1 00:00:02,001 --> 00:00:08,908 ♪ LOTS OF THINGS WE ARE GOING TO SAVE THE DAY ♪ 2 00:00:08,908 --> 00:00:16,216 ♪ WE ARE HERE TO DO OUR THING, SO DON'T LET THAT GO AWAY ♪ 3 00:00:16,216 --> 00:00:22,555 ♪ IT'S "THE LATE LATE SHOW" ♪ LADIES AND GENTLEMEN, HOW'S IT 4 00:00:22,555 --> 00:00:26,493 GOING, YEAH, COOL, COME ON OVER TOMORROW, GIVE IT UP FOR YOUR 5 00:00:26,493 --> 00:00:34,801 HOST, THE ONE, THE ONLY JAMES CORDEN! 6 00:00:34,801 --> 00:00:37,370 [CHEERS AND APPLAUSE] ♪ ♪ 7 00:00:37,370 --> 00:00:41,174 James: THANK YOU VERY, VERY MUCH! 8 00:00:41,174 --> 00:00:42,008 I APPRECIATE IT! 9 00:00:42,008 --> 00:00:44,644 THANKS FOR COMING OUT! 10 00:00:44,644 --> 00:00:51,050 OH, GOOD EVENING, WELCOME TO "THE LATE LATE SHOW"! 11 00:00:51,050 --> 00:00:53,453 THANK YOU, THANK YOU, BLESS YOU, I APPRECIATE IT. 12 00:00:53,453 --> 00:00:54,587 THANK YOU SO MUCH. 13 00:00:54,587 --> 00:00:56,990 LET'S TAKE A LOOK AND SEE WHO OUR GUESTS ARE ON THE SHOW 14 00:00:56,990 --> 00:00:58,091 TONIGHT. 15 00:00:58,091 --> 00:01:02,829 THIS IS A BIG ONE, AN ACADEMY AWARD WINNING DIRECTOR, 16 00:01:02,829 --> 00:01:04,597 SCREENWRITER, ACTOR, PRODUCER. 17 00:01:04,597 --> 00:01:11,805 HIS BRILLIANT MOVIE GOOD, IT'S SO GOOD, IT'S IN THEATERS 18 00:01:11,805 --> 00:01:17,944 EVERYWHERE RIGHT NOW, WHAT AN HONOR TO WELCOME 19 00:01:17,944 --> 00:01:18,711 BEN AFFLECK IS HERE TONIGHT! 20 00:01:18,711 --> 00:01:20,413 [CHEERS AND APPLAUSE] THERE HE IS! 21 00:01:20,413 --> 00:01:21,881 HOW ARE YOU, BENJAMIN? 22 00:01:21,881 --> 00:01:23,082 Ben: I'M VERY GOOD. 23 00:01:23,082 --> 00:01:25,952 THANK GOD I FINALLY GOT ON THE SHOW. 24 00:01:25,952 --> 00:01:27,153 I ALMOST MISSED IT. 25 00:01:27,153 --> 00:01:40,033 I GUESS YOU WE DID AS LOVE YOUR FILM SO MUCH, WE ABSOLUTELY 26 00:01:40,033 --> 00:01:40,800 LOVED IT. 27 00:01:40,800 --> 00:01:43,336 AND I THOUGHT OF A SEQUEL FOR YOU. 28 00:01:43,336 --> 00:01:46,773 BECAUSE IT'S ABOUT THE CREATION OF THE AIR JORDAN, WHAT ABOUT A 29 00:01:46,773 --> 00:01:55,982 BIOPIC ABOUT HOW CBS CHOSE ME AND IT'S 30 00:01:55,982 --> 00:02:12,932 CREATION OF THE ERROR CORDEN. 31 00:02:12,932 --> 00:02:14,100 AND HERE FROM "SHARP 32 00:02:14,100 --> 00:02:15,401 OBJECTS," "THE MINDY PROJECT," "BIRDS OF PREY" AND SO MUCH 33 00:02:15,401 --> 00:02:24,944 MORE, THE MAGNIFICENT, CHRIS MESSINA! 34 00:02:24,944 --> 00:02:27,947 Chris: NINE MORE SHOWS. 35 00:02:27,947 --> 00:02:30,683 James: I LOVE THAT YOU ARE HOLDING THAT DRINK. 36 00:02:30,683 --> 00:02:34,821 IT WHENEVER I IMAGINE YOU I IMAGINE YOU HOLDING A SHORT 37 00:02:34,821 --> 00:02:35,989 TUMBLER. 38 00:02:35,989 --> 00:02:41,961 WHEN WE GO TO BREAK, I AM GOING TO JOIN YOU IN THAT DRINK. 39 00:02:41,961 --> 00:02:43,863 THANKS FOR BEING HERE, CHRIS MESSINA. 40 00:02:43,863 --> 00:02:46,366 ARE YOU READY? 41 00:02:46,366 --> 00:02:46,966 I AM JAMES CORDEN, AND THIS, THIS IS "THE LATE LATE SHOW"! 42 00:02:46,966 --> 00:02:49,068 ROLE THE TITLES! 43 00:02:49,068 --> 00:02:55,842 [CHEERS AND APPLAUSE] ♪ ♪ 44 00:02:55,842 --> 00:02:57,310 ♪ "THE LATE LATE SHOW," OH, OH, "THE LATE LATE SHOW," WOO! ♪ 45 00:02:57,310 --> 00:03:00,446 ♪ "THE LATE LATE SHOW," OH, OH, "THE LATE LATE SHOW" OH-OH! ♪ 46 00:03:00,446 --> 00:03:12,926 ♪ IT'S "THE LATE, LATE SHOW" ♪ James: IT CERTAINLY IS. 47 00:03:12,926 --> 00:03:15,762 BLESS YOU FOR BEING HERE. 48 00:03:15,762 --> 00:03:18,531 THANKS FOR COMING OUT, EVERYBODY! 49 00:03:18,531 --> 00:03:19,465 I'M EXCITED, I'M EXCITED. 50 00:03:19,465 --> 00:03:21,868 I'M EXCITED THAT BEN AFFLECK IS ON THE SHOW. 51 00:03:21,868 --> 00:03:27,941 I HAVE TO SAY. 52 00:03:27,941 --> 00:03:30,810 Ian: I AM EXCITED THAT CHRIS MESSINA IS ON THE SHOW. 53 00:03:30,810 --> 00:03:31,544 IN "AIR," HE KILLED IT. 54 00:03:31,544 --> 00:03:34,981 SO GOOD. 55 00:03:34,981 --> 00:03:36,182 James: I ABSOLUTELY LOVED IT. 56 00:03:36,182 --> 00:03:39,852 I LOVED IT SO MUCH, I WAS LIKE OH, THIS IS LIKE-- 57 00:03:39,852 --> 00:03:42,455 A BRILLIANT MOVIE. 58 00:03:42,455 --> 00:03:46,993 IT'S NOT ABOUT LIKE A CAR JUMPING OVER A BUILDING. 59 00:03:46,993 --> 00:03:50,296 AND IT'S NOT ABOUT LIKE-- IT'S NOT SORT OF A CELLO PLAYED 60 00:03:50,296 --> 00:03:57,604 IN A MINOR KEY. 61 00:03:57,604 --> 00:03:59,572 AS SOMEONE RIDES A BIKE INTO A LAUNDROMAT. 62 00:03:59,572 --> 00:04:00,673 AND I LIKE THAT. 63 00:04:00,673 --> 00:04:05,011 BUT WHAT I ONE IS THIS. 64 00:04:05,011 --> 00:04:07,213 Ian: WHEN I WALKED OUT OF THE MOVIE I WAS LIKE I WILL 65 00:04:07,213 --> 00:04:09,816 WATCH IT TEN MORE TIMES IN THE NEXT FIVE YEARS AND BE SO HUNG 66 00:04:09,816 --> 00:04:12,385 OVER EVERY TIME I WATCH IT. 67 00:04:12,385 --> 00:04:16,022 James: WE COULD DO THIS ALL DAY, BUT IT'S THAT TIME. 68 00:04:16,022 --> 00:04:20,627 IT'S THAT TIME, IT'S THAT TIME. 69 00:04:20,627 --> 00:04:21,461 IT'S TIME FOR "THE NEWS"! 70 00:04:21,461 --> 00:04:28,968 ♪ ♪ THIS AFTERNOON, THE FBI ARRESTED 71 00:04:28,968 --> 00:04:30,236 A 20-ONE-YEAR-OLD MASSACHUSETS AIR NATIONAL GUARDSMAN IN 72 00:04:30,236 --> 00:04:31,871 CONNECTION WITH THE LEAKING OF CLSSIFIED DOCUMENTS POSTED 73 00:04:31,871 --> 00:04:36,976 ONLINE. 74 00:04:36,976 --> 00:04:38,611 WHAT ARE YOU TALKING ABOUT? 75 00:04:38,611 --> 00:04:39,679 WHAT IS HAPPENING THERE? 76 00:04:39,679 --> 00:04:43,316 I DON'T KNOW HOW YOU SAY CERTAIN WORDS. 77 00:04:43,316 --> 00:04:52,959 IT WAS 2-0--- AS I WAS READING IT, ROLLBACK 78 00:04:52,959 --> 00:04:58,998 HOW WE HAVE CHOSEN TO SAY THE WORDS 21? 79 00:04:58,998 --> 00:05:07,373 [LAUGHTER] 80 00:05:07,373 --> 00:05:09,008 WOW. 81 00:05:09,008 --> 00:05:12,378 AS I WAS-- YOU KNOW WHAT I THINK HAPPENED 82 00:05:12,378 --> 00:05:15,615 HERE, I THINK THAT WE THOUGHT HE WAS 20, AND THEN SOMEBODY WAS 83 00:05:15,615 --> 00:05:19,986 LIKE NO, IT'S JUST BEEN CONFIRMED, HE IS 21. 84 00:05:19,986 --> 00:05:21,387 ADD A ONE TO THAT. 85 00:05:21,387 --> 00:05:26,325 AND THEY ARE LIKE, IT'S GONE SHORT, WHATEVER. 86 00:05:26,325 --> 00:05:30,029 THIS AFTERNOON, THE FBI ARRESTED A 21-YEAR-OLD MASSACHUSETTS 87 00:05:30,029 --> 00:05:31,731 AIR NATIONAL GUARDSMAN IN CONNECTION WITH THE LEAKING OF 88 00:05:31,731 --> 00:05:33,199 CLASSIFIED DOCUMENTS POSTED ONLINE. 89 00:05:33,199 --> 00:05:34,934 THE LEAKER IS DESCRIBED AS A LONELY YOUNG MAN WHO IS PART OF 90 00:05:34,934 --> 00:05:38,237 A CHATROOM GROUP THAT SHARES A LOVE OF GUNS AND MILITARY GEAR. 91 00:05:38,237 --> 00:05:44,243 YOU KNOW HOW SOMETIMES "IT'S WHO YOU WOULD LEAST SUSPECT?" 92 00:05:44,243 --> 00:05:48,247 THIS ISN'T ONE OF THOSE TIMES. 93 00:05:48,247 --> 00:05:52,919 AS A 21-YEAR-OLD, HE'S DEVASTATED THAT THIS MISTAKE MAY 94 00:05:52,919 --> 00:05:55,121 COST HIM HIS FUTURE. 95 00:05:55,121 --> 00:05:58,458 BUT HE'S ALSO THRILLED SOMETHING HE POSTED ONLINE WENT VIRAL. 96 00:05:58,458 --> 00:06:06,199 HE POSTED SOME OF THE DOCUMENTS IN A CHATROOM FOR GAMERS. 97 00:06:06,199 --> 00:06:09,635 I DON'T EVEN KNOW HOW THIS WOR WORKS. 98 00:06:09,635 --> 00:06:11,571 DOES SOMEONE WRITE "HOW DO I WIN IN FORTNITE?" 99 00:06:11,571 --> 00:06:12,805 AND YOU RESPOND LIKE, "I DON'T KNOW, BUT HERE'S SOME SATELLITE 100 00:06:12,805 --> 00:06:13,940 IMAGES OF UKRAINE." 101 00:06:13,940 --> 00:06:15,942 MEANWHILE, PRESIDENT BIDEN CONTINUED HIS TOUR OF IRELAND 102 00:06:15,942 --> 00:06:18,978 TODAY- MEETING WITH PRESIDENT MICHAEL D. HIGGINS AT HIS 103 00:06:18,978 --> 00:06:19,579 OFFICIAL RESIDENCE IN DUBLIN. 104 00:06:19,579 --> 00:06:22,849 LOOK AT THAT. 105 00:06:22,849 --> 00:06:27,420 IRELAND'S PRESIDENT IS SO ADORABLE, ISN'T HE? 106 00:06:27,420 --> 00:06:33,726 I KNOW HE'S A VERY SERIOUS PERSON, BUT I WANT TO CHASE HIM 107 00:06:33,726 --> 00:06:41,000 AROUND TRYING TO TICKLE HIM WITH A FEATHER. 108 00:06:41,000 --> 00:06:43,503 COME HERE, YOU. 109 00:06:43,503 --> 00:06:46,405 OH COME OVER HERE OR GOING. 110 00:06:46,405 --> 00:06:51,644 HE LOOKS LIKE IF YOU TURNED BERNIE SANDERS INTO A HOBBIT. 111 00:06:51,644 --> 00:06:57,049 AT ONE POINT, IN THE STATE RECEPTION ROOM, BIDEN WROTE A 112 00:06:57,049 --> 00:07:02,455 MESSAGE IN THE VISITORS' BOOK AS HE SAT AT A VERY SMALL DESK. 113 00:07:02,455 --> 00:07:12,165 OR AS PRESIDENT HIGGINS CALLS IT, A "REGULAR-SIZED DESK." 114 00:07:12,165 --> 00:07:16,035 SO WE WERE READING THIS EARLIER, ALL OF THE WRITERS WE WERE 115 00:07:16,035 --> 00:07:17,170 READING THIS. 116 00:07:17,170 --> 00:07:20,706 AND NATE GOES, WHAT DID YOU SAY IN THE WRITERS MEETING? 117 00:07:20,706 --> 00:07:23,709 IT FEELS LIKE WE ARE NOT COVERING HOW SMALL THE DESK IS 118 00:07:23,709 --> 00:07:24,877 WELL ENOUGH. 119 00:07:24,877 --> 00:07:30,116 THERE'S A LOT WARD TO BE SAID ABOUT HOW SMALL THE DESK IS. 120 00:07:30,116 --> 00:07:33,386 James: I SAID LET'S SEE HOW THE SHOW IS GOING. 121 00:07:33,386 --> 00:07:36,923 ARE THESE THE JOKES YOU SUBMITTED EARLIER THIS MORNING? 122 00:07:36,923 --> 00:07:43,696 THAT WERE NARROWLY REJECTED ABOUT HOW SMALL. 123 00:07:43,696 --> 00:07:47,133 SO I HAD THEM PUT A MICROPHONE ON ME, AND IT CAME DOWN HERE, 124 00:07:47,133 --> 00:07:48,634 WHICH I DON'T NORMALLY DO. 125 00:07:48,634 --> 00:07:53,372 James: YOU ARE NORMALLY IN THE CAR BY NOW. 126 00:07:53,372 --> 00:07:54,907 HOW SMALL IS THAT DESK? 127 00:07:54,907 --> 00:08:02,515 JAMES, THAT DESK IS SO SMALL IT LOOKS LIKE IT BELONGS ON 128 00:08:02,515 --> 00:08:07,320 ""THE TONIGHT SHOW"" WITH TINY TIM FALLON. 129 00:08:07,320 --> 00:08:09,755 I WILL GO THERE AND EVEN FURTHER. 130 00:08:09,755 --> 00:08:13,960 BECAUSE THAT DESK IS SO SMALL, JAMES, THAT EVEN THOSE TINY DESK 131 00:08:13,960 --> 00:08:18,798 CONCERTS ARE LIKE WE CAN'T WORK WITH THIS THING. 132 00:08:18,798 --> 00:08:23,636 I MEAN, THAT DESK IS SO SMALL, IF YOU PUT A COFFEE CUP ON IT, 133 00:08:23,636 --> 00:08:30,343 THAT DESK IS LIKE DAMN, IS THIS A COFFEE JUG. 134 00:08:30,343 --> 00:08:33,246 I HAVE PAGES-- IF WE ARE SHORT ON TIME, COME 135 00:08:33,246 --> 00:08:36,582 BACK TO ME. 136 00:08:36,582 --> 00:08:42,054 James: I MIGHT JUST GO, HEY, NATE, HOW SMALL IS THAT 137 00:08:42,054 --> 00:08:43,589 DESK? 138 00:08:43,589 --> 00:08:46,826 WELL, JAMES, THAT DESK IS SO SMALL. 139 00:08:46,826 --> 00:08:49,528 WHEN I SAY THAT I GOT IT AT STAPLES. 140 00:08:49,528 --> 00:08:53,766 I'M TALKING ABOUT ACTUAL STAPLERS. 141 00:08:53,766 --> 00:08:57,637 James: THANK YOU. 142 00:08:57,637 --> 00:09:01,807 NATE, EVERYBODY! 143 00:09:01,807 --> 00:09:06,445 [CHEERS AND APPLAUSE] BUT JOE BIDEN IS HAVING A GREAT 144 00:09:06,445 --> 00:09:08,915 TIME ON THIS TRIP. 145 00:09:08,915 --> 00:09:10,416 AT ONE POINT DURING HIS MEETING WITH PRESIDENT HIGGINS, HE HAD 146 00:09:10,416 --> 00:09:15,554 THIS TO SAY. 147 00:09:15,554 --> 00:09:17,189 I'M NOT GOING HOME. 148 00:09:17,189 --> 00:09:18,491 I'M STAYING HERE. 149 00:09:18,491 --> 00:09:19,892 THIS IS AN INCREDIBLE PLACE. 150 00:09:19,892 --> 00:09:24,230 James: AND 70% OF AMERICANS WERE LIKE "OKAY." 151 00:09:24,230 --> 00:09:25,498 SERIOUSLY, THOUGH, CAN YOU BLAME HIM? 152 00:09:25,498 --> 00:09:26,866 RIGHT NOW HE'S HANGING OUT IN A BEAUTIFUL COUNTRY, EVERYBODY'S 153 00:09:26,866 --> 00:09:30,903 EXCITED TO SEE HIM, AND AFTER THIS HE HAS TO FLY BACK TO 154 00:09:30,903 --> 00:09:32,838 WASHINGTON DC. 155 00:09:32,838 --> 00:09:34,941 WHERE MARJORIE TAYLOR-GREENE IS TRYING TO BAN OXYGEN BECAUSE 156 00:09:34,941 --> 00:09:37,143 TRANS PEOPLE BREATHE IT. 157 00:09:37,143 --> 00:09:43,349 IN OTHER NEWS, KING CHARLES IS HIRING SOMEONE TO ANSWER HIS FAN 158 00:09:43,349 --> 00:09:46,619 MAIL. 159 00:09:46,619 --> 00:09:49,755 BUCKINGHAM PALACE PUT OUT A JOB POSTING FOR AN "ASSISTANT 160 00:09:49,755 --> 00:09:52,758 CORRESPONDENCE OFFICER" TO CRAFT RESPONSES TO EACH OF THE 161 00:09:52,758 --> 00:09:55,261 THOUSANDS OF LETTERS ADDRESSED TO THE KING EACH YEAR. 162 00:09:55,261 --> 00:09:57,029 IMAGINE HAVING TO RESPOND TO EVERY PIECE OF MAIL. 163 00:09:57,029 --> 00:10:01,100 "THE KING WOULD LIKE TO THANK YOU, BED BATH AND BEYOND, FOR 164 00:10:01,100 --> 00:10:03,536 THE GENEROUS COUPONS." 165 00:10:03,536 --> 00:10:06,505 APPLICANTS MUST HAVE EXCELLENT WRITTEN AND VERBAL COMMUNICATION 166 00:10:06,505 --> 00:10:08,808 PROWESS, STRONG IT SKILLS. 167 00:10:08,808 --> 00:10:11,610 AND THE ABILITY TO DISCARD ANY LETTER ADDRESSED TO PRINCE 168 00:10:11,610 --> 00:10:20,152 ANDREW. 169 00:10:20,152 --> 00:10:22,555 DO YOU THINK I SHOULD APPLY TO THIS JOB? 170 00:10:22,555 --> 00:10:25,157 I THINK THE TIMING IS PERFECT. 171 00:10:25,157 --> 00:10:28,027 Ian: YOU HAVE A LOT OF TIME COMING OFF. 172 00:10:28,027 --> 00:10:31,297 YOU WERE TO WERE APPLIED LETTERS? 173 00:10:31,297 --> 00:10:36,469 BUT WHAT HAPPENS WITH THE DESK THAT YOU ARE SITTING AT TO DO 174 00:10:36,469 --> 00:10:38,204 IT? 175 00:10:38,204 --> 00:10:41,607 [LAUGHTER] I WOULD HOPE THAT YOU WOULD 176 00:10:41,607 --> 00:10:45,411 BE AT ONE BIGGER THAN THE ONE WE SAW BEFORE. 177 00:10:45,411 --> 00:10:49,682 BECAUSE THAT DESK, THAT WAS SO SMALL, IT MAKES POST-IT NOTE TO 178 00:10:49,682 --> 00:10:58,991 LOOK LIKE A REGULAR PIECE OF PAPER. 179 00:10:58,991 --> 00:11:00,226 AND DID YOU SEE THIS? 180 00:11:00,226 --> 00:11:07,033 LAST NIGHT, THE CHICAGO BULLS PLAYED THE TORTONTO RAPTORS AND 181 00:11:07,033 --> 00:11:08,601 DEMAR DEROZAN'S 9-YEAR-OLD DAUGHTER WENT VIRAL DUE TO HER 182 00:11:08,601 --> 00:11:09,802 HIGH-PITCHED SCREAMS TO DISTRACT THE RAPTORS ATTEMPTING FREE 183 00:11:09,802 --> 00:11:10,269 THROWS. 184 00:11:10,269 --> 00:11:12,738 HERE SHE IS HERE. 185 00:11:12,738 --> 00:11:18,444 AND THIS IS THE VOICE YOU ARE HEARING WHEN THE RAPTORS SHOOT. 186 00:11:18,444 --> 00:11:19,678 SHE IS SCREAMING. 187 00:11:19,678 --> 00:11:21,614 James: THAT AS CHAMPIONSHIP BEHAVIOR. 188 00:11:21,614 --> 00:11:22,982 I LOVE THAT. 189 00:11:22,982 --> 00:11:24,216 I DO THE EXACT SAME THING. 190 00:11:24,216 --> 00:11:30,423 MY KIDS ARE SITTING IN THE CROWD AT SETH MEYERS SHOW RIGHT NOW. 191 00:11:30,423 --> 00:11:31,157 [LAUGHTER] AND YOU KNOW WHAT? 192 00:11:31,157 --> 00:11:31,590 HER STRATEGY WORKED. 193 00:11:31,590 --> 00:11:35,361 WATCH THIS. 194 00:11:35,361 --> 00:11:41,367 OFFICIAL TO FLORIDA STATE-- [SCREAMING] 195 00:11:41,367 --> 00:11:44,236 THE NUMBER OF THE QUALITY OF SHOTS. 196 00:11:44,236 --> 00:11:47,973 IT COMES OFF. 197 00:11:47,973 --> 00:11:50,976 James: THE BULLS ENDED UP WINNING BY FOUR POINTS. 198 00:11:50,976 --> 00:11:51,977 IF THE BULLS WIN THE CHAMPIONSHIP, SHE SHOULD 199 00:11:51,977 --> 00:11:54,046 100% GET A RING. 200 00:12:00,986 --> 00:12:04,123 BUT THIS IS HOW I KNOW THE GAME HAS GOTTEN A LITTLE SOFT. 201 00:12:04,123 --> 00:12:07,426 IN THE OLD DAYS, MICHAEL JORDAN WOULD HAVE SHOWN UP AT THIS 202 00:12:07,426 --> 00:12:11,263 GIRL'S SCHOOL THE NEXT DAY AND SCREAMED EVERY TIME SHE TRIED TO 203 00:12:11,263 --> 00:12:16,969 ANSWER A MATH PROBLEM. 204 00:12:16,969 --> 00:12:18,571 AND FINALLY, BUSH'S BEANS IS GIVING YOU THE CHANCE TO WIN A 205 00:12:18,571 --> 00:12:19,705 FREE VACATION TO A NATIONAL PARK. 206 00:12:19,705 --> 00:12:25,578 WHERE YOU CAN STAY IN A ONE-OF-A-KIND CAMPER SHAPED 207 00:12:25,578 --> 00:12:27,079 LIKE A GIANT CAN OF BEANS. 208 00:12:27,079 --> 00:12:28,714 HERE IT IS HERE. 209 00:12:28,714 --> 00:12:31,317 AND HERE'S THE INSIDE. 210 00:12:31,317 --> 00:12:35,321 YOU CAN TELL THIS IS AN AMERICAN PROMOTION. 211 00:12:35,321 --> 00:12:44,263 IF IT WERE IN BRITAIN, THAT BED WOULD BE A GIANT SLICE OF TOAST. 212 00:12:44,263 --> 00:12:45,598 IT'S AN IMPRESSIVE SPACE, BUT UNFORTUNATELY, YOU CAN'T GET 213 00:12:45,598 --> 00:12:47,299 INSIDE WITHOUT ONE OF THESE. 214 00:12:47,299 --> 00:12:51,971 AND THAT'S "THE NEWS!" WE WILL BE RIGHT BACK WITH 215 00:12:51,971 --> 00:12:53,038 BEN AFFLECK AND CHRIS MESSINA! 216 00:13:15,494 --> 00:13:16,095 ♪ ♪ James: WELCOME BACK! 217 00:13:16,095 --> 00:13:18,931 LET'S MEET OUR GUEST TONIGHT! 218 00:13:18,931 --> 00:13:25,271 HE PLAYS DAVID FALK IN "AIR," CHRIS MESSINA! 219 00:13:25,271 --> 00:13:25,938 [CHEERS AND APPLAUSE] ♪ ♪ 220 00:13:25,938 --> 00:13:30,943 Chris: HOW ARE YOU DOING? 221 00:13:30,943 --> 00:13:35,648 HE DIRECTED AND PLAYS PHIL KNIGHT IN "AIR," BEN AFFLECK! 222 00:13:35,648 --> 00:13:43,756 [CHEERS AND APPLAUSE] ♪ ♪ 223 00:13:43,756 --> 00:13:44,623 Ben: HOW ARE YOU? 224 00:13:44,623 --> 00:13:56,969 James: HAVE A SEAT! 225 00:13:56,969 --> 00:13:57,970 [CHEERS AND APPLAUSE] James: BLESS YOU FOR BEING 226 00:13:57,970 --> 00:13:58,437 HERE! 227 00:13:58,437 --> 00:14:02,474 THANK YOU SO MUCH! 228 00:14:02,474 --> 00:14:05,511 Ben: IT'S AMAZING COMING UP PICTURES OF EVERY GUEST WHO HAS 229 00:14:05,511 --> 00:14:08,414 BEEN ON THE SHOW, AND SINCE THIS IS THE FIRST TIME I HAVE BEEN 230 00:14:08,414 --> 00:14:12,117 BOOKED, I GOT TO SEE HOW FAR DOWN THE LIST I HAVE GONE. 231 00:14:12,117 --> 00:14:15,020 ALL OF THOSE PEOPLE. 232 00:14:15,020 --> 00:14:20,092 James: THIS IS JUST [BLEEP]. 233 00:14:20,092 --> 00:14:21,260 Ben: BUT IT IS FUNNY. 234 00:14:21,260 --> 00:14:23,963 James: I KNOW THIS IS SO BUSY. 235 00:14:23,963 --> 00:14:25,598 THANK YOU FOR BEING HERE. 236 00:14:25,598 --> 00:14:28,000 YOU HAVE A GREAT RELATIONSHIP AND A GREAT PROFESSIONAL 237 00:14:28,000 --> 00:14:31,937 RELATIONSHIP, BECAUSE YOU HAVE BEEN IN THREE OF BEN'S MOVIES. 238 00:14:31,937 --> 00:14:34,139 HOW DID YOU FIRST MEET? 239 00:14:34,139 --> 00:14:37,977 DID YOU HIT IT OFF STRAIGHT AWAY, CHRIS? 240 00:14:37,977 --> 00:14:41,714 Chris: I DID A PLAY WITH YOUR BROTHER IN NEW YORK, SO WE 241 00:14:41,714 --> 00:14:43,082 MET A LONG TIME AGO BRIEFLY. 242 00:14:43,082 --> 00:14:45,384 IT WAS OKAY. 243 00:14:45,384 --> 00:14:47,786 James: WHAT PLAY? 244 00:14:47,786 --> 00:14:50,789 Chris: IT W WAS A ONE-ACT PLAY. 245 00:14:50,789 --> 00:14:55,160 AND THEN YEARS LATER WE ENDED UP AT A MUTUAL FRIENDS WEDDING. 246 00:14:55,160 --> 00:14:59,932 WE WERE SEATED TOGETHER AT A TABLE, AND BEAUTIFUL COUPLE, 247 00:14:59,932 --> 00:15:03,869 THEY WERE SHOWING A SLIDESHOW OF THEIR RELATIONSHIP, AND I SAID 248 00:15:03,869 --> 00:15:09,908 TO THE TABLE, DO YOU THINK IF THEY WOULD BE MAD IF I PUT IT ON 249 00:15:09,908 --> 00:15:10,709 MY ACTING REAL? 250 00:15:10,709 --> 00:15:11,910 NOBODY LAUGHED BUT HIM. 251 00:15:11,910 --> 00:15:16,849 AND LIKE A WEAKER TWO LATER I GOT A CALL THAT SAID BEN WANTS 252 00:15:16,849 --> 00:15:22,087 YOU TO BE IN "ARGO." 253 00:15:22,087 --> 00:15:26,091 AND THIS IS OUR THIRD MOVIE TO COVER, AND I THINK THAT CHANGE 254 00:15:26,091 --> 00:15:29,094 MY CAREER. 255 00:15:29,094 --> 00:15:30,963 Ben: HE WAS FABULOUS. 256 00:15:30,963 --> 00:15:33,799 IN THE LAST MOVIE, HE WAS SPECTACULAR, PUT ON LIKE 257 00:15:33,799 --> 00:15:34,400 40 POUNDS. 258 00:15:34,400 --> 00:15:35,401 AND NOBODY SAW THE MOVIE. 259 00:15:35,401 --> 00:15:37,202 IT BROKE MY HEART. 260 00:15:37,202 --> 00:15:40,372 I WAS LIKE DUDE, I'M GOING TO PUT YOU IN ONE THAT PEOPLE SEE. 261 00:15:40,372 --> 00:15:43,175 BECAUSE YOU ARE TOO [BLEEP] GOOD. 262 00:15:43,175 --> 00:15:46,445 SO REALLY I WANTED THIS MOVIE TO WORK SO THAT PEOPLE WOULD SEE 263 00:15:46,445 --> 00:15:48,547 CRISPY GREAT! 264 00:15:48,547 --> 00:15:50,949 James: AND THEY REALLY DO. 265 00:15:50,949 --> 00:15:52,918 TALK ABOUT THIS FILM. 266 00:15:52,918 --> 00:15:58,324 OBVIOUSLY MATT DAMON IS THE LEAD IN THE MOVIE, THE STAR IN THE 267 00:15:58,324 --> 00:15:59,391 MOVIE. 268 00:15:59,391 --> 00:16:02,628 AND YOU GUYS STARTED YOUR CAREERS TOGETHER AS TEENS. 269 00:16:02,628 --> 00:16:07,966 AND IT IS THIS RIGHT THAT YOU OPENED A JOINT BANK ACCOUNT 270 00:16:07,966 --> 00:16:08,901 TOGETHER? 271 00:16:08,901 --> 00:16:11,303 Ben: WHY DO PEOPLE THINK THAT IS UNUSUAL? 272 00:16:11,303 --> 00:16:14,840 James: I DON'T KNOW HOW IT WORKS? 273 00:16:14,840 --> 00:16:16,041 HOW MUCH MONEY? 274 00:16:16,041 --> 00:16:20,646 AT WHAT POINT DO YOU DECIDE-- Ben: ONE "BOURNE IDENTITY" 275 00:16:20,646 --> 00:16:23,349 CAME OUT I WAS PRETTY PSYCHED. 276 00:16:23,349 --> 00:16:26,819 WE WERE TEENAGERS AND WE WANTED TO GO UP TO BOSTON AND NEW YORK 277 00:16:26,819 --> 00:16:27,920 AND AUDITION. 278 00:16:27,920 --> 00:16:31,390 AND WE WERE KIND OF LIKE WE WANTED TO HELP EACH OTHER. 279 00:16:31,390 --> 00:16:34,326 ONE OF US WOULD MAKE ENOUGH MOVIES-- MONEY SO WE WOULD HAVE 280 00:16:34,326 --> 00:16:37,396 ENOUGH TO TAKE THE TRAIN TO NEW YORK INTO THE NEXT AUDITION. 281 00:16:37,396 --> 00:16:39,698 AND THEN IN L.A. WE LIVED IN THE SAME HOUSE. 282 00:16:39,698 --> 00:16:44,136 AND IT WAS JUST EASIER AND ALSO MATT HAS NEVER PAID A BILL TO 283 00:16:44,136 --> 00:16:47,940 THIS DAY. 284 00:16:47,940 --> 00:16:50,576 BUT LIKE THE LIGHTS AREN'T WORKING. 285 00:16:50,576 --> 00:16:55,013 AND BECAUSE THE UTILITY COMPANY MEANS NEEDS MONEY. 286 00:16:55,013 --> 00:16:59,118 James: SO THIS IS YOU, MATT, AND KC AND L.A.? 287 00:16:59,118 --> 00:17:04,690 WOULD YOU CONSIDER THAT TO BE BAD ROOMMATES OR A GOOD 288 00:17:04,690 --> 00:17:05,858 ROOMMATE? 289 00:17:05,858 --> 00:17:08,360 Ben: IS A BEAUTIFUL MAN, HE HAS BEEN BRILLIANT TO ME MY 290 00:17:08,360 --> 00:17:13,699 WHOLE LIFE, I WOULD NOT SUGGEST LIVING WITH HIM. 291 00:17:13,699 --> 00:17:17,536 BECAUSE HE HAS AN ABILITY-- YOU KNOW HOW PEOPLE CAN BLOCK 292 00:17:17,536 --> 00:17:20,372 THINGS OUT, I THINK THAT'S WHY HE IS A GREAT ACTOR, BECAUSE HE 293 00:17:20,372 --> 00:17:21,640 CAN JUST FOCUS. 294 00:17:21,640 --> 00:17:25,577 ONE OF THE THINGS HE BLOCKS OUT IS THE IDEA THAT WHEN YOU FINISH 295 00:17:25,577 --> 00:17:28,881 WITH SOMETHING THAT IT HAS TO BE WASHED OR THROWN AWAY. 296 00:17:28,881 --> 00:17:32,317 AND SO FINALLY ME AND MY BROTHER AFTER CLEANING UP AFTER YEARS WE 297 00:17:32,317 --> 00:17:36,955 WERE LIKE, YOU KNOW WHAT, WE ARE GOING TO GO ON A STRIKE AND WAIT 298 00:17:36,955 --> 00:17:42,194 AND SEE HOW LONG HE WILL GO BEFORE HE ACTUALLY GETS UP AND 299 00:17:42,194 --> 00:17:44,496 GOES, IT'S COVERED IN GARBAGE. 300 00:17:44,496 --> 00:17:50,002 AND WE WENT WEEKS, TWO WEEKS WITHOUT TOUCHING THE APARTMENT, 301 00:17:50,002 --> 00:17:54,339 CAME HOME ONE DAY ME AND HIM, AND MATT IS THERE IN HIS SHORTS 302 00:17:54,339 --> 00:17:59,878 AND T-SHIRT PLAYING I THINK THE '92 SEGA HOCKEY GAME AND WHAT 303 00:17:59,878 --> 00:18:04,116 WAS THE MIDDLE OF THE LIVING ROOM JUST SURROUNDED BY LIKE 304 00:18:04,116 --> 00:18:05,551 CONCENTRIC CIRCLES OF GARBAGE. 305 00:18:05,551 --> 00:18:07,886 PIZZA BOXES. 306 00:18:07,886 --> 00:18:12,324 AND I LOOKED DOWN AT THIS SUSHI THING THAT WAS A WEEK AND A HALF 307 00:18:12,324 --> 00:18:14,393 OLD, AND THERE ARE. 308 00:18:14,393 --> 00:18:16,161 WE WERE LIKE, WE SUBMIT. 309 00:18:16,161 --> 00:18:17,996 YOU ARE TOO GOOD. 310 00:18:17,996 --> 00:18:20,532 WE CANNOT MEET YOU. 311 00:18:20,532 --> 00:18:23,168 HE WAS LIKE WHAT'S GOING ON, FELLAS? 312 00:18:23,168 --> 00:18:29,641 THERE IS A RAT ON YOU. 313 00:18:29,641 --> 00:18:33,912 GOD BLESS HIS WIFE LUCY, THERE'S A PLACE FOR HER IN HEAVEN. 314 00:18:33,912 --> 00:18:40,586 James: AND YOU KNOW HIM VERY WELL, AND YOU KNOW THIS 315 00:18:40,586 --> 00:18:46,525 CHRIS MESSINA, BUT DO YOU KNOW THIS CHRIS MESSINA? 316 00:18:46,525 --> 00:18:51,763 [CHEERS AND APPLAUSE] THIS GUY. 317 00:18:51,763 --> 00:18:55,267 THERE IS THIS GUY. 318 00:18:55,267 --> 00:18:56,802 Chris: OH, BOY. 319 00:18:56,802 --> 00:19:00,038 James: CHRIS, WHAT IS GOING ON? 320 00:19:00,038 --> 00:19:03,208 Chris: TRYING TO KEEP THOSE PHOTOS AWAY FROM BEN. 321 00:19:03,208 --> 00:19:06,945 SO MY MOM WAS A DANCER AND SHE BECAME A DANCE TEACHER. 322 00:19:06,945 --> 00:19:12,284 SHE STOPPED WHEN SHE HAD KIDS, BUT HER LOVE OF DANCE BECAME 323 00:19:12,284 --> 00:19:13,252 MINE. 324 00:19:13,252 --> 00:19:14,853 Ben: SHOULD PASS THAT ON. 325 00:19:14,853 --> 00:19:17,322 James: I DON'T THINK YOU CAN JUST CALL THIS A LOVE OF 326 00:19:17,322 --> 00:19:19,324 DANCE, CHRIS. 327 00:19:19,324 --> 00:19:22,895 I DON'T THINK YOU GET AWAY WITH IT THAT EASY. 328 00:19:22,895 --> 00:19:26,498 Chris: LOOK AT THAT NECKLINE. 329 00:19:26,498 --> 00:19:29,368 Ben: THE HAIR HAD NOT COME IN YET. 330 00:19:29,368 --> 00:19:29,968 James: WHAT DO YOU REMEMBER? 331 00:19:29,968 --> 00:19:30,969 DO YOU REMEMBER THE SHOOT? 332 00:19:30,969 --> 00:19:35,908 Chris: I REMEMBER GETTING MY ASS KICKED A LOT. 333 00:19:35,908 --> 00:19:41,380 I WANTED TO BE JOHN TRAVOLTA, "GREASE" I SAW IT A LOT. 334 00:19:41,380 --> 00:19:42,948 IT'S A VERSION OF HIM. 335 00:19:42,948 --> 00:19:46,418 Ben: WHEN YOU DID THAT, DID THEY SAY HOLD YOUR LEGS LIKE 336 00:19:46,418 --> 00:19:47,052 THIS? 337 00:19:47,052 --> 00:19:48,453 AND YOU ARE LIKE THIS IS IT. 338 00:19:48,453 --> 00:19:50,956 I'M GOING TO KILL IT. 339 00:19:50,956 --> 00:19:56,194 Chris: IT LOOKS LIKE I AM HOLDING IN A [BLEEP], RIGHT? 340 00:19:56,194 --> 00:19:57,529 Ben: THIS IS A GREAT IDEA. 341 00:19:57,529 --> 00:20:02,901 I THINK IT'S A GREAT CHARACTER. 342 00:20:02,901 --> 00:20:04,703 MISGUIDED BARYSHNIKOV WANT TO BE. 343 00:20:04,703 --> 00:20:07,839 Chris: YES, I WANTED TO BE-- 344 00:20:07,839 --> 00:20:11,977 I DANCED TO "GREASE LIGHTNING" WHEN I WAS IN KINDERGARTEN. 345 00:20:11,977 --> 00:20:16,715 AND THAT WAS CUTE, BUT BY THE TIME YOU GET TO JUNIOR HIGH AND 346 00:20:16,715 --> 00:20:20,319 LONG ISLAND WEARING TIGHTS DOING BALLET, IT WAS THE EQUIVALENT OF 347 00:20:20,319 --> 00:20:21,753 THE GREAT SANTINO. 348 00:20:21,753 --> 00:20:26,358 IT'S LIKE "THE KARATE KID" WITHOUT ANY KARATE. 349 00:20:26,358 --> 00:20:30,596 OR IF "BILLY ELLIOT" WENT OUT WITHOUT ANY TALENT. 350 00:20:30,596 --> 00:20:33,565 James: SO LET'S TALK ABOUT "AIR," MY FAVORITE FILM I HAVE 351 00:20:33,565 --> 00:20:36,101 WATCHED IN SO LONG. 352 00:20:36,101 --> 00:20:40,372 THE REVIEWS ALL SAY HOW BRILLIANTLY WERE FLUSHING, AND 353 00:20:40,372 --> 00:20:41,573 THE STORY IS. 354 00:20:41,573 --> 00:20:44,109 EXPLAIN WHAT IT IS ABOUT THE FILM AND WHAT YOU WANTED TO TELL 355 00:20:44,109 --> 00:20:48,814 AND WHO YOU BOTH PLAY IN THE MOVIE? 356 00:20:48,814 --> 00:20:51,984 Ben: THERE WAS A LOT THAT I Ben: THER AS INTERESTED IN. I 357 00:20:51,984 --> 00:20:53,752 AND STARTING A NEW COMPANY. 358 00:20:53,752 --> 00:20:58,790 AND THE WAY PEOPLE ARE TO BE TREATED AND VALUED AND WHAT 359 00:20:58,790 --> 00:21:00,759 REFLECTS THEIR OWN SELF WORTH. 360 00:21:00,759 --> 00:21:04,162 EQUITY IN THE WAY THAT CAPITALISM AND COMPANIES CAN 361 00:21:04,162 --> 00:21:08,533 KIND OF GRIND PEOPLE WITH THE RELATIONSHIP WITH THEIR JOB. 362 00:21:08,533 --> 00:21:11,770 BUT ONE OF THE THINGS I REALLY LIKED ABOUT IT WAS THAT IT WAS A 363 00:21:11,770 --> 00:21:16,208 MOVIE THAT WAS GOING TO DEPEND ON THE PERFORMANCES AND WRITING. 364 00:21:16,208 --> 00:21:19,378 AND I KNOW A LOT OF ACTORS WHO I LOVE AND CAN RELY ON. 365 00:21:19,378 --> 00:21:23,415 AND I THOUGHT IT WOULD BE FUN AND I REALLY WANTED TO SAY YOU 366 00:21:23,415 --> 00:21:26,718 CAN MAKE A MOVIE WHERE YOU GUYS DON'T HAVE TO FLY. 367 00:21:26,718 --> 00:21:31,757 AND I SAY THAT AS A FORMER CAPE AWARE. 368 00:21:31,757 --> 00:21:35,327 AND I FEEL LIKE IT'S ABOUT PEOPLE AND WHAT THEY CARE ABOUT. 369 00:21:35,327 --> 00:21:37,195 AND CAN BE SURPRISING AND FUNNY AND SMART AND THE PEOPLE WILL GO 370 00:21:37,195 --> 00:21:40,165 IN THE THEATER. 371 00:21:40,165 --> 00:21:41,933 IT WAS A GAMBLE, BUT I LOVED IT. 372 00:21:41,933 --> 00:21:44,036 BUT IT'S THE KIND OF MOVIE THAT I LIKE AND I WANT TO MAKE. 373 00:21:44,036 --> 00:21:46,405 I DON'T WANT THEM TO GO AWAY. 374 00:21:46,405 --> 00:21:47,639 James: SAME. 375 00:21:47,639 --> 00:21:51,643 IS THERE EVER A POINT WHEN YOU GET THE SCRIPT AND I'M SURE YOU 376 00:21:51,643 --> 00:21:54,780 ARE WORKING ON THE SCRIPT AND ALL OF THOSE THINGS YOU THINK-- 377 00:21:54,780 --> 00:21:57,716 IS THERE ANYONE ELSE THAT SHOULD PLAY PHIL KNIGHT? 378 00:21:57,716 --> 00:22:01,353 OR DO YOU THINK, I AM PLAYING PHIL NIGHTS? 379 00:22:01,353 --> 00:22:03,221 Ben: HOW IT WORKS IS THIS. 380 00:22:03,221 --> 00:22:06,425 I HAVE TO BE ON THE SET ANYWAY, BECAUSE I AM DIRECTING. 381 00:22:06,425 --> 00:22:09,961 AND THEY PAY ME MORE IF I AM ALSO IN ONE OF THE-- 382 00:22:09,961 --> 00:22:13,899 SO THE ONE TIME I WAS NOT IN THE MOVIE THAT I DIRECTED I KEPT 383 00:22:13,899 --> 00:22:18,737 THINKING LIKE THIS GUY IS STEALING MY LUNCH HERE. 384 00:22:18,737 --> 00:22:20,706 SO I THOUGHT IT WOULD BE FUNNY. 385 00:22:20,706 --> 00:22:24,276 IT'S A FUNNY CHARACTER, BECAUSE EVERYBODY WANTS TO MAKE FUN OF 386 00:22:24,276 --> 00:22:25,243 THE BOSS. 387 00:22:25,243 --> 00:22:27,412 HE IS A TITAN OF INDUSTRY, ALL OF THESE THINGS. 388 00:22:27,412 --> 00:22:32,951 BUT REALLY IN RETROSPECT, THESE GREAT SUCCESS STORIES ARE JUST 389 00:22:32,951 --> 00:22:35,220 KIND OF CLUSTER [BLEEP] THAT HAD DOWN THE RIGHT WAY HALF THE 390 00:22:35,220 --> 00:22:36,088 TIME. 391 00:22:36,088 --> 00:22:38,724 THEY DON'T SEE HER TO LET SEE IT CLEARLY. 392 00:22:38,724 --> 00:22:42,227 THEY ARE TRYING TO DO SOMETHING, BUT THEY ARE NOT SURE WHAT OR 393 00:22:42,227 --> 00:22:46,164 HOW AND THEY HAVE THE BOSS WHO IS A BIG CAPITALIST INNOVATOR 394 00:22:46,164 --> 00:22:52,204 AND A FORMER REBEL HIPPIE, BUDDHIST WHO ALSO HAS LIKE THE 395 00:22:52,204 --> 00:22:55,841 PURPLE PORTIA AND THE BIG COMPANY WITH A BILLION DOLLARS 396 00:22:55,841 --> 00:22:57,109 ON THE BOARD. 397 00:22:57,109 --> 00:23:01,113 THERE ARE A LOT OF CONTRASTS AND MILEAGE FOR THE OTHER ACTORS TO 398 00:23:01,113 --> 00:23:02,280 PLAY OFF OF. 399 00:23:02,280 --> 00:23:04,549 AND YOU HAVE TO HAVE SOMEBODY-- WE ALL KNOW WHAT HAPPENS. 400 00:23:04,549 --> 00:23:07,953 THERE HAS TO BE SOMEBODY PLAUSIBLY SUSPICIOUS TO SAY, I 401 00:23:07,953 --> 00:23:10,021 DON'T KNOW IF THIS IS GOING TO WORK? 402 00:23:10,021 --> 00:23:15,293 AND TO BE FAIR TO PHIL, WHICH WE SHOWED IN THE MOVIE. 403 00:23:15,293 --> 00:23:21,933 I WAS LIKE MAYBE THIS ISN'T A GOOD IDEA. 404 00:23:21,933 --> 00:23:24,469 BUT HE WAS SWEET AND VERY KIND. 405 00:23:24,469 --> 00:23:25,937 OBVIOUSLY WE CHANGE THINGS. 406 00:23:25,937 --> 00:23:27,305 MANY THINGS ARE DIFFERENT. 407 00:23:27,305 --> 00:23:30,408 BUT HE FELT THE SPIRIT WE CATURED WHICH IS A NICE THING 408 00:23:30,408 --> 00:23:31,510 TO SAY. 409 00:23:31,510 --> 00:23:38,150 BUT HE SHOWED ME AN ARTICLE FROM "FORBES" MAGAZINE THAT 410 00:23:38,150 --> 00:23:41,153 DAVID FALK SAYS LEAKED AFTER THEY MADE THE DEAL TO SIGN 411 00:23:41,153 --> 00:23:44,990 JORDAN THAT SAYS IF YOU LOOK NO FURTHER FOR SIGNS THAT NIKE HAS 412 00:23:44,990 --> 00:23:50,328 COMPLETELY LOST ITS WAY THEN THAT THEY PAID $250,000 TO 413 00:23:50,328 --> 00:23:53,765 MICHAEL JORDAN WHO HAS YET TO PLAY A DAY IN THE NBA. 414 00:23:53,765 --> 00:23:54,966 James: WOW. 415 00:23:54,966 --> 00:23:55,967 IT >> Ben: SO IT WAS A BIG DEAL. 416 00:23:55,967 --> 00:23:58,837 J>> James: GENIUS. 417 00:23:58,837 --> 00:24:00,071 LET'S TAKE A LOOK AT A CLIP FROM "AIR" WHICH IS EXCLUSIVELY IN 418 00:24:00,071 --> 00:24:03,742 THEATERS, RIGHT NOW. 419 00:24:03,742 --> 00:24:06,645 HAVE YOU GUYS BEEN HERE ALL WEEKEND? 420 00:24:06,645 --> 00:24:07,012 LLAMA. 421 00:24:07,012 --> 00:24:09,080 IT WAS NICE. 422 00:24:09,080 --> 00:24:12,384 IT WAS LIKE THE OLD NIKE DAYS. 423 00:24:12,384 --> 00:24:15,787 YOU GOT A NAME FOR IT? 424 00:24:15,787 --> 00:24:18,723 FOR WHAT? 425 00:24:18,723 --> 00:24:21,159 THE MICHAEL JORDAN LINE. 426 00:24:21,159 --> 00:24:25,197 THIS OFFER YOU'RE TALKING ABOUT, YOU BETTER HAVE A MICHAEL JORDAN 427 00:24:25,197 --> 00:24:26,331 LINE. 428 00:24:26,331 --> 00:24:33,004 YEAH, WELL, THERE WAS A THOUGHT THAT-- PETE ACTUALLY 429 00:24:33,004 --> 00:24:39,344 THINKS WE SHOULD CALL IT AIR JORDAN. 430 00:24:39,344 --> 00:24:39,778 I DON'T KNOW. 431 00:24:39,778 --> 00:24:42,380 SERIOUSLY. 432 00:24:42,380 --> 00:24:46,484 MAYBE IT WILL GROW ON ME. 433 00:24:46,484 --> 00:24:47,953 James: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 434 00:24:47,953 --> 00:24:48,520 BACK. 435 00:24:58,530 --> 00:24:59,364 CALLING ABOUT MICHAEL JORDAN. 436 00:24:59,364 --> 00:25:02,901 I TOLD THEM, IT'S NEVER GOING TO HAPPEN. 437 00:25:02,901 --> 00:25:04,069 YOU NEVER TALK TO ME. 438 00:25:04,069 --> 00:25:05,904 TO SPEAK ON DOING A FAVOR, MICHAEL IS NOT EVEN TAKING A 439 00:25:05,904 --> 00:25:06,905 MEETING WITH YOU. 440 00:25:06,905 --> 00:25:08,106 WHAT YOU MEAN? 441 00:25:08,106 --> 00:25:12,844 I MEAN THAT TWO OR THREE EXECUTIVES, ITS COMMON BUSINESS 442 00:25:12,844 --> 00:25:13,545 PROCESS. 443 00:25:13,545 --> 00:25:15,280 MICHAEL IS NOT GOING TO DO THAT. 444 00:25:15,280 --> 00:25:17,182 DON'T [BLEEP] WITH ME. 445 00:25:17,182 --> 00:25:17,949 WHAT IS IT LOOKING LIKE? 446 00:25:17,949 --> 00:25:19,618 IT'S NOT ABOUT THE MONEY. 447 00:25:19,618 --> 00:25:22,487 WHEN SOMEBODY SAYS THAT I KNOW IT'S FOR SURE ABOUT THE 448 00:25:22,487 --> 00:25:23,688 MONEY. 449 00:25:23,688 --> 00:25:27,125 WE WANTED TO SEE WHAT EACH COMPANY COULD DO TO PROMOTE MY 450 00:25:27,125 --> 00:25:28,059 GOAL. 451 00:25:28,059 --> 00:25:30,428 SO WE ARE THINKING ALONG THE SAME LINES. 452 00:25:30,428 --> 00:25:32,464 THAT'S WHY I WANT TO HAVE A MEETING. 453 00:25:32,464 --> 00:25:36,534 ♪ ♪ [CHEERS AND APPLAUSE] 454 00:25:36,534 --> 00:25:41,940 James: THAT WAS A CLIP FROM THE MAGNIFICENT "AIR" IN 455 00:25:41,940 --> 00:25:42,807 THEATERS RIGHT NOW. 456 00:25:42,807 --> 00:25:44,910 AND CHRIS, YOU ARE SO GOOD IN THIS FILM. 457 00:25:44,910 --> 00:25:49,281 YOU ARE SO BRILLIANT IN THIS MOVIE! 458 00:25:49,281 --> 00:25:53,118 IT'S LIKE-- SOMETIMES I WATCH THINGS AND I 459 00:25:53,118 --> 00:25:54,519 ACTUALLY, THIS IS MY OVERWHELMING THING. 460 00:25:54,519 --> 00:25:58,123 I WAS WATCHING THE WHOLE FILM THINKING, THESE GUYS ARE HAVING 461 00:25:58,123 --> 00:25:59,557 A BLAST DOING THIS. 462 00:25:59,557 --> 00:26:04,696 BUT YOUR CHARACTER HAS SOME WONDERFUL SCENES WHERE HE IS 463 00:26:04,696 --> 00:26:06,431 REALLY CURSING A LOT OVER THE PHONE. 464 00:26:06,431 --> 00:26:08,400 AND I UNDERSTAND, IS THIS TRUE? 465 00:26:08,400 --> 00:26:15,273 YOU REHEARSED A LOT WITH YOUR TWO TEENAGE SONS, HOW DID THAT 466 00:26:15,273 --> 00:26:17,442 GO DOWN? 467 00:26:17,442 --> 00:26:19,978 THESE PARTICULAR SCENES? 468 00:26:19,978 --> 00:26:23,982 Chris: I HAVE A 13 AND A 14-YEAR-OLD. 469 00:26:23,982 --> 00:26:26,484 Ben: THEY PROBABLY LOVED I IT. 470 00:26:26,484 --> 00:26:27,452 Chris: THEY ARE SO SMART. 471 00:26:27,452 --> 00:26:32,490 THEY WERE LIKE, I'M NOT BUYING THIS, DAD. 472 00:26:32,490 --> 00:26:35,126 OR-- Ben: THAT'S A LITTLE BIG, 473 00:26:35,126 --> 00:26:35,927 DAD. 474 00:26:35,927 --> 00:26:39,130 Chris: BUT THEY HEARD A LOT OF IT. 475 00:26:39,130 --> 00:26:42,467 THERE WAS-- AT ONE POINT BEN CAME OVER DURING THE PHONE CALLS 476 00:26:42,467 --> 00:26:44,536 AND HE SAID, I GOT IT. 477 00:26:44,536 --> 00:26:45,070 WE ARE COOL. 478 00:26:45,070 --> 00:26:47,272 DO WHATEVER YOU WANT. 479 00:26:47,272 --> 00:26:54,379 AND AFTER THAT CAME THE LINE-- James: IS IT TRUE, IS IT 480 00:26:54,379 --> 00:26:56,548 TRUE-- BECAUSE FOR ANYONE WHO HAS NOT SEEN IT. 481 00:26:56,548 --> 00:27:01,753 THERE SCENES IN THE FILM WITH CHRIS WHERE THEY ARE ON THE 482 00:27:01,753 --> 00:27:04,389 PHONE, THAT YOU SHOT THOSE SCENES NOT ONLY DID YOU HAVE THE 483 00:27:04,389 --> 00:27:07,525 OTHER ACTOR ON THE END OF THE LINE WHICH I THINK IS A COMMON 484 00:27:07,525 --> 00:27:10,595 THING TO DO, YOU ACTUALLY SHOT BOTH SIDES OF THE SCENE AT THE 485 00:27:10,595 --> 00:27:14,099 SAME TIME? 486 00:27:14,099 --> 00:27:16,935 Ben: YES, WHAT YOU MISS WHEN YOU HAVE THE SCRIPT 487 00:27:16,935 --> 00:27:20,739 SUPERVISOR OR THE ACTOR ON THE CELL PHONE AT HOME IS A BIG PART 488 00:27:20,739 --> 00:27:26,878 OF IT IS WHEN YOU DON'T TALK, AND WHAT THE REACTION IS, AND 489 00:27:26,878 --> 00:27:28,913 ALLOWING ONE ACTOR'S PERFORMANCE TO CHANGE THE OTHER. 490 00:27:28,913 --> 00:27:34,486 SO I THOUGHT I DID IT ON "ARGO" A LITTLE BIT. 491 00:27:34,486 --> 00:27:37,355 AND I THOUGHT I DON'T KNOW WHY NO ONE HAS DONE IT. 492 00:27:37,355 --> 00:27:38,690 LET'S JUST GET HIS SIDE. 493 00:27:38,690 --> 00:27:42,193 AND WE BUILT HIS OFFICE IN THE SAME STAGE, SO HE WAS JUST 494 00:27:42,193 --> 00:27:43,261 AROUND THE CORNER. 495 00:27:43,261 --> 00:27:46,698 AND THEN YOU HAVE THEM ABLE TO LIKE-- BECAUSE HE CAN 496 00:27:46,698 --> 00:27:50,435 IMPROVISE, SO WHEN HE IS YELLING AND MATT IS HOLDING THE PHONE, 497 00:27:50,435 --> 00:27:52,871 THOSE WERE REALLY-- LIKE IF YOU YELLED AT SOMEBODY, 498 00:27:52,871 --> 00:27:55,006 SO HE KEPT HAVING TO PULL THE PHONE AWAY. 499 00:27:55,006 --> 00:27:56,975 AND THE EXTRAS COULD HEAR THEM. 500 00:27:56,975 --> 00:27:59,411 AND IT WAS THIS WHOLE OTHER ENERGY. 501 00:27:59,411 --> 00:28:01,513 AND I'M WATCHING BACK WATCHING BACK AND FORTH AND IT WAS 502 00:28:01,513 --> 00:28:02,747 THRILLING. 503 00:28:02,747 --> 00:28:06,184 SO THE MORE-- I REALLY LIKE IS I LOVE THIS MOVIE, AND I FEEL 504 00:28:06,184 --> 00:28:07,852 LIKE I HAD NOTHING TO DO WITH IT. 505 00:28:07,852 --> 00:28:11,656 I SHOWED UP AND WAS LIKE GO AHEAD. 506 00:28:11,656 --> 00:28:14,526 James: THE IDEA AND THE EXECUTION OF IT IS EXCEPTIONAL. 507 00:28:14,526 --> 00:28:15,727 AND IT REALLY DOES WORK. 508 00:28:15,727 --> 00:28:17,695 A PLAY SO WELL. 509 00:28:17,695 --> 00:28:21,099 AND CHRIS, YOU'RE SO GOOD IN THIS FILM. 510 00:28:21,099 --> 00:28:26,171 BUT BESIDES BEN, YOU HAVE ANOTHER HOLLYWOOD ICON IN YOUR 511 00:28:26,171 --> 00:28:30,075 CAREER WHO HAS SHOWN UP, POPPED UP IN YOUR LIFE AGAIN AND AGAIN, 512 00:28:30,075 --> 00:28:34,245 AND THAT IS NONE OTHER THAN THREE-TIME ACADEMY AWARD WINNER 513 00:28:34,245 --> 00:28:35,346 MERYL STREEP. 514 00:28:35,346 --> 00:28:38,316 WHERE AND WHEN HAVE YOUR PALACE? 515 00:28:38,316 --> 00:28:39,818 Chris: WHO YOU KNOW OF? 516 00:28:39,818 --> 00:28:44,222 James: YES, I DO NOT TO LIKE HER. 517 00:28:44,222 --> 00:28:47,325 [LAUGHTER] Chris: SHE IS INCREDIBLE. 518 00:28:47,325 --> 00:28:51,463 MY FIRST MOVIE I EVER DID WAS CALLED "BEFORE-AND-AFTER" WITH 519 00:28:51,463 --> 00:28:52,263 HER AND LIAM NEESON. 520 00:28:52,263 --> 00:28:53,331 AND I HAD ONE SCENE WITH HER. 521 00:28:53,331 --> 00:28:57,202 AND TO HAVE THAT AS YOUR FIRST MOVIE WAS EXCEPTIONAL. 522 00:28:57,202 --> 00:29:01,272 I BROUGHT MY GIRLFRIEND AT THE TIME TO SEE IT, AND I WAS NOT IN 523 00:29:01,272 --> 00:29:02,140 THE MOVIE. 524 00:29:02,140 --> 00:29:05,310 THEY DID NOT TELL ME I WAS CUT OUT OF IT. 525 00:29:05,310 --> 00:29:07,946 James: NO ONE TOLD YOU? 526 00:29:07,946 --> 00:29:09,447 Ben: YOU BROUGHT YOUR GIRLFRIEND-- 527 00:29:09,447 --> 00:29:12,150 Chris: I WAS LIKE I'M IN THIS MOVIE. 528 00:29:12,150 --> 00:29:16,488 Ben: AND WITH ALL OF THE MERYL STORIES YOU TOLD. 529 00:29:16,488 --> 00:29:19,357 AND SHE WAS LIKE, IS HE CRAZY? 530 00:29:19,357 --> 00:29:22,527 James: SO YOU WATCH THE FILM AND YOU HAVE BEEN CUT. 531 00:29:22,527 --> 00:29:25,497 Chris: AND I WAS LIKE, I SWEAR I WAS IN THIS MOVIE. 532 00:29:25,497 --> 00:29:30,034 BUT SHE-- I THINK SHE BELIEVED ME, BUT MERYL, AS YOU KNOW SHE 533 00:29:30,034 --> 00:29:34,072 WAS AMAZING. 534 00:29:34,072 --> 00:29:36,040 James: HAVE YOU EVER RUN INTO HER? 535 00:29:36,040 --> 00:29:40,945 YOU SEE HER A LOT, BUT IN THAT TIME? 536 00:29:40,945 --> 00:29:45,550 Chris: SOON AFTER THAT MOVIE I WAS AN USHER ON 537 00:29:45,550 --> 00:29:48,953 BROADWAY, AND I SAT MERYL STREEP, AND SHE WAS JUST 538 00:29:48,953 --> 00:29:49,921 AS LOVELY THEN. 539 00:29:49,921 --> 00:29:54,659 Ben: WERE CUT OUT OF HER MOVIE, AND THEN-- 540 00:29:54,659 --> 00:29:57,629 OH, THERE IS THAT GUY WE CUT OUT? 541 00:29:57,629 --> 00:29:58,897 Chris: EXACTLY. 542 00:29:58,897 --> 00:30:00,865 James: DID SHE RECOGNIZE YOU? 543 00:30:00,865 --> 00:30:02,867 Chris: TALK ABOUT A MASTER CLASS. 544 00:30:02,867 --> 00:30:07,705 AND I MET UP WITH HER AND "JULIANNE JULIA." 545 00:30:07,705 --> 00:30:11,676 James: OF COURSE, HAVE YOU BEEN CUT FROM SOMETHING? 546 00:30:11,676 --> 00:30:14,812 Ben: I'VE BEEN FIRED FROM A TON OF JOBS. 547 00:30:14,812 --> 00:30:16,047 I HAD A TARDINESS PROBLEM AS A TEENAGER. 548 00:30:16,047 --> 00:30:20,118 I DID NOT GET-- THE MOST HUMILIATING THING WAS ONE OF MY 549 00:30:20,118 --> 00:30:24,489 EARLY PARTS I GOT ONE LINE AND I HAD JUST MOVED OUT TO L.A. AND I 550 00:30:24,489 --> 00:30:28,693 GOT A LINE IN A MOVIE. 551 00:30:28,693 --> 00:30:29,594 AND I HAD A LINE. 552 00:30:29,594 --> 00:30:33,097 James: WHAT WERE YOU IN? 553 00:30:33,097 --> 00:30:38,469 Ben: A SMALL FILM CALLED ""BUFFY THE VAMPIRE SLAYER"" THE 554 00:30:38,469 --> 00:30:42,941 OPUS THAT INSPIRED THE LONG-RUNNING SERIES WAS KRISTY 555 00:30:42,941 --> 00:30:46,211 SWANSON WHO STARTED AND I WAS A BASKETBALL PLAYER THAT JUST 556 00:30:46,211 --> 00:30:48,880 HAPPEN TO BE PLAYING HIGH SCHOOL BASKETBALL. 557 00:30:48,880 --> 00:30:52,317 AND LIKE A WEREWOLF OR A VAMPIRE RAN THROUGH WHEN I GOT SCARED 558 00:30:52,317 --> 00:30:53,318 BECAUSE HE WAS SCARY. 559 00:30:53,318 --> 00:30:58,389 AND I SAID "HERE YOU GO, TAKE IT." 560 00:30:58,389 --> 00:30:59,090 OR SOMETHING LIKE THAT. 561 00:30:59,090 --> 00:31:01,926 AND I THOUGHT MY WORK WAS GOOD. 562 00:31:01,926 --> 00:31:03,127 I WAS FEELING IT. 563 00:31:03,127 --> 00:31:06,864 I FELT IT AUTHENTICALLY AFRAID. 564 00:31:06,864 --> 00:31:08,766 AND WE DID IT A BUNCH OF TIMES. 565 00:31:08,766 --> 00:31:12,437 AND I WAS LIKE THIS DIRECTOR IS REALLY RIGOROUS AND THEN I WENT 566 00:31:12,437 --> 00:31:14,973 AND SAW THE MOVIE WITH SOME FRIENDS. 567 00:31:14,973 --> 00:31:18,710 IT WAS NOT QUITE THE MERYL STREEP BUILD UP, AND I 568 00:31:18,710 --> 00:31:19,844 SOUNDED VERY DIFFERENT. 569 00:31:19,844 --> 00:31:24,849 AND I REALIZED RIGHT THEN THAT THEY HAD RECORDED MY LINE. 570 00:31:24,849 --> 00:31:26,484 James: THEY USED YOUR IMAGE. 571 00:31:26,484 --> 00:31:29,420 Ben: I WAS SO BAD, THEY NEEDED ME IN THE SCENE. 572 00:31:29,420 --> 00:31:32,724 BUT THE DIRECTOR WAS LIKE I CAN'T HEAR THE VOICE AGAIN! 573 00:31:32,724 --> 00:31:38,529 THEY HAD TO PAY SOMEONE TO COME IN AND SAY "HEY, MAN, TAKE IT." 574 00:31:38,529 --> 00:31:41,633 BECAUSE APPARENTLY I CANNOT SAY THAT CONVINCINGLY ENOUGH. 575 00:31:41,633 --> 00:31:45,770 James: I HAVE TO TELL YOU, WE HAVE ACTUALLY GOT THE CLIP. 576 00:31:45,770 --> 00:31:50,541 LET'S LOOK AT A RE-VOICED BEN AFFLECK AND "BUFFY 577 00:31:50,541 --> 00:31:53,478 THE VAMPIRE SLAYER." 578 00:31:53,478 --> 00:32:02,253 [GROWLING] TICKET, MAN. 579 00:32:02,253 --> 00:32:05,356 James: WE WILL BE RIGHT BACK, EVERYBODY! 580 00:32:05,356 --> 00:32:05,923 [CHEERS AND APPLAUSE] ♪ ♪ 581 00:32:26,010 --> 00:32:29,580 James: WELCOME BACK, BEN AFFLECK >> James: IT'S SET 582 00:32:29,580 --> 00:32:31,582 PUTT CHRIS MESSINA ARE HERE, REGGIE, DO YOU HAVE A QUESTION 583 00:32:31,582 --> 00:32:32,483 THIS EVENING? 584 00:32:32,483 --> 00:32:41,059 Reggie: YES, LET ME PUT ON MY GLASSES. 585 00:32:41,059 --> 00:32:46,531 OKAY, AS YOU KNOW, SEA CREATURES, SOME OF THEM CAN BE 586 00:32:46,531 --> 00:32:47,765 VERY, VERY LARGE. 587 00:32:47,765 --> 00:32:51,836 AND SOME ARE ALSO VERY SMALL, WITHIN THAT SIZE GRADIENT, WHICH 588 00:32:51,836 --> 00:32:54,072 IS YOUR FAVORITE? 589 00:32:54,072 --> 00:32:59,911 [LAUGHTER] Ben: I LIKE THE MICROSCOPIC 590 00:32:59,911 --> 00:33:01,179 SEA CREATURE. 591 00:33:01,179 --> 00:33:02,947 I PREFER THAT, BECAUSE YOU DON'T SEE THEM WHEN THEY LATCH ON AND 592 00:33:02,947 --> 00:33:04,615 BITE YOU. 593 00:33:04,615 --> 00:33:06,918 Chris: I'M QUITE THE OPPOSITE. 594 00:33:06,918 --> 00:33:08,686 I LIKE THE LARGE. 595 00:33:08,686 --> 00:33:11,122 Ben: LIKE A LARGE SEA MAMMAL. 596 00:33:11,122 --> 00:33:14,058 I CAN TELL THAT ABOUT YOU. 597 00:33:14,058 --> 00:33:16,461 James: REG? 598 00:33:16,461 --> 00:33:19,197 YOU SIDE WITH MOST PEOPLE, BOTH OF YOU. 599 00:33:19,197 --> 00:33:21,699 SO THAT'S CORRECT. 600 00:33:21,699 --> 00:33:22,934 James: THANK YOU TO BEN AFFLECK, CHRIS MESSINA! 601 00:33:22,934 --> 00:33:24,001 WE WILL BE RIGHT BACK, EVERYBODY! 602 00:33:39,951 --> 00:33:40,785 James: WELCOME BACK! 603 00:33:40,785 --> 00:33:43,721 WE HAVE EIGHT SHOWS LEFT TO GO AFTER TODAY. 604 00:33:43,721 --> 00:33:49,961 EIGHT SHOWS TO GO. 605 00:33:49,961 --> 00:33:53,030 IT IS THE STRANGEST FEELING HERE AT WORK. 606 00:33:53,030 --> 00:33:54,265 WE ARE OVERWHELMED. 607 00:33:54,265 --> 00:33:55,400 WE ARE EMOTIONAL. 608 00:33:55,400 --> 00:33:59,670 WE ARE EXCITED AND SCARED AND EQUAL MEASURE, HOW ARE YOU 609 00:33:59,670 --> 00:34:00,638 FEELING, IAN? 610 00:34:00,638 --> 00:34:01,873 Ian: I DON'T KNOW. 611 00:34:01,873 --> 00:34:05,109 I FEEL A LITTLE SAD, BUT THERE IS ALSO SO MUCH WORK TO DO THAT 612 00:34:05,109 --> 00:34:07,879 I DON'T THINK IT HAS HIT ME YET. 613 00:34:07,879 --> 00:34:10,081 James: THAT'S EXACTLY WHAT IT IS. 614 00:34:10,081 --> 00:34:13,518 Ian: I FEEL LIKE I SHOULD RELISH AND MORE, THESE ARE THE 615 00:34:13,518 --> 00:34:14,352 LAST MOMENTS. 616 00:34:14,352 --> 00:34:15,787 WE HAE BEEN DOING THIS FOR EIGHT YEARS. 617 00:34:15,787 --> 00:34:19,624 FOR LIKE EIGHT YEARS, EXCEPT FOR LIKE-- 618 00:34:19,624 --> 00:34:22,593 WE HAVE BEEN HERE FOR EIGHT YEARS TOGETHER. 619 00:34:22,593 --> 00:34:27,432 THAT'S LONGER THAN I WENT TO ANY SCHOOL, LONGER THAN I HAVE HAD 620 00:34:27,432 --> 00:34:30,134 ANY JOB OR ANY RELATIONSHIP I HAVE EVER BEEN IN. 621 00:34:30,134 --> 00:34:36,974 AND THERE IS A PART OF ME THAT WANTS TO THINK, GOSH I'M REALLY 622 00:34:36,974 --> 00:34:41,512 GOING TO MISS THIS, BUT ALL I CAN THINK IS I CAN'T BELIEVE I 623 00:34:41,512 --> 00:34:51,189 HAVE TO WRITE ANOTHER [BLEEP] JOKE ABOUT JOE BIDEN. 624 00:34:51,189 --> 00:34:55,426 [LAUGHTER] James: SO LIKE I WILL MISS, 625 00:34:55,426 --> 00:35:00,798 LIKE LOOKING BACK AT OLD CLIPS AND THINGS WE HAVE DONE. 626 00:35:00,798 --> 00:35:09,574 BUT AS I LOOK AT THE CLIPS, I WANT TO MISS SOME OF THE [BLEEP] 627 00:35:09,574 --> 00:35:14,879 THAT I HAVE BEEN FORCED TO DO ON THE SHOW. 628 00:35:14,879 --> 00:35:17,748 Ian: I THINK WHEN YOU ARE LIKE I'LL BE A LATE-NIGHT HOST, 629 00:35:17,748 --> 00:35:21,385 YOU WERE NOT LIKE SURE, THINKING THAT YOUR LIFE WOULD BE AT RISK 630 00:35:21,385 --> 00:35:24,021 SEVERAL TIMES A YEAR. 631 00:35:24,021 --> 00:35:26,424 James: AND NOBODY EVER SPOKE TO ME ABOUT INSURANCE. 632 00:35:26,424 --> 00:35:27,959 LIKE I WOULD BRING IT UP. 633 00:35:27,959 --> 00:35:34,999 I GENUINELY-- LIKE WHEN I DID THE NITRO 634 00:35:34,999 --> 00:35:35,733 CIRCUS. 635 00:35:35,733 --> 00:35:36,934 AND WHOOPING AROUND IN THE THING. 636 00:35:36,934 --> 00:35:38,469 THEN I SAID TO NICK BERNSTEIN. 637 00:35:38,469 --> 00:35:42,940 I WAS LIKE, IF SOMETHING GOES WRONG, LIKE HOW MUCH MONEY WILL 638 00:35:42,940 --> 00:35:43,608 THE KIDS GET? 639 00:35:43,608 --> 00:35:47,578 AND HE GOES YOU MAKE ME LAUGH. 640 00:35:47,578 --> 00:35:49,747 BUT IT DID MAKE FOR SOME FUN MOMENTS. 641 00:35:49,747 --> 00:35:52,850 HAVE A LOOK AT THIS. 642 00:35:52,850 --> 00:35:55,620 TODAY I'M ABOUT TO JUMP OUT OF AN AIRPLANE WITH TOM CRUISE. 643 00:35:55,620 --> 00:35:59,790 AND I CAN'T QUITE BELIEVE I'M DING THIS. 644 00:35:59,790 --> 00:36:01,425 HERE WE GO. 645 00:36:01,425 --> 00:36:08,232 ALL RIGHT, I WILL SEE YOU LATER, GOODBYE. 646 00:36:08,232 --> 00:36:11,736 OH, [BLEEP]! 647 00:36:11,736 --> 00:36:19,176 OH [BLEEP]! 648 00:36:19,176 --> 00:36:24,782 [CHEERS AND APPLAUSE] ♪ ♪ 649 00:36:24,782 --> 00:36:29,587 TRAVIS, TRAVIS! 650 00:36:29,587 --> 00:36:33,190 SPEAK OF THE BICYCLE LINES, I HAVE VERTIGO. 651 00:36:33,190 --> 00:36:42,199 OH, IT'S NOT FAST ENOUGH! 652 00:36:42,199 --> 00:36:47,605 BEYOND THIS BUILDING IS WHERE THE BILLBOARD FOR "THE 653 00:36:47,605 --> 00:36:48,739 LATE LATE SHOW WITH JAMES CORDEN" RESIDES. 654 00:36:48,739 --> 00:36:50,641 IF YOU LOOK UP THERE NOW, YOU WILL SEE THAT WE HAVE BEEN 655 00:36:50,641 --> 00:36:51,442 REPLACED. 656 00:36:51,442 --> 00:36:55,746 IT'S TIME TO GET OUR BILLBOARD BACK. 657 00:36:55,746 --> 00:37:00,818 OKAY, THIS IS IT, NATE, LET'S GO OVER THERE AND GET MY BILLBOARD 658 00:37:00,818 --> 00:37:01,252 BACK. 659 00:37:01,252 --> 00:37:02,320 THAT IS HIGH. 660 00:37:02,320 --> 00:37:08,025 DON'T LOOK DOWN, WHATEVER YOU DO, DON'T LOOK DOWN. 661 00:37:08,025 --> 00:37:09,260 OKAY. 662 00:37:09,260 --> 00:37:12,396 YES, THIS IS RIGHT IN MY NUTS. 663 00:37:12,396 --> 00:37:22,406 THIS IS RUINING MY TESTICLES. 664 00:37:22,406 --> 00:37:23,274 YOU CAN DO THIS. 665 00:37:23,274 --> 00:37:24,976 I DON'T WANT TO DO IT. 666 00:37:24,976 --> 00:37:28,312 I HAVE NO INTEREST. 667 00:37:28,312 --> 00:37:29,747 YOU ARE MY GOOSE. 668 00:37:29,747 --> 00:37:32,617 WHEN YOU SAY THAT I AM YOUR GOOSE, IT GETS ME EXCITED AND 669 00:37:32,617 --> 00:37:36,253 THEN I REALIZED THAT HE DIES AT THE END OF THE FILM. 670 00:37:36,253 --> 00:37:38,789 JAMES, I'M GOING TO TRY SOMETHING HERE. 671 00:37:38,789 --> 00:37:44,028 OH, MY GOD. 672 00:37:44,028 --> 00:37:46,631 SHUT UP. 673 00:37:46,631 --> 00:37:50,601 SHUT-- OH, MY GOD! 674 00:37:50,601 --> 00:37:57,008 [LAUGHS] OH, GOD! 675 00:37:57,008 --> 00:38:01,879 YOU ABSOLUTE BASTARD. 676 00:38:01,879 --> 00:38:02,947 WE WILL BE RIGHT BACK WITH MORE "THE LATE LATE SHOW." 677 00:38:18,963 --> 00:38:20,898 James: THANK YOU SO MUCH FOR WATCHING. 678 00:38:20,898 --> 00:38:22,767 NEXT WEEK WE HAVE SHARON STONE, BILLY 679 00:38:22,767 --> 00:38:24,268 PORTER, JENNIFER GARNER, LISA KUDROW, SETH MEYERS, JACK 680 00:38:24,268 --> 00:38:25,536 WHITEHALL. 681 00:38:25,536 --> 00:38:27,905 WE'VE GOT PERFORMANCES FROM THE CAST OF "SIX," AND OUR VERY OWN 682 00:38:27,905 --> 00:38:29,106 REGGIE WATTS. 683 00:38:29,106 --> 00:38:35,913 AND THAT'S NOT ALL, WE'VE ALSO GOT BRAND NEW CARPOOL KARAOKES 684 00:38:35,913 --> 00:38:36,947 WITH BLANKPINK AND P DIDDY! 685 00:38:36,947 --> 00:38:41,552 YOU DON'T WANT TO MISS IT. 686 00:38:41,552 --> 00:38:42,086 COME ON BACK MONDAY, THERE ARE EIGHT TO GO! 687 00:38:42,086 --> 00:38:42,987 REGGIE, TAKE US HOME!