS HOW THEY WOULD SPEND THEIR TIME TOGETHER MAKING PAS 483 00:34:12,483 --> 00:34:13,985 PASTA. >> James: AND THIS PHOTO HERE 484 00:34:14,051 --> 00:34:19,690 I ABSOLUTELY LOVE, WHICH WHEN I FIRST SAW IT, I THOUGHT, I DON'T 485 00:34:19,757 --> 00:34:22,794 REMEMBER YOU MAKING THE WESTERN TOGETHER. 486 00:34:22,860 --> 00:34:26,330 >> Michael: NO, ANNIE LEE BRITTS IS A WONDERFUL 487 00:34:26,397 --> 00:34:30,368 PHOTOGRAPHER TOOK THIS FOR A MAGAZINE ARTICLE, AND WE GOT 488 00:34:30,435 --> 00:34:33,438 DRESSED UP LIKE MAKE PRETEND AND COWBOYS, HE WEARS A LITTLE BIT 489 00:34:33,504 --> 00:34:37,108 BETTER THAN I DO, SINCE I NEVER DID A WESTERN. 490 00:34:37,175 --> 00:34:41,112 >> James: IF YOU WANT TO LEARN MORE, GO TO 491 00:34:41,179 --> 00:34:43,548 DouglasFoundationArchive.org. I AM SO HAPPY YOU HAVE DONE 492 00:34:43,614 --> 00:34:46,784 THAT. IT'S AN ABSOLUTELY WONDERFUL 493 00:34:46,851 --> 00:34:50,354 THING! MICHAEL DOUGLAS, 494 00:34:50,421 --> 00:34:52,490 GUILLERMO DEL TORO, MIKE POSNER AND SALEM ILESE ARE HERE WHEN WE 495 00:34:52,557 --> 00:34:54,559 COME BACK! [CHEERS AND APPLAUSE] 496 00:35:12,143 --> 00:35:13,311 ♪ ♪ >> James: WELCOME BACK! 497 00:35:13,377 --> 00:35:14,712 WE'VE GOT SOME GREAT GUESTS COMING UP ON THE SHOW: ORLANDO 498 00:35:14,779 --> 00:35:18,716 BLOOM, ASHTON KUTCHER, NIALL HORAN, QUINTA BRUNSON, GORDON 499 00:35:18,783 --> 00:35:23,187 RAMSAY, NATASHA LYONNE, ALISON BRIE, DAVE FRANCO, ADAM PALLY 500 00:35:23,254 --> 00:35:25,389 AND CARA DELEVINGE. RIGHT AFTER THIS, MIKE POSNER 501 00:35:25,456 --> 00:35:28,059 AND SALEM ILESE ARE HERE WITH A BRILLIANT PERFORMANCE! 502 00:35:28,125 --> 00:35:30,027 YOU DON'T WANT TO MISS IT! COME ON BACK, EVERYBODY! 503 00:35:30,094 --> 00:35:32,096 [CHEERS AND APPLAUSE] ♪ ♪ 504 00:35:41,072 --> 00:35:42,206 ♪ ♪ >> James: WELCOME BACK. 505 00:35:42,273 --> 00:35:43,541 HERE TO DEBUT THEIR NEW SINGLE "HOWLING AT THE MOON," FOR THE 506 00:35:43,608 --> 00:35:48,713 FIRST TIME ON TELEVISION, PLEASE WELCOME MIKE POSNER AND SALEM 507 00:35:48,779 --> 00:35:50,414 ILESE! [CHEERS AND APPLAUSE] 508 00:35:50,481 --> 00:35:57,989 ♪ ♪ ♪ YOUR PICTURE ♪ 509 00:35:58,055 --> 00:36:07,565 ♪ IN MY JERSEY DOOR ♪ ♪ YOU LOVED ME ♪ 510 00:36:07,632 --> 00:36:13,504 ♪ BUT NOT ANYMORE ♪ ♪ NOW MY FLOWERS WON'T BLOOM ♪ 511 00:36:13,571 --> 00:36:19,110 ♪ AND I BLAME IT ON YOU ♪ ♪ SINCE YOU FOUND SOMEONE NEW ♪ 512 00:36:19,176 --> 00:36:24,415 ♪ I JUST HOWL AT THE MOON ♪ ♪ AND MY HEART GOES ♪ 513 00:36:24,482 --> 00:36:29,287 ♪ BOOM, BOOM, BOOM ♪ ♪ PRETTY DAMN SURE ♪ 514 00:36:29,353 --> 00:36:31,155 ♪ THAT YOU WANT IT THAT WAY ♪ ♪ YOU CUT ME DEEP ♪ 515 00:36:31,222 --> 00:36:36,427 ♪ AND IT'S NOT OKAY ♪ ♪ I WANNA KNOCK ON YOUR DOOR 516 00:36:36,494 --> 00:36:38,429 LIKE ♪ ♪ BOOM, BOOM, BOOM ♪ 517 00:36:38,496 --> 00:36:41,265 ♪ WON'T YOU LET ME IN? ♪ ♪ YOU'RE STILL STUCK ♪ 518 00:36:41,332 --> 00:36:44,368 ♪ UNDERNEATH MY SKIN ♪ ♪ AND I'M A LONE WOLF ♪ 519 00:36:44,435 --> 00:36:48,372 ♪ ON MY OWN AGAIN ♪ ♪ I'M JUST HOWLING AT THE ♪ 520 00:36:48,439 --> 00:36:56,514 ♪ MOON ♪ ♪ AH-OOH ♪ 521 00:36:56,581 --> 00:37:03,521 ♪ AH-OOH ♪ ♪ AH-OOH ♪ 522 00:37:03,588 --> 00:37:10,728 ♪ YOU SAID YOU LOVED ME ♪ ♪ FOREVER MORE ♪ 523 00:37:10,795 --> 00:37:18,235 ♪ AND THEN YOU MOVED ME ♪ ♪ OFF YOUR CHECKERBOARD ♪ 524 00:37:18,302 --> 00:37:23,608 ♪ AND NOW THE PICTURE WE DREW ♪ ♪ IS TORN UP INTO TWO ♪ 525 00:37:23,674 --> 00:37:29,847 ♪ SINCE YOU FOUND SOMEONE NEW ♪ ♪ I JUST HOWL AT THE MOON ♪ 526 00:37:29,914 --> 00:37:31,015 ♪ AND MY HEART GOES ♪ ♪ BOOM, BOOM, BOOM ♪ 527 00:37:31,082 --> 00:37:35,286 ♪ WHEN I HEAR YOUR NAME ♪ ♪ PRETTY DAMN SURE ♪ 528 00:37:35,353 --> 00:37:38,956 ♪ THAT YOU WANT IT THAT WAY ♪ ♪ YOU CUT ME DEEP ♪ 529 00:37:39,023 --> 00:37:43,628 ♪ AND IT'S NOT OKAY ♪ ♪ I WANNA KNOCK ON YOUR DOOR 530 00:37:43,694 --> 00:37:44,962 LIKE ♪ ♪ BOOM, BOOM, BOOM ♪ 531 00:37:45,029 --> 00:37:48,132 ♪ WON'T YOU LET ME IN? ♪ ♪ YOU'RE STILL STUCK ♪ 532 00:37:48,199 --> 00:37:51,535 ♪ UNDERNEATH MY SKIN ♪ ♪ AND I'M A LONE WOLF ♪ 533 00:37:51,602 --> 00:37:56,474 ♪ ON MY OWN AGAIN ♪ ♪ I'M JUST HOWLING AT THE ♪ 534 00:37:56,540 --> 00:38:03,014 ♪ MOON ♪ ♪ AH-OOH ♪ 535 00:38:03,080 --> 00:38:07,418 ♪ AH-OOH ♪ ♪ AH-OOH ♪ 536 00:38:07,485 --> 00:38:16,360 ♪ I'M JUST HOWLING AT THE MOON ♪ 537 00:38:16,427 --> 00:38:18,262 [CHEERS AND APPLAUSE] >> James: LADIES AND 538 00:38:18,329 --> 00:38:22,867 GENTLEMEN, MIKE POSNER! SALEM ILESE, EVERYBODY! 539 00:38:22,933 --> 00:38:26,437 "HOWLING AT THE MOON" IS OUT RIGHT NOW, COME ON BACK, 540 00:38:26,504 --> 00:38:28,506 EVERYBODY! [CHEERS AND APPLAUSE] 541 00:38:47,591 --> 00:38:49,126 ♪ ♪ [LAUGHTER] 542 00:38:49,193 --> 00:38:50,494 >> James: THANKS FOR WATCHING! WE WILL SEE YOU TOMORROW NIGHT! 543 00:38:50,561 --> 00:38:53,564 REGGIE, TAKE US HOME! [CHEERS AND APPLAUSE]