1 00:00:02,001 --> 00:00:05,138 Reggie: ♪ ARE YOU READY TO HAVE SOME FUN ♪ 2 00:00:05,138 --> 00:00:12,078 ♪ FEEL THE LOVE TONIGHT ♪ ♪ IT DOESN'T MATTER WHERE YOU 3 00:00:12,078 --> 00:00:16,182 COME FROM ♪ ♪ IT WILL BE ALL RIGHT ♪ 4 00:00:16,182 --> 00:00:18,318 ♪ IT'S THE "THE LATE LATE SHOW" ♪ 5 00:00:18,318 --> 00:00:24,691 LADIES AND GENTLEMEN, ALL THE WAY FROM ARCADIA, KANSAS, V 6 00:00:24,691 --> 00:00:30,697 "MARIO KART" CENTRAL, GIVE IT UP YOUR HOST, THE ONE, THE ONLY 7 00:00:30,697 --> 00:00:33,099 JAMES CORDEN! 8 00:00:33,099 --> 00:00:41,341 [CHEERS AND APPLAUSE] James: THANK YOU VERY MUCH! 9 00:00:41,341 --> 00:00:45,945 [CHEERS AND APPLAUSE] LOOK AT THE SKY, COME ON! 10 00:00:45,945 --> 00:00:49,649 [CHEERS AND APPLAUSE] WELCOME TO "THE LATE LATE SHOW"! 11 00:00:49,649 --> 00:00:51,518 THANK YOU FOR BEING HERE! 12 00:00:51,518 --> 00:00:51,951 THANK YOU FOR THAT. 13 00:00:51,951 --> 00:00:55,021 I APPRECIATE IT. 14 00:00:55,021 --> 00:00:57,657 THANK YOU VERY, VERY MUCH! 15 00:00:57,657 --> 00:01:00,293 [CHEERS AND APPLAUSE] THANK YOU SO MUCH! 16 00:01:00,293 --> 00:01:01,127 I LOVE YOU TOO. 17 00:01:01,127 --> 00:01:06,933 THANK YOU SO MUCH. 18 00:01:06,933 --> 00:01:07,934 WE HAVE A GREAT SHOW FOR YOU TONIGHT. 19 00:01:07,934 --> 00:01:09,936 HEY, STRAIGHT OFF THE BAT. 20 00:01:09,936 --> 00:01:12,138 LOOK AT THIS. 21 00:01:12,138 --> 00:01:17,944 LOOK WHO IS SITTING IN WITH THE BAND TONIGHT! 22 00:01:17,944 --> 00:01:19,579 CHRIS MARTIN! 23 00:01:19,579 --> 00:01:22,115 [CHEERS AND APPLAUSE] CAN YOU BELIEVE IT? 24 00:01:22,115 --> 00:01:23,783 THE GREATEST THING EVER. 25 00:01:23,783 --> 00:01:25,919 CHRIS CALLED TO SAY, WE ARE FINISHING TOMORROW NIGHT, HE 26 00:01:25,919 --> 00:01:29,956 SAID I JUST WANT TO COME AND HANG FOR ONE MORE NIGHT. 27 00:01:29,956 --> 00:01:34,861 IS IT OKAY IF I SIT IN WITH THE BAND? 28 00:01:34,861 --> 00:01:36,129 [CHEERS AND APPLAUSE] WE LOVE YOU. 29 00:01:36,129 --> 00:01:37,030 I LOVE YOU SO MUCH. 30 00:01:37,030 --> 00:01:38,598 I'M SO HAPPY YOU ARE HERE. 31 00:01:38,598 --> 00:01:41,868 THANK YOU FOR COMING TO BE HERE. 32 00:01:41,868 --> 00:01:43,136 I TRULY APPRECIATE IT. 33 00:01:43,136 --> 00:01:44,604 Chris: I NEED THE WORK. 34 00:01:44,604 --> 00:01:47,774 HOW LONG IS THIS GIG? 35 00:01:47,774 --> 00:01:50,176 James: [LAUGHS] THEY CAN PAY YOU TONIGHT AND 36 00:01:50,176 --> 00:01:53,847 THEN WE MIGHT BE ABLE TO SCRAMBLE TOGETHER SOMETHING FOR 37 00:01:53,847 --> 00:01:55,582 TOMORROW, IS THAT OKAY? 38 00:01:55,582 --> 00:01:56,916 Chris: THAT'S GOOD. 39 00:01:56,916 --> 00:01:58,251 I WILL TAKE IT. 40 00:01:58,251 --> 00:02:02,188 James: AND THEN AFTER THAT, IT WILL BE THE ADVENTURE OF A 41 00:02:02,188 --> 00:02:03,490 LIFETIME. 42 00:02:03,490 --> 00:02:04,924 CHRIS IS HERE, LET'S SEE WHO IS ON THE SHOW TONIGHT. 43 00:02:04,924 --> 00:02:06,359 HE'S A LEGENDARY ACTOR, THE CAPTAIN OF THE STARSHIP 44 00:02:06,359 --> 00:02:08,161 ENTERPRISE, AND THE LEADER OF THE X-MEN. 45 00:02:08,161 --> 00:02:14,934 THE SPECTACULAR, THE SUPREMELY TALENTED, THE NIGHT OF OUR 46 00:02:14,934 --> 00:02:15,502 REALM, SIR PATRICK STEWART! 47 00:02:15,502 --> 00:02:16,803 HOW ARE YOU? 48 00:02:16,803 --> 00:02:21,774 WE JUST EMBRACED SIR PATRICK AND I. 49 00:02:21,774 --> 00:02:30,016 I WHISPERED IN HIS EAR "YOU KNOW I LOVE YOU YOU LOVE LAYING 50 00:02:30,016 --> 00:02:30,683 FLIRT." 51 00:02:30,683 --> 00:02:34,387 AND I MISS EVERY SINGLE WORD. 52 00:02:34,387 --> 00:02:37,524 THANK YOU FOR BEING HERE, SIR PATRICK STEWART! 53 00:02:37,524 --> 00:02:38,791 [CHEERS AND APPLAUSE] SHE'S A TALENTED ACTOR YOU KNOW 54 00:02:38,791 --> 00:02:45,965 AND LOVE FROM THE "BAD MOMS" MOVIES, "THAT 70S SHOW,"AND 55 00:02:45,965 --> 00:02:50,803 "BLACK SWAN," THE DAZZLING, OUR FRIEND, YOUR FRIEND. 56 00:02:50,803 --> 00:02:51,971 WE LOVE HER SO MUCH! 57 00:02:51,971 --> 00:02:55,542 MILA KUNIS IS HERE! 58 00:02:55,542 --> 00:02:56,209 MILA! 59 00:02:56,209 --> 00:02:57,076 HOW ARE YOU? 60 00:02:57,076 --> 00:02:59,178 Mila: I'M SO GOOD, HOW ARE YOU DOING? 61 00:02:59,178 --> 00:03:03,082 James: I AM VERY WELL, I AM SO HAPPY YOU ARE HERE. 62 00:03:03,082 --> 00:03:06,553 Mila: DO I GET TO KEEP THE CONTENT IN MY ROOM? 63 00:03:06,553 --> 00:03:10,323 James: DO YOU KNOW WHAT'S COME HONESTLY I CAN SAY THIS 64 00:03:10,323 --> 00:03:12,025 NOW, TAKE WHATEVER YOU WANT TO. 65 00:03:12,025 --> 00:03:18,131 I MEAN, YOU AND CAN GO INTO THE OFFICES AND TAKE ANY OTHER 66 00:03:18,131 --> 00:03:22,201 LAPTOPS, MAKING US PAY FOR, SO JUST GO AHEAD AND HELP YOURSELF, 67 00:03:22,201 --> 00:03:23,970 WHAT IS OURS IS YOURS. 68 00:03:23,970 --> 00:03:25,505 BECAUSE WE LOVE YOU. 69 00:03:25,505 --> 00:03:27,607 MILA KUNIS! 70 00:03:27,607 --> 00:03:30,310 [CHEERS AND APPLAUSE] AND WE HAVE THE VERY LAST 71 00:03:30,310 --> 00:03:31,010 "CROSSWALK: THE MUSICAL." 72 00:03:31,010 --> 00:03:33,947 YOU WANT TO STICK AROUND FOR IT. 73 00:03:33,947 --> 00:03:36,816 ARE YOU READY, REG? 74 00:03:36,816 --> 00:03:37,617 Reggie: MILA KUNIS. 75 00:03:37,617 --> 00:03:38,017 James: ARE YOU SURE YOU ARE READY? 76 00:03:38,017 --> 00:03:39,485 Ian: 100%. 77 00:03:39,485 --> 00:03:41,354 James: IT'S A BIG GIG FOR YOU. 78 00:03:41,354 --> 00:03:45,458 THIS COULD BE THE THING THAT MAKES THE BAND TO SELL A FEW 79 00:03:45,458 --> 00:03:45,925 TICKETS. 80 00:03:45,925 --> 00:03:47,193 Chris: I KNOW. 81 00:03:47,193 --> 00:03:48,995 James: THIS IS IT. 82 00:03:48,995 --> 00:03:52,765 I'M JAMES CORDEN, AND THIS IS "THE LATE LATE SHOW"! 83 00:03:52,765 --> 00:03:57,103 [CHEERS AND APPLAUSE] ♪ ♪ 84 00:03:57,103 --> 00:03:59,739 ♪ "THE LATE LATE SHOW," OH, OH, "THE LATE LATE SHOW," WOO! ♪ 85 00:03:59,739 --> 00:04:05,612 ♪ "THE LATE LATE SHOW," OH, OH, "THE LATE LATE SHOW" OH-OH! ♪ 86 00:04:05,612 --> 00:04:13,586 ♪ IT'S "THE LATE, LATE SHOW" ♪ [CHEERS AND APPLAUSE] 87 00:04:13,586 --> 00:04:15,555 James: IT CERTAINLY IS! 88 00:04:15,555 --> 00:04:19,926 THANK YOU VERY MUCH, EVERYBODY! 89 00:04:19,926 --> 00:04:20,893 THANK YOU SO MUCH. 90 00:04:20,893 --> 00:04:21,661 HAVE A SEAT. 91 00:04:21,661 --> 00:04:23,963 THANK YOU FOR COMING OUT. 92 00:04:23,963 --> 00:04:24,731 THIS IS IT. 93 00:04:24,731 --> 00:04:27,266 WE HAVE ONE MORE AFTER THIS! 94 00:04:27,266 --> 00:04:29,936 [CHEERS AND APPLAUSE] HOW ARE YOU FEELING? 95 00:04:29,936 --> 00:04:32,972 WHAT ARE YOU GOING TO MISS THE MOST? 96 00:04:32,972 --> 00:04:34,507 Ian: THAT'S A GOOD QUESTION. 97 00:04:34,507 --> 00:04:36,109 I'VE BEEN THINKING ABOUT THIS A LOT. 98 00:04:36,109 --> 00:04:38,711 AND I THINK MY FAVORITE THING ABOUT WORK IS THE FRIENDS AND 99 00:04:38,711 --> 00:04:40,913 THE PEOPLE WE WORK WITH. 100 00:04:40,913 --> 00:04:42,749 I KNOW IT'S HOKEY, BUT IT'S TRUE. 101 00:04:42,749 --> 00:04:45,184 I'VE MADE FRIENDS WITH YOU AND A LOT OF PEOPLE HERE THAT I KNOW I 102 00:04:45,184 --> 00:04:48,454 AM GOING TO BE FRIENDS WITH MY ENTIRE LIFE. 103 00:04:48,454 --> 00:04:52,525 AND THAT MEANS WHEN THE SHOW IS OVER I'M GOING TO STAY FRIENDS 104 00:04:52,525 --> 00:04:53,793 WITH THEM. 105 00:04:53,793 --> 00:04:56,129 SO FOR A PROCESS OF ELIMINATION I'M GOING TO MISS THE MONEY THE 106 00:04:56,129 --> 00:05:00,933 MOST. 107 00:05:00,933 --> 00:05:03,369 [LAUGHTER] James: WHAT ABOUT YOU, REG? 108 00:05:03,369 --> 00:05:07,407 WHAT ARE YOU GOING TO MISS THE MOST? 109 00:05:07,407 --> 00:05:10,143 Reggie: I THINK THE THING THAT I'M GOING TO MISS MOST 110 00:05:10,143 --> 00:05:14,580 ABOUT THE SHOW IS YOU COMING UP HERE JUST GETTING OUT OF THE CAR 111 00:05:14,580 --> 00:05:17,250 AND GOING UP THE STAIRS AND COMING INTO THE SHOW AND SEEING 112 00:05:17,250 --> 00:05:28,094 YOU HAVING A GOOD TIME, SEEING IAN AND ALL THE PEOPLE AROUND, 113 00:05:28,094 --> 00:05:32,598 I'M GOING TO MISS THAT THE MOST, AND LEAVING. 114 00:05:32,598 --> 00:05:36,602 James: HAGRID, WHAT ARE YOU GOING TO MISS THE MOST? 115 00:05:36,602 --> 00:05:39,706 GIVE IT TO US. 116 00:05:39,706 --> 00:05:41,908 Reggie: YES, YOU ARE RIGHT. 117 00:05:41,908 --> 00:05:48,915 James: [LAUGHS] YES, THAT'S RIGHT, HARRY. 118 00:05:48,915 --> 00:05:53,019 Ian: WHAT ARE YOU GOING TO MISS THE MOST? 119 00:05:53,019 --> 00:05:59,859 IT'S GOING I'M GOING TO MISS THE ABSOLUTE KNOWLEDGE THAT AS I COE 120 00:05:59,859 --> 00:06:04,497 INTO WORK RAIN OR SHINE, WHATEVER, YOU ARE GUARANTEED 121 00:06:04,497 --> 00:06:08,034 WITH A GROUP OF PEOPLE THAT WORK HERE, GUARANTEED TO LAUGH 122 00:06:08,034 --> 00:06:11,170 AT LEAST ONCE A DAY AS A MINIMUM. 123 00:06:11,170 --> 00:06:12,405 AND THAT'S WHAT I AM GOING TO MISS. 124 00:06:12,405 --> 00:06:16,976 I WILL MISS GOING INTO A PLACE WHERE I JUST KNOW I WILL BE IN 125 00:06:16,976 --> 00:06:22,582 AN ENVIRONMENT-- Ian: THAT IS VERY SWEET AND 126 00:06:22,582 --> 00:06:25,284 I AGREE WITH YOU, BUT I HATE TO INTERRUPT YOU. 127 00:06:25,284 --> 00:06:29,689 BUT YOU HAVE TO LOOK OVER YOUR RIGHT SHOULDER RIGHT NOW. 128 00:06:29,689 --> 00:06:32,558 James: SCOTTY IS NOT WEARING BLACK? 129 00:06:32,558 --> 00:06:33,793 DO NOT DO THIS TO ME. 130 00:06:33,793 --> 00:06:38,464 I SWEAR TO GOD, I WAS GOING TO SAY ALL OF MY TEARS FOR TOMORROW 131 00:06:38,464 --> 00:06:43,269 NIGHT. 132 00:06:43,269 --> 00:06:44,170 I CAN'T LOOK YET. 133 00:06:44,170 --> 00:06:47,874 BECAUSE I-- I SAID TO THE CREW, I SAID, GU 134 00:06:47,874 --> 00:06:48,941 GUYS. 135 00:06:48,941 --> 00:06:50,877 BECAUSE YOU SAID PETE, NO, THEY MAKE US WEAR BLACK. 136 00:06:50,877 --> 00:06:52,512 AND I SAID WHO IS THEY? 137 00:06:52,512 --> 00:06:54,413 I SAID YOU CAN WEAR WHATEVER YOU WANT. 138 00:06:54,413 --> 00:06:56,249 YOU ARE THE CREW AND THE TEAM. 139 00:06:56,249 --> 00:07:00,753 AND EVERYBODY ON THE TEAM EMBRACED IT. 140 00:07:00,753 --> 00:07:04,791 AND I SAID TO SCOTTY, I THINK IT WAS SIX OR EIGHT WEEKS AGO AND I 141 00:07:04,791 --> 00:07:07,593 SAID JUST ONCE WILL YOU COME IN NOT WEARING BLACK CLOTHES. 142 00:07:07,593 --> 00:07:10,196 AND HE SAID I WILL DO IT JUST ONCE. 143 00:07:10,196 --> 00:07:14,233 AND THIS IS THE DAY. 144 00:07:14,233 --> 00:07:23,543 [LAUGHTER] BECAUSE IF IF HE IS-- 145 00:07:23,543 --> 00:07:36,923 [ICRYING] OH, MY GOD! 146 00:07:36,923 --> 00:07:41,561 ♪ ALLELUIA ♪ [LAUGHS] 147 00:07:41,561 --> 00:07:42,562 COME ON! 148 00:07:42,562 --> 00:07:44,096 GET IN THERE! 149 00:07:44,096 --> 00:07:47,133 LOOK AT THIS! 150 00:07:47,133 --> 00:07:48,034 SCOTTY, I CAN'T BELIEVE IT. 151 00:07:48,034 --> 00:07:50,870 YOU KNOW WHAT IS AMAZING? 152 00:07:50,870 --> 00:07:54,173 I GUARANTEE YOU BY TOMORROW MORNING, CHRIS MARTIN WOULD HAVE 153 00:07:54,173 --> 00:08:00,112 WRITTEN A SONG ABOUT TO THE COLOR OF THAT SHIRT. 154 00:08:00,112 --> 00:08:03,749 Chris: ♪ AND IT WAS ALL YELLOW ♪ 155 00:08:03,749 --> 00:08:06,319 James: THERE YOU GO. 156 00:08:06,319 --> 00:08:09,055 SCOTTY, I LOVE YOU, YOU LOOK INCREDIBLE! 157 00:08:09,055 --> 00:08:12,258 THANK YOU FOR BRINGING SOME SUNSHINE AND TO THIS DARK CORNER 158 00:08:12,258 --> 00:08:13,359 OF THE STUDIO. 159 00:08:13,359 --> 00:08:14,994 IT'S THAT TIME. 160 00:08:14,994 --> 00:08:18,731 IT'S TIME FOR "THE NEWS"! 161 00:08:18,731 --> 00:08:20,132 [CHEERS AND APPLAUSE] TODAY, PRESIDENT BIDEN HOSTED 162 00:08:20,132 --> 00:08:28,474 SOUTH KOREAN PRESIDENT YOON AT THE WHITE HOUSE FOR TALKS AND 163 00:08:28,474 --> 00:08:30,543 - WHO JUST SAID? 164 00:08:30,543 --> 00:08:34,580 I SWEAR TO GOD, STEVE! 165 00:08:34,580 --> 00:08:35,915 WE ARE IN THE MIDDLE OF TALKING ABOUT THE STATE VISIT. 166 00:08:35,915 --> 00:08:42,221 AND YOU GO "[BLEEP]." 167 00:08:42,221 --> 00:08:44,857 MAYBE WE CAN TAKE IT AGAIN OR NOT. 168 00:08:44,857 --> 00:08:46,025 I DON'T KNOW. 169 00:08:46,025 --> 00:08:49,528 James: I AM USED TO THIS LEVEL OF PROFESSIONALISM, NO, 170 00:08:49,528 --> 00:08:52,231 YOU ARE NOT. 171 00:08:52,231 --> 00:08:54,600 Chris: THIS IS A STEP UP. 172 00:08:54,600 --> 00:09:00,539 James: I HAVE NEVER BEEN AT THE ROSE BOWL JUST SEEING VERY 173 00:09:00,539 --> 00:09:10,049 MEN GO INTO THE MIC [BLEEP] ME. 174 00:09:10,049 --> 00:09:15,922 SO THEY MET THE PRESIDENT YOON AND THEY MET FOR TALKS. 175 00:09:15,922 --> 00:09:21,027 DURING THEIR TALKS YOON DISCUSSED ECONOMIC TIES AS 176 00:09:21,027 --> 00:09:22,228 WELL AS NORTH KOREAN MISSILE TESTING. 177 00:09:22,228 --> 00:09:26,432 OR AS BIDEN CALLED IT, NORTH CAROLINA MISSISSIPPI TESTICLES. 178 00:09:26,432 --> 00:09:29,168 I TELL YOU WHAT, I TELL YOU WHAT COME AGAIN. 179 00:09:29,168 --> 00:09:33,639 I'M NERVOUS ABOUT THE SHOW, GETTING THROUGH IT AND NOT BEING 180 00:09:33,639 --> 00:09:35,908 TOO, YOU KNOW, EMOTIONAL TOMORROW NIGHT. 181 00:09:35,908 --> 00:09:38,010 BUT... 182 00:09:38,010 --> 00:09:39,779 LOOKING FORWARD TO THIS PARTY. 183 00:09:39,779 --> 00:09:40,746 BIG PARTY. 184 00:09:40,746 --> 00:09:43,382 A BIG PARTY TOMORROW NIGHT. 185 00:09:43,382 --> 00:09:45,351 IT'S GOING TO GO OFF. 186 00:09:45,351 --> 00:09:50,623 CHRIS, LOOKING AROUND THE BAND, WHO DO YOU THINK WILL BE THE 187 00:09:50,623 --> 00:09:59,332 DRUNKEST? 188 00:09:59,332 --> 00:10:04,570 GUIERELLMO, HAGAR, STEVE? 189 00:10:04,570 --> 00:10:07,606 Chris: THEY HAVE BEEN DRINKING ALL DAY, I WILL TELL 190 00:10:07,606 --> 00:10:08,274 YOU THAT. 191 00:10:08,274 --> 00:10:09,775 James: I AM SURE THEY HAVE. 192 00:10:09,775 --> 00:10:12,411 Chris: IT'S BEEN HARD TO WATCH. 193 00:10:12,411 --> 00:10:15,848 James: U.S. A BAND GO ON VERY LONG TOURS, WHEN IT GOES TO 194 00:10:15,848 --> 00:10:21,253 THE END, IF YOU HAVE ADVICE FOR WHAT WE DO AT THE END OF THIS 195 00:10:21,253 --> 00:10:22,355 ROAD? 196 00:10:22,355 --> 00:10:25,291 Chris: LIKE I AM DOING, YOU HAVE TO FIND OTHER WORK. 197 00:10:25,291 --> 00:10:30,963 AND YOU GOT TO THINK PRACTICAL, AND YOU HAVE TO APPLY FOR JOBS. 198 00:10:30,963 --> 00:10:33,733 [LAUGHTER] James: OKAY. 199 00:10:33,733 --> 00:10:36,235 Chris: DRESS SMART. 200 00:10:36,235 --> 00:10:37,269 JUST LOOK AT WHAT I'M DOING NOW. 201 00:10:37,269 --> 00:10:42,608 I AM HUMBLING MYSELF, I AM WEARING A SUIT. 202 00:10:42,608 --> 00:10:45,344 I HAVE TO CALL REGGIE BOSS. 203 00:10:45,344 --> 00:10:48,614 I DON'T REALLY GET PAID FOR TODAY. 204 00:10:48,614 --> 00:10:51,584 James: I THINK YOU DO GET PAID FOR TODAY. 205 00:10:51,584 --> 00:10:55,955 I THINK YOU GET $425. 206 00:10:55,955 --> 00:11:01,460 [CHEERS AND APPLAUSE] James: THEY ARE MAKING ME 207 00:11:01,460 --> 00:11:03,396 PAY FOR ALL OF THEIR DRINKS. 208 00:11:03,396 --> 00:11:10,403 James: OH, WELL THEN YOU ARE IN THE RED LIKE FIVE GRAND. 209 00:11:10,403 --> 00:11:15,508 [APPLAUSE] AND FINALLY, IN HONOR OF HIS 210 00:11:15,508 --> 00:11:19,378 UPCOMING CORONATION, A LIFE-SIZED BUST OF KING CHARLES 211 00:11:19,378 --> 00:11:29,989 HAS BEEN MADE USING 37 AND A HALF POUNDS 212 00:11:29,989 --> 00:11:30,489 OF CHOCOLATE. 213 00:11:30,489 --> 00:11:31,290 HAVE A LOOK AT THIS. 214 00:11:31,290 --> 00:11:35,895 IT'S KIND OF LIKE A CHOCOLATE BUNNY. 215 00:11:35,895 --> 00:11:37,096 I MUST SAY, THE BUST OF KING CHARLES LOOKS DELICIOUS. 216 00:11:37,096 --> 00:11:38,164 BUT YOU DO REALLY WANT TO STAY AWAY FROM THE CADBURY CRÈME 217 00:11:38,164 --> 00:11:41,600 PRINCE ANDREW. 218 00:11:41,600 --> 00:11:43,736 OH, YEAH, WE WILL DO IT. 219 00:11:43,736 --> 00:11:51,944 LET'S NOT JUST GET EMOTIONAL IN THE CAR WITH ADLE. 220 00:11:51,944 --> 00:11:55,915 LET'S TAKE SOME PUNCHES, WILL YOU! 221 00:11:55,915 --> 00:11:57,049 THE BUST OF CHARLES IS EMBELLISHED WITH PIECES OF TWIX 222 00:11:57,049 --> 00:11:58,451 AND MILKY WAY. 223 00:11:58,451 --> 00:12:03,956 I JUST HOPE THE CANDY BARS THEY USED WORD... 224 00:12:03,956 --> 00:12:05,925 GET READY, IT'S A BIG JOKE. 225 00:12:05,925 --> 00:12:09,528 IT'S GOING TO BLOW YOUR SOCKS OFF, THIS ONE. 226 00:12:09,528 --> 00:12:13,265 THE CANDY BARS THEY USED WERE... 227 00:12:13,265 --> 00:12:15,334 KING -SIZED! 228 00:12:15,334 --> 00:12:17,536 AND THAT'S "THE NEWS"! 229 00:12:17,536 --> 00:12:21,774 WHEN WE COME BACK, WE HAVE OUR LAST EVER "CROSSWALK: 230 00:12:21,774 --> 00:12:22,341 THE MUSICAL"! 231 00:13:03,983 --> 00:13:08,921 WHEN I FIRST STARTED HOSTING THE SHOW, I WAS WORRIED I WOULD HAVE 232 00:13:08,921 --> 00:13:10,356 TO LEAVE THE THEATER BEHIND. 233 00:13:10,356 --> 00:13:11,991 INSTEAD, WITH THE HELP OF AN AMAZING COMPANY OF PERFORMERS, 234 00:13:11,991 --> 00:13:17,930 WE CREATED OUR OWN THEATER ON THE CROSSWALK OUTSIDE THE 235 00:13:17,930 --> 00:13:19,098 STUDIO, AT BEVERLY AND GENESEE. 236 00:13:19,098 --> 00:13:29,141 THIS, FOR THE FINAL TIME EVER, IS "CROSSWALK THE MUSICAL." 237 00:13:29,141 --> 00:13:39,585 ♪ ♪ [INDISTINCT CHATTER] 238 00:13:39,585 --> 00:13:44,223 James: OKAY, GANG, LISTEN UP, LISTEN UP, LISTEN UP. 239 00:13:44,223 --> 00:13:47,293 WELL... 240 00:13:47,293 --> 00:13:49,295 [INHALES] THIS IS IT. 241 00:13:49,295 --> 00:13:50,029 IT IS THE FINAL "CROSSWALK." 242 00:13:50,029 --> 00:13:51,163 I KNOW. 243 00:13:51,163 --> 00:13:53,866 AND SO, MY MERRY BAND OF THESPIANS, TODAY WE SAY, "HOORAY 244 00:13:53,866 --> 00:13:55,067 FOR HOLLYWOOD." 245 00:13:55,067 --> 00:13:58,170 TODAY WE SHALL BID OUR FINAL ADIEU WITH SONGS FROM SHOWS THAT 246 00:13:58,170 --> 00:14:00,339 CELEBRATE THIS SILLY LITTLE CITY OF ANGELS. 247 00:14:00,339 --> 00:14:02,875 NOW, WE DON'T USUALLY POP THE CHAMPAGNE UNTIL THE CURTAINS 248 00:14:02,875 --> 00:14:12,284 COME DOWN, BUT THIS IS THE LAST ONE, SO... 249 00:14:12,284 --> 00:14:14,954 LET'S BE A LITTLE CHEEKY. 250 00:14:14,954 --> 00:14:15,454 HERE'S TO US. 251 00:14:15,454 --> 00:14:16,422 WELL DONE, EVERYONE. 252 00:14:16,422 --> 00:14:16,755 WELL DONE. 253 00:14:16,755 --> 00:14:17,356 CHEERS. 254 00:14:17,356 --> 00:14:18,224 CHEERS, CHEERS, CHEERS. 255 00:14:18,224 --> 00:14:18,824 James: OH, THAT IS LOVELY. 256 00:14:18,824 --> 00:14:19,825 THAT IS VERY GOOD. 257 00:14:19,825 --> 00:14:26,031 THAT IS-- THAT IS-- THAT'S LOVELY. 258 00:14:26,031 --> 00:14:27,900 YOU KNOW, WHEN I FIRST MOVED HERE EIGHT YEARS AGO, I HAD TWO 259 00:14:27,900 --> 00:14:34,640 GOALS. 260 00:14:34,640 --> 00:14:36,875 TO BRING LIVE THEATER TO THE DESOLATE CULTURAL WASTELAND THAT 261 00:14:36,875 --> 00:14:39,144 IS LOS ANGELES, AND TWO, MAKE FRIENDS WITH AS MANY CELEBRITIES 262 00:14:39,144 --> 00:14:41,280 AS I CAN, YOU KNOW? 263 00:14:41,280 --> 00:14:42,114 THAT'S WONDERFUL. 264 00:14:42,114 --> 00:14:43,782 NOW, LOOK. 265 00:14:43,782 --> 00:14:47,753 I KNOW WHAT YOU'RE THINKING, OOH, HANG ON, WHAT IS WITH THESE 266 00:14:47,753 --> 00:14:50,322 FLIRTING FLUTES OF CHAM-POO? 267 00:14:50,322 --> 00:14:52,324 WHO MUST THEY BE FORE? 268 00:14:52,324 --> 00:14:54,059 WELL, WE COULDN'T UNITE BROADWAY AND TINSELTOWN WITHOUT THE HELP 269 00:14:54,059 --> 00:14:58,063 OF TWO OF THE BIGGEST STARS OF BOTH STAGE AND SCREEN. 270 00:14:58,063 --> 00:15:00,866 PLEASE WELCOME JANE KRAKOWSKI AND JOSH GAD. 271 00:15:00,866 --> 00:15:04,637 [CHEERS AND APPLAUS] CHEERS! 272 00:15:04,637 --> 00:15:07,373 James: THANK YOU FOR BEING HERE. 273 00:15:07,373 --> 00:15:11,410 HEY, CHEERS, GUYS. 274 00:15:11,410 --> 00:15:13,379 CHEERS. 275 00:15:13,379 --> 00:15:15,114 SO THIS IS MY FOURTH "CROSSWALK" AND IT'S ALSO THE 276 00:15:15,114 --> 00:15:17,216 FINAL "CROSSWALK." 277 00:15:17,216 --> 00:15:21,920 USUALLY I'M-- I'M A WRECK ON CLOSING NIGHT, BUT THIS ONE JUST 278 00:15:21,920 --> 00:15:22,721 FEELS RIGHT. 279 00:15:22,721 --> 00:15:24,223 THIS ONE FEELS GOOD. 280 00:15:24,223 --> 00:15:30,529 [VOICE BREAKING] IT'S TIME. 281 00:15:30,529 --> 00:15:33,065 I'M OKAY. 282 00:15:33,065 --> 00:15:33,499 I'M ALL RIGHT. 283 00:15:33,499 --> 00:15:37,870 [WHIMPERS] OOF. 284 00:15:37,870 --> 00:15:41,206 James: OH, THAT'S-- THAT'S VERY GOOD. 285 00:15:41,206 --> 00:15:41,840 I'M SO EXCITED TO BE HERE. 286 00:15:41,840 --> 00:15:43,042 I'M SUCH A FAN OF THE SHOW. 287 00:15:43,042 --> 00:15:44,910 AND ALSO, I'M SO PROUD TO TAKE ANY OPPORTUNITY TO TALK ABOUT 288 00:15:44,910 --> 00:15:48,580 JANE KRAKOWSKI'S PERFECTLY NEUTRAL TABLE CRACKERS. 289 00:15:48,580 --> 00:15:51,517 ARE YOU TIRED OF YOUR TABLE CRACKERS THAT OVERPOWER THE 290 00:15:51,517 --> 00:15:53,786 TASTE OF YOUR TOPPING OR SPREAD? 291 00:15:53,786 --> 00:15:54,953 WELL, I'M NOT. 292 00:15:54,953 --> 00:15:55,821 NOT ANYMORE. 293 00:15:55,821 --> 00:15:58,991 JANEKRAKOWSKI.NET. 294 00:15:58,991 --> 00:16:03,028 James: WE ARE HERE IN HOLLYWOOD, SO WHAT I WANT TO SEE 295 00:16:03,028 --> 00:16:06,465 IS HOLLYWOOD MOVIE STAR FACES, OKAY? 296 00:16:06,465 --> 00:16:08,133 JACK NICHOLSON! 297 00:16:08,133 --> 00:16:09,101 YEAH. 298 00:16:09,101 --> 00:16:13,806 James: MERYL STREEP IN "MAMMA MIA." 299 00:16:13,806 --> 00:16:15,274 ♪ MAMMA MIA ♪ ♪ OH, MAMMA MIA ♪ 300 00:16:15,274 --> 00:16:16,475 James: FRANCES McDORMAND IN-- WHAT'S THE ONE WHERE SHE'S 301 00:16:16,475 --> 00:16:16,909 HOMELESS? 302 00:16:16,909 --> 00:16:17,443 SHE'S HOMELESS? 303 00:16:17,443 --> 00:16:18,310 "NOMADLAND." 304 00:16:18,310 --> 00:16:19,945 JIMMY: IT'S NOT THAT. 305 00:16:19,945 --> 00:16:20,446 SHE'S HOMELESS IN A VAN. 306 00:16:20,446 --> 00:16:24,583 SHE'S IN A VAN. 307 00:16:24,583 --> 00:16:26,585 "NOMADLAND." 308 00:16:26,585 --> 00:16:29,021 James: NO, IT'S NOT-- SHE'S IN A VAN. 309 00:16:29,021 --> 00:16:29,822 "NOMADLAND." 310 00:16:29,822 --> 00:16:30,389 James: NO, IT'S NOT THAT. 311 00:16:30,389 --> 00:16:31,190 SHE'S HOMELESS. 312 00:16:31,190 --> 00:16:32,224 I'M PRETTY SURE IT'S "NOMADLAND." 313 00:16:32,224 --> 00:16:32,891 James: SHE'S HOMELESS. 314 00:16:32,891 --> 00:16:33,592 FRANCES McDORMAND IS HOMELESS. 315 00:16:33,592 --> 00:16:33,992 SHE'S SORT OF WANDERING AROUND. 316 00:16:33,992 --> 00:16:34,560 A BAG. 317 00:16:34,560 --> 00:16:34,993 WHICH IS "NOMADLAND." 318 00:16:34,993 --> 00:16:35,527 "NOMADLAND." 319 00:16:35,527 --> 00:16:36,495 THAT'S "NOMADLAND." 320 00:16:36,495 --> 00:16:37,696 James: NO, IT'S NOT THAT. 321 00:16:37,696 --> 00:16:38,964 OUR FIRST SONG IS "THERE'S NO BUSINESS LIKE SHOW BUSINESS." 322 00:16:38,964 --> 00:16:42,668 IT IS VERY MUCH AN HOMAGE TO OLD HOLLYWOOD, AND SO TO GET IN THE 323 00:16:42,668 --> 00:16:46,805 SPIRIT, I'VE STARTED ACCUSING PEOPLE OF BEING COMMUNISTS. 324 00:16:46,805 --> 00:16:47,973 HEY, JOSH GAD, YOU PINKO COMMIE BASTARD. 325 00:16:47,973 --> 00:16:51,110 HE LOVES IT. 326 00:16:51,110 --> 00:17:04,056 ♪ ♪ [APPLAUSE] 327 00:17:04,056 --> 00:17:06,525 OKAY, GUYS, OKAY, GUYS, GATHER AROUND, GATHER ROUND, GATHER 328 00:17:06,525 --> 00:17:09,928 ROUND, THIS IS IT, OKAY? 329 00:17:09,928 --> 00:17:12,631 SO FOR ONE LAST TIME, LET ME HEAR YOU SAY "CROSSWALK"! 330 00:17:12,631 --> 00:17:14,466 "CROSSWALK"! 331 00:17:14,466 --> 00:17:17,669 James: SAY "JAMES CORDEN'S HOLLYWOOD WALK OF FAME STAR IS 332 00:17:17,669 --> 00:17:21,273 LONG OVERDUE AT THIS POINT!" JAMES CORDEN'S HOLLYWOOD 333 00:17:21,273 --> 00:17:24,943 WALK OF FAME STAR IS LONG OVERDUE AT THIS POINT! 334 00:17:24,943 --> 00:17:26,478 James: EVERYBODY SAY, "IT FEELS LIKE THERE MIGHT BE A 335 00:17:26,478 --> 00:17:29,014 CAMPAIGN AGAINST HIM, AND I'M NOT SAYING IT'S HUGH JACKMAN BUT 336 00:17:29,014 --> 00:17:32,284 I'M ALSO NOT NOT SAYING THAT!" IT FEELS LIKE THERE MIGHT BE 337 00:17:32,284 --> 00:17:34,453 A CAMPAIGN AGAINST HIM, AND I'M NOT SAYING IT'S-- 338 00:17:34,453 --> 00:17:35,421 James: ALL RIGHT, LET'S LET'S GET OUT THERE! 339 00:17:35,421 --> 00:17:43,195 [CHEERS AND APPLAUSE] [WHIMPERING] 340 00:17:43,195 --> 00:17:45,531 I CAN'T BELIEVE THIS IS THE LAST ONE. 341 00:17:45,531 --> 00:17:46,632 James: JOSH! 342 00:17:46,632 --> 00:17:47,766 COME ON! 343 00:17:47,766 --> 00:17:53,405 ♪ ♪ James: LET'S GO, LET'S GO, 344 00:17:53,405 --> 00:17:54,740 LET'S GO, LET'S GO. 345 00:17:54,740 --> 00:17:56,809 OKAY, HERE WE GO, GOT THE CANES, GOT THE CANES, GOT THE CANES. 346 00:17:56,809 --> 00:17:57,643 OKAY, OKAY. 347 00:17:57,643 --> 00:18:04,516 ♪ ♪ ♪ THERE'S NO BUSINESS LIKE 348 00:18:04,516 --> 00:18:09,521 SHOW BUSINESS ♪ ♪ LIKE NO BUSINESS I KNOW ♪ 349 00:18:09,521 --> 00:18:11,990 ♪ EVERYTHING ABOUT IT IS APPEALING ♪ 350 00:18:11,990 --> 00:18:15,894 ♪ EVERYTHING THAT TRAFFIC WILL ALLOW ♪ 351 00:18:15,894 --> 00:18:18,497 ♪ NOWHERE COULD YOU GET THAT HAPPY FEELING ♪ 352 00:18:18,497 --> 00:18:23,168 ♪ WHEN YOU ARE STEALING THAT EXTRA BOW ♪ 353 00:18:23,168 --> 00:18:26,805 ♪ THERE'S NO PEOPLE LIKE SHOW PEOPLE ♪ 354 00:18:26,805 --> 00:18:31,944 ♪ THEY SMILE WHEN THEY ARE LOW ♪ ♪ YESTERDAY THEY TOLD YOU YOU 355 00:18:31,944 --> 00:18:35,848 WOULD NOT GO FAR ♪ ♪ THAT NIGHT YOU OPEN AND THERE 356 00:18:35,848 --> 00:18:38,951 YOU ARE ♪ ♪ NEXT DAY ON YOUR DRESSING ROOM 357 00:18:38,951 --> 00:18:43,355 THEY'VE HUNG A STAR ♪ ♪ LET'S GO ON WITH THE SHOW! ♪ 358 00:18:43,355 --> 00:18:47,526 [CARS HONKING] James: GO, GO, GO! 359 00:18:47,526 --> 00:18:50,128 YES, YES, YES, YES! 360 00:18:50,128 --> 00:18:51,663 THAT WAS AMAZING! 361 00:18:51,663 --> 00:18:54,299 THAT WAS INCREDIBLE [CHEERS AND APPLAUSE] 362 00:18:54,299 --> 00:18:56,468 GET OUT THERE! 363 00:18:56,468 --> 00:19:00,906 [VOICE CRACKING] I DON'T KNOW WHAT'S WRONG WITH 364 00:19:00,906 --> 00:19:02,674 ME. 365 00:19:02,674 --> 00:19:04,743 I'M A-- I'M A RAW NERVE TODAY. 366 00:19:16,955 --> 00:19:24,897 ♪ ♪ ♪ I'M SINGING IN THE RAIN ♪ 367 00:19:24,897 --> 00:19:32,838 ♪ JUST SINGING IN THE RAIN ♪ ♪ WHAT A GLORIOUS FEELING ♪ 368 00:19:32,838 --> 00:19:35,908 ♪ I'M HAPPY AGAIN ♪ ♪ I'M LAUGHING AT CLOUDS ♪ 369 00:19:35,908 --> 00:19:45,217 ♪ SO DARK UP ABOVE ♪ ♪ THE SUN'S IN MY HEART ♪ 370 00:19:45,217 --> 00:19:49,388 ♪ AND I'M READY FOR LOVE ♪ ♪ LET THE STORMY CLOUDS 371 00:19:49,388 --> 00:19:52,925 CHASE ♪ ♪ EVERYONE FROM THE PLACE ♪ 372 00:19:52,925 --> 00:20:00,966 ♪ COME ON WITH THE RAIN ♪ ♪ I'VE A SMILE ON MY FACE ♪ 373 00:20:00,966 --> 00:20:06,939 ♪ I WALK DOWN THE LANE ♪ ♪ WITH A HAPPY REFRAIN ♪ 374 00:20:06,939 --> 00:20:09,274 ♪ JUST SINGIN' ♪ ♪ JUST SINGIN' IN THE ♪-- 375 00:20:09,274 --> 00:20:09,708 James: CARS! 376 00:20:09,708 --> 00:20:10,242 GO, GO, GO, GO. 377 00:20:10,242 --> 00:20:11,643 GO, MOVE, MOVE, MOVE! 378 00:20:11,643 --> 00:20:12,611 WAIT THERE, WAIT THERE! 379 00:20:12,611 --> 00:20:16,348 MOVE, MOVE, MOVE! 380 00:20:16,348 --> 00:20:20,018 DID YOU SEE MY BACK ROLL? 381 00:20:20,018 --> 00:20:23,555 DID YOU SEE MY BACK-- CAME UP-- DID YOU SEE THAT? 382 00:20:23,555 --> 00:20:25,824 I JUST WHOA-OH-OH. 383 00:20:25,824 --> 00:20:27,326 ALL RIGHT, "LA LA LAND," QUICK CHANGE, QUICK CHANGE. 384 00:20:27,326 --> 00:20:30,963 [CAST CHEERING] I'M SORRY. 385 00:20:30,963 --> 00:20:35,300 I'M SORRY, SO EMOTIONAL, SHE SAID THIS IS IT, THIS IS THE 386 00:20:35,300 --> 00:20:36,401 LAST SONG. 387 00:20:36,401 --> 00:20:38,036 WE WON'T BE ABLE TO DO THIS SILLY-DILLY STUFF ANYMORE. 388 00:20:38,036 --> 00:20:42,774 WE'RE-- WE'RE ALL GETTING SO OLD. 389 00:20:42,774 --> 00:20:44,576 James: JOSH, JOSH, YOU'VE GOT TO PULL YOURSELF TOGETHER, 390 00:20:44,576 --> 00:20:45,477 MAN. 391 00:20:45,477 --> 00:20:46,745 I KNOW, I'M GOING TO MISS THIS SO MUCH. 392 00:20:46,745 --> 00:20:49,214 I THOUGHT WE WOULD BE DOING THIS FOREVER. 393 00:20:49,214 --> 00:20:52,084 James: BUT NOTHING LASTS FOREVER, JOSH. 394 00:20:52,084 --> 00:20:55,554 WHAT ABOUT FRIENDSHIP? 395 00:20:55,554 --> 00:20:57,055 James: FRIENDSHIP LASTS FOREVER. 396 00:20:57,055 --> 00:21:01,393 [TOGETHER] FRIENDSHIP LASTS FOREVER. 397 00:21:01,393 --> 00:21:04,429 [LAUGHTER] STOP! 398 00:21:04,429 --> 00:21:09,534 STOP CRYING, YOU TWO. 399 00:21:09,534 --> 00:21:10,936 YOU NEED TO CALM DOWN. 400 00:21:10,936 --> 00:21:12,137 WE'VE GOT TO DO THE NUMBER FROM "LA LA LAND." 401 00:21:12,137 --> 00:21:13,271 HERE. 402 00:21:13,271 --> 00:21:17,476 HAVE A JANE KRAKOWSKI'S PERFECTLY NEUTRAL TABLE CRACKER. 403 00:21:17,476 --> 00:21:18,076 YOU DON'T WANT TO EAT THAT. 404 00:21:18,076 --> 00:21:29,688 [LAUGHTER] ♪ ♪ 405 00:21:29,688 --> 00:21:45,003 ♪ BA-BA-DA-BA, DA-BA-DA-BA ♪ ♪ BA-BA-BA-BA ♪ 406 00:21:45,003 --> 00:21:48,240 ♪ I HEAR 'EM EVERY DAY ♪ ♪ THE RHYTHMS IN THE CANYON ♪ 407 00:21:48,240 --> 00:21:52,010 ♪ THAT'LL NEVER FADE AWAY ♪ ♪ THE BALLADS IN THE BARROOMS ♪ 408 00:21:52,010 --> 00:21:54,413 ♪ LEFT BY THOSE WHO CAME BEFORE ♪ 409 00:21:54,413 --> 00:21:57,949 ♪ THEY SAY "YOU GOTTA WANT IT MORE" ♪ 410 00:21:57,949 --> 00:22:01,186 ♪ SO I BANG ON EVERY DOOR ♪ ♪ AND EVEN WHEN MY ANSWER'S 411 00:22:01,186 --> 00:22:02,521 "NO" ♪ ♪ AND WHEN MY MONEY'S RUNNING 412 00:22:02,521 --> 00:22:05,724 LOW ♪ ♪ THE DUSTY MIC AND NEON GLOW ♪ 413 00:22:05,724 --> 00:22:08,060 ♪ ARE ALL I NEED ♪ ♪ AND SOMEDAY AS I SING MY 414 00:22:08,060 --> 00:22:10,028 SONG ♪ ♪ A SMALL-TOWN KID'LL COME 415 00:22:10,028 --> 00:22:12,397 ALONG ♪ ♪ THAT'LL BE THE THING TO 416 00:22:12,397 --> 00:22:16,668 PUSH HIM ON AND GO, GO ♪ ♪ CLIMB THESE HILLS, I'M 417 00:22:16,668 --> 00:22:20,972 REACHING FOR THE HEIGHTS ♪ ♪ AND CHASING ALL THE LIGHTS 418 00:22:20,972 --> 00:22:25,444 THAT SHINE ♪ ♪ AND WHEN THEY LET YOU DOWN ♪ 419 00:22:25,444 --> 00:22:27,612 ♪ IT'S ANOTHER DAY OF ♪ ♪ YOU'LL GET UP OFF THE 420 00:22:27,612 --> 00:22:30,415 GROUND ♪ ♪ IT'S ANOTHER DAY OF ♪ 421 00:22:30,415 --> 00:22:32,718 ♪ 'CAUSE MORNING ROLLS AROUND ♪ 422 00:22:32,718 --> 00:22:36,288 ♪ AND IT'S ANOTHER DAY OF SUN ♪ James: CARS! 423 00:22:36,288 --> 00:22:37,089 GO, GO, GO! 424 00:22:37,089 --> 00:22:42,260 QUICK, QUICK, QUICK! 425 00:22:42,260 --> 00:22:43,495 NO, THESE CARS, THESE CARS, THESE CARS! 426 00:22:43,495 --> 00:22:44,196 QUICKLY, QUICKLY! 427 00:22:44,196 --> 00:22:45,430 OH, MY GOD. 428 00:22:45,430 --> 00:22:45,964 OH, MY-- GO, GO, GO, GO. 429 00:22:45,964 --> 00:22:46,865 OH. 430 00:22:46,865 --> 00:22:49,901 [CHEERS AND APPLAUSE] [CARS HONKING] 431 00:22:49,901 --> 00:22:52,104 ALL RIGHT, GUYS, LET'S GET OUT 432 00:22:58,009 --> 00:23:01,113 [CARS HONKING] ALL RIGHT, GUYS, LET'S GET OUT 433 00:23:01,113 --> 00:23:02,481 THERE AND TAKE OUR BOW! 434 00:23:02,481 --> 00:23:14,159 COME ON! 435 00:23:14,159 --> 00:23:15,427 [CARS HONKING] ♪ CLIMB THESE HILLS ♪ 436 00:23:15,427 --> 00:23:16,495 ♪ I'M REACHING FOR THE HEIGHTS ♪ ♪ AND CHASING ALL THE LIGHTS 437 00:23:16,495 --> 00:23:18,263 THAT SHINE ♪ ♪ LIGHTS THAT SHINE ♪ 438 00:23:18,263 --> 00:23:19,564 ♪ AND WHEN THEY LET YOU DOWN ♪ 439 00:23:19,564 --> 00:23:20,999 ♪ IT'S ANOTHER DAY OF ♪ ♪ YOU'LL GET UP OFF THE 440 00:23:20,999 --> 00:23:23,802 GROUND ♪ ♪ IT'S ANOTHER DAY OF ♪ 441 00:23:23,802 --> 00:23:26,037 ♪ 'CAUSE MORNING ROLLS AROUND ♪ 442 00:23:26,037 --> 00:23:27,739 ♪ AND IT'S ANOTHER DAY OF SUN ♪ James: OH, MY GOD, WE DID 443 00:23:27,739 --> 00:23:28,240 IT. 444 00:23:28,240 --> 00:23:29,074 WE DID IT. 445 00:23:29,074 --> 00:23:29,674 YOU DID IT. 446 00:23:29,674 --> 00:23:30,509 James: WE DID IT. 447 00:23:30,509 --> 00:23:31,076 WE DID IT, JANE. 448 00:23:31,076 --> 00:23:31,576 WE DID IT. 449 00:23:31,576 --> 00:23:32,878 I DID IT. 450 00:23:32,878 --> 00:23:33,745 I'VE GOT TO GET BACK OUT THERE. 451 00:23:33,745 --> 00:23:34,412 I'M GOING BACK OUT. 452 00:23:34,412 --> 00:23:35,480 I'M GOING BACK. 453 00:23:35,480 --> 00:23:39,251 JAMES, YOU DON'T NEED TO DO THIS, COME ON, JAMES. 454 00:23:39,251 --> 00:23:40,418 James: WE NEVER DID "WICKED!" 455 00:23:40,418 --> 00:23:41,553 THERE'S SO MANY SHOWS WE NEVER DID! 456 00:23:41,553 --> 00:23:44,189 WE NEVER DID "FIDDLER ON THE ROOF!" 457 00:23:44,189 --> 00:23:46,424 ♪ IF I WAS A RICH MAN ♪ ♪ BA-DA-DA-DA-DA-DA ♪ 458 00:23:46,424 --> 00:23:50,629 [CARS HONKING] DON'T HONK AT ME, I AM A STAR! 459 00:23:50,629 --> 00:23:56,268 [CAST GASPING] OH, MY GOD. 460 00:23:56,268 --> 00:23:57,702 JAMES! 461 00:23:57,702 --> 00:23:58,303 OH, GOD. 462 00:23:58,303 --> 00:24:00,505 JAMES CORDEN! 463 00:24:00,505 --> 00:24:02,040 PLEASE STAY WITH ME. 464 00:24:02,040 --> 00:24:09,614 ♪ ♪ James: WE DID IT, DIDN'T WE? 465 00:24:09,614 --> 00:24:11,950 WE SAVED THE DUTY. 466 00:24:11,950 --> 00:24:12,617 YOU. 467 00:24:12,617 --> 00:24:14,052 YOU SAVED THE THEATER, JAMES. 468 00:24:14,052 --> 00:24:14,753 YOU. 469 00:24:14,753 --> 00:24:18,123 AND LIN-MANUEL MIRANDA. 470 00:24:18,123 --> 00:24:19,925 James: IT'S GETTING DARK. 471 00:24:19,925 --> 00:24:24,129 PLEASE DON'T LEAVE ME. 472 00:24:24,129 --> 00:24:30,402 James: ♪ DON'T YOU FRET, MONSIEUR JOSH GAD ♪ 473 00:24:30,402 --> 00:24:37,709 ♪ I DON'T FEEL ANY PAIN ♪ ♪ A LITTLE FALL OF RAIN CAN 474 00:24:37,709 --> 00:24:50,222 HARDLY HURT ME NOW ♪ ♪ ♪ 475 00:24:50,222 --> 00:24:51,356 HE'S GONE. 476 00:24:51,356 --> 00:24:51,990 ALL RIGHT, WE GOT TO GO. 477 00:24:51,990 --> 00:24:53,592 WHAT, WE CAN'T LEAVE HIM. 478 00:24:53,592 --> 00:24:54,426 WE'VE GOT TO GO. 479 00:24:54,426 --> 00:24:56,394 WE'RE BASICALLY ACCOMPLICES TO A CRIME. 480 00:24:56,394 --> 00:24:58,063 HE NEVER HAD PERMITS FOR ANY OF THIS. 481 00:24:58,063 --> 00:24:59,331 [BLEEP], YEAH, WE GOT TO GO. 482 00:24:59,331 --> 00:25:15,547 [LAUGHTER] 483 00:25:18,717 --> 00:25:32,931 [CHEERS AND APPLAUSE] James: OH. 484 00:25:32,931 --> 00:25:34,933 THANKS TO JOSH GAD, JANE KRAKOWSKI, AND THE ENTIRE 485 00:25:34,933 --> 00:25:38,503 CROSSWALK ENSEMBLE. 486 00:25:38,503 --> 00:25:39,938 SO MANY CHARACTERS THAT HAVE BEEN WITH US SINCE DAY ONE AND 487 00:25:39,938 --> 00:25:41,139 WE LOVE EVERY SINGLE ONE OF THEM. 488 00:25:41,139 --> 00:25:43,108 WE'LL BE RIGHT BACK WITH MILA KUNIS AND SIR PATRICK STEWART. 489 00:25:59,958 --> 00:26:01,259 James: WELCOME BACK! 490 00:26:01,259 --> 00:26:02,494 LET'S MEET OUR GUESTS TONIGHT! 491 00:26:02,494 --> 00:26:07,699 HE STARS IN "STAR TREK: PICARD," SIR PATRICK STEWART! 492 00:26:07,699 --> 00:26:16,675 [CHEERS AND APPLAUSE] ♪ ♪ 493 00:26:16,675 --> 00:26:20,612 HOW ARE YOU? 494 00:26:20,612 --> 00:26:21,112 THANK YOU SO MUCH. 495 00:26:21,112 --> 00:26:23,982 HAVE A SEAT, PLEASE. 496 00:26:23,982 --> 00:26:29,120 PLEASE WELCOME TO THE SHOW ONE OF OUR ALLTIME FAVORITES! 497 00:26:29,120 --> 00:26:29,788 MILA KUNIS IS HERE! 498 00:26:29,788 --> 00:26:37,462 [CHEERS AND APPLAUSE] ♪ ♪ 499 00:26:37,462 --> 00:26:39,431 THANK YOU FOR BEING HERE! 500 00:26:39,431 --> 00:26:43,268 HAVE A SEAT, PLEASE. 501 00:26:43,268 --> 00:26:48,540 [CHEERS AND APPLAUSE] ♪ ♪ 502 00:26:48,540 --> 00:26:51,042 HAVE A SEAT, PLEASE! 503 00:26:51,042 --> 00:26:53,244 [CHEERS AND APPLAUSE] ♪ ♪ 504 00:26:53,244 --> 00:26:59,584 HAVE A SEAT, PLEASE. 505 00:26:59,584 --> 00:27:01,553 BLESS YOU FOR BEING HERE! 506 00:27:01,553 --> 00:27:05,523 THANK YOU SO MUCH FOR FINDING THE TIME, ARE SECOND TO LAST 507 00:27:05,523 --> 00:27:06,458 SHOW. 508 00:27:06,458 --> 00:27:10,996 AND MILA, YOU WERE ON OUR VERY FIRST EPISODE! 509 00:27:10,996 --> 00:27:14,933 [CHEERS AND APPLAUSE] 18 YEARS AGO, WHAT DO YOU 510 00:27:14,933 --> 00:27:19,004 REMEMBER, WHAT DO YOU REMEMBER ABOUT THAT FIRST EPISODE? 511 00:27:19,004 --> 00:27:23,575 Mila: I REMEMBER YOU BEING INSANELY KIND AND-- 512 00:27:23,575 --> 00:27:25,744 I KNOW, AND GENEROUS WITH YOUR TIME AND WE HAD A WHOLE 513 00:27:25,744 --> 00:27:29,614 CONVERSATION ABOUT HOW I WAS LIKE OH, THIS IS ALL NICE, 514 00:27:29,614 --> 00:27:32,283 YOU'RE SO NICE TO ME NOW BUT THIS IS GOING TO BLOW UP AND YOU 515 00:27:32,283 --> 00:27:35,720 WILL NEVER COME INTO THE DRESSING ROOM. 516 00:27:35,720 --> 00:27:40,291 James: I CAME TO SAY HIGH AND YOU WERE LIKE YOU WILL STOP 517 00:27:40,291 --> 00:27:43,061 DOING THIS, YOU WILL JUST MEET YOUR GUESTS, AND THAT'S ALWAYS 518 00:27:43,061 --> 00:27:46,064 STUCK IN MY HEAD AND I HAVE ALWAYS DONE IT. 519 00:27:46,064 --> 00:27:50,935 I REMEMBER VIVIDLY THE FIRST TIME I MET, WE MET THE FIRST 520 00:27:50,935 --> 00:27:53,238 TIME AT THE ROYAL NATIONAL THEATER! 521 00:27:53,238 --> 00:27:56,007 THE ROYAL NATIONAL THEATER! 522 00:27:56,007 --> 00:27:58,943 Sir Patrick: AND WHY WERE WE BOTH ERROR? 523 00:27:58,943 --> 00:28:03,214 BECAUSE THEY HAD SEEN JAMES BEING SO BRILLIANT! 524 00:28:03,214 --> 00:28:05,450 WHAT WERE YOU, 17 OR 18? 525 00:28:05,450 --> 00:28:07,619 James: I LOOK AT IT. 526 00:28:07,619 --> 00:28:12,223 BUT IT WAS ACTUALLY 26. 527 00:28:12,223 --> 00:28:14,025 BUT IT WAS-- Sir Patrick: NO. 528 00:28:14,025 --> 00:28:17,462 James: I LOST A LITTLE WEIGHT SINCE THEN, BUT IT WAS 529 00:28:17,462 --> 00:28:19,364 VERY MUCH. 530 00:28:19,364 --> 00:28:23,802 Sir Patrick: IT WAS A BRILBRILLIANT SHOW, AND WHAT YOD 531 00:28:23,802 --> 00:28:26,371 AND IT WAS EXCEPTIONAL. 532 00:28:26,371 --> 00:28:29,541 James: COMING FROM YOU, ALL OF THE BOYS IN THE PLAY, THAT 533 00:28:29,541 --> 00:28:31,076 MEANT A HUGE DEAL TO ALL OF US. 534 00:28:31,076 --> 00:28:35,013 AND IT IS A HUGE DEAL AND YOU MUST EXPERIENCE IT A LOT. 535 00:28:35,013 --> 00:28:38,616 HOWEVER I DON'T KNOW THAT YOU WILL EXPERIENCE A BIGGER 536 00:28:38,616 --> 00:28:40,885 SUPERMAN THEN MILA KUNIS. 537 00:28:40,885 --> 00:28:42,187 Mila: HE DOES NOT KNOW. 538 00:28:42,187 --> 00:28:46,724 James: YOU ARE A HUGE "STAR TREK" FAN. 539 00:28:46,724 --> 00:28:51,996 [CHEERS AND APPLAUSE] HOW BIG ARE WE TALKING? 540 00:28:51,996 --> 00:28:53,298 Mila: I LOVE YOU SO MUCH. 541 00:28:53,298 --> 00:28:57,068 HERE IS HOW MUCH I LOVE YOU, YOU DON'T KNOW THIS, BECAUSE YOU ARE 542 00:28:57,068 --> 00:28:58,970 SO COOL. 543 00:28:58,970 --> 00:29:06,811 MY RINGTONE-- SO YOU KNOW THAT KEY A PHONE WHERE YOU COULD BUY 544 00:29:06,811 --> 00:29:08,146 RINGTONE? 545 00:29:08,146 --> 00:29:14,419 OKAY, I BOUGHT ONE, AND I SPENT MY HARD-EARNED DOLLAR AND $0.99 546 00:29:14,419 --> 00:29:22,627 ON A RINGTONE THAT WENT LIKE THIS "CAPTAIN JEAN-LUC PICARD OF 547 00:29:22,627 --> 00:29:27,165 THE USS." 548 00:29:27,165 --> 00:29:33,605 AND I WISH I HAD THE PHONE TO PROVE IT, BUT I SWEAR TO GOD I 549 00:29:33,605 --> 00:29:34,739 LOVE "STAR TREK" SO MUCH. 550 00:29:34,739 --> 00:29:36,875 James: DID YOU HAVE ANY IDEA THAT YOU ARE SITTING NEXT 551 00:29:36,875 --> 00:29:41,179 TO SUCH A SUPER FAN? 552 00:29:41,179 --> 00:29:46,551 Sir Patrick: WELL OF C OF COURSE. 553 00:29:46,551 --> 00:29:47,752 Mila: I'M SO SORRY. 554 00:29:47,752 --> 00:29:50,355 James: WHEN YOU STARTED PLAYING THIS CHARACTER, HOW HAVE 555 00:29:50,355 --> 00:29:53,258 YOU DEALT WITH THIS LEVEL OF ATTENTION? 556 00:29:53,258 --> 00:29:55,260 BECAUSE PEOPLE LOVE THE SHOW SO MUCH. 557 00:29:55,260 --> 00:29:59,330 IS THIS SOMETHING THAT YOU ENJ ENJOY? 558 00:29:59,330 --> 00:30:04,135 Sir Patrick: THE ENJOYMENTS ENJOYMENTS, THEIR PLEASURE? 559 00:30:04,135 --> 00:30:08,106 [LAUGHTER] Mila: THIS IS SO 560 00:30:08,106 --> 00:30:09,007 EMBARRASSING. 561 00:30:09,007 --> 00:30:12,477 I'M SO HAPPY THIS IS THE END OF THE SHOW. 562 00:30:12,477 --> 00:30:14,712 [LAUGHTER] [CHEERS AND APPLAUSE] 563 00:30:14,712 --> 00:30:20,485 THIS IS SO EMBARRASSING. 564 00:30:20,485 --> 00:30:26,824 Sir Patrick: I DIDN'T KNOW WHAT I HAD TAKEN ON. 565 00:30:26,824 --> 00:30:31,763 AND IF SOMEBODY HAD TOLD YOU SIX MONTHS AGO, SOMEBODY SAID TO ME 566 00:30:31,763 --> 00:30:36,401 HERE IN HOLLYWOOD WHEN I WAS-- I HAD ONE OR TWO CONNECTIONS IN 567 00:30:36,401 --> 00:30:39,737 TV ENDINGS, AND I SAID, WHAT SHOULD I DO? 568 00:30:39,737 --> 00:30:43,575 I JUST LEARNED THAT I HAD TO SIGN A SIX YEAR CONTRACT AND 569 00:30:43,575 --> 00:30:46,411 THERE WERE A LIST OF PLAYS THAT I HAD TO DO. 570 00:30:46,411 --> 00:30:52,584 SHAKESPEARE LINED UP, AND I SAID, I CAN'T DO THIS AT MY AGE. 571 00:30:52,584 --> 00:30:56,354 AND THEY SAID, YOU CANNOT REVIVE AN ICONIC SHOW. 572 00:30:56,354 --> 00:30:56,921 YOU CAN'T. 573 00:30:56,921 --> 00:30:59,324 IT'S NOT GOING TO WORK. 574 00:30:59,324 --> 00:31:05,863 SO JUST COME OVER HERE, AND DO A DOZEN EPISODES AND MAYBE LESS 575 00:31:05,863 --> 00:31:09,500 AND MAKE SOME MONEY FOR THE FIRST TIME IN YOUR LIFE. 576 00:31:09,500 --> 00:31:10,635 YOU KNOW WHAT I MEAN? 577 00:31:10,635 --> 00:31:13,905 James: YEAH, I DO. 578 00:31:13,905 --> 00:31:16,107 Sir Patrick: AND GO HOME. 579 00:31:16,107 --> 00:31:17,542 THAT WAS THE PREDICTION FOR ME. 580 00:31:17,542 --> 00:31:18,876 SIX MONTHS, NO MORE. 581 00:31:18,876 --> 00:31:20,745 SO WE HAVE SO MUCH IN COMMON. 582 00:31:20,745 --> 00:31:23,648 James: YOU KNOW WHAT I MEAN? 583 00:31:23,648 --> 00:31:30,788 YOU ARE SO IN THE BODY OF THE CHARACTER, THAT EVEN NOW. 584 00:31:30,788 --> 00:31:34,392 AND CONGRATULATING YOU LAST SEASON OF "STAR TREK: PICARD," 585 00:31:34,392 --> 00:31:41,733 AND YOU HAVE PLAYED THE CAPTAIN NOW ON AND OFF FOR LIKE 35 586 00:31:41,733 --> 00:31:45,970 YEARS, AND I AM WONDERING, SO YOU TRAVEL A LOT FROM HOME AND 587 00:31:45,970 --> 00:31:49,607 HEAR HER, WHEN YOU ARE EVER TRAVELING, DO YOU EVER FIND THAT 588 00:31:49,607 --> 00:31:54,545 YOU GET VERY SPECIAL TREATMENT FROM ACTUAL AIRLINE CAPTAINS? 589 00:31:54,545 --> 00:31:57,215 DO THEY SEE YOU AS ONE OF THEIR OWN? 590 00:31:57,215 --> 00:31:59,150 Sir Patrick: OH, YES. 591 00:31:59,150 --> 00:32:00,351 YES, INDEED. 592 00:32:00,351 --> 00:32:04,289 AT THE BEGINNING I WAS CONTINUALLY BEING INVITED ONTO 593 00:32:04,289 --> 00:32:08,559 THE FLIGHT DECK ONCE THE PLAN WAS IN THE AIR AND FLYING. 594 00:32:08,559 --> 00:32:09,761 Mila: THANK GOD. 595 00:32:09,761 --> 00:32:12,497 THEY ARE LIKE, PATRICK, YOU TAKE IT. 596 00:32:12,497 --> 00:32:15,366 Sir Patrick: IT HAPPENED ONCE. 597 00:32:15,366 --> 00:32:16,434 James: STOP. 598 00:32:16,434 --> 00:32:19,604 Sir Patrick: IT HAPPENED ONCE THAT I WAS AT THE 599 00:32:19,604 --> 00:32:22,006 CONTROLS-- YOU'RE NOT GOING TO BELIEVE THIS. 600 00:32:22,006 --> 00:32:23,641 I CAN TELL ALREADY, BUT IT IS TRUE. 601 00:32:23,641 --> 00:32:30,715 I WAS ON THE FLIGHT DECK OF CONCORDE. 602 00:32:30,715 --> 00:32:36,154 AND WHAT I DID WAS PRESS THE TWO MIDDLE BUTTONS OF THE FOUR 603 00:32:36,154 --> 00:32:40,658 BUTTONS THAT ACTIVATED THE ENGINES INTO SUPERSONIC. 604 00:32:40,658 --> 00:32:44,095 James: NO! 605 00:32:44,095 --> 00:32:47,198 YOU SEE? 606 00:32:47,198 --> 00:32:48,333 CAPTAIN ON CAPTAIN. 607 00:32:48,333 --> 00:32:50,935 SO LET'S LOOK AT "STAR TREK: PICARD," THE FINAL SEASON IS 608 00:32:50,935 --> 00:32:54,539 AVAILABLE TO STREAM RIGHT NOW ON PARAMOUNT+. 609 00:32:54,539 --> 00:32:57,709 ♪ ♪ SPEAK OF THIS IS CONFIRMED. 610 00:32:57,709 --> 00:32:59,711 YOUR SON IS THE COMMAND SIGNAL. 611 00:32:59,711 --> 00:33:02,947 AND MUST BE AMPLIFYING FROM SOMEWHERE ON THAT CAPE. 612 00:33:02,947 --> 00:33:06,918 THE ONLY WAY TO SAVE THE FLEET IS TO SAVE EARTH IS TO 613 00:33:06,918 --> 00:33:10,755 SEVER THAT CONNECTION. 614 00:33:10,755 --> 00:33:13,825 NO MATTER THE COST. 615 00:33:13,825 --> 00:33:21,032 ♪ ♪ AND 35 YEARS AGO IT ENDS 616 00:33:21,032 --> 00:33:21,432 TONIGHT. 617 00:33:21,432 --> 00:33:23,468 TAKE A SIN. 618 00:33:23,468 --> 00:33:27,572 AYE CAPTAIN. 619 00:33:27,572 --> 00:33:29,640 ♪ ♪ [CHEERS AND APPLAUSE] 620 00:33:33,644 --> 00:33:35,646 James: MORE WITH THESE TWO WHEN WE COME BACK. 621 00:33:49,026 --> 00:33:50,962 James: WE ARE BACK WITH MILA KUNIS AND 622 00:33:50,962 --> 00:33:51,896 SIR PATRICK STEWART! 623 00:33:51,896 --> 00:33:54,065 MILA, I WANT TO TALK TO YOU ABOUT SOMETHING. 624 00:33:54,065 --> 00:33:58,169 CAN I TALK TO YOU ABOUT THESE ONLINE THE RUMORS? 625 00:33:58,169 --> 00:34:00,138 Mila: YES, THESE ARE MY FAVORITE. 626 00:34:00,138 --> 00:34:04,342 James: THERE IS AN ONLINE RUMOR THAT YOU ARE GOING TO PLAY 627 00:34:04,342 --> 00:34:07,845 SUE STORM AND THE "FANTASTIC FOUR" FILM. 628 00:34:07,845 --> 00:34:11,349 IS IT TRUE AND WHERE DOES IT COME FROM? 629 00:34:11,349 --> 00:34:14,585 Mila: APPARENTLY IF YOU GO TO LUNCH WITH SOMEBODY THAT IS 630 00:34:14,585 --> 00:34:17,722 IN THE INDUSTRY, YOU ARE THEN WORKING WITH EACH OTHER 631 00:34:17,722 --> 00:34:18,890 ACCORDING TO THE INTERNET. 632 00:34:18,890 --> 00:34:21,626 WE WENT OUT TO A DELI AND HAD LUNCH TOGETHER, AND THEN THE 633 00:34:21,626 --> 00:34:25,096 NEXT DAY I WAS SOMEHOW IN "FANTASTIC FOUR." 634 00:34:25,096 --> 00:34:30,435 I AM NOT IN IT, BUT I KNOW WHO IT IS. 635 00:34:30,435 --> 00:34:33,938 BUT I DON'T WANT TO GET IN TROUBLE WITH THE MOUSE! 636 00:34:33,938 --> 00:34:38,342 SO NONE OF YOU WILL FIND OUT! 637 00:34:38,342 --> 00:34:40,745 James: WE WILL FIND OUT IN DUE COURSE. 638 00:34:40,745 --> 00:34:44,982 SO HOSTING THE SHOW 1200 TIMES, I'VE MET SO MANY PEOPLE THAT I 639 00:34:44,982 --> 00:34:46,851 LOVE, RESPECT, AND ADMIRE. 640 00:34:46,851 --> 00:34:49,620 BUT YOU HAVE MET SOMEONE I AM HUGELY JEALOUS OF. 641 00:34:49,620 --> 00:34:57,028 THIS IS A PHOTO WITH YOU AND LIONEL MESSI, RIGHT HERE. 642 00:34:57,028 --> 00:35:02,166 I KNOW THAT YOU ARE A FOOTBALL FAN, SO HOW DID THIS COME ABOUT? 643 00:35:02,166 --> 00:35:04,769 IS HE A "STAR TREK" FAN? 644 00:35:04,769 --> 00:35:05,770 WHO ASKED FOR THE PHOTO. 645 00:35:05,770 --> 00:35:07,205 Sir Patrick: THIS WILL TAKE A MOMENT. 646 00:35:07,205 --> 00:35:11,142 WE WERE IN THE THEATER AND I THINK AN AWARD PRESENTATION OF 647 00:35:11,142 --> 00:35:14,412 SOME KIND, AND THERE WERE FOOTBALLER THERE, A NUMBER OF 648 00:35:14,412 --> 00:35:15,646 THEM. 649 00:35:15,646 --> 00:35:19,250 THEN I SAW LIONEL MESSI ARRIVE AND HE WAS SITTING IN THE FRONT 650 00:35:19,250 --> 00:35:21,953 ROW AS WE WERE, BUT IT WAS BOTH SIDES OF THE THEATER. 651 00:35:21,953 --> 00:35:26,224 AND I SAID TO MY WIFE, "OKAY, I'M GOING TO SAY HELLO TO THE 652 00:35:26,224 --> 00:35:27,125 SKY. 653 00:35:27,125 --> 00:35:30,394 IT MAY BE THE ONLY CHANCE I HAVE EVER HAD." 654 00:35:30,394 --> 00:35:33,231 Mila: I WILL PLAY YOUR WIFE, GO AHEAD. 655 00:35:33,231 --> 00:35:37,401 Sir Patrick: SO THAT MOMENT, WE GO TO BREAK. 656 00:35:37,401 --> 00:35:40,771 I'M GOING TO FOLLOW THROUGH. 657 00:35:40,771 --> 00:35:42,740 AND YOU FOLLOW ME. 658 00:35:42,740 --> 00:35:43,941 Mila: OKAY. 659 00:35:43,941 --> 00:35:46,377 Sir Patrick: SO THERE WAS ALREADY A GROUP GATHERING AROUND 660 00:35:46,377 --> 00:35:47,044 HIM. 661 00:35:47,044 --> 00:35:48,779 AND I WENT OUT BACK. 662 00:35:48,779 --> 00:35:52,550 AND SAID EXCUSE ME, EXCUSE ME, EXCUSE ME, AND LIONEL MESSI WHO 663 00:35:52,550 --> 00:36:03,427 IS LOOKING DOWN, LOOKED UP-- AND SAID, "PATRICK STEWART." 664 00:36:03,427 --> 00:36:07,164 AND HE STOOD UP AND PUT HIS ARMS AROUND ME! 665 00:36:07,164 --> 00:36:08,466 James: WOW! 666 00:36:08,466 --> 00:36:10,868 I LOVE THAT! 667 00:36:10,868 --> 00:36:12,003 OH, MY GOD! 668 00:36:12,003 --> 00:36:14,472 IS THERE ANYONE ON EARTH YOU WOULD ASK FOR A PHOTO FROM? 669 00:36:14,472 --> 00:36:18,543 IS THERE ANYONE? 670 00:36:18,543 --> 00:36:19,477 REALLY? 671 00:36:19,477 --> 00:36:20,645 Mila: I GOT ONE IN THE COMMERCIAL BREAK. 672 00:36:20,645 --> 00:36:23,581 WHY DO YOU THINK I WENT LIKE THIS? 673 00:36:23,581 --> 00:36:25,016 I'M SITTING RIGHT NEXT TO THEM. 674 00:36:25,016 --> 00:36:27,118 I'M LIKE THIS IS MY CHANCE! 675 00:36:27,118 --> 00:36:29,186 James: WE WILL BE RIGHT BACK WITH MORE WITH THESE TWO, 676 00:36:47,004 --> 00:36:50,541 James: WELCOME BACK, WE ARE HERE WITH MILA KUNIS AND 677 00:36:50,541 --> 00:36:51,042 SIR PATRICK STEWART, REGGIE, DO YOU HAVE A QUESTION FOR OUR 678 00:36:51,042 --> 00:36:52,677 GUESTS THIS EVENING? 679 00:36:52,677 --> 00:36:56,180 Reggie: I DO. 680 00:36:56,180 --> 00:36:57,381 TONIGHT'S QUESTION GOES TO... 681 00:36:57,381 --> 00:36:59,350 BOTH OF OUR GUESTS. 682 00:36:59,350 --> 00:37:01,319 HERE'S MY QUESTION. 683 00:37:01,319 --> 00:37:05,389 BOTH OF YOU ENJOY SCIENCE FICTION, THE IDEA OF EXPLORATION 684 00:37:05,389 --> 00:37:11,629 AND SPACE, I ASSUME, AND FANTASTIC WORLDS, IN THOSE 685 00:37:11,629 --> 00:37:17,902 FANTASTIC WORLDS, WHAT DO YOU ENVISION YOURSELF AS? 686 00:37:17,902 --> 00:37:27,411 Mila: [LAUGHS] PATRICK, YOU GO FIRST. 687 00:37:27,411 --> 00:37:30,014 Sir Patrick: THE CAPTAIN OF A STARSHIP! 688 00:37:30,014 --> 00:37:35,853 [CHEERS AND APPLAUSE] James: WHAT ABOUT YOU, 689 00:37:35,853 --> 00:37:36,487 MILA. 690 00:37:36,487 --> 00:37:39,624 Mila: I WILL BE NUMBER 2. 691 00:37:39,624 --> 00:37:42,893 Sir Patrick: S, NUMBER 2. 692 00:37:42,893 --> 00:37:46,931 Reggie: NUMBER 2 AS MY NUMBER 1, AND THAT IS CORRECT. 693 00:37:46,931 --> 00:37:49,000 THANK YOU TO MILA KUNIS AND SIR PATRICK STEWART, EVERYBODY! 694 00:38:03,948 --> 00:38:07,885 James: WE WANT TO THANK YOU SO MUCH FOR WATCHING! 695 00:38:07,885 --> 00:38:11,088 GIVE A ROUND OF APPLAUSE TO CHRIS MARTIN FOR COMING DOWN 696 00:38:11,088 --> 00:38:11,822 TONIGHT. 697 00:38:11,822 --> 00:38:12,790 AND I WANT TO TELL YOU SOMETHING. 698 00:38:12,790 --> 00:38:17,428 THIS IS EXCITING.& STARTING THE MOMENT THE SHOW 699 00:38:17,428 --> 00:38:24,935 ENDS OVER ON THE CBS TIKTOK, WE HAVE A 20-HOUR LIVE STREAM 700 00:38:24,935 --> 00:38:26,904 CELEBRATING 1200 EPISODES OF "THE LATE LATE SHOW." 701 00:38:26,904 --> 00:38:30,508 WE HAVE ONE MINUTE FROM EACH OF THE 1200 SHOWS WE HAVE EVER 702 00:38:30,508 --> 00:38:30,975 MADE. 703 00:38:30,975 --> 00:38:32,109 AND IT IS AAZING. 704 00:38:32,109 --> 00:38:35,846 YOU CAN CHECK IT OUT AS A COUNTDOWN TILL TOMORROW NIGHT 705 00:38:35,846 --> 00:38:39,550 WHICH IS OUR LAST EVER NIGHT HERE AT "THE LATE LATE SHOW." 706 00:38:39,550 --> 00:38:40,885 WE'VE ACTUALLY GOT TWO SHOWS FOR YOU TOMORROW NIGHT WE KICK IT 707 00:38:40,885 --> 00:38:44,021 OFF IN PRIMETIME AT 10:00 PM, WITH OUR LAST EVER CARPOOL 708 00:38:44,021 --> 00:38:46,023 KARAOKE WITH ADELE, AND POSSIBLY MY CRAZIEST STUNT YET WITH TOM 709 00:38:46,023 --> 00:38:49,593 CRUISE. 710 00:38:49,593 --> 00:38:52,730 AND PLENTY MORE. 711 00:38:52,730 --> 00:38:58,803 THEN JOIN US AT 12:37 FOR OUR FINAL EPISODE HARRY STYLES, WILL 712 00:38:58,803 --> 00:39:02,873 FERRELL, SOME SURPRISES, AND AND I TRULY HOPE YOU WILL JOIN 713 00:39:02,873 --> 00:39:04,875 WE WILL SEE YOU FOR THE FINAL TIME TOMORROW NIGHT! 714 00:39:04,875 --> 00:39:05,943 REGGIE, TAKE US HOME!