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<font color="#ffff00"> Captioning sponsored by CBS</font>

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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW, OOH
♪ THE LATE LATE SHOW, OH, OH

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THE LATE LATE SHOW, OOH
♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW

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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW
♪ OH, OH

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THE LATE LATE SHOW
♪ OH, OH
IT'S THE LATE LATE SHOW ♪

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>> Reggie: ♪
IT'S A THE "LATE, LATE SHOW,"
WE'RE HERE INSIDE THE CAVE,

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IT'S A THE "LATE, LATE SHOW,"
WE'RE HERE INSIDE THE CAVE,
ISN'T IT ECHOING  Y, IN THE

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WE'RE HERE INSIDE THE CAVE,
ISN'T IT ECHOING  Y, IN THE
"LATE, LATE SHOW" CAVE.

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ISN'T IT ECHOING  Y, IN THE
"LATE, LATE SHOW" CAVE.
>> James: GOOD EVENING, LADIES

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"LATE, LATE SHOW" CAVE.
>> James: GOOD EVENING, LADIES
AND GENTLEMEN, WELCOME TO "THE

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>> James: GOOD EVENING, LADIES
AND GENTLEMEN, WELCOME TO "THE
LATE LATE SHOW."

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AND GENTLEMEN, WELCOME TO "THE
LATE LATE SHOW."
THANKS FOR STAYING UP WITH US.

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LATE LATE SHOW."
THANKS FOR STAYING UP WITH US.
WE'RE SO GLAD YOU'RE HERE.

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THANKS FOR STAYING UP WITH US.
WE'RE SO GLAD YOU'RE HERE.
TONIGHT ON THE SHOW, WE'LL BE

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WE'RE SO GLAD YOU'RE HERE.
TONIGHT ON THE SHOW, WE'LL BE
CHATTING WITH MINNIE DRIVER, AND

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TONIGHT ON THE SHOW, WE'LL BE
CHATTING WITH MINNIE DRIVER, AND
LATER WE HAVE A PERFORMANCE FROM

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CHATTING WITH MINNIE DRIVER, AND
LATER WE HAVE A PERFORMANCE FROM
BENNY BLANCO AND GRACIE ABRAMS,

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LATER WE HAVE A PERFORMANCE FROM
BENNY BLANCO AND GRACIE ABRAMS,
YOU DON'T WANT TO MISS IT.

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BENNY BLANCO AND GRACIE ABRAMS,
YOU DON'T WANT TO MISS IT.
ALL FANTASTIC NAMES.

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YOU DON'T WANT TO MISS IT.
ALL FANTASTIC NAMES.
MINNIE DRIVER.

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ALL FANTASTIC NAMES.
MINNIE DRIVER.
BENNY BLANCO.

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MINNIE DRIVER.
BENNY BLANCO.
GRACIE ABRAMS.

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BENNY BLANCO.
GRACIE ABRAMS.
, THAT IS TOP LEVEL CELEBRITY

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GRACIE ABRAMS.
, THAT IS TOP LEVEL CELEBRITY
NAISMS, DON'T YOU THINK?

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, THAT IS TOP LEVEL CELEBRITY
NAISMS, DON'T YOU THINK?
MINNIE DRIVER, BENNY BLANCO,

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NAISMS, DON'T YOU THINK?
MINNIE DRIVER, BENNY BLANCO,
GRACIE ABRAMS.

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MINNIE DRIVER, BENNY BLANCO,
GRACIE ABRAMS.
WHO ELSE WOULD YOU PUT IN THERE,

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GRACIE ABRAMS.
WHO ELSE WOULD YOU PUT IN THERE,
A NAME WHERE THEY COULD ONLY BE

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WHO ELSE WOULD YOU PUT IN THERE,
A NAME WHERE THEY COULD ONLY BE
A CELEBRITY.

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A NAME WHERE THEY COULD ONLY BE
A CELEBRITY.
>> ARMIE HAMMER.

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A CELEBRITY.
>> ARMIE HAMMER.
>> James: OKAY, ALL RIGHT.

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>> ARMIE HAMMER.
>> James: OKAY, ALL RIGHT.
(LAUGHTER)

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>> James: OKAY, ALL RIGHT.
(LAUGHTER)
YES, YES, I-- ARE YOU RIGHT.

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(LAUGHTER)
YES, YES, I-- ARE YOU RIGHT.
>> IT IS A NAME.

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YES, YES, I-- ARE YOU RIGHT.
>> IT IS A NAME.
>> ROGER P HENSON, LOU DIAMOND

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>> IT IS A NAME.
>> ROGER P HENSON, LOU DIAMOND
FILL LIPS.

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>> ROGER P HENSON, LOU DIAMOND
FILL LIPS.
YOU KNOW WHO ELSE, REGGIE WATTS.

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FILL LIPS.
YOU KNOW WHO ELSE, REGGIE WATTS.
>> James: REGGIE WATTS, I PUT

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YOU KNOW WHO ELSE, REGGIE WATTS.
>> James: REGGIE WATTS, I PUT
REGIE IN THERE, WEDGIE-- REGGIE

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>> James: REGGIE WATTS, I PUT
REGIE IN THERE, WEDGIE-- REGGIE
WATTS, YOU KNOW WHAT I THINK OF

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REGIE IN THERE, WEDGIE-- REGGIE
WATTS, YOU KNOW WHAT I THINK OF
PATTI WILL YOU POAN, THERE IS NO

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WATTS, YOU KNOW WHAT I THINK OF
PATTI WILL YOU POAN, THERE IS NO
WAY PATTI WILL YOU POAN WORKS IN

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PATTI WILL YOU POAN, THERE IS NO
WAY PATTI WILL YOU POAN WORKS IN
ACCOUNTS AT A FIRM.

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WAY PATTI WILL YOU POAN WORKS IN
ACCOUNTS AT A FIRM.
YOU KNOW WHAT I MEAN.

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ACCOUNTS AT A FIRM.
YOU KNOW WHAT I MEAN.
YOU DON'T GET DENTAL SURGERY AND

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YOU KNOW WHAT I MEAN.
YOU DON'T GET DENTAL SURGERY AND
OH I'M YOUR DENTIST PATTI

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YOU DON'T GET DENTAL SURGERY AND
OH I'M YOUR DENTIST PATTI
LUPONE.

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OH I'M YOUR DENTIST PATTI
LUPONE.
IT DOESN'T WORK, ONLY A BROADWAY

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LUPONE.
IT DOESN'T WORK, ONLY A BROADWAY
STAR, RIGHT?

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IT DOESN'T WORK, ONLY A BROADWAY
STAR, RIGHT?
DON'T YOU THINK.

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STAR, RIGHT?
DON'T YOU THINK.
>> CHAR LIZ THERON.

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DON'T YOU THINK.
>> CHAR LIZ THERON.
>> James: YES, ALTHOUGH IT'S

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>> CHAR LIZ THERON.
>> James: YES, ALTHOUGH IT'S
NOT THERON T IS THERON.

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>> James: YES, ALTHOUGH IT'S
NOT THERON T IS THERON.
CHARLIZE THERON.

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NOT THERON T IS THERON.
CHARLIZE THERON.
>> THAT COULD BE ANYBODY.

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CHARLIZE THERON.
>> THAT COULD BE ANYBODY.
>> James: EXACTLY.

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>> THAT COULD BE ANYBODY.
>> James: EXACTLY.
>> I HATE TO SAY, THIS SHE'S

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>> James: EXACTLY.
>> I HATE TO SAY, THIS SHE'S
WRONG.

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>> I HATE TO SAY, THIS SHE'S
WRONG.
>> YEAH.

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WRONG.
>> YEAH.
>> SHE'S WRONG.

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>> YEAH.
>> SHE'S WRONG.
I HATE TO SAY THIS, TAND IS NOT

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>> SHE'S WRONG.
I HATE TO SAY THIS, TAND IS NOT
FOR ME TO SAY, SHE IS

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I HATE TO SAY THIS, TAND IS NOT
FOR ME TO SAY, SHE IS
PRONOUNCING HER NAME WRONG.

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FOR ME TO SAY, SHE IS
PRONOUNCING HER NAME WRONG.
>> IT IS THERON.

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PRONOUNCING HER NAME WRONG.
>> IT IS THERON.
>> AND THERON LIES THE PROBLEM.

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>> IT IS THERON.
>> AND THERON LIES THE PROBLEM.
>> James: WOW, WE ARE OUT OF

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>> AND THERON LIES THE PROBLEM.
>> James: WOW, WE ARE OUT OF
THE BLOCKS TONIGHT, BLIES, OUT

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>> James: WOW, WE ARE OUT OF
THE BLOCKS TONIGHT, BLIES, OUT
OF THE BLOCKS.

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THE BLOCKS TONIGHT, BLIES, OUT
OF THE BLOCKS.
DO YOU STILL KEEP IN CONTACT

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OF THE BLOCKS.
DO YOU STILL KEEP IN CONTACT
WITH PATTI LUPONE?

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DO YOU STILL KEEP IN CONTACT
WITH PATTI LUPONE?
>> I HAVEN'T IN AWHILE BUT

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WITH PATTI LUPONE?
>> I HAVEN'T IN AWHILE BUT
HOPING ONE OF THESE DAYS.

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>> I HAVEN'T IN AWHILE BUT
HOPING ONE OF THESE DAYS.
>> James: SEBD HER AN EMAIL

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HOPING ONE OF THESE DAYS.
>> James: SEBD HER AN EMAIL
NOW.

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>> James: SEBD HER AN EMAIL
NOW.
GO ON.

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NOW.
GO ON.
GO ON.

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GO ON.
GO ON.
GO ON.

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GO ON.
GO ON.
HAVE YOU GOT HER EMAIL OR A

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GO ON.
HAVE YOU GOT HER EMAIL OR A
NUMBER.

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HAVE YOU GOT HER EMAIL OR A
NUMBER.
>> I'VE GOT HER EMAIL.

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NUMBER.
>> I'VE GOT HER EMAIL.
>> James: SEN HER AN EMAIL

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>> I'VE GOT HER EMAIL.
>> James: SEN HER AN EMAIL
NOW, GO ON, GO ON.

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>> James: SEN HER AN EMAIL
NOW, GO ON, GO ON.
>> I'M CERTIFICATE TIED.

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NOW, GO ON, GO ON.
>> I'M CERTIFICATE TIED.
>> James: NO, GO ON, GO ON,

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>> I'M CERTIFICATE TIED.
>> James: NO, GO ON, GO ON,
WHAT SHOULD HE SEND TO PATTI

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>> James: NO, GO ON, GO ON,
WHAT SHOULD HE SEND TO PATTI
LUPONE.

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WHAT SHOULD HE SEND TO PATTI
LUPONE.
I THINK IT SHOULD BE HEY PATTI,

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LUPONE.
I THINK IT SHOULD BE HEY PATTI,
JUST CHECKING IN, ALL GOOD, LOVE

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I THINK IT SHOULD BE HEY PATTI,
JUST CHECKING IN, ALL GOOD, LOVE
DAVE.

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JUST CHECKING IN, ALL GOOD, LOVE
DAVE.
GO ON.

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DAVE.
GO ON.
>> I CAN'T.

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GO ON.
>> I CAN'T.
>> James: WHY WOULDN'T YOU

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>> I CAN'T.
>> James: WHY WOULDN'T YOU
EMAIL PATTI LUPONE?

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>> James: WHY WOULDN'T YOU
EMAIL PATTI LUPONE?
>> SEEMS INAPPROPRIATE.

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EMAIL PATTI LUPONE?
>> SEEMS INAPPROPRIATE.
>> James: IT WAS THE■ MOST

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>> SEEMS INAPPROPRIATE.
>> James: IT WAS THE■ MOST
THRILLING MOMENT OF YOUR LIFE.

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>> James: IT WAS THE■ MOST
THRILLING MOMENT OF YOUR LIFE.
WHEN WE WERE DOING THE ONE DAY

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THRILLING MOMENT OF YOUR LIFE.
WHEN WE WERE DOING THE ONE DAY
MORE AND PATTI LUPONE WAS

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WHEN WE WERE DOING THE ONE DAY
MORE AND PATTI LUPONE WAS
EMAILING BACK AND FORTH, YOU

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MORE AND PATTI LUPONE WAS
EMAILING BACK AND FORTH, YOU
WERE ON CLOUD ELEVEN.

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EMAILING BACK AND FORTH, YOU
WERE ON CLOUD ELEVEN.
>> I DON'T WANT TO RUIN THAT

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WERE ON CLOUD ELEVEN.
>> I DON'T WANT TO RUIN THAT
BEAUTIFUL RELATIONSHIP WE HAVE.

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>> I DON'T WANT TO RUIN THAT
BEAUTIFUL RELATIONSHIP WE HAVE.
>> James: I THINK IF YOU LEAVE

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BEAUTIFUL RELATIONSHIP WE HAVE.
>> James: I THINK IF YOU LEAVE
IT TOO LONG IT'S RUINED.

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>> James: I THINK IF YOU LEAVE
IT TOO LONG IT'S RUINED.
THAT IS WHY I AM SAYING, YOU

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IT TOO LONG IT'S RUINED.
THAT IS WHY I AM SAYING, YOU
SHOULD CHECK IN.

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THAT IS WHY I AM SAYING, YOU
SHOULD CHECK IN.
>> Reggie: HE'S RIGHT.

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SHOULD CHECK IN.
>> Reggie: HE'S RIGHT.
>> James: HAVE YOU EVER

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>> Reggie: HE'S RIGHT.
>> James: HAVE YOU EVER
EMAILED PATTI LUPONE ABOUT STUFF

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>> James: HAVE YOU EVER
EMAILED PATTI LUPONE ABOUT STUFF
OTHER THAN WORK YNS NO, STRICTLY

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EMAILED PATTI LUPONE ABOUT STUFF
OTHER THAN WORK YNS NO, STRICTLY
BEEN BUSINESS.

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OTHER THAN WORK YNS NO, STRICTLY
BEEN BUSINESS.
>> James: SO NOT FRIENDS.

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BEEN BUSINESS.
>> James: SO NOT FRIENDS.
>> NO, WE'RE NOT FRIENDS.

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>> James: SO NOT FRIENDS.
>> NO, WE'RE NOT FRIENDS.
>> James: BUT YOU WANT TO BE

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>> NO, WE'RE NOT FRIENDS.
>> James: BUT YOU WANT TO BE
FRIENDS AND I ACTUALLY THINK YOU

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>> James: BUT YOU WANT TO BE
FRIENDS AND I ACTUALLY THINK YOU
WOULD BE A GOOD FRIEND TO PATTI

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FRIENDS AND I ACTUALLY THINK YOU
WOULD BE A GOOD FRIEND TO PATTI
LUPONE.

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WOULD BE A GOOD FRIEND TO PATTI
LUPONE.
>> I MEAN SHE IS A LIVING

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LUPONE.
>> I MEAN SHE IS A LIVING
LEGEND.

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>> I MEAN SHE IS A LIVING
LEGEND.
>> James: GO ON.

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LEGEND.
>> James: GO ON.
EMAIL HER NOW.

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>> James: GO ON.
EMAIL HER NOW.
>> I CAN'T, I CAN'T.

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EMAIL HER NOW.
>> I CAN'T, I CAN'T.
>> James: WHY?

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>> I CAN'T, I CAN'T.
>> James: WHY?
WHY?

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>> James: WHY?
WHY?
SHE MIGHT EMAIL BACK DURING THE

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WHY?
SHE MIGHT EMAIL BACK DURING THE
SHOW.

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SHE MIGHT EMAIL BACK DURING THE
SHOW.
>> YOU KNOW, I THINK PEOPLE ARE

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SHOW.
>> YOU KNOW, I THINK PEOPLE ARE
USUALLY AFRAID OF SUCCESS MORE

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>> YOU KNOW, I THINK PEOPLE ARE
USUALLY AFRAID OF SUCCESS MORE
THAN FAILURE.

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USUALLY AFRAID OF SUCCESS MORE
THAN FAILURE.
I THINK SHE IS AFRAID SHE WILL

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THAN FAILURE.
I THINK SHE IS AFRAID SHE WILL
EMAIL BACK AND IT L BOUGHT.

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I THINK SHE IS AFRAID SHE WILL
EMAIL BACK AND IT L BOUGHT.
>> James: YOU THINK.

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EMAIL BACK AND IT L BOUGHT.
>> James: YOU THINK.
>> I THINK SO.

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>> James: YOU THINK.
>> I THINK SO.
>> James: GO ON DAVE, PLEASE

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>> I THINK SO.
>> James: GO ON DAVE, PLEASE
EMAIL PATTI.

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>> James: GO ON DAVE, PLEASE
EMAIL PATTI.
>> I WILL EMAIL HER AND SAY SHE

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EMAIL PATTI.
>> I WILL EMAIL HER AND SAY SHE
WAS MENTIONED ON THE SHOW

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>> I WILL EMAIL HER AND SAY SHE
WAS MENTIONED ON THE SHOW
TONIGHT.

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WAS MENTIONED ON THE SHOW
TONIGHT.
>> James: PERFECT, HEY PATTI

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TONIGHT.
>> James: PERFECT, HEY PATTI
WE ARE TALKING ABOUT YOU ON THE

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>> James: PERFECT, HEY PATTI
WE ARE TALKING ABOUT YOU ON THE
SHOW TONIGHT, HOPE ALL IS GOOD.

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WE ARE TALKING ABOUT YOU ON THE
SHOW TONIGHT, HOPE ALL IS GOOD.
ALL MY LOVE, DAVE.

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SHOW TONIGHT, HOPE ALL IS GOOD.
ALL MY LOVE, DAVE.
>> PS.

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ALL MY LOVE, DAVE.
>> PS.
>> BRUNCH.

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>> PS.
>> BRUNCH.
>> BRUNCH IS COMING BACK.

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>> BRUNCH.
>> BRUNCH IS COMING BACK.
>> James: PS, THINGS ARE

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>> BRUNCH IS COMING BACK.
>> James: PS, THINGS ARE
OPENING UP HERE IN L.A

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>> James: PS, THINGS ARE
OPENING UP HERE IN L.A
DOT DOT DOT BRUNCH?

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00:04:31,105 --> 00:04:32,938
OPENING UP HERE IN L.A
DOT DOT DOT BRUNCH?
DOT DOT DOT QUESTION MARK.

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DOT DOT DOT BRUNCH?
DOT DOT DOT QUESTION MARK.
OKAY, READ IT, WHAT DOES IT SAY.

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DOT DOT DOT QUESTION MARK.
OKAY, READ IT, WHAT DOES IT SAY.
>> DEAR MS. LUPONE THAT IS HOW I

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OKAY, READ IT, WHAT DOES IT SAY.
>> DEAR MS. LUPONE THAT IS HOW I
ADDRESS YOU, JAMES BROUGHT YOU

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>> DEAR MS. LUPONE THAT IS HOW I
ADDRESS YOU, JAMES BROUGHT YOU
UP IN THE MONOLOGUE OF TONIGHT'S

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ADDRESS YOU, JAMES BROUGHT YOU
UP IN THE MONOLOGUE OF TONIGHT'S
SHOW, JUST WANTED TO LET YOU

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UP IN THE MONOLOGUE OF TONIGHT'S
SHOW, JUST WANTED TO LET YOU
KNOW AND HOPE ALL IS WELL.

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SHOW, JUST WANTED TO LET YOU
KNOW AND HOPE ALL IS WELL.
>> James: ALL MY LOVE.

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00:04:44,852 --> 00:04:46,184
KNOW AND HOPE ALL IS WELL.
>> James: ALL MY LOVE.
>> ALL MY LOVE.

158
00:04:46,186 --> 00:04:49,621
>> James: ALL MY LOVE.
>> ALL MY LOVE.
>> James: ALL MY LOVE AND

159
00:04:49,623 --> 00:04:53,659
>> ALL MY LOVE.
>> James: ALL MY LOVE AND
RESPECT, YOUR DAVE.

160
00:04:53,661 --> 00:04:55,894
>> James: ALL MY LOVE AND
RESPECT, YOUR DAVE.
BECAUSE THEY JUST THINK YOU HAVE

161
00:04:55,896 --> 00:04:57,696
RESPECT, YOUR DAVE.
BECAUSE THEY JUST THINK YOU HAVE
LOST THE-- BUT SHE WILL KNOW

162
00:04:57,698 --> 00:04:58,730
BECAUSE THEY JUST THINK YOU HAVE
LOST THE-- BUT SHE WILL KNOW
DEEP DOWN YOU HAVEN'T.

163
00:04:58,732 --> 00:05:00,232
LOST THE-- BUT SHE WILL KNOW
DEEP DOWN YOU HAVEN'T.
>> James: I THINK THIS IS HOW

164
00:05:00,234 --> 00:05:01,533
DEEP DOWN YOU HAVEN'T.
>> James: I THINK THIS IS HOW
YOU CAN GET INTO THE FRIEND

165
00:05:01,535 --> 00:05:03,402
>> James: I THINK THIS IS HOW
YOU CAN GET INTO THE FRIEND
ZONE, IF I HAD CHRIS PRATT'S

166
00:05:03,404 --> 00:05:06,171
YOU CAN GET INTO THE FRIEND
ZONE, IF I HAD CHRIS PRATT'S
EMAIL WE WOULD BE BUDDIED UP BY

167
00:05:06,173 --> 00:05:06,438
ZONE, IF I HAD CHRIS PRATT'S
EMAIL WE WOULD BE BUDDIED UP BY
NOW.

168
00:05:06,440 --> 00:05:07,372
EMAIL WE WOULD BE BUDDIED UP BY
NOW.
>> COULD I JUST ASK, IS THIS

169
00:05:07,374 --> 00:05:09,808
NOW.
>> COULD I JUST ASK, IS THIS
GOING TO BE IN THE SHOW BEFORE I

170
00:05:09,810 --> 00:05:10,776
>> COULD I JUST ASK, IS THIS
GOING TO BE IN THE SHOW BEFORE I
EMAIL IT TO HER?

171
00:05:10,778 --> 00:05:12,044
GOING TO BE IN THE SHOW BEFORE I
EMAIL IT TO HER?
>> PART OF THE RISK.

172
00:05:12,046 --> 00:05:13,879
EMAIL IT TO HER?
>> PART OF THE RISK.
>> James: WELL, SEND IT AND

173
00:05:13,881 --> 00:05:14,680
>> PART OF THE RISK.
>> James: WELL, SEND IT AND
WE'LL SEE.

174
00:05:14,682 --> 00:05:16,782
>> James: WELL, SEND IT AND
WE'LL SEE.
>> I MEAN IT'S READY TO SEND.

175
00:05:16,784 --> 00:05:20,719
WE'LL SEE.
>> I MEAN IT'S READY TO SEND.
>> James: LITTLE DRUM ROLL G.

176
00:05:20,721 --> 00:05:22,187
>> I MEAN IT'S READY TO SEND.
>> James: LITTLE DRUM ROLL G.
>> IT JUST WENT.

177
00:05:22,189 --> 00:05:25,624
>> James: LITTLE DRUM ROLL G.
>> IT JUST WENT.
>> James: SEND?

178
00:05:25,626 --> 00:05:26,191
>> IT JUST WENT.
>> James: SEND?
(APPLAUSE)

179
00:05:26,193 --> 00:05:27,359
>> James: SEND?
(APPLAUSE)
>> YOU'VE SENT MAIL.

180
00:05:27,361 --> 00:05:29,061
(APPLAUSE)
>> YOU'VE SENT MAIL.
>> James: I THINK THIS IS A

181
00:05:29,063 --> 00:05:29,261
>> YOU'VE SENT MAIL.
>> James: I THINK THIS IS A
STRT.

182
00:05:29,263 --> 00:05:31,330
>> James: I THINK THIS IS A
STRT.
I THINK THIS IS A START OF A

183
00:05:31,332 --> 00:05:34,199
STRT.
I THINK THIS IS A START OF A
BEAUTIFUL FRIENDSHIP, I REALLY,

184
00:05:34,201 --> 00:05:36,868
I THINK THIS IS A START OF A
BEAUTIFUL FRIENDSHIP, I REALLY,
REALLY DO.

185
00:05:36,870 --> 00:05:37,969
BEAUTIFUL FRIENDSHIP, I REALLY,
REALLY DO.
>> IT MIGHT HAPPEN.

186
00:05:37,971 --> 00:05:39,438
REALLY DO.
>> IT MIGHT HAPPEN.
>> James: NOW LOOK, I'VE

187
00:05:39,440 --> 00:05:40,439
>> IT MIGHT HAPPEN.
>> James: NOW LOOK, I'VE
ENJOYED THIS CHAT, I HAVE.

188
00:05:40,441 --> 00:05:43,275
>> James: NOW LOOK, I'VE
ENJOYED THIS CHAT, I HAVE.
I HAVE ENJOYED IT A LOT.

189
00:05:43,277 --> 00:05:46,178
ENJOYED THIS CHAT, I HAVE.
I HAVE ENJOYED IT A LOT.
DID IT INFORM THE AMERICAN

190
00:05:46,180 --> 00:05:49,214
I HAVE ENJOYED IT A LOT.
DID IT INFORM THE AMERICAN
PUBLIC, NO.

191
00:05:49,216 --> 00:05:49,915
DID IT INFORM THE AMERICAN
PUBLIC, NO.
HAVE WE STRENGTHENED DEMOCRACY

192
00:05:49,917 --> 00:05:50,549
PUBLIC, NO.
HAVE WE STRENGTHENED DEMOCRACY
BY SHINING A LIGHT AT KEY WORLD

193
00:05:50,551 --> 00:05:51,550
HAVE WE STRENGTHENED DEMOCRACY
BY SHINING A LIGHT AT KEY WORLD
EVENTS?

194
00:05:51,552 --> 00:05:52,784
BY SHINING A LIGHT AT KEY WORLD
EVENTS?
NO.

195
00:05:52,786 --> 00:05:54,152
EVENTS?
NO.
SO LET'S DO THAT NOW, AND LEAP

196
00:05:54,154 --> 00:05:56,822
NO.
SO LET'S DO THAT NOW, AND LEAP
INTO THE BIGGEST, MOST ESSENTIAL

197
00:05:56,824 --> 00:05:58,190
SO LET'S DO THAT NOW, AND LEAP
INTO THE BIGGEST, MOST ESSENTIAL
NEWS STORIES OF THE DAY.

198
00:05:58,192 --> 00:05:58,824
INTO THE BIGGEST, MOST ESSENTIAL
NEWS STORIES OF THE DAY.
PRESIDENT BIDEN'S DOG, MAJOR, IS

199
00:05:58,826 --> 00:06:04,763
NEWS STORIES OF THE DAY.
PRESIDENT BIDEN'S DOG, MAJOR, IS
BACK AT THE WHITE HOUSE.

200
00:06:04,765 --> 00:06:06,898
PRESIDENT BIDEN'S DOG, MAJOR, IS
BACK AT THE WHITE HOUSE.
YOU REMEMBER HOW THERE WAS A

201
00:06:06,900 --> 00:06:07,466
BACK AT THE WHITE HOUSE.
YOU REMEMBER HOW THERE WAS A
BITING INCIDENT A COUPLE OF

202
00:06:07,468 --> 00:06:08,834
YOU REMEMBER HOW THERE WAS A
BITING INCIDENT A COUPLE OF
WEEKS AGO, SO THE DOG WAS SENT

203
00:06:08,836 --> 00:06:10,202
BITING INCIDENT A COUPLE OF
WEEKS AGO, SO THE DOG WAS SENT
AWAY?

204
00:06:10,204 --> 00:06:12,671
WEEKS AGO, SO THE DOG WAS SENT
AWAY?
WELL, MAJOR HAS RECEIVED

205
00:06:12,673 --> 00:06:14,206
AWAY?
WELL, MAJOR HAS RECEIVED
ADDITIONAL TRAINING AND IS NOW

206
00:06:14,208 --> 00:06:16,775
WELL, MAJOR HAS RECEIVED
ADDITIONAL TRAINING AND IS NOW
BACK WITH THE BIDENS.

207
00:06:16,777 --> 00:06:18,210
ADDITIONAL TRAINING AND IS NOW
BACK WITH THE BIDENS.
UNFORTUNATELY, IT WAS TRAINING

208
00:06:18,212 --> 00:06:20,912
BACK WITH THE BIDENS.
UNFORTUNATELY, IT WAS TRAINING
WITH SEAL TEAM SIX, AND NOW HE'S

209
00:06:20,914 --> 00:06:22,180
UNFORTUNATELY, IT WAS TRAINING
WITH SEAL TEAM SIX, AND NOW HE'S
ACTUALLY MORE DANGEROUS THAN

210
00:06:22,182 --> 00:06:25,951
WITH SEAL TEAM SIX, AND NOW HE'S
ACTUALLY MORE DANGEROUS THAN
BEFORE.

211
00:06:25,953 --> 00:06:28,019
ACTUALLY MORE DANGEROUS THAN
BEFORE.
BEEN A TOUGH COUPLE OF WEEKS, HE

212
00:06:28,021 --> 00:06:30,055
BEFORE.
BEEN A TOUGH COUPLE OF WEEKS, HE
HAD TO GO THROUGH ADDITIONAL

213
00:06:30,057 --> 00:06:31,123
BEEN A TOUGH COUPLE OF WEEKS, HE
HAD TO GO THROUGH ADDITIONAL
TRAINING THEN A NASTY

214
00:06:31,125 --> 00:06:34,226
HAD TO GO THROUGH ADDITIONAL
TRAINING THEN A NASTY
CONFIRMATION BATTLE IN THE

215
00:06:34,228 --> 00:06:35,560
TRAINING THEN A NASTY
CONFIRMATION BATTLE IN THE
SENATE.

216
00:06:35,562 --> 00:06:35,761
CONFIRMATION BATTLE IN THE
SENATE.
>> OH.

217
00:06:35,763 --> 00:06:37,062
SENATE.
>> OH.
>> James: HANG ON.

218
00:06:37,064 --> 00:06:39,264
>> OH.
>> James: HANG ON.
>> GOT A PATTI LUPONE.

219
00:06:39,266 --> 00:06:40,165
>> James: HANG ON.
>> GOT A PATTI LUPONE.
>> James: NO!

220
00:06:40,167 --> 00:06:44,436
>> GOT A PATTI LUPONE.
>> James: NO!
OH, OH MY GOD!

221
00:06:44,438 --> 00:06:46,938
>> James: NO!
OH, OH MY GOD!
MI SO-- THAT WAS LIGHTNING FAST.

222
00:06:46,940 --> 00:06:47,939
OH, OH MY GOD!
MI SO-- THAT WAS LIGHTNING FAST.
WHAT-- WHAT DOES IT SAY.

223
00:06:47,941 --> 00:06:51,042
MI SO-- THAT WAS LIGHTNING FAST.
WHAT-- WHAT DOES IT SAY.
>> IT JUST SAID OH WOW, I SHALL

224
00:06:51,044 --> 00:06:51,243
WHAT-- WHAT DOES IT SAY.
>> IT JUST SAID OH WOW, I SHALL
WATCH.

225
00:06:51,245 --> 00:06:51,843
>> IT JUST SAID OH WOW, I SHALL
WATCH.
THANK YOU.

226
00:06:51,845 --> 00:06:55,947
WATCH.
THANK YOU.
>> James: OKAY, NOW LET'S

227
00:06:55,949 --> 00:06:56,915
THANK YOU.
>> James: OKAY, NOW LET'S
CONSTRUCT THE REPLY.

228
00:06:56,917 --> 00:06:59,050
>> James: OKAY, NOW LET'S
CONSTRUCT THE REPLY.
>> NO, THIS IS WHERE IT ENDS,

229
00:06:59,052 --> 00:06:59,351
CONSTRUCT THE REPLY.
>> NO, THIS IS WHERE IT ENDS,
PLEASE.

230
00:06:59,353 --> 00:07:00,852
>> NO, THIS IS WHERE IT ENDS,
PLEASE.
THIS IS TORTURE.

231
00:07:00,854 --> 00:07:03,922
PLEASE.
THIS IS TORTURE.
>> James: DOES PATTI LUPONE

232
00:07:03,924 --> 00:07:05,757
THIS IS TORTURE.
>> James: DOES PATTI LUPONE
EVEN KNOW WHAT YOU LOOK LIKE.

233
00:07:05,759 --> 00:07:07,225
>> James: DOES PATTI LUPONE
EVEN KNOW WHAT YOU LOOK LIKE.
>> NO, WE'VE NEVER MET IN

234
00:07:07,227 --> 00:07:07,459
EVEN KNOW WHAT YOU LOOK LIKE.
>> NO, WE'VE NEVER MET IN
PERSON.

235
00:07:07,461 --> 00:07:09,127
>> NO, WE'VE NEVER MET IN
PERSON.
>> James: THEN I THINK IT'S A

236
00:07:09,129 --> 00:07:09,361
PERSON.
>> James: THEN I THINK IT'S A
SELFIE.

237
00:07:09,363 --> 00:07:10,195
>> James: THEN I THINK IT'S A
SELFIE.
I THINK IT'S A SELFIE.

238
00:07:10,197 --> 00:07:12,264
SELFIE.
I THINK IT'S A SELFIE.
I THINK IT'S A SELFIE.

239
00:07:12,266 --> 00:07:14,032
I THINK IT'S A SELFIE.
I THINK IT'S A SELFIE.
>> I CAN'T, I CAN'T.

240
00:07:14,034 --> 00:07:14,666
I THINK IT'S A SELFIE.
>> I CAN'T, I CAN'T.
>> James: HERE IS WHAT YOU DO,

241
00:07:14,668 --> 00:07:16,301
>> I CAN'T, I CAN'T.
>> James: HERE IS WHAT YOU DO,
TURN AROUND WITH THE CAMERA, SO

242
00:07:16,303 --> 00:07:17,169
>> James: HERE IS WHAT YOU DO,
TURN AROUND WITH THE CAMERA, SO
I AM IN THE BACKGROUND.

243
00:07:17,171 --> 00:07:18,136
TURN AROUND WITH THE CAMERA, SO
I AM IN THE BACKGROUND.
I WILL BE LIKE, THIS AND YOU

244
00:07:18,138 --> 00:07:21,740
I AM IN THE BACKGROUND.
I WILL BE LIKE, THIS AND YOU
WILL BE LIKE THUMBS UP, BE LIKE

245
00:07:21,742 --> 00:07:22,774
I WILL BE LIKE, THIS AND YOU
WILL BE LIKE THUMBS UP, BE LIKE
WE'RE SHOOTING NOW, EVERYONE

246
00:07:22,776 --> 00:07:26,178
WILL BE LIKE THUMBS UP, BE LIKE
WE'RE SHOOTING NOW, EVERYONE
HERE LOVES YOU.

247
00:07:26,180 --> 00:07:31,349
WE'RE SHOOTING NOW, EVERYONE
HERE LOVES YOU.
PS, BRUNCH?

248
00:07:31,351 --> 00:07:31,583
HERE LOVES YOU.
PS, BRUNCH?
>> YEAH.

249
00:07:31,585 --> 00:07:33,785
PS, BRUNCH?
>> YEAH.
>> James: PLEASE OBSERVE COVID

250
00:07:33,787 --> 00:07:34,052
>> YEAH.
>> James: PLEASE OBSERVE COVID
PROTOCOLS.

251
00:07:34,054 --> 00:07:35,821
>> James: PLEASE OBSERVE COVID
PROTOCOLS.
>> MAKE SURE THAT YOU CAN SEE

252
00:07:35,823 --> 00:07:38,223
PROTOCOLS.
>> MAKE SURE THAT YOU CAN SEE
JAMES IN THE BACKGROUND.

253
00:07:38,225 --> 00:07:39,524
>> MAKE SURE THAT YOU CAN SEE
JAMES IN THE BACKGROUND.
>> James: DAVE, I WANT YOU TO

254
00:07:39,526 --> 00:07:42,194
JAMES IN THE BACKGROUND.
>> James: DAVE, I WANT YOU TO
GIVE A THUMBS UP.

255
00:07:42,196 --> 00:07:44,095
>> James: DAVE, I WANT YOU TO
GIVE A THUMBS UP.
THAT'S IT.

256
00:07:44,097 --> 00:07:44,296
GIVE A THUMBS UP.
THAT'S IT.
OKAY.

257
00:07:44,298 --> 00:07:52,771
THAT'S IT.
OKAY.
GREAT, NOW SEND THAT BACK AND

258
00:07:52,773 --> 00:07:59,544
OKAY.
GREAT, NOW SEND THAT BACK AND
PUT-- AND PUT-- COME ON, SHE

259
00:07:59,546 --> 00:08:00,312
GREAT, NOW SEND THAT BACK AND
PUT-- AND PUT-- COME ON, SHE
REPLIED QUICK.

260
00:08:00,314 --> 00:08:00,745
PUT-- AND PUT-- COME ON, SHE
REPLIED QUICK.
REPLY BACK.

261
00:08:00,747 --> 00:08:04,316
REPLIED QUICK.
REPLY BACK.
NEXT TIME YOU ARE IN L.A., THREE

262
00:08:04,318 --> 00:08:05,517
REPLY BACK.
NEXT TIME YOU ARE IN L.A., THREE
OF US, BRUNCH.

263
00:08:05,519 --> 00:08:07,352
NEXT TIME YOU ARE IN L.A., THREE
OF US, BRUNCH.
>> NO, NO, I CAN'T, PLEASE.

264
00:08:07,354 --> 00:08:08,720
OF US, BRUNCH.
>> NO, NO, I CAN'T, PLEASE.
>> James: DAVE, WHY DON'T YOU

265
00:08:08,722 --> 00:08:10,188
>> NO, NO, I CAN'T, PLEASE.
>> James: DAVE, WHY DON'T YOU
WANT TO BE BEST FRIENDS WITH

266
00:08:10,190 --> 00:08:11,823
>> James: DAVE, WHY DON'T YOU
WANT TO BE BEST FRIENDS WITH
PATTI LUPONE.

267
00:08:11,825 --> 00:08:13,458
WANT TO BE BEST FRIENDS WITH
PATTI LUPONE.
SHE'S REPLIED TO YOU.

268
00:08:13,460 --> 00:08:15,160
PATTI LUPONE.
SHE'S REPLIED TO YOU.
>> I HAVE ENJOYED EVERY DAY

269
00:08:15,162 --> 00:08:16,261
SHE'S REPLIED TO YOU.
>> I HAVE ENJOYED EVERY DAY
SITING ON THIS STAGE LAUGHING

270
00:08:16,263 --> 00:08:21,700
>> I HAVE ENJOYED EVERY DAY
SITING ON THIS STAGE LAUGHING
AT THE MONOLOGUE UP UNTIL TODAY.

271
00:08:21,702 --> 00:08:22,767
SITING ON THIS STAGE LAUGHING
AT THE MONOLOGUE UP UNTIL TODAY.
>> James: COME ON.

272
00:08:22,769 --> 00:08:24,603
AT THE MONOLOGUE UP UNTIL TODAY.
>> James: COME ON.
SHE'S WATCHING, DAVE.

273
00:08:24,605 --> 00:08:26,705
>> James: COME ON.
SHE'S WATCHING, DAVE.
>> HIS EYES ARE SO PLEADING TO

274
00:08:26,707 --> 00:08:26,872
SHE'S WATCHING, DAVE.
>> HIS EYES ARE SO PLEADING TO
ME.

275
00:08:26,874 --> 00:08:28,240
>> HIS EYES ARE SO PLEADING TO
ME.
HE JUST WANTS ME TO GET HIM OUT

276
00:08:28,242 --> 00:08:28,773
ME.
HE JUST WANTS ME TO GET HIM OUT
OF THERE.

277
00:08:28,775 --> 00:08:30,141
HE JUST WANTS ME TO GET HIM OUT
OF THERE.
>> James: ROB, YOU ARE THE

278
00:08:30,143 --> 00:08:32,310
OF THERE.
>> James: ROB, YOU ARE THE
EXECUTIVE PRODUCER OF THE SHOW,

279
00:08:32,312 --> 00:08:33,879
>> James: ROB, YOU ARE THE
EXECUTIVE PRODUCER OF THE SHOW,
WHAT SHOULD DAVE DO.

280
00:08:33,881 --> 00:08:36,147
EXECUTIVE PRODUCER OF THE SHOW,
WHAT SHOULD DAVE DO.
>> 100 PERCENT INVITE PATTI

281
00:08:36,149 --> 00:08:37,549
WHAT SHOULD DAVE DO.
>> 100 PERCENT INVITE PATTI
LUPONE TO BRUNCH.

282
00:08:37,551 --> 00:08:38,316
>> 100 PERCENT INVITE PATTI
LUPONE TO BRUNCH.
>> WITH JAMES ESPECIALLY.

283
00:08:38,318 --> 00:08:39,618
LUPONE TO BRUNCH.
>> WITH JAMES ESPECIALLY.
>> James: I THINK THIS SU AND

284
00:08:39,620 --> 00:08:39,985
>> WITH JAMES ESPECIALLY.
>> James: I THINK THIS SU AND
PATTI.

285
00:08:39,987 --> 00:08:41,853
>> James: I THINK THIS SU AND
PATTI.
I DON'T WANT TO ENCROACH.

286
00:08:41,855 --> 00:08:43,388
PATTI.
I DON'T WANT TO ENCROACH.
JUST SEND BACK.

287
00:08:43,390 --> 00:08:45,257
I DON'T WANT TO ENCROACH.
JUST SEND BACK.
>> WHAT I WILL DO, I WILL MAKE

288
00:08:45,259 --> 00:08:46,525
JUST SEND BACK.
>> WHAT I WILL DO, I WILL MAKE
SURE SHE WATCHES TONIGHT AND

289
00:08:46,527 --> 00:08:46,858
>> WHAT I WILL DO, I WILL MAKE
SURE SHE WATCHES TONIGHT AND
THEN TOMORROW.

290
00:08:46,860 --> 00:08:48,527
SURE SHE WATCHES TONIGHT AND
THEN TOMORROW.
>> James: NO, REPLY NOW.

291
00:08:48,529 --> 00:08:50,061
THEN TOMORROW.
>> James: NO, REPLY NOW.
>> AND I WILL SAY BRUNCH

292
00:08:50,063 --> 00:08:50,395
>> James: NO, REPLY NOW.
>> AND I WILL SAY BRUNCH
QUESTION MARK.

293
00:08:50,397 --> 00:08:51,830
>> AND I WILL SAY BRUNCH
QUESTION MARK.
>> James: THIS ISN'T A TWO DAY

294
00:08:51,832 --> 00:08:52,764
QUESTION MARK.
>> James: THIS ISN'T A TWO DAY
HANG OVER.

295
00:08:52,766 --> 00:08:53,164
>> James: THIS ISN'T A TWO DAY
HANG OVER.
LIKE COME ON.

296
00:08:53,166 --> 00:08:53,965
HANG OVER.
LIKE COME ON.
>> YOU HAVE TO SEND THE PHOTO.

297
00:08:53,967 --> 00:08:56,201
LIKE COME ON.
>> YOU HAVE TO SEND THE PHOTO.
>> James: I WILL SEND THE

298
00:08:56,203 --> 00:08:58,169
>> YOU HAVE TO SEND THE PHOTO.
>> James: I WILL SEND THE
PHOTO AND JUST PUT I LOVE YOU SO

299
00:08:58,171 --> 00:09:04,109
>> James: I WILL SEND THE
PHOTO AND JUST PUT I LOVE YOU SO
MUCH IT HURTS.

300
00:09:04,111 --> 00:09:05,710
PHOTO AND JUST PUT I LOVE YOU SO
MUCH IT HURTS.
GRUS SAY SOMETHING BACK LIKE

301
00:09:05,712 --> 00:09:07,979
MUCH IT HURTS.
GRUS SAY SOMETHING BACK LIKE
YOU'RE THE GREATEST.

302
00:09:07,981 --> 00:09:08,413
GRUS SAY SOMETHING BACK LIKE
YOU'RE THE GREATEST.
DAVE.

303
00:09:08,415 --> 00:09:09,814
YOU'RE THE GREATEST.
DAVE.
AND THEN JUST BRUNCH.

304
00:09:09,816 --> 00:09:12,684
DAVE.
AND THEN JUST BRUNCH.
>> I CAN'T ASK HER TO BRUNCH.

305
00:09:12,686 --> 00:09:18,189
AND THEN JUST BRUNCH.
>> I CAN'T ASK HER TO BRUNCH.
IT'S TOO-- Z IT'S TOO HUM IL

306
00:09:18,191 --> 00:09:18,423
>> I CAN'T ASK HER TO BRUNCH.
IT'S TOO-- Z IT'S TOO HUM IL
YAITING.

307
00:09:18,425 --> 00:09:20,759
IT'S TOO-- Z IT'S TOO HUM IL
YAITING.
>> James: OKAY, DINNER.

308
00:09:20,761 --> 00:09:22,193
YAITING.
>> James: OKAY, DINNER.
I THINK, CAN I TELLYOU WHAT I

309
00:09:22,195 --> 00:09:23,795
>> James: OKAY, DINNER.
I THINK, CAN I TELLYOU WHAT I
THINK HAPPENS?

310
00:09:23,797 --> 00:09:32,337
I THINK, CAN I TELLYOU WHAT I
THINK HAPPENS?
I THINK AFTER THIS GEESE OUT, IT

311
00:09:32,339 --> 00:09:32,537
THINK HAPPENS?
I THINK AFTER THIS GEESE OUT, IT
IS-- .

312
00:09:32,539 --> 00:09:33,738
I THINK AFTER THIS GEESE OUT, IT
IS-- .
>> ARE YOU KIDDING ME.

313
00:09:33,740 --> 00:09:38,176
IS-- .
>> ARE YOU KIDDING ME.
>> James: WE JUST CUT ALL

314
00:09:38,178 --> 00:09:39,077
>> ARE YOU KIDDING ME.
>> James: WE JUST CUT ALL
REFERENCE TO PATTI LUPONE, SHE

315
00:09:39,079 --> 00:09:40,545
>> James: WE JUST CUT ALL
REFERENCE TO PATTI LUPONE, SHE
IS NEVER MENTIONED IN THE SHOW

316
00:09:40,547 --> 00:09:43,481
REFERENCE TO PATTI LUPONE, SHE
IS NEVER MENTIONED IN THE SHOW
AND SHE IS LIKE THIS GUY IS SO

317
00:09:43,483 --> 00:09:43,715
IS NEVER MENTIONED IN THE SHOW
AND SHE IS LIKE THIS GUY IS SO
WEESHED.

318
00:09:43,717 --> 00:09:44,849
AND SHE IS LIKE THIS GUY IS SO
WEESHED.
>> PLEASE, PLEASE DON'T DO THAT.

319
00:09:44,851 --> 00:09:46,785
WEESHED.
>> PLEASE, PLEASE DON'T DO THAT.
>> James: I THINK THIS STAYS

320
00:09:46,787 --> 00:09:48,787
>> PLEASE, PLEASE DON'T DO THAT.
>> James: I THINK THIS STAYS
IN, WE WILL DO THAT, WE WILL SEE

321
00:09:48,789 --> 00:09:50,188
>> James: I THINK THIS STAYS
IN, WE WILL DO THAT, WE WILL SEE
YOU, AND I THINK BY THIS TIME

322
00:09:50,190 --> 00:09:52,791
IN, WE WILL DO THAT, WE WILL SEE
YOU, AND I THINK BY THIS TIME
TOMORROW PATTI LUPONE HAS

323
00:09:52,793 --> 00:09:55,226
YOU, AND I THINK BY THIS TIME
TOMORROW PATTI LUPONE HAS
INVITED YOU TO BRUNCH.

324
00:09:55,228 --> 00:09:56,795
TOMORROW PATTI LUPONE HAS
INVITED YOU TO BRUNCH.
>> I CAN'T, I CAN'T DO T I CAN'T

325
00:09:56,797 --> 00:09:58,063
INVITED YOU TO BRUNCH.
>> I CAN'T, I CAN'T DO T I CAN'T
BRING MYSELF TO DO IT.

326
00:09:58,065 --> 00:09:59,864
>> I CAN'T, I CAN'T DO T I CAN'T
BRING MYSELF TO DO IT.
>> James: WHAT DOES IT SAY.

327
00:09:59,866 --> 00:10:01,499
BRING MYSELF TO DO IT.
>> James: WHAT DOES IT SAY.
>> YOU ARE THE GREATEST AND THE

328
00:10:01,501 --> 00:10:01,700
>> James: WHAT DOES IT SAY.
>> YOU ARE THE GREATEST AND THE
PHOTO.

329
00:10:01,702 --> 00:10:02,934
>> YOU ARE THE GREATEST AND THE
PHOTO.
>> James: YOU ARE THE

330
00:10:02,936 --> 00:10:03,802
PHOTO.
>> James: YOU ARE THE
GREATEST.

331
00:10:03,804 --> 00:10:04,135
>> James: YOU ARE THE
GREATEST.
OKAY, SEND IT.

332
00:10:04,137 --> 00:10:04,369
GREATEST.
OKAY, SEND IT.
>> GONE.

333
00:10:04,371 --> 00:10:09,174
OKAY, SEND IT.
>> GONE.
>> James: IT'S GONE, THAT'S

334
00:10:09,176 --> 00:10:09,841
>> GONE.
>> James: IT'S GONE, THAT'S
IT.

335
00:10:09,843 --> 00:10:10,609
>> James: IT'S GONE, THAT'S
IT.
(APPLAUSE).

336
00:10:10,611 --> 00:10:12,277
IT.
(APPLAUSE).
>> James: OKAY, WE'VE GOT SOME

337
00:10:12,279 --> 00:10:14,179
(APPLAUSE).
>> James: OKAY, WE'VE GOT SOME
DIFFICULT NEWS FOR COFFEE

338
00:10:14,181 --> 00:10:14,679
>> James: OKAY, WE'VE GOT SOME
DIFFICULT NEWS FOR COFFEE
DRINKERS.

339
00:10:14,681 --> 00:10:21,586
DIFFICULT NEWS FOR COFFEE
DRINKERS.
COFFEE PRICES ARE ABOUT TO SURGE

340
00:10:21,588 --> 00:10:22,687
DRINKERS.
COFFEE PRICES ARE ABOUT TO SURGE
BECAUSE THE WORLD IS FACING A

341
00:10:22,689 --> 00:10:24,089
COFFEE PRICES ARE ABOUT TO SURGE
BECAUSE THE WORLD IS FACING A
SEVERE COFFEE SHORTAGE.

342
00:10:24,091 --> 00:10:25,457
BECAUSE THE WORLD IS FACING A
SEVERE COFFEE SHORTAGE.
IT COULD BE TRAGIC, THOSE PEOPLE

343
00:10:25,459 --> 00:10:26,191
SEVERE COFFEE SHORTAGE.
IT COULD BE TRAGIC, THOSE PEOPLE
WITH THE MUGS THAT SAY DON'T

344
00:10:26,193 --> 00:10:27,959
IT COULD BE TRAGIC, THOSE PEOPLE
WITH THE MUGS THAT SAY DON'T
EVEN TALK TO ME UNTIL I HAVE MY

345
00:10:27,961 --> 00:10:32,564
WITH THE MUGS THAT SAY DON'T
EVEN TALK TO ME UNTIL I HAVE MY
COFFEE, WE MIGHT NEVER SPEAK TO

346
00:10:32,566 --> 00:10:34,199
EVEN TALK TO ME UNTIL I HAVE MY
COFFEE, WE MIGHT NEVER SPEAK TO
THEM AGAIN A SEVERE COFFEE

347
00:10:34,201 --> 00:10:37,035
COFFEE, WE MIGHT NEVER SPEAK TO
THEM AGAIN A SEVERE COFFEE
SHORTAGE BUT MOUNTAIN DEW CODE

348
00:10:37,037 --> 00:10:38,570
THEM AGAIN A SEVERE COFFEE
SHORTAGE BUT MOUNTAIN DEW CODE
RED STILL AVAILABLE EVERYBODY.

349
00:10:38,572 --> 00:10:42,173
SHORTAGE BUT MOUNTAIN DEW CODE
RED STILL AVAILABLE EVERYBODY.
CHILL VIBES ARE SOLD, BABY.

350
00:10:42,175 --> 00:10:44,175
RED STILL AVAILABLE EVERYBODY.
CHILL VIBES ARE SOLD, BABY.
>> I'M NOT SURE-- NOW IT WILL BE

351
00:10:44,177 --> 00:10:48,647
CHILL VIBES ARE SOLD, BABY.
>> I'M NOT SURE-- NOW IT WILL BE
EVEN HARDER TO CONVINCE YOUR

352
00:10:48,649 --> 00:10:49,748
>> I'M NOT SURE-- NOW IT WILL BE
EVEN HARDER TO CONVINCE YOUR
COWORKERS WHEN YOU'RE ON ZOOM

353
00:10:49,750 --> 00:10:51,950
EVEN HARDER TO CONVINCE YOUR
COWORKERS WHEN YOU'RE ON ZOOM
THAT THERE ISN'T ONE ON YOUR

354
00:10:51,952 --> 00:10:53,618
COWORKERS WHEN YOU'RE ON ZOOM
THAT THERE ISN'T ONE ON YOUR
COFFEE MULG, OH THIS IS JUST

355
00:10:53,620 --> 00:10:54,686
THAT THERE ISN'T ONE ON YOUR
COFFEE MULG, OH THIS IS JUST
COFFEE, AND THEY ARE LIKE I

356
00:10:54,688 --> 00:10:56,154
COFFEE MULG, OH THIS IS JUST
COFFEE, AND THEY ARE LIKE I
HAVEN'T BEEN ABLE TO FIND COFFEE

357
00:10:56,156 --> 00:11:01,359
COFFEE, AND THEY ARE LIKE I
HAVEN'T BEEN ABLE TO FIND COFFEE
ANYWHERE, IT IS COFFEE, IT IS

358
00:11:01,361 --> 00:11:04,763
HAVEN'T BEEN ABLE TO FIND COFFEE
ANYWHERE, IT IS COFFEE, IT IS
COFFEE!

359
00:11:04,765 --> 00:11:06,197
ANYWHERE, IT IS COFFEE, IT IS
COFFEE!
IAN WHAT WOULD YOU FREAK ABOUT

360
00:11:06,199 --> 00:11:07,599
COFFEE!
IAN WHAT WOULD YOU FREAK ABOUT
IF THERE WAS A SHORTAGE.

361
00:11:07,601 --> 00:11:10,168
IAN WHAT WOULD YOU FREAK ABOUT
IF THERE WAS A SHORTAGE.
>> THIS HAPPENED T WAS GRAPE

362
00:11:10,170 --> 00:11:10,368
IF THERE WAS A SHORTAGE.
>> THIS HAPPENED T WAS GRAPE
NUTS.

363
00:11:10,370 --> 00:11:12,470
>> THIS HAPPENED T WAS GRAPE
NUTS.
>> James: RIGHT.

364
00:11:12,472 --> 00:11:13,905
NUTS.
>> James: RIGHT.
>> I AM ONE OF THE PEOPLE THAT

365
00:11:13,907 --> 00:11:15,640
>> James: RIGHT.
>> I AM ONE OF THE PEOPLE THAT
LOVE GRAPE NUTS AND A THERE WAS

366
00:11:15,642 --> 00:11:17,542
>> I AM ONE OF THE PEOPLE THAT
LOVE GRAPE NUTS AND A THERE WAS
A WORLDWIDE SHORTAGE OF GRAPE

367
00:11:17,544 --> 00:11:19,310
LOVE GRAPE NUTS AND A THERE WAS
A WORLDWIDE SHORTAGE OF GRAPE
NUTS AND I COULDN'T GET GRAPE

368
00:11:19,312 --> 00:11:19,511
A WORLDWIDE SHORTAGE OF GRAPE
NUTS AND I COULDN'T GET GRAPE
NUTS.

369
00:11:19,513 --> 00:11:19,844
NUTS AND I COULDN'T GET GRAPE
NUTS.
>> James: WHY.

370
00:11:19,846 --> 00:11:20,578
NUTS.
>> James: WHY.
>> I DON'T KNOW.

371
00:11:20,580 --> 00:11:24,649
>> James: WHY.
>> I DON'T KNOW.
>> James: GOOD CHAT.

372
00:11:24,651 --> 00:11:24,883
>> I DON'T KNOW.
>> James: GOOD CHAT.
>> YEAH.

373
00:11:24,885 --> 00:11:25,450
>> James: GOOD CHAT.
>> YEAH.
>> James: WHAT WOULD YOU

374
00:11:25,452 --> 00:11:27,485
>> YEAH.
>> James: WHAT WOULD YOU
SUFFER IF THERE WAS A WORLDWIDE

375
00:11:27,487 --> 00:11:30,188
>> James: WHAT WOULD YOU
SUFFER IF THERE WAS A WORLDWIDE
SHORTAGE OF SOMETHING, REG?

376
00:11:30,190 --> 00:11:34,459
SUFFER IF THERE WAS A WORLDWIDE
SHORTAGE OF SOMETHING, REG?
>> EITHER FOUR LOCO OR GLIMA.

377
00:11:34,461 --> 00:11:37,062
SHORTAGE OF SOMETHING, REG?
>> EITHER FOUR LOCO OR GLIMA.
>> James: WE'RE REALLY KILLING

378
00:11:37,064 --> 00:11:39,097
>> EITHER FOUR LOCO OR GLIMA.
>> James: WE'RE REALLY KILLING
THESE CHATSK GUYS, WE'RE REALLY,

379
00:11:39,099 --> 00:11:41,900
>> James: WE'RE REALLY KILLING
THESE CHATSK GUYS, WE'RE REALLY,
THANK 2K3W0D FOR PATTI LUPONE

380
00:11:41,902 --> 00:11:42,200
THESE CHATSK GUYS, WE'RE REALLY,
THANK 2K3W0D FOR PATTI LUPONE
TONIGHT.

381
00:11:42,202 --> 00:11:42,967
THANK 2K3W0D FOR PATTI LUPONE
TONIGHT.
>> WHAT IS SOMETHING WHERE YOU

382
00:11:42,969 --> 00:11:44,703
TONIGHT.
>> WHAT IS SOMETHING WHERE YOU
WOULD BE UPSET.

383
00:11:44,705 --> 00:11:45,136
>> WHAT IS SOMETHING WHERE YOU
WOULD BE UPSET.
>> YEAH, DAVE.

384
00:11:45,138 --> 00:11:46,771
WOULD BE UPSET.
>> YEAH, DAVE.
>> IF THERE WAS A GLOBAL

385
00:11:46,773 --> 00:11:47,038
>> YEAH, DAVE.
>> IF THERE WAS A GLOBAL
SHORTAGE.

386
00:11:47,040 --> 00:11:49,207
>> IF THERE WAS A GLOBAL
SHORTAGE.
>> James: OBVIOUSLY, COFFEE,

387
00:11:49,209 --> 00:11:50,175
SHORTAGE.
>> James: OBVIOUSLY, COFFEE,
COFFEE IS THE ONE FOR ME.

388
00:11:50,177 --> 00:11:52,777
>> James: OBVIOUSLY, COFFEE,
COFFEE IS THE ONE FOR ME.
>> BECAUSE OF THAT KEURIG THING,

389
00:11:52,779 --> 00:11:52,944
COFFEE IS THE ONE FOR ME.
>> BECAUSE OF THAT KEURIG THING,
HUH?

390
00:11:52,946 --> 00:11:58,183
>> BECAUSE OF THAT KEURIG THING,
HUH?
>> James: NO.

391
00:11:58,185 --> 00:12:01,586
HUH?
>> James: NO.
(LAUGHTER)

392
00:12:01,588 --> 00:12:04,789
>> James: NO.
(LAUGHTER)
>> IT'S EITHER COFFEE OR THE

393
00:12:04,791 --> 00:12:09,360
(LAUGHTER)
>> IT'S EITHER COFFEE OR THE
CHASE SAPHIRE CARD

394
00:12:09,362 --> 00:12:09,627
>> IT'S EITHER COFFEE OR THE
CHASE SAPHIRE CARD
(LAUGHTER)

395
00:12:09,629 --> 00:12:11,196
CHASE SAPHIRE CARD
(LAUGHTER)
SWRZ HONESTLY, IF WE ARE TALKING

396
00:12:11,198 --> 00:12:13,164
(LAUGHTER)
SWRZ HONESTLY, IF WE ARE TALKING
HONESTLY, I WOULD BE MOST LOST

397
00:12:13,166 --> 00:12:19,437
SWRZ HONESTLY, IF WE ARE TALKING
HONESTLY, I WOULD BE MOST LOST
WITHOUT MY W-W APP.

398
00:12:19,439 --> 00:12:21,606
HONESTLY, I WOULD BE MOST LOST
WITHOUT MY W-W APP.
, WOULDN'T BE ABLE TO-- WITHOUT

399
00:12:21,608 --> 00:12:22,040
WITHOUT MY W-W APP.
, WOULDN'T BE ABLE TO-- WITHOUT
IT.

400
00:12:22,042 --> 00:12:25,376
, WOULDN'T BE ABLE TO-- WITHOUT
IT.
ANY NEW, DAVE, ANY REPLY?

401
00:12:25,378 --> 00:12:25,677
IT.
ANY NEW, DAVE, ANY REPLY?
>> NOTHING.

402
00:12:25,679 --> 00:12:27,979
ANY NEW, DAVE, ANY REPLY?
>> NOTHING.
>> James: CUZ YOU DIDN'T ASK A

403
00:12:27,981 --> 00:12:28,813
>> NOTHING.
>> James: CUZ YOU DIDN'T ASK A
QUESTION.

404
00:12:28,815 --> 00:12:29,047
>> James: CUZ YOU DIDN'T ASK A
QUESTION.
>> YEAH.

405
00:12:29,049 --> 00:12:30,582
QUESTION.
>> YEAH.
>> James: NOW SEND.

406
00:12:30,584 --> 00:12:33,551
>> YEAH.
>> James: NOW SEND.
>> NO, NO, NO SWRZ NO, DAVE, NOW

407
00:12:33,553 --> 00:12:34,986
>> James: NOW SEND.
>> NO, NO, NO SWRZ NO, DAVE, NOW
SEND DID YOU GET THE PHOTO.

408
00:12:34,988 --> 00:12:36,354
>> NO, NO, NO SWRZ NO, DAVE, NOW
SEND DID YOU GET THE PHOTO.
MAKE SURE IT WENT THROUGH.

409
00:12:36,356 --> 00:12:36,888
SEND DID YOU GET THE PHOTO.
MAKE SURE IT WENT THROUGH.
>> NO, NO, NO.

410
00:12:36,890 --> 00:12:38,490
MAKE SURE IT WENT THROUGH.
>> NO, NO, NO.
>> James: WHY DO YOU NOT WANT

411
00:12:38,492 --> 00:12:40,058
>> NO, NO, NO.
>> James: WHY DO YOU NOT WANT
TO OPEN THIS DIALOGUE.

412
00:12:40,060 --> 00:12:40,892
>> James: WHY DO YOU NOT WANT
TO OPEN THIS DIALOGUE.
>> I THINK WE HAVE DONE A LOT

413
00:12:40,894 --> 00:12:44,395
TO OPEN THIS DIALOGUE.
>> I THINK WE HAVE DONE A LOT
WITH PATTI LUPONE ON TONIGHT'S

414
00:12:44,397 --> 00:12:44,662
>> I THINK WE HAVE DONE A LOT
WITH PATTI LUPONE ON TONIGHT'S
MONOLOGUE.

415
00:12:44,664 --> 00:12:46,197
WITH PATTI LUPONE ON TONIGHT'S
MONOLOGUE.
I THINK WE CAN DO MORE STORIES.

416
00:12:46,199 --> 00:12:47,866
MONOLOGUE.
I THINK WE CAN DO MORE STORIES.
>> I THINK PATTI IS SITTING

417
00:12:47,868 --> 00:12:49,768
I THINK WE CAN DO MORE STORIES.
>> I THINK PATTI IS SITTING
THERE IDINA MENZEL AND ALAN

418
00:12:49,770 --> 00:12:50,969
>> I THINK PATTI IS SITTING
THERE IDINA MENZEL AND ALAN
COMING LIKE WHAT DO I WRITE

419
00:12:50,971 --> 00:12:52,604
THERE IDINA MENZEL AND ALAN
COMING LIKE WHAT DO I WRITE
BACK, WHAT DO I WRITE BACK.

420
00:12:52,606 --> 00:12:54,205
COMING LIKE WHAT DO I WRITE
BACK, WHAT DO I WRITE BACK.
>> James: ARE YOU ABSOLUTELY

421
00:12:54,207 --> 00:12:55,640
BACK, WHAT DO I WRITE BACK.
>> James: ARE YOU ABSOLUTELY
RIGHT, AUDRA McDONALD IS

422
00:12:55,642 --> 00:12:58,176
>> James: ARE YOU ABSOLUTELY
RIGHT, AUDRA McDONALD IS
GOING, YOU'VE GOT TO REPLY.

423
00:12:58,178 --> 00:12:59,811
RIGHT, AUDRA McDONALD IS
GOING, YOU'VE GOT TO REPLY.
AND SHE'S GOING NO, I DON'T WANT

424
00:12:59,813 --> 00:13:00,945
GOING, YOU'VE GOT TO REPLY.
AND SHE'S GOING NO, I DON'T WANT
TO BE TOO.

425
00:13:00,947 --> 00:13:02,413
AND SHE'S GOING NO, I DON'T WANT
TO BE TOO.
>> SHE IS PROBABLY REALLY

426
00:13:02,415 --> 00:13:03,515
TO BE TOO.
>> SHE IS PROBABLY REALLY
EXCITED, OH, THIS IS SO COOL,

427
00:13:03,517 --> 00:13:05,316
>> SHE IS PROBABLY REALLY
EXCITED, OH, THIS IS SO COOL,
THIS COOL YOUNG HIP DUDE WORKS

428
00:13:05,318 --> 00:13:07,252
EXCITED, OH, THIS IS SO COOL,
THIS COOL YOUNG HIP DUDE WORKS
FOR THE COOL SHOW.

429
00:13:07,254 --> 00:13:07,786
THIS COOL YOUNG HIP DUDE WORKS
FOR THE COOL SHOW.
SO EXCITED.

430
00:13:07,788 --> 00:13:09,053
FOR THE COOL SHOW.
SO EXCITED.
THAT THEY CARE ABOUT ME.

431
00:13:09,055 --> 00:13:10,188
SO EXCITED.
THAT THEY CARE ABOUT ME.
AND THEN ARE YOU JUST LIKE NO,

432
00:13:10,190 --> 00:13:16,427
THAT THEY CARE ABOUT ME.
AND THEN ARE YOU JUST LIKE NO,
I'M GOING TO WITHHOLD MY LOVE.

433
00:13:16,429 --> 00:13:20,632
AND THEN ARE YOU JUST LIKE NO,
I'M GOING TO WITHHOLD MY LOVE.
>> HE'S AFRAID OF SUCCESS.

434
00:13:20,634 --> 00:13:22,200
I'M GOING TO WITHHOLD MY LOVE.
>> HE'S AFRAID OF SUCCESS.
>> James: YOU ARE ON FIRE

435
00:13:22,202 --> 00:13:23,034
>> HE'S AFRAID OF SUCCESS.
>> James: YOU ARE ON FIRE
TONIGHT, WHAT HAPPENED WHAT DID

436
00:13:23,036 --> 00:13:25,837
>> James: YOU ARE ON FIRE
TONIGHT, WHAT HAPPENED WHAT DID
YOU DO LAST NIGHT?

437
00:13:25,839 --> 00:13:29,908
TONIGHT, WHAT HAPPENED WHAT DID
YOU DO LAST NIGHT?
>> MY ANNIVERSARY TODAY, WITH MY

438
00:13:29,910 --> 00:13:30,108
YOU DO LAST NIGHT?
>> MY ANNIVERSARY TODAY, WITH MY
WIFE.

439
00:13:30,110 --> 00:13:32,043
>> MY ANNIVERSARY TODAY, WITH MY
WIFE.
>> James: OH, CONGRATS.

440
00:13:32,045 --> 00:13:32,877
WIFE.
>> James: OH, CONGRATS.
>> THANK YOU, THANK YOU, THANK

441
00:13:32,879 --> 00:13:33,044
>> James: OH, CONGRATS.
>> THANK YOU, THANK YOU, THANK
YOU.

442
00:13:33,046 --> 00:13:33,912
>> THANK YOU, THANK YOU, THANK
YOU.
>> James: CONGRATS.

443
00:13:33,914 --> 00:13:38,016
YOU.
>> James: CONGRATS.
>> LET'S GET THAT SALAD BOOTH

444
00:13:38,018 --> 00:13:38,183
>> James: CONGRATS.
>> LET'S GET THAT SALAD BOOTH
OUT.

445
00:13:38,185 --> 00:13:54,332
>> LET'S GET THAT SALAD BOOTH
OUT.
(LAUGHTER)

446
00:13:54,900 --> 00:14:00,772
.
>> James: THAT SALAD BOOTH, OH
GOD.

447
00:14:00,774 --> 00:14:04,809
>> James: THAT SALAD BOOTH, OH
GOD.
THE WORST THING ABOUT THAT

448
00:14:04,811 --> 00:14:06,978
GOD.
THE WORST THING ABOUT THAT
SALAD-- THE WORST THING ABOUT

449
00:14:06,980 --> 00:14:10,181
THE WORST THING ABOUT THAT
SALAD-- THE WORST THING ABOUT
THAT SALAD BOOTH IS IT WAS

450
00:14:10,183 --> 00:14:13,117
SALAD-- THE WORST THING ABOUT
THAT SALAD BOOTH IS IT WAS
[BLEEP] REHEARSAL AND WE WERE

451
00:14:13,119 --> 00:14:14,619
THAT SALAD BOOTH IS IT WAS
[BLEEP] REHEARSAL AND WE WERE
LIKE DO WE CUT IT?

452
00:14:14,621 --> 00:14:16,421
[BLEEP] REHEARSAL AND WE WERE
LIKE DO WE CUT IT?
WE'RE LIKE WELL NO HE HAS BUILT

453
00:14:16,423 --> 00:14:21,259
LIKE DO WE CUT IT?
WE'RE LIKE WELL NO HE HAS BUILT
IT, IT IS REGGIE'S BIRTHDAY.

454
00:14:21,261 --> 00:14:22,727
WE'RE LIKE WELL NO HE HAS BUILT
IT, IT IS REGGIE'S BIRTHDAY.
OH JEEZ.

455
00:14:22,729 --> 00:14:23,394
IT, IT IS REGGIE'S BIRTHDAY.
OH JEEZ.
>> IT'S ALL GOOD.

456
00:14:23,396 --> 00:14:25,330
OH JEEZ.
>> IT'S ALL GOOD.
>> James: ALSO AMAZING THAT WE

457
00:14:25,332 --> 00:14:28,099
>> IT'S ALL GOOD.
>> James: ALSO AMAZING THAT WE
SAID REHEARSAL IT WAS REHEARSED

458
00:14:28,101 --> 00:14:29,534
>> James: ALSO AMAZING THAT WE
SAID REHEARSAL IT WAS REHEARSED
MULTIPLE TIMES, RIGHT, MIKE?

459
00:14:29,536 --> 00:14:29,767
SAID REHEARSAL IT WAS REHEARSED
MULTIPLE TIMES, RIGHT, MIKE?
>> YEAH.

460
00:14:29,769 --> 00:14:32,804
MULTIPLE TIMES, RIGHT, MIKE?
>> YEAH.
>> James: MULTIPLE TIMES AND

461
00:14:32,806 --> 00:14:38,176
>> YEAH.
>> James: MULTIPLE TIMES AND
THEN THEY STILL BOUGHT OUT

462
00:14:38,178 --> 00:14:40,812
>> James: MULTIPLE TIMES AND
THEN THEY STILL BOUGHT OUT
THE-- TOO EARLY.

463
00:14:40,814 --> 00:14:42,180
THEN THEY STILL BOUGHT OUT
THE-- TOO EARLY.
OH, GOD.

464
00:14:42,182 --> 00:14:46,184
THE-- TOO EARLY.
OH, GOD.
>> JUST BRING IT OUT.

465
00:14:46,186 --> 00:14:50,188
OH, GOD.
>> JUST BRING IT OUT.
>> NO!

466
00:14:50,190 --> 00:14:51,956
>> JUST BRING IT OUT.
>> NO!
(LAUGHTER).

467
00:14:51,958 --> 00:14:54,359
>> NO!
(LAUGHTER).
>> James: OH GOD.

468
00:14:54,361 --> 00:14:56,895
(LAUGHTER).
>> James: OH GOD.
OH GOD, I DON'T KNOW IF ANYONE

469
00:14:56,897 --> 00:14:59,130
>> James: OH GOD.
OH GOD, I DON'T KNOW IF ANYONE
IS WATCHING BUT I'M SO HAPPY,

470
00:14:59,132 --> 00:15:02,200
OH GOD, I DON'T KNOW IF ANYONE
IS WATCHING BUT I'M SO HAPPY,
I'M SO HAPPY WE GET TO DO THIS

471
00:15:02,202 --> 00:15:02,734
IS WATCHING BUT I'M SO HAPPY,
I'M SO HAPPY WE GET TO DO THIS
EVERY DAY.

472
00:15:02,736 --> 00:15:04,802
I'M SO HAPPY WE GET TO DO THIS
EVERY DAY.
I REALLY AM.

473
00:15:04,804 --> 00:15:10,208
EVERY DAY.
I REALLY AM.
OH, GOD.

474
00:15:10,210 --> 00:15:13,411
I REALLY AM.
OH, GOD.
AND, WE WANTED TO TELL YOU ABOUT

475
00:15:13,413 --> 00:15:14,312
OH, GOD.
AND, WE WANTED TO TELL YOU ABOUT
TWO MEN TRAVELING OUT OF AN

476
00:15:14,314 --> 00:15:14,913
AND, WE WANTED TO TELL YOU ABOUT
TWO MEN TRAVELING OUT OF AN
AIRPORT WERE QUESTIONED BY

477
00:15:14,915 --> 00:15:16,648
TWO MEN TRAVELING OUT OF AN
AIRPORT WERE QUESTIONED BY
POLICE BECAUSE OF THEIR ODD HAIR

478
00:15:16,650 --> 00:15:17,882
AIRPORT WERE QUESTIONED BY
POLICE BECAUSE OF THEIR ODD HAIR
STYLES AND IT TURNS OUT THEY

479
00:15:17,884 --> 00:15:20,752
POLICE BECAUSE OF THEIR ODD HAIR
STYLES AND IT TURNS OUT THEY
WERE SMUGGLING ALMOST 400,000 OF

480
00:15:20,754 --> 00:15:25,957
STYLES AND IT TURNS OUT THEY
WERE SMUGGLING ALMOST 400,000 OF
GOLD AND CASH UNDERNEATH AND

481
00:15:25,959 --> 00:15:27,926
WERE SMUGGLING ALMOST 400,000 OF
GOLD AND CASH UNDERNEATH AND
WE'RE NOT MAKING THIS UP,

482
00:15:27,928 --> 00:15:29,627
GOLD AND CASH UNDERNEATH AND
WE'RE NOT MAKING THIS UP,
UNDERNEATH THEIR TOUPEES, YES,

483
00:15:29,629 --> 00:15:31,763
WE'RE NOT MAKING THIS UP,
UNDERNEATH THEIR TOUPEES, YES,
OBVIOUSLY THE MEN WILL USE THE

484
00:15:31,765 --> 00:15:34,232
UNDERNEATH THEIR TOUPEES, YES,
OBVIOUSLY THE MEN WILL USE THE
MONEY TO PAY SOMEONE.

485
00:15:34,234 --> 00:15:37,302
OBVIOUSLY THE MEN WILL USE THE
MONEY TO PAY SOMEONE.
ACCEPT THAT JOKE FOR WHAT IT IS,

486
00:15:37,304 --> 00:15:39,671
MONEY TO PAY SOMEONE.
ACCEPT THAT JOKE FOR WHAT IT IS,
IT IS A CRY FOR HELP THAT IS ALL

487
00:15:39,673 --> 00:15:42,173
ACCEPT THAT JOKE FOR WHAT IT IS,
IT IS A CRY FOR HELP THAT IS ALL
IT IS, A CRY FOR HELP IT REALLY

488
00:15:42,175 --> 00:15:42,607
IT IS A CRY FOR HELP THAT IS ALL
IT IS, A CRY FOR HELP IT REALLY
WASN'T A GOOD PLAN.

489
00:15:42,609 --> 00:15:44,075
IT IS, A CRY FOR HELP IT REALLY
WASN'T A GOOD PLAN.
IF YOU LOOK CLOSELY YOU COULD

490
00:15:44,077 --> 00:15:48,846
WASN'T A GOOD PLAN.
IF YOU LOOK CLOSELY YOU COULD
TELL SOMETHING WAS UP.

491
00:15:48,848 --> 00:15:50,915
IF YOU LOOK CLOSELY YOU COULD
TELL SOMETHING WAS UP.
REG, REG, IF YOU WENT TOTALLY

492
00:15:50,917 --> 00:15:52,050
TELL SOMETHING WAS UP.
REG, REG, IF YOU WENT TOTALLY
BALD, WHAT WOULD YOU DO?

493
00:15:52,052 --> 00:15:54,152
REG, REG, IF YOU WENT TOTALLY
BALD, WHAT WOULD YOU DO?
SHAVE IT, TOUPEE, COMB OVER,

494
00:15:54,154 --> 00:15:56,988
BALD, WHAT WOULD YOU DO?
SHAVE IT, TOUPEE, COMB OVER,
WHAT, WHAT ARE YOU DOING?

495
00:15:56,990 --> 00:15:58,489
SHAVE IT, TOUPEE, COMB OVER,
WHAT, WHAT ARE YOU DOING?
>> YOU KNOW, I WOULD PROBABLY

496
00:15:58,491 --> 00:16:02,694
WHAT, WHAT ARE YOU DOING?
>> YOU KNOW, I WOULD PROBABLY
GET LIKE A PROSTHETIC TEAM TO

497
00:16:02,696 --> 00:16:04,462
>> YOU KNOW, I WOULD PROBABLY
GET LIKE A PROSTHETIC TEAM TO
MAKE A PERFECT MOLD OF MY HEAD

498
00:16:04,464 --> 00:16:07,966
GET LIKE A PROSTHETIC TEAM TO
MAKE A PERFECT MOLD OF MY HEAD
AND THEN JUST MAKE REALLY TIGHT

499
00:16:07,968 --> 00:16:08,967
MAKE A PERFECT MOLD OF MY HEAD
AND THEN JUST MAKE REALLY TIGHT
SNAP-ON LEGO STYLE, SO I CAN

500
00:16:08,969 --> 00:16:10,201
AND THEN JUST MAKE REALLY TIGHT
SNAP-ON LEGO STYLE, SO I CAN
SNAP ON DIFFERENT HAIR STYLES.

501
00:16:10,203 --> 00:16:12,837
SNAP-ON LEGO STYLE, SO I CAN
SNAP ON DIFFERENT HAIR STYLES.
>> James: THAT'S A VERY GOOD

502
00:16:12,839 --> 00:16:13,237
SNAP ON DIFFERENT HAIR STYLES.
>> James: THAT'S A VERY GOOD
IDEA.

503
00:16:13,239 --> 00:16:13,538
>> James: THAT'S A VERY GOOD
IDEA.
>> YOU KNOW.

504
00:16:13,540 --> 00:16:14,172
IDEA.
>> YOU KNOW.
>> James: YOU SHOULD PATENT

505
00:16:14,174 --> 00:16:14,539
>> YOU KNOW.
>> James: YOU SHOULD PATENT
THAT.

506
00:16:14,541 --> 00:16:14,806
>> James: YOU SHOULD PATENT
THAT.
>> I WILL.

507
00:16:14,808 --> 00:16:17,442
THAT.
>> I WILL.
>> James: LEGO HEAD.

508
00:16:17,444 --> 00:16:22,180
>> I WILL.
>> James: LEGO HEAD.
>> OH YEAH, ROB, YOU THINK THAT

509
00:16:22,182 --> 00:16:24,115
>> James: LEGO HEAD.
>> OH YEAH, ROB, YOU THINK THAT
MIGHT BE POSSIBLE?

510
00:16:24,117 --> 00:16:28,686
>> OH YEAH, ROB, YOU THINK THAT
MIGHT BE POSSIBLE?
>> James: WHAT WOULD YOU DO,

511
00:16:28,688 --> 00:16:28,853
MIGHT BE POSSIBLE?
>> James: WHAT WOULD YOU DO,
IAN.

512
00:16:28,855 --> 00:16:31,622
>> James: WHAT WOULD YOU DO,
IAN.
>> SHAVE, FULL, LIKE THE MALCOLM

513
00:16:31,624 --> 00:16:31,889
IAN.
>> SHAVE, FULL, LIKE THE MALCOLM
KOSHEDEN.

514
00:16:31,891 --> 00:16:33,391
>> SHAVE, FULL, LIKE THE MALCOLM
KOSHEDEN.
>> James: WHAT I LIKE TO CALL

515
00:16:33,393 --> 00:16:35,393
KOSHEDEN.
>> James: WHAT I LIKE TO CALL
IT MALCOLM CORDEN HUNG IN THERE

516
00:16:35,395 --> 00:16:37,061
>> James: WHAT I LIKE TO CALL
IT MALCOLM CORDEN HUNG IN THERE
AS LONG AS HE COULD, WHEN HIS

517
00:16:37,063 --> 00:16:38,963
IT MALCOLM CORDEN HUNG IN THERE
AS LONG AS HE COULD, WHEN HIS
HAIR WAS GOING, HE HAD THE

518
00:16:38,965 --> 00:16:42,200
AS LONG AS HE COULD, WHEN HIS
HAIR WAS GOING, HE HAD THE
LITTLE, THE PHIL COLLINS, D YOU

519
00:16:42,202 --> 00:16:43,368
HAIR WAS GOING, HE HAD THE
LITTLE, THE PHIL COLLINS, D YOU
KNOW WHAT I MEAN.

520
00:16:43,370 --> 00:16:45,803
LITTLE, THE PHIL COLLINS, D YOU
KNOW WHAT I MEAN.
LIKE A SORT OF LANDING STIP ON

521
00:16:45,805 --> 00:16:48,106
KNOW WHAT I MEAN.
LIKE A SORT OF LANDING STIP ON
THE TROP OF HIS HEAD, AND AS

522
00:16:48,108 --> 00:16:52,477
LIKE A SORT OF LANDING STIP ON
THE TROP OF HIS HEAD, AND AS
SOON AS THAT WASN'T TOO-- HE

523
00:16:52,479 --> 00:16:54,178
THE TROP OF HIS HEAD, AND AS
SOON AS THAT WASN'T TOO-- HE
WENT BANG, AND I RESPECT HIM FOR

524
00:16:54,180 --> 00:16:56,914
SOON AS THAT WASN'T TOO-- HE
WENT BANG, AND I RESPECT HIM FOR
IT.

525
00:16:56,916 --> 00:16:57,615
WENT BANG, AND I RESPECT HIM FOR
IT.
THERE HE IS.

526
00:16:57,617 --> 00:16:58,783
IT.
THERE HE IS.
ABSOLUTE BEEF CAKE.

527
00:16:58,785 --> 00:16:59,384
THERE HE IS.
ABSOLUTE BEEF CAKE.
FINALLY WE WANT TO TELL YOU

528
00:16:59,386 --> 00:17:01,352
ABSOLUTE BEEF CAKE.
FINALLY WE WANT TO TELL YOU
ABOUT THIS, I COMPANY THAT OWNS

529
00:17:01,354 --> 00:17:03,421
FINALLY WE WANT TO TELL YOU
ABOUT THIS, I COMPANY THAT OWNS
SEVERAL MAJOR FAST FOOD CHAINS

530
00:17:03,423 --> 00:17:07,892
ABOUT THIS, I COMPANY THAT OWNS
SEVERAL MAJOR FAST FOOD CHAINS
WILL NOW ALLOW CUSTOMERS TO

531
00:17:07,894 --> 00:17:10,194
SEVERAL MAJOR FAST FOOD CHAINS
WILL NOW ALLOW CUSTOMERS TO
ORDER FAD VIA TEXT MESSAGE, TEXT

532
00:17:10,196 --> 00:17:12,196
WILL NOW ALLOW CUSTOMERS TO
ORDER FAD VIA TEXT MESSAGE, TEXT
TO KFC, TACO BELL AND PIZZA HUT,

533
00:17:12,198 --> 00:17:15,299
ORDER FAD VIA TEXT MESSAGE, TEXT
TO KFC, TACO BELL AND PIZZA HUT,
I MIGHT START SENDING TEXTS TO

534
00:17:15,301 --> 00:17:16,601
TO KFC, TACO BELL AND PIZZA HUT,
I MIGHT START SENDING TEXTS TO
TACO BELL AND PIZZA HUT BUT WILL

535
00:17:16,603 --> 00:17:18,236
I MIGHT START SENDING TEXTS TO
TACO BELL AND PIZZA HUT BUT WILL
STILL DO HANDWRITTEN LETTERS TO

536
00:17:18,238 --> 00:17:22,673
TACO BELL AND PIZZA HUT BUT WILL
STILL DO HANDWRITTEN LETTERS TO
SHAKE SHACK BECAUSE THEY'RE

537
00:17:22,675 --> 00:17:22,907
STILL DO HANDWRITTEN LETTERS TO
SHAKE SHACK BECAUSE THEY'RE
SPECIAL.

538
00:17:22,909 --> 00:17:24,842
SHAKE SHACK BECAUSE THEY'RE
SPECIAL.
YOU CAN NOW TEST TEXT YOUR FAST

539
00:17:24,844 --> 00:17:26,110
SPECIAL.
YOU CAN NOW TEST TEXT YOUR FAST
FOOD ORDER, TEXT THE ITEMS YOU

540
00:17:26,112 --> 00:17:30,181
YOU CAN NOW TEST TEXT YOUR FAST
FOOD ORDER, TEXT THE ITEMS YOU
WANT AND SAY I WOULD LIKE TO

541
00:17:30,183 --> 00:17:32,750
FOOD ORDER, TEXT THE ITEMS YOU
WANT AND SAY I WOULD LIKE TO
ORDER THREE

542
00:17:32,752 --> 00:17:33,484
WANT AND SAY I WOULD LIKE TO
ORDER THREE
"I'D LIKE TO ORDER THREE STEAK

543
00:17:33,486 --> 00:17:34,218
ORDER THREE
"I'D LIKE TO ORDER THREE STEAK
SOFT TACOS, A SEVEN-LAYER

544
00:17:34,220 --> 00:17:34,819
"I'D LIKE TO ORDER THREE STEAK
SOFT TACOS, A SEVEN-LAYER
BURRITO, A NACHOS BELL GRANDE

545
00:17:34,821 --> 00:17:35,586
SOFT TACOS, A SEVEN-LAYER
BURRITO, A NACHOS BELL GRANDE
AND SIX CHICKEN QUESALUPAS."

546
00:17:35,588 --> 00:17:36,220
BURRITO, A NACHOS BELL GRANDE
AND SIX CHICKEN QUESALUPAS."
AND THEN YOU GET AN AUTOMATED

547
00:17:36,222 --> 00:17:37,021
AND SIX CHICKEN QUESALUPAS."
AND THEN YOU GET AN AUTOMATED
RESPONSE OF, "YOUR ORDER IS

548
00:17:37,023 --> 00:17:37,555
AND THEN YOU GET AN AUTOMATED
RESPONSE OF, "YOUR ORDER IS
CONFIRMED!

549
00:17:37,557 --> 00:17:38,189
RESPONSE OF, "YOUR ORDER IS
CONFIRMED!
ALSO, WE'RE SORRY SHE LEFT.

550
00:17:38,191 --> 00:17:41,459
CONFIRMED!
ALSO, WE'RE SORRY SHE LEFT.
SAD FACE."

551
00:17:41,461 --> 00:17:43,494
ALSO, WE'RE SORRY SHE LEFT.
SAD FACE."
WE'LL BE RIGHT BACK WITH MINNIE

552
00:17:43,496 --> 00:17:46,330
SAD FACE."
WE'LL BE RIGHT BACK WITH MINNIE
DRIVER, EVERYBO

553
00:17:58,243 --> 00:18:01,345
>> James: WELCOME BACK.
LET'S MEET OUR FIRST GUEST
TONIGHT!

554
00:18:01,347 --> 00:18:01,979
LET'S MEET OUR FIRST GUEST
TONIGHT!
SHE'S A FANTASTIC ACTOR YOU KNOW

555
00:18:01,981 --> 00:18:02,713
TONIGHT!
SHE'S A FANTASTIC ACTOR YOU KNOW
FROM "GOOD WILL HUNTING,"

556
00:18:02,715 --> 00:18:03,381
SHE'S A FANTASTIC ACTOR YOU KNOW
FROM "GOOD WILL HUNTING,"
"GROSSE POINT BLANK,"

557
00:18:03,383 --> 00:18:04,248
FROM "GOOD WILL HUNTING,"
"GROSSE POINT BLANK,"
"SPEECHLESS," AND SO MUCH MORE.

558
00:18:04,250 --> 00:18:04,982
"GROSSE POINT BLANK,"
"SPEECHLESS," AND SO MUCH MORE.
THE GLORIOUS, THE FABULOUS,

559
00:18:04,984 --> 00:18:11,756
"SPEECHLESS," AND SO MUCH MORE.
THE GLORIOUS, THE FABULOUS,
MINNIE DRIVER IS HERE TONIGHT!

560
00:18:11,758 --> 00:18:13,391
THE GLORIOUS, THE FABULOUS,
MINNIE DRIVER IS HERE TONIGHT!
THERE SHE IS, MINNIE, IT IS SO

561
00:18:13,393 --> 00:18:14,759
MINNIE DRIVER IS HERE TONIGHT!
THERE SHE IS, MINNIE, IT IS SO
GOOD TO SEE YOU, YOU ARE JINKING

562
00:18:14,761 --> 00:18:16,227
THERE SHE IS, MINNIE, IT IS SO
GOOD TO SEE YOU, YOU ARE JINKING
US FROM LONDON WHERE YOU HAVE

563
00:18:16,229 --> 00:18:17,595
GOOD TO SEE YOU, YOU ARE JINKING
US FROM LONDON WHERE YOU HAVE
BEEN FOR THE LAST SIX MONTHSK

564
00:18:17,597 --> 00:18:20,231
US FROM LONDON WHERE YOU HAVE
BEEN FOR THE LAST SIX MONTHSK
HOW IS IT OVER THERE?

565
00:18:20,233 --> 00:18:24,235
BEEN FOR THE LAST SIX MONTHSK
HOW IS IT OVER THERE?
>> YOU KNOW WHAT, IT IS AMAZING

566
00:18:24,237 --> 00:18:27,705
HOW IS IT OVER THERE?
>> YOU KNOW WHAT, IT IS AMAZING
MUCH EVERYBODY IS KEEPING IT

567
00:18:27,707 --> 00:18:28,639
>> YOU KNOW WHAT, IT IS AMAZING
MUCH EVERYBODY IS KEEPING IT
PROPERLY LOCKED DOWN.

568
00:18:28,641 --> 00:18:30,508
MUCH EVERYBODY IS KEEPING IT
PROPERLY LOCKED DOWN.
AND WE LOOK FORWARD TO NEW

569
00:18:30,510 --> 00:18:32,743
PROPERLY LOCKED DOWN.
AND WE LOOK FORWARD TO NEW
BEGINNINGS IN THE SPRING.

570
00:18:32,745 --> 00:18:35,079
AND WE LOOK FORWARD TO NEW
BEGINNINGS IN THE SPRING.
IT IS COLD AND GRAY BUT BLUE

571
00:18:35,081 --> 00:18:37,682
BEGINNINGS IN THE SPRING.
IT IS COLD AND GRAY BUT BLUE
SKIES TODAY PROMPTING MORE.

572
00:18:37,684 --> 00:18:39,450
IT IS COLD AND GRAY BUT BLUE
SKIES TODAY PROMPTING MORE.
>> James: CUZ YOU NORMALLY

573
00:18:39,452 --> 00:18:41,786
SKIES TODAY PROMPTING MORE.
>> James: CUZ YOU NORMALLY
SPLIT YOUR TIME PRECOVID BETWEEN

574
00:18:41,788 --> 00:18:42,753
>> James: CUZ YOU NORMALLY
SPLIT YOUR TIME PRECOVID BETWEEN
CALIFORNIA AND THE UK.

575
00:18:42,755 --> 00:18:45,056
SPLIT YOUR TIME PRECOVID BETWEEN
CALIFORNIA AND THE UK.
WHAT HAVE YOU MISSED MOST ABOUT

576
00:18:45,058 --> 00:18:46,357
CALIFORNIA AND THE UK.
WHAT HAVE YOU MISSED MOST ABOUT
BEING HERE ON THE WEST COAST

577
00:18:46,359 --> 00:18:50,962
WHAT HAVE YOU MISSED MOST ABOUT
BEING HERE ON THE WEST COAST
WHILE YOU HAVE BEEN IN LONDON?

578
00:18:50,964 --> 00:18:53,898
BEING HERE ON THE WEST COAST
WHILE YOU HAVE BEEN IN LONDON?
>> WELL, I MISS THE OCEAN AND

579
00:18:53,900 --> 00:18:55,032
WHILE YOU HAVE BEEN IN LONDON?
>> WELL, I MISS THE OCEAN AND
ABOUT FOUR PEOPLE.

580
00:18:55,034 --> 00:18:57,201
>> WELL, I MISS THE OCEAN AND
ABOUT FOUR PEOPLE.
>> James: RIGHT.

581
00:18:57,203 --> 00:19:03,307
ABOUT FOUR PEOPLE.
>> James: RIGHT.
>> BUT I MISS, YOU CAN TAKE

582
00:19:03,309 --> 00:19:06,210
>> James: RIGHT.
>> BUT I MISS, YOU CAN TAKE
LIKE-- I LOVE IT SO MUCH.

583
00:19:06,212 --> 00:19:09,147
>> BUT I MISS, YOU CAN TAKE
LIKE-- I LOVE IT SO MUCH.
I SWIM IN IT EVERY DAY, RAIN OR

584
00:19:09,149 --> 00:19:09,347
LIKE-- I LOVE IT SO MUCH.
I SWIM IN IT EVERY DAY, RAIN OR
SHINE.

585
00:19:09,349 --> 00:19:12,250
I SWIM IN IT EVERY DAY, RAIN OR
SHINE.
I SURF IN IT MOST DAYS.

586
00:19:12,252 --> 00:19:14,652
SHINE.
I SURF IN IT MOST DAYS.
I, YEAH, IT'S WEIRD, IT'S A

587
00:19:14,654 --> 00:19:15,286
I SURF IN IT MOST DAYS.
I, YEAH, IT'S WEIRD, IT'S A
PROPER A.

588
00:19:15,288 --> 00:19:17,221
I, YEAH, IT'S WEIRD, IT'S A
PROPER A.
>> James: IT IS DIFFICULT TO

589
00:19:17,223 --> 00:19:18,856
PROPER A.
>> James: IT IS DIFFICULT TO
SURF IN WEST LONDON.

590
00:19:18,858 --> 00:19:23,127
>> James: IT IS DIFFICULT TO
SURF IN WEST LONDON.
>> YOU CAN'T, YOU CAN'T REALLY.

591
00:19:23,129 --> 00:19:26,831
SURF IN WEST LONDON.
>> YOU CAN'T, YOU CAN'T REALLY.
YOU CAN SWIM IN THE SURF IN HYDE

592
00:19:26,833 --> 00:19:31,002
>> YOU CAN'T, YOU CAN'T REALLY.
YOU CAN SWIM IN THE SURF IN HYDE
PARK BUT THERE'S QUITE A LOT OF

593
00:19:31,004 --> 00:19:31,536
YOU CAN SWIM IN THE SURF IN HYDE
PARK BUT THERE'S QUITE A LOT OF
DUCK [BLEEP]

594
00:19:31,538 --> 00:19:32,904
PARK BUT THERE'S QUITE A LOT OF
DUCK [BLEEP]
>> James: NOW I WANT TO ASK

595
00:19:32,906 --> 00:19:34,005
DUCK [BLEEP]
>> James: NOW I WANT TO ASK
YOU ABOUT A PARTICULAR SKILL

596
00:19:34,007 --> 00:19:35,773
>> James: NOW I WANT TO ASK
YOU ABOUT A PARTICULAR SKILL
THAT YOU HAVE WHICH I IMAGINE IS

597
00:19:35,775 --> 00:19:39,110
YOU ABOUT A PARTICULAR SKILL
THAT YOU HAVE WHICH I IMAGINE IS
VERY HANDY IF ONE IS AN ACTOR.

598
00:19:39,112 --> 00:19:40,244
THAT YOU HAVE WHICH I IMAGINE IS
VERY HANDY IF ONE IS AN ACTOR.
BECAUSE YOU SAY THAT IF THERE IS

599
00:19:40,246 --> 00:19:44,215
VERY HANDY IF ONE IS AN ACTOR.
BECAUSE YOU SAY THAT IF THERE IS
A FILM OR A TV SET NEAR YOU

600
00:19:44,217 --> 00:19:46,250
BECAUSE YOU SAY THAT IF THERE IS
A FILM OR A TV SET NEAR YOU
WHEREVER YOU ARE IN THE WORLD,

601
00:19:46,252 --> 00:19:48,019
A FILM OR A TV SET NEAR YOU
WHEREVER YOU ARE IN THE WORLD,
YOU WILL SHOW FIND IT.

602
00:19:48,021 --> 00:19:51,622
WHEREVER YOU ARE IN THE WORLD,
YOU WILL SHOW FIND IT.
TALK ME THROUGH THIS ABILITY.

603
00:19:51,624 --> 00:19:54,158
YOU WILL SHOW FIND IT.
TALK ME THROUGH THIS ABILITY.
>> WELL, AS WITH MOST TALENTS

604
00:19:54,160 --> 00:19:56,227
TALK ME THROUGH THIS ABILITY.
>> WELL, AS WITH MOST TALENTS
AND MALCOLM WOULD SAY IT TAKES

605
00:19:56,229 --> 00:19:57,161
>> WELL, AS WITH MOST TALENTS
AND MALCOLM WOULD SAY IT TAKES
10,000 HOURS.

606
00:19:57,163 --> 00:19:58,129
AND MALCOLM WOULD SAY IT TAKES
10,000 HOURS.
>> James: ABSOLUTELY.

607
00:19:58,131 --> 00:19:59,197
10,000 HOURS.
>> James: ABSOLUTELY.
>> YOU HAVE TO REALLY, REALLY

608
00:19:59,199 --> 00:20:01,199
>> James: ABSOLUTELY.
>> YOU HAVE TO REALLY, REALLY
WANT TO DO THAT THING.

609
00:20:01,201 --> 00:20:03,000
>> YOU HAVE TO REALLY, REALLY
WANT TO DO THAT THING.
AND I LOVE FILM SETS.

610
00:20:03,002 --> 00:20:04,702
WANT TO DO THAT THING.
AND I LOVE FILM SETS.
AND TV SETS MORE, MAYBE MORE

611
00:20:04,704 --> 00:20:06,904
AND I LOVE FILM SETS.
AND TV SETS MORE, MAYBE MORE
THAN ANY OTHER PLACE IN THE

612
00:20:06,906 --> 00:20:07,905
AND TV SETS MORE, MAYBE MORE
THAN ANY OTHER PLACE IN THE
WORLDS EXCEPT THE OCEAN.

613
00:20:07,907 --> 00:20:08,639
THAN ANY OTHER PLACE IN THE
WORLDS EXCEPT THE OCEAN.
>> James: RIGHT.

614
00:20:08,641 --> 00:20:10,208
WORLDS EXCEPT THE OCEAN.
>> James: RIGHT.
>> I DON'T KNOW WHAT IT IS.

615
00:20:10,210 --> 00:20:12,243
>> James: RIGHT.
>> I DON'T KNOW WHAT IT IS.
WHEN I SEE A CABLE RUNNING ALONG

616
00:20:12,245 --> 00:20:14,812
>> I DON'T KNOW WHAT IT IS.
WHEN I SEE A CABLE RUNNING ALONG
A PAVEMENT, I GET FLUTTERY.

617
00:20:14,814 --> 00:20:16,414
WHEN I SEE A CABLE RUNNING ALONG
A PAVEMENT, I GET FLUTTERY.
IF I SEE SOMEONE WITH A HEAD

618
00:20:16,416 --> 00:20:19,116
A PAVEMENT, I GET FLUTTERY.
IF I SEE SOMEONE WITH A HEAD
PIECE TALKING TON A WALKIE, OR A

619
00:20:19,118 --> 00:20:21,519
IF I SEE SOMEONE WITH A HEAD
PIECE TALKING TON A WALKIE, OR A
CLIP BOARD OR SOMEONE WITH A

620
00:20:21,521 --> 00:20:24,222
PIECE TALKING TON A WALKIE, OR A
CLIP BOARD OR SOMEONE WITH A
HAIR AND MAKEUP BAG, I GET QUITE

621
00:20:24,224 --> 00:20:25,923
CLIP BOARD OR SOMEONE WITH A
HAIR AND MAKEUP BAG, I GET QUITE
FLUTTERY AND I DESPERATELY NEED

622
00:20:25,925 --> 00:20:26,924
HAIR AND MAKEUP BAG, I GET QUITE
FLUTTERY AND I DESPERATELY NEED
TO FIND THE SET.

623
00:20:26,926 --> 00:20:28,226
FLUTTERY AND I DESPERATELY NEED
TO FIND THE SET.
AND I WILL FIND IT.

624
00:20:28,228 --> 00:20:30,061
TO FIND THE SET.
AND I WILL FIND IT.
PEOPLE WILL TEXT ME AND GO LIKE

625
00:20:30,063 --> 00:20:30,895
AND I WILL FIND IT.
PEOPLE WILL TEXT ME AND GO LIKE
SOMEONE TEXTS ME WHEN I WAS IN

626
00:20:30,897 --> 00:20:32,163
PEOPLE WILL TEXT ME AND GO LIKE
SOMEONE TEXTS ME WHEN I WAS IN
NEW YORK, AND THEY ARE LIKE

627
00:20:32,165 --> 00:20:33,264
SOMEONE TEXTS ME WHEN I WAS IN
NEW YORK, AND THEY ARE LIKE
THERE IS A CABLE ON AVENUE A,

628
00:20:33,266 --> 00:20:34,465
NEW YORK, AND THEY ARE LIKE
THERE IS A CABLE ON AVENUE A,
YOU GOT TO GET DOWN THERE.

629
00:20:34,467 --> 00:20:38,402
THERE IS A CABLE ON AVENUE A,
YOU GOT TO GET DOWN THERE.
I DON'T KNOW WHAT IT IS.

630
00:20:38,404 --> 00:20:41,072
YOU GOT TO GET DOWN THERE.
I DON'T KNOW WHAT IT IS.
AND I'M ALWAYS HOPING, LIKE I'M

631
00:20:41,074 --> 00:20:42,106
I DON'T KNOW WHAT IT IS.
AND I'M ALWAYS HOPING, LIKE I'M
RUBBER NECKING AT THE SIDE

632
00:20:42,108 --> 00:20:43,708
AND I'M ALWAYS HOPING, LIKE I'M
RUBBER NECKING AT THE SIDE
LOOKING TO SEE IF I KNOW ANYONE,

633
00:20:43,710 --> 00:20:49,046
RUBBER NECKING AT THE SIDE
LOOKING TO SEE IF I KNOW ANYONE,
LIKE AN AD, A GRIP, A PAIR ON

634
00:20:49,048 --> 00:20:50,548
LOOKING TO SEE IF I KNOW ANYONE,
LIKE AN AD, A GRIP, A PAIR ON
THE BACK OF CAMERA TRUCK.

635
00:20:50,550 --> 00:20:50,948
LIKE AN AD, A GRIP, A PAIR ON
THE BACK OF CAMERA TRUCK.
I LOVE IT.

636
00:20:50,950 --> 00:20:51,649
THE BACK OF CAMERA TRUCK.
I LOVE IT.
I LOVE IT.

637
00:20:51,651 --> 00:20:53,751
I LOVE IT.
I LOVE IT.
>> James: THREE YEARS AGO,

638
00:20:53,753 --> 00:20:55,953
I LOVE IT.
>> James: THREE YEARS AGO,
THREE YEARS AGO ME AND DOMINIC

639
00:20:55,955 --> 00:20:57,855
>> James: THREE YEARS AGO,
THREE YEARS AGO ME AND DOMINIC
COOPER, THE VERY FAMOUS, BEEN ON

640
00:20:57,857 --> 00:21:00,057
THREE YEARS AGO ME AND DOMINIC
COOPER, THE VERY FAMOUS, BEEN ON
THE SHOW, WE SAW A FILM SET IN

641
00:21:00,059 --> 00:21:00,291
COOPER, THE VERY FAMOUS, BEEN ON
THE SHOW, WE SAW A FILM SET IN
LONDON.

642
00:21:00,293 --> 00:21:02,093
THE SHOW, WE SAW A FILM SET IN
LONDON.
WE STILL DON'T KNOW WHAT FILM IT

643
00:21:02,095 --> 00:21:02,393
LONDON.
WE STILL DON'T KNOW WHAT FILM IT
IS.

644
00:21:02,395 --> 00:21:08,232
WE STILL DON'T KNOW WHAT FILM IT
IS.
BUT WE WENT AND GOT LUNCH.

645
00:21:08,234 --> 00:21:09,567
IS.
BUT WE WENT AND GOT LUNCH.
WE THOUGHT IF ARE YOU DOING IT

646
00:21:09,569 --> 00:21:10,835
BUT WE WENT AND GOT LUNCH.
WE THOUGHT IF ARE YOU DOING IT
WRONG, DO IT STRONG.

647
00:21:10,837 --> 00:21:15,039
WE THOUGHT IF ARE YOU DOING IT
WRONG, DO IT STRONG.
WE WALKED UP TO THE CASE, WE

648
00:21:15,041 --> 00:21:18,175
WRONG, DO IT STRONG.
WE WALKED UP TO THE CASE, WE
ORDERED CHICKEN QUESADILLAS,

649
00:21:18,177 --> 00:21:19,277
WE WALKED UP TO THE CASE, WE
ORDERED CHICKEN QUESADILLAS,
FRIES AND A SAL AND AND TOOK IT

650
00:21:19,279 --> 00:21:20,978
ORDERED CHICKEN QUESADILLAS,
FRIES AND A SAL AND AND TOOK IT
WITH US AND WE LEFT THE SET.

651
00:21:20,980 --> 00:21:22,880
FRIES AND A SAL AND AND TOOK IT
WITH US AND WE LEFT THE SET.
AND WE STILL DON'T KNOW WHAT WAS

652
00:21:22,882 --> 00:21:23,347
WITH US AND WE LEFT THE SET.
AND WE STILL DON'T KNOW WHAT WAS
FILMING THERE.

653
00:21:23,349 --> 00:21:23,981
AND WE STILL DON'T KNOW WHAT WAS
FILMING THERE.
WE DON'T KNOW.

654
00:21:23,983 --> 00:21:25,182
FILMING THERE.
WE DON'T KNOW.
I MEAN.

655
00:21:25,184 --> 00:21:27,685
WE DON'T KNOW.
I MEAN.
>> I WISH I HAD MANAGED TO BE, I

656
00:21:27,687 --> 00:21:30,821
I MEAN.
>> I WISH I HAD MANAGED TO BE, I
ALMOST GOT, I PHANTOM OF THE

657
00:21:30,823 --> 00:21:33,291
>> I WISH I HAD MANAGED TO BE, I
ALMOST GOT, I PHANTOM OF THE
OPRAH THEY WERE DOING THAT

658
00:21:33,293 --> 00:21:34,191
ALMOST GOT, I PHANTOM OF THE
OPRAH THEY WERE DOING THAT
ALEXANDER, THE COLIN POWELL

659
00:21:34,193 --> 00:21:35,593
OPRAH THEY WERE DOING THAT
ALEXANDER, THE COLIN POWELL
MOVIE NEXT DOOR IN THE STUDIO

660
00:21:35,595 --> 00:21:37,161
ALEXANDER, THE COLIN POWELL
MOVIE NEXT DOOR IN THE STUDIO
AND I POPPED OVER TO SEE

661
00:21:37,163 --> 00:21:39,196
MOVIE NEXT DOOR IN THE STUDIO
AND I POPPED OVER TO SEE
SOMEONE, LOVE THE FILM SET, NOT

662
00:21:39,198 --> 00:21:40,231
AND I POPPED OVER TO SEE
SOMEONE, LOVE THE FILM SET, NOT
THE ONE I WAS IN.

663
00:21:40,233 --> 00:21:41,966
SOMEONE, LOVE THE FILM SET, NOT
THE ONE I WAS IN.
AND THERES WITH A BIG MARKET

664
00:21:41,968 --> 00:21:42,166
THE ONE I WAS IN.
AND THERES WITH A BIG MARKET
SCENE.

665
00:21:42,168 --> 00:21:44,001
AND THERES WITH A BIG MARKET
SCENE.
AND I WENT AND TRIED TO GET IN,

666
00:21:44,003 --> 00:21:45,970
SCENE.
AND I WENT AND TRIED TO GET IN,
I GOT SHOUTED AT TO GO AND TAKE

667
00:21:45,972 --> 00:21:47,371
AND I WENT AND TRIED TO GET IN,
I GOT SHOUTED AT TO GO AND TAKE
MY PLACE BECAUSE THEY THOUGHT I

668
00:21:47,373 --> 00:21:47,872
I GOT SHOUTED AT TO GO AND TAKE
MY PLACE BECAUSE THEY THOUGHT I
WAS AN EXTRA.

669
00:21:47,874 --> 00:21:49,607
MY PLACE BECAUSE THEY THOUGHT I
WAS AN EXTRA.
AND I WENT AND GOT INTO THE

670
00:21:49,609 --> 00:21:51,275
WAS AN EXTRA.
AND I WENT AND GOT INTO THE
MARKET SCENE AND I HAD A TURBAN

671
00:21:51,277 --> 00:21:52,877
AND I WENT AND GOT INTO THE
MARKET SCENE AND I HAD A TURBAN
AND WHOLE THING AND I WAS ALMOST

672
00:21:52,879 --> 00:21:58,015
MARKET SCENE AND I HAD A TURBAN
AND WHOLE THING AND I WAS ALMOST
IN THE BACKGROUND OF ALEXANDER.

673
00:21:58,017 --> 00:21:59,784
AND WHOLE THING AND I WAS ALMOST
IN THE BACKGROUND OF ALEXANDER.
>> James: IT MUST BE QUITE

674
00:21:59,786 --> 00:22:02,219
IN THE BACKGROUND OF ALEXANDER.
>> James: IT MUST BE QUITE
DIFFICULT FOR YOU THOUGH CUZ I

675
00:22:02,221 --> 00:22:03,754
>> James: IT MUST BE QUITE
DIFFICULT FOR YOU THOUGH CUZ I
CAN ONLY IMAGINE, PARTICULARLY

676
00:22:03,756 --> 00:22:04,789
DIFFICULT FOR YOU THOUGH CUZ I
CAN ONLY IMAGINE, PARTICULARLY
IN LONDON WHICH IS MUCH MORE

677
00:22:04,791 --> 00:22:06,424
CAN ONLY IMAGINE, PARTICULARLY
IN LONDON WHICH IS MUCH MORE
PUBLIC CITY, YOU MUST GET

678
00:22:06,426 --> 00:22:07,058
IN LONDON WHICH IS MUCH MORE
PUBLIC CITY, YOU MUST GET
RECOGNIZED ALL THE TIME WHEN YOU

679
00:22:07,060 --> 00:22:09,760
PUBLIC CITY, YOU MUST GET
RECOGNIZED ALL THE TIME WHEN YOU
ARE OUT AND ABOUT WANDERING

680
00:22:09,762 --> 00:22:10,628
RECOGNIZED ALL THE TIME WHEN YOU
ARE OUT AND ABOUT WANDERING
AROUND PARTICULARLY IF YOU ARE

681
00:22:10,630 --> 00:22:12,229
ARE OUT AND ABOUT WANDERING
AROUND PARTICULARLY IF YOU ARE
NEAR A FILM SET.

682
00:22:12,231 --> 00:22:13,764
AROUND PARTICULARLY IF YOU ARE
NEAR A FILM SET.
>> SOMETIMES BUT PEOPLE ALSO

683
00:22:13,766 --> 00:22:15,333
NEAR A FILM SET.
>> SOMETIMES BUT PEOPLE ALSO
REMEMBER HERE THEY ARE LIKE OH,

684
00:22:15,335 --> 00:22:16,867
>> SOMETIMES BUT PEOPLE ALSO
REMEMBER HERE THEY ARE LIKE OH,
I DON'T WANT TO RECOGNIZE HER,

685
00:22:16,869 --> 00:22:19,637
REMEMBER HERE THEY ARE LIKE OH,
I DON'T WANT TO RECOGNIZE HER,
NO, I'M NOT GIVING, THEY

686
00:22:19,639 --> 00:22:21,072
I DON'T WANT TO RECOGNIZE HER,
NO, I'M NOT GIVING, THEY
DON'T-- THEY'RE ANNOYED IF THEY

687
00:22:21,074 --> 00:22:22,573
NO, I'M NOT GIVING, THEY
DON'T-- THEY'RE ANNOYED IF THEY
RECOGNIZE YOU HERE I FOUND.

688
00:22:22,575 --> 00:22:24,709
DON'T-- THEY'RE ANNOYED IF THEY
RECOGNIZE YOU HERE I FOUND.
>> James: WHY?

689
00:22:24,711 --> 00:22:26,610
RECOGNIZE YOU HERE I FOUND.
>> James: WHY?
>> BECAUSE I THINK THEY THINK

690
00:22:26,612 --> 00:22:29,513
>> James: WHY?
>> BECAUSE I THINK THEY THINK
YOU'RE GOING TO UP YOURSELF AND

691
00:22:29,515 --> 00:22:31,449
>> BECAUSE I THINK THEY THINK
YOU'RE GOING TO UP YOURSELF AND
THAT, I DON'T KNOW, I HAVE

692
00:22:31,451 --> 00:22:32,416
YOU'RE GOING TO UP YOURSELF AND
THAT, I DON'T KNOW, I HAVE
ALWAYS GOT THE IMPRESSION THAT

693
00:22:32,418 --> 00:22:34,852
THAT, I DON'T KNOW, I HAVE
ALWAYS GOT THE IMPRESSION THAT
PEOPLE WOULD RATHER CROSS THE

694
00:22:34,854 --> 00:22:37,054
ALWAYS GOT THE IMPRESSION THAT
PEOPLE WOULD RATHER CROSS THE
STREET THAN RECOGNIZE YOU BUT

695
00:22:37,056 --> 00:22:38,222
PEOPLE WOULD RATHER CROSS THE
STREET THAN RECOGNIZE YOU BUT
THE OTHER DAY I WAS WALKING DOWN

696
00:22:38,224 --> 00:22:39,690
STREET THAN RECOGNIZE YOU BUT
THE OTHER DAY I WAS WALKING DOWN
THIS RECORD STORE THAT I USED TO

697
00:22:39,692 --> 00:22:41,959
THE OTHER DAY I WAS WALKING DOWN
THIS RECORD STORE THAT I USED TO
HANG OUT AT WHEN I WAS A

698
00:22:41,961 --> 00:22:43,127
THIS RECORD STORE THAT I USED TO
HANG OUT AT WHEN I WAS A
TEENAGER CALLED ROUGH TRADE.

699
00:22:43,129 --> 00:22:46,831
HANG OUT AT WHEN I WAS A
TEENAGER CALLED ROUGH TRADE.
>> James: I KNOW IT.

700
00:22:46,833 --> 00:22:48,232
TEENAGER CALLED ROUGH TRADE.
>> James: I KNOW IT.
>> LOOKING DOWN TAL BOT ROAD AND

701
00:22:48,234 --> 00:22:50,935
>> James: I KNOW IT.
>> LOOKING DOWN TAL BOT ROAD AND
THERE WAS A GAGEL OF TEENAGE

702
00:22:50,937 --> 00:22:51,435
>> LOOKING DOWN TAL BOT ROAD AND
THERE WAS A GAGEL OF TEENAGE
BOYS HANGING OUT.

703
00:22:51,437 --> 00:22:53,437
THERE WAS A GAGEL OF TEENAGE
BOYS HANGING OUT.
AND I LOVE THE FACT THAT COVID,

704
00:22:53,439 --> 00:22:54,038
BOYS HANGING OUT.
AND I LOVE THE FACT THAT COVID,
EVERYTHING IS SHUT.

705
00:22:54,040 --> 00:22:56,073
AND I LOVE THE FACT THAT COVID,
EVERYTHING IS SHUT.
BUT THEY ARE STILL HANGING OUT

706
00:22:56,075 --> 00:22:56,874
EVERYTHING IS SHUT.
BUT THEY ARE STILL HANGING OUT
OUTSIDE THE RECORD SHOP THAT

707
00:22:56,876 --> 00:22:58,476
BUT THEY ARE STILL HANGING OUT
OUTSIDE THE RECORD SHOP THAT
THEY WOULD BE IN IF THEY COULD.

708
00:22:58,478 --> 00:23:00,244
OUTSIDE THE RECORD SHOP THAT
THEY WOULD BE IN IF THEY COULD.
>> James: SURE.

709
00:23:00,246 --> 00:23:04,215
THEY WOULD BE IN IF THEY COULD.
>> James: SURE.
>> AND THEY'RE CLEARLY VERY,

710
00:23:04,217 --> 00:23:08,152
>> James: SURE.
>> AND THEY'RE CLEARLY VERY,
VERY, VERY HIGH, HAVING A LOT OF

711
00:23:08,154 --> 00:23:08,352
>> AND THEY'RE CLEARLY VERY,
VERY, VERY HIGH, HAVING A LOT OF
WEED.

712
00:23:08,354 --> 00:23:12,189
VERY, VERY HIGH, HAVING A LOT OF
WEED.
AND THEY'RE YOUNG, RIGHT.

713
00:23:12,191 --> 00:23:15,459
WEED.
AND THEY'RE YOUNG, RIGHT.
AND ONE OF THEM, LIKE THE LEAST

714
00:23:15,461 --> 00:23:19,597
AND THEY'RE YOUNG, RIGHT.
AND ONE OF THEM, LIKE THE LEAST
HIGH ONE IS LIKE OOOH DEBBIE

715
00:23:19,599 --> 00:23:22,666
AND ONE OF THEM, LIKE THE LEAST
HIGH ONE IS LIKE OOOH DEBBIE
NEWBERRY AND I WAS LIKE, THEY

716
00:23:22,668 --> 00:23:24,869
HIGH ONE IS LIKE OOOH DEBBIE
NEWBERRY AND I WAS LIKE, THEY
HAD ALL SEEN GROSSE POINTE BLANK

717
00:23:24,871 --> 00:23:26,837
NEWBERRY AND I WAS LIKE, THEY
HAD ALL SEEN GROSSE POINTE BLANK
WHICH I SUPPOSE TO THEM NOW IS

718
00:23:26,839 --> 00:23:27,705
HAD ALL SEEN GROSSE POINTE BLANK
WHICH I SUPPOSE TO THEM NOW IS
THIS CULT FILM.

719
00:23:27,707 --> 00:23:30,141
WHICH I SUPPOSE TO THEM NOW IS
THIS CULT FILM.
AND I GOT THE IMPRESSION THAT

720
00:23:30,143 --> 00:23:32,243
THIS CULT FILM.
AND I GOT THE IMPRESSION THAT
THEY WERE IMPRESSED THAT I WAS

721
00:23:32,245 --> 00:23:37,548
AND I GOT THE IMPRESSION THAT
THEY WERE IMPRESSED THAT I WAS
STILL ALIVE, YOU KNOW, IT WAS

722
00:23:37,550 --> 00:23:40,117
THEY WERE IMPRESSED THAT I WAS
STILL ALIVE, YOU KNOW, IT WAS
DECADES AGO FOR THEM, OR IN MY

723
00:23:40,119 --> 00:23:41,685
STILL ALIVE, YOU KNOW, IT WAS
DECADES AGO FOR THEM, OR IN MY
TEEN YEARS, I'M A HUNDRED YEAR.

724
00:23:41,687 --> 00:23:45,156
DECADES AGO FOR THEM, OR IN MY
TEEN YEARS, I'M A HUNDRED YEAR.
AND THEY ALL, LIKE, THEY JUST,

725
00:23:45,158 --> 00:23:47,591
TEEN YEARS, I'M A HUNDRED YEAR.
AND THEY ALL, LIKE, THEY JUST,
THEY TOTALLY, SOCIALLY DISTANT

726
00:23:47,593 --> 00:23:49,326
AND THEY ALL, LIKE, THEY JUST,
THEY TOTALLY, SOCIALLY DISTANT
MOBBED ME IT WAS BRILLIANT.

727
00:23:49,328 --> 00:23:51,862
THEY TOTALLY, SOCIALLY DISTANT
MOBBED ME IT WAS BRILLIANT.
THEY WERE TOTALLY ENCIRCLING ME

728
00:23:51,864 --> 00:23:52,863
MOBBED ME IT WAS BRILLIANT.
THEY WERE TOTALLY ENCIRCLING ME
AND THEY WERE SPEAKING IN TEEN.

729
00:23:52,865 --> 00:23:56,233
THEY WERE TOTALLY ENCIRCLING ME
AND THEY WERE SPEAKING IN TEEN.
YOU KNOW WHERE THEY WERE JUST

730
00:23:56,235 --> 00:24:02,573
AND THEY WERE SPEAKING IN TEEN.
YOU KNOW WHERE THEY WERE JUST
LIKE OH, I CAN'T, NO, AH, MINNIE

731
00:24:02,575 --> 00:24:04,074
YOU KNOW WHERE THEY WERE JUST
LIKE OH, I CAN'T, NO, AH, MINNIE
DRIVER, OOH, THEY DO THAT, THEY

732
00:24:04,076 --> 00:24:06,610
LIKE OH, I CAN'T, NO, AH, MINNIE
DRIVER, OOH, THEY DO THAT, THEY
DID THAT FOR LIKE TEN MINUTES, I

733
00:24:06,612 --> 00:24:08,212
DRIVER, OOH, THEY DO THAT, THEY
DID THAT FOR LIKE TEN MINUTES, I
JUST STOOD THERE WITH LIKE THIS

734
00:24:08,214 --> 00:24:09,447
DID THAT FOR LIKE TEN MINUTES, I
JUST STOOD THERE WITH LIKE THIS
MAD CIRCLE.

735
00:24:09,449 --> 00:24:11,916
JUST STOOD THERE WITH LIKE THIS
MAD CIRCLE.
AND THEN YOU KNOW, THEY JUST

736
00:24:11,918 --> 00:24:13,417
MAD CIRCLE.
AND THEN YOU KNOW, THEY JUST
SPARKED UP ANOTHER BLOUNT AND

737
00:24:13,419 --> 00:24:13,918
AND THEN YOU KNOW, THEY JUST
SPARKED UP ANOTHER BLOUNT AND
LET ME GO.

738
00:24:13,920 --> 00:24:15,453
SPARKED UP ANOTHER BLOUNT AND
LET ME GO.
>> James: HOW GLORIOUS, THAT

739
00:24:15,455 --> 00:24:18,756
LET ME GO.
>> James: HOW GLORIOUS, THAT
HAS MADE ME VERY HOME SICK, IT

740
00:24:18,758 --> 00:24:19,123
>> James: HOW GLORIOUS, THAT
HAS MADE ME VERY HOME SICK, IT
REALLY HAS.

741
00:24:19,125 --> 00:24:20,758
HAS MADE ME VERY HOME SICK, IT
REALLY HAS.
>> IT WAS GLORIOUS AND IT MADE

742
00:24:20,760 --> 00:24:21,125
REALLY HAS.
>> IT WAS GLORIOUS AND IT MADE
ME FEEL YOUNG.

743
00:24:21,127 --> 00:24:22,860
>> IT WAS GLORIOUS AND IT MADE
ME FEEL YOUNG.
>> James: NOW LET'S TALK ABOUT

744
00:24:22,862 --> 00:24:25,262
ME FEEL YOUNG.
>> James: NOW LET'S TALK ABOUT
YOUR BRILLIANT NEW PODCAST

745
00:24:25,264 --> 00:24:26,330
>> James: NOW LET'S TALK ABOUT
YOUR BRILLIANT NEW PODCAST
MINNIE QUESTIONS WITH MINNIE

746
00:24:26,332 --> 00:24:27,798
YOUR BRILLIANT NEW PODCAST
MINNIE QUESTIONS WITH MINNIE
DRIVER WHICH LAUNCHED TODAY IT

747
00:24:27,800 --> 00:24:30,100
MINNIE QUESTIONS WITH MINNIE
DRIVER WHICH LAUNCHED TODAY IT
IS AVAILABLE ON THE IHEART RADIO

748
00:24:30,102 --> 00:24:32,236
DRIVER WHICH LAUNCHED TODAY IT
IS AVAILABLE ON THE IHEART RADIO
APP OR WHEREVER YOU GET YOUR

749
00:24:32,238 --> 00:24:34,071
IS AVAILABLE ON THE IHEART RADIO
APP OR WHEREVER YOU GET YOUR
PODCASTS, TELL EVERYONE ABOUT

750
00:24:34,073 --> 00:24:35,139
APP OR WHEREVER YOU GET YOUR
PODCASTS, TELL EVERYONE ABOUT
THE SHOW.

751
00:24:35,141 --> 00:24:39,643
PODCASTS, TELL EVERYONE ABOUT
THE SHOW.
>> WELL, IT BASED ON Z LOOSELY

752
00:24:39,645 --> 00:24:42,580
THE SHOW.
>> WELL, IT BASED ON Z LOOSELY
ON A QUESTIONNAIRE THAT-- WROTE

753
00:24:42,582 --> 00:24:44,248
>> WELL, IT BASED ON Z LOOSELY
ON A QUESTIONNAIRE THAT-- WROTE
IN THE 19th SENTRY AS A

754
00:24:44,250 --> 00:24:46,016
ON A QUESTIONNAIRE THAT-- WROTE
IN THE 19th SENTRY AS A
PARLOR GAME AND WHAT I WANTED TO

755
00:24:46,018 --> 00:24:47,885
IN THE 19th SENTRY AS A
PARLOR GAME AND WHAT I WANTED TO
DO WAS ASK THE SAME SET OF

756
00:24:47,887 --> 00:24:50,020
PARLOR GAME AND WHAT I WANTED TO
DO WAS ASK THE SAME SET OF
QUESTIONS TO ALL THESE DIFFERENT

757
00:24:50,022 --> 00:24:50,321
DO WAS ASK THE SAME SET OF
QUESTIONS TO ALL THESE DIFFERENT
PEOPLE.

758
00:24:50,323 --> 00:24:52,289
QUESTIONS TO ALL THESE DIFFERENT
PEOPLE.
AND SEE WHAT IT REVEALED ABOUT

759
00:24:52,291 --> 00:24:55,025
PEOPLE.
AND SEE WHAT IT REVEALED ABOUT
THEM, SO THAT YOU CAN SEE IF I

760
00:24:55,027 --> 00:24:56,126
AND SEE WHAT IT REVEALED ABOUT
THEM, SO THAT YOU CAN SEE IF I
ASKED WHAT IS THE QUESTION THAT

761
00:24:56,128 --> 00:24:58,863
THEM, SO THAT YOU CAN SEE IF I
ASKED WHAT IS THE QUESTION THAT
YOU WOULD LIKE ANSWERED TO A

762
00:24:58,865 --> 00:24:59,930
ASKED WHAT IS THE QUESTION THAT
YOU WOULD LIKE ANSWERED TO A
SCIENTIST, WHAT THAT ANSWER

763
00:24:59,932 --> 00:25:00,498
YOU WOULD LIKE ANSWERED TO A
SCIENTIST, WHAT THAT ANSWER
WOULD BE.

764
00:25:00,500 --> 00:25:04,235
SCIENTIST, WHAT THAT ANSWER
WOULD BE.
TO A ROCK MUSICIAN, TO AN

765
00:25:04,237 --> 00:25:06,871
WOULD BE.
TO A ROCK MUSICIAN, TO AN
AUTHOR, TO YOU, TO ANYONE.

766
00:25:06,873 --> 00:25:09,106
TO A ROCK MUSICIAN, TO AN
AUTHOR, TO YOU, TO ANYONE.
THE SAME SEVEN QUESTIONS, BUT

767
00:25:09,108 --> 00:25:10,875
AUTHOR, TO YOU, TO ANYONE.
THE SAME SEVEN QUESTIONS, BUT
WITH SH VARIETY OF PEOPLE AND IT

768
00:25:10,877 --> 00:25:12,943
THE SAME SEVEN QUESTIONS, BUT
WITH SH VARIETY OF PEOPLE AND IT
KIND OF SHOWS HOW INCREDIBLY

769
00:25:12,945 --> 00:25:15,513
WITH SH VARIETY OF PEOPLE AND IT
KIND OF SHOWS HOW INCREDIBLY
SIMILAR WE ARE AND HOW

770
00:25:15,515 --> 00:25:16,547
KIND OF SHOWS HOW INCREDIBLY
SIMILAR WE ARE AND HOW
INCREDIBLY DIVERSE WE ARE.

771
00:25:16,549 --> 00:25:18,449
SIMILAR WE ARE AND HOW
INCREDIBLY DIVERSE WE ARE.
>> IF I HAD TO PICK ONE OF THE

772
00:25:18,451 --> 00:25:20,150
INCREDIBLY DIVERSE WE ARE.
>> IF I HAD TO PICK ONE OF THE
SEVEN QUESTIONS, THAT YOU ASKED

773
00:25:20,152 --> 00:25:23,888
>> IF I HAD TO PICK ONE OF THE
SEVEN QUESTIONS, THAT YOU ASKED
YOUR GUESTS WHICH ONE WHAT I ASK

774
00:25:23,890 --> 00:25:24,221
SEVEN QUESTIONS, THAT YOU ASKED
YOUR GUESTS WHICH ONE WHAT I ASK
YOU?

775
00:25:24,223 --> 00:25:28,158
YOUR GUESTS WHICH ONE WHAT I ASK
YOU?
>> ASK ME WHAT PERSON, PLACE OR

776
00:25:28,160 --> 00:25:29,426
YOU?
>> ASK ME WHAT PERSON, PLACE OR
EXPERIENCE MOST CHANGED MY LIFE.

777
00:25:29,428 --> 00:25:30,461
>> ASK ME WHAT PERSON, PLACE OR
EXPERIENCE MOST CHANGED MY LIFE.
>> James: OKAY, MINNIE,

778
00:25:30,463 --> 00:25:32,229
EXPERIENCE MOST CHANGED MY LIFE.
>> James: OKAY, MINNIE,
SOMETHING THAT JUST POPPED INTO

779
00:25:32,231 --> 00:25:33,964
>> James: OKAY, MINNIE,
SOMETHING THAT JUST POPPED INTO
MY HEAD, WHAT WE WILL DO.

780
00:25:33,966 --> 00:25:35,499
SOMETHING THAT JUST POPPED INTO
MY HEAD, WHAT WE WILL DO.
WE WILL KIT ALL THAT OUT AND IT

781
00:25:35,501 --> 00:25:38,435
MY HEAD, WHAT WE WILL DO.
WE WILL KIT ALL THAT OUT AND IT
WILL LOOK LIKE I JUST ASKED A

782
00:25:38,437 --> 00:25:39,336
WE WILL KIT ALL THAT OUT AND IT
WILL LOOK LIKE I JUST ASKED A
REALLY PROFOUND QUESTION.

783
00:25:39,338 --> 00:25:40,804
WILL LOOK LIKE I JUST ASKED A
REALLY PROFOUND QUESTION.
MINNIE T STRUCK ME EARLIER TODAY

784
00:25:40,806 --> 00:25:43,240
REALLY PROFOUND QUESTION.
MINNIE T STRUCK ME EARLIER TODAY
ON MY DRIVE IN THAT I WANTED TO

785
00:25:43,242 --> 00:25:46,877
MINNIE T STRUCK ME EARLIER TODAY
ON MY DRIVE IN THAT I WANTED TO
ASK YOU WHICH PLACE, PERSON OR

786
00:25:46,879 --> 00:25:52,249
ON MY DRIVE IN THAT I WANTED TO
ASK YOU WHICH PLACE, PERSON OR
EXPERIENCE CHANGED YOUR LIFE.

787
00:25:52,251 --> 00:25:54,685
ASK YOU WHICH PLACE, PERSON OR
EXPERIENCE CHANGED YOUR LIFE.
>> OKAY, SO I WANTED TO BE AN

788
00:25:54,687 --> 00:25:56,420
EXPERIENCE CHANGED YOUR LIFE.
>> OKAY, SO I WANTED TO BE AN
ACTRESS SINCE I WAS SIX YEARS

789
00:25:56,422 --> 00:25:57,855
>> OKAY, SO I WANTED TO BE AN
ACTRESS SINCE I WAS SIX YEARS
OLD, AND I WANTED TO PLAY MUSIC,

790
00:25:57,857 --> 00:26:00,224
ACTRESS SINCE I WAS SIX YEARS
OLD, AND I WANTED TO PLAY MUSIC,
ALL I WANTED TO DO WAS YOU WILL

791
00:26:00,226 --> 00:26:01,392
OLD, AND I WANTED TO PLAY MUSIC,
ALL I WANTED TO DO WAS YOU WILL
ALL OF THAT.

792
00:26:01,394 --> 00:26:03,527
ALL I WANTED TO DO WAS YOU WILL
ALL OF THAT.
DID EVERYTHING, ALL THE PLAYSES,

793
00:26:03,529 --> 00:26:05,195
ALL OF THAT.
DID EVERYTHING, ALL THE PLAYSES,
THE MUSIC, WENT TO DRAMA SCHOOL.

794
00:26:05,197 --> 00:26:08,232
DID EVERYTHING, ALL THE PLAYSES,
THE MUSIC, WENT TO DRAMA SCHOOL.
WAS THE ONLY KID IN MY GLASS TO

795
00:26:08,234 --> 00:26:09,934
THE MUSIC, WENT TO DRAMA SCHOOL.
WAS THE ONLY KID IN MY GLASS TO
GRADUATE THIS REALLY

796
00:26:09,936 --> 00:26:10,501
WAS THE ONLY KID IN MY GLASS TO
GRADUATE THIS REALLY
PRESTIGIOUS, WONDERFUL DRAMA

797
00:26:10,503 --> 00:26:11,869
GRADUATE THIS REALLY
PRESTIGIOUS, WONDERFUL DRAMA
SCHOOL WITHOUT AN AGENT.

798
00:26:11,871 --> 00:26:14,071
PRESTIGIOUS, WONDERFUL DRAMA
SCHOOL WITHOUT AN AGENT.
SO I DIDN'T HAVE REPRESENTATION.

799
00:26:14,073 --> 00:26:15,339
SCHOOL WITHOUT AN AGENT.
SO I DIDN'T HAVE REPRESENTATION.
I WAS JUST STANDING IN THE PUB

800
00:26:15,341 --> 00:26:16,874
SO I DIDN'T HAVE REPRESENTATION.
I WAS JUST STANDING IN THE PUB
AT THE END OF THE THING WITH MY

801
00:26:16,876 --> 00:26:19,677
I WAS JUST STANDING IN THE PUB
AT THE END OF THE THING WITH MY
MOM AND HALF A GLASS OF WINE,

802
00:26:19,679 --> 00:26:22,880
AT THE END OF THE THING WITH MY
MOM AND HALF A GLASS OF WINE,
WHILE I DIDN'T KNOW WHAT I WAS

803
00:26:22,882 --> 00:26:24,248
MOM AND HALF A GLASS OF WINE,
WHILE I DIDN'T KNOW WHAT I WAS
GOING TO DO.

804
00:26:24,250 --> 00:26:28,218
WHILE I DIDN'T KNOW WHAT I WAS
GOING TO DO.
HAPPENED TO THAT SUMMER WAS THE

805
00:26:28,220 --> 00:26:30,621
GOING TO DO.
HAPPENED TO THAT SUMMER WAS THE
SUMMER THAT THE-- EXPLODED AND

806
00:26:30,623 --> 00:26:32,222
HAPPENED TO THAT SUMMER WAS THE
SUMMER THAT THE-- EXPLODED AND
REEF CULTURE EXPLODED IN THE

807
00:26:32,224 --> 00:26:33,757
SUMMER THAT THE-- EXPLODED AND
REEF CULTURE EXPLODED IN THE
U.K. AND EVERY WEEKEND YOU WOULD

808
00:26:33,759 --> 00:26:35,993
REEF CULTURE EXPLODED IN THE
U.K. AND EVERY WEEKEND YOU WOULD
GET A SECRET ADDRESS TO SOME

809
00:26:35,995 --> 00:26:37,795
U.K. AND EVERY WEEKEND YOU WOULD
GET A SECRET ADDRESS TO SOME
FIELD IN THE MIDDLE OF OXFORD

810
00:26:37,797 --> 00:26:40,230
GET A SECRET ADDRESS TO SOME
FIELD IN THE MIDDLE OF OXFORD
SHIRE OR SOME WEIRD CLUB IN SOME

811
00:26:40,232 --> 00:26:41,832
FIELD IN THE MIDDLE OF OXFORD
SHIRE OR SOME WEIRD CLUB IN SOME
PART OF LONDON THAT YOU HAD NO

812
00:26:41,834 --> 00:26:42,900
SHIRE OR SOME WEIRD CLUB IN SOME
PART OF LONDON THAT YOU HAD NO
BUSINESS GOING TO.

813
00:26:42,902 --> 00:26:45,336
PART OF LONDON THAT YOU HAD NO
BUSINESS GOING TO.
AND I WOULD GO AROUND THERE WAS

814
00:26:45,338 --> 00:26:49,006
BUSINESS GOING TO.
AND I WOULD GO AROUND THERE WAS
THIS TRIBE OF AMAZING DJS AND

815
00:26:49,008 --> 00:26:50,574
AND I WOULD GO AROUND THERE WAS
THIS TRIBE OF AMAZING DJS AND
THEIR GIRLFRIENDS AND FRIENDS OF

816
00:26:50,576 --> 00:26:52,843
THIS TRIBE OF AMAZING DJS AND
THEIR GIRLFRIENDS AND FRIENDS OF
FRIENDS AND WE GO AND WE WOULD

817
00:26:52,845 --> 00:26:54,612
THEIR GIRLFRIENDS AND FRIENDS OF
FRIENDS AND WE GO AND WE WOULD
DANCE, AND DANCE FOR HOURS AND

818
00:26:54,614 --> 00:26:55,613
FRIENDS AND WE GO AND WE WOULD
DANCE, AND DANCE FOR HOURS AND
HOURS AND HOURS.

819
00:26:55,615 --> 00:26:58,048
DANCE, AND DANCE FOR HOURS AND
HOURS AND HOURS.
I HAVE MY FORD FIESTA AND I'M A

820
00:26:58,050 --> 00:26:59,416
HOURS AND HOURS.
I HAVE MY FORD FIESTA AND I'M A
GOOD GIRL AND I DIDN'T DO ALL

821
00:26:59,418 --> 00:27:01,185
I HAVE MY FORD FIESTA AND I'M A
GOOD GIRL AND I DIDN'T DO ALL
THE DRUGS THAT EVERYBODY WAS

822
00:27:01,187 --> 00:27:01,385
GOOD GIRL AND I DIDN'T DO ALL
THE DRUGS THAT EVERYBODY WAS
DOING.

823
00:27:01,387 --> 00:27:03,020
THE DRUGS THAT EVERYBODY WAS
DOING.
I PROBABLY WOULD HAVE A BEER AT

824
00:27:03,022 --> 00:27:04,221
DOING.
I PROBABLY WOULD HAVE A BEER AT
THE BEGINNING OF THE NIGHT AND

825
00:27:04,223 --> 00:27:06,056
I PROBABLY WOULD HAVE A BEER AT
THE BEGINNING OF THE NIGHT AND
DANCE FOR SEVEN HOURS WITH

826
00:27:06,058 --> 00:27:07,157
THE BEGINNING OF THE NIGHT AND
DANCE FOR SEVEN HOURS WITH
EVERYBODY ELSE AND I WOULD BE

827
00:27:07,159 --> 00:27:08,659
DANCE FOR SEVEN HOURS WITH
EVERYBODY ELSE AND I WOULD BE
THE SOBER DRIVER HOME.

828
00:27:08,661 --> 00:27:11,462
EVERYBODY ELSE AND I WOULD BE
THE SOBER DRIVER HOME.
AND THIS BECAME MY JOB OVER THE

829
00:27:11,464 --> 00:27:11,695
THE SOBER DRIVER HOME.
AND THIS BECAME MY JOB OVER THE
SUMMER.

830
00:27:11,697 --> 00:27:13,263
AND THIS BECAME MY JOB OVER THE
SUMMER.
NOW THERE WAS OTHER OTHER GIRL

831
00:27:13,265 --> 00:27:14,698
SUMMER.
NOW THERE WAS OTHER OTHER GIRL
WHO DIDN'T DO DRUGS AND WOULD

832
00:27:14,700 --> 00:27:16,867
NOW THERE WAS OTHER OTHER GIRL
WHO DIDN'T DO DRUGS AND WOULD
STAY UP WITH ME.

833
00:27:16,869 --> 00:27:20,237
WHO DIDN'T DO DRUGS AND WOULD
STAY UP WITH ME.
AND THERE ON THE 8:40 TALKING

834
00:27:20,239 --> 00:27:21,505
STAY UP WITH ME.
AND THERE ON THE 8:40 TALKING
ABOUT WASN'T IT NICE TO HAVE A

835
00:27:21,507 --> 00:27:22,873
AND THERE ON THE 8:40 TALKING
ABOUT WASN'T IT NICE TO HAVE A
GLASS WHEN WE GOT HOME AND YOU

836
00:27:22,875 --> 00:27:24,908
ABOUT WASN'T IT NICE TO HAVE A
GLASS WHEN WE GOT HOME AND YOU
WOULD NEVER KNOW WE HAD BEEN

837
00:27:24,910 --> 00:27:26,276
GLASS WHEN WE GOT HOME AND YOU
WOULD NEVER KNOW WE HAD BEEN
THRASHING AROUND FOR SEVEN

838
00:27:26,278 --> 00:27:26,543
WOULD NEVER KNOW WE HAD BEEN
THRASHING AROUND FOR SEVEN
HOURS.

839
00:27:26,545 --> 00:27:28,245
THRASHING AROUND FOR SEVEN
HOURS.
ANYWAY THE END OF THE SUMMER,

840
00:27:28,247 --> 00:27:29,747
HOURS.
ANYWAY THE END OF THE SUMMER,
SHE IS LIKE WHAT DID YOU DO.

841
00:27:29,749 --> 00:27:31,548
ANYWAY THE END OF THE SUMMER,
SHE IS LIKE WHAT DID YOU DO.
AND I WAS LIKE I'M BROKE AND I'M

842
00:27:31,550 --> 00:27:32,850
SHE IS LIKE WHAT DID YOU DO.
AND I WAS LIKE I'M BROKE AND I'M
SUPPOSED TO BE AN ACTRESS, I

843
00:27:32,852 --> 00:27:34,852
AND I WAS LIKE I'M BROKE AND I'M
SUPPOSED TO BE AN ACTRESS, I
DON'T KNOW HOW THAT WILL HAPPEN.

844
00:27:34,854 --> 00:27:37,855
SUPPOSED TO BE AN ACTRESS, I
DON'T KNOW HOW THAT WILL HAPPEN.
SHE SAID I WORK FOR A COSTUME

845
00:27:37,857 --> 00:27:38,122
DON'T KNOW HOW THAT WILL HAPPEN.
SHE SAID I WORK FOR A COSTUME
DIRECTOR.

846
00:27:38,124 --> 00:27:39,390
SHE SAID I WORK FOR A COSTUME
DIRECTOR.
AND I WAS LIKE DO YOU.

847
00:27:39,392 --> 00:27:40,891
DIRECTOR.
AND I WAS LIKE DO YOU.
SHE IS LIKE YEAH YOU SHOULD COME

848
00:27:40,893 --> 00:27:41,959
AND I WAS LIKE DO YOU.
SHE IS LIKE YEAH YOU SHOULD COME
IN ON MONDAY.

849
00:27:41,961 --> 00:27:46,764
SHE IS LIKE YEAH YOU SHOULD COME
IN ON MONDAY.
AND SO I WENT IN ON MONDAY.

850
00:27:46,766 --> 00:27:48,232
IN ON MONDAY.
AND SO I WENT IN ON MONDAY.
AND SAT WITH-- AND THE CASTING

851
00:27:48,234 --> 00:27:52,236
AND SO I WENT IN ON MONDAY.
AND SAT WITH-- AND THE CASTING
DIRECTOR WAS THIS AMAZING WOMAN.

852
00:27:52,238 --> 00:27:54,805
AND SAT WITH-- AND THE CASTING
DIRECTOR WAS THIS AMAZING WOMAN.
WHO IMMEDIATELY PUT ME IN A SHOW

853
00:27:54,807 --> 00:27:57,041
DIRECTOR WAS THIS AMAZING WOMAN.
WHO IMMEDIATELY PUT ME IN A SHOW
AND GOT ME AN AGENT ON THE

854
00:27:57,043 --> 00:27:58,308
WHO IMMEDIATELY PUT ME IN A SHOW
AND GOT ME AN AGENT ON THE
PHONE, CALLED SOMEBODY UP AND

855
00:27:58,310 --> 00:27:59,643
AND GOT ME AN AGENT ON THE
PHONE, CALLED SOMEBODY UP AND
SAID THERE IS A GIRL HERE.

856
00:27:59,645 --> 00:28:01,645
PHONE, CALLED SOMEBODY UP AND
SAID THERE IS A GIRL HERE.
I DON'T KNOW, SHE'S WEIRD, SHE'S

857
00:28:01,647 --> 00:28:01,845
SAID THERE IS A GIRL HERE.
I DON'T KNOW, SHE'S WEIRD, SHE'S
FUNNY.

858
00:28:01,847 --> 00:28:03,681
I DON'T KNOW, SHE'S WEIRD, SHE'S
FUNNY.
OH, YOU ALREADY SAW HER, YEAH,

859
00:28:03,683 --> 00:28:04,882
FUNNY.
OH, YOU ALREADY SAW HER, YEAH,
NO, SHE'S FINE.

860
00:28:04,884 --> 00:28:07,184
OH, YOU ALREADY SAW HER, YEAH,
NO, SHE'S FINE.
YOU NEED TO TAKE HER ON.

861
00:28:07,186 --> 00:28:08,285
NO, SHE'S FINE.
YOU NEED TO TAKE HER ON.
AND ABBEY WHO I WENT DANCING

862
00:28:08,287 --> 00:28:10,721
YOU NEED TO TAKE HER ON.
AND ABBEY WHO I WENT DANCING
WITH THAT SUMMER JUST CHANGED MY

863
00:28:10,723 --> 00:28:11,622
AND ABBEY WHO I WENT DANCING
WITH THAT SUMMER JUST CHANGED MY
LIFE, COMPLETELY.

864
00:28:11,624 --> 00:28:12,890
WITH THAT SUMMER JUST CHANGED MY
LIFE, COMPLETELY.
BY YOU KNOW, DON'T DO DRUGS,

865
00:28:12,892 --> 00:28:15,426
LIFE, COMPLETELY.
BY YOU KNOW, DON'T DO DRUGS,
THAT IS THE-- EXPWRZ THAT IS IT.

866
00:28:15,428 --> 00:28:18,395
BY YOU KNOW, DON'T DO DRUGS,
THAT IS THE-- EXPWRZ THAT IS IT.
THAT IS THE ANSWER, DON'T DO

867
00:28:18,397 --> 00:28:18,595
THAT IS THE-- EXPWRZ THAT IS IT.
THAT IS THE ANSWER, DON'T DO
DRUGS.

868
00:28:18,597 --> 00:28:19,463
THAT IS THE ANSWER, DON'T DO
DRUGS.
MINNIE, THANK YOU SO MUCH FOR

869
00:28:19,465 --> 00:28:20,230
DRUGS.
MINNIE, THANK YOU SO MUCH FOR
BEING HERE.

870
00:28:20,232 --> 00:28:22,099
MINNIE, THANK YOU SO MUCH FOR
BEING HERE.
I JUST WANTED TO SAY THAT I, WE

871
00:28:22,101 --> 00:28:23,667
BEING HERE.
I JUST WANTED TO SAY THAT I, WE
APPRECIATE YOU SO MUCH BEING

872
00:28:23,669 --> 00:28:23,867
I JUST WANTED TO SAY THAT I, WE
APPRECIATE YOU SO MUCH BEING
HERE.

873
00:28:23,869 --> 00:28:26,437
APPRECIATE YOU SO MUCH BEING
HERE.
WHAT I CAN ONLY IMAGINE IS AN

874
00:28:26,439 --> 00:28:28,238
HERE.
WHAT I CAN ONLY IMAGINE IS AN
INCREDIBLY DIFFICULT TIME FOR

875
00:28:28,240 --> 00:28:29,406
WHAT I CAN ONLY IMAGINE IS AN
INCREDIBLY DIFFICULT TIME FOR
YOU, AND YOUR FAMILY.

876
00:28:29,408 --> 00:28:31,408
INCREDIBLY DIFFICULT TIME FOR
YOU, AND YOUR FAMILY.
EVERYBODY HERE SENDS OUR LOVE TO

877
00:28:31,410 --> 00:28:33,644
YOU, AND YOUR FAMILY.
EVERYBODY HERE SENDS OUR LOVE TO
YOU AFTER THE RECENT LOSS OF

878
00:28:33,646 --> 00:28:34,511
EVERYBODY HERE SENDS OUR LOVE TO
YOU AFTER THE RECENT LOSS OF
YOUR MOTHER.

879
00:28:34,513 --> 00:28:38,649
YOU AFTER THE RECENT LOSS OF
YOUR MOTHER.
I KNOW HOW INCREDIBLY CLOSE YOU

880
00:28:38,651 --> 00:28:38,849
YOUR MOTHER.
I KNOW HOW INCREDIBLY CLOSE YOU
WERE.

881
00:28:38,851 --> 00:28:40,217
I KNOW HOW INCREDIBLY CLOSE YOU
WERE.
ARE YOU DOING OKAY, ARE YOU ALL

882
00:28:40,219 --> 00:28:42,352
WERE.
ARE YOU DOING OKAY, ARE YOU ALL
RIGHT?

883
00:28:42,354 --> 00:28:44,221
ARE YOU DOING OKAY, ARE YOU ALL
RIGHT?
>> I'M NOT, I'M AN ABSOLUTE MESS

884
00:28:44,223 --> 00:28:48,759
RIGHT?
>> I'M NOT, I'M AN ABSOLUTE MESS
AND DOING THIS SHOW IS A

885
00:28:48,761 --> 00:28:52,129
>> I'M NOT, I'M AN ABSOLUTE MESS
AND DOING THIS SHOW IS A
TESTAMENT TO ME BEING A [BLEEP]

886
00:28:52,131 --> 00:28:53,697
AND DOING THIS SHOW IS A
TESTAMENT TO ME BEING A [BLEEP]
ACTRESSMENT BECAUSE I REALLY

887
00:28:53,699 --> 00:28:55,165
TESTAMENT TO ME BEING A [BLEEP]
ACTRESSMENT BECAUSE I REALLY
JUST WANT TO CURL UP ON THE

888
00:28:55,167 --> 00:28:56,233
ACTRESSMENT BECAUSE I REALLY
JUST WANT TO CURL UP ON THE
FLOOR.

889
00:28:56,235 --> 00:28:58,836
JUST WANT TO CURL UP ON THE
FLOOR.
BUT YOU KNOW WHAT, SHE, SHE

890
00:28:58,838 --> 00:28:59,236
FLOOR.
BUT YOU KNOW WHAT, SHE, SHE
LOVED WHAT I DID.

891
00:28:59,238 --> 00:29:01,438
BUT YOU KNOW WHAT, SHE, SHE
LOVED WHAT I DID.
AND SHE LOVED WATCHING ME DO IT.

892
00:29:01,440 --> 00:29:03,607
LOVED WHAT I DID.
AND SHE LOVED WATCHING ME DO IT.
AND SHE LOVED SUPPORTING THE

893
00:29:03,609 --> 00:29:04,708
AND SHE LOVED WATCHING ME DO IT.
AND SHE LOVED SUPPORTING THE
THINGS THAT I CREATED.

894
00:29:04,710 --> 00:29:07,578
AND SHE LOVED SUPPORTING THE
THINGS THAT I CREATED.
AND I CREATED THIS BEAUTIFUL

895
00:29:07,580 --> 00:29:07,811
THINGS THAT I CREATED.
AND I CREATED THIS BEAUTIFUL
PODCAST.

896
00:29:07,813 --> 00:29:10,914
AND I CREATED THIS BEAUTIFUL
PODCAST.
AND ALL THESE CREATIVE

897
00:29:10,916 --> 00:29:11,248
PODCAST.
AND ALL THESE CREATIVE
OPPORTUNITIES.

898
00:29:11,250 --> 00:29:12,649
AND ALL THESE CREATIVE
OPPORTUNITIES.
AND SHE WOULD BE MAD, SHE WOULD

899
00:29:12,651 --> 00:29:13,784
OPPORTUNITIES.
AND SHE WOULD BE MAD, SHE WOULD
BE REALLY MAD IF SHE THOUGHT

900
00:29:13,786 --> 00:29:16,553
AND SHE WOULD BE MAD, SHE WOULD
BE REALLY MAD IF SHE THOUGHT
THAT I CURLED UP IN A BALL AND

901
00:29:16,555 --> 00:29:18,622
BE REALLY MAD IF SHE THOUGHT
THAT I CURLED UP IN A BALL AND
JUST IGNORED THE LAUNCH OF THIS

902
00:29:18,624 --> 00:29:19,990
THAT I CURLED UP IN A BALL AND
JUST IGNORED THE LAUNCH OF THIS
WONDERFUL SHOW AND THE

903
00:29:19,992 --> 00:29:21,658
JUST IGNORED THE LAUNCH OF THIS
WONDERFUL SHOW AND THE
OPPORTUNITY TO CELEBRATE

904
00:29:21,660 --> 00:29:23,260
WONDERFUL SHOW AND THE
OPPORTUNITY TO CELEBRATE
SOMETHING THAT ONE OF HERS

905
00:29:23,262 --> 00:29:23,727
OPPORTUNITY TO CELEBRATE
SOMETHING THAT ONE OF HERS
CREATED.

906
00:29:23,729 --> 00:29:25,896
SOMETHING THAT ONE OF HERS
CREATED.
SO THAT IS WHY I WILL CRY WHEN

907
00:29:25,898 --> 00:29:26,630
CREATED.
SO THAT IS WHY I WILL CRY WHEN
YOU SAY GOOD-BYE.

908
00:29:26,632 --> 00:29:27,998
SO THAT IS WHY I WILL CRY WHEN
YOU SAY GOOD-BYE.
BUT I WILL NOT CRY NOW.

909
00:29:28,000 --> 00:29:30,067
YOU SAY GOOD-BYE.
BUT I WILL NOT CRY NOW.
>> James: WE LOVE YOU SO MUCH.

910
00:29:30,069 --> 00:29:32,236
BUT I WILL NOT CRY NOW.
>> James: WE LOVE YOU SO MUCH.
WE'LL BE RIGHT BACK WITH MINNIE

911
00:29:32,238 --> 00:29:35,005
>> James: WE LOVE YOU SO MUCH.
WE'LL BE RIGHT BACK WITH MINNIE
DRIVER, EVE

912
00:29:50,989 --> 00:29:56,794
>> James: WELCOME BACK.
WE'RE HERE WITH MINNIE DRIVER.
REGGIE, DO YOU HAVE A QUESTION

913
00:29:56,796 --> 00:29:57,795
WE'RE HERE WITH MINNIE DRIVER.
REGGIE, DO YOU HAVE A QUESTION
FOR OUR GUEST THIS EVENING?

914
00:29:57,797 --> 00:29:58,428
REGGIE, DO YOU HAVE A QUESTION
FOR OUR GUEST THIS EVENING?
>> Reggie: I DO.

915
00:29:58,430 --> 00:30:01,532
FOR OUR GUEST THIS EVENING?
>> Reggie: I DO.
TONIGHT'S QUESTION GOES TO...

916
00:30:01,534 --> 00:30:05,869
>> Reggie: I DO.
TONIGHT'S QUESTION GOES TO...
THE SMALLEST DRIVER THAT I KNOW.

917
00:30:05,871 --> 00:30:07,004
TONIGHT'S QUESTION GOES TO...
THE SMALLEST DRIVER THAT I KNOW.
IF YOU WERE STANDING BETWEEN

918
00:30:07,006 --> 00:30:09,873
THE SMALLEST DRIVER THAT I KNOW.
IF YOU WERE STANDING BETWEEN
TWO VERY TALL CATS, WOULD YOU

919
00:30:09,875 --> 00:30:13,710
IF YOU WERE STANDING BETWEEN
TWO VERY TALL CATS, WOULD YOU
BE FRIGHTENED OR CHILL?

920
00:30:13,712 --> 00:30:16,547
TWO VERY TALL CATS, WOULD YOU
BE FRIGHTENED OR CHILL?
>> I MEAN, THESE CATS, LIKE ARE

921
00:30:16,549 --> 00:30:18,749
BE FRIGHTENED OR CHILL?
>> I MEAN, THESE CATS, LIKE ARE
THEY MUSICAL?

922
00:30:18,751 --> 00:30:20,217
>> I MEAN, THESE CATS, LIKE ARE
THEY MUSICAL?
ARE THEY LIKE, ARE THEY CATS,

923
00:30:20,219 --> 00:30:23,821
THEY MUSICAL?
ARE THEY LIKE, ARE THEY CATS,
ARE THEY ACTUAL CATS OR ARE THEY

924
00:30:23,823 --> 00:30:24,021
ARE THEY LIKE, ARE THEY CATS,
ARE THEY ACTUAL CATS OR ARE THEY
CATS.

925
00:30:24,023 --> 00:30:24,221
ARE THEY ACTUAL CATS OR ARE THEY
CATS.
>> NO.

926
00:30:24,223 --> 00:30:27,257
CATS.
>> NO.
>> Reggie: NO, THEY ARE ACTUAL

927
00:30:27,259 --> 00:30:28,425
>> NO.
>> Reggie: NO, THEY ARE ACTUAL
VERY TALL CATS.

928
00:30:28,427 --> 00:30:30,227
>> Reggie: NO, THEY ARE ACTUAL
VERY TALL CATS.
>> OH NO, I WOULD LOVE THEM, WHO

929
00:30:30,229 --> 00:30:32,496
VERY TALL CATS.
>> OH NO, I WOULD LOVE THEM, WHO
DOESN'T LOVE A PUSSY CAT.

930
00:30:32,498 --> 00:30:33,864
>> OH NO, I WOULD LOVE THEM, WHO
DOESN'T LOVE A PUSSY CAT.
>> James: SOUNDS PRTEE CHILL S

931
00:30:33,866 --> 00:30:36,400
DOESN'T LOVE A PUSSY CAT.
>> James: SOUNDS PRTEE CHILL S
THAT CORRECT?

932
00:30:36,402 --> 00:30:36,600
>> James: SOUNDS PRTEE CHILL S
THAT CORRECT?
HZ-- .

933
00:30:36,602 --> 00:30:38,902
THAT CORRECT?
HZ-- .
>> Reggie: IT'S CHILL AND

934
00:30:38,904 --> 00:30:39,403
HZ-- .
>> Reggie: IT'S CHILL AND
CORRECT.

935
00:30:39,405 --> 00:30:40,537
>> Reggie: IT'S CHILL AND
CORRECT.
>> PLEASE THANK THE INCREDIBLE

936
00:30:40,539 --> 00:30:42,372
CORRECT.
>> PLEASE THANK THE INCREDIBLE
MINNIE DRIVER, BENNY BLANCO AND

937
00:30:42,374 --> 00:30:43,640
>> PLEASE THANK THE INCREDIBLE
MINNIE DRIVER, BENNY BLANCO AND
GRACEY ABRAMS ARE HERE WHEN WE

938
00:30:43,642 --> 00:30:44,174
MINNIE DRIVER, BENNY BLANCO AND
GRACEY ABRAMS ARE HERE WHEN WE
COME BACK.

939
00:30:44,176 --> 00:30:44,675
GRACEY ABRAMS ARE HERE WHEN WE
COME BACK.
DON'T GO ANYWHERE.

940
00:30:44,677 --> 00:30:45,175
COME BACK.
DON'T GO ANYWHERE.
THAT WAS

941
00:31:02,460 --> 00:31:07,197
>> James: THIS IS EXCITING:
TOMORROW, CHRISSY TEIGEN WILL BE
ON THE SHOW, AND WE'LL BE

942
00:31:07,199 --> 00:31:07,998
TOMORROW, CHRISSY TEIGEN WILL BE
ON THE SHOW, AND WE'LL BE
PLAYING "SPILL YOUR GUTS."

943
00:31:08,000 --> 00:31:09,433
ON THE SHOW, AND WE'LL BE
PLAYING "SPILL YOUR GUTS."
PLUS, WE'LL HAVE MUSIC FROM NEED

944
00:31:09,435 --> 00:31:10,434
PLAYING "SPILL YOUR GUTS."
PLUS, WE'LL HAVE MUSIC FROM NEED
TO BREATHE.

945
00:31:10,436 --> 00:31:11,301
PLUS, WE'LL HAVE MUSIC FROM NEED
TO BREATHE.
BE SURE TO TUNE IN.

946
00:31:11,303 --> 00:31:12,002
TO BREATHE.
BE SURE TO TUNE IN.
WHEN WE COME BACK, WE'VE GOT A

947
00:31:12,004 --> 00:31:12,669
BE SURE TO TUNE IN.
WHEN WE COME BACK, WE'VE GOT A
PERFORMANCE FROM BENNY BLANCO

948
00:31:12,671 --> 00:31:16,273
WHEN WE COME BACK, WE'VE GOT A
PERFORMANCE FROM BENNY BLANCO
AND GRACIE ABRAMS.

949
00:31:28,519 --> 00:31:30,287
>> James: WELCOME BACK.
OUR NEXT GUEST IS A
MULTI-PLATINUM SELLING AND

950
00:31:30,289 --> 00:31:30,988
OUR NEXT GUEST IS A
MULTI-PLATINUM SELLING AND
GRAMMY AWARD-WINNING ARTIST AND

951
00:31:30,990 --> 00:31:32,289
MULTI-PLATINUM SELLING AND
GRAMMY AWARD-WINNING ARTIST AND
PRODUCER.

952
00:31:32,291 --> 00:31:33,590
GRAMMY AWARD-WINNING ARTIST AND
PRODUCER.
HE'S HERE TONIGHT TO MAKE HIS

953
00:31:33,592 --> 00:31:34,992
PRODUCER.
HE'S HERE TONIGHT TO MAKE HIS
LATE-NIGHT TELEVISION DEBUT.

954
00:31:34,994 --> 00:31:39,863
HE'S HERE TONIGHT TO MAKE HIS
LATE-NIGHT TELEVISION DEBUT.
WE'RE SO EXCITED TO HAVE HIM.

955
00:31:39,865 --> 00:31:41,431
LATE-NIGHT TELEVISION DEBUT.
WE'RE SO EXCITED TO HAVE HIM.
ONE OF THE MOST TAL EFNTSED

956
00:31:41,433 --> 00:31:42,866
WE'RE SO EXCITED TO HAVE HIM.
ONE OF THE MOST TAL EFNTSED
PEOPLE ON PLANET EARTH.

957
00:31:42,868 --> 00:31:44,534
ONE OF THE MOST TAL EFNTSED
PEOPLE ON PLANET EARTH.
BLENNY BLANCO IS HERE TONIGHT,

958
00:31:44,536 --> 00:31:44,835
PEOPLE ON PLANET EARTH.
BLENNY BLANCO IS HERE TONIGHT,
THERE HE IS.

959
00:31:44,837 --> 00:31:47,004
BLENNY BLANCO IS HERE TONIGHT,
THERE HE IS.
HOW ARE YOU, BENNY.

960
00:31:47,006 --> 00:31:48,672
THERE HE IS.
HOW ARE YOU, BENNY.
>> I WANT YOU TO BROA DUECE MY

961
00:31:48,674 --> 00:31:50,841
HOW ARE YOU, BENNY.
>> I WANT YOU TO BROA DUECE MY
WHOLE LIFE, CAN YOU COME

962
00:31:50,843 --> 00:31:51,275
>> I WANT YOU TO BROA DUECE MY
WHOLE LIFE, CAN YOU COME
EVERYWHERE WITH ME.

963
00:31:51,277 --> 00:31:51,575
WHOLE LIFE, CAN YOU COME
EVERYWHERE WITH ME.
>> HAPPILY.

964
00:31:51,577 --> 00:31:52,876
EVERYWHERE WITH ME.
>> HAPPILY.
>> IF THIS IS THE STATE ARE YOU

965
00:31:52,878 --> 00:31:54,611
>> HAPPILY.
>> IF THIS IS THE STATE ARE YOU
LYING AROUND YOUR HOUSE,

966
00:31:54,613 --> 00:31:56,246
>> IF THIS IS THE STATE ARE YOU
LYING AROUND YOUR HOUSE,
WHENEVER I IMAGINE OR THINK

967
00:31:56,248 --> 00:31:58,649
LYING AROUND YOUR HOUSE,
WHENEVER I IMAGINE OR THINK
ABOUT BENNY BLANCO, THIS IS

968
00:31:58,651 --> 00:31:59,750
WHENEVER I IMAGINE OR THINK
ABOUT BENNY BLANCO, THIS IS
EXACTLY HOW I IMAGINE HIM.

969
00:31:59,752 --> 00:32:01,485
ABOUT BENNY BLANCO, THIS IS
EXACTLY HOW I IMAGINE HIM.
>> OH MY GOD, YOU COULD, THERE

970
00:32:01,487 --> 00:32:04,288
EXACTLY HOW I IMAGINE HIM.
>> OH MY GOD, YOU COULD, THERE
IS ENOUGH ROOM FOR BOTH OF YOU.

971
00:32:04,290 --> 00:32:05,756
>> OH MY GOD, YOU COULD, THERE
IS ENOUGH ROOM FOR BOTH OF YOU.
>> I COULD TAKE A SNOOZE ON

972
00:32:05,758 --> 00:32:07,491
IS ENOUGH ROOM FOR BOTH OF YOU.
>> I COULD TAKE A SNOOZE ON
THERE EIGHT DAYS A WEEK.

973
00:32:07,493 --> 00:32:10,761
>> I COULD TAKE A SNOOZE ON
THERE EIGHT DAYS A WEEK.
NOW BENNY, CONGRATS ON

974
00:32:10,763 --> 00:32:11,728
THERE EIGHT DAYS A WEEK.
NOW BENNY, CONGRATS ON
EVERYTHING, THAT HAS HAPPENED IN

975
00:32:11,730 --> 00:32:13,664
NOW BENNY, CONGRATS ON
EVERYTHING, THAT HAS HAPPENED IN
YOUR LIFE THE LAST COUPLE OF

976
00:32:13,666 --> 00:32:14,798
EVERYTHING, THAT HAS HAPPENED IN
YOUR LIFE THE LAST COUPLE OF
YEARS, WE HAVE KNOWN EACH OTHER

977
00:32:14,800 --> 00:32:16,066
YOUR LIFE THE LAST COUPLE OF
YEARS, WE HAVE KNOWN EACH OTHER
A LITTLE WHILE.

978
00:32:16,068 --> 00:32:17,634
YEARS, WE HAVE KNOWN EACH OTHER
A LITTLE WHILE.
YOU HAVE DONE ONE OF THE MOST

979
00:32:17,636 --> 00:32:19,002
A LITTLE WHILE.
YOU HAVE DONE ONE OF THE MOST
EXCITING THINGS I COULD EVER

980
00:32:19,004 --> 00:32:19,703
YOU HAVE DONE ONE OF THE MOST
EXCITING THINGS I COULD EVER
IMAGINE DOING.

981
00:32:19,705 --> 00:32:22,506
EXCITING THINGS I COULD EVER
IMAGINE DOING.
YOU HAVE RECENTLY TEAMED UP WITH

982
00:32:22,508 --> 00:32:25,142
IMAGINE DOING.
YOU HAVE RECENTLY TEAMED UP WITH
SHAKE SHACK TO MAKE A LIMITED

983
00:32:25,144 --> 00:32:26,977
YOU HAVE RECENTLY TEAMED UP WITH
SHAKE SHACK TO MAKE A LIMITED
EDITION BURGER WHICH IS

984
00:32:26,979 --> 00:32:28,145
SHAKE SHACK TO MAKE A LIMITED
EDITION BURGER WHICH IS
LITERALLY MY DREAM.

985
00:32:28,147 --> 00:32:30,681
EDITION BURGER WHICH IS
LITERALLY MY DREAM.
I'M NOT JELLOS, YOUR GRAMMYS,

986
00:32:30,683 --> 00:32:33,283
LITERALLY MY DREAM.
I'M NOT JELLOS, YOUR GRAMMYS,
YOUR MILLIONS OF DOLLARS, YOUR

987
00:32:33,285 --> 00:32:34,985
I'M NOT JELLOS, YOUR GRAMMYS,
YOUR MILLIONS OF DOLLARS, YOUR
PRODUCERS, YOUR FRIENDS, YOUR

988
00:32:34,987 --> 00:32:36,586
YOUR MILLIONS OF DOLLARS, YOUR
PRODUCERS, YOUR FRIENDS, YOUR
HOUSES, I'M JELLOS OF THIS.

989
00:32:36,588 --> 00:32:38,989
PRODUCERS, YOUR FRIENDS, YOUR
HOUSES, I'M JELLOS OF THIS.
TELL ME ABOUT, HOW DID IT COME

990
00:32:38,991 --> 00:32:39,690
HOUSES, I'M JELLOS OF THIS.
TELL ME ABOUT, HOW DID IT COME
AROUND?

991
00:32:39,692 --> 00:32:41,725
TELL ME ABOUT, HOW DID IT COME
AROUND?
>> PINNACLE OF MY ENTIRE CAREER.

992
00:32:41,727 --> 00:32:44,094
AROUND?
>> PINNACLE OF MY ENTIRE CAREER.
EVERYTHING HAVE I DONE, THIS

993
00:32:44,096 --> 00:32:45,729
>> PINNACLE OF MY ENTIRE CAREER.
EVERYTHING HAVE I DONE, THIS
MOMENTS RIGHT HERE BECAUSE LIKE

994
00:32:45,731 --> 00:32:48,632
EVERYTHING HAVE I DONE, THIS
MOMENTS RIGHT HERE BECAUSE LIKE
YOU, SHAKE SHACK FAN.

995
00:32:48,634 --> 00:32:51,001
MOMENTS RIGHT HERE BECAUSE LIKE
YOU, SHAKE SHACK FAN.
I HAVE LOVED SHAKE-- I DON'T EAT

996
00:32:51,003 --> 00:32:53,737
YOU, SHAKE SHACK FAN.
I HAVE LOVED SHAKE-- I DON'T EAT
FAST FOOD, SHAKE SHACK IS THE

997
00:32:53,739 --> 00:32:55,639
I HAVE LOVED SHAKE-- I DON'T EAT
FAST FOOD, SHAKE SHACK IS THE
ONLY FAST FOOD I WILL EVER EAT,

998
00:32:55,641 --> 00:32:58,742
FAST FOOD, SHAKE SHACK IS THE
ONLY FAST FOOD I WILL EVER EAT,
INSANE, THERE IS A GUY WHO DOES

999
00:32:58,744 --> 00:32:59,743
ONLY FAST FOOD I WILL EVER EAT,
INSANE, THERE IS A GUY WHO DOES
ALL OF THE-- ALL OF THE

1000
00:32:59,745 --> 00:33:03,013
INSANE, THERE IS A GUY WHO DOES
ALL OF THE-- ALL OF THE
DIFFERENT MENU ITEMS, THE

1001
00:33:03,015 --> 00:33:03,613
ALL OF THE-- ALL OF THE
DIFFERENT MENU ITEMS, THE
COLLABORATIONS, HE HAS BEEN A

1002
00:33:03,615 --> 00:33:05,382
DIFFERENT MENU ITEMS, THE
COLLABORATIONS, HE HAS BEEN A
FRIEND OF MAIN FOR AWHILE, ONE

1003
00:33:05,384 --> 00:33:07,684
COLLABORATIONS, HE HAS BEEN A
FRIEND OF MAIN FOR AWHILE, ONE
DAY I WAS SITTING ON MY COUCH, I

1004
00:33:07,686 --> 00:33:09,653
FRIEND OF MAIN FOR AWHILE, ONE
DAY I WAS SITTING ON MY COUCH, I
WAS LIKE HEY MAN, SHOULD WE JUST

1005
00:33:09,655 --> 00:33:10,187
DAY I WAS SITTING ON MY COUCH, I
WAS LIKE HEY MAN, SHOULD WE JUST
DO ONE OF THESE.

1006
00:33:10,189 --> 00:33:12,689
WAS LIKE HEY MAN, SHOULD WE JUST
DO ONE OF THESE.
I THOUGHT HE WAS GOING TO BE

1007
00:33:12,691 --> 00:33:14,992
DO ONE OF THESE.
I THOUGHT HE WAS GOING TO BE
YEAH, MAYBE IF YOU ARE A REAL

1008
00:33:14,994 --> 00:33:16,460
I THOUGHT HE WAS GOING TO BE
YEAH, MAYBE IF YOU ARE A REAL
CHEF, BUT HE WAS LIKE YEAH,

1009
00:33:16,462 --> 00:33:17,861
YEAH, MAYBE IF YOU ARE A REAL
CHEF, BUT HE WAS LIKE YEAH,
LET'S DO IT I GUESS ALL YOU HAVE

1010
00:33:17,863 --> 00:33:19,296
CHEF, BUT HE WAS LIKE YEAH,
LET'S DO IT I GUESS ALL YOU HAVE
TO DO IS ASK.

1011
00:33:19,298 --> 00:33:21,231
LET'S DO IT I GUESS ALL YOU HAVE
TO DO IS ASK.
YOU ASK HAVE YOUR OWN BURGER IN

1012
00:33:21,233 --> 00:33:21,698
TO DO IS ASK.
YOU ASK HAVE YOUR OWN BURGER IN
A SECOND.

1013
00:33:21,700 --> 00:33:23,367
YOU ASK HAVE YOUR OWN BURGER IN
A SECOND.
CAN WE DO THAT, ROB?

1014
00:33:23,369 --> 00:33:24,835
A SECOND.
CAN WE DO THAT, ROB?
>> YES, WE DEFINITELY COULD DO

1015
00:33:24,837 --> 00:33:25,035
CAN WE DO THAT, ROB?
>> YES, WE DEFINITELY COULD DO
THAT.

1016
00:33:25,037 --> 00:33:26,203
>> YES, WE DEFINITELY COULD DO
THAT.
>> James: REMEMBER WE'RE ON

1017
00:33:26,205 --> 00:33:26,370
THAT.
>> James: REMEMBER WE'RE ON
IT.

1018
00:33:26,372 --> 00:33:28,505
>> James: REMEMBER WE'RE ON
IT.
NOW LET'S TALK ABOUT YOUR

1019
00:33:28,507 --> 00:33:29,740
IT.
NOW LET'S TALK ABOUT YOUR
BRILLIANT NEW ALBUM, FRIENDS

1020
00:33:29,742 --> 00:33:31,908
NOW LET'S TALK ABOUT YOUR
BRILLIANT NEW ALBUM, FRIENDS
KEEP SECRETS 2, IT IS OUT ON

1021
00:33:31,910 --> 00:33:32,776
BRILLIANT NEW ALBUM, FRIENDS
KEEP SECRETS 2, IT IS OUT ON
FRIDAY AND YOU SAID THAT THIS

1022
00:33:32,778 --> 00:33:35,512
KEEP SECRETS 2, IT IS OUT ON
FRIDAY AND YOU SAID THAT THIS
ALBUM WAS INSPIRED BY KAYNE

1023
00:33:35,514 --> 00:33:37,381
FRIDAY AND YOU SAID THAT THIS
ALBUM WAS INSPIRED BY KAYNE
WEST, HOW, IN WHAT WAY, HOW DID

1024
00:33:37,383 --> 00:33:38,982
ALBUM WAS INSPIRED BY KAYNE
WEST, HOW, IN WHAT WAY, HOW DID
HE INSPIRE IT.

1025
00:33:38,984 --> 00:33:40,650
WEST, HOW, IN WHAT WAY, HOW DID
HE INSPIRE IT.
>> WHEN HE WAS MAKING THOSE

1026
00:33:40,652 --> 00:33:42,185
HE INSPIRE IT.
>> WHEN HE WAS MAKING THOSE
SEVEN SONG ALBUMS, HE WAS, I WAS

1027
00:33:42,187 --> 00:33:48,425
>> WHEN HE WAS MAKING THOSE
SEVEN SONG ALBUMS, HE WAS, I WAS
THERE FOR ALL OF THEM, YAY, AND

1028
00:33:48,427 --> 00:33:51,561
SEVEN SONG ALBUMS, HE WAS, I WAS
THERE FOR ALL OF THEM, YAY, AND
IT WAS SUCH A CRAZY EXPERIENCE,

1029
00:33:51,563 --> 00:33:52,629
THERE FOR ALL OF THEM, YAY, AND
IT WAS SUCH A CRAZY EXPERIENCE,
WE WERE BOUNCING AROUND THE

1030
00:33:52,631 --> 00:33:54,998
IT WAS SUCH A CRAZY EXPERIENCE,
WE WERE BOUNCING AROUND THE
SONGS AND HE SAID LET'S PLAY TRK

1031
00:33:55,000 --> 00:33:58,235
WE WERE BOUNCING AROUND THE
SONGS AND HE SAID LET'S PLAY TRK
AND WE PLAYED REBORN, AND HE GOT

1032
00:33:58,237 --> 00:34:00,971
SONGS AND HE SAID LET'S PLAY TRK
AND WE PLAYED REBORN, AND HE GOT
TO THE VERSE, AND HE WAS LIKE

1033
00:34:00,973 --> 00:34:03,373
AND WE PLAYED REBORN, AND HE GOT
TO THE VERSE, AND HE WAS LIKE
NO, STOP THE STOP IT, PLAY IT

1034
00:34:03,375 --> 00:34:05,275
TO THE VERSE, AND HE WAS LIKE
NO, STOP THE STOP IT, PLAY IT
AGAIN AND WE PLAYED IT AGAIN AND

1035
00:34:05,277 --> 00:34:06,977
NO, STOP THE STOP IT, PLAY IT
AGAIN AND WE PLAYED IT AGAIN AND
STOPPED IT AGAIN, MAN I'M SO

1036
00:34:06,979 --> 00:34:10,814
AGAIN AND WE PLAYED IT AGAIN AND
STOPPED IT AGAIN, MAN I'M SO
[BLEEP] GOOD.

1037
00:34:10,816 --> 00:34:14,985
STOPPED IT AGAIN, MAN I'M SO
[BLEEP] GOOD.
AND HE WAS JUST, AND I WAS LIKE,

1038
00:34:14,987 --> 00:34:17,554
[BLEEP] GOOD.
AND HE WAS JUST, AND I WAS LIKE,
I FEEL LIKE SEVEN WAS SUCH A

1039
00:34:17,556 --> 00:34:18,488
AND HE WAS JUST, AND I WAS LIKE,
I FEEL LIKE SEVEN WAS SUCH A
PERFECT NUMBER BECAUSE IT IS

1040
00:34:18,490 --> 00:34:19,423
I FEEL LIKE SEVEN WAS SUCH A
PERFECT NUMBER BECAUSE IT IS
LIKE YOU DON'T WANT TO LISTEN TO

1041
00:34:19,425 --> 00:34:21,258
PERFECT NUMBER BECAUSE IT IS
LIKE YOU DON'T WANT TO LISTEN TO
MORE THAN SEVEN SONGS, YOU WANT

1042
00:34:21,260 --> 00:34:23,026
LIKE YOU DON'T WANT TO LISTEN TO
MORE THAN SEVEN SONGS, YOU WANT
TO LISTEN TO SEVEN AND THEN EAT

1043
00:34:23,028 --> 00:34:24,461
MORE THAN SEVEN SONGS, YOU WANT
TO LISTEN TO SEVEN AND THEN EAT
MY SHAKE SHACK BURGER.

1044
00:34:24,463 --> 00:34:26,129
TO LISTEN TO SEVEN AND THEN EAT
MY SHAKE SHACK BURGER.
YOU DON'T HAVE THE ATTENTION, NO

1045
00:34:26,131 --> 00:34:26,430
MY SHAKE SHACK BURGER.
YOU DON'T HAVE THE ATTENTION, NO
ONE DOES.

1046
00:34:26,432 --> 00:34:27,798
YOU DON'T HAVE THE ATTENTION, NO
ONE DOES.
>> IN A MOMENT YOU WILL PERFORM

1047
00:34:27,800 --> 00:34:30,233
ONE DOES.
>> IN A MOMENT YOU WILL PERFORM
YOUR NEW SONG UNLEARNED WITH THE

1048
00:34:30,235 --> 00:34:31,868
>> IN A MOMENT YOU WILL PERFORM
YOUR NEW SONG UNLEARNED WITH THE
INCREDIBLY TALENTED GRACIE

1049
00:34:31,870 --> 00:34:32,135
YOUR NEW SONG UNLEARNED WITH THE
INCREDIBLY TALENTED GRACIE
ABRAMS.

1050
00:34:32,137 --> 00:34:33,136
INCREDIBLY TALENTED GRACIE
ABRAMS.
HOW DID THIS COME ABOUT.

1051
00:34:33,138 --> 00:34:35,705
ABRAMS.
HOW DID THIS COME ABOUT.
HOW DID YOU COME TO WORK

1052
00:34:35,707 --> 00:34:36,406
HOW DID THIS COME ABOUT.
HOW DID YOU COME TO WORK
TOGETHER.

1053
00:34:36,408 --> 00:34:37,874
HOW DID YOU COME TO WORK
TOGETHER.
>> A FRIEND OF MINE IS LIKE MY

1054
00:34:37,876 --> 00:34:40,610
TOGETHER.
>> A FRIEND OF MINE IS LIKE MY
SON'S BEST FRIEND WANTS TO BE

1055
00:34:40,612 --> 00:34:41,078
>> A FRIEND OF MINE IS LIKE MY
SON'S BEST FRIEND WANTS TO BE
YOUR INTERN.

1056
00:34:41,080 --> 00:34:43,080
SON'S BEST FRIEND WANTS TO BE
YOUR INTERN.
WOKED FOR ME FOR FOUR YEARS

1057
00:34:43,082 --> 00:34:44,581
YOUR INTERN.
WOKED FOR ME FOR FOUR YEARS
THEN PLAYED ME HIS MUSIC.

1058
00:34:44,583 --> 00:34:47,884
WOKED FOR ME FOR FOUR YEARS
THEN PLAYED ME HIS MUSIC.
LOVED IT, SIGNED HIM AND THE

1059
00:34:47,886 --> 00:34:49,619
THEN PLAYED ME HIS MUSIC.
LOVED IT, SIGNED HIM AND THE
WHOLE TIME, HE HAD THE SAME

1060
00:34:49,621 --> 00:34:51,421
LOVED IT, SIGNED HIM AND THE
WHOLE TIME, HE HAD THE SAME
GIRLFRIEND WHICH IS A GIRL NAMED

1061
00:34:51,423 --> 00:34:51,755
WHOLE TIME, HE HAD THE SAME
GIRLFRIEND WHICH IS A GIRL NAMED
GRACIE ABRAMS.

1062
00:34:51,757 --> 00:34:54,191
GIRLFRIEND WHICH IS A GIRL NAMED
GRACIE ABRAMS.
AND I SAW HER GROW UP FROM NOT

1063
00:34:54,193 --> 00:34:56,359
GRACIE ABRAMS.
AND I SAW HER GROW UP FROM NOT
EVEN MAKING MUSIC INTO MAKING

1064
00:34:56,361 --> 00:34:57,561
AND I SAW HER GROW UP FROM NOT
EVEN MAKING MUSIC INTO MAKING
HER FIRST SONG AND PEOPLE LIKING

1065
00:34:57,563 --> 00:34:59,696
EVEN MAKING MUSIC INTO MAKING
HER FIRST SONG AND PEOPLE LIKING
IT AND THEN ANOTHER SONG AND NOW

1066
00:34:59,698 --> 00:35:01,798
HER FIRST SONG AND PEOPLE LIKING
IT AND THEN ANOTHER SONG AND NOW
THE WORLD KNOWS WHO SHE IS.

1067
00:35:01,800 --> 00:35:03,700
IT AND THEN ANOTHER SONG AND NOW
THE WORLD KNOWS WHO SHE IS.
I AM LIKE NO, NO, I KNEW THAT

1068
00:35:03,702 --> 00:35:05,469
THE WORLD KNOWS WHO SHE IS.
I AM LIKE NO, NO, I KNEW THAT
GRACIE BEFORE YOU KNEW THAT

1069
00:35:05,471 --> 00:35:06,536
I AM LIKE NO, NO, I KNEW THAT
GRACIE BEFORE YOU KNEW THAT
GRACIE, YOU KNOW, SO IT IS COOL

1070
00:35:06,538 --> 00:35:08,872
GRACIE BEFORE YOU KNEW THAT
GRACIE, YOU KNOW, SO IT IS COOL
TO BE ABLE TO SHARE SUCH A COOL

1071
00:35:08,874 --> 00:35:09,439
GRACIE, YOU KNOW, SO IT IS COOL
TO BE ABLE TO SHARE SUCH A COOL
MOMENT WITH MY FRIEND.

1072
00:35:09,441 --> 00:35:10,974
TO BE ABLE TO SHARE SUCH A COOL
MOMENT WITH MY FRIEND.
>> James: IT IS SO GREAT.

1073
00:35:10,976 --> 00:35:12,909
MOMENT WITH MY FRIEND.
>> James: IT IS SO GREAT.
AND THE PERFORMANCE IS

1074
00:35:12,911 --> 00:35:13,677
>> James: IT IS SO GREAT.
AND THE PERFORMANCE IS
ABSOLUTELY BRILLIANT.

1075
00:35:13,679 --> 00:35:15,479
AND THE PERFORMANCE IS
ABSOLUTELY BRILLIANT.
BEST OF LUCK BENNY, WE LOVE YOU

1076
00:35:15,481 --> 00:35:16,546
ABSOLUTELY BRILLIANT.
BEST OF LUCK BENNY, WE LOVE YOU
SO MUCH.

1077
00:35:16,548 --> 00:35:18,014
BEST OF LUCK BENNY, WE LOVE YOU
SO MUCH.
LADIES AND GENTLEMEN HERE

1078
00:35:18,016 --> 00:35:18,982
SO MUCH.
LADIES AND GENTLEMEN HERE
PERFORMING UNLEARNED FROM HIS

1079
00:35:18,984 --> 00:35:21,251
LADIES AND GENTLEMEN HERE
PERFORMING UNLEARNED FROM HIS
ALBUM FRIENDS KEEP SECRETARY

1080
00:35:21,253 --> 00:35:22,752
PERFORMING UNLEARNED FROM HIS
ALBUM FRIENDS KEEP SECRETARY
ET-- SECRETED 2-S OUT ON FRIDAY,

1081
00:35:22,754 --> 00:35:26,289
ALBUM FRIENDS KEEP SECRETARY
ET-- SECRETED 2-S OUT ON FRIDAY,
PLEASE WELCOME BENNY BLANCO AND

1082
00:35:26,291 --> 00:35:35,699
ET-- SECRETED 2-S OUT ON FRIDAY,
PLEASE WELCOME BENNY BLANCO AND
GRACIE ABRAMS.

1083
00:35:40,872 --> 00:35:44,774
♪ EXCUSE MY FRENCH
BUT EVERY TIME YOU
♪ TURN YOUR PHONE AROUND

1084
00:35:44,776 --> 00:35:46,143
BUT EVERY TIME YOU
♪ TURN YOUR PHONE AROUND
I'M JUST GONNA LOSE MY

1085
00:35:46,145 --> 00:35:46,977
♪ TURN YOUR PHONE AROUND
I'M JUST GONNA LOSE MY
♪ LOSE MY [NO AUDIO]

1086
00:35:46,979 --> 00:35:48,912
I'M JUST GONNA LOSE MY
♪ LOSE MY [NO AUDIO]
THINKIN' IT'S ANOTHER ME

1087
00:35:48,914 --> 00:35:50,147
♪ LOSE MY [NO AUDIO]
THINKIN' IT'S ANOTHER ME
♪ HANGIN' ON THE OTHER LINE

1088
00:35:50,149 --> 00:35:50,981
THINKIN' IT'S ANOTHER ME
♪ HANGIN' ON THE OTHER LINE
I'M FINE

1089
00:35:50,983 --> 00:35:53,750
♪ HANGIN' ON THE OTHER LINE
I'M FINE
♪ I KEEP BRINGIN' ALL MY

1090
00:35:53,752 --> 00:35:54,985
I'M FINE
♪ I KEEP BRINGIN' ALL MY
PROBLEMS TO A PILLOW FIGHT

1091
00:35:54,987 --> 00:35:58,989
♪ I KEEP BRINGIN' ALL MY
PROBLEMS TO A PILLOW FIGHT
♪ AND I'M

1092
00:35:58,991 --> 00:35:59,756
PROBLEMS TO A PILLOW FIGHT
♪ AND I'M
JUST TRYING TO GET TO YOU

1093
00:35:59,758 --> 00:36:01,758
♪ AND I'M
JUST TRYING TO GET TO YOU
♪ BUT IT'S NOT YOUR FAULT

1094
00:36:01,760 --> 00:36:02,993
JUST TRYING TO GET TO YOU
♪ BUT IT'S NOT YOUR FAULT
NO, IT'S NOT YOUR FAULT

1095
00:36:02,995 --> 00:36:05,729
♪ BUT IT'S NOT YOUR FAULT
NO, IT'S NOT YOUR FAULT
♪ NO, IT'S NOT YOUR FAULT

1096
00:36:05,731 --> 00:36:06,997
NO, IT'S NOT YOUR FAULT
♪ NO, IT'S NOT YOUR FAULT
NO, NO

1097
00:36:06,999 --> 00:36:09,499
♪ NO, IT'S NOT YOUR FAULT
NO, NO
♪ 'CAUSE IF I'M GONNA LEARN

1098
00:36:09,501 --> 00:36:10,934
NO, NO
♪ 'CAUSE IF I'M GONNA LEARN
HOW TO LOVE YOU

1099
00:36:10,936 --> 00:36:11,735
♪ 'CAUSE IF I'M GONNA LEARN
HOW TO LOVE YOU
♪ I NEED TO UNLEARN HOW TO

1100
00:36:11,737 --> 00:36:15,005
HOW TO LOVE YOU
♪ I NEED TO UNLEARN HOW TO
LOVE, TOO

1101
00:36:15,007 --> 00:36:16,573
♪ I NEED TO UNLEARN HOW TO
LOVE, TOO
♪ NEED TO UNLEARN HOW TO RUN

1102
00:36:16,575 --> 00:36:17,741
LOVE, TOO
♪ NEED TO UNLEARN HOW TO RUN
WHEN IT FEELS RIGHT

1103
00:36:17,743 --> 00:36:18,909
♪ NEED TO UNLEARN HOW TO RUN
WHEN IT FEELS RIGHT
♪ OH MY GOD

1104
00:36:18,911 --> 00:36:19,176
WHEN IT FEELS RIGHT
♪ OH MY GOD
I'M TRYIN'

1105
00:36:19,178 --> 00:36:21,845
♪ OH MY GOD
I'M TRYIN'
♪ IF I'M GONNA LEARN

1106
00:36:21,847 --> 00:36:23,046
I'M TRYIN'
♪ IF I'M GONNA LEARN
HOW TO CHOOSE YOU

1107
00:36:23,048 --> 00:36:25,582
♪ IF I'M GONNA LEARN
HOW TO CHOOSE YOU
♪ I NEED TO UNLEARN

1108
00:36:25,584 --> 00:36:26,983
HOW TO CHOOSE YOU
♪ I NEED TO UNLEARN
WHAT I'M USED TO

1109
00:36:26,985 --> 00:36:28,752
♪ I NEED TO UNLEARN
WHAT I'M USED TO
♪ NEED TO UNLEARN HOW TO RUN

1110
00:36:28,754 --> 00:36:29,753
WHAT I'M USED TO
♪ NEED TO UNLEARN HOW TO RUN
WHEN IT FEELS RIGHT

1111
00:36:29,755 --> 00:36:30,987
♪ NEED TO UNLEARN HOW TO RUN
WHEN IT FEELS RIGHT
♪ OH MY GOD

1112
00:36:30,989 --> 00:36:34,391
WHEN IT FEELS RIGHT
♪ OH MY GOD
I'M TRYIN'

1113
00:36:34,393 --> 00:36:34,991
♪ OH MY GOD
I'M TRYIN'
♪ EXCUSE MY MOUTH, BUT

1114
00:36:34,993 --> 00:36:38,461
I'M TRYIN'
♪ EXCUSE MY MOUTH, BUT
EVERY TIME YOU RUN A LITTLE LATE

1115
00:36:38,463 --> 00:36:39,095
♪ EXCUSE MY MOUTH, BUT
EVERY TIME YOU RUN A LITTLE LATE
♪ HANGING WITH YOUR FRIENDS, I

1116
00:36:39,097 --> 00:36:41,731
EVERY TIME YOU RUN A LITTLE LATE
♪ HANGING WITH YOUR FRIENDS, I
FREAK THE [NO AUDIO] OUT

1117
00:36:41,733 --> 00:36:42,999
♪ HANGING WITH YOUR FRIENDS, I
FREAK THE [NO AUDIO] OUT
♪ THEN YOU COME HOME AND

1118
00:36:43,001 --> 00:36:47,003
FREAK THE [NO AUDIO] OUT
♪ THEN YOU COME HOME AND
YOUR KISS TASTES LIKE WINE

1119
00:36:47,005 --> 00:36:47,337
♪ THEN YOU COME HOME AND
YOUR KISS TASTES LIKE WINE
I'M FINE

1120
00:36:47,339 --> 00:36:50,974
YOUR KISS TASTES LIKE WINE
I'M FINE
♪ I KEEP BRINGING ALL MY

1121
00:36:50,976 --> 00:36:53,210
I'M FINE
♪ I KEEP BRINGING ALL MY
PROBLEMS TO A PILLOW FIGHT

1122
00:36:53,212 --> 00:36:53,743
♪ I KEEP BRINGING ALL MY
PROBLEMS TO A PILLOW FIGHT
♪ AND I'M JUST

1123
00:36:53,745 --> 00:36:57,314
PROBLEMS TO A PILLOW FIGHT
♪ AND I'M JUST
TRYING TO GET TO YOU

1124
00:36:57,316 --> 00:36:58,848
♪ AND I'M JUST
TRYING TO GET TO YOU
♪ BUT IT'S NOT YOUR FAULT

1125
00:36:58,850 --> 00:36:59,349
TRYING TO GET TO YOU
♪ BUT IT'S NOT YOUR FAULT
NO, IT'S NOT YOUR FAULT

1126
00:36:59,351 --> 00:37:02,986
♪ BUT IT'S NOT YOUR FAULT
NO, IT'S NOT YOUR FAULT
♪ NO, IT'S NOT YOUR FAULT

1127
00:37:02,988 --> 00:37:04,588
NO, IT'S NOT YOUR FAULT
♪ NO, IT'S NOT YOUR FAULT
NO, NO

1128
00:37:04,590 --> 00:37:05,722
♪ NO, IT'S NOT YOUR FAULT
NO, NO
♪ 'CAUSE IF I'M GONNA LEARN

1129
00:37:05,724 --> 00:37:06,990
NO, NO
♪ 'CAUSE IF I'M GONNA LEARN
HOW TO LOVE YOU

1130
00:37:06,992 --> 00:37:09,793
♪ 'CAUSE IF I'M GONNA LEARN
HOW TO LOVE YOU
♪ I NEED TO UNLEARN

1131
00:37:09,795 --> 00:37:10,994
HOW TO LOVE YOU
♪ I NEED TO UNLEARN
HOW TO LOVE, TOO

1132
00:37:10,996 --> 00:37:11,728
♪ I NEED TO UNLEARN
HOW TO LOVE, TOO
♪ NEED TO UNLEARN HOW TO RUN

1133
00:37:11,730 --> 00:37:14,664
HOW TO LOVE, TOO
♪ NEED TO UNLEARN HOW TO RUN
WHEN IT FEELS RIGHT

1134
00:37:14,666 --> 00:37:14,998
♪ NEED TO UNLEARN HOW TO RUN
WHEN IT FEELS RIGHT
♪ OH MY GOD

1135
00:37:15,000 --> 00:37:17,667
WHEN IT FEELS RIGHT
♪ OH MY GOD
I'M TRYIN'

1136
00:37:17,669 --> 00:37:18,969
♪ OH MY GOD
I'M TRYIN'
♪ IF I'M GONNA LEARN

1137
00:37:18,971 --> 00:37:20,670
I'M TRYIN'
♪ IF I'M GONNA LEARN
HOW TO CHOOE YOU

1138
00:37:20,672 --> 00:37:23,006
♪ IF I'M GONNA LEARN
HOW TO CHOOE YOU
♪ I NEED TO UNLEARN

1139
00:37:23,008 --> 00:37:23,740
HOW TO CHOOE YOU
♪ I NEED TO UNLEARN
WHAT I'M USED TO

1140
00:37:23,742 --> 00:37:25,742
♪ I NEED TO UNLEARN
WHAT I'M USED TO
♪ NEED TO UNLEARN HOW TO RUN

1141
00:37:25,744 --> 00:37:26,977
WHAT I'M USED TO
♪ NEED TO UNLEARN HOW TO RUN
WHEN IT FEELS RIGHT

1142
00:37:26,979 --> 00:37:29,746
♪ NEED TO UNLEARN HOW TO RUN
WHEN IT FEELS RIGHT
♪ OH MY GOD

1143
00:37:29,748 --> 00:37:38,989
WHEN IT FEELS RIGHT
♪ OH MY GOD
I'M TRYIN' ♪

1144
00:37:38,991 --> 00:37:55,138
♪ OH MY GOD
I'M TRYIN' ♪
♪ ♪ ♪

1145
00:37:59,076 --> 00:38:05,415
>> James: BENNY BLANCO AND
GRACIE ABRAMS, EVERYONE!
WE'LL BE RIGHT BACK.

1146
00:38:21,766 --> 00:38:25,702
THANK YOU SO MUCH FOR WATCHING
>> James: TOMORROW NIGHT,
CHRISSY TEIGEN WILL BE HERE, ND

1147
00:38:25,704 --> 00:38:26,269
>> James: TOMORROW NIGHT,
CHRISSY TEIGEN WILL BE HERE, ND
MUSIC FROM NEED TO BREATHE.

1148
00:38:26,271 --> 00:38:26,936
CHRISSY TEIGEN WILL BE HERE, ND
MUSIC FROM NEED TO BREATHE.
WE HOPE YOU WILL BE, TOO.

1149
00:38:26,938 --> 00:38:29,205
MUSIC FROM NEED TO BREATHE.
WE HOPE YOU WILL BE, TOO.
THANKS FOR WATCHING.

1150
00:38:29,207 --> 00:38:31,975
WE HOPE YOU WILL BE, TOO.
THANKS FOR WATCHING.
REGGIE, TAKE US HOME.

1151
00:38:33,244 --> 00:38:37,647
<font color="#ffff00"> Captioning sponsored by CBS</font>

1152
00:38:38,082 --> 00:38:47,123
Captioned by
<font color="#00ffff"> Media Access Group at WGBH</font>
access.wgbh.org