1 00:00:02,402 --> 00:00:05,171 Reggie: ♪ ARE YOU READY TO HAVE SOME FUN ♪ 2 00:00:05,171 --> 00:00:13,480 ♪ FEEL THE LOVE TONIGHT ♪ ♪ DON'T YOU KNOW THIS IS ONCE ♪ 3 00:00:13,480 --> 00:00:18,351 ♪ IT'S A REALLY COOL THING ♪ ♪ IT'S "THE LATE LATE SHOW" ♪ 4 00:00:18,351 --> 00:00:23,656 LADIES AND GENTLEMEN, ALL THE WAY FROM EXACTLY WHERE IT IS 5 00:00:23,656 --> 00:00:27,761 WHEN YOU ARE AWARE OF YOURSELF PERCEIVING THIS. 6 00:00:27,761 --> 00:00:33,199 GIVE IT UP FOR YOUR HOST, THE ONE, THE ONLY... 7 00:00:33,199 --> 00:00:37,570 JAMES CORDEN! [CHEERS AND APPLAUSE] 8 00:00:37,570 --> 00:00:41,107 James: ALL RIGHT! THANK YOU VERY MUCH! 9 00:00:41,107 --> 00:00:45,779 THANK YOU FOR COMING OUT, EVERYBODY! 10 00:00:45,779 --> 00:00:46,679 THANK YOU! [CHEERS AND APPLAUSE] 11 00:00:46,679 --> 00:00:49,983 AND WELCOME TO "THE LATE LATE SHOW"! 12 00:00:49,983 --> 00:00:53,987 I KNOW IT'S LATE, I REALLY APPRECIATE IT! 13 00:00:53,987 --> 00:00:55,722 THANK YOU, EVERYBODY. LET'S TAKE A LOOK AND SEE WHO 14 00:00:55,722 --> 00:01:02,862 OUR GUESTS ARE ON THE SHOW TONIGHT. 15 00:01:02,862 --> 00:01:08,034 HE HAS A EMMY-NOMINATED ACTOR YOU KNOW 16 00:01:08,034 --> 00:01:09,235 FROM "THIS IS US," "GILMORE GIRLS," AND HIS NEW HIT SERIES, 17 00:01:09,235 --> 00:01:12,939 "THE COMPANY YOU KEEP," THE EVER COOL, MILO VENTIMIGLIA! 18 00:01:12,939 --> 00:01:15,241 HOW ARE YOU? Milo: I'M GOOD HOW ARE YOU? 19 00:01:15,241 --> 00:01:18,745 James: I'M VERY GOOD. YOU WRAP YOUR SHOW AT 10:00 LAST 20 00:01:18,745 --> 00:01:21,080 NIGHT? Milo: 10:00 LAST NIGHT. 21 00:01:21,080 --> 00:01:23,316 James: YOU LOOK SO FRESH-FACED. 22 00:01:23,316 --> 00:01:28,288 Milo: I HAVE NOT SLEPT YET. James: THAT WILL DO IT. 23 00:01:28,288 --> 00:01:32,125 WHAT IS THE PLAYING CARD? Milo: A PLATE OF 24 00:01:32,125 --> 00:01:36,763 SLEIGHT-OF-HAND SO EVERY TIME I GO ONE, TWO, THREE. 25 00:01:36,763 --> 00:01:41,000 James: THAT IS VERY GOOD! MILO VENTIMIGLIA, EVERYBODY! 26 00:01:41,000 --> 00:01:42,635 [CHEERS AND APPLAUSE] SHE'S A TALENTED STAR YOU KNOW 27 00:01:42,635 --> 00:01:45,205 FROM "GLASS ONION," "BOY ERASED," AND HER SMASH HIT SHOW 28 00:01:45,205 --> 00:01:48,475 - "OUTER BANKS," THE DAZZLING, - - 29 00:01:48,475 --> 00:01:56,416 YES, WOO, INDEED, MADAME. BECAUSE THE DAZZLING 30 00:01:56,416 --> 00:02:03,957 MADELYN CLINE IS HERE! HEY, MADELYN, HOW ARE YOU? 31 00:02:03,957 --> 00:02:05,792 Madelyn: I'M GREAT. James: FIRST OF ALL, I LOVE 32 00:02:05,792 --> 00:02:10,964 THIS OUTFIT. Madelyn: THANK YOU. 33 00:02:10,964 --> 00:02:14,133 James: DID YOU HEAR, MADELYN, JUST THE MENTION OF 34 00:02:14,133 --> 00:02:17,937 YOUR HIT SHOW, THE NUMBER ONE SHOW ON NETFLIX RIGHT NOW, IT 35 00:02:17,937 --> 00:02:24,377 ELICITED AN AUDIBLE "WOOP" FROM THAT LADY RIGHT THERE. 36 00:02:24,377 --> 00:02:26,446 DON, I DON'T KNOW IF YOU HEARD IT BECAUSE YOU WERE BEHIND THE 37 00:02:26,446 --> 00:02:28,281 DOOR. BUT I WOULD LIKE YOU TO HEAR IT. 38 00:02:28,281 --> 00:02:34,220 MADAME, WOULD YOU JUST-- WOOP! 39 00:02:34,220 --> 00:02:40,326 James: THAT'S WHAT WE HAVE! MADELYN CLINE, EVERYBODY! 40 00:02:40,326 --> 00:02:47,100 AND NOW THIS, THIS IS EXCITING, BECAUSE TONIGHT, TONIGHT WE HAVE 41 00:02:47,100 --> 00:02:49,669 A BRILLIANTLY TALENTED SINGER-SONGWRITER AND GUITARIST. 42 00:02:49,669 --> 00:02:56,109 HE'S HERE TONIGHT, AND EVERY NIGHT TWO, AND TONIGHT HE WILL 43 00:02:56,109 --> 00:03:00,980 PLAY ON THE MAIN STAGE! TIM YOUNG IS PLAYING LATER ON 44 00:03:00,980 --> 00:03:04,751 THE SHOW! 'S BEFORE THANK YOU. 45 00:03:04,751 --> 00:03:07,453 IT'S TO HOW ARE YOU? Tim: I FEEL GREAT, BUT I AM 46 00:03:07,453 --> 00:03:10,256 REALLY NERVOUS. James: YOU HAVE NOTHING TO 47 00:03:10,256 --> 00:03:15,929 BE NERVOUS ABOUT. Tim: AFTER 1,190 SHOWS MY 48 00:03:15,929 --> 00:03:17,797 WIFE HAS FINALLY COME TO THE SHOW. 49 00:03:17,797 --> 00:03:20,099 SHE IS BACKSTAGE AND HAS BEEN SINGING WITH ME. 50 00:03:20,099 --> 00:03:22,769 James: SHE WILL SING WITH YOU LATER? 51 00:03:22,769 --> 00:03:27,774 Tim: YEAH. [AUDIENCE REACTION] 52 00:03:27,774 --> 00:03:33,479 Tim: SHE IS THE BEST. James: WHAT SONG OR YOU'RE 53 00:03:33,479 --> 00:03:35,682 PERFORMING? Tim: IT IS CALLED 54 00:03:35,682 --> 00:03:37,750 "MUSIC DOCTOR." James: YOU KNOW WHAT, YOU 55 00:03:37,750 --> 00:03:39,319 ARE THE MUSIC DOCTOR OF MY HEART. 56 00:03:39,319 --> 00:03:42,388 AND I LOVE YOU. SO YOU'RE PERFORMING TONIGHT. 57 00:03:42,388 --> 00:03:48,194 AND SO HAPPY YOU ARE HERE PERFORMING TONIGHT, TIM YOUNG! 58 00:03:48,194 --> 00:03:50,597 EVERYBODY! ARE YOU READY? 59 00:03:50,597 --> 00:03:54,200 Reggie: YES! James: I'M JAMES CORDEN, 60 00:03:54,200 --> 00:03:55,234 AND THIS IS "THE LATE LATE SHOW"! 61 00:03:55,234 --> 00:03:58,037 ROLL THE TITLES! ♪ "THE LATE LATE SHOW," OH, OH, 62 00:03:58,037 --> 00:04:04,677 "THE LATE LATE SHOW," WOO! ♪ ♪ "THE LATE LATE SHOW," OH, OH, 63 00:04:04,677 --> 00:04:13,753 "THE LATE LATE SHOW" OH-OH! ♪ ♪ IT'S "THE LATE, LATE SHOW" ♪ 64 00:04:13,753 --> 00:04:17,590 James: I AM PUMPED FOR TIM YOUNG'S PERFORMANCE LATER ON THE 65 00:04:17,590 --> 00:04:20,193 SHOW AGAIN! [CHEERS AND APPLAUSE] 66 00:04:20,193 --> 00:04:24,530 WO WOULD YOU WANT TO SEE FROM THE TEAM PERFORMING THE SHOW? 67 00:04:24,530 --> 00:04:31,871 Ian: I WANT TO SEE CRUB. TWO OF OUR WRITERS PERFORMED A 68 00:04:31,871 --> 00:04:36,743 BAND, TOM CARINI-- THEY HAVE A BAND WITH THE 69 00:04:36,743 --> 00:04:39,879 HUSBAND OF ONE OF OUR OTHER WRITERS, AND THEN A FOURTH GUY I 70 00:04:39,879 --> 00:04:43,883 THINK, AND THEY ARE A BAND THAT REALLY PLAY SONGS THEY HAVE LIKE 71 00:04:43,883 --> 00:04:46,686 AN EP, AND I WANT TO SEE THEM PERFORM ON THE SHOW. 72 00:04:46,686 --> 00:04:50,957 James: WE TRIED TO LOOK INTO THIS? 73 00:04:50,957 --> 00:04:53,359 I THINK THEY ALREADY BOOKED "CAMEL." 74 00:04:53,359 --> 00:04:55,228 YES, THEY WERE ALREADY DOING ANOTHER SHOW 75 00:04:59,632 --> 00:05:02,602 YES, WE ARE GOOD TO GO, SAY THE WORD. 76 00:05:02,602 --> 00:05:07,006 GUESTS, GREAT. WE WILL REMOVE ALL OF THE 77 00:05:07,006 --> 00:05:09,609 SWEAR WORDS. James: IN CASE YOU HAD NOT 78 00:05:09,609 --> 00:05:13,446 FIGURED IT OUT, THIS IS TOM AND NATE, THEY ARE THE OUNDING 79 00:05:13,446 --> 00:05:18,851 MEMBERS OF CRUB. AS LONG AS WE CAN GET THE 80 00:05:18,851 --> 00:05:21,154 TIME OFF WORK, WE SHOULD BE ABLE TO MAKE IT. 81 00:05:21,154 --> 00:05:24,791 James: WHEN YOU PERFORM, WILL YOU DO IT SERIOUSLY, LIKE 82 00:05:24,791 --> 00:05:30,363 IT IS NOT A COMEDY PERFORMANCE. NO, THIS IS A SERIOUS BAND. 83 00:05:30,363 --> 00:05:32,932 WE ARE SERIOUS GUYS. James: WHEN DO YOU WANT TO 84 00:05:32,932 --> 00:05:34,434 PLAY? THIS IS THE ISSUE, THEY WERE 85 00:05:34,434 --> 00:05:39,672 READY TO PUT IN THE MONOLOGUE THEN NEXT SHOULD BE CLEAN, AND 86 00:05:39,672 --> 00:05:42,875 THAT MEANS THERE IS SOME MOVEMENT UPSTAIRS, THEY WANT TO 87 00:05:42,875 --> 00:05:45,478 CUT THIS OUT OF THE SHOW. HERE IS WHAT YOU NEED TO DO, 88 00:05:45,478 --> 00:05:48,781 YOU NEED TO TAKE YOUR COAT OFF RIGHT NOW SO THEY CAN'T EDIT 89 00:05:48,781 --> 00:05:52,018 THIS OUT. IF YOU REMOVE YOUR JACKET, THERE 90 00:05:52,018 --> 00:05:55,321 WILL BE A CONTINUITY ISSUE. James: I CAN GO ONE BETTER 91 00:05:55,321 --> 00:06:05,031 THAN THAT. [CHEERS AND APPLAUSE] 92 00:06:05,031 --> 00:06:09,502 ALL RIGHT, WELL DONE. Reggie: THAT'S GOOD! 93 00:06:09,502 --> 00:06:18,311 YES. [CHEERS AND APPLAUSE] 94 00:06:18,311 --> 00:06:22,148 James: IT IS, WAIT. THERE'S SOMETHING ELSE. 95 00:06:22,148 --> 00:06:24,751 FORGET CRUBB FOR A MINUTE. DON'T EVER DO THAT. 96 00:06:24,751 --> 00:06:29,722 James: FORGET CRUBB, WHEN DID FREDDIE MERCURY ARRIVE AT 97 00:06:29,722 --> 00:06:43,002 THIS SHOW? [CHEERS AND APPLAUSE] 98 00:06:43,002 --> 00:06:53,045 DEA-OH. ♪ ♪ 99 00:06:53,045 --> 00:06:57,083 ♪ DAYLIGHT, AND WE WANT TO GO HOME ♪ 100 00:06:57,083 --> 00:07:00,186 James: OKAY, WILL FIGURE IT OUT. 101 00:07:00,186 --> 00:07:13,132 IT IS THAT TIME, IT IS TIME FOR "NEWS" THE LATEST PROJECT HAS 102 00:07:13,132 --> 00:07:16,903 LEAKED OUT, BUILDING HIS OWN CITY IN AUSTIN, TEXAS, MOSTLY 103 00:07:16,903 --> 00:07:19,739 FOR EMPLOYEES AT HIS NEARBY FACTORIES. 104 00:07:19,739 --> 00:07:21,240 IN CASE PART OF YOU'S THINKS "OH MAYBE THAT COULD BE A GOOD 105 00:07:21,240 --> 00:07:26,946 IDEA," KANYE WEST IS ALSO AN INVESTOR. 106 00:07:26,946 --> 00:07:31,651 [LAUGHTER] DON'T WORRY, CITIZENS WILL BE 107 00:07:31,651 --> 00:07:37,723 PERFECTLY SAFE, UNLESS SAME POLICE HAPPEN TO HEAR YOU MAKE 108 00:07:37,723 --> 00:07:39,759 ANY JOKE AT THE EXPENSE OF ELON MUSK, AND THEN HE WILL BE 109 00:07:39,759 --> 00:07:41,460 IN PRISON. IAN, IF YOU WERE TO BUILD A CITY 110 00:07:41,460 --> 00:07:46,065 FROM SCRATCH, WHAT WOULD IT BE LIKE? 111 00:07:46,065 --> 00:07:48,734 Ian: I THINK IT WOULD BE LIKE THE INSIDE OF THE AIRPORT, 112 00:07:48,734 --> 00:07:57,143 THE INSIDE OF THE AIRPORT CITY, AND YOU COULD BUY A SANDWICH. 113 00:07:57,143 --> 00:07:59,512 James: I AM OFTEN MY HAPPIEST AT AN AIRPORT. 114 00:07:59,512 --> 00:08:04,917 I LOVE IT, I'M GOING SOMEWHERE. I HAVE A SCARF ON, I HAVE A 115 00:08:04,917 --> 00:08:07,720 COFFEE. I HAVE A BAG AND MOOCH AROUND. 116 00:08:07,720 --> 00:08:12,091 I FEEL FOR SOME REASON IN AN AIRPORT I JUST HAVE UNLIMITED 117 00:08:12,091 --> 00:08:15,962 FUNDS, MONEY IS NO OBJECT. SHOULD I BUY? 118 00:08:15,962 --> 00:08:17,897 [BLEEP] IT. I AM ON A HOLIDAY. 119 00:08:17,897 --> 00:08:21,901 YOU WALK OUT OF ARRIVALS, IF YOU LIKE EVERYBODY WAITING FOR THEIR 120 00:08:21,901 --> 00:08:24,170 FAMILY IS PAPARAZZI. DO YOU EVER DO THAT? 121 00:08:24,170 --> 00:08:28,441 WHEN THEY ARE LIKE THAT. OH, GOD, I WISH YOU COULD JUST 122 00:08:28,441 --> 00:08:34,914 LEAVE ME THE [BLEEP] ALONE. [LAUGHTER] 123 00:08:34,914 --> 00:08:39,752 IN OTHER NEWS, THE WWE IS IN TALKS TO LEGALIZE BETTING ON 124 00:08:39,752 --> 00:08:42,188 HIGH-PROFILE WRESTLING MATCHES DESPITE THE FACT THAT THE 125 00:08:42,188 --> 00:08:45,524 OUTCOMES ARE SCRIPTED. I CAN SEE IT NOW. 126 00:08:45,524 --> 00:08:47,627 "OH REALLY, IF WRESTLING IS FAKE, THEN WHY DID THE BANK JUST 127 00:08:47,627 --> 00:08:54,500 TAKE AWAY MY HOUSE?" [LAUGHTER] 128 00:08:54,500 --> 00:08:58,471 HOW WE ARE TO BE PLACING A BET ON WHAT A BUNCH OF WRITERS CAME 129 00:08:58,471 --> 00:09:04,543 UP WITH SOMEWHERE. THAT WOULD BE LIKE, PUT $100 ON 130 00:09:04,543 --> 00:09:05,778 THE WRITERS OF "THE LATE LATE SHOW" SHOWING A PICTURE OF 131 00:09:05,778 --> 00:09:15,488 SOMETHING THAT SOMEHOW REVEALS BACK RESEMBLES A PENIS. 132 00:09:15,488 --> 00:09:22,161 AND FINALLY, A VEGAN MAN IN MAINE WHO LOVES TOFU, OKAY, IS 133 00:09:22,161 --> 00:09:25,498 APPEALING TO KEEP HIS CUSTOM LICENSE PLATE AFTER THE STATE 134 00:09:25,498 --> 00:09:31,170 GOVERNMENT RECALLED IT FOR BEING "INAPPROPRIATE." 135 00:09:31,170 --> 00:09:37,543 SEE IF YOU CAN TELL WHY. [LAUGHTER] 136 00:09:37,543 --> 00:09:38,778 IT WAS CLEARLY A MISUNDERSTANDING. 137 00:09:38,778 --> 00:09:41,314 THE MAN JUST LOVES THE WARM, TENDER TEXTURE AND HOW SATISFIED 138 00:09:41,314 --> 00:09:45,184 IT MAKES HIM FEEL AFTERWARDS. [LAUGHTER] 139 00:09:45,184 --> 00:09:53,693 ALSO HE LOVES TOFU. I HAD A SIMILAR SITUATION 140 00:09:53,693 --> 00:09:57,363 HAPPENED TO ME. IT'S TRUE, I LOVE GOING TO 141 00:09:57,363 --> 00:09:58,698 RESTAURANTS. IT'S MY FAVORITE THING TO DO. 142 00:09:58,698 --> 00:10:03,502 I LOVE GOING OUT TO RESTAURANTS, BUT WHEN I MOVED HERE, FOR SOME 143 00:10:03,502 --> 00:10:07,206 REASON THE STATE OF CALIFORNIA, THEY SAW IT COMPLETELY DIFFERENT 144 00:10:07,206 --> 00:10:15,648 WAY WHEN THEY REJECTED THIS VANITY PLATE. 145 00:10:15,648 --> 00:10:21,587 AND THAT'S "THE NEWS!" WE WILL BE RIGHT BACK. 146 00:10:28,327 --> 00:10:31,263 ♪ ♪ [CHEERS AND APPLAUSE] 147 00:10:31,263 --> 00:10:35,401 James: WELCOME BACK. NOW, A LOT HAPPENS ON OUR SHOW, 148 00:10:35,401 --> 00:10:38,771 AND IT CAN BE HARD TO KEEP UP. MAYBE YOU LOOK DOWN TO CHECK 149 00:10:38,771 --> 00:10:41,207 YOUR PHONE, YOU LEAN OVER TO SCRATCH AN ITCH, WHATEVER IT IS, 150 00:10:41,207 --> 00:10:44,243 WE WANT TO MAKE SURE PEOPLE DON'T MISS ANYTHING. 151 00:10:44,243 --> 00:10:46,946 THAT'S WHY IT'S TIME TO PLAY A LITTLE GAME WE CALL, "WERE YOU 152 00:10:46,946 --> 00:10:53,552 PAYING ATTENTION?" [CHEERS AND APPLAUSE] 153 00:10:53,552 --> 00:10:55,821 ♪ ♪ Reggie: ♪ WERE YOU PAYING 154 00:10:55,821 --> 00:10:56,989 ATTENTION ♪ James: IT'S PRETTY SIMPLE. 155 00:10:56,989 --> 00:10:58,991 I'M GONNA QUIZ MEMBERS OF OUR STUDIO AUDIENCE ABOUT THINGS 156 00:10:58,991 --> 00:11:04,263 THAT HAVE HAPPENED SO FAR IN THIS SHOW. 157 00:11:04,263 --> 00:11:06,265 IF THEY ANSWER RIGHT, THEY GET A PRIZE. 158 00:11:06,265 --> 00:11:09,201 IF THEY ANSWER WRONG, THEY HAVE TO FORFEIT THEIR SEAT TO ONE OF 159 00:11:09,201 --> 00:11:19,645 THE MORE DESERVING AUDIENCE MEMBERS, WAITING JUST OUTSIDE IN 160 00:11:19,645 --> 00:11:20,913 OUR "LATE LATE SHOW" BULLPEN. THESE ARE PEOPLE WHO CAME ALL 161 00:11:20,913 --> 00:11:22,148 THE WAY TO OUR STUDIO FOR THE TAPING, BUT UNFORTUNATELY GOT TO 162 00:11:22,148 --> 00:11:25,584 THE LINE TOO LATE, AND WERE TURNED AWAY. 163 00:11:25,584 --> 00:11:29,221 MAYBE THEY WILL GET TO SEE TODAY'S SHOW AFTER ALL. 164 00:11:29,221 --> 00:11:37,530 WE'LL FIND OUT SOON ENOUGH. NOW WHO HERE WOULD LIKE TO PLAY? 165 00:11:37,530 --> 00:11:38,998 OH, BLESS YOU! STAND UP! 166 00:11:38,998 --> 00:11:42,701 HOW ARE YOU, WHAT'S YOUR NAME, WHERE YOU FROM? 167 00:11:42,701 --> 00:11:46,138 I'M ABBY FROM NASHVILLE, TENNESSEE. 168 00:11:46,138 --> 00:11:49,675 James: NOW ABBY, YOU HAVE A PRIME SEAT, ARGUABLY MAY BE THE 169 00:11:49,675 --> 00:11:52,711 BEST SEAT IN THE HOUSE. WHAT BROUGHT YOU FROM NASHVILLE 170 00:11:52,711 --> 00:11:56,916 TO LOS ANGELES? I AM A SCREENWRITER. 171 00:11:56,916 --> 00:12:00,953 James: WHAT SORT OF STUFF ARE YOU-- WHAT ARE YOU RIDING 172 00:12:00,953 --> 00:12:05,558 RIGHT NOW? I AM RIDING A TRILOGY, DRAMA, 173 00:12:05,558 --> 00:12:07,760 THRILLER, DYSTOPIAN. James: ALREADY COMMITTED TO 174 00:12:07,760 --> 00:12:08,694 THE TRILOGY. I LOVE THIS. 175 00:12:08,694 --> 00:12:09,662 I AM WRITING THIS SECOND FILM RIGHT NOW. 176 00:12:09,662 --> 00:12:10,763 James: STOP, LOOK AT YOU! THAT IS AMAZING. 177 00:12:10,763 --> 00:12:15,201 WE ARE HONORED. WE ARE HONORED THAT YOU ARE HERE 178 00:12:15,201 --> 00:12:17,603 AT THE SHOW. SO AS A WRITER AND SOMEONE THAT 179 00:12:17,603 --> 00:12:22,675 TELLS STORIES, LISTENS, HAS AN OPEN MIND, I CANNOT EVEN BEGIN 180 00:12:22,675 --> 00:12:25,744 TO THINK YOU WOULD HAVE MISSED ANYTHING DURING TONIGHT'S SHOW. 181 00:12:25,744 --> 00:12:28,881 DO YOU FEEL LIKE YOU HAVE BEEN PAYING ATTENTION? 182 00:12:28,881 --> 00:12:31,317 100%. James: LET'S FIND OUT. 183 00:12:31,317 --> 00:12:36,822 HERE IS YOUR QUESTION DURING THE GUEST CHECK IN WITH 184 00:12:36,822 --> 00:12:42,261 MILO VENTIMIGLIA, HE PERFORMED A CARD TRICK, WHAT CARD WAS HE 185 00:12:42,261 --> 00:12:46,098 HOLDING? IT WAS RED. 186 00:12:46,098 --> 00:12:51,937 I'M GOING TO GO 7 OF DIAMONDS. James: WE HAVE GONE WITH 187 00:12:51,937 --> 00:12:56,442 THE SEVEN OF DIAMONDS. LET'S HAVE A LOOK AND FIND OUT. 188 00:12:56,442 --> 00:13:03,983 THROW, TWO, THREE-- James: OH, MY GOD. 189 00:13:03,983 --> 00:13:07,887 IT IS THE JACK OF SPADES. CLEARLY YOU WEREN'T PAYING 190 00:13:07,887 --> 00:13:11,290 ATTENTION AT ALL! FROM THIS POINT ON, ALL THE 191 00:13:11,290 --> 00:13:15,761 TENSION WILL BE PLACED ON YOU. BECAUSE TO BID US FAREWELL, I'M 192 00:13:15,761 --> 00:13:24,603 GOING TO ASK YOU TO SING IN 1975 HIT SONG "ALL BY MYSELF" ON YOUR 193 00:13:24,603 --> 00:13:26,739 WAY OUT. CASEY, LIGHTS. 194 00:13:26,739 --> 00:13:27,806 NOW, MUSIC. NOW, SING! 195 00:13:27,806 --> 00:13:34,947 SING AND LEAVE! ♪ ALL BY MYSELF ♪ 196 00:13:34,947 --> 00:13:40,786 ♪ DON'T HAVE TO BE ALL BY MYSELF ♪ 197 00:13:40,786 --> 00:13:50,062 ♪ ANYMORE ♪ ♪ ALL BY MYSELF ♪ 198 00:13:50,062 --> 00:13:51,297 James: PHEW. WELL, I KNOW WHAT WILL BRING THE 199 00:13:51,297 --> 00:13:56,101 MOOD BACK UP. LET'S BRING IN A STAND-BY! 200 00:13:56,101 --> 00:14:03,742 [CHEERS AND APPLAUSE] WELCOME TO THE SHOW! 201 00:14:03,742 --> 00:14:06,278 HAVE A SEAT! OKAY, WHO WOULD LIKE TO PLAY 202 00:14:06,278 --> 00:14:10,783 NEXT? WOULD ANYBODY ELSE LIKE TO PLAY? 203 00:14:10,783 --> 00:14:14,353 THERE IS A LADY OVER THERE. COME ON! 204 00:14:14,353 --> 00:14:19,825 LET'S GO! [CHEERS AND APPLAUSE] 205 00:14:19,825 --> 00:14:23,495 COME THIS WAY. NOW ALSO, SOMEBODY GIVING UP A 206 00:14:23,495 --> 00:14:26,065 PRIME SEAT. YOU HAVE A TABLE, YOU HAVE 207 00:14:26,065 --> 00:14:30,002 LIQUOR IF YOU NEED IT. WHAT'S YOUR NAME, WHERE YOU'RE 208 00:14:30,002 --> 00:14:32,504 FROM? AND JODY FROM BOSTON, 209 00:14:32,504 --> 00:14:36,041 MASSACHUSETTS. James: WHAT BRINGS YOU TO 210 00:14:36,041 --> 00:14:38,110 THE "THE LATE LATE SHOW"? I'M HERE FOR SCHOOL. 211 00:14:38,110 --> 00:14:40,079 James: WHAT ARE YOU STUDYING? 212 00:14:40,079 --> 00:14:43,849 FILM PRODUCTION. James: YOU ARE STUDYING 213 00:14:43,849 --> 00:14:46,385 FILM PRODUCTION, HE IS CLEARLY A DRUG DEALER! 214 00:14:46,385 --> 00:14:51,991 [APPLAUSE] WE HAVE THE ENTIRE AUDIENCE, WE 215 00:14:51,991 --> 00:14:54,960 HAVE THE ENTIRE AUDIENCE, WE HAVE SCREENWRITERS, FILM 216 00:14:54,960 --> 00:15:00,199 PRODUCERS, DRUG DEALERS. WE DON'T PLAY TO A FULL CROWD. 217 00:15:00,199 --> 00:15:03,869 NOW DO YOU THINK YOU HAVE BEEN PAYING ATTENTION DURING THE 218 00:15:03,869 --> 00:15:06,005 SHOW? I REALLY HOPE SO. 219 00:15:06,005 --> 00:15:08,107 James: WE ARE GOING TO FIND OUT. 220 00:15:08,107 --> 00:15:10,909 FOR THIS QUESTION WE WILL GIVE YOU THE SET UP TO A JOKE FROM 221 00:15:10,909 --> 00:15:13,112 OUR MONOLOGUE. AND I WANT YOU TO TELL ME WHAT 222 00:15:13,112 --> 00:15:18,384 THE PUNCHLINE WAS. THIS WAS A JOKE I TOLD HERE IN 223 00:15:18,384 --> 00:15:22,655 THE STUDIO, NOT MORE THAN TEN MINUTES AGO. 224 00:15:22,655 --> 00:15:27,293 HERE IS THE SET-UP: THE WWE IS IN TALKS WITH STATE GAMBLING 225 00:15:27,293 --> 00:15:31,030 REGULATORS TO LEGALIZE BETTING ON HIGH PROFILE WRESTLING 226 00:15:31,030 --> 00:15:35,200 MATCHES, DESPITE THE FACT THAT THE OUTCOMES ARE SCRIPTED. 227 00:15:35,200 --> 00:15:45,644 I CAN SEE IT NOW. "OH REALLY, IF WRESTLING IS 228 00:15:45,644 --> 00:15:50,482 - FAKE, THEN... - - 229 00:15:50,482 --> 00:15:52,785 WHY DON'T I JUST LOSE MY HOUSE? 230 00:15:52,785 --> 00:15:58,157 James: YOU ARE GOING WITH, WHY DID I JUST LOSE MY HOUSE? 231 00:15:58,157 --> 00:16:04,830 WELL IF WRESTLING IS FAKE, WHY DID THE BANK JUST TAKE AWAY MY 232 00:16:04,830 --> 00:16:12,104 HOUSE? WE ARE GOING TO GIVE IT TO YOU! 233 00:16:12,104 --> 00:16:16,475 NOW YOU HAVE ONE YOURSELF A GIFT CARD SO THAT YOU CAN STAY 234 00:16:16,475 --> 00:16:18,444 AWAKE AND PAY ATTENTION AT ALL TIMES. 235 00:16:18,444 --> 00:16:21,146 THANK YOU FOR PLAYING, HAVE A SEAT. 236 00:16:21,146 --> 00:16:24,683 WHO ELSE WOULD LIKE TO PLAY? YOU WOULD LIKE TO PLAY? 237 00:16:24,683 --> 00:16:28,754 OKAY, OKAY. HOW ARE YOU DOING? 238 00:16:28,754 --> 00:16:32,024 I'M GREAT. James: WHAT'S YOUR NAME AND 239 00:16:32,024 --> 00:16:34,893 WHERE YOU FROM? MARCY FROM REDONDO BEACH. 240 00:16:34,893 --> 00:16:37,162 James: MARCY, TALK TO ME ABOUT YOUR LIFE, WHAT DO YOU DO, 241 00:16:37,162 --> 00:16:40,065 WHAT ARE YOU UP TO AT THE MOMENT? 242 00:16:40,065 --> 00:16:42,501 VISITING WITH HER TO COME TO YOUR SHOW. 243 00:16:42,501 --> 00:16:45,671 James: VISITING WITH HER. WHO IS HER? 244 00:16:45,671 --> 00:16:47,373 LINDO. IT'S BEEN. 245 00:16:47,373 --> 00:16:51,677 James: HELLO, LINDA, ARE YOU FROM RON DANO BEACH? 246 00:16:51,677 --> 00:16:56,014 MANHATTAN BEACH. James: TWO PLACES I HAVE NO 247 00:16:56,014 --> 00:16:58,117 IDEA. MERCY, AT THE BEGINNING OF THIS 248 00:16:58,117 --> 00:16:59,718 GAME COMING HERE IS YOUR QUESTION. 249 00:16:59,718 --> 00:17:03,522 AT THE BEGINNING OF THIS GAME I ASKED THE FIRST CONTESTANT WHICH 250 00:17:03,522 --> 00:17:08,894 CARD WAS IN MILO VENTIMIGLIA'S HAND. 251 00:17:08,894 --> 00:17:16,235 WHAT WAS THAT CONTESTANT'S NAME AND WHERE WERE THEY FROM? 252 00:17:16,235 --> 00:17:20,005 OH, THAT'S NOT FAIR. James: WHAT DO YOU MEAN 253 00:17:20,005 --> 00:17:22,307 IT'S NOT FAIR? WE HAVE NOT EVEN HAD AN AD 254 00:17:22,307 --> 00:17:28,580 BREAK, MARCY. SHE WAS FROM NASHVILLE. 255 00:17:28,580 --> 00:17:31,550 SHE WAS A SCREENWRITER. James: YES. 256 00:17:31,550 --> 00:17:38,223 WHAT WAS HER NAME? DOLLY PARTON. 257 00:17:38,223 --> 00:17:40,626 James: WE ARE GOING WITH DOLLY PARTON. 258 00:17:40,626 --> 00:17:44,229 LET'S SEE IF THAT'S RIGHT. WHAT'S YOUR NAME, WHERE YOU 259 00:17:44,229 --> 00:17:48,000 FROM? I AM ABBY, I AM FROM 260 00:17:48,000 --> 00:17:49,635 NASHVILLE, TENNESSEE. James: HER NAME WAS ABBY, 261 00:17:49,635 --> 00:17:52,671 YOU GOT IT RIGHT SHE WAS FROM NASHVILLE, AND YOU GUESSED IT, 262 00:17:52,671 --> 00:17:54,640 MARCY. ALL OF THE ATTENTION WILL BE 263 00:17:54,640 --> 00:17:58,043 PLACED ON YOU, HOPEFULLY YOU WERE PAYING ATTENTION TO ABBY, 264 00:17:58,043 --> 00:18:04,716 BECAUSE SHE LEFT THE EXACT SAME WAY THAT YOU ARE LEAVING GOOD 265 00:18:04,716 --> 00:18:05,884 OKAY. CASEY, LIGHTS. 266 00:18:05,884 --> 00:18:11,423 NOW, MUSIC. GOODBYE, MARCY! 267 00:18:11,423 --> 00:18:22,134 ♪ ALL BY MYSELF ♪ ♪ DON'T HAVE TO BE ALL BY MYSELF 268 00:18:22,134 --> 00:18:26,805 ANYMORE ♪ ♪ ALL BY MYSELF ♪ 269 00:18:26,805 --> 00:18:31,977 ♪ DON'T HAVE TO BE ALL BY MYSELF ♪ 270 00:18:31,977 --> 00:18:33,545 James: THAT WAS "ARE YOU PAYING ATTENTION" LET'S BRING IN 271 00:18:33,545 --> 00:18:36,148 THE STANDBY AND WE WILL BE BACK WITH MORE OF "THE LATE LATE 272 00:18:36,148 --> 00:18:39,485 SHOW," EVERYBODY! 273 00:18:41,086 --> 00:18:43,322 ♪ ♪ 274 00:18:45,090 --> 00:18:50,562 ♪ ♪ 275 00:19:06,178 --> 00:19:08,347 James: WELCOME BACK! LET'S MEET OUR GUEST TONIGHT! 276 00:19:08,347 --> 00:19:16,722 SHE STARS IN "OUTER BANKS," PLEASE WELCOME MADELYN CLINE! 277 00:19:16,722 --> 00:19:18,357 [CHEERS AND APPLAUSE] ♪ ♪ 278 00:19:18,357 --> 00:19:21,760 HOW ARE YOU? Madelyn: I'M GOOD, HOW ARE 279 00:19:21,760 --> 00:19:22,828 YOU? James: HE'S THE STAR AND 280 00:19:22,828 --> 00:19:24,429 EXECUTIVE PRODUCER OF "THE COMPANY YOU KEEP," MILO 281 00:19:24,429 --> 00:19:34,172 VENTIMIGLIA! ♪ IT'S MILO VENTIMIGLIA ♪ 282 00:19:34,172 --> 00:19:42,281 [CHEERS AND APPLAUSE] ♪ ♪ 283 00:19:44,616 --> 00:19:48,720 [CHEERS AND APPLAUSE] James: THANK YOU FOR BEING 284 00:19:48,720 --> 00:19:51,890 HERE. THANK YOU SO MUCH FOR COMING. 285 00:19:51,890 --> 00:19:53,759 MADELYN, WE ARE SO THRILLED YOU ARE HERE. 286 00:19:53,759 --> 00:19:56,161 YOU JUST GOT BACK FROM PARIS FASHION WEEK. 287 00:19:56,161 --> 00:19:58,730 HOW WAS THAT TRIP AND WHAT WAS THE HIGHLIGHT? 288 00:19:58,730 --> 00:20:03,869 Madelyn: I LOST THREE YEARS OF MY LIFE EXPECTANCY. 289 00:20:03,869 --> 00:20:05,804 James: HOW? Madelyn: I HAD A FEW DAYS 290 00:20:05,804 --> 00:20:07,940 OFF BEFORE HE NEEDED TO BE IN PARIS. 291 00:20:07,940 --> 00:20:11,910 I WAS LIKE WHY DON'T WE MAKE A STOP OVER IN ITALY? 292 00:20:11,910 --> 00:20:17,115 WHY DON'T WE GO MAKE PASTA, GO TRUFFLE HUNTING, YOU KNOW, JUST 293 00:20:17,115 --> 00:20:22,387 ENJOY IT. SO WE GO AND HAD A STOP OVER IN 294 00:20:22,387 --> 00:20:29,328 ZURICH, BEAUTIFUL. AND THEN WE LAND IN FLORENCE, 295 00:20:29,328 --> 00:20:30,495 AND-- WONDERFUL TOWN, AND WE GET TO 296 00:20:30,495 --> 00:20:36,668 WHERE WE ARE STAYING. WHICH WAS NOT AN HOUR AND A HALF 297 00:20:36,668 --> 00:20:41,239 AFTER WE LANDED AND I REALIZED THAT MY PASSPORT IS GONE. 298 00:20:41,239 --> 00:20:44,676 I CAN'T FIND IT ANYWHERE. I'M PANICKING, AND IT IS ALSO-- 299 00:20:44,676 --> 00:20:48,180 I DON'T KNOW WHAT TIME IT IS. BACK HERE I AM CALLING 300 00:20:48,180 --> 00:20:51,450 EVERYBODY. I AM FREAKING OUT. 301 00:20:51,450 --> 00:20:56,254 AND SO I GOT MAY BE A FEW HOURS OF SLEEP, GOT UP AND WENT TO THE 302 00:20:56,254 --> 00:20:59,358 CONSULATE IN FLORENCE, THINK GOD THERE WAS ONE. 303 00:20:59,358 --> 00:21:08,300 GOT AN EMERGENCY PASSPORT. Milo: OH, YEAH, NO PROBLEM. 304 00:21:08,300 --> 00:21:19,711 Madelyn: YES, GRAZTIE, AND SHE SAYS, WHERE YOU GOING? 305 00:21:19,711 --> 00:21:21,913 AND I TELL HER, I'M GOING TO PARIS. 306 00:21:21,913 --> 00:21:24,383 I HAVE TO BE IN PARIS. SHE SAYS YOU CAN'T GO TO PARIS 307 00:21:24,383 --> 00:21:28,320 WITH THIS. James: ON A TEMPORARY 308 00:21:28,320 --> 00:21:31,089 PARIS, THEY WILL NOT LET YOU INTO FRANCE. 309 00:21:31,089 --> 00:21:35,360 Madelyn: 1 OF 3 COUNTRIES, AS IT WOULD BE THAT YOU CAN'T 310 00:21:35,360 --> 00:21:37,763 TRAVEL TO WITH AN EMERGENCY PASSPORT. 311 00:21:37,763 --> 00:21:40,799 James: YOU CANNOT GO? Madelyn: NO, NO IS NEVER 312 00:21:40,799 --> 00:21:43,335 THE ANSWER. THE ANSWER IS YES, YES I CAN, I 313 00:21:43,335 --> 00:21:47,439 CAN GO. AND SO CUT TO 36 HOURS LATER, I 314 00:21:47,439 --> 00:21:54,479 AM IN A SPRINTER VAN UNDER A BLANKET, CROSSING THE ITALIAN 315 00:21:54,479 --> 00:21:58,884 FRENCH BORDER. James: STOP. 316 00:21:58,884 --> 00:22:02,721 THAT'S LIKE A 16 HOUR DRIVE? Madelyn: 12 GIVE OR TAKE. 317 00:22:02,721 --> 00:22:05,357 AND IT WAS LARGELY A SLEEPER OF THE MOST OF IT. 318 00:22:05,357 --> 00:22:10,529 BUT I COULD FEEL THE VAN STOP, AND I WAS LIKE DEAD ASLEEP. 319 00:22:10,529 --> 00:22:14,700 AND I COULD FEEL IT STOP. AND I HEARD OUR DRIVER, BLESS 320 00:22:14,700 --> 00:22:19,538 HIS SOUL, HE IS IN MY WILL NOW. HE GETS OUT OF THE CAR AND I 321 00:22:19,538 --> 00:22:23,575 HEAR HIM TALKING GOING BACK AND FORTH BETWEEN HIM AND SOME 322 00:22:23,575 --> 00:22:26,344 BORDER PATROL, AND WE ARE JUST THERE AND MY HEART IS JUST 323 00:22:26,344 --> 00:22:31,450 EATING OUT OF ITS CHEST, AND HE GETS BACK IN THE CAR AND HE IS 324 00:22:31,450 --> 00:22:35,687 LIKE-- THE FRENCH. 325 00:22:35,687 --> 00:22:39,157 [LAUGHTER] HE IS LIKE FRENCH PEOPLE. 326 00:22:39,157 --> 00:22:42,127 Milo: YOU ARE IN THE SPRINTER VAN WITH THE BLANKET 327 00:22:42,127 --> 00:22:44,629 OVER YOU, ILLEGALLY CROSSING THE BORDER. 328 00:22:44,629 --> 00:22:49,501 Madelyn: IT IS NOT TECHNICALLY ILLEGAL. 329 00:22:49,501 --> 00:22:52,504 THE LADY AT THE ITALIAN CONSULATE SAID THAT YOU COULD GO 330 00:22:52,504 --> 00:22:56,241 BY GROUND, WHICH I THINK SHE WAS-- 331 00:22:56,241 --> 00:22:59,678 NEVER MIND. James: YEAH, OKAY. 332 00:22:59,678 --> 00:23:03,715 SO YOU JUST WENT UNDER A BLANKET, BECAUSE YOU ARE COLD. 333 00:23:03,715 --> 00:23:06,451 Madelyn: I WAS SLEEPING AND TAKING A NAP. 334 00:23:06,451 --> 00:23:08,520 James: YOU MADE IT INTO FRANCE, AND HE GOT TO FASHION 335 00:23:08,520 --> 00:23:12,824 WEEK AND YOU HAD A GREAT TIME. Madelyn: HAD A GREAT TIME. 336 00:23:12,824 --> 00:23:16,261 James: WOW, THAT IS A PHENOMENAL WAY TO JUST DO A 337 00:23:16,261 --> 00:23:20,298 LITTLE TROUBLE HOPPING. Madelyn: AND THEN FRANCE 338 00:23:20,298 --> 00:23:23,335 WAS ON STRIKE, SO I WAS NOT SURE I COULD GET HOME. 339 00:23:23,335 --> 00:23:26,204 AND HERE WE ARE. James: HERE WE ARE, 340 00:23:26,204 --> 00:23:28,540 THANK GOD YOU MADE IT! [CHEERS AND APPLAUSE] 341 00:23:28,540 --> 00:23:35,113 YOU HAVE BOTH BEEN IN HUGELY POPULAR TV SHOWS. 342 00:23:35,113 --> 00:23:40,452 MILO, YOUR BIG BREAK WAS OBVIOUSLY "GILMORE GIRLS" DO YOU 343 00:23:40,452 --> 00:23:43,421 REMEMBER THE FIRST TIME THAT YOU WERE RECOGNIZED? 344 00:23:43,421 --> 00:23:50,428 Milo: I DO, I WAS ABOUT 24 YEARS OLD, "GILMORE" HAD JUST 345 00:23:50,428 --> 00:23:54,699 COME OUT, AND PLAYING JESS, TOO SMART FOR HIS OWN GOOD. 346 00:23:54,699 --> 00:23:57,269 Madelyn: OH, I KNOW. I REMEMBER. 347 00:23:57,269 --> 00:24:01,940 Milo: YOU WERE A BIG FAN. James: YOU ARE A BIG FAN? 348 00:24:01,940 --> 00:24:06,778 Madelyn: I WAS TEAM DEAN. Milo: BY THE WAY, SO WAS I. 349 00:24:06,778 --> 00:24:09,881 James: THIS IS YOUR NEM NEMESIS? 350 00:24:09,881 --> 00:24:18,290 Milo: HE PLAYS JESS' NEMESIS, HIS RORY'S FIRST 351 00:24:18,290 --> 00:24:22,427 BOYFRIEND, PLAYED BY JARED PADALECKI WAS THE MOST WONDERFUL 352 00:24:22,427 --> 00:24:27,833 PERSON ON THE PLANET. SPENCER YOU PREFERRED DEAN OVER 353 00:24:27,833 --> 00:24:30,035 MILO'S CHARACTER? HOW COULD YOU NOT LOVE THIS 354 00:24:30,035 --> 00:24:33,438 BROODING BAD GUY. [LAUGHTER] 355 00:24:33,438 --> 00:24:37,275 Milo: HE IS SO DARK AND MOODY. 356 00:24:37,275 --> 00:24:41,680 James: MILO VENTIMIGLIA, HE IS SO DARK AND MOODY. 357 00:24:41,680 --> 00:24:47,485 WHERE YOU DARK AND MOODY? Milo: I THINK SO. 358 00:24:47,485 --> 00:24:50,121 Madelyn: BROODING. Milo: IS PLAYING INTO THE 359 00:24:50,121 --> 00:24:51,223 CHARACTER OF JESS AND WHO HE WAS. 360 00:24:51,223 --> 00:24:54,693 AND THE FIRST TIME I GOT RECOGNIZED FOR THE CHARACTER 361 00:24:54,693 --> 00:24:56,761 JESS, I WAS AT THE GYM AND A GIRL WALKED UP AND SAID YOU ARE 362 00:24:56,761 --> 00:25:02,701 THAT GUY FROM "GILMORE GIRLS" YOU PLAY JESS, RIGHT? 363 00:25:02,701 --> 00:25:05,237 AND SHE WAS LIKE I [BLEEP] HATE YOU. 364 00:25:05,237 --> 00:25:09,207 I WAS LIKE THANK YOU, I GUESS I'M DOING MY JOB RIGHT, BECAUSE 365 00:25:09,207 --> 00:25:12,344 JESS WAS A LITTLE BIT DARK AND BROODING. 366 00:25:12,344 --> 00:25:17,716 James: IT'S NOT YOUR FAULT. THAT'S CRAZY. 367 00:25:17,716 --> 00:25:22,654 I MEAN, YOU MUST HAVE HAD SOME CRAZY FAN INTERACTIONS IN YOUR 368 00:25:22,654 --> 00:25:26,992 TIME, WHAT IS THE MOST MEMORABLE INTERACTION YOU HAVE HAD WITH A 369 00:25:26,992 --> 00:25:29,094 FAN? Madelyn: I ALSO HAVE A 370 00:25:29,094 --> 00:25:33,465 FIRST TIME FAN STORY. IT WAS RIGHT AFTER THE TWO WEEKS 371 00:25:33,465 --> 00:25:36,935 WHERE WE HAD TO BE INSIDE, AND IT-- 372 00:25:36,935 --> 00:25:41,473 YES QUARANTINE, CORRECT. AND THERE WAS NO GOING OUTSIDE. 373 00:25:41,473 --> 00:25:44,676 AND I DID NOT HAVE A BALCONY OR ANYTHING, SO WHEN IT WAS LIFTED 374 00:25:44,676 --> 00:25:48,847 I ASKED MY FRIEND, CAN WE PLEASE JUST GO TO A PARK AND SIT EVEN 375 00:25:48,847 --> 00:25:54,319 IF IT IS 6 FEET APART? I NEED HUMAN INTERACTION, AND I 376 00:25:54,319 --> 00:25:57,989 NEED SUNLIGHT AND NATURE. AND SO WE GO AND WE ARE SITTING 377 00:25:57,989 --> 00:26:01,660 THERE AND WE ARE JUST TALKING AND I SEE THIS CAR DRIVE BY 378 00:26:01,660 --> 00:26:04,529 ONCE, AND THEN YOU KNOW, LIKE A COUPLE OF MINUTES LATER, I SEE 379 00:26:04,529 --> 00:26:09,167 IT DRIVE-BY AGAIN, AND THEN A THIRD TIME. 380 00:26:09,167 --> 00:26:15,640 AND ME, I AM 5'6" AND REALLY PROTECTIVE OF MY BODY. 381 00:26:15,640 --> 00:26:18,043 I'M LIKE LET'S GO, LET'S GET OUT OF HERE. 382 00:26:18,043 --> 00:26:21,112 I WAS LITTLE CREEPED OUT. SO WE WALKED TO THE CAR AND I 383 00:26:21,112 --> 00:26:25,050 SEE THESE BOYS GET OUT OF THE CAR AND THEY WALKED TOWARDS US. 384 00:26:25,050 --> 00:26:27,319 WE START WALKING FASTER AND THEY START WALKING FASTER. 385 00:26:27,319 --> 00:26:30,288 AND THEY CATCH UP AND THEY ARE LIKE CAN WE GET A PICTURE? 386 00:26:30,288 --> 00:26:33,825 AND IT WAS STILL SO EARLY ON INTO THE SHOW THAT I WAS LIKE 387 00:26:33,825 --> 00:26:36,127 WHY? [LAUGHTER] 388 00:26:36,127 --> 00:26:39,931 'S BILL AND THEY CAME UP AND SAID CAN WE GET A PICTURE, AND 389 00:26:39,931 --> 00:26:44,669 YOU SAID "WHY?" Madelyn: THEN I FELT REALLY 390 00:26:44,669 --> 00:26:46,304 BAD, AND IT WAS PROBABLY BECAUSE OF THE SHOW. 391 00:26:46,304 --> 00:26:50,008 AND THEY SAID YOU ARE THE GIRL FROM THAT THING, THAT SHOW. 392 00:26:50,008 --> 00:26:55,647 AND I WAS LIKE I AM. AND THEY HANDED ME A WHITE 393 00:26:55,647 --> 00:26:57,515 CLOTH. I WAS LIKE YOU ARE NOT DRINKING 394 00:26:57,515 --> 00:27:01,052 THIS WHILE YOU'RE DRIVING, AND THEY GAVE ME A ROUNDABOUT 395 00:27:01,052 --> 00:27:03,989 ANSWER, AND I TOOK IT AND TOOK THE PICTURE, BUT IT WAS STILL 396 00:27:03,989 --> 00:27:09,461 KIND OF A FUNNY INTERACTION. James: IF I EVER HAD AN 397 00:27:09,461 --> 00:27:12,564 INTERACTION WITH ANYONE WHO GAVE ME A WHITE CLAW, I WOULD BE OVER 398 00:27:12,564 --> 00:27:17,035 THE MOON. IT IS THE BEST TYPE OF 399 00:27:17,035 --> 00:27:21,639 INTERACTION YOU CAN EVER HAVE WITH ANY KIND OF FAN. 400 00:27:21,639 --> 00:27:25,677 Madelyn: AT THIS POINT IF I AM HAVING ANY INTERACTION WITH 401 00:27:25,677 --> 00:27:28,947 ANYONE ANYMORE AND IT DOES NOT INCLUDE ALL WHITE CLAW, I AM 402 00:27:28,947 --> 00:27:33,485 LIKE WE ARE NOT THERE. James: YOU ARE ABSOLUTELY 403 00:27:33,485 --> 00:27:36,287 RIGHT! LET'S TALK ABOUT YOUR BRILLIANT 404 00:27:36,287 --> 00:27:37,288 NEW SERIES "THE COMPANY YOU KEEP," TELL US WHAT 405 00:27:37,288 --> 00:27:41,259 IT IS ABOUT. Milo: I PLAY CHARLIE, HE IS 406 00:27:41,259 --> 00:27:46,097 A CON MAN WHO COMES FROM A FAMILY OF DRIFTERS WHO CROSSES 407 00:27:46,097 --> 00:27:50,001 PATHS WITH A CIA OFFICER THAT COMES FROM A POLITICAL DYNASTY 408 00:27:50,001 --> 00:27:52,137 FAMILY. A LONG ROMANTIC WEEKEND, ALL 409 00:27:52,137 --> 00:27:55,140 PREDICATED ON LIES AND THEY GO THEIR SEPARATE WAYS, BECAUSE YOU 410 00:27:55,140 --> 00:27:58,676 KNOW, YOU JUST DO THAT AFTER A LONG WEEKEND. 411 00:27:58,676 --> 00:28:00,645 [LAUGHTER] AND THEN THEY FIND THEMSELVES ON 412 00:28:00,645 --> 00:28:05,183 OPPOSITE ENDS. HE THE CRIMINAL, HEARD THE 413 00:28:05,183 --> 00:28:09,621 INTELLIGENCE OFFICER GOING OFF OF A GUY HE JUST RIPPED OFF. 414 00:28:09,621 --> 00:28:11,856 SO PROFESSIONALLY THEY CROSS PATHS. 415 00:28:11,856 --> 00:28:14,893 James: THE SHOW WAS FANTASTIC AND I AM SO THRILLED. 416 00:28:14,893 --> 00:28:18,563 IT'S GETTING BRILLIANT REVIEWS. HERE'S THE CLIP FROM "THE 417 00:28:18,563 --> 00:28:22,333 COMPANY YOU KEEP" THAT HEIRS SUNDAYS AT 10:00 ON ABC. 418 00:28:22,333 --> 00:28:27,405 ONE SHOT, AND WE ARE DONE. I WILL PLAY, SAY I AM 419 00:28:27,405 --> 00:28:29,074 INTERESTED. SO YOU HAVE TO THINK. 420 00:28:29,074 --> 00:28:35,513 I'M NOT GIVING 4 MILLION ON IT'S A YACHT THING. 421 00:28:35,513 --> 00:28:37,816 ELABORATE. MY UNDERGROUND POKER GAME, 422 00:28:37,816 --> 00:28:42,353 STEEP ION, HEDGE FUND, LOBBYISTS, POLITICIANS. 423 00:28:42,353 --> 00:28:45,090 THIS SOUNDS LIKE A ROBBERY, NOT A CON. 424 00:28:45,090 --> 00:28:48,359 IT IS. IT'S SOMETHING IN BETWEEN. 425 00:28:48,359 --> 00:28:55,834 ♪ ♪ WHAT THE HELL, IF YOU CAN 426 00:28:55,834 --> 00:28:59,637 PULL IT OFF, WE ARE SQUARE. [CHEERS AND APPLAUSE] 427 00:28:59,637 --> 00:29:01,940 James: STICK AROUND, WE WILL BE RIGHT BACK! 428 00:29:01,940 --> 00:29:03,308 [CHEERS AND APPLAUSE] ♪ ♪ 429 00:29:10,782 --> 00:29:13,685 LISTEN, LET ME BREAK THIS DOWN. 430 00:29:13,685 --> 00:29:18,056 YOU HAVE LIVED THIS ADVENTURE ALREADY, YOU DON'T NEED TO START 431 00:29:18,056 --> 00:29:21,559 AT THE ISLAND, THAT'S INSANE. THEY ARE JEALOUS, I'M JEALOUS, 432 00:29:21,559 --> 00:29:27,398 EVERYONE IS JEALOUS OF YOU. HOW DID YOU EAT, SLEEP, SHOWER? 433 00:29:27,398 --> 00:29:30,468 LIKE I DON'T KNOW, I HAVE SO MANY QUESTIONS. 434 00:29:30,468 --> 00:29:43,548 IT'S SO COOL. OH BLANDIA, THAT'S WHAT WE 435 00:29:43,548 --> 00:29:53,224 CALL IT. WE SURVIVED TOGETHER. 436 00:29:53,224 --> 00:29:55,793 [CHEERS AND APPLAUSE] James: YES! 437 00:29:55,793 --> 00:29:58,062 THAT WAS A CLIP FROM "OUTER BANKS," SEASON 3 IS STREAMING 438 00:29:58,062 --> 00:30:04,769 NOW ON NETFLIX, CONGRATS ON THE SHOW, IT'S A MASSIVE HIT, FOR 439 00:30:04,769 --> 00:30:08,439 YOU SHOULD BE SO PROUD OF IT. FOR ANYONE WHO HAS NOT CAUGHT IT 440 00:30:08,439 --> 00:30:12,777 YET, TELL US WHAT IT IS ABOUT AND WHO YOU PLAY. 441 00:30:12,777 --> 00:30:16,948 Madelyn: IT'S A GROUP OF FIVE TEENAGERS WHO FOLLOW THIS 442 00:30:16,948 --> 00:30:26,157 BREAD CRUMB TRAIL OF A TREASURE HUNT THAT THIS DAD HAS BEEN ON 443 00:30:26,157 --> 00:30:29,194 AFTER HIS WHOLE LIFE. AND IT HEATS UP AND THEY START 444 00:30:29,194 --> 00:30:33,131 CHASING AND THEY REALIZE WHAT THEY ARE UP AGAINST AND ARE ON 445 00:30:33,131 --> 00:30:35,567 THIS WILD-GOOSE CHASE. James: THE SHOW IS SUCH A 446 00:30:35,567 --> 00:30:39,370 SMASH. IT REALLY IS. 447 00:30:39,370 --> 00:30:42,874 MILO, YOU RECENTLY SHOT A MOVIE IN AUSTRALIA, WITH TWO OUT OF 448 00:30:42,874 --> 00:30:54,385 THE THREE HEMSWORTH BROTHERS. THEY TOOK YOU SERVING, ARE YOU 449 00:30:54,385 --> 00:30:56,187 GOOD? Milo: A GROUP SURFING, 450 00:30:56,187 --> 00:30:58,590 STILL NOT A GOOD SERVER. I ONLY GOT BACK IN THE WATER 451 00:30:58,590 --> 00:31:01,893 LIKE A YEAR AGO, HAPPILY, THANKFULLY. 452 00:31:01,893 --> 00:31:11,002 BUT I WAS IN AUSTRALIA DOING A MOVIE WITH TWO HEMSWORTH, AND ON 453 00:31:11,002 --> 00:31:13,938 DOWN TIME, LUKE WAS LIKE COME DOWN TO THE BAY AND WE WILL 454 00:31:13,938 --> 00:31:17,141 SERVE. SO I WENT TO BYRON, WE WERE 455 00:31:17,141 --> 00:31:20,111 GOING TO RIDE THE PAST, NICE EASY WAY OF COMING AND HE WAS 456 00:31:20,111 --> 00:31:24,048 LIKE NO, 10 MINUTES UP THE ROAD TO THE BROKEN HEADS. 457 00:31:24,048 --> 00:31:28,519 Madelyn: OH, NO. James: IT IS CALLED BROKEN 458 00:31:28,519 --> 00:31:31,489 HEADS? Madelyn: LITTLE FOREBODING. 459 00:31:31,489 --> 00:31:34,993 Milo: BETTER THAN WHITE WHICH IS LIKE GREAT WHITES. 460 00:31:34,993 --> 00:31:38,496 SO I'M LIKE I WILL GO UP. AND THEN I AM LOOKING AT 461 00:31:38,496 --> 00:31:41,332 SURFLINE. AND IT SAYS THAT IT IS 462 00:31:41,332 --> 00:31:44,335 8-10 FEET, WHICH IN AUSTRALIAN TERMS IT'S PROBABLY MUCH BIGGER 463 00:31:44,335 --> 00:31:46,738 THAN CALIFORNIA. HE IS LIKE NO, IT'S 3 FEET. 464 00:31:46,738 --> 00:31:49,207 I GET OUT THERE, AND I'M LIKE THAT'S 10 FEET. 465 00:31:49,207 --> 00:31:51,209 IT'S THE BIGGEST STUFF I HAD EVER SEEN. 466 00:31:51,209 --> 00:31:55,747 I NEVER BEEN OUT ON 10-FOOT SURF, PADDLED OUT AND WENT INTO 467 00:31:55,747 --> 00:31:57,148 IT. LUKE DISAPPEARED OFF DOING 468 00:31:57,148 --> 00:31:59,684 SOMETHING ELSE. I HAVE NO IDEA. 469 00:31:59,684 --> 00:32:03,421 I RODE ONE WAY OF INCOME AND THEN I WAS LIKE I'M DONE. 470 00:32:03,421 --> 00:32:06,958 Madelyn: LIKE AN 8-10-FOOTER? 471 00:32:06,958 --> 00:32:08,660 WOW. Milo: THIS WAS HUGE. 472 00:32:08,660 --> 00:32:12,397 Madelyn: YOU ARE LIKE I AM GOOD, I HAVE PEAKED. 473 00:32:12,397 --> 00:32:14,932 James: THERE IS NOT A CHANCE THAT IS A STORY I WILL 474 00:32:14,932 --> 00:32:19,971 EVER BE TELLING. THERE IS JUST NO WAY IN THE 475 00:32:19,971 --> 00:32:21,906 WORLD-- LET'S REALLY BE REAL HERE. 476 00:32:21,906 --> 00:32:26,944 THERE'S JUST NO CHANCE THAT I AM EVER ANYWHERE IN MY LIFE WHERE I 477 00:32:26,944 --> 00:32:31,749 AM GOING, YEAH, IT'S LIKE AN 8-10 WAVE. 478 00:32:31,749 --> 00:32:34,152 Milo: I WILL TELL YOU WHY YOU WILL. 479 00:32:34,152 --> 00:32:38,923 LUKE HEMSWORTH. [LAUGHTER] 480 00:32:38,923 --> 00:32:42,160 [APPLAUSE] I'M TELLING YOU. 481 00:32:42,160 --> 00:32:45,563 YOU SPEND ENOUGH TIME WITH LUKE HEMSWORTH. 482 00:32:45,563 --> 00:32:48,099 James: BECAUSE HE WOULD SPEND 40 SECONDS WITH ME AND BE 483 00:32:48,099 --> 00:32:51,369 LIKE I DON'T WANT TO BE OUT IN THE OCEAN WITH THAT GUY. 484 00:32:51,369 --> 00:32:54,472 REGGIE, DO YOU HAVE A QUESTION FOR A GUEST THIS EVENING? 485 00:32:54,472 --> 00:32:58,142 Reggie: YES, I DO. TONIGHT'S QUESTION IS... 486 00:32:58,142 --> 00:33:02,647 WITH ARRIVING AT A CHOICE, DOES IT FEEL MORE INSTINCTUAL TO YOU 487 00:33:02,647 --> 00:33:07,385 IF IT'S SOMETHING THAT IS RATHER IMPORTANT, OR DOES IT FEEL LESS 488 00:33:07,385 --> 00:33:14,459 SO IF IT IS LESS IMPORTANT? [LAUGHTER] 489 00:33:14,459 --> 00:33:20,365 Milo: YES. Madeyn: I'M GOING TO GO-- 490 00:33:20,365 --> 00:33:25,203 I'M GOING TO PLAY DEVIL'S ADVOCATE AND SAY NO. 491 00:33:25,203 --> 00:33:29,340 Reggie: YEAH, THAT'S RIGHT. James: IT IS ABSOLUTELY 492 00:33:29,340 --> 00:33:32,944 RIGHT! THINK OUR BRILLIANT GUESTS, 493 00:33:32,944 --> 00:33:34,245 MADELYN CLINE, MILO VENTIMIGLIA, STICK AROUND, TIM YOUNG IS HERE 494 00:33:34,245 --> 00:33:37,982 WHEN WE COME BACK! [CHEERS AND APPLAUSE] 495 00:33:48,793 --> 00:33:50,995 James: WELCOME BACK. HERE PERFORMING "THE MUSIC 496 00:33:50,995 --> 00:33:58,436 DOCTOR," WHICH IS OUT NOW, PLEASE WELCOME THE OUTRAGEOUSLY 497 00:33:58,436 --> 00:34:00,671 TALENTED TIM YOUNG! [CHEERS AND APPLAUSE] 498 00:34:00,671 --> 00:34:04,342 ♪ ♪ 499 00:34:07,078 --> 00:34:14,085 ♪ ♪ ♪ HEY PEOPLE LET ME ♪ 500 00:34:14,085 --> 00:34:16,087 ♪ TELL YOU ABOUT ♪ ♪ THE ONE THE CALL THE MUSIC ♪ 501 00:34:16,087 --> 00:34:19,624 ♪ DOCTOR ♪ ♪ IF YOU NEED A FRIEND ♪ 502 00:34:19,624 --> 00:34:22,727 ♪ YOU KNOW THE DOCTOR IS IN ♪ ♪ JUST WAITING FOR YOU ♪ 503 00:34:22,727 --> 00:34:25,229 ♪ TO TALK TO HER ♪ ♪ YOU CAN CALL HER WHEN YOU'RE 504 00:34:25,229 --> 00:34:27,999 DANCING ♪ ♪ ON A SATURDAY NIGHT ♪ 505 00:34:27,999 --> 00:34:30,935 ♪ OR EARLY SUNDAY MORNING ♪ ♪ WHEN YOU'RE SLIDING ON BY ♪ 506 00:34:30,935 --> 00:34:32,537 ♪ SHE'LL ALWAYS LET YOU TELL HER ♪ 507 00:34:32,537 --> 00:34:37,008 ♪ WHAT'S ON YOUR MIND ♪ ♪ ANYTHING THAT'S ON YOUR MIND ♪ 508 00:34:37,008 --> 00:34:45,750 ♪ IT'S LIKE I TOLD YOU NOW ♪ ♪ OHH ♪ 509 00:34:45,750 --> 00:34:50,188 ♪ YOU GOT TO CALL HER, YEAH ♪ ♪ WHEN I WAS A BOY ♪ 510 00:34:50,188 --> 00:34:55,159 ♪ ABOUT 5 YEARS OLD ♪ ♪ I MET THE MUSIC DOCTOR ♪ 511 00:34:55,159 --> 00:34:59,964 ♪ MY DEAR GRANDMA ♪ ♪ GOT ME MY FIRST GUITAR ♪ 512 00:34:59,964 --> 00:35:02,934 ♪ AND SHE TOOK TO MEET MY INSTRUCTOR ♪ 513 00:35:02,934 --> 00:35:05,903 ♪ CLIMBING UP THE STAIRS ♪ ♪ I HEARD A MUSIC SO SWEET ♪ 514 00:35:05,903 --> 00:35:10,842 ♪ FROM THE KIND OLD HANDS ♪ ♪ OF SISTER MARGARUITE ♪ 515 00:35:10,842 --> 00:35:16,047 ♪ SHE STARTED ME OFF ON ♪ ♪ TOLD ME "PRACTICE THIS ♪ 516 00:35:16,047 --> 00:35:20,251 ♪ AND COME BACK NEXT WEEK" ♪ ♪ AND THAT'S JUST WHAT I DID ♪ 517 00:35:20,251 --> 00:35:23,955 ♪ OH ♪ ♪ I DID WHAT SHE TOLD ME TO ♪ 518 00:35:23,955 --> 00:35:28,793 ♪ DO ♪ ♪ ON THAT VERY DAY ♪ 519 00:35:28,793 --> 00:35:31,095 ♪ MY WHOLE LIFE WAS CHANGED ♪ ♪ THE SISTER SHE TAUGHT ME TO 520 00:35:31,095 --> 00:35:33,865 PLAY ♪ ♪ THE DOCTOR SHOWED ME THE WAY ♪ 521 00:35:33,865 --> 00:35:37,268 ♪ SHE CHARTED MY COURSE ♪ ♪ WITH JUST A COUPLE OF CHORDS ♪ 522 00:35:37,268 --> 00:35:39,770 ♪ PLUGGED ME INTO THE SOURCE ♪ ♪ OF THE MAGICAL FORCE ♪ 523 00:35:39,770 --> 00:35:45,376 ♪ CALLED MUSIC ♪ ♪ YEAH YEAH YEAH ♪ 524 00:35:45,376 --> 00:35:47,979 ♪ BUT WHEN I WAS TEN ♪ ♪ I JUST COULDN'T FIT IN ♪ 525 00:35:47,979 --> 00:35:51,282 ♪ I WAS WEIRD, I WAS SHY, REALLY AWKWARD ♪ 526 00:35:51,282 --> 00:35:54,418 ♪ AND YOU KNOW HOW IT IS ♪ ♪ WITH THE POPULAR KIDS ♪ 527 00:35:54,418 --> 00:35:57,889 ♪ IF YOU AIN'T COOL THEY AIN'T GONNA TALK TO YA ♪ 528 00:35:57,889 --> 00:36:01,859 ♪ BUT WITH MY GUITAR IN HAND ♪ ♪ I FOUND THAT I HAD A FRIEND ♪ 529 00:36:01,859 --> 00:36:05,229 ♪ IN THE ONE THEY CALL THE MUSIC DOCTOR ♪ 530 00:36:05,229 --> 00:36:08,099 ♪ AND EVER SINCE THEN ♪ ♪ I KNEW THAT I COULD DEPEND ♪ 531 00:36:08,099 --> 00:36:11,502 ♪ ON THE SOUND THAT I FOUND IN MY HEART ♪ 532 00:36:11,502 --> 00:36:15,106 ♪ WHEN THINGS GOT ROUGH ♪ ♪ AND IT WAS JUST TOO MUCH ♪ 533 00:36:15,106 --> 00:36:18,509 ♪ THE MUSIC KEPT ME FROM FALLING APART ♪ 534 00:36:18,509 --> 00:36:20,845 ♪ NOW I DON'T KNOW WHERE I WOULD BE ♪ 535 00:36:20,845 --> 00:36:22,580 ♪ IF THE DOCTOR HADN'T BEEN THERE ♪ 536 00:36:22,580 --> 00:36:25,850 ♪ TO CARE FOR ME ♪ ♪ THERE'S A HEALING POWER ♪ 537 00:36:25,850 --> 00:36:30,454 ♪ YOU CAN FEEL IN A SONG ♪ ♪ AND I'M SINGING THIS JUST TO 538 00:36:30,454 --> 00:36:34,058 PASS IT ON ♪ ♪ HEAR THE MUSIC NOW ♪ 539 00:36:34,058 --> 00:36:39,830 ♪ YEAH YEAH ♪ ♪ OH ♪ 540 00:36:39,830 --> 00:36:43,200 ♪ YOU GOT TO LISTEN TO THE MUSIC NOW ♪ 541 00:36:43,200 --> 00:36:46,137 ♪ THERE'S A SPIRIT IN THE MUSIC NOW ♪ 542 00:36:46,137 --> 00:36:53,277 ♪ HEY, THERE'S POWER IN THE ♪ THERE'S LOVE, THERE'S 543 00:36:53,277 --> 00:36:54,645 HEALING ♪ ♪ IN THE MUSIC NOW ♪ 544 00:36:54,645 --> 00:36:56,314 ♪ NOW I HAVE SAID ALL THAT I CAN SAY ♪ 545 00:36:56,314 --> 00:36:59,383 ♪ SO I'M A SHUT UP, I'M GONNA LET THE BAND ♪ 546 00:36:59,383 --> 00:37:16,834 ♪ PLAY ♪ ♪ YEAH YEAH ♪ 547 00:37:16,834 --> 00:37:25,476 ♪ ♪ ♪ OH ♪ 548 00:37:25,476 --> 00:37:29,180 ♪ EVERY TIME I PLAY ♪ ♪ I JUST WANNA SAY ♪ 549 00:37:29,180 --> 00:37:31,649 ♪ THANK YOU TO EVERYONE ♪ ♪ THAT HELPED ME ON THE WAY ♪ 550 00:37:31,649 --> 00:37:35,119 ♪ TO THE SISTER AND PEGGY ♪ ♪ MY GUITAR TEACHER TOBY ♪ 551 00:37:35,119 --> 00:37:38,456 ♪ BIG THANKS TO FRANK ♪ ♪ MICHAEL WHITE, EYVIND KANG ♪ 552 00:37:38,456 --> 00:37:41,759 ♪ PAUL MOORE, GREG PETERS ♪ ♪ JIM KNAPP AND JULIAN PRIESTE ♪ 553 00:37:41,759 --> 00:37:45,463 ♪ REGGIE, KAREN AND WAYNE ♪ ♪ ERYN YOUNG AND SCOTT SEIVER ♪ 554 00:37:45,463 --> 00:37:48,499 ♪ ALL THE PLAYERS AND TEACHERS ♪ ♪ WHO HELPED ME CONNECT ♪ 555 00:37:48,499 --> 00:37:52,903 ♪ WHO HELPED ME GET DOWN WITH THE MUSIC ♪ 556 00:37:52,903 --> 00:37:56,340 ♪ OH I'M THANKFUL FOR THE DOCTOR ♪ 557 00:37:56,340 --> 00:38:14,091 ♪ HEALED BY THE DOCTOR ♪ ♪ YOU'VE GOT TO CALL HER ♪ 558 00:38:14,091 --> 00:38:18,696 [CHEERS AND APPLAUSE] James: COME ON NOW! 559 00:38:18,696 --> 00:38:20,331 WHAT ABOUT THAT, EVERYBODY! [CHEERS AND APPLAUSE] 560 00:38:20,331 --> 00:38:22,533 I LOVE YOU, MAN! TIM YOUNG! 561 00:38:22,533 --> 00:38:23,434 EVERYONE COME BACK! [CHEERS AND APPLAUSE] 562 00:38:23,434 --> 00:38:25,536 ♪ ♪ 563 00:38:40,217 --> 00:38:41,819 James: THANK YOU SO MUCH FOR WATCHING. 564 00:38:41,819 --> 00:38:42,987 NEXT WEEK: JANE FONDA, LILY TOMLIN, JOSH GAD, SARAH 565 00:38:42,987 --> 00:38:44,622 MICHELLE GELLAR, SAMARA WEAVING, AND SAM CLAFLIN. 566 00:38:44,622 --> 00:38:46,824 WE'VE GOT MUSIC FROM ELLIE GOULDING AND STAND-UP FROM DAN 567 00:38:46,824 --> 00:38:54,899 LEVY, PLUS A BRAND NEW CARPOOL KARAOKE, OUR FIRST IN SIX MONTHS 568 00:38:54,899 --> 00:38:57,735 WITH BAD BUNNY! WE HOPE TO SEE YOU THEN! 569 00:38:57,735 --> 00:39:01,172 REGGIE, TAKE US HOME. [CHEERS AND APPLAUSE]