1 00:00:07,257 --> 00:00:11,678 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, OOH 2 00:00:11,678 --> 00:00:14,013 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW 3 00:00:14,013 --> 00:00:28,528 ♪ OH, OH IT'S THE LATE LATE SHOW ♪ 4 00:00:28,528 --> 00:00:33,992 ♪ ♪ ♪ ♪ ♪ ♪ 5 00:00:33,992 --> 00:00:36,536 >> James: GOOD EVENING LADIES AND GENTLEMEN, WELCOME TO THE 6 00:00:36,536 --> 00:00:37,245 SHOW. 7 00:00:37,245 --> 00:00:38,455 WE'RE SO GLAD YOU STOPPED BY. 8 00:00:38,455 --> 00:00:41,249 TONIGHT ON THE SHOW, WE'LL BE CHATTING WITH NAOMI WATTS AND 9 00:00:41,249 --> 00:00:43,376 LATER WE HAVE A PERFORMANCE FROM FINNEAS, YOU DON'T WANT TO MISS 10 00:00:43,376 --> 00:00:44,502 IT. 11 00:00:44,502 --> 00:00:46,546 WELL, HUGE DAY TODAY. 12 00:00:46,546 --> 00:00:49,215 TODAY, HUGE, MASSIVE! 13 00:00:49,215 --> 00:00:52,260 YOU AMERICANS LOVE THIS DAY FOR SOME REASON. 14 00:00:52,260 --> 00:00:56,347 OF COURSE, I'M TALKING ABOUT GROUNDHOG DAY. 15 00:00:56,347 --> 00:01:02,061 ( CHEERS AND APPLAUSE ) SEE? 16 00:01:02,061 --> 00:01:07,275 REG, HOW IN THE WORLD HAS THIS TRADITION HELD ON? 17 00:01:07,275 --> 00:01:10,278 >> Reggie: WELL, YOU KNOW, A LOT OF IT WAS -- YOU KNOW, IT 18 00:01:10,278 --> 00:01:13,281 HAPPENED A LONG TIME AGO, THE TRADITION OF -- YOU KNOW, 19 00:01:13,281 --> 00:01:16,284 HAPPENED IN PUNXSUTAWNEY, THERE WAS A GROUNDHOG, AND IF IT SAW 20 00:01:16,284 --> 00:01:20,246 ITS SHADOW, IT MEANT ONE OF THE WAYS OF SPRING WAS GOING TO BE 21 00:01:20,246 --> 00:01:24,292 LATE OR EARLY, BUT IT WAS REALLY ENFORCED BY THE MOVIE 22 00:01:24,292 --> 00:01:27,295 "GROUNDHOGS DAY" STARRING BILL MURRAY. 23 00:01:27,295 --> 00:01:28,379 >> James: YES. 24 00:01:28,379 --> 00:01:34,928 I WANT TO BE CLEAR HERE, THE MOVIE IS A MASTERPIECE. 25 00:01:34,928 --> 00:01:36,304 ( LAUGHTER ) THAT SHOULD UPHOLD TRADITION 26 00:01:36,304 --> 00:01:38,306 TILL THE END OF TIME. 27 00:01:38,306 --> 00:01:42,310 BUT THE ACTUAL TRADITION OF THE GROUNDHOG, THE PEOPLE ARE 28 00:01:42,310 --> 00:01:45,230 GENUINELY INTO IT. 29 00:01:45,230 --> 00:01:46,314 THEY'RE, OH, WE'LL FIND OUT TOMORROW WHAT THE GROUNDHOG 30 00:01:46,314 --> 00:01:47,440 SAYS. 31 00:01:47,440 --> 00:01:54,322 I HAVE A THEORY, AND THAT'S WHETHER OR NOT THE GROUNDHOG 32 00:01:54,322 --> 00:01:57,617 SEES HIS SHADOW, THE SAME THING HAPPENS. 33 00:01:57,617 --> 00:01:58,326 JUST A THEORY. 34 00:01:58,326 --> 00:02:00,787 I CAN'T PROVE IT. 35 00:02:00,787 --> 00:02:01,830 IT'S MY THEORY. 36 00:02:01,830 --> 00:02:04,374 MOVING ON, LET'S TAKE A LOOK AT THE HEADLINES TODAY. 37 00:02:04,374 --> 00:02:11,422 TODAY WAS THE DEADLINE FOR RAMP TO FILE. 38 00:02:11,422 --> 00:02:14,384 TRUMP IS NO LONGER PRESIDENT, AND LAWYERS WILL BE ARGUING THAT 39 00:02:14,384 --> 00:02:18,304 THE TRIAL IS UNCONSTITUTIONAL. 40 00:02:18,304 --> 00:02:22,350 I'M GOING TO USE THIS THE NEXT TIME A COP PULLS ME OVER. 41 00:02:22,350 --> 00:02:26,312 I'M GONNA BE LIKE, "WELL, I'M NO LONGER SPEEDING. 42 00:02:26,312 --> 00:02:30,358 I WAS, I'M NOT NOW. 43 00:02:30,358 --> 00:02:34,362 THEREFORE, THIS TICKET IS UNCONSTITUTIONAL." 44 00:02:34,362 --> 00:02:35,572 ( LAUGHTER ) AND I KNOW SOMEHOW WEIRDLY YOU 45 00:02:35,572 --> 00:02:37,407 DON'T HAVE TO, BUT CAN YOU PUT A MASK ON BECAUSE YOU'RE QUITE 46 00:02:37,407 --> 00:02:40,159 CLOSE TO MY WINDOW. 47 00:02:40,159 --> 00:02:42,370 ( LAUGHTER ) THIS ALL COMES AFTER TRUMP'S 48 00:02:42,370 --> 00:02:45,331 PREVIOUS LEGAL TEAM QUIT OVER THE WEEKEND. 49 00:02:45,331 --> 00:02:47,876 AND ACCORDING TO NEW REPORTS IT WAS MORE THAN JUST A 50 00:02:47,876 --> 00:02:49,335 DIFFERENCE IN APPROACH. 51 00:02:49,335 --> 00:02:52,297 TRUMP AND HIS LAWYERS ALSO HAD DISAGREEMENTS OVER HOW MUCH HE 52 00:02:52,297 --> 00:02:53,298 WAS GOING TO PAY THEM. 53 00:02:53,298 --> 00:02:57,385 THAT DOES NOT SOUND LIKE THE DONALD TRUMP I KNOW. 54 00:02:57,385 --> 00:02:58,553 ( LAUGHTER ) THERE WAS A DISAGREEMENT OVER 55 00:02:58,553 --> 00:03:01,514 MONEY. 56 00:03:01,514 --> 00:03:03,683 THE LAWYERS WANTED $3 MILLION, WHEREAS TRUMP WANTED TO PAY THEM 57 00:03:03,683 --> 00:03:07,312 NOTHING AND THEN MAKE FUN OF THEM ON CABLE NEWS. 58 00:03:07,312 --> 00:03:09,480 ( LAUGHTER ) AND DID YOU GUYS SEE THIS? 59 00:03:09,480 --> 00:03:12,400 PRESIDENT BIDEN IS NOW LOOKING INTO REVOKING TRUMP'S ACCESS TO 60 00:03:12,400 --> 00:03:16,404 INTELLIGENCE BRIEFINGS, A COURTESY TRADITIONALLY GIVEN TO 61 00:03:16,404 --> 00:03:17,530 EX-PRESIDENTS. 62 00:03:17,530 --> 00:03:20,408 REVOKING DONALD TRUMP'S ACCESS TO INTELLIGENCE BRIEFINGS. 63 00:03:20,408 --> 00:03:26,497 THAT'S LIKE REVOKING A DOLPHIN'S ACCESS TO AN XBOX. 64 00:03:26,497 --> 00:03:31,085 ( LAUGHTER ) BY THE WAY, TRUMP FAMOUSLY 65 00:03:31,085 --> 00:03:32,253 SKIPPED INTELLIGENCE BRIEFINGS WHEN HE WAS PRESIDENT OF THE 66 00:03:32,253 --> 00:03:33,463 UNITED STATES. 67 00:03:33,463 --> 00:03:37,717 SO THIS WOULD BE LIKE IF I GOT FIRED FROM THIS JOB AND PEOPLE 68 00:03:37,717 --> 00:03:43,056 WERE, LIKE, SORRY, JAMES, YOU CAN NO LONGER GO INTO STU'S 69 00:03:43,056 --> 00:03:44,390 OFFICE. 70 00:03:44,390 --> 00:03:52,398 ( LAUGHTER ) AND I WOULD BE, LIKE, RIGHT, 71 00:03:52,398 --> 00:03:54,233 WHO'S STU? 72 00:03:54,233 --> 00:03:56,194 SOME BIG NEWS FROM THE WORLD OF TECH. 73 00:03:56,194 --> 00:03:57,570 EARLIER THIS AFTERNOON, JEFF BEZOS ANNOUNCED THAT, EFFECTIVE 74 00:03:57,570 --> 00:04:00,698 THIS SUMMER, HE WILL BE STEPPING DOWN AS C.E.O. OF AMAZON. 75 00:04:00,698 --> 00:04:01,074 >> Reggie: YES! 76 00:04:01,074 --> 00:04:02,659 >> James: YES. 77 00:04:02,659 --> 00:04:06,537 I WONDER WHAT HE'LL DO FOR MONEY. 78 00:04:06,537 --> 00:04:07,497 ( LAUGHTER ) BEZOS WILL BE STAYING ON UNTIL 79 00:04:07,497 --> 00:04:08,748 SUMMER. 80 00:04:08,748 --> 00:04:09,582 ON HIS FINAL DAY, HE'LL BE BOXED UP, COVERED IN PACKING PEANUTS, 81 00:04:09,582 --> 00:04:12,502 AND DROPPED ON HIS FAMILY'S DOORSTEP. 82 00:04:12,502 --> 00:04:16,547 ( LAUGHTER ) AND THAT'S NOT THE ONLY AMAZON 83 00:04:16,547 --> 00:04:20,802 -- AM I SAYING IT RIGHT, BEZOS? 84 00:04:20,802 --> 00:04:21,260 >> Reggie: BEZOS. 85 00:04:21,260 --> 00:04:21,928 >> James: BEZOS. 86 00:04:21,928 --> 00:04:23,805 >> Reggie: BEZOS. 87 00:04:23,805 --> 00:04:24,472 >> James: BEZOS. 88 00:04:24,472 --> 00:04:26,432 BEZOS. 89 00:04:26,432 --> 00:04:27,266 >> James: BEZOS. 90 00:04:27,266 --> 00:04:32,105 THAT'S NOT THE ONLY AMAZON NEWS TODAY. 91 00:04:32,105 --> 00:04:36,609 THE TECH GIANT ALSO UNVEILED THE DESIGN FOR ITS NEW $2.5 BILLION 92 00:04:36,609 --> 00:04:40,571 HEADQUARTERS IN NORTHERN VIRGINIA, WHICH WILL FEATURE A 93 00:04:40,571 --> 00:04:43,157 350-FOOT-TALL TOWER CALLED THE HELIX. 94 00:04:43,157 --> 00:04:44,784 HERE IT IS HERE. 95 00:04:44,784 --> 00:04:46,035 LOOK AT THAT. 96 00:04:46,035 --> 00:04:48,454 IT LOOKS LIKE A GIANT SOFT-SERVE ICE CREAM MADE OF GLASS, AND FOR 97 00:04:48,454 --> 00:04:52,750 THAT REASON ALONE, I'M FOR IT. 98 00:04:52,750 --> 00:04:53,501 ( LAUGHTER ) LOOK AT THE OTHER BUILDINGS 99 00:04:53,501 --> 00:04:54,794 AROUND IT HERE. 100 00:04:54,794 --> 00:05:00,049 EVEN IN THE ARTIST'S RENDERING, THOSE OTHER BUILDINGS LOOK LIKE 101 00:05:00,049 --> 00:05:05,138 THEY'RE TOTALLY GOSSIPPING ABOUT THIS NEW SWIRLY TOWER. 102 00:05:05,138 --> 00:05:09,517 LOOK AT THIS GUY, WHO THE HELL DULLS HE THINK HE IS? 103 00:05:09,517 --> 00:05:14,522 AMPHITHEATER, A DOG RUN, AND PARKING FOR ALMOST 1,000 BIKES. 104 00:05:14,522 --> 00:05:17,525 NO LIVING WAGES FOR WAREHOUSE EMPLOYEES, BUT-- AGAIN-- A DOG 105 00:05:17,525 --> 00:05:21,487 RUN! 106 00:05:21,487 --> 00:05:24,532 ( LAUGHTER ) JEFF BEZOS CALLED HERE AND SAID 107 00:05:24,532 --> 00:05:26,534 I WANT TO WORK HERE ON "THE LATE LATE SHOW," WOULD WE GIVE HIM A 108 00:05:26,534 --> 00:05:26,993 >> 100%. 109 00:05:26,993 --> 00:05:27,910 >> James: YEAH? 110 00:05:27,910 --> 00:05:30,663 WOULD BE GREAT TO HAVE JEFF BEZOS WORK HERE. 111 00:05:30,663 --> 00:05:31,998 >> James: THERE YOU GO. 112 00:05:31,998 --> 00:05:34,542 THINGS ARE LOOKING UP ALREADY. 113 00:05:34,542 --> 00:05:38,546 WHAT WOULD YOU YOU DO? 114 00:05:38,546 --> 00:05:41,340 >> SCRIPT COORDINATOR? 115 00:05:41,340 --> 00:05:41,966 >> James: DO YOU THINK? 116 00:05:41,966 --> 00:05:44,844 ( LAUGHTER ) DO YOU THINK? 117 00:05:44,844 --> 00:05:45,553 DO YOU THINK? 118 00:05:45,553 --> 00:05:46,554 >> MARKETING, MAYBE? 119 00:05:46,554 --> 00:05:51,142 >> James: YEAH, I THINK I WOULD GIVE HIM A JOB. 120 00:05:51,142 --> 00:05:53,061 LISTEN, JEFF, WE'LL FIND SOMETHING FOR YOU. 121 00:05:53,061 --> 00:05:53,811 ALL RIGHT? 122 00:05:53,811 --> 00:05:59,067 THE DOOR'S NOT CLOSED. 123 00:05:59,067 --> 00:06:02,945 ARE THERE ANY OTHER LATE NIGHT SHOW BEING OPEN WITH JEFF 124 00:06:02,945 --> 00:06:03,321 TONIGHT? 125 00:06:03,321 --> 00:06:03,738 >> NO. 126 00:06:03,738 --> 00:06:04,655 START AS A P.A. 127 00:06:04,655 --> 00:06:05,573 >> James: HE'S GOT TO WORK HIS WAY UP. 128 00:06:05,573 --> 00:06:08,826 BEZOS, GET ME A CUP OF COFFEE NOW! 129 00:06:08,826 --> 00:06:11,496 SWIRLING AROUND HERE WITH HIS MUSCLES. 130 00:06:11,496 --> 00:06:13,623 HE IS RIPPED. 131 00:06:13,623 --> 00:06:16,709 HAVE YOU EVER SEEN HIS ARMS? 132 00:06:16,709 --> 00:06:18,586 ( LAUGHTER ) AND THIS IS PRETTY COOL. 133 00:06:18,586 --> 00:06:21,881 NIKE HAS JUST ANNOUNCED A NEW KIND OF SHOE. 134 00:06:21,881 --> 00:06:26,636 IT'S A NO-LACE, SLIP-ON SNEAKER THAT DOES NOT REQUIRE THE USE OF 135 00:06:26,636 --> 00:06:29,680 HANDS TO PUT ON AND TAKE OFF. 136 00:06:29,680 --> 00:06:30,348 TAKE A LOOK. 137 00:06:30,348 --> 00:06:34,352 THERE THEY ARE, LOOK AT THAT. 138 00:06:34,352 --> 00:06:36,062 EASY ON, EASY OFF. 139 00:06:36,062 --> 00:06:38,898 >> Reggie: I WANT IT NOW. 140 00:06:38,898 --> 00:06:40,733 >> James: EASY OFF. 141 00:06:40,733 --> 00:06:41,400 LOOK AT THAT. 142 00:06:41,400 --> 00:06:41,901 >> Reggie: GREAT. 143 00:06:41,901 --> 00:06:42,652 >> James: GOOD IDEA. 144 00:06:42,652 --> 00:06:43,569 NOW DO PANTS. 145 00:06:43,569 --> 00:06:46,739 ( LAUGHTER ) THAT'S ALL I WOULD EVER WANT. 146 00:06:46,739 --> 00:06:52,620 THAT'S WHAT BEZOS SHOULD BE WORKING ON RIGHT NOW, A PAIR OF 147 00:06:52,620 --> 00:06:56,624 PANTS YOU DON'T HAVE TO PICK UP TO PUT THEM ON AND OFF. 148 00:06:56,624 --> 00:07:01,629 LAY THEM ON THE FLOOR AND YOU JUST SORT OF SIT AND THEY -- 149 00:07:01,629 --> 00:07:02,505 YEAH. 150 00:07:02,505 --> 00:07:04,924 ( LAUGHTER ) I FEEL THESE AREN'T GOING TO 151 00:07:04,924 --> 00:07:05,842 WORK. 152 00:07:05,842 --> 00:07:07,927 I FEEL YOU WILL STILL BE USING ONE FINGER. 153 00:07:07,927 --> 00:07:11,097 YOU WILL STILL BE, LIKE, OH, MY THING'S CAUGHT. 154 00:07:11,097 --> 00:07:14,600 WAIT ONE MINUTE, GUYS, I KNOW YOU'RE NOT SUPPOSED TO USE YOUR 155 00:07:14,600 --> 00:07:15,601 HANDS BUT THIS GOT CAUGHT. 156 00:07:15,601 --> 00:07:17,770 AND THAT'S ALL IT WILL BE. 157 00:07:17,770 --> 00:07:20,148 YOU WANT A PAIR OF THESE, DO YOU, REG? 158 00:07:20,148 --> 00:07:21,941 >> Reggie: SO BAD. 159 00:07:21,941 --> 00:07:23,109 I HATE LACES. 160 00:07:23,109 --> 00:07:27,113 >> James: THE THING WITH THESE SNEAKERS THAT SLIP ON AND OFF, 161 00:07:27,113 --> 00:07:32,994 WEAR THEM, DON'T, DOESN'T CARE WHAT KIND OF SHOES YOU'RE 162 00:07:32,994 --> 00:07:36,789 WEARING, I'M STILL DUNKING YOUR ASS WHEN WE GET ON THE BB 163 00:07:36,789 --> 00:07:37,582 COURSE. 164 00:07:37,582 --> 00:07:38,040 ( LAUGHTER ) YOU KNOW THAT'S A FACT. 165 00:07:38,040 --> 00:07:41,127 I'M A BORN BALLER. 166 00:07:41,127 --> 00:07:51,137 I'M LIKE WHAT'S HIS NAME, YOKICH. 167 00:07:51,137 --> 00:07:51,721 >> LUKADANTICH. 168 00:07:51,721 --> 00:07:52,763 >> James: THAT'S THE ONE. 169 00:07:52,763 --> 00:07:54,348 THAT'S WHAT I SAID. 170 00:07:54,348 --> 00:07:56,976 WOULD YOU GO 100% VELCRO? 171 00:07:56,976 --> 00:08:00,521 I WORRY ABOUT VELCRO ON THE WAISTBAND. 172 00:08:00,521 --> 00:08:07,153 I DON'T WANT TO BE SITTING DOWN AND TALKING TO SOMEONE AND 173 00:08:07,153 --> 00:08:07,695 HEAR -- ( SCRATCHING ) 174 00:08:07,695 --> 00:08:13,034 DO YOU KNOW WHAT I MEAN? 175 00:08:13,034 --> 00:08:14,952 SIT DOWN TO DINNER. 176 00:08:14,952 --> 00:08:17,330 YOU WANT DESSERTS? 177 00:08:17,330 --> 00:08:22,001 YEAH, YOU'RE DIGGING IN AND TALKING ON AND THEN JUST -- 178 00:08:22,001 --> 00:08:26,839 ( SCRATCHING SOUND ) ( LAUGHTER ) 179 00:08:26,839 --> 00:08:30,468 AND THEY'RE, LIKE, WE SHOULD HEAD OFF YOU GUYS GO. 180 00:08:30,468 --> 00:08:33,846 I'LL MEET YOU OUT THERE. 181 00:08:33,846 --> 00:08:34,180 AAAHHH! 182 00:08:34,180 --> 00:08:34,722 AAAHHH! 183 00:08:34,722 --> 00:08:35,556 >> Reggie: THAT'S TOUGH. 184 00:08:35,556 --> 00:08:40,561 >> James: AND DID EVERYBODY SEE THIS? 185 00:08:40,561 --> 00:08:42,813 THE TEXAS DEPARTMENT OF PUBLIC SAFETY RECENTLY ISSUED AN AMBER 186 00:08:42,813 --> 00:08:44,857 ALERT FOR A MISSING CHILD THAT WAS A BIT UNUSUAL, AND WE THINK 187 00:08:44,857 --> 00:08:46,817 YOU'LL SEE WHY. 188 00:08:46,817 --> 00:08:47,860 HERE'S THE VERY REAL MESSAGE THAT WENT OUT, WE'RE NOT 189 00:08:47,860 --> 00:08:50,738 KIDDING. 190 00:08:50,738 --> 00:08:53,699 IT WAS FOR CHUCKY, FROM THE "CHILD'S PLAY" HORROR FILMS. 191 00:08:53,699 --> 00:08:56,077 IT WAS A JOKE FOR INTERNAL TESTING PURPOSES, AND THEY 192 00:08:56,077 --> 00:09:01,207 ACCIDENTALLY SENT IT OUT STATEWIDE. 193 00:09:01,207 --> 00:09:02,583 HERE'S HOW YOU KNOW IT WAS A JOKE: IF SOMEBODY REALLY 194 00:09:02,583 --> 00:09:05,711 KIDNAPPED CHUCKY, CHUCKY'S NOT THE ONE WE SHOULD BE WORRIED 195 00:09:05,711 --> 00:09:06,712 ABOUT. 196 00:09:06,712 --> 00:09:11,217 AND THIS WAS A SURPRISE, THE ALERT SAID CHUCKY IS 197 00:09:11,217 --> 00:09:15,221 28-YEARS-OLD. 198 00:09:15,221 --> 00:09:16,347 LOOK AT THAT. 199 00:09:16,347 --> 00:09:22,770 IF THAT'S TRUE, IT'S TIME TO START GOING BY "CHARLES." 200 00:09:22,770 --> 00:09:25,773 ( LAUGHTER ) AND FINALLY, WE HAVE TO GET 201 00:09:25,773 --> 00:09:26,941 SERIOUS HERE FOR A MOMENT. 202 00:09:26,941 --> 00:09:31,237 YESTERDAY AFTERNOON, PRANKSTERS CHANGED TWO LETTERS ON THE 203 00:09:31,237 --> 00:09:37,618 FAMOUS "HOLLYWOOD" SIGN, SO THE SIGN READ "HOLLYBOOB." 204 00:09:37,618 --> 00:09:38,661 ( LAUGHTER ) YEAH. 205 00:09:38,661 --> 00:09:40,746 AT LEAST SIX PEOPLE WERE DETAINED, AND IMMEDIATELY 206 00:09:40,746 --> 00:09:42,915 HIGH-FIVED. 207 00:09:42,915 --> 00:09:45,251 CAN WE LOOK AT THAT AGAIN? 208 00:09:45,251 --> 00:09:48,921 IN MY OPINION, THEY COULD HAVE SPENT A LITTLE MORE TIME ON THAT 209 00:09:48,921 --> 00:09:49,797 IF YOU'RE REALLY GOING TO SEE IT THROUGH. 210 00:09:49,797 --> 00:09:52,550 YOU'VE GOT TO EAT DOOR IT OR DON'T. 211 00:09:52,550 --> 00:09:55,803 THEY WENT TO THE TROUBLE OF GOING TO KINKO'S AND PRINTING 212 00:09:55,803 --> 00:09:59,890 OUT A FULL TARP FOR THE FIRST "B." 213 00:09:59,890 --> 00:10:03,978 DIDN'T PUT IT UP COMPLETELY RIGHT. 214 00:10:03,978 --> 00:10:05,479 BUT BY THE SECOND ONE, THEY WERE JUST LIKE "LET'S JUST PUT A DASH 215 00:10:05,479 --> 00:10:06,814 THROUGH THE 'D' AND CALL IT A DAY." 216 00:10:06,814 --> 00:10:08,774 ( LAUGHTER ) AND IT TURNS OUT THE PRANKSTERS 217 00:10:08,774 --> 00:10:09,817 ARE OPERATING ON BOTH COASTS. 218 00:10:09,817 --> 00:10:11,569 YOU SHOULD SEE WHAT THEY JUST DID IN NEW YORK CITY. 219 00:10:11,569 --> 00:10:12,528 RADIO CITY MUSIC BALLS. 220 00:10:12,528 --> 00:10:19,577 ( LAUGHTER ) RADIO CITY MUSIC BALLS. 221 00:10:19,577 --> 00:10:27,501 ( LAUGHTER ) WHY IS THERE A GRAPE LEANING ON 222 00:10:27,501 --> 00:10:30,629 MY DESK? 223 00:10:30,629 --> 00:10:34,842 >> Reggie: WOW. 224 00:10:34,842 --> 00:10:35,509 DID SOMEBODY LOSE A GRAPE? 225 00:10:35,509 --> 00:10:37,970 NOBODY? 226 00:10:37,970 --> 00:10:38,596 REG, IS THIS YOUR GRAPE? 227 00:10:38,596 --> 00:10:39,055 >> Reggie: NO. 228 00:10:39,055 --> 00:10:39,889 >> James: REALLY? 229 00:10:39,889 --> 00:10:41,640 >> Reggie: NO, YOU WOULD THINK BUT NO. 230 00:10:41,640 --> 00:10:44,477 >> James: IT WAS THERE THROUGH THE WHOLE MONOLOGUE. 231 00:10:44,477 --> 00:10:45,644 HOW DID IT GET THERE? 232 00:10:45,644 --> 00:10:47,813 >> Reggie: I DIDN'T NOTICE IT. 233 00:10:47,813 --> 00:10:48,898 >> James: IT WAS THERE. 234 00:10:48,898 --> 00:10:51,484 >> Reggie: THERE A ELECTRICAL PLATFORM THAT RAISES IT? 235 00:10:51,484 --> 00:10:54,820 >> James: NO, THERE'S NOTHING, IT'S JUST A GRAPE. 236 00:10:54,820 --> 00:10:58,491 IT WAS PERFECTLY BALANCED AGAINST MY MUG. 237 00:10:58,491 --> 00:10:59,492 IT WAS STANDING UPRIGHT. 238 00:10:59,492 --> 00:11:03,162 IT'S NOT EVEN LIKE SOMEONE WOULD HAVE DROPPED IT. 239 00:11:03,162 --> 00:11:05,164 IF IT WOULD HAVE DROPPED, IT WOULD HAVE ROLLED. 240 00:11:05,164 --> 00:11:12,505 IT WAS QUITE CLEARLY PLACED THERE, DELICATELY. 241 00:11:12,505 --> 00:11:13,881 WHOSE IS THIS? 242 00:11:13,881 --> 00:11:16,050 IS NOBODY GOING TO CLAIM THIS GRAPE IS THIS. 243 00:11:16,050 --> 00:11:16,717 >> IT'S MY GRAPE. 244 00:11:16,717 --> 00:11:19,887 >> James: WHAT? 245 00:11:19,887 --> 00:11:23,682 THE GRAPE IS MINE. 246 00:11:23,682 --> 00:11:30,022 >> James: BEN, WHY DID YOU PUT A SINGLE GRAPE ON MY DESK? 247 00:11:30,022 --> 00:11:30,856 >> ACCIDENT. 248 00:11:30,856 --> 00:11:36,654 ( LAUGHTER ) >> James: WERE YOU EATING 249 00:11:36,654 --> 00:11:37,863 GRAPES IN HERE. 250 00:11:37,863 --> 00:11:38,864 >> NO. 251 00:11:38,864 --> 00:11:40,032 >> James: WHY DID YOU HAVE GRAPES IN THE STUDIO? 252 00:11:40,032 --> 00:11:41,367 >> I WAS HOLDING IT. 253 00:11:41,367 --> 00:11:42,785 >> James: IT? 254 00:11:42,785 --> 00:11:55,047 YOU WERE JUST IN THE STUDIO HOLDING A SINGLE GRAPE? 255 00:11:55,047 --> 00:11:55,881 >> YES. 256 00:11:55,881 --> 00:11:58,342 >> James: WHY WERE YOU HOLDING ONE GRAPE? 257 00:11:58,342 --> 00:12:04,390 >> DIDN'T WANT TO PUT IT ON THE FLOOR. 258 00:12:04,390 --> 00:12:05,891 >> James: BUT WHY DID YOU HAVE JUST ONE GRAPE IN YOUR HAND IN 259 00:12:05,891 --> 00:12:08,894 THE FIRST PLACE? 260 00:12:08,894 --> 00:12:10,104 >> NO POCKETS. 261 00:12:10,104 --> 00:12:12,898 >> James: I'M SORRY, WHY WERE YOU HOLDING ONE GRAPE THAT YOU 262 00:12:12,898 --> 00:12:18,696 DIDN'T HAVE THE INTENTION OF EATING? 263 00:12:18,696 --> 00:12:19,238 >> WHERE SHOULD I HAVE PUT IT? 264 00:12:19,238 --> 00:12:20,698 >> James: I DON'T KNOW. 265 00:12:20,698 --> 00:12:23,242 I WANT TO KNOW WHY YOU HAD IT. 266 00:12:23,242 --> 00:12:28,747 >> BROUGHT IT WITH ME. 267 00:12:28,747 --> 00:12:33,752 >> James: YOU JUST BROUGHT ONE GRAPE WITH YOU FROM HOME? 268 00:12:33,752 --> 00:12:34,670 >> NO. 269 00:12:34,670 --> 00:12:37,882 >> JAMES: THEN HOW DID YOU GET THE GRAPE?! 270 00:12:37,882 --> 00:12:42,428 >> THE STORE. 271 00:12:42,428 --> 00:12:43,596 >> JAMES: DID YOU BUY ANYTHING ELSE AT THE STORE WHEN YOU 272 00:12:43,596 --> 00:12:45,890 BOUGHT THIS GRAPE? 273 00:12:45,890 --> 00:12:49,101 >> NO. 274 00:12:49,101 --> 00:12:53,439 >> JAMES: SO YOU WENT TO THE STORE AND BOUGHT JUST ONE GRAPE? 275 00:12:53,439 --> 00:12:54,231 >> CORRECT. 276 00:12:54,231 --> 00:12:57,902 >> JAMES: AND WHY DID YOU DO THAT? 277 00:12:57,902 --> 00:13:04,783 >> DID NOT WANT TO STEAL IT. 278 00:13:04,783 --> 00:13:05,951 >> JAMES: BUT WHY DID YOU JUST BUY ONE? 279 00:13:05,951 --> 00:13:07,870 >> ONLY NEEDED ONE. 280 00:13:07,870 --> 00:13:10,956 >> JAMES: YES, BUT WHAT DID YOU NEED THE GRAPE FOR? 281 00:13:10,956 --> 00:13:18,047 >> TO BRING TO WORK. 282 00:13:18,047 --> 00:13:19,131 >> James: OKAY. 283 00:13:19,131 --> 00:13:20,132 LET'S SAY YOU DIDN'T ACCIDENTALLY LEAVE YOUR GRAPE ON 284 00:13:20,132 --> 00:13:20,925 MY DESK. 285 00:13:20,925 --> 00:13:25,971 WHAT WERE YOUR PLANS WITH THIS GRAPE? 286 00:13:25,971 --> 00:13:29,934 >> PRIVATE INFORMATION. 287 00:13:29,934 --> 00:13:32,686 >> JAMES: WHAT COULD YOU POSSIBLY BE DOING WITH ONE GRAPE 288 00:13:32,686 --> 00:13:33,979 THAT'S PRIVATE?! 289 00:13:33,979 --> 00:13:36,857 >> PRIVATE INFORMATION. 290 00:13:36,857 --> 00:13:38,192 >> JAMES: OKAY, FINE. 291 00:13:38,192 --> 00:13:38,734 YOU KNOW WHAT? 292 00:13:38,734 --> 00:13:41,987 I'M EATING THE GRAPE. 293 00:13:41,987 --> 00:13:46,659 >> DO NOT EAT THE GRAPE. 294 00:13:46,659 --> 00:13:47,201 >> JAMES: I'M GONNA EAT IT. 295 00:13:47,201 --> 00:13:49,954 >> DO NOT EAT THE GRAPE. 296 00:13:49,954 --> 00:13:51,121 >> JAMES: THEN TELL ME WHAT YOU'RE DOING AT WORK WITH A 297 00:13:51,121 --> 00:13:57,962 SINGLE GRAPE IN YOUR HAND! 298 00:13:57,962 --> 00:13:59,838 >> PRIVATE INFORMATION. 299 00:13:59,838 --> 00:14:02,591 >> James: RIGHT, I'M EATING THE GRAPE. 300 00:14:02,591 --> 00:14:03,175 >> DO NOT EAT THE GRAPE. 301 00:14:03,175 --> 00:14:06,136 >> James: I'M DOING IT. 302 00:14:06,136 --> 00:14:10,015 DO NOT EAT THE GRAPE! 303 00:14:10,015 --> 00:14:21,193 ( SHOUTING ) >> DO NOT EAT THE GRAPE! 304 00:14:21,193 --> 00:14:23,821 >> James: I'LL PUT IT DOWN! 305 00:14:23,821 --> 00:14:25,155 GO TO COMMERCIAL. 306 00:14:25,155 --> 00:14:26,907 GO TO COMMERCIAL NOW! 307 00:14:26,907 --> 00:14:28,075 ♪ DON'T EAT THE ♪ ♪ THE ♪ 308 00:14:28,075 --> 00:14:29,868 ♪ GRAPE ♪ ♪ DON'T EAT THE GRAPE ♪ 309 00:14:45,134 --> 00:14:47,428 ♪♪♪ >> James: WELCOME BACK. 310 00:14:47,428 --> 00:14:49,096 LET'S MEET OUR FIRST GUEST TONIGHT! 311 00:14:49,096 --> 00:14:51,056 SHE'S AN OSCAR NOMINATED ACTRESS YOU KNOW FROM "THE IMPOSSIBLE," 312 00:14:51,056 --> 00:14:53,225 "BIRDMAN" AND "MULHOLLAND DRIVE," THE ABSOLUTELY DIVINE 313 00:14:53,225 --> 00:14:59,732 NAOMI WATTS! 314 00:14:59,732 --> 00:15:00,357 ( CHEERS AND APPLAUSE ) >> James: DO YOU BELIEVE IT? 315 00:15:00,357 --> 00:15:03,527 THANK YOU FOR BEING HERE. 316 00:15:03,527 --> 00:15:05,904 NAOMI, THIS IS YOUR FIRST TIME ON THE SHOW. 317 00:15:05,904 --> 00:15:08,115 >> THAT'S RIGHT. 318 00:15:08,115 --> 00:15:10,576 I CAN'T BELIEVE THIS NEVER HAPPENED BEFORE. 319 00:15:10,576 --> 00:15:15,122 >> James: I WILL SAY IT'S THE ONLY REASON WE'VE DONE 869 OTHER 320 00:15:15,122 --> 00:15:15,914 SHOWS. 321 00:15:15,914 --> 00:15:18,125 I DON'T KNOW WHAT WE DO AFTER THIS. 322 00:15:18,125 --> 00:15:21,170 NOW THAT WE'VE HAD THIS MOMENT, I FIGURE THAT'ST IT, WE'LL JUST 323 00:15:21,170 --> 00:15:22,212 PULL THE PLUG, RIGHT? 324 00:15:22,212 --> 00:15:23,922 >> MAY AS WELL. 325 00:15:23,922 --> 00:15:25,132 >> James: YEAH. 326 00:15:25,132 --> 00:15:28,260 IT'S LOVELY TO FINALLY HAVE YOU OWN. 327 00:15:28,260 --> 00:15:29,094 NOW, I KNOW YOU'RE IN NEW YORK RIGHT NOW. 328 00:15:29,094 --> 00:15:32,306 IT WAS JUST HIT BY A MASSIVE BLIZZARD. 329 00:15:32,306 --> 00:15:33,265 IS EVERYTHING OKAY OUT THERE? 330 00:15:33,265 --> 00:15:35,309 WERE YOU AFFECTED BY IT AT ALL? 331 00:15:35,309 --> 00:15:40,939 >> YEAH, I GOT STUCK -- WE GOT STUCK. 332 00:15:40,939 --> 00:15:43,192 I ALMOST DIDN'T MAKE IT, A THREE-HOUR DRIVE AND THE THE 333 00:15:43,192 --> 00:15:45,277 WEATHER WAS REALLY BAD. 334 00:15:45,277 --> 00:15:49,615 IT WAS EITHER THAT -- YOU KNOW, LIKE I WAS GOING TO RISK IT, I 335 00:15:49,615 --> 00:15:56,789 WAS GOING TO CANCEL IT OR END UP IN MY SWEAT PANTS TALKING TO YOU 336 00:15:56,789 --> 00:16:00,167 WITH VERY GREASY, DISHEVELED HAIR AND NO MAKEUP, BUT I GOT 337 00:16:00,167 --> 00:16:01,001 HERE. 338 00:16:01,001 --> 00:16:03,087 >> James: WELL, WE'RE THRILLED YOU DID. 339 00:16:03,087 --> 00:16:08,300 IS THIS YOUR HOUSE WE'RE LOOKING AT HERE, NAOMI WATTS? 340 00:16:08,300 --> 00:16:08,842 >> YES, IT IS. 341 00:16:08,842 --> 00:16:10,135 >> James: IT'S GORGEOUS. 342 00:16:10,135 --> 00:16:13,972 IT'S EXACTLY WHERE I WANTED NAOMI WATTS TO LIVE, ISN'T IT? 343 00:16:13,972 --> 00:16:15,307 ( LAUGHTER ) WHENEVER I IMAGINED WHERE YOU 344 00:16:15,307 --> 00:16:18,811 LIVED, IT HAD JUST GORGEOUS ARTWORK LIKET THAT. 345 00:16:18,811 --> 00:16:21,939 >> YEAH, THAT'S A BEAUTIFUL PAINTING I GOT AT THE NEW YORK 346 00:16:21,939 --> 00:16:25,818 ACADEMY OF ART, ACTUALLY, AND THAT'S A GREAT OLD VINTAGE 347 00:16:25,818 --> 00:16:27,486 POSTER, IF YOU CAN SEE THAT ONE. 348 00:16:27,486 --> 00:16:31,490 >> James: OH, IT'S EXACTLY WHERE I ALWAYS IMAGINED, WHEN I 349 00:16:31,490 --> 00:16:34,535 THOUGHT OF SEEING US HAVING A GLASS OF WINE AND CHEESE AND THE 350 00:16:34,535 --> 00:16:39,331 TWO OF US ARE WATCHING THE FIRST WIVES CLUB AND JUST BITCHING 351 00:16:39,331 --> 00:16:42,501 ABOUT THE DAY, DO YOU KNOW WHAT I MEAN, THAT'S HOW I ALWAYS 352 00:16:42,501 --> 00:16:45,295 IMAGINED, AFTER THIS INTERVIEW, YOU AND I, WE'VE BECOME BEST 353 00:16:45,295 --> 00:16:49,717 FRIENDS, A CHEESE AND WINE NIGHT, COUPLE OF FACE MASKS AND 354 00:16:49,717 --> 00:16:51,218 WE JUST BITCH ABOUT EVERYONE. 355 00:16:51,218 --> 00:16:51,969 >> I LOVE IT. 356 00:16:51,969 --> 00:16:52,636 I LOVE IT. 357 00:16:52,636 --> 00:16:54,179 >> James: NO ONE'S OFF LIMITS. 358 00:16:54,179 --> 00:16:56,223 NO ONE'S OFF LIMITS. 359 00:16:56,223 --> 00:17:03,188 >> OKAY, CHEESE PLATE YES, WIN YES, FACE MASKS, YES, AND, YEAH, 360 00:17:03,188 --> 00:17:05,816 WE CAN GOSSIP. 361 00:17:05,816 --> 00:17:07,067 ( LAUGHTER ) >> James: NOW, IN HONOR OF THE 362 00:17:07,067 --> 00:17:10,696 BLIZZARD THAT JUST HAPPENED, YOU POSTED A VIDEO ON INSTAGRAM, 363 00:17:10,696 --> 00:17:12,239 WHICH IS SOMETHING I DON'T KNOW IF I WOULD EVER DO. 364 00:17:12,239 --> 00:17:14,324 WE'VE GOT IT HERE. 365 00:17:14,324 --> 00:17:23,959 LOOK AT THIS. 366 00:17:23,959 --> 00:17:26,211 I MEAN, THAT LOOKS SO COLD. 367 00:17:26,211 --> 00:17:28,714 WHAT ON EARTH MADE YOU DO THIS? 368 00:17:28,714 --> 00:17:29,173 >> I DON'T KNOW. 369 00:17:29,173 --> 00:17:31,341 I LOST MY MIND. 370 00:17:31,341 --> 00:17:33,886 IT WAS A DARE. 371 00:17:33,886 --> 00:17:37,389 MY KIDS JUST SAID WHY DON'T WE DO IT, AND THE SNOW LOOKED SO 372 00:17:37,389 --> 00:17:41,477 FLUFFY AND FRESH AND UNTOUCHED, JUST SEEMED LIKE A GOOD IDEA. 373 00:17:41,477 --> 00:17:43,270 BUT I DID HURT MY BACK. 374 00:17:43,270 --> 00:17:44,438 >> James: OH, REALLY. 375 00:17:44,438 --> 00:17:45,105 YEAH. 376 00:17:45,105 --> 00:17:45,731 >> James: THAT'S THE PROBLEM. 377 00:17:45,731 --> 00:17:47,900 THAT'S WHY I WOULDN'T DO IT. 378 00:17:47,900 --> 00:17:49,067 >> YEAH, DON'T TRY IT AT HOME. 379 00:17:49,067 --> 00:17:55,240 >> James: IF I INJURED MY BACK, I CAN'T PLAY BASKETBALL 380 00:17:55,240 --> 00:17:57,826 ANYMORE, AND THAT'S MY LIFE. 381 00:17:57,826 --> 00:17:59,244 ( LAUGHTER ) YOU LIVE IN NEW YORK CITY, AND I 382 00:17:59,244 --> 00:18:02,998 CAN ONLY IMAGINE, IT'S SUCH A PUBLIC PLACE WHERE EVERYBODY HAS 383 00:18:02,998 --> 00:18:04,041 TO GET OUT ON THE STREETS. 384 00:18:04,041 --> 00:18:08,086 I IMAGINE YOU JUST GET RECOGNIZED ALL THE TIME WHEN 385 00:18:08,086 --> 00:18:09,421 YOU'RE WALKING AROUND NEW YORK, RIGHT? 386 00:18:09,421 --> 00:18:10,881 >> I ACTUALLY DON'T. 387 00:18:10,881 --> 00:18:13,133 I BLEND INTO THE CROWD. 388 00:18:13,133 --> 00:18:17,137 THE POPARAZZI ARE THE PEOPLE WHO KNOW ME AND WHERE I LIVE AND 389 00:18:17,137 --> 00:18:20,766 THEY SORT OF CALL ME OUT, BUT FOR THE MOST PART, NO, I GO 390 00:18:20,766 --> 00:18:23,936 AROUND MY LIFE AND NOBODY BOTHERS ME. 391 00:18:23,936 --> 00:18:28,315 IN FACT, I GET ASKED, YOU KNOW, IF I'M WITH SOMEONE FAMOUS, I'LL 392 00:18:28,315 --> 00:18:33,779 SAY, CAN YOU TAKE A PHOTO OF US WITH, YOU KNOW, THE FAMOUS 393 00:18:33,779 --> 00:18:34,905 PERSON YOU'RE WITH? 394 00:18:34,905 --> 00:18:37,407 AND THEN I ALSO GET, YOU KNOW, IF YOU GO INTO A SHOP OR 395 00:18:37,407 --> 00:18:43,288 SOMETHING, SOMEONE WILL SAY, HAS ANYONE EVER TOLD YOU YOU LOOK 396 00:18:43,288 --> 00:18:44,373 LIKE NAOMI WATTS? 397 00:18:44,373 --> 00:18:47,835 AND I GO, YEAH, SOMETIMES. 398 00:18:47,835 --> 00:18:51,922 OH, YEAH, NO, YOU REALLY DO. 399 00:18:51,922 --> 00:18:52,297 YEAH. 400 00:18:52,297 --> 00:18:53,507 IT'S FUNNY. 401 00:18:53,507 --> 00:19:00,138 >> James: I WAS IN LONDON IN A CAFE WITH HARRY ST STILES ONCE A 402 00:19:00,138 --> 00:19:04,935 SOMEONE CAME OVER AND SAID, WOULD YOU TAKE A PHOTO OF US 403 00:19:04,935 --> 00:19:05,644 TOGETHER? 404 00:19:05,644 --> 00:19:06,979 AND I WAS FRACTIONALLY PUT OUT. 405 00:19:06,979 --> 00:19:08,188 I SAID, SURE. 406 00:19:08,188 --> 00:19:10,315 TOOK THE PHOTO AND HARRY WAS SORT OF LOOKING AT ME, BECAUSE I 407 00:19:10,315 --> 00:19:15,320 HAD THIS HAT ON, AND HARRY WAS, LIKE, THEY DIDN'T KNOW IT WAS 408 00:19:15,320 --> 00:19:16,488 YOU. 409 00:19:16,488 --> 00:19:23,328 AND HARRY SAID YOU KNOW THAT'S JAMES CORDEN, AND THEY WENT, 410 00:19:23,328 --> 00:19:24,329 MM-HMM. 411 00:19:24,329 --> 00:19:25,372 ( LAUGHTER ) >> BRILLIANT. 412 00:19:25,372 --> 00:19:29,001 >> James: YOU GREW UP IN ENGLAND, NAOMI, AND MOVED TO 413 00:19:29,001 --> 00:19:33,005 AUSTRALIA AT 14 YEARS OLD WHICH MUST HAVE BEEN QUITE THE CULTURE 414 00:19:33,005 --> 00:19:33,881 SHOCK. 415 00:19:33,881 --> 00:19:36,341 HOW DID YOU ADJUST TO THE MOVE? 416 00:19:36,341 --> 00:19:42,347 14'S QUITE A TRICKY AGE TO MOVE AT. 417 00:19:42,347 --> 00:19:44,349 >> I DIDN'T LIKE IT. 418 00:19:44,349 --> 00:19:48,353 I WAS JUST ESTABLISHING MY PEER GROUPS. 419 00:19:48,353 --> 00:19:52,024 I WAS GOING TO BOARDING SCHOOL AND I DIDN'T WANT TO GO. 420 00:19:52,024 --> 00:19:55,235 BUT MY MOM HAD BEEN TO AUSTRALIA AND THOUGHT IT WAS THE LAND OF 421 00:19:55,235 --> 00:19:56,528 OPPORTUNITY. 422 00:19:56,528 --> 00:19:59,489 WE HAVE AUSTRALIAN RELATIVES, MY GRANDMOTHER WAS AUSTRALIAN, AND 423 00:19:59,489 --> 00:20:03,702 ENGLAND WAS DEPRESSED AT THE TIME, IT WAS REALLY A TOUGH 424 00:20:03,702 --> 00:20:04,536 TIME. 425 00:20:04,536 --> 00:20:09,041 I SAID, NO WH WAY, THIS CAN'T HAPPEN. 426 00:20:09,041 --> 00:20:13,337 MY MOM SAID, YOU CAN COME AND I PROMISE TO PUT YOU IN DRAMA 427 00:20:13,337 --> 00:20:15,923 SCHOOL, BECAUSE I HAD BEEN WANTING TO GO FOR A LONG TIME. 428 00:20:15,923 --> 00:20:18,926 SO THAT WAS HOW SHE TALKED ME INTO IT. 429 00:20:18,926 --> 00:20:26,058 SO -- AND I REMEMBER DRIVING BY OUR SCHOOL THAT WE WERE GOING TO 430 00:20:26,058 --> 00:20:28,977 BE GOING TO, AND I REMEMBER BEING QUITE SQUARED. 431 00:20:28,977 --> 00:20:40,739 ALL THE KIDS LOOKED LIKE THEY HAD OUTRAGEOUS H HAIRDOS AND THE 432 00:20:40,739 --> 00:20:41,949 FORM DRESSES WERE VERY SHORT. 433 00:20:41,949 --> 00:20:47,454 I WAS AT A SCHOOL WHERE THE SKIRTS WERET AT THE KNEE AND THE 434 00:20:47,454 --> 00:20:51,291 SOCKS WERE JUST UNDER THE KNEE AND IT WAS VERY BUTTONED UP. 435 00:20:51,291 --> 00:20:52,459 VERY DIFFERENT. 436 00:20:52,459 --> 00:20:55,545 >> James: WE HAVE THAT MOVE TO THANK FOR ALL THE INCREDIBLE 437 00:20:55,545 --> 00:20:57,047 PERFORMANCES YOU'VE GIVEN US. 438 00:20:57,047 --> 00:20:58,090 THANK GOD. 439 00:20:58,090 --> 00:20:58,465 >> THANK YOU. 440 00:20:58,465 --> 00:20:59,675 IT WAS GOOD. 441 00:20:59,675 --> 00:21:02,469 I WENT FROM ONE LITTLE DRAMA SCHOOL TO THE NEXT AND THEN GOT 442 00:21:02,469 --> 00:21:04,304 MORE AND MORE SERIOUS AND HERE I AM. 443 00:21:04,304 --> 00:21:05,430 >> James: AND HERE YOU ARE. 444 00:21:05,430 --> 00:21:09,101 AND GIVING AN ABSOLUTELY BEAUTIFUL PERFORMANCE ON YOUR 445 00:21:09,101 --> 00:21:12,604 NEW MOVIE PENGUIN BLOOM, WHICH IS BASED ON A TRUE STORY. 446 00:21:12,604 --> 00:21:15,941 FOR ANYONE WHO DOESN'T KNOW, TELL US WHAT IT'S ABOUT AND WHO 447 00:21:15,941 --> 00:21:16,608 YOU PLAY. 448 00:21:16,608 --> 00:21:18,443 >> T'S A TRUE STORY, YES. 449 00:21:18,443 --> 00:21:25,659 AND I PLAY SAND BLOOM, WHO IS A MOM, AND THE FAMILY IS ON 450 00:21:25,659 --> 00:21:31,415 VACATION IN THAILAND, AND SHE FALLS BACKWARDS OFF A BALCONY 451 00:21:31,415 --> 00:21:36,670 AND IT'S A HORRIFIC ACCIDENT AND IS LEFT A PARAPLEGIC. 452 00:21:36,670 --> 00:21:40,007 SO BASICALLY, IT'S ALL ABOUT THE HEALING AND RECOVERY OF THAT 453 00:21:40,007 --> 00:21:42,592 ACCIDENT BOTH PHYSICALLY AND EMOTIONALLY, AND IT KIND OF 454 00:21:42,592 --> 00:21:51,643 REALLY KICKS OFF IN THE PATH OF RECOVERY WITH A BIRD WHO IS ALSO 455 00:21:51,643 --> 00:21:56,273 HEALING AT THE SAME TIME, AND THE BIRD HAPPENS TO BE A MAGPIE. 456 00:21:56,273 --> 00:22:02,320 >> James: NOW, MAGPIES, I ONLY KNOW THIS FROM SHOOING THEM AWAY 457 00:22:02,320 --> 00:22:04,614 FROM OUR HOUSE IN LONDON, CAN BE QUITE AGGRESSIVE. 458 00:22:04,614 --> 00:22:06,491 WHAT WAS IT LIKE WORKING WITH THEM? 459 00:22:06,491 --> 00:22:10,162 >> THEY'RE VERY AGGRESSIVE BIRDS, AND I WAS REALLY NERVOUS 460 00:22:10,162 --> 00:22:11,288 GOING INTO IT. 461 00:22:11,288 --> 00:22:13,373 I WAS THINKING, THIS IS NOT GOING TO WORK, THEY'RE NOT 462 00:22:13,373 --> 00:22:14,541 FRIENDLY BIRDS. 463 00:22:14,541 --> 00:22:18,503 IN FACT, I HAVE EVIDENCE OF THAT, AND I HAVE BEEN BOMBED, 464 00:22:18,503 --> 00:22:23,675 SWOOPED BY A LARGE NUMBER OF BIRDS IN THE FOREST. 465 00:22:23,675 --> 00:22:27,679 WE WERE HORSE RIDING AND I GUESS THEY WERE NESTING IN THE FOREST, 466 00:22:27,679 --> 00:22:34,895 AND A WHOLE BUNCH OF THEM JUST CAME RIGHT AT ME AT COLOSSAL 467 00:22:34,895 --> 00:22:36,646 SPEED AND IT WAS FRIGHTENING. 468 00:22:36,646 --> 00:22:42,152 BUT IT DOES TURN OUT THAT THEY'RE VERY INTELLIGENT BIRDS 469 00:22:42,152 --> 00:22:44,237 AND, THEREFORE, VERY TRAINABLE. 470 00:22:44,237 --> 00:22:47,365 BUT, YEAH, IT WAS NERVE RACKING. 471 00:22:47,365 --> 00:22:52,746 THEY HAD A NUMBER OF BIRDS ON THE SET ON ROTATION, IF ONE GOT 472 00:22:52,746 --> 00:22:56,750 NAUGHTY OR TIRED, OFF THEY WENT, BACK TO THEIR TRAILER, HAD A 473 00:22:56,750 --> 00:23:00,378 SNACK, JUST LIKE ALL PERFORMERS. 474 00:23:00,378 --> 00:23:01,213 >> James: OH, YEAH. 475 00:23:01,213 --> 00:23:05,926 I REW UP WITH ACTRESSES LIKE THAT, YEAH. 476 00:23:05,926 --> 00:23:06,676 >> YEAH. 477 00:23:06,676 --> 00:23:07,886 ( LAUGHTER ) >> James: WELL, THE 478 00:23:07,886 --> 00:23:11,348 PERFORMANCE OF THE MAGPIE IS NOTHING CLOSE TO THE PERFORMANCE 479 00:23:11,348 --> 00:23:12,224 THAT YOU GIVE. 480 00:23:12,224 --> 00:23:13,642 I THINK THIS FILM IS ABSOLUTELY BEAUTIFUL. 481 00:23:13,642 --> 00:23:18,105 LET'S TAKE A LOOK AT A CLIP FROM PENGUIN BLOOM STREAMING RIGHT 482 00:23:18,105 --> 00:23:19,689 NOW ON NETFLIX. 483 00:23:19,689 --> 00:23:22,859 >> ARE YOU STILL YOU, SAM? 484 00:23:22,859 --> 00:23:23,151 NO. 485 00:23:23,151 --> 00:23:23,693 YOU ARE. 486 00:23:23,693 --> 00:23:24,736 THAT'S THE POINT. 487 00:23:24,736 --> 00:23:25,195 YOU ARE. 488 00:23:25,195 --> 00:23:25,904 YOU ARE. 489 00:23:25,904 --> 00:23:27,739 YOU ARE. 490 00:23:27,739 --> 00:23:29,241 >> I'M NOT. 491 00:23:29,241 --> 00:23:30,867 I'M NOT! 492 00:23:30,867 --> 00:23:35,580 THAT IS SOMEONE ELSE! 493 00:23:35,580 --> 00:23:37,707 I'M NOTHING! 494 00:23:37,707 --> 00:23:39,417 THIS -- IT DOESN'T WORK! 495 00:23:39,417 --> 00:23:53,265 IT JUST DOESN'T WORK! 496 00:23:53,265 --> 00:23:57,644 LOOK AT ME, KEN. 497 00:23:57,644 --> 00:23:59,437 MORE WITH NAOMI WATTS WHEN WE COME BACK. 498 00:24:17,706 --> 00:24:19,457 ♪♪♪ >> James: WELCOME BACK. 499 00:24:19,457 --> 00:24:20,667 WE ARE HERE WITH NAOMI WATTS. 500 00:24:20,667 --> 00:24:23,670 NAOMI, WE HAVE BEEN DOING A "LATE LATE SHOW AND TELL" WHERE 501 00:24:23,670 --> 00:24:28,133 WE ASK OUR GUESTS TO SHARE SOMETHING WITH US FROM THEIR 502 00:24:28,133 --> 00:24:29,176 HOME WE MIGHT NOT OTHERWISE GET TO SEE. 503 00:24:29,176 --> 00:24:32,471 DO YOU HAVE ANYTHING TO SHARE WITH US THIS EVENING? 504 00:24:32,471 --> 00:24:35,807 >> YES, MY DOG WAS SUPPOSED TO BE HERE BUT SHE'S NOT. 505 00:24:35,807 --> 00:24:38,810 I HAVE ANOTHER LITTLE THING, ALTHOUGH PUPPIES ARE CUTE, BUT 506 00:24:38,810 --> 00:24:43,523 THIS WAS A CHRISTMAS PRESENT FROM ONE OF MY KIDS, AND, YEAH, 507 00:24:43,523 --> 00:24:49,863 IT LOOKS LIKE JUST A NICE LITTLE MINIBOTTLE OF RED WINE. 508 00:24:49,863 --> 00:24:50,989 >> James: YEAH. 509 00:24:50,989 --> 00:24:57,579 BUT ACTUALLY, IT'S BETTER BECAUSE IT'S A -- IT'S A WINE 510 00:24:57,579 --> 00:24:59,664 OPENER AND A SET AND IT JUST MAKES -- IT'S GOOD. 511 00:24:59,664 --> 00:25:04,544 I FEEL SEEN AND UNDERSTOOD. 512 00:25:04,544 --> 00:25:08,673 ( LAUGHTER ) >> James: WOW, IT'S ALL ANY OF 513 00:25:08,673 --> 00:25:12,594 US EVER WANT OR NEED, AND YOU'VE DONE IT. 514 00:25:12,594 --> 00:25:17,724 IT'S AMAZING. 515 00:25:17,724 --> 00:25:21,728 REGGIE, DO YOU HAVE A QUESTION FOR OUR GUESTS THIS EVENING? 516 00:25:21,728 --> 00:25:26,483 TONIGHT'S QUESTION WILL BE UP TO NAOMI. 517 00:25:26,483 --> 00:25:27,692 >> James: OKAY. 518 00:25:27,692 --> 00:25:33,740 >> Reggie: SO GROWING UP FOR US WAS DIFFICULT IN OUR FAMILY, 519 00:25:33,740 --> 00:25:38,036 AND, OBVIOUSLY, WE SPENT A LOT OF TIME IN ENGLAND, YOU KNOW, 520 00:25:38,036 --> 00:25:41,665 AND THEN MOVED TO AUSTRALIA, AND THAT WAS TOUGH, AND WE GOT 521 00:25:41,665 --> 00:25:46,253 SEPARATED FOR QUITE SOME TIME, BUT THE WATTS FAMILY IS REALLY 522 00:25:46,253 --> 00:25:50,382 KIND OF RESILIENT, AND I THINK THAT WE SHARE SO MANY, YOU KNOW, 523 00:25:50,382 --> 00:25:51,591 COMMON TRAITS. 524 00:25:51,591 --> 00:25:59,349 SO I GUESS WHAT'S ONE OF YOUR FAVORITE MEMORIES OF -- IN OUR 525 00:25:59,349 --> 00:26:00,183 FAMILY? 526 00:26:00,183 --> 00:26:04,437 ( LAUGHTER ) >> YOU KNOW, LIKE WHEN WE 527 00:26:04,437 --> 00:26:08,858 EXPERIMENTED AND PLAYED TOGETHER IN THE FIELDS AND ON THE BEACH 528 00:26:08,858 --> 00:26:16,866 AND WITH CUDDLY TOYS AND WITH DOGS AND, YOU KNOW, AND OTHER 529 00:26:16,866 --> 00:26:17,742 THINGS, YOU KNOW. 530 00:26:17,742 --> 00:26:21,162 WE DID ALL THIS KIND OF THING, DIDN'T WE? 531 00:26:21,162 --> 00:26:21,997 LOTS OF HUGGING. 532 00:26:21,997 --> 00:26:24,416 >> James: YOU REMEMBER THIS GUY, REG? 533 00:26:24,416 --> 00:26:29,045 >> Reggie: CRAZY, I'VE NOT SEEN THAT IN 14 YEARS. 534 00:26:29,045 --> 00:26:29,629 >> COME HOME. 535 00:26:29,629 --> 00:26:31,089 COME HOME. 536 00:26:31,089 --> 00:26:31,798 >> Reggie: AS SOON AS I CAN. 537 00:26:31,798 --> 00:26:32,590 AS SOON AS I CAN. 538 00:26:32,590 --> 00:26:33,383 THANK YOU SO MUCH. 539 00:26:33,383 --> 00:26:34,134 THAT'S ABSOLUTELY CORRECT. 540 00:26:34,134 --> 00:26:35,343 >> James: IT'S ABSOLUTELY CORRECT. 541 00:26:35,343 --> 00:26:39,597 LADIES AND GENTLEMEN, PLEASE THANK TIN CREDIBLE NAOMI WATTS, 542 00:26:39,597 --> 00:26:40,390 EVERYBODY! 543 00:26:40,390 --> 00:26:40,724 FINNEAS IS HERE WHEN WE COME BACK! 544 00:26:57,824 --> 00:26:59,701 OUR NEXT GUEST IS A SIX-TIME GRAMMY AWARD WINNING 545 00:26:59,701 --> 00:27:00,618 SINGER-SONGWRITER AND PRODUCER. 546 00:27:00,618 --> 00:27:04,831 HE'S NOMINATED FOR THREE GRAMMYS THIS YEAR. 547 00:27:04,831 --> 00:27:08,460 WE'RE SO EXCITED TO HAVE HIM WITH US TONIGHT. 548 00:27:08,460 --> 00:27:09,419 WE LOVE HIM HERE AT THIS SHOW. 549 00:27:09,419 --> 00:27:12,505 PLEASE WELCOME THE PHENOMENAL, THE SINGULAR, 550 00:27:12,505 --> 00:27:16,176 FINNEAS IS HERE! 551 00:27:16,176 --> 00:27:18,845 [ APPLAUSE ] HOW ARE YOU, FINNEAS, ARE YOU 552 00:27:18,845 --> 00:27:20,430 WELL? 553 00:27:20,430 --> 00:27:21,806 >> I'M GOOD. 554 00:27:21,806 --> 00:27:23,350 SO GREAT TO SEE YOU. 555 00:27:23,350 --> 00:27:24,476 THANKS FOR HAVING ME ON. 556 00:27:24,476 --> 00:27:29,731 >> James: WE WERE ACTUALLY TALKING ABOUT YOU ON THE SHOW 557 00:27:29,731 --> 00:27:33,485 LAST WEEK. 558 00:27:33,485 --> 00:27:36,821 JARED LETO WAS HERE AND HE SAID YOU PERFORMED AT HIS HOUSE AT A 559 00:27:36,821 --> 00:27:39,866 DINNER HE HAD FOR LOADS OF FAMOUS PEOPLE. 560 00:27:39,866 --> 00:27:43,870 WHAT'S IT LIKE WHEN YOU GET THE CALL FROM JARED LETO? 561 00:27:43,870 --> 00:27:45,663 WHAT'S YOUR SIDE OF THAT EVENING? 562 00:27:45,663 --> 00:27:47,457 >> I REMEMBER IT VERY CLEARLY. 563 00:27:47,457 --> 00:27:48,208 I WAS VERY NERVOUS. 564 00:27:48,208 --> 00:27:51,294 IT WAS BEGIN TOCK A LONG TIME AGO. 565 00:27:51,294 --> 00:27:57,050 IT WAS MAY OF 2017, AND JARED IS ONE OF THOSE DUDES THAT, LIKE, 566 00:27:57,050 --> 00:27:59,719 IS VERY, LIKE, AWARE OF WHAT'S GOING ON. 567 00:27:59,719 --> 00:28:01,346 HE'S REALLY EARLY. 568 00:28:01,346 --> 00:28:05,642 HE'S AN EARLY ADOPTER OF ANYTHING. 569 00:28:05,642 --> 00:28:08,478 ANYTIME YOU ARE JUST DISCOVERING SOMETHING, HE'S, LIKE, I HAVE 570 00:28:08,478 --> 00:28:09,896 BEEN INVESTING IN IT FOR FIVE YEARS. 571 00:28:09,896 --> 00:28:11,523 >> James: YEAH. 572 00:28:11,523 --> 00:28:14,859 SO HE HAD, LIKE, REACHED OUT TO US A YEAR PRIOR AND THEN 573 00:28:14,859 --> 00:28:19,030 THROUGH OUR WONDERFUL PUBLICIST SORT OF REACHED OUT AND SAID DO 574 00:28:19,030 --> 00:28:20,990 THEY WANT TO COME TO THIS DINNER AT MY HOUSE? 575 00:28:20,990 --> 00:28:22,826 AND WE WERE, LIKE, YEAH, OF COURSE! 576 00:28:22,826 --> 00:28:29,082 AND THE DAY OF THE DINNER, HE CONTACTED OUR TEAM AND SAID DO 577 00:28:29,082 --> 00:28:32,085 YOU HAVE ANY INTEREST IN PERFORMING TONIGHT? 578 00:28:32,085 --> 00:28:34,879 AND WE SAID, OH, MY GOD AND WE WERE SEIZED WITH NERVES. 579 00:28:34,879 --> 00:28:39,551 SO WE WENT A LITTLE EARLY TO SET UP OUR STUFF, WHICH AT THE TIME 580 00:28:39,551 --> 00:28:43,221 WAS BASICALLY LEGOS IS WHAT WE PLAYED. 581 00:28:43,221 --> 00:28:45,181 ( LAUGHTER ) AND WE WENT TO HIS HOUSE, WHICH 582 00:28:45,181 --> 00:28:49,894 IS, LIKE, A SET FROM A STANLEY KUBRICK FILM. 583 00:28:49,894 --> 00:28:54,858 CAN'T QUITE IMAGINE HOW ANYONE IS EVER COZY THERE, AND IT'S 584 00:28:54,858 --> 00:28:55,859 DEFINITELY HAUNTED. 585 00:28:55,859 --> 00:29:02,407 IT'S ONE OF THOSE HOUSES THAT HAVE GHOSTS IN IT. 586 00:29:02,407 --> 00:29:06,202 BUT HE'S ALWAYS BEEN VERY GENEROUS TO THE TWO OF US AND 587 00:29:06,202 --> 00:29:07,871 GIVEN US GREAT ADVICE. 588 00:29:07,871 --> 00:29:13,293 IT WAS A VERY UNIQUE, BIZARRE EVENING IN OUR LIVES. 589 00:29:13,293 --> 00:29:15,962 >> James: THE LAST TIME WE SAW YOU, FINNEAS, IT FEELS LIKE A 590 00:29:15,962 --> 00:29:19,883 DECADE AGO WHEN WE WERE DOING OUR HOME FEST SHOW, AND HOW ARE 591 00:29:19,883 --> 00:29:21,050 YOU PROCESSING? 592 00:29:21,050 --> 00:29:26,389 BECAUSE WE HAD A LOVELY CHAT WITH YOUR PARENTS, AND I ADORE 593 00:29:26,389 --> 00:29:30,935 YOUR PARENTS AND YOUR WHOLE FAMILY, I REALLY LOOK UPON AS AN 594 00:29:30,935 --> 00:29:36,733 EXAMPLE, REALLY, GENUINELY, AS A FATHER, THEIR NURTURE AND 595 00:29:36,733 --> 00:29:38,943 NOURISHMENT TO HAVE THE BOTH OF YOU, I REALLY THINK ABOUT IT A 596 00:29:38,943 --> 00:29:40,069 LOT AS I PARENT MY KIDS. 597 00:29:40,069 --> 00:29:43,990 HOW ARE YOU PARENTS AND YOUR FAMILY PROCESSING EVERYTHING 598 00:29:43,990 --> 00:29:47,076 THAT'S HAPPENED IN YOUR LIFE? 599 00:29:47,076 --> 00:29:50,747 >> OH, WELL, FIRST OF ALL, THAT'S SO SWEET, AND I'M GOING 600 00:29:50,747 --> 00:29:56,127 TO CALL MY MOM AFTER THIS AND TELL HER THAT BECAUSE WE ALL 601 00:29:56,127 --> 00:29:57,629 TALK -- >> James: I REALLY MEAN THAT. 602 00:29:57,629 --> 00:30:01,966 YOU'RE A DINNER TABLE -- WE ALL SAY, WE LOVE THAT JAMES. 603 00:30:01,966 --> 00:30:04,969 >> James: WELL, I'LL COME AND PERFORM AT YOUR DINNER. 604 00:30:04,969 --> 00:30:06,930 ( LAUGHTER ) CAN YOU IMAGINE, IF YOU WANT ME 605 00:30:06,930 --> 00:30:08,473 TO, I WILL. 606 00:30:08,473 --> 00:30:09,140 I'LL COME. 607 00:30:09,140 --> 00:30:10,683 WE'LL GO, WON'T WE, BAND? 608 00:30:10,683 --> 00:30:14,979 SHALL WE GO AND PLAY FOR THE EILISHS? 609 00:30:14,979 --> 00:30:19,484 WE'LL COME AND SET UP AND PLAY, BUT WE WOULD LIKE IT TO BE A 610 00:30:19,484 --> 00:30:24,697 REALLY BORING DINNER, NOT A BIG GLAMOROUS THING, JUST THE FOUR 611 00:30:24,697 --> 00:30:29,160 OF YOU HAVING WHAT YOU NORMALLY EAT AND WE'LL JUST PERFORM IN 612 00:30:29,160 --> 00:30:30,161 THE CORRIDOR, RIGHT, GANG? 613 00:30:30,161 --> 00:30:34,958 AND THAT'S AN OPEN INVITE, ANYTIME YOU WANT, BABE. 614 00:30:34,958 --> 00:30:35,500 >> LOVE IT. 615 00:30:35,500 --> 00:30:39,712 >> James: GO ON, SORRY. 616 00:30:39,712 --> 00:30:42,674 THIS PAST YEAR HAS BEEN SO UNIQUE FOR EVERYONE. 617 00:30:42,674 --> 00:30:43,716 THEY'RE A POD, RIGHT. 618 00:30:43,716 --> 00:30:46,803 IT'S ME, MY SISTER, MY GIRLFRIEND WHO I LIVE WITH AND 619 00:30:46,803 --> 00:30:50,807 OUR FOLKS, SO THAT'S THE ONLY PEOPLE I'VE SEEN FOR ABOUT A 620 00:30:50,807 --> 00:30:51,933 YEAR NOW. 621 00:30:51,933 --> 00:30:54,185 AND, YOU KNOW, WE TOUR WITH THEM, TOO, SO THAT GROUP OF 622 00:30:54,185 --> 00:30:56,229 PEOPLE IS NOT ABNORMAL FOR US. 623 00:30:56,229 --> 00:30:58,022 MOM AND DAD ARE ALWAYS KIND F INVOLVED. 624 00:30:58,022 --> 00:31:04,070 YOU KNOW, THEY'RE, LIKE -- THEY HAVE PARENTAL, YOU KNOW, ADVICE 625 00:31:04,070 --> 00:31:07,532 AND SORT OF SAGE MOMENTS OF WISDOM, AND THEN THERE'S THINGS 626 00:31:07,532 --> 00:31:10,159 THAT HAPPEN TO ME AND BILLY WHERE THEY ARE EVEN MORE FREAKED 627 00:31:10,159 --> 00:31:16,082 OUT BY THEM THAN WE ARE AND THE WISDOM GOES OUT THE DOOR WHERE 628 00:31:16,082 --> 00:31:17,292 SOMETHING WILL HAPPEN AND WE'RE, LIKE, THAT'S AMAZING, THAT'S 629 00:31:17,292 --> 00:31:20,003 CRAZY, AND OUR DAD WILL BE, LIKE, DO YOU KNOW HOW BIG A DEAL 630 00:31:20,003 --> 00:31:22,046 THAT IS?! 631 00:31:22,046 --> 00:31:26,676 AND BY VIRTUE OF OUR IGNORANCE OR INEXPERIENCE OF AGE, WE MIGHT 632 00:31:26,676 --> 00:31:27,885 NOT. 633 00:31:27,885 --> 00:31:30,179 WE WOULD BE, LIKE, OH, THAT'S GREAT, AND OUR PARENTS WILL BE 634 00:31:30,179 --> 00:31:34,392 SORT OF FLIPPING OUT OR HAVING MORE OF A MOMENT THAN WE EVEN 635 00:31:34,392 --> 00:31:35,602 ARE. 636 00:31:35,602 --> 00:31:36,769 SO IT VARIES DAY TO DAY. 637 00:31:36,769 --> 00:31:43,943 IF I HAVE A FLAT TIRE, MY DAD'S VERY USEFUL, BUT IF WE'RE 638 00:31:43,943 --> 00:31:49,574 MEETING SOMEBODY HE'S IDOLIZED, HE'S MUCH MORE FLIPPED OUT ABOUT 639 00:31:49,574 --> 00:31:50,450 IT. 640 00:31:50,450 --> 00:31:51,743 ( LAUGHTER ) >> James: I FEEL LIKE YOU'VE 641 00:31:51,743 --> 00:31:54,245 MANAGED TO DO SOMETHING THROUGH THIS PERIOD OF QUARANTINE WHICH 642 00:31:54,245 --> 00:31:58,207 I AND MANY OTHERS HAVE FOUND A CHALLENGE. 643 00:31:58,207 --> 00:32:02,086 YOU'VE SEEMED TO HAVE FOUND A WAY TO BE INCREDIBLY CREATIVE. 644 00:32:02,086 --> 00:32:04,422 YOU HAVE BEEN WRITING WITH A LOT OF PEOPLE. 645 00:32:04,422 --> 00:32:07,425 I IMAGINE YOU AND BILLY HAVE BEEN DOING, I IMAGINE, A NEW 646 00:32:07,425 --> 00:32:08,801 RECORD BECAUSE YOU SHOULD HAVE BEEN ON TOUR? 647 00:32:08,801 --> 00:32:12,055 >> SHE SAID IT, SO I'M NOT SPILLING THE BEANS FOR HER, BUT 648 00:32:12,055 --> 00:32:15,099 WE'RE WORKING REALLY HARD ON HER SECOND ALBUM. 649 00:32:15,099 --> 00:32:16,059 IT'S ALMOST DONE. 650 00:32:16,059 --> 00:32:18,102 WE'RE REALLY EXCITED. 651 00:32:18,102 --> 00:32:20,063 SHE'S THE ONLY PERSON I'VE WORKED WITH IN PERSON IN THE 652 00:32:20,063 --> 00:32:24,776 WHOLE YEAR, SO EVERYTHING ELSE HAS BEEN OVER ZOOM AND SOMEONE 653 00:32:24,776 --> 00:32:27,111 WILL SEND ME A VOCAL OF THEIRS, AND I'LL PRODUCE IT AND SEND IT 654 00:32:27,111 --> 00:32:32,283 BACK TO THEM, SO IT'S ALL BEEN THIS KIND OF LIKE VIRTUAL WORLD 655 00:32:32,283 --> 00:32:33,326 OF THAT. 656 00:32:33,326 --> 00:32:36,329 BUT BILLY AND I HAVE BEEN HOLED UP WORKING TOGETHER. 657 00:32:36,329 --> 00:32:39,457 >> James: I'M SO EXCITED TO HEAR THOSE NEW SONGS, I REALLY 658 00:32:39,457 --> 00:32:40,917 REALLY AM. 659 00:32:40,917 --> 00:32:45,254 AND THE SONG YOU'RE PERFORMING TONIGHT "CAN'T WAIT TO BE DEAD" 660 00:32:45,254 --> 00:32:49,467 I GENUINELY THINK IS A TRULY BRILLIANT SONG, AND YOU'RE GOING 661 00:32:49,467 --> 00:32:51,969 TO PERFORM IT FOR US IN JUST A MOMENT. 662 00:32:51,969 --> 00:32:55,014 EXPLAIN WHAT THE SONG'S ABOUT BECAUSE I ACTUALLY THINK IT'S 663 00:32:55,014 --> 00:32:57,183 PROFOUND DURING THIS PAST FEW MONTHS OF WHAT WE HAVE BEEN 664 00:32:57,183 --> 00:32:59,477 GOING THROUGH. 665 00:32:59,477 --> 00:33:00,728 >> THANKS, MAN. 666 00:33:00,728 --> 00:33:03,272 IT WAS A SONG THAT I WROTE, AND IT WAS ONE OF THOSE THINGS WHERE 667 00:33:03,272 --> 00:33:07,610 SOMETIMES YOU'RE JUST WRITING DOWN HOW YOU FEEL WHEN IT 668 00:33:07,610 --> 00:33:09,153 HAPPENS AND YOU'RE NOT SORT OF THINKING ABOUT THE BIG PICTURE 669 00:33:09,153 --> 00:33:14,951 AS MUCH, BUT IN RETROSPECT I REMEMBER SITTING DOWN AND 670 00:33:14,951 --> 00:33:17,537 READING THE SONG AND BEING, LIKE, THIS SONG IS ABOUT MY 671 00:33:17,537 --> 00:33:20,665 RELATIONSHIP WITH THE INTERNET, I THINK, AND JUST SORT OF LIKE 672 00:33:20,665 --> 00:33:25,336 THE INTERNET CAN OFFER A LOT OF CONNECTEDNESS AND POSITIVITY, 673 00:33:25,336 --> 00:33:28,715 AND IT CAN ALSO BE SO OVERWHELMING. 674 00:33:28,715 --> 00:33:31,342 MY GIRLFRIEND AND I TALK ABOUT THIS A LOT. 675 00:33:31,342 --> 00:33:36,180 LIKE, EVERYONE KNOWS ONE MASSIVELY IRRESPONSIBLE PERSON 676 00:33:36,180 --> 00:33:39,183 WHO VACATIONED THROUGH THE WHOLE OF COVID, WHERE ON THEIR 677 00:33:39,183 --> 00:33:44,981 INSTAGRAM THEY'RE PARTYING AND VACATIONING, AND 50% OF YOU IS 678 00:33:44,981 --> 00:33:50,027 JUDGING THEM LIKE WHAT A MORON, AND THE OTHER 50% IS HORRIBLY 679 00:33:50,027 --> 00:33:51,070 JEALOUS. 680 00:33:51,070 --> 00:33:52,864 IT'S I WANT TO BE AS IRRESPONSIBLE AS THAT PERSON. 681 00:33:52,864 --> 00:33:56,868 SO TO ME THE SONG WAS ABOUT HOW OVERWHELMING THE INTERNET COULD 682 00:33:56,868 --> 00:33:59,746 BE, ESPECIALLY, YOU KNOW, DURING THIS PERIOD OF TIME WHERE 683 00:33:59,746 --> 00:34:02,707 SOMETIMES THE INTERNET IS THE ONLY WAY I COMMUNICATED WITH 684 00:34:02,707 --> 00:34:03,374 ANYONE THAT DAY. 685 00:34:03,374 --> 00:34:04,542 >> James: YEAH. 686 00:34:04,542 --> 00:34:08,212 I DIDN'T GO -- SO I -- YOU KNOW, I CAN WAIT TO BE DEAD, BUT 687 00:34:08,212 --> 00:34:15,261 SOME MOMENTS, YOU KNOW, I CAN WAIT LESS LONG THAN OTHERS. 688 00:34:15,261 --> 00:34:19,724 >> James: WELL, I'M SO HAPPY THAT YOU'RE PERFORMING ON THE 689 00:34:19,724 --> 00:34:20,475 SHOW. 690 00:34:20,475 --> 00:34:21,893 THANK YOU SO MUCH FOR BEING HERE. 691 00:34:21,893 --> 00:34:23,895 WE ABSOLUTELY ADORE YOU HERE. 692 00:34:23,895 --> 00:34:25,897 STICK AROUND, FINNEAS IS GOING TO PERFORM, WHEN WE COME BACK. 693 00:34:42,288 --> 00:34:43,372 ♪ ♪ ♪ >> James: WELCOME BACK. 694 00:34:43,372 --> 00:34:47,126 HERE WITH A VERY SPECIAL PERFORMANCE OF HIS BRILLIANT 695 00:34:47,126 --> 00:34:49,170 SONG “CAN'T WAIT TO BE DEAD,” PLEASE WELCOME FINNEAS! 696 00:35:05,812 --> 00:35:17,782 ♪ ♪ ♪ ♪ SOMEBODY'S DRIVIN' YOU HOME 697 00:35:17,782 --> 00:35:25,790 BUT THEY DON'T KNOW WHO YOU ARE ♪ YOU'RE IN THE BACK OF THE CAR 698 00:35:25,790 --> 00:35:29,794 SOMEBODY'S TRYIN' TO HELP ♪ AND MAKIN' EVERYTHING WORSE 699 00:35:29,794 --> 00:35:35,925 SOMEBODY, PLEASE CALL THE NURSE ♪ SOMEBODY'S RIPPIN' YOU OFF 700 00:35:35,925 --> 00:35:41,806 TRYIN' TO SELL YOU GOOD NEWS ♪ YOU KNOW WE'RE STILL 701 00:35:41,806 --> 00:35:48,020 GONNA LOSE ♪ BUT I NEED TO BE WHERE YOU ARE 702 00:35:48,020 --> 00:35:49,939 FOR NO REASON AT ALL ♪ OR ELSE I'LL SUFFER 703 00:35:49,939 --> 00:35:57,822 WITHDRAWALS ♪ NOBODY'S COMIN' TO SAVE ME 704 00:35:57,822 --> 00:36:05,830 NOBODY KNOWS ANY BETTER, ANYWAY ♪ I THINK WE'RE THINKIN' 705 00:36:05,830 --> 00:36:10,001 THE SAME THING ♪ IF THIS IS HOW IT ENDS 706 00:36:10,001 --> 00:36:21,888 I WASN'T LISTENING ♪ ♪ ♪ 707 00:36:21,888 --> 00:36:25,349 ♪ SOMEBODY'S SCREAMIN' AGAIN ANOTHER SUNBURN WITH HAIR 708 00:36:25,349 --> 00:36:33,900 ♪ IT'S TOO MUCH FUN NOT TO STARE SOMEBODY'S CALLIN' YOU OUT 709 00:36:33,900 --> 00:36:41,866 ♪ FOR SOMETHIN' YOU NEVER SAID KINDA CAN'T WAIT TO BE DEAD 710 00:36:41,866 --> 00:36:45,870 ♪ SOMEBODY'S WASTING MY TIME YOUR CONFEDERATE FLAG 711 00:36:45,870 --> 00:36:53,920 ♪ YOU'VE GOT NO REASON TO BRAG NOBODY'S COMIN' TO SAVE ME 712 00:36:53,920 --> 00:36:59,550 ♪ NOBODY KNOWS ANY BETTER, ANYWAY 713 00:36:59,550 --> 00:37:05,431 ♪ I THINK WE'RE THINKIN' THE SAME THING 714 00:37:05,431 --> 00:37:09,936 ♪ IF THIS IS HOW IT ENDS I WASN'T LISTENING 715 00:37:09,936 --> 00:37:20,029 ♪ TO YOU TO YOU 716 00:37:20,029 --> 00:37:26,118 ♪ TO YOU TO YOU 717 00:37:26,118 --> 00:37:33,918 ♪ I WASN'T LISTENING YET NOT EVEN GONE 718 00:37:33,918 --> 00:37:41,926 ♪ BUT YOU'LL BE MISSING ME YET I WASN'T LISTENING YET 719 00:37:41,926 --> 00:37:43,928 ♪ I WASN'T LISTENING I WASN'T LISTENING YET ♪ 720 00:37:57,525 --> 00:37:59,277 >> James: FINNEAS, EVERYONE! 721 00:38:19,505 --> 00:38:21,507 ♪ ♪ ♪ >> James: THANKS SO MUCH FOR 722 00:38:21,507 --> 00:38:24,510 TOMORROW NIGHT: KAL PENN AND MUSIC FROM JOSH GROBAN. 723 00:38:24,510 --> 00:38:26,262 WE'LL SEE YOU THEN. 724 00:38:26,262 --> 00:38:27,805 REGGIE, TAKE US HOME.