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♪ THE LATE LATE SHOW-OH-OH
THE LATE LATE SHOW WOO!

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♪ THE LATE LATE SHOW-OH-HO
THE LATE LATE SHOW-OH-OH!

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♪ IT'S THE LATE LATE SHOW.
♪ ♪ ALL RIGHT, YEAH, ALL

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RIGHT, IT'S TIME.
IT'S TIME.

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FOR THE "LATE LATE SHOW."
>> James: GOOD EVENING
LADIES

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AND GENTLEMEN, "WELCOME TO
THE LATE LATE SHOW."

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HOPE YOU HAD THE BEST DAY.
THANKS FOR STOPPING BY AND

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HANGING OUT WITH US.
LET'S MEET OUR GUESTS ON THE

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SHOW TONIGHT, SHE'S THE
EMMY-WINNING STAR OF "THE

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MARVELOUS MRS MAISEL," "THE
COURIER" AND "I'M YOUR
WOMAN,"

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THE EVER ENCHANTING, RACHEL
BROSNAHAN.

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IS HERE TONIGHT!
RACHEL, HOW ARE YOU?

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>> I'M SO GOOD, GOOD TO
BREATHE AIR WITH YOU IN
PERSON.

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>> James: HOW LONG HAVE YOU
BEEN IN CALIFORNIA?

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>> THE TIME IS FLAT HERE,
TWO DAYS.

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>> James: THANK YOU FOR
BEING WITH US.

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RACHEL BROSNAHAN, EVERYBODY.
HE'S A TALENTED ACTOR YOU
KNOW

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AND LOVE FROM "THE OFFICE,"
THE "HANGOVER" MOVIES, AND

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VACATION, THE ALWAYS DARK,
ED HELMS IS ON THE SHOW.

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ED, ED, ED, ED, ED, ED.
ED.

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ED.
ED.

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ED, ED.
>> James: ED HELMS
EVERYBODY.

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AND LATER, WE HAVE MUSIC
FROM SAMM HENSHAW, SO BE
SURE TO

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STICK AROUND FOR THAT.
GOOD LINEUP, FUN VIBE IN
HERE

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TONIGHT, HOPE THAT'S COMING
ACROSS.

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AN ODDIBILTY OH YEAH FROM P.
I NEED SOMEBODY TO GO BOO
POW

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POW.
SECRET OF MY SUCCESS, FERRIS

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BEBEULER'S DAY OFF.
SO HARD TO KNOW IF YOU ARE

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JOKING.
>> I'M NOT EVEN SURE IF
THAT'S A

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MOVIE.
BUT A POSTER --

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>> James: I DON'T KNOW WHAT
STREET HAWK IS.

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>> IT'S NOT A MOVIE.
IT'S A SERIES.

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YOU'RE FINE.
YOU KNOW WHAT WALLACE AND

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GROMMET IS RIGHT?
>> James: I KNOW WHAT
WALLACE

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AND GRO GROMMET IS.
WALLACE IS THE MAN AND
GROMMET

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IS THE DOG.
HERE IS MY IMPRESSION OF
WALLACE

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RIGHT?
OOH --

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>> VERY GOOD.
I LIKE IT.

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>> James: I DO A COUPLE OF
IMPRESSIONS.

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>> REDEVE GROMMET.
>> James: WHAT DO IF I CAME

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INTO THE DEVELOPMENT MEETING
TOMORROW AND SAY, I WANT TO
DO

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SOME OF MY IMPRESSIONS.
>> LET'S PUT IT OFF AND HOPE
IT

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GOES AWAY.
>> James: IF I E-MAIL YOU A

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BIT OVER THE WEEKEND, AND I
NEED SOMETIME IN MONDAY SHOW
TO

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MENTION THE MACHO MAN, RANDY
SAVAGE?

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I COULD DO THAT, W WALLACE
AND SHAGGY.

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[APPLAUSE]
>> James: HAS EVERYBODY
SEEN

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DMOM ONE WOULD HAVE NOTED IN
THE STUDIO WHAT STEVE IS
WEARING

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TODAY.
STEVE WOULD YOU STAND UP AND

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JUST TAKE A LITTLE WALK,
JUST STAND UP FOR US, IN
FRONT OF

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YOUR KEYBOARD, SHOW US WHAT
YOU AREWEARING FROM THE
WASTE DOWN,

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WE WERE AUDIBLY GOB-SMACKED
WHEN HE WALKED BY US IN THE
CORRIDOR.

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LOOK!
[CHEERING AND APPLAUSE]

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>> James: I DON'T -- BUT HE
IS CRAZY, I HASN'T GOT

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AMOTOR-BIKE.
DRIVES A PRIUS.

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DRIVES A PRIUS.
WHEN DID YOU START DRIVING A

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MOTOR BIKE, STEVE?
>> I THINK ABOUT SIX MONTHS
AGO.

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>> James: MONTHS AGO BUT
YOU HAVE NEVER WORN THESE
LEATHERS

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BEFORE, ALL I CAN SEE IS
DARK TROUSERS, AN OPEN KNEE
AND A

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GATEWAY TO THE PRIZE.
>> YES.

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>> James: HOW BIG IS YOUR
BIKE?

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>> A 650.
>> James: YOU GIVE ME A

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LITTLE RIDE ON IT, GIVE ME A
RIDE TON BACK OF THE HOG?

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>> THAT'S HOW YOU HAVE TO
SAY IT TOO, THE HOG.

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>> James: I'LL ONLY COME ON
IF YOU CALL IT HOG.

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I WANT US TO GO AWAY FOR A
WEEKEND.

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>> MOTORCYCLE --
>> James: GO AWAY FOR THE

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WEEKEND, THE TWO OF US.
I WANT TO HOLD YOU SO TIGHT!

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>> YEAH, THE PCH AND THE
SUN'S COMING DOWN AND WE
DON'T EVEN

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KNOW WHAT HOTEL WE'RE GOING
TO YET.

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>> James: WE DON'T NEED A
HOTEL, BABY, WE SLEEP ON THE

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HOG.
HANG ON, DO YOU HEAR THAT?

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THERE.
YOU KNOW WHAT THAT IS?

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THE SOUND OF AMERICA RUSHING
TO THEIR TELEVISION SETS.

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BECAUSE IT'S TIME FOR THE
NEWS! ♪ ♪ JAMES CORDEN IS
GOING

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TO TALK ABOUT THE NEWS BABE!
♪ GOING TO COME AT YOU FROM
ALL

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SIDES.
♪ JAMES CORDEN IS GOING TO
TALK

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TO YOU ABOUT THE NEWS IT'S
NOT GOING TO BE FAVE IT'S
JUST GOING

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TO BE NEWS ♪
>> James: OH MY GOD!

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♪ THE NEWS
♪

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♪
>> HAPPY 22, BRO!

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>> James: THAT WAS AMAZING!
[APPLAUSE]

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>> James: THAT WAS
PHENOMENAL!

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HERE'S THE NEWS.
LAST NIGHT, AS EXPECTED,
SENATE

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DEMOCRATS TRIED AND FAILED
TO CHANGE THE RULES OF THE

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FILIBUSTER IN ORDER TO PASS
THEIR ELECTION REFORM BILL.

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THE MOTION WAS DEFEATED
FIFTY-TWO TO FORTY-EIGHT,
WITH

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DEMOCRATS JOE MANCHIN AND
KYRSTEN CINEMA SIDING WITH

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REPUBLICANS.
SAY WHAT YOU WILL ABOUT THE

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DEMCRATS, BUT NEVER HAS A
PARTY BEEN ON A HOTTER
STREAK OF

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GETTING ABSOLUTELY NOTHING
DONE. I MEAN, STRAIGHT
FLAMES.

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STRAIGHT FLAMES.
FROZEN ROPE, THAT'S WHAT IT
IS.

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YOU'RE LOOKING AT A FROZEN
ROPE OF FAILURE.

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IT'S ALL VERY TECHNICAL,
I'LL EXPLAIN IT TO YOU.

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THE BIG TAKEAWAY IS THE
PEOPLE YOU VOTED FOR, VOTED
TO MAKE IT

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HARDER FOR YOU TO VOTE.
IN OTHER POLITICAL NEWS.

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ACCORDING TO A NEW AP POLL,
SEVENTY PERCENT OF LIKELY
VOTERS

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DON'T WANT PRESIDENT BIDEN
TO RUN FOR RE-ELECTION.

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WHEN ASKED ABOUT THIS,
PRESIDENT BIDEN SAID, I D I
DON'T BELIEVEE

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POLLS.
FAKE NEWS?

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WE DO THIS ALL THE TIME ON
THE SHOW,

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ALSO, WHERE ARE THESE POLLS
HAPPENING?

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I HEAR ABOUT THEM ALL THE
TIME, BUT I'VE NEVER MET A
SINGLE

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PERSON WHO'S EVER TAKEN ONE.
YOU KNOW, THESE THINGS LIKE
THEY

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SAY SOME SWIMMING POOLS HAVE
THAT CHLORINE THAT

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TURNS A DIFFERENT COLOR IF
YOU PEE IN IT, BUT I'VE
NEVER SEEN

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IT HAPPEN, AND I'VE PEED IN
SO MANY POOLS.

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SOMETIMES, IT'S ACTUALLY
QUITE EXCITING.

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YOU'RE LIKE, I WONDER IF
IT'S -- YOU --

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[LAUGHTER]
>> James: IT ISN'T!

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I MEAN, AND THEN SOMEONE
GOES, WHAT ARE YOU DOING?

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NOTHING, ABSOLUTELY NOTHING.
>> DO YOU EVER MAKE EYE
CONTACT

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WITH SOMEONE WHILE IT'S
HAPPENING?

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>> James: DID EVERYBODY SEE
THIS?

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AMAZON IS OWNING ITS FIRST
PHYSICAL CLOTHING STORE
RIGHT

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HERE IN LOS ANGELES.
THEY ARE OFFERING HUNDREDS
OF

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BRANDS, AND A TONIGHTING
ROOM, THAT REQUESTS ITEMS TO
TRY ON

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WITHOUT HAVING TO LEAVE.
AMAZON.COM MORE LIKE

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AMAZON.STORE, AM I RIGHT?
REALLY IS NO WAY TO GUESS
WHO

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AMAZON.STORE, AM I RIGHT?
REALLY IS NO WAY TO GUESS
WHO

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WROTE THAT JOKE!
YEAH!

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OH MAN.
HERE IS A LITTLE ADVICE.

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IF YOU'RE ABOUT TO LAUNCH A
CLOTHING STORE, TRY NOT TO
HAVE

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A PHOTO GO VIRAL WHERE
YOU'RE DRESSED LIKE THIS:

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MOVING ON.
THE PRODUCTION COMPANY
BEHIND

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TOM
CRUISE'S UPCOMING SPACE
MOVIE

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HAS JUST ANNOUNCED PLANS TO
LAUNCH THE FIRST-EVER FILM

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STUDIO IN SPACE.
THE STUDIO WOULD BE ATTACHED
TO

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A NEW COMMERCIAL SPACE
STATION AND IS SET TO OPEN
BY 2024.

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WOULD REALLY HELP IMPROVE
HOLLYWOOD'S REPUTATION FOR
BEING

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TOO ELITIST AND OUT OF
TOUCH. HERE'S WHAT THE TV
AND FILM

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STUDIO WOULD LOOK LIKE
EXCITING.

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OBVIOUSLY, THE STUDIO WAS
DESIGNED BY THE MAKERS OF
THE

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HITACHI MAGIC WAND [BLEEP]
TOY. ARE WE ALLOWED TO TALK
ABOUT

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HITACHI'S MAGIC WAND SEX
TOY, NICK?

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00:11:30,551 --> 00:11:40,034
IT'S NOTHING TO DO WITH
THAT. BEFORE THE SHOW, NICK,
MAKEUP.

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FULL MAKEUP, GETTING A FULL
MAKEUP TOUCHUP BY DIANA.

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00:11:45,931 --> 00:11:50,172
HOW LONG HAS THIS BEEN GOING
ON, JUST A FEW WEEKS.

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HE'S GOT HIS OWN CBS-PAID-
FOR MUCH BAG.

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ANYONE ELSE ON THE CREW DO
YOU GET MAKEUP?

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00:12:01,551 --> 00:12:03,034
ROB?
>> NO GROOMING FOR ME.

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>> James: IF YOU WOULD BUY
MAKEUP WHERE WOULD YOU GO?

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00:12:05,896 --> 00:12:14,275
>> PROBABLY THE AMAZON
.STORE. >> James: YEAH!

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[CHEERING AND APPLAUSE]
AND HERE'S SOME NEWS FROM MY

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HOMELAND.
QUEEN ELIZABETH IS RELEASING
HER

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OWN LINE OF ROYAL
CONDIMENTS. IT'S TRUE.

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THE ROYAL ESTATE CONDIMENTS
WILL COME IN TWO VARIETIES:
TOMATO

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00:12:26,758 --> 00:12:33,517
SAUCE AND BROWN SAUCE.
YEAH PS.

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THIS IS 2022 IN A NUTSHELL.
EVEN THE QUEEN OF ENGLAND IS

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LIKE, I'VE GOT TO GET A SIDE
HUSTLE.

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I DON'T KNOW HOW LONG THIS
IS GOING ON FOR.

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00:12:42,137 --> 00:12:43,137
AND THESE AREN'T THE ONLY
CONDIMENTS THE QUEEN IS

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00:12:43,172 --> 00:12:46,172
RELEASING.
SHE'S JUST ANNOUNCED A

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00:12:46,206 --> 00:12:50,206
COLLABORATION WITH MEGAN
THEE STALLION ON POPEYE'S
NEW

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00:12:50,241 --> 00:12:58,068
HER ROYAL HOTTIE SAUCE.
HERE'S A CRAZY VIRAL VIDEO.

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00:12:58,103 --> 00:13:07,758
DURING A LIVE WEATHER
FORECAST, A REPORTER WAS HIT
BIBY THE

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00:13:07,793 --> 00:13:10,103
SCENE.
SHE'S OKAY, TAKE A LOOK.

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00:13:10,137 --> 00:13:16,068
>> WATER MAIN BREAKS.
>> I GOT HIT BY A CAR BUT
I'M

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00:13:16,103 --> 00:13:17,724
OKAY, TIM.
I'M OKAY.

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00:13:17,758 --> 00:13:23,620
>> THAT'S FOR YOU.
>> WE'RE ALL GOOD, I'M OKAY,

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00:13:23,655 --> 00:13:28,103
THAT'S LIVE TV FOR YOU, I
ACTUALLY GOT HIT BY A CAR IN

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00:13:28,137 --> 00:13:35,896
COLLEGE, TOO, JUST LIKE
THAT! >> James: AND THEY
SAY YOU

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00:13:35,931 --> 00:13:38,413
WON'T USE THE THINGS YOU
LEARN IN COLLEGE!

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00:13:38,448 --> 00:13:47,482
IS IT ME OR COULD THE CO
-ANCHOR TIM NOT BE LESS
CONCERNED?

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00:13:47,517 --> 00:13:51,931
WHEN THAT HAPPENED, EVERY
SINGLE PERSON IN THIS STUDIO
WENT OH!

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00:13:51,965 --> 00:14:00,724
TIM JUST WENT LIKE THAT!
WELL, THAT'S A FIRST ON
NETWORK

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00:14:00,758 --> 00:14:02,862
TELEVISION.
I DON'T KNOW TIM, I DON'T
KNOW

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00:14:02,896 --> 00:14:04,931
WHO HE IS, I KNOW NOTHING
ABOUT HIM.

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00:14:04,965 --> 00:14:09,689
I WOULD NOT BE SURPRISED IF
IN A WEEK'S TIME I HEARD A
STORY HE

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00:14:09,724 --> 00:14:13,517
KNOWS AND PAYS THE DRIVER OF
THAT CAR!

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00:14:13,551 --> 00:14:18,000
WATCH YOUR BACK, WATCH HOW
UNMOVED HE IS, LOOK!

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00:14:18,034 --> 00:14:22,103
>> I JUST GOT HIT BY A CAR
BUT I'M OKAY, TIM.

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00:14:22,137 --> 00:14:26,413
>> THAT'S FIRST THING ON TV
TORY.

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00:14:26,448 --> 00:14:29,896
>> James: JUST WATCHED
SOMEONE GET HIT BY A CAR, HE

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00:14:29,931 --> 00:14:33,931
REACTED THE SAME WAY THAT I
DO WHEN THEY'RE LIKE OH THE
CHECK

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00:14:33,965 --> 00:14:41,068
HERE, WE'LL BRING IT RIGHT
NOW. HIS EYES WERE LIKE, I
SAID GO

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00:14:41,103 --> 00:14:55,000
OVER HER, MAN!
I DIDN'T SAY BUMP HER.

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00:14:55,034 --> 00:15:01,000
I SAID TAKE HER DOWN!
THAT LOOKS LESS LIKE A NEWS

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00:15:01,034 --> 00:15:07,000
BROADCAST AND MORE LIKE A
TRAILER FOR THE NEW MOVIE.

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AND SOME NEWS OUT OF THE
AUSTRALIAN OPEN, DANEEL
MEDVEDEV

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00:15:10,034 --> 00:15:14,000
DEFEATED NICK KYRRIOS.
ALL THIS OF COURSE, AFTER
TENNIS

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00:15:14,034 --> 00:15:14,965
PLAYER NOVAK DJOKOVIC WAS
DEPORTED AHEAD OF THE
AUSTRALIAN

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00:15:15,000 --> 00:15:19,000
OPEN.
AND NOW HE COULD ALSO BE
LOCKED

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00:15:19,034 --> 00:15:20,137
OUT OF THE FRENCH OPEN FOR
STILL REFUSING TO GET THE
COVID

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00:15:20,172 --> 00:15:21,310
VACCINE.
>> [ OFFSCREEN ] BOO!

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00:15:21,344 --> 00:15:27,206
LET US PLAY
LET US PLAY

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00:15:27,241 --> 00:15:32,413
LET US PLAY
>> James: WHAT?

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00:15:32,448 --> 00:15:38,448
LOUIE WHAT ARE YOU DOING?
>> I DON'T WANT TO GET INTO
IT

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00:15:38,482 --> 00:15:46,000
MAN.
>> James: IT SEEMS LIKE YOU

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00:15:46,034 --> 00:15:52,275
INTERRUPTED THE SHOW AND
WEARING A VERY ELABORATE
TENNIS OUTFIT.

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00:15:52,310 --> 00:15:56,034
>> TENNIS IS MY LIFE.
>> James: SINCE WHEN?

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00:15:56,068 --> 00:16:00,517
>> SINCE FOREVER.
NOW IT LOOKS LIKE I'VE BEEN

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00:16:00,551 --> 00:16:06,068
LOCKED OUT OF THE FRENCH
OPEN. THEY LOCKED US OUT,
JAMES.

194
00:16:06,103 --> 00:16:08,413
>> James: US?
WHO IS US?

195
00:16:08,448 --> 00:16:14,724
>> ME AND NOVAK DJOKOVIC.
DESPITE THE FACT WE ARE TWO
OF

196
00:16:14,758 --> 00:16:18,172
THE BEST TENNIS PLAYERS IN
THE WORLD.

197
00:16:18,206 --> 00:16:21,724
>> James: YOU ARE NOTHING
LIKE NOVAK DJOKOVIC.

198
00:16:21,758 --> 00:16:28,551
HE MIGHT NOT PLAY IN THE
OPEN BECAUSE THERE'S A
PANDEMIC, YOU

199
00:16:28,586 --> 00:16:33,827
MIGHT NOT PLAY IN THE OPEN
BECAUSE I SAY THIS WITH
LOVE,

200
00:16:33,862 --> 00:16:37,275
YOU'RE A MIDDLE AGED COMEDY
WRITER.

201
00:16:37,310 --> 00:16:43,655
>> CAN A MIDDLE AGED COMEDY
WRITER DO THIS, BALL,
SERVICE,

202
00:16:43,689 --> 00:16:50,137
15 ROUNDS!
>> James: WHO IS THAT?

203
00:16:50,172 --> 00:16:53,793
>> THAT?
THAT'S MY BALL BOY.

204
00:16:53,827 --> 00:16:57,827
EVERY PRO HAS A BALL BOY.
SERVICE.

205
00:16:57,862 --> 00:17:02,862
>> I'M SLAUGHTERING YOU.
>> James: I'M NOT PLAYING

206
00:17:02,896 --> 00:17:04,862
TENNIS.
YOU ARE NOT PLAYING TENNIS.

207
00:17:04,896 --> 00:17:10,550
>> I WILL PLAY TENNIS, YOU
ARE NOT ENCROACHING ON MY
PERSONAL

208
00:17:10,586 --> 00:17:13,205
FREEDOM.
>> James: YOU ARE
VACCINATED,

209
00:17:13,241 --> 00:17:17,964
OTHERWISE YOU COULDN'T BE
HERE. >> OF COURSE, I'M
VACCINATED

210
00:17:18,000 --> 00:17:22,172
JAMES, I'M NOT AN IDIOT.
>> James: CAN YOU STOP

211
00:17:22,205 --> 00:17:26,413
HITTING BALLS AROUND THE
STUDIO, OKAY, STOP!

212
00:17:26,448 --> 00:17:32,000
>> FORGET NOVAK DJOKOVIC.
I SHOULD BE ABLE TO PLAY IN
THE

213
00:17:32,034 --> 00:17:46,931
FRENCH OPEN NO MATTER WHAT.
LET AL LOUIS PLAY, LET L
LOUIS .

214
00:17:46,965 --> 00:17:50,034
FRENCH OPEN NO MATTER WHAT.
LET AL LOUIS PLAY, LET L
LOUIS .

215
00:17:50,068 --> 00:17:55,551
>> James: STOP, OKAY, I WAS
SKEPTICAL, YOU HAVE WON ME
OVER

216
00:17:55,586 --> 00:18:02,413
WITH YOR PASSION, LOUIS ALL
RIGHT, YOU CAN PLAY IN THE

217
00:18:02,448 --> 00:18:04,655
FRENCH OPEN.
>> REALLY, I CAN?

218
00:18:04,689 --> 00:18:08,448
>> James: OF COURSE YOU
CAN. I'M NOT IN CHARGE OF
THE TRENCH

219
00:18:08,482 --> 00:18:12,586
OPEN.
>> SEE WHO'S IN CHARGE NOW,

220
00:18:12,620 --> 00:18:14,655
SERVICE.
>> James: LOUIS I SWEAR TO

221
00:18:14,689 --> 00:18:19,310
GOD, HOW MANY BALL BOYS --
>> SLICE!

222
00:18:19,344 --> 00:18:24,551
>> James: OKAY.
STOP.

223
00:18:24,586 --> 00:18:28,172
STOP.
>> James: WE'LL BE RIGHT

224
00:18:28,206 --> 00:18:30,206
BACK, TO THE "LATE LATE
SHOW." SERVICE.

225
00:19:06,034 --> 00:19:07,206
♪ ♪ ♪ ♪
>> James: WELCOME BACK.

226
00:19:07,241 --> 00:19:09,000
NOW ANYBODY WHO'S BEEN
KEEPING UP WITH THE NEWS
KNOWS

227
00:19:09,034 --> 00:19:10,172
THAT INFLATION IS CAUSING
PRICES FOR ALMOST EVERYTHING
TO SKY

228
00:19:10,206 --> 00:19:14,000
ROCKET.
AND ONE AREA SEEING MASSIVE

229
00:19:14,034 --> 00:19:16,689
INCREASES IS THE REAL ESTATE
MARKET.

230
00:19:16,724 --> 00:19:19,103
BUT FORTUNATELY THERE IS A
NEW APP THAT IS HELPING
PEOPLE

231
00:19:19,137 --> 00:19:23,758
AFFORD TO BUY HOMES DURING
THIS DIFFICULT TIME.

232
00:19:23,793 --> 00:19:27,068
TAKE A LOOK
>> THIS HOUSING HAS
EVERYTHING

233
00:19:27,103 --> 00:19:29,724
WE WANT BUT COMPLETELY OUT
OF OUR BUDGET.

234
00:19:29,758 --> 00:19:37,620
>> THEY KEEP SAYING THE
BUBBLE WILL BURST BUT HOME
PRICES KEEP

235
00:19:37,655 --> 00:19:38,965
RISING.
HOUSES WILL KEEP RISING
FOREVER.

236
00:19:39,000 --> 00:19:45,310
>> HAVE YOU TRIED TO USE
SLASH? SLASH IS THE BRAND
-NEW APP, IN

237
00:19:45,344 --> 00:19:47,241
TODAY'S INFLATED REAL ESTATE
MARKET.

238
00:19:47,275 --> 00:19:52,000
>> HOW DOES IT WORK?
>> AND HOW LONG HAVE YOU
BEEN IN

239
00:19:52,034 --> 00:19:54,000
OUR HOME?
>> YOU SUBMITTAL THE PRICE
OF

240
00:19:54,034 --> 00:19:58,551
THE HOUSE YOU CAN'T AFFORD
TO SLASH.

241
00:19:58,586 --> 00:20:05,000
THEN SLASH WILL BRUTALLY
MURDER SOMEONE INSIDE THAT
HOUSE.

242
00:20:05,034 --> 00:20:08,827
>> HELLO?
>> WHAT IS YOUR FAVORITE
SCARY

243
00:20:08,862 --> 00:20:09,379
MOVIE.
>> WHAT?

244
00:20:09,413 --> 00:20:14,241
WHO IS THIS?
WHAT?

245
00:20:14,275 --> 00:20:17,413
OOH!
>> THEN WATCH AS THE PUBLIC

246
00:20:17,448 --> 00:20:22,206
KNOWLEDGE OF THIS HEINOUS
CRIME RESULTS IN THE HOUSE
OF THAT

247
00:20:22,241 --> 00:20:28,241
PRICE GETTING SLASHED!
>> THE PRICE JUST GOT UP BY

248
00:20:28,275 --> 00:20:30,068
TWONLD,000.
>> AND SLASH RUNS THROUGH
DARK

249
00:20:30,103 --> 00:20:34,793
WEB, YOU CAN REST EASY,
KNOWING THERE IS ABSOLUTELY
NO TRACE OF

250
00:20:34,827 --> 00:20:37,965
YOUR INVOLVEMENT IN THESE
HORRIFIC MURDERS.

251
00:20:38,000 --> 00:20:40,620
>> LOOK WHO'S DECIDED TO
CHIPPER UP!

252
00:20:40,655 --> 00:20:44,034
>> TRYING TO FIND A HOUSE IN
TODAY'S MARKET CAN BE LIKE

253
00:20:44,068 --> 00:20:46,689
MURDER BUT WITH SLASHED IT
LEGALLY IS.

254
00:20:46,724 --> 00:20:53,862
I RECOMMEND IT TO ALL OF MY
CLIENTS!

255
00:20:53,896 --> 00:20:56,517
>> James: KNOCK KNOCK!
>> WELCOME TO THE
NEIGHBORHOOD.

256
00:20:56,551 --> 00:21:00,965
>> OH I LOVE THAT FIREPLACE.
>> James: I HOPE THAT
THERE'S

257
00:21:01,000 --> 00:21:05,448
A GUEST ROOM!
>> TO YOUR DREAM HOME!

258
00:21:05,482 --> 00:21:12,103
>> WAIT -- WHAT'S TO STOP
SOMEONE FROM USING SLASHED
ON

259
00:21:12,137 --> 00:21:24,931
US?
HA HA HA HA HA HA SLASHED,
TURN

260
00:21:24,965 --> 00:21:30,034
SOMEONE'S HOUSE INTO YOUR
HOME! >> James: MY THANKS TO
NEVE

261
00:21:30,068 --> 00:21:33,137
CAMPBELL AND CHRISHELL
STAUSE. SCREAM IS IN
THEATERS RIGHT NOW.

262
00:21:33,172 --> 00:21:36,068
WE'LL BE RIGHT BACK WITH
RACHEL BROSNAHAN AND ED
HELMS.

263
00:21:36,103 --> 00:21:36,620
MORE OF THE LME "LATE LATE
SHOW" EVERYBODY!

264
00:21:50,034 --> 00:21:52,000
>> James: WELCOME BACK.
NOW LET'S MEET OUR GUESTS

265
00:21:52,034 --> 00:21:53,517
TONIGHT SHE'S THE STAR OF
"THE MARVELOUS MRS MAISEL,"
RACHEL

266
00:21:53,551 --> 00:22:01,586
BROSNAHAN.
>> IT'S RACHEL BROSNAHAN.

267
00:22:01,620 --> 00:22:09,000
>> James: SO NICE TO SEE
YOU. AND HE'S THE EXECUTIVE
PRODUCER

268
00:22:09,034 --> 00:22:13,068
AND
STAR OF "TRUE STORY WITH ED
AND

269
00:22:13,103 --> 00:22:15,103
RANDALL," ED HELMS.
>> IT'S ED

270
00:22:33,034 --> 00:22:36,000
IT'S SO NICE TO SEE YOU.
I'M THRILLED THAT YOU'RE
HERE.

271
00:22:36,034 --> 00:22:40,000
RACHEL YOU LIVE IN NEW YORK.
YOU DON'T COME TO LOS
ANGELES

272
00:22:40,034 --> 00:22:40,931
VERY OFTEN BUT DID YOU EVER
LIVE HERE?

273
00:22:40,965 --> 00:22:42,310
>> I DID YEAH.
>> James: WHEN WAS THAT?

274
00:22:42,344 --> 00:22:50,000
>> REALLY BRIEFLY AFTER
COLLEGE I MOVED HERE AND I
LASTED ABOUT

275
00:22:50,034 --> 00:22:53,965
EIGHT MONTHS.
IT WAS -- NO OFFENSE -- NO

276
00:22:54,000 --> 00:22:57,241
OFFENSE, IT WAS NOT EXACTLY
THE RIGHT SPOT FOR ME.

277
00:22:57,275 --> 00:22:59,517
>> James: WHY?
>> THE THING THAT SENT ME
HOME

278
00:22:59,551 --> 00:23:02,689
WAS I LIVE IN NEW YORK, WENT
TO COLLEGE IN NEW YORK AND,
YOU

279
00:23:02,724 --> 00:23:07,103
KNOW, I LIVED RIGHT BY A
TRADER JOE'S IN NEW YORK AND
IF YOU

280
00:23:07,137 --> 00:23:13,620
ROLL OUT OF BED YOU SPEND A
LONG NIGHT OUT, YOUR MAKEUP
IS DOWN

281
00:23:13,655 --> 00:23:21,689
TO HERE, YOU'RE SEARCHING
FOR YOUR TRADER JOE'S O'S,
IT WAS A

282
00:23:21,724 --> 00:23:27,482
LIKE A WEIRD RUNWAY SHOW,
EVERYONE WAS TOOTH AND 99
AND

283
00:23:27,517 --> 00:23:31,551
OUT OF THE BOTTOM DRAWER OF
CENTRAL CASTING.

284
00:23:31,586 --> 00:23:35,517
EVERY SINGLE POSSIBLE ON YOU
COULD HAVE PLADGED EXCEPT --

285
00:23:35,551 --> 00:23:39,344
>> James: RUNNING JOAG
AMAT. RUNNING BACK TO NEW
YORK.

286
00:23:39,379 --> 00:23:43,689
YOU USED TO LIVE IN NEW
YORK, YOU WEREN'T ACTING
THEN YOU WERE

287
00:23:43,724 --> 00:23:46,551
AN EDITOR.
ON TV SHOWS, COMMERCIALS?

288
00:23:46,586 --> 00:23:51,689
>> YES, MY FIRST JOB I WAS
ASSISTANT EDITOR AND I
WORKED AT

289
00:23:51,724 --> 00:23:56,413
A COMMERCIAL POSTPRODUCTION
HOUSE WHERE WE DID
COMMERCIALS.

290
00:23:56,448 --> 00:24:00,551
IT'S A WEIRD WAY INTO THE
BUSINESS, I ACTUALLY DID

291
00:24:00,586 --> 00:24:03,034
VOICEOVERS FOR THE
COMMERCIALS WE WERE WORKING
ON AND THAT

292
00:24:03,068 --> 00:24:06,068
BECAME MY THING.
>> James: SOMEBODY IN THE

293
00:24:06,103 --> 00:24:08,172
OFFICE, YOU DO IT JUST AS A
SCRATCH?

294
00:24:08,206 --> 00:24:13,344
>> YES, SO THE EDITOR WOULD
NEED A SCRATCH VOICE TO WORK
WITH

295
00:24:13,379 --> 00:24:17,034
WHILE HE WAS EDITING THE
COMMERCIAL.

296
00:24:17,068 --> 00:24:21,551
AND ONE CLIENT, WE JUST LIKE
THAT GUY, THE VOICE THAT'S
ON

297
00:24:21,586 --> 00:24:24,413
THERE, LET'S JUST USE THAT
PERSON.

298
00:24:24,448 --> 00:24:27,344
INSTEAD OF CASTING SOME REAL
ACTOR AND IT WAS ME AND I
GOT TO

299
00:24:27,379 --> 00:24:30,413
BE THE VOICE OF BURGER KING
FOR LIKE A YEAR OR TWO.

300
00:24:30,448 --> 00:24:33,793
>> James: WHAT DID YOU HAVE
TO SAY, GIVE US A TASTE.

301
00:24:33,827 --> 00:24:38,379
>> A TASTE YES OF COURSE.
SO IT WOULD BE JUST REALLY
71

302
00:24:38,413 --> 00:24:45,034
STUFF TWO WHOPPERS FOR 99
CENTS! >> IT'S SO GOOD!

303
00:24:45,068 --> 00:24:47,793
>> YEAH, THAT WAS A LONG
TIME AGO.

304
00:24:47,827 --> 00:24:51,000
>> James: BUT YOU RACHEL,
YOU USED TO BE.

305
00:24:51,034 --> 00:24:59,689
I WAS GOB SMACKED, I'M USING
THE TRAYS, GOB SMACKED WHEN
I SAY

306
00:24:59,724 --> 00:25:05,620
THIS, YOU USED TO BE A SNOW
BOARD INSTRUCTOR.

307
00:25:05,655 --> 00:25:08,137
RACHEL BROSNAHAN.
>> YOU'RE ACTUALLY IN THE
AIR.

308
00:25:08,172 --> 00:25:11,620
>> James: IF YOU DON'T
BELIEVE THAT'S RACHEL, ONE
TO

309
00:25:11,655 --> 00:25:14,896
PROVE, IN THE VERY SAME
CLOTHING.

310
00:25:14,931 --> 00:25:19,000
>> YES!
>> James: THE THING YOU DO
IS

311
00:25:19,034 --> 00:25:21,551
>> REALLY SMALL CHILDREN,
VERY SMALL CHILDREN.

312
00:25:21,586 --> 00:25:25,034
IT'S KIND OF AMAZING.
I'M FROM THE MIDWEST, I'M
FROM

313
00:25:25,068 --> 00:25:29,758
JUST NORTH OF CHICAGO.
AROUND THERE WAS A -- OH
YEAH

314
00:25:29,793 --> 00:25:32,206
SOME CHICAGO FOLKS, OH MY
GOD COOL!

315
00:25:32,241 --> 00:25:36,310
YEAH SO WE USED TO GO EVERY
WEEKEND UP TO WISCONSIN TO
THESE

316
00:25:36,344 --> 00:25:41,034
SORT OF STRANGE MAN MADE
HILL-MOUNTAINS OUT THERE AND
IF

317
00:25:41,068 --> 00:25:44,965
I GOT CERTIFIED TO TEACH, I
WENT WITH MY FRIENDS.

318
00:25:45,000 --> 00:25:48,413
WE WENT, GOT CERTIFIED,
TEACH SMALL CHILDREN.

319
00:25:48,448 --> 00:25:53,034
A YOU GET TO IMPRINT YOUNG
IMPRESSIONABLE MINDS AND YOU
GET

320
00:25:53,068 --> 00:25:57,068
TO WATCH THEM EAT IT OVER
AND OVER AND OVER AGAIN.

321
00:25:57,103 --> 00:26:01,034
>> James: SLURLTD.
>> BUT THEY'RE SO LOW TO THE

322
00:26:01,068 --> 00:26:06,827
GROUND THEY DON'T GET HURT,
THEY COME UP WITH A MOUTH
FULL OF

323
00:26:06,862 --> 00:26:12,689
SNOW AND GO SPIT AND THAT'S
IT. >> YOU'RE MAKING THEM
CRASH IS

324
00:26:12,724 --> 00:26:16,551
THAT WHAT I'M HEARING?
>> I CHANGED OLOT.

325
00:26:16,586 --> 00:26:19,586
>> James: TO JUSTIFY IT I
HAVE NOTHING FUNNY.

326
00:26:19,620 --> 00:26:23,896
DO YOU DO A BUNCH OF CRAZY
SPORTS, DO YOU DO SNOW WORK?

327
00:26:23,931 --> 00:26:30,551
THAT WAS ME, SKIING.
>> I USED TO BE AT THIS
POINT,

328
00:26:30,586 --> 00:26:35,034
LIKE EXCITEMENT FOR ME IS
LIKE NETFLIX AND A BOWL OF
OATMEAL.

329
00:26:35,068 --> 00:26:40,586
BUT I DID WHEN I WAS A KID
ACTUALLY, AS A YOUNG ONE, I

330
00:26:40,620 --> 00:26:43,275
RACED BMX BIKES WITH MY
FRIENDS LIKE ON OUR STREET.

331
00:26:43,310 --> 00:26:48,344
WE BUILT THIS BIG TRACK IN
AN EMPTY LOT AND THERE WAS
ONE

332
00:26:48,379 --> 00:26:52,965
INSTANCE WHERE WE HAD JUST
BUILT THIS NEW JUMP AND I
WAS THE

333
00:26:53,000 --> 00:26:55,482
YOUNGEST KID ON THE STREET,
I WAS SORT OF THE RUNTD.

334
00:26:55,517 --> 00:27:00,551
WE JUST BUILT THIS NEW JUMP
AND EVERYONE WAS SCARED TO
DO IT,

335
00:27:00,586 --> 00:27:03,379
SOMEBODY HAS TO DO IT FIRST.
WHAT ABOUT YOU BIG ED?

336
00:27:03,413 --> 00:27:07,103
I WAS LIKE OH, THIS IS THE
GREATEST HONOR, THEY WANT ME
TO

337
00:27:07,137 --> 00:27:11,655
DO THIS JUMP FIRST.
BUT REALLY, THEY JUST WANTED
TO

338
00:27:11,689 --> 00:27:17,896
LIKE SEND A GUINEA PIG DOWN
TO SEE IF THEY WOULD DIE.

339
00:27:17,931 --> 00:27:23,689
I DID IT, AROUND I DIT, I
JUMPED, I LANDED IT AND IT

340
00:27:23,724 --> 00:27:26,758
WAS -- YES.
>> James: OF COURSE YOU
DID!

341
00:27:26,793 --> 00:27:35,793
RACHEL LET'S TALK ABOUT
THIS, WE ARE ALL VERY
EXCITED ABOUT THE

342
00:27:35,827 --> 00:27:42,413
MARVELOUS A MRS. MAISEL.
WHAT IS HAPPENING THIS
SEASON?

343
00:27:42,448 --> 00:27:47,620
>> WE'RE ALL OFF EXTENUATING
CIRCUMSTANCES.

344
00:27:47,655 --> 00:27:55,965
>> James: WHAT'S HAPPENED?
>> WE LEFT WITH MIDGE ON THE

345
00:27:56,000 --> 00:28:02,172
TARMAC, LEFT BY SHY BALDWIN.
IN SRCH 1 WE -- IN SEASON 1
WE

346
00:28:02,206 --> 00:28:07,655
FOUND MIDGE AT ROCK BOTTOM,
SHE STUMBLED INTO THIS
CAREER AT

347
00:28:07,689 --> 00:28:12,931
ROCK BOTTOM, SHE HAD A
SERIES OF BREAK DOWNS THAT
WERE FUNNY ON

348
00:28:12,965 --> 00:28:16,551
STAGE, SHE FIGURED OUT HOW
TO HONE HER CRAFT AND HER
FEELING

349
00:28:16,586 --> 00:28:20,448
IS IT DIDN'T WORK OUT SO
WELL FOR HER.

350
00:28:20,482 --> 00:28:25,413
SO THIS IS A SEASON OF HER
DIGGING IN TO WHO SHE IS AND
NOT

351
00:28:25,448 --> 00:28:30,862
APOLOGIZING FOR HER OWN
VOICE, DECIDING SHE IS HER
BEST WHEN

352
00:28:30,896 --> 00:28:35,137
SHE IS HERSELF.
THAT IS A RIPPLE EFFECT THAT

353
00:28:35,172 --> 00:28:37,758
AFFECTS EVERYONE ELSE THIS
SEASON.

354
00:28:37,793 --> 00:28:42,724
>> James: THE SEASON OF
COVID IS JOYLESS AND YOU
HAVE TO MAKE

355
00:28:42,758 --> 00:28:46,413
ADJUSTMENTS BUT THIS MAY
HAVE TO BE THE BEST
INVENTION YET.

356
00:28:46,448 --> 00:28:50,344
LOOK AT YOU IN THIS, LOOK!
>> I FEEL LIKE WITH ALL THIS

357
00:28:50,379 --> 00:28:56,965
TIME WE PROBABLY COULD HAVE
COME UP WITH A MORE CREATIVE
NAME.

358
00:28:57,000 --> 00:29:04,379
BUT THIS IS A COBRELLA, A
COVID UMBRELLA.

359
00:29:04,413 --> 00:29:13,275
I WEAR A WIG ON THE SHOW AND
THE MASK WAS PULLING UP THE
WIG

360
00:29:13,310 --> 00:29:23,931
AROUND MY EARS.
ALL OF THE PAPARAZZI
PICTURES,

361
00:29:23,965 --> 00:29:29,896
WITH MY UMBRELLA, HUMAN
DROIDS WERE GOING TO LOOK AT
THIS AND

362
00:29:29,931 --> 00:29:37,620
SAY WHAT WAS WRONG WITH
HUMANS IN 2020?

363
00:29:37,655 --> 00:29:40,000
>> AMAZON HAS ALREADY
RERECORDED THE SONG.

364
00:29:40,034 --> 00:29:46,000
THAT'S WHAT WE JUST HEARD.
SHE SAW THIS AND RIHANNA
JUST

365
00:29:46,034 --> 00:29:54,655
RERECORDED THE SONG.
DON'T COME UNDER MY

366
00:29:54,689 --> 00:29:57,000
COULD-BRELLA.
LET'S LOOK AT THE AMAZING
ALSO

367
00:29:57,034 --> 00:30:10,000
MAISEL ON AMAZON PRIME.
>> THE FIRST NIGHT DRUNKEN

368
00:30:10,034 --> 00:30:13,068
[BLEEP] SHOW COMES TO MIND.
THAT ONE STILL HURTS RIGHT?

369
00:30:13,103 --> 00:30:21,965
>> THE ONE YOU ARRANGED WITH
LENNY THE PENNY.

370
00:30:22,000 --> 00:30:28,275
[BLEEP] DETROIT, KANSAS
CITY, NEW ORLEANS AND NOW
THE APOLLO.

371
00:30:28,310 --> 00:30:32,827
THE KINDS OF SHOW ONLY I
COULD DO.

372
00:30:32,862 --> 00:30:35,620
SUSIE, MARIAN, WHAT IS GREAT
ABOUT ME?

373
00:30:35,655 --> 00:30:40,000
>> YOUR HUMILITY?
>> NO, IT'S WHEN I'M ME.

374
00:30:40,034 --> 00:30:42,000
>> James: STICK AROUND MORE
WITH THESE TWO WHEN WE COME

375
00:30:56,034 --> 00:30:59,931
THESE ARE YOUR HEROES,.
>> BRADSHAW, THAT GUY COULD

376
00:30:59,965 --> 00:31:03,965
THROW A COUNTRY MILE.
THAT WHOLE THEME FOR THAT
SEASON

377
00:31:04,000 --> 00:31:12,344
WAS WHATEVER IT TAKES.
EVEVERY SEASON, EVERYTHING
SHUTS

378
00:31:12,379 --> 00:31:14,827
DOWN, SHUT IT DOWN.
>> WHAT ARE YOU DOING?

379
00:31:14,862 --> 00:31:18,034
IT'S SUNDAY, THE GAME'S ON
YOU GOONS.

380
00:31:18,068 --> 00:31:20,931
>> DAMN IT, HE'S RIGHT.
[BLEEP].

381
00:31:20,965 --> 00:31:29,000
>> TIME OF DEATH, KICKOFF.
>> James: THAT WAS A CLIP
FROM

382
00:31:29,034 --> 00:31:32,275
"TRUE STORY WITH ED &
RANDALL" WHICH IS STREAMING
NOW ON

383
00:31:32,310 --> 00:31:34,310
PEACOCK.
CONGRATULATIONS ON THE SHOW.

384
00:31:34,344 --> 00:31:38,793
IT'S SO WARM IT'S SO FUNNY.
[CHEERING AND APPLAUSE]

385
00:31:38,827 --> 00:31:40,758
>> James: TELL EVERYBODY
WHAT THE SHOW'S ABOUT.

386
00:31:40,793 --> 00:31:49,000
>> IT'S KIND OF A HYBRID
UNSCRICHTED SCRIPTED SHOW.

387
00:31:49,034 --> 00:31:53,655
RANDALL PARK MY CO-HOST AND
I WE SIT DOWN WITH REAL
EVERYDAY

388
00:31:53,689 --> 00:31:59,000
TOAKS AN FOLKS AND WE HEAR
AN INCREDIBLE TRUE STORY
FROM THEIR

389
00:31:59,034 --> 00:32:01,137
LIVES.
RANDALL AND I HAVE NEVER
HEARD

390
00:32:01,172 --> 00:32:03,827
THIS STORY BEFORE.
WE ASK QUESTIONS, WE HAVE
THIS

391
00:32:03,862 --> 00:32:08,137
GREAT FUN KIND OF STUDIO
SEGMENT TOGETHER AND THEN
AFTER THAT, WE

392
00:32:08,172 --> 00:32:13,793
SHOOT EPIC REENACTMENTS OF
THE STORY THAT THEY TOLD US.

393
00:32:13,827 --> 00:32:16,137
AND THEN IT'S INTERCUT WITH
THE INTERVIEW AND THAT'S THE
SHOW

394
00:32:16,172 --> 00:32:21,310
LIKE YOU SAW IN THE CLIP.
AND IT'S SO -- IT IS SO FUN.

395
00:32:21,344 --> 00:32:25,137
I CAN'T EVEN TELL YOU HOW
FUN IT WAS TO MAKE THIS SHOW
AND TO

396
00:32:25,172 --> 00:32:28,655
CONNECT WITH THESE PEOPLE.
AND JUST TO BE REMINDED THAT
WE

397
00:32:28,689 --> 00:32:33,241
ALL HAVE CRAZY STORIES.
WE ALL GO THROUGH CRAZY
STUFF.

398
00:32:33,275 --> 00:32:36,620
AND THE ABILITY TO LAUGH AT
OURSELVES, AND BE VULNERABLE
AND

399
00:32:36,655 --> 00:32:40,931
SHARE THESE STORIES, IT'S
KIND OF A LOST ART.

400
00:32:40,965 --> 00:32:42,655
AND I JUST -- I'M REALLY
PROUD OF IT.

401
00:32:42,689 --> 00:32:45,482
>> James: I THINK THAT'S
ALL LIFE IS ABOUT ACTUALLY
IS JUST

402
00:32:45,517 --> 00:32:49,344
THE STORIES THAT YOU
COLLECT, AND THEN TELL AND
SHARE WITH

403
00:32:49,379 --> 00:32:51,310
PEOPLE.
LIKE MY FAVORITE STORY THAT
I

404
00:32:51,344 --> 00:32:57,931
OFTEN SHARE IS THIS HAPPENS
ALL THE TIME, I GET MISTAKEN
FOR

405
00:32:57,965 --> 00:33:02,034
MATT DAMON.
>> I SEE IT.

406
00:33:02,068 --> 00:33:17,000
[LAUGHTER]
[BLEEP] OFF!

407
00:33:17,034 --> 00:33:18,137
[LAUGHTER]
[BLEEP] OFF!

408
00:33:18,172 --> 00:33:25,931
>> James: YOU GET MISTAKEN
ALL THE TIME FOR EVAN RACHEL

409
00:33:25,965 --> 00:33:27,448
WOODS.
THIS STARTED GOING ON --

410
00:33:27,482 --> 00:33:30,275
>> THIS STARTED HAPPENING
WHEN I WAS 12 OR 11.

411
00:33:30,310 --> 00:33:34,310
I THINK SHE'S JUST A COUPLE
OF YEARS OLDER THAN I AM AND
SHE

412
00:33:34,344 --> 00:33:39,689
HAD MADE THE MOVIE "13" I
WAS ABOUT 11 AND PEOPLE
WOULD COME

413
00:33:39,724 --> 00:33:47,724
UP TO ME AND SAY, MAN I
LOVED THE MOVIE "13" AND I
ALTERNATED

414
00:33:47,758 --> 00:33:51,551
BETWEEN I NEVER HEARD OF
THAT AND BEING, THANKS, I
DIDN'T

415
00:33:51,586 --> 00:33:56,000
REALLY KNOW WHAT THEY MEANT.
WE'VE BEEN MISTAKEN FOR EACH

416
00:33:56,034 --> 00:34:01,448
OTHER FOR A LONG TIME.
>> I GET MISTAKEN, AT THE
BEACH

417
00:34:01,482 --> 00:34:09,172
WITH MY SHIRT OFF, IT'S
CHRIS HENCEWORTH, BUT OTHER
THAN THAT,

418
00:34:09,206 --> 00:34:18,000
WALKING AROUND IT'S BRAD
PITT. I GET MATT DAMON A LOT
TOO.

419
00:34:18,034 --> 00:34:20,000
>> James: RACHEL BROSNAHAN,
ED HELMS, SAMM HENSHAW IS
HERE

420
00:34:36,034 --> 00:34:37,172
>> James: WELCOME BACK.
HERE PERFORMING "GROW"

421
00:34:37,206 --> 00:34:39,379
FROM HIS FORTHCOMING ALBUM,
"UNTIDY SOUL," WHICH IS OUT

422
00:34:39,413 --> 00:34:41,413
JANUARY 28TH, PLEASE WELCOME
THE SAMM HENSHAW.

423
00:34:51,379 --> 00:35:06,344
♪ ♪
♪ ♪

424
00:35:06,379 --> 00:35:10,758
♪ ♪
♪ ♪

425
00:35:10,793 --> 00:35:21,275
♪ ♪
♪ ♪

426
00:35:21,310 --> 00:35:27,379
♪ SO IN LOVE
MORE IN LOVE

427
00:35:27,413 --> 00:35:31,000
♪ I JUST NEED YOU NEAR ME
WITH YOU ITS

428
00:35:31,034 --> 00:35:38,000
♪ EASIER TO GET BY
LIKE BLUE SKIES

429
00:35:38,034 --> 00:35:40,172
♪ ON A SUNDAY MORNING
I KNOW THAT HEAVEN'S

430
00:35:40,206 --> 00:35:45,896
♪ ON OUR SIDE
IF IT HURTS,

431
00:35:45,931 --> 00:35:50,379
♪ BABY LET IT HURT,
BABY IT WON'T WORK,

432
00:35:50,413 --> 00:35:57,827
♪ NO UNLESS WE TRY
TOGETHER WE'LL GROW, YEAH

433
00:35:57,862 --> 00:36:02,000
[SO IN LOVE]
♪ TOGETHER WE'LL GROW, YEAH

434
00:36:02,034 --> 00:36:09,241
[MORE IN LOVE]
♪ OH, NO-NO, NO, NO, GROW,
BABY

435
00:36:09,275 --> 00:36:14,034
[SO IN LOVE]
♪ OH, IT WON'T BE EASY,

436
00:36:14,068 --> 00:36:18,137
BUT IF WE STAY TOGETHER
[MORE IN LOVE]

437
00:36:18,172 --> 00:36:20,620
♪ LISTEN,
I LEARNED FROM HARD EXPE-—,

438
00:36:20,655 --> 00:36:21,896
♪ FROM HARD EXPERIEN-—
LISTEN, I LEARNED FROM

439
00:36:21,931 --> 00:36:24,965
♪ HARD EXPERIENCES
IT'S A LOT TO TAKE,

440
00:36:25,000 --> 00:36:27,137
♪ WE'VE SEEN BETTER DAYS
ONCE WE HAD IT ALL,

441
00:36:27,172 --> 00:36:30,000
♪ NOW WE'RE SO MUNDANE
WE SHOULD STAY THE COURSE,

442
00:36:30,034 --> 00:36:33,896
♪ IT'S A STEP TO CHANGE
WE CAN'T COMPLICATE IT

443
00:36:33,931 --> 00:36:37,758
♪ MORE THAN THIS
IF IT HURTS, BABY OH,

444
00:36:37,793 --> 00:36:39,896
♪ WE LET IT HURT,
BABY 'CAUSE IT'LL NEVER
WORK,

445
00:36:39,931 --> 00:36:44,517
♪ NO UNLESS WE TRY, OH
TOGETHER WE'LL GROW,

446
00:36:44,551 --> 00:36:51,000
♪ OH, OOH-WOAH, OH, OH YEAH
[SO IN LOVE]

447
00:36:51,034 --> 00:36:53,965
♪ NEED GROW A LITTLE MORE
WITH YOU, UH

448
00:36:54,000 --> 00:37:06,034
[MORE IN LOVE]
[SO IN LOVE]

449
00:37:06,068 --> 00:37:10,172
[MORE IN LOVE]
I LEARNED FROM HARD
EXPERIENCES

450
00:37:10,206 --> 00:37:15,862
♪ THAT A LADY IS ALWAYS
RIGHT BUT EVERY NOW AND THEN

451
00:37:15,896 --> 00:37:18,379
♪ THERE'S THAT ONE SWEET
POINT WHERE SHE AIN'T

452
00:37:18,413 --> 00:37:20,758
♪ AND THIS WHAT I SAY,
THAT WASN'T

453
00:37:20,793 --> 00:37:21,793
♪ IF I HAD IT MY WAY,
IT'D BE FRIDAY

454
00:37:21,827 --> 00:37:25,379
♪ WE'D BE CHILLIN' ON A
DRIVEWAY BUMPING SADE

455
00:37:25,413 --> 00:37:27,896
♪ ACT LIKE IT'S YOUR
BIRTHDAY POPPIN' CHAMPAGNE

456
00:37:27,931 --> 00:37:30,241
♪ I'LL TREAT YOU IN THE
RIGHT WAY IF I HAD IT MY WAY

457
00:37:30,275 --> 00:37:33,896
♪ MAYBE WE WILL GROW,
OOH, AH-AH, AH-AH, AH

458
00:37:33,931 --> 00:37:38,517
[SO IN LOVE]
♪ SO IN LOVE, SO IN LOVE

459
00:37:38,551 --> 00:37:48,068
[MORE IN LOVE]
[SO IN LOVE]

460
00:37:48,103 --> 00:37:49,862
♪ SO IN LOVE, OH YEAH I'LL
BE PUTTING MY LOVE ON YOU

461
00:37:49,896 --> 00:37:53,931
♪ ALL THE TIME, BABE
[MORE IN LOVE]

462
00:37:53,965 --> 00:37:57,896
♪ NO NEED TO WORRY,
I GOT YOU ON MY MIND, BABY

463
00:37:57,931 --> 00:38:02,034
♪ ♪
♪ ♪

464
00:38:02,068 --> 00:38:11,862
♪
[CHEERING AND APPLAUSE]

465
00:38:11,896 --> 00:38:14,000
>> James: THE BRILLIANT
SAMM HENSHAW EVERYBODY.

466
00:38:14,034 --> 00:38:16,000
"UNTIDY SOUL" IS OUT JANUARY
28TH.

467
00:38:30,034 --> 00:38:31,000
♪ ♪ ♪ ♪
>> James: THANKS SO MANY.

468
00:38:31,034 --> 00:38:33,000
NEXT WEEK, JARED LETO IS
GOING TO BE HERE,

469
00:38:33,034 --> 00:38:35,827
JOHN GOODMAN, DAVID
ARQUETTE, CHRISTINA RICCI,
DAVEED DIGGS,

470
00:38:35,862 --> 00:38:39,206
SYDNEY SWEENEY, AND DAVID
CROSS. ALL THAT PLUS THE
CAST OF "THIS

471
00:38:39,241 --> 00:38:45,344
IS US" ARE GOING TO
CHALLENGE US TO A GAME OF
WATER POLO.

472
00:38:45,379 --> 00:38:47,379
REGGIE, TAKE US HOME.
♪ ♪ ♪ ♪