1 00:00:02,001 --> 00:00:08,074 CONFETTI, CAKES, CUPCAKES, LOVE, RECEIVE, YES. 2 00:00:08,074 --> 00:00:14,981 IT IS ALL OF THESE THINGS AND A LITTLE THING CALLED THE 3 00:00:14,981 --> 00:00:16,316 "LATE LATE SHOW." 4 00:00:16,316 --> 00:00:22,956 LADIES AND GENTLEMEN, ALL THE WAY FROM INSIDE JEFF GOLDBLUM'S 5 00:00:22,956 --> 00:00:28,428 TOP DRESSER DRAWER, GIVE IT UP FOR YOUR HOST, THE ONE, THE ON 6 00:00:28,428 --> 00:00:30,497 ONLY, JAMES CORDEN! 7 00:00:36,169 --> 00:00:41,674 James: HEY! 8 00:00:41,674 --> 00:00:45,378 THANK YOU, EVERYBODY! 9 00:00:45,378 --> 00:00:49,215 HELLO, GOOD EVENING, AND WELCOME TO "THE LATE LATE SHOW"! 10 00:00:49,215 --> 00:00:53,920 THANK YOU FOR STOPPING BY, THANKS FOR SHOWING OUT! 11 00:00:53,920 --> 00:00:56,222 THANK YOU ALL VERY MUCH. 12 00:00:56,222 --> 00:00:59,192 OUR GUESTS ARE ON THE SHOW TONIGHT, HE IS A ONE-OF-A-KIND 13 00:00:59,192 --> 00:01:02,929 ONE-OF-A-KIND-- SHE'S AN ACTOR, MUSICIAN, RACONTEUR, A FASHION 14 00:01:02,929 --> 00:01:03,930 GOD. 15 00:01:03,930 --> 00:01:06,332 ONE OF OUR ALL-TIME FAVORITES TO EVER BE HERE AT 16 00:01:06,332 --> 00:01:10,570 "THE LATE LATE SHOW," THE MASTERFUL, MR. JEFF GOLDBLUM IS 17 00:01:10,570 --> 00:01:14,974 HERE TONIGHT! 18 00:01:14,974 --> 00:01:17,610 COME ON NOW, STOP! 19 00:01:17,610 --> 00:01:20,380 [CHEERS AND APPLAUSE] [LAUGHS] 20 00:01:20,380 --> 00:01:22,649 James: I DIDN'T KNOW WHAT WAS-- I DIDN'T KNOW WHAT TO 21 00:01:22,649 --> 00:01:28,054 EXPECT WHEN THE DOOR OPENED AND YET SOMEHOW IT'S ALL RIGHT. 22 00:01:28,054 --> 00:01:30,590 I I LOVE THIS, JEFF! 23 00:01:30,590 --> 00:01:33,726 I LOVE YOU, JAMES KIMBERLY. 24 00:01:33,726 --> 00:01:36,830 TOO MANY PEOPLE KNOW YOUR MIDDLE NAME, BY THE WAY? 25 00:01:36,830 --> 00:01:39,132 James: KNOW THAT MY MIDDLE NAME IS KIMBERLY? 26 00:01:39,132 --> 00:01:44,137 WELL, IT'S COME UP, IT'S HATS COME UP THAT MY MIDDLE NAE IS 27 00:01:44,137 --> 00:01:45,305 KIMBERLY. 28 00:01:45,305 --> 00:01:47,407 IT'S WHAT IT IS, THAT'S-- I'M ALL RIGHT WITH WITH IT NOW. 29 00:01:47,407 --> 00:01:50,109 IT'S A LOVELY NAME. 30 00:01:50,109 --> 00:01:50,677 DO YOU KNOW MY MIDDLE NAME? 31 00:01:50,677 --> 00:01:53,112 James: I DON'T. 32 00:01:53,112 --> 00:01:55,849 IT STARTS WITH L. 33 00:01:55,849 --> 00:01:56,249 James: LIONEL? 34 00:01:56,249 --> 00:01:56,516 LESLIE? 35 00:01:56,516 --> 00:01:58,585 NO. 36 00:01:58,585 --> 00:01:58,952 James: LUKE? 37 00:01:58,952 --> 00:02:02,355 NO. 38 00:02:02,355 --> 00:02:03,356 James: LINCOLN? 39 00:02:03,356 --> 00:02:07,327 NO, BUT IT'S ALSO LIKE YOURS, IT COULD BE A-- 40 00:02:07,327 --> 00:02:08,528 James: LISA? 41 00:02:08,528 --> 00:02:12,398 NO, BUT THERE'S FOUR LETTERS AND IT READ AND IT'S KIND OF 42 00:02:12,398 --> 00:02:12,832 GIRLY. 43 00:02:12,832 --> 00:02:14,634 James: LULU? 44 00:02:14,634 --> 00:02:15,602 NO. 45 00:02:15,602 --> 00:02:19,939 James: LOVE TO I WISH IT WERE LOVE, NO. 46 00:02:19,939 --> 00:02:21,941 James: LANE? 47 00:02:21,941 --> 00:02:25,144 IT'S LYNN! 48 00:02:25,144 --> 00:02:27,747 James: THAT'S WHY WE GOT ON SO WELL! 49 00:02:27,747 --> 00:02:33,186 AS SOON AS THE SHOW STARTED, I SAY LANE AND KIMBERLY'S BIG 50 00:02:33,186 --> 00:02:35,388 NIGHT OUT, ARE YOU IT? 51 00:02:35,388 --> 00:02:40,994 WE LOVE YOU, JEFF GOLDBLUM, EVERYBODY! 52 00:02:40,994 --> 00:02:43,930 AND A VERY TALENTED ACTOR, OSCAR-NOMINATED WRITER YOU KNOW 53 00:02:43,930 --> 00:02:45,899 AND LOVE FROM "WEDDING CRASHERS," 54 00:02:45,899 --> 00:02:48,167 "THE ROYAL TENENBAUMS," "ZOOLANDER" AND SO MUCH MORE, WE 55 00:02:48,167 --> 00:02:52,171 ABSOLUTELY LOVE THEM, THE ALWAYS GLORIOUS, MR. OWEN WILSON IS 56 00:02:52,171 --> 00:02:52,639 HERE! 57 00:02:52,639 --> 00:02:54,774 HOW ARE YOU? 58 00:02:54,774 --> 00:02:57,544 BECAUSE I'M GREAT, THANK YOU FOR HAVING ME! 59 00:02:57,544 --> 00:02:59,579 James: I AM SO THRILLED THAT YOU ARE HERE. 60 00:02:59,579 --> 00:03:02,382 WHILE WE ARE ON THE TOPIC, WHAT'S YOUR MIDDLE NAME? 61 00:03:02,382 --> 00:03:05,051 MY MIDDLE NAME IS CUNNINGHAM. 62 00:03:05,051 --> 00:03:06,386 James: CUNNINGHAM! 63 00:03:06,386 --> 00:03:08,021 YES, GAP. 64 00:03:08,021 --> 00:03:11,124 THAT'S MY MOTHER'S MAIDEN NAME. 65 00:03:11,124 --> 00:03:14,193 SO BOTH MY BROTHERS, WE ALL HAVE THE SAME MIDDLE NAME. 66 00:03:14,193 --> 00:03:16,963 NOT ONLY THAT, WE HAD TO ANSWER THE PHONE GROWING UP BY 67 00:03:16,963 --> 00:03:19,632 SAYING-- YOU KNOW, WE COULDN'T JUST SAY HELLO. 68 00:03:19,632 --> 00:03:24,437 WE HAD TO SAY OWEN CUNNINGHAM WILSON SPEAKING. 69 00:03:24,437 --> 00:03:26,239 James: OWEN CUNNINGHAM WILSON. 70 00:03:26,239 --> 00:03:29,175 YOU KNOW WHAT WE HAD TO DO IN OUR HOUSE? 71 00:03:29,175 --> 00:03:30,443 WE HAD TO ANSWER THE PHONE BY SAYING OUR PHONE NUMBER. 72 00:03:30,443 --> 00:03:31,678 DID THAT EVER HAPPEN HERE? 73 00:03:31,678 --> 00:03:35,848 YOU WOULD GO "[BLEEP]." 74 00:03:35,848 --> 00:03:39,485 AND I JUST REALIZED THAT IS STILL MY MOM AND DAD'S PHONE 75 00:03:39,485 --> 00:03:40,820 NUMBER. 76 00:03:40,820 --> 00:03:44,691 [LAUGHTER] SHOULD PROBABLY BLEEP A LITTLE 77 00:03:44,691 --> 00:03:46,993 BIT OF THAT OUT. 78 00:03:46,993 --> 00:03:48,995 OWEN CUNNINGHAM WILSON, EVERYBODY! 79 00:03:48,995 --> 00:03:52,966 IF THAT'S NOT ENOUGH, BUT IT CLEARLY IS, ONE OF OUR FAVORITE 80 00:03:52,966 --> 00:03:56,736 GUESTS OF ALL TIME, A MASTERMIND READER, THE GREATEST MENTALIST 81 00:03:56,736 --> 00:04:01,207 ON THIS SPINNING ORB IN THE UNIVERSE OF NOTHING WE ARE SO 82 00:04:01,207 --> 00:04:06,479 GLAD HE'S HERE. 83 00:04:06,479 --> 00:04:06,980 SHOW! 84 00:04:06,980 --> 00:04:09,983 HELLO, HOW ARE YOU! 85 00:04:09,983 --> 00:04:12,151 I DON'T HAVE A MIDDLE NAME. 86 00:04:12,151 --> 00:04:14,120 I DO NOT OF A MIDDLE NAME. 87 00:04:14,120 --> 00:04:16,422 THERE'S NO MIDDLE NAMES IN ISRAEL, I'M SORRY. 88 00:04:16,422 --> 00:04:19,559 SORRY TO DISAPPOINT YOU BUT YOU CAN ASK AND YOU SAY NUMBER FROM 89 00:04:19,559 --> 00:04:20,093 ONE TO 100? 90 00:04:20,093 --> 00:04:21,761 James: I CAN, YEAH. 91 00:04:21,761 --> 00:04:23,763 JUST SAY IT. 92 00:04:23,763 --> 00:04:25,064 James: GOT ONE. 93 00:04:25,064 --> 00:04:25,331 22. 94 00:04:25,331 --> 00:04:26,432 22? 95 00:04:26,432 --> 00:04:28,001 THIS IS INTERESTING. 96 00:04:28,001 --> 00:04:30,069 I TELL YOU WHY. 97 00:04:30,069 --> 00:04:33,840 I HAVE A CHALK BOARD HERE, WROTE 22. 98 00:04:33,840 --> 00:04:36,409 THIS IS VERY INTERESTING. 99 00:04:36,409 --> 00:04:41,180 [APPLAUSE] THERE'S MORE TO COME MORE TO 100 00:04:41,180 --> 00:04:42,081 COME. 101 00:04:42,081 --> 00:04:43,116 James: I LOVE IT EVERY TIME YOU'RE HERE. 102 00:04:43,116 --> 00:04:45,818 IT IS ALWAYS SUCH A TREAT. 103 00:04:45,818 --> 00:04:49,155 LIOR SUCHARD, EVERYBODY! 104 00:04:49,155 --> 00:04:53,559 I'M JAMES GORDON AND THIS IS "THE LATE LATE SHOW." 105 00:04:53,559 --> 00:04:53,926 ROLL THE TITLES! 106 00:04:53,926 --> 00:04:54,994 COME ON! 107 00:04:56,996 --> 00:04:58,998 [CHEERS AND APPLAUSE] ♪ ♪ 108 00:05:09,042 --> 00:05:11,044 [CHEERS AND APPLAUSE] ♪ ♪ 109 00:05:15,515 --> 00:05:17,517 James: THERE HE IS! 110 00:05:17,517 --> 00:05:20,720 I WAS FEEL A BIT OF EXCITEMENT IN THE AIR WHEN LIOR SUCHARD IS 111 00:05:20,720 --> 00:05:21,120 HERE. 112 00:05:21,120 --> 00:05:23,089 DO NOT INNING? 113 00:05:23,089 --> 00:05:25,391 WHAT HE'S GOT PLANNED, HE'S GOT SOMETHING PLANNED FOR US, I 114 00:05:25,391 --> 00:05:27,894 DON'T KNOW WHAT IT IS AND I'M EXCITED. 115 00:05:27,894 --> 00:05:31,097 IT'S GOING TO FREAK ME OUT AND I DON'T LIKE THAT. 116 00:05:31,097 --> 00:05:35,068 James: BUT I DO ENJOY IT, I ENJOY IT. 117 00:05:35,068 --> 00:05:36,836 DONE IF I COULD BECOME A MENTALIST. 118 00:05:36,836 --> 00:05:39,138 YOU COULD BE A MENTALIST, SURE. 119 00:05:39,138 --> 00:05:40,773 James: I FEEL LIKE I COULD. 120 00:05:40,773 --> 00:05:41,908 YEAH. 121 00:05:41,908 --> 00:05:44,143 Jame: NAME A NUMBER BETWEEN ONE AND A HUNDRED. 122 00:05:44,143 --> 00:05:46,679 THIS SAY IT OUT LOUD. 123 00:05:46,679 --> 00:05:47,814 71. 124 00:05:47,814 --> 00:05:52,151 James: THAT IS SO WEIRD, I WAS JUST ABOUT TO SAY 71. 125 00:05:52,151 --> 00:05:53,553 [LAUGHTER] THAT'S INSANE. 126 00:05:53,553 --> 00:05:55,488 LET'S DO IT AGAIN. 127 00:05:55,488 --> 00:05:56,289 James: IT MAY SEE. 128 00:05:56,289 --> 00:05:57,790 I'M GOING TO WRITE DOWN THE NUMBER. 129 00:05:57,790 --> 00:05:59,992 OKAY. 130 00:05:59,992 --> 00:06:01,127 James: WHAT HAVE I GOT HERE? 131 00:06:01,127 --> 00:06:02,495 GOT A PIECE OF PAPER. 132 00:06:02,495 --> 00:06:05,231 BLANK, COMPLETELY BLANK PIECE OF PAPER. 133 00:06:05,231 --> 00:06:06,799 HERE WE GO. 134 00:06:06,799 --> 00:06:08,234 James: LOOK AT ME. 135 00:06:08,234 --> 00:06:10,002 LOOK AT ME. 136 00:06:10,002 --> 00:06:16,709 RIGHT, NOW DON'T SAY THE NUMBER, I JUST WANT YOU TO THINK OF IT. 137 00:06:16,709 --> 00:06:23,616 [LAUGHTER] OKAY. 138 00:06:23,616 --> 00:06:26,385 WHAT NUMBER IS IT? 139 00:06:26,385 --> 00:06:28,387 71. 140 00:06:28,387 --> 00:06:32,058 James: RIGHT, I DIDN'T KNOW YOU WERE GOING TO KEEP THE SAME 141 00:06:32,058 --> 00:06:33,192 NUMBER. 142 00:06:33,192 --> 00:06:35,661 DO YOU WANT ME TO PICK A DIFFERENT NUMBER OUT OF THE 143 00:06:35,661 --> 00:06:36,462 CLEAR BLUE SKY? 144 00:06:36,462 --> 00:06:38,731 James: OUT OF THE CLEAR BLUE SKY. 145 00:06:38,731 --> 00:06:45,404 JUST THINK OF A NUMBER. 146 00:06:45,404 --> 00:06:49,142 [LAUGHTER] I SEE YOU TRYING TO 147 00:06:49,142 --> 00:06:51,477 COMMUNICATE TO ME WHAT NUMBER THAT IS. 148 00:06:51,477 --> 00:06:55,481 James: JUST TRY AND SEE IN YOUR MIND. 149 00:06:55,481 --> 00:06:58,518 JUST TRY AND SEE IT IN YOUR MIND. 150 00:06:58,518 --> 00:07:00,686 [LAUGHTER] FOCUS. 151 00:07:00,686 --> 00:07:03,556 JUST TRY AND SEE IT IN YOUR MI MIND. 152 00:07:03,556 --> 00:07:05,224 73? 153 00:07:05,224 --> 00:07:10,663 James: OH, MY GOD! 154 00:07:10,663 --> 00:07:13,733 [CHEERS AND APPLAUSE] OKAY, TRY AGAIN. 155 00:07:13,733 --> 00:07:14,267 IT REALLY QUICK. 156 00:07:14,267 --> 00:07:14,801 LOOK AT ME RIGHT NOW. 157 00:07:14,801 --> 00:07:17,870 LOOK AT ME. 158 00:07:17,870 --> 00:07:18,571 OKAY, SAY THE NUMBER. 159 00:07:18,571 --> 00:07:20,239 16. 160 00:07:20,239 --> 00:07:22,475 James: STOP! 161 00:07:22,475 --> 00:07:27,980 [CHEERS AND APPLAUSE] IS A COMUSICAL 162 00:07:30,383 --> 00:07:32,385 A-DETERMINER>> James: LIOR SUCHS GOING TO BLOW YOUR MIND! 163 00:07:32,385 --> 00:07:35,154 DON'T GO ANYWHERE! 164 00:07:35,154 --> 00:07:35,721 [CHEERS AND APPLAUSE] ♪ ♪ 165 00:07:55,007 --> 00:07:57,543 James: WELCOME BACK! 166 00:07:57,543 --> 00:07:58,711 THIS IS SO EXCITING. 167 00:07:58,711 --> 00:08:03,015 DURING THE RIGHT HERE ON THE COUCH IS WITHOUT QUESTION THE 168 00:08:03,015 --> 00:08:06,586 SINGLE GREATEST MENTALIST IN THE WORLD IN ONE OF OUR ABSOLUTE 169 00:08:06,586 --> 00:08:14,160 FAVORITE GUESTS, PLEASE WELCOME MASTER MENTALIST LIOR SUCHARD! 170 00:08:14,160 --> 00:08:19,632 [CHEERS AND APPLAUSE] YOU COMMENTS HE HAS, SOME OF MY 171 00:08:19,632 --> 00:08:22,034 FAVORITE MOMENTS IN THE STUDIO HAVE BEEN HERE WITH YOU. 172 00:08:22,034 --> 00:08:24,103 YOU GOT SOME EXCITING THINGS IN STORE FOR US, BUT IS IT OKAY IF 173 00:08:24,103 --> 00:08:27,173 I INVITE SOME FRIENDS TO JOIN US TO HELP OUT? 174 00:08:27,173 --> 00:08:29,408 LET'S DO IT! 175 00:08:29,408 --> 00:08:34,447 [CHEERS AND APPLAUSE] James: PLEASE WELCOME OWEN 176 00:08:34,447 --> 00:08:37,717 WILSON! 177 00:08:37,717 --> 00:08:44,190 [CHEERS AND APPLAUSE] ♪ ♪ 178 00:08:44,190 --> 00:08:49,295 'S NEW ALBUM IS CALLED "PLAYS WELL WITH OTHERS," PLEASE 179 00:08:49,295 --> 00:08:53,566 WELCOME JEFF GOLDBLUM! 180 00:08:53,566 --> 00:09:10,182 [CHEERS AND APPLAUSE] ♪ ♪ 181 00:09:14,453 --> 00:09:19,358 [CHEERS AND APPLAUSE] ♪ ♪ 182 00:09:19,358 --> 00:09:24,697 James: HAVE A SEAT, PLEASE! 183 00:09:24,697 --> 00:09:25,898 OKAY, AS I SAY, I KNOW NOTHING ABOUT WHAT IS ABOUT TO HAPPEN ON 184 00:09:25,898 --> 00:09:29,135 THE SHOW. 185 00:09:29,135 --> 00:09:30,670 LIOR, WE ARE NOW IN YOUR CAPABLE HANDS. 186 00:09:30,670 --> 00:09:34,273 I'M SO EXCITED TO BE HERE BECAUSE I'VE BEEN HERE FIVE 187 00:09:34,273 --> 00:09:38,544 TIMES IN THE PAST AND EVERY TIME I DID SOMETHING ABOUT MIND 188 00:09:38,544 --> 00:09:40,579 THE ENTIRE AUDIENCE, I WANT TO DO SOMETHING THAT HAD NEVER BEEN 189 00:09:40,579 --> 00:09:42,915 DONE BEFORE. 190 00:09:42,915 --> 00:09:44,450 SOMETHING CRAZY ABOUT A COINCIDENCE. 191 00:09:44,450 --> 00:09:45,217 DO YOU BELIEVE IN COINCIDENCE? 192 00:09:45,217 --> 00:09:47,320 James: I DO. 193 00:09:47,320 --> 00:09:47,954 WE TOO! 194 00:09:47,954 --> 00:09:49,922 WHAT A COINCIDENCE! 195 00:09:49,922 --> 00:09:53,726 I DON'T KNOW IF YOU NOTICE, GOT THOSE EASELS WITH SOME SOMETHING 196 00:09:53,726 --> 00:09:56,963 OVER THERE HIDDEN, SOMETHING FOR LATER AND THIS WILL BE 197 00:09:56,963 --> 00:09:58,064 MEANINGFUL FOR EVERYONE. 198 00:09:58,064 --> 00:10:02,101 WE START WITH SOMETHING SIMPLE, A NUMBER FROM 1 TO 10. 199 00:10:02,101 --> 00:10:05,938 WHEN I SAY THIS WORD, NUMBER ONE THROUGH TEN, EACH PERSON IN THE 200 00:10:05,938 --> 00:10:07,473 AUDIENCE THINKS OF THEIR NUMBER. 201 00:10:07,473 --> 00:10:09,675 CAN I GET ONE OF THOSE PLEASE? 202 00:10:09,675 --> 00:10:11,877 I WANTED TO BE LUCK. 203 00:10:11,877 --> 00:10:12,712 THANK YOU. 204 00:10:12,712 --> 00:10:13,713 THESE ARE NUMBERS. 205 00:10:13,713 --> 00:10:14,513 LOOK AT THIS! 206 00:10:14,513 --> 00:10:17,783 WAIT, WAIT, THESE ARE RANDOM NUMBERS. 207 00:10:17,783 --> 00:10:21,320 I WILL TRY TO INFLUENCE YOU, SO I WILL SAY READY SET GO. 208 00:10:21,320 --> 00:10:23,456 AND YOU ARE JUST GOING TO SAY HER NUMBER. 209 00:10:23,456 --> 00:10:25,491 GIVE ME A CHANCE, HOLD ON. 210 00:10:25,491 --> 00:10:27,526 I GOT MINE. 211 00:10:27,526 --> 00:10:28,260 GOT IT? 212 00:10:28,260 --> 00:10:29,895 DID NOT TELL IT TO ANYONE, RIGHT? 213 00:10:29,895 --> 00:10:33,766 HOW COULD I? 214 00:10:33,766 --> 00:10:36,669 SO, READY, SET, GO. 215 00:10:36,669 --> 00:10:40,272 TWO! 216 00:10:40,272 --> 00:10:42,008 PERFECT! 217 00:10:42,008 --> 00:10:45,478 [APPLAUSE] THAT'S HER NUMBER! 218 00:10:45,478 --> 00:10:50,583 SO THIS IS YOUR TWO, THIS IS YOUR TWO, IT IS IS YOUR TWO, SO 219 00:10:50,583 --> 00:10:52,551 WITH THIS IS INTERESTING. 220 00:10:52,551 --> 00:10:56,155 YOUR THINKING IT'S JUST A NUMBER FROM 1 TO 10, IT'S NOT THAT 221 00:10:56,155 --> 00:10:56,655 IMPRESSIVE. 222 00:10:56,655 --> 00:10:59,225 LET'S GO WITH WORDS. 223 00:10:59,225 --> 00:11:03,562 I WANT THE ENTIRE AUDIENCE TO THINK OF A WORD, A SIMPLE WORD. 224 00:11:03,562 --> 00:11:07,733 SOMETHING SIMPLE WORD. 225 00:11:07,733 --> 00:11:11,037 DON'T TELL ME, I JUST WANT TO MAKE SURE IT'S NOT THE SAME. 226 00:11:11,037 --> 00:11:13,539 HOW MANY LETTERS IN YOUR WORD? 227 00:11:13,539 --> 00:11:15,541 TELL EVERYBODY HOW MANY LETTERS IN YOUR WORK. 228 00:11:15,541 --> 00:11:16,075 FIVE. 229 00:11:16,075 --> 00:11:17,376 FIVE? 230 00:11:17,376 --> 00:11:18,144 YES. 231 00:11:18,144 --> 00:11:19,211 HOW MANY LETTERS IN YOUR WORK? 232 00:11:19,211 --> 00:11:21,047 YOU DON'T KNOW? 233 00:11:21,047 --> 00:11:23,082 NO, I DON'T KNOW. 234 00:11:23,082 --> 00:11:26,352 SO I KNOW IT'S NOT THE SAME WO WORD. 235 00:11:26,352 --> 00:11:30,523 SO JUST WRITE YOURS HERE, BIG BLOCK LETTERS BUT DON'T SHOW 236 00:11:30,523 --> 00:11:31,490 JEFF, DON'T SHOW JEFF. 237 00:11:31,490 --> 00:11:33,459 OWEN, COME OVER HERE. 238 00:11:33,459 --> 00:11:35,895 I'M JEFF! 239 00:11:35,895 --> 00:11:37,863 I JUST KNOW IT'S NOT THE SAME. 240 00:11:37,863 --> 00:11:42,234 I JUST KNOW IT'S NOT THE SAME WORD. 241 00:11:42,234 --> 00:11:46,772 WHO IS ALSO THINKING OF A WORD, I NEED SOME RANDOM PEOPLE HELP 242 00:11:46,772 --> 00:11:47,973 ME. 243 00:11:47,973 --> 00:11:52,278 DON'T SHOW HIM THE WORD AND YOU WANT TO DO IT-- DON'T DO IT 244 00:11:52,278 --> 00:11:53,245 YET. 245 00:11:53,245 --> 00:11:55,214 WRITE YOUR WORD BIG HERE BUT DON'T SHOW NO ONE. 246 00:11:55,214 --> 00:11:59,151 AND YOU WILL DO IT, I NEED PEOPLE, I NEED SOME PEOPLE, WE 247 00:11:59,151 --> 00:11:59,685 WILL START HERE. 248 00:11:59,685 --> 00:12:00,086 DO YOU WANT TO DO IT? 249 00:12:00,086 --> 00:12:02,054 YOU CAN DO IT. 250 00:12:02,054 --> 00:12:03,656 YOU, OKAY. 251 00:12:03,656 --> 00:12:07,726 STAND UP, ALL OF YOU, AND WRITE YOUR WORD INSIDE. 252 00:12:07,726 --> 00:12:11,330 THE WORK YOU HAVE IN MIND, WRITE YOUR WORD INSIDE, BIG BLOCK 253 00:12:11,330 --> 00:12:12,131 LETTERS. 254 00:12:12,131 --> 00:12:14,500 JAMES, YOU'RE GOING TO .21 OF THEM. 255 00:12:14,500 --> 00:12:16,502 ...21 OF. 256 00:12:16,502 --> 00:12:17,269 WHICH ONE? 257 00:12:17,269 --> 00:12:19,205 James: THIS LADY RIGHT HE HERE. 258 00:12:19,205 --> 00:12:23,042 YOU ARE GOING TO SAY A WORD, THE WORD THAT YOU WILL SAY WILL 259 00:12:23,042 --> 00:12:25,911 BE THE ONE THAT SHE CHOSE. 260 00:12:25,911 --> 00:12:26,779 THAT'S NOT POSSIBLE! 261 00:12:26,779 --> 00:12:28,948 IT'S NOT POSSIBLE! 262 00:12:28,948 --> 00:12:29,849 IT'S REALLY NOT POSSIBLE. 263 00:12:29,849 --> 00:12:32,118 BY THE WAY, THEY DO ALL JUST NOD YOUR HEAD? 264 00:12:32,118 --> 00:12:35,421 DID YOU TELL ME YOUR WORDS? 265 00:12:35,421 --> 00:12:35,754 NO? 266 00:12:35,754 --> 00:12:36,422 IT'S FAIR. 267 00:12:36,422 --> 00:12:38,491 THIS IS YOUR CHOICES, CORRECT? 268 00:12:38,491 --> 00:12:38,891 READY? 269 00:12:38,891 --> 00:12:41,560 DON'T SHOW US. 270 00:12:41,560 --> 00:12:42,561 ANYWHERE? 271 00:12:42,561 --> 00:12:42,995 James: ANYWHERE? 272 00:12:42,995 --> 00:12:46,465 JUST ANYWHERE? 273 00:12:46,465 --> 00:12:47,333 DAY. 274 00:12:47,333 --> 00:12:53,305 DID YOU WRITE THE WORD DAY, YES OR NO? 275 00:12:53,305 --> 00:12:53,839 NO. 276 00:12:53,839 --> 00:12:55,074 THIS IS WHAT I DO. 277 00:12:55,074 --> 00:13:00,779 YOU WANT TO TRY TO JUST LOOK AT HER, WHAT WERE DID SHE RIGHT? 278 00:13:00,779 --> 00:13:02,314 NIGHT? 279 00:13:02,314 --> 00:13:04,049 NO? 280 00:13:04,049 --> 00:13:06,352 SEE, I LIKE WHAT HAPPENED HERE. 281 00:13:06,352 --> 00:13:07,653 BUT THIS IS NOT HOW IT GOES. 282 00:13:07,653 --> 00:13:10,523 I WILL COUNT TO THREE AND EACH ONE OF YOU ARE GOING TO SHOUT 283 00:13:10,523 --> 00:13:13,692 THE FIRST LETTER OF YOUR WORD, JUST THE FIRST LETTER. 284 00:13:13,692 --> 00:13:14,260 READY? 285 00:13:14,260 --> 00:13:15,728 SHOUT, ONE, TWO, THREE. 286 00:13:15,728 --> 00:13:18,030 DID YOU HEAR THAT? 287 00:13:18,030 --> 00:13:19,198 IT WAS A CACOPHONY. 288 00:13:19,198 --> 00:13:26,505 NO, NO, BECAUSE DID YOU SAY-- I DON'T KNOW, DID YOU SAY 289 00:13:26,505 --> 00:13:27,573 S? 290 00:13:27,573 --> 00:13:30,876 IF YOU THOUGHT OF S, NOBODY KNOWS YOUR WORD, RIGHT? 291 00:13:30,876 --> 00:13:33,312 IT MEANS YOU THOUGHT OF A STAR, SHOW ME I'M RIGHT. 292 00:13:33,312 --> 00:13:37,550 NO! 293 00:13:37,550 --> 00:13:41,787 [CHEERS AND APPLAUSE] AND DID YOU-- DID YOU SAY W? 294 00:13:41,787 --> 00:13:43,889 ANOTHER ONE SAID W. 295 00:13:43,889 --> 00:13:46,125 IT'S NOT THE SAME WORD BUT DID YOU-- I DON'T KNOW, YOU WERE 296 00:13:46,125 --> 00:13:48,294 THINKING OF A FUNNY WORD. 297 00:13:48,294 --> 00:13:51,230 DID YOU WRITE WAFFLE BY ANY CHANCE? 298 00:13:51,230 --> 00:13:54,833 YES? 299 00:13:54,833 --> 00:13:58,904 AND DID YOU WRITE-- SO YOU DID NOT TELL THESE WORDS? 300 00:13:58,904 --> 00:14:01,540 DID YOU WRITE "PIANO" BY ANY CHANCE? 301 00:14:01,540 --> 00:14:03,576 THIS IS INTERESTING. 302 00:14:03,576 --> 00:14:05,811 [CHEERS AND APPLAUSE] I'M NOT SURE IS NOT WAFFLE, IT 303 00:14:05,811 --> 00:14:10,382 STARTS WITH A W, IT'S A WATCH? 304 00:14:10,382 --> 00:14:11,550 AND I DON'T KNOW. 305 00:14:11,550 --> 00:14:14,954 I HAVE A FEELING-- MAYBE YOU GOT LIKE A LITTLE BIT OF THE 306 00:14:14,954 --> 00:14:18,924 ENERGY BECAUSE YOU SAID NIGHT? 307 00:14:18,924 --> 00:14:20,192 DID YOU WRITE NIGHT? 308 00:14:20,192 --> 00:14:23,062 YOU DID. 309 00:14:23,062 --> 00:14:26,131 SO I-- YOU ARE A LITTLE BIT OF A 310 00:14:26,131 --> 00:14:28,534 MENTALIST! 311 00:14:28,534 --> 00:14:29,201 APPLAUSE! 312 00:14:29,201 --> 00:14:32,037 [APPLAUSE] YOU CAN SIT DOWN. 313 00:14:32,037 --> 00:14:35,541 BUT HERE'S THE THING, PEOPLE ARE VERY SKEPTICAL AND I WANTED YOU, 314 00:14:35,541 --> 00:14:38,043 JAMES, TO CHOOSE SOMEONE RANDOM OF THE AUDIENCE THAT NOBODY 315 00:14:38,043 --> 00:14:39,278 KNOWS. 316 00:14:39,278 --> 00:14:41,513 SOME OF THAT THERE'S NO POSSIBLE WAY THAT WE COULD NO, THAT WE 317 00:14:41,513 --> 00:14:47,086 COULD INFLUENCE, THAT-- I WANTED TO BRING A MACHINE THAT 318 00:14:47,086 --> 00:14:48,120 HELPS US TO SELECT SOMEONE. 319 00:14:48,120 --> 00:14:52,091 I GIVE YOU THE RANDOMATOR! 320 00:14:52,091 --> 00:14:56,061 THIS IS THE RANDOMATOR! 321 00:14:56,061 --> 00:15:00,532 AND THIS IS HOW IT GOES! 322 00:15:00,532 --> 00:15:04,803 THIS WAY WOULD SELECT SOMEONE BY RANDOM WITH SOMETHING I CANNOT 323 00:15:04,803 --> 00:15:06,038 CONTROL. 324 00:15:06,038 --> 00:15:08,941 I CANNOT INTERFERE BEFORE THE SHOW, I ASKED EACH WANT TO GIVE 325 00:15:08,941 --> 00:15:09,875 ME A DOLLAR BILL. 326 00:15:09,875 --> 00:15:15,247 ONE SINGLE-- SAY YES, YOU GIVE ME $1 BILL? 327 00:15:15,247 --> 00:15:18,984 AND I ASKED THEM-- I ASKED THEM TO MEMORIZE-- TO MEMORIZE THE 328 00:15:18,984 --> 00:15:20,953 LAST THREE DIGITS OF THE BILL. 329 00:15:20,953 --> 00:15:23,722 DID YOU MEMORIZE THE LAST THREE DIGITS? 330 00:15:23,722 --> 00:15:26,525 WHICH MEANS THAT EVERY BILL HERE MATCHES ONE OF THE PEOPLE OVER 331 00:15:26,525 --> 00:15:27,626 THERE. 332 00:15:27,626 --> 00:15:29,495 SO YOU'RE GOING TO GO INSIDE, WE ARE GOING TO ACTIVATE. 333 00:15:29,495 --> 00:15:33,232 AND YOU PLAY LIKE A MISSION IMPOSSIBLE KIND OF... 334 00:15:33,232 --> 00:15:38,237 ♪ ♪ VERY GOOD. 335 00:15:38,237 --> 00:15:39,938 SO GO INSIDE. 336 00:15:39,938 --> 00:15:46,612 ONCE IT'S OVER-- SORRY, TAKE THEM AND-- YEAH. 337 00:15:46,612 --> 00:15:48,013 READY? 338 00:15:48,013 --> 00:15:52,084 [CHEERS AND APPLAUSE] CIRCLE MUSICAL 339 00:15:54,586 --> 00:15:59,191 LET'S ACTIVATE IT!LET'S ACTIVAT! 340 00:15:59,191 --> 00:16:01,593 [CHEERS AND APPLAUSE] ♪ ♪ 341 00:16:01,593 --> 00:16:06,398 GO, GO! 342 00:16:06,398 --> 00:16:07,032 STOP! 343 00:16:07,032 --> 00:16:08,867 OKAY, OKAY! 344 00:16:08,867 --> 00:16:09,468 I'M HERE! 345 00:16:09,468 --> 00:16:11,737 OH, MY GOD, LOOK AT THIS. 346 00:16:11,737 --> 00:16:15,107 I PROMISE I'LL GIVE YOU THE MONEY BACK. 347 00:16:15,107 --> 00:16:16,642 SO OH, MY GOD, LOOK AT THIS. 348 00:16:16,642 --> 00:16:19,511 YOU CHOSE THIS ONE. 349 00:16:19,511 --> 00:16:20,713 THIS ONE HAS 187. 350 00:16:20,713 --> 00:16:26,919 AND THIS ONE HAS 765, CORRECT, AND-- THEY ALL HAS DIFFERENT 351 00:16:26,919 --> 00:16:28,153 SERIAL NUMBER. 352 00:16:28,153 --> 00:16:30,089 LIKE EVERY BILL HAS A DIFFERENT SERIAL NUMBER AND YOU CHOSE-- 353 00:16:30,089 --> 00:16:34,793 YOU CHOSE-- OKAY, WHAT IS THE LAST THREE DIGITS ON THE BILL? 354 00:16:34,793 --> 00:16:36,995 TRY TO A MEMBER IT. 355 00:16:36,995 --> 00:16:39,231 FORGET ABOUT-- YEAH, FORGET ABOUT THE LETTERS, THE LAST 356 00:16:39,231 --> 00:16:40,933 THREE DIGITS IS. 357 00:16:40,933 --> 00:16:44,103 James: THE LAST THREE DIGITS, FORGET THE LETTERS. 358 00:16:44,103 --> 00:16:44,536 022. 359 00:16:44,536 --> 00:16:48,340 WHO HAD 022? 360 00:16:48,340 --> 00:16:54,313 [APPLAUSE] NOW LET ME ASK YOU A QUESTION. 361 00:16:54,313 --> 00:16:57,449 WHEN I SAID FOR PEOPLE TO THINK OF WORDS, DID YOU ALSO HAVE A 362 00:16:57,449 --> 00:16:57,783 WORD IN MIND? 363 00:16:57,783 --> 00:16:59,985 I DID. 364 00:16:59,985 --> 00:17:01,520 OKAY, DID YOU TELL ME YOUR WORD? 365 00:17:01,520 --> 00:17:02,354 NO. 366 00:17:02,354 --> 00:17:04,022 DID YOU WHISPER THE WORD IN MY EAR? 367 00:17:04,022 --> 00:17:04,423 SPEAKER NO. 368 00:17:04,423 --> 00:17:05,557 IT'S FAIR. 369 00:17:05,557 --> 00:17:09,161 WHAT-- I HOPE THIS WILL WORK-- YOU CHOSE A BYE RANDOM. 370 00:17:09,161 --> 00:17:10,829 WHAT WAS THE WORD THAT YOU HAD IN YOUR MIND? 371 00:17:10,829 --> 00:17:12,164 YOU WANT ME TO SAY IT? 372 00:17:12,164 --> 00:17:15,534 OUT LOUD. 373 00:17:15,534 --> 00:17:16,068 BIRTHDAY. 374 00:17:16,068 --> 00:17:20,606 WHAT A COINCIDENCE. 375 00:17:20,606 --> 00:17:24,843 CAN I SEE YOUR WORD THAT YOU CHOSE BEFORE? 376 00:17:24,843 --> 00:17:29,348 CAN I SEE YOUR WORD JEFF? 377 00:17:29,348 --> 00:17:40,826 [APPLAUSE] AND THE BEST THING ABOUT IT THAT 378 00:17:40,826 --> 00:17:45,464 WAS YOUR CHOICE IS THE BEST THING ABOUT IT IS TODAY IS YOUR 379 00:17:45,464 --> 00:17:49,868 BIRTHDAY, JAMES, CORRECT? 380 00:17:49,868 --> 00:17:57,409 [APPLAUSE] IF NOT YOUR BIRTHDAY? 381 00:17:57,409 --> 00:18:00,813 James: IT'S NOT MY BIRTHDAY TODAY, NO. 382 00:18:00,813 --> 00:18:03,248 IT IS SOMEONE'S BIRTHDAY. 383 00:18:03,248 --> 00:18:04,750 James: IT'S MY SON'S BIRTHDAY. 384 00:18:04,750 --> 00:18:06,018 SO WE ARE GETTING SOMETHING. 385 00:18:06,018 --> 00:18:08,487 WE TALKED ABOUT COINCIDENCE AND I REALLY WANT TO TAKE THIS TO A 386 00:18:08,487 --> 00:18:13,025 COMPLETELY NEW LEVEL AND I DID TALK ABOUT SOME NUMBERS, SO I 387 00:18:13,025 --> 00:18:15,761 NEED NOW PEOPLE THINK OF A NUMBER FROM 1 TO 10. 388 00:18:15,761 --> 00:18:19,631 I GOT A BUNCH OF NUMBERS HERE-- THESE ARE ALL DIFFERENT 389 00:18:19,631 --> 00:18:22,434 DIFFERENT NUMBERS, SINGLE-DIGIT, AND I NEED HANDS IN THE AIR. 390 00:18:22,434 --> 00:18:26,939 I NEED SOME PEOPLE TO SELECT TO TAKE SOME OF THEM AND LET ME GO 391 00:18:26,939 --> 00:18:32,110 THE CHIEF SEAT HERE. 392 00:18:32,110 --> 00:18:34,112 STAND UP AND ASK THEM FACING US. 393 00:18:34,112 --> 00:18:37,783 AND STAND OUT AND-- PLENTY OF THOSE. 394 00:18:37,783 --> 00:18:39,318 MIX THEM FACING TOWARDS US. 395 00:18:39,318 --> 00:18:41,420 YOU WANT IT, YOU WANT IT. 396 00:18:41,420 --> 00:18:43,922 MIX IT, MIX IT UP. 397 00:18:43,922 --> 00:18:45,157 AND STAND UP, ALL OF YOU. 398 00:18:45,157 --> 00:18:49,228 MIX IT UP TOWARDS US SO WE CAN SEE THE FACES OF THE NUMBERS AND 399 00:18:49,228 --> 00:18:50,796 HERE'S THE BIGGEST COINCIDENCE OF ALL. 400 00:18:50,796 --> 00:18:53,465 THE BIGGEST COINCIDENCE OF ALL, ARE YOU READY? 401 00:18:53,465 --> 00:18:54,333 MIX IT UP. 402 00:18:54,333 --> 00:18:57,336 MIX IT UP TOWARDS YOURSELF WE DON'T SEE. 403 00:18:57,336 --> 00:18:59,505 AND TAKE THE NUMBER YOU HAVE IN YOUR MIND, TAKE YOUR NUMBER, AND 404 00:18:59,505 --> 00:19:03,542 PUT THE REST ON THE FLOOR, BUT DON'T SHOW US THE NUMBER. 405 00:19:03,542 --> 00:19:04,943 ALL OF YOU COME CLOSER TO THE RAILS. 406 00:19:04,943 --> 00:19:06,812 THERE'S A RAIL OVER THERE. 407 00:19:06,812 --> 00:19:08,680 END OF YOUR, COME CLOSER. 408 00:19:08,680 --> 00:19:09,548 GIVE THEM A BIG ROUND OF APPLAUSE! 409 00:19:09,548 --> 00:19:16,054 [APPLAUSE] THAT'S FINE GRADE YOU KNOW, I 410 00:19:16,054 --> 00:19:17,990 WASN'T PLANNING THIS BUT I WANTED TO CHANGE PLACES, CHANGE 411 00:19:17,990 --> 00:19:19,992 OF PLACES. 412 00:19:19,992 --> 00:19:24,396 CHANGE PLACES, CHANGE PLACES, CHANGE, CHANGE AND CHANGE. 413 00:19:24,396 --> 00:19:25,163 WHAT ABOUT THIS. 414 00:19:25,163 --> 00:19:26,465 WE TALKED ABOUT COINCIDENCE, GUYS. 415 00:19:26,465 --> 00:19:32,271 WHAT IS THE CHANCE THAT THEY ALL THOUGHT OF THE EXACT SAME 416 00:19:32,271 --> 00:19:32,571 NUMBER? 417 00:19:32,571 --> 00:19:35,908 ZERO. 418 00:19:35,908 --> 00:19:44,149 [LAUGHTER] IT'S MY JOB, ON, IT'S MY JOB 419 00:19:45,584 --> 00:19:49,721 FIRST ONE, WHAT NUMBER DID YOU CHOOSE, SHOW US. 420 00:19:49,721 --> 00:19:52,624 AND YOU, SECOND FROM THE RIGHT, SHOW ME HER NUMBER. 421 00:19:52,624 --> 00:19:55,494 TURNER NUMBERS, I WANT TO SEE THE NUMBERS. 422 00:19:55,494 --> 00:19:55,928 TURN AND LET ME SEE. 423 00:19:55,928 --> 00:19:58,564 LET ME SEE. 424 00:19:58,564 --> 00:20:03,302 úOKAY, IT'S NOT THE SAME NUMBER, BUT THERE IS SOMETHING ELSE. 425 00:20:03,302 --> 00:20:06,138 MAYBE THERE'S A HIGHER LEVEL OF COINCIDENCE HERE BECAUSE THIS IS 426 00:20:06,138 --> 00:20:07,873 VERY DIFFICULT. 427 00:20:07,873 --> 00:20:10,742 IT WASN'T SUPPOSED TO BE THE SAME NUMBER, YOU CHOSE A RANDOM 428 00:20:10,742 --> 00:20:11,176 BILL. 429 00:20:11,176 --> 00:20:12,411 James: I DID. 430 00:20:12,411 --> 00:20:12,844 FROM THE MACHINE. 431 00:20:12,844 --> 00:20:14,446 James: YES. 432 00:20:14,446 --> 00:20:17,215 CAN YOU READ OUT LOUD THE WHOLE NUMBER. 433 00:20:17,215 --> 00:20:19,685 CAN YOU HOLD IT CLOSE TO YOUR CHEST, SHOW US THE NUMBER AND 434 00:20:19,685 --> 00:20:22,220 YOU GUYS THOUGHT OF THIS IN THE BEGINNING AND YOU THOUGHT OF 435 00:20:22,220 --> 00:20:24,856 THIS AT THE BEGINNING. 436 00:20:24,856 --> 00:20:29,394 JAMES, REA READ OUT LOUD THE SEL NUMBER. 437 00:20:29,394 --> 00:20:37,936 James: 87918022. 438 00:20:37,936 --> 00:20:50,115 [CHEERS AND APPLAUSE] THIS IS AMAZING, BUT GOING 439 00:20:50,115 --> 00:20:53,852 BACK-- BECAUSE THIS WHOLE ACT IS ABOUT CRAZY COINCIDENCE, CAN 440 00:20:53,852 --> 00:20:56,989 YOU STAND UP, KEEP STANDING OVER THERE AND PEOPLE WITH THE WORDS, 441 00:20:56,989 --> 00:20:59,491 ALL OF YOU CHOSE RANDOM WORDS. 442 00:20:59,491 --> 00:21:00,692 PROMISE ME NOBODY TOLD YOU. 443 00:21:00,692 --> 00:21:02,794 CAN YOU COME WITH ME FOR A SECOND? 444 00:21:02,794 --> 00:21:03,795 NOBODY TOLD YOU WHAT TO CHOOSE. 445 00:21:03,795 --> 00:21:05,530 THAT WAS YOUR CHOICE. 446 00:21:05,530 --> 00:21:11,003 YOU CHOSE THOSE RANDOM WORDS, CORRECT, YES, YES, YES. 447 00:21:11,003 --> 00:21:12,237 YOU THOUGHT OF A STAR. 448 00:21:12,237 --> 00:21:15,707 FIRST TIME I MET YOU WAS MANY YEARS AGO WHEN WE DID THIS SHOW 449 00:21:15,707 --> 00:21:18,710 HERE, IT WAS HARRY CONNICK JR. AND ALICE EVE AND WE INFLUENCED 450 00:21:18,710 --> 00:21:26,151 THE ENTIRE AUDIENCE TO THINK OF TESTER MEMBER WHAT THAT WAS? 451 00:21:26,151 --> 00:21:27,386 James: START. 452 00:21:27,386 --> 00:21:29,755 THE SECOND APPEARANCE WITH JEREMY PIVEN AND AMERICA FERRERA 453 00:21:29,755 --> 00:21:34,760 WHEN WE DID ALL ACT ABOUT TIME AND ABOUT CLOCKS AND ABOUT 454 00:21:34,760 --> 00:21:36,862 WATCHES AND YOU THOUGHT OF A WATCH. 455 00:21:36,862 --> 00:21:43,568 THE THIRD ACT WAS HERE WITH THE JONAS BROTHERS AND THE GIANT... 456 00:21:43,568 --> 00:21:44,703 James: PIANO. 457 00:21:44,703 --> 00:21:48,040 IN THE GIANT PIANO HERE WHEN WE CREATED THE WHOLE ACT 458 00:21:48,040 --> 00:21:48,807 TOGETHER. 459 00:21:48,807 --> 00:21:52,878 [APPLAUSE] COME TO MY RIGHT, JAMES. 460 00:21:52,878 --> 00:21:56,715 AND THE NEXT APPEARANCE WAS DURING COVID-19, WE COULD NOT BE 461 00:21:56,715 --> 00:22:00,352 PRESENT SO WE WERE THERE WITH NICHOLAS HOLT AND WE WERE OVER 462 00:22:00,352 --> 00:22:02,254 ZOOM COMMUNICATING AND DO YOU REMEMBER WHICH WORD DID YOU 463 00:22:02,254 --> 00:22:02,888 CHOOSE? 464 00:22:02,888 --> 00:22:04,256 James: I DON'T REMEMBER. 465 00:22:04,256 --> 00:22:05,991 IT WAS THE WORD NIGHT. 466 00:22:05,991 --> 00:22:07,359 James: OH, MY GOD. 467 00:22:07,359 --> 00:22:12,864 [APPLAUSE] AND A FEW-- AND A FEW MONTHS 468 00:22:12,864 --> 00:22:21,039 AGO WE DID OUR SHOW IN LONDON AND WE WERE WITH MANY DRIVER AND 469 00:22:21,039 --> 00:22:25,343 JOHN BOYEGA AND SAM SMITH AND WE CREATED A CRAZY MUSICAL CALLED 470 00:22:25,343 --> 00:22:29,915 WAFFLES OF THE MIND READER. 471 00:22:29,915 --> 00:22:35,487 [CHEERS AND APPLAUSE] EVERY WORD. 472 00:22:35,487 --> 00:22:38,790 EVERY WORD MATCHES A MOMENT OF WONDER IN OUR PAST, JAMES, 473 00:22:38,790 --> 00:22:43,128 EXCEPT YOUR WORD WAS? 474 00:22:43,128 --> 00:22:44,396 BIRTHDAY! 475 00:22:44,396 --> 00:22:46,765 WHICH MATCHED THIS ONE, BUT ARE YOU SURE IT'S NOT YOUR BIRTHDAY? 476 00:22:46,765 --> 00:22:49,701 James: IT'S NOT BIRTHDAY TODAY. 477 00:22:49,701 --> 00:22:52,504 ONE IS YOUR BIRTHDAY, JAMES? 478 00:22:52,504 --> 00:22:54,439 ON THE 22ND OF AUGUST. 479 00:22:54,439 --> 00:22:59,311 James: WHICH YEAR? 480 00:22:59,311 --> 00:23:01,213 THIS TIME YOU'RE GOING TO READ IT BACKWARDS. 481 00:23:01,213 --> 00:23:07,185 SO WE'VE GOT THE TWO... 482 00:23:07,185 --> 00:23:07,819 22ND OF AUGUST. 483 00:23:07,819 --> 00:23:13,759 James: ZERO EIGHT, 1978. 484 00:23:13,759 --> 00:23:23,969 [APPLAUSE] HAPPY BIRTHDAY, JAMES! 485 00:23:23,969 --> 00:23:28,106 James: LADI LADIES AND GENTLEMEN, HE BLOWS HER MIND 486 00:23:28,106 --> 00:23:30,976 EVERY TIME! 487 00:23:30,976 --> 00:23:32,144 LIOR SUCHARD! 488 00:23:32,144 --> 00:23:33,545 WE WILL BE RIGHT BACK WITH OWEN WILSON AND JEFF GOLDBLUM! 489 00:23:51,029 --> 00:23:55,400 James: WE ARE HERE WITH OWEN WILSON AND JEFF GOLDBLUM, 490 00:23:55,400 --> 00:23:56,635 EVERYBODY! 491 00:23:56,635 --> 00:24:01,072 ALWAYS BEEN TALK ABOUT DURING THE BREAK WAS HOW WILD LIOR WAS, 492 00:24:01,072 --> 00:24:01,640 JUST ABSOLUTELY INCREDIBLE. 493 00:24:01,640 --> 00:24:03,708 UNBELIEVABLE! 494 00:24:03,708 --> 00:24:06,411 James: YOU STARTING SOME OF MY FAVORITE FILMS TOGETHER, 495 00:24:06,411 --> 00:24:11,516 PARTICULARLY WES ANDERSON MOVIES "THE LIFE AQUATIC," "THE GRAND 496 00:24:11,516 --> 00:24:12,684 BUDAPEST HOTEL." 497 00:24:12,684 --> 00:24:14,920 OWEN, WHAT DO YOU REMEMBER ABOUT WORKING WITH MR. GOLDBLUM? 498 00:24:14,920 --> 00:24:19,658 WELL, I WANT TO MAKE YOU SELF-CONSCIOUS, BUT JUST I 499 00:24:19,658 --> 00:24:25,564 REALLY LOVED WORKING WITH YOU AND I REMEMBER WE WERE STAYING 500 00:24:25,564 --> 00:24:29,201 IN THE SAME HOTEL IN ROME AND I THINK THERE WAS A PIANO THAT YOU 501 00:24:29,201 --> 00:24:32,237 WOULD SOMETIMES PLAY. 502 00:24:32,237 --> 00:24:35,407 James: THAT DOESN'T SOUND LIKE THE JEFF I KNOW. 503 00:24:35,407 --> 00:24:36,274 TICKLING THE IVORY. 504 00:24:36,274 --> 00:24:39,244 WAS I? 505 00:24:39,244 --> 00:24:39,945 OR WORKING OUT. 506 00:24:39,945 --> 00:24:42,280 BECAUSE, YOU ARE IN GOOD SHAPE. 507 00:24:42,280 --> 00:24:43,715 LOOK AT YOU! 508 00:24:43,715 --> 00:24:46,685 VERY FIT. 509 00:24:46,685 --> 00:24:48,186 SOMETIMES SEE YOU LIFTING WEIGHTS. 510 00:24:48,186 --> 00:24:49,187 YEAH. 511 00:24:49,187 --> 00:24:50,455 GEICO MUST'VE BEEN WORKING OUT. 512 00:24:50,455 --> 00:24:54,025 YEAH, YEAH, YOU WERE DELIGHTFUL, I ADORE YOU, I'VE ALWAYS ADORED 513 00:24:54,025 --> 00:24:54,559 YOU. 514 00:24:54,559 --> 00:24:56,094 AND WORKING WITH YOU. 515 00:24:56,094 --> 00:25:02,167 YOU ARE A RARE ARTIST AND WE HAD FUN, DIDN'T WE? 516 00:25:02,167 --> 00:25:05,904 AND JUST WALKING AROUND. 517 00:25:05,904 --> 00:25:07,172 YEAH. 518 00:25:07,172 --> 00:25:11,877 WE CAN'T TELL ANYTHING, BUT YOU ARE SO WONDERFUL AND WE BONDED A 519 00:25:11,877 --> 00:25:17,015 LITTLE BIT IN AN UNCOMMON WAY FOR ME. 520 00:25:17,015 --> 00:25:18,917 WE TOLD EACH OTHER TALES AND PERSONAL THINGS ABOUT OURSELVES 521 00:25:18,917 --> 00:25:22,487 THAT WE CAN'T POSSIBLY SHARE BUT THERE WAS A LOT OF FUN, REALLY 522 00:25:22,487 --> 00:25:25,023 ADORED BEING WITH YOU. 523 00:25:25,023 --> 00:25:26,658 James: YOU BOTH VERY MUCH HAD THAT ENERGY, I THINK BOTH OF 524 00:25:26,658 --> 00:25:30,395 YOU ARE LIKE I CAN REMEMBER THE FIRST TIME I EVER MET YOU, JEFF, 525 00:25:30,395 --> 00:25:34,299 WHICH I DON'T KNOW THAT YOU WHATEVER REMEMBER, WHICH IS IN A 526 00:25:34,299 --> 00:25:38,236 PENTHOUSE APARTMENT IN LONDON AT ABOUT 3:00 A.M. AND WE'VE NEVER 527 00:25:38,236 --> 00:25:40,572 MET AND WE SNUGGLED ON A COUCH. 528 00:25:40,572 --> 00:25:42,741 WE DID. 529 00:25:42,741 --> 00:25:45,944 NO, WE DID, YOU HAD YOUR ARM LIKE THIS, I PUT MY HEAD IN HERE 530 00:25:45,944 --> 00:25:49,614 ON JEFF AND WE TALKED-- AGAIN, I CAN'T TALK ABOUT IT, WE ARE 531 00:25:49,614 --> 00:25:51,716 NOT GOING TO. 532 00:25:51,716 --> 00:25:55,553 BUT IT'S ALL COMING BACK TO ME VERY MUCH LIKE A CELINE DION 533 00:25:55,553 --> 00:25:56,788 SONG. 534 00:25:56,788 --> 00:26:00,158 BUT ANOTHER THING YOU HAVE IN COMMON, YOU BOTH HAVE TWO BOYS. 535 00:26:00,158 --> 00:26:03,561 OWEN, HOW OLD ARE YOUR BOYS AND ONE OF THE INTO AT THE MOMENT? 536 00:26:03,561 --> 00:26:08,099 THEY ARE 12 AND 9. 537 00:26:08,099 --> 00:26:11,236 AND THEY ARE BOTH VERY INTO SOCCER. 538 00:26:11,236 --> 00:26:14,439 THEY BOTH SAY THEY ARE GOING TO BE PROFESSIONAL SOCCER PLAYERS. 539 00:26:14,439 --> 00:26:20,412 BUT THEIR BACKUP, THE 9-YEAR-OLD SAYS HE WANTS TO OPEN A PRANK 540 00:26:20,412 --> 00:26:21,746 SHOP. 541 00:26:21,746 --> 00:26:24,349 [LAUGHTER] AND HE EVEN HAS THE NAME, 542 00:26:24,349 --> 00:26:29,654 WILSON'S WHIZBANGS. 543 00:26:29,654 --> 00:26:30,722 James: I LOVE THAT! 544 00:26:30,722 --> 00:26:32,791 THE WAY HE WILL ANSWER THE PHONE, THIS IS FRANK. 545 00:26:32,791 --> 00:26:37,729 WILSON'S WHIZBANGS, THIS IS FRANK, WHAT'S YOUR PRANK? 546 00:26:37,729 --> 00:26:42,233 KIDS LOVE-- THEY LOVE THAT IDEA OF KIND OF GETTING ONE OVER ON 547 00:26:42,233 --> 00:26:43,368 YOU. 548 00:26:43,368 --> 00:26:46,438 James: I LOVE THE IDEA OF GOING TO WILSON'S WHIZBANGS. 549 00:26:46,438 --> 00:26:49,674 I HAVE A COUPLE BOYS, 7 AND 5, IT WOULD BE GREAT 550 00:26:49,674 --> 00:26:51,977 FOR THEM TO SEE YOU. 551 00:26:51,977 --> 00:26:54,813 THEY ARE ALSO INTO SOCCER! 552 00:26:54,813 --> 00:26:57,749 HAY, OR FOOTBALL AS THEY CALL IT EVERYPLACE ELSE. 553 00:26:57,749 --> 00:26:58,316 THEY LOVE IT. 554 00:26:58,316 --> 00:26:59,517 THEY ARE CRAZY ABOUT IT. 555 00:26:59,517 --> 00:27:02,520 I HAVE PICTURES ON MY PHONE RIGHT NOW OF ALL THE JERSEYS 556 00:27:02,520 --> 00:27:07,826 THEY WANT TO GET FROM LIONEL MESSI AND FROM MBAPPE. 557 00:27:07,826 --> 00:27:13,164 OF I DO BELIEVE IN COINCIDENCE OR PERCEPTUAL READINESS BECAUSE 558 00:27:13,164 --> 00:27:17,435 ON THE PLANE COMING OVER HERE-- JUST LAST WEEK, WE MET A GUY WHO 559 00:27:17,435 --> 00:27:22,374 SAID-- I DON'T KNOW HOW IT CAME UP, HE SAID I'M FRIENDS, ONE OF 560 00:27:22,374 --> 00:27:23,775 MY BEST FRIENDS IS MBAPPE. 561 00:27:23,775 --> 00:27:26,945 I DON'T KNOW IF IT WOULD MEAN ANYTHING TO THEM TO GO-- I 562 00:27:26,945 --> 00:27:28,947 MENTIONED IT TO THEM LAST NIGHT, I SAID WE MET SOMEBODY WHOSE 563 00:27:28,947 --> 00:27:32,851 FRIEND IS GOOD FRIENDS WITH-- HE DIDN'T DO ANYTHING, BUT, YOU 564 00:27:32,851 --> 00:27:34,085 KNOW. 565 00:27:34,085 --> 00:27:36,554 AND I DON'T EVEN NO, IF WE HAD A CHANCE TO GO COME HERE, GUESS 566 00:27:36,554 --> 00:27:39,024 WHO'S BEHIND THE DOOR, IS-- I DON'T KNOW IF IT WOULD MEAN 567 00:27:39,024 --> 00:27:40,959 ANYTHING TO THEM. 568 00:27:40,959 --> 00:27:42,494 BUT FORGET THAT JERSEY, THERE IS MBAPPE. 569 00:27:42,494 --> 00:27:43,695 I DON'T KNOW. 570 00:27:43,695 --> 00:27:46,598 IT IS FUNNY COME AFTER THAT MENTALIST EVERYTHING STARTS TO 571 00:27:46,598 --> 00:27:48,600 FEEL LIKE THAT, SO YOUR STORY STARTS TO FEEL LIKE HEY, I 572 00:27:48,600 --> 00:27:53,405 KNOW-- BUT MAYBE IT'S ALWAYS HAPPENING! 573 00:27:53,405 --> 00:27:54,439 THERE IS SYNCHRONICITY. 574 00:27:54,439 --> 00:27:57,709 THERE IS THINK IN A CITY AND LIKE I SAY, PERCEPTUAL 575 00:27:57,709 --> 00:27:59,778 READINESS, WHICH IS THAT ONCE YOU'RE OPEN TO SOMETHING, WHEN 576 00:27:59,778 --> 00:28:02,414 YOU START TO SEE IT ALL OVER THE PLACE. 577 00:28:02,414 --> 00:28:06,484 YOU GO OH, I WAS JUST TALKING ABOUT THAT AND THERE IT IS. 578 00:28:06,484 --> 00:28:11,890 YOU REMINDED ME OF SOMETHING OF CRANKING IN THE MENTALIST, MY 579 00:28:11,890 --> 00:28:16,161 PARENTS HAD A THING, KIND OF A CARD TRICK AT COCKTAIL PARTIES, 580 00:28:16,161 --> 00:28:17,896 THEY WOULD HAVE ANOTHER DESIGNATED PERSON ON THE OTHER 581 00:28:17,896 --> 00:28:20,532 END OF A PHONE THAT THEY COULD CALL IN THE MIDDLE OF THE NIGHT 582 00:28:20,532 --> 00:28:23,501 OR ANYTHING AND THEY WOULD BE ABLE TO GO OKAY, HERE IN THE 583 00:28:23,501 --> 00:28:28,540 PARTY, BEFORE I CALL MY FRIEND WHO HAS SPECIAL POWERS, PICK A 584 00:28:28,540 --> 00:28:30,508 CARD, ANY CARD, OKAY, THAT'S YOUR CARD. 585 00:28:30,508 --> 00:28:36,915 AND THEY WOULD GO WIZARD, HANG ON. 586 00:28:36,915 --> 00:28:40,752 AND THEN YOU'D GET THE PHONE AND THEY WOULD TELL YOU YOUR CARD. 587 00:28:40,752 --> 00:28:41,920 AMAZING, RIGHT? 588 00:28:41,920 --> 00:28:44,255 BUT OF COURSE HERE'S THE TRICK, I WILL TELL YOU THE TRICK. 589 00:28:44,255 --> 00:28:48,560 THE TRICK WAS SIMPLY THAT THE CODE IS ALREADY IF I CALL UP AND 590 00:28:48,560 --> 00:28:52,363 SAY HELLO WIZARD, OR IS THIS WIZARD OR IS THIS THE WIZARD, OR 591 00:28:52,363 --> 00:28:54,966 HE WIZARD, THEY ALREADY KNOW WHAT SUIT IT IS AND THEN RIGHT 592 00:28:54,966 --> 00:29:00,138 AWAY THE GUY IN THE OTHER AND GOES OKAY, ONE, TWO, THREE, 593 00:29:00,138 --> 00:29:03,174 FOUR, AND I WOULD SUGGEST, SO THAT HE GOES FOUR OF CLUBS. 594 00:29:03,174 --> 00:29:05,944 SO IT'S A NICE TRICK. 595 00:29:05,944 --> 00:29:07,779 James: IT'S A GOOD TRICK! 596 00:29:07,779 --> 00:29:08,580 IT'S A GOOD TRICK! 597 00:29:08,580 --> 00:29:11,082 [APPLAUSE] I LOVE TO TALK ABOUT OWEN 598 00:29:11,082 --> 00:29:14,686 WILSON'S NEW FILM "PAINT." 599 00:29:14,686 --> 00:29:16,187 FOR ANYONE WHO DOESN'T KNOW, TELL US WHAT THE FILM IS ABOUT 600 00:29:16,187 --> 00:29:17,555 AND WHO YOU PLAY. 601 00:29:17,555 --> 00:29:23,862 I PLAY A PAINTER WHO HAS HAD THE NUMBER ONE PAINTING SHOW IN 602 00:29:23,862 --> 00:29:28,399 VERMONT FOR 22 YEARS STRAIGHT, AND HIS NAME IS CARL AND I THINK 603 00:29:28,399 --> 00:29:37,108 THE MOVIE IS SET IN A BE 2008, BUT CARL IS SORT OF SET IN MAYBE 604 00:29:37,108 --> 00:29:39,277 1977 AND THE REASON IS BECAUSE EVERYTHING IN HIS LIFE HAS JUST 605 00:29:39,277 --> 00:29:41,913 BEEN SO PERFECT. 606 00:29:41,913 --> 00:29:45,917 YOU KNOW, HE HAS THIS DEVOTED FOLLOWING, HE HAS OF COURSE THE 607 00:29:45,917 --> 00:29:52,357 NUMBER ONE SHOW, AS I MENTIONED, HE HAS A GREAT-- HE'S HAD NO 608 00:29:52,357 --> 00:29:56,828 REASON TO CHANGE UNTIL THIS NEW PAINTER COMES ALONG AND SHE IS 609 00:29:56,828 --> 00:30:03,601 BETTER THAN HIM, MAYBE, AND BEGINS TO SORT OF KIND OF TAKE 610 00:30:03,601 --> 00:30:07,405 EVERYTHING THAT CARL HOLDS DEAR. 611 00:30:07,405 --> 00:30:09,073 James: LET'S TAKE A LOOK. 612 00:30:09,073 --> 00:30:13,144 OF IN THEATERS APRIL 7TH. 613 00:30:13,144 --> 00:30:16,614 EVERY FOREST NEEDS A TALLEST TREE IN THE THINK WE FOUND OURS 614 00:30:16,614 --> 00:30:20,919 WITH PROBABLY THE MOST IMPRESSIVE SHAFT OF LUMBER THAT 615 00:30:20,919 --> 00:30:23,988 MEL MANSFIELD HAS EVER SEEN. 616 00:30:23,988 --> 00:30:27,358 THANK YOU FOR GOING TO A SPECIAL PLACE OF ME, CARL. 617 00:30:27,358 --> 00:30:30,228 CUT IT. 618 00:30:30,228 --> 00:30:32,063 THAT TREE IS PROBABLY TOO TALL. 619 00:30:32,063 --> 00:30:34,065 BRACE YOURSELF, YOU'RE GOING TO GET SOME CALLS. 620 00:30:34,065 --> 00:30:36,434 LET ME JUST LIKE YOU OVER YOUR LITTLE BIT. 621 00:30:36,434 --> 00:30:38,970 IT STARTED OFF AS A WINGED TOWEL AND THEN IT BECAME A WHITE 622 00:30:38,970 --> 00:30:39,337 OAK. 623 00:30:39,337 --> 00:30:41,139 SO GOOD. 624 00:30:41,139 --> 00:30:46,010 PUT IT IN THE FAMILY CAN HAVE THE OTHER. 625 00:30:46,010 --> 00:30:46,578 AMBROSIA? 626 00:30:46,578 --> 00:30:47,345 James: STICK AROUND! 627 00:31:03,995 --> 00:31:05,964 James: WELCOME BACK, WE ARE HERE WITH OWEN WILSON AND 628 00:31:05,964 --> 00:31:07,165 JEFF GOLDBLUM! 629 00:31:07,165 --> 00:31:12,937 JEFF, THAT'S TALK ABOUT YOUR INCREDIBLE NEW EP, JEFF GOLDBLUM 630 00:31:12,937 --> 00:31:15,673 "PLAYS WELL WITH OTHERS." 631 00:31:15,673 --> 00:31:16,708 [CHEERS AND APPLAUSE] "PLAYS WELL WITH OTHERS." 632 00:31:16,708 --> 00:31:18,743 HOW DID YOU COME UP WITH THIS TITLE? 633 00:31:18,743 --> 00:31:21,145 BECAUSE THE TITLE? 634 00:31:21,145 --> 00:31:23,448 YOU KNOW, THERE'S NO BIG STORY ABOUT, JUST ONE DAY THEY SAID 635 00:31:23,448 --> 00:31:24,949 YOU'VE GOT TO COME UP WITH A TITLE. 636 00:31:24,949 --> 00:31:30,088 I LIKE TITLES, AND I'D BEEN JOTTING DOWN LISTS AND THEN I 637 00:31:30,088 --> 00:31:33,658 THOUGHT IT JUST CAME TO ME. 638 00:31:33,658 --> 00:31:35,693 JUST CAME TO ME LIKE IT WAS A MENTALIST OF SOME KIND. 639 00:31:35,693 --> 00:31:38,830 James: ON YOUR OWN YOU THOUGHT I PLAY WELL WITH OTHERS. 640 00:31:38,830 --> 00:31:41,432 I DID COME UP WITH IT, AND I THOUGHT PLAYS WELL WITH OTHERS, 641 00:31:41,432 --> 00:31:46,037 THAT'S GOOD. 642 00:31:46,037 --> 00:31:48,640 James: AND ARE GOING TO KEEP PLAYING WITH OTHERS. 643 00:31:48,640 --> 00:31:53,244 IF YOU'RE ABOUT GO ON THE WORLD TOUR WITH YOUR BAND, GOING TO 644 00:31:53,244 --> 00:31:55,647 LONDON, PARIS, BERLIN, WHAT'S YOUR BIGGEST ROCKS ARE MOMENT 645 00:31:55,647 --> 00:31:58,049 YOU'VE HAD OVER THE YEARS? 646 00:31:58,049 --> 00:32:02,120 WELL, I'LL TELL YOU QUICKLY, I WAS-- I HAPPEN TO BE-- I 647 00:32:02,120 --> 00:32:04,656 HAVE HOSTED "SATURDAY NIGHT LIVE" AND 648 00:32:04,656 --> 00:32:06,724 AEROSMITH WAS THE GUEST, I KIND OF GOTTEN A LITTLE PALS LEAD THE 649 00:32:06,724 --> 00:32:10,228 WEEK WITH THEM, WOULD GOING OUT TO DINNER AND A SHORTLY AFTER 650 00:32:10,228 --> 00:32:12,630 THEY WERE GOING TO PLAY BIG CONCERT OUTDOORS. 651 00:32:12,630 --> 00:32:15,366 THEY INVITED ME, I WAS ON THE SIDE OF THE STAGE AND STEVEN 652 00:32:15,366 --> 00:32:18,870 TYLER SAID HEY, JEFF, YOU'RE GOING TO PLAY WITH US. 653 00:32:18,870 --> 00:32:22,240 HE INVITED ME THERE, THE PIANO PLAYER-- SO I PLAYED FOR 60,000 654 00:32:22,240 --> 00:32:23,241 PEOPLE. 655 00:32:23,241 --> 00:32:24,475 THEY WERE DOING ONE OF THOSE SONGS, IT WAS GREAT. 656 00:32:24,475 --> 00:32:28,646 AND THEN I MET RINGO STARR AT ONE POINT AND WE HAD-- THAT WAS 657 00:32:28,646 --> 00:32:30,348 THRILLING. 658 00:32:30,348 --> 00:32:32,684 AND THEN KEITH RICHARDS AT THE 40 ANNIVERSARY OF THE "SNL" 659 00:32:32,684 --> 00:32:33,551 THING. 660 00:32:33,551 --> 00:32:35,787 WE HAD A MOMENT WHERE WE WERE SAYING-- 661 00:32:35,787 --> 00:32:39,290 [LAUGHS] I'M ALWAYS VERY STARSTRUCK 662 00:32:39,290 --> 00:32:40,491 WITH THOSE TYPES. 663 00:32:40,491 --> 00:32:43,061 James: WHAT ABOUT YOU, HAVE YOU OVERSTEPPED ON STAGE WITH 664 00:32:43,061 --> 00:32:45,596 THE ICONIC ROCK STARS? 665 00:32:45,596 --> 00:32:47,899 YOU'VE GOT A LOT OF FRIENDS IN THE MUSIC INDUSTRY. 666 00:32:47,899 --> 00:32:51,369 NOT SO MUCH BUT I DID HAVE A THING WHERE DOES SHE MENTION 667 00:32:51,369 --> 00:32:55,340 KEITH RICHARDS-- WHERE I WANT TO SEE THE ROLLING STONES IN 668 00:32:55,340 --> 00:32:58,910 ARGENTINA AND I WAS KIND OF FRIENDLY WITH SOME OF THE BAND 669 00:32:58,910 --> 00:33:03,414 AND THEN MY FRIEND WAS REALLY GOOD FRIENDS WITH MICK JAGGER 670 00:33:03,414 --> 00:33:08,686 AND WE GOT THESE SPECIAL LAMINATES, KIND OF ALL ACCESS, 671 00:33:08,686 --> 00:33:12,156 THAT WERE GOOD FOR THE REST OF YOUR LIFE THAT WE GOT PRESENTED 672 00:33:12,156 --> 00:33:13,624 WITH GREAT James: STOP! 673 00:33:13,624 --> 00:33:14,859 NO! 674 00:33:14,859 --> 00:33:17,729 BECAUSE OF THE FIRST CONCERT I HAD EVER SEEN WAS THE STONES AS 675 00:33:17,729 --> 00:33:24,369 A KID, THE TATTOO YOU TOUR LIKE 1980, SO NOW GETTING THIS WAS 676 00:33:24,369 --> 00:33:28,406 JUST KIND OF, YOU KNOW, SO EXCITING, AND THEN THAT NIGHT AT 677 00:33:28,406 --> 00:33:29,240 THE CONCERT I'M KIND OF 678 00:33:29,240 --> 00:33:31,509 WANDERING AROUND, TESTING IT OUT LIKE 679 00:33:31,509 --> 00:33:35,713 I'M GOING TO WALK OVER HERE AND SEE IF ANYBODY STOPS ME AND NO 680 00:33:35,713 --> 00:33:39,150 ONE WOULD STOP ME ANYPLACE AND I ENDED UP RIGHT AT THIS PLACE 681 00:33:39,150 --> 00:33:42,987 WHERE I COULD LOOK OVER AND SEE MICK JAGGER ON THE STAGE FRIGHT 682 00:33:42,987 --> 00:33:46,224 THERE AND I'M KIND OF WATCHING AND THEN ALL OF A SUDDEN HE 683 00:33:46,224 --> 00:33:49,861 BOLTS DURING "JUMPING JACK FLASH" AND COMES RUNNING DOWN 684 00:33:49,861 --> 00:33:53,598 AND IT TURNS OUT WHERE I WAS WAS KIND OF PART OF THE STAGE A 685 00:33:53,598 --> 00:33:57,969 LITTLE BIT, SO I JUST SORT OF FROZE AND, YOU KNOW, TRIED TO BE 686 00:33:57,969 --> 00:34:00,872 INCONSPICUOUS AND HE KIND OF CAME DOWN AND THEN LEFT AND THEN 687 00:34:00,872 --> 00:34:03,341 SOMEONE CAME RUNNING, GET OUT OF HERE, MOVE, YOU'RE NOT SUPPOSED 688 00:34:03,341 --> 00:34:04,308 TO BE HERE! 689 00:34:04,308 --> 00:34:06,844 AND I WAS-- YOU KNOW, I DIDN'T KNOW. 690 00:34:06,844 --> 00:34:11,816 I'M SO SORRY, AND, I GO TO BED THAT NIGHT STILL THINKING ABOUT 691 00:34:11,816 --> 00:34:16,654 MY GOSH, THAT WAS KIND OF-- KIND OF A GNARLY EXPERIENCE AND 692 00:34:16,654 --> 00:34:22,927 THEN I GOT CALL THE NEXT MORNING ASKING FROM HIS SECURITY TEAM, 693 00:34:22,927 --> 00:34:26,264 DO YOU HAVE THAT LAMINATE, YES, I STILL HAVE IT. 694 00:34:26,264 --> 00:34:30,201 OKAY, WE ARE GOING TO COME OVER AND PICK IT UP. 695 00:34:30,201 --> 00:34:31,636 [LAUGHTER] James: OH, MY GOD! 696 00:34:31,636 --> 00:34:34,172 PARENT WHEN I WAS ALSO DRESSED IN LIKE A WHITE T-SHIRT 697 00:34:34,172 --> 00:34:37,975 AND WHITE PANTS AND IF YOU ARE AT THIS PART OF THE STAGE WHERE 698 00:34:37,975 --> 00:34:41,712 YOU'RE NOT SUPPOSED TO BE, YOU SHOULD BE IN LIKE DARK COLORS 699 00:34:41,712 --> 00:34:43,381 WERE YOU BLEND IN. 700 00:34:43,381 --> 00:34:47,752 SO I GET IT, YOU KNOW, HE HAS A SHOW TO DO, HE DOESN'T NEED SOME 701 00:34:47,752 --> 00:34:51,055 BOZO KIND OF JUST CRUISING AROUND, DISTRACTING. 702 00:34:51,055 --> 00:34:54,025 THEY REVOKED YOUR WHOLE PASS? 703 00:34:54,025 --> 00:34:55,092 James: YOUR LIFETIME PASS? 704 00:34:55,092 --> 00:34:58,196 McCOY ONLY HAD IT FOR AN HOUR. 705 00:34:58,196 --> 00:35:01,666 James: LET ME TELL YOU BOTH OF YOU WILL FOREVER HAVE A 706 00:35:01,666 --> 00:35:05,903 LIFETIME PASS TO THIS YEAR "LATE LATE SHOW," BECAUSE THIS 707 00:35:05,903 --> 00:35:08,272 IS AN EMOTIONAL TIME FOR US! 708 00:35:08,272 --> 00:35:10,541 [CHEERS AND APPLAUSE] THIS IS THE LAST TIME YOU WILL 709 00:35:10,541 --> 00:35:13,444 EVER BE HERE ON THE SHOW AND WE HAVE HAD SOME REALLY, REALLY 710 00:35:13,444 --> 00:35:14,679 GREAT MOMENTS. 711 00:35:14,679 --> 00:35:19,984 LET'S TAKE A LOOK AT SOME OF OUR FAVORITE MOMENTS WITH OWEN AND 712 00:35:19,984 --> 00:35:22,053 JEFF OVER THE YEARS, TAKE A LOOK. 713 00:35:22,053 --> 00:35:23,120 OH, MY GOODNESS. 714 00:35:23,120 --> 00:35:26,357 James: THE BEAUTIFUL, THE TALENTED, THE BRILLIANT, 715 00:35:26,357 --> 00:35:29,360 MR. OWEN WILSON IS HERE TONIGHT! 716 00:35:29,360 --> 00:35:31,896 JEFF GOLDBLUM! 717 00:35:31,896 --> 00:35:34,365 [APPLAUSE] ON YOUR SUBSTITUTE TEACHER 718 00:35:34,365 --> 00:35:36,200 JEFF GOLDMAN, CLASS IS IN SESSION. 719 00:35:36,200 --> 00:35:39,203 THIS IS BOTH "LATE LATE SHOW," ROLL THE TITLES. 720 00:35:39,203 --> 00:35:41,706 TWO TIGHTENS A FITNESS GOING HEAD-TO-HEAD. 721 00:35:41,706 --> 00:35:44,876 AND OWEN WILSON IS HERE TOO. 722 00:35:44,876 --> 00:35:49,046 [CHEERS AND APPLAUSE] ♪ ♪ 723 00:35:49,046 --> 00:35:54,051 WHY DID WE TRADE MEGHAN MARKLE FOR SOMEBODY LIKE 724 00:35:54,051 --> 00:35:54,452 THIS? 725 00:35:54,452 --> 00:36:04,896 ♪ ♪ ♪ ♪ 726 00:36:04,896 --> 00:36:07,732 [CHEERS AND APPLAUSE] James: WE LOVE YOU SO MUCH! 727 00:36:07,732 --> 00:36:11,669 THANK YOU FOR EVERYTHING YOU'VE DONE HERE AT THE SHOW! 728 00:36:11,669 --> 00:36:17,141 YOU'VE BEEN SO GREAT, EVERY TIME YOU COME HERE, EVERYBODY HERE, 729 00:36:17,141 --> 00:36:19,410 YOU ARE TWO ABSOLUTE GENTLEMAN TO EVERYONE THAT WORKS HERE AND 730 00:36:19,410 --> 00:36:22,680 I WILL THANK YOU VERY, VERY MUCH FOR ALWAYS COMING TO THE SHOW. 731 00:36:22,680 --> 00:36:24,448 YOU'VE ALWAYS GONE THE EXTRA MILE FOR US AND IT MEANS A 732 00:36:24,448 --> 00:36:27,785 GREAT, GREAT DEAL TO US. 733 00:36:27,785 --> 00:36:29,253 [CHEERSAND APPLAUSE] THANK YOU. 734 00:36:29,253 --> 00:36:31,322 James: WE WILL BE RIGHT BACK, EVERYBODY! 735 00:36:48,639 --> 00:36:49,941 James: WELCOME BACK! 736 00:36:49,941 --> 00:36:51,342 OWEN WILSON, JEFF GOLDBLUM HERE. 737 00:36:51,342 --> 00:36:53,010 REGGIE, YOU HAVE A QUESTION FOR OUR GUESTS? 738 00:36:53,010 --> 00:36:57,315 TONIGHT QUESTION IS... 739 00:36:57,315 --> 00:37:03,554 THE SEE IN THE OCEAN AND LAKES AND STREAMS ARE FAR, WHETHER 740 00:37:03,554 --> 00:37:11,295 CLOUDS NOR DESERT SHALL BE SEEN AS THOSE IS SEEN-- WHAT DO YOU 741 00:37:11,295 --> 00:37:14,899 THINK THAT POEM IS ABOUT AND WHAT YOU THINK ITS IMPACT WILL 742 00:37:14,899 --> 00:37:17,335 BE FOR GENERATIONS TO COME? 743 00:37:17,335 --> 00:37:21,739 WELL, I DON'T WANT TO JUMP ON JEFF, YOU BETTER-- 744 00:37:21,739 --> 00:37:24,542 YOU CAN JUMP ON ME ANYTIME YOU WANT. 745 00:37:24,542 --> 00:37:26,544 WHAT WOULD THAT BE, JEFF? 746 00:37:26,544 --> 00:37:27,011 WATER. 747 00:37:27,011 --> 00:37:28,879 IT'S ABOUT WATER. 748 00:37:28,879 --> 00:37:32,383 BOTH MY KIDS ARE NAMED-- CHARLIE OCEAN IS THE FIRST ONE,& 749 00:37:32,383 --> 00:37:33,451 SECOND ONE IS NAMED RIVER JOE. 750 00:37:33,451 --> 00:37:42,026 SO IT'S ABOUT WATER IN THE METAPHORICAL AND RESONANT 751 00:37:42,026 --> 00:37:48,733 SUBCONSCIOUS THAT IT INVOKES. 752 00:37:48,733 --> 00:37:51,469 James: OWEN, WHAT WILL THIS MEAN TO FUTURE GENERATIONS? 753 00:37:51,469 --> 00:37:55,172 I THINK IT'S GOING TO MEAN A LOT. 754 00:37:55,172 --> 00:37:57,308 [LAUGHTER] [APPLAUSE] 755 00:37:57,308 --> 00:37:59,677 GOOD ANSWER, GOOD ANSWER. 756 00:37:59,677 --> 00:38:01,879 James: YOU THINK IT'S GOING TO MEAN A LOT. 757 00:38:01,879 --> 00:38:02,747 IS THAT RIGHT? 758 00:38:02,747 --> 00:38:04,949 THANK YOU, AND I HOPE THAT'S CORRECT. 759 00:38:04,949 --> 00:38:08,319 James: IT'S ABSOLUTELY CORRECT! 760 00:38:08,319 --> 00:38:10,388 LEASE THINK OUR GUESTS, JEFF GOLDBLUM, OWEN WILSON, WE 761 00:38:21,966 --> 00:38:23,401 James: THANK YOU SO MUCH! 762 00:38:23,401 --> 00:38:26,237 TOMORROW NIGHT YOU'RE GOING TO WANT TO TUNE IN, WE ARE GOING TO 763 00:38:26,237 --> 00:38:29,006 PLAY SPILL YOUR GUTS OR FILL YOUR GUTS WITH HUGH GRANT AND 764 00:38:29,006 --> 00:38:30,908 CHRIS PINE AND WE'VE GOT MUSIC FROM JIMMIE ALLEN. 765 00:38:30,908 --> 00:38:31,909 WE HOPE TO SEE YOU THEN. 766 00:38:31,909 --> 00:38:32,977 REGGIE, TAKE US HOME.