1 00:00:07,793 --> 00:00:14,931 THE LATE LATE SHOW WOO! ♪ THE LATE LATE SHOW-OH-HO 2 00:00:14,965 --> 00:00:25,000 THE LATE LATE SHOW-OH-OH! ♪ IT'S THE LATE LATE SHOW 3 00:00:34,517 --> 00:00:35,551 >> Reggie: ♪ >> JAMES: GOOD EVENING LADIES 4 00:00:35,586 --> 00:00:38,275 AND GENTLEMEN, WELCOME TO "THE LATE LATE SHOW." 5 00:00:38,310 --> 00:00:42,586 SO GOOD TO SEE YOU. THANKS FOR STOPPING BY. 6 00:00:42,620 --> 00:00:47,724 WE TRULY APPRECIATE IT. LET'S SEE WHO OUR GUESTS ARE ON 7 00:00:47,758 --> 00:00:49,068 THE SHOW TONIGHT, HE'S A HILARIOUS COMEDIAN AND ACTOR YOU 8 00:00:49,103 --> 00:00:50,310 KNOW FROM "WORKAHOLICS," THE "PITCH PERFECT" MOVIES, AND "THE 9 00:00:50,344 --> 00:00:52,862 RIGHTEOUS GEMSTONES," THE GLORIOUS, ADAM DEVINE. 10 00:00:52,896 --> 00:00:55,034 [ CHEERS AND APPLAUSE ] THERE HE IS! 11 00:00:55,068 --> 00:00:58,137 >> OH, HEY! >> James: HOW ARE YOU, ADAM? 12 00:00:58,172 --> 00:01:00,172 ARE YOU WELL? >> I'M GOOD, MAN. 13 00:01:00,206 --> 00:01:02,586 I'M SO EXCITED TO BE HERE, COVID FREE. 14 00:01:02,620 --> 00:01:06,172 >> James: SO HAPPY TO SEE YOU. I LIKE THIS JACKET. 15 00:01:06,206 --> 00:01:11,034 YOU'RE LOOKING GOOD HERE. THIS IS A GOOD LOOK FOR DEVINE. 16 00:01:11,068 --> 00:01:15,482 >> THANK YOU, MAN. I'M DOING MY BEST TALK SHOW HOST 17 00:01:15,517 --> 00:01:16,482 IMPRESSION. HOW AM I DOING? 18 00:01:16,517 --> 00:01:20,103 >> James: A LITTLE TOO WELL FOR THE LIKING. 19 00:01:20,137 --> 00:01:26,068 >> I'M SORRY, NOW AGAIN. >> James: PLAY IT OUT. 20 00:01:26,103 --> 00:01:28,758 YOU OPEN THE DOOR, AND I WILL BE THERE. 21 00:01:28,793 --> 00:01:31,517 >> LADIES AND GENTLEMEN, YOU KNOW HIM, YOU LOVE HIM, HE'S 22 00:01:31,551 --> 00:01:36,344 HERE ON THE SHOW TONIGHT, THE ONE, THE ONLY JAMES CORDEN! 23 00:01:36,378 --> 00:01:38,931 HOW YOU DOING TODAY? [ CHEERS AND APPLAUSE ] 24 00:01:38,965 --> 00:01:41,517 >> James: HAPPY TO BE HERE. GOOD TO SEE YOU. 25 00:01:41,551 --> 00:01:44,448 HOW ARE YOU? >> DID I GET THE JOB? 26 00:01:44,482 --> 00:01:49,482 >> James: NO, THEN YOU HAVE TO HAVE A FOLLOW-UP QUESTION. 27 00:01:49,517 --> 00:01:50,310 >> OH. >> James: THAT'S ALL RIGHT. 28 00:01:50,344 --> 00:01:51,448 WE'LL WORK ON IT. I BELIEVE IN YOU. 29 00:01:51,482 --> 00:01:59,448 YOU SAY, A ADAM DEVINE, EVERYBO! AND SHUT THE DOOR. 30 00:01:59,482 --> 00:02:03,827 >> ADAM DEVINE, EVERYBODY! [ CHEERS AND APPLAUSE ] 31 00:02:03,862 --> 00:02:05,275 >> JAMES: ADAM DEVINE EVERYBODY! SHE'S A FANTASTIC ACTOR YOU KNOW 32 00:02:05,310 --> 00:02:06,310 FROM THE "SCREAM" MOVIES, "PARTY OF FIVE," AND "THE CRAFT," THE 33 00:02:06,344 --> 00:02:09,793 DELIGHTFUL, THE MIGHTY NEVE CAMPBELL IS HERE! 34 00:02:09,827 --> 00:02:10,620 [ CHEERS AND APPLAUSE ] NEVE! 35 00:02:10,655 --> 00:02:12,758 HOW ARE YA? >> GOOD, HOW ARE YOU? 36 00:02:12,793 --> 00:02:15,482 >> James: VERY WELL. HOW ARE YOU DOING? 37 00:02:15,517 --> 00:02:18,206 >> WELL, THANK YOU. >> James: OF COURSE YOU'RE 38 00:02:18,241 --> 00:02:19,344 WELL. YOU'RE IN THE NUMBER ONE MOVIE 39 00:02:19,379 --> 00:02:23,793 IN THE WORLD RIGHT NOW. >> KIND OF CRAZY 40 00:02:23,827 --> 00:02:26,482 [ APPLAUSE ] >> James: YOU MUST HAVE LOVED 41 00:02:26,517 --> 00:02:29,344 THIS WEEKEND. >> IT WAS A PRETTY GREAT 42 00:02:29,379 --> 00:02:31,137 WEEKEND. >> A PRETTY GREAT WEEKEND AND 43 00:02:31,172 --> 00:02:35,793 TUESDAY TO HAVE YOU HERE. NEVE CAMPBELL, EVERYBODY! 44 00:02:35,827 --> 00:02:43,241 AND THIS IS HUGELY EXCITING. A BRILLIANT NEW ROCK BAND. 45 00:02:43,275 --> 00:02:46,344 THEY WERE NOMINATED FOR TWO GRAMMY AWARDS. 46 00:02:46,379 --> 00:02:47,930 THEIR LATEST ALBUM, "JUBILEE" WAS NAMED ONE OF THE BEST ALBUMS 47 00:02:47,965 --> 00:02:49,758 OF 2021 BY ROLLING STONE, BILLBOARD AND NPR, THE ELECTRIC, 48 00:02:49,793 --> 00:02:57,482 THE MAGICAL, JAPANESE BREAKFAST! [ CHEERS AND APPLAUSE ] 49 00:02:57,517 --> 00:02:59,896 HEY, MICHELLE, HOW ARE YOU? >> GOOD. 50 00:02:59,930 --> 00:03:01,517 HOW ARE YOU? >> James: VERY WELL. 51 00:03:01,551 --> 00:03:03,827 SO HAPPY YOU'RE HERE. >> THANK YOU. 52 00:03:03,862 --> 00:03:06,034 HAPPY TO BE HERE. >> James: YOU WERE SUPPOSED TO 53 00:03:06,068 --> 00:03:09,758 BE HERE A FEW WEEKS AGO, THEN THERE WAS COVID IN YOUR CAMP. 54 00:03:09,793 --> 00:03:13,172 THEN YOU WERE SUPPOSED TO BE HERE LAST WEEK BUT THERE WAS 55 00:03:13,206 --> 00:03:16,310 COVID IN MY CAMP BUT WE MADE IT WORK. 56 00:03:16,344 --> 00:03:21,310 >> I COULDN'T BE MORE DELIGHTED. >> James: I'M THRILLED YOU ARE 57 00:03:21,344 --> 00:03:25,206 HERE. JAPANESE BREAKFAST, EVERYBODY! 58 00:03:25,241 --> 00:03:28,172 [ CHEERS AND APPLAUSE ] SO HERE WE ARE. 59 00:03:28,206 --> 00:03:30,827 WE'RE BACK AT IT. [ CHEERING ] 60 00:03:30,862 --> 00:03:33,724 EVERYBODY HAVE A GOOD WEEK OFF? YEAH! 61 00:03:33,758 --> 00:03:36,034 >> James: YOU'RE WELCOME. [ LAUGHTER ] 62 00:03:36,067 --> 00:03:42,379 IF YOU DON'T KNOW, I TESTED POSITIVE FOR COVID -- 63 00:03:42,413 --> 00:03:43,241 >> WHOO! >> James: OKAY. 64 00:03:43,275 --> 00:03:49,172 ALL RIGHT. YEAH, I TESTED POSITIVE FOR 65 00:03:49,206 --> 00:03:52,000 COVID TEN, 15 DAYS AGO? >> 12 DAYS AGO. 66 00:03:52,034 --> 00:03:56,448 >> James: 12 DAYS AGO. I HAD TO QUARANTINE LAST WEEK SO 67 00:03:56,482 --> 00:03:59,310 THIS IS OUR FIRST SHOW BACK IN THE STUDIO. 68 00:03:59,344 --> 00:04:02,586 THANKS, WE'RE THRILLED TO BE HERE. 69 00:04:02,620 --> 00:04:04,551 [ CHEERS AND APPLAUSE ] I WAS INCREDIBLY LUCKY. 70 00:04:04,586 --> 00:04:08,724 I WAS VERY GRATEFUL. I'M VACCINATED, BOOSTED, AND I 71 00:04:08,758 --> 00:04:15,689 REALLY DO FEEL THAT BECAUSE OF THAT I BARELY HAD ANY SYMPTOMS. 72 00:04:15,724 --> 00:04:20,620 I FELT FINE THE ENTIRE TIME. THANK YOU TO ANYONE WHO SENT A 73 00:04:20,654 --> 00:04:25,482 MESSAGE, THE TEXTS, CALLS, REPLIES-ALL TO EVERY STAFF -WIDE 74 00:04:25,517 --> 00:04:27,482 EMAIL FROM TIM YOUNG. [ LAUGHTER ] 75 00:04:27,517 --> 00:04:30,896 I WAS HERE IN THE BUILDING. I TESTED NEGATIVE THE DAY 76 00:04:30,931 --> 00:04:33,103 BEFORE, HERE IN THE BUILDING, TESTED POSITIVE. 77 00:04:33,137 --> 00:04:37,172 I HAD TO LEAVE AND GO HOME. AS I WAS LEAVING, I PUT TWO 78 00:04:37,206 --> 00:04:40,689 MASKS ON, I'M GETTING OUT OF HERE AS QUICK AS I CAN. 79 00:04:40,724 --> 00:04:43,793 AS I WAS WALKING PAST THE OFFICES, I COULD HEAR -- I DON'T 80 00:04:43,827 --> 00:04:48,793 KNOW WHO IT WAS, I COULD HEAR SOMEONE IN THE OFFICE GOING, 81 00:04:48,827 --> 00:04:55,068 WHAT'S THE WEATHER LIKE IN CABO? [ LAUGHTER ] 82 00:04:55,103 --> 00:04:58,034 AND THEY'RE SAYING EVERYBODY'S GOING TO WORK FROM HOME BUT WE 83 00:04:58,068 --> 00:05:01,862 SHOULD TRY COME UP WITH GOOD STUFF FOR THE SHOW IN THE NEXT 84 00:05:01,896 --> 00:05:04,379 FEW WEEKS. WHAT'S THE WEATHER LIKE? 85 00:05:04,413 --> 00:05:11,827 IS IT NICE? OH, I FOUND A ROOM, LET'S GO! 86 00:05:11,862 --> 00:05:15,827 [ LAUGHTER ] REG, DID YOU GET A LOT OF WORK 87 00:05:15,862 --> 00:05:20,931 FROM HOME DONE? >> I DID EVERY SINGLE MAJOR CAR 88 00:05:20,965 --> 00:05:22,034 REVIEWER'S PODCAST. [ LAUGHTER ] 89 00:05:22,068 --> 00:05:24,344 >> James: YOU'RE THE NICK BERNSTEIN OF CAR REVIEWS. 90 00:05:24,379 --> 00:05:29,206 >> YES. I HAD AMAZING DRIVES, INCREDIBLE 91 00:05:29,241 --> 00:05:32,896 CARS, MET JAY LENO. >> James: YOU DID THE JAY 92 00:05:32,931 --> 00:05:34,206 LENO'S GARAGE? >> I'M GOING TO. 93 00:05:34,241 --> 00:05:37,827 >> James: YOU MET JAY LENO BEFORE YOU DID HIS SHOW, JUST 94 00:05:37,862 --> 00:05:42,724 HANGING OUT WITH JAY LENO? >> BECAUSE HE HANGS OUT AT THE 95 00:05:42,758 --> 00:05:45,586 MALIBU CAR MEETUP ON SUNDAYS. >> James: IT'S A MEETUP ON 96 00:05:45,620 --> 00:05:46,689 SUNDAY MORNINGS. >> YES. 97 00:05:46,724 --> 00:05:49,034 >> James: PEOPLE ROLL DOWN WITH UNBELIEVABLE CARS. 98 00:05:49,068 --> 00:05:52,586 >> IT'S INSANE. YOU GO THERE AND YOU'RE SEEING A 99 00:05:52,620 --> 00:06:00,000 MILLION DOLLAR 1940s MERCEDES SLS, AND THEN THERE'S A 100 00:06:00,034 --> 00:06:07,275 McCLERN S SENNA SITTING THERE. IT WAS MIND BLOWING. 101 00:06:07,310 --> 00:06:12,586 AND I WAS, LIKE, I GET TO TALK ABOUT ALL THE CAR STUFF AND I 102 00:06:12,620 --> 00:06:14,137 SAID, THAT'S OKAY. I'M NOT CRAZY. 103 00:06:14,172 --> 00:06:16,068 >> James: IT'S OKAY. YOU FOUND YOUR PEOPLE. 104 00:06:16,103 --> 00:06:20,827 LIKE ME WITH BROADWAY MUSICALS. I CAN'T DO IT WITH A LOT OF 105 00:06:20,862 --> 00:06:23,206 PEOPLE IN THIS ROOM, IT'S WASTED ON YOU. 106 00:06:23,241 --> 00:06:25,724 [ LAUGHTER ] DID ANYBODY ELSE TAKE ADVANTAGE 107 00:06:25,758 --> 00:06:30,655 OF THE WEEK OFF AND DO SOMETHING INCREDIBLY FUN? 108 00:06:30,689 --> 00:06:33,517 WHAT DID YOU GET UP TO, ANYTHING FUN? 109 00:06:33,551 --> 00:06:36,034 >> I DON'T THINK THERE'S ANYTHING EXCITING. 110 00:06:36,068 --> 00:06:38,344 I'M RECOVERING FROM A BROKEN NOSE. 111 00:06:38,379 --> 00:06:42,344 >> James: OH, WHAT HAPPENED? I TOOK A SPILL OVER THE 112 00:06:42,379 --> 00:06:48,793 DECEMBER HIATUS AT A FRIEND'S CHRISTMAS PARTY, TOOK A PRETTY 113 00:06:48,827 --> 00:06:53,758 HARD FALL ON A WET STONE PATIO. LUCKILY, I WAS NOT CONCUSSED 114 00:06:53,793 --> 00:06:58,586 BECAUSE MY NOSE TOOK THE ENTIRE BRUNT OF THE FALL. 115 00:06:58,620 --> 00:07:01,206 >> James: DRUNK? I WAS -- I HAD HAD SOME 116 00:07:01,241 --> 00:07:03,034 DRINKS. >> James: TIPSY. 117 00:07:03,068 --> 00:07:05,206 [ LAUGHTER ] SO WHAT DO THEY DO? 118 00:07:05,241 --> 00:07:08,206 YOU GO SOMEWHERE AND -- I DIDN'T THINK THERE WAS ANYTHING YOU 119 00:07:08,241 --> 00:07:11,413 COULD DO WITH A BROKEN NOSE. >> MIDDLE EAST, WE HAD TO 120 00:07:11,448 --> 00:07:13,758 LEAVE -- IMMEDIATELY, WE HAD TO LEAVE THE PARTY. 121 00:07:13,793 --> 00:07:16,862 I DIDN'T KNOW THE HOST OF THE PARTY OR ANYBODY ELSE AT THE 122 00:07:16,896 --> 00:07:19,551 PARTY. >> James: OH, WOW. 123 00:07:19,586 --> 00:07:21,206 EXCEPT FOR MY GIRLFRIEND. >> James: THAT'S BRUTAL. 124 00:07:21,241 --> 00:07:22,655 THAT IS AWFUL. >> YEAH. 125 00:07:22,689 --> 00:07:25,448 >> James: WHEN YOU DON'T KNOW ANYONE AND SOMETHING HAPPENS TO 126 00:07:25,482 --> 00:07:30,620 YOU -- I REMEMBER BEING AT LONDON, BEING OUT AT A PLACE, 127 00:07:30,655 --> 00:07:34,172 NOT KNOWING ANYONE AND SOMEONE SAYING, OH, YOU SHOULD COME UP 128 00:07:34,206 --> 00:07:37,689 WITH US TO A THING. I END UP IN A CAB WITH FIVE 129 00:07:37,724 --> 00:07:41,137 PEOPLE I DON'T KNOW, NEVER MET, DRUNK BEYOND BELIEF THINKING, I 130 00:07:41,172 --> 00:07:45,172 DON'T KNOW WHERE I'M GOING OR WHAT I'M DOING, AND WE TALKED UP 131 00:07:45,206 --> 00:07:51,551 THIS THING, AND THEY'RE ALL TALKING AND I WENT TO OPEN A 132 00:07:51,586 --> 00:07:54,862 DOOR, WENT THROUGH THAT DOOR, AND DIDN'T REALIZE THERE WAS A 133 00:07:54,896 --> 00:07:57,000 GLASS DOOR THE OTHER SIDE OF IT, RIGHT. 134 00:07:57,034 --> 00:08:01,241 SO I OPEN AND I WAS TALKING LIKE THIS, I OPENED THE DOOR AND AS 135 00:08:01,275 --> 00:08:06,275 HARD AS YOU CAN IMAGINE, WALKING INTO A DOOR IS HOW I WALKED INTO 136 00:08:06,310 --> 00:08:09,241 A DOOR. I LITERALLY WENT LIKE THIS, AND 137 00:08:09,275 --> 00:08:11,034 I WENT BANG! LIKE THAT! 138 00:08:11,068 --> 00:08:20,000 AND IT MADE SUCH A NOISE THE GLASS WENT WA-WA-WA-WA, LIKE 139 00:08:20,034 --> 00:08:22,655 THAT. AND I WAS SO DIZZY, AND ALL I 140 00:08:22,689 --> 00:08:26,034 COULD THINK OF IS YOU HAVE TO STYLE THIS OUT AS GOOD AS YOU 141 00:08:26,068 --> 00:08:28,068 CAN. AND I IMMEDIATELY SAID THE 142 00:08:28,103 --> 00:08:32,241 WORDS, I'M FINE. I SAID THE WORDS I'M FINE 50 143 00:08:32,275 --> 00:08:40,102 TIMES, AND I ENDED UP -- [ LAUGHTER ] 144 00:08:40,136 --> 00:08:44,620 -- CRACKING UP AND NONE OF THESE PEOPLE OF I KNEW WERE LOOKING AT 145 00:08:44,655 --> 00:08:49,413 ME AND I HAD TO LEAVE AS SOON AS WE COULD. 146 00:08:49,448 --> 00:08:52,827 I THOUGHT I'VE GOT TO GET OUT OF HERE. 147 00:08:52,862 --> 00:08:56,206 I AM IN AGONY. >> YOU HAD TO MOVE TO AMERICA 148 00:08:56,241 --> 00:08:58,137 BECAUSE OF THAT. THAT WAS IT. 149 00:08:58,172 --> 00:09:00,517 [ LAUGHTER ] >> James: I HAD TO GET OUT. 150 00:09:00,551 --> 00:09:07,724 WHEN I'M IN LONDON, I'M, LIKE, WERE THEY THERE? 151 00:09:07,758 --> 00:09:09,241 WELL, IT'S THAT TIME, IT'S TIME FOR, THE NEWS. 152 00:09:09,275 --> 00:09:16,517 THE BIDEN ADMINISTRATION HAS 153 00:09:16,551 --> 00:09:17,724 VERIZON AND AT&T AGREED TODAY TO POSTPONE TOMORROW'S PLANNED 154 00:09:17,758 --> 00:09:19,068 ROLLOUT OF THEIR NEW 5G NETWORKS. 155 00:09:19,103 --> 00:09:20,241 MAJOR AIRLINES HAD WARNED OF A QUOTE CATASTROPHIC DISRUPTION TO 156 00:09:20,275 --> 00:09:21,103 TRAVEL, SAYING 5G HAS THE POTENTIAL TO INTERFERE WITH 157 00:09:21,137 --> 00:09:27,620 AVIATION EQUIPMENT. SORRY, AIRLINES. 158 00:09:27,655 --> 00:09:28,793 BUT THIS NEVER WOULD'VE NEEDED TO HAPPEN IF BOINGO HOTSPOTS 159 00:09:28,827 --> 00:09:37,034 WERE MORE RELIABLE. [ LAUGHTER ] 160 00:09:37,068 --> 00:09:39,034 BOINGO -- >> James: IT'S AS SIMPLE AS 161 00:09:39,068 --> 00:09:40,034 THAT. >> WOW. 162 00:09:40,068 --> 00:09:42,758 >> James: THEY NEVER SAW IT THROUGH, DID THEY? 163 00:09:42,793 --> 00:09:49,103 IF THEY HAD SEEN IT THROUGH WITH THE BOINGO HOTSPOTS, NONE OF 164 00:09:49,137 --> 00:09:52,482 THIS WOULD HAPPEN. CAN YOU IMAGINE? 165 00:09:52,517 --> 00:09:54,000 BRINGING THE NATION'S INFRASTRUCTURE TO ITS KNEES 166 00:09:54,034 --> 00:09:59,482 BECAUSE YOU NEEDED A FASTER WAY TO SEND A .GIF OF JIM FROM THE OFFICE 167 00:09:59,517 --> 00:10:02,068 PROBABLY DOING THIS -- 168 00:10:02,103 --> 00:10:09,655 [ LAUGHTER ] APPARENTLY, THERE ARE TECHNICAL 169 00:10:09,689 --> 00:10:14,034 CONCERNS WITH THE WAY 5G AFFECTS FLIGHT INSTRUMENTS. 170 00:10:14,068 --> 00:10:19,034 WHEN THEY HEARD THIS, SPIRIT AIRLINES WERE 171 00:10:19,068 --> 00:10:24,034 LIKE, HANG ON, WAIT A MINUTE, WHAT ARE 'FLIGHT INSTRUMENTS'? 172 00:10:24,068 --> 00:10:31,275 [ LAUGHTER ] MOVING ON, THE WINTER OLYMPICS 173 00:10:31,310 --> 00:10:32,689 IN BEIJING ARE SET TO BEGIN IN JUST A FEW WEEKS - AND MULTIPLE 174 00:10:32,724 --> 00:10:34,448 COUNTRIES HAVE ISSUED AN UNUSUAL WARNING TO THEIR ATHLETES. 175 00:10:34,482 --> 00:10:35,620 THEY'RE BEING TOLD TO LEAVE THEIR PHONES AT HOME TO AVOID 176 00:10:35,655 --> 00:10:38,931 BEING SPIED UPON BY THE CHINESE GOVERNMENT. 177 00:10:38,965 --> 00:10:40,517 YEAH. I DON'T CARE IF I'VE SPENT MY 178 00:10:40,551 --> 00:10:42,965 ENTIRE LIFE PREPARING TO COMPETE IN THE OLYMPICS, IF YOU TELL ME 179 00:10:43,000 --> 00:10:46,275 I CAN'T BRING MY PHONE, I'M DROPPING OUT. 180 00:10:46,310 --> 00:10:50,931 I'M DONE E. [ LAUGHTER ] 181 00:10:50,965 --> 00:10:53,655 I'M, LIKE,, NO, THANKS FOR DRIVING ME TO THE 182 00:10:53,689 --> 00:10:55,965 SKATING RINK EVERY MORNING AT FIVE A.M., MOM, BUT THIS IS 183 00:10:56,000 --> 00:10:57,344 NON-NEGOTIABLE. MANY COUNTRIES ARE ADVISING 184 00:10:57,379 --> 00:11:01,620 ATHLETES TO KEEP THEIR DEVICES OFF WIFI NETWORKS AND USE BURNER 185 00:11:01,655 --> 00:11:04,172 PHONES, IF POSSIBLE. BASICALLY, IF YOU'RE COMPETING 186 00:11:04,206 --> 00:11:07,310 IN THE OLYMPICS, IT'S COCAINE DEALER RULES. 187 00:11:07,344 --> 00:11:13,206 [ LAUGHTER ] THAT'S WHAT IT IS. 188 00:11:13,241 --> 00:11:17,517 PUT IN YOUR CALLS, PUT IT IN THE MICROWAVE AND YOU'RE DONE. 189 00:11:17,551 --> 00:11:18,793 [ LAUGHTER ] AND IF YOU'RE NOT AN OLYMPIC 190 00:11:18,827 --> 00:11:20,172 ATHLETE AND WANT TO SEE WHAT IT'S LIKE TO HAVE TO DO YOUR JOB 191 00:11:20,206 --> 00:11:23,206 WITHOUT WIFI, JUST COME DOWN HERE TO TELEVISION CITY. 192 00:11:23,241 --> 00:11:27,689 IT WILL BE ABSOLUTELY -- YOU WILL REALLY GET THE FULL -- 193 00:11:27,724 --> 00:11:31,758 [ APPLAUSE ] YOU WILL GET THE FULL 194 00:11:31,793 --> 00:11:33,931 EXPERIENCE. GET ON THE WI-FI AND YOU WILL 195 00:11:33,965 --> 00:11:38,137 IMMEDIATELY LOOK UPON BOINGO HOTSPOTS WITH -- WITH A NEW 196 00:11:38,172 --> 00:11:43,896 LEVEL OF RESPECT. [ LAUGHTER ] 197 00:11:43,931 --> 00:11:46,655 NICK, WHY IS THE WI-FI SO BAD IN THIS BUILDING? 198 00:11:46,689 --> 00:11:51,000 >> I DON'T HAVE AN ANSWER FOR YOU FOR THAT. 199 00:11:51,034 --> 00:11:55,000 THAT'S NOT MY JURISDICTION, UNFORTUNATELY. 200 00:11:55,034 --> 00:11:57,551 >> James: LET'S NOT TALK ABOUT JURISDICTION. 201 00:11:57,586 --> 00:12:00,206 THERE IS NOTHING HERE UNDER YOUR JURISDICTION. 202 00:12:00,241 --> 00:12:04,034 EVEN THAT CHAIR ISN'T UNDER YOUR JURISDICTION. 203 00:12:04,068 --> 00:12:06,068 >> IT'S GOT MY NAME ON IT. >> James: BECAUSE ALL WE'VE 204 00:12:06,103 --> 00:12:13,586 GOT AS A SHOW IS TO GO TO STEVE WHO BASICALLY GOES, 205 00:12:13,620 --> 00:12:27,206 [ ARGUING ] AARGH -- AND HE EVENTUALLY GOES LIKE THIS -- 206 00:12:27,241 --> 00:12:36,379 >> TALKING TO THE I.T. GUY HERE IS LIKE TALKING TO MARIAH 207 00:12:36,413 --> 00:12:41,586 CAREY'S MANAGER, I DON'T KNOW, DOESN'T FEEL LIKE WORKING TODAY. 208 00:12:41,620 --> 00:12:45,551 [ LAUGHTER ] HAVE YOU FELT ABOUT GETTING TO 209 00:12:45,586 --> 00:12:49,206 THE BOTTOM OF IT? >> I HAVEN'T. 210 00:12:49,241 --> 00:12:51,827 MY WI-FI USUALLY WORKS PRETTY WELL. 211 00:12:51,862 --> 00:12:55,034 I DON'T KNOW WHY MINE IS. >> James: YOUR WI-FI WORKS 212 00:12:55,068 --> 00:12:57,448 PRETTY WELL. SHOW OF HANDS WITHIN THE TEAM. 213 00:12:57,482 --> 00:13:04,275 WE ALL WORK HERE EVERY DAY. WHO ELSE HERE'S WI-FI WOULD YOU 214 00:13:04,310 --> 00:13:10,965 CONSIDER WORKS PRETTY WELL? YOURS DOESN'T WORK WELL, REG. 215 00:13:11,000 --> 00:13:13,448 DO YOU HAVE YOUR OWN ROUTER IN THERE, I IMAGINE? 216 00:13:13,482 --> 00:13:19,517 >> NO, I ALWAYS THINK IT'S NOT GOING TO, BUT THEN I'M WATCHING 217 00:13:19,551 --> 00:13:25,586 MY APPLE TV ON OTHER SHOWS, ABC AND OTHER NETWORKS, AND I'M -- 218 00:13:25,620 --> 00:13:26,896 [ LAUGHTER ] [ APPLAUSE ] 219 00:13:26,931 --> 00:13:30,344 WORKS GREAT. >> James: YOU'RE RIGHT, THE TV 220 00:13:30,379 --> 00:13:33,586 SCREEN DOES WORK WELL. THAT DOES WORK WELL. 221 00:13:33,620 --> 00:13:37,586 >> THAT'S ACTUALLY WHAT I HAVE A PROBLEM WITH BECAUSE THERE'S -- 222 00:13:37,620 --> 00:13:41,586 OFTENTIMES WHEN I AM WATCHING OTHER NETWORKS, I JUST GET THOSE 223 00:13:41,620 --> 00:13:45,793 LITTLE DIRECT TV BOUNCING BALL, WHICH IS REALLY STRANGE 224 00:13:45,827 --> 00:13:49,586 CONSIDERING -- >> James: THAT'S A GREAT 225 00:13:49,620 --> 00:13:57,965 STORY. [ LAUGHTER ] 226 00:13:58,000 --> 00:14:04,517 I HAD TO CUT YOU OFF BECAUSE ADAM DEVINE'S GOT A VERY SIMILAR 227 00:14:04,551 --> 00:14:08,551 STORY. [ LAUGHTER ] 228 00:14:08,586 --> 00:14:11,620 AND THIS IS INTERESTING. ACCORDING TO A NEW STUDY, FACE 229 00:14:11,655 --> 00:14:13,931 MASKS, MAKE YOU MORE ATTRACTIVE. RESEARCHERS DISCOVERED THAT 230 00:14:13,965 --> 00:14:17,620 PEOPLE FOUND FACES SIGNIFICANTLY MORE ATTRACTIVE WHEN COVERED BY 231 00:14:17,655 --> 00:14:21,034 MASKS THAN WHEN NOT COVERED AT ALL. 232 00:14:21,068 --> 00:14:25,620 WHICH DOES EXPLAIN THE RISE OF NICK BERNSTEIN DURING THE 233 00:14:25,655 --> 00:14:28,586 PANDEMIC. BUT LOOKING NOW AT THE TEAM 234 00:14:28,620 --> 00:14:32,413 WHOSE FACES I KNOW, I DISAGREE WITH THIS. 235 00:14:32,448 --> 00:14:36,172 I DISAGREE WITH THIS. I'M CONSTANTLY ANNOYED THAT I 236 00:14:36,206 --> 00:14:38,172 CAN'T SEE, YOU KNOW -- >> OH, RIGHT. 237 00:14:38,206 --> 00:14:41,034 >> James: -- ALL OF JARED'S FACE. 238 00:14:41,068 --> 00:14:43,586 JARED IS NOT BETTER LOOKING WITH A FACTION ON. 239 00:14:43,620 --> 00:14:49,758 LOOK AT THAT. WOOF. 240 00:14:49,793 --> 00:14:52,206 [ APPLAUSE ] >> YEAH, IT'S THOSE GREEN EYES. 241 00:14:52,241 --> 00:14:57,551 WHEN YOU MEET SOMEONE, I THINK IN YOUR IMAGINATION, I 242 00:14:57,586 --> 00:15:02,551 THINK YOU IMAGINE THEM TO BE INCREDIBLY GOOD LOOKING. 243 00:15:02,586 --> 00:15:06,379 I'M JUST SAYING YOU'RE OPTIMISTIC WITH YOUR 244 00:15:06,413 --> 00:15:12,344 IMAGINATION, SO WHEN YOU HAVEN'T MET SOMEONE, YOU IMAGINE THEM TO 245 00:15:12,379 --> 00:15:14,482 BE ATTRACTIVE. >> James: I NEVER THOUGHT I 246 00:15:14,517 --> 00:15:23,827 WOULD SAY THIS, CAN YOU TELL ME MORE ABOUT THAT BOUNCING BALL? 247 00:15:23,862 --> 00:15:26,896 [ LAUGHTER ] >> James: THERE'S A NEW 248 00:15:26,931 --> 00:15:33,206 YouTube RECORD TO TELL YOU ABOUT 249 00:15:33,241 --> 00:15:38,896 THE FIRST VIDEO TO REACH TEN BILLION VIEWS IS, ANY GUESSES? 250 00:15:38,931 --> 00:15:40,413 >> PROBABLY SOMETHING LIKE BABY SHARK, RIGHT? 251 00:15:40,448 --> 00:15:45,551 >> James: IT'S EXACTLY BABY SHARK! 252 00:15:45,586 --> 00:15:49,206 [ APPLAUSE ] THAT'S WHY HE GETS THE GOOD 253 00:15:49,241 --> 00:15:52,689 WI-FI BECAUSE HIS FINGER IS RIGHT THERE. 254 00:15:52,724 --> 00:15:56,724 YEAH, BABY! TEN BILLION VIEWS TO WHICH 255 00:15:56,758 --> 00:16:00,758 PARENTS EVERYWHERE SAID, YES, WE KNOW. 256 00:16:00,793 --> 00:16:02,000 REMEMBER WHEN PEOPLE THOUGHT THE INTERNET WOULD BE FAMOUS FOR 257 00:16:02,034 --> 00:16:04,172 USHERING IN A NEW AGE OF INFORMATION AND ENLIGHTENMENT? 258 00:16:04,206 --> 00:16:06,448 >> Reggie: YES. >> James: INSTEAD, THE 259 00:16:06,482 --> 00:16:10,482 INTERNET FAMOUSLY DESTROYED THE CONCEPT OF 260 00:16:10,517 --> 00:16:14,689 FACT-BASED TRUTH AND GAVE US THE MOST ANNOYING SONG OF ALL TIME. 261 00:16:14,724 --> 00:16:17,620 BABY SHARK IS ONE OF THE BIGGEST VIRAL SENSATIONS IN THE WORLD. 262 00:16:17,655 --> 00:16:23,551 SO OF COURSE HE'S TAKING THE NEXT LOGICAL STEP, GOING 263 00:16:23,586 --> 00:16:26,000 HEAD-TO-HEAD WITH LOGAN PAUL IN A BOXING MATCH. 264 00:16:26,034 --> 00:16:27,241 [ APPLAUSE ] AND THAT'S THE NEWS. 265 00:16:27,275 --> 00:16:28,689 WE'LL BE RIGHT BACK WITH ADAM DEVINE AND NEVE CAMPBELL. 266 00:16:37,931 --> 00:16:38,931 >> James: WELCOME >> JAMES: LET'S MEET OUR GUESTS 267 00:16:38,965 --> 00:16:42,068 BACK! TONIGHT SHE STARS IN "SCREAM," 268 00:16:42,103 --> 00:16:48,310 NEVE CAMPBELL. ♪ IT'S NEVE CAMPBELL 269 00:16:48,344 --> 00:16:54,034 >> James: I LOVE THIS OUTFIT! HE STARS IN "THE RIGHTEOUS 270 00:16:54,068 --> 00:17:02,724 GEMSTONES," ADAM DEVINE [ BAND PLAYING ] 271 00:17:02,758 --> 00:17:05,000 >> James: I LOVE THIS WHOLE LOOK. 272 00:17:05,034 --> 00:17:07,550 I LOVE IT. HOW ARE YA? 273 00:17:07,586 --> 00:17:16,413 [ CHEERS AND APPLAUSE ] [ BAND PLAYING ] 274 00:17:16,448 --> 00:17:25,517 THANK YOU FOR BEING HERE. I'M SO HAPPY THAT YOU'RE BOTH 275 00:17:25,550 --> 00:17:27,964 HERE. SO HAPPY THAT YOU'RE HERE. 276 00:17:28,000 --> 00:17:31,482 "SCREAM" IS THE NUMBER ONE MOVIE IN THE WORLD RIGHT NOW. 277 00:17:31,517 --> 00:17:33,034 CAN I SAY THIS -- >> YEAH. 278 00:17:33,068 --> 00:17:36,275 >> James: -- I THINK IT'S SAFE TO SAY THAT NEVE CAMPBELL -- I 279 00:17:36,310 --> 00:17:44,206 THINK YOU'RE HAVING A MOMENT -- >> AWWW. 280 00:17:44,241 --> 00:17:52,517 >> James: HAVE YOU HEARD THE NEW ALBUM AND HE SAYS MAKE HER 281 00:17:52,551 --> 00:17:55,517 SCREAM LIKE NEVE CAMPBELL. WHAT DO YOU MAKE OF THIS? 282 00:17:55,551 --> 00:17:59,206 >> MY PUBLICIST TOLD ME. SHE SAID THIS WEEKEND, LAST 283 00:17:59,241 --> 00:18:02,068 WEEKEND, I HAD NO IDEA WHAT SHE'S TALKING ABOUT. 284 00:18:02,103 --> 00:18:06,034 THEN I REALIZED THE GUY WHO PLAYED AT THE SUPER BOWL. 285 00:18:06,068 --> 00:18:08,655 FELLOW CANADIAN. >> James: YES, FELLOW 286 00:18:08,689 --> 00:18:09,413 CANADIAN. >> HOW COOL. 287 00:18:09,448 --> 00:18:12,137 >> James: IT'S AMAZING. YEAH. 288 00:18:12,172 --> 00:18:15,620 >> James: I CAN ONLY THINK HE'LL BE REALLY DISAPPOINTED IF 289 00:18:15,655 --> 00:18:19,965 HE KNOWS YOU DESCRIBE HIM AS THE GUY FROM THE SUPER BOWL, GIVEN 290 00:18:20,000 --> 00:18:26,758 HE'S ARGUABLY ONE OF THE BIGGEST AND BEST SELLING ARTISTS OF THE 291 00:18:26,793 --> 00:18:30,103 GENERATION. >> HE'S FROM CANADA, TOO, SO 292 00:18:30,137 --> 00:18:31,931 COOL. >> James: HE'S AMAZING. 293 00:18:31,965 --> 00:18:37,482 NOW, I WANT TO KNOW ABOUT THIS H BECAUSE I HEARD, AND YOUR 294 00:18:37,517 --> 00:18:42,034 WEDDING, IS THIS TRUE, SOMEBODY DRANK FROM ONE OF YOUR WIFE'S 295 00:18:42,068 --> 00:18:43,034 SHOES. >> YEAH. 296 00:18:43,068 --> 00:18:47,034 >> James: THAT SHE WAS WEARING AT THE WEDDING. 297 00:18:47,068 --> 00:18:50,517 >> YEAH, IT WAS A PRETTY SLOPPY WEDDING. 298 00:18:50,551 --> 00:18:57,034 IT WAS BLAKE ANDERSON. MY CO-STAR. 299 00:18:57,068 --> 00:19:00,551 IN AUSTRALIA, THEY POUR A BEER IN A SHOE AND CHUG IT. 300 00:19:00,586 --> 00:19:04,379 WHEN I WAS IN AUSTRALIA, I WAS DOING STANDUP ON THERE, AND I'M 301 00:19:04,413 --> 00:19:10,620 ON STAVE AND DAVE GROHL IS IN THE AUDIENCE, THE ROCK STAR. 302 00:19:10,655 --> 00:19:18,103 SO THEY BRING ME OUT A BEER AND START CHANTING SHOEY, SHOEY! 303 00:19:18,137 --> 00:19:22,517 AND I LOCK EYES WITH DAVE AND I SWEAR HE GOES, DO IT! 304 00:19:22,551 --> 00:19:25,310 I DON'T KNOW IF HE DID, BUT IT WAS IN MY HEAD. 305 00:19:25,344 --> 00:19:28,724 I CHUGGED IT. AND I PUT MY SHOE BACK ON AND 306 00:19:28,758 --> 00:19:33,310 IT'S ALL WET AND I TOOK MY SLUICE OFF AND IT'S JUST ME 307 00:19:33,344 --> 00:19:37,517 WALKING -- IT WAS EARLY ON IN THE SHOW SO A LOT OF WET 308 00:19:37,551 --> 00:19:41,793 FOOTPRINTS. I TOLD THE STORY AND DAVE GROHL 309 00:19:41,827 --> 00:19:46,034 CAME BACK AFTER THE SHOW AND SAID, OH, REMEMBER WHEN YOU 310 00:19:46,068 --> 00:19:49,103 DRANK A BEER OUT OF YOUR SHOE? I GO, YEAH. 311 00:19:49,137 --> 00:19:52,655 HE SAYS, THAT'S [ BLEEP ] DISGUSTING! 312 00:19:52,689 --> 00:19:59,413 SO BLAKE DRANK THE BEER OUT OF HIS SHOE AND EVERYONE WAS, LIKE, 313 00:19:59,448 --> 00:20:02,034 WOO! I SAID, REMEMBER WHEN YOU DRANK 314 00:20:02,068 --> 00:20:05,620 A BEER OUT OF MY WIFE'S SHOE? HE SAID, YEAH! 315 00:20:05,655 --> 00:20:09,241 I SAID, THAT'S DISGUSTING! >> James: HAVE YOU BEEN TO 316 00:20:09,275 --> 00:20:11,793 BRITISH WEDDINGS? BRITISH WEDDINGS GET VERY 317 00:20:11,827 --> 00:20:13,482 SLOPPY, MESSY. >> I WENT TO A BRITISH WEDDING 318 00:20:13,517 --> 00:20:16,724 IN THE COUNTRYSIDE ONCE WHERE NOT EVERYBODY HAD ROOMS IN 319 00:20:16,758 --> 00:20:22,344 HOTELS, SO THEY JUST PUT TENTS UP IN THIS MUD PATCH, THIS MUDDY 320 00:20:22,379 --> 00:20:26,379 FIELD AND EVERYBODY GOT REALLY REALLY MESSED UP AND THEN WE'RE 321 00:20:26,413 --> 00:20:29,241 SLEEPING IN THE MUD, BASICALLY. SO FUN TIMES. 322 00:20:29,275 --> 00:20:32,310 >> James: THAT IS WHAT HAPPENS AT BRITISH WEDDINGS. 323 00:20:32,344 --> 00:20:35,793 PEOPLE GO I'M GOING TO DRINK MY BODY WEIGHT. 324 00:20:35,827 --> 00:20:38,862 >> THEY COMMIT TO IT. IT'S NOT ACCIDENTAL. 325 00:20:38,896 --> 00:20:40,793 IT'S I'M GOING TO GET DRUNK. >> James: FOR SURE. 326 00:20:40,827 --> 00:20:47,310 IF IT HAPPENED IN LOS ANGELES, THEY WOULD HAVE SORT OF 327 00:20:47,344 --> 00:20:48,137 WEDDING/INTERVENTIONS. >> YES. 328 00:20:48,172 --> 00:20:49,482 >> James: LET'S TALK ABOUT "SCREAM." 329 00:20:49,517 --> 00:20:53,448 THE FIFTH MOVIE IN THE SERIES. WHEN YOU HEARD THEY WERE MAKING 330 00:20:53,482 --> 00:20:56,413 A FIFTH FILM, IS THIS -- WHAT HAPPENED, IS THIS SOMETHING YOU 331 00:20:56,448 --> 00:21:01,137 SAY YES TO STRAIGHTAWAY? DID YOU HAVE ANY RETICENCE 332 00:21:01,172 --> 00:21:03,896 TOWARDS IT? >> YES, I WAS APPREHENSIVE 333 00:21:03,931 --> 00:21:12,241 BECAUSE WE LOST WEST CRAVEN. WES IS THE REASON WE ARE AS 334 00:21:12,275 --> 00:21:16,724 SUCCESSFUL AS WE ARE AND THE FRANCHISES WENT AS LONG AS THEY 335 00:21:16,758 --> 00:21:20,965 WENT. I WASN'T SURE WE WOULD DO AS 336 00:21:21,000 --> 00:21:25,896 WELL BUT THEY SAID THEY'D BECOME SUCCESSFUL BECAUSE OF WES CRAVEN 337 00:21:25,931 --> 00:21:28,241 AND THEY WANTED TO HONOR HIM AND THAT FELT GOOD. 338 00:21:28,275 --> 00:21:31,275 THE SCRIPT WAS GREAT AND I THOUGHT, FEARS FUN MOVIES TO 339 00:21:31,310 --> 00:21:34,034 MAKE, LET'S GO DO IT. >> James: I'M SO PLEADS. 340 00:21:34,068 --> 00:21:37,482 HERE WE ARE, ME, TOO. >> James: WERE THE "SCREAM" 341 00:21:37,517 --> 00:21:40,068 MOVIES BIG FOR YOU WHEN THEY CAME OUT? 342 00:21:40,103 --> 00:21:42,206 >> OH, MY GOD IT WAS SO EXCITING. 343 00:21:42,241 --> 00:21:46,034 I REMEMBER, I WAS IN, LIKE, SIX OR SEVENTH GRADE AND, AT THAT 344 00:21:46,068 --> 00:21:49,103 AGE -- >> NOT THAT LONG. 345 00:21:49,137 --> 00:21:52,620 WELL, YOU LOOK GREAT. EVERYONE IN THE AUDIENCE IS, 346 00:21:52,655 --> 00:21:58,034 LIKE, HE'S NOT OLDER? HE'S SO WRINKLY. 347 00:21:58,068 --> 00:22:01,931 IT'S A PLAY-DOH FACE. [ LAUGHTER ] 348 00:22:01,965 --> 00:22:06,793 THERE WAS 35 OF US WENT TO SEE THE MOVIE AND EVERY ADULT IN THE 349 00:22:06,827 --> 00:22:13,241 THEATER WAS LIKE [ BLEEP ], BECAUSE THERE ARE 35 -YEAR-OLDS, 350 00:22:13,275 --> 00:22:15,206 WITH 13-YEAR-OLDS. AND I REMEMBER BEING JUST 351 00:22:15,241 --> 00:22:19,517 LIKE -- I ALWAYS WANTED TO DO COMEDY, SO IT WAS ME THE WHOLE 352 00:22:19,551 --> 00:22:25,448 TIME YELLING STUFF. IT WAS ME YELLING, HE'S 353 00:22:25,482 --> 00:22:28,000 OBVIOUSLY IN THE CLOSET! >> James: PEOPLE MUST HAVE 354 00:22:28,034 --> 00:22:30,241 REALLY ENJOYED THAT. >> YEAH. 355 00:22:30,275 --> 00:22:33,344 I FEEL LIKE -- YEAH, FOR SURE. I FEEL LIKE NOW I'M STARTING TO, 356 00:22:33,379 --> 00:22:39,034 LIKE, FEEL MY AGE BECAUSE NOW WHEN I'M AT A MOVIE AND I SEE 357 00:22:39,068 --> 00:22:40,551 YOUNG PEOPLE COME INTO THE THEATER. 358 00:22:40,586 --> 00:22:45,758 >> James: I LEAVE. I LEAVE IMMEDIATELY. 359 00:22:45,793 --> 00:22:49,413 J.J., YOUR PARTNER, TEXTED ME THIS VIDEO OVER THE WEEKEND. 360 00:22:49,448 --> 00:22:51,000 HE'S SO PROUD OF YOU. HAVE A LOOK. 361 00:22:51,034 --> 00:22:56,275 THIS IS IN A MOVIE THEATER WHEN NEVE'S CHARACTER COMES ON THE 362 00:22:56,310 --> 00:22:59,034 SCREEN. LOOK AT THIS. 363 00:22:59,068 --> 00:23:06,793 >> OH, YES! MY GOD! 364 00:23:06,827 --> 00:23:08,517 OH! >> James: I MEAN, THAT'S SO 365 00:23:08,551 --> 00:23:12,551 GREAT! IT'S SO FANTASTIC! 366 00:23:12,586 --> 00:23:14,034 >> YEAH, YEAH! PRETTY SPECIAL. 367 00:23:14,068 --> 00:23:17,413 >> James: I ALSO LOVE HOW PROUD HE IS OF YOU IN THAT 368 00:23:17,448 --> 00:23:20,344 MOMENT. HE SENT IT TO ME WHEN NEVE'S 369 00:23:20,379 --> 00:23:22,862 CHARACTER COMES ON THE SCREEN. IN THE MOVIE, THIS IS A REACTION 370 00:23:22,896 --> 00:23:27,586 IN THE MOVIE THEATER AND I JUST SENT BACK, CHILL OUT, MATE. 371 00:23:27,620 --> 00:23:29,000 >> PERFECT. >> James: I MEAN, WHEN YOU 372 00:23:29,034 --> 00:23:34,103 WERE MAKING THE FIRST MOVIE, YOU KNOW, 25 YEARS AGO, DID YOU EVER 373 00:23:34,137 --> 00:23:37,758 THINK AT THAT POINT, WOW, IN 25 YEARS' TIME, PEOPLE ARE GOING TO 374 00:23:37,793 --> 00:23:49,689 BE WEARING GHOST-FACE COSTUMES ON HALLOWEEN? 375 00:23:49,724 --> 00:23:50,931 >> NO. THE FIRST MOVIE, WE WERE HANGING 376 00:23:50,965 --> 00:23:54,655 OUT AND SOMEONE SAID IF THIS MOVIE DID WELL DO YOU THINK 377 00:23:54,689 --> 00:23:58,068 THERE MIGHT BE A COSTUME? I SAID, NO WAY. 378 00:23:58,103 --> 00:24:01,862 25 YEARS LATER, EVERY YEAR, I OPEN THE DOOR AND THERE'S GHOST 379 00:24:01,896 --> 00:24:05,379 FACE AND THEY SEE ME AND THEY'RE OH! 380 00:24:05,413 --> 00:24:11,034 >> James: LET'S TAKE A LOOK AT SCREAM IN THEATERS RIGHT NOW. 381 00:24:11,068 --> 00:24:18,517 [ RINGING ] >> HELLO. 382 00:24:18,551 --> 00:24:23,206 Y, SYD, IT'S ME. DEWY? 383 00:24:23,241 --> 00:24:27,068 OH, MY GOD HOW ARE YOU? >> SYD, IT'S HAPPENING AGAIN. 384 00:24:27,103 --> 00:24:30,689 SOME IDIOT IN A GHOST FACE MASK, THREE ATTACKS SO FAR. 385 00:24:30,724 --> 00:24:33,517 SOMETHING ABOUT THIS ONE JUST FEELS DIFFERENT. 386 00:24:33,551 --> 00:24:38,413 DO YOU HAVE A GUN? >> I'M SYDNEY PRESCOTT, OF 387 00:24:38,448 --> 00:24:39,896 COURSE I HAVE A GUN. >> James: STICK AROUND, MORE 388 00:24:39,931 --> 00:24:41,241 OF THESE TWO WHEN WE COME BACK! [ CHEERS AND APPLAUSE] 389 00:24:46,482 --> 00:24:49,931 >> I'M EXPLAINING MY REPERTOIRE. I TOLD YOU I WON'T BE A YOUTH 390 00:24:49,965 --> 00:24:53,448 MINISTER MY WHOLE DANG LIFE. >> SO YOU'RE COLLECTING 391 00:24:53,482 --> 00:24:56,068 MUSCLEMEN. >> NO THEY'RE HERE VOLUNTARILY. 392 00:24:56,103 --> 00:25:03,103 WE LIFT, PREY AND MINDFUL OF OUR DIET'S CLEAN LIVING, BEING 393 00:25:03,137 --> 00:25:06,172 RIPPED AND GETTING HOME TO CHRIST. 394 00:25:06,206 --> 00:25:10,827 >> WHATEVER THIS BULL [ BLEEP ] IS,I DON'T HAVE TIME FOR IT, 395 00:25:10,862 --> 00:25:11,896 OKAY? [ CHEERS AND APPLAUSE ] 396 00:25:11,931 --> 00:25:18,172 [ BAND PLAYING ] >> James: THAT WAS A GOOD ONE. 397 00:25:18,206 --> 00:25:19,482 "THE RIGHTEOUS GEMSTONES" NEW EPISODES AIR SUNDAYS AT 398 00:25:19,517 --> 00:25:22,827 10:00 ON HBO & HBO MAX. CONGRATS ON THE SHOW. 399 00:25:22,862 --> 00:25:30,620 WHAT'S HAPPENING IN SEASON TWO. >> WE'RE A FAMILY OF EVANGELICAL 400 00:25:30,655 --> 00:25:34,931 PREACHERS AND WE RUN A MEGA CHURCH AND WE'RE PRETTY GREEDY. 401 00:25:34,965 --> 00:25:39,379 NOW I'M, LIKE, TRYING TO GET MY FATHER'S RESPECT AND AFFECTION 402 00:25:39,413 --> 00:25:45,724 AND, IN MY WARPED BRAIN, I THINK LEADING A GROUP OF MUSCULAR MEN 403 00:25:45,758 --> 00:25:48,517 AND RIPPING PHONE BOOKS UP IN FRONT OF ELEMENTARY SCHOOL 404 00:25:48,551 --> 00:25:51,172 CHILDREN AT CHURCH FUNCTIONS IS THE WAY TO DO IT. 405 00:25:51,206 --> 00:25:55,275 TURNS OUT IT ISN'T. KEEP WATCHING THE SHOW. 406 00:25:55,310 --> 00:25:58,103 THAT'S NOT HOW YOU DO IT. >> James: WE DO SEE A LOT OF 407 00:25:58,137 --> 00:26:02,896 YOUR BODY THIS SEASON AND YOU DO LOOK FANTASTIC. 408 00:26:02,931 --> 00:26:05,344 [ CHEERS AND APPLAUSE ] YOU'VE TAKEN UP CYCLING, RIGHT, 409 00:26:05,379 --> 00:26:07,586 TO GET IN SHAPE. >> YEP. 410 00:26:07,620 --> 00:26:14,137 >> James: HOW SERIOUS ARE YOU. I DON'T KNOW, YOU TELL ME. 411 00:26:14,172 --> 00:26:17,827 [ LAUGHTER ] >> James: Y. 412 00:26:17,862 --> 00:26:20,137 YOU TELL ME. >> James: I HAVE HUGE THIGHS. 413 00:26:20,172 --> 00:26:25,172 >> James: ARE YOU JUST GOING ON A BIKE RIDE OR -- 414 00:26:25,206 --> 00:26:30,000 >> NO, I GO 40 MILES, I DO 100-PLUS MILES A WEEK. 415 00:26:30,034 --> 00:26:32,655 I'M A DORK. I STARTED OFF, I'M NOT GOING TO 416 00:26:32,689 --> 00:26:36,724 BE AN IDIOT IN SPANNED E. A WEEK AND A HALF LATER AND I'M 417 00:26:36,758 --> 00:26:39,275 FULL SPANNED E. >> James: NO, NO, NO! 418 00:26:39,310 --> 00:26:43,551 YEAH, I ALMOST GOT IN A FIGHT IN FULL SPANNED E AND, LIKE, THE 419 00:26:43,586 --> 00:26:46,724 CLIPON SHOES, THIS GUY HIT ME ON MY BIKE. 420 00:26:46,758 --> 00:26:49,689 AND I'M, LIKE, YOU'VE GOT TO BE KIDDING ME! 421 00:26:49,724 --> 00:26:53,931 AND I UNSNAP AND GET OFF MY BIKE AND IT'S LIKE, CLICK, CLICK, 422 00:26:53,965 --> 00:26:57,931 CLICK, CLICK, CLICK -- AND I'M, LIKE, THAT'S ALL I NEED IS TO 423 00:26:57,965 --> 00:27:03,172 THROW DOWN WITH THIS GUY AND IT BE ON T.M.Z. ME FIGHTING IN 424 00:27:03,206 --> 00:27:08,379 LITTLE CLIPY SHOES. >> James: PADDED INSIDE THIGH. 425 00:27:08,413 --> 00:27:11,448 YEAH. >> James: DO YOU WEAR THE 426 00:27:11,482 --> 00:27:12,724 LYCRA. >> YEAH. 427 00:27:12,758 --> 00:27:17,448 >> James: I NEVER UNDERSTAND THE GUYS WHO WEAR LYCRA AND SAYS 428 00:27:17,482 --> 00:27:22,344 CASTROL GTX, LIKE, SPONSORSHIP. >> I'M LOOKINGERSHIP. 429 00:27:22,379 --> 00:27:29,034 >> James: I'M ASSUMING THESE GUYS AREN'T SPONSORED, THEY JUST 430 00:27:29,068 --> 00:27:33,517 BOUGHT LYCRA THE SAME AS THE TEAM? 431 00:27:33,551 --> 00:27:35,862 >> THAT'S WACK. BUT IF "THE LATE LATE SHOW" 432 00:27:35,896 --> 00:27:39,655 WANTS TO SPONSOR ME -- [ CHEERING ] 433 00:27:39,689 --> 00:27:43,068 THROWING IT OUT THERE! >> James: IF WE GET YOU "THE 434 00:27:43,103 --> 00:27:53,241 LATE LATE SHOW" L LYCRA, MAYBE E HAVE NEVE CAMPBELL'S FACE ON THE 435 00:27:53,275 --> 00:27:55,000 BACK. CAN IT SAY I'M ADAM DEVINE AND I 436 00:27:55,034 --> 00:27:57,689 HAVE BEEN ON "THE LATE LATE SHOW"? 437 00:27:57,724 --> 00:28:01,758 >> UH-HUH. YOU'RE SPONSORING IT. 438 00:28:01,793 --> 00:28:06,896 IT CAN SAY WHATEVER YOU LIKE. >> James: YOU'LL LEGITIMATELY 439 00:28:06,931 --> 00:28:09,551 WEAR IT ON A RIDE? >> EL WEAR IT. 440 00:28:09,586 --> 00:28:18,931 I WANT TO BE AN FLUENCER. >> James: MORE THAN THE 441 00:28:18,965 --> 00:28:24,137 WEEKEND SONG, WOULD THAT MAKE YOU FEEL LIKE YOU MADE IT. 442 00:28:24,172 --> 00:28:29,448 IF YOU'RE ON LYCRA ON ADAM DEVINE'S BACK -- 443 00:28:29,482 --> 00:28:32,551 >> THAT WOULD BLOW MY MIND. >> James: WHEN DID YOU KNOW 444 00:28:32,586 --> 00:28:37,655 YOU'D MADE IT IN SHOW BUSINESS? >> WHEN A SANDWICH WAS NAMED 445 00:28:37,689 --> 00:28:40,517 AFTER ME IN NEW YORK CITY. [ CHEERS AND APPLAUSE ] 446 00:28:40,551 --> 00:28:45,172 APPARENTLY IT WAS A FAMOUS DELI AND THEY HAD A ROAST BEEF AND 447 00:28:45,206 --> 00:28:48,862 HEAVY CHIEFS SANDWICH AND IT WAS CALLED THE NEVE CAMPBELL. 448 00:28:48,896 --> 00:28:52,103 >> THEY DID A PISS POOR JOB OF NAMING THAT SANDWICH. 449 00:28:52,137 --> 00:28:55,827 I FEEL LIKE THERE SHOULD BE A SANDWICH NAMED NEVE CAMPBELL BUT 450 00:28:55,862 --> 00:29:00,793 IT SHOULD BE ON A SPINACH WRAP. I DON'T SEE YOU AS ROAST BEEF 451 00:29:00,827 --> 00:29:02,724 AND CHEESE. >> I WAS, LIKE, WHAT ARE THEY 452 00:29:02,758 --> 00:29:06,034 TRYING TO SAY? >> I'M ROAST BEEF AND CHEESE! 453 00:29:06,068 --> 00:29:08,965 >> James: HAVE YOU EVER HAD ANYTHING NAMED AFTER YOU? 454 00:29:09,000 --> 00:29:13,034 >> I HAD A DAY ONCE IN OMAHA, NEBRASKA. 455 00:29:13,068 --> 00:29:14,862 >> YOU SHOWOFF. EAH, I KNOW. 456 00:29:14,896 --> 00:29:15,965 [ LAUGHTER ] >> James: WHY? 457 00:29:16,000 --> 00:29:18,965 IT WAS ADAM DEVINE DAY. I WAS, LIKE, PROBABLY THE 458 00:29:19,000 --> 00:29:22,896 BIGGEST CELEBRITY IN OMAHA, NEBRASKA, AND THEY WERE, LIKE, 459 00:29:22,931 --> 00:29:26,344 WE'RE GIVING THIS KID A NAME -- >> A DAY. 460 00:29:26,379 --> 00:29:32,310 , NOT A NAME. AND JOE JOE SEWA BECAME FAMOUS 461 00:29:32,344 --> 00:29:36,620 SIX MONTHS LATER AND THEY FORGET ALL ABOUT ME. 462 00:29:36,655 --> 00:29:38,793 >> James: SEWA, DOES SHE HAVE A DAY? 463 00:29:38,827 --> 00:29:41,344 >> SHE HAS A STREET. THEY DO PARADES ABOUT HER. 464 00:29:41,379 --> 00:29:42,413 >> James: STOP! YEAH. 465 00:29:42,448 --> 00:29:50,000 HOW DO YOU DO YOUR FIT-FLUENCING, MAYBE. 466 00:29:50,034 --> 00:29:54,000 >> I'LL ARRIVE "THE LATE LATE SHOW" SPANNED E FIT ALL THE WAY 467 00:29:54,034 --> 00:29:56,586 TO OMAHA, NEBRASKA. >> James: AND YOU WILL ARRIVE 468 00:29:56,620 --> 00:30:01,344 ON ADAM DEVINE DAY TO A HUGE TICKER DAY PARADE. 469 00:30:01,379 --> 00:30:05,344 >> JUST MY MOM AND A FEW OF HER DRUNK FRIENDS? 470 00:30:05,379 --> 00:30:09,965 >> James: AND PERFORM. WE'RE MAKING HUGE PLANS. 471 00:30:10,000 --> 00:30:12,482 >> HUGE. >> James: MASSIVE. 472 00:30:12,517 --> 00:30:15,172 REGGIE, DO YOU HAVE A QUESTION FOR OUR GUESTS? 473 00:30:15,206 --> 00:30:17,379 >> Reggie: UH, YEAH, I GOT ONE. 474 00:30:17,413 --> 00:30:21,137 >> James: OKAY. >> Reggie: TONIGHT'S QUESTION 475 00:30:21,172 --> 00:30:22,689 GOES TO -- [ RIM SHOT ] 476 00:30:22,724 --> 00:30:25,724 -- BOTH OF OUR GUESTS. >> OKAY. 477 00:30:25,758 --> 00:30:30,448 >> Reggie: IN LIFE DO YOU EVER FIND THAT YOU THINK THAT MOST OF 478 00:30:30,482 --> 00:30:37,965 THE TIME SOMETHING ELSE IS HAPPENING MORE THAN YOU THINK IS 479 00:30:38,000 --> 00:30:41,344 HAPPENING? >> WELL SAID. 480 00:30:41,379 --> 00:30:45,931 YEAH. >> I'M SO CONFUSED BY THAT 481 00:30:45,965 --> 00:30:48,517 QUESTION. WOW! 482 00:30:48,551 --> 00:30:49,689 UH-HUH. UH-HUH. 483 00:30:49,724 --> 00:30:53,379 >> James: WE'VE GOT AN AN AFFIRMATIVE YEAH AND UH-HUH. 484 00:30:53,413 --> 00:30:57,931 >> Reggie: TECHNICALLY, BOTH OF YOU ARE CORRECT BUT MORE 485 00:30:57,965 --> 00:30:59,931 CORRECT IS YEAH-HUH. SO THANK YOU. 486 00:30:59,965 --> 00:31:04,689 >> James: ABSOLUTELY CORRECT. LADIES AND GENTLEMEN, NEVE 487 00:31:04,724 --> 00:31:06,310 CAMPBELL, ADAM DEVINE. JAPANESE BREAKFAST ARE HERE WHEN 488 00:31:06,344 --> 00:31:07,000 WE COME BACK! [ CHEERS AND APPLAUSE ] 489 00:31:15,896 --> 00:31:17,482 [ BAND PLAYING ] >> JAMES: WELCOME BACK, I'M HERE 490 00:31:17,517 --> 00:31:22,068 AT THE BAR WITH MICHELLE ZAUNER FROM JAPANESE BREAKFAST. 491 00:31:22,103 --> 00:31:24,034 [ CHEERS AND APPLAUSE ] I'M SO THRILLED YOU'RE HERE. 492 00:31:24,068 --> 00:31:24,931 >> THANK YOU. >> James: THANK YOU SO MUCH 493 00:31:24,965 --> 00:31:31,965 FOR FINDING THE TIME TO BE ON THE SHOW. 494 00:31:32,000 --> 00:31:33,758 YOU HAVE BEEN NOMINATED FOR TWO GRAMMY AWARDS. 495 00:31:33,793 --> 00:31:37,241 BEST NEW ARTIST BEST ALTERNATIVE ALBUM NOW. 496 00:31:37,275 --> 00:31:40,241 WHAT DID YOU DO AND WHERE WERE YOU WHEN YOU FOUND OUT ABOUT THE 497 00:31:40,275 --> 00:31:42,068 NOMINATIONS? >> I WAS IN MY APARTMENT IN 498 00:31:42,103 --> 00:31:46,827 BROOKLYN AND I SCREAMED A LOT AND RAN AROUND AND MY NEIGHBORS 499 00:31:46,862 --> 00:31:49,172 PROBABLY THOUGHT I WAS A CRAZY PERSON. 500 00:31:49,206 --> 00:31:50,655 >> James: AND WERE YOU ON YOUR OWN? 501 00:31:50,689 --> 00:31:57,172 >> I WAS WITH MY HUSBAND. I THINK MY MANAGER MIGHT HAVE 502 00:31:57,206 --> 00:32:00,482 KNOWN BEFOREHAND AND SAID YOU SHOULD FILM HER REACTION. 503 00:32:00,517 --> 00:32:03,896 SO MY HUSBAND WASN'T THE MOST SAVVY PERSON. 504 00:32:03,931 --> 00:32:07,689 HE MOSTLY FILMED THE TV WHEN THE ANNOUNCEMENT CAME, AND FLASHED 505 00:32:07,724 --> 00:32:12,413 TO ME TO GET MY REACTION AND WANTED TO MAKE SURE TO GET THE 506 00:32:12,448 --> 00:32:13,344 TV. >> James: YOU'RE THE STORY 507 00:32:13,379 --> 00:32:17,172 HERE. LOTS OF PEOPLE CAN SEE IT ON TV, 508 00:32:17,206 --> 00:32:19,896 YOU'RE IN THE ROOM WITH THE NOMINEE. 509 00:32:19,931 --> 00:32:21,758 >> YES. >> James: THIS, I THINK, IS AS 510 00:32:21,793 --> 00:32:25,758 COOL AS THE GRAMMY NOMINATION, YOU HAVE BEEN HONORED IN YOUR 511 00:32:25,793 --> 00:32:28,344 HOMETOWN OF PHILLY. TELL EVERYBODY WHAT HAPPENED TO 512 00:32:28,379 --> 00:32:31,275 YOU THERE. >> YEAH, SO I USED TO WORK AT A 513 00:32:31,310 --> 00:32:36,448 VENUE CALLED UNION TRANSFER AT THE COAT CHECK, AND I RECENTLY 514 00:32:36,482 --> 00:32:39,586 SOLD OUT FIVE NIGHTS AT UNION TRANSFER. 515 00:32:39,620 --> 00:32:42,448 >> James: OF COURSE YOU DID. THAT MUST BE AN AMAZING THEATER. 516 00:32:42,482 --> 00:32:46,965 THAT'S UNBELIEVABLE! [ APPLAUSE ] 517 00:32:47,000 --> 00:32:54,206 >> WHILE I WAS WORKING AT THE CO-CHECK I TOOK A FAKE $100 BILL 518 00:32:54,241 --> 00:33:01,241 AND GAVE SOMEONE $99 IN CHANGE. AND SEAN STEPPED UP AND SAID 519 00:33:01,275 --> 00:33:04,344 I'LL TAKE CARE OF IT. ON THE LAST NIGHT OF THE SHOWS, 520 00:33:04,379 --> 00:33:08,517 I SAID, SEAN, COME UP, I HAVE $100 FOR YOU, I CAN AFFORD TO 521 00:33:08,551 --> 00:33:11,000 PAY IT BACK NOW. AT THE END OF THE SHOW, THEY 522 00:33:11,034 --> 00:33:17,482 TOOK ME OUT AND HAND PAINTED MICHELLE ZAUNER'S COAT CHECK. 523 00:33:17,517 --> 00:33:21,172 ON THE PLAQUE, THEY SAY MAY EVERYONE WHO WORKS HERE GO ON TO 524 00:33:21,206 --> 00:33:24,551 SELL OUT FIVE NIGHT AT COAT TRANSFER. 525 00:33:24,586 --> 00:33:27,000 >> James: OH, MY GOD I LOVE SEAN! 526 00:33:27,034 --> 00:33:32,379 THAT'S AMAZING, INCREDIBLE! IT'S ANNOUNCED YOU WILL PLAY 527 00:33:32,413 --> 00:33:36,689 COACHELLA THIS YEAR. THERE ARE SO MANY BRILLIANT 528 00:33:36,724 --> 00:33:40,517 ARTISTS. WHEN YOU KNOW YOU'RE IN A 529 00:33:40,551 --> 00:33:47,793 LINEUP, DO YOU PLAY AND LEAVE OR STICK AROUND AND SEE THEM. 530 00:33:47,827 --> 00:33:56,862 >> WE PLAYED BAYCHELLA AND WATCHED BEYONCE. 531 00:33:56,896 --> 00:34:02,482 BUT I'M LOOKING FORWARD TO THE EXCELLENT CATERING AT COACHELLA. 532 00:34:02,517 --> 00:34:05,310 >> James: REALLY? YEAH, IT'S ONE TO HAVE THE 533 00:34:05,344 --> 00:34:08,688 FIRST FESTIVALS WE PLAYED AND THEY HAVE EIGHT DIFFERENT TYPES 534 00:34:08,724 --> 00:34:11,965 OF SPA WATER. SO I'M VERY LOOKING FORWARD TO 535 00:34:12,000 --> 00:34:13,965 THE CATERING. >> James: THAT'S GOT TO BE BAD 536 00:34:14,000 --> 00:34:16,344 IF THAT'S THE FIRST ONE YOU PLAY. 537 00:34:16,379 --> 00:34:18,482 >> YEAH. >> James: SO YOU JUST 538 00:34:18,516 --> 00:34:20,172 ASSUME -- >> EVERYTHING ELSE IS DOWNHILL. 539 00:34:20,206 --> 00:34:24,757 >> James: YOU ASSUME ALL FESTIVALS HAVE AMAZING. 540 00:34:24,793 --> 00:34:26,551 >> THERE'S NO SPA WATER ANYWHERE ELSE BUT EIGHT KINDS AT 541 00:34:26,585 --> 00:34:33,034 COACHELLA. >> James: WE'RE SO HAPPY FOR YOU 542 00:34:33,068 --> 00:34:36,482 JAPANESE BREAKFAST WILL PERFORM WHEN WE COME BACK. 543 00:34:49,000 --> 00:34:50,068 [ CHEERS AND APPLAUSE ] >> James: HERE, PERFORMING 544 00:34:50,103 --> 00:34:52,551 "SLIDE TACKLE" FROM THEIR GRAMMY- NOMINATED ALBUM 545 00:34:52,585 --> 00:34:56,551 "JUBILEE," PLEASE WELCOME THE PHENOMENAL, JAPANESE BREAKFAST 546 00:34:56,585 --> 00:35:02,206 ♪ ♪ 547 00:35:02,241 --> 00:35:08,344 ♪ ♪ ♪ ♪ 548 00:35:08,379 --> 00:35:16,655 ♪ ♪ ♪ ♪ 549 00:35:16,689 --> 00:35:20,689 ♪ I WANT TO BE GOOD I WANT TO NAVIGATE 550 00:35:20,724 --> 00:35:32,206 ♪ THIS HATE IN MY HEART SOMEWHERE BETTER 551 00:35:32,241 --> 00:35:36,689 ♪ I WANT TO FEEL IT BUT WITH THE FEEL, 552 00:35:36,724 --> 00:35:44,172 ♪ THERE IS AN ACHE I MEET TO DESIRE LIVING 553 00:35:44,206 --> 00:35:50,172 ♪ ♪ ♪ DON'T MIND ME WHILE 554 00:35:50,206 --> 00:36:00,724 I'M TACKLING THIS VOID ♪ SLIDE TACKLING MY MIND 555 00:36:00,758 --> 00:36:07,965 THIS WEIGHT FEELS LIKE ♪ I'M WRESTLING WITH MY HEAD 556 00:36:08,000 --> 00:36:15,241 OBSESSING IN THE DARK ♪ ♪ 557 00:36:15,275 --> 00:36:18,000 ♪ ♪ [ SAX SOLO] 558 00:36:18,034 --> 00:36:31,827 ♪ ♪ ♪ ♪ 559 00:36:31,862 --> 00:36:36,689 ♪ ♪ ♪ ♪ 560 00:36:36,724 --> 00:36:44,103 [ SAX SOLO] ♪ ♪ 561 00:36:44,137 --> 00:36:47,965 ♪ ♪ ♪ SO BE GOOD TO ME, 562 00:36:48,000 --> 00:36:50,137 BE GOOD TO ME ♪ YOU AND ME ALWAYS 563 00:36:50,172 --> 00:37:00,689 HAD A GOOD TIME ♪ AND WHAT ELSE IS LEFT, BABE? 564 00:37:00,724 --> 00:37:04,241 SO BE GOOD TO ME, ♪ BE GOOD TO ME 565 00:37:04,275 --> 00:37:08,689 THE DAY'S NOT A WASH ♪ UNTIL YOU SAY 566 00:37:08,724 --> 00:37:20,206 ♪ ♪ ♪ DON'T MIND ME WHILE 567 00:37:20,241 --> 00:37:32,206 I'M TACKLING THIS VOID ♪ SLIDE TACKLING MY MIND 568 00:37:32,241 --> 00:37:38,206 LONG NIGHTS WHERE I'M ♪ I'M WRESTLING WITH MY HEAD 569 00:37:38,241 --> 00:37:44,344 OBSESSING IN THE DARK ♪ ♪ 570 00:37:44,379 --> 00:37:56,206 ♪[ SAX SOLO] OBSESSING IN THE DARK 571 00:37:56,241 --> 00:38:00,724 ♪ ♪ ♪ ♪ 572 00:38:00,758 --> 00:38:07,275 ♪ ♪ ♪ ♪ 573 00:38:07,310 --> 00:38:09,137 ♪ ♪ ♪ ♪ 574 00:38:09,172 --> 00:38:14,758 ♪ ♪ ♪ ♪ 575 00:38:14,793 --> 00:38:16,862 ♪ ♪ ♪ ♪ 576 00:38:16,896 --> 00:38:22,172 ♪ ♪ ♪ ♪ 577 00:38:22,206 --> 00:38:24,206 ♪ ♪ ♪ ♪ 578 00:38:24,241 --> 00:38:28,689 ♪ ♪ ♪ ♪ 579 00:38:28,724 --> 00:38:34,275 ♪ 580 00:38:34,310 --> 00:38:35,517 [ CHEERS AND APPLAUSE ] >> James: LADIES AND 581 00:38:35,551 --> 00:38:37,172 GENTLEMEN, BEAUTIFUL DRUMS! JAPANESE BREAKFAST, EVERYBODY! 582 00:38:37,206 --> 00:38:38,517 "JUBILEE" IS OUT RIGHT NOW! 583 00:38:38,551 --> 00:38:39,862 COME ON BACK, EVERYBODY. 584 00:38:56,517 --> 00:38:59,758 >> James: I LIKE THIS, REG. I ENJOY THIS DANCING ENERGY IN 585 00:38:59,793 --> 00:39:02,655 THE BACK PART OF THE SHOW. >> Reggie: SALAD VIBES. 586 00:39:02,689 --> 00:39:06,206 >> James: AN ABSOLUTE BUZZ FROM SALAD VIBES. 587 00:39:06,241 --> 00:39:08,931 REGGIE, BRING THAT SALAD VIBE AND TAKE US HOME! 588 00:39:08,965 --> 00:39:12,000 ♪♪ ♪♪