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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW, OOH

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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW

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♪ OH, OH
IT'S THE LATE LATE SHOW ♪

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>> Reggie: ♪
SHOW."

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♪.

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>> .

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>> GOOD EVENING, LADIES AND
GENTLEMEN, WELCOME TO THE "LATE,

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LATE SHOW," THANKS FOR STOPPING
BY, WE LOVE BEING PART OF YOUR

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DAY, WE APPRECIATE IT SO MUCH,
ON TONIGHT'S SHOW WE ARE JOINED

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BY THE LEGENDARY EDDIE MURPHY,
IS HERE.

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LATER WE HAVE A PERFORMANCE FROM
TIANA MAJOR9, YOU DON'T WANT TO

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MISS THAT BUT FIRST WE HAVE TO
MARK AN ANNIVERSARY.

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DO YOU KNOW, THIS IT'S BEEN
EXACTLY ONE YEAR SINCE WE LAST

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TAPED A SHOW WITH A STUDIO
AUDIENCE.

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>> WOW.

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>> A YEAR TODAY, ISN'T THAT
CRAZY.

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>> ISN'T THAT MAD?

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SO THERE ARE BABIES OUT THERE,
THERE ARE BABIES OUT THERE WHO

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HAVE NEVER SEEN EMOJI NEWS.

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(LAUGHTER)
YEAH, YOU CAN CATCH IT ON

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YOUTUBE BUT YOU HAVE TO SEE IT
LIVE.

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THAT'S THE THING.

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IF YOU REMEMBER, VIN DIESEL, DO
YOU REMEMBER VIN DIESEL WAS ON

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THAT SHOW AND NOT EVEN HE COULD
STOP THE PANDEMIC FROM

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HAPPENING.

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THAT IS WHEN I KNEW IT WAS REAL.

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AND IN MEMORIES OF THAT LAST
SHOW.

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>> HE WAS GOLFING AROUND THE
OFFICE AND I THOUGHT SURELY THIS

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WILL BE THE HIGHLIGHT OF THE
YEAR.

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AND IT WAS.

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>> IT WAS.

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>> James: BUT THINGS ARE
LOOKING UP, IT'S BEEN ANNOUNCED

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THAT ONE IN FOUR ADULTS IN THE
UNITED STATES HAVE NOW RECEIVED

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THEIR FIRST VACCINE DOSE.

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YEAH, YEAH, ONE IN FOUR.

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ONE IN FOUR.

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AND THE OTHER THREE OUT OF FOUR
ADULTS ARE EXTREME LEIGH HAPPY

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FOR THEM.

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THAT'S WONDERFUL NEWS.

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GOOD FOR YOU.

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25 PERCENT THE WAY THERE.

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TO PUT THAT INTO PANDEMIC TERMS
WE'VE JUST PUT THE SOURDOUGH

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INTO THE PROOFING BASKET.

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IT IS MAD THOUGH, IF YOU HAD
TOLD ME A YEAR AGO THAT NEARLY

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100 MILLION AMERICANS WOULD BE
VACCINATED FOR COVID BY MARCH

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2021, I WOULD HAVE SAID WHAT ARE
YOU TALKING ABOUT.

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THEY SAID THIS WILL BE OVER IN
TWO WEEKS.

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ALL WE'VE GOT TO DO IS FLATEN
THE CURVE, THAT'S IT.

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WHEN THE WARM WITH COMES IT WILL
JUST DISAPPEAR.

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GEORGE IS HERE, GUYS.

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THIS GEORGE.

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GEORGE IS ON.

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GEORGE IS ON CAMERA ONE.

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GEORGE IS HERE BECAUSE JOEL
SIGNED A DEAL WITH NETFLIX.

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YES.

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YES.

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HE SIGNED A DEAL, HE WAS SUCH A
BREAKOUT STAR.

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IT WAS AFTER WE DID CORDON'S
CRAZY WHEEL OF MONDO BONKERS.

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THEY WERE LIKE WE HAVE TO SNAP
THIS GUY UP NOW.

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26 MILLION DOLLARS.

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THAT IS WHAT HE HAS GOT, DOING
TWO SPECIALS AND A REALITY

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SERIES.

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HE'S NOT IN THE REALITY SERIES,
HE IS JUST EXECUTIVE BUT THE TWO

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LIVE SPECIALS, YEAH.

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>> SHONDA IS BUILDING A COUPLE
SHOWS AROUND HIM.

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>> James: THAT'S RIGHT, SHONDA
RHIMES IS DOING A SHOW CALLED

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JOELIS HIM, IT IS JOEL IN REGAL
DRESS AND HE IS GOING AT IT IN A

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BIG WAY, BUT WE'RE HAPPY FOR
HIM, WE'RE THRILLED FOR HIM,

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JOEL, GOOD LUCK, JUST INVITE US
ON THE YACHT THIS SUMMER.

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THAT SAUL WE SAY.

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HOW ARE YOU DOING, GEORGE?

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ARE YOU GOOD?

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EVERYTHING ALL RIGHT?

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YEAH?

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EVERYTHING GOOD, OKAY, COOL.

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AND DID YOU-- WHERE ABOUT ARE
YOU FROM, GEORGE?

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(LAUGHTER)
I'M KIDDINGK I'M KIDDING.

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I JUST LOVE YOU WALKING AROUND
WITH THAT MICROPHONE.

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>> YOU KNOW, MY MIDDLE NAME IS
GEORGE.

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>> James: WHAT IS YOUR MIDDLE
NAME, GEORGE?

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(LAUGHTER)
IT'S ALL RIGHT, IT DOESN'T

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MATTER.

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ALL RIGHT.

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GEORGE WE'RE LOVE THAT YOU HERE.

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AND DID EVERYBODY SEE THIS, THE
VACCINE VIAL THAT WAS USED TO

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ADMINISTER THE VERY FIRST DOSE
IN THE UNITED STATES HAS BEEN

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SENT TO THE SMITHSONIAN.

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YEAH.

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EVEN MUSEUMS ARE GETTING THE
VACCINES BEFORE ME.

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THE VIAL WILL BE PART OF AN
EXHIBIT PLAN FORD NEXT YEAR AND

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THERE WILL EVEN BE AN
INTERACTIVE PART WHERE A DIGITAL

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TOUR GUIDE WILL APPEAR ON THE
SCREEN BUT DISERNTALLY HE WILL

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BE ON MUTE THE ENTIRE TIME.

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CRAZY TO THINK THAT FUTURE
GENERATIONS WILL LEARN ABOUT

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THIS IN A MUSEUM.

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SOME DAY A KID IS GOING TO BE
LIKE MY GRANDPA LIVED THROUGH

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THE GREAT COVID PLAGUE OF 2020.

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AND THEY WILL GO WOW, WAS HE ON
THE FRONT LINES.

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AND HE WILL GO NO, BUT HE DID
FINALLY GET AROUND TO WATCHING

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ALL OF SOPRANOS.

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IN OTHER COVID NEWS DENMARK IS
INTRODUCING DIGITAL VACCINE

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PASSPORTS ELIMINATING THE NEED
TO QUARANTINE AFTER TRAVEL.

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SO GET READY GUYS, CLOG GIRL
SUMMER IS ON.

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THIS IS HOW MUCH THE WORLD HAS
CHANGED IN ONE YEAR.

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TODAY I'M LIKE PARTY IN
SONDERBORG, YEAH!

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MEANWHILE IN TEXAS, IT WAS
ANNOUNCED THAT THE TEXAS RANGERS

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WILL BECOME THE FIRST MAININGER
SPORT TEAM IN THE UNITED STATES

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TO PLAY TO A FULL STADIUM WHICH
HOLDS MORE THAN 40,000 PEOPLE,

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WILL BE FULLY OPENED FOR THE
RANGERS FIRST GAME NEXT MONTH

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AGAINST THE TORONTO BLUE JAYS.

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WHEN THEY HEARD THIS THE TORONTO
BLUE JAYS WERE LIKE SORRY, WAIT,

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WHAT IS THAT NOW?

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I MEAN THIS IS THE ONLY BASEBALL
GAME WHERE MOST OF THE CATCHING

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WILL BE DONE IN THE STANDS.

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IT WILL BE GREAT THOUGH, TO SEE
AMERICA'S NATIONAL PASTTIME

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AGAIN.

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NOT BASEBALL, I'M TACKING ABOUT
IGNORING PUBLIC HEALTH GUIDE

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LINES.

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(LAUGHTER)
AND DID EVERYONE HERE ABOUT STH,

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MATTHEW MK CON HEY SAID
YESTERDAY THAT HE MIGHT RUN FOR

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TEXAS GOVERNOR IN 2022.

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MCCONAUGHEY DOESN'T HAVE A TON
OF EXPERIENCE IN GOVERNMENT

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ALTHOUGH HE DID SERVE AS A
LINCOLN LAWYER.

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I NEED TO HEAR MORE ABOUT IT
BEFORE I CAN SUPPORT

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MCCONAUGHEY, I WOULD NEED TO
KNOW MORE, DO YOU KNOW WHAT I

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MEAN, ARE HIS POLICIES ALL
RIGHT, ALL RIGHT, ALL RIGHT OR

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ALL HEFT ALL LEFT, ALL LEFT, ALL
LEFT.

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>> HE COULD BE RUNNING FOR
OFFICE THOUGH, MATT U

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MCCONAUGHEY, I DO GET T VERY
PATRIOTIC MAN.

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I LEARNED THAT WATCHING "MAGIC
MIKE" THAT JOEL IS DOING A

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REMAKE, A SERIES, MAGIC MIKE IN
A SERIES, BUT THIS TIME THEY

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TAKE THE WHOLE LOT.

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>> SODERBURG HAD A LIST WITH ONE
NAME ON IT, AND IT WAS JOEL.

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AND JOEL WAS LIKE I CAN'T, I
CAN'T DO IT.

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AND HE SAID IT'S ALL RIGHT, I'LL
CALL GEORGE, BECAUSE HE JUST

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TURNED THE PROJECT DOWN.

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GEORGE WAS ACTUALLY, GEORGE WAS
TOO RICH FOR THE SERIES.

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>> THEY SAID JOEL WOULD WALK IF
THEY GOT GEORGE, NONE OF THEM

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WOULD DO IT, NONE OF THEM WILL
STAND NAKED ALONGSIDE GEORGE AND

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I UNDERSTAND.

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GEORGE ASK LOOKING AT ME LIKE
THIS.

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YOU WANT TO STOP BUT IS HE
ABSOLUTELY LOVING IT.

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>> WELCOME TO THE PARTY, GEORGE.

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>> James: GEORGE, WHEN
YOU-- GEORGE, GEORGE, IF YOU ARE

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BACK ON THE SHOW ANOTHER TIME,
WILL YOU START MIXING UP WITH

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SOME HAWAIIAN SHIRTS OR STICK
WITH THIS ARM HUGGER?

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>> IF YOU COULD TAKE OFF THAT
MASK, GEORGE'S FACE IS DOING

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THIS.

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(LAUGHTER)
AND FINALLY THE KEN DOLL TURNED

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60 YEARS OLD TODAY AND TO
CELEBRATE MATTEL HAS RELEASE THE

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SEVERAL NEW KEN DOLLS IN
COLLABORATION WITH FASHION

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INFLUENCE EARNS, THERE IS THIS
ONE WITH QUEER EYE STAR TAN

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FRANCE.

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TAKE A LOOK AT THAT.

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LOOK.

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SO REALISTIC, HE REALLY DOES
LOOK LIKE HE'S HOLDING A $12

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COFFEE.

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THERE IS THIS COLLABORATION WITH
FASHION DESIGNER DAPPER DAN.

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LOOK AT THAT.

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IF THAT KEN LOOKS A BIT DOWN IT
IS BECAUSE HE WAS JUST BANNED

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FROM TIKTOK.

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AND THERE IS NICE, TO CELEBRATE
THE BIG DAY MATTEL EVEN RELEASED

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THIS ONE YEAR COVID ANNIVERSARY
PEN DOLL AND YOU CAN TELL IT'S

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BEEN A ROUGH YEAR.

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HAVE A LOOK.

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(LAUGHTER)
NOW HERE AT THE "LATE, LATE

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SHOW" WE WRITE A LOT OF PARODY
SONGS LIKE A LOT.

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SOME WOULD SAY TOO MANY.

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YOU KNOW?

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AND WE HAVE DONE GOOD ONES, YOU
KNOW, RECENTLY, YOU MIGHT HAVE

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SEEN MAYBE I'M IMMUNE, OR ONE
DAY MORE.

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WE HAVE DONE NOT SO GOOD ONES
LIKE A FUGUE FOR TURKEY WITH

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MATTHEW BRODERICK WHICH, IF YOU
HAVEN'T SEEN T I URGE YOU NOT

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TO.

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OKAY?

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SO PEOPLE COME UP AND THEY ASK
ALL OF US QUESTIONS ABOUT OUR

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PARODY SONGS LIKE YOU KNOW, HOW
DO THEY GET MADE, WHERE DO YOU

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GET THE IDEAS FROM, WHY AREN'T
pSOME OF THEM BETTER.

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00:10:01,901 --> 00:10:06,072
AND TODAY WE HAVE SET OUT TO
ANSWER SOME OF THOSE QUESTIONS

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00:10:06,138 --> 00:10:10,343
AND GIVE YOU A TASTE OF SOME OF
THE PARODY SONGS THAT NEVER MADE

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IT ON TO THE SHOW.

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THIS IS PARODY SONGS WORTH LESS
THAN TEN SECONDS.

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00:10:16,315 --> 00:10:21,587
>> PARODY SONGS WORTH LESS THAN
10 SECONDS OF YOUR TIME.

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00:10:21,654 --> 00:10:24,623
>> ALL RIGHT, LET'S JUMP RIGHT
IN, NOW YOU'RE GOING TO LOVE

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THIS FIRST SONG OR MAYBE YOU
WON'T, EITHER WAY IT DOESN'T

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00:10:27,259 --> 00:10:29,195
MATTER, IT WILL BE OVER IN TEN
SECONDS.

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NOW THIS WAS A THANKSGIVING
PITCH FROM 2018 INSPIRED BY

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00:10:35,234 --> 00:10:39,505
CARLY RAE JEPSEN SMASH HIT CALL
ME MAYBE AND IT WAS CALLED PASS

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ME GRAVY, HAVE A LISTEN.

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00:10:42,441 --> 00:10:43,976
>> I'M EATING TURKEY.

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♪ IT'S NOT THAT TASTY.

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00:10:45,244 --> 00:10:47,079
♪ HEY UNCLE BILLY.

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00:10:47,146 --> 00:10:52,351
♪ PLEASE PASS THE GRAVY.

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00:10:52,418 --> 00:10:53,953
♪
>> James: I KNOW, NOW I SHOULD

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SAY AT THIS POINT THAT YOU WILL
ALL OF THE SONGS YOU ARE GOING

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TO HEAR ARE GOING TO BE
PERFORMED BY DAVE PIENDAK,

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00:11:01,660 --> 00:11:03,262
SITTING RIGHT OVER THERE, THIS
IS DAVE.

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00:11:03,329 --> 00:11:08,601
THE REASON YOU ARE HEAR DAVE'S
VOICE IS DAVE RECORDS THE SONGS

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00:11:08,667 --> 00:11:12,705
BEFORE WE SEND THEM TO AN ACTOR
OR A POP STAR OR WHOEVER OUR

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GUEST MILE BE.

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DAVE, BE HONEST, AS A VERY
ACCOMPLISHED TELEVISION

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00:11:19,078 --> 00:11:22,815
PRODUCER, HOW HUMILIATING HAS IT
BEEN TO RECORD SOME OF THESE

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SONGS.

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00:11:24,417 --> 00:11:28,654
>> HONESTLY, THESE SONGS DON'T
EVEN RANK THAT HIGH ON THE LIST

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00:11:28,721 --> 00:11:31,057
OF HUMILIATING THINGS I'VE DONE
FOR THIS SHOW.

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00:11:31,123 --> 00:11:33,859
I ONE TIME TESTED A GAME CALLED
HOT DOGS FROM HEAVEN.

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00:11:33,926 --> 00:11:35,795
I DON'T KNOW IF YOU REMEMBER
THAT.

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00:11:35,861 --> 00:11:38,030
>> James: I DON'T REMEMBER HOT
DOGS FROM HEAVEN.

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00:11:38,097 --> 00:11:40,066
WHAT WAS HOT DOGS FROM HEAVEN.

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00:11:40,132 --> 00:11:44,270
>> IT WAS GOING TO BE CLAYTON
QUERSHAW WHERE WE WOULD THROW

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00:11:44,336 --> 00:11:45,504
HOT DOGS OFFER THE ROOF.

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00:11:45,571 --> 00:11:49,608
I WAS ON THE ONE ON THE GROUND
CATCHING THE HOT DOGS.

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00:11:49,675 --> 00:11:53,712
>> James: WOW, WAS THAT THE
FIFTH OR 6th TIME THAT

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00:11:53,779 --> 00:11:55,047
CLAYTON KERSHAW WAS ON.

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00:11:55,114 --> 00:11:56,215
>> ONE OF THOSE TIMES.

216
00:11:56,282 --> 00:11:58,951
>> James: NOW WHO WROTE PASS
HEE GRAVY WHO WAS IT, REALLY,

217
00:11:59,018 --> 00:12:01,420
THE BIG CAT.

218
00:12:01,487 --> 00:12:04,623
WHAT WAS YOUR-- TALK ME THROUGH
THE THOUGHT OF WRITING PASS ME

219
00:12:04,690 --> 00:12:05,524
GRAVY.

220
00:12:05,591 --> 00:12:08,561
>> YOU KNOW, THANKSGIVING AND
LIKE TURKEY.

221
00:12:08,627 --> 00:12:11,697
KIND OF OVERRATED AS A BIRD.

222
00:12:11,764 --> 00:12:17,670
BUT IF YOU PUT GRAVEDY ON IT,
YEAH, IT'S GOOD.

223
00:12:17,736 --> 00:12:20,506
VZ THAT'S THE LEVEL, OKAY.

224
00:12:20,573 --> 00:12:22,408
NOW I KNOW WHAT YOU ARE
THINKING.

225
00:12:22,475 --> 00:12:25,611
WHAT CAN POSSIBLY FOLLOW PASS ME
GRAVY.

226
00:12:25,678 --> 00:12:32,084
MAYBE A PARODY OF THE U
RHYTHMICS SWEET DREAMS ARE MADE

227
00:12:32,151 --> 00:12:35,154
OF THIS, WHAT YOU ARE ABOUT TO
HEAR IS SWEET DREAMS ARE MADE OF

228
00:12:35,221 --> 00:12:35,955
CHEESE.

229
00:12:36,021 --> 00:12:38,157
♪ SWEET DREAMS ARE MADE OF
CHEESE.

230
00:12:38,224 --> 00:12:42,094
♪ LIKE HAVARTI, FETA BRIE.

231
00:12:42,161 --> 00:12:50,569
♪ I WILL TAKE IT IN A CAN OR AS
A STRING, CRUMBLED OR MELTED ON

232
00:12:50,636 --> 00:12:51,770
SOMETHING.

233
00:12:51,837 --> 00:12:53,839
>> James: NOW I KNOW WHAT YOU
ARE THINKING, THAT CAN NOT GET

234
00:12:53,906 --> 00:12:55,274
ANY MORE TRAGIC.

235
00:12:55,341 --> 00:13:01,614
WELL, IT CAN WHEN I TELL THAT
YOU THAT WAS A PITCH MADE TO

236
00:13:01,680 --> 00:13:02,815
BRIE LARSON.

237
00:13:02,882 --> 00:13:06,185
WHAT MAKES IT EVEN FUNNIER IS
SHE WAS ON THE SHOW TO PROMOTE

238
00:13:06,252 --> 00:13:10,156
THE MOVIE ROOM AT THE TIME.

239
00:13:10,222 --> 00:13:15,094
WHO IS RESPONSIBLE, WHO WROTE
SWEET DREAMS ARE MADE OF CHEESE.

240
00:13:15,161 --> 00:13:20,099
C.E.O. C.E.O., NO.

241
00:13:20,166 --> 00:13:21,200
>>-- CCECE, NO.

242
00:13:21,267 --> 00:13:22,368
>> YEAH, I LOVE CHEESE.

243
00:13:22,434 --> 00:13:25,070
>> James: I DONE THINK THIS IS
IS SONG IS WHETHER YOU LIKE

244
00:13:25,137 --> 00:13:29,108
CHEESE OR NOT T IS JUST A
LEGITIMATE PITCH THAT WENT IN

245
00:13:29,175 --> 00:13:36,081
AND WE THOUGHT OH BRIE LARSON,
SHE WILL FIND THIS HILARIOUS.

246
00:13:36,148 --> 00:13:37,149
>> HER LAST NAME IS CHEESE.

247
00:13:37,216 --> 00:13:41,086
>> James: NO, HER FIRST NAME
IS CHEESE.

248
00:13:41,153 --> 00:13:42,288
>> OH, RIGHT.

249
00:13:42,354 --> 00:13:47,193
>> James: YOU CAN-- YOU WHAT?

250
00:13:47,259 --> 00:13:52,498
DID WE ALSO PITCH THAT TO ALISON
BRIE, SHUT UP, NO WE DIDN'T.

251
00:13:52,565 --> 00:13:53,766
ARE YOU SERIOUS?

252
00:13:53,832 --> 00:13:58,437
WE PITCHED IT TO BRIE LARSON AND
TO ALLISON BRIE?

253
00:13:58,504 --> 00:14:05,878
>> I MEAN I THINK YOU ARE DEVAL
EWING THE-- DEVAL EWING IT.

254
00:14:05,945 --> 00:14:09,381
>> James: I DON'T KNOW THAT I
AM, LET'S HAVE ANOTHER ONE, THIS

255
00:14:09,448 --> 00:14:12,451
PITCH T WASN'T A PITCH THAT WAS
MADE WHEN THE LAST DANCE HAD

256
00:14:12,518 --> 00:14:14,887
JUST COME OUT, THE HOTTEST SHOW
ON TV AT THE TIME.

257
00:14:14,954 --> 00:14:19,625
THIS IS JAY-Z'S BIG PIMPIN, IF
IT WERE ALL ABOUT THE LEGENDARY

258
00:14:19,692 --> 00:14:22,561
FORWARD FOR THE CHICAGO BULLS
SCOTTIE PIPPEN AND YOU CAN GUESS

259
00:14:22,628 --> 00:14:24,063
WHAT IT IS CALLED.

260
00:14:24,129 --> 00:14:25,564
WE DO IT.

261
00:14:25,631 --> 00:14:27,032
♪ BIG PIP.

262
00:14:27,099 --> 00:14:30,202
♪ SCOTTEE P, CHECK HIM OUT NOW.

263
00:14:30,269 --> 00:14:32,538
♪ BIG PIP, HE WILL BLOCK YOUR
THREE.

264
00:14:32,605 --> 00:14:35,507
♪ HE IS A BIG PIP IN THE 90
ITSEE.

265
00:14:35,574 --> 00:14:40,279
♪ IT IS OKAY BUT HIS DEFENSE WAS
KEY.

266
00:14:40,346 --> 00:14:41,847
>> James: I LIKE IT, I DO.

267
00:14:41,914 --> 00:14:44,683
I DON'T EVEN NEED TO ASK WHERE
THAT CAME FROM.

268
00:14:44,750 --> 00:14:48,754
IT CAME STRAIGHT FROM THE HEART
OF CARMEL.

269
00:14:48,821 --> 00:14:49,788
>> NO, THAT WAS LAUREN.

270
00:14:49,855 --> 00:14:52,891
>> James: SHUT THE FRONT DOOR.

271
00:14:52,958 --> 00:14:54,560
THAT IS A.

272
00:14:54,627 --> 00:14:58,998
>> ONE OF THE GREATEST SMALL
FORWARDS OF ALL TIME, HE HAD TO

273
00:14:59,064 --> 00:14:59,665
HAVE HIS OWN.

274
00:14:59,732 --> 00:15:02,568
>> THAT IS A GREEN BIRD JOINT.

275
00:15:02,635 --> 00:15:05,137
>> James: I DIDN'T EVEN KNOW
THAT YOU HAD THOSE SORTS OF

276
00:15:05,204 --> 00:15:07,039
RHYMES IN YOUR LOCKER.

277
00:15:07,106 --> 00:15:10,676
>> THERE IS A LOT YOU DON'T
KNOW, JAMES.

278
00:15:10,743 --> 00:15:14,046
>> James: ALL RIGHT, NOW THIS
NEXT ONE, YOU WON'T BELIEVE IT,

279
00:15:14,113 --> 00:15:18,284
IS 100 PERCENT TRUE AND THIS
SONG VERY NEARLY MADE IT ON THE

280
00:15:18,350 --> 00:15:22,921
SHOW, A PARODY OF CARDI B'S I
LIKE IT THAT WAS WRITTEN

281
00:15:22,988 --> 00:15:25,057
ESPECIALLY FOR JIMMIE BUFFETT.

282
00:15:25,124 --> 00:15:27,626
JIMMIE BUFFETT AGREED TO DO IT
AND AT THE LAST MINUTE ON THE

283
00:15:27,693 --> 00:15:30,195
DAY HE CANCELLED HIS APPEARANCE
ON THE SHOW.

284
00:15:30,262 --> 00:15:33,432
HE SAID HE WAS UNWELL.

285
00:15:33,499 --> 00:15:37,569
-- WHETHER WE BELIEVE HIM ISN'T
THE POINT, THIS IS IT'S JIMMIE

286
00:15:37,636 --> 00:15:38,470
BUFFETT.

287
00:15:38,537 --> 00:15:39,571
>> YEAH BABY.

288
00:15:39,638 --> 00:15:41,273
♪ IT'S JIMMIE BUFFET.

289
00:15:41,340 --> 00:15:43,809
♪ YOU GOT TO BELIEVE ME WHEN I
TELL YOU.

290
00:15:43,876 --> 00:15:46,512
♪ HE LIKES TEQUILA WITH A LIME.

291
00:15:46,578 --> 00:15:48,714
♪ UNDER HE LIKES FISHING WITH A
REAL.

292
00:15:48,781 --> 00:15:54,987
♪ ALL HIS SHIRTS ARE HAWAIIAN.

293
00:15:55,054 --> 00:15:58,390
♪
>> James: DAVE, DO YOU EVER GO

294
00:15:58,457 --> 00:16:01,994
HOME AND LIKE YOU KNOW, YOUR
BOYFRIEND WILL BE LIKE OH, WHAT

295
00:16:02,061 --> 00:16:03,162
DID YOU DO TODAY.

296
00:16:03,228 --> 00:16:07,633
AND YOU WILL BE TOO EMBARRASSED
TO TELL HIM?

297
00:16:07,700 --> 00:16:09,835
>> YEAH, HE STOPPED ASKING.

298
00:16:09,902 --> 00:16:13,939
>> James: CECE, YOU WROTE THIS
SONG.

299
00:16:14,006 --> 00:16:17,943
ON HEARING IT A SECOND TIME DO
YOU BELIEVE THAT JIMMIE BUFFETT

300
00:16:18,010 --> 00:16:21,180
WAS SICK OR DO YOU BELIEVE THAT
ON THE MORNING OF HIS APPEARANCE

301
00:16:21,246 --> 00:16:24,950
HIS PUBLICIST PLAYED HIM THE SOJ
AND HE WAS LIKE GET ME OUT OF

302
00:16:25,017 --> 00:16:26,685
THIS SHOW RIGHT NOW?

303
00:16:26,752 --> 00:16:29,388
>> I THINK IT WAS THAT ONE.

304
00:16:29,455 --> 00:16:32,157
>> I'M AFRAID THAT PEOPLE THINK
THAT THIS IS A BIT THAT WE CAME

305
00:16:32,224 --> 00:16:35,160
UP WITH, WHERE WE JUST WROTE ALL
THIS STUFF LAST WEEK.

306
00:16:35,227 --> 00:16:36,161
>> James: NO.

307
00:16:36,228 --> 00:16:38,030
>> TWO HOURS AWAY FROM DOING
THAT ON THE SHOW.

308
00:16:38,097 --> 00:16:39,531
>> James: TWO HOURS AWAY.

309
00:16:39,598 --> 00:16:45,938
ME AND JIMMIE BUTCH ET IN
HAWAIIAN SHIRTS, CROCS, I LIKE

310
00:16:46,004 --> 00:16:46,972
IT LIKE THAT.

311
00:16:47,039 --> 00:16:47,706
♪.

312
00:16:47,773 --> 00:16:48,640
>> IT WOULD HAVE BEEN GREAT.

313
00:16:48,707 --> 00:16:52,111
>> James: WOULD IT?

314
00:16:52,177 --> 00:16:55,214
(LAUGHTER)
>> JUST TO BE QUICK, JIMMIE

315
00:16:55,280 --> 00:16:56,982
BUFFETT BACKED OUT.

316
00:16:57,049 --> 00:17:01,053
YOU WERE ON BOARD.

317
00:17:01,120 --> 00:17:07,793
(LAUGHTER)
>> WE WRITE A LOT OF STUFF AND

318
00:17:07,860 --> 00:17:11,130
YOU KNOW, IT'S KIND OF A THROW
IT AT THE WALL AND SEE WHAT

319
00:17:11,196 --> 00:17:11,964
STICKS.

320
00:17:12,030 --> 00:17:18,504
YOU ARE THE ONE WHO DECIDED THAT
STUCK.

321
00:17:18,570 --> 00:17:22,207
>> James: I HONESTLY NEVER
EVEN SEEN IT LIKE THAT AND THEN

322
00:17:22,274 --> 00:17:25,110
YOU ARE-- WOW.

323
00:17:25,177 --> 00:17:29,014
THAT'S GIVE ONLY-- GIVEN ME A
LOT TO THINK ABOUT.

324
00:17:29,081 --> 00:17:34,853
THAT WAS PARODY SONGS, WORTH
LESS THAN TEN SECONDS OF WHY YOU

325
00:17:34,920 --> 00:17:37,790
ARE TIME, THANK YOU JIMMIE
BUFFETT, THANK YOU FOR GETTING

326
00:17:37,856 --> 00:17:39,024
ME OUT OF IT.

327
00:17:39,091 --> 00:17:40,092
WE'LL BE RIGHT BACK WITH EDDIE
MURPHY, EVERYBODY.

328
00:17:53,005 --> 00:17:54,940
>> James: WELCOME BACK, LET'S
MEET OUR FIRST GUEST TONIGHT, HE

329
00:17:55,007 --> 00:17:57,943
IS AN EMMY AWARD-WINNING COMEDY
LEGEND, ONE OF THE BIGGEST MOVIE

330
00:17:58,010 --> 00:18:01,613
STARS ON THE PLANET, LATEST
MOVIE COMING 2 AMERICA IS A

331
00:18:01,680 --> 00:18:04,883
SMASH HIT AVAILABLE ON AMAZON
PRIME RIGHT NOW, WHAT A THRILL

332
00:18:04,950 --> 00:18:09,888
TO WELCOME TO THE SHOW MR. EDDIE
MURPHY, THERE HE IS, LOOK AT

333
00:18:09,955 --> 00:18:11,290
THIS GUY.

334
00:18:11,356 --> 00:18:15,894
EDDIE, IT IS SO GOOD TO SEE YOU.

335
00:18:15,961 --> 00:18:18,897
ARE YOU ZOOMING IN FROM CHURCH?

336
00:18:18,964 --> 00:18:20,532
IS THAT WHERE YOU ARE?

337
00:18:20,599 --> 00:18:23,101
ARE YOU AT CHURCH DISM.

338
00:18:23,168 --> 00:18:27,339
>> NO, I'M IN THE LOUNGE BY THE
BOWLING ALLEY DOWNSTAIRS.

339
00:18:27,406 --> 00:18:32,110
>> James: [BLEEP] I GET IT,
YOU HAVE DONE WELL, I GET IT.

340
00:18:32,177 --> 00:18:37,683
>> YOU ASKED, YOU ASKED.

341
00:18:37,749 --> 00:18:42,888
>> James: YOU CAN'T EVER FORE
SEE A TIME IN MY LIFE WHERE I AM

342
00:18:42,955 --> 00:18:46,992
ON A ZOOM AND I WILL GO I'M BUY
BY THE BOWLING ALLEY.

343
00:18:47,059 --> 00:18:50,395
>> I THINK YOU HAVE A BOWLING
ALLEY IN YOUR FUTURE, JAMES?

344
00:18:50,462 --> 00:18:51,663
>> James: HONESTLY.

345
00:18:51,730 --> 00:18:55,467
>> YOU HAVE THAT TYPE OF TALENT,
I SEE AN IN-HOUSE BOWLING ALLEY.

346
00:18:55,534 --> 00:19:00,005
>> James: YOU THINK I'M
BOWLING ALLEY TALENT, HONESTLY.

347
00:19:00,072 --> 00:19:02,274
>> YOU HAVE BOWLING ALLEY
TALENT.

348
00:19:02,341 --> 00:19:05,377
>> James: I NEVER HAVE
CONSIDERED MYSELF A BOWLING

349
00:19:05,444 --> 00:19:06,912
ALLEY TALENT.

350
00:19:06,979 --> 00:19:10,716
I THOWLS THOUGHT, I THINK HAVE I
GOT LIKE WALK-IN PANTRY TALENT,

351
00:19:10,782 --> 00:19:12,851
DO YOU KNOW WHAT I MEAN.

352
00:19:12,918 --> 00:19:13,886
>> THAT IS GOOD.

353
00:19:13,952 --> 00:19:15,220
>> James: I WILL SETTLE FOR
THAT, I REALLY WOULD.

354
00:19:15,287 --> 00:19:18,991
WHAT ELSE IS DOWN THERE WITH THE
BOWLING ALLEY.

355
00:19:19,057 --> 00:19:25,330
>> ON THE RECREATION LEVEL, YES.

356
00:19:25,397 --> 00:19:31,537
>> James: HAVE HAVE I GOT
RECREATION LEVEL TALENT OR JUST

357
00:19:31,603 --> 00:19:33,405
BOWLING ALLEY TALENT.

358
00:19:33,472 --> 00:19:33,939
>> RECREATION LEVEL.

359
00:19:34,006 --> 00:19:35,507
>> James: NO, COME ON!

360
00:19:35,574 --> 00:19:38,310
, WHAT ELSE IS DOWN THERE,
EDDIE.

361
00:19:38,377 --> 00:19:42,781
>> THERE IS AN ARKED CADE, A
REALLY NICE ARCADE DOWN HERE

362
00:19:42,848 --> 00:19:46,451
THAT YOU FIND LIKE YOU FIND IN
THE MALL.

363
00:19:46,518 --> 00:19:48,787
AND A MOVERY THEATER OVER HERE.

364
00:19:48,854 --> 00:19:53,225
IT IS LIKE A LITTLE CLUB AREA
WHERE, REMEMBER THAT MOVIE THE

365
00:19:53,292 --> 00:19:58,363
JERK, HE HAD A LITTLE IN-HOUSE
CLUB.

366
00:19:58,430 --> 00:20:01,733
I HAVE A JERK CLUB.

367
00:20:01,800 --> 00:20:04,102
>> James: I WOULDN'T BE
SURPRISED IF SOMEONE SAID TO ME

368
00:20:04,169 --> 00:20:07,105
I HAVE JERK LEVEL TALENT BUT I
DON'T THINK THAT IS WHAT THEY

369
00:20:07,172 --> 00:20:08,140
WOULD MEAN.

370
00:20:08,206 --> 00:20:11,944
EDDIE, I CANNOT TELL YOU, THIS
IS SHOW 888 FOR US.

371
00:20:12,010 --> 00:20:16,315
AND THIS IS HONESTLY THE FIRST
TIME I FEEL LIKE I'VE BEEN IN

372
00:20:16,381 --> 00:20:19,084
A-WE OF A GUEST ON THE SHOW, I
CAN'T TELL YOU.

373
00:20:19,151 --> 00:20:21,186
I'VE BEEN SUCH A FAN OF YOURS
FOR SO LONG.

374
00:20:21,253 --> 00:20:24,756
YOUR WORK MEANS SO MUCH TO ME
AND SO MANY PEOPLE HERE IN THE

375
00:20:24,823 --> 00:20:25,991
STUDIO.

376
00:20:26,058 --> 00:20:29,261
BUT WHAT I DIDN'T REALIZE IS YOU
STARTED DOING STANDUP WHEN YOU

377
00:20:29,328 --> 00:20:30,028
WERE 15.

378
00:20:30,095 --> 00:20:31,697
WHICH I CAN'T GET MY HEAD
AROUND.

379
00:20:31,763 --> 00:20:36,335
WHAT SORT OF SHOWS ARE YOU
BOOKING AT 15?

380
00:20:36,401 --> 00:20:37,803
>> BARS, THERE WERE BARS.

381
00:20:37,869 --> 00:20:40,806
BAN WHEN I STARTED THERE WAS A
SHOW CALLED THE GONG SHOW.

382
00:20:40,872 --> 00:20:41,974
>> James: YEAH.

383
00:20:42,040 --> 00:20:47,079
>> AND THAT MADE A BUNCH OF
LOCAL BARS STARTED HAVING GONG

384
00:20:47,145 --> 00:20:50,582
SHOW NIGHT, SO THERE WERE ALL
THESE GONG SHOW NIGHTS I CAN

385
00:20:50,649 --> 00:20:55,454
PLAY WHEN I WAS 15.

386
00:20:55,520 --> 00:20:57,356
MR. HICKS PLACE AND THE DOLPHIN
COVE.

387
00:20:57,422 --> 00:20:59,958
>> James: AND WHAT SORT OF
COMEDY ARE YOU DOING AT 15, WHAT

388
00:21:00,025 --> 00:21:01,026
SORT OF MATERIAL WAS IT?

389
00:21:01,093 --> 00:21:04,863
>> YOU KNOW, WHEN I FIRST
STARTED, I DID MOSTLY

390
00:21:04,930 --> 00:21:05,597
IMPRESSIONS.

391
00:21:05,664 --> 00:21:06,865
I WAS ALWAYS A REALLY GOOD
MIMIC.

392
00:21:06,932 --> 00:21:10,502
AND WHEN I FIRST STARTED, THAT
SAUL I DID WAS IMPRESSIONS.

393
00:21:10,569 --> 00:21:12,304
SO THAT IS HOW LONG AGO IT WAS.

394
00:21:12,371 --> 00:21:17,275
I DID JIMMIE CARTER IMPRESSION.

395
00:21:17,342 --> 00:21:20,412
THAT IS HOW OLD I AM.

396
00:21:20,479 --> 00:21:25,050
JIMMY CARTER, MUHAMMAD ALI AND
HOWARDS COULDEL.

397
00:21:25,117 --> 00:21:26,251
MOSTLY IMPRESSIONS.

398
00:21:26,318 --> 00:21:30,489
>> James: WERE YOU BRILLIANT
RIGHT OUT OF THE GATE OR DID YOU

399
00:21:30,555 --> 00:21:36,261
EVER HAVE MOMENTS WHERE YOU
BOMBED IN THOSE EARLY DAYS?

400
00:21:36,328 --> 00:21:41,066
>> OH YEAH, EVERYBODY, I HAVE
HAD MOAVMENTS THAT I WAS NOT

401
00:21:41,133 --> 00:21:44,302
REALLY ABSOLUTELY WITHOUT
QUESTION, YEAH.

402
00:21:44,369 --> 00:21:45,337
NOT A LOT BUT-- .

403
00:21:45,404 --> 00:21:52,210
>> James: WHAT IS THE WORST
YOU BOWMED BACK THEN?

404
00:21:52,277 --> 00:21:56,948
>> THE WORST I BOMBED EVER, I
OPENED FOR MELISSA MANCHESTER.

405
00:21:57,015 --> 00:22:00,285
I WAS PRETTY BAD THAT NIGHT.

406
00:22:00,352 --> 00:22:05,123
I OPENED FOR TINY TIM, I WAS
PRETTY BAD THAT NIGHT TOO.

407
00:22:05,190 --> 00:22:08,660
THAT WAS A HARD CROWD, THAT IS A
HARD CROWD TO WORK, THE TINY

408
00:22:08,727 --> 00:22:11,963
TIM'S AUDIENCE.

409
00:22:12,030 --> 00:22:16,968
>> James: I KNOW RICHARD PRYOR
WAS A REAL INFLUENCE ON YOU, ONE

410
00:22:17,035 --> 00:22:18,603
OF YOUR BIGGEST HEROES.

411
00:22:18,670 --> 00:22:19,971
I REALLY LOVE THIS STORY.

412
00:22:20,038 --> 00:22:25,977
THAT YOU FIRST MET RICHARD PRYER
ON AN AIRPLANE, WHAT WAS THAT

413
00:22:26,044 --> 00:22:30,649
LIKE FOR YOU, WAS HE AWARE OF
YOU AND YOUR WORK AS A COMEDIAN

414
00:22:30,716 --> 00:22:31,883
FOR THAT TIME.

415
00:22:31,950 --> 00:22:34,419
>> YEAH, BECAUSE I HAD BEEN ON
SATURDAY NIGHTLIFE LIVE FOR A

416
00:22:34,486 --> 00:22:35,353
YEAR.

417
00:22:35,420 --> 00:22:36,855
AND I MET HIM ON THE WAY FROM
ATLANTA TO L.A

418
00:22:36,922 --> 00:22:38,824
HE WAS ON THE PLANE.

419
00:22:38,890 --> 00:22:44,229
AND HE WAS AWARE OF ME BUT I
WASN'T LIKE A BIG [BLEEP], HE

420
00:22:44,296 --> 00:22:48,533
WAS RICHARD, SO I HAD A COPY OF
MIEF ALBUM, MY FIRST COMEDY

421
00:22:48,600 --> 00:22:49,601
ALBUM.

422
00:22:49,668 --> 00:22:53,004
I WENT OVER AND I SAID
MR. PRYOR, I'M EDDIE, WILL YOU

423
00:22:53,071 --> 00:22:55,741
LISTEN TO MY-- HE SAID OH YEAH,
I KNOW WHO YOU ARE.

424
00:22:55,807 --> 00:23:01,680
I GAVE HIM MY RECORD, HE PUT THE
CASSETTE IN, PUT ON THE

425
00:23:01,747 --> 00:23:04,916
HEADPHONES, I WAS SITTING BEHIND
HIM WATCH HIM LISTEN TO MY

426
00:23:04,983 --> 00:23:06,485
RECORD, THAT IS THE FIRST TIME
MEETING HIM.

427
00:23:06,551 --> 00:23:08,720
>> James: SO HE WAS LISTENING
TO YOU WHALE YOU WERE ON THE

428
00:23:08,787 --> 00:23:09,654
PLANE.

429
00:23:09,721 --> 00:23:12,657
>> I WAS LIKE A COUPLE OF SEATS
BEHIND HIM.

430
00:23:12,724 --> 00:23:23,401
RICHARD WAS-- THAT IS RICHARD
PRYOR'S WEIRD LAUGH

431
00:23:23,468 --> 00:23:24,603
(LAUGHTER)
LAUGH.

432
00:23:24,669 --> 00:23:29,074
>> James: OH MY GOD, THAT MUST
BE THE GREATEST FEELING EVER.

433
00:23:29,141 --> 00:23:33,612
>> AFTERWARDS WHEN THE PLANE
LANDED, HE HAD HIS DRIVER MET

434
00:23:33,678 --> 00:23:35,747
HIM AT THE AIRPORT WITH HIS CAR.

435
00:23:35,814 --> 00:23:39,184
AND HE SAID WHICH WAY ARE YOU
GOING, I SAID I'M GOING THIS

436
00:23:39,251 --> 00:23:44,189
WAY, HE SAID LET ME GIVE YOU A
LIFT, HE DROVE ME TO THE HOTEL

437
00:23:44,256 --> 00:23:45,457
WAY WAS SAYING AT.

438
00:23:45,524 --> 00:23:48,260
THAT IS THE WAY I MET MY IDOL,
LIKE THAT.

439
00:23:48,326 --> 00:23:48,927
AMAZING.

440
00:23:48,994 --> 00:23:50,128
>> James: THAT IS INCREDIBLE.

441
00:23:50,195 --> 00:23:52,197
BECAUSE I CAN REMEMBER, WE WERE
TALKING ABOUT IT ON THE SHOW

442
00:23:52,264 --> 00:23:56,001
THIS MORNING, AND I WAS LIKE I
CAN REMEMBER JUST WATCHING OVER

443
00:23:56,067 --> 00:24:00,705
AND OVER AGAIN, WATCHING RAW AND
WATCHING DELIRIOUS AND THOSE

444
00:24:00,772 --> 00:24:02,107
SPECIALS MEANT SO MUCH TO ME.

445
00:24:02,174 --> 00:24:04,709
AND I WENT BACK AND WATCHED THEM
RECENTLY.

446
00:24:04,776 --> 00:24:07,279
AFTER WATCHING COMING 2 AMERICA,
I WENT BACK AND WATCHED THEM.

447
00:24:07,345 --> 00:24:09,247
AND THEY ARE STILL AS BRILLIANT.

448
00:24:09,314 --> 00:24:10,515
IT ALL HOLDS YOU KNOW.

449
00:24:10,582 --> 00:24:13,518
BUT MY BIGGEST TAKE AWAY NOW IS
I WAS LOOKING AT IT THINKING IF

450
00:24:13,585 --> 00:24:18,190
I WAS WEARING HEAD TO TOE
LEATHER ON A STAGE I WOULD BE IN

451
00:24:18,256 --> 00:24:23,094
A POOL OF SWEAT, AT THE END OF
THAT.

452
00:24:23,161 --> 00:24:27,866
>> I'M NOT SWEATING AT ALL, NO
SWEAT IN THE LEATHER SUIT.

453
00:24:27,933 --> 00:24:32,704
THAT IS YOUTH, I WAS YOUNG, I
WAS YOUNG AND I WASN'T SWEATING

454
00:24:32,771 --> 00:24:38,009
A LOT SWRZ I FEEL LIKE IF I WORE
LEATHER PANTS MY WIFE WOULD HAVE

455
00:24:38,076 --> 00:24:41,680
TO ROLL ME OUT OF THEM AT THE
END OF THE NIGHT.

456
00:24:41,746 --> 00:24:45,383
IT WOULD BE THE SINGLE LEAST
EROTIC THING.

457
00:24:45,450 --> 00:24:49,221
I WOULD BE LIKE A SORT OF, SHE
WOULD HAVE TO CUT ME, SHE WOULD

458
00:24:49,287 --> 00:24:58,496
HAVE TO CUT ME OUT OF THEM TO
RELEASE MYSELF FROM THE LEATHER.

459
00:24:58,563 --> 00:25:01,233
>> NOW TALKING OF STANDUP, YOU
HAVE BEEN TALKING ABOUT THIS,

460
00:25:01,299 --> 00:25:03,768
YOU ARE GOING BACK TO
STANDUPMENT WHERE ARE YOU WITH

461
00:25:03,835 --> 00:25:06,571
THIS, IS THIS SOMETHING THAT IS
DEFINITELY GOING TO HAPPEN.

462
00:25:06,638 --> 00:25:13,712
AND WHEN YOU DO RETURN, WILL THE
LEATHER SUIT RETURN AS WELL?

463
00:25:13,778 --> 00:25:17,616
>> I DON'T KNOW IF I WILL BE
WEARING THE LEATHER SUIT, JAMES.

464
00:25:17,682 --> 00:25:21,486
BUT THE PLAN, BEFORE THE
PANDEMIC HIT, WHAT HAPPENED WAS,

465
00:25:21,553 --> 00:25:24,789
LET ME GO BACK IN 2011 I KIND OF
STOPPED MAKING MOVIES.

466
00:25:24,856 --> 00:25:26,558
YOU KNOW, I'M TAKING A BREAK.

467
00:25:26,625 --> 00:25:29,661
AND MAYBE SIX, SEVEN YEARS WENT
BY.

468
00:25:29,728 --> 00:25:33,632
AND THEN I KIND OF, MY BATTERIES
GOT RECHARGED AND WAS LIKE OKAY,

469
00:25:33,698 --> 00:25:34,833
I WANT TO DO STANDUP AGAIN.

470
00:25:34,900 --> 00:25:38,536
I DIDN'T WANT TO JUST POP BACK
OUT THERE DOING STANDUP.

471
00:25:38,603 --> 00:25:43,008
I WANTED TO-- MAYBE DO A COUPLE
OF MOVIES AND REMIND THEM THAT

472
00:25:43,074 --> 00:25:45,610
I'M FUBBEE AND THEJ DO.

473
00:25:45,677 --> 00:25:49,681
SO I DID DOLOMITE AND WENT BACK
TO SATURDAY NIGHT LIVE AND DID

474
00:25:49,748 --> 00:25:50,815
COMING 2 AMERICA.

475
00:25:50,882 --> 00:25:53,785
RIGHT NOW THIS LAST YEAR WAS
SUPPOSED TO BE IN THE CLUBS

476
00:25:53,852 --> 00:25:56,621
WORKING OUT AN ACT, BUT THE
PANDEMIC HIT SO WE HAD TO PUSH

477
00:25:56,688 --> 00:25:57,822
EVERYTHING BACK A YEAR.

478
00:25:57,889 --> 00:26:01,059
BUT AS SOON AS IT IS SAFE FOR
EVERYBODY TO GO BACK TO BE IN

479
00:26:01,126 --> 00:26:04,696
THE ROOM, WANT TO DO THAT AGAIN.

480
00:26:04,763 --> 00:26:09,467
AND THEN AFTER I DO THAT, I'M
GOING TO GO BACK TO THE COUCH

481
00:26:09,534 --> 00:26:10,402
AGAIN.

482
00:26:10,468 --> 00:26:13,071
>> James: BACK DOWN TO THE
RECREATION LEVEL.

483
00:26:13,138 --> 00:26:16,708
NOW LET'S TALK ABOUT COMING 12
AMERICA.

484
00:26:16,775 --> 00:26:21,880
IT IS THE NUMBER ONE STREAMED
MOVIE THIS YEAR.

485
00:26:21,947 --> 00:26:27,018
SUCH A SMASH, FOR ANYONE THAT A
HASN'T CAUGHT UP WITH IT YET,

486
00:26:27,085 --> 00:26:28,920
EXPLAIN WHERE THIS MOVE WREE
PICKS UP.

487
00:26:28,987 --> 00:26:33,491
>> THE ORIGINAL COMING 2 AMERICA
ENDED ON A, AND THEY LIVED

488
00:26:33,558 --> 00:26:35,794
HAPPILY EVER AFTER LIKE A FAIRY
TALE.

489
00:26:35,860 --> 00:26:42,667
AND THIS MOVIE IS THAT FAIRY
TALE IS INTERRUPTED BY A VERY

490
00:26:42,734 --> 00:26:43,668
MODERN PROBLEM.

491
00:26:43,735 --> 00:26:45,804
THAT IS WHAT THE MOVIE IS ABOUT.

492
00:26:45,870 --> 00:26:49,741
>> NOW YOUR DAUGHTER BELLA PLAYS
ONE OF YOUR DAUGHTERS IN THE

493
00:26:49,808 --> 00:26:50,308
MOVIE.

494
00:26:50,375 --> 00:26:52,143
IT IS HER SCREEN DEBUT.

495
00:26:52,210 --> 00:26:54,980
SHE DOES A FANTASTIC JOB IN THE
FILM.

496
00:26:55,046 --> 00:26:58,350
WHAT WAS IT LIKE HAVING HER ON
SET, AND ARE ANY OF YOUR OTHER

497
00:26:58,416 --> 00:27:01,219
KIDS, ARE THEY INTERESTED IN
ACTING AND PERFORMING?

498
00:27:01,286 --> 00:27:04,622
>> YEAH, A LOT OF MY KIDS HAVE
AN INTEREST IN THE ARTS.

499
00:27:04,689 --> 00:27:08,626
AND ARE ACTING, AND WRITING.

500
00:27:08,693 --> 00:27:11,930
BEING ON THE SET WITH MY BABY
GIRL, IT IS THE FIRST ONE OF MY

501
00:27:11,997 --> 00:27:15,300
KIDS TO BE IN ONE OF MY MOVIES,
YOU KNOW IF YOU HAVE CHILDREN

502
00:27:15,367 --> 00:27:17,669
WHAT IT IS LIKE TO SEE YOUR KIDS
DO ANYTHING.

503
00:27:17,736 --> 00:27:22,907
BUT TO HAVE THEM COME TO WORK
WITH YOU AND ACTUALLY BE

504
00:27:22,974 --> 00:27:26,845
CONTRIBUTING AND DOING A GREAT
JOB, I WAS FILLED UP EVERY DAY

505
00:27:26,911 --> 00:27:29,314
JUST LOOKING AT HER AT WORK.

506
00:27:29,381 --> 00:27:31,950
>> James: I CAN'T BEGIN TO
IMAGINE WHAT THAT WOULD FEEL

507
00:27:32,017 --> 00:27:32,717
LIKE.

508
00:27:32,784 --> 00:27:33,885
IF MY SON.

509
00:27:33,952 --> 00:27:39,591
>> YOU WOULD FEEL LIKE THE, IT'S
AMAZING, IT WAS AN AMAZING

510
00:27:39,657 --> 00:27:40,825
FEELING.

511
00:27:40,892 --> 00:27:42,060
>> James: I FELT LIKE THAT THE
OTHER DAY, MY YOUNGEST DAUGHTER

512
00:27:42,127 --> 00:27:43,261
IS THREE.

513
00:27:43,328 --> 00:27:48,833
SHE WENT TO THE BATHROOM ON
TUESDAY NIGHT WITHOUT, ON A REAL

514
00:27:48,900 --> 00:27:50,402
TOILET, NOT ON A POTTY.

515
00:27:50,468 --> 00:27:52,771
AND I JUST WENT, I STARTED
CRYING.

516
00:27:52,837 --> 00:27:57,075
I WAS LIKE THIS IS THE MOST,
THIS IS THE STUPIDEST THING

517
00:27:57,142 --> 00:28:01,880
ANYONE DOES, OH MY GOD, THAT'S
IT.

518
00:28:01,946 --> 00:28:02,914
>> YEAH.

519
00:28:02,981 --> 00:28:05,517
>> James: MY CHILD ON A POTTY,
I CAN'T BELIEVE IT.

520
00:28:05,583 --> 00:28:08,753
>> SO IMAGINE HOW HER COMING TO
WORK WITH YOU AND CONTRIBUTING.

521
00:28:08,820 --> 00:28:12,323
>> James: I REALLY, REALLY
CAN'T.

522
00:28:12,390 --> 00:28:13,525
>> A MOMENTS OF PRIDE.

523
00:28:13,591 --> 00:28:16,761
>> James: WELL, THE FILM IS
BRILLIANT, WE HAVE A CLIP HERE,

524
00:28:16,828 --> 00:28:19,764
YOU PLAY THREE CHARACTERS IN
THIS CLIP WE HAVE HERE, TAKE A

525
00:28:19,831 --> 00:28:24,202
LOOK AT COMING TO AMERICA WHICH
IS OUT RIGHT NOW ON AMAZON

526
00:28:24,269 --> 00:28:25,970
PRIME.

527
00:28:26,037 --> 00:28:27,072
>> WE'RE ALL BE DAMNED.

528
00:28:27,138 --> 00:28:30,809
LOOK WHO COME UP HERE.

529
00:28:30,875 --> 00:28:34,546
>> SALMON AN BLOODS DIAMONDS.

530
00:28:34,612 --> 00:28:36,381
>> MAN, DELI AND WINNIE.

531
00:28:36,448 --> 00:28:39,017
>> IT IS SO GOOD TO SEE YOU, THE
NEIGHBORHOOD SEEMS TO BE

532
00:28:39,084 --> 00:28:39,784
THRIVING.

533
00:28:39,851 --> 00:28:40,985
>> THAT IS THAT BEUT IF I
KAITION.

534
00:28:41,052 --> 00:28:43,388
WHEN THE COLOR MAN HAD THIS
NEIGHBORHOOD, THEY DIDN'T HAVE

535
00:28:43,455 --> 00:28:44,656
[BLEEP].

536
00:28:44,722 --> 00:28:49,227
WHEN THE WHITE MAN MOVED IN THEY
HAVE HOUSES AND DOG PARKS AND MY

537
00:28:49,294 --> 00:28:51,996
FRIENDS ON FOX BOULEVARD IS
WORTH $10 MILLION.

538
00:28:52,063 --> 00:28:55,500
>> YOUR BROWNSTONE ISN'T WORTH
$10 MILLION.

539
00:28:55,567 --> 00:28:59,137
>> IT IS TOO, I WILL TELL IT AND
GET ME A TESLA.

540
00:28:59,204 --> 00:29:00,205
>> James: STICK AROUND.

541
00:29:00,271 --> 00:29:01,906
MORE WITH EDDIE MURPHY WHEN WE
COME BACK, EVERYBODY.

542
00:29:28,967 --> 00:29:30,635
>> WE ARE BACK WITH THE ONE, THE
ONLY EDDIE MURPHY, REGGIE, DO

543
00:29:30,702 --> 00:29:32,837
YOU HAVE A QUESTION FOR OUR
GUEST THIS EVENING.

544
00:29:32,904 --> 00:29:34,906
>> YES, I DO.

545
00:29:34,973 --> 00:29:42,147
TONIGHT'S QUESTION GOES TO LET'S
MAKE IT FOR EDDIE MURPHY.

546
00:29:42,213 --> 00:29:45,483
FIRST OF ALL, I CAN'T BELIEVE I
ACTUALLY GET TO SAY THAT.

547
00:29:45,550 --> 00:29:50,088
HUGE, HUGE INSPIRATION FOR ME.

548
00:29:50,155 --> 00:29:51,422
BUT.

549
00:29:51,489 --> 00:29:52,590
>> YEAH.

550
00:29:52,657 --> 00:29:57,061
>> I JUST WANT TO TELL YOU,
THERE IS A TIME WHEN I WAS AN

551
00:29:57,128 --> 00:30:00,198
ORCHESTRA, AND WE WENT TON AN
ORCHESTRA TRIP AND WE STAYED AT

552
00:30:00,265 --> 00:30:03,868
A HOUSE BAH WE WERE PLAYING IN
OTHER CITY AND WE PUT IN RAW,

553
00:30:03,935 --> 00:30:06,571
THAT WAS THE FIRST TIME I EVER
HEARD YOUR WHOLE THING.

554
00:30:06,638 --> 00:30:11,042
AND WE JUST SAT AROUND THE
SPEAKERS LIKE SIX NERDY

555
00:30:11,109 --> 00:30:15,947
ORCHESTRA KIDS, LOSING OUR
MINUTEDS AND THAT INSPIRED ME TO

556
00:30:16,014 --> 00:30:18,950
GET VOFERRED IN DRAMA.

557
00:30:19,017 --> 00:30:22,687
AND I DID SOME OF YOUR VERSIONS
OF IMPRESSIONS AND SOME OF MY

558
00:30:22,754 --> 00:30:23,955
DRAMA PIECES.

559
00:30:24,022 --> 00:30:27,892
AND THEN I JUST GOT INTO COMEDY
AND GOT INTO STANDUP, YOU KNOW,

560
00:30:27,959 --> 00:30:30,728
YOU DEFINITELY OPENED THAT DR
FOR ME, SO THANK YOU.

561
00:30:30,795 --> 00:30:31,262
>> THAT'S BEAUTIFUL.

562
00:30:31,329 --> 00:30:35,500
>> James: SO AMAZING.

563
00:30:35,567 --> 00:30:39,070
>> Reggie: MY QUESTION IS DO
YOU THINK, YOU KNOW, BEVERLY

564
00:30:39,137 --> 00:30:42,774
HILLS COP WAS, IS PROBABLY ONE
OF MY FAVORITE, ST WHAT I WOULD

565
00:30:42,840 --> 00:30:45,777
CALL A PERFECT COMEDY MOVIE IN
MY MIND.

566
00:30:45,843 --> 00:30:49,314
AND THERE WERE A LOT BACK THEN
BUT THAT WAS ONE REALLY IN

567
00:30:49,380 --> 00:30:50,582
PARTICULAR.

568
00:30:50,648 --> 00:30:52,784
DO YOU THINK BECAUSE OF CURRENT
STATE OF HOW THINGS ARE, DO YOU

569
00:30:52,850 --> 00:30:59,157
THINK WE WILL EVER GET BACK TO
SOME VERSION OF THAT GREATNESS.

570
00:30:59,224 --> 00:31:00,792
>> IN WHAT, BEVERLY HILLS COP.

571
00:31:00,858 --> 00:31:02,694
>> Reggie: YEAH, JUST LIKE
THAT LEVEL.

572
00:31:02,760 --> 00:31:05,863
>> James: THAT GENRE OF FILM,
THAT STYLE OF MOVIE, IS THAT

573
00:31:05,930 --> 00:31:06,998
WHAT YOU MEAN.

574
00:31:07,065 --> 00:31:09,701
>> Reggie: JUST THE IMPACT
THAT IT HAD BECAUSE EVERYTHING

575
00:31:09,767 --> 00:31:12,937
SORLT OF LINED UP PERFECTLY WITH
THAT MOVIE WHEN IT CAME OUT?

576
00:31:13,004 --> 00:31:18,509
>> I THINK MOVIES ARE BETTER NOW
THAN THEY WERE BACK IN THE OLD

577
00:31:18,576 --> 00:31:19,210
DAYS.

578
00:31:19,277 --> 00:31:20,311
I THINK EVERYTHING GETS BETTER.

579
00:31:20,378 --> 00:31:24,716
I THINK NOT JUST MOVIES, I THINK
EVERYTHING IS BETTER.

580
00:31:24,782 --> 00:31:26,684
EVERYTHING IS BETTER.

581
00:31:26,751 --> 00:31:27,652
>> I LIKE THAT VERY MUCH.

582
00:31:27,719 --> 00:31:30,188
>> James: I LOVE THAT; IS THAT
CORRECT, REGGIE.

583
00:31:30,255 --> 00:31:31,522
>> THAT IS HYPERCORRECT.

584
00:31:31,589 --> 00:31:34,225
>> WHAT ABOUT THAT, FOR A
MESSAGE TO TAKE AWAY.

585
00:31:34,292 --> 00:31:39,631
YEAH, YOU MISERABLE [BLEEP]
EDDIE MUR FEE.

586
00:31:39,697 --> 00:31:45,637
GIVE ME A [BLEEP], WE'VE BEEN IN
HERE FOR A YEAR, MOANING,

587
00:31:45,703 --> 00:31:49,807
WHINING, WE'RE BEING [BLEEP]
ABOUT ALL MANNER, EVERYTHING IS

588
00:31:49,874 --> 00:31:51,042
SO TERRIBLE.

589
00:31:51,109 --> 00:31:55,847
WAY HE ASK A RECREATION LEVEL
WITH A BOWLING ALLEY, OF COURSE.

590
00:31:55,913 --> 00:32:00,585
OF COURSE THINGS ARE BETTER IF
YOU ARE EDDIE MURPHY, BUT

591
00:32:00,652 --> 00:32:03,054
EVERYTHING IS BETTER FOR US TOO.

592
00:32:03,121 --> 00:32:05,390
EDDIE, IS THAT YOUR LAST WORD ON
THE SHOW.

593
00:32:05,456 --> 00:32:08,660
>> ABSOLUTELY, ABSOLUTELY, YEAH,
THAT SAY GREAT WAY TO END IT.

594
00:32:08,726 --> 00:32:11,963
>> James: LADIES AND
GENTLEMEN, ITS ONE, THE ONLY ED

595
00:32:12,030 --> 00:32:14,032
YEAR MUR FEE, WHEN WE COME BACK,
TIANA MAJOR9 IS HERE.

596
00:32:31,015 --> 00:32:32,383
BACK TO THE "LATE, LATE SHOW"
STARRING JAIMTION CORDEN.

597
00:32:32,450 --> 00:32:34,686
>> James: WELCOME BACK, NOW
I'M SO EXCITED ABOUT THE GUEST

598
00:32:34,752 --> 00:32:35,953
THAT WE HAVE ON THE SHOW NEXT,
ALLISON JANNEY, BENEDICT

599
00:32:36,020 --> 00:32:40,525
CUMBERBATCH, VENUS WILLIAMS AND
CHEUK SCHUMER PLUS MUS PRIK SAM

600
00:32:40,591 --> 00:32:43,294
SMITH AND JUSTIN BIEBER IS GOING
TO BE HERE.

601
00:32:43,361 --> 00:32:47,165
BUT WHEN WE COME BACK A
PERFORMANCE FROM TIANA MAJOR9,

602
00:32:47,231 --> 00:32:48,633
YOU DON'T WANT TO MISS.

603
00:32:48,700 --> 00:32:50,702
COME BACK, EVERYBODY.

604
00:33:00,044 --> 00:33:02,113
>> WELCOME BACK, OUR NEXT GUEST
IS A GRAMMY NOMINATED

605
00:33:02,180 --> 00:33:05,650
SINGER-SONGWRITER HAILING FROM
THE U.K., SHE IS AN ARTIST, TO

606
00:33:05,717 --> 00:33:08,619
WATCH, AND WE ARE SO DELIGHTED
TO HAVE HER WITH US.

607
00:33:08,686 --> 00:33:12,090
LADIES AND GENTLEMEN, THE
PLEASURE IS ALL OURS TO WELCOME

608
00:33:12,156 --> 00:33:16,894
THE SPLENDID, THE SUPERB, TIANA
MAJOR9 EVERYBODY.

609
00:33:16,961 --> 00:33:20,031
HOW ARE YOU?

610
00:33:20,098 --> 00:33:22,934
WITHIN I'M VERY WELL THANKS, HOW
ARE YOU DOING.

611
00:33:23,000 --> 00:33:25,536
>> James: I'M GOOD, MI SO
HAPPY THAT YOU ARE HERE, I AM

612
00:33:25,603 --> 00:33:27,538
SUCH A FAN OF EVERYTHING THAT
YOU ARE DOING.

613
00:33:27,605 --> 00:33:29,440
AND THE GRAMMYS ARE ON SUNDAY.

614
00:33:29,507 --> 00:33:32,877
WHERE YOU ARE NOMINATED ON A
BRILLIANT LIST AND RIGHTLY SO

615
00:33:32,944 --> 00:33:34,712
FOR BEST R&B SONG.

616
00:33:34,779 --> 00:33:38,850
HOW ARE YOU FEELING ABOUT IT?

617
00:33:38,916 --> 00:33:43,354
>> IT HASN'T FULLY SUNK IN YET,
LIKE I THINK IT WILL BE ON THE

618
00:33:43,421 --> 00:33:49,260
DAY BUT I'M GASSED, IT IS THE
MOST EXCITING TIME OF MY LIFE.

619
00:33:49,327 --> 00:33:51,796
>> James: IT IS RICHLY
DESERVED AND ARE YOU GOING TO

620
00:33:51,863 --> 00:33:56,467
PERFORM YOUR BRILLIANT SONG,
SAME SPACE, WHICH I LOVE IN A

621
00:33:56,534 --> 00:33:57,668
MINUTE.

622
00:33:57,735 --> 00:33:59,971
FOR ANYONE WHO DOESN'T KNOW,
TELL US WHAT THE SONG IS ABOUT.

623
00:34:00,037 --> 00:34:04,742
>> SO SAME SPACE IS ABOUT BEING
IN LIKE A CODEPENDENT

624
00:34:04,809 --> 00:34:07,879
RELATIONSHIP, ONE THAT YOU KNOW
ISN'T LIKE HEALTHY FOR YOU, BUT

625
00:34:07,945 --> 00:34:12,617
YOU JUST CAN'T SEEM TO LIKE
BREAK AWAY FROM IT.

626
00:34:12,683 --> 00:34:16,721
AND I FEEL LIKE IT IS SOMETHING
THAT A LOT OF PEOPLE HAVE BEEN

627
00:34:16,788 --> 00:34:17,955
IN.

628
00:34:18,022 --> 00:34:22,960
YEAH, IT IS SOMETHING THAT I
HAVE EXPERIENCED A FEW TIMES,

629
00:34:23,027 --> 00:34:24,996
UNFORTUNATELY.

630
00:34:25,062 --> 00:34:27,098
BUT SAME SPACE,.

631
00:34:27,165 --> 00:34:30,902
>> James: DO YOU THOUGH NOW,
THAT YOU HAVE WRITTEN SUCH A

632
00:34:30,968 --> 00:34:34,806
BRILLIANT SONG, HAS IT MADE YOU
FEEL GRATEFUL TO THOSE

633
00:34:34,872 --> 00:34:36,441
RELATIONSHIPS BECAUSE IT GAVE
YOU THE SONG.

634
00:34:36,507 --> 00:34:39,510
>> OH MY GOSH, YES.

635
00:34:39,577 --> 00:34:43,648
SO I'M SO GLAD THAT EVERYTHING
THAT I HAVE BEEN THROUGH HAS

636
00:34:43,714 --> 00:34:46,517
INSPIRED ME TO WRITE MUSIC.

637
00:34:46,584 --> 00:34:51,355
I DON'T REGRET ANYTHING.

638
00:34:51,422 --> 00:34:54,358
>> James: WHAT YOU ARE DOING
IS SO BRILLIANT AND WE'RE SO

639
00:34:54,425 --> 00:34:57,395
HONORED TO HAVE YOU ON THE SHOW,
LADIES AND GENTLEMEN, HERE

640
00:34:57,462 --> 00:35:00,665
PERFORMING SAME SPACE FROM HER
INCREDIBLE EP, WHICH IS OUT

641
00:35:00,731 --> 00:35:04,802
RIGHT NOW PLEASE WELCOME THE
PHENOMENAL TIANA MAJOR9.

642
00:35:04,869 --> 00:35:06,437
7
♪ ♪ ♪

643
00:35:07,472 --> 00:35:19,183
♪ TAINTED VIEW OF US
I FIND IT HARD TO SEE

644
00:35:19,250 --> 00:35:32,396
♪ ANYTHING THAT WAS
GOOD IN YOU AND ME

645
00:35:32,463 --> 00:35:44,942
♪ I HATE IT WHEN YOU GO
I'M HAPPY WHEN YOU LEAVE

646
00:35:45,009 --> 00:35:57,054
♪ I GO THROUGH WITHDRAWALS WHEN
I DRAW YOU CLOSE TO ME

647
00:35:57,121 --> 00:36:03,160
♪ IS THIS MY DESTINY
TO SET YOU FREE?

648
00:36:03,227 --> 00:36:09,667
♪ IS THIS MY DESTINY
LYING HERE WITH ME?

649
00:36:09,734 --> 00:36:16,274
♪ GIVING THE BEST OF ME,
CAN'T YOU SEE?

650
00:36:16,340 --> 00:36:24,415
♪ I'VE GOT MORE LOVE TO SHARE
BABY WE SHOULD STAY RIGHT HERE

651
00:36:24,482 --> 00:36:31,122
♪ IN THE SAME SPACE
LOOK FOR DIFFERENT RESULTS

652
00:36:31,188 --> 00:36:36,627
♪ IN THE SAME SPACE
HOW WE GONNA LOOK FOR DIFFERENT

653
00:36:36,694 --> 00:36:41,299
♪ RESULTS IN THE SAME SPACE?

654
00:36:41,365 --> 00:36:48,873
OH, HOW IF WE'RE IN THE SAME
♪ SPACE?

655
00:36:48,940 --> 00:36:56,347
♪ ♪ ♪
♪ DESPITE OUR LOVE'S DETOUR

656
00:36:56,414 --> 00:37:09,293
I WANTED YOU FOR ME
♪ I GREW WITH YOUR LOVE

657
00:37:09,360 --> 00:37:22,139
WHO KNEW WHAT IT WOULD BE, OH
♪ LET'S BRING BACK THE DAYS

658
00:37:22,206 --> 00:37:35,086
WHEN I WEREN'T AFRAID
♪ OF SOMETHING I COULD LOSE

659
00:37:35,152 --> 00:37:43,928
OVER SOMETHING I COULD GAIN
♪ IS THIS MY DESTINY,

660
00:37:43,995 --> 00:37:47,365
TO SET YOU FREE?

661
00:37:47,431 --> 00:37:53,871
♪ IS THIS MY DESTINY,
LYING HERE WITH ME?

662
00:37:53,938 --> 00:38:00,277
♪ GIVING THE BEST OF ME,
CAN'T YOU SEE?

663
00:38:00,344 --> 00:38:04,715
I'VE GOT MORE LOVE TO SHARE
♪ BABY WE SHOULD STAY

664
00:38:04,782 --> 00:38:10,054
RIGHT HERE
(BABY WE CAN STAY,

665
00:38:10,121 --> 00:38:19,730
BABY WE CAN STAY)
♪ IN THE SAME SPACE

666
00:38:19,797 --> 00:38:23,000
HOW WE GONNA LOOK FOR DIFFERENT
♪ RESULTS IN THE SAME SPACE?

667
00:38:23,067 --> 00:38:23,768
(OH, HOW?

668
00:38:23,834 --> 00:38:27,571
OH, HOW?)
♪ OH, HOW IF WE'RE

669
00:38:27,638 --> 00:38:30,508
IN THE SAME SPACE?

670
00:38:30,574 --> 00:38:34,578
♪ OH, HOW IF WE'RE
IN THE SAME SPACE?

671
00:38:34,645 --> 00:38:39,216
♪ ♪ ♪ ♪ ♪ ♪
♪ ♪ ♪

672
00:38:39,283 --> 00:38:41,285
>> James: TIANA MAJOR9, EVERYONE
WE'LL BE RIGHT BACK.

673
00:38:58,002 --> 00:38:59,170
♪
>> James: THANKS SO MUCH FOR

674
00:38:59,236 --> 00:39:01,505
WATCHING, BE SURE TOO TUNE IN
FOR THE GRAMMYS THIS SUNDAY AT 8

675
00:39:01,572 --> 00:39:05,710
P.M. EASTERN, 5 P.M. PACIFIC,
RIGHT HERE ON CBS.

676
00:39:05,776 --> 00:39:09,013
WE'LL SEE YOU MOBBED, HAPPY
BIRTHDAY SHANNON, REGGIE, TAKE

677
00:39:09,080 --> 00:39:11,082
US
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