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<font color="#ffff00"> Captioning sponsored by CBS</font>

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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW, OOH
♪ THE LATE LATE SHOW, OH, OH

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THE LATE LATE SHOW, OOH
♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW

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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW
♪ OH, OH

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THE LATE LATE SHOW
♪ OH, OH
IT'S THE LATE LATE SHOW ♪

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♪ ♪ ♪
>> Reggie: HEY
WE'RE ON TELEVISION

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>> Reggie: HEY
WE'RE ON TELEVISION
♪ ♪ ♪

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WE'RE ON TELEVISION
♪ ♪ ♪
>> James: GOOD EVENING LADIES

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♪ ♪ ♪
>> James: GOOD EVENING LADIES
AND GENTLEMEN, WELCOME TO THE

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>> James: GOOD EVENING LADIES
AND GENTLEMEN, WELCOME TO THE
"LATE LATE SHOW."

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AND GENTLEMEN, WELCOME TO THE
"LATE LATE SHOW."
HOPE YOU HAD A NICE DAY.

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"LATE LATE SHOW."
HOPE YOU HAD A NICE DAY.
THANK YOU FOR STAYING UP LATE

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HOPE YOU HAD A NICE DAY.
THANK YOU FOR STAYING UP LATE
WITH US TONIGHT.

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THANK YOU FOR STAYING UP LATE
WITH US TONIGHT.
WE'RE GLAD YOU'RE HERE.

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WITH US TONIGHT.
WE'RE GLAD YOU'RE HERE.
WE HAVE A FUN SHOW PLANNED FOR

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WE'RE GLAD YOU'RE HERE.
WE HAVE A FUN SHOW PLANNED FOR
YOU.

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WE HAVE A FUN SHOW PLANNED FOR
YOU.
TONIGHT WE'LL BE CHATTING WITH

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YOU.
TONIGHT WE'LL BE CHATTING WITH
THE LEGENDARY MERYL STREEP.

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TONIGHT WE'LL BE CHATTING WITH
THE LEGENDARY MERYL STREEP.
AND LATER, WE HAVE A PERFORMANCE

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THE LEGENDARY MERYL STREEP.
AND LATER, WE HAVE A PERFORMANCE
FROM BILLY EICHNER, YOU DON'T

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AND LATER, WE HAVE A PERFORMANCE
FROM BILLY EICHNER, YOU DON'T
WANT TO MISS IT.

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FROM BILLY EICHNER, YOU DON'T
WANT TO MISS IT.
MERYL STREEP, BILLY EICHNER --

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WANT TO MISS IT.
MERYL STREEP, BILLY EICHNER --
IN A WAY, IAN AND REG, I THINK

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MERYL STREEP, BILLY EICHNER --
IN A WAY, IAN AND REG, I THINK
OF YOU TWO AS THE MERYL STREEP

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IN A WAY, IAN AND REG, I THINK
OF YOU TWO AS THE MERYL STREEP
AND BILLY EICHNER OF TH "THE LAE

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OF YOU TWO AS THE MERYL STREEP
AND BILLY EICHNER OF TH "THE LAE
LATE SHOW."

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AND BILLY EICHNER OF TH "THE LAE
LATE SHOW."
I'LL LET YOU DECIDE WHICH IS

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LATE SHOW."
I'LL LET YOU DECIDE WHICH IS
WHICH.

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I'LL LET YOU DECIDE WHICH IS
WHICH.
WAIT A MINUTE, WHAT'S THIS?

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WHICH.
WAIT A MINUTE, WHAT'S THIS?
>> FROM REGGIE'S NEW UNDERWEAR

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WAIT A MINUTE, WHAT'S THIS?
>> FROM REGGIE'S NEW UNDERWEAR
LINE.

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>> FROM REGGIE'S NEW UNDERWEAR
LINE.
>> James: IT'S A CHRISTMAS

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LINE.
>> James: IT'S A CHRISTMAS
MANKINI.

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>> James: IT'S A CHRISTMAS
MANKINI.
LOOK AT THAT.

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MANKINI.
LOOK AT THAT.
>> Reggie: SO GOOD.

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LOOK AT THAT.
>> Reggie: SO GOOD.
>> James: A CHRISTMAS MANKINI.

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>> Reggie: SO GOOD.
>> James: A CHRISTMAS MANKINI.
I THINK YOU WOULD LOOK GOOD

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>> James: A CHRISTMAS MANKINI.
I THINK YOU WOULD LOOK GOOD
IN THAT, JAMES.

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I THINK YOU WOULD LOOK GOOD
IN THAT, JAMES.
>> James: I THINK I WOULD,

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IN THAT, JAMES.
>> James: I THINK I WOULD,
LOU.

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>> James: I THINK I WOULD,
LOU.
>> MERRY CHRISTMAS, LOU.

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LOU.
>> MERRY CHRISTMAS, LOU.
>> James: IF WE KEEP UP WITH

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>> MERRY CHRISTMAS, LOU.
>> James: IF WE KEEP UP WITH
THIS JOSEÉ CUERVO TEQUILA BAR,

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>> James: IF WE KEEP UP WITH
THIS JOSEÉ CUERVO TEQUILA BAR,
YOU'RE GOING TO SEE IT.

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THIS JOSEÉ CUERVO TEQUILA BAR,
YOU'RE GOING TO SEE IT.
( LAUGHTER )

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YOU'RE GOING TO SEE IT.
( LAUGHTER )
THANK YOU FOR THAT, LOU, I WILL

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( LAUGHTER )
THANK YOU FOR THAT, LOU, I WILL
TREASURE IT ALWAYS.

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THANK YOU FOR THAT, LOU, I WILL
TREASURE IT ALWAYS.
>> Reggie: RIGHT IN THE BOTTOM

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TREASURE IT ALWAYS.
>> Reggie: RIGHT IN THE BOTTOM
DRAWER.

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>> Reggie: RIGHT IN THE BOTTOM
DRAWER.
>> James: I'LL TREASURE IT

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DRAWER.
>> James: I'LL TREASURE IT
ALWAYS, LOU.

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>> James: I'LL TREASURE IT
ALWAYS, LOU.
THANK YOU.

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ALWAYS, LOU.
THANK YOU.
( LAUGHTER )

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THANK YOU.
( LAUGHTER )
THE MANKINI STUCK AROUND.

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( LAUGHTER )
THE MANKINI STUCK AROUND.
THANKS FOR JOINING US, LOUIE.

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THE MANKINI STUCK AROUND.
THANKS FOR JOINING US, LOUIE.
I'M GLAD.

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THANKS FOR JOINING US, LOUIE.
I'M GLAD.
THANKS FOR JOINING US, LOUIE.

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I'M GLAD.
THANKS FOR JOINING US, LOUIE.
>> Reggie: REGULAR FERRIS

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THANKS FOR JOINING US, LOUIE.
>> Reggie: REGULAR FERRIS
BUELLER.

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>> Reggie: REGULAR FERRIS
BUELLER.
>> James: I LOVED THAT YOU

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BUELLER.
>> James: I LOVED THAT YOU
CROUCHED DOWN LIKE NO ONE WOULD

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>> James: I LOVED THAT YOU
CROUCHED DOWN LIKE NO ONE WOULD
SEE THAT YOU MISSED THE OPENING

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CROUCHED DOWN LIKE NO ONE WOULD
SEE THAT YOU MISSED THE OPENING
OF THE SHOW.

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SEE THAT YOU MISSED THE OPENING
OF THE SHOW.
>> NO, I DIDN'T.

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OF THE SHOW.
>> NO, I DIDN'T.
>> James: YOU WHAT?

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>> NO, I DIDN'T.
>> James: YOU WHAT?
NO, I DIDN'T.

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>> James: YOU WHAT?
NO, I DIDN'T.
>> James: YOU DIDN'T?

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NO, I DIDN'T.
>> James: YOU DIDN'T?
YOU DIDN'T MISS IT?

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>> James: YOU DIDN'T?
YOU DIDN'T MISS IT?
>> NO.

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YOU DIDN'T MISS IT?
>> NO.
>> James: YOU'RE TRYING TO SAY

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>> NO.
>> James: YOU'RE TRYING TO SAY
YOU WEREN'T LATE FOR THE START

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>> James: YOU'RE TRYING TO SAY
YOU WEREN'T LATE FOR THE START
OF THE SHOW.

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YOU WEREN'T LATE FOR THE START
OF THE SHOW.
>> NOPE!

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OF THE SHOW.
>> NOPE!
>> James: CAN I BE HONEST.

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>> NOPE!
>> James: CAN I BE HONEST.
I FEEL LIKE, BECAUSE YOU WERE

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>> James: CAN I BE HONEST.
I FEEL LIKE, BECAUSE YOU WERE
LATE FOR THE SHOW, YOU SHOULD

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I FEEL LIKE, BECAUSE YOU WERE
LATE FOR THE SHOW, YOU SHOULD
COME BACK BY THE END OF THIS --

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LATE FOR THE SHOW, YOU SHOULD
COME BACK BY THE END OF THIS --
( LAUGHTER )

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COME BACK BY THE END OF THIS --
( LAUGHTER )
( APPLAUSE )

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( LAUGHTER )
( APPLAUSE )
( CHEERS AND APPLAUSE )

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( APPLAUSE )
( CHEERS AND APPLAUSE )
>> James: FOR BEING LATE FOR

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( CHEERS AND APPLAUSE )
>> James: FOR BEING LATE FOR
THE SHOW, BY THE TIME WE GO TO

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>> James: FOR BEING LATE FOR
THE SHOW, BY THE TIME WE GO TO
BREAK, I WOULD LIKE YOU TO BE

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THE SHOW, BY THE TIME WE GO TO
BREAK, I WOULD LIKE YOU TO BE
WEARING THIS TO GO TO BREAK.

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BREAK, I WOULD LIKE YOU TO BE
WEARING THIS TO GO TO BREAK.
OKAY?

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WEARING THIS TO GO TO BREAK.
OKAY?
IS THAT ALL RIGHT?

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OKAY?
IS THAT ALL RIGHT?
OKAY?

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IS THAT ALL RIGHT?
OKAY?
WELL, YOU SHOULD GO AND GET

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OKAY?
WELL, YOU SHOULD GO AND GET
CHANGED.

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WELL, YOU SHOULD GO AND GET
CHANGED.
YOU CAN'T PUT IT OVER YOUR

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CHANGED.
YOU CAN'T PUT IT OVER YOUR
CLOTHES.

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YOU CAN'T PUT IT OVER YOUR
CLOTHES.
LOUIE, YOU CAN LEAVE AND GO BACK

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CLOTHES.
LOUIE, YOU CAN LEAVE AND GO BACK
AND, YOU KNOW, YOU CAN KEEP YOUR

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LOUIE, YOU CAN LEAVE AND GO BACK
AND, YOU KNOW, YOU CAN KEEP YOUR
UNDERPANTS ON BECAUSE

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AND, YOU KNOW, YOU CAN KEEP YOUR
UNDERPANTS ON BECAUSE
OTHERWISE -- THANK YOU, LOUIE.

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UNDERPANTS ON BECAUSE
OTHERWISE -- THANK YOU, LOUIE.
WHILE YOU DO THAT, WE'LL TAKE A

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OTHERWISE -- THANK YOU, LOUIE.
WHILE YOU DO THAT, WE'LL TAKE A
LOOK AT THE HEADLINES.

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WHILE YOU DO THAT, WE'LL TAKE A
LOOK AT THE HEADLINES.
SOME VERY EXCITING NEWS FROM MY

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LOOK AT THE HEADLINES.
SOME VERY EXCITING NEWS FROM MY
HOMELAND.

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SOME VERY EXCITING NEWS FROM MY
HOMELAND.
AND LOUIE'S HOMELAND, ACTUALLY,

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HOMELAND.
AND LOUIE'S HOMELAND, ACTUALLY,
WE SHOULD SAY, BECAUSE, TODAY --

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AND LOUIE'S HOMELAND, ACTUALLY,
WE SHOULD SAY, BECAUSE, TODAY --
LISTEN TO THIS, GANG --

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WE SHOULD SAY, BECAUSE, TODAY --
LISTEN TO THIS, GANG --
TODAY, THE U.K. STARTED GIVING

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LISTEN TO THIS, GANG --
TODAY, THE U.K. STARTED GIVING
OUT THE COVID-19 VACCINE.

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TODAY, THE U.K. STARTED GIVING
OUT THE COVID-19 VACCINE.
YEAH.

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OUT THE COVID-19 VACCINE.
YEAH.
A 90-YEAR-OLD WOMAN IN ENGLAND

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YEAH.
A 90-YEAR-OLD WOMAN IN ENGLAND
BECAME THE FIRST PERSON IN THE

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A 90-YEAR-OLD WOMAN IN ENGLAND
BECAME THE FIRST PERSON IN THE
WORLD TO GET THE SHOT.

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BECAME THE FIRST PERSON IN THE
WORLD TO GET THE SHOT.
JUST IN TIME, SHE HAS PLANS TO

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WORLD TO GET THE SHOT.
JUST IN TIME, SHE HAS PLANS TO
GO SEE THE CHAINSMOKERS LIVE

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JUST IN TIME, SHE HAS PLANS TO
GO SEE THE CHAINSMOKERS LIVE
NEXT WEEK.

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GO SEE THE CHAINSMOKERS LIVE
NEXT WEEK.
HERE SHE IS RIGHT AFTER SHE GOT

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NEXT WEEK.
HERE SHE IS RIGHT AFTER SHE GOT
HER VACCINE.

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HERE SHE IS RIGHT AFTER SHE GOT
HER VACCINE.
>> WHAT DO YOU SAY TO THOSE WHO

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HER VACCINE.
>> WHAT DO YOU SAY TO THOSE WHO
MIGHT BE HAVING SECOND THOUGHTS

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>> WHAT DO YOU SAY TO THOSE WHO
MIGHT BE HAVING SECOND THOUGHTS
ABOUT HAVING THIS?

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MIGHT BE HAVING SECOND THOUGHTS
ABOUT HAVING THIS?
>> WELL, I SAY GO FOR IT.

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ABOUT HAVING THIS?
>> WELL, I SAY GO FOR IT.
GO FOR IT BECAUSE IT'S -- IT'S

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>> WELL, I SAY GO FOR IT.
GO FOR IT BECAUSE IT'S -- IT'S
FREE, AND IT'S THE BEST THING

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GO FOR IT BECAUSE IT'S -- IT'S
FREE, AND IT'S THE BEST THING
THAT'S EVER HAPPENED AT THE

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FREE, AND IT'S THE BEST THING
THAT'S EVER HAPPENED AT THE
MOMENT, SO DO, PLEASE, GO FOR

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THAT'S EVER HAPPENED AT THE
MOMENT, SO DO, PLEASE, GO FOR
IT.

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MOMENT, SO DO, PLEASE, GO FOR
IT.
THAT'S ALL I SAY, YOU KNOW?

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IT.
THAT'S ALL I SAY, YOU KNOW?
IF I CAN DO IT, WELL, SO CAN

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THAT'S ALL I SAY, YOU KNOW?
IF I CAN DO IT, WELL, SO CAN
YOU.

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IF I CAN DO IT, WELL, SO CAN
YOU.
>> JAMES: "IF I CAN DO IT, SO

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YOU.
>> JAMES: "IF I CAN DO IT, SO
CAN YOU."

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>> JAMES: "IF I CAN DO IT, SO
CAN YOU."
WHICH IS THE POLITE WAY OF

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CAN YOU."
WHICH IS THE POLITE WAY OF
SAYING "DON'T BE A DICK, GET THE

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WHICH IS THE POLITE WAY OF
SAYING "DON'T BE A DICK, GET THE
SHOT."

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SAYING "DON'T BE A DICK, GET THE
SHOT."
( LAUGHTER )

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SHOT."
( LAUGHTER )
ALSO, I LOVE THAT SHE'S, LIKE,

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( LAUGHTER )
ALSO, I LOVE THAT SHE'S, LIKE,
"GO FOR IT, IT'S FREE."

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ALSO, I LOVE THAT SHE'S, LIKE,
"GO FOR IT, IT'S FREE."
IT'S FREE!

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"GO FOR IT, IT'S FREE."
IT'S FREE!
SHE SOUNDS LIKE MY INNER VOICE

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IT'S FREE!
SHE SOUNDS LIKE MY INNER VOICE
AT A RESTAURANT EVERY TIME I ASK

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SHE SOUNDS LIKE MY INNER VOICE
AT A RESTAURANT EVERY TIME I ASK
FOR ANOTHER ROUND OF BREAD.

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AT A RESTAURANT EVERY TIME I ASK
FOR ANOTHER ROUND OF BREAD.
IT'S FREE!

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FOR ANOTHER ROUND OF BREAD.
IT'S FREE!
( LAUGHTER )

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IT'S FREE!
( LAUGHTER )
THE SECOND PERSON TO GET THE

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( LAUGHTER )
THE SECOND PERSON TO GET THE
VACCINE TODAY WAS AN 81-YEAR-OLD

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THE SECOND PERSON TO GET THE
VACCINE TODAY WAS AN 81-YEAR-OLD
ENGLISH MAN NAMED -- AND I

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VACCINE TODAY WAS AN 81-YEAR-OLD
ENGLISH MAN NAMED -- AND I
PROMISE WE'RE NOT MAKING THIS

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ENGLISH MAN NAMED -- AND I
PROMISE WE'RE NOT MAKING THIS
UP, WILLIAM SHAKESPEARE.

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PROMISE WE'RE NOT MAKING THIS
UP, WILLIAM SHAKESPEARE.
S

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UP, WILLIAM SHAKESPEARE.
S
THIS IS THE BRITISH VERSION OF

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S
THIS IS THE BRITISH VERSION OF
MICHAEL B. JORDAN.

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THIS IS THE BRITISH VERSION OF
MICHAEL B. JORDAN.
WHY WOULD HIS PARENTS NAME HIM

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MICHAEL B. JORDAN.
WHY WOULD HIS PARENTS NAME HIM
THAT?

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WHY WOULD HIS PARENTS NAME HIM
THAT?
NO ONE CAN LIVE UP TO WILLIAM

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THAT?
NO ONE CAN LIVE UP TO WILLIAM
SHAKESPEARE'S NAME.

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NO ONE CAN LIVE UP TO WILLIAM
SHAKESPEARE'S NAME.
PEOPLE AREN'T GOING TO BE LIKE,

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SHAKESPEARE'S NAME.
PEOPLE AREN'T GOING TO BE LIKE,
"SO, I WAS READING SOME OF

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PEOPLE AREN'T GOING TO BE LIKE,
"SO, I WAS READING SOME OF
SHAKESPEARE'S GREATEST WORKS

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"SO, I WAS READING SOME OF
SHAKESPEARE'S GREATEST WORKS
AND--"

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SHAKESPEARE'S GREATEST WORKS
AND--"
"HANG ON, WHICH SHAKESPEARE ARE

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AND--"
"HANG ON, WHICH SHAKESPEARE ARE
YOU TALKING ABOUT?

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"HANG ON, WHICH SHAKESPEARE ARE
YOU TALKING ABOUT?
THE PLAYWRIGHT OR THE LORRY

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00:04:51,725 --> 00:04:54,426
YOU TALKING ABOUT?
THE PLAYWRIGHT OR THE LORRY
DRIVER?"

160
00:04:54,428 --> 00:04:54,726
THE PLAYWRIGHT OR THE LORRY
DRIVER?"
( LAUGHTER )

161
00:04:54,728 --> 00:04:57,729
DRIVER?"
( LAUGHTER )
MEANWHILE, HERE IN THE UNITED

162
00:04:57,731 --> 00:05:03,735
( LAUGHTER )
MEANWHILE, HERE IN THE UNITED
STATES, THERE ARE NOW CONCERNS

163
00:05:03,737 --> 00:05:04,603
MEANWHILE, HERE IN THE UNITED
STATES, THERE ARE NOW CONCERNS
ABOUT WHETHER OR NOT THERE ARE

164
00:05:04,605 --> 00:05:05,937
STATES, THERE ARE NOW CONCERNS
ABOUT WHETHER OR NOT THERE ARE
ENOUGH VACCINATIONS TO GO

165
00:05:05,939 --> 00:05:06,672
ABOUT WHETHER OR NOT THERE ARE
ENOUGH VACCINATIONS TO GO
AROUND.

166
00:05:06,674 --> 00:05:07,539
ENOUGH VACCINATIONS TO GO
AROUND.
AND ACCORDING TO A NEW REPORT,

167
00:05:07,541 --> 00:05:08,173
AROUND.
AND ACCORDING TO A NEW REPORT,
WHEN PFIZER OFFERED TO SELL THE

168
00:05:08,175 --> 00:05:08,774
AND ACCORDING TO A NEW REPORT,
WHEN PFIZER OFFERED TO SELL THE
UNITED STATES MORE DOSES THIS

169
00:05:08,776 --> 00:05:09,741
WHEN PFIZER OFFERED TO SELL THE
UNITED STATES MORE DOSES THIS
SUMMER, THE TRUMP ADMINISTRATION

170
00:05:09,743 --> 00:05:10,542
UNITED STATES MORE DOSES THIS
SUMMER, THE TRUMP ADMINISTRATION
PASSED.

171
00:05:10,544 --> 00:05:11,843
SUMMER, THE TRUMP ADMINISTRATION
PASSED.
AND THAT, RIGHT THERE, IS THE

172
00:05:11,845 --> 00:05:15,714
PASSED.
AND THAT, RIGHT THERE, IS THE
ART OF THE DEAL.

173
00:05:15,716 --> 00:05:17,616
AND THAT, RIGHT THERE, IS THE
ART OF THE DEAL.
( LAUGHTER )

174
00:05:17,618 --> 00:05:19,851
ART OF THE DEAL.
( LAUGHTER )
SPEAKING OF THAT, ANOTHER MEMBER

175
00:05:19,853 --> 00:05:21,853
( LAUGHTER )
SPEAKING OF THAT, ANOTHER MEMBER
OF THE TRUMP CAMPAIGN TESTED

176
00:05:21,855 --> 00:05:29,961
SPEAKING OF THAT, ANOTHER MEMBER
OF THE TRUMP CAMPAIGN TESTED
POSITIVE FOR THE

177
00:05:31,331 --> 00:05:33,532
TODAY IT'S TRUMP CAMPAIGN
LAWYER, JENNA ELLIS.
I BARELY KNOW WHO JENNA ELLIS

178
00:05:33,534 --> 00:05:34,099
LAWYER, JENNA ELLIS.
I BARELY KNOW WHO JENNA ELLIS
IS, BUT AS SOON AS I SAW THE

179
00:05:34,101 --> 00:05:34,733
I BARELY KNOW WHO JENNA ELLIS
IS, BUT AS SOON AS I SAW THE
WORDS, "TRUMP CAMPAIGN LAWYER,"

180
00:05:34,735 --> 00:05:35,367
IS, BUT AS SOON AS I SAW THE
WORDS, "TRUMP CAMPAIGN LAWYER,"
I THOUGHT, "OH, SHE PROBABLY GOT

181
00:05:35,369 --> 00:05:35,834
WORDS, "TRUMP CAMPAIGN LAWYER,"
I THOUGHT, "OH, SHE PROBABLY GOT
COVID."

182
00:05:35,836 --> 00:05:36,768
I THOUGHT, "OH, SHE PROBABLY GOT
COVID."
IF YOU'RE NOT FAMILIAR WITH

183
00:05:36,770 --> 00:05:37,536
COVID."
IF YOU'RE NOT FAMILIAR WITH
JENNA ELLIS, HERE SHE IS HERE.

184
00:05:37,538 --> 00:05:38,270
IF YOU'RE NOT FAMILIAR WITH
JENNA ELLIS, HERE SHE IS HERE.
SHE'S THE WOMAN WHO STANDS

185
00:05:38,272 --> 00:05:39,171
JENNA ELLIS, HERE SHE IS HERE.
SHE'S THE WOMAN WHO STANDS
BEHIND RUDY GIULIANI AND NODS

186
00:05:39,173 --> 00:05:39,738
SHE'S THE WOMAN WHO STANDS
BEHIND RUDY GIULIANI AND NODS
LIKE WHAT HE'S SAYING ISN'T

187
00:05:39,740 --> 00:05:43,842
BEHIND RUDY GIULIANI AND NODS
LIKE WHAT HE'S SAYING ISN'T
INCOHERENT NONSENSE.

188
00:05:43,844 --> 00:05:49,881
LIKE WHAT HE'S SAYING ISN'T
INCOHERENT NONSENSE.
IS THERE A WORSE JOB IN AMERICA

189
00:05:49,883 --> 00:05:56,822
INCOHERENT NONSENSE.
IS THERE A WORSE JOB IN AMERICA
-- IT MAKES COME FROM A SECRET

190
00:05:56,824 --> 00:05:57,022
IS THERE A WORSE JOB IN AMERICA
-- IT MAKES COME FROM A SECRET
SANTA.

191
00:05:57,024 --> 00:06:00,492
-- IT MAKES COME FROM A SECRET
SANTA.
IT COULD BE ANYONE.

192
00:06:00,494 --> 00:06:03,729
SANTA.
IT COULD BE ANYONE.
THE SUPREME COURT IS REFUSING TO

193
00:06:03,731 --> 00:06:06,898
IT COULD BE ANYONE.
THE SUPREME COURT IS REFUSING TO
HEAR TRUMP'S ACCUSATIONS ABOUT

194
00:06:06,900 --> 00:06:13,438
THE SUPREME COURT IS REFUSING TO
HEAR TRUMP'S ACCUSATIONS ABOUT
THROWING OUT BALLOTS IN

195
00:06:13,440 --> 00:06:13,772
HEAR TRUMP'S ACCUSATIONS ABOUT
THROWING OUT BALLOTS IN
PENNSYLVANIA.

196
00:06:13,774 --> 00:06:14,306
THROWING OUT BALLOTS IN
PENNSYLVANIA.
WHICH IS A SHAME, BECAUSE

197
00:06:14,308 --> 00:06:14,940
PENNSYLVANIA.
WHICH IS A SHAME, BECAUSE
REPUBLICAN SENATOR TED CRUZ HAD

198
00:06:14,942 --> 00:06:15,607
WHICH IS A SHAME, BECAUSE
REPUBLICAN SENATOR TED CRUZ HAD
ALREADY VOLUNTEERED HIS LEGAL

199
00:06:15,609 --> 00:06:15,874
REPUBLICAN SENATOR TED CRUZ HAD
ALREADY VOLUNTEERED HIS LEGAL
SERVICES.

200
00:06:15,876 --> 00:06:16,775
ALREADY VOLUNTEERED HIS LEGAL
SERVICES.
IN A TWEET LAST NIGHT, CRUZ SAID

201
00:06:16,777 --> 00:06:17,676
SERVICES.
IN A TWEET LAST NIGHT, CRUZ SAID
THAT HE WAS, "READY TO PRESENT

202
00:06:17,678 --> 00:06:18,343
IN A TWEET LAST NIGHT, CRUZ SAID
THAT HE WAS, "READY TO PRESENT
THE ORAL ARGUMENT."

203
00:06:18,345 --> 00:06:18,977
THAT HE WAS, "READY TO PRESENT
THE ORAL ARGUMENT."
LOOK, I'M WITH YOU, I NEVER WANT

204
00:06:18,979 --> 00:06:19,611
THE ORAL ARGUMENT."
LOOK, I'M WITH YOU, I NEVER WANT
TO HEAR THE WORDS "TED CRUZ" AND

205
00:06:19,613 --> 00:06:20,178
LOOK, I'M WITH YOU, I NEVER WANT
TO HEAR THE WORDS "TED CRUZ" AND
"ORAL" IN THE SAME SENTENCE

206
00:06:20,180 --> 00:06:25,984
TO HEAR THE WORDS "TED CRUZ" AND
"ORAL" IN THE SAME SENTENCE
EITHER.

207
00:06:25,986 --> 00:06:27,853
"ORAL" IN THE SAME SENTENCE
EITHER.
TED CRUZ THINKS HE'S GREAT AT

208
00:06:27,855 --> 00:06:30,622
EITHER.
TED CRUZ THINKS HE'S GREAT AT
ORAL ARGUMENTS.

209
00:06:30,624 --> 00:06:31,356
TED CRUZ THINKS HE'S GREAT AT
ORAL ARGUMENTS.
THEN AGAIN, TED CRUZ ALSO THINKS

210
00:06:31,358 --> 00:06:31,990
ORAL ARGUMENTS.
THEN AGAIN, TED CRUZ ALSO THINKS
HE'S GREAT AT DOING IMPRESSIONS

211
00:06:31,992 --> 00:06:32,491
THEN AGAIN, TED CRUZ ALSO THINKS
HE'S GREAT AT DOING IMPRESSIONS
OF CHARACTERS FROM "THE

212
00:06:32,493 --> 00:06:33,959
HE'S GREAT AT DOING IMPRESSIONS
OF CHARACTERS FROM "THE
SIMPSONS."

213
00:06:33,961 --> 00:06:36,695
OF CHARACTERS FROM "THE
SIMPSONS."
>> BUT DAD, I'M A VEGETARIAN, I

214
00:06:36,697 --> 00:06:38,563
SIMPSONS."
>> BUT DAD, I'M A VEGETARIAN, I
DON'T EAT ANIMALS.

215
00:06:38,565 --> 00:06:41,333
>> BUT DAD, I'M A VEGETARIAN, I
DON'T EAT ANIMALS.
>> BUT, LISA, ANIMALS ARE SO

216
00:06:41,335 --> 00:06:43,268
DON'T EAT ANIMALS.
>> BUT, LISA, ANIMALS ARE SO
DELICIOUS!

217
00:06:43,270 --> 00:06:45,704
>> BUT, LISA, ANIMALS ARE SO
DELICIOUS!
>> Reggie: OH, WOW.

218
00:06:45,706 --> 00:06:46,037
DELICIOUS!
>> Reggie: OH, WOW.
AMAZING.

219
00:06:46,039 --> 00:06:46,338
>> Reggie: OH, WOW.
AMAZING.
INCREDIBLE.

220
00:06:46,340 --> 00:06:47,439
AMAZING.
INCREDIBLE.
>> James: IS THERE ANYONE

221
00:06:47,441 --> 00:06:48,473
INCREDIBLE.
>> James: IS THERE ANYONE
WORSE THAN SOMEONE WHO THINKS

222
00:06:48,475 --> 00:06:50,308
>> James: IS THERE ANYONE
WORSE THAN SOMEONE WHO THINKS
THEY CAN DO AN IMPRESSION?

223
00:06:50,310 --> 00:06:51,743
WORSE THAN SOMEONE WHO THINKS
THEY CAN DO AN IMPRESSION?
THEY SHOULD BE THE LAST PEOPLE

224
00:06:51,745 --> 00:06:55,614
THEY CAN DO AN IMPRESSION?
THEY SHOULD BE THE LAST PEOPLE
TO GET A VACCINE.

225
00:06:55,616 --> 00:06:55,914
THEY SHOULD BE THE LAST PEOPLE
TO GET A VACCINE.
( LAUGHTER )

226
00:06:55,916 --> 00:06:58,817
TO GET A VACCINE.
( LAUGHTER )
YOU THINK WHEN YOU'RE LINING UP

227
00:06:58,819 --> 00:07:02,988
( LAUGHTER )
YOU THINK WHEN YOU'RE LINING UP
T,DO YOU DO ANY IMPRESSIONS?

228
00:07:02,990 --> 00:07:06,024
YOU THINK WHEN YOU'RE LINING UP
T,DO YOU DO ANY IMPRESSIONS?
THIS IS MY TRUMP.

229
00:07:06,026 --> 00:07:06,224
T,DO YOU DO ANY IMPRESSIONS?
THIS IS MY TRUMP.
NOPE.

230
00:07:06,226 --> 00:07:10,395
THIS IS MY TRUMP.
NOPE.
GET TO THE BACK OF THE LINE.

231
00:07:10,397 --> 00:07:15,267
NOPE.
GET TO THE BACK OF THE LINE.
WHO IS YOUR IMPRESSION.

232
00:07:15,269 --> 00:07:16,601
GET TO THE BACK OF THE LINE.
WHO IS YOUR IMPRESSION.
>> PRINCE PHILIP FROM THE CROWN.

233
00:07:16,603 --> 00:07:18,737
WHO IS YOUR IMPRESSION.
>> PRINCE PHILIP FROM THE CROWN.
THIS IS HIM TALKING TO THE

234
00:07:18,739 --> 00:07:19,070
>> PRINCE PHILIP FROM THE CROWN.
THIS IS HIM TALKING TO THE
QUEEN.

235
00:07:19,072 --> 00:07:24,876
THIS IS HIM TALKING TO THE
QUEEN.
SHALL WE WATCH THAT OCTOPUS

236
00:07:24,878 --> 00:07:25,177
QUEEN.
SHALL WE WATCH THAT OCTOPUS
DOCUMENTARY?

237
00:07:25,179 --> 00:07:25,610
SHALL WE WATCH THAT OCTOPUS
DOCUMENTARY?
WHAT DO YOU THINK?

238
00:07:25,612 --> 00:07:29,981
DOCUMENTARY?
WHAT DO YOU THINK?
SHALL WE WATCH THE OCTOPUS

239
00:07:29,983 --> 00:07:31,616
WHAT DO YOU THINK?
SHALL WE WATCH THE OCTOPUS
DOCUMENTARY ON NETFLIX

240
00:07:31,618 --> 00:07:33,718
SHALL WE WATCH THE OCTOPUS
DOCUMENTARY ON NETFLIX
EVERYONE'S BEEN READING ABOUT?

241
00:07:33,720 --> 00:07:36,288
DOCUMENTARY ON NETFLIX
EVERYONE'S BEEN READING ABOUT?
AND HE'S LIKE, YEAH!

242
00:07:36,290 --> 00:07:37,789
EVERYONE'S BEEN READING ABOUT?
AND HE'S LIKE, YEAH!
>> James: YOU COULD DO THE

243
00:07:37,791 --> 00:07:39,724
AND HE'S LIKE, YEAH!
>> James: YOU COULD DO THE
NEXT SEASON.

244
00:07:39,726 --> 00:07:43,094
>> James: YOU COULD DO THE
NEXT SEASON.
>> I RECENTLY HEARD THE BRITISH

245
00:07:43,096 --> 00:07:44,729
NEXT SEASON.
>> I RECENTLY HEARD THE BRITISH
MENU, DO YOU SUPPOSE WE COULD

246
00:07:44,731 --> 00:07:46,598
>> I RECENTLY HEARD THE BRITISH
MENU, DO YOU SUPPOSE WE COULD
SEND SOMEONE TO GET IT FOR US?

247
00:07:46,600 --> 00:07:46,898
MENU, DO YOU SUPPOSE WE COULD
SEND SOMEONE TO GET IT FOR US?
( LAUGHTER )

248
00:07:46,900 --> 00:07:50,001
SEND SOMEONE TO GET IT FOR US?
( LAUGHTER )
>> James: VERY GOOD.

249
00:07:50,003 --> 00:07:50,702
( LAUGHTER )
>> James: VERY GOOD.
REG, WHO'S YOURS.

250
00:07:50,704 --> 00:07:54,072
>> James: VERY GOOD.
REG, WHO'S YOURS.
>> Reggie: I ALWAYS GO WITH

251
00:07:54,074 --> 00:07:55,207
REG, WHO'S YOURS.
>> Reggie: I ALWAYS GO WITH
MATT BERRY!

252
00:07:55,209 --> 00:07:55,507
>> Reggie: I ALWAYS GO WITH
MATT BERRY!
( LAUGHTER )

253
00:07:55,509 --> 00:07:58,310
MATT BERRY!
( LAUGHTER )
HE'S A WONDERFUL MAN, VERY SEXY.

254
00:07:58,312 --> 00:08:00,946
( LAUGHTER )
HE'S A WONDERFUL MAN, VERY SEXY.
>> James: THAT'S A GOOD MATT

255
00:08:00,948 --> 00:08:01,146
HE'S A WONDERFUL MAN, VERY SEXY.
>> James: THAT'S A GOOD MATT
BERRY.

256
00:08:01,148 --> 00:08:01,546
>> James: THAT'S A GOOD MATT
BERRY.
>> Reggie: SEXUAL.

257
00:08:01,548 --> 00:08:03,849
BERRY.
>> Reggie: SEXUAL.
>> James: THAT'S A GOOD MATT

258
00:08:03,851 --> 00:08:04,049
>> Reggie: SEXUAL.
>> James: THAT'S A GOOD MATT
BERRY.

259
00:08:04,051 --> 00:08:09,721
>> James: THAT'S A GOOD MATT
BERRY.
YOU KNOW WHO MINE IS?

260
00:08:09,723 --> 00:08:15,727
BERRY.
YOU KNOW WHO MINE IS?
SHAGGY.

261
00:08:15,729 --> 00:08:16,394
YOU KNOW WHO MINE IS?
SHAGGY.
( IMITATING )

262
00:08:16,396 --> 00:08:20,899
SHAGGY.
( IMITATING )
BUT SHE CAUGHT ME ON THE

263
00:08:20,901 --> 00:08:21,132
( IMITATING )
BUT SHE CAUGHT ME ON THE
COUNTER.

264
00:08:21,134 --> 00:08:25,937
BUT SHE CAUGHT ME ON THE
COUNTER.
EVEN HEARD ME ON CAMERA. ]

265
00:08:25,939 --> 00:08:26,238
COUNTER.
EVEN HEARD ME ON CAMERA. ]
IMITATING ).

266
00:08:26,240 --> 00:08:28,707
EVEN HEARD ME ON CAMERA. ]
IMITATING ).
AND DID YOU GUYS SEE THIS?

267
00:08:28,709 --> 00:08:29,307
IMITATING ).
AND DID YOU GUYS SEE THIS?
THE 2024 OLYMPIC GAMES, WHICH

268
00:08:29,309 --> 00:08:31,209
AND DID YOU GUYS SEE THIS?
THE 2024 OLYMPIC GAMES, WHICH
ARE SCHEDULED TO TAKE PLACE IN

269
00:08:31,211 --> 00:08:31,843
THE 2024 OLYMPIC GAMES, WHICH
ARE SCHEDULED TO TAKE PLACE IN
PARIS, FRANCE, WILL INCLUDE A

270
00:08:31,845 --> 00:08:34,546
ARE SCHEDULED TO TAKE PLACE IN
PARIS, FRANCE, WILL INCLUDE A
NEW SPORT: BREAKDANCING.

271
00:08:34,548 --> 00:08:35,447
PARIS, FRANCE, WILL INCLUDE A
NEW SPORT: BREAKDANCING.
>> Reggie: YES.

272
00:08:35,449 --> 00:08:37,682
NEW SPORT: BREAKDANCING.
>> Reggie: YES.
>> James: I KNOW, I LOVE THIS!

273
00:08:37,684 --> 00:08:38,216
>> Reggie: YES.
>> James: I KNOW, I LOVE THIS!
WELL, IT'S OFFICIAL, GUYS.

274
00:08:38,218 --> 00:08:39,684
>> James: I KNOW, I LOVE THIS!
WELL, IT'S OFFICIAL, GUYS.
I JUST WENT FROM "THEATER KID"

275
00:08:39,686 --> 00:08:41,219
WELL, IT'S OFFICIAL, GUYS.
I JUST WENT FROM "THEATER KID"
TO "JOCK."

276
00:08:41,221 --> 00:08:41,520
I JUST WENT FROM "THEATER KID"
TO "JOCK."
( LAUGHTER )

277
00:08:41,522 --> 00:08:42,020
TO "JOCK."
( LAUGHTER )
I'M REALLY HOPING IT'S A

278
00:08:42,022 --> 00:08:43,455
( LAUGHTER )
I'M REALLY HOPING IT'S A
SUCCESS.

279
00:08:43,457 --> 00:08:44,055
I'M REALLY HOPING IT'S A
SUCCESS.
IF THIS GOES WELL, BY 2028 WE

280
00:08:44,057 --> 00:08:47,192
SUCCESS.
IF THIS GOES WELL, BY 2028 WE
COULD SEE OLYMPIC FLOSSING.

281
00:08:47,194 --> 00:08:47,726
IF THIS GOES WELL, BY 2028 WE
COULD SEE OLYMPIC FLOSSING.
( LAUGHTER )

282
00:08:47,728 --> 00:08:48,360
COULD SEE OLYMPIC FLOSSING.
( LAUGHTER )
THE OLYMPIC COMMITTEE IS HOPING

283
00:08:48,362 --> 00:08:50,795
( LAUGHTER )
THE OLYMPIC COMMITTEE IS HOPING
TO ATTRACT A YOUNGER AUDIENCE

284
00:08:50,797 --> 00:08:51,663
THE OLYMPIC COMMITTEE IS HOPING
TO ATTRACT A YOUNGER AUDIENCE
MOVING FORWARD.

285
00:08:51,665 --> 00:08:52,230
TO ATTRACT A YOUNGER AUDIENCE
MOVING FORWARD.
AND APPARENTLY THAT YOUNGER

286
00:08:52,232 --> 00:08:55,333
MOVING FORWARD.
AND APPARENTLY THAT YOUNGER
AUDIENCE INCLUDES TEENS FROM THE

287
00:08:55,335 --> 00:08:55,834
AND APPARENTLY THAT YOUNGER
AUDIENCE INCLUDES TEENS FROM THE
BRONX DURING THE '80S.

288
00:08:55,836 --> 00:08:57,302
AUDIENCE INCLUDES TEENS FROM THE
BRONX DURING THE '80S.
( LAUGHTER )

289
00:08:57,304 --> 00:08:58,803
BRONX DURING THE '80S.
( LAUGHTER )
HOW DIE DO THIS?

290
00:08:58,805 --> 00:09:00,238
( LAUGHTER )
HOW DIE DO THIS?
HOW DO YOU GET INTO THIS?

291
00:09:00,240 --> 00:09:02,908
HOW DIE DO THIS?
HOW DO YOU GET INTO THIS?
WHAT DO WE DO, PUT TOGETHER A

292
00:09:02,910 --> 00:09:03,108
HOW DO YOU GET INTO THIS?
WHAT DO WE DO, PUT TOGETHER A
CREW?

293
00:09:03,110 --> 00:09:03,975
WHAT DO WE DO, PUT TOGETHER A
CREW?
>> Reggie: YEAH, YOU HAVE TO

294
00:09:03,977 --> 00:09:05,176
CREW?
>> Reggie: YEAH, YOU HAVE TO
HAVE A CREW FOR SURE.

295
00:09:05,178 --> 00:09:06,611
>> Reggie: YEAH, YOU HAVE TO
HAVE A CREW FOR SURE.
>> James: WE COULD PUT

296
00:09:06,613 --> 00:09:08,446
HAVE A CREW FOR SURE.
>> James: WE COULD PUT
TOGETHER A CREW, COULDN'T WE?

297
00:09:08,448 --> 00:09:10,916
>> James: WE COULD PUT
TOGETHER A CREW, COULDN'T WE?
>> I THINK THE THREE OF US AND

298
00:09:10,918 --> 00:09:15,720
TOGETHER A CREW, COULDN'T WE?
>> I THINK THE THREE OF US AND
GALA AND THAT WAS A GOLD MEDAL.

299
00:09:15,722 --> 00:09:16,855
>> I THINK THE THREE OF US AND
GALA AND THAT WAS A GOLD MEDAL.
>> Reggie: INGALA.

300
00:09:16,857 --> 00:09:19,858
GALA AND THAT WAS A GOLD MEDAL.
>> Reggie: INGALA.
>> James: INGALA TURNS UP

301
00:09:19,860 --> 00:09:22,594
>> Reggie: INGALA.
>> James: INGALA TURNS UP
WITHGARD BOARD.

302
00:09:22,596 --> 00:09:24,396
>> James: INGALA TURNS UP
WITHGARD BOARD.
I WOULDN'T BREAK DANCE BUT I

303
00:09:24,398 --> 00:09:26,197
WITHGARD BOARD.
I WOULDN'T BREAK DANCE BUT I
WOULD LIKE TO BE THE DUDE WHO

304
00:09:26,199 --> 00:09:27,832
I WOULDN'T BREAK DANCE BUT I
WOULD LIKE TO BE THE DUDE WHO
GOES IN AND THEN STEPS OUT.

305
00:09:27,834 --> 00:09:30,368
WOULD LIKE TO BE THE DUDE WHO
GOES IN AND THEN STEPS OUT.
I WOULD BE, LIKE, INGALLA'S

306
00:09:30,370 --> 00:09:32,304
GOES IN AND THEN STEPS OUT.
I WOULD BE, LIKE, INGALLA'S
THERE AND DOING WIND MILLS, AND

307
00:09:32,306 --> 00:09:38,643
I WOULD BE, LIKE, INGALLA'S
THERE AND DOING WIND MILLS, AND
I WOULD BE LIKE --

308
00:09:38,645 --> 00:09:43,882
THERE AND DOING WIND MILLS, AND
I WOULD BE LIKE --
( RHYTHMIC DRUM BEATS )

309
00:09:43,884 --> 00:09:46,551
I WOULD BE LIKE --
( RHYTHMIC DRUM BEATS )
( LAUGHTER )

310
00:09:46,553 --> 00:09:49,220
( RHYTHMIC DRUM BEATS )
( LAUGHTER )
>> James: IT'S ALL RIGHT!

311
00:09:49,222 --> 00:09:49,521
( LAUGHTER )
>> James: IT'S ALL RIGHT!
( APPLAUSE )

312
00:09:49,523 --> 00:09:51,723
>> James: IT'S ALL RIGHT!
( APPLAUSE )
I MEAN, LOOK, I'M NOT SAYING

313
00:09:51,725 --> 00:09:52,290
( APPLAUSE )
I MEAN, LOOK, I'M NOT SAYING
WE'RE GOING TO WIN.

314
00:09:52,292 --> 00:09:54,392
I MEAN, LOOK, I'M NOT SAYING
WE'RE GOING TO WIN.
I DON'T THINK WE'LL WIN.

315
00:09:54,394 --> 00:09:55,961
WE'RE GOING TO WIN.
I DON'T THINK WE'LL WIN.
I DON'T THINK WE'LL GET GOLD,

316
00:09:55,963 --> 00:09:56,995
I DON'T THINK WE'LL WIN.
I DON'T THINK WE'LL GET GOLD,
BUT I THINK WE'LL COMPETE, DO

317
00:09:56,997 --> 00:09:59,397
I DON'T THINK WE'LL GET GOLD,
BUT I THINK WE'LL COMPETE, DO
YOU KNOW WHAT I MEAN?

318
00:09:59,399 --> 00:09:59,864
BUT I THINK WE'LL COMPETE, DO
YOU KNOW WHAT I MEAN?
>> IT'S ANTICIPATION.

319
00:09:59,866 --> 00:10:02,601
YOU KNOW WHAT I MEAN?
>> IT'S ANTICIPATION.
WHAT IS THAT GUY GOING TO DO?

320
00:10:02,603 --> 00:10:03,568
>> IT'S ANTICIPATION.
WHAT IS THAT GUY GOING TO DO?
AND YOU NEVER SHOW HIM.

321
00:10:03,570 --> 00:10:05,437
WHAT IS THAT GUY GOING TO DO?
AND YOU NEVER SHOW HIM.
SO WE HAVE TO GIVE HIM A GOLD TO

322
00:10:05,439 --> 00:10:06,471
AND YOU NEVER SHOW HIM.
SO WE HAVE TO GIVE HIM A GOLD TO
COME BACK IN FOUR MORE YEARS.

323
00:10:06,473 --> 00:10:09,040
SO WE HAVE TO GIVE HIM A GOLD TO
COME BACK IN FOUR MORE YEARS.
>> James: I JUST WANT TO

324
00:10:09,042 --> 00:10:09,274
COME BACK IN FOUR MORE YEARS.
>> James: I JUST WANT TO
PLACE.

325
00:10:09,276 --> 00:10:11,176
>> James: I JUST WANT TO
PLACE.
REG, I BET YOU ACTUALLY CAN

326
00:10:11,178 --> 00:10:12,277
PLACE.
REG, I BET YOU ACTUALLY CAN
BREAK DANCE, CAN'T YOU?

327
00:10:12,279 --> 00:10:13,845
REG, I BET YOU ACTUALLY CAN
BREAK DANCE, CAN'T YOU?
>> Reggie: I CAN DO ROBOTICS.

328
00:10:13,847 --> 00:10:16,114
BREAK DANCE, CAN'T YOU?
>> Reggie: I CAN DO ROBOTICS.
>> James: YOU'VE GOT GREAT

329
00:10:16,116 --> 00:10:16,381
>> Reggie: I CAN DO ROBOTICS.
>> James: YOU'VE GOT GREAT
ROBOTICS.

330
00:10:16,383 --> 00:10:16,748
>> James: YOU'VE GOT GREAT
ROBOTICS.
>> Reggie: YEAH.

331
00:10:16,750 --> 00:10:17,916
ROBOTICS.
>> Reggie: YEAH.
>> James: AND YOUR RIPS.

332
00:10:17,918 --> 00:10:19,651
>> Reggie: YEAH.
>> James: AND YOUR RIPS.
>> Reggie: YEAH, I'VE GOT

333
00:10:19,653 --> 00:10:19,851
>> James: AND YOUR RIPS.
>> Reggie: YEAH, I'VE GOT
HIPS.

334
00:10:19,853 --> 00:10:21,119
>> Reggie: YEAH, I'VE GOT
HIPS.
>> James: WHEN HE DANCES,

335
00:10:21,121 --> 00:10:23,455
HIPS.
>> James: WHEN HE DANCES,
REGGIE BECOMES LIKE A MAN

336
00:10:23,457 --> 00:10:23,722
>> James: WHEN HE DANCES,
REGGIE BECOMES LIKE A MAN
POSSESSED.

337
00:10:23,724 --> 00:10:24,856
REGGIE BECOMES LIKE A MAN
POSSESSED.
IT'S ALL IN THE HIPS AND THE

338
00:10:24,858 --> 00:10:29,060
POSSESSED.
IT'S ALL IN THE HIPS AND THE
WASTE AND YOUR HOLE WHOLE BODY

339
00:10:29,062 --> 00:10:33,531
IT'S ALL IN THE HIPS AND THE
WASTE AND YOUR HOLE WHOLE BODY
FLOWS IN THE WAY THAT I'M GOING

340
00:10:33,533 --> 00:10:39,738
WASTE AND YOUR HOLE WHOLE BODY
FLOWS IN THE WAY THAT I'M GOING
TO THE BAR.

341
00:10:39,740 --> 00:10:47,846
FLOWS IN THE WAY THAT I'M GOING
TO THE BAR.
YEAH, REG.

342
00:10:50,383 --> 00:10:56,421
WHAT IF WE GOT?
>> Reggie: IT'S BEEN A LONG
TIME.

343
00:10:56,423 --> 00:11:00,458
>> Reggie: IT'S BEEN A LONG
TIME.
>> James: YES!

344
00:11:00,460 --> 00:11:03,695
TIME.
>> James: YES!
♪

345
00:11:03,697 --> 00:11:06,164
>> James: YES!
♪
♪

346
00:11:06,166 --> 00:11:07,832
♪
♪
COME ON NOW!

347
00:11:07,834 --> 00:11:09,734
♪
COME ON NOW!
( CHEERS AND APPLAUSE )

348
00:11:09,736 --> 00:11:10,669
COME ON NOW!
( CHEERS AND APPLAUSE )
GUYS!

349
00:11:10,671 --> 00:11:11,936
( CHEERS AND APPLAUSE )
GUYS!
I HONESTLY BELIEVE WE'RE FORMING

350
00:11:11,938 --> 00:11:15,473
GUYS!
I HONESTLY BELIEVE WE'RE FORMING
A CREW HERE!

351
00:11:15,475 --> 00:11:17,142
I HONESTLY BELIEVE WE'RE FORMING
A CREW HERE!
INGALA, CAN YOU ACTUALLY BREAK

352
00:11:17,144 --> 00:11:17,342
A CREW HERE!
INGALA, CAN YOU ACTUALLY BREAK
DANCE?

353
00:11:17,344 --> 00:11:18,043
INGALA, CAN YOU ACTUALLY BREAK
DANCE?
>> YEAH, I MEAN, IT'S BEEN A

354
00:11:18,045 --> 00:11:20,245
DANCE?
>> YEAH, I MEAN, IT'S BEEN A
LONG TIME, BUT, YEAH.

355
00:11:20,247 --> 00:11:21,713
>> YEAH, I MEAN, IT'S BEEN A
LONG TIME, BUT, YEAH.
♪

356
00:11:21,715 --> 00:11:29,821
LONG TIME, BUT, YEAH.
♪
♪

357
00:11:31,057 --> 00:11:39,097
>> James: YES!

358
00:11:39,765 --> 00:11:43,668
IN TRAINING.
>> James: I HONESTLY BELIEVE
WE CAN DO THIS.

359
00:11:43,670 --> 00:11:45,403
>> James: I HONESTLY BELIEVE
WE CAN DO THIS.
DO YOU HAVE MOVES, GUILLERMO?

360
00:11:45,405 --> 00:11:47,806
WE CAN DO THIS.
DO YOU HAVE MOVES, GUILLERMO?
ARE YOU IN THE CREW?

361
00:11:47,808 --> 00:11:51,209
DO YOU HAVE MOVES, GUILLERMO?
ARE YOU IN THE CREW?
>> I'M GOING TO JOIN, BUT I

362
00:11:51,211 --> 00:11:55,513
ARE YOU IN THE CREW?
>> I'M GOING TO JOIN, BUT I
PREFER TO STAY IN THE DEEJAY

363
00:11:55,515 --> 00:11:55,680
>> I'M GOING TO JOIN, BUT I
PREFER TO STAY IN THE DEEJAY
KAG.

364
00:11:55,682 --> 00:11:57,716
PREFER TO STAY IN THE DEEJAY
KAG.
>> James: ME AND IAN ARE,

365
00:11:57,718 --> 00:11:59,084
KAG.
>> James: ME AND IAN ARE,
LIKE, HYPE.

366
00:11:59,086 --> 00:12:00,518
>> James: ME AND IAN ARE,
LIKE, HYPE.
>> YEAH, PURE HYPE.

367
00:12:00,520 --> 00:12:01,953
LIKE, HYPE.
>> YEAH, PURE HYPE.
I'LL BE OUR LAWYER.

368
00:12:01,955 --> 00:12:03,855
>> YEAH, PURE HYPE.
I'LL BE OUR LAWYER.
I'LL HANG OUT IN THE BACK, ANY

369
00:12:03,857 --> 00:12:07,659
I'LL BE OUR LAWYER.
I'LL HANG OUT IN THE BACK, ANY
CONTRACTS COME UP, I'LL GIVE HIM

370
00:12:07,661 --> 00:12:08,126
I'LL HANG OUT IN THE BACK, ANY
CONTRACTS COME UP, I'LL GIVE HIM
A LOOK-OVER.

371
00:12:08,128 --> 00:12:09,494
CONTRACTS COME UP, I'LL GIVE HIM
A LOOK-OVER.
>> James: ME AND YOU, WE'VE

372
00:12:09,496 --> 00:12:11,830
A LOOK-OVER.
>> James: ME AND YOU, WE'VE
GOT ENOUGH TO ADD TO THE CREW.

373
00:12:11,832 --> 00:12:13,064
>> James: ME AND YOU, WE'VE
GOT ENOUGH TO ADD TO THE CREW.
>> I WEAR A LOT OF NECKLACES.

374
00:12:13,066 --> 00:12:14,866
GOT ENOUGH TO ADD TO THE CREW.
>> I WEAR A LOT OF NECKLACES.
>> James: HANG ON, YOU KNOW

375
00:12:14,868 --> 00:12:16,701
>> I WEAR A LOT OF NECKLACES.
>> James: HANG ON, YOU KNOW
WHO'S MISSING FROM THIS CREW AND

376
00:12:16,703 --> 00:12:18,536
>> James: HANG ON, YOU KNOW
WHO'S MISSING FROM THIS CREW AND
I JUST HEARD HE'S READY.

377
00:12:18,538 --> 00:12:21,573
WHO'S MISSING FROM THIS CREW AND
I JUST HEARD HE'S READY.
BRING HIM OUT, LADIES AND

378
00:12:21,575 --> 00:12:22,474
I JUST HEARD HE'S READY.
BRING HIM OUT, LADIES AND
GENTLEMEN, LOUIE!

379
00:12:22,476 --> 00:12:23,808
BRING HIM OUT, LADIES AND
GENTLEMEN, LOUIE!
♪

380
00:12:23,810 --> 00:12:25,677
GENTLEMEN, LOUIE!
♪
♪

381
00:12:25,679 --> 00:12:28,613
♪
♪
NO, NO, NO, NO, NO.

382
00:12:28,615 --> 00:12:31,216
♪
NO, NO, NO, NO, NO.
NO, NO, NO.

383
00:12:31,218 --> 00:12:31,850
NO, NO, NO, NO, NO.
NO, NO, NO.
UNACCEPTABLE.

384
00:12:31,852 --> 00:12:33,718
NO, NO, NO.
UNACCEPTABLE.
UNACCEPTABLE.

385
00:12:33,720 --> 00:12:35,854
UNACCEPTABLE.
UNACCEPTABLE.
UNACCEPTABLE.

386
00:12:35,856 --> 00:12:38,389
UNACCEPTABLE.
UNACCEPTABLE.
UNACCEPTABLE.

387
00:12:38,391 --> 00:12:38,656
UNACCEPTABLE.
UNACCEPTABLE.
( BOOING )

388
00:12:38,658 --> 00:12:40,125
UNACCEPTABLE.
( BOOING )
>> James: WHAT'S THE PROBLEM

389
00:12:40,127 --> 00:12:41,426
( BOOING )
>> James: WHAT'S THE PROBLEM
HERE?

390
00:12:41,428 --> 00:12:42,193
>> James: WHAT'S THE PROBLEM
HERE?
WHAT'S THE PROBLEM?

391
00:12:42,195 --> 00:12:43,728
HERE?
WHAT'S THE PROBLEM?
WHAT'S THE PROBLEM?

392
00:12:43,730 --> 00:12:45,330
WHAT'S THE PROBLEM?
WHAT'S THE PROBLEM?
>> DON'T WANT TO DO IT.

393
00:12:45,332 --> 00:12:46,231
WHAT'S THE PROBLEM?
>> DON'T WANT TO DO IT.
>> James: WHY?

394
00:12:46,233 --> 00:12:47,499
>> DON'T WANT TO DO IT.
>> James: WHY?
UST DON'T FEEL LIKE IT.

395
00:12:47,501 --> 00:12:49,067
>> James: WHY?
UST DON'T FEEL LIKE IT.
>> James: WHY?

396
00:12:49,069 --> 00:12:50,368
UST DON'T FEEL LIKE IT.
>> James: WHY?
UM, DON'T WANT TO DO IT.

397
00:12:50,370 --> 00:12:51,836
>> James: WHY?
UM, DON'T WANT TO DO IT.
>> James: WELL, I DIDN'T FEEL

398
00:12:51,838 --> 00:12:54,873
UM, DON'T WANT TO DO IT.
>> James: WELL, I DIDN'T FEEL
LIKE STARTING THE SHOW AT 3:00,

399
00:12:54,875 --> 00:12:57,709
>> James: WELL, I DIDN'T FEEL
LIKE STARTING THE SHOW AT 3:00,
BUT I HAD TO BECAUSE THAT'S WHEN

400
00:12:57,711 --> 00:12:58,643
LIKE STARTING THE SHOW AT 3:00,
BUT I HAD TO BECAUSE THAT'S WHEN
THE SHOW STARTS.

401
00:12:58,645 --> 00:12:59,544
BUT I HAD TO BECAUSE THAT'S WHEN
THE SHOW STARTS.
>> IT WILL HAVE TO DO.

402
00:12:59,546 --> 00:13:03,715
THE SHOW STARTS.
>> IT WILL HAVE TO DO.
YOU WILL HAVE TO IMAGINE ME.

403
00:13:03,717 --> 00:13:06,251
>> IT WILL HAVE TO DO.
YOU WILL HAVE TO IMAGINE ME.
( LAUGHTER )

404
00:13:06,253 --> 00:13:07,786
YOU WILL HAVE TO IMAGINE ME.
( LAUGHTER )
>> James: IT'S JUST A SHAME.

405
00:13:07,788 --> 00:13:09,654
( LAUGHTER )
>> James: IT'S JUST A SHAME.
IT'S JUST A SHAME.

406
00:13:09,656 --> 00:13:14,259
>> James: IT'S JUST A SHAME.
IT'S JUST A SHAME.
WE WERE IN A REALLY GREAT VIBE

407
00:13:14,261 --> 00:13:16,895
IT'S JUST A SHAME.
WE WERE IN A REALLY GREAT VIBE
THERE, PEOPLE -- ROB'S BREAK

408
00:13:16,897 --> 00:13:19,264
WE WERE IN A REALLY GREAT VIBE
THERE, PEOPLE -- ROB'S BREAK
DANCED, REGGIE'S DONE THE ROBOT,

409
00:13:19,266 --> 00:13:21,099
THERE, PEOPLE -- ROB'S BREAK
DANCED, REGGIE'S DONE THE ROBOT,
I'VE GOTTEN UP AND DOWN, WE'RE

410
00:13:21,101 --> 00:13:22,333
DANCED, REGGIE'S DONE THE ROBOT,
I'VE GOTTEN UP AND DOWN, WE'RE
ALL TRYING TO MAKE A SHOW.

411
00:13:22,335 --> 00:13:25,303
I'VE GOTTEN UP AND DOWN, WE'RE
ALL TRYING TO MAKE A SHOW.
I'M NOT UPSET FOR ME, IT'S THE

412
00:13:25,305 --> 00:13:27,739
ALL TRYING TO MAKE A SHOW.
I'M NOT UPSET FOR ME, IT'S THE
VIEWERS AT HOME.

413
00:13:27,741 --> 00:13:27,972
I'M NOT UPSET FOR ME, IT'S THE
VIEWERS AT HOME.
>> YEAH.

414
00:13:27,974 --> 00:13:28,740
VIEWERS AT HOME.
>> YEAH.
IT'S BEEN A HARD ENOUGH YEAR.

415
00:13:28,742 --> 00:13:30,341
>> YEAH.
IT'S BEEN A HARD ENOUGH YEAR.
>> James: THE ONLY WAY THIS

416
00:13:30,343 --> 00:13:33,144
IT'S BEEN A HARD ENOUGH YEAR.
>> James: THE ONLY WAY THIS
CAN BE SAVED IS IF YOU JOIN OUR

417
00:13:33,146 --> 00:13:33,945
>> James: THE ONLY WAY THIS
CAN BE SAVED IS IF YOU JOIN OUR
BREAK DANCING CREW AND SHOW US

418
00:13:33,947 --> 00:13:37,715
CAN BE SAVED IS IF YOU JOIN OUR
BREAK DANCING CREW AND SHOW US
WHAT YOU'VE GOT.

419
00:13:37,717 --> 00:13:39,684
BREAK DANCING CREW AND SHOW US
WHAT YOU'VE GOT.
♪

420
00:13:39,686 --> 00:13:47,792
WHAT YOU'VE GOT.
♪
♪

421
00:13:56,135 --> 00:13:59,804
( LAUGHTER )
>> James: WELL, THE ONLY WAY
TO FOLLOW THAT IS TO SAY WHEN WE

422
00:13:59,806 --> 00:14:02,140
>> James: WELL, THE ONLY WAY
TO FOLLOW THAT IS TO SAY WHEN WE
COME BACK, MERYL STREEP IS GOING

423
00:14:02,142 --> 00:14:03,041
TO FOLLOW THAT IS TO SAY WHEN WE
COME BACK, MERYL STREEP IS GOING
TO BE HERE!

424
00:14:03,043 --> 00:14:06,377
COME BACK, MERYL STREEP IS GOING
TO BE HERE!
COME ON BACK, EVERYBODY!

425
00:14:06,379 --> 00:14:07,078
TO BE HERE!
COME ON BACK, EVERYBODY!
♪

426
00:14:07,080 --> 00:14:07,812
COME ON BACK, EVERYBODY!
♪
♪

427
00:14:19,758 --> 00:14:24,229
>> James: EVERYONE WHO KNOWS
ME KNOWS I LOVE THE FINER THINGS
IN LIFE BUT I CAN'T STAND TRICKY

428
00:14:24,231 --> 00:14:24,762
ME KNOWS I LOVE THE FINER THINGS
IN LIFE BUT I CAN'T STAND TRICKY
FINE PRINT.

429
00:14:24,764 --> 00:14:26,531
IN LIFE BUT I CAN'T STAND TRICKY
FINE PRINT.
YOU JUST WANT TO SIGN UP TO A

430
00:14:26,533 --> 00:14:27,832
FINE PRINT.
YOU JUST WANT TO SIGN UP TO A
SPECIAL OFFER OR A NEW CREDIT

431
00:14:27,834 --> 00:14:29,801
YOU JUST WANT TO SIGN UP TO A
SPECIAL OFFER OR A NEW CREDIT
CARD AND THEN THERE ARE ALL THE

432
00:14:29,803 --> 00:14:31,836
SPECIAL OFFER OR A NEW CREDIT
CARD AND THEN THERE ARE ALL THE
HIDDEN THINGS THAT POP UP.

433
00:14:31,838 --> 00:14:33,304
CARD AND THEN THERE ARE ALL THE
HIDDEN THINGS THAT POP UP.
WHAT'S THAT SAY IN MAKE THAT

434
00:14:33,306 --> 00:14:35,373
HIDDEN THINGS THAT POP UP.
WHAT'S THAT SAY IN MAKE THAT
BIGGER -- YOU THE VIEWER HAVE

435
00:14:35,375 --> 00:14:37,342
WHAT'S THAT SAY IN MAKE THAT
BIGGER -- YOU THE VIEWER HAVE
HENCE FORT CONSENTED TO ONLY

436
00:14:37,344 --> 00:14:38,910
BIGGER -- YOU THE VIEWER HAVE
HENCE FORT CONSENTED TO ONLY
WATCH CBS PROGRAMMING FOREVER

437
00:14:38,912 --> 00:14:41,379
HENCE FORT CONSENTED TO ONLY
WATCH CBS PROGRAMMING FOREVER
AND GET A TATTOO OF JAMES

438
00:14:41,381 --> 00:14:43,281
WATCH CBS PROGRAMMING FOREVER
AND GET A TATTOO OF JAMES
CORDEN'S FACE ON YOUR FACE.

439
00:14:43,283 --> 00:14:44,883
AND GET A TATTOO OF JAMES
CORDEN'S FACE ON YOUR FACE.
REFUSAL WILL RESULT IN A MINIMUM

440
00:14:44,885 --> 00:14:46,818
CORDEN'S FACE ON YOUR FACE.
REFUSAL WILL RESULT IN A MINIMUM
FINE OF $20,000.

441
00:14:46,820 --> 00:14:46,985
REFUSAL WILL RESULT IN A MINIMUM
FINE OF $20,000.
NO!

442
00:14:46,987 --> 00:14:48,119
FINE OF $20,000.
NO!
GET THAT OUT OF HERE!

443
00:14:48,121 --> 00:14:49,220
NO!
GET THAT OUT OF HERE!
THAT'S NOT TRUE, SEE.

444
00:14:49,222 --> 00:14:52,423
GET THAT OUT OF HERE!
THAT'S NOT TRUE, SEE.
THIS IS WHY I LIKE A FIRM.

445
00:14:52,425 --> 00:14:57,595
THAT'S NOT TRUE, SEE.
THIS IS WHY I LIKE A FIRM.
A FIRM IS AN ALTERNATIVE TO

446
00:14:57,597 --> 00:14:59,764
THIS IS WHY I LIKE A FIRM.
A FIRM IS AN ALTERNATIVE TO
CREDIT TARDZ WITH NO HIDDEN FEES

447
00:14:59,766 --> 00:15:03,735
A FIRM IS AN ALTERNATIVE TO
CREDIT TARDZ WITH NO HIDDEN FEES
OR GOT YA'S.

448
00:15:03,737 --> 00:15:08,206
CREDIT TARDZ WITH NO HIDDEN FEES
OR GOT YA'S.
IF YOU SEND A VIDEO OF YOU DOING

449
00:15:08,208 --> 00:15:11,709
OR GOT YA'S.
IF YOU SEND A VIDEO OF YOU DOING
A COMEEDY READING OF THE MOST

450
00:15:11,711 --> 00:15:15,346
IF YOU SEND A VIDEO OF YOU DOING
A COMEEDY READING OF THE MOST
RIDICULOUS FINE PRINT BY

451
00:15:15,348 --> 00:15:16,648
A COMEEDY READING OF THE MOST
RIDICULOUS FINE PRINT BY
DECEMBERO 10, YOU WILL BE ONE OF

452
00:15:16,650 --> 00:15:21,719
RIDICULOUS FINE PRINT BY
DECEMBERO 10, YOU WILL BE ONE OF
THE LUCKY WINNERS TO GET

453
00:15:21,721 --> 00:15:25,556
DECEMBERO 10, YOU WILL BE ONE OF
THE LUCKY WINNERS TO GET
$10,000.

454
00:15:36,669 --> 00:15:39,704
♪ ♪ ♪
FIRST GUEST
TONIGHT.

455
00:15:39,706 --> 00:15:40,305
FIRST GUEST
TONIGHT.
WE ARE HONORED AND EXCITED TO

456
00:15:40,307 --> 00:15:42,006
TONIGHT.
WE ARE HONORED AND EXCITED TO
HAVE HER ON THE SHOW TODAY.

457
00:15:42,008 --> 00:15:44,108
WE ARE HONORED AND EXCITED TO
HAVE HER ON THE SHOW TODAY.
SHE'S THE BEST OF THE BEST AC

458
00:15:44,110 --> 00:15:45,677
HAVE HER ON THE SHOW TODAY.
SHE'S THE BEST OF THE BEST AC
TORSION ALIVE, ONE OF MY

459
00:15:45,679 --> 00:15:47,412
SHE'S THE BEST OF THE BEST AC
TORSION ALIVE, ONE OF MY
FAVORITE PEOPLE ON THE PLANET

460
00:15:47,414 --> 00:15:49,681
TORSION ALIVE, ONE OF MY
FAVORITE PEOPLE ON THE PLANET
EARTH, PLEASE WELCOME THE EVER

461
00:15:49,683 --> 00:15:50,348
FAVORITE PEOPLE ON THE PLANET
EARTH, PLEASE WELCOME THE EVER
MAGNIFICENT MERYL STREEP IS ON

462
00:15:50,350 --> 00:15:50,782
EARTH, PLEASE WELCOME THE EVER
MAGNIFICENT MERYL STREEP IS ON
THE SHOW!

463
00:15:50,784 --> 00:15:54,152
MAGNIFICENT MERYL STREEP IS ON
THE SHOW!
WOULD YOU BELIEVE IT!

464
00:15:54,154 --> 00:15:56,020
THE SHOW!
WOULD YOU BELIEVE IT!
HOW ARE YOU, MERYL, ARE YOU

465
00:15:56,022 --> 00:15:56,220
WOULD YOU BELIEVE IT!
HOW ARE YOU, MERYL, ARE YOU
WELL?

466
00:15:56,222 --> 00:15:57,755
HOW ARE YOU, MERYL, ARE YOU
WELL?
>> I'M VERY WELL, THANKS.

467
00:15:57,757 --> 00:15:59,524
WELL?
>> I'M VERY WELL, THANKS.
I FEEL EXTREMELY WEIRD SITTING

468
00:15:59,526 --> 00:16:02,493
>> I'M VERY WELL, THANKS.
I FEEL EXTREMELY WEIRD SITTING
IN MY OWN LIVING ROOM COVERED IN

469
00:16:02,495 --> 00:16:03,227
I FEEL EXTREMELY WEIRD SITTING
IN MY OWN LIVING ROOM COVERED IN
DOG HAIRS.

470
00:16:03,229 --> 00:16:04,829
IN MY OWN LIVING ROOM COVERED IN
DOG HAIRS.
>> James: YES, WELL, I'VE SEEN

471
00:16:04,831 --> 00:16:09,133
DOG HAIRS.
>> James: YES, WELL, I'VE SEEN
YOU ON A LOT OF ZOOMS THIS PAST

472
00:16:09,135 --> 00:16:11,502
>> James: YES, WELL, I'VE SEEN
YOU ON A LOT OF ZOOMS THIS PAST
FEW MONTHS AND I'M LIKING THIS

473
00:16:11,504 --> 00:16:11,803
YOU ON A LOT OF ZOOMS THIS PAST
FEW MONTHS AND I'M LIKING THIS
BACKGROUND.

474
00:16:11,805 --> 00:16:17,775
FEW MONTHS AND I'M LIKING THIS
BACKGROUND.
A LOVELY PAINTING.

475
00:16:17,777 --> 00:16:18,643
BACKGROUND.
A LOVELY PAINTING.
>> THANK YOU.

476
00:16:18,645 --> 00:16:20,044
A LOVELY PAINTING.
>> THANK YOU.
YEAH, I'M HOME AND COMMUTING TO

477
00:16:20,046 --> 00:16:20,678
>> THANK YOU.
YEAH, I'M HOME AND COMMUTING TO
BOSTON TO MAKE A MOVIE.

478
00:16:20,680 --> 00:16:24,248
YEAH, I'M HOME AND COMMUTING TO
BOSTON TO MAKE A MOVIE.
>> James: THAT'S RIGHT, IT

479
00:16:24,250 --> 00:16:27,785
BOSTON TO MAKE A MOVIE.
>> James: THAT'S RIGHT, IT
JUST STARTED.

480
00:16:27,787 --> 00:16:28,019
>> James: THAT'S RIGHT, IT
JUST STARTED.
>> YES.

481
00:16:28,021 --> 00:16:29,253
JUST STARTED.
>> YES.
I JUST STARTED ON FRIDAY.

482
00:16:29,255 --> 00:16:30,321
>> YES.
I JUST STARTED ON FRIDAY.
>> James: BECAUSE I KNOW YOU

483
00:16:30,323 --> 00:16:32,357
I JUST STARTED ON FRIDAY.
>> James: BECAUSE I KNOW YOU
WERE SUPPOSED TO START THIS

484
00:16:32,359 --> 00:16:33,324
>> James: BECAUSE I KNOW YOU
WERE SUPPOSED TO START THIS
BEFORE LOCKDOWN, AND THIS IS

485
00:16:33,326 --> 00:16:36,160
WERE SUPPOSED TO START THIS
BEFORE LOCKDOWN, AND THIS IS
YOUR FIRST TIME BACK AFTER -- I

486
00:16:36,162 --> 00:16:37,562
BEFORE LOCKDOWN, AND THIS IS
YOUR FIRST TIME BACK AFTER -- I
IMAGINE, FOR YOU, QUITE A LONG

487
00:16:37,564 --> 00:16:39,163
YOUR FIRST TIME BACK AFTER -- I
IMAGINE, FOR YOU, QUITE A LONG
PERIOD OF NOT WORKING, RIGHT?

488
00:16:39,165 --> 00:16:41,532
IMAGINE, FOR YOU, QUITE A LONG
PERIOD OF NOT WORKING, RIGHT?
WHAT WAS IT LIKE BEING BACK ON

489
00:16:41,534 --> 00:16:46,838
PERIOD OF NOT WORKING, RIGHT?
WHAT WAS IT LIKE BEING BACK ON
SET FOR THE FIRST TIME?

490
00:16:46,840 --> 00:16:52,076
WHAT WAS IT LIKE BEING BACK ON
SET FOR THE FIRST TIME?
>> IT WAS HORRIBLE (LAUGHING).

491
00:16:52,078 --> 00:16:53,111
SET FOR THE FIRST TIME?
>> IT WAS HORRIBLE (LAUGHING).
>> James: WHY?

492
00:16:53,113 --> 00:16:53,745
>> IT WAS HORRIBLE (LAUGHING).
>> James: WHY?
BECAUSE I WAS HERE.

493
00:16:53,747 --> 00:16:55,613
>> James: WHY?
BECAUSE I WAS HERE.
WE HAD TO QUARANTINE FOR TWO

494
00:16:55,615 --> 00:16:58,282
BECAUSE I WAS HERE.
WE HAD TO QUARANTINE FOR TWO
WEEKS AND NO ONE COULD COME AND

495
00:16:58,284 --> 00:16:59,984
WE HAD TO QUARANTINE FOR TWO
WEEKS AND NO ONE COULD COME AND
THEY DELIVERED MEALS, AND I HAVE

496
00:16:59,986 --> 00:17:03,721
WEEKS AND NO ONE COULD COME AND
THEY DELIVERED MEALS, AND I HAVE
BEEN TESTED UP THE WAZOO LIKE A

497
00:17:03,723 --> 00:17:04,622
THEY DELIVERED MEALS, AND I HAVE
BEEN TESTED UP THE WAZOO LIKE A
HUNDRED TIMES.

498
00:17:04,624 --> 00:17:06,724
BEEN TESTED UP THE WAZOO LIKE A
HUNDRED TIMES.
SO I'M PLAYING THE PRESIDENT OF

499
00:17:06,726 --> 00:17:07,959
HUNDRED TIMES.
SO I'M PLAYING THE PRESIDENT OF
THE UNITED STATES IN THIS FILM

500
00:17:07,961 --> 00:17:11,496
SO I'M PLAYING THE PRESIDENT OF
THE UNITED STATES IN THIS FILM
AND THE FIRST DAY OF WORK WAS A

501
00:17:11,498 --> 00:17:13,931
THE UNITED STATES IN THIS FILM
AND THE FIRST DAY OF WORK WAS A
GREAT BIG ADDRESS TO A STADIUM,

502
00:17:13,933 --> 00:17:15,800
AND THE FIRST DAY OF WORK WAS A
GREAT BIG ADDRESS TO A STADIUM,
A BASKETBALL STADIUM, AND THEY

503
00:17:15,802 --> 00:17:17,435
GREAT BIG ADDRESS TO A STADIUM,
A BASKETBALL STADIUM, AND THEY
HAD SENT ME THE SCRIPT AND I HAD

504
00:17:17,437 --> 00:17:20,338
A BASKETBALL STADIUM, AND THEY
HAD SENT ME THE SCRIPT AND I HAD
LEARNED A BIG SPEECH FOR THE

505
00:17:20,340 --> 00:17:20,705
HAD SENT ME THE SCRIPT AND I HAD
LEARNED A BIG SPEECH FOR THE
FIRS FIRST DAY.

506
00:17:20,707 --> 00:17:22,407
LEARNED A BIG SPEECH FOR THE
FIRS FIRST DAY.
YOU KNOW WHAT IT'S LIKE.

507
00:17:22,409 --> 00:17:23,307
FIRS FIRST DAY.
YOU KNOW WHAT IT'S LIKE.
USUALLY YOU LIKE TO GET IN AND

508
00:17:23,309 --> 00:17:25,977
YOU KNOW WHAT IT'S LIKE.
USUALLY YOU LIKE TO GET IN AND
OUT OF CAR THE FIRST DAY OF WORK

509
00:17:25,979 --> 00:17:26,477
USUALLY YOU LIKE TO GET IN AND
OUT OF CAR THE FIRST DAY OF WORK
OR SOMETHING.3

510
00:17:26,479 --> 00:17:28,546
OUT OF CAR THE FIRST DAY OF WORK
OR SOMETHING.3
>> James: SURE, YEAH.

511
00:17:28,548 --> 00:17:29,947
OR SOMETHING.3
>> James: SURE, YEAH.
TO EASE IN.

512
00:17:29,949 --> 00:17:30,948
>> James: SURE, YEAH.
TO EASE IN.
BUT THIS WAS FULL ON.

513
00:17:30,950 --> 00:17:34,318
TO EASE IN.
BUT THIS WAS FULL ON.
AND THERE WAS MY BIG FACE ON THE

514
00:17:34,320 --> 00:17:35,653
BUT THIS WAS FULL ON.
AND THERE WAS MY BIG FACE ON THE
JumboTron IN FRONT OF ME,

515
00:17:35,655 --> 00:17:40,124
AND THERE WAS MY BIG FACE ON THE
JumboTron IN FRONT OF ME,
AND IT WAS JUST SO HUGE AND

516
00:17:40,126 --> 00:17:43,428
JumboTron IN FRONT OF ME,
AND IT WAS JUST SO HUGE AND
CAVERNOUS, AND THE SPEECH WAS

517
00:17:43,430 --> 00:17:44,495
AND IT WAS JUST SO HUGE AND
CAVERNOUS, AND THE SPEECH WAS
REWRITTEN AND I HADN'T GOTTEN IT

518
00:17:44,497 --> 00:17:46,230
CAVERNOUS, AND THE SPEECH WAS
REWRITTEN AND I HADN'T GOTTEN IT
THE NIGHT BEFORE, SO I TRIED TO

519
00:17:46,232 --> 00:17:49,467
REWRITTEN AND I HADN'T GOTTEN IT
THE NIGHT BEFORE, SO I TRIED TO
LEARN IT REALLY FAST AND I

520
00:17:49,469 --> 00:17:51,002
THE NIGHT BEFORE, SO I TRIED TO
LEARN IT REALLY FAST AND I
COULDN'T REMEMBER ANYTHING I WAS

521
00:17:51,004 --> 00:17:52,503
LEARN IT REALLY FAST AND I
COULDN'T REMEMBER ANYTHING I WAS
SUPPOSED TO SAY, AND THE EXTRAS

522
00:17:52,505 --> 00:17:55,006
COULDN'T REMEMBER ANYTHING I WAS
SUPPOSED TO SAY, AND THE EXTRAS
ARE ALL LOOKING AT ME, LIKE --

523
00:17:55,008 --> 00:17:55,306
SUPPOSED TO SAY, AND THE EXTRAS
ARE ALL LOOKING AT ME, LIKE --
( LAUGHTER )

524
00:17:55,308 --> 00:17:56,874
ARE ALL LOOKING AT ME, LIKE --
( LAUGHTER )
>> James: YOU GOT UP THERE AND

525
00:17:56,876 --> 00:17:59,277
( LAUGHTER )
>> James: YOU GOT UP THERE AND
YOU KEPT FORGETTING YOUR LINES?

526
00:17:59,279 --> 00:18:00,578
>> James: YOU GOT UP THERE AND
YOU KEPT FORGETTING YOUR LINES?
>> YEAH, YEAH, IT WAS AWFUL.

527
00:18:00,580 --> 00:18:03,714
YOU KEPT FORGETTING YOUR LINES?
>> YEAH, YEAH, IT WAS AWFUL.
BUT I HAD THE GREAT JONAH HILL

528
00:18:03,716 --> 00:18:06,050
>> YEAH, YEAH, IT WAS AWFUL.
BUT I HAD THE GREAT JONAH HILL
WITH ME, SO HE WOULD IMPROVISE

529
00:18:06,052 --> 00:18:07,251
BUT I HAD THE GREAT JONAH HILL
WITH ME, SO HE WOULD IMPROVISE
AROUND AND HAVE FUN.

530
00:18:07,253 --> 00:18:08,619
WITH ME, SO HE WOULD IMPROVISE
AROUND AND HAVE FUN.
BUT IT WAS JUST SORT OF, YOU

531
00:18:08,621 --> 00:18:10,455
AROUND AND HAVE FUN.
BUT IT WAS JUST SORT OF, YOU
KNOW THAT FEELING, IT'S LIKE

532
00:18:10,457 --> 00:18:12,290
BUT IT WAS JUST SORT OF, YOU
KNOW THAT FEELING, IT'S LIKE
HIGH SCHOOL, YOU DIDN'T STUDY

533
00:18:12,292 --> 00:18:16,227
KNOW THAT FEELING, IT'S LIKE
HIGH SCHOOL, YOU DIDN'T STUDY
FOR THE TEST OR YOU HAVE A DREAM

534
00:18:16,229 --> 00:18:18,196
HIGH SCHOOL, YOU DIDN'T STUDY
FOR THE TEST OR YOU HAVE A DREAM
THAT YOU DIDN'T -- THAT YOU'RE

535
00:18:18,198 --> 00:18:19,797
FOR THE TEST OR YOU HAVE A DREAM
THAT YOU DIDN'T -- THAT YOU'RE
NUDE ON STAGE IN HIGH SCHOOL OR

536
00:18:19,799 --> 00:18:20,164
THAT YOU DIDN'T -- THAT YOU'RE
NUDE ON STAGE IN HIGH SCHOOL OR
SOMETHING.

537
00:18:20,166 --> 00:18:21,566
NUDE ON STAGE IN HIGH SCHOOL OR
SOMETHING.
IT JUST FELT TERRIBLE.

538
00:18:21,568 --> 00:18:27,905
SOMETHING.
IT JUST FELT TERRIBLE.
I HAD, LIKE, WHITE-HOT LEHOT LED

539
00:18:27,907 --> 00:18:29,574
IT JUST FELT TERRIBLE.
I HAD, LIKE, WHITE-HOT LEHOT LED
GOING DOWN TO MY FEET.

540
00:18:29,576 --> 00:18:32,176
I HAD, LIKE, WHITE-HOT LEHOT LED
GOING DOWN TO MY FEET.
I GOT THROUGH IT SOMEHOW, GOT IN

541
00:18:32,178 --> 00:18:34,712
GOING DOWN TO MY FEET.
I GOT THROUGH IT SOMEHOW, GOT IN
MY CAR, RIPPED OFF THE FAKE

542
00:18:34,714 --> 00:18:35,646
I GOT THROUGH IT SOMEHOW, GOT IN
MY CAR, RIPPED OFF THE FAKE
EYELASHES AND DROVE HOME, WITH

543
00:18:35,648 --> 00:18:38,349
MY CAR, RIPPED OFF THE FAKE
EYELASHES AND DROVE HOME, WITH
MY DOG, AND I WAS BACK IN THE

544
00:18:38,351 --> 00:18:39,117
EYELASHES AND DROVE HOME, WITH
MY DOG, AND I WAS BACK IN THE
SILENT NIGHT.

545
00:18:39,119 --> 00:18:44,522
MY DOG, AND I WAS BACK IN THE
SILENT NIGHT.
AND I WAS JUST SO (  BLEEP  )

546
00:18:44,524 --> 00:18:45,056
SILENT NIGHT.
AND I WAS JUST SO (  BLEEP  )
BIZARRE, YOU KNOW.

547
00:18:45,058 --> 00:18:46,924
AND I WAS JUST SO (  BLEEP  )
BIZARRE, YOU KNOW.
>> James: ALL OF THOSE EXTRAS

548
00:18:46,926 --> 00:18:49,093
BIZARRE, YOU KNOW.
>> James: ALL OF THOSE EXTRAS
MUST HAVE JUST BEEN, LIKE, IT'S

549
00:18:49,095 --> 00:18:50,695
>> James: ALL OF THOSE EXTRAS
MUST HAVE JUST BEEN, LIKE, IT'S
AMAZING WHAT THEY CAN DO, ISN'T

550
00:18:50,697 --> 00:18:56,501
MUST HAVE JUST BEEN, LIKE, IT'S
AMAZING WHAT THEY CAN DO, ISN'T
IT, BECAUSE SHE IS TERRIBLE.

551
00:18:56,503 --> 00:18:59,704
AMAZING WHAT THEY CAN DO, ISN'T
IT, BECAUSE SHE IS TERRIBLE.
( LAUGHTER )

552
00:18:59,706 --> 00:19:01,139
IT, BECAUSE SHE IS TERRIBLE.
( LAUGHTER )
SHE'S TERRIBLE!

553
00:19:01,141 --> 00:19:01,839
( LAUGHTER )
SHE'S TERRIBLE!
THEY MUST HAVE BEEN LIKE, DONALD

554
00:19:01,841 --> 00:19:04,609
SHE'S TERRIBLE!
THEY MUST HAVE BEEN LIKE, DONALD
TRUMP WAS RIGHT, SHE IS

555
00:19:04,611 --> 00:19:04,876
THEY MUST HAVE BEEN LIKE, DONALD
TRUMP WAS RIGHT, SHE IS
OVERRATED!

556
00:19:04,878 --> 00:19:07,512
TRUMP WAS RIGHT, SHE IS
OVERRATED!
THIS IS --

557
00:19:07,514 --> 00:19:08,079
OVERRATED!
THIS IS --
( LAUGHTER )

558
00:19:08,081 --> 00:19:09,714
THIS IS --
( LAUGHTER )
>> I TOTALLY AGREED WITH HIM,

559
00:19:09,716 --> 00:19:10,214
( LAUGHTER )
>> I TOTALLY AGREED WITH HIM,
YEAH, YEAH.

560
00:19:10,216 --> 00:19:12,150
>> I TOTALLY AGREED WITH HIM,
YEAH, YEAH.
>> James: NOW, I'VE HAD THE

561
00:19:12,152 --> 00:19:14,485
YEAH, YEAH.
>> James: NOW, I'VE HAD THE
PRIVILEGE OF CARRYING YOU

562
00:19:14,487 --> 00:19:17,288
>> James: NOW, I'VE HAD THE
PRIVILEGE OF CARRYING YOU
THROUGH TWO MOVIES NOW.

563
00:19:17,290 --> 00:19:17,588
PRIVILEGE OF CARRYING YOU
THROUGH TWO MOVIES NOW.
( LAUGHTER )

564
00:19:17,590 --> 00:19:20,291
THROUGH TWO MOVIES NOW.
( LAUGHTER )
I MEAN, IT IS A PRIVILEGE.

565
00:19:20,293 --> 00:19:22,293
( LAUGHTER )
I MEAN, IT IS A PRIVILEGE.
THE FIRST TIME WE WORKED

566
00:19:22,295 --> 00:19:26,497
I MEAN, IT IS A PRIVILEGE.
THE FIRST TIME WE WORKED
TOGETHER WAS IN 2013 ON INTO THE

567
00:19:26,499 --> 00:19:29,133
THE FIRST TIME WE WORKED
TOGETHER WAS IN 2013 ON INTO THE
WOODS, AND IT WAS A MOST

568
00:19:29,135 --> 00:19:29,600
TOGETHER WAS IN 2013 ON INTO THE
WOODS, AND IT WAS A MOST
GLORIOUS TIME.

569
00:19:29,602 --> 00:19:31,602
WOODS, AND IT WAS A MOST
GLORIOUS TIME.
I DON'T KNOW IF YOU KNEW ABOUT

570
00:19:31,604 --> 00:19:32,503
GLORIOUS TIME.
I DON'T KNOW IF YOU KNEW ABOUT
THIS, DID YOU KNOW THAT I

571
00:19:32,505 --> 00:19:36,374
I DON'T KNOW IF YOU KNEW ABOUT
THIS, DID YOU KNOW THAT I
STARTED A RUMOR ON THE FILM,

572
00:19:36,376 --> 00:19:38,509
THIS, DID YOU KNOW THAT I
STARTED A RUMOR ON THE FILM,
WHEN YOU WEREN'T IN, IN THE

573
00:19:38,511 --> 00:19:39,477
STARTED A RUMOR ON THE FILM,
WHEN YOU WEREN'T IN, IN THE
MORNING, THAT YOU'D BEEN FIRED

574
00:19:39,479 --> 00:19:42,079
WHEN YOU WEREN'T IN, IN THE
MORNING, THAT YOU'D BEEN FIRED
FROM THE MOVIE?

575
00:19:42,081 --> 00:19:42,380
MORNING, THAT YOU'D BEEN FIRED
FROM THE MOVIE?
( LAUGHTER )

576
00:19:42,382 --> 00:19:44,382
FROM THE MOVIE?
( LAUGHTER )
IT WAS ONE OF THE BEST RUSES

577
00:19:44,384 --> 00:19:46,384
( LAUGHTER )
IT WAS ONE OF THE BEST RUSES
I'VE EVER HAD IN MY LIFE, AND

578
00:19:46,386 --> 00:19:47,852
IT WAS ONE OF THE BEST RUSES
I'VE EVER HAD IN MY LIFE, AND
PEOPLE REALLY WENT FOR IT.

579
00:19:47,854 --> 00:19:50,388
I'VE EVER HAD IN MY LIFE, AND
PEOPLE REALLY WENT FOR IT.
THEY WERE, LIKE, NO!

580
00:19:50,390 --> 00:19:52,456
PEOPLE REALLY WENT FOR IT.
THEY WERE, LIKE, NO!
WERE YOU AWARE THAT THIS WAS

581
00:19:52,458 --> 00:19:53,291
THEY WERE, LIKE, NO!
WERE YOU AWARE THAT THIS WAS
GOING ON?

582
00:19:53,293 --> 00:19:54,525
WERE YOU AWARE THAT THIS WAS
GOING ON?
>> NO, BUT THEY WERE VERY GLAD

583
00:19:54,527 --> 00:19:56,494
GOING ON?
>> NO, BUT THEY WERE VERY GLAD
TO SEE ME THE NEXT DAY WHEN I

584
00:19:56,496 --> 00:19:59,597
>> NO, BUT THEY WERE VERY GLAD
TO SEE ME THE NEXT DAY WHEN I
CAME TO THE SET.

585
00:19:59,599 --> 00:20:02,533
TO SEE ME THE NEXT DAY WHEN I
CAME TO THE SET.
BUT WERE PEOPLE RELIEVED KIND

586
00:20:02,535 --> 00:20:04,468
CAME TO THE SET.
BUT WERE PEOPLE RELIEVED KIND
OF, DID YOU GET THAT FEELING?

587
00:20:04,470 --> 00:20:06,170
BUT WERE PEOPLE RELIEVED KIND
OF, DID YOU GET THAT FEELING?
>> James: NO, EVERYONE WAS

588
00:20:06,172 --> 00:20:07,071
OF, DID YOU GET THAT FEELING?
>> James: NO, EVERYONE WAS
DEVASTATED, AND I COULDN'T HAVE

589
00:20:07,073 --> 00:20:08,506
>> James: NO, EVERYONE WAS
DEVASTATED, AND I COULDN'T HAVE
DONE IT ON MY OWN.

590
00:20:08,508 --> 00:20:12,643
DEVASTATED, AND I COULDN'T HAVE
DONE IT ON MY OWN.
IT WAS ONLY BECAUSE I HAD

591
00:20:12,645 --> 00:20:14,512
DONE IT ON MY OWN.
IT WAS ONLY BECAUSE I HAD
CHRISTINE BORANSKI BACKING ME

592
00:20:14,514 --> 00:20:15,213
IT WAS ONLY BECAUSE I HAD
CHRISTINE BORANSKI BACKING ME
UP.

593
00:20:15,215 --> 00:20:17,548
CHRISTINE BORANSKI BACKING ME
UP.
>> OH, SHE'S AN EVIL BITCH,

594
00:20:17,550 --> 00:20:18,115
UP.
>> OH, SHE'S AN EVIL BITCH,
REALLY IS.

595
00:20:18,117 --> 00:20:18,416
>> OH, SHE'S AN EVIL BITCH,
REALLY IS.
( LAUGHTER )

596
00:20:18,418 --> 00:20:19,917
REALLY IS.
( LAUGHTER )
>> James: AS SOON AS I WINKEDT

597
00:20:19,919 --> 00:20:23,955
( LAUGHTER )
>> James: AS SOON AS I WINKEDT
AT HER, SHE JUST WENT INTO,

598
00:20:23,957 --> 00:20:27,825
>> James: AS SOON AS I WINKEDT
AT HER, SHE JUST WENT INTO,
MERYL IS DEVASTATED, SHE'S

599
00:20:27,827 --> 00:20:29,193
AT HER, SHE JUST WENT INTO,
MERYL IS DEVASTATED, SHE'S
DEVASTATED, SHE'S FLOWN HOME ON

600
00:20:29,195 --> 00:20:33,197
MERYL IS DEVASTATED, SHE'S
DEVASTATED, SHE'S FLOWN HOME ON
A JET, SHE'S DEVASTATED.

601
00:20:33,199 --> 00:20:34,899
DEVASTATED, SHE'S FLOWN HOME ON
A JET, SHE'S DEVASTATED.
( LAUGHTER )

602
00:20:34,901 --> 00:20:36,601
A JET, SHE'S DEVASTATED.
( LAUGHTER )
>> BUT THAT WAS SUCH A GREAT

603
00:20:36,603 --> 00:20:36,801
( LAUGHTER )
>> BUT THAT WAS SUCH A GREAT
SHOOT.

604
00:20:36,803 --> 00:20:37,868
>> BUT THAT WAS SUCH A GREAT
SHOOT.
>> James: HAS MERYL STREEP

605
00:20:37,870 --> 00:20:39,704
SHOOT.
>> James: HAS MERYL STREEP
EVER BEEN FIRED FROM ANYTHING?

606
00:20:39,706 --> 00:20:42,673
>> James: HAS MERYL STREEP
EVER BEEN FIRED FROM ANYTHING?
HAVE YOU EVER EXPERIENCED THAT?

607
00:20:42,675 --> 00:20:43,674
EVER BEEN FIRED FROM ANYTHING?
HAVE YOU EVER EXPERIENCED THAT?
>> ONLY FROM RELATIONSHIPS, NOT

608
00:20:43,676 --> 00:20:45,509
HAVE YOU EVER EXPERIENCED THAT?
>> ONLY FROM RELATIONSHIPS, NOT
FROM A JOB.

609
00:20:45,511 --> 00:20:47,578
>> ONLY FROM RELATIONSHIPS, NOT
FROM A JOB.
>> James: NOW, LET'S TALK

610
00:20:47,580 --> 00:20:48,946
FROM A JOB.
>> James: NOW, LET'S TALK
ABOUT THE PROM.

611
00:20:48,948 --> 00:20:49,180
>> James: NOW, LET'S TALK
ABOUT THE PROM.
>> YEAH.

612
00:20:49,182 --> 00:20:51,115
ABOUT THE PROM.
>> YEAH.
>> James: I CAN HONESTLY SAY I

613
00:20:51,117 --> 00:20:53,517
>> YEAH.
>> James: I CAN HONESTLY SAY I
HAD THE SINGLE GREATEST TIME OF

614
00:20:53,519 --> 00:20:55,920
>> James: I CAN HONESTLY SAY I
HAD THE SINGLE GREATEST TIME OF
MY LIFE ON THE DAYS -- MY

615
00:20:55,922 --> 00:20:58,222
HAD THE SINGLE GREATEST TIME OF
MY LIFE ON THE DAYS -- MY
CAREER, ON THE DAYS THAT YOU AND

616
00:20:58,224 --> 00:20:59,190
MY LIFE ON THE DAYS -- MY
CAREER, ON THE DAYS THAT YOU AND
I WERE TOGETHER.

617
00:20:59,192 --> 00:20:59,423
CAREER, ON THE DAYS THAT YOU AND
I WERE TOGETHER.
>> YEAH.

618
00:20:59,425 --> 00:21:00,291
I WERE TOGETHER.
>> YEAH.
>> James: FOR ANYONE WHO

619
00:21:00,293 --> 00:21:02,059
>> YEAH.
>> James: FOR ANYONE WHO
DOESN'T KNOW, TELL THEM WHAT THE

620
00:21:02,061 --> 00:21:03,995
>> James: FOR ANYONE WHO
DOESN'T KNOW, TELL THEM WHAT THE
FILM'S ABOUT AND WHO YOU PLAY.

621
00:21:03,997 --> 00:21:06,631
DOESN'T KNOW, TELL THEM WHAT THE
FILM'S ABOUT AND WHO YOU PLAY.
>> WELL, IT'S ABOUT -- BASED ON

622
00:21:06,633 --> 00:21:08,532
FILM'S ABOUT AND WHO YOU PLAY.
>> WELL, IT'S ABOUT -- BASED ON
A REAL STORY FROM A LITTLE

623
00:21:08,534 --> 00:21:10,568
>> WELL, IT'S ABOUT -- BASED ON
A REAL STORY FROM A LITTLE
COUPLE IN INDIANA, TWO GIRLS WHO

624
00:21:10,570 --> 00:21:12,970
A REAL STORY FROM A LITTLE
COUPLE IN INDIANA, TWO GIRLS WHO
WANTED TO GO TO THE PROM

625
00:21:12,972 --> 00:21:18,175
COUPLE IN INDIANA, TWO GIRLS WHO
WANTED TO GO TO THE PROM
TOGETHER, AND THE P.T.A. DIDN'T

626
00:21:18,177 --> 00:21:20,011
WANTED TO GO TO THE PROM
TOGETHER, AND THE P.T.A. DIDN'T
WANT SAME-SEX COUPLES AT THEIR

627
00:21:20,013 --> 00:21:23,381
TOGETHER, AND THE P.T.A. DIDN'T
WANT SAME-SEX COUPLES AT THEIR
HIGH SCHOOL PROM, SO THEY FOOLED

628
00:21:23,383 --> 00:21:26,550
WANT SAME-SEX COUPLES AT THEIR
HIGH SCHOOL PROM, SO THEY FOOLED
THIS YOUNG GIRL INTO THINKING

629
00:21:26,552 --> 00:21:28,386
HIGH SCHOOL PROM, SO THEY FOOLED
THIS YOUNG GIRL INTO THINKING
THAT THE PROM WAS GOING TO BE

630
00:21:28,388 --> 00:21:30,788
THIS YOUNG GIRL INTO THINKING
THAT THE PROM WAS GOING TO BE
HELD IN THE GYM, AND IT WAS NOT.

631
00:21:30,790 --> 00:21:32,923
THAT THE PROM WAS GOING TO BE
HELD IN THE GYM, AND IT WAS NOT.
THEY HELD ANOTHER ONE SOMEWHERE

632
00:21:32,925 --> 00:21:35,626
HELD IN THE GYM, AND IT WAS NOT.
THEY HELD ANOTHER ONE SOMEWHERE
ELSE, AND SHE WAS LEFT ON HER

633
00:21:35,628 --> 00:21:38,529
THEY HELD ANOTHER ONE SOMEWHERE
ELSE, AND SHE WAS LEFT ON HER
OWN, AND IT SORT OF -- IT MADE

634
00:21:38,531 --> 00:21:42,500
ELSE, AND SHE WAS LEFT ON HER
OWN, AND IT SORT OF -- IT MADE
THE NEWS, AND THEY MADE A

635
00:21:42,502 --> 00:21:44,035
OWN, AND IT SORT OF -- IT MADE
THE NEWS, AND THEY MADE A
MUSICAL OF IT THAT WAS AN

636
00:21:44,037 --> 00:21:47,571
THE NEWS, AND THEY MADE A
MUSICAL OF IT THAT WAS AN
ENORMOUS HIT ON BROADWAY, BUT

637
00:21:47,573 --> 00:21:48,306
MUSICAL OF IT THAT WAS AN
ENORMOUS HIT ON BROADWAY, BUT
HAS SINCE CLOSED.

638
00:21:48,308 --> 00:21:50,508
ENORMOUS HIT ON BROADWAY, BUT
HAS SINCE CLOSED.
I THINK THEY'RE REVIVING IT,

639
00:21:50,510 --> 00:21:51,008
HAS SINCE CLOSED.
I THINK THEY'RE REVIVING IT,
ACTUALLY, RIGHT NOW.

640
00:21:51,010 --> 00:21:53,010
I THINK THEY'RE REVIVING IT,
ACTUALLY, RIGHT NOW.
>> James: OH, I HOPE THEY DO.

641
00:21:53,012 --> 00:21:53,911
ACTUALLY, RIGHT NOW.
>> James: OH, I HOPE THEY DO.
OH, I DO, TOO.

642
00:21:53,913 --> 00:21:56,314
>> James: OH, I HOPE THEY DO.
OH, I DO, TOO.
I SAW IT RIGHT BEFORE IT CLOSED,

643
00:21:56,316 --> 00:21:58,649
OH, I DO, TOO.
I SAW IT RIGHT BEFORE IT CLOSED,
AND I'VE NEVER SEEN AN AUDIENCE

644
00:21:58,651 --> 00:22:00,551
I SAW IT RIGHT BEFORE IT CLOSED,
AND I'VE NEVER SEEN AN AUDIENCE
JUST SCREAMING WITH JOY.

645
00:22:00,553 --> 00:22:03,321
AND I'VE NEVER SEEN AN AUDIENCE
JUST SCREAMING WITH JOY.
IT WAS SO MUCH FUN AND REALLY,

646
00:22:03,323 --> 00:22:03,821
JUST SCREAMING WITH JOY.
IT WAS SO MUCH FUN AND REALLY,
REALLY GREAT.

647
00:22:03,823 --> 00:22:10,061
IT WAS SO MUCH FUN AND REALLY,
REALLY GREAT.
BUT YOU AND I PLAY BIG BROADWAY

648
00:22:10,063 --> 00:22:13,064
REALLY GREAT.
BUT YOU AND I PLAY BIG BROADWAY
STARS WHO ARE ON THE EBB OF

649
00:22:13,066 --> 00:22:15,466
BUT YOU AND I PLAY BIG BROADWAY
STARS WHO ARE ON THE EBB OF
THEIR CAREERS, AND THEY ARE SORT

650
00:22:15,468 --> 00:22:17,635
STARS WHO ARE ON THE EBB OF
THEIR CAREERS, AND THEY ARE SORT
OF TANKING, AND THEY DECIDE TO

651
00:22:17,637 --> 00:22:19,670
THEIR CAREERS, AND THEY ARE SORT
OF TANKING, AND THEY DECIDE TO
TAKE THIS CAUSE OF THE GIRLS AND

652
00:22:19,672 --> 00:22:24,608
OF TANKING, AND THEY DECIDE TO
TAKE THIS CAUSE OF THE GIRLS AND
GO OUT TO INDIANA AND GET SOME

653
00:22:24,610 --> 00:22:25,209
TAKE THIS CAUSE OF THE GIRLS AND
GO OUT TO INDIANA AND GET SOME
GOOD PUBLICITY.

654
00:22:25,211 --> 00:22:28,379
GO OUT TO INDIANA AND GET SOME
GOOD PUBLICITY.
>> James: AND YOU PLAY AN

655
00:22:28,381 --> 00:22:29,747
GOOD PUBLICITY.
>> James: AND YOU PLAY AN
INCREDIBLE CHARACTER,

656
00:22:29,749 --> 00:22:32,550
>> James: AND YOU PLAY AN
INCREDIBLE CHARACTER,
DEDeALLEN, WHO IS SORT OF A

657
00:22:32,552 --> 00:22:34,652
INCREDIBLE CHARACTER,
DEDeALLEN, WHO IS SORT OF A
SELF-OBSESSED DIVA NARCISSIST.

658
00:22:34,654 --> 00:22:36,587
DEDeALLEN, WHO IS SORT OF A
SELF-OBSESSED DIVA NARCISSIST.
WAS THIS A STRETCH FOR YOU?

659
00:22:36,589 --> 00:22:40,524
SELF-OBSESSED DIVA NARCISSIST.
WAS THIS A STRETCH FOR YOU?
( LAUGHTER )

660
00:22:40,526 --> 00:22:41,459
WAS THIS A STRETCH FOR YOU?
( LAUGHTER )
>> I DON'T KNOW WHERE I PULLED

661
00:22:41,461 --> 00:22:46,030
( LAUGHTER )
>> I DON'T KNOW WHERE I PULLED
IT FROM, BUT I DID WATCH YOU FOR

662
00:22:46,032 --> 00:22:51,502
>> I DON'T KNOW WHERE I PULLED
IT FROM, BUT I DID WATCH YOU FOR
SEVERAL MONTHS IN PREPARATION

663
00:22:51,504 --> 00:22:51,702
IT FROM, BUT I DID WATCH YOU FOR
SEVERAL MONTHS IN PREPARATION
AND --

664
00:22:51,704 --> 00:22:52,002
SEVERAL MONTHS IN PREPARATION
AND --
( LAUGHTER )

665
00:22:52,004 --> 00:22:53,971
AND --
( LAUGHTER )
-- I HAD THE CHARACTER.

666
00:22:53,973 --> 00:22:56,640
( LAUGHTER )
-- I HAD THE CHARACTER.
I LOVE PLAYING IT.

667
00:22:56,642 --> 00:22:59,744
-- I HAD THE CHARACTER.
I LOVE PLAYING IT.
NARCISSISM IS HILARIOUS UNLESS

668
00:22:59,746 --> 00:23:00,945
I LOVE PLAYING IT.
NARCISSISM IS HILARIOUS UNLESS
IT'S, YOU KNOW, THE PRESIDENT,

669
00:23:00,947 --> 00:23:02,546
NARCISSISM IS HILARIOUS UNLESS
IT'S, YOU KNOW, THE PRESIDENT,
AND THEN IT'S HORRIBLE.

670
00:23:02,548 --> 00:23:04,348
IT'S, YOU KNOW, THE PRESIDENT,
AND THEN IT'S HORRIBLE.
>> James: WHEN WE WERE

671
00:23:04,350 --> 00:23:05,983
AND THEN IT'S HORRIBLE.
>> James: WHEN WE WERE
SHOOTING THE FILM, YOU WOULD

672
00:23:05,985 --> 00:23:07,251
>> James: WHEN WE WERE
SHOOTING THE FILM, YOU WOULD
CONSTANTLY SAY YOU WERE WORRIED

673
00:23:07,253 --> 00:23:09,286
SHOOTING THE FILM, YOU WOULD
CONSTANTLY SAY YOU WERE WORRIED
ABOUT THE BIG DANCE NUMBERS, YOU

674
00:23:09,288 --> 00:23:12,089
CONSTANTLY SAY YOU WERE WORRIED
ABOUT THE BIG DANCE NUMBERS, YOU
WOULD SAY IT ALL THE TIME.

675
00:23:12,091 --> 00:23:13,958
ABOUT THE BIG DANCE NUMBERS, YOU
WOULD SAY IT ALL THE TIME.
SOME OF MY FAVORITE MOMENTS ARE

676
00:23:13,960 --> 00:23:15,726
WOULD SAY IT ALL THE TIME.
SOME OF MY FAVORITE MOMENTS ARE
IN THOSE DANCE ROUTINES AND

677
00:23:15,728 --> 00:23:18,329
SOME OF MY FAVORITE MOMENTS ARE
IN THOSE DANCE ROUTINES AND
YOU'RE JUST IN THE CORNER OF

678
00:23:18,331 --> 00:23:20,064
IN THOSE DANCE ROUTINES AND
YOU'RE JUST IN THE CORNER OF
YOUR MOUTH GOING I CAN'T

679
00:23:20,066 --> 00:23:21,298
YOU'RE JUST IN THE CORNER OF
YOUR MOUTH GOING I CAN'T
(  BLEEP  ) DO THIS.

680
00:23:21,300 --> 00:23:21,599
YOUR MOUTH GOING I CAN'T
(  BLEEP  ) DO THIS.
( LAUGHTER )

681
00:23:21,601 --> 00:23:24,001
(  BLEEP  ) DO THIS.
( LAUGHTER )
BUT YOU WERE SO FANTASTIC IN

682
00:23:24,003 --> 00:23:24,201
( LAUGHTER )
BUT YOU WERE SO FANTASTIC IN
THEM.

683
00:23:24,203 --> 00:23:26,203
BUT YOU WERE SO FANTASTIC IN
THEM.
HOW DID IT FEEL FOR YOU WHEN WE

684
00:23:26,205 --> 00:23:28,606
THEM.
HOW DID IT FEEL FOR YOU WHEN WE
DID THOSE BIG SONGS AND DANCES?

685
00:23:28,608 --> 00:23:32,376
HOW DID IT FEEL FOR YOU WHEN WE
DID THOSE BIG SONGS AND DANCES?
>> OH, I WAS SO WORRIED!

686
00:23:32,378 --> 00:23:34,745
DID THOSE BIG SONGS AND DANCES?
>> OH, I WAS SO WORRIED!
YOU ARE SUCH A FANTASTIC DANCER.

687
00:23:34,747 --> 00:23:36,614
>> OH, I WAS SO WORRIED!
YOU ARE SUCH A FANTASTIC DANCER.
I DIDN'T KNOW THAT ABOUT YOU,

688
00:23:36,616 --> 00:23:38,516
YOU ARE SUCH A FANTASTIC DANCER.
I DIDN'T KNOW THAT ABOUT YOU,
BUT YOU ARE.

689
00:23:38,518 --> 00:23:39,550
I DIDN'T KNOW THAT ABOUT YOU,
BUT YOU ARE.
YOU'RE AMAZING!

690
00:23:39,552 --> 00:23:40,751
BUT YOU ARE.
YOU'RE AMAZING!
YEAH, NO, IT WAS REALLY HARD.

691
00:23:40,753 --> 00:23:43,821
YOU'RE AMAZING!
YEAH, NO, IT WAS REALLY HARD.
WHEN I WENT TO SEE THE BROADWAY

692
00:23:43,823 --> 00:23:50,528
YEAH, NO, IT WAS REALLY HARD.
WHEN I WENT TO SEE THE BROADWAY
SHOW, I SAW THE GREAT BETH LAVEL

693
00:23:50,530 --> 00:23:51,529
WHEN I WENT TO SEE THE BROADWAY
SHOW, I SAW THE GREAT BETH LAVEL
DO THE PART.

694
00:23:51,531 --> 00:23:53,464
SHOW, I SAW THE GREAT BETH LAVEL
DO THE PART.
IT WAS AMAZING.

695
00:23:53,466 --> 00:23:55,933
DO THE PART.
IT WAS AMAZING.
BUT SHE DID A LOT OF POSING AND

696
00:23:55,935 --> 00:23:57,501
IT WAS AMAZING.
BUT SHE DID A LOT OF POSING AND
STANDING AND MOVING HER ARMS.

697
00:23:57,503 --> 00:23:59,437
BUT SHE DID A LOT OF POSING AND
STANDING AND MOVING HER ARMS.
I THOUGHT, I CAN MOVE MY ARMS.

698
00:23:59,439 --> 00:24:02,506
STANDING AND MOVING HER ARMS.
I THOUGHT, I CAN MOVE MY ARMS.
AND THEN WE GOT TO THE

699
00:24:02,508 --> 00:24:05,176
I THOUGHT, I CAN MOVE MY ARMS.
AND THEN WE GOT TO THE
REHEARSALS, AND IT WAS THESE BIG

700
00:24:05,178 --> 00:24:07,311
AND THEN WE GOT TO THE
REHEARSALS, AND IT WAS THESE BIG
DANCE NUMBERS WITH MULTIPLE SORT

701
00:24:07,313 --> 00:24:09,413
REHEARSALS, AND IT WAS THESE BIG
DANCE NUMBERS WITH MULTIPLE SORT
OF STEPS AND THINGS AND THAT WAS

702
00:24:09,415 --> 00:24:09,613
DANCE NUMBERS WITH MULTIPLE SORT
OF STEPS AND THINGS AND THAT WAS
HARD.

703
00:24:09,615 --> 00:24:10,381
OF STEPS AND THINGS AND THAT WAS
HARD.
WE WERE ALL TERRIFIED.

704
00:24:10,383 --> 00:24:12,616
HARD.
WE WERE ALL TERRIFIED.
>> James: YOU'RE SO TERRIFIC.

705
00:24:12,618 --> 00:24:13,617
WE WERE ALL TERRIFIED.
>> James: YOU'RE SO TERRIFIC.
MY FAVORITE MEMORIES ARE, LIKE,

706
00:24:13,619 --> 00:24:15,986
>> James: YOU'RE SO TERRIFIC.
MY FAVORITE MEMORIES ARE, LIKE,
THE TWO OF US BEING LIFTED UP BY

707
00:24:15,988 --> 00:24:19,290
MY FAVORITE MEMORIES ARE, LIKE,
THE TWO OF US BEING LIFTED UP BY
THOSE DANCERS AND CARRIED

708
00:24:19,292 --> 00:24:19,757
THE TWO OF US BEING LIFTED UP BY
THOSE DANCERS AND CARRIED
THROUGH SARDI'S.

709
00:24:19,759 --> 00:24:22,159
THOSE DANCERS AND CARRIED
THROUGH SARDI'S.
I WILL NEVER EVER FORGET IT.

710
00:24:22,161 --> 00:24:23,961
THROUGH SARDI'S.
I WILL NEVER EVER FORGET IT.
YOU ARE SO INCREDIBLE.

711
00:24:23,963 --> 00:24:25,162
I WILL NEVER EVER FORGET IT.
YOU ARE SO INCREDIBLE.
LET'S TAKE A LOOK AT A CLIP FROM

712
00:24:25,164 --> 00:24:28,232
YOU ARE SO INCREDIBLE.
LET'S TAKE A LOOK AT A CLIP FROM
THE PROM WHICH COMES OUT ON

713
00:24:28,234 --> 00:24:29,133
LET'S TAKE A LOOK AT A CLIP FROM
THE PROM WHICH COMES OUT ON
NETFLIX THIS FRIDAY.

714
00:24:29,135 --> 00:24:31,435
THE PROM WHICH COMES OUT ON
NETFLIX THIS FRIDAY.
>> IT'S JUST -- I MEAN, LOOK AT

715
00:24:31,437 --> 00:24:32,036
NETFLIX THIS FRIDAY.
>> IT'S JUST -- I MEAN, LOOK AT
PEOPLE LIKE YOU.

716
00:24:32,038 --> 00:24:34,371
>> IT'S JUST -- I MEAN, LOOK AT
PEOPLE LIKE YOU.
JUST THINK OF HOW LUCKY YOU ARE

717
00:24:34,373 --> 00:24:37,374
PEOPLE LIKE YOU.
JUST THINK OF HOW LUCKY YOU ARE
TO BE SURROUNDED BY YOUR PEOPLE.

718
00:24:37,376 --> 00:24:38,476
JUST THINK OF HOW LUCKY YOU ARE
TO BE SURROUNDED BY YOUR PEOPLE.
>> MY -- MY PEOPLE?

719
00:24:38,478 --> 00:24:41,312
TO BE SURROUNDED BY YOUR PEOPLE.
>> MY -- MY PEOPLE?
I WASN'T BORN ON BROADWAY, YOU

720
00:24:41,314 --> 00:24:41,512
>> MY -- MY PEOPLE?
I WASN'T BORN ON BROADWAY, YOU
KNOW.

721
00:24:41,514 --> 00:24:43,848
I WASN'T BORN ON BROADWAY, YOU
KNOW.
I'M FROM PENNSYLVANIA.

722
00:24:43,850 --> 00:24:50,454
KNOW.
I'M FROM PENNSYLVANIA.
I GREW UP DIRT POOR.

723
00:24:50,456 --> 00:24:53,257
I'M FROM PENNSYLVANIA.
I GREW UP DIRT POOR.
THIS WHOLE -- ALL THIS?

724
00:24:53,259 --> 00:24:55,125
I GREW UP DIRT POOR.
THIS WHOLE -- ALL THIS?
I INVENTED IT, YEAH.

725
00:24:55,127 --> 00:25:00,097
THIS WHOLE -- ALL THIS?
I INVENTED IT, YEAH.
I'M JUST A SMALL-TOWN GIRL, AND

726
00:25:00,099 --> 00:25:04,635
I INVENTED IT, YEAH.
I'M JUST A SMALL-TOWN GIRL, AND
I HAD A BIG DREAM.

727
00:25:04,637 --> 00:25:06,370
I'M JUST A SMALL-TOWN GIRL, AND
I HAD A BIG DREAM.
>> HMM...

728
00:25:06,372 --> 00:25:06,604
I HAD A BIG DREAM.
>> HMM...
SINGLE.

729
00:25:06,606 --> 00:25:10,541
>> HMM...
SINGLE.
JUST PUTTING IT OUT THERE.

730
00:25:10,543 --> 00:25:10,841
SINGLE.
JUST PUTTING IT OUT THERE.
(LAUGHING).

731
00:25:10,843 --> 00:25:12,109
JUST PUTTING IT OUT THERE.
(LAUGHING).
>> James: STICK AROUND, MORE

732
00:25:12,111 --> 00:25:14,044
(LAUGHING).
>> James: STICK AROUND, MORE
WITH MERYL STREEP WHEN WE COME

733
00:25:14,046 --> 00:25:14,245
>> James: STICK AROUND, MORE
WITH MERYL STREEP WHEN WE COME
BACK.

734
00:25:14,247 --> 00:25:14,478
WITH MERYL STREEP WHEN WE COME
BACK.
♪

735
00:25:14,480 --> 00:25:16,614
BACK.
♪
♪

736
00:25:16,616 --> 00:25:18,616
♪
♪
♪

737
00:25:27,692 --> 00:25:29,894
♪ ♪ ♪
♪
♪

738
00:25:29,896 --> 00:25:30,561
♪
♪
♪

739
00:25:30,563 --> 00:25:31,629
♪
♪
>> James: WELCOME BACK.

740
00:25:31,631 --> 00:25:33,130
♪
>> James: WELCOME BACK.
WE ARE HERE WITH MERYL STREEP.

741
00:25:33,132 --> 00:25:34,465
>> James: WELCOME BACK.
WE ARE HERE WITH MERYL STREEP.
NOW, MERYL, WE HAVE BEEN DOING A

742
00:25:34,467 --> 00:25:41,872
WE ARE HERE WITH MERYL STREEP.
NOW, MERYL, WE HAVE BEEN DOING A
THING ON THE SHOW CALLED A "THE

743
00:25:41,874 --> 00:25:44,208
NOW, MERYL, WE HAVE BEEN DOING A
THING ON THE SHOW CALLED A "THE
LATE LATE SHOW" SHOW AND TELL

744
00:25:44,210 --> 00:25:46,944
THING ON THE SHOW CALLED A "THE
LATE LATE SHOW" SHOW AND TELL
WHERE WE ASK YOU TO SHARE

745
00:25:46,946 --> 00:25:48,445
LATE LATE SHOW" SHOW AND TELL
WHERE WE ASK YOU TO SHARE
SOMETHING WITH US WE WOULD NEVER

746
00:25:48,447 --> 00:25:49,513
WHERE WE ASK YOU TO SHARE
SOMETHING WITH US WE WOULD NEVER
GET TO SEE.

747
00:25:49,515 --> 00:25:50,014
SOMETHING WITH US WE WOULD NEVER
GET TO SEE.
DO YOU HAVE SOMETHING?

748
00:25:50,016 --> 00:25:50,915
GET TO SEE.
DO YOU HAVE SOMETHING?
>> I DO.

749
00:25:50,917 --> 00:25:53,751
DO YOU HAVE SOMETHING?
>> I DO.
MY SENIOR PROM WAS IN 1967, AND

750
00:25:53,753 --> 00:25:55,619
>> I DO.
MY SENIOR PROM WAS IN 1967, AND
I WAS POKING AROUND IN THE BACK

751
00:25:55,621 --> 00:25:59,423
MY SENIOR PROM WAS IN 1967, AND
I WAS POKING AROUND IN THE BACK
OF MY CLOSET, AND I FOUND MY

752
00:25:59,425 --> 00:26:03,093
I WAS POKING AROUND IN THE BACK
OF MY CLOSET, AND I FOUND MY
KNITTING BAG FROM 1967,

753
00:26:03,095 --> 00:26:03,594
OF MY CLOSET, AND I FOUND MY
KNITTING BAG FROM 1967,
SERIOUSLY.

754
00:26:03,596 --> 00:26:08,532
KNITTING BAG FROM 1967,
SERIOUSLY.
THIS IS IT, AND HERE'S ALL MY

755
00:26:08,534 --> 00:26:10,034
SERIOUSLY.
THIS IS IT, AND HERE'S ALL MY
KNITTING NEEDLES.

756
00:26:10,036 --> 00:26:13,103
THIS IS IT, AND HERE'S ALL MY
KNITTING NEEDLES.
I HAVE EVERY SIZE.

757
00:26:13,105 --> 00:26:16,373
KNITTING NEEDLES.
I HAVE EVERY SIZE.
AND I HAVE THE MOHAIR SIZE.

758
00:26:16,375 --> 00:26:20,010
I HAVE EVERY SIZE.
AND I HAVE THE MOHAIR SIZE.
MOHAIR WAS VERY, VERY HOT IN

759
00:26:20,012 --> 00:26:20,210
AND I HAVE THE MOHAIR SIZE.
MOHAIR WAS VERY, VERY HOT IN
1967.

760
00:26:20,212 --> 00:26:26,083
MOHAIR WAS VERY, VERY HOT IN
1967.
AND I ALSO FOUND THE KNITTING

761
00:26:26,085 --> 00:26:27,518
1967.
AND I ALSO FOUND THE KNITTING
BOOKS THAT I USED.

762
00:26:27,520 --> 00:26:32,122
AND I ALSO FOUND THE KNITTING
BOOKS THAT I USED.
I MADE MY DAD THIS VEST WITH

763
00:26:32,124 --> 00:26:33,524
BOOKS THAT I USED.
I MADE MY DAD THIS VEST WITH
CABLE KNIT.

764
00:26:33,526 --> 00:26:35,559
I MADE MY DAD THIS VEST WITH
CABLE KNIT.
>> James: MEN'S CLASSICS.

765
00:26:35,561 --> 00:26:35,759
CABLE KNIT.
>> James: MEN'S CLASSICS.
YEAH.

766
00:26:35,761 --> 00:26:40,965
>> James: MEN'S CLASSICS.
YEAH.
>> James: AND I FOUND ANOTHER

767
00:26:40,967 --> 00:26:44,702
YEAH.
>> James: AND I FOUND ANOTHER
MAGAZINE IN IT THAT HAD

768
00:26:44,704 --> 00:26:46,704
>> James: AND I FOUND ANOTHER
MAGAZINE IN IT THAT HAD
ANOTHER -- OH, GOD, IT'S SO

769
00:26:46,706 --> 00:26:51,609
MAGAZINE IN IT THAT HAD
ANOTHER -- OH, GOD, IT'S SO
OLD -- THIS SWEATER THAT I MADE

770
00:26:51,611 --> 00:26:53,243
ANOTHER -- OH, GOD, IT'S SO
OLD -- THIS SWEATER THAT I MADE
FOR A BOYFRIEND IN HIGH SCHOOL,

771
00:26:53,245 --> 00:26:54,979
OLD -- THIS SWEATER THAT I MADE
FOR A BOYFRIEND IN HIGH SCHOOL,
BUT I FINISHED IT FOR A

772
00:26:54,981 --> 00:26:59,516
FOR A BOYFRIEND IN HIGH SCHOOL,
BUT I FINISHED IT FOR A
BOYFRIEND IN COLLEGE.

773
00:26:59,518 --> 00:27:01,418
BUT I FINISHED IT FOR A
BOYFRIEND IN COLLEGE.
( LAUGHTER )

774
00:27:01,420 --> 00:27:05,623
BOYFRIEND IN COLLEGE.
( LAUGHTER )
BUT IT IS A TIME-TRAVELING

775
00:27:05,625 --> 00:27:06,824
( LAUGHTER )
BUT IT IS A TIME-TRAVELING
AMAZEMENT, THIS THING.

776
00:27:06,826 --> 00:27:08,425
BUT IT IS A TIME-TRAVELING
AMAZEMENT, THIS THING.
IT HAS -- HERE'S ON THE OTHER

777
00:27:08,427 --> 00:27:11,562
AMAZEMENT, THIS THING.
IT HAS -- HERE'S ON THE OTHER
SIDE OF THE COVER, IT HAS A

778
00:27:11,564 --> 00:27:16,400
IT HAS -- HERE'S ON THE OTHER
SIDE OF THE COVER, IT HAS A
THING ABOUT S SARAN WRAP, AND IT

779
00:27:16,402 --> 00:27:19,236
SIDE OF THE COVER, IT HAS A
THING ABOUT S SARAN WRAP, AND IT
SAYS THE VERY AIR IN YOUR

780
00:27:19,238 --> 00:27:20,904
THING ABOUT S SARAN WRAP, AND IT
SAYS THE VERY AIR IN YOUR
REFRIGERATOR CAN MAKE A RARE

781
00:27:20,906 --> 00:27:23,574
SAYS THE VERY AIR IN YOUR
REFRIGERATOR CAN MAKE A RARE
ROAST BEEF LOOK AND TASTE PRETTY

782
00:27:23,576 --> 00:27:25,009
REFRIGERATOR CAN MAKE A RARE
ROAST BEEF LOOK AND TASTE PRETTY
DARN COMMONPLACE.

783
00:27:25,011 --> 00:27:26,977
ROAST BEEF LOOK AND TASTE PRETTY
DARN COMMONPLACE.
WE HAVE A HEALTHY RESPECT FOR A

784
00:27:26,979 --> 00:27:28,212
DARN COMMONPLACE.
WE HAVE A HEALTHY RESPECT FOR A
HUSBAND'S PAYCHECK, AND THAT'S

785
00:27:28,214 --> 00:27:31,348
WE HAVE A HEALTHY RESPECT FOR A
HUSBAND'S PAYCHECK, AND THAT'S
WHY WE INVENTED SARAN WRAP.

786
00:27:31,350 --> 00:27:33,384
HUSBAND'S PAYCHECK, AND THAT'S
WHY WE INVENTED SARAN WRAP.
>> James: OH, LOOK AT THAT!

787
00:27:33,386 --> 00:27:35,052
WHY WE INVENTED SARAN WRAP.
>> James: OH, LOOK AT THAT!
THERE'S AMAZING STUFF IN

788
00:27:35,054 --> 00:27:35,419
>> James: OH, LOOK AT THAT!
THERE'S AMAZING STUFF IN
HERE, AMAZING.

789
00:27:35,421 --> 00:27:37,688
THERE'S AMAZING STUFF IN
HERE, AMAZING.
I MEAN, YOU DON'T REALIZE WHAT

790
00:27:37,690 --> 00:27:38,889
HERE, AMAZING.
I MEAN, YOU DON'T REALIZE WHAT
IT WAS LIKE BACK THEN.

791
00:27:38,891 --> 00:27:42,660
I MEAN, YOU DON'T REALIZE WHAT
IT WAS LIKE BACK THEN.
IT WAS SO -- DIFFERENT, YOU

792
00:27:42,662 --> 00:27:42,860
IT WAS LIKE BACK THEN.
IT WAS SO -- DIFFERENT, YOU
KNOW.

793
00:27:42,862 --> 00:27:44,194
IT WAS SO -- DIFFERENT, YOU
KNOW.
THERE WERE NO WOMEN WORKING.

794
00:27:44,196 --> 00:27:46,363
KNOW.
THERE WERE NO WOMEN WORKING.
HERE ON THE SECOND PAGE IT SAYS,

795
00:27:46,365 --> 00:27:47,498
THERE WERE NO WOMEN WORKING.
HERE ON THE SECOND PAGE IT SAYS,
BE AN ACCOUNTANT, THE CAREER

796
00:27:47,500 --> 00:27:50,868
HERE ON THE SECOND PAGE IT SAYS,
BE AN ACCOUNTANT, THE CAREER
THAT OFFERS WOMEN EQUAL

797
00:27:50,870 --> 00:27:52,536
BE AN ACCOUNTANT, THE CAREER
THAT OFFERS WOMEN EQUAL
OPPORTUNITY WITH MEN, AND YOU

798
00:27:52,538 --> 00:27:54,905
THAT OFFERS WOMEN EQUAL
OPPORTUNITY WITH MEN, AND YOU
CAN DO IT AT HOME AND STILL HAVE

799
00:27:54,907 --> 00:27:59,543
OPPORTUNITY WITH MEN, AND YOU
CAN DO IT AT HOME AND STILL HAVE
PLENTY OF TIME FOR YOUR FAMILY.

800
00:27:59,545 --> 00:28:04,348
CAN DO IT AT HOME AND STILL HAVE
PLENTY OF TIME FOR YOUR FAMILY.
>> Reggie: WOWZERS.

801
00:28:04,350 --> 00:28:04,548
PLENTY OF TIME FOR YOUR FAMILY.
>> Reggie: WOWZERS.
YEAH.

802
00:28:04,550 --> 00:28:05,149
>> Reggie: WOWZERS.
YEAH.
>> James: THANK YOU VERY MUCH

803
00:28:05,151 --> 00:28:06,950
YEAH.
>> James: THANK YOU VERY MUCH
FOR SHARING THAT, MERYL, WHAT A

804
00:28:06,952 --> 00:28:08,819
>> James: THANK YOU VERY MUCH
FOR SHARING THAT, MERYL, WHAT A
LOVELY LITTLE TIME HOP.

805
00:28:08,821 --> 00:28:09,520
FOR SHARING THAT, MERYL, WHAT A
LOVELY LITTLE TIME HOP.
AND, LADIES AND GENTLEMEN,

806
00:28:09,522 --> 00:28:11,155
LOVELY LITTLE TIME HOP.
AND, LADIES AND GENTLEMEN,
PLEASE THANK THE ONE, THE ONLY

807
00:28:11,157 --> 00:28:13,057
AND, LADIES AND GENTLEMEN,
PLEASE THANK THE ONE, THE ONLY
MERYL STREEP, WE LOVE HER SO

808
00:28:13,059 --> 00:28:13,257
PLEASE THANK THE ONE, THE ONLY
MERYL STREEP, WE LOVE HER SO
MUCH!

809
00:28:13,259 --> 00:28:14,525
MERYL STREEP, WE LOVE HER SO
MUCH!
>> THANK YOU, LOVE YOU, TOO.

810
00:28:14,527 --> 00:28:18,195
MUCH!
>> THANK YOU, LOVE YOU, TOO.
MISSED YOU, DARLING, THANK YOU!

811
00:28:18,197 --> 00:28:18,595
>> THANK YOU, LOVE YOU, TOO.
MISSED YOU, DARLING, THANK YOU!
♪

812
00:28:18,597 --> 00:28:26,603
MISSED YOU, DARLING, THANK YOU!
♪
♪

813
00:28:26,605 --> 00:28:26,770
♪
♪
♪

814
00:28:26,772 --> 00:28:27,137
♪
♪
♪

815
00:28:27,139 --> 00:28:29,773
♪
♪
♪

816
00:28:30,108 --> 00:28:36,714
>> James: WELCOME BACK.
OUR NEXT GUEST IS ONE OF OUR
ABSOLUTE FAVORITES, AND

817
00:28:36,716 --> 00:28:37,448
OUR NEXT GUEST IS ONE OF OUR
ABSOLUTE FAVORITES, AND
WE'RE SO GLAD THAT HE'S HERE

818
00:28:37,450 --> 00:28:39,116
ABSOLUTE FAVORITES, AND
WE'RE SO GLAD THAT HE'S HERE
IN THE STUDIO.

819
00:28:39,118 --> 00:28:42,386
WE'RE SO GLAD THAT HE'S HERE
IN THE STUDIO.
THE SENSATIONAL, BILLY EICHNER!

820
00:28:42,388 --> 00:28:42,886
IN THE STUDIO.
THE SENSATIONAL, BILLY EICHNER!
( CHEERS AND APPLAUSE )

821
00:28:42,888 --> 00:28:43,087
THE SENSATIONAL, BILLY EICHNER!
( CHEERS AND APPLAUSE )
♪

822
00:28:43,089 --> 00:28:50,060
( CHEERS AND APPLAUSE )
♪
♪

823
00:28:50,062 --> 00:28:50,427
♪
♪
>> HELLO, HELLO.

824
00:28:50,429 --> 00:28:52,162
♪
>> HELLO, HELLO.
>> James: LOOK AT YOU!

825
00:28:52,164 --> 00:28:54,398
>> HELLO, HELLO.
>> James: LOOK AT YOU!
OKAY, SO MERYL GETS TO ZOOM

826
00:28:54,400 --> 00:28:54,865
>> James: LOOK AT YOU!
OKAY, SO MERYL GETS TO ZOOM
IN FROM CONNECTICUT.

827
00:28:54,867 --> 00:28:56,033
OKAY, SO MERYL GETS TO ZOOM
IN FROM CONNECTICUT.
>> James: YEAH.

828
00:28:56,035 --> 00:28:59,036
IN FROM CONNECTICUT.
>> James: YEAH.
AND I'M HERE RISKING LIFE AND

829
00:28:59,038 --> 00:28:59,603
>> James: YEAH.
AND I'M HERE RISKING LIFE AND
LIMB TO BE HERE IN PERSON.

830
00:28:59,605 --> 00:29:01,772
AND I'M HERE RISKING LIFE AND
LIMB TO BE HERE IN PERSON.
>> James: WELL, WE HAD A

831
00:29:01,774 --> 00:29:02,272
LIMB TO BE HERE IN PERSON.
>> James: WELL, WE HAD A
CHOICE.

832
00:29:02,274 --> 00:29:02,506
>> James: WELL, WE HAD A
CHOICE.
>> YES.

833
00:29:02,508 --> 00:29:03,107
CHOICE.
>> YES.
>> James: SHE SAID SHE COULD

834
00:29:03,109 --> 00:29:03,974
>> YES.
>> James: SHE SAID SHE COULD
BE HERE.

835
00:29:03,976 --> 00:29:04,274
>> James: SHE SAID SHE COULD
BE HERE.
>> OH, OKAY.

836
00:29:04,276 --> 00:29:05,809
BE HERE.
>> OH, OKAY.
>> James: BUT WE WERE ONLY

837
00:29:05,811 --> 00:29:07,111
>> OH, OKAY.
>> James: BUT WE WERE ONLY
ALLOWED ONE GUEST.

838
00:29:07,113 --> 00:29:10,114
>> James: BUT WE WERE ONLY
ALLOWED ONE GUEST.
SO WE SAID WE'LL PUT STREEP ON

839
00:29:10,116 --> 00:29:11,148
ALLOWED ONE GUEST.
SO WE SAID WE'LL PUT STREEP ON
ZOOM BECAUSE --

840
00:29:11,150 --> 00:29:11,815
SO WE SAID WE'LL PUT STREEP ON
ZOOM BECAUSE --
>> CAN'T RISK HER.

841
00:29:11,817 --> 00:29:14,118
ZOOM BECAUSE --
>> CAN'T RISK HER.
>> James: WELL NOT ONLY THAT,

842
00:29:14,120 --> 00:29:16,220
>> CAN'T RISK HER.
>> James: WELL NOT ONLY THAT,
WE WANT YOU IN THE FLESH.

843
00:29:16,222 --> 00:29:17,621
>> James: WELL NOT ONLY THAT,
WE WANT YOU IN THE FLESH.
STREEP, YOU KNOW --

844
00:29:17,623 --> 00:29:18,355
WE WANT YOU IN THE FLESH.
STREEP, YOU KNOW --
>> WELL, WE'LL SEE WHAT HAPPENS.

845
00:29:18,357 --> 00:29:20,424
STREEP, YOU KNOW --
>> WELL, WE'LL SEE WHAT HAPPENS.
>> James: BUT WE NEED YOU HERE

846
00:29:20,426 --> 00:29:23,060
>> WELL, WE'LL SEE WHAT HAPPENS.
>> James: BUT WE NEED YOU HERE
IN THE FLESH BECAUSE IT'S

847
00:29:23,062 --> 00:29:25,129
>> James: BUT WE NEED YOU HERE
IN THE FLESH BECAUSE IT'S
IMPORTANT TO SAY --

848
00:29:25,131 --> 00:29:25,362
IN THE FLESH BECAUSE IT'S
IMPORTANT TO SAY --
>> YES.

849
00:29:25,364 --> 00:29:26,563
IMPORTANT TO SAY --
>> YES.
>> James: -- YOU COME ON THE

850
00:29:26,565 --> 00:29:28,565
>> YES.
>> James: -- YOU COME ON THE
SHOW, YOU ARE A SENSATIONAL

851
00:29:28,567 --> 00:29:30,768
>> James: -- YOU COME ON THE
SHOW, YOU ARE A SENSATIONAL
GUEST ON SHOWS, BRILLIANT

852
00:29:30,770 --> 00:29:32,703
SHOW, YOU ARE A SENSATIONAL
GUEST ON SHOWS, BRILLIANT
WRITER, ACTOR, PERFORMER, BUT

853
00:29:32,705 --> 00:29:33,904
GUEST ON SHOWS, BRILLIANT
WRITER, ACTOR, PERFORMER, BUT
TONIGHT YOU ARE HERE AS A

854
00:29:33,906 --> 00:29:34,138
WRITER, ACTOR, PERFORMER, BUT
TONIGHT YOU ARE HERE AS A
SINGER.

855
00:29:34,140 --> 00:29:35,072
TONIGHT YOU ARE HERE AS A
SINGER.
>> I KNOW.

856
00:29:35,074 --> 00:29:39,109
SINGER.
>> I KNOW.
>> James: YOU ARE PERFORMING A

857
00:29:39,111 --> 00:29:39,510
>> I KNOW.
>> James: YOU ARE PERFORMING A
SONG.

858
00:29:39,512 --> 00:29:41,078
>> James: YOU ARE PERFORMING A
SONG.
HOW ARE YOU FEELING?

859
00:29:41,080 --> 00:29:42,579
SONG.
HOW ARE YOU FEELING?
ARE YOU NERVOUS?

860
00:29:42,581 --> 00:29:43,547
HOW ARE YOU FEELING?
ARE YOU NERVOUS?
>> I'M EXTREMELY NERVOUS.

861
00:29:43,549 --> 00:29:47,451
ARE YOU NERVOUS?
>> I'M EXTREMELY NERVOUS.
IT'S THE FIRST TIME I'M AN

862
00:29:47,453 --> 00:29:48,085
>> I'M EXTREMELY NERVOUS.
IT'S THE FIRST TIME I'M AN
OFFICIAL MUSICAL GUEST.

863
00:29:48,087 --> 00:29:50,120
IT'S THE FIRST TIME I'M AN
OFFICIAL MUSICAL GUEST.
I ALSO LIKE BEING FUNNY.

864
00:29:50,122 --> 00:29:51,855
OFFICIAL MUSICAL GUEST.
I ALSO LIKE BEING FUNNY.
THEN BILLY ON THE STREET

865
00:29:51,857 --> 00:29:53,490
I ALSO LIKE BEING FUNNY.
THEN BILLY ON THE STREET
HAPPENED, AND ONE THING LED TO

866
00:29:53,492 --> 00:29:57,761
THEN BILLY ON THE STREET
HAPPENED, AND ONE THING LED TO
ANOTHER AND NOW I'M A GAY SETH

867
00:29:57,763 --> 00:29:58,629
HAPPENED, AND ONE THING LED TO
ANOTHER AND NOW I'M A GAY SETH
MCFARLAND TRYING TO SING.

868
00:29:58,631 --> 00:30:01,431
ANOTHER AND NOW I'M A GAY SETH
MCFARLAND TRYING TO SING.
BUT IT IS MY FIRST -- AND HE'S A

869
00:30:01,433 --> 00:30:01,832
MCFARLAND TRYING TO SING.
BUT IT IS MY FIRST -- AND HE'S A
GREAT SINGER.

870
00:30:01,834 --> 00:30:02,466
BUT IT IS MY FIRST -- AND HE'S A
GREAT SINGER.
>> James: ABSOLUTELY.

871
00:30:02,468 --> 00:30:03,901
GREAT SINGER.
>> James: ABSOLUTELY.
AND I THINK I'M AN OKAY

872
00:30:03,903 --> 00:30:05,602
>> James: ABSOLUTELY.
AND I THINK I'M AN OKAY
SINGER AND THIS IS THE FIRST

873
00:30:05,604 --> 00:30:07,571
AND I THINK I'M AN OKAY
SINGER AND THIS IS THE FIRST
TIME FOR ME TO TO IT ON TV SO

874
00:30:07,573 --> 00:30:07,838
SINGER AND THIS IS THE FIRST
TIME FOR ME TO TO IT ON TV SO
THANK YOU.

875
00:30:07,840 --> 00:30:09,006
TIME FOR ME TO TO IT ON TV SO
THANK YOU.
>> James: WE ARE THRILLED.

876
00:30:09,008 --> 00:30:11,875
THANK YOU.
>> James: WE ARE THRILLED.
EARLIER TONIGHT, YOU HOSTED A

877
00:30:11,877 --> 00:30:15,045
>> James: WE ARE THRILLED.
EARLIER TONIGHT, YOU HOSTED A
VIRTUAL FUNDRAISER FOR THE TWO

878
00:30:15,047 --> 00:30:15,779
EARLIER TONIGHT, YOU HOSTED A
VIRTUAL FUNDRAISER FOR THE TWO
DEMOCRATIC SENATE CANDIDATES IN

879
00:30:15,781 --> 00:30:17,481
VIRTUAL FUNDRAISER FOR THE TWO
DEMOCRATIC SENATE CANDIDATES IN
GEORGIA BUT I DO THINK IT PALES

880
00:30:17,483 --> 00:30:20,751
DEMOCRATIC SENATE CANDIDATES IN
GEORGIA BUT I DO THINK IT PALES
IN COMPARISON WITH YOUR MOST

881
00:30:20,753 --> 00:30:22,019
GEORGIA BUT I DO THINK IT PALES
IN COMPARISON WITH YOUR MOST
RECENT TELEVISION SPECIAL WHERE

882
00:30:22,021 --> 00:30:27,991
IN COMPARISON WITH YOUR MOST
RECENT TELEVISION SPECIAL WHERE
YOU'RE PLAYING AN ELF IN MARIAH

883
00:30:27,993 --> 00:30:30,260
RECENT TELEVISION SPECIAL WHERE
YOU'RE PLAYING AN ELF IN MARIAH
CAREY'S CHRISTMAS SPECIAL ON

884
00:30:30,262 --> 00:30:30,494
YOU'RE PLAYING AN ELF IN MARIAH
CAREY'S CHRISTMAS SPECIAL ON
APPLELE.

885
00:30:30,496 --> 00:30:32,396
CAREY'S CHRISTMAS SPECIAL ON
APPLELE.
WHICH I AM OBSESSED WITH.

886
00:30:32,398 --> 00:30:34,097
APPLELE.
WHICH I AM OBSESSED WITH.
HOW DID YOU BECOME PART OF THIS

887
00:30:34,099 --> 00:30:34,331
WHICH I AM OBSESSED WITH.
HOW DID YOU BECOME PART OF THIS
SHOW?

888
00:30:34,333 --> 00:30:36,166
HOW DID YOU BECOME PART OF THIS
SHOW?
>> WELL, THEY SAW ALL THE

889
00:30:36,168 --> 00:30:37,568
SHOW?
>> WELL, THEY SAW ALL THE
POLITICAL WORK I WAS DOING AND

890
00:30:37,570 --> 00:30:40,571
>> WELL, THEY SAW ALL THE
POLITICAL WORK I WAS DOING AND
THEY SAID HOW CAN WE STOP THAT

891
00:30:40,573 --> 00:30:41,405
POLITICAL WORK I WAS DOING AND
THEY SAID HOW CAN WE STOP THAT
PHONY HOLLYWOOD LIBERAL?

892
00:30:41,407 --> 00:30:45,676
THEY SAID HOW CAN WE STOP THAT
PHONY HOLLYWOOD LIBERAL?
SO LET'S STUFF HIM IN AN ELF

893
00:30:45,678 --> 00:30:47,344
PHONY HOLLYWOOD LIBERAL?
SO LET'S STUFF HIM IN AN ELF
COSTUME AND TAKE HIM OFF

894
00:30:47,346 --> 00:30:49,046
SO LET'S STUFF HIM IN AN ELF
COSTUME AND TAKE HIM OFF
INSTAGRAM POSTING ABOUT POLITICS

895
00:30:49,048 --> 00:30:50,681
COSTUME AND TAKE HIM OFF
INSTAGRAM POSTING ABOUT POLITICS
FOR A COUPLE OF WEEKS.

896
00:30:50,683 --> 00:30:52,416
INSTAGRAM POSTING ABOUT POLITICS
FOR A COUPLE OF WEEKS.
NO, IT'S MARIAH'S CHRISTMAS

897
00:30:52,418 --> 00:30:52,649
FOR A COUPLE OF WEEKS.
NO, IT'S MARIAH'S CHRISTMAS
SPECIAL.

898
00:30:52,651 --> 00:30:55,118
NO, IT'S MARIAH'S CHRISTMAS
SPECIAL.
WHAT MORE CAN YOU WANT?

899
00:30:55,120 --> 00:30:57,588
SPECIAL.
WHAT MORE CAN YOU WANT?
I'VE REACHED PEAK GAY, PEAK

900
00:30:57,590 --> 00:30:59,122
WHAT MORE CAN YOU WANT?
I'VE REACHED PEAK GAY, PEAK
CHRISTMAS, PEAK ALL OF IT, BUT

901
00:30:59,124 --> 00:31:02,292
I'VE REACHED PEAK GAY, PEAK
CHRISTMAS, PEAK ALL OF IT, BUT
IT WAS SUCH A BLAST, ESPECIALLY

902
00:31:02,294 --> 00:31:03,994
CHRISTMAS, PEAK ALL OF IT, BUT
IT WAS SUCH A BLAST, ESPECIALLY
THIS YEAR, WHEN THINGS HAVE BEEN

903
00:31:03,996 --> 00:31:09,733
IT WAS SUCH A BLAST, ESPECIALLY
THIS YEAR, WHEN THINGS HAVE BEEN
SO TBRIM TO GET TO BE IN THIS

904
00:31:09,735 --> 00:31:13,670
THIS YEAR, WHEN THINGS HAVE BEEN
SO TBRIM TO GET TO BE IN THIS
FANTASY, MARIAH WINTER

905
00:31:13,672 --> 00:31:20,677
SO TBRIM TO GET TO BE IN THIS
FANTASY, MARIAH WINTER
WONDERLAND, JAY HUDD, SNOOP AND

906
00:31:20,679 --> 00:31:20,878
FANTASY, MARIAH WINTER
WONDERLAND, JAY HUDD, SNOOP AND
MISTY.

907
00:31:20,880 --> 00:31:22,279
WONDERLAND, JAY HUDD, SNOOP AND
MISTY.
>> James: WHEN SNOOP ARRIVES

908
00:31:22,281 --> 00:31:24,681
MISTY.
>> James: WHEN SNOOP ARRIVES
IS MY FAVORITE MOMENT BUZZ SNOOP

909
00:31:24,683 --> 00:31:27,751
>> James: WHEN SNOOP ARRIVES
IS MY FAVORITE MOMENT BUZZ SNOOP
LOOKS SO HIGH AND HE'S HAVING --

910
00:31:27,753 --> 00:31:29,186
IS MY FAVORITE MOMENT BUZZ SNOOP
LOOKS SO HIGH AND HE'S HAVING --
THERE'S A SHOT AND IT CUTS TO

911
00:31:29,188 --> 00:31:34,124
LOOKS SO HIGH AND HE'S HAVING --
THERE'S A SHOT AND IT CUTS TO
HIM AND HE'S DRESSED AS

912
00:31:34,126 --> 00:31:34,992
THERE'S A SHOT AND IT CUTS TO
HIM AND HE'S DRESSED AS
SANTA CLAUS GOING LIKE THIS AND

913
00:31:34,994 --> 00:31:37,261
HIM AND HE'S DRESSED AS
SANTA CLAUS GOING LIKE THIS AND
HE LOOKS LIKE HE'S HAVING A

914
00:31:37,263 --> 00:31:37,461
SANTA CLAUS GOING LIKE THIS AND
HE LOOKS LIKE HE'S HAVING A
BLAST.

915
00:31:37,463 --> 00:31:39,463
HE LOOKS LIKE HE'S HAVING A
BLAST.
WAS IT FUN IN THE MIDST OF

916
00:31:39,465 --> 00:31:39,663
BLAST.
WAS IT FUN IN THE MIDST OF
COVID?

917
00:31:39,665 --> 00:31:41,999
WAS IT FUN IN THE MIDST OF
COVID?
>> IT WAS ALL VERY

918
00:31:42,001 --> 00:31:42,566
COVID?
>> IT WAS ALL VERY
COVID-COMPLIANT SO THERE WAS

919
00:31:42,568 --> 00:31:42,766
>> IT WAS ALL VERY
COVID-COMPLIANT SO THERE WAS
THAT.

920
00:31:42,768 --> 00:31:45,269
COVID-COMPLIANT SO THERE WAS
THAT.
SO IT'S NOT A TYPICAL SITUATION,

921
00:31:45,271 --> 00:31:46,703
THAT.
SO IT'S NOT A TYPICAL SITUATION,
BUT EVEN IN THE MIDST OF THAT,

922
00:31:46,705 --> 00:31:49,740
SO IT'S NOT A TYPICAL SITUATION,
BUT EVEN IN THE MIDST OF THAT,
THE MOST FUN I'VE HAD ALL YEAR,

923
00:31:49,742 --> 00:31:52,643
BUT EVEN IN THE MIDST OF THAT,
THE MOST FUN I'VE HAD ALL YEAR,
GRANTED A LOW BAR, BUT --

924
00:31:52,645 --> 00:31:52,943
THE MOST FUN I'VE HAD ALL YEAR,
GRANTED A LOW BAR, BUT --
( LAUGHTER )

925
00:31:52,945 --> 00:31:56,647
GRANTED A LOW BAR, BUT --
( LAUGHTER )
-- NO, IT REALLY WAS PURE MARIAH

926
00:31:56,649 --> 00:31:58,949
( LAUGHTER )
-- NO, IT REALLY WAS PURE MARIAH
CHRISTMAS JOY EVERY SECOND.

927
00:31:58,951 --> 00:32:00,751
-- NO, IT REALLY WAS PURE MARIAH
CHRISTMAS JOY EVERY SECOND.
SNOOP WAS DANCING ABOVE ME.

928
00:32:00,753 --> 00:32:02,319
CHRISTMAS JOY EVERY SECOND.
SNOOP WAS DANCING ABOVE ME.
I DON'T KNOW IF I'M -- YOU CAN

929
00:32:02,321 --> 00:32:05,989
SNOOP WAS DANCING ABOVE ME.
I DON'T KNOW IF I'M -- YOU CAN
SEE ME BUT I'M UNDERNEATH SNOOP

930
00:32:05,991 --> 00:32:10,527
I DON'T KNOW IF I'M -- YOU CAN
SEE ME BUT I'M UNDERNEATH SNOOP
AND GERMANE AND THEY -- ALL I'M

931
00:32:10,529 --> 00:32:14,131
SEE ME BUT I'M UNDERNEATH SNOOP
AND GERMANE AND THEY -- ALL I'M
THINKING IS I'M A 42-YEAR-OLD

932
00:32:14,133 --> 00:32:17,200
AND GERMANE AND THEY -- ALL I'M
THINKING IS I'M A 42-YEAR-OLD
MAN DRESSED AS AN ELF, MARIAH IS

933
00:32:17,202 --> 00:32:20,137
THINKING IS I'M A 42-YEAR-OLD
MAN DRESSED AS AN ELF, MARIAH IS
OVER THERE, THERE ARE 40 DANCERS

934
00:32:20,139 --> 00:32:22,439
MAN DRESSED AS AN ELF, MARIAH IS
OVER THERE, THERE ARE 40 DANCERS
ALSO DRESSED AS ELVES CARRYING

935
00:32:22,441 --> 00:32:23,674
OVER THERE, THERE ARE 40 DANCERS
ALSO DRESSED AS ELVES CARRYING
CHRISTMAS BOXES.

936
00:32:23,676 --> 00:32:26,376
ALSO DRESSED AS ELVES CARRYING
CHRISTMAS BOXES.
SNOOP AND GERMANE ARE DANCING

937
00:32:26,378 --> 00:32:27,110
CHRISTMAS BOXES.
SNOOP AND GERMANE ARE DANCING
ABOVE ME.

938
00:32:27,112 --> 00:32:30,380
SNOOP AND GERMANE ARE DANCING
ABOVE ME.
I'M, LIKE, THIS IS THE MOST

939
00:32:30,382 --> 00:32:31,615
ABOVE ME.
I'M, LIKE, THIS IS THE MOST
SURREAL, WONDERFUL MOMENT I'VE

940
00:32:31,617 --> 00:32:33,050
I'M, LIKE, THIS IS THE MOST
SURREAL, WONDERFUL MOMENT I'VE
HAD IN A LONG TIME.

941
00:32:33,052 --> 00:32:35,018
SURREAL, WONDERFUL MOMENT I'VE
HAD IN A LONG TIME.
SNOOP IS GENUINELY ONE TO HAVE

942
00:32:35,020 --> 00:32:36,987
HAD IN A LONG TIME.
SNOOP IS GENUINELY ONE TO HAVE
THE FUNNIEST PEOPLE THAT EXISTS.

943
00:32:36,989 --> 00:32:39,623
SNOOP IS GENUINELY ONE TO HAVE
THE FUNNIEST PEOPLE THAT EXISTS.
>> James: IT'S SO SENSATIONAL.

944
00:32:39,625 --> 00:32:41,291
THE FUNNIEST PEOPLE THAT EXISTS.
>> James: IT'S SO SENSATIONAL.
I'M GLAD YOU MENTIONED THE 40s

945
00:32:41,293 --> 00:32:43,794
>> James: IT'S SO SENSATIONAL.
I'M GLAD YOU MENTIONED THE 40s
BECAUSE I'M ALSO 42, AND I DO

946
00:32:43,796 --> 00:32:45,729
I'M GLAD YOU MENTIONED THE 40s
BECAUSE I'M ALSO 42, AND I DO
WONDER WHAT THE TIME IS, BECAUSE

947
00:32:45,731 --> 00:32:48,065
BECAUSE I'M ALSO 42, AND I DO
WONDER WHAT THE TIME IS, BECAUSE
RIGHT NOW I SAY I'M 42, YOU SAY

948
00:32:48,067 --> 00:32:50,233
WONDER WHAT THE TIME IS, BECAUSE
RIGHT NOW I SAY I'M 42, YOU SAY
I'M 42, I THINK IN ABOUT FOUR

949
00:32:50,235 --> 00:32:52,569
RIGHT NOW I SAY I'M 42, YOU SAY
I'M 42, I THINK IN ABOUT FOUR
YEARS' TIME WE'RE BOTH GOING TO

950
00:32:52,571 --> 00:32:56,340
I'M 42, I THINK IN ABOUT FOUR
YEARS' TIME WE'RE BOTH GOING TO
BE SAYING, WELL, I'M A MAN IN MY

951
00:32:56,342 --> 00:32:56,506
YEARS' TIME WE'RE BOTH GOING TO
BE SAYING, WELL, I'M A MAN IN MY
40s.

952
00:32:56,508 --> 00:32:56,807
BE SAYING, WELL, I'M A MAN IN MY
40s.
( LAUGHTER )

953
00:32:56,809 --> 00:32:59,076
40s.
( LAUGHTER )
AND WHEN WE'RE 48, WELL, I'M IN

954
00:32:59,078 --> 00:33:05,082
( LAUGHTER )
AND WHEN WE'RE 48, WELL, I'M IN
MY 40s, ANDETH LET THEM GUESS.

955
00:33:05,084 --> 00:33:06,650
AND WHEN WE'RE 48, WELL, I'M IN
MY 40s, ANDETH LET THEM GUESS.
>> MARIAH DOESN'T CELEBRATE

956
00:33:06,652 --> 00:33:06,917
MY 40s, ANDETH LET THEM GUESS.
>> MARIAH DOESN'T CELEBRATE
BIRTHDAYS.

957
00:33:06,919 --> 00:33:09,386
>> MARIAH DOESN'T CELEBRATE
BIRTHDAYS.
SHE HAS AN ANNIVERSARY.

958
00:33:09,388 --> 00:33:11,555
BIRTHDAYS.
SHE HAS AN ANNIVERSARY.
SHE DOESN'T USE THE WORD

959
00:33:11,557 --> 00:33:11,855
SHE HAS AN ANNIVERSARY.
SHE DOESN'T USE THE WORD
"BIRTHDAY."

960
00:33:11,857 --> 00:33:13,357
SHE DOESN'T USE THE WORD
"BIRTHDAY."
MAYBE WE'LL START DOING THAT.

961
00:33:13,359 --> 00:33:15,559
"BIRTHDAY."
MAYBE WE'LL START DOING THAT.
>> James: THAT'S WHAT PRINCE

962
00:33:15,561 --> 00:33:16,460
MAYBE WE'LL START DOING THAT.
>> James: THAT'S WHAT PRINCE
USED TO D.

963
00:33:16,462 --> 00:33:18,328
>> James: THAT'S WHAT PRINCE
USED TO D.
>> AND LOOK WHAT HAPPENED TO

964
00:33:18,330 --> 00:33:18,495
USED TO D.
>> AND LOOK WHAT HAPPENED TO
HIM.

965
00:33:18,497 --> 00:33:18,795
>> AND LOOK WHAT HAPPENED TO
HIM.
( LAUGHTER )

966
00:33:18,797 --> 00:33:20,430
HIM.
( LAUGHTER )
>> James: I CANNOT TELL YOU

967
00:33:20,432 --> 00:33:22,065
( LAUGHTER )
>> James: I CANNOT TELL YOU
HOW GLORIOUS YOU ARE AS AN ELF.

968
00:33:22,067 --> 00:33:24,267
>> James: I CANNOT TELL YOU
HOW GLORIOUS YOU ARE AS AN ELF.
SO LOVELY TO SEE YOU IN PERSON.

969
00:33:24,269 --> 00:33:27,137
HOW GLORIOUS YOU ARE AS AN ELF.
SO LOVELY TO SEE YOU IN PERSON.
A LOOK FROM MARIAH CAREY'S

970
00:33:27,139 --> 00:33:29,072
SO LOVELY TO SEE YOU IN PERSON.
A LOOK FROM MARIAH CAREY'S
MAGICAL CHRISTMAS SPECIAL OUT

971
00:33:29,074 --> 00:33:31,441
A LOOK FROM MARIAH CAREY'S
MAGICAL CHRISTMAS SPECIAL OUT
NOW ON APPLE TV +.

972
00:33:31,443 --> 00:33:32,743
MAGICAL CHRISTMAS SPECIAL OUT
NOW ON APPLE TV +.
>> LET'S TALK ABOUT THE CONCERT.

973
00:33:32,745 --> 00:33:33,877
NOW ON APPLE TV +.
>> LET'S TALK ABOUT THE CONCERT.
DO YOU HAVE A SET LIST?

974
00:33:33,879 --> 00:33:36,446
>> LET'S TALK ABOUT THE CONCERT.
DO YOU HAVE A SET LIST?
>> I KNOW ONE SONG FOR SURE BUT

975
00:33:36,448 --> 00:33:38,081
DO YOU HAVE A SET LIST?
>> I KNOW ONE SONG FOR SURE BUT
THEN I'M GOING TO NEED SOME

976
00:33:38,083 --> 00:33:38,682
>> I KNOW ONE SONG FOR SURE BUT
THEN I'M GOING TO NEED SOME
HELP.

977
00:33:38,684 --> 00:33:39,449
THEN I'M GOING TO NEED SOME
HELP.
>> OH, WELL THERE'S A LOT OF

978
00:33:39,451 --> 00:33:41,318
HELP.
>> OH, WELL THERE'S A LOT OF
TALENT HERE IN THE NORTH POLE.

979
00:33:41,320 --> 00:33:43,286
>> OH, WELL THERE'S A LOT OF
TALENT HERE IN THE NORTH POLE.
ELVES ARE ALL VERY MUSICAL.

980
00:33:43,288 --> 00:33:45,689
TALENT HERE IN THE NORTH POLE.
ELVES ARE ALL VERY MUSICAL.
I HAVE YOU KNOW I HAVE THE ONLY

981
00:33:45,691 --> 00:33:51,128
ELVES ARE ALL VERY MUSICAL.
I HAVE YOU KNOW I HAVE THE ONLY
FALSETTO THIS SIDE OF GUM DRIVE

982
00:33:51,130 --> 00:33:51,762
I HAVE YOU KNOW I HAVE THE ONLY
FALSETTO THIS SIDE OF GUM DRIVE
RIRVE

983
00:33:51,764 --> 00:33:53,764
FALSETTO THIS SIDE OF GUM DRIVE
RIRVE
( SINGING IN FALSE SETO )

984
00:33:53,766 --> 00:33:54,765
RIRVE
( SINGING IN FALSE SETO )
>> THAT'S AMAZING BUT I JUST

985
00:33:54,767 --> 00:33:57,634
( SINGING IN FALSE SETO )
>> THAT'S AMAZING BUT I JUST
NEED A MUSICIAN, NOT A SINGER.

986
00:33:57,636 --> 00:34:00,003
>> THAT'S AMAZING BUT I JUST
NEED A MUSICIAN, NOT A SINGER.
>> WELL, TODAY'S YOUR LUCKY AT

987
00:34:00,005 --> 00:34:00,237
NEED A MUSICIAN, NOT A SINGER.
>> WELL, TODAY'S YOUR LUCKY AT
A.

988
00:34:00,239 --> 00:34:03,073
>> WELL, TODAY'S YOUR LUCKY AT
A.
♪

989
00:34:03,075 --> 00:34:06,943
A.
♪
♪

990
00:34:06,945 --> 00:34:11,048
♪
♪
>> James: BILLY WILL BE

991
00:34:11,050 --> 00:34:17,421
♪
>> James: BILLY WILL BE
PERFORMING A MARIAH CAREY

992
00:34:17,423 --> 00:34:17,921
>> James: BILLY WILL BE
PERFORMING A MARIAH CAREY
CLASSIC WHEN

993
00:34:24,929 --> 00:34:32,569
♪ ♪ ♪
>> James: PERFORMING "MISS YOU
MOST AT CHRISTMAS TIME," FROM

994
00:34:32,571 --> 00:34:33,170
>> James: PERFORMING "MISS YOU
MOST AT CHRISTMAS TIME," FROM
THE ALBUM "MERRY CHRISTMAS" BY

995
00:34:33,172 --> 00:34:36,873
MOST AT CHRISTMAS TIME," FROM
THE ALBUM "MERRY CHRISTMAS" BY
MARIAH CAREY, THE FABULOUS,

996
00:34:36,875 --> 00:34:38,842
THE ALBUM "MERRY CHRISTMAS" BY
MARIAH CAREY, THE FABULOUS,
BILLY EICHNER.

997
00:34:38,844 --> 00:34:40,877
MARIAH CAREY, THE FABULOUS,
BILLY EICHNER.
♪ ♪ ♪

998
00:34:40,879 --> 00:34:48,885
BILLY EICHNER.
♪ ♪ ♪
(<i> APPLAUSE</i> )

999
00:34:48,887 --> 00:34:51,955
♪ ♪ ♪
(<i> APPLAUSE</i> )
>> OH, 2020.

1000
00:34:51,957 --> 00:34:52,889
(<i> APPLAUSE</i> )
>> OH, 2020.
♪ ♪ ♪

1001
00:34:52,891 --> 00:34:56,827
>> OH, 2020.
♪ ♪ ♪
♪ THE FIRE IS BURNING

1002
00:34:56,829 --> 00:34:59,729
♪ ♪ ♪
♪ THE FIRE IS BURNING
THE ROOM'S ALL AGLOW

1003
00:34:59,731 --> 00:35:00,864
♪ THE FIRE IS BURNING
THE ROOM'S ALL AGLOW
♪ OUTSIDE THE DECEMBER

1004
00:35:00,866 --> 00:35:04,868
THE ROOM'S ALL AGLOW
♪ OUTSIDE THE DECEMBER
WIND BLOWS

1005
00:35:04,870 --> 00:35:08,839
♪ OUTSIDE THE DECEMBER
WIND BLOWS
♪ AWAY IN THE DISTANCE

1006
00:35:08,841 --> 00:35:12,876
WIND BLOWS
♪ AWAY IN THE DISTANCE
THE CAROLERS SING

1007
00:35:12,878 --> 00:35:20,851
♪ AWAY IN THE DISTANCE
THE CAROLERS SING
♪ IN THE SNOW

1008
00:35:20,853 --> 00:35:24,888
THE CAROLERS SING
♪ IN THE SNOW
EVERYBODY'S LAUGHING

1009
00:35:24,890 --> 00:35:26,823
♪ IN THE SNOW
EVERYBODY'S LAUGHING
♪ THE WORLD IS CELEBRATING

1010
00:35:26,825 --> 00:35:32,696
EVERYBODY'S LAUGHING
♪ THE WORLD IS CELEBRATING
AND EVERYONE'S SO HAPPY

1011
00:35:32,698 --> 00:35:33,330
♪ THE WORLD IS CELEBRATING
AND EVERYONE'S SO HAPPY
♪ EXCEPT FOR ME TONIGHT BECAUSE

1012
00:35:33,332 --> 00:35:38,835
AND EVERYONE'S SO HAPPY
♪ EXCEPT FOR ME TONIGHT BECAUSE
I MISS YOU

1013
00:35:38,837 --> 00:35:40,871
♪ EXCEPT FOR ME TONIGHT BECAUSE
I MISS YOU
♪ MOST AT CHRISTMAS TIME

1014
00:35:40,873 --> 00:35:44,841
I MISS YOU
♪ MOST AT CHRISTMAS TIME
AND I CAN'T GET YOU

1015
00:35:44,843 --> 00:35:48,879
♪ MOST AT CHRISTMAS TIME
AND I CAN'T GET YOU
♪ GET YOU OFF MY MIND

1016
00:35:48,881 --> 00:35:52,883
AND I CAN'T GET YOU
♪ GET YOU OFF MY MIND
EVERY OTHER SEASON

1017
00:35:52,885 --> 00:35:56,853
♪ GET YOU OFF MY MIND
EVERY OTHER SEASON
♪ COMES ALONG AND I'M ALRIGHT

1018
00:35:56,855 --> 00:36:00,891
EVERY OTHER SEASON
♪ COMES ALONG AND I'M ALRIGHT
BUT THEN I MISS YOU

1019
00:36:00,893 --> 00:36:08,999
♪ COMES ALONG AND I'M ALRIGHT
BUT THEN I MISS YOU
♪ MOST AT CHRISTMAS TIME

1020
00:36:12,937 --> 00:36:26,850
IN THE SPRINGTIME
♪ SOME MEMORIES START TO FADE
WITH THE APRIL RAIN

1021
00:36:26,852 --> 00:36:28,885
♪ SOME MEMORIES START TO FADE
WITH THE APRIL RAIN
♪ THROUGH THE SUMMER DAYS

1022
00:36:28,887 --> 00:36:32,856
WITH THE APRIL RAIN
♪ THROUGH THE SUMMER DAYS
'TIL AUTUMN'S LEAVES ARE GONE

1023
00:36:32,858 --> 00:36:36,793
♪ THROUGH THE SUMMER DAYS
'TIL AUTUMN'S LEAVES ARE GONE
♪ I GET BY WITHOUT YOU

1024
00:36:36,795 --> 00:36:37,394
'TIL AUTUMN'S LEAVES ARE GONE
♪ I GET BY WITHOUT YOU
'TIL THE SNOW BEGINS TO FALL

1025
00:36:37,396 --> 00:36:38,862
♪ I GET BY WITHOUT YOU
'TIL THE SNOW BEGINS TO FALL
AND THEN

1026
00:36:38,864 --> 00:36:44,801
'TIL THE SNOW BEGINS TO FALL
AND THEN
♪ I MISS YOU MOST

1027
00:36:44,803 --> 00:36:45,202
AND THEN
♪ I MISS YOU MOST
AT CHRISTMAS TIME

1028
00:36:45,204 --> 00:36:50,840
♪ I MISS YOU MOST
AT CHRISTMAS TIME
♪ AND I CAN'T GET YOU

1029
00:36:50,842 --> 00:36:52,876
AT CHRISTMAS TIME
♪ AND I CAN'T GET YOU
GET YOU OFF MY MIND

1030
00:36:52,878 --> 00:36:56,846
♪ AND I CAN'T GET YOU
GET YOU OFF MY MIND
♪ EVERY OTHER SEASON

1031
00:36:56,848 --> 00:37:00,884
GET YOU OFF MY MIND
♪ EVERY OTHER SEASON
COMES ALONG AND I'M

1032
00:37:00,886 --> 00:37:08,825
♪ EVERY OTHER SEASON
COMES ALONG AND I'M
♪ ALRIGHT

1033
00:37:08,827 --> 00:37:12,862
COMES ALONG AND I'M
♪ ALRIGHT
BUT THEN I MISS YOU

1034
00:37:12,864 --> 00:37:20,971
♪ ALRIGHT
BUT THEN I MISS YOU
♪ MOST AT CHRISTMAS TIME ♪

1035
00:37:38,923 --> 00:37:41,858
>> MERRY CHRISTMAS.
>> James: BILLY EICHNER,
EVERYONE!

1036
00:37:41,860 --> 00:37:42,492
>> James: BILLY EICHNER,
EVERYONE!
WE'LL BE RIGHT BACK AFTER THIS!

1037
00:37:42,494 --> 00:37:42,659
EVERYONE!
WE'LL BE RIGHT BACK AFTER THIS!
OH!

1038
00:37:42,661 --> 00:37:44,427
WE'LL BE RIGHT BACK AFTER THIS!
OH!
♪

1039
00:37:44,429 --> 00:37:44,594
OH!
♪
♪

1040
00:37:44,596 --> 00:37:44,794
♪
♪
♪

1041
00:37:49,934 --> 00:37:53,670
.
♪
♪ ♪ ♪

1042
00:37:53,672 --> 00:38:01,778
♪
♪ ♪ ♪
♪

1043
00:38:04,782 --> 00:38:09,619
>> JAMES: THANKS SO MUCH FOR
WATCHING.
TOMORROW NIGHT: JAMIE DORNAN AND

1044
00:38:09,621 --> 00:38:13,657
WATCHING.
TOMORROW NIGHT: JAMIE DORNAN AND
DOCTOR MICHAEL ERIC DYSON.

1045
00:38:13,659 --> 00:38:16,693
TOMORROW NIGHT: JAMIE DORNAN AND
DOCTOR MICHAEL ERIC DYSON.
REGGIE, TAKE US HOME!

1046
00:38:17,728 --> 00:38:19,963
<font color="#ffff00"> Captioning sponsored by CBS</font>

1047
00:38:21,132 --> 00:38:24,768
Captioned by
<font color="#00ffff"> Media Access Group at WGBH</font>
access.wgbh.org

1048
00:38:25,736 --> 00:38:33,643
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1049
00:38:33,645 --> 00:38:37,180
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1050
00:38:37,182 --> 00:38:37,681
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1051
00:38:37,683 --> 00:38:39,616
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1052
00:38:39,618 --> 00:38:43,820
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1053
00:38:43,822 --> 00:38:45,622
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1054
00:38:45,624 --> 00:38:47,924
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1055
00:38:47,926 --> 00:38:49,659
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1056
00:38:49,661 --> 00:38:51,628
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1057
00:38:51,630 --> 00:38:53,663
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1058
00:38:53,665 --> 00:38:56,499
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1059
00:38:56,501 --> 00:38:57,634
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1060
00:38:57,636 --> 00:39:01,471
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1061
00:39:01,473 --> 00:39:01,771
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1062
00:39:01,773 --> 00:39:05,675
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1063
00:39:05,677 --> 00:39:08,545
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1064
00:39:08,547 --> 00:39:09,612
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1065
00:39:09,614 --> 00:39:11,581
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