1 00:00:02,001 --> 00:00:08,375 >> Announcer: ARE YOU READY TO HAVE SOME FUN? 2 00:00:08,441 --> 00:00:14,914 RIGHT NOW, WELL, YOU CERTAINLY ARE IN STAGE 56! 3 00:00:14,981 --> 00:00:17,250 IT IS "THE LATE LATE SHOW"! 4 00:00:17,317 --> 00:00:22,288 >> Announcer: LADIES AND GENTLEMEN, ALL THE WAY, GIVE IT 5 00:00:22,355 --> 00:00:22,856 UP! 6 00:00:22,922 --> 00:00:28,928 IT IS JAMES CORDEN! 7 00:00:30,797 --> 00:00:33,233 >> James: HOW ARE YOU? 8 00:00:33,299 --> 00:00:36,569 HOW ARE YOU DOING? 9 00:00:36,636 --> 00:00:38,238 GREAT TO SEE YOU! 10 00:00:38,304 --> 00:00:43,209 THANK YOU, EVERYBODY, THANK YOU VERY, VERY MUCH, I APPRECIATE I 11 00:00:43,276 --> 00:00:46,746 IT! 12 00:00:46,813 --> 00:00:49,749 HELLO, GOOD EVENING, WELCOME TO "THE LATE LATE SHOW"! 13 00:00:49,816 --> 00:00:53,086 THANK YOU FOR BEING HERE! 14 00:00:53,153 --> 00:00:54,754 WE REALLY APPRECIATE IT! 15 00:00:54,821 --> 00:00:57,257 THANK YOU VERY, VERY MUCH! 16 00:00:57,323 --> 00:01:01,895 LET'S SEE WHO OUR GUESTS ARE! 17 00:01:01,961 --> 00:01:03,930 HE'S AN ACTOR, HOST, STAND-UP COMEDIAN, DOCTOR, AND A GREAT 18 00:01:03,997 --> 00:01:07,100 FRIEND OF THE SHOW. 19 00:01:07,167 --> 00:01:07,934 YOU KNOW IT'S NOT ALWAYS A WEDNESDAY, NOT ALL WAS A 20 00:01:08,001 --> 00:01:10,937 WEDNESDAY, KENS-DAY. 21 00:01:11,004 --> 00:01:14,140 A LITTLE BIT OF WORDPLAY. 22 00:01:14,207 --> 00:01:18,244 TEN TO GO, YOU'RE GOING TO MISS THIS SORT OF CUTTING, BITING, 23 00:01:18,311 --> 00:01:20,947 HUMOR. 24 00:01:21,014 --> 00:01:24,818 THE ONE AND ONLY KEN JEONG IS HERE TONIGHT! 25 00:01:24,884 --> 00:01:27,620 >> Ken: HAPPY KENS-DAY, JAMES, THANK YOU FOR HAVING ME. 26 00:01:27,687 --> 00:01:32,959 >> James: WE LOVE IT EVERY TIME YOU'RE HERE, THIS WILL BE 27 00:01:33,026 --> 00:01:34,694 HER LAST TIME ON THE SHOW. 28 00:01:34,761 --> 00:01:37,797 >> Ken: THAT'S WHY I WORE A TIE FOR YOU. 29 00:01:37,864 --> 00:01:42,469 I HATE TIES BUT I WORE ONE FOR YOU BECAUSE I LOVE YOU SO MUCH. 30 00:01:42,535 --> 00:01:44,804 >> James: AND I LOVE YOU TOO! 31 00:01:44,871 --> 00:01:48,708 BLESS YOU FOR BEING HERE, YOU LOOK FANTASTIC! 32 00:01:48,775 --> 00:01:51,344 KEN JEONG, EVERYBODY! 33 00:01:51,411 --> 00:01:52,512 HE'S A HILARIOUS EMMY-WINNING PERFORMER YOU KNOW FROM "THE 34 00:01:52,579 --> 00:01:53,646 AFTERPARTY" AND "SONIC THE HEDGEHOG." 35 00:01:53,713 --> 00:01:54,647 HE'S TRULY BECOME PART OF THE FAMILY OVER THE LAST EIGHT 36 00:01:54,714 --> 00:01:59,752 YEARS. 37 00:01:59,819 --> 00:02:07,727 THE BEAUTIFUL, THE BOUNTIFUL, THE BOUNCY, THE... 38 00:02:07,794 --> 00:02:11,631 THE WHAT? 39 00:02:11,698 --> 00:02:12,298 BENEVOLENT? 40 00:02:12,365 --> 00:02:14,400 THE BRILLIANT, THE BODACIOUS! 41 00:02:14,467 --> 00:02:18,972 BEN SCHWARTZ IS HERE TONIGHT! 42 00:02:19,038 --> 00:02:19,472 THERE HE IS! 43 00:02:19,539 --> 00:02:21,641 >> Ben: HERE WE ARE! 44 00:02:21,708 --> 00:02:26,880 TWO MORE YEARS, BABY, TWO MORE BIG ONES. 45 00:02:26,946 --> 00:02:31,284 TWO MORE BIG YEARS FOR YOU, MY MAN! 46 00:02:31,351 --> 00:02:32,452 >> James: DOING THIS? 47 00:02:32,519 --> 00:02:37,891 >> Ben: WE ARE GOING TO DO IT UNTIL WE GET BEYONCE RIGHT? 48 00:02:37,957 --> 00:02:40,426 NO? 49 00:02:40,493 --> 00:02:43,329 >> James: 17 MORE YEARS? 50 00:02:43,396 --> 00:02:45,632 >> Ben: SHE'S TOURING, SHE'S THE BEST THERE IS. 51 00:02:45,698 --> 00:02:46,833 TO ME AND YOU'LL. 52 00:02:46,900 --> 00:02:49,702 >> James: ME ON YOU UNTIL THE BITTER END! 53 00:02:49,769 --> 00:02:50,270 WE LOVE YOU! 54 00:02:50,336 --> 00:02:53,172 BEN SCHWARTZ, EVERYBODY! 55 00:02:53,239 --> 00:02:54,541 SHE'S AN EMMY-NOMINATED ACTOR YOU KNOW FROM "GLOW", "NURSE 56 00:02:54,607 --> 00:02:56,142 JACKIE" AND HER HIGHLY ANTICIPATED NEW SERIES 57 00:02:56,209 --> 00:02:59,679 "MRS. DAVIS" THE MIGHTY, BETTY GILPIN! 58 00:02:59,746 --> 00:03:03,082 IS ON THE SHOW! 59 00:03:03,149 --> 00:03:03,850 HOW ARE YOU? 60 00:03:03,917 --> 00:03:07,086 >> Betty: I'M SO GOOD, HOW ARE YOU. 61 00:03:07,153 --> 00:03:08,922 >> James: I'M SO GOOD. 62 00:03:08,988 --> 00:03:11,624 >> Betty: HAS THERE BEEN A LOT OF CRYING IN THE SHOWER? 63 00:03:11,691 --> 00:03:15,161 ARE YOU FEELING EMOTIONAL? 64 00:03:15,228 --> 00:03:18,331 >> James: I'M TOTALLY EMOTIONAL, BUT I AM NOT -- I'M 65 00:03:18,398 --> 00:03:21,768 NOT A SHOWER CRIER YET. 66 00:03:21,834 --> 00:03:27,574 IF I NEED TO CRY, I DO IT IN A CAR WASH. 67 00:03:27,640 --> 00:03:31,844 WITH ONE OF THOSE YOU KNOW, THOSE BIG BARS OF CHOCOLATE THAT 68 00:03:31,911 --> 00:03:33,980 YOU GET FOR THE HOLIDAYS? 69 00:03:34,047 --> 00:03:35,214 >> Betty: ABSOLUTELY. 70 00:03:35,281 --> 00:03:39,452 >> James: I CONSUME THAT WHILE I'M CRYING AND THEN THROW UP OUT 71 00:03:39,519 --> 00:03:40,053 THE WINDOW. 72 00:03:40,119 --> 00:03:44,290 THANKS FOR BEING HERE! 73 00:03:44,357 --> 00:03:44,958 I'M JAMES CORDEN, THIS IS "THE LATE LATE SHOW"! 74 00:03:45,024 --> 00:03:45,992 ROLL THE TITLES! 75 00:03:46,059 --> 00:03:48,061 HERE WE GO, GANG! 76 00:03:50,964 --> 00:03:55,101 ♪ THE LATE LATE SHOW, OH, OH, THE LATE LATE SHOW, WOO! ♪ 77 00:03:55,168 --> 00:04:09,916 ♪ THE LATE LATE SHOW, OH, OH, ♪ IT'S THE LATE, LATE SHOW ♪ 78 00:04:09,983 --> 00:04:13,987 [CHEERS AND APPLAUSE] >> James: IT CERTAINLY IS! 79 00:04:14,053 --> 00:04:14,921 HOW ARE WE DOING COME AGAIN? 80 00:04:14,988 --> 00:04:18,691 ARE WE FEELING GOOD, FEELING GOOD? 81 00:04:18,758 --> 00:04:24,430 CAN I SAY, CAN I SAY, I DON'T KNOW IF THIS WILL MAKE THE EDIT 82 00:04:24,497 --> 00:04:27,800 OF THE SHOW -- I DON'T KNOW IF I HAVE SEEN YOU -- WHAT ARE WE 83 00:04:27,867 --> 00:04:31,304 CALLING THIS, LIKE A SORT OF TAUPE GREEN? 84 00:04:31,371 --> 00:04:36,275 LIKE CAN I HONESTLY -- I ABSOLUTELY LOVE IT. 85 00:04:36,342 --> 00:04:39,345 >> THANK YOU. 86 00:04:39,412 --> 00:04:41,981 >> James: IT IS SO GOOD. 87 00:04:42,048 --> 00:04:46,486 SO THAT PLUS THE GLASSES LIKE YOU'RE STARTING TO PASS OFF -- I 88 00:04:46,552 --> 00:04:48,554 DON'T KNOW, SOME KIND OF GENIUS. 89 00:04:48,621 --> 00:04:53,526 YOU LOOK LIKE YOU'RE GOING TO BE SOME SORT OF TECH BILLIONAIRE. 90 00:04:53,593 --> 00:04:58,131 >> FIRST OF ALL, THANK YOU, I APPRECIATE THAT. 91 00:04:58,197 --> 00:04:59,399 I WAS FEELING MYSELF. 92 00:04:59,465 --> 00:05:02,869 I WAS FEELING PRETTY GOOD ABOUT MYSELF UNTIL I LOOKED OUT TO THE 93 00:05:02,935 --> 00:05:05,705 CROWD JUST BEFORE THE SHOW AND I SAW A HOTTER VERSION OF ME RIGHT 94 00:05:05,772 --> 00:05:08,141 THERE. 95 00:05:08,207 --> 00:05:23,089 [CHEERS AND APPLAUSE] >> James: STAND UP THERE. 96 00:05:23,156 --> 00:05:30,663 [CHEERS AND APPLAUSE] >> James: STAND UP THERE. 97 00:05:30,730 --> 00:05:38,438 [CHEERS AND APPLAUSE] YEAH, YEAH, YOU ARE HONESTLY 98 00:05:38,504 --> 00:05:42,075 ABSOLUTELY RIGHT. 99 00:05:42,141 --> 00:05:43,142 LIKE THE DISTANCE? 100 00:05:43,209 --> 00:05:47,513 I WAS LIKE OH, NOW YOU'RE STOOD NEXT TO EACH OTHER. 101 00:05:47,580 --> 00:05:51,884 YEAH, HE'S GOT LIKE A FIVE-O'CLOCK SHADOW. 102 00:05:51,951 --> 00:05:54,353 >> I DON'T HAVE THAT. 103 00:05:54,420 --> 00:05:58,324 I'VE GOT A MUSTACHE, I LOOK LIKE I TOOK WHATEVER THE OPPOSITE OF 104 00:05:58,391 --> 00:06:01,794 WHATEVER CAPTAIN AMERICA AND TOOK IN CAPTAIN AMERICA. 105 00:06:01,861 --> 00:06:04,397 >> James: WHAT'S HER NAME, SIR? 106 00:06:04,464 --> 00:06:05,498 >> SAMMY. 107 00:06:05,565 --> 00:06:09,936 >> James: SAMMY, CONGRATS ON BEING TODAY'S HOT CORNELL. 108 00:06:10,002 --> 00:06:15,174 HAVE A SEAT. 109 00:06:15,241 --> 00:06:18,211 [CHEERS AND APPLAUSE] IT'S THAT TIME! 110 00:06:18,277 --> 00:06:22,715 IT'S TIME FOR THE NEWS! 111 00:06:22,782 --> 00:06:24,817 AND OF COURSE, PRESIDENT BIDEN IS ON HIS WEEKLONG TRIP TO 112 00:06:24,884 --> 00:06:25,485 IRELAND. 113 00:06:25,551 --> 00:06:28,054 IT DOES WHEN HE MET WITH U.K. 114 00:06:28,121 --> 00:06:30,189 PRIME MINISTER RISHI SUNAK IN BELFAST. 115 00:06:30,256 --> 00:06:32,358 THEY DISCUSSED ECONOMIC OPPORTUNITIES, TRADE 116 00:06:32,425 --> 00:06:34,727 PARTNERSHIPS, AND HOW CANADIAN PRIME MINISTER JUSTIN TRUDEAU 117 00:06:34,794 --> 00:06:39,298 WALKS AROUND LIKE HE'S A TEN BUT HE'S REALLY A SEVEN, AT BEST. 118 00:06:39,365 --> 00:06:42,535 WE'VE GOT A PHOTO OF THEM HERE FROM THE MEETING. 119 00:06:42,602 --> 00:06:46,272 AND WHERE DID THEY HOLD THE MEETING? 120 00:06:46,339 --> 00:06:53,880 MAYBE THE BREAKFAST CUFF A OF A COURTYARD MARRIOTT? 121 00:06:53,946 --> 00:06:55,948 LIKE CAN YOU BELIEVE THE CONTINENTAL BREAKFAST AT THIS 122 00:06:56,015 --> 00:06:57,517 PLACE. 123 00:06:57,583 --> 00:07:00,119 TWO TYPES OF ORANGE JUICE. 124 00:07:00,186 --> 00:07:03,356 PULP AND NO PULP, IT IS UNBELIEVABLE. 125 00:07:03,422 --> 00:07:06,159 OF LOOK AT THE CARPET OF THAT PLACE. 126 00:07:06,225 --> 00:07:10,897 I LOVE A CARPET WHERE YOU CAN DROP SPAGHETTI MEATBALLS ON THE 127 00:07:10,963 --> 00:07:13,900 FLOOR. 128 00:07:13,966 --> 00:07:16,235 DON'T WORRY, BLENDS RIGHT IN. 129 00:07:16,302 --> 00:07:19,372 OTHER POLITICAL NEWS, DONALD TRUMP GAVE HIS FIRST 130 00:07:19,438 --> 00:07:22,275 INTERVIEW SINCE HIS ARRAIGNMENT SITTING DOWN WITH FOX NEWS' 131 00:07:22,341 --> 00:07:23,376 TUCKER CARLSON. 132 00:07:23,442 --> 00:07:26,045 AT ONE POINT TRUMP SAID THE POLICE OFFICERS AND COURT 133 00:07:26,112 --> 00:07:30,316 OFFICIALS WERE VERY EMOTIONAL SEEING HIM IN COURT. 134 00:07:30,383 --> 00:07:34,620 >> I'LL TELL YU, PEOPLE WERE CRYING, IT'S A TOUGH TOUGH 135 00:07:34,687 --> 00:07:35,087 PLACE. 136 00:07:35,154 --> 00:07:35,988 THEY WERE CRYING. 137 00:07:36,055 --> 00:07:37,590 THAT THEY WERE ACTUALLY CRYING. 138 00:07:37,657 --> 00:07:39,225 AT LEAST SAID, I'M SORRY. 139 00:07:39,292 --> 00:07:41,627 >> James: YEAH, THEY WERE CRYING. 140 00:07:41,694 --> 00:07:43,763 THEY WERE CRYING BECAUSE THEY WERE TERRIFIED THE BUILDING WAS 141 00:07:43,830 --> 00:07:50,336 GOING TO BE ATTACKED AT ANY MINUTE BY HIS SUPPORTERS. 142 00:07:50,403 --> 00:07:56,576 [CHEERS AND APPLAUSE] PEOPLE WERE CRYING. 143 00:07:56,642 --> 00:08:00,346 LIKE IF YOU'RE GOING TO LIE, JUST DON'T STOP THERE. 144 00:08:00,413 --> 00:08:01,214 YOU KNOW WHAT I MEAN? 145 00:08:01,280 --> 00:08:03,549 OF THE WHOLE WAY, GO ALL IN. 146 00:08:03,616 --> 00:08:08,287 REALLY GO FOR IT AND BE LIKE AN EAGLE JUST CAME AND LANDED ON MY 147 00:08:08,354 --> 00:08:09,589 SHOULDER. 148 00:08:09,655 --> 00:08:11,757 AND THEN THE EAGLE, THE EAGLE WAS CRYING. 149 00:08:11,824 --> 00:08:14,327 THE EAGLE WAS CRYING. 150 00:08:14,393 --> 00:08:18,431 YOU KNOW, THE EAGLES ARE STRONG, BEAUTIFUL, BEAUTIFUL ANIMALS, 151 00:08:18,497 --> 00:08:21,934 NEVER CRY, NEVER SEEN AN EAGLE CRY AND THEN SAID TO ME, HE SAID 152 00:08:22,001 --> 00:08:26,505 MR. TRUMP, YOU'RE VERY TALL AND WHISPERED IN MY EAR, YOU HAVE A 153 00:08:26,572 --> 00:08:27,940 BEAUTIFUL SINGING VOICE. 154 00:08:28,007 --> 00:08:30,276 I DON'T CARE WHAT ANYBODY PEOPLE SAY, THOSE ARE JUST REGULAR 155 00:08:30,343 --> 00:08:34,013 SIZED HANDS. 156 00:08:34,080 --> 00:08:38,784 BEAUTIFUL. 157 00:08:38,851 --> 00:08:44,257 TRUMP ALSO -- TRUMP HAD THIS T SAY ABOUT MEETING CHINESE 158 00:08:44,323 --> 00:08:46,259 PRESIDENT XI JINPING. 159 00:08:46,325 --> 00:08:49,929 >> I'M NOT ALLOWED TO SAY IT BECAUSE IT'S VERY IMPOLITE AND 160 00:08:49,996 --> 00:08:53,933 VERY POLITICALLY INCORRECT. 161 00:08:54,000 --> 00:08:58,971 A BEAUTIFUL FEMALE INTERPRETER. 162 00:08:59,038 --> 00:09:05,444 [LAUGHTER] >> James: I'D ALMOST 163 00:09:05,511 --> 00:09:08,381 FORGOTTEN -- I'D ALMOST FORGOTTEN WHAT IT'S LIKE WHEN 164 00:09:08,447 --> 00:09:11,751 TRUMP WAS PRESIDENT, YOU KNOW? 165 00:09:11,817 --> 00:09:17,924 THE GUY COULD START WORLD WAR III BECAUSE HE GETS TO 166 00:09:17,990 --> 00:09:20,259 HORNY ON TELEVISION. 167 00:09:20,326 --> 00:09:24,196 >> WHEN I SAW THAT VIDEO AND HE WAS LIKE HE HAS A VERY 168 00:09:24,263 --> 00:09:26,933 BEAUTIFUL -- I DON'T THINK I'M ALLOWED TO SAY IT BECAUSE NOT 169 00:09:26,999 --> 00:09:28,034 POLITICALLY CORRECT. 170 00:09:28,100 --> 00:09:34,540 I THOUGHT HE WAS GOING TO COMPLEMENT HIS ASS, LIKE WHY 171 00:09:34,607 --> 00:09:36,208 DOES HE SAY THIS STUFF? 172 00:09:36,275 --> 00:09:37,944 >> James: HE'S LITERALLY FACING CHARGES INVOLVING AN 173 00:09:38,010 --> 00:09:47,553 AFFAIR WITH A PORNSTAR AND NOW HE'S TALKING HOW HOT THE WOMEN 174 00:09:47,620 --> 00:09:49,121 ARE OF XI JINPING'S OFFICE. 175 00:09:49,188 --> 00:09:51,424 TRUMP ALSO HAD SOME VERY NICE THINGS TO SAY ABOUT THE CHINESE 176 00:09:51,490 --> 00:09:54,560 LEADER HIMSELF. 177 00:09:54,627 --> 00:09:57,763 >> PRESIDENT XI IS A BRILLIANT MAN. 178 00:09:57,830 --> 00:10:02,234 IF YOU WENT ALL OVER HOLLYWOOD TO LOOK FOR SOMEBODY TO PLAY THE 179 00:10:02,301 --> 00:10:03,803 ROLE OF PRESIDENT XI, YOU COULDN'T FIND HIM, THERE IS 180 00:10:03,869 --> 00:10:06,405 NOBODY THAT. 181 00:10:06,472 --> 00:10:09,342 THE LOOK, THE BRAIN, THE WHOLE THING. 182 00:10:09,408 --> 00:10:13,412 >> James: THE MEASURE OF ANY GREAT LEADER. 183 00:10:13,479 --> 00:10:18,351 WHETHER OR NOT A HOLLYWOOD ACTOR CAN PORTRAY THEM IN A FILM. 184 00:10:18,417 --> 00:10:21,921 [LAUGHTER] COULDN'T FIND SOMEONE TO PLAY 185 00:10:21,988 --> 00:10:22,688 PRESIDENT XI. 186 00:10:22,755 --> 00:10:24,423 I NEVER THOUGHT I'D SAY THIS EVER. 187 00:10:24,490 --> 00:10:27,193 I THINK DONALD TRUMP IS CALLING FOR MORE DIVERSITY IN HOLLYWOOD. 188 00:10:27,259 --> 00:10:28,294 IT IS THAT WHAT HE'S DOING? 189 00:10:28,361 --> 00:10:34,066 IS THAT WHAT HE'S DOING? 190 00:10:34,133 --> 00:10:38,971 I'M NOTICING A MISSING -- >> I AM TOO. 191 00:10:39,038 --> 00:10:42,975 >> James: LOOK AT THAT, SCOTTY, CAN YOU SHOW THAT POLITE 192 00:10:43,042 --> 00:10:44,844 SPACE. 193 00:10:44,910 --> 00:10:45,611 WHERE IS HE? 194 00:10:45,678 --> 00:10:48,914 >> DID YOU SPEAK TO HIM YESTERDAY? 195 00:10:48,981 --> 00:10:49,715 >> James: HE'S OUT. 196 00:10:49,782 --> 00:10:54,320 AND SOMETHING'S HAPPENING BACK THERE. 197 00:10:54,387 --> 00:10:55,588 10 TO GO. 198 00:10:55,654 --> 00:10:57,323 IS HE WATCHING ON ZOOM? 199 00:10:57,390 --> 00:10:58,691 >> HE IS ON ZOOM. 200 00:10:58,758 --> 00:11:02,061 >> James: HE'S LOGGED IN BUT HE WOULD HAVE COME IN BY NOW 201 00:11:02,128 --> 00:11:02,995 HE'S WATCHING. 202 00:11:03,062 --> 00:11:08,401 >> WE CAN TALK ABOUT WHATEVER WE WAWANT NOW. 203 00:11:08,467 --> 00:11:12,972 WE CAN NAME HOW MANY OF HER BRANDS WE WANT. 204 00:11:13,039 --> 00:11:13,639 >> James: OH, MY GOD! 205 00:11:13,706 --> 00:11:15,941 [CHEERS AND APPLAUSE] ♪ ♪ 206 00:11:16,008 --> 00:11:18,377 HOLD ON, THIS IS GREAT, THIS IS EXCELLENT. 207 00:11:18,444 --> 00:11:22,615 WE'VE GOT TEN CHOSE TO GO. 208 00:11:22,681 --> 00:11:27,653 WHAT SORT OF FREE MERGE DO WE WANT TO ARRIVE AT THE STUDIOS? 209 00:11:27,720 --> 00:11:29,588 WHAT DO WE WANT? 210 00:11:29,655 --> 00:11:32,024 >> SHAKE SHACK. 211 00:11:32,091 --> 00:11:34,627 >> James: JUST BRING ON THE FOODS. 212 00:11:34,693 --> 00:11:35,895 YEAH, THAT'S WHAT WE WOULD LOVE. 213 00:11:35,961 --> 00:11:43,169 I DIFFERENT CORPORATION TO COME AND CATER FOR THE NEXT TEN DAYS. 214 00:11:43,235 --> 00:11:47,006 >> CAN I JUST GET A SOUP RESUMED AND SHOT ON MY FACE REAL QUICK 215 00:11:47,073 --> 00:11:50,943 LIKE GO AHEAD AND REALLY GET IN THERE. 216 00:11:51,010 --> 00:11:52,978 JIMMY JONES. 217 00:11:54,447 --> 00:11:59,785 [LAUGHTER] JIMMY JOHN'S [LAUGHTER] 218 00:11:59,852 --> 00:12:02,154 >> James: YOU KNOW AND MAKE MY DAY? 219 00:12:02,221 --> 00:12:08,227 THE IN-N-OUT BURGER TRUCK. 220 00:12:08,294 --> 00:12:11,764 AND I WILL TELL YOU WHY, I WILL TELL YOU WHY. 221 00:12:11,831 --> 00:12:14,400 IN-N-OUT BURGER IS SOMETHING I AM GOING TO MISS SO MUCH FROM 222 00:12:14,467 --> 00:12:18,270 WHEN I LEAVE, BECAUSE THEY ARE ONLY HERE IN THE WEST COAST. 223 00:12:18,337 --> 00:12:22,208 I WILL MISS IT SO MUCH. 224 00:12:22,274 --> 00:12:24,009 IT BROUGHT ME ARGUABLY IN-N-OUT BURGER HAS BROUGHT ME 225 00:12:24,076 --> 00:12:27,613 SO MUCH JOY'S AND IN THE TIME I'VE BEEN HERE, THEY'VE PICKED 226 00:12:27,680 --> 00:12:32,618 ME UP WHEN I AM DOWN. 227 00:12:32,685 --> 00:12:38,557 [LAUGHTER] >> YOU'VE GOT TO STOP THIS. 228 00:12:38,624 --> 00:12:40,926 YOU'VE GOT TO STOP -- >> James: WE ARE ALL HERE, 229 00:12:40,993 --> 00:12:42,194 NICK. 230 00:12:42,261 --> 00:12:44,497 >> I'M TRYING TO GET YOU GUYS A FREE SHAKE SHACK BEFORE THE END 231 00:12:44,563 --> 00:12:47,166 OF THE YEAR AND YOU PROBABLY JUST RUINED IT BY MENTIONING ALL 232 00:12:47,233 --> 00:12:50,069 THESE OTHER BRANDS. 233 00:12:50,136 --> 00:12:54,373 >> James: NICK SOUNDS A LITTLE ROUGH. 234 00:12:54,440 --> 00:12:57,910 >> WE SHOULD GET HIM A LITTLE BIT OF DAYQUIL. 235 00:12:57,977 --> 00:13:01,080 >> THIS ISN'T REALLY FUN YOU GUYS, HAVE A GREAT SHOW. 236 00:13:01,147 --> 00:13:04,150 >> James: WE LOVE YOU, NICK, GET BETTER, SOON! 237 00:13:04,216 --> 00:13:08,053 WE LOVE YOU, WE MISS YOU, BUDDY! 238 00:13:08,120 --> 00:13:10,189 AND FINALLY, DID YOU SEE THIS? 239 00:13:10,256 --> 00:13:14,026 IF YOU'RE FED UP WITH THE POTHOLES IN LOS ANGELES, DON'T 240 00:13:14,093 --> 00:13:16,896 WORRY, ARNOLD SCHWARZENEGGER TOOK IT UPON HIMSELF TO ACTUALLY 241 00:13:16,962 --> 00:13:18,697 FILL ONE IN. 242 00:13:18,764 --> 00:13:24,069 TAKE A LOOK AT THIS VIDEO THAT HE POSTED. 243 00:13:24,136 --> 00:13:30,309 >> YOU'RE WELCOME. 244 00:13:30,376 --> 00:13:35,181 THIS IS CRAZY, WE'VE BEEN WAITING FOR THIS HOLD TO BE 245 00:13:35,247 --> 00:13:36,148 CLOSED. 246 00:13:36,215 --> 00:13:39,418 >> James: HOW DID HE EVEN NOTICED THE POTHOLE? 247 00:13:39,485 --> 00:13:40,920 DOESN'T ARNOLD SCHWARZENEGGER DRIVE A TANK? 248 00:13:40,986 --> 00:13:44,757 HERE'S THE THING ABOUT THE STORY, THIS IS TRUE. 249 00:13:44,823 --> 00:13:48,694 IT TURNS OUT IT WAS NOT A POTHOLE, IT WAS A SERVICE TRENCH 250 00:13:48,761 --> 00:13:54,433 RELATED TO ACTIVE WORK BY A UTILITY COMPANY IN THE CITY SAID 251 00:13:54,500 --> 00:13:57,803 HE MADE A MISTAKE. 252 00:13:57,870 --> 00:14:00,439 IF ONLY ARNOLD SCHWARZENEGGER HAD SOME SORT OF EXPERIENCE 253 00:14:00,506 --> 00:14:06,312 WORKING WITH THE CALIFORNIA GOVERNMENT. 254 00:14:06,378 --> 00:14:09,281 IT WOULD HAVE MADE HIM REALIZE HIM SOONER. 255 00:14:09,348 --> 00:14:11,750 BUT THAT'S A BIG MISTAKE AND ARNOLD SHOULDN'T HAVE DONE IT, 256 00:14:11,817 --> 00:14:14,353 BUT IT TURNS OUT THE WHOLE THING WAS JUST TO PREPARE FOR HIS 257 00:14:14,420 --> 00:14:19,925 UPCOMING MOVIE ROLE "CONAN THE CIVIL ENGINEER." 258 00:14:19,992 --> 00:14:22,995 AND THAT IS THE NEWS! 259 00:14:23,062 --> 00:14:26,632 WITH THE END OF THE SHOW FAST APPROACHING, WE WANTED TO START 260 00:14:26,699 --> 00:14:30,002 THIS MOMENT WITH TEN CHOSE TO GO, NINE AFTER TONIGHT, LOOKING 261 00:14:30,069 --> 00:14:34,173 BACK AT SOME OF OUR FAVORITE MOMENTS OVER THE PAST EIGHT 262 00:14:34,240 --> 00:14:35,407 YEARS. 263 00:14:35,474 --> 00:14:37,910 THROUGHOUT THE NEXT TEN CHOSE, WE ARE GOING TO BE SHARING A LOT 264 00:14:37,977 --> 00:14:42,514 OF OUR MOST MEMORABLE SEGMENTS INCLUDING SPORTING MOMENTS, 265 00:14:42,581 --> 00:14:45,584 TERRIFYING STUNTS, REMOTES WITH MY PARENTS, SO MUCH MORE. 266 00:14:45,651 --> 00:14:50,289 BUT TONIGHT, WE ARE CELEBRATING THE SHOWS ABSOLUTE SHAMELESS 267 00:14:50,356 --> 00:14:55,094 DEVOTION TO THE ART THAT IS PARODY SONGS. 268 00:14:55,160 --> 00:14:58,264 WE DON'T HAVE ENOUGH TIME TO REMINISCE ALL OF THE PARITIES 269 00:14:58,330 --> 00:15:02,067 WE'VE MADE ON THE SHOW, BECAUSE THERE'S A LOT, BUT HERE'S SOME 270 00:15:02,134 --> 00:15:05,671 OF OUR PERSONAL FAVORITES. 271 00:15:05,738 --> 00:15:20,619 ♪ ♪ 272 00:15:20,686 --> 00:15:23,022 ♪ ♪ 273 00:15:37,703 --> 00:15:52,584 ♪ ♪ 274 00:15:52,651 --> 00:15:53,786 ♪ ♪ 275 00:16:01,160 --> 00:16:16,041 ♪ ♪ 276 00:16:16,108 --> 00:16:17,242 ♪ ♪ 277 00:16:35,327 --> 00:16:50,209 ♪ ♪ 278 00:16:50,275 --> 00:16:51,410 ♪ ♪ 279 00:17:04,323 --> 00:17:08,794 [CHEERS AND APPLAUSE] >> James: OH, MAN, SO MANY 280 00:17:08,861 --> 00:17:12,297 GREAT MEMORIES. 281 00:17:12,364 --> 00:17:15,567 WHEN THEY COME BACK, BEN SCHWARTZ, KEN JEONG, 282 00:17:15,634 --> 00:17:16,902 BETTY GILPIN ARE GOING TO BE HERE! 283 00:17:16,969 --> 00:17:17,469 COME ON BACK! 284 00:17:33,051 --> 00:17:33,986 [CHEERS AND APPLAUSE] >> James: WELCOME BACK, TIME 285 00:17:34,052 --> 00:17:38,056 TO MEET OUR GUESTS TONIGHT, IT IS BETTY GILPIN! 286 00:17:48,000 --> 00:17:48,934 >> James: HE STARS IN "RENFIELD," PLEASE WELCOME 287 00:17:49,001 --> 00:17:53,005 BEN SCHWARTZ! 288 00:17:59,011 --> 00:18:02,948 >> James: HE STARS IN "FOOL'S PARADISE," IT IS KEN JEONG! 289 00:18:17,963 --> 00:18:19,965 [CHEERS AND APPLAUSE] GET OVER HERE, YOU BEAUTIFUL! 290 00:18:35,981 --> 00:18:38,217 WELCOME, WELCOME TO THE SHOW AND THANK YOU FOR BEING HERE! 291 00:18:38,283 --> 00:18:42,521 WE HAD A CHAPEL FOR THE SHOW AND I KNOW KEN AND THEN, YOUR 292 00:18:42,588 --> 00:18:46,158 BUDDIES AND YOUR TEXTING BUDD BUDDIES. 293 00:18:46,225 --> 00:18:48,527 >> Ken: YOU CAN BE OUR FRIEND TOO. 294 00:18:48,594 --> 00:18:54,700 WE TEXTED EACH OTHER TODAY. 295 00:18:54,766 --> 00:18:57,936 >> James: WHAT SORT OF TEXTS LIKE WHAT'S THE LAST TEXT YOU 296 00:18:58,003 --> 00:19:00,405 SENT TO BEN? 297 00:19:00,472 --> 00:19:04,142 'S BEFORE LAST TEXT WAS WHEN HE STARTED ON SEASON ONE OF 298 00:19:04,209 --> 00:19:11,316 "THE AFTER PARTY." 299 00:19:11,383 --> 00:19:12,484 >> James: AMAZING. 300 00:19:12,551 --> 00:19:17,589 >> Ken: DON'T WORRY, DON'T WORRY, WE'LL EDIT THAT YOU WIN. 301 00:19:17,656 --> 00:19:20,726 IT WAS SO ASTOUNDING AND I'VE KNOWN BEN FOR YEARS AND TRULY 302 00:19:20,792 --> 00:19:24,329 ONE OF THE THINGS I'VE SEEN ON TELEVISION AND THE EMOTIONAL 303 00:19:24,396 --> 00:19:25,564 TEXT. 304 00:19:25,631 --> 00:19:29,701 IT WAS A WONDERFUL MOMENT AND FRIEND TO FRIEND AND THEN YOU'RE 305 00:19:29,768 --> 00:19:33,472 GOOD LUCK BECAUSE THEN I GOT CAST. 306 00:19:33,539 --> 00:19:41,213 I DO THINK IT'S PARTLY DUE TO THE, OF THE TEXT. 307 00:19:41,280 --> 00:19:48,320 >> James: YOU'RE IN A POPULAR TV SHOW, "GLOW." 308 00:19:48,387 --> 00:19:53,058 YOU MUST FIND YOURSELF GETTING GREAT FEEDBACK FROM FRIENDS AND 309 00:19:53,125 --> 00:19:54,393 FANS ALL THE TIME RIGHT? 310 00:19:54,459 --> 00:19:58,130 >> Betty: THE SADDEST FEEDBACK OF ALL WAS WHEN WE GOT CANCELED. 311 00:19:58,196 --> 00:20:02,401 YEAH COME ON TOP OF THE PANDEMIC WE FILMED TWO EPISODES OF SEASON 312 00:20:02,467 --> 00:20:05,804 FOUR AND THEN THE PANDEMIC SHUT DOWN THE WORLD AND THEN WE WERE 313 00:20:05,871 --> 00:20:10,242 TOLD WE WOULD NEVER BE COMING BACK. 314 00:20:10,309 --> 00:20:11,476 IT'S SO BRUTAL. 315 00:20:11,543 --> 00:20:16,114 I THEN GOT PREGNANT AND IT WAS THE HEART OF THE PANDEMIC, I WAS 316 00:20:16,181 --> 00:20:20,619 SUPER PREGNANT AND I HAD ORDERED FOOD. 317 00:20:20,686 --> 00:20:26,959 I RARELY GET RECOGNIZED WITHOUT THE PATRIARCHY CAR WASH I LOOK 318 00:20:27,025 --> 00:20:27,859 LIKE BEN FRANKLIN. 319 00:20:27,926 --> 00:20:30,395 IT'S GREAT FOR ME. 320 00:20:30,462 --> 00:20:36,234 >> Ken: SHE'S DEFINITELY A FRIEND OF OURS. 321 00:20:36,301 --> 00:20:41,239 >> Betty: I ORDERED UBER EATS AND LIKE THIS HUGELY PREGNANT 322 00:20:41,306 --> 00:20:45,510 LIKE THAT USED TO BE AN ACTRESS AND NOW MY SHOW IS CANCELED AND 323 00:20:45,577 --> 00:20:47,145 I'M IN THAT UNDER RELEVANT WHALE. 324 00:20:47,212 --> 00:20:52,217 I OPEN THE DOOR AND IT'S LIKE NEW YORK WINTER. 325 00:20:52,284 --> 00:20:57,255 THE UBER EATS GUY LOOKED UP AT ME AND WENT HELLO? 326 00:20:57,322 --> 00:21:04,896 AND MY EYES FIELD WITH TEARS AND LIKE I LOOKED AT HIM. 327 00:21:04,963 --> 00:21:06,798 AND TEARS POURING DOWN MY FACE. 328 00:21:06,865 --> 00:21:11,870 HIS FACE IMMEDIATELY WAS LIKE -- LIKE WHY DID THAT TURN WEIRD SO 329 00:21:11,937 --> 00:21:13,038 FAST? 330 00:21:13,105 --> 00:21:16,508 I CLOSE THE DOOR AND REALIZED OH, NO, THE LAST TIME I USED 331 00:21:16,575 --> 00:21:20,646 UBER EATS WAS AT THE STUDIO WHEN WE WERE SHOOTING "GLOW" AND I 332 00:21:20,712 --> 00:21:22,147 CHANGED MY NAME TO GLOW. 333 00:21:22,214 --> 00:21:24,016 IN THE APP. 334 00:21:24,082 --> 00:21:29,154 SO HE JUST THOUGHT MY NAME WAS GLOW. 335 00:21:29,221 --> 00:21:32,457 IT WAS A DEVASTATING MOMENT. 336 00:21:32,524 --> 00:21:33,925 >> Ben: WAS THE FOOD GOOD? 337 00:21:33,992 --> 00:21:36,595 >> Betty: I DO NOT REMEMBER. 338 00:21:36,662 --> 00:21:41,700 >> James: BEN, I WANT TO TALK ABOUT -- GREAT TO SEE YOU, BUD 339 00:21:41,767 --> 00:21:42,634 BUDDY. 340 00:21:42,701 --> 00:21:43,502 GREAT SEEING YOU AS ALWAYS. 341 00:21:43,568 --> 00:21:44,770 THERE IT IS. 342 00:21:44,836 --> 00:21:49,374 THAT'S US. 343 00:21:49,441 --> 00:21:51,376 >> Ben: IT'S ALMOST OVER, JAMES. 344 00:21:51,443 --> 00:21:53,779 THERE IS ONE BIG SURPRISE ON THE SHOW. 345 00:21:53,845 --> 00:21:57,783 WE'LL SEE WHAT HAPPENS. 346 00:21:57,849 --> 00:22:04,022 [LAUGHTER] THERE IS NO SURPRISE. 347 00:22:04,089 --> 00:22:06,258 THERE IS NO -- >> Betty: BRING HER OUT. 348 00:22:06,324 --> 00:22:08,760 >> James: WE DO HAVE A VIDEO TO SHARE WITH PEOPLE WHO MAY 349 00:22:08,827 --> 00:22:11,963 HAVE NOT SEEN THIS BEER THAT YOU POSTED THIS YOURSELF, YOUR HUGE 350 00:22:12,030 --> 00:22:15,667 BASKETBALL FAN. 351 00:22:15,734 --> 00:22:16,902 HUGE NICS KNICKS FAN, MADISON SQUARE GARDEN HOME OF 352 00:22:16,968 --> 00:22:20,338 THE NEXT NEXT. 353 00:22:20,405 --> 00:22:26,978 YEAR'S SHOOTING SOME SERIOUS HOOPS. 354 00:22:27,045 --> 00:22:36,021 EVERYBODY, STOP THE APPLAUSE! 355 00:22:36,088 --> 00:22:38,490 >> Ben: THAT GOES FOR LIKE A MINUTE AND A HALF. 356 00:22:38,557 --> 00:22:41,526 I GOT TO SHOOT AROUND IN MSG WHICH WAS INCREDIBLE AND VERY 357 00:22:41,593 --> 00:22:42,627 FUN. 358 00:22:42,694 --> 00:22:46,098 I PLAY CHARACTERS THAT LIKE SLIP ON THEIR OWN SHOES. 359 00:22:46,164 --> 00:22:51,503 IT'S VERY EXCITING TO SHOW I CAN ALSO SHOOT BASKETBALLS. 360 00:22:51,570 --> 00:22:53,105 >> Ken: YEAH, HE'S GOT THE HANDLE! 361 00:22:53,171 --> 00:22:55,373 >> James: HE'S GOT THE WHOLE GAME. 362 00:22:55,440 --> 00:22:59,978 NICS ARE IN THE PLAYOFFS. 363 00:23:00,045 --> 00:23:02,614 >> Ben: IT WORKS SO WELL. 364 00:23:02,681 --> 00:23:04,549 >> James: IT DID ON TILL THAT. 365 00:23:04,616 --> 00:23:09,054 I'M A BIG FAN OF NEW YORK AND YOU'RE LUCKY TO LIVE THERE TWICE 366 00:23:09,121 --> 00:23:12,357 AND WHEN I THINK OF NEW YORK I THINK OF JUST THE HOME OF THE 367 00:23:12,424 --> 00:23:12,724 WRONG COLUMN. 368 00:23:12,791 --> 00:23:14,826 I FEEL LIKE 369 00:23:15,727 --> 00:23:16,027 EMINEM ROM-COM 370 00:23:18,530 --> 00:23:22,601 DO YOU HAVE ANY MEET CUTE SURROUND NEW YORK? 371 00:23:22,667 --> 00:23:26,571 >> Betty: WHEN I'M IN THE THEATER SCHOOL IN NEW YORK WHICH 372 00:23:26,638 --> 00:23:30,809 IS LIKE SOBBING ABOUT YOUR CHILDHOOD IN PAJAMAS, THE ONLY 373 00:23:30,876 --> 00:23:34,780 WAY I KNEW HOW TO FLIRT WAS TO PLAY A CHARACTER IN THE 374 00:23:34,846 --> 00:23:36,014 TRAUMATIC TIME IN HER LIFE. 375 00:23:36,081 --> 00:23:41,086 I THOUGHT THAT WOULD REALLY REAL PEOPLE IN. 376 00:23:41,153 --> 00:23:44,956 ON THE SUBWAY, IF I SENSED OR SAW A CUTE GUY COME ON AND BE 377 00:23:45,023 --> 00:23:47,793 LIKE NOW IS THE TIME LIKE ON MY DROPPING INTO TODAY? 378 00:23:47,859 --> 00:23:52,531 I WOULD EITHER -- THIS IS WHEN THE iPOD FIRST. 379 00:23:52,597 --> 00:23:57,169 LISTENING TO MY HEADPHONES, LIKE I'D PRETEND I'M A BASIS TO 380 00:23:57,235 --> 00:23:59,638 FINGERING CARDS ON THE SUBWAY POLE. 381 00:23:59,704 --> 00:24:01,840 CAN PLAY AN INSTRUMENT. 382 00:24:01,907 --> 00:24:04,676 MY FAVORITE WAS INJURED DANCER WHERE I'M LISTENING TO AN OLD 383 00:24:04,743 --> 00:24:11,216 DANCE ROUTINE AND POINT MY FOOT AND WINS. 384 00:24:11,283 --> 00:24:12,517 THE INJURY. 385 00:24:12,584 --> 00:24:14,419 IT NEVER WORKED. 386 00:24:14,486 --> 00:24:17,589 I DON'T KNOW IF YOU KNEW. 387 00:24:17,656 --> 00:24:21,426 >> James: HOLD ON, YOU IMAGINED -- WHAT YOU GOT TO SEE 388 00:24:21,493 --> 00:24:25,997 IT IS FROM THE GUY WATCHING YOU AND ALL HE SEES IS SOMEONE GOING 389 00:24:26,064 --> 00:24:28,567 LIKE THIS. 390 00:24:28,633 --> 00:24:29,868 >> Betty: YEAH. 391 00:24:29,935 --> 00:24:32,771 >> Ben: I GET IT, I'M IMMEDIATELY TURNED ON. 392 00:24:32,838 --> 00:24:38,577 WHAT IS THIS GUY'S STORY? 393 00:24:38,643 --> 00:24:41,780 >> James: HE'S CLEARLY A RHYTHMIC GYMNAST. 394 00:24:41,847 --> 00:24:46,318 THAT SPECIALIZED IN THE RIBBON AND DIDN'T GO TO THE OLYMPICS 395 00:24:46,384 --> 00:24:50,488 BECAUSE OF HIS BROKEN METATARSAL. 396 00:24:50,555 --> 00:24:53,625 >> Ken: MEDICALLY ACCURATE, DR. KEN. 397 00:24:53,692 --> 00:24:53,959 I APPROVE. 398 00:24:54,025 --> 00:24:57,262 I APPROVE. 399 00:24:57,329 --> 00:25:01,032 >> James: I IMAGINE YOU COULD BE A HEARTBREAKER ON THE SUBWAY. 400 00:25:01,099 --> 00:25:08,173 WHAT IS KEN JEONG'S FLIRTING GAINS? 401 00:25:08,240 --> 00:25:11,376 >> Ken: I'M LIKE THE BETTY GILPIN OF THE BIG BLUE BUS. 402 00:25:11,443 --> 00:25:13,912 LIKE I'VE GOT THIS GOING ON. 403 00:25:13,979 --> 00:25:17,115 THE JOWLS GOING LIKE OH, MY GOD, THERE'S SOMETHING TOUGH BUT A 404 00:25:17,182 --> 00:25:23,655 LITTLE BIT OF SOFT WHICH IS WHAT JOWLS ARE, DR. KEN APPROVES OF 405 00:25:23,722 --> 00:25:25,624 THAT. 406 00:25:25,690 --> 00:25:28,994 >> James: WE HAVE TO CONGRATULATE YOU ON YOUR HUGE 407 00:25:29,060 --> 00:25:32,564 FILM "RENFIELD," A RETELLING OF DRACULA. 408 00:25:32,631 --> 00:25:34,232 TELL US WHAT IT'S ABOUT AND WHO YOU PLAY. 409 00:25:34,299 --> 00:25:38,303 >> Ben: NICK CAGE PLAYS DRACULA. 410 00:25:38,370 --> 00:25:39,471 FINALLY. 411 00:25:39,537 --> 00:25:44,509 GENTLEMEN IN THE FACE-OFF, I PLAY A BAD GUY, SO I GET TO BE 412 00:25:44,576 --> 00:25:49,381 THE PERSON WHO LIKE DOES ALL THE THINGS I DON'T DO IN REAL LIFE. 413 00:25:49,447 --> 00:25:54,653 IT DOES A BUNCH OF DRUGS, SHOOTS A BUNCH OF GUNS, DRUGS A -- HE'S 414 00:25:54,719 --> 00:25:56,121 A BAD GUY. 415 00:25:56,187 --> 00:25:59,424 IT'S VERY EXCITING I GET TO HAVE TATTOOS. 416 00:25:59,491 --> 00:26:05,163 >> James: LOOK HOW MENACING BEN SCHWARTZ IS HERE. 417 00:26:05,230 --> 00:26:06,097 >> Ben: TWO GUNS. 418 00:26:06,164 --> 00:26:09,434 I STILL LOOK LIKE A JEWISH GUY FROM NEW YORK. 419 00:26:09,501 --> 00:26:12,237 BUT I'M ALSO HOLDING DANGEROUS THINGS. 420 00:26:12,304 --> 00:26:13,905 >> James: I LOVE THE IDEA OF YOU PLAYING THE ROLE AND I 421 00:26:13,972 --> 00:26:15,740 CANNOT WAIT TO SEE IT. 422 00:26:15,807 --> 00:26:16,908 LET'S TAKE A CLIP OF "RENFIELD" WHICH IS IN THEATERS THIS 423 00:26:16,975 --> 00:26:20,912 FRIDAY. 424 00:26:20,979 --> 00:26:21,913 >> I AM COUNT DRACULA. 425 00:26:21,980 --> 00:26:24,883 >> YOU WIN. 426 00:26:24,950 --> 00:26:29,354 >> WHO ARE YOU? 427 00:26:29,421 --> 00:26:31,957 >> CHURCH, NO, I'M A CRIMINAL. 428 00:26:32,023 --> 00:26:35,126 MY WHOLE ORGANIZATION IS ABOUT EVIL. 429 00:26:35,193 --> 00:26:37,095 EVIL. 430 00:26:37,162 --> 00:26:38,196 DUDE. 431 00:26:38,263 --> 00:26:39,230 >> WHY ARE YOU HERE? 432 00:26:39,297 --> 00:26:42,734 >> I'M HERE BECAUSE I'M TRYING TO FIND THIS GUY. 433 00:26:42,801 --> 00:26:45,403 HE STUCK HIS NOSE AND OUR FAMILY BUSINESS AND KILLED SOME OF OUR 434 00:26:45,470 --> 00:26:52,277 GUYS TRYING TO SAVE A BUNCH OF INNOCENT PEOPLE. 435 00:26:52,344 --> 00:26:55,747 >> DOESN'T SEEM TO BE SERVING YOU VERY WELL. 436 00:26:55,814 --> 00:26:59,884 >> James: WOW. 437 00:26:59,951 --> 00:27:00,385 WILL TAKE A LOOK AGAIN WHEN WE COME BACK! 438 00:27:13,798 --> 00:27:15,000 >> YOU I MEAN, ARE GOING TO DO BIG THINGS. 439 00:27:15,066 --> 00:27:21,072 OH, SEE, HER, THE ONE THAT LOOKS LIKE A MODEL, SHE'S ACTUALLY A. 440 00:27:21,139 --> 00:27:23,908 LET'S DO TWO OF THE SALMON SALAD, HOLD THE SALMON BECAUSE 441 00:27:23,975 --> 00:27:25,076 OF THE MERCURY. 442 00:27:25,143 --> 00:27:28,446 OF BALSAMIC ON THE SIDE -- SCRATCH THAT, NO DRESSING, JUST 443 00:27:28,513 --> 00:27:31,883 THE LETTUCE AND WE ARE GOING TO SPLIT THAT PERIOD OF FIVE ENERGY 444 00:27:31,950 --> 00:27:32,283 DRINKS. 445 00:27:32,350 --> 00:27:33,251 YOU WANT ANY? 446 00:27:33,318 --> 00:27:37,188 TO TAKE THOSE AWAY, ARE YOU TRYING TO KILL US? 447 00:27:37,255 --> 00:27:38,256 YOU DON'T SMOKE, DO YOU? 448 00:27:49,000 --> 00:27:51,936 ♪ ♪ >> James: THAT'S A CLIP FROM 449 00:27:52,003 --> 00:27:57,942 "FOOL'S PARADISE" IN THEATERS MAY 12. 450 00:27:58,009 --> 00:28:01,579 >> Ken: CHARLIE DAY'S BABY, HE'S STARS, WROTE, SOMETHING 451 00:28:01,646 --> 00:28:05,950 HE'S BEEN WORKING ON FOR THE LAST 12 YEARS. 452 00:28:06,017 --> 00:28:11,156 I WAS ABLE TO HAVE A PART IN THE MOVIE AND BECAUSE OF CHARLIE, 453 00:28:11,222 --> 00:28:14,325 HIS DIRECTORIAL DEBUT -- I FEEL LIKE HIS PUBLICIST RIGHT NOW. 454 00:28:14,392 --> 00:28:18,930 I PLAY HIS PUBLICIST IN THIS MOVIE ABOUT A SILENT STAR WHO 455 00:28:18,997 --> 00:28:20,532 COMES TO BE A A LISTER. 456 00:28:20,598 --> 00:28:29,140 I PLAY HIS PUBLICIST IN THE MOVIE AND HONESTLY, IT IS MY 457 00:28:29,207 --> 00:28:31,276 FAVORITE EXPERIENCE IN MY FILM CAREER. 458 00:28:31,342 --> 00:28:31,976 THAT'S WHY I'M HERE. 459 00:28:32,043 --> 00:28:34,345 IT'S ALL BECAUSE OF CHARLIE DAY. 460 00:28:34,412 --> 00:28:39,684 >> James: THE MOVIE TAKES PLACE BEHIND THE SCENES ON A 461 00:28:39,751 --> 00:28:40,852 MOVIE SET. 462 00:28:40,919 --> 00:28:45,356 YOU REMEMBER YOUR FIRST TIME YOU STEPPED ONTO A FILM SITE? 463 00:28:45,423 --> 00:28:48,159 WHAT WAS IT FOR AND WHAT WAS YOUR FIRST TIME? 464 00:28:48,226 --> 00:28:53,698 >> Ken: MY FIRST MOVIE WAS "KNOCKED UP." 465 00:28:53,765 --> 00:29:00,472 I PLAYED A DOCTOR THAT DELIVERS THE BABY IN THE MOVIE AND SETH 466 00:29:00,538 --> 00:29:06,544 ROGEN SAW MY AUDITION TAPE FOR DR. QUEENIE AND HE SAID I REALLY 467 00:29:06,611 --> 00:29:09,714 BELIEVED YOU WERE A BURNED-OUT DOCTOR. 468 00:29:09,781 --> 00:29:12,750 AND IT'S LIKE BECAUSE I AM. 469 00:29:12,817 --> 00:29:16,454 IT'S ONE OF THOSE MOMENTS WHERE I STILL REMEMBER AND THE FIRST 470 00:29:16,521 --> 00:29:18,389 TIME YOU ARE ON SITE YOU REMEMBER EVERY LITTLE MINUTE YOU 471 00:29:18,456 --> 00:29:22,060 ARE ON YOUR FIRST JOB. 472 00:29:22,127 --> 00:29:24,629 >> James: YOU'VE BEEN SUCCESSFULLY WORKING FOR MANY 473 00:29:24,696 --> 00:29:29,567 YEARS AND YOUR EARLY DAYS WHEN YOU'RE TRYING TO BREAK INTO THE 474 00:29:29,634 --> 00:29:30,735 BUSINESS. 475 00:29:30,802 --> 00:29:33,738 >> Betty: I DIDN'T REALLY GET JOBS A LOT IN MY 20s, BUT I 476 00:29:33,805 --> 00:29:37,809 HAD AN AUDITION FOR THIS BIG MOVIE THAT'S WENT SO WELL. 477 00:29:37,876 --> 00:29:41,613 THE AUDITIONS IN THE ROOM WHERE YOU'RE LIKE [BLEEP] I WANT THIS 478 00:29:41,679 --> 00:29:43,414 PART. 479 00:29:43,481 --> 00:29:47,685 AND THE DIRECTOR TURNS TO THE CASTING DIRECTOR AND IS LIKE, 480 00:29:47,752 --> 00:29:48,319 WELL. 481 00:29:48,386 --> 00:29:48,920 YOU GOT IT. 482 00:29:48,987 --> 00:29:51,356 YOU'RE COMING IN TOMORROW. 483 00:29:51,422 --> 00:29:55,093 OKAY, I GOT A CALL BACK, THAT'S A FORMALITY, I'M GOING TO START 484 00:29:55,160 --> 00:29:56,995 IN THIS MOVIE. 485 00:29:57,061 --> 00:30:00,265 I WENT BACK THE NEXT DAY AND WENT AND SAT IN THE CHAIR THAT I 486 00:30:00,331 --> 00:30:02,767 WAS IN THE DAY BEFORE FOR THE AUDITION AND LIKE NO, NO, THIS 487 00:30:02,834 --> 00:30:04,636 IS YOU. 488 00:30:04,702 --> 00:30:10,041 AND HE MEANT FOR ME TO BE THE READER FOR THE REST OF THE 489 00:30:10,108 --> 00:30:11,209 AUDITION. 490 00:30:11,276 --> 00:30:12,911 >> James: TO READ THE OTHER PARTS FOR THE OTHER PEOPLE WHO 491 00:30:12,977 --> 00:30:17,115 WERE AUDITIONING FOR THAT -- >> Betty: YEAH, YEAH. 492 00:30:17,182 --> 00:30:20,785 >> James: OH, MY GOSH. 493 00:30:20,852 --> 00:30:23,321 >> Betty: IT WAS DEVASTATING. 494 00:30:23,388 --> 00:30:27,192 IT MEANT TO BE A JOLLY OR STORY. 495 00:30:27,258 --> 00:30:27,592 NO, IT'S OKAY. 496 00:30:27,659 --> 00:30:30,662 WE CAN SHARE. 497 00:30:30,728 --> 00:30:36,234 >> James: DO YOU REMEMBER THE FIRST MOMENT? 498 00:30:36,301 --> 00:30:39,871 >> Ben: WHEN I GOT CAST AS THE LEAD IN "THE SOPRANOS." 499 00:30:39,938 --> 00:30:42,540 >> James: YOU'RE A GREAT END. 500 00:30:42,607 --> 00:30:44,642 >> Ben: HAS ANYBODY SEEN IT? 501 00:30:44,709 --> 00:30:50,515 >> James: WEEK CAN'T BECAUSE OF THEIR RIGHTS ISSUE. 502 00:30:50,582 --> 00:30:57,522 >> Ben: I CAME OUT OF UNION COLLEGE WITH AN ANTHROPOLOGY 503 00:30:57,589 --> 00:31:01,192 SOCIOLOGY DEGREE. 504 00:31:01,259 --> 00:31:03,761 >> James: CLAP, CLAP! 505 00:31:03,828 --> 00:31:05,863 [APPLAUSE] >> Ben: I WAS CAST AS THE 506 00:31:05,930 --> 00:31:10,068 WEST WING IN EVERY ROLE AND FOR ME TO NUTTY PROFESSOR THE 507 00:31:10,134 --> 00:31:11,269 WEST WING LIKE THAT WAS HUGE. 508 00:31:11,336 --> 00:31:13,705 I APPRECIATE IT. 509 00:31:13,771 --> 00:31:16,107 >> James: BEN SCHWARTZ! 510 00:31:16,174 --> 00:31:19,844 AND BEN SCHWARTZ! 511 00:31:19,911 --> 00:31:25,116 >> Ben: >> J AND BEN SCHWARTZ! 512 00:31:25,183 --> 00:31:25,683 >> James: WILL BE RIGHT BACK, EVERYBODY! 513 00:31:37,729 --> 00:31:38,663 >> WHAT IS THIS? 514 00:31:38,730 --> 00:31:39,564 >> TACTICAL CAMOUFLAGE. 515 00:31:39,631 --> 00:31:41,966 >> THOSE ARE ALL THE SAME WORD. 516 00:31:42,033 --> 00:31:42,967 >> HATCH, IT'S AN ACRONYM. 517 00:31:43,034 --> 00:31:47,939 >> ALL RIGHT, WHAT IS THAT ON YOUR HAND? 518 00:31:48,006 --> 00:31:53,978 >> LOOK. 519 00:31:54,045 --> 00:31:56,914 >> MY NAME IS SIMONE. 520 00:31:56,981 --> 00:31:58,716 WHAT WORKS? 521 00:31:58,783 --> 00:32:02,787 >> WHAT PRESENTATION? 522 00:32:02,854 --> 00:32:04,656 IT WILL ALL BE BACK AT HEADQUARTERS. 523 00:32:04,722 --> 00:32:07,925 >> [BLEEP] >> WHOSE ME? 524 00:32:07,992 --> 00:32:08,526 >> THE RESISTANCE? 525 00:32:08,593 --> 00:32:10,328 >> WHAT ARE YOU RESISTANT? 526 00:32:10,395 --> 00:32:11,396 THE SAME THING YOU ARE. 527 00:32:11,462 --> 00:32:12,463 AT THE ALGORITHM 528 00:32:21,306 --> 00:32:25,510 >> James: PREMIERES ON PEACOCK APRIL 20TH, CONGRATS ON THE 529 00:32:25,576 --> 00:32:27,879 SERIES AND I THINK IT'LL BE AN ABSOLUTELY HUGE SMASH. 530 00:32:27,945 --> 00:32:30,415 I DO. 531 00:32:30,481 --> 00:32:33,985 NOW TELL EVERYBODY WHAT IT'S ABOUT AND WHO YOU PLAY. 532 00:32:34,052 --> 00:32:41,526 >> Betty: OH, GOSH, IT'S A MY FIRST TIME SUMMARIZING. 533 00:32:41,592 --> 00:32:44,529 IF I'D TO SUMMARIZE IT IN MOVEMENT. 534 00:32:44,595 --> 00:32:50,101 IT'S ABOUT BASICALLY A SOCIETY NOT UNLIKE OURS WHERE A SIRI OR 535 00:32:50,168 --> 00:32:54,305 ALEXA LIKE ALGORITHM HAS SORT OF TAKEN OVER AND PURPORTS TO BE 536 00:32:54,372 --> 00:32:59,210 BENEVOLENT IN FIXING ALL OF OUR PROBLEMS, BUT THERE'S A SMALL 537 00:32:59,277 --> 00:33:03,114 FRACTION OF PEOPLE, MYSELF, THE NONE SIMONE, WHO DON'T TRUST IT 538 00:33:03,181 --> 00:33:04,782 AND THINK IT'S EVIL. 539 00:33:04,849 --> 00:33:07,352 IT'S FAITH VERSUS TECHNOLOGY. 540 00:33:07,418 --> 00:33:10,855 >> James: IT'S ABOUT THE DANGEROUS SIDE OF AI. 541 00:33:10,922 --> 00:33:13,558 HAVE YOU EXPERIMENTED WITH AI OR A TECH SAVVY IN YOUR LIFE? 542 00:33:13,624 --> 00:33:17,362 >> Betty: I AM NOT, AND IT'S AN INTERESTING PRESS TO HER SO 543 00:33:17,428 --> 00:33:20,264 FAR BECAUSE USUALLY A PRESS TO HER AS AN ACTRESS IS PLAYING 544 00:33:20,331 --> 00:33:27,071 NEVER HAVE I EVER IN A TIGHT DRESS. 545 00:33:27,138 --> 00:33:31,042 BUT BECAUSE OpenAI AND ChatGPT ARE SO A PART OF 546 00:33:31,109 --> 00:33:32,910 SOCIETY ALL OF A SUDDEN AND WORKED WHEN WE WERE FILMING, 547 00:33:32,977 --> 00:33:38,216 PRESS TOUR QUESTIONS ARE LIKE IS SOCIETY GOING TO BE CONSUMED BY 548 00:33:38,282 --> 00:33:41,018 AN AI TYPE -- ARE WE GOING TO SURVIVE? 549 00:33:41,085 --> 00:33:44,956 I'M LIKE IF YOU HAVE ANY QUESTIONS ABOUT TENNESSEE 550 00:33:45,022 --> 00:33:47,859 WILLIAMS ARE LIPGLOSS, YOU WOULD LET ME KNOW, BUT I DON'T KNOW IF 551 00:33:47,925 --> 00:33:50,194 WE ARE GOING TO SURVIVE AI. 552 00:33:50,261 --> 00:33:53,531 >> James: YOU SHOULD JUST GO YES. 553 00:33:53,598 --> 00:33:56,801 AND THEN LIKE WHAT DO YOU DO? 554 00:33:56,868 --> 00:33:59,504 JOURNALIST. 555 00:33:59,570 --> 00:34:02,507 THEN, I WANT TO TALK TO YOU ABOUT THIS. 556 00:34:02,573 --> 00:34:04,842 A VERY EXCITING. 557 00:34:04,909 --> 00:34:06,477 IT'S EXCITING BECAUSE YOU'VE ANNOUNCED YOU'RE GOING TO 558 00:34:06,544 --> 00:34:09,714 PERFORM YOUR BIGGEST IMPROV SHOW YET. 559 00:34:09,781 --> 00:34:15,086 YOU'RE GOING TO DO IMPROV T THE ICONIC RADIO CITY MUSIC HALL. 560 00:34:15,153 --> 00:34:16,053 IT'S A BIG VENUE. 561 00:34:16,120 --> 00:34:18,623 WHAT CAN YOU TELL US ABOUT THIS? 562 00:34:18,689 --> 00:34:22,560 >> Ben: IT'S A LONG FORM IMPROV, CALLED BEN SCHWARTZ AND 563 00:34:22,627 --> 00:34:24,796 FRIENDS, I'VE GOT TICKETS BUT IT'S ME AND THREE OR FOUR OF MY 564 00:34:24,862 --> 00:34:26,197 FRIENDS ON STAGE. 565 00:34:26,264 --> 00:34:29,600 IT WILL MAKE UP AN ENTIRE SHOW AND THE FACT WE ARE DOING IT AT 566 00:34:29,667 --> 00:34:32,270 RADIO CITY MUSIC HALL FOR SOME OF THE KNEE THAT GREW 567 00:34:32,336 --> 00:34:36,541 UP IN NEW YORK IS INSANE. 568 00:34:36,607 --> 00:34:38,709 6,000 WHERE THE FIRST IMPROV GROUP TO HEADLINE THE THEATER SO 569 00:34:38,776 --> 00:34:40,912 I CANNOT WAIT TO SEE WHAT IT'S GOING TO FEEL LIKE AN TICKETS 570 00:34:40,978 --> 00:34:43,114 WENT ON SALE. 571 00:34:43,181 --> 00:34:47,351 IT'S A COMBINATION OF 21 YEARS OF ME DOING IMPROV TO THIS 572 00:34:47,418 --> 00:34:49,187 MOMENTS TO THE STAGE SO I'M OVER THE MOON. 573 00:34:49,253 --> 00:34:51,956 YOU DON'T KNOW WHAT'S GOING TO HAPPEN BECAUSE THE SHOW IS MADE 574 00:34:52,023 --> 00:34:52,824 UP ON THE SPOT. 575 00:34:52,890 --> 00:34:55,493 IT MAY BE THE BEST SHOW IN THE UNIVERSE. 576 00:34:55,560 --> 00:35:00,531 >> James: WHAT AN INCREDIBLE THING THAT YOU STARTED SO SMALL 577 00:35:00,598 --> 00:35:04,469 OVER HERE, TO JUST GROW INTO THIS THING. 578 00:35:04,535 --> 00:35:05,603 IT'S INCREDIBLE. 579 00:35:05,670 --> 00:35:08,539 >> Ben: FOR SOME OF YOU THAT PERFORMS LIVE ON STAGE, LIKE 580 00:35:08,606 --> 00:35:13,244 YOU'VE DONE T THE TONYS THERE OR SOMETHING. 581 00:35:13,311 --> 00:35:15,313 [LAUGHTER] >> James: NOW I WANT TO SAY 582 00:35:15,379 --> 00:35:22,753 BEFORE WE GO TO BREAK, I WANT TO SAY, BEN AND KEN, BEN, I THINK 583 00:35:22,820 --> 00:35:25,323 YOU HOLD THE RECORD FOR THE MOST TIMES YOU HAVE BEEN ON THE SHOW 584 00:35:25,389 --> 00:35:28,893 AND HOW MANY TIMES HAS BEEN BEEN ON? 585 00:35:28,960 --> 00:35:29,994 >> 13. 586 00:35:30,061 --> 00:35:34,365 >> James: 13 TIMES YOU'VE BEEN ON "THE LATE LATE SHOW." 587 00:35:34,432 --> 00:35:40,171 CYOU'VE BEEN A TRUE FRIEND TO U, YOU'VE DONE SO MANY SKITS AND SO 588 00:35:40,238 --> 00:35:44,275 MANY THINGS, AND I WANT TO THANK YOU BOTH OF YOU FOR ALWAYS 589 00:35:44,342 --> 00:35:45,943 JUST SHOWING UP. 590 00:35:46,010 --> 00:35:49,113 THEN, YOU DID OUR FIRST EVER TEST SHOW. 591 00:35:49,180 --> 00:35:52,517 THE TEST SHOW THAT NEVER AIRED AND CAN YOU'VE BEEN SOMEONE 592 00:35:52,583 --> 00:35:54,952 WHO'S COME THROUGH AND THANK YOU. 593 00:35:55,019 --> 00:35:58,289 THANK YOU FOR BEING ON THE SHOW AND EVERYTHING YOU'VE DONE FOR 594 00:35:58,356 --> 00:35:59,290 US. 595 00:35:59,357 --> 00:36:01,792 >> Ken: YOU DON'T HAVE TO CRY, BUT IT'D BE GREAT. 596 00:36:01,859 --> 00:36:03,928 IT >> Ben: I KNOW YOU CAN ONKYO. 597 00:36:03,995 --> 00:36:06,697 BUT IF YOU CAN CRY FOR ME, IT WOULD MEAN A LOT. 598 00:36:06,764 --> 00:36:09,467 BECAUSE I DID THE SHOW SO MANY TIMES. 599 00:36:09,534 --> 00:36:13,771 >> Ken: I HAVE TO SAY WITH ALL SINCERITY, WHEN I MET YOU, NOT 600 00:36:13,838 --> 00:36:23,281 JUST YOU, ROBIN EVERYONE, EVERY GUEST YOU MAKE US FEEL LIKE A 601 00:36:23,347 --> 00:36:24,549 FAMILY. 602 00:36:24,615 --> 00:36:27,318 AUTOMATICALLY ACCEPTING AND THE LAST SEVEN YEARS I HONESTLY FEEL 603 00:36:27,385 --> 00:36:30,488 LIKE GUEST HOSTING YOUR SHOW AND BEING ON DROP ON DROP THE MIC, 604 00:36:30,555 --> 00:36:35,826 SOME OF OUR FAVORITE MOMENTS HAVE BEEN DIRECTLY DUE TO YOU, 605 00:36:35,893 --> 00:36:41,365 PEOPLE AT FULL WELL, IT IS NOT JUST A SHOW HERE. 606 00:36:41,432 --> 00:36:42,633 IT IS A FAMILY. 607 00:36:42,700 --> 00:36:48,606 SEEING THEM BEHIND THE SCENES WE ARE HERE TO PROMOTE, BUT AT THE 608 00:36:48,673 --> 00:36:52,276 END OF THE DAY, WE LOVE YOU SO MUCH. 609 00:36:52,343 --> 00:36:54,445 >> James: ALL, WE LOVE YOU TOO! 610 00:36:54,512 --> 00:36:55,012 WE'LL BE RIGHT BACK, EVERYBODY! 611 00:37:16,968 --> 00:37:18,002 ♪ ♪ >> James: WELCOME BACK! 612 00:37:18,069 --> 00:37:18,903 [LAUGHTER AND CHEERING] WE ARE HERE WITH BETTY GILPIN, 613 00:37:18,970 --> 00:37:19,604 BEN SCHWARTZ, KEN JEONG. 614 00:37:19,670 --> 00:37:21,472 IT READ, DO YOU HAVE A QUESTION? 615 00:37:24,976 --> 00:37:26,077 >> I DO, FIRST QUESTION, THREE QUESTIONS FOR EACH PERSON. 616 00:37:26,143 --> 00:37:35,920 BETTY, HOW DO YOU DEAL WITH BEING INCREDIBLY TALENTED AND 617 00:37:35,987 --> 00:37:38,990 DEALING WITH THAT WITH EVERYDAY LIFE? 618 00:37:39,056 --> 00:37:43,361 WITH THE CLIP THAT WE SAW WITH "RENFIELD," HE THROWS YOU ACROSS 619 00:37:43,427 --> 00:37:46,731 THE ROOM, THE REAL PHYSICS HE WOULD HAVE BEEN DEAD, DID YOU 620 00:37:46,797 --> 00:37:50,835 PUSH BACK ON THE WRITERS ABOUT THE CREDIBILITY? 621 00:37:50,901 --> 00:37:53,337 CAN COMMEND YOU 622 00:37:55,573 --> 00:38:04,682 DO BELIEVE THATREMOTE TELEVISIOL MAKE A COMEBACK? 623 00:38:04,749 --> 00:38:19,630 [OVERLAPPING TALKING] 624 00:38:19,697 --> 00:38:21,098 [OVERLAPPING TALKING] 625 00:38:25,336 --> 00:38:31,375 [LAUGHTER] >> Ken: IT TO NOT BE THERE IN 626 00:38:31,442 --> 00:38:37,648 FRONT OF THE PATIENT AND LEAVE AND THEN GO TO THE CLUB. 627 00:38:37,715 --> 00:38:38,916 >> YEAH, THAT SOUNDS RIGHT. 628 00:38:38,983 --> 00:38:41,919 >> James: THAT'S ABSOLUTELY CORRECT. 629 00:38:41,986 --> 00:38:42,987 BETTY GILPIN, BEN SCHWARTZ, KEN JEONG, EVERYBODY! 630 00:39:02,440 --> 00:39:02,873 ♪ ♪ >> James: WOW, BLESS YOU SO 631 00:39:02,940 --> 00:39:04,075 MUCH FOR WATCHING! 632 00:39:04,141 --> 00:39:08,879 TOMORROW NIGHT, BEN AFFLECK WILL BE HERE, AND TOMORROW NIGHT, 633 00:39:08,946 --> 00:39:11,882 WE'VE GOT NINE MORE TO GO! 634 00:39:11,949 --> 00:39:12,883 WE LOVE YOU. 635 00:39:12,950 --> 00:39:13,951 REGGIE, TAKE US HOME!