1 00:00:07,257 --> 00:00:15,140 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, OOH 2 00:00:15,223 --> 00:00:19,436 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW 3 00:00:19,519 --> 00:00:23,148 ♪ OH, OH IT'S THE LATE LATE SHOW ♪ 4 00:00:23,231 --> 00:00:25,150 >> Reggie: ♪ >> Reggie: ARE HE STARTING 5 00:00:25,233 --> 00:00:27,902 AGAIN, I CAN'T GET MY MASK OFF, I PUT MY HEADPHONES ON THEY ARE 6 00:00:27,986 --> 00:00:33,158 BLOCKING THE STRAPS FROM THE MASKK I TRIED TO TAKE THIS OFF. 7 00:00:33,241 --> 00:00:36,161 >> James: GOOD EVENING, LADIES AND GENTLEMEN, WELCOME TO THIS 8 00:00:36,244 --> 00:00:39,622 HERE, "LATE, LATE SHOW," WE'RE SO HAPPY THAT YOU ARE HERE, YOU 9 00:00:39,706 --> 00:00:42,125 DECIDED TO HANG WITH US AT THIS POINT OF YOUR DAY ON TONIGHT'S 10 00:00:42,208 --> 00:00:47,255 SHOW, WE'LL BE JOINED BY THE DASHING NOAH CENTINEO, WE'VE GOT 11 00:00:47,338 --> 00:00:50,133 A PERFORMANCE FROM MADISON CUNNINGHAM, STICK AROUND FOR 12 00:00:50,216 --> 00:00:51,259 THAT. 13 00:00:51,342 --> 00:00:53,261 NOW OF COURSE THE BIG NEWS TODAY, EVERYBODY IS TALKING 14 00:00:53,344 --> 00:00:57,348 ABOUT, YESTERDAY'S BIG LEGAL PROCEEDINGS. 15 00:00:57,432 --> 00:00:59,184 I'M TALKING OBVIOUSLY ABOUT THE TEXAS LAWYER WHO SHOWED UP FOR 16 00:00:59,267 --> 00:01:01,144 HIS ZOOM HEARING WITH A CAT FILTER. 17 00:01:01,227 --> 00:01:04,147 DID EVERYBODY SEE THIS? 18 00:01:04,230 --> 00:01:05,940 IT IS, DID YOU SEE T REGGIE. 19 00:01:06,024 --> 00:01:09,194 >> Reggie: IT IS TOO MUCH. 20 00:01:09,277 --> 00:01:13,948 >> James: ST HONESTLY, IT IS THE BEST THING I'VE EVER SEEN ON 21 00:01:14,032 --> 00:01:16,326 THE INTERNET, IT REALLY, REALLY IS. 22 00:01:16,409 --> 00:01:18,995 IF YOU DIDN'T CATCH IT, HAVE A LOOK. 23 00:01:19,078 --> 00:01:25,376 >> I BELIEVE YOU HAVE A FILTER TURNED ON. 24 00:01:25,460 --> 00:01:31,216 >> YOU MIGHT WANT TO-- WE'RE TRYING, YOU CAN HEAR ME, JUDGE. 25 00:01:31,299 --> 00:01:35,053 >> CAN I HEAR YOU, I THINK IT'S A FILTER. 26 00:01:35,136 --> 00:01:37,347 >> ST. AND I DON'T KNOW HOW TO REMOVE 27 00:01:37,430 --> 00:01:41,351 IT I'VE GOT MY ASSISTANT HERE. 28 00:01:41,434 --> 00:01:42,143 SHE'S TRYING TO. 29 00:01:42,227 --> 00:01:45,355 I'M PREPARED TO GO FORWARD WITH IT. 30 00:01:45,438 --> 00:01:49,359 I'M HERE LIVE, I'M NOT A CAT. 31 00:01:49,442 --> 00:01:51,152 >> CAN I SEE THAT. 32 00:01:51,236 --> 00:01:54,072 >> James: I MEAN, I LOVE IT SO MUCH. 33 00:01:54,155 --> 00:01:58,451 I LOVE THAT HE SAID, CAN YOU HEAR ME, JUDGE. 34 00:01:58,535 --> 00:02:02,705 AS IF THAT WAS EVER THE PROBLEM. 35 00:02:02,789 --> 00:02:04,541 ALSO LOVE HOW WORRIED THE CAT LOOKED. 36 00:02:04,624 --> 00:02:08,086 THIS IS EXACTLY HOW I A CAT WOULD LOOK IF HE WAS THRONE INTO 37 00:02:08,169 --> 00:02:15,885 HIS FIRST DISTRICT COURT APPEALS CASE. 38 00:02:15,969 --> 00:02:18,221 I FEEL LIKE-- SUNT THIS ALREADY BE A DISNEY PLUS MOVIE, DO YOU 39 00:02:18,304 --> 00:02:21,683 KNOW WHAT I MEAN, A LAWYER DAD SWITCHESSED ABOUTEES WITH THE 40 00:02:21,766 --> 00:02:25,228 FAMILY CAT, THE DAT AS A CAT HAS TO SHOW UP FOR CAT, THE CAT AS A 41 00:02:25,311 --> 00:02:28,815 DAD STAYS HOME AND SHOWS AFFECTION TOWARDS HIS FAMILY FOR 42 00:02:28,898 --> 00:02:30,358 THE FIRST TIME IN YEARS. 43 00:02:30,441 --> 00:02:33,403 AND WE SHOULD-- THIS HAS TO HAVE ALREADY BEEN OPTIONED. 44 00:02:33,486 --> 00:02:34,237 >> Reggie: IT COULD BE THE FURRY DVMENT AMOUNT OF. 45 00:02:34,320 --> 00:02:37,198 >> James: THE FURRY DA. 46 00:02:37,282 --> 00:02:38,324 >> Reggie: YEAH. 47 00:02:38,408 --> 00:02:40,618 >> James: THAT'S A GREAT, YOU KNOW WHAT I WOULD CALL IT. 48 00:02:40,702 --> 00:02:41,744 >> Reggie: WHAT. 49 00:02:41,828 --> 00:02:46,040 >> James: FELLINE FRIDAY, BECAUSE ST LIKE FREAKIE FRIDAY 50 00:02:46,124 --> 00:02:47,709 BUT IT IS FELLIN FRIDAY. 51 00:02:47,792 --> 00:02:48,751 >> I LOVE IT. 52 00:02:48,835 --> 00:02:57,010 >> James: YOU COULD CALL IT C CLAYER, THE CAT'S MEO. 53 00:02:57,093 --> 00:03:01,472 >> CLAW & ORDER JDZ CLAW & ORDER. 54 00:03:01,556 --> 00:03:03,141 IT DOESN'T GET BIGGER THAN THAT. 55 00:03:03,224 --> 00:03:05,727 IT REALLY DOESN'T. 56 00:03:05,810 --> 00:03:15,361 NOW BEFORE WE POV ON,-- . 57 00:03:15,445 --> 00:03:16,404 THIS IS GETTING OUT OF CONTROL. 58 00:03:16,487 --> 00:03:19,782 WHAT IS HAPPENING HERE? 59 00:03:19,866 --> 00:03:20,950 >> BARBECUE READY, BOSS. 60 00:03:21,034 --> 00:03:24,245 >> James: ON LAST'S NIGHT SHOW PETE WAS WEARING A DELICIOUS 61 00:03:24,329 --> 00:03:25,288 HAWAIIAN SHIRT. 62 00:03:25,371 --> 00:03:29,792 HOW WOULD WE DESCRIBE IT, IT WAS AN HAWAII NUMBER. 63 00:03:29,876 --> 00:03:30,919 >> WITH PINEAPPLES. 64 00:03:31,002 --> 00:03:33,463 >> James: I SAID I ONLY WANT TO SEE YOU NOW IF YOU ARE 65 00:03:33,546 --> 00:03:35,798 DRESSED FOR A BARBECUE. 66 00:03:35,882 --> 00:03:36,966 >> LET'S COOK. 67 00:03:37,050 --> 00:03:39,260 >> James: I LOVE IT, PETE, STICK WITH IT, MJ, EVEN MJ TODAY 68 00:03:39,344 --> 00:03:43,765 WHO I WAS SCARED TO TALK TO YESTERDAY BECAUSE I THOUGHT M 69 00:03:43,848 --> 00:03:47,310 SWRRKS' NOT INTO THIS COLORFUL CREW THING BUT LOOK. 70 00:03:47,393 --> 00:03:51,522 HE'S COMING, LIKE MIAMI VICE. 71 00:03:51,606 --> 00:03:55,151 TALK ME LIEU IT, MJ, WHEN YOU GET READY, WHEN YOU GOT READY 72 00:03:55,234 --> 00:03:57,278 THIS MORNING DID YOU HAVE A MOMENT WHERE YOU THOUGHT, AM I 73 00:03:57,362 --> 00:03:58,988 REALLY DOING THIS STH. 74 00:03:59,072 --> 00:04:01,783 >> OH, I WAS DRUNK. 75 00:04:01,866 --> 00:04:02,825 (LAUGHTER). 76 00:04:02,909 --> 00:04:05,620 >> James: LET'S TALK ABOUT THE HEADLINES, MOVING ON. 77 00:04:05,703 --> 00:04:09,332 DONALD TRUMP APPARENTLY SPENT YESTERDAY WATCHING HIS 78 00:04:09,415 --> 00:04:12,460 IMPEACHMENT TRIAL FROM MAR-A-LAGO AND ACCORDING TO 79 00:04:12,543 --> 00:04:17,382 SOURCES TRUMP WAS NOT HAPPY WITH HIS LEGAL TEAM'S PERFORMANCE. 80 00:04:17,465 --> 00:04:22,387 BUT OTHER THAN THAT, HE WAS HIS NORMAL BALL OF SUNSHINE SELF. 81 00:04:22,470 --> 00:04:23,388 HERE'S HOW YOU KNOW WHEN YOU ARE BAD AT YOUR JOB, WHEN EVEN 82 00:04:23,471 --> 00:04:28,393 DONALD TRUMP THINKS YOU'RE BAD AT YOUR JOB. 83 00:04:28,476 --> 00:04:31,354 I MEAN FIRST GIULIANI, NOW THESE GUYS. 84 00:04:31,437 --> 00:04:35,525 TRUMP IS REALLY BAD AT PICKING AN EFFECTIVE LAWYER. 85 00:04:35,608 --> 00:04:40,571 WHICH I CHALK UP AS GREAT NEWS FOR MELANIA. 86 00:04:40,655 --> 00:04:44,242 TODAY THE DEMOCRATIC IMPEACHMENT MANAGERS BAN THEIR-- BEGAN 87 00:04:44,325 --> 00:04:47,161 MAWKING THEIR NORMAL CASE AGAINST DONALD TRUMP. 88 00:04:47,245 --> 00:04:52,166 LEAD MANAGER JAMIE RASKIN KICKED THINGS OFF BUT UNVEILING A NEW 89 00:04:52,250 --> 00:04:53,376 NICKNAME FOR THE FORMER PRESIDENT. 90 00:04:53,459 --> 00:04:57,380 >> WILL IS SHOW THAT DONE ALL TRUMP SURRENDERED HIS ROLE AS 91 00:04:57,463 --> 00:05:01,426 COMMANDER IN CHEAF AND BECAME THE INCITER-IN-CHIEF. 92 00:05:01,509 --> 00:05:05,888 >> James: THEN LATER AN AIDE HAD TO LEAN IN AND SAY TO TRUMP 93 00:05:05,972 --> 00:05:10,518 NO, THAT WOULD NOT LOOK COOL ON A HAT. 94 00:05:10,601 --> 00:05:13,521 THEN RASSIC SET THE STAGE FOR THE DEMOCRATS CASE AGAINST TRUMP 95 00:05:13,604 --> 00:05:18,401 BY USING AN EXTENDED ANALOGY ABOUT YELLING "FIRE" IN A 96 00:05:18,484 --> 00:05:19,068 THEATRE. 97 00:05:19,152 --> 00:05:21,029 SEE IF YOU CAN FOLLOW ALONG. 98 00:05:21,112 --> 00:05:23,406 >> THIS CASE IS MUCH, MUCH WORSE THAN SOMEONE WHO FALSELY SHOUTS 99 00:05:23,489 --> 00:05:26,075 FIRE IN A CROWDED THEATER. 100 00:05:26,159 --> 00:05:30,079 IT MORE LIKE THE CASE WHERE THE TOWN FIRE CHIEF WHO'S PAID TO 101 00:05:30,163 --> 00:05:34,250 PUT OUT FIRES SENDS A MOB NOT TO YELL FIRE IN A CROWDED THEATER 102 00:05:34,334 --> 00:05:36,753 BUT TO ACTUALLY SET THE THEATER ON FIRE. 103 00:05:36,836 --> 00:05:38,755 >> James: OKAY, YEAH, WE GET IT. 104 00:05:38,838 --> 00:05:40,089 YOU CAN STOP WITH THAT NOW. 105 00:05:40,173 --> 00:05:43,134 >> AND WHO THEN WHEN THE FIRE ALARMS GO OFF AND THE CALLS 106 00:05:43,217 --> 00:05:45,762 START FLOODING INTO THE FIRE DEPARTMENT, ASKING FOR HELP, 107 00:05:45,845 --> 00:05:51,267 DOES FOG BUT SIT BACK, ENCOURAGE THE MOB TO CONTINUE ITS RAMPAGE 108 00:05:51,350 --> 00:05:56,230 AND WATCH THE FIRE SPREAD ON TV WITH GLEE AND DELIGHT. 109 00:05:56,314 --> 00:06:01,778 >> James: THAT WASN'T JUST CONFUSING, IT IS LIKE IF AN 110 00:06:01,861 --> 00:06:04,405 ANALOGY WAS A PUDDLE IN A ROAD EXCEPT IT WASN'T EVEN RAINING SO 111 00:06:04,489 --> 00:06:06,741 ARE YOU LIKE WHERE DID THE PUDDLE COME FROM. 112 00:06:06,824 --> 00:06:09,243 AND THERE IS MUD EVERYWHERE, WHICH WOULD CAUSE YOU TO BELIEVE 113 00:06:09,327 --> 00:06:11,954 IT WAS RAINING AND THEN YOU TURN ON THE WEATHER CHANNEL AND THE 114 00:06:12,038 --> 00:06:15,416 GUY IS LIKE CLEAR SKIES AND HE'S JUST LIKE WHAT THE [BLEEP] ARE 115 00:06:15,500 --> 00:06:18,127 YOU EVEN TALKING ABOUT. 116 00:06:18,211 --> 00:06:19,796 (LAUGHTER) NOW AS A PART OF THEIR 117 00:06:19,879 --> 00:06:23,132 PRESENTATION TODAY THE HOUSE IMPEACHMENT MANAGERS ALSO 118 00:06:23,216 --> 00:06:29,764 PRESENTED PREVIOUSLY UNSEEN CAPITOL SECURITY FOOTAGE AULD 119 00:06:29,847 --> 00:06:32,809 WEIRD WHEN A VIOLENT INSURRECTION HAS A DIRECTOR'S 120 00:06:32,892 --> 00:06:34,060 CUT. 121 00:06:34,143 --> 00:06:37,021 A LOT OF REPUBLICANS SAW THE NEW FOOT AGE AND WERE LIKE WOW, THIS 122 00:06:37,105 --> 00:06:42,944 IS REALLY HORRIFYING I'M NOT GOING TO CHANGE MY VOTE BUT 123 00:06:43,027 --> 00:06:45,488 YAIKS, MEANWHILE OVER ON TEAM TRUMP IT WAS REVEALED THAT THE 124 00:06:45,571 --> 00:06:49,826 FORMER PRESIDENT'S THIRD IMPEACHMENT LAWYER MICHAEL VAN 125 00:06:49,909 --> 00:06:54,372 DER VEEN TULLY SUED TRUMP LAST YEAR AND ONCE REFERRED TO HIM AS 126 00:06:54,455 --> 00:07:00,336 A QUOTE [BLEEP] CROOK I CAN'T WAIT TO SEE MICHAEL VAN DER 127 00:07:00,419 --> 00:07:01,671 VEEN'S CLOSING STATEMENTS. 128 00:07:01,754 --> 00:07:05,174 LADIES AND GENTLEMEN, WILL THE EVIDENCE SHOW THAT THIS [BLEEP] 129 00:07:05,258 --> 00:07:06,342 CROOK IS COMPLETELY INNOCENT. 130 00:07:06,425 --> 00:07:10,513 TRUMP KEAPS HIRING PEOPLE WHO HATE HIM, DOESN'T HE. 131 00:07:10,596 --> 00:07:11,931 LET ME GIVE YOU A PIECE OF ADVICE, TRUMP, EVEN THOUGH YOU 132 00:07:12,014 --> 00:07:14,809 ARE PAYING THEM, ARE YOU NOT GOING TO ONE THEM OVER. 133 00:07:14,892 --> 00:07:19,480 I LEARNED THAT WITH GE AIR MOW. 134 00:07:19,564 --> 00:07:25,361 WE'RE FRIENDS I THINK, AREN'T WE? 135 00:07:25,444 --> 00:07:28,364 GEE AIR ME-- GUILLERMO ACTUALLY GIFTED ME, HE GAVE ME A GIFT AND 136 00:07:28,447 --> 00:07:30,700 I WORE IT ALL THIS WEEKEND. 137 00:07:30,783 --> 00:07:31,868 >> IS THAT RIGHT. 138 00:07:31,951 --> 00:07:34,495 >> YEAH, PAIR OF SHORT, SWEATER AND SOME SOCKS HE GOT ME. 139 00:07:34,579 --> 00:07:35,329 >> LOVELY. 140 00:07:35,413 --> 00:07:37,540 >> James: YEAH, A GROUP OF BREAT GUYS. 141 00:07:37,623 --> 00:07:40,376 >> WELL, WERE YOU COMMENTED ON SOMETHING THAT I WAS WEARING. 142 00:07:40,459 --> 00:07:41,627 >> James: YEAH. 143 00:07:41,711 --> 00:07:44,505 >> AN I THOUGHT IT MIGHT BE COOL FOR YOU TO ALSO HAVE SOMETHING 144 00:07:44,589 --> 00:07:45,256 FROM THE SAME DESIGNER. 145 00:07:45,339 --> 00:07:47,383 >> James: AND IT WAS TOTALLY COOL. 146 00:07:47,466 --> 00:07:51,053 AND I ACTUALLY BUY IT AND I'M GOING TO BUY SOME MORE. 147 00:07:51,137 --> 00:07:53,723 >> GO, THAT IS COOL LIKE THAT. 148 00:07:53,806 --> 00:07:57,226 >> James: I'LL SEE YOU LATER. 149 00:07:57,310 --> 00:08:01,898 HERE'S SOME OTHER NEWS, NOW IF YOU DON'T HAVE A VALENTINE LINED 150 00:08:01,981 --> 00:08:05,693 UP QUITE YET HERE'S AN ONLINE DATING TIP FOR YOU, IN A NEW 151 00:08:05,776 --> 00:08:09,447 STUDY RESEARCHERS FOUND THAT WOMEN WERE MORE ATTRACTED TO MEN 152 00:08:09,530 --> 00:08:13,868 WHO USED FUNNY INTRODUCTIONS ON DATING APPS RATHER THAN THOSE 153 00:08:13,951 --> 00:08:15,578 WHO USED COMPLIMENTS. 154 00:08:15,661 --> 00:08:20,249 YEAH, JOKES, THAT IS WHAT SEPARATES THE CORDS 155 00:08:20,333 --> 00:08:23,252 FROM-- CORDENS FROM THE DICAPRIOS, AND THIS WAS 156 00:08:23,336 --> 00:08:26,422 INTERESTING, THE STUDY ALSO REVEALED THAT THE THING MOST 157 00:08:26,505 --> 00:08:31,260 WOMEN FOUND ATTRACTIVE IN MEN IS THIS IF THEY WERE SUPERHOT. 158 00:08:31,344 --> 00:08:33,221 AND THIS IS EXCITING. 159 00:08:33,304 --> 00:08:39,101 THE WORLD'S FIRST 3D BIO PRINTED RIB EYE STEAK WAS JUST UNVEILED. 160 00:08:39,185 --> 00:08:43,272 THE STEAK IS MADE OUT OF LAB GROWN MEAT AND IS COMPLETELY 161 00:08:43,356 --> 00:08:44,232 CRUELTIY FREE. 162 00:08:44,315 --> 00:08:44,815 LOOK AT THAT, AMAZING. 163 00:08:44,899 --> 00:08:45,691 SOMETHING TO THINK ABOUT. 164 00:08:45,775 --> 00:08:46,776 THIS VALENTINE'S DAY. 165 00:08:46,859 --> 00:08:52,448 WOMEN LOVE IT WHEN A MAN PRINTS OUT A DINNER FOR HER. 166 00:08:52,531 --> 00:08:55,576 THIS WILL MAKE THINGS COMPLICATED THOUGH, NOW YOU HAVE 167 00:08:55,660 --> 00:09:00,623 TO BUY INC. CART RIDGES IN BLACK, COLOR AND HICKORY SMOKE. 168 00:09:00,706 --> 00:09:04,460 3D PRINTED STEAKS, SO NOW WHEN YOU GIVE YOUR COMPLIMENTED TO 169 00:09:04,543 --> 00:09:07,129 THE CHEF IT WILL LOOK LIKE THIS. 170 00:09:07,213 --> 00:09:09,674 THAT IS EXACTLY THE LAUGH THAT DESERVES. 171 00:09:09,757 --> 00:09:13,177 THAT IS EXACTLY THE LAUGH IT DESERVES. 172 00:09:13,261 --> 00:09:19,600 WINNIE AT LEAST GIVE A LAUGH, ALEX JUST WENT-- 173 00:09:19,684 --> 00:09:21,769 (LAUGHTER) HE WASN'T LOOK THINKING YOU ARE 174 00:09:21,852 --> 00:09:25,523 BETTER THAN THAT, JAMES, SHE WAS THINKING I'M BETTER THAN THIS. 175 00:09:25,606 --> 00:09:29,277 AND FINALLY THE SUPER BOWL CHAMPIONSES THE TAMPA BAY 176 00:09:29,360 --> 00:09:32,947 BUCCANEERS HELD THEIR VICTORY PARADE TODAY OUT ON THE WATER. 177 00:09:33,030 --> 00:09:43,124 HAVE A LOOK AT THEM HERE CELEBRATING AT ONE POINT TOM 178 00:09:43,207 --> 00:09:46,711 BRADY TOSSED THE LOMBARD-- LOMBARDI TROPHY FROM 179 00:09:46,794 --> 00:09:51,507 HIS BOAT TO ANOTHER BOAT. 180 00:09:51,591 --> 00:09:57,221 >> BIG OLD BOAT PARADE, WAIT, WAIT, DON'T, DON'T, NO! 181 00:09:57,305 --> 00:09:59,181 OKAY. 182 00:09:59,265 --> 00:10:00,349 TOUCHDOWN. 183 00:10:00,433 --> 00:10:02,351 >> James: THAT'S WHEN YOU KNOW HAVE YOU WON TOO MANY SUPER 184 00:10:02,435 --> 00:10:03,561 BOWLS. 185 00:10:03,644 --> 00:10:05,646 WHEN YOU'RE LIKE IT TBOAS IN THE WATER, WE'LL JUST GET ANOTHER 186 00:10:05,730 --> 00:10:07,690 ONE NEXT YEAR. 187 00:10:07,773 --> 00:10:08,983 COME ON. 188 00:10:09,066 --> 00:10:13,738 NOW OBVIOUSLY SOME DAY DRINKING WAS INVOLVED BECAUSE HERE IS THE 189 00:10:13,821 --> 00:10:24,040 BRILLIANT TOM BRADY BEING LEAD AWAY AFTER THE BOAT PARADE. 190 00:10:24,123 --> 00:10:27,209 HE ONLY HAD ONE GLASS OF CHARDONNAY. 191 00:10:27,293 --> 00:10:30,254 IT JUST HITS HARDER, YOU KNOW, WHEN ARE YOU OLDER. 192 00:10:30,338 --> 00:10:31,464 DOESN'T IT. 193 00:10:31,547 --> 00:10:35,217 IT JUST GOES TO SHOW, YOU CAN BE ONE OF THE MOST ACCOMPLISHED 194 00:10:35,301 --> 00:10:39,388 ATHLETES EVER BUT ONCE YOU MOVE TO FLORIDA, IT DE FINES YOU. 195 00:10:39,472 --> 00:10:43,768 NOW WHEN WE COME BACK, NOAH CENTINEO IS GOING TO BE HERE AND 196 00:10:43,851 --> 00:10:45,644 WE'RE GOING TO PUT HIM TO THE TESTAMENT DON'T GO ANYWHERE. 197 00:11:00,868 --> 00:11:04,914 >> James: WELCOME BACK, NOW AS I SAID EARLIER THE DELICIOUS 198 00:11:04,997 --> 00:11:08,542 NOAH CENTINEO IS IN THE STUDIO TODAY AND HE HAS KINDLY AGREED 199 00:11:08,626 --> 00:11:17,968 TO LET US USE HIM ENGAGE IN A FRENTLY COMPETITION, A GAME WE 200 00:11:18,052 --> 00:11:21,430 CALLED NOAH CENTI-YAY-NO. 201 00:11:21,514 --> 00:11:27,228 NOW YOU MIGHT BE THINKING SHOULDN'T BE IT YAY OR NAY, BUT 202 00:11:27,311 --> 00:11:32,608 THAT DOESN'T WITH WORK WITH NOAH'S NAME SO THE GAME IS, 203 00:11:32,692 --> 00:11:38,280 ROLLS OFF THE TONGUE, NOAH CENTI-YAY-NO, SO HERE IS HOW IT 204 00:11:38,364 --> 00:11:40,658 WORKS, WE ARE GOING TO GIVE NOAH SOME TASKS TO PERFORM. 205 00:11:40,741 --> 00:11:43,327 AND EVERYBODY HERE IN THIS ROOM WILL DETERMINE WHETHER THEY 206 00:11:43,411 --> 00:11:46,914 THINK THAT NOAH CAN SUCCEED IN THESE TASKS. 207 00:11:46,997 --> 00:11:54,088 AND THEY WILL ANSWER WITH THEIR PADDLES YAY OR NO. 208 00:11:54,171 --> 00:11:56,590 SO WHAT WE WANT IS EVERYBODY TO START STANDING UP. 209 00:11:56,674 --> 00:11:58,467 SO START STANDING UP. 210 00:11:58,551 --> 00:12:01,846 FANS, YOU CAN BE EXCEPT FROM THIS BECAUSE WE WILL NEED MUSIC 211 00:12:01,929 --> 00:12:03,097 AT SOME POINT. 212 00:12:03,180 --> 00:12:05,975 IF YOU GET IT WRONG YOU ARE OUT OF THE GAME AND YOU SIT DOWN. 213 00:12:06,058 --> 00:12:09,478 AND WHOEVER IS LEFT WILL SPLIT A FABULOUS PRIZE, OKAY. 214 00:12:09,562 --> 00:12:13,816 NOW THE ONLY THING WE NEED FOR THIS IS NOAH CENTI-- CENTINEO. 215 00:12:13,899 --> 00:12:20,656 SO PLEASE WELCOME NOAH CENTINEO. 216 00:12:20,739 --> 00:12:21,991 THERE HE IS. 217 00:12:22,074 --> 00:12:26,662 KNEW NOAH, THANK YOU SO MUCH FOR DOING THIS. 218 00:12:26,745 --> 00:12:28,164 >> I ENJOY LITTLE TASKS. 219 00:12:28,247 --> 00:12:29,790 >> James: OH GOOD. 220 00:12:29,874 --> 00:12:32,460 >> I ENJOY DOING WEIRD, RANDOM THINGS. 221 00:12:32,543 --> 00:12:33,461 I FIND IT VERY FUN. 222 00:12:33,544 --> 00:12:35,171 >> James: THEN THIS IS THE PERFECT GAME FOR YOU. 223 00:12:35,254 --> 00:12:38,841 ALL RIGHT, SO HERE WE GO. 224 00:12:38,924 --> 00:12:43,429 SO THE FIRST TASK I'M GOING TO ASK ALL THE PEOPLE HERE IS CAN 225 00:12:43,512 --> 00:12:47,892 NOAH CENTINEO DO A HAND STAND FOR 10 SECONDS. 226 00:12:47,975 --> 00:12:49,852 HOLD UP YOUR PADDLE, IS IT YAY OR IS IT NO. 227 00:12:49,935 --> 00:12:52,521 HAVE A LOOK AROUND. 228 00:12:52,605 --> 00:12:54,023 EVERYBODY VOTED. 229 00:12:54,106 --> 00:12:57,568 TERRENCE, STARTING WITH A YAY, OKAY, LET'S GET TEN SECONDS ON 230 00:12:57,651 --> 00:12:59,904 THE CLOCK, MAYBE A LITTLE MUSIC FOR THIS, GANG. 231 00:12:59,987 --> 00:13:02,990 REMEMBER YOUR VOTE, OKAY, READY, TEN SECONDS, NOAH CAN YOU DO A 232 00:13:03,073 --> 00:13:08,662 HAND STAND FOR MORE THAN TEN SECONDS, LET'S FIND OUT. 233 00:13:08,746 --> 00:13:13,876 >> OH GOD. 234 00:13:13,959 --> 00:13:14,585 NINE. 235 00:13:14,668 --> 00:13:15,836 >> >> James: NINE, AIRT, SEVEN, 236 00:13:15,920 --> 00:13:20,716 SIX, FIVE, FOUR, THREE, TWO, ONE. 237 00:13:20,799 --> 00:13:24,220 OH, HE'S DONE IT. 238 00:13:24,303 --> 00:13:24,595 WOW. 239 00:13:24,678 --> 00:13:25,888 LOOK AT THAT. 240 00:13:25,971 --> 00:13:29,058 SO EVERYBODY WHO WENT WITH A NO, SIT DOWN, IF YOU HAVE GOT A YAY 241 00:13:29,141 --> 00:13:40,069 YOU ARE STILL IN THE GAME, OKAY, UP NEXT. 242 00:13:40,152 --> 00:13:44,865 CAN NOAH CENTINEO SAY THE ALPHABET BACKWARDS, FRIENDS, 243 00:13:44,949 --> 00:13:47,409 LOCK IT IN. 244 00:13:47,493 --> 00:13:48,410 GO WITH YAY OR NO. 245 00:13:48,494 --> 00:13:50,913 WOW, THERE'S A LOT OF NOS. 246 00:13:50,996 --> 00:13:52,081 A LOT OF NOS. 247 00:13:52,164 --> 00:13:56,752 SO NOAH DO YOU FEEL CONFIDENT IN THIS? 248 00:13:56,835 --> 00:13:57,920 >> SURE. 249 00:13:58,003 --> 00:13:59,547 >> James: ALL RIGHT, NOAH WHENEVER YOU ARE READY, CAN YOU 250 00:13:59,630 --> 00:14:04,260 SAY THE ALPHABET BACKWARDS. 251 00:14:04,343 --> 00:14:04,760 >> YEAH. 252 00:14:04,843 --> 00:14:17,940 Z, Y, X, WURSABC-- . 253 00:14:18,023 --> 00:14:22,611 >> James: NO, HE COULDN'T DO T OF COURSE HE COULDN'T DO IT, IF 254 00:14:22,695 --> 00:14:25,489 YOU WENT WITH YAY YOU ARE OUT OF THE GAME. 255 00:14:25,573 --> 00:14:28,826 SO IF YOU WENT WITH YAY, SIT DOWN, OKAY. 256 00:14:28,909 --> 00:14:37,960 NOW THIS IS A TOUGHY, THE QUESTION IS, TAY, WHY ARE YOU 257 00:14:38,043 --> 00:14:40,963 STUDDIE ON SET, WHAT IS THE NUMBER, NUMBER B. 258 00:14:41,046 --> 00:14:42,464 >> THAT IS THE ONLY REASON. 259 00:14:42,548 --> 00:14:43,132 >> ST A NUMBER B. 260 00:14:43,215 --> 00:14:45,384 >> THAT IS THE ONLY REASON. 261 00:14:45,467 --> 00:14:50,139 >> HAS NOTHING TO DO WITH THE FACT THAT NOAH CENTINEO IS HERE. 262 00:14:50,222 --> 00:14:53,767 CUZ I THINK YOU'RE ALLOWED ON THE SET IT IS FUNNY, YOU ONLY 263 00:14:53,851 --> 00:14:59,106 REALLY COME ON SET WHEN HARRY STYLES IS HERE OR NOAH CENTINEO. 264 00:14:59,189 --> 00:15:00,816 >> I LIKE WHAT I LIKE. 265 00:15:00,899 --> 00:15:07,114 >> OKAY, THE QUESTION IS CAN NOAH CENTINEO EXECUTE A PERFECT 266 00:15:07,197 --> 00:15:07,823 FLOSS. 267 00:15:07,906 --> 00:15:09,617 NOW I WILL BE THE JUDGE ON THIS. 268 00:15:09,700 --> 00:15:12,119 I KNOW AND I UNDERSTAND THROWING. 269 00:15:12,202 --> 00:15:15,914 I HAVE YOUNG CHILDREN AND THEY FLOSS, EVEN WHEN YOU ARE SHOWING 270 00:15:15,998 --> 00:15:17,333 THEM OFF. 271 00:15:17,416 --> 00:15:21,045 SO EVERYBODY LOOK AT YOUR ANSWER, YAY OR NO. 272 00:15:21,128 --> 00:15:24,048 OKAY ALOT OF YAWS, A LOT OF YAYS, BAND, CAN WE GET A LITTLE 273 00:15:24,131 --> 00:15:25,049 FLOSSING MUSIC. 274 00:15:25,132 --> 00:15:27,926 OKAY NOAH TAKE IT AWAY, CAN YOU FLOSS? 275 00:15:37,436 --> 00:15:37,811 OH. 276 00:15:37,895 --> 00:15:41,899 OH, COME ON NOW. 277 00:15:41,982 --> 00:15:49,865 (APPLAUSE) THAT WAS A PERFECT FLOSS. 278 00:15:49,948 --> 00:15:53,118 THE BOY CAN FLOSS. 279 00:15:53,202 --> 00:15:57,831 >> WHEN WE FIRST PITCHED THIS IDEA TO DO THE FLOSS, I THOUGHT 280 00:15:57,915 --> 00:15:59,041 YOU WERE TALKING ABOUT-- . 281 00:15:59,124 --> 00:16:03,337 >> James: FLOSSING YOUR TEETHED, NO, BUT IF YOU NEED 282 00:16:03,420 --> 00:16:07,174 SOMEONE TO FLOSS YOUR TEETH, KIRBY WILL GLADLY HELP. 283 00:16:07,257 --> 00:16:11,011 SO IF YOU WENT WITH A NO, ARE YOU OUT, SIT DOWN. 284 00:16:11,095 --> 00:16:12,262 OKAY. 285 00:16:12,346 --> 00:16:13,389 ALL RIGHT. 286 00:16:13,472 --> 00:16:18,185 THIS NEXT TASK INVOLVES KNOW NOAH CENTINEO'S MARTIAL ARTS 287 00:16:18,268 --> 00:16:19,311 SKILLS. 288 00:16:19,395 --> 00:16:24,108 AND THE QUESTION IS CAN NOAH CENTINEO ROUNDHOUSE KICK MY 289 00:16:24,191 --> 00:16:27,569 FAVORITE VASE OR VASE OFF A PEDESTAL. 290 00:16:27,653 --> 00:16:28,696 WHAT DO WE THINK? 291 00:16:28,779 --> 00:16:30,948 THAT'S PRETTY HIGH, LOOK THEM IN. 292 00:16:31,031 --> 00:16:36,578 ROB'S GOING NO, SUSAN IS GOING YAY. 293 00:16:36,662 --> 00:16:38,747 OKAY, STEPH, ARE YOU THE ONLY MEMBER OF THE BAND LEFT IN. 294 00:16:38,831 --> 00:16:39,915 >> I THINK SO. 295 00:16:39,998 --> 00:16:43,711 >> James: OKAY, TERENCE STICKING WITH A YAY, OKAY, YES, 296 00:16:43,794 --> 00:16:44,753 NOAH. 297 00:16:44,837 --> 00:16:46,505 >> A ROUNDHOUSE KICK IS KIND OF LIKE THAT, I THINK. 298 00:16:46,588 --> 00:16:50,592 BUT I'M GOING TO DO A DIFFERENT, I WANT TO TRY TO-- LET ME TRY 299 00:16:50,676 --> 00:16:51,719 THAT. 300 00:16:51,802 --> 00:16:59,601 >> James: SURE, MAN, LOOK, WE HAVE AN HOUR TO FILL EVERY 301 00:16:59,685 --> 00:17:01,061 NIGHT. 302 00:17:01,145 --> 00:17:04,648 KICK THIS VASE. 303 00:17:04,732 --> 00:17:08,652 LET'S FIND OUT. 304 00:17:08,736 --> 00:17:15,242 >> AW JEEZ. 305 00:17:15,325 --> 00:17:18,078 >> James: OH! 306 00:17:18,162 --> 00:17:21,749 I HAVE ACTUALLY NEVER FELT MORE ALIVE IN THE WHOLE TIME I'VE 307 00:17:21,832 --> 00:17:25,711 HOSTED THIS SHOW, I'VE NEVER FELT MORE ALIVE WHO GOT THAT ONE 308 00:17:25,794 --> 00:17:28,422 WRONG, IF YOU DID, SIT DOWN, DAVE YOU'RE OUT, ROB YOU ARE 309 00:17:28,505 --> 00:17:32,760 OUT, MIKE ARE YOU OUT, SUSAN, YOU STILL IN. 310 00:17:32,843 --> 00:17:33,969 >> YEAH. 311 00:17:34,052 --> 00:17:39,475 >> James: NEXT TASK, CAN NOAH CENTINEO HOLD A HIGH NOTE FOR 20 312 00:17:39,558 --> 00:17:39,808 SECONDS. 313 00:17:39,892 --> 00:17:44,480 YAY OR NO. 314 00:17:44,563 --> 00:17:47,483 IT'S A LONG TIME, WHENIE VERY CONFIDENT IN THAT NO. 315 00:17:47,566 --> 00:17:50,944 >> James: REG YEAK GIVE AN EXAMPLE OF WHAT THE HIGH NOTE 316 00:17:51,028 --> 00:17:51,653 SHOULD BE. 317 00:17:51,737 --> 00:17:54,114 >> Reggie: JUST THE NOTE ITSELF. 318 00:17:54,198 --> 00:17:57,951 >> James: YEAH. 319 00:17:58,035 --> 00:18:00,829 OKAY LET'S GET 20 SECONDS ON THE CLOCK, CAN NOAH SENT NAYO HOLD 320 00:18:00,913 --> 00:18:02,956 THIS NOTE FOR 20 SECONDS, LET'S FIND OUT. 321 00:18:28,065 --> 00:18:31,902 WHAT DO WE DO, O MY GOSH TRK WAS SO CLOSE ON THE CLOCK. 322 00:18:31,985 --> 00:18:33,862 OH MY GOD T WAS CLOSE. 323 00:18:33,946 --> 00:18:36,198 LET'S JUST CHECK WITH THE VOICE OF GOD, WAS THAT 20 SECONDS OR 324 00:18:36,281 --> 00:18:41,703 WAS IT NOT? 325 00:18:41,787 --> 00:18:42,871 >> 18.4. 326 00:18:42,955 --> 00:18:46,583 >> James: 18.4, IT WAS 18.4, OKAY SO IF YOU WENT WITH YAY, 327 00:18:46,667 --> 00:18:47,167 ARE YOU OUT. 328 00:18:47,251 --> 00:18:50,671 WHO IS LEFT IN THE GAME? 329 00:18:50,754 --> 00:18:56,510 T BONE, YOU STILL IN, TERRENCE IS IN, WINNIE, ALEX, KIRBY, 330 00:18:56,593 --> 00:18:57,719 SUSAN, WOWR. 331 00:18:57,803 --> 00:19:04,768 THIS IS GETTING EXCITING, IF YOU WANT TO TEXT A FRIEND, IT IS 332 00:19:04,852 --> 00:19:07,187 WORTH WAKING THEM UP FOR, BECAUSE WE ARE ED HADDING INTO 333 00:19:07,271 --> 00:19:11,692 THE CRUNCH ROUND T IS THE FINAL TASK, OKAY, NOAH CENTINEO, WE 334 00:19:11,775 --> 00:19:18,574 HAVE BUILT AN OBSTACLE COURSE OUT IN THE HALLWAY JUST FOR YOU, 335 00:19:18,657 --> 00:19:21,660 WHAT I NEED TO YOU DO IS RUN UP TO MY DRESSING ROOM, OKAY, AND 336 00:19:21,743 --> 00:19:25,122 GRAB AND BRING BACK MY LUCKY PENCIL, OKAY. 337 00:19:25,205 --> 00:19:28,250 THIS IS THE FIRST TIME I HAVE EVER REALIZED I HAD A LUCKY 338 00:19:28,333 --> 00:19:32,087 PENCIL BUT I HAVE BOT ONE AND I NEED TO YOU GET IT. 339 00:19:32,170 --> 00:19:37,759 AND I NEED TO YOU BRING IT BACK IN UNDER 60 SECONDS, OKAY. 340 00:19:37,843 --> 00:19:42,931 THE QUESTION IS TO EVERYONE LEFT IN THE GAME, CAN NOAH RETRIEVE 341 00:19:43,015 --> 00:19:46,393 MY PENCE IL-- PENCIL, YAY OR NO, THIS IS FOR THE BIG PRIZE, TAKE 342 00:19:46,476 --> 00:19:51,773 YOUR TIME, THINK ABOUT IT, VOTE NOW. 343 00:19:51,857 --> 00:19:58,614 TERRENCE, GONE WITH THE YAY, SUSAN YAY A THE OTHERS NO. 344 00:19:58,697 --> 00:20:00,741 NOAH DO YOU FEEL CONFIDENT. 345 00:20:00,824 --> 00:20:01,950 >> NOT REALLY. 346 00:20:02,034 --> 00:20:03,327 >> James: LET'S GET 60 SECONDS ON THE CLOCK, ON YOUR MARK, GET 347 00:20:03,410 --> 00:20:04,953 SET, GO. 348 00:20:05,037 --> 00:20:06,955 COME ON, YOU GOT THIS. 349 00:20:07,039 --> 00:20:08,290 COME ONK BUDDY. 350 00:20:08,373 --> 00:20:19,426 HERE WE GO THROUGH, BE CAREFUL OH, LOOK AT THIS. 351 00:20:19,509 --> 00:20:23,513 [BLEEP] GO KNOW, GO, GO. 352 00:20:23,597 --> 00:20:24,014 OH WOW. 353 00:20:24,097 --> 00:20:30,187 INTO THE GREEN ROOM. 354 00:20:30,270 --> 00:20:34,316 OKAY, THE PENCIL IS IN THERE SOMEWHERE, CAN YOU GRAB IT. 355 00:20:34,399 --> 00:20:34,983 OKAY. 356 00:20:35,067 --> 00:20:38,862 NOW GET IT BACK, NO, GO, GO. 357 00:20:38,946 --> 00:20:40,364 COME ON, NOAH. 358 00:20:40,447 --> 00:20:42,658 YOU'VE GOT THIS, YOU'VE GOT THIS. 359 00:20:42,741 --> 00:20:45,494 COME ON NOAH. 360 00:20:45,577 --> 00:20:50,123 [BLEEP] OH MY GOD, HE'S GOING TO DO T HE'S GOING TO DO IT. 361 00:20:50,207 --> 00:21:01,385 OH MY GOD, OH MY GOD, HAS HE DONE IT? 362 00:21:01,468 --> 00:21:04,388 (APPLAUSE) NOAH CENTINEO. 363 00:21:04,471 --> 00:21:07,307 CONGRATULATIONS NOAH. 364 00:21:07,391 --> 00:21:10,727 CONGRATULATIONS TO SUSAN AND TO TERENCE. 365 00:21:10,811 --> 00:21:14,356 YOU WIN THE BIG PRIZE WHICH IS YOU WILL WIN MY LUCKY PENCIL, 366 00:21:14,439 --> 00:21:18,485 WILL YOU SHARE IT BETWEEN YOU FOR TWO AND A HALF DAYS EACH, 367 00:21:18,568 --> 00:21:22,197 WELL DONE, NOAH CENTINEO, EVERYBODY. 368 00:21:22,280 --> 00:21:25,367 WE'LL BE RIGHT BACK WITH MORE ON THE "LATE, LATE SHOW." 369 00:21:25,450 --> 00:21:35,544 THAT WAS SO FAST. 370 00:21:35,627 --> 00:21:36,628 ♪ 371 00:21:49,516 --> 00:21:53,437 >> James: WELCOME BACK! 372 00:21:53,520 --> 00:21:56,231 NOW LET'S MEET OUR FIRST GUEST TONIGHT! 373 00:21:56,314 --> 00:21:58,442 HE'S A FANTASTIC ACTOR YOU KNOW AND LOVE FROM THE "TO ALL THE 374 00:21:58,525 --> 00:22:02,404 BOYS" MOVIES, "CHARLIE'S ANGELS," AND "THE PERFECT DATE." 375 00:22:02,487 --> 00:22:04,239 PLEASE WELCOME THE ALWAYS CHARMING, THE EVER HANDSOME, 376 00:22:04,322 --> 00:22:12,247 NOAH CENTINEO! 377 00:22:12,330 --> 00:22:20,213 (APPLAUSE). 378 00:22:20,297 --> 00:22:21,381 ♪ OH NOAH. 379 00:22:21,465 --> 00:22:24,092 IT IS SO NICE TO SEE YOU. 380 00:22:24,176 --> 00:22:24,926 >> IT IS NICE TO SEE YOU. 381 00:22:25,010 --> 00:22:26,887 >> James: I'M SO THRILLED TO SEE YOU. 382 00:22:26,970 --> 00:22:28,555 I LOVE THIS SUIT. 383 00:22:28,638 --> 00:22:29,639 I'M LOVING THIS HAIR. 384 00:22:29,723 --> 00:22:30,390 >> THANK YOU. 385 00:22:30,474 --> 00:22:30,974 >> James: WHEN DID THIS HAPPEN? 386 00:22:31,058 --> 00:22:32,309 IS THIS A QUARANTINE HAIR. 387 00:22:32,392 --> 00:22:32,934 >> NO, NO. 388 00:22:33,018 --> 00:22:35,270 >> James: THIS IS A CHOICE. 389 00:22:35,353 --> 00:22:37,439 >> IT HAS NOTHING DO WITH QUARANTINE, EVERYTHING TO DO 390 00:22:37,522 --> 00:22:40,233 WITH ME BEING UNEMPLOYED MORE THAN ANYTHING. 391 00:22:40,317 --> 00:22:41,443 I DON'T KNOW-- . 392 00:22:41,526 --> 00:22:44,237 >> James: WHERE ARE WE GOING TO STOP, WHERE DO WE GO WITH IT? 393 00:22:44,321 --> 00:22:47,741 >> I HAVE THIS SECRET ASPIRATION WHERE I ACTUALLY WANT TO BE ABLE 394 00:22:47,824 --> 00:22:51,578 TO DO A MAN BUN BECAUSE I I HAVE NEVER DONE IT BEFORE. 395 00:22:51,661 --> 00:22:53,789 >> James: YEAH, I THINK YOU HAVE TO HAVE A CERTAIN FACE FOR 396 00:22:53,872 --> 00:22:57,125 A MAN BUN, AND LET ME TELL YOU, YOU'VE GOT ONE. 397 00:22:57,209 --> 00:22:58,418 >> TAKES ONE TO KNOW ONE. 398 00:22:58,502 --> 00:23:04,299 >> James: THAT IS A MAN ON THE BRINK OF A BREAKDOWN THAT IS THE 399 00:23:04,382 --> 00:23:05,550 TRUTH OF IT. 400 00:23:05,634 --> 00:23:08,804 ME WITH A MAN BUN, IF YOU SEE ME WITH A MAN BUN YOU WILL KNOW I'M 401 00:23:08,887 --> 00:23:12,808 GOING THROUGH A DIVORCE AND I'M NOT SEEING MY KIDS. 402 00:23:12,891 --> 00:23:15,394 THAT IS THE ONLY WAY TO LOOK AT IT. 403 00:23:15,477 --> 00:23:19,189 >> RIGHT NOW THIS IS IT. 404 00:23:19,272 --> 00:23:20,440 SOLID, SOLID DAD. 405 00:23:20,524 --> 00:23:24,319 BUT THIS GUY WITH A MAN BUN, I COULD SEE IT, JUST DON'T ROCK IT 406 00:23:24,402 --> 00:23:29,116 ALL THE TIMEK ONLY DURING SPORTS OR BRUNCHES. 407 00:23:29,199 --> 00:23:32,661 CUZ IT'S TRUE, A MAN BUN AT DINNER IS A DIFFERENT MAN THAN A 408 00:23:32,744 --> 00:23:36,289 MAN BUN AT BRUNCH, I'M NOT WRONG, AM I WRENCH? 409 00:23:36,373 --> 00:23:38,542 >> Reggie: NO, BUT CENTINEO TRADITIONALLY IN THE FAMILY 410 00:23:38,625 --> 00:23:42,337 LINEAGE, THERE IS A LOT OF MAN BUN STUFF GOING ON. 411 00:23:42,420 --> 00:23:44,506 >> IT GOES WAY BACK. 412 00:23:44,589 --> 00:23:51,179 GO BACK TO FERDINANT. 413 00:23:51,263 --> 00:23:51,972 CENTINEO HIMSELF. 414 00:23:52,055 --> 00:23:54,683 >> James: THAT IS WHERE THE PHRASE. 415 00:23:54,766 --> 00:23:55,892 CENTINEO MAN BUN CAME FROM. 416 00:23:55,976 --> 00:23:57,310 >> THAT IS EXACTLY. 417 00:23:57,394 --> 00:23:59,396 >> James: NOW YOU'VE TALKED ABOUT, YOU HAVE HAD A LOT OF 418 00:23:59,479 --> 00:24:01,273 TIME OFF THIS YEAR. 419 00:24:01,356 --> 00:24:05,026 AND DID YOU, YOU DECIDED, YOU DECIDED, YOU MADE A CHOICE TO 420 00:24:05,110 --> 00:24:06,528 GET YOUR TONS ILLS REMOVED. 421 00:24:06,611 --> 00:24:07,654 >> YES. 422 00:24:07,737 --> 00:24:09,531 >> James: WHICH IS NORMALLY SOMETHING OBVIOUSLY YOUNGER 423 00:24:09,614 --> 00:24:10,240 KIDS. 424 00:24:10,323 --> 00:24:12,868 >> YOU DO AS AN EIGHT YEAR OLD. 425 00:24:12,951 --> 00:24:14,661 >> >> James: HOW DID IT GO, HOW. 426 00:24:14,744 --> 00:24:19,666 >> IT WAS EXCRUCIATING FOR ABOUT TWO WEEKS T WAS SOMETHING, I GOT 427 00:24:19,749 --> 00:24:24,087 TON SILLITIS ALL THE TIME, CHRONICALLY STREP THROAT, THE 428 00:24:24,171 --> 00:24:26,882 FACT YOU CAN DO A PROCEDURE THAT THEN MAKES YOU LESS SICK FOR THE 429 00:24:26,965 --> 00:24:30,385 REST OF YOUR LIFE IS INCREDIBLE AND I'M SUPER DOWN FOR THAT. 430 00:24:30,468 --> 00:24:31,553 BUT THEY DIDN'T LET ME KEEP MY TON SILLS. 431 00:24:31,636 --> 00:24:38,310 >> James: WHY DID YOU WANT TO KEEP YOUR TONSULS. 432 00:24:38,393 --> 00:24:39,519 >> IT'S MY BODY, I'M ALLOWED. 433 00:24:39,603 --> 00:24:42,272 I SAID CAN I KEEP THEM, THEY SAID NO, ARE YOU NOT ALLOWED TO. 434 00:24:42,355 --> 00:24:45,108 I SAID WHAT ARE YOU GOING TO DO, SELL THEM ON eBAY. 435 00:24:45,192 --> 00:24:46,610 >> James: THEY SAID NO, YOU CAN'T. 436 00:24:46,693 --> 00:24:50,280 THEY ARE OUR TONSUL AS. 437 00:24:50,363 --> 00:24:50,614 >> NOW. 438 00:24:50,697 --> 00:24:51,364 >> YEAH. 439 00:24:51,448 --> 00:24:52,574 >> >> James: I SHOULD SAY ANYONE 440 00:24:52,657 --> 00:24:56,745 AT HOME, IF ARE YOU SQUEAMISH, LOOK AWAY BECAUSE NOAH ACTUALLY 441 00:24:56,828 --> 00:25:00,582 SENT US A PHOTO OF HIS TONSILLS REMOVED, IF YOU DON'T WANT TO 442 00:25:00,665 --> 00:25:05,629 SEE IT, LOOK AWAY BUT LOOK AT THIS PHOTO NOW, LOOK AT THIS. 443 00:25:05,712 --> 00:25:06,004 LOOK AT THAT. 444 00:25:06,087 --> 00:25:06,630 >> COME ON. 445 00:25:06,713 --> 00:25:07,464 I MEAN THEY'RE BEAUTIFUL. 446 00:25:07,547 --> 00:25:11,218 >> James: THAT IS SOME BIG TONSILS. 447 00:25:11,301 --> 00:25:13,762 >> YOU CAN SEE THE STARS LIKE CRATERS ON THE MOON. 448 00:25:13,845 --> 00:25:15,889 >> James: I UNDERSTAND NOW SEEING THEM WHY YOU WOULD WANT 449 00:25:15,972 --> 00:25:16,681 TO KEAP THEM. 450 00:25:16,765 --> 00:25:20,769 YOU KNOW WHAT I WOULD DO, EARRINGS. 451 00:25:20,852 --> 00:25:21,937 HUNDRED PERCENT. 452 00:25:22,020 --> 00:25:22,604 >> CAN YOU IMAGINE WALKING AROUND WITH THOSE IN THE BACK OF 453 00:25:22,687 --> 00:25:24,356 WITH YOUR THROAT. 454 00:25:24,439 --> 00:25:25,315 >> James: I REALLY CAN'T. 455 00:25:25,398 --> 00:25:27,776 HOW DO YOU FEEL NOW, DO YOU FEEL BETTER FOR IT. 456 00:25:27,859 --> 00:25:28,902 >> OH YEAH, FAN TASK TUCK. 457 00:25:28,985 --> 00:25:31,655 AND I FEEL LIKE MY VOICE IS CLEARER AS WELL, YOU KNOW. 458 00:25:31,738 --> 00:25:32,989 >> James: YEAH. 459 00:25:33,073 --> 00:25:35,492 >> NOW I CAN FINALLY DO SHAKESPEARE PROPERLY. 460 00:25:35,575 --> 00:25:40,830 >> James: YEAH, IT WAS ALWAYS THE TONSILS. 461 00:25:40,914 --> 00:25:42,040 >> SENT NAYAEN. 462 00:25:42,123 --> 00:25:47,337 >> I LEARNED TO SPEAK SHAKESPEAREAN SINCE I GOT IT 463 00:25:47,420 --> 00:25:48,004 OUT. 464 00:25:48,088 --> 00:25:49,631 >> THERE IT IS, LOOK AT THIS. 465 00:25:49,714 --> 00:25:51,508 >> James: ARE YOU SO READY. 466 00:25:51,591 --> 00:25:53,635 >> I AM TERRIBLE AT IT, IT IS JUST PEOPLE THINK I DO BECAUSE 467 00:25:53,718 --> 00:25:56,721 I'M BRITISH, THAT IS THE PROBLEM. 468 00:25:56,805 --> 00:25:59,683 NOW NOAH YOU POSTED THIS PHOTO, LOOK AT THIS THROWBACK PHOTO, 469 00:25:59,766 --> 00:26:03,812 THIS IS YOU STANDING IN AMONGST THE HOLLYWOOD SIGN. 470 00:26:03,895 --> 00:26:08,358 I IMAGINE THIS IS A SANCTIONERRED VISIT. 471 00:26:08,441 --> 00:26:11,027 TALK TO ME ABOUT THE STORY BEHIND THIS PICTURE. 472 00:26:11,111 --> 00:26:15,573 >> THERE WAS NO PERMIT ALLOCATED TO US. 473 00:26:15,657 --> 00:26:18,994 THAT WAS WHEN I WAS 17, STILL A MINOR AND I'M NOT CONDONING 474 00:26:19,077 --> 00:26:21,496 THIS, I DON'T THINK ANYONE SHOULD DO THIS. 475 00:26:21,579 --> 00:26:24,332 I WANT TO SAY THAT, I WAS 13 YEARS OLD THE FIRST TIME I WENT 476 00:26:24,416 --> 00:26:25,500 TO THE SIGN WITH MY MOTHER. 477 00:26:25,583 --> 00:26:29,212 I DROPPED OUT OF 8th GRADE, CAME TO L.A. FOR PILOT SEE SO, 478 00:26:29,296 --> 00:26:32,632 DIDN'T BOOK A SINGLE JOB FOR THREE MONTHS BUT WE DID SHOW 479 00:26:32,716 --> 00:26:36,553 FIND A FIRE ROUTE TO THE HOLLYWOOD SIGN SON SOME RANDOM 480 00:26:36,636 --> 00:26:37,804 TOUR THAT WE DID. 481 00:26:37,887 --> 00:26:43,643 AND SO WHEN I CAME BACK WHEN I WAS 17 WITH MY TWO BEST FRIENDS, 482 00:26:43,727 --> 00:26:50,567 I SAID GUYS, LET'S GO TO THE HOLLYWOOD SIGN, AND THEY WERE 483 00:26:50,650 --> 00:26:51,776 DOWN. 484 00:26:51,860 --> 00:26:54,070 SO WE CLIMB UP THERE, AND YOU HAVE HELICOPTERS THAT GO EVERY 485 00:26:54,154 --> 00:26:54,654 10 TO 15 MINUTES AROUND. 486 00:26:54,738 --> 00:26:56,990 >> I SEE THEM. 487 00:26:57,073 --> 00:26:58,158 >> FOR SECURITY, OF COURSE. 488 00:26:58,241 --> 00:27:02,412 BUT ALSO THERE ARE A LOT OF BUSHES ON THE HOLLYWOOD HILL. 489 00:27:02,495 --> 00:27:04,914 SO EVERY TIME YOU HEAR THE HELICOPTER YOU DIVE UNDER A 490 00:27:04,998 --> 00:27:08,376 BUSH, THEY DON'T SEE YOU, YOU LEAVE, YOU KEEP ON YOUR TRAVELS. 491 00:27:08,460 --> 00:27:11,212 SO WE GET TO THIS THING, CLIMBING ON IT, HANGING OUT ON 492 00:27:11,296 --> 00:27:14,341 IT, AND WE DIDN'T HEAR A HELICOPTER. 493 00:27:14,424 --> 00:27:17,552 UNTIL IT WAS TOO LATE AND SO IT STARTED HOVERING RIGHT ABOVE US. 494 00:27:17,635 --> 00:27:19,721 LIKE 30 FEET ABOVE US ON THE HILLSIDE. 495 00:27:19,804 --> 00:27:22,599 AND I'M LOOKING AT MY FRIENDS. 496 00:27:22,682 --> 00:27:24,684 LIKE WE EITHER RUN OR WE'RE GOING TO GET CAUGHT. 497 00:27:24,768 --> 00:27:28,897 SO WE START RUNNING, YOU COULD SEE FROM MULTIPLE VANTAGE POINTS 498 00:27:28,980 --> 00:27:32,776 THREE OF US SPRINTING STRAIGHT DOWN THE HILL. 499 00:27:32,859 --> 00:27:34,861 AND AT ONE POINT I'M LIKE SLIDING, I HOPPED THIS LITTLE 500 00:27:34,944 --> 00:27:40,575 JUMP AND I TURN AROUND AND PIE BUDDY IS SLIDING THE WRONG 501 00:27:40,658 --> 00:27:47,082 DIRECTION HEADING TOWARD THE CLIFF AND I JUMP IS OVER, AND I 502 00:27:47,165 --> 00:27:52,128 BODY CHECK HIM BACK ON TO THE PATH, AND HE MISSED THE 30 FOOT 503 00:27:52,212 --> 00:27:53,296 FALL. 504 00:27:53,380 --> 00:27:57,258 HOP A FENCE, GOT INTO THE RESIDENTIAL AREA AN THIS GUY IN 505 00:27:57,342 --> 00:27:59,427 A PICKUP TRUCK WITH THREE DOGS IN THE BAG ROLLS UP AND WE'RE 506 00:27:59,511 --> 00:28:01,596 LIKE CAN WE GET A RIDE. 507 00:28:01,679 --> 00:28:02,847 HE IS LIKE YEAH, HOP IN. 508 00:28:02,931 --> 00:28:05,725 WE'RE IN THE BACK OF HIS PICKUP TRUCK, THREE DOGS, THREE DUDES 509 00:28:05,809 --> 00:28:09,896 AND DROPS US OFF AT THE SOLAR CAFE I THINK IT CALLED ON 510 00:28:09,979 --> 00:28:10,980 GLENDALE, WE HAD LUNCH. 511 00:28:11,064 --> 00:28:17,987 >> James: I HAVE NEVER FELT, I'VE NEVER FELT SO BORING. 512 00:28:18,071 --> 00:28:19,739 >> BUT DON'T TRY THAT IN L.A. 513 00:28:19,823 --> 00:28:22,826 >> James: HAVE I NOT EVEN DONE THE, WHAT YOU TAGGED ON, FOR ME, 514 00:28:22,909 --> 00:28:28,373 THE MOST EXCITING STORY I WOULD HAVE IS A GUY CAME BY IN A 515 00:28:28,456 --> 00:28:31,626 PICKUP TRUCK AND WE SAID CAN YOU GIVE US A RIDE. 516 00:28:31,709 --> 00:28:34,921 AND THAT WASN'T EVEN YOUR STORY. 517 00:28:35,004 --> 00:28:37,799 LOOK, LOOK AT YOU NOW, CONQUERING HOLLYWOOD BECAUSE WE 518 00:28:37,882 --> 00:28:41,845 HAVE TO CONGRATULATE YOU ON TO ALL THE BOYS, ALWAYS AND FOREVER 519 00:28:41,928 --> 00:28:43,972 WHICH IS THE LAST OF THE TRIOLOGY. 520 00:28:44,055 --> 00:28:47,183 FOR ANYONE WHO DOESN'T KNOW, WHAT IS HAPPENING IN THIS MOVIE. 521 00:28:47,267 --> 00:28:51,771 >> OH MAN, WELL I THINK IN THE OTHER TWO FILMS YOU HAVE LARA 522 00:28:51,855 --> 00:28:55,191 JEAN AND FIGURING OUT DO WE WANT TO BE IN A RELATIONSHIP, AND TWO 523 00:28:55,275 --> 00:28:56,734 SHOULD WE STAY IN THIS RELATIONSHIP OR DATE SOMEONE 524 00:28:56,818 --> 00:29:01,865 ELSE, AND IN THIS ONE IT IS REALLY JUST FOCUSING AND ZEROING 525 00:29:01,948 --> 00:29:07,745 IN ON LARA JEAN AND IT IS THEIR SENIOR YEAR, LOOKING AT COLLEGES 526 00:29:07,829 --> 00:29:10,832 AND THAT PUTS CERTAIN CHALLENGES ON RELATIONSHIPS. 527 00:29:10,915 --> 00:29:12,083 A LOT OF PEOPLE HAVE BEEN THROUGH THAT. 528 00:29:12,167 --> 00:29:16,629 SO YOU REALLY GET TO FIND OUT IN THIS WHAT HAPPENS TO THEM IN THE 529 00:29:16,713 --> 00:29:17,839 END. 530 00:29:17,922 --> 00:29:19,716 >> LET'S TAKE A LOOK AT A CLIP FROM TO ALL THE BOYS, ALWAYS AND 531 00:29:19,799 --> 00:29:26,931 FOREVER, PREMIER THIS FRIDAY ON NETFLIX. 532 00:29:27,015 --> 00:29:29,350 >> AGENT, WHAT IS HAPPENING. 533 00:29:29,434 --> 00:29:30,560 >> DON'T LOOK. 534 00:29:30,643 --> 00:29:32,896 >> YOUR MISSION, SHOULD YOU CHOOSE TO ACCEPT IT, IS TO MEET 535 00:29:32,979 --> 00:29:34,731 ME BACK HERE IN THE WILL BEE AT 2100 HOURS. 536 00:29:34,814 --> 00:29:36,858 WE'RE GOING OUT. 537 00:29:36,941 --> 00:29:39,319 >> WHERE ARE WE GOING. 538 00:29:39,402 --> 00:29:40,069 >> DON'T LOOK AT ME. 539 00:29:40,153 --> 00:29:41,988 >> THAT INFORMATION IS CLASSIFIED. 540 00:29:42,071 --> 00:29:46,701 >> I'M PRETTY SURE WE'RE SUPPOSED TO STAY IN OUR ROOMS. 541 00:29:46,784 --> 00:29:49,704 >> THE CHAPERONES WILL BE AT THE HOTEL BAR GETTING ABSOLUTELY 542 00:29:49,787 --> 00:29:51,289 WASTED GIVING US A CLEAR EXIT. 543 00:29:51,372 --> 00:29:53,041 DO YOU ACCEPT THE MISSION. 544 00:29:53,124 --> 00:29:54,167 >> I DO. 545 00:29:54,250 --> 00:29:55,084 >> VERY GOOD. 546 00:29:55,168 --> 00:29:59,839 >> SEE YOU IN 2100 HOURS. 547 00:29:59,923 --> 00:30:05,220 >> STICK AROUND, MORE WITH NOAH CENTINEO WHEN WE COME BACK, 548 00:30:05,303 --> 00:30:06,304 EVERYBODY. 549 00:30:15,021 --> 00:30:18,942 WELL KOL BACK, WE ARE HERE WITH THE ONE, THE ONLY NOAH CENTINEO 550 00:30:19,025 --> 00:30:23,112 WHO I THINK IT IS A FACT TO SAY WE HAVE ALL ABSOLUTELY LOVED YOU 551 00:30:23,196 --> 00:30:26,658 BEING HERE, VNTS WE, GANG. 552 00:30:26,741 --> 00:30:27,825 HE LOVED YOU SO MUCH. 553 00:30:27,909 --> 00:30:29,077 I'M JUST HANGING OUT WITH A FRIEND, REGGIE, DO YOU HAVE A 554 00:30:29,160 --> 00:30:30,995 QUESTION FOR OUR GUEST THIS EVENING? 555 00:30:31,079 --> 00:30:33,915 >> Reggie: YEAH! 556 00:30:33,998 --> 00:30:39,712 THE QUESTION GOES TO. 557 00:30:39,796 --> 00:30:47,720 ♪ NOAH CENTINEO. 558 00:30:47,804 --> 00:30:49,097 ♪ NOAH. 559 00:30:49,180 --> 00:30:50,265 >> YEAH REGGIE. 560 00:30:50,348 --> 00:30:53,101 >> Reggie: YOU KNOW LIKE WHEN YOU ARE AT A CLUB, RIGHT, AND 561 00:30:53,184 --> 00:30:55,645 ARE YOU HANDLING OUT WITH YOUR MATES AND SUDDENLY LIKE SOMEONE 562 00:30:55,728 --> 00:30:58,064 COMES IN THAT'S LIKE GOT THAT ENERGY, YOU KNOW, THAT EVERYONE 563 00:30:58,147 --> 00:31:03,111 WANTS THE ATTENTION IS GOING TO BE DIRECTED TO, WHAT IS YOUR 564 00:31:03,194 --> 00:31:07,657 FIRST INSTINCT, WHAT DO YOU THINK IS GOING ON? 565 00:31:07,740 --> 00:31:16,291 >> WHO IS THIS GUY OR WOMAN OR AND HOW CAN I POSSIBLY GET SOME 566 00:31:16,374 --> 00:31:18,001 OF THAT. 567 00:31:18,084 --> 00:31:18,710 > YEAH. 568 00:31:18,793 --> 00:31:23,089 >> AN BE SOME OF THAT, YOU KNOW. 569 00:31:23,172 --> 00:31:27,969 CUZ THAT'S A PERSON THAT I FEEL LIKE I WOULD WANT TO BE. 570 00:31:28,052 --> 00:31:31,514 JUST WANT THAT, SO LET ME GET SOME OF THAT. 571 00:31:31,598 --> 00:31:36,978 >> Reggie: YEAH, YEAH, YEAH, ALL RIGHT, WELL, THAT IS [BLEEP] 572 00:31:37,061 --> 00:31:38,146 CORRECT. 573 00:31:38,229 --> 00:31:41,816 >> James: THAT IS-- CAN I NOT TELL YOU HOW UTTERLY BRILLIANT 574 00:31:41,899 --> 00:31:44,819 THAT BRITISH ACCENT IS, IT IS INCREDIBLE. 575 00:31:44,902 --> 00:31:45,737 AND IT'S ABSOLUTELY CORRECT. 576 00:31:45,820 --> 00:31:48,990 PLEASE THANK THE ONE, THE ONLY NOAH CENTINEO. 577 00:31:49,073 --> 00:31:51,034 MADISON CUNNINGHAM IS HERE WHEN WE COME BACK AM DON'T GO 578 00:31:51,117 --> 00:31:52,910 ANYWHERE. 579 00:32:03,129 --> 00:32:06,633 >> James: WELCOME BACK, OUR NEXT GUEST IS A GRAMMY NOMINATED 580 00:32:06,716 --> 00:32:08,843 SINGER, SONGWRITER AND MUSICIAN, THIS IS HER FIRST TIME WITH US 581 00:32:08,926 --> 00:32:11,512 ON THE "LATE, LATE SHOW," WE'RE SO EXCITED TO HAVE HER HERE. 582 00:32:11,596 --> 00:32:15,391 AND WE WISH SO MUCH SHE WAS HERE IN THE STUDIO, PLEASE WELCOME 583 00:32:15,475 --> 00:32:19,437 THE DIVINE, THE INTELLIGENT MADISON CUNNINGHAM IS HERE. 584 00:32:19,520 --> 00:32:26,069 MADISON, HOW ARE YOU? 585 00:32:26,152 --> 00:32:28,071 >> I'M WELL TRK IS A SURREAL TO BE HERE AN TALK WITH YOU. 586 00:32:28,154 --> 00:32:30,156 >> James: IT IS SURREAL FOR US TO BE HERE AND YET NOT HERE. 587 00:32:30,239 --> 00:32:33,034 WE ARE SUCH FANS OF YOURS HERE AND CONGRATULATIONS ON 588 00:32:33,117 --> 00:32:40,583 EVERYTHING THAT HAS BEEN HAPPENING IN YOUR CAREER, OVER 589 00:32:40,667 --> 00:32:43,461 THIS TIME, I KNOW YOU WERE LOOKING FORWARD TO TOURING IN 590 00:32:43,544 --> 00:32:48,007 2020 AND OBVIOUSLY AS EVERYBODY ELSE'S TOURS THAT WENT AWAY. 591 00:32:48,091 --> 00:32:50,885 WHAT ARE YOU FEELING HOPEFUL FOR, WHAT ARE YOU LOOKING 592 00:32:50,968 --> 00:32:52,553 FORWARD TO THIS YEAR? 593 00:32:52,637 --> 00:32:55,014 >> I WAS TELLING A FRIEND THAT MY BUCKET LIST KEEPS GETTING 594 00:32:55,098 --> 00:33:00,228 SHORTER AND SHORT ARE AND ALL I WANT TO DO IS WATCH MOVIES. 595 00:33:00,311 --> 00:33:03,064 I THINK IT IS TRUE, IT IS A SIMPLE THING THAT I REALLY MISS, 596 00:33:03,147 --> 00:33:08,403 I THINK I'M REALLY HOPEFUL FOR AT LEAST OUTDOOR CONCERTS TO 597 00:33:08,486 --> 00:33:11,406 COME BADGE AND FOR ALL THE BODIES TO SORT OF BE IN THE SAME 598 00:33:11,489 --> 00:33:15,034 ROOM AND YOU KNOW, WITHOUT WI-FI ERRORS AND ALL THAT KIND OF 599 00:33:15,118 --> 00:33:15,618 STUFF. 600 00:33:15,702 --> 00:33:17,120 >> WE'RE WITH YOU ON THAT. 601 00:33:17,203 --> 00:33:21,582 WE REALLY ARE, LET'S TALK ABOUT YOUR BRILLIANT SONG BROKEN 602 00:33:21,666 --> 00:33:22,375 HEARTED. 603 00:33:22,458 --> 00:33:23,626 I THINK THIS SONG IS FAN TASK TUCK. 604 00:33:23,710 --> 00:33:28,548 TELL US WHAT THE SONG IS ABOUT. 605 00:33:28,631 --> 00:33:35,263 >> I BACK IN DECEMBER GOT ASKED BY NPR TO WRITE A SONG BASED ON 606 00:33:35,346 --> 00:33:41,602 THE SUBJECT OF-- SO I TRIED TO HONE IN ON FROM THE ARTIST 607 00:33:41,686 --> 00:33:45,440 PERFECTIVE WHAT IT MEANS TO HAVE YOUR DREAMS PUT ON HOLD AND THEN 608 00:33:45,523 --> 00:33:49,026 IN THE BROADER PICTURE IT KIND OF STARTS TO TALK ABOUT HOW LIKE 609 00:33:49,110 --> 00:33:54,449 WE HAVE ALWAYS BEEN FACED WITH THIS REALITY OF LOSS. 610 00:33:54,532 --> 00:33:59,162 AND EVEN THOUGH WE HAVE ALL BEEN KIND OF THRONE OFF OUR GAME FROM 611 00:33:59,245 --> 00:34:02,415 IT, I THINK IT IS KIND OF TURNING OUR ATTENTION TO WHAT IT 612 00:34:02,498 --> 00:34:05,251 IS WE HAVE ALWAYS BEEN DEALING WITH. 613 00:34:05,334 --> 00:34:08,129 >> WELL, IT A BRILLIANT SONG AND WE'RE SO, SO DELIGHTED THAT YOU 614 00:34:08,212 --> 00:34:11,507 ARE HERE PERFORMING IT RIGHT NOW ON THE SHOW. 615 00:34:11,591 --> 00:34:15,470 LADIES AND GENTLEMEN, HERE WITH HER BRCLLIANT SINGLE, BROKEN 616 00:34:15,553 --> 00:34:19,098 HARVEST, FOR THE FIRST TIME ON TELEVISION, PLEASE WELCOME THE 617 00:34:19,182 --> 00:34:21,184 INCREDIBLY TAL GENTED MADISON CUNNINGHAM. 618 00:34:28,107 --> 00:34:30,026 S ROUND AND ROUND THIS BROKEN RAT RACE 619 00:34:30,109 --> 00:34:35,490 S I'M MOVING AND STOPPING I'M WINDOW SHOPPING 620 00:34:35,573 --> 00:34:38,659 S FOR LOVE, FOR FAME FOR ANYTHI 621 00:34:38,743 --> 00:34:43,664 ♪ AND WHEN I'M DONE TAKING UP SPACE 622 00:34:43,748 --> 00:34:47,543 ♪ WELL, I'M COMING HOME LATE TO A DIRTY PLACE 623 00:34:47,627 --> 00:34:51,547 ♪ HALF AWAKE THE BROOM, THE RAKE 624 00:34:51,631 --> 00:34:59,514 TAKE THE KID OUT OF ME ♪ JUST SAY THE WORD 625 00:34:59,597 --> 00:35:03,518 JUST SAY THE WORD AND ♪ I'LL GIVE IT UP 626 00:35:03,601 --> 00:35:11,567 THE WORD AND I'LL HANG IT UP ♪ WHAT DO I KNOW? 627 00:35:11,651 --> 00:35:19,534 WHAT DO I HOLD ♪ THAT WILL NOT FADE AWAY 628 00:35:19,617 --> 00:35:27,542 ALL THINGS FADE AWAY ♪ WHERE WILL I BE? 629 00:35:27,625 --> 00:35:35,550 THE CROP AND THE WHEAT ♪ FEAST AND FADE AWAY 630 00:35:35,633 --> 00:35:39,595 ALL THINGS FADE AWAY ♪ PUTTING ON A BUSINESS COAT 631 00:35:47,728 --> 00:35:51,607 FOR THE TEAR IN THE JEANS ♪ THE HOLE IN THE BOAT 632 00:35:51,691 --> 00:35:55,611 TO MAKE THE BURDEN FLOAT ♪ TO PAY IN FULL 633 00:35:55,695 --> 00:36:02,076 THIS TIME ♪ WHEN YOU'RE LIVING ON A 634 00:36:02,159 --> 00:36:06,205 DREAMER'S SALARY ♪ A BROKEN HARVEST 635 00:36:06,289 --> 00:36:10,251 FEELS LIKE ROBBERY ♪ WHAT DO I DO THIS FOR 636 00:36:10,334 --> 00:36:15,590 IF IT'S JUST GONNA ♪ POUR OUT EASILY? 637 00:36:15,673 --> 00:36:22,972 YOU'VE SEEN ME THERE ♪ CLIMBING THE STAIRS 638 00:36:23,055 --> 00:36:27,268 BEGGIN' FOR AIR ♪ AND NOT COMING UP 639 00:36:27,351 --> 00:36:31,606 I'M NOT COMING UP ♪ WHAT DO I KNOW? 640 00:36:31,689 --> 00:36:39,614 WHAT DO I OWN ♪ THAT WILL NOT FADE AWAY 641 00:36:39,697 --> 00:36:47,371 ALL THINGS FADE AWAY ♪ WHERE WILL I BE? 642 00:36:47,455 --> 00:36:55,671 THE FRUIT AND THE TREE ♪ THIRST AND FADE AWAY 643 00:36:55,755 --> 00:37:05,765 ALL THINGS FADE AWAY ♪ ♪ ♪ 644 00:37:05,848 --> 00:37:12,188 ALL THINGS FADE AWAY ♪ ♪ ♪ 645 00:37:19,737 --> 00:37:29,747 ♪ ♪ ♪ ♪ OH 646 00:37:29,830 --> 00:37:39,674 ♪ ♪ ♪ ♪ OH 647 00:37:39,757 --> 00:37:49,767 ALL THINGS FADE AWAY ♪ ALL THINGS FADE AWAY 648 00:37:49,850 --> 00:37:55,731 ALL THINGS FADE AWAY ♪ ALL THINGS FADE AWAY 649 00:37:55,815 --> 00:38:05,825 ALL THINGS FADE AWAY ♪ ALL THINGS FADE AWAY 650 00:38:05,908 --> 00:38:11,831 ALL THINGS FADE AWAY ♪ ALL THINGS FADE AWAY 651 00:38:11,914 --> 00:38:25,511 OOH ♪ ♪ ♪ 652 00:38:25,594 --> 00:38:27,722 >> James: MADISON CUNNINGHAM, EVERYONE. 653 00:38:27,805 --> 00:38:30,224 BROKEN HARVEST IS AVAILABLE RIGHT NOW. 654 00:38:30,307 --> 00:38:41,569 WE'LL BE RIGHT BACK. 655 00:38:41,569 --> 00:38:42,653 ♪ >> James: THANK YOU SO MUCH 656 00:38:42,737 --> 00:38:44,905 FOR WATCHING, TOMORROW NIGHT MILA KUNIS IS GOING TO BE HERE 657 00:38:44,989 --> 00:38:47,199 AND MUSIC FROM ROBIN THICKE. 658 00:38:47,283 --> 00:38:49,285 WE'LL SEE YOU THENMENT REGGIE, TAKE US HOME. 659 00:38:54,165 --> 00:38:54,915 ♪ Captioning sponsored by CBS