1 00:00:03,737 --> 00:00:06,539 ARE YOU READY TO HAVE SOME FUN? 2 00:00:06,539 --> 00:00:11,978 WHAT'S THAT ON YOUR SHOULDER? I'M JUST KIDDING. 3 00:00:11,978 --> 00:00:20,887 IT'S THE BEGINNING OF THE SHOW. LADIES AND GENTLEMEN, ALL THE 4 00:00:20,887 --> 00:00:26,259 WAY FROM TALLAHASSEE, TALLADEGA NIGHTS, GIVE IT UP FOR YOUR 5 00:00:26,259 --> 00:00:34,033 HOST, THE ONE, THE ONLY... JAMES CORDEN! 6 00:00:34,033 --> 00:00:40,140 [CHEERS AND APPLAUSE] James: HELLO! 7 00:00:40,140 --> 00:00:44,310 [CHEERS AND APPLAUSE] ♪ ♪ 8 00:00:44,310 --> 00:00:48,114 HELLO, GOOD EVENING, WELCOME TO THE "LATE LATE SHOW." 9 00:00:48,114 --> 00:00:52,385 I APPRECIATE YOU BEING HERE, I APPRECIATE YOU WATCHING. 10 00:00:52,385 --> 00:00:54,254 THANK YOU VERY, VERY MUCH, LET'S TAKE A LOOK AND SEE WHO OUR 11 00:00:54,254 --> 00:00:58,558 GUESTS ARE ON THE SHOW TONIGHT. SHE'S A FANTASTIC AFTER YOU KNOW 12 00:00:58,558 --> 00:01:01,461 FROM "BUFFY THE VAMPIRE SLAYER," "CRUEL INTENTIONS," "I KNOW WHAT 13 00:01:01,461 --> 00:01:03,763 YOU DID LAST SUMMER," AND SO MUCH MORE, THE SPECTACULAR SARAH 14 00:01:03,763 --> 00:01:07,300 MICHELLE GELLAR! [CHEERS AND APPLAUSE] 15 00:01:07,300 --> 00:01:10,437 HEY, SARAH, HOW ARE YOU? Sarah Michelle: I'M DOING 16 00:01:10,437 --> 00:01:12,972 GREAT, HOW ARE YOU? James: SO NICE TO SEE YOU! 17 00:01:12,972 --> 00:01:15,008 WE WALKED PAST EACH OTHER LAST NIGHT. 18 00:01:15,008 --> 00:01:17,610 YOU HAD A LATE NIGHT, HOW ARE YOU FEELING? 19 00:01:17,610 --> 00:01:18,545 ARE YOU GOOD? Sarah Michelle: I FEEL LIKE 20 00:01:18,545 --> 00:01:22,749 TEN BUCKS. James: THAT IS ABSOLUTELY 21 00:01:22,749 --> 00:01:26,219 THE PERFECT RESPONSE. DIDN'T YOU GO OUT TO THE PARTY 22 00:01:26,219 --> 00:01:27,720 ON SATURDAY AND HAVE A PARENT-TEACHER CONFERENCE THIS 23 00:01:27,720 --> 00:01:31,224 MORNING? Sarah Michelle: DAVID OR I 24 00:01:31,224 --> 00:01:33,860 WAS ON THAT ZOOM, I DID NOT LOOK SO GREAT BUT I WAS ON A BURIED 25 00:01:33,860 --> 00:01:38,398 James: AND THAT'S WHY WE LOVE YOU, SARAH MICHELLE GELLAR, 26 00:01:38,398 --> 00:01:39,599 EVERYBODY! [CHEERS AND APPLAUSE] 27 00:01:39,599 --> 00:01:42,268 AND HE'S A TALENTED ACTOR YOU KNOW FROM "THE HUNGER GAMES," 28 00:01:42,268 --> 00:01:44,471 "SNOW WHITE AND THE HUNTSMAN," AND "PEAKY BLINDERS," THE 29 00:01:44,471 --> 00:01:46,739 DASHING, THE MAGNIFICENT, SAM CLAFLIN IS HERE! 30 00:01:46,739 --> 00:01:49,209 [CHEERS AND APPLAUSE] HOW ARE YOU, SAM? 31 00:01:49,209 --> 00:01:52,045 Sam: HEY! I'M GOOD, I'M GOOD, HOW ARE YOU? 32 00:01:52,045 --> 00:01:55,048 James: I'M VERY, VERY WELL. YOU'RE LOOKING GOOD, YOU LOOK 33 00:01:55,048 --> 00:01:57,283 GOOD! Sam: THANK YOU. 34 00:01:57,283 --> 00:01:58,451 THANK YOU. James: JUST ALL RIGHT? 35 00:01:58,451 --> 00:02:02,288 Sam: JUST ALL RIGHT. IT TAKES A VILLAGE, AS THEY SAY. 36 00:02:02,288 --> 00:02:05,825 James: IT DOES. HOW LONG ARE YOU IN LOS ANGELES, 37 00:02:05,825 --> 00:02:08,661 CALIFORNIA? Sam: THREE MORE HOURS! 38 00:02:08,661 --> 00:02:09,562 James: LET'S GET ON WITH THE SHOW! 39 00:02:09,562 --> 00:02:13,867 WE LOVE YOU, SAM CLAFLIN, EVERYBODY! 40 00:02:13,867 --> 00:02:17,570 I'M JAMES GORDON AND THIS IS THE "LATE LATE SHOW." 41 00:02:17,570 --> 00:02:19,606 ROLE HE TITLE! [CHEERS AND APPLAUSE] 42 00:02:19,606 --> 00:02:41,227 ♪ ♪ CIRCLE MUSICAL 43 00:02:41,227 --> 00:02:43,596 James: IT CERTAINLY IS! HOW ARE WE DOING, HOW ARE WE 44 00:02:43,596 --> 00:02:48,301 DOING, REGGIE, ARE YOU GOOD? Reggie: YEAH... 45 00:02:48,301 --> 00:02:52,171 I JUST CAME BACK FROM AUSTIN. James: YOU ARE AT SxSW? 46 00:02:52,171 --> 00:02:55,041 Reggie: IT WAS TRULY AMAZING, SOUTHERN HOSPITALITY IS 47 00:02:55,041 --> 00:02:57,977 A REAL THING. James: THAT'S GLORIOUS. 48 00:02:57,977 --> 00:03:02,448 SOUTHERN HOSPITALITY IS REAL. [APPLAUSE] 49 00:03:02,448 --> 00:03:05,785 I LOVE THIS. BECOMING A REAL HABIT, WE WILL 50 00:03:05,785 --> 00:03:08,121 COME BACK ON A MONDAY, I WILL ASK REG WHAT HE DID AND IT IS 51 00:03:08,121 --> 00:03:13,660 SOMETHING SO GLAMOROUS AND GORGEOUS AND I CAN WATCH THE 52 00:03:13,660 --> 00:03:16,963 LIGHT JUST FADING HER EYES AS HE REALIZED I'M GOING TO TURN THIS 53 00:03:16,963 --> 00:03:22,068 WAY AND YOU'RE GOING TO SAY... Steve: I SPENT A LOT OF 54 00:03:22,068 --> 00:03:29,108 TIME ON THE COUCH. YEAH, SMOKED A PORK, GOT THE 55 00:03:29,108 --> 00:03:30,743 GRILL FIRED UP. James: I THOUGHT THAT WAS 56 00:03:30,743 --> 00:03:33,313 SLAIN. SLANG FOR SOME NEW STRAIN OF 57 00:03:33,313 --> 00:03:37,317 WEED THAT I DON'T KNOW ABOUT. IS THAT WHAT THEY CALL IT, A 58 00:03:37,317 --> 00:03:41,020 PORK BUTT? EVEN THOUGH THEY CALL IT THE 59 00:03:41,020 --> 00:03:43,723 PORK SHOULDER. AT WE SHOULD SPEND 15 MINUTES 60 00:03:43,723 --> 00:03:45,258 TALKING ABOUT IT. James: IT'S THAT TIME, IT'S 61 00:03:45,258 --> 00:03:48,561 TIME FOR THE NEWS. [CHEERS AND APPLAUSE] 62 00:03:48,561 --> 00:03:52,999 OF COURSE LAST NIGHT WAS THE ACADEMY AWARDS. 63 00:03:52,999 --> 00:03:58,104 LOVELY EVENING! WENT BY WITHOUT CONTROVERSY, IT 64 00:03:58,104 --> 00:04:04,143 WAS A VERY DIFFERENT FEELING IN THE ROOM FROM LAST YEAR, 65 00:04:04,143 --> 00:04:05,378 ALTHOUGH I WAS TENSE, I WAS STILL TENSE. 66 00:04:05,378 --> 00:04:09,749 I WAS WAITING FOR BILL NIGHY AND AUSTIN BUTLER TO GET IN SOME 67 00:04:09,749 --> 00:04:11,951 KIND OF SHOVING MATCH BURIED IN STEVEN SPIELBERG LEAN FORWARD 68 00:04:11,951 --> 00:04:15,688 AND GIVE JOHN WILLIAMS A WET WILLY. 69 00:04:15,688 --> 00:04:18,591 NOTHING. HOW DID YOU DO IN YOUR OSCARS 70 00:04:18,591 --> 00:04:20,293 PULL? I CRUSHED IT LAST NIGHT. 71 00:04:20,293 --> 00:04:23,196 James: EVERYON QUESTIONED, NO ONE WAS SURPRISED. 72 00:04:23,196 --> 00:04:25,665 Ian: I ACTUALLY BLEW SOME OF THE BIGGER CATEGORIES WHERE 73 00:04:25,665 --> 00:04:27,700 IF I WOULD HAVE PICKED WITH MY HEAD I WOULD HAVE DONE EVEN 74 00:04:27,700 --> 00:04:32,438 BETTER BUT I WAS PICKING BEST OSCAR SHORT, ANIMATED SHORT, 75 00:04:32,438 --> 00:04:39,112 HADN'T SEEN ANY OF THEM, James: DID ANY COME THR 76 00:04:39,112 --> 00:04:40,380 THROUGH? Ian: THERE WAS SOME SHORT 77 00:04:40,380 --> 00:04:44,183 FILM CALLED "THE IRISH" AND I THOUGHT IT'S A BIG NIGHT FOR THE 78 00:04:44,183 --> 00:04:46,719 IRISH. James: THE BIG WINNER WAS 79 00:04:46,719 --> 00:04:49,822 "EVERYTHING EVERYWHERE ALL AT ONCE." 80 00:04:49,822 --> 00:04:51,858 [CHEERS AND APPLAUSE] TAKING HOME SEVEN OSCARS, 81 00:04:51,858 --> 00:04:55,194 INCLUDING BEST PICTURE, BEST DIRECTOR, AND BEST ORIGINAL 82 00:04:55,194 --> 00:04:57,830 SCREENPLAY. IT ALSO TOOK ON THE OSCAR FOR 83 00:04:57,830 --> 00:05:00,633 THAT MOVIE THAT MAKES YOU SAY THAT MAYBE THE EDIBLE YOU TOOK 84 00:05:00,633 --> 00:05:02,935 WAS TOO STRONG. [LAUGHTER] 85 00:05:02,935 --> 00:05:06,239 FUN FACTS, THIS IS THE FIRST BEST PICTURE WINNER TO 86 00:05:06,239 --> 00:05:11,077 PROMINENTLY FEATURE HOT DOG FINGERS SINCE 1996'S "THE 87 00:05:11,077 --> 00:05:14,213 ENGLISH PATIENT." [LAUGHTER] 88 00:05:14,213 --> 00:05:18,017 FOR THE FIRST TIME IN 60 YEARS, NOMINEES ENTERED ON SOMETHING 89 00:05:18,017 --> 00:05:20,620 OTHER THAN A RED CARPET, ORGANIZERS OPTED INSTEAD FOR A 90 00:05:20,620 --> 00:05:24,924 CHAMPAGNE CARPET. THEY SAY IT'S CHAMPAGNE TO SOUND 91 00:05:24,924 --> 00:05:27,627 FANCY. BETWEEN YOU AND ME IT'S ACTUALLY 92 00:05:27,627 --> 00:05:30,229 JUST A PROSECCO CARPET. [LAUGHTER] 93 00:05:30,229 --> 00:05:31,998 THIS IS TRUE. THEY DID IT-- THEY SAID THEY 94 00:05:31,998 --> 00:05:35,535 DID IT TO EVOKE PEACEFULNESS. WHICH I COULDN'T QUITE-- ARE 95 00:05:35,535 --> 00:05:39,238 THEY IMPLYING THAT LAST YEAR'S RED CARPET WAS WHAT ENRAGED 96 00:05:39,238 --> 00:05:42,575 WILL SMITH? [LAUGHTER] 97 00:05:42,575 --> 00:05:45,611 THERE WERE SOME INCREDIBLE OSCAR FASHIONS LAST NIGHT, HERE'S 98 00:05:45,611 --> 00:05:48,014 FLORENCE PUGH WALKING THE CHAMPAGNE CARPET. 99 00:05:48,014 --> 00:05:51,751 [CHEERS AND APPLAUSE] SHE LOOKS AMAZING. 100 00:05:51,751 --> 00:05:53,553 SHE LOOKS ABSOLUTELY INCREDIBLE, ALTHOUGH SHE ALSO LOOKS HOW I 101 00:05:53,553 --> 00:05:56,622 LOOK WHEN I'M IN A HOTEL AND ROOM SERVICE SHOWS UP EARLIER 102 00:05:56,622 --> 00:06:02,195 THAN I THOUGHT AND I HAVE TO USE A BEDSHEET-- NO, I'M COMING, 103 00:06:02,195 --> 00:06:04,230 I'M COMING. IT'S JUST MY-- I LOVE IT. 104 00:06:04,230 --> 00:06:07,233 GET THAT, IT SAYS GLAMOUR, IT'S AS HOLLYWOOD, IT'S AS I CAN BE 105 00:06:07,233 --> 00:06:09,969 READY FOR A GAME OF VOLLEYBALL IN SECONDS. 106 00:06:09,969 --> 00:06:14,640 QUESTLOVE SHOWED UP WEARING DIAMOND-ENCRUSTED CROCS. 107 00:06:14,640 --> 00:06:17,710 OF PUTTING ONTO CROCS IS BASICALLY LIKE PUTTING CAVIAR ON 108 00:06:17,710 --> 00:06:21,647 A CHILI DOG. A GREAT IDEA. 109 00:06:21,647 --> 00:06:23,049 DIAMONDS CAN MAKE ANYTHING LOOK FANCY. 110 00:06:23,049 --> 00:06:25,585 I'M JUST GOING TO GET A LITTLE BAG OF DIAMONDS AND INSTEAD OF 111 00:06:25,585 --> 00:06:29,288 DRESSING UP OR EVENTS, JUST GOING TO GLUE THE DIAMONDS TO 112 00:06:29,288 --> 00:06:30,757 SWEATPANTS. AND I'LL BE RIGHT THERE. 113 00:06:30,757 --> 00:06:35,128 HERE'S THE ROCK AND UP PINK TUXEDO JACKET. 114 00:06:35,128 --> 00:06:37,764 [APPLAUSE] YEAH. 115 00:06:37,764 --> 00:06:42,235 I HOPE NOBODY NEEDS A PROM DRESS THIS YEAR BECAUSE THAT JACKET 116 00:06:42,235 --> 00:06:45,671 SINGLE-HANDEDLY DEPLETED THE NATION'S PINK SATIN RESERVES. 117 00:06:45,671 --> 00:06:47,540 [LAUGHTER] HE LOOKS LOOK AT YOUR GRANDMA'S 118 00:06:47,540 --> 00:06:50,810 FAVORITE CHAIR GREW LEGS AND WALKED TO THE OSCARS. 119 00:06:50,810 --> 00:06:53,513 I DON'T KNOW IF YOU SAW THIS, BUT HUGH GRANT GAVE AN INTERVIEW 120 00:06:53,513 --> 00:06:57,283 TO ASHLEY GRAHAM LAST NIGHT AND HE WAS ABSOLUTELY DELIGHTED TO 121 00:06:57,283 --> 00:07:02,488 BE THERE. ARE YOU EXCITED TO SEE 122 00:07:02,488 --> 00:07:04,757 ANYBODY WIN? YOU HAVE YOUR HOPES UP FOR 123 00:07:04,757 --> 00:07:09,695 ANYONE? NO ONE IN PARTICULAR. 124 00:07:09,695 --> 00:07:12,365 WHAT ARE YOU WEARING TONIGHT THEN? 125 00:07:12,365 --> 00:07:14,100 JUST MY SUIT. HOW FUN IS IT TO SHOOT 126 00:07:14,100 --> 00:07:17,236 SOMETHING LIKE THAT? TO GO WELL, I'M BARELY IN IT, 127 00:07:17,236 --> 00:07:19,672 I'M IN IT FOR ABOUT THREE SECONDS. 128 00:07:19,672 --> 00:07:23,376 GEICO STILL, YOU SHOWED UP AND YOU HAD FUN, RIGHT? 129 00:07:23,376 --> 00:07:24,110 ALMOST. [LAUGHTER] 130 00:07:24,110 --> 00:07:32,285 [APPLAUSE] James: I LOVE IT. 131 00:07:32,285 --> 00:07:36,422 HE'S AT THE ACADEMY AWARDS. HUGH SHOULD BE TREATING THIS 132 00:07:36,422 --> 00:07:38,057 LIKE ONE OF THE FOUR WEDDINGS, NOT THE FUNERAL. 133 00:07:38,057 --> 00:07:42,995 THE THING IS GOT TO MATCH THE QUESTION TO THE PERSON. 134 00:07:42,995 --> 00:07:45,231 IF YOU CAN ASK TIMOTHEE CHALAMET WHAT HE'S WEARING. 135 00:07:45,231 --> 00:07:49,869 YOU GOT TO ASK WHAT HUGH GRANT THINKS ABOUT THE 18 CENTURY POET 136 00:07:49,869 --> 00:07:53,206 AT THE HUMAN IMAGINATION IS PROOF OF THE DIVINE. 137 00:07:53,206 --> 00:07:57,443 OSCAR NOMINEE TEMS MADE THINGS VERY DIFFICULT FOR THE PEOPLE 138 00:07:57,443 --> 00:08:00,046 SITTING BEHIND HER IN THE AUDITORIUM BECAUSE, WELL, SHE 139 00:08:00,046 --> 00:08:05,017 WORE THIS. [LAUGHTER] 140 00:08:05,017 --> 00:08:09,722 I MEAN, THOSE POOR PEOPLE SAT BEHIND HER... 141 00:08:09,722 --> 00:08:12,592 [LAUGHTER] IF SOMEONE IS WEARING THAT IN 142 00:08:12,592 --> 00:08:17,597 FRONT OF YOU, I DO THINK IT'S TOTALLY ACCEPTABLE TO JUST CUT 143 00:08:17,597 --> 00:08:23,636 OUT TWO EYEHOLES SO YOU CAN SEE. [APPLAUSE] 144 00:08:23,636 --> 00:08:24,937 EVERYONE LOOKS LIKE THEY ARE AT THE OSCARS. 145 00:08:24,937 --> 00:08:31,677 TEMS LOOKS LIKE SHE'S AT A MEETING OF THE GALACTIC S SENAT. 146 00:08:31,677 --> 00:08:33,679 PAUL ROGERS WON FOR BEST EDITING. 147 00:08:33,679 --> 00:08:35,781 HE WON THE BEST EDITING AWARD FOR "EVERYTHING EVERYWHERE 148 00:08:35,781 --> 00:08:37,884 ALL AT ONCE" AND HE GAVE A VERY CHILL SPEECH BENCHING HOW HE'S 149 00:08:37,884 --> 00:08:42,388 WINNING AN OSCAR FOR ONLY HIS SECOND EVER MOVIE. 150 00:08:42,388 --> 00:08:47,059 THIS IS TOO MUCH. THIS IS MY SECOND FILM, THIS IS 151 00:08:47,059 --> 00:08:49,528 CRAZY. [LAUGHTER] 152 00:08:49,528 --> 00:08:51,597 James: FIRST OFF, THAT MAN IS TOO HANDSOME TO BE LOCKED 153 00:08:51,597 --> 00:08:54,600 AWAY IN A DARK ROOM EDITING ALL DAY. 154 00:08:54,600 --> 00:08:56,869 ISN'T IT? [CHEERS AND APPLAUSE] 155 00:08:56,869 --> 00:09:02,475 CAN'T BE AN EDITOR! I SEE THIS GUY-- I DON'T KNOW 156 00:09:02,475 --> 00:09:08,147 HIM BUT I SEE THIS GUY HE'S THAT MAJOR "HOT DAD AT TRENDY 157 00:09:08,147 --> 00:09:10,283 PRESCHOOL" ENERGY. DO YOU KNOW ANY? 158 00:09:10,283 --> 00:09:12,485 HE ISN'T WINNING OSCAR, THAT GUYS PICKING UP HIS SON WHO IS 159 00:09:12,485 --> 00:09:20,793 CALLED LIKE JAGGER OR FOX WHILE DRINKING A $9 CUP OF POOR-OVER 160 00:09:20,793 --> 00:09:25,197 COFFEE. Ian: WE HAVE PRETTY HOT 161 00:09:25,197 --> 00:09:27,900 EDITORS. [LAUGHTER] 162 00:09:27,900 --> 00:09:33,773 MAYBE EDITORS ARE JUST HOT. James: CAN I BE HONEST? 163 00:09:33,773 --> 00:09:36,509 Ian: YEAH. James: I THINK WE AS A 164 00:09:36,509 --> 00:09:44,283 GROUP-- AS A GROUP OF MEN IN A WORKPLACE-- ARE NOT THAT HOT. 165 00:09:44,283 --> 00:09:49,355 I'M INCLUDING ALL-- I MEAN I'M PUTTING MYSELF WAY DOWN. 166 00:09:49,355 --> 00:09:53,159 I'M NOT DISSING YOU, I'M SAYING IS A GROUP-- AS A GROUP I DON'T 167 00:09:53,159 --> 00:09:55,261 THINK ANYONE WALKS INTO THE OFFICES OF "THE LATE LATE SHOW" 168 00:09:55,261 --> 00:10:02,601 AND GOES "WOW, WHAT A HOT BUNCH THIS IS!" 169 00:10:02,601 --> 00:10:05,504 I'M NOT SAYING I'M ATTRACTIVE-- I'M JUST SAYING YES, OUR EDITORS 170 00:10:05,504 --> 00:10:11,310 ARE NOT UNATTRACTIVE, BUT I THINK WE AS A SPECIES WITHIN THE 171 00:10:11,310 --> 00:10:16,782 SHOW HAVE LOWERED THE BAR. DO YOU KNOW WHAT I MEAN? 172 00:10:16,782 --> 00:10:20,920 TAKE GUILLERMO OUT OF THE BAND, THE BAND BECOMES A CRY FOR HELP. 173 00:10:20,920 --> 00:10:26,625 [APPLAUSE] YOU KNOW? 174 00:10:26,625 --> 00:10:32,365 AGAIN, NO DISRESPECT. Ian: PICTURES OF 175 00:10:32,365 --> 00:10:33,366 THE EDITORS? 176 00:10:33,366 --> 00:10:35,568 James: HAVE WE GOT PICTURES OF THE EDITORS? 177 00:10:35,568 --> 00:10:39,805 I DON'T THINK ANY OF THEM HAVE GOT ON MY PROFILES. 178 00:10:39,805 --> 00:10:47,947 A LOT OF THAT IS DUE TO TAX OR FRAUDULENT BEHAVIOR. 179 00:10:47,947 --> 00:10:51,584 LOOK. THAT'S A GOOD ONE. 180 00:10:51,584 --> 00:10:53,252 Ian: THAT'S A PROPER HOT DUDE. 181 00:10:53,252 --> 00:10:54,520 THAT'S A HOT GUY. James: I'M WITH YOU, AND 182 00:10:54,520 --> 00:10:59,291 JUST SAYING, WE ARE LOOKING AT IT-- IT'S LIKE IF WE ALL DID-- 183 00:10:59,291 --> 00:11:03,462 IF WE ALL DID THE LONG JUMP, NO ONE WOULD BE GOOD AT THE LONG 184 00:11:03,462 --> 00:11:07,800 JUMP, BUT SOMEONE WOULD WIN IT. IF [LAUGHTER] 185 00:11:07,800 --> 00:11:11,837 DO YOU KNOW? [APPLAUSE] 186 00:11:11,837 --> 00:11:16,008 IT'S LIKE SOMEONE, SOMEBODY WOULD JUMP THE FURTHEST SO WE 187 00:11:16,008 --> 00:11:20,613 WOULD GO WOW, THAT WAS AMAZING, YOU WON THE LONG JUMP. 188 00:11:20,613 --> 00:11:23,582 DIDN'T WIN ANYTHING. THEY BEAT... 189 00:11:23,582 --> 00:11:25,651 THIS! Ian: YOU ARE MAKING ME FEEL 190 00:11:25,651 --> 00:11:28,954 INSANE RIGHT NOW BECAUSE I THINK WE ARE ALL-- LIKE HOT DUDE, HOT 191 00:11:28,954 --> 00:11:33,426 DUDE, HOT DUDE. [APPLAUSE] 192 00:11:33,426 --> 00:11:35,361 James: LET ME BE-- James: IT'S HE HOT DUDE! 193 00:11:35,361 --> 00:11:38,130 I LOOK IN THE MIRROR AND I CAN'T TELL IF PEDRO PASCAL BROKE INTO 194 00:11:38,130 --> 00:11:42,401 MY HOUSE OR WHAT'S GOING ON. James: CORRECT. 195 00:11:42,401 --> 00:11:48,340 WE'VE GONE WAY OFF TRACK HERE. LADY GAGA PERFORMED HER 196 00:11:48,340 --> 00:11:51,744 OSCAR-NOMINATED SONG "HOLD MY HAND" FROM "TOP GUN: MAVERICK" 197 00:11:51,744 --> 00:11:55,247 AND FOR THE FIRST 45 SECONDS, THE CAMERA WAS VERY ZOOMED IN. 198 00:11:55,247 --> 00:12:01,821 HAVE A LOOK. I WROTE THIS SONG WITH MY 199 00:12:01,821 --> 00:12:06,092 FRIEND FOR THE FILM "TOP GUN: MAVERICK" IN MY STUDIO 200 00:12:06,092 --> 00:12:08,461 BASEMENT. [APPLAUSE] 201 00:12:08,461 --> 00:12:16,368 ITS DEEPLY PERSONAL FOR ME AND I THINK THAT WE ALL NEED EACH 202 00:12:16,368 --> 00:12:20,539 OTHER, WE NEED A LOT OF LOVE TO WALK THROUGH THIS LIFE. 203 00:12:20,539 --> 00:12:21,640 [LAUGHTER] [APPLAUSE] 204 00:12:21,640 --> 00:12:31,250 James: I MEAN... THEY WERE ZOOMED IN SO CLOSE YOU 205 00:12:31,250 --> 00:12:35,454 COULD SEE EVERYTHING. UNLESS OF COURSE YOU WERE SAT 206 00:12:35,454 --> 00:12:38,124 BEHIND TEMS, THEN YOU DIDN'T SEE ANYTHING. 207 00:12:38,124 --> 00:12:40,593 IT'S AN INTERESTING CHOICE, ISN'T IT? 208 00:12:40,593 --> 00:12:43,462 BOLD, BUT IT IS CERTAINLY BRAVE TO MAKE YOURSELF THAT 209 00:12:43,462 --> 00:12:45,064 VULNERABLE. YOU KNOW WHAT I MEAN? 210 00:12:45,064 --> 00:12:49,668 I KNOW I WOULD BE NERVOUS. IF THAT'S NOT I WOULD EVER FEEL 211 00:12:49,668 --> 00:12:52,938 CONFIDENT OF-- WAIT, TIM, WHAT ARE YOU DOING? 212 00:12:52,938 --> 00:12:59,578 NO! NO! 213 00:12:59,578 --> 00:13:01,947 [APPLAUSE] I LOVE THAT SHE STARTS THAT WITH 214 00:13:01,947 --> 00:13:06,485 "I WROTE THIS WITH MY FRIEND BLOODPOP." 215 00:13:06,485 --> 00:13:08,454 [LAUGHTER] BLOODPOP. 216 00:13:08,454 --> 00:13:10,689 Ian: NO. James: BLOOD. 217 00:13:10,689 --> 00:13:13,993 POP. HEY, GUYS, THIS IS CHRIS, ANDY, 218 00:13:13,993 --> 00:13:20,833 NEIL, SIMON, BLOODPOP," AS MY FRIEND BLOODPOP. 219 00:13:20,833 --> 00:13:24,336 WE RODE IN MY STUDIO BASEMENT. IS THAT BASEMENT WITH A STUDIO 220 00:13:24,336 --> 00:13:27,973 OR A STUDIO WITH A BASEMENT? EITHER WAY, YOU'VE GOT HUNDREDS 221 00:13:27,973 --> 00:13:31,243 OF MILLIONS OF DOLLARS, I'M SURE YOU COULD BE IN A STUDIO... 222 00:13:31,243 --> 00:13:35,481 THAT ISN'T IN A BASEMENT! IT'S WHERE BLOODPOP IS HAPPIEST? 223 00:13:35,481 --> 00:13:40,452 COOL, BE SAFE. AND IF YOU WATCHED, I'M SURE YOU 224 00:13:40,452 --> 00:13:44,590 NOTICED THIS. [APPLAUSE] 225 00:13:44,590 --> 00:13:49,728 THE ACADEMY TRIED TO GET MORE PEOPLE TO LEARN MORE BY FLASHING 226 00:13:49,728 --> 00:13:53,365 SCANNABLE QR CODES ON THE SCREEN. 227 00:13:53,365 --> 00:13:58,070 THEY EVEN DID IT AFTER THE "IN MEMORIAM" SECTION. 228 00:13:58,070 --> 00:14:01,240 WHEN YOU SCAN THE QR CODE YOU ONLY HAD TO WATCH TWO TASTEFUL 229 00:14:01,240 --> 00:14:06,779 DR PEPPER ADS BEFORE SEEING WHO ELSE HAD DIED LAST YEAR. 230 00:14:06,779 --> 00:14:07,713 [LAUGHTER] NO ONE WATCHING THE OSCARS IS 231 00:14:07,713 --> 00:14:10,950 PULLING OUT THEIR PHONE TO SCAN A QR CODE. 232 00:14:10,950 --> 00:14:14,553 MOSTLY BECAUSE THEY ARE ALREADY ON THEIR PHONES GOOGLING OUT TO 233 00:14:14,553 --> 00:14:19,758 GET OZEMPIC. AND THERE WAS THIS ODD MOMENT 234 00:14:19,758 --> 00:14:21,427 MELISSA McCARTHY AND HALLE BAILEY TOOK TO THE STAGE 235 00:14:21,427 --> 00:14:24,563 AS IF THEY WERE PRESENTING AN AWARD AND THEN THEY JUST SHOWED 236 00:14:24,563 --> 00:14:27,933 AN AD ON ABC FOR THEIR PARENT COMPANY WALT DISNEY. 237 00:14:27,933 --> 00:14:32,204 HAVE A LOOK. OF ♪ ♪ 238 00:14:32,204 --> 00:14:33,939 [APPLAUSE] SO, WE ARE SO EXCITED TO GIVE 239 00:14:33,939 --> 00:14:39,011 YOU THE FIRST LOOK AT OUR UPCOMING FILM. 240 00:14:39,011 --> 00:14:41,247 COMING TO THEATERS MAY 26TH. James: THEY COULD HAVE JUST 241 00:14:41,247 --> 00:14:45,417 GONE ALL IN AND PULLED OUT AN ENVELOPE AND EVERYTHING. 242 00:14:45,417 --> 00:14:49,088 AND LIKE "AND THE OSCAR FOR THE NEXT COMMERCIAL GOES TO... 243 00:14:49,088 --> 00:14:52,958 THE LITTLE MERMAID!" [CHEERS AND APPLAUSE] 244 00:14:52,958 --> 00:14:56,028 STRANGE, ISN'T IT? THEY HAVEN'T DONE THAT BEFORE, 245 00:14:56,028 --> 00:14:57,429 HAVE THEY? DONE AN AD IN THE SHOW? 246 00:14:57,429 --> 00:15:01,133 I THINK IT'S A LITTLE TASTELESS TO RUN AN AD IN THE MIDDLE OF A 247 00:15:01,133 --> 00:15:06,872 TV SHOW, YOU KNOW? ANYWAY, KEURIG, BREW THE LOVE." 248 00:15:06,872 --> 00:15:10,142 AND DID YOU CATCH THIS? DURING HIS ACCEPTANCE SPEECH, 249 00:15:10,142 --> 00:15:12,378 THE PRODUCER OF "EVERYTHING EVERYWHERE 250 00:15:12,378 --> 00:15:15,147 ALL AT ONCE" MEANT TO SAY "NO PROFITS ARE MORE IMPORTANT THAN 251 00:15:15,147 --> 00:15:18,083 A PERSON," BUT GOT A LITTLE MIXED UP. 252 00:15:18,083 --> 00:15:23,589 NO PERSON IS MORE IMPORTANT THAN PROFITS. 253 00:15:23,589 --> 00:15:30,329 [LAUGHTER] [APPLAUSE] 254 00:15:30,329 --> 00:15:32,831 James: ALL THE PRODUCERS AND STUDIO HEADS IN THE ROOM 255 00:15:32,831 --> 00:15:35,501 WERE LIKE "FINALLY, SOMEONE SAID IT!" 256 00:15:35,501 --> 00:15:38,504 [APPLAUSE] IT WAS ALL THE SPEECHES LAST 257 00:15:38,504 --> 00:15:41,307 NIGHT ABOUT THE POWER OF FILM AND HOW DREAMS CAN COME TRUE, IT 258 00:15:41,307 --> 00:15:46,879 WAS NICE TO FINALLY HEAR SOMETHING HONEST. 259 00:15:46,879 --> 00:15:48,447 THERE WERE A LOT OF EXCITING WINS, SOME INCREDBLE SPEECHES 260 00:15:48,447 --> 00:15:52,117 LAST NIGHT. NO ONE WAS MORE SHOCKED AND 261 00:15:52,117 --> 00:15:53,819 OVERCOME WITH EXCITEMENT AND JAMIE LEE CURTIS. 262 00:15:53,819 --> 00:15:58,390 HERE SHE IS HERE. [LAUGHTER] 263 00:15:58,390 --> 00:16:02,194 SHE'S REALLY EXCITED. YOU THINK SHE'S MAKING A FACE 264 00:16:02,194 --> 00:16:06,398 WAS SET IN FRONT OF HER. [LAUGHTER] 265 00:16:06,398 --> 00:16:09,868 AND AT THE END OF THE NIGHT, THERE WAS THIS TOUCHING MOMENT 266 00:16:09,868 --> 00:16:13,238 WHEN KE HUY QUAN HUGGED HARRISON FORD AFTER FORD PRESENTED THE 267 00:16:13,238 --> 00:16:15,974 BEST PICTURE AWARD. IT WAS AN INCREDIBLE SWEET 268 00:16:15,974 --> 00:16:19,511 MOMENT AND REMINDED A LOT OF PEOPLE OF QUAN'S FIRST ROLE IN 269 00:16:19,511 --> 00:16:21,980 "INDIANA JONES AND THE TEMPLE OF DOOM." 270 00:16:21,980 --> 00:16:23,649 [CHEERS AND APPLAUSE] LOOK AT THAT. 271 00:16:23,649 --> 00:16:26,352 LOOK, IT WAS SO BEAUTIFUL. IT MADE ME WANT TO CRY. 272 00:16:26,352 --> 00:16:29,021 IT LOOKS HEARTWARMING, YES, BUT HE'S ACTUALLY WHISPERING IN 273 00:16:29,021 --> 00:16:36,128 HARRISON FORD'S EAR, "WHO'S THE SHORT ROUND NOW, BITCH?" 274 00:16:36,128 --> 00:16:39,565 AND THAT'S THE NEWS! [CHEERS AND APPLAUSE] 275 00:16:39,565 --> 00:16:43,469 I'VE GOT SOMETHING TO SHARE WITH YOU, THIS IS EXCITING, TOMORROW 276 00:16:43,469 --> 00:16:46,305 NIGHT, TOMORROW NIGHT-- THIS IS OUR FIRST CARPAL AND HOW LONG? 277 00:16:46,305 --> 00:16:49,341 ABOUT EIGHT MONTHS. James: IT'S BEEN AWAY FOR 278 00:16:49,341 --> 00:16:52,845 EIGHT MONTHS WE HAVE A BRAND-NEW "CARPOOL KARAOKE" FOR YOU WITH 279 00:16:52,845 --> 00:16:58,050 THE ONE, THE ONLY, THE BIGGEST STREAMING ARTIST IN THE WORLD, 280 00:16:58,050 --> 00:17:00,252 BAD BUNNY IS IN THE CAR! [CHEERS AND APPLAUSE] 281 00:17:00,252 --> 00:17:03,756 YOU GUYS WANT A SNEAK PEEK? ♪ ♪ 282 00:17:03,756 --> 00:17:09,628 James: THANK YOU SO MUCH FOR HELPING ME GET TO WORK. 283 00:17:09,628 --> 00:17:14,900 I REALLY, REALLY APPRECIATE IT. DO YOU MIND IF WE LISTEN TO SOME 284 00:17:14,900 --> 00:17:17,069 MUSIC? ♪ ME LA' VO'A LLEVAR A TO'A PA' 285 00:17:17,069 --> 00:17:21,840 UN VIP, UN VIP, EY ♪ ♪ SALUDEN A TITI ♪ 286 00:17:21,840 --> 00:17:23,509 ♪ VAMO' A TIRARNO' UN SELFIE, SAY "CHEESE", EY ♪ 287 00:17:23,509 --> 00:17:25,811 ♪ QUE SONRIAN LAS QUE YA LES METI ♪ 288 00:17:25,811 --> 00:17:29,281 ♪ EN UN VIP, UN VIP, EY ♪ ♪ SALUDEN A TITI ♪ 289 00:17:29,281 --> 00:17:34,720 ♪ VAMO' A TIRARNO' UN SELFIE, SAY "CHEESE" ♪ 290 00:17:34,720 --> 00:17:36,455 [CHEERS AND APPLAUSE] James: THAT IS TOMORROW 291 00:17:36,455 --> 00:17:39,625 NIGHT WITH BAD BUNNY. BE SURE TO TUNE IN TOMORROW, 292 00:17:39,625 --> 00:17:41,727 STICK AROUND, WE WILL BACK MORE BE BACK WITH MORE OF 293 00:17:41,727 --> 00:17:43,829 "THE LATE LATE SHOW." 294 00:17:43,829 --> 00:17:45,898 [CHEERS AND APPLAUSE] 295 00:17:57,242 --> 00:17:59,178 ♪ ♪ James: WELCOME BACK! 296 00:17:59,178 --> 00:18:01,847 IF THERE'S ONE THING WE ABSOLUTELY LOVE DOING HERE AT 297 00:18:01,847 --> 00:18:03,949 "THE LATE LATE SHOW"-- AND ACTUALLY, IF I'M BEING 298 00:18:03,949 --> 00:18:06,151 COMPLETELY HONEST, I THINK IT'S THING WE ARE GOING TO MISS THE 299 00:18:06,151 --> 00:18:07,753 MOST. IT WON'T BE THE SHOW, IT WILL BE 300 00:18:07,753 --> 00:18:13,392 DOING THE SHOW EVERY DAY, IT WON'T BE HANGING OUT AS A GROUP 301 00:18:13,392 --> 00:18:14,593 EVEN. IT WILL BE ONE SPECIFIC THING 302 00:18:14,593 --> 00:18:18,230 THAT WE PRETTY MUCH GATHER EVERY DAY AND IT'S WHAT WE DO. 303 00:18:18,230 --> 00:18:24,536 WHAT IS IT WE DO? TALK ABOUT DOGS AND 304 00:18:24,536 --> 00:18:26,672 SUNGLASSES. James: WE LOOK AT PICTURES 305 00:18:26,672 --> 00:18:29,408 OF DOGS IN SUNGLASSES. IT'S WHAT WE DO BUT WHAT A LOT 306 00:18:29,408 --> 00:18:32,978 OF PEOPLE DON'T KNOW IS THAT THERE'S A LOT MORE THESE DOGS IN 307 00:18:32,978 --> 00:18:35,614 SUNGLASSES THEN MEETS THE EYE SO I'M GOING TO TELL YOU A LITTLE 308 00:18:35,614 --> 00:18:38,984 BIT ABOUT THESE DOGS WEARING SUNGLASSES TO LET YOU KNOW WHAT 309 00:18:38,984 --> 00:18:42,254 THEY'RE ALL ABOUT. THIS IS "DOGS N SUNGLASSES." 310 00:18:42,254 --> 00:18:45,457 ♪ ♪ [APPLAUSE] 311 00:18:45,457 --> 00:18:55,767 ♪ ♪ V5 DOGS IN SUNGLASSES. 312 00:18:55,767 --> 00:18:57,302 BARK, BARK, 313 00:18:57,302 --> 00:19:05,444 PROTECT YOUR EYES. [APPLAUSE] 314 00:19:05,444 --> 00:19:14,853 ♪ ♪ 315 00:19:14,853 --> 00:19:37,843 BARK. [LAUGHTER] 316 00:19:37,843 --> 00:19:41,213 James: ALL RIGHT, OKAY. [APPLAUSE] 317 00:19:41,213 --> 00:19:45,284 IF YOU ARE OKAY FOR TIME, I WOULD LOVE TO TELL YOU ABOUT 318 00:19:45,284 --> 00:19:49,421 THIS GUY. THIS GUY LOST HIS JOB AS A MALL 319 00:19:49,421 --> 00:19:55,127 SANTA BECAUSE HE'D ONLY LET THE MOMS ON HIS LAP. 320 00:19:55,127 --> 00:20:04,102 [LAUGHTER] ME TELL YOU ABOUT THIS GUY. 321 00:20:04,102 --> 00:20:09,441 THIS GUY WILL TEXT "U UP" AT 2:00 IN THE AFTERNOON. 322 00:20:09,441 --> 00:20:16,815 THIS GUY JUST HANDED YOU A GIFT CERTIFICATE FOR A FREE HALF HOUR 323 00:20:16,815 --> 00:20:18,016 OF THE 14 YOGA. THIS GUY DOESN'T WANT YOU TO 324 00:20:18,016 --> 00:20:22,287 CALL HIM DAD, BUT HE DOES WANT YOUR MOM TO CALL HIM DADDY. 325 00:20:22,287 --> 00:20:26,658 [APPLAUSE] [LAUGHTER] 326 00:20:26,658 --> 00:20:35,634 LET ME TALK TO ABOUT THIS GAL. THIS GAL HAS BANGED EVERY SINGLE 327 00:20:35,634 --> 00:20:43,208 MEMBER OF ABBA IN BOTH REAL AND HOLOGRAM FORM. 328 00:20:43,208 --> 00:20:48,780 THIS GAL-- THIS GAL THINKS WE NEED TO GET OUR HANDS ON HUNTER 329 00:20:48,780 --> 00:20:51,650 BIDEN'S LAPTOP BECAUSE THERE ARE SEVERAL PHOTOS OF HER THAT SHE 330 00:20:51,650 --> 00:20:57,556 WANTS BACK. [LAUGHTER] 331 00:20:57,556 --> 00:21:03,061 LET ME TELL YOU ABOUT THIS GUY. THIS GUY MAKES THE FERRIS 332 00:21:03,061 --> 00:21:11,269 BUEHLER "CHICKA-CHICKA" SOUND EVERY TIME HE HAS {FLUSH AN 333 00:21:11,269 --> 00:21:13,238 - THIS GUY WILL BOOTY CALL 334 00:21:13,238 --> 00:21:22,180 YOU-- THIS GUY DOESN'T FEEL COMFORTABLE IN A HOTEL ROOM 335 00:21:22,180 --> 00:21:29,621 UNLESS HE'S DRILLED BOTH A PEEPHOLE AND A GLORY HOLE. 336 00:21:29,621 --> 00:21:33,592 [LAUGHTER] HOW ARE WE DOING FOR TIME? 337 00:21:33,592 --> 00:21:35,961 YOU ARE NOT RUSHING OFF, ARE YOU? 338 00:21:35,961 --> 00:21:38,630 I WANT TO TELL YOU ABOUT THIS GUY. 339 00:21:38,630 --> 00:21:43,835 THIS GUY MISUNDERSTOOD YOU-- THIS GUY MISUNDERSTOOD YOU WHEN 340 00:21:43,835 --> 00:21:48,840 YOU ASK IF HE COULD PUT ON SOME PROTECTION. 341 00:21:48,840 --> 00:21:52,277 AND FINALLY, LET ME TELL YOU ABOUT THIS GAL. 342 00:21:52,277 --> 00:21:55,547 THIS GAL LOOKS AT EVERYTHING THROUGH ROSE-COLORED GLASSES, 343 00:21:55,547 --> 00:21:58,050 ESPECIALLY THAT FOOTAGE OF YOU IN THE SHOWER WHEN YOU RENTED 344 00:21:58,050 --> 00:22:03,021 HER AIRBNB. [APPLAUSE] 345 00:22:03,021 --> 00:22:04,623 THAT WAS DOGS IN SUNGLASSES, WE WILL BE RIGHT BACK. 346 00:22:04,623 --> 00:22:06,692 [CHEERS AND APPLAUSE] ♪ ♪ 347 00:22:16,868 --> 00:22:21,907 [CHEERS AND APPLAUSE] 348 00:22:21,907 --> 00:22:22,841 ♪ ♪ James: WELCOME BACK! 349 00:22:22,841 --> 00:22:25,510 LET'S MEET OUR GUESTS TONIGHT. HE STARS IN 350 00:22:25,510 --> 00:22:31,116 "DAISY JONES & THE SIX," PLEASE WELCOME SAM CLAFLIN! 351 00:22:31,116 --> 00:22:40,425 [CHEERS AND APPLAUSE] ♪ ♪ 352 00:22:40,425 --> 00:22:45,163 SHE STARS IN "WOLF PACK," IT'S SARAH MICHELLE GELLAR! 353 00:22:45,163 --> 00:22:47,532 [CHEERS AND APPLAUSE] USABLE 354 00:22:47,532 --> 00:23:02,013 ♪ ♪[CHEERS AND APPLAUSE] 355 00:23:02,013 --> 00:23:04,483 James: BLESS YOU, THANK YOU SO MUCH FOR BEING HERE! 356 00:23:04,483 --> 00:23:08,920 YOU ARE BOTH OUT AND ABOUT AT OSCAR PARTY LAST NIGHT. 357 00:23:08,920 --> 00:23:13,191 SAM, YOU FLEW IN FROM OFF BY? Sam: I DID. 358 00:23:13,191 --> 00:23:15,293 James: AND THEN WHEN YOU WENT STRAIGHT OUT TO PARTY. 359 00:23:15,293 --> 00:23:18,430 WHAT DID YOU GO TO, WHAT DID YOU DO, ANY HIGHLIGHTS? 360 00:23:18,430 --> 00:23:21,867 I WENT TO WATCH THE OSCARS, THE ELTON JOHN VIEWING PARTY, SO I 361 00:23:21,867 --> 00:23:25,303 STARTED EARLY, HAVING NOT SLEPT MUCH FROM THE NIGHT BEFORE 362 00:23:25,303 --> 00:23:29,141 AND THEN I WENT TO THE "VANITY FAIR" PARTY WHERE I SAW 363 00:23:29,141 --> 00:23:31,743 YOU IN INSTANCE AND WAS GOING TO SAY HELLO AND DECIDED INSTEAD TO 364 00:23:31,743 --> 00:23:32,711 GO HOME AND SLEEP. James: RIGHT. 365 00:23:32,711 --> 00:23:36,348 YOU DID. WHAT TIME DID YOU GET HOME? 366 00:23:36,348 --> 00:23:40,285 Sam: 12:30. Sarah Michelle: A BETTER 367 00:23:40,285 --> 00:23:42,187 MAN THAN BOTH OF US. James: WHAT TIME DID YOU 368 00:23:42,187 --> 00:23:43,388 GET BACK? Sarah Michelle: I HAD A 369 00:23:43,388 --> 00:23:46,725 HARD OUT FOR MYSELF BECAUSE I HAD PARENT-TEACHER CONFERENCE 370 00:23:46,725 --> 00:23:49,561 THIS MORNING AND I DIDN'T WANT TO BE A TOTAL DISASTER. 371 00:23:49,561 --> 00:23:51,696 I WAS A TOTAL DISASTER. OF [LAUGHTER] 372 00:23:51,696 --> 00:23:55,600 IT WAS A GOOD PLAN. James: HELLO. 373 00:23:55,600 --> 00:23:59,638 Sarah Michelle: THAT IS SORT OF WHAT IT WAS LIKE. 374 00:23:59,638 --> 00:24:03,475 YOUR DESCRIPTION, I THOUGHT THAT WAS ACTUALLY JUST IN MY HEAD. 375 00:24:03,475 --> 00:24:05,343 I DIDN'T REALIZE ALL OF US HEARD THAT. 376 00:24:05,343 --> 00:24:08,079 I'M DOING GREAT, GUYS! I'M A MESS! 377 00:24:08,079 --> 00:24:10,582 THIS MIGHT BE THE BIGGEST MESS I'VE EVER BEEN. 378 00:24:10,582 --> 00:24:16,588 I'M TOLD-- I WAS HOME BY LIKE 2:00, 2:30 BUT I WAS RILED UP. 379 00:24:16,588 --> 00:24:18,123 MY BEST FRIEND JUST WON AND OSCAR! 380 00:24:18,123 --> 00:24:21,726 IT WAS A CRAZY NIGHT. I ALSO ATE REALLY LATE AND 381 00:24:21,726 --> 00:24:27,265 THAT'S NOT A GOOD IDEA EVER. James: ABSOLUTELY. 382 00:24:27,265 --> 00:24:30,535 SAM, YOU SPENT MOST OF LAST YEAR IN LOS ANGELES WITH YOUR KIDS. 383 00:24:30,535 --> 00:24:36,041 DID YOU EVER RUN INTO LIBERTIES IN A SORT OF REGULAR, EVERYDAY 384 00:24:36,041 --> 00:24:37,509 ENVIRONMENT? Sam: YEAH, WE DID. 385 00:24:37,509 --> 00:24:41,213 WE HAD ONE SPECIFIC DAY WHERE I TOOK THEM TO THE TRAMPOLINE PARK 386 00:24:41,213 --> 00:24:46,284 IN VAN NUYS AND YOU KNOW, MY KIDS LOVE BOUNCING AROUND, BUT 387 00:24:46,284 --> 00:24:49,487 MY KIDS ALSO ARE OBSESSED WITH THE ARCADE SECTION OF THAT, THAT 388 00:24:49,487 --> 00:24:53,592 PARTICULAR PARK. AS MIA MY LITTLE BOY OR PLAYING 389 00:24:53,592 --> 00:24:59,097 AIR HOCKEY, ALL OF A SUDDEN JOHN LEGEND WALKS IN WITH HIS 390 00:24:59,097 --> 00:25:01,233 DAUGHTER. I WAS VERY STARSTRUCK. 391 00:25:01,233 --> 00:25:07,439 MY LITTLE BOY HAD NO IDEA, THEY WERE WAITING VERY PATIENTLY I 392 00:25:07,439 --> 00:25:11,176 SAID WANT YOU HAVE AGO SPIRIT AND HE SAID WERE HERE FIRST, 393 00:25:11,176 --> 00:25:13,211 MAN. AND THEN HE SUGGESTED THAT THE 394 00:25:13,211 --> 00:25:15,247 CHILDREN PLAY AGAINST ONE ANOTHER. 395 00:25:15,247 --> 00:25:21,019 SO THEIR DAUGHTER PLAYED MY SON, AND ABSOLUTELY ANNIHILATED HIM. 396 00:25:21,019 --> 00:25:24,689 [LAUGHTER] I THINK IT WAS 9-0. 397 00:25:24,689 --> 00:25:27,359 I'VE NEVER BEEN PROUDER OF HAVING SUC A LOSER FOR A CHILD. 398 00:25:27,359 --> 00:25:30,495 YOU KNOW? Sarah Michelle: 'S JOHN 399 00:25:30,495 --> 00:25:31,796 LEGEND MUSIC ALLOWED IN YOUR HOUSE? 400 00:25:31,796 --> 00:25:33,965 Sam: YEAH, YEAH, THERE'S NO PTSD. 401 00:25:33,965 --> 00:25:37,335 James: I THINK THAT'S HOW DON MAKES A LOT OF HIS MONEY. 402 00:25:37,335 --> 00:25:40,305 IT'S TRUE. IT'S ESSENTIALLY A SHAKEDOWN. 403 00:25:40,305 --> 00:25:45,543 I'VE SEEN HIM AT LASER TAG, I'VE SEEN THEM ALL OVER THE SHOP AND 404 00:25:45,543 --> 00:25:47,879 HE BASICALLY LULLS YOU INTO A PLACE WHERE YOU THINK YOU ARE 405 00:25:47,879 --> 00:25:51,983 WINNING AND THEN HE SAYS LET'S PUT SOME MONEY ON THIS AND 406 00:25:51,983 --> 00:25:53,218 GENERALLY-- Sam: I THOUGHT MY LITTLE 407 00:25:53,218 --> 00:25:56,655 BOY WAS JUST BEING A GENTLEMAN ALLOWING THE LADY TO WIN. 408 00:25:56,655 --> 00:25:58,990 NOW YOU CAN START TRYING TO GET AT LEAST ONE. 409 00:25:58,990 --> 00:26:03,495 BUT NO, HE JUST WASN'T GOOD ENOUGH. 410 00:26:03,495 --> 00:26:05,397 [LAUGHTER] James: YOU BOTH START IN 411 00:26:05,397 --> 00:26:10,302 HUGE BLOCKBUSTER FRANCHISES. SARAH, WHEN YOUR MOVIES HIT 412 00:26:10,302 --> 00:26:13,471 NUMBER ONE AT THE BOX OFFICE, WHAT KIND OF PERKS WOULD COME 413 00:26:13,471 --> 00:26:16,308 ALONG YOUR WAY WITH THAT? BECAUSE I FEEL LIKE YOU WERE 414 00:26:16,308 --> 00:26:21,446 HAVING BOX OFFICE NUMBER ONES AT THE HEIGHT OF BOX OFFICE NUMBER 415 00:26:21,446 --> 00:26:23,348 ONES. THAT WAS THE BIG MONEY DAYS. 416 00:26:23,348 --> 00:26:26,952 IF YOU DO I HAD HEARD ALL THE STORIES LIKE WHEN "BUFFY" WAS 417 00:26:26,952 --> 00:26:29,487 ON. GAME TIME IS "FRIENDS" AND 418 00:26:29,487 --> 00:26:33,224 "WILL & GRACE," AND I THINK "FRIENDS CLOSE GOT THEY GOT 419 00:26:33,224 --> 00:26:35,026 PORTIONS OR MAYBE ROVERS, I ALWAYS HEARD THE STORIES, 420 00:26:35,026 --> 00:26:39,798 BODYGUARD, THEY GOT MASERATI'S ORDER-- I DON'T KNOW WHAT THEY 421 00:26:39,798 --> 00:26:45,036 WERE AND SO I WAS LIKE OKAY, WHN "SCOOBY-DOO" OPENED, WE 422 00:26:45,036 --> 00:26:49,007 SAW THIS CAR PULL UP. AND IT WAS LIKE THERE'S NO BOW 423 00:26:49,007 --> 00:26:55,814 ON IT, BUT MAYBE. THIS PERSON IS HOLDING OUT LIKE 424 00:26:55,814 --> 00:26:57,615 GIGANTIC OVERSIZED BASKET AND WE ARE LIKE TRYING TO ACT ALL COOL 425 00:26:57,615 --> 00:27:00,852 AND THERE'S TWO OF US IN THE MOVIE. 426 00:27:00,852 --> 00:27:02,087 THERE'S JUST ONE BASKET. SO THAT WAS A LITTLE SUSPECT 427 00:27:02,087 --> 00:27:06,992 FROM THE GET-GO AND THEN THEY LEAVE. 428 00:27:06,992 --> 00:27:14,232 IT WAS A VERY LARGE STUFFED SCOOBY-DOO AND SCOOBY SNACKS. 429 00:27:14,232 --> 00:27:18,636 SO WE REALLY FELT LIKE WE HIT THE JACKPOT. 430 00:27:18,636 --> 00:27:20,705 James: WAS A GOOD CANDY? Sarah Michelle: IT WAS 431 00:27:20,705 --> 00:27:24,442 SCOOBY SNACKS LITERALLY FOR THE DOGS. 432 00:27:24,442 --> 00:27:26,444 ACTUALLY FOR THE DUCT-- James: DOG TREATS. 433 00:27:26,444 --> 00:27:31,149 Sarah Michelle: YEAH. Sam: DID YOU TRY ONE? 434 00:27:31,149 --> 00:27:34,185 James: SO WHEN "THE HUNGER GAMES" CAME OUT-- 435 00:27:34,185 --> 00:27:39,257 DID YOU GET ANY BIG-- ANY BIG STUFF COME YOUR WAY? 436 00:27:39,257 --> 00:27:43,828 Sam: I DID. SO I RECENTLY BOUGHT MY FIRST 437 00:27:43,828 --> 00:27:45,096 HOUSE AND I THINK A LOT OF PEOPLE HAVE AN IDEA THAT ACTORS 438 00:27:45,096 --> 00:27:47,866 ARE VERY WEALTHY FOR SOME REASON. 439 00:27:47,866 --> 00:27:51,903 LET ME TELL YOU IT WAS ONE OF MY FIRST JOBS AND IT WASN'T PAID 440 00:27:51,903 --> 00:27:55,874 THAT GREAT, SURPRISINGLY. BUT IT WAS THE THING WHERE I 441 00:27:55,874 --> 00:27:59,077 TOLD THEM THAT I WAS DOING UP THIS BRAND-NEW HOUSE THAT I 442 00:27:59,077 --> 00:28:05,283 BOUGHT AND WAS HAVING MY KITCHEN REDONE, SO THEY VERY KINDLY 443 00:28:05,283 --> 00:28:07,118 BOUGHT ME A WINE FRIDGE. THE PROBLEM WAS THE FRIDGE WAS 444 00:28:07,118 --> 00:28:09,220 BIGGER THAN THE KITCHEN. [LAUGHTER] 445 00:28:09,220 --> 00:28:12,791 WHAT DO I DO WITH THIS? YOU KNOW, I HAVE AN ICE BATH ALL 446 00:28:12,791 --> 00:28:16,494 OF A SUDDEN. I FORTUNATELY WAS ABLE TO SEND 447 00:28:16,494 --> 00:28:18,630 IT BACK AND SAID THANK YOU VERY MUCH. 448 00:28:18,630 --> 00:28:20,832 James: CAN I GET A SMALLER WINE FRIDGE? 449 00:28:20,832 --> 00:28:24,402 Sam: OR SOME DOG TREATS. James: SEND ME THE MONETARY 450 00:28:24,402 --> 00:28:26,638 VALUE OF THIS FRIDGE. Sarah Michelle: DID THEY 451 00:28:26,638 --> 00:28:29,274 EVEN ASK IF YOU DRINK FIRST? CAN YOU IMAGINE THEY SEND IT TO 452 00:28:29,274 --> 00:28:32,811 UNDER I DON'T DRINK ALCOHOL? James: THEY WOULD NEVER 453 00:28:32,811 --> 00:28:36,347 THINK TO DO SUCH-- SPEAKING OF HOLLYWOOD GIFTS, YOU HAVE A MAN 454 00:28:36,347 --> 00:28:41,486 CRUSH ON DAVID BECKHAM. HE'S HOLLYWOOD'S GIFT. 455 00:28:41,486 --> 00:28:44,122 HAVE YOU EVER MET HIM? SPENT ANY TIME WITH HIM? 456 00:28:44,122 --> 00:28:45,790 Sam: I'VE NEVER MET HIM, NO. 457 00:28:45,790 --> 00:28:50,562 I HAVE BEEN CLOSE TWICE. ONE OF THE TIMES I WAS IN 458 00:28:50,562 --> 00:28:55,834 HOLLYWOOD, I GOT INVITED TO A PARTY WHERE IT WAS LIKE A 459 00:28:55,834 --> 00:28:57,502 WHO'S WHO OF PEOPLE THERE. REMEMBER BRAD PITT WAS THERE, 460 00:28:57,502 --> 00:29:00,872 GEORGE CLOONEY WAS THERE, AND IN THE DISTANCE THERE WAS 461 00:29:00,872 --> 00:29:02,640 POSH SPICE AND, YOU KNOW, DAVID BECKHAM. 462 00:29:02,640 --> 00:29:06,111 I WAS A HUGE FAN OF NOT ONLY DAVID BECKHAM BUT OF THE 463 00:29:06,111 --> 00:29:09,914 SPICE GIRLS BACK IN THE DAY. SHE WAS MY FAVORITE, SO THE IDEA 464 00:29:09,914 --> 00:29:14,986 OF THOSE TO MARRYING EACH OTHER JUST MADE SENSE. 465 00:29:14,986 --> 00:29:20,525 I SAW AN HE WAS LIKE THIS IS MY CAN'T, I CAN'T. 466 00:29:20,525 --> 00:29:23,394 James: YOU COULDN'T DO IT? Sam: I COULDN'T DO IT AND 467 00:29:23,394 --> 00:29:27,499 HE'S A BIG FAN OF "PEAKY BLINDERS" AND I WORKED 468 00:29:27,499 --> 00:29:30,368 EVERY DAY FOR TWO WEEKS-- THE ONE DAY I DIDN'T WORK HE CAME TO 469 00:29:30,368 --> 00:29:34,439 VISIT SET. EVERYONE HAD PHOTOS WITH HIM. 470 00:29:34,439 --> 00:29:35,473 OF COURSE. ONE DAY. 471 00:29:35,473 --> 00:29:40,345 James: ONE DAY. I WISH WE HAD THE FORESIGHT TO 472 00:29:40,345 --> 00:29:43,715 JUST PLANT HIM BEHIND THAT CURTAIN. 473 00:29:43,715 --> 00:29:49,087 Sam: ONE DAY. ONE DAY, HOPEFULLY. 474 00:29:49,087 --> 00:29:52,056 [LAUGHTER] James: LET'S TALK ABOUT 475 00:29:52,056 --> 00:29:56,094 YOUR BRILLIANT SHOW "WOLF PACK." FOR A ANYONE WHO DOESN'T KNOW, 476 00:29:56,094 --> 00:29:58,363 WHAT IS IT ABOUT? Sarah Michelle: I FEEL LIKE 477 00:29:58,363 --> 00:30:01,733 I SHOULD KNOW THESE ANSWERS, THESE ARE HARD QUESTIONS, I 478 00:30:01,733 --> 00:30:04,202 REALLY AM A MESS. I SWEAR I SLEPT. 479 00:30:04,202 --> 00:30:05,904 IT'S A SHOW ABOUT THESE YOUNG KIDS. 480 00:30:05,904 --> 00:30:11,009 IT TAKES PLACE DURING THE 405 L.A. FIRES AND DURING THE FIRES, 481 00:30:11,009 --> 00:30:14,946 ALL OF THESE ANIMALS HAVE NOW BEEN RELEASED OUT OF SORT OF THE 482 00:30:14,946 --> 00:30:18,483 MOUNTAINS AROUND LOS ANGELES, BUT THERE'S ALSO A WOLF THAT IS 483 00:30:18,483 --> 00:30:23,588 OUT THERE BITING PEOPLE AND I PLATE THE ARSON INVESTIGATOR 484 00:30:23,588 --> 00:30:26,891 THAT HAS BEEN SENT TO FIGURE OUT HOW THIS FIRE STARTED. 485 00:30:26,891 --> 00:30:30,061 James: AND THIS KIND OF MARKS YOUR RETURN TO THE 486 00:30:30,061 --> 00:30:31,896 SUPERNATURAL WORLD. IS THAT WHAT APPEALED TO YOU 487 00:30:31,896 --> 00:30:35,900 ABOUT DOING THE SHOW? Sarah Michelle: NO. 488 00:30:35,900 --> 00:30:37,168 NO. FIRST I DIDN'T EVEN WANT TO READ 489 00:30:37,168 --> 00:30:40,638 IT BECAUSE I WAS LIKE I DON'T DO WOLVES. 490 00:30:40,638 --> 00:30:43,007 I DON'T KNOW WHY, IT'S NOT LIKE I'M ANTI-WOLF. 491 00:30:43,007 --> 00:30:45,810 I'M NOT TRYING TO GET CANCELED BY THE WOLF POPULATION. 492 00:30:45,810 --> 00:30:50,014 I LOVE ALL ANIMALS. THE WRITING WAS SO GOOD AND IT 493 00:30:50,014 --> 00:30:54,285 HOOKED ME AND I ALSO THINK I HAD COVID OF THE TIME AND MIGHT HAVE 494 00:30:54,285 --> 00:30:56,487 BEEN SOMEWHAT DELIRIOUS, WHICH MIGHT HAVE FACTORED INTO IT BUT 495 00:30:56,487 --> 00:30:59,257 IT WAS THE BEST COVID DECISION I MADE. 496 00:30:59,257 --> 00:31:00,959 James: IT'S ABSOLUTELY BRILLIANT AND YOU ARE FANTASTIC. 497 00:31:00,959 --> 00:31:03,895 LET'S TAKE A LOOK AT THE CLIP FROM "WOLF PACK," WHICH IS 498 00:31:03,895 --> 00:31:06,297 STREAMING EXCLUSIVELY ON PARAMOUNT+. 499 00:31:06,297 --> 00:31:09,434 BE HONEST. SEEING YOU WITH HARLAN AND LUNA 500 00:31:09,434 --> 00:31:12,503 MAKES ME REALIZE THAT MY SON COULD HAVE USED A FATHER LIKE 501 00:31:12,503 --> 00:31:15,206 YOU. YOU DID NOTICE MY KIDS AREN'T 502 00:31:15,206 --> 00:31:18,977 SPEAKING TO ME? IT JUST MEANS YOU'RE A GOOD 503 00:31:18,977 --> 00:31:21,846 PARENTS. THEY SHOULD GET ANGRY WITH US 504 00:31:21,846 --> 00:31:25,016 SOMETIMES. AND WE ARE ALLOWED TO GET ANGRY 505 00:31:25,016 --> 00:31:42,166 TOO. ♪ ♪ 506 00:31:42,166 --> 00:31:46,771 James: STICK AROUND, MORE WITH THESE TWO! 507 00:31:46,771 --> 00:31:50,308 ♪ ♪ [APPLAUSE] 508 00:31:57,115 --> 00:31:59,617 YOU THINK I'M FULL OF LEAP? 509 00:31:59,617 --> 00:32:00,918 ME? WHAT ABOUT YOU 510 00:32:00,918 --> 00:32:03,488 YOU WANT ME TO BELIEVE THAT 511 00:32:03,488 --> 00:32:05,657 THAT'S REAL, THAT YOU ARE HAPPY AND IN LOVE? 512 00:32:05,657 --> 00:32:11,796 I AM HAPPY AND I AM IN LOVE! I KNOW YOU TOO, DAISY. 513 00:32:11,796 --> 00:32:16,200 YOU DON'T KNOW [BLEEP] THING. I KNOW WHAT IT LOOKS LIKE 514 00:32:16,200 --> 00:32:22,540 WHEN YOU'RE IN LOVE WITH SOME SOMEONE. 515 00:32:22,540 --> 00:32:31,683 ♪ ♪ [APPLAUSE] 516 00:32:31,683 --> 00:32:34,886 James: THAT WAS A CLIP FROM "DAISY JONES & THE SIX," NEW 517 00:32:34,886 --> 00:32:37,555 EPISODES DROPPING EVERY FRIDAY ON PRIME VIDEO. 518 00:32:37,555 --> 00:32:39,991 CONGRATS ON THE SHOW. GREAT PERFORMANCE!& 519 00:32:39,991 --> 00:32:41,259 [CHEERS AND APPLAUSE] AS ALWAYS. 520 00:32:41,259 --> 00:32:43,461 FOR ANYONE WHO HASN'T CAUGHT A GET, TELL US WHAT IT'S ABOUT AND 521 00:32:43,461 --> 00:32:49,600 WHO YOU PLAY. Sam: IT'S A TV SERIES THEY 522 00:32:49,600 --> 00:32:52,437 STUFFED THE BOOK SET AROUND 1970s LOS ANGELES. 523 00:32:52,437 --> 00:32:56,574 IT FOLLOWS THE RISE AND FALL OF A FICTIONAL BAND, LIKE A 524 00:32:56,574 --> 00:33:02,513 FLEETWOOD MACCESQUE BAND AND I LEAD SINGER AND A SORT OF 525 00:33:02,513 --> 00:33:04,816 SLIGHTLY PUT OUT BY THE INTRODUCTION OF THIS NEW LEAD 526 00:33:04,816 --> 00:33:09,454 SINGER AND THEY HAVE TO KIND OF, YOU KNOW, FIND A WAY OF WORKING 527 00:33:09,454 --> 00:33:10,855 TOGETHER. James: YOU NOT ONLY SING 528 00:33:10,855 --> 00:33:16,060 AND PLAY GUITAR, YOU KIND OF HAVE TO MOVE LIKE A ROCK STAR. 529 00:33:16,060 --> 00:33:18,796 WHO DID YOU THINK OF IN YOUR MIND? 530 00:33:18,796 --> 00:33:20,665 WHO ARE YOU EMULATING WHEN YOU'RE DOING THAT ROCK STUFF UP 531 00:33:20,665 --> 00:33:24,102 ON STAGE? Sam: MY KNOWLEDGE OF 532 00:33:24,102 --> 00:33:27,705 1970s ROCK STARS WAS VERY LIMITED WHEN I FIRST GOT 533 00:33:27,705 --> 00:33:28,906 STARTED, BUT I DEFINITELY WATCHED A LOT OF 534 00:33:28,906 --> 00:33:33,111 BRUCE SPRINGSTEEN AND I WATCHED AV POP, DAVID BOWIE 535 00:33:33,111 --> 00:33:35,146 HE'S AN ORIGINAL 536 00:33:35,146 --> 00:33:37,081 BILLY DUNN IS AN ORIGINAL. 537 00:33:37,081 --> 00:33:41,686 HE IS AN AMALGAMATION OF LOTS OF DIFFERENT PEOPLE IN THAT TIME. 538 00:33:41,686 --> 00:33:45,189 BUT I DID MY BEST IS WHAT I'M GOING TO SAY, I REALLY TRIED. 539 00:33:45,189 --> 00:33:47,625 James: I THINK THAT'S TRUE OF ALL ARTISTS, I THINK ALL 540 00:33:47,625 --> 00:33:50,428 ARTISTS ARE ESSENTIALLY AN AMALGAMATION OF TWO OR THREE 541 00:33:50,428 --> 00:33:51,529 PEOPLE. HAVE YOU EVER PERFORMED OR SUNG 542 00:33:51,529 --> 00:33:54,699 IN FRONT OF A LARGE CROWD IN A BIG ROOM? 543 00:33:54,699 --> 00:33:57,635 THE TWO UNFORTUNATELY YES. 544 00:33:57,635 --> 00:33:58,803 [LAUGHTER] I HOSTED THE MTV MOVIE AWARDS 545 00:33:58,803 --> 00:34:02,240 WITH JACK BLACK AND HE'S-- I MEAN, TENACIOUS D, SO HE HAD 546 00:34:02,240 --> 00:34:05,076 THIS GREAT IDEA THAT WE WOULD DO AN OPENING MUSICAL NUMBER AND 547 00:34:05,076 --> 00:34:07,612 THEY ALL THOUGHT IT WAS GREAT IDEA EXCEPT FOR ME. 548 00:34:07,612 --> 00:34:11,616 I WAS OUTVOTED AND SO WE DID A FULL MUSICAL NUMBER AND IT WAS 549 00:34:11,616 --> 00:34:14,952 THE YEAR OF "MOULIN ROUGE" SO THERE WE ARE WITH EVERY-- I 550 00:34:14,952 --> 00:34:17,855 MEAN MTV MOVIE AWARDS IS EVERYONE AND I GET OUT THERE AND 551 00:34:17,855 --> 00:34:20,625 NICOLE KIDMAN IS JUST SITTING RIGHT THERE. 552 00:34:20,625 --> 00:34:23,094 AND I'M LIKE THIS IS SO EMBARRASSING. 553 00:34:23,094 --> 00:34:24,462 [LAUGHTER] AND SHE JUST GAVE ME THIS LIKE 554 00:34:24,462 --> 00:34:29,767 "YOU CAN DO IT, YOU TRIED." BUT I DID TRY. 555 00:34:29,767 --> 00:34:32,804 James: SPEAKING OF ROCK GODS, IF YOU TALK TO ABOUT THIS, 556 00:34:32,804 --> 00:34:36,641 AND VERY, VERY JEALOUS OF THIS PHOTO. 557 00:34:36,641 --> 00:34:38,876 AS YOU, LEFT CAMPBELL, AND DAVID BOWIE 558 00:34:38,876 --> 00:34:41,245 HERE. 559 00:34:41,245 --> 00:34:44,048 TALK TO ME, TELL ME EVERYTHING. [APPLAUSE] 560 00:34:44,048 --> 00:34:47,218 WHAT WAS THIS MOMENT LIKE, WHAT WAS HE LIKE? 561 00:34:47,218 --> 00:34:50,221 Sarah Michelle: COULDN'T HAVE BEEN SWEETER. 562 00:34:50,221 --> 00:34:52,557 I DON'T KNOW IF HE KNEW WHO WE WERE OR WAS ACTING LIKE HE DID, 563 00:34:52,557 --> 00:34:54,392 BUT EITHER WAY HE MADE BOTH OF US FEEL SO GREAT. 564 00:34:54,392 --> 00:34:57,929 I LOOK BACK ON THAT NOW AND I THINK I MUST'VE BEEN SO 565 00:34:57,929 --> 00:35:00,331 INTIMIDATED BUT I WAS LIKE 19 YEARS OLD. 566 00:35:00,331 --> 00:35:04,268 I JUST THOUGHT IS LIKE-- I KNOW DAVID BOWIE-- NOT REALIZING THE 567 00:35:04,268 --> 00:35:07,405 IMPACT OF SUCH AN INCREDIBLE NIGHT AND I WISH I JUST 568 00:35:07,405 --> 00:35:10,541 REMEMBERED IT AND SOAKED IT ALL IN MORE. 569 00:35:10,541 --> 00:35:13,711 James: I DON'T EVEN REMEMBER THIS STAGE OF DAVID 570 00:35:13,711 --> 00:35:15,646 BOWIE. I'M LOOKING AT HIM NOW LIKE I 571 00:35:15,646 --> 00:35:20,218 NEVER REMEMBER HIM JUST HAVING SORT OF THIS HAIR, SORT OF 572 00:35:20,218 --> 00:35:25,990 FRESHLY CHOPPED CARROT, AND THIS-- I NEVER REMEMBERED THIS 573 00:35:25,990 --> 00:35:27,258 EITHER. Sam: I REMEMBER THAT BEING 574 00:35:27,258 --> 00:35:30,127 VERY FASHIONABLE FOR A LITTLE WHILE. 575 00:35:30,127 --> 00:35:32,029 James: THIS IS CLEARLY WHY. Sarah Michelle: I COULDN'T 576 00:35:32,029 --> 00:35:35,666 BE BOTHERED TO DO MY HAIR, SO I JUST PUT A HAT ON. 577 00:35:35,666 --> 00:35:39,036 YOU'RE MEETING DAVID BOWIE, COULD YOU HAVE PUT A LITTLE MORE 578 00:35:39,036 --> 00:35:40,037 EFFORT? James: WHERE WAS THIS? 579 00:35:40,037 --> 00:35:43,474 WHERE DID YOU MEET? Sarah Michelle: THIS WAS 580 00:35:43,474 --> 00:35:46,677 BEFORE-- A UNIVERSAL CITY WALK, THESE TO BE A BIG CONCERT AND 581 00:35:46,677 --> 00:35:48,679 THAT'S WHERE IT WAS, WE WENT TO GO SEE HIM PERFORM. 582 00:35:48,679 --> 00:35:51,549 James: OH, MY GOD, THAT IS AN ABSOLUTE KEEPER. 583 00:35:51,549 --> 00:35:58,890 SAM, YOU MADE YOUR ON STAGE DEBUT IN A TALENT SHOW AT 584 00:35:58,890 --> 00:35:59,957 SCHOOL. WHAT WAS SAM CLAFLIN'S BIG 585 00:35:59,957 --> 00:36:03,361 PERFORMANCE PIECE? WHAT DID WE DO THERE? 586 00:36:03,361 --> 00:36:06,964 Sam: STILL TO THIS DAY I'M NOT SURE WHY I WAS PERSUADED TO 587 00:36:06,964 --> 00:36:11,002 DO THIS BUT MY GRANDDAD WAS SORT OF INTO THE ARTS A LITTLE BIT 588 00:36:11,002 --> 00:36:15,439 AND HE PERSUADED ME TO DRESS UP AS HALF OF A MAN, HALF AS A 589 00:36:15,439 --> 00:36:19,610 WOMAN, AND SING "THERE'S A HOLE IN MY BUCKET." 590 00:36:19,610 --> 00:36:23,247 AND I SOMEHOW WON A TALENT SHOW. I WON THE TALENT SHOW. 591 00:36:23,247 --> 00:36:25,416 James: WOULD YOU TURN HALFWAY? 592 00:36:25,416 --> 00:36:28,252 Sam: THERE WOULD BE A MICROPHONE THAT I WOULD BE 593 00:36:28,252 --> 00:36:33,224 LIKE-- AND THAT IT WOULD BE LIKE "FIX IT." 594 00:36:33,224 --> 00:36:35,927 I DON'T KNOW IF YOU KNOW, THAT SONG GOES ON AND ON AND ON. 595 00:36:35,927 --> 00:36:40,932 [APPLAUSE] James: WHEN WE COME BACK WE 596 00:36:40,932 --> 00:36:43,768 ARE GOING TO GET SAM IN SOME MAKEUP AND HE'S GOING TO PERFORM 597 00:36:43,768 --> 00:36:45,836 RIGHT HERE AFTER THE BREAK! [CHEERS AND APPLAUSE] 598 00:36:57,982 --> 00:36:59,917 James: WE ARE BACK WITH SARAH MICHELLE GELLAR AND SAM 599 00:36:59,917 --> 00:37:01,285 CLAFLIN. REGGIE, DO YOU HAVE A QUESTION 600 00:37:01,285 --> 00:37:03,688 FOR OUR GUESTS THIS EVENING? Reggie: YES I DO. 601 00:37:03,688 --> 00:37:11,095 TONIGHT'S QUESTION... INSIDE OF THIS WRAPPER THERE 602 00:37:11,095 --> 00:37:16,233 IS-- SOMETHING IS INSIDE OF IT. WHAT DO YOU THINK IT IS? 603 00:37:16,233 --> 00:37:18,703 James: THAT'S A GOOD QUESTION. 604 00:37:18,703 --> 00:37:22,707 Sarah Michelle: TAKE IT FIRST. 605 00:37:22,707 --> 00:37:26,310 Sam: YOUR HOPES AND DREAMS. [LAUGHTER] 606 00:37:26,310 --> 00:37:31,182 YOU OPEN THAT BABY UP AND LET IT FLY.& 607 00:37:31,182 --> 00:37:35,653 ANYTHING IS POSSIBLE AS SOON AS YOU OPEN THAT BALL OF TINFOIL. 608 00:37:35,653 --> 00:37:37,955 James: SARAH? Sarah Michelle: I THINK 609 00:37:37,955 --> 00:37:42,727 IT'S THE REST OF JAMES' FOOD FROM LAST NIGHT. 610 00:37:42,727 --> 00:37:43,961 James: ONLY ONE WAY TO FIND OUT. 611 00:37:43,961 --> 00:37:51,969 REG... [DRUMROLL] 612 00:37:51,969 --> 00:37:56,207 Sarah Michelle: IT'S DAVID BECKHAM! 613 00:37:56,207 --> 00:38:06,617 [LAUGHTER] ♪ ♪ 614 00:38:06,617 --> 00:38:09,286 Reggie: IT'S A LEFTOVER-- THE INNER WRAPPER FOR A 615 00:38:09,286 --> 00:38:12,823 SANDWICH. INNER WRAPPER OF AN IN AND OUT? 616 00:38:12,823 --> 00:38:14,358 Reggie: YEAH. James: WHICH MEANS YOU 617 00:38:14,358 --> 00:38:18,295 ABSOLUTELY WON! PLEASE THINK OUR GUESTS, SAM 618 00:38:18,295 --> 00:38:20,364 CLAFLIN, SARAH MICHELLE GELLAR, WE WILL BE RIGHT BACK. 619 00:38:20,364 --> 00:38:22,433 [CHEERS AND APPLAUSE] 620 00:38:34,245 --> 00:38:35,346 ♪ ♪ James: THANK YOU SO MUCH 621 00:38:35,346 --> 00:38:36,447 FOR WATCHING. TOMORROW NIGHT, JOSH GAD IS 622 00:38:36,447 --> 00:38:38,616 GOING TO BE HERE, SAMARA WEAVING, WE HAVE MUSIC FROM 623 00:38:38,616 --> 00:38:42,319 ELLIE GOULDING AND A BRAND-NEW "CARPOOL KARAOKE" WITH BAD 624 00:38:42,319 --> 00:38:43,754 BUNNY! DON'T MISS IT! 625 00:38:43,754 --> 00:38:49,226 REGGIE. 626 00:38:49,226 --> 00:39:09,880 ♪ ♪ ♪ WORKING OUT ON THE FREEWAY ♪ 627 00:39:09,880 --> 00:39:12,883 ♪ TAKING ALL OF THE LEEWAY, ♪