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♪ THE LATE LATE SHOW-OH-OH

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THE LATE LATE SHOW WOO!
♪ THE LATE LATE SHOW-OH-HO

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THE LATE LATE SHOW-OH-OH!
♪ IT'S THE LATE LATE SHOW

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♪ ♪

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♪ ♪

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James: GOOD EVENING LADIES AND
GENTLEMEN, WELCOME TO "THE LATE

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LATE SHOW."
WE'RE SO GLAD YOU'RE HERE,

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THANKS FOR STOPPING BY.
LET'S SEE WHO OUR GUESTS ARE ON

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THE SHOW TONIGHT.
HE'S AN OSCAR-NOMINATED ACTOR

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AND MUSICIAN YOU KNOW FROM
YOU," "JUDAS AND THE BLACK

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MESSIAH," "GET OUT," AND
SO MUCH MORE, THE SENSATIONAL,

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LAKEITH STANFIELD!
LAKEITH, HOW ARE YOU, ARE YOU

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GOOD?
>> PEACE AND LOVE.

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>> James: WHAT ARE WE SMOKING
HERE.

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>> WE ARE SETTING THE MOOD.
>> James: LET'S SET THE MOOD.

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>> SEE YOU.
>> James: WE'LL SEE YOU OUT

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THERE.
>> James: LAKEITH STANFIELD,

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EVERYBODY!
THEY'RE A GRAMMY-NOMINATED CHART

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TOPPING BAND WHO'VE HAD MORE
THAN FIVE BILLION STREAMS

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ONLINE, WHAT A THRILL,
THE MIGHTY, THE INCREDIBLE,

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ONE REPUBLIC!
IS LEER TONIGHT.

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THERE WE ARE, HEY, FELLINGAS.
>> HEY THERE.

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>> James: HOW ARE YOU DOING?
>> OH GOOD, WE'RE DOING OKAY.

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>> James: DOING OKAY.
>> THE GREEN ROOM IS NOT REALLY

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UP TO SNUFF BUT IT WILL GET
THERE.

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>> James: IF YOU GO TO
LAKEITH'S ROOM, HE IS SETTING

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QUITE THE MOOD.
>> I SMELL IT, ACTUALLY, CAN I

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SMELL THE MOOD.
>> James: YOU CAN POP IN

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THERENESS WITH RIGHT HERE.
>> James: WE'RE SETTING THE

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MOOD IN THERE.
>> I SMELL THE MOOD.

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OH MY GOD, IT'S-- HEY GUYS.
>> James: WE'LL LEAVE YOU TOO

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IT, ONE REPUBLIC, EVERYBODY.
AND

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AND LATER, RYAN TEDDER
WILL BE JOINING US ON THE COUCH,

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SO STICK AROUND.
BACK AT IT, BACK AT IT ON A

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MONDAY.
WELL, IT'S THAT TIME,

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IT'S TIME FOR, THE NEWS.
OIL PRICES SURGED TODAY

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AND WITH REPORTS THAT THE
UNITED STATES COULD POSSIBLY BAN

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THE IMPORT OF RUSSIAN OIL,
GAS PRICES COULD SOON REACH

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ALL-TIME HIGHS.
ALL-TIME HIGHSK YOU NO WHAT IT

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MEANS.
GUESS I'LL HAVE TO HOLD OFF ON

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BUYING THAT MONSTER TRUCK.
THERE GOES MY SUMMER.

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ON THE BRIGHT SIDE, AT LEAST YOU
NOW HAVE SOMETHING TO TALK ABOUT

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WITH YOUR STEP DAD.
HAVE YOU SEEN THE PRICE OF GAS

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LATELY, HEY, PRETTY HIGH.
HERE'S HOW BAD

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IT'S GETTING.
ACCORDING TO ONE REPORT,

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PRESIDENT BIDEN IS CONSIDERING A
TRIP TO SAUDI ARABIA YOU KNOW,

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THE KINGDOM HE CALLED A "PARIAH"
ON THE CAMPAIGN TRAIL.

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APPARENTLY, HE HOPES TO REPAIR
RELATIONS AND CONVINCE SAUDI

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ARABIA TO PUMP MORE OIL.
YOU KNOW BIDEN'S GOING TO GET

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THERE AND BE LIKE,
[DESPERATE]

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"WHAT? I NEVER CALLED YOU A
PARIAH!

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I SAID YOU WERE A MARIAH.
BECAUSE EVERYONE LOVES YOU

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AND... YOU CAN...
IT'S NOT CHRISTMAS WITHOUT YOU

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AND ALL THE HIGH NOTES, YOU
KNOW?

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JOE BIDEN COULD BE GOING TO
SAUDI ARABIA TO ASK FOR MORE

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OIL.
THIS IS LIKE SHOWING UP AT YOUR

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EX'S HOUSE TO ASK FOR YOUR
HOODIE BACK.

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IT'S UNCOMFORTABLE FOR EVERYONE,
THE ANSWER IS PROBABLY "NO,"

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AND YOU JUST HOPE IT DOESN'T
ESCALATE.

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MEANWHILE, VLADIMIR PUTIN
HAS BEGUN CRACKING DOWN ON

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DISSENTING MEDIA INSIDE RUSSIA.
OVER THE WEEKEND, HE SIGNED A

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NEW LAW CRIMINALIZING
INTERNATIONAL NEWS OUTLETS

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AND EVEN BLOCKED ACCESS TO
FACEBOOK AND TWITTER.

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THAT'S HORRIFYING.
CAN YOU IMAGINE GETTING TODAY'S

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WORDLE IN TWO TRIES AND NOT
BEING ABLE TO SHARE IT?

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RUSSIA IS INCREASINGLY CRACKING
DOWN ON ONLINE COMMUNICATION

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PLATFORMS.
WHICH, IF WE'RE HONEST DOESN'T

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BODE WELL FOR VLADIMIR PUTIN'S
ONLYFANS.

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IAN, YOU'RE ON TWITTER A LOT.
HOW WOULD YOU FEEL IF IT WERE

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SUDDENLY BANNED IN AMERICA?
>> I WOULD BE THRILLED.

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, YEAH.
>> James: WHY WOULD YOU BE

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THRILLED?
>> THE ONLY REASON I'M ON THERE

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IS I FEEL I HAVE TO BE FOR
COMEDY REASONS, YOU KNOW WHAT I

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MEAN, TO KEEP UP WITH STUFF, AND
IF IT WASN'T AN OPTION ANY MORE,

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IT WOULD BE GREAT, LIKE IF THEY
STOPPED 1E8ING KALE, WELL, IT'S

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NOT UP TO MEEVMENT,.
>> James: NO, I WANT KALE, BUT

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NOTHING WE CAN DO ABOUT IT.
>> I LOVE IT BUT YOU KNOW,

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PUTIN.
>> James: WHATEVER.

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AND DID YOU SEE THIS?
EARLIER TODAY, THE RUSSIAN

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GOVERNMENT SHARED AN
OFFICIAL LIST OF COUNTRIES IT

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DECLARED AS HAVING COMMITTED
"UNFRIENDLY ACTIONS" AGAINST

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RUSSIA.
AND PEOPLE ARE MOCKING IT

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BECAUSE IT INCLUDES TINY
COUNTRIES LIKE LICHTENSTEIN AND

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SAN MARINO.
PERSONALLY, I'M NOT UPSET ABOUT

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IT, I'VE HAD A HUGE BEEF WITH
LICHTENSTEIN FOR YEARS.

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THEY KNOW.
THEY KNOW WHY.

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THE LIST INCLUDED EVERY EUROPEAN
UNION COUNTRY, JAPAN, THE UNITED

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STATES, AUSTRALIA, AND MORE.
AS MY THERAPIST WOULD SAY,

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THE COMMON DENOMINATOR
IN ALL OF THIS IS YOU, RUSSIA.

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AND WE WANTED TO SHARE THIS
WITH YOU.

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SCIENTISTS NOW SAY THAT HAVING
EVEN ONE DRINK PER DAY CAN

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ACTUALLY SHRINK THE VOLUME OF
YOUR BRAIN.

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ROSEEÉ ALL DAY?
MORE LIKE ROSEEÉ ALL DUHHHHH,

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WHO NEEDS A BRAIN, ANYWAY?
IT'S NOT LIKE WE'RE ALL WORKING

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ON THE JOHN OLIVER SHOW OR
ACCORDING TO THE SAME STUDY,

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DRINKING FOUR ALCOHOLIC DRINKS
A DAY AGED A PERSON'S BRAIN

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BY MORE THAN TEN YEARS.
WELL I'M NOT GONNA REMEMBER

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THAT, SO WHO'S STUPID NOW?
BAND, WILL THIS NEW INFORMATION

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CHANGE YOUR BEHAVIOR AT ALL?
DOES THIS MAKE YOU CULT DOWN.

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>> WHAT INFORMATION?
>> James: HA!

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>> James: AND WE WANTED
TO TELL YOU ABOUT THIS NEW

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FINDING.
RESEARCHERS ANALYZED PLAYLISTS

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ON SPOTIFY TO FIND THE BEST
ARTIST TO HELP DOGS FALL ASLEEP,

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THAT'S RIGHT, DOGS AND THE
WINNER WAS, ED SHEERAN.

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YOU KNOW WHAT ARTIST MY DOG
PREFERS?

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ANY IDEA WHAT ARTIST MY DOG
PREFERS?

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PITBULL.
IT'S A BLIT OF FUN, I VRNT EVEN

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GOT A DOG.
THAT IS ALL IT IS, IT IS A

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LIGHTHEARTED BIT OF FUN.
I LIKE, I DON'T HAVE A DOG.

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AND THE NEWS IS BLEAK.
YOU KNOW, AND I HAVEN'T EVEN GOT

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A DOG.
WHICH ACTUALLY IS SILLIER THAN

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THE STORY.
DID WE NEED THIS STUDY?

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DID ANYONE ASK FOR THIS?
HAS ANYONE EVER HEARD A DOG SAY

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"AW MAN, I HAD A TERRIBLE SLEEP
LAST NIGHT.

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>> James: AND DID YOU HEAR ABOUT
THIS?

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A SHOWING OF "THE BATMAN" IN
AUSTIN, TEXAS WAS DISRUPTED OVER

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THE WEEKEND AFTER A MAN BROUGHT
AND RELEASED AN

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ACTUAL BAT INSIDE THE THEATER.
IF YOU'RE GOING TO DO IT, DO IT

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RIGHT,
I WOULD HAVE BEEN MORE IMPRESSED

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IF HE BROUGHT A PENGUIN.
THE BAT WAS SO CONFUSED,

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IT WAS LIKE,
"I'M JUST TRYING

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TO SEE "HOUSE OF GUCCI"!"
LIKE WHAT IS THIS GIERKS HOW

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DOES THIS GUY THINK THIS IS
GOING TO END?

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WHAT DOES HE THINK HE IS GOING
TO HAPPEN.

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WHAT HAVE YOU GOT IN YOUR COAT?
CAN YOU CARRY MY DRINK, CARRY MY

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DRINK OF POPCORN, I'VE GOT AN
IDEA. ARE YOU ALL RIGHT?

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>> YEAH, YEAH.
>> HOW MANY.

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>> JOHN, WHAT ARE YOU-- JOHN,
WHAT-- WHAT ARE YOU DOING?

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>> I DIDN'T KNOW THERE WOULD BE
THIS MANY TRAILERS, WAIT, WAIT,

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GO.
I HOPE WHOEVER DID THIS IS WITH

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SOMEONE RIGHT NOW GOING YOU'RE
[BLEEP], MATE.

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THEY COULDN'T CATCH THE BAT.
COULDN'T CATCH IT EVENTUALLY IT

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LEFT ON ITS OWN ACCORD WHEN IT
FOUND OUT THE MOVIE WAS THREE

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HOURS LONG.
AND FINALLY, HERE'S SOME

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>> James: IS IT THREE HOUR,
BATMAN.

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>> ST LONG.
>> IS IT GOOD.

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>> I ENJOYED IT.
>> James: IS IT LIKE OH, HE'S

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RICH, NO ONE KNOWS HE'S BATMAN.
>> NO.

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>> James: OH, IT'S A CAVE.
>> HIS LIFE LOOKED LIKE IT SUCK,

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LIKE IT WOULD SUCK TO BE BRUCE
LANE.

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>> James: WHAT?
>> YEAH.

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>> James: WHY.
>> HE IS BUMMED OUT,.

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>> James: HE'S BUMMED OUT.
>> YEAH, BUT NOT THE WAY BRUCE

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WAYNE-- .
>> James: WHY IS HE BUMMED

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OUT.
>> BECAUSE HE IS A GOTH KID, HE

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IS EMO AND GOTHAM SUCKS.
>> James: IF YOU HAVE ALL THAT

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MONEY, GET OUT OF GOTHAM.
YOU KNOW WHAT I MEAN, IF YOU

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HAVE GOT THAT SORTED OF MONEY
LYING AROUND, YOU NEVER SEE HIM

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LIKE OH, I'M AWAY THERE WEEKEND.
IF I HAD BRUCE WAYNE MONEY, I

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WOULD ALWAYS BE LIKE WHAT, THEY
PUT THE LIGHT UP YEAH, BUT I'M

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IN MY CHATEAU, I CAN'T GET BACK.
>> I DON'T LIKE THE IDEA OF

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THIS.
I LIKE MY BRUCE WAYNES TO BE

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BRUCE WAYNE.
I LIKE HIM TO BE LIKE, YOU KNOW

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WHAT I MEAN.
>> YEAH, YOU'RE NOT GOING TO GET

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ANY OF THAT.
IT IS A BIG MOAP FEST BUT IT'S

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SICK, THE ACTION IS SICK.
>> James: I'M SURE THE ACTION

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IS SICK. I'M SURE-- I'M SURE
IT'S ILL.

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>> NOT WELL, UNWELL.
>> James: WHO IS THE ALFRED?

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00:10:17,965 --> 00:10:24,241
>> OH, IT'S ANDY CERTIFICATEKIS.
>> James: LOVE THAT.

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>> SO THE CIRCUS IN TOWN, HE
DOESN'T PEP HIM UP.

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>> James: PEPS HIM UP, OH,
BRUCE.

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>> NOT EVEN CLOSE.
NOT EVEN CLOSE.

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IS IT A PEPPY MOMENT AT ALL
BECAUSE I CAN'T THINK OF IT.

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00:10:35,965 --> 00:10:39,758
>> NOT ONE PEPPY, THERE IS ONE
PEPPY MOMENT WHEN COLIN FERRELL

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HAS HIS FEET TOGETHER AND WALKS
LIKE A PENGUIN, PRETTY SILLY,

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00:10:44,517 --> 00:10:49,551
SILLY MOMENT.
>> James: CUZ I FELT LIKE THE

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00:10:49,586 --> 00:10:53,896
LAST CHRIS-- WHAT IS THE ONE
WHERE ELITE UP A BAT ON THE

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BRIDGE, WHICH ONE WAS THAT?
DARK KNIGHT RISES, THE THIRD

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ONE, RIGHT, THAT IS WHEN IF
FLIPPED FOR ME.

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00:11:00,965 --> 00:11:04,413
>> YEAH.
>> James: THAT WAS LIKE, THAT

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00:11:04,448 --> 00:11:05,586
IS A LOT OF WORK.
>> YEAH.

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00:11:05,620 --> 00:11:08,206
>> James: YOU CAN'T GET THAT
DONE IN A COUPLE OF HOURS.

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00:11:08,241 --> 00:11:12,551
YOU CANNOT GET THE IMAGERY
TOGETHER, THE MAN HOURS OF

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00:11:12,586 --> 00:11:15,379
PEOPLE TO BUILD A BAT ON A
BRIDGE.

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00:11:15,413 --> 00:11:17,137
>> YEAH.
>> James: SOMEONE IS GOING TO

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GO WHAT YOU GUYS UP TO.
DO YOU KNOW WHAT I MEAN, LIKE I

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00:11:21,862 --> 00:11:24,758
DON'T EVEN KNOW WHERE YOU START
BUT I KNOW WHAT IT IS LIKE WHEN

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WE TRY AND DO EVEN SOMETHING IN
THE PARKING LOT.

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00:11:31,827 --> 00:11:34,931
>> CARPOOL MUSICAL TAKES SIX
DAYS AND.

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>> James: AND THEN HE IS LIKE
IT'S ON FIRE, THAT IS FOR ME, SO

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I WAS EXCITED WITH THE NEW ONE,
I WANT TO GET BACK TO THE OLD

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BATTEDMAN, LIKE KAYNE, I WANT
THE OLD KAYNE, I WANT THE OLD

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00:11:51,965 --> 00:11:53,137
BATMAN.
BATMAN.

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♪ THAT IS WHAT YOU WANT.
DOES HE EVER PUNCH ANYONE AND IT

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00:11:59,344 --> 00:12:03,413
GOES K AP OW.
>> NO BUT AT ONE POINT HE YELLS

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00:12:03,448 --> 00:12:05,758
YOU'RE NOT MY REAL DAD AT
ALFRED.

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>> SO EMO.
>> GET OUT OF MY ROOM.

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>> DOES HE REALLY, YOU'RE NOT MY
REAL DAD.

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>> YEAH.
>> James: LIKE TRYING TO GET,

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00:12:13,206 --> 00:12:18,827
LIKE AN OSCAR MOVIE.
>> YEAH, ESPECIALLY.

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00:12:18,862 --> 00:12:23,172
>> LIKE HE DOESN'T STOMP UP A
STAIRCASE BUT HE DOES.

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00:12:23,206 --> 00:12:24,586
>> YEAH.
>> James: DON'T THINK CAN I DO

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00:12:24,620 --> 00:12:25,862
IT.
>> YEAH.

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00:12:25,896 --> 00:12:29,724
IT'S GOOD, I KNOW EVERYTHING WE
SAID MAKES IT SEEM LIKE IT'S

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00:12:29,758 --> 00:12:30,620
NOT.
BUT.

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>> ST JRS I WILL WATCH IT ON A
PLANE.

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00:12:36,137 --> 00:12:40,413
>> YEAH.
>> James: AND FINALLY HERE

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00:12:40,448 --> 00:12:41,931
SOME
HISTORIC NEWS FROM MY HOMELAND.

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00:12:41,965 --> 00:12:44,517
QUEEN ELIZABETH WILL NO LONGER
BE RESIDING IN BUCKINGHAM

200
00:12:44,551 --> 00:12:47,931
PALACE.
THAT'S RIGHT, THE QUEEN HAS

201
00:12:47,965 --> 00:12:51,931
OFFICIALLY MOVED TO WINDSOR
CASTLE MAKING THE CASTLE HER

202
00:12:51,965 --> 00:12:53,896
PERMANENT HOME AND RESIDENCE.
IT'S THE AGE-OLD QUESTION WE'VE

203
00:12:53,931 --> 00:12:59,896
ALL DEBATED.
"DO I LIVE IN MY PALACE OR

204
00:12:59,931 --> 00:13:05,620
MY CASTLE?
NOW I DON'T LIKE HELPING ANYBODY

205
00:13:05,655 --> 00:13:09,172
MOVE BUT IT WOULD BE COOL TO
SPLIT A PIZZA WITH THE QUEEN,

206
00:13:09,206 --> 00:13:12,482
LIKE ON THE FLOOR OF AN UNPACKED
BALLROOM, YOU KNOW.

207
00:13:12,517 --> 00:13:16,034
I'M TOD THE MOVE WENT SMOOTHLY,
WE HAVE A PICTURE OF THE QUEEN'S

208
00:13:16,068 --> 00:13:19,827
MOVIE TRUCK RIGHT HERE.
AND THASES A THE NEWS.

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00:13:19,862 --> 00:13:21,586
WE'LL BE RIGHT BACK, EVERYBODY.

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00:13:38,413 --> 00:13:40,034
>> James: WELCOME BACK.
>> James: LET'S MEET OUR GUESTS

211
00:13:40,068 --> 00:13:41,931
TONIGHT!
HE STARS IN "ATLANTA,"

212
00:13:41,965 --> 00:13:45,551
LAKEITH STANFIELD!
>> Reggie: IT'S LAKEITH

213
00:13:45,586 --> 00:13:52,068
STANFIELD.
HE'S THE LEAD SINGER FOR

214
00:13:52,103 --> 00:14:07,103
"ONE REPUBLIC," RYAN TEDDER!
RRS IT'S RYAN TEDDER.

215
00:14:07,103 --> 00:14:11,172
"ONE REPUBLIC," RYAN TEDDER!
RRS IT'S RYAN TEDDER.

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00:14:11,206 --> 00:14:13,241
>> James: NICE TO SEE YOU
HERE.

217
00:14:13,275 --> 00:14:22,000
TANKS FOR COMING TO SEE US.
HOW ARE WE DOING?

218
00:14:22,034 --> 00:14:25,448
IN HE IS.
LOOK AT THAT.

219
00:14:25,482 --> 00:14:26,862
>> SURPRISE.
>> James: I HONESTLY THOUGHT

220
00:14:26,896 --> 00:14:29,172
YOU WERE GOING TO GO THE WHOLE
SHOW.

221
00:14:29,206 --> 00:14:33,551
AND I WAS LIKE.
>> OH, DAMN, I 14UD HAVE KEPT IT

222
00:14:33,586 --> 00:14:35,172
ON.3
>> James: NO, IT IS ALL UP TO

223
00:14:35,206 --> 00:14:36,827
YOU.
HOW ARE YOU DOING, SO THRILLED,

224
00:14:36,862 --> 00:14:40,965
BOTH HERE FOR THE FIRST TIME,
NOW LAKEITH, I DON'T KNOW IF YOU

225
00:14:41,000 --> 00:14:44,620
KNOW THIS, YOUR NAME WAS
TRENDING THE OTHER DAY FROM THIS

226
00:14:44,655 --> 00:14:48,379
PHOTO, FROM REPLICA MAN, THE
MAGAZINE POSTED ONLINE, LOTS OF

227
00:14:48,413 --> 00:14:53,206
PEOPLE-- I LOVE IT.
HOW DID WE LAND ON THIS LOOK.

228
00:14:53,241 --> 00:14:59,034
WHAT DID YOU THINK OF THE AMOUNT
OF ATTENTION THAT IT GRABBED?

229
00:14:59,068 --> 00:15:04,896
>> WELL, I HAD A-- I NEVER LIKE
TO WEAR SHORTS, SO I DECIDED IN

230
00:15:04,931 --> 00:15:07,000
THAT PHOTO SHOOT I WOULD
CHALLENGE THAT INSECURITY AND DO

231
00:15:07,034 --> 00:15:09,448
SOMETHING DIFFERENT THAT MADE ME
FEEL UNCOMFORTABLE BUT THAT

232
00:15:09,482 --> 00:15:11,344
WOULD BE REWARDING AT THE SAME
TIME.

233
00:15:11,379 --> 00:15:14,724
SO I THREW ON THE SHORTS,
THROUGH ON THE SOCKS AND I WAS

234
00:15:14,758 --> 00:15:17,482
ACTUALLY LOOKING AT SOMETHING ON
THE WALL AND THE GUY SNAPPED THE

235
00:15:17,517 --> 00:15:19,758
PHOTO AND I ALWAYS SIT LIKE, I
LIKE TO BE COMFORTABLE SO I SIT

236
00:15:19,793 --> 00:15:23,137
LIKE THIS.
AND BOOM, THERE IT GOES, LIKE A

237
00:15:23,172 --> 00:15:29,275
LITTLE HAPPY ACCIDENTED.
>> James: THESE ARE GOOD LEGS.

238
00:15:29,310 --> 00:15:31,344
>> THANK YOU.
>> I CAN CONFIRM THAT, THOSE ARE

239
00:15:31,379 --> 00:15:34,482
GOOD LEGS.
>> James: RYAN, HAVE YOU GOT

240
00:15:34,517 --> 00:15:38,689
THE LEGS TO PULL THIS OFF?
>> I LIKE SITTING LIKE THAT TOO,

241
00:15:38,724 --> 00:15:43,689
LET ME SEE.
>> James: YEAH, I THINK YOU

242
00:15:43,724 --> 00:15:44,482
DO.
>> SOCCER LEGS.

243
00:15:44,517 --> 00:15:46,344
>> James: I THINK YOU DO.
>> YEAH.

244
00:15:46,379 --> 00:15:49,793
>> James: I ACTUALLY THINK I'M
AT MY BEST FROM THE KNEE DOWN.

245
00:15:49,827 --> 00:15:53,241
>> YOU HAVE AMAZING CALFS.
>> James: FROM THE KNEE DOWN.

246
00:15:53,275 --> 00:15:56,586
>> LEG CHALLENGE, EVERYBODY GET
OUT THERE, PUT YOUR LEGS OUT

247
00:15:56,620 --> 00:15:57,827
THERE.
OR DO SOMETHING THAT YOU ARE

248
00:15:57,862 --> 00:16:00,862
AFRAID TO DO BUT NOW YOU ARE NOT
AFRAID TO DO IT NO MORE.

249
00:16:00,896 --> 00:16:04,862
>> James: THAT'S IT, THAT IS
VERY, VERY GOOD ADVICE FOR

250
00:16:04,896 --> 00:16:06,724
EVERYBODY.
NOW RYAN, OF COURSE MOST PEOPLE

251
00:16:06,758 --> 00:16:10,448
KNOW YOU AS A SINGER-SONGWRITER
BUT YOU STARTED OUT, FIRST OF

252
00:16:10,482 --> 00:16:14,068
ALL WHEN YOU WERE AT SCHOOL, DID
YOU DO LOTS OF MUSICAL THEATER.

253
00:16:14,103 --> 00:16:15,068
>> YES.
>> James: WHAT SORT OF SHOWS

254
00:16:15,103 --> 00:16:19,724
DID YOU DO.
>> OKLAHOMA, FUNNY ENOUGH, SOME

255
00:16:19,758 --> 00:16:21,275
LIKE IT HOT.
>> James: OH YEAH.

256
00:16:21,310 --> 00:16:25,206
>> I WAS ACTUALLY IN THE MID
LATE '90S, CENTRAL OKLAHOMA OUT

257
00:16:25,241 --> 00:16:27,931
IN THE COUNTRY.
I WAS IN FULL DRAG WHICH WAS

258
00:16:27,965 --> 00:16:31,620
REALLY POPULAR AT THE TIME.
SO YEAH, THAT WAS, FROM THE

259
00:16:31,655 --> 00:16:33,793
FOOTBALL FIELD STRAIGHT TO
REHEARSAL AND BACK.

260
00:16:33,827 --> 00:16:36,965
I WAS BASICALLY THAT GUY FROM
GLEE.

261
00:16:37,000 --> 00:16:41,655
LITERALLY GLEE CAME OUT AND IT
WAS FIN, THE NAME OF THE

262
00:16:41,689 --> 00:16:44,655
CHARACTER, LITERALLY I WOULD
SNEAK FROM FOOTBALL PRACTICE AND

263
00:16:44,689 --> 00:16:48,793
BASKETBALL INTO THE THEATER,
THROW ON THE DRESS, DO THE GIG

264
00:16:48,827 --> 00:16:50,241
AND THEN YEAH, THE REST IS
HISTORY.

265
00:16:50,275 --> 00:16:53,275
>> James: I LOVE THAT, MY
SCHOOL WAS THE SAME EXCEPT FOR

266
00:16:53,310 --> 00:16:56,896
THE FOOTBALL PRACTICE.
I DIDN'T TAKE PART IN THAT YOU

267
00:16:56,931 --> 00:17:00,448
RECENTLY WENT HOME, BACK TO
VICTDERVILLE AND YOU SPOKE TO

268
00:17:00,482 --> 00:17:02,724
YOUR HIGH SCHOOL DRAMA TEACHER
AND THE STUDENTS.

269
00:17:02,758 --> 00:17:08,792
WHAT WAS THAT LIKE FOR YOU, MUST
HAVE BEEN QUITE AN AMAZING

270
00:17:08,827 --> 00:17:11,137
MOMENT.
>> IS THAT GOOSE, IT IS HOT,

271
00:17:11,172 --> 00:17:14,275
YOUR WHOLE SUIT IS AWESOME.
>> James: YEAH, MAN.

272
00:17:14,310 --> 00:17:18,550
>> I WENT BACK HOME AND IT WAS A
BEAUTIFUL THING, IT WAS WEIRD

273
00:17:18,586 --> 00:17:23,034
BECAUSE I GOT SOME SUCCESS AND I
COME BACK IN THE NICE CAR, HAD A

274
00:17:23,068 --> 00:17:27,000
LAMBORGHINI, I PULLED BACK UP
HOME AND IT WAS A STARK CONTRAST

275
00:17:27,034 --> 00:17:30,827
OF WHERE I CAME FROM TO WHERE I
PLAYED IT TO, WAS ASTOUNDING TO

276
00:17:30,862 --> 00:17:33,551
ME AND A BEAUTIFUL POETIC
METAPHOR FOR HOW FAR HI COME.

277
00:17:33,586 --> 00:17:35,965
IT WAS DIFFICULT TO GET OUTSIDE
OF MY HOMETOWN.

278
00:17:36,000 --> 00:17:39,034
I NEVER THOUGHT I WAS GOING TO
GO OUTSIDE LET A ENLO SEE THE

279
00:17:39,068 --> 00:17:41,206
WORLD.
SO IT WAS A BEAUTIFUL THING TO

280
00:17:41,241 --> 00:17:42,965
BRING BACK A GIFT TO WHICH LIVE
FROM.

281
00:17:43,000 --> 00:17:46,172
AND NOT ONLY THE GIFT OF YOU CAN
DO THIS AND YOU REQUEST MAKE IT

282
00:17:46,206 --> 00:17:48,793
OUT, BUT ALSO I COULD TALK TO
THE PEOPLE AND DIRECTLY TELL

283
00:17:48,827 --> 00:17:51,793
THEM DON'T THINK YOU CAN'T DO
SOMETHING.

284
00:17:51,827 --> 00:17:54,689
CUZ YOU CAN BECAUSE I WAS
EXACTLY WHERE YOU ARE.

285
00:17:54,724 --> 00:17:58,413
SO GOING BACK TO MY DRAMA
TEACHER, SHE WAS ONE OF THE ONLY

286
00:17:58,448 --> 00:18:02,793
TEACHERS I REALLY LIKED.
I HAD A HARD TIME FOLLOWING

287
00:18:02,827 --> 00:18:04,655
INSTRUCTION.
>> SAME, SAME, THAT WAS THE ONE

288
00:18:04,689 --> 00:18:08,793
WHO GOT ME LITERALLY, SHE IS WHY
I AM HERE TODAY, SORRY TO CUT

289
00:18:08,827 --> 00:18:10,931
YOU OFF.
>> SO I GOT TO SIT DOWN WITH

290
00:18:10,965 --> 00:18:14,793
HER, SHE INTRODUCED ME TO ALL
HER STUDENTS AND IT WAS COOL TO

291
00:18:14,827 --> 00:18:17,310
TALK TO THEM, AND BASICALLY SAID
KEEP GOING.

292
00:18:17,344 --> 00:18:20,758
SO IT WAS FUN.
>> James: IT IS AN AMAZING

293
00:18:20,793 --> 00:18:23,931
THING WHEN YOU GO BACK TO SCHOOL
OR HOME, ARE YOU SUDDENLY AWARE

294
00:18:23,965 --> 00:18:26,344
OF THE ROAD THAT YOU TRAVELED
WHICH WHEN ARE YOU TRAVELING THE

295
00:18:26,379 --> 00:18:29,689
WHOLE TIME, YOU DON'T EXPERIENCE
THAT, I MEAN NOW RYAN YOU HAVE

296
00:18:29,724 --> 00:18:32,413
WRITTEN SONGS, SOME OF THE
BIGGEST ARTISTS IN THE WORLD.

297
00:18:32,448 --> 00:18:36,000
WHEN ARE YOU GOING TO A STUDIO
AND WITH SOME OF THESE, LIKE

298
00:18:36,034 --> 00:18:39,517
WHEN ADELE AND PEOPLE LIKE THAT
COME IN, WHAT DO YOU DO, DAY ONE

299
00:18:39,551 --> 00:18:41,620
TO SET THE SCENE BEFORE YOU
STAFORT D WRITING A SONG, WHAT

300
00:18:41,655 --> 00:18:46,517
DO YOU DO?
>> SMELL IS IMPORTANT, AS THE

301
00:18:46,551 --> 00:18:53,000
SAGE THAT WAS UNBEING BACKSTAGE,
SAGE IS IMPORTANT, ALL LIGHT,

302
00:18:53,034 --> 00:18:55,034
LIGHT CANDLES.
I SHOW UP 30 MINUTES BEFORE THE

303
00:18:55,068 --> 00:18:57,965
SESSION AND LET'S RALLY JUST
THINK ABOUT THAT ARTIST, WHAT DO

304
00:18:58,000 --> 00:19:01,344
I WANT TO HEAR THEM SAY, WHAT
HAVE THEY NOT SAID, ARE THEY IN

305
00:19:01,379 --> 00:19:03,586
A RELATIONSHIP.
ONCE THEY SHOW UP, THE FIRST

306
00:19:03,620 --> 00:19:06,310
HOUR OF EVERY WRITING SESSION IS
THE MOST IMPORTANT BECAUSE THE

307
00:19:06,344 --> 00:19:09,034
ARTIST TELLS YOU WHAT YOU ARE
GOING TO WRITE ABOUT, THEY DON'T

308
00:19:09,068 --> 00:19:13,000
KNOW THEY ARE TELLING YOU BUT IF
YOU ARE LIKE ADELE OR MILEY, YOU

309
00:19:13,034 --> 00:19:15,793
BURST THROUGH THE DOOR AND ARE
SPILLING YOUR GUTS.

310
00:19:15,827 --> 00:19:18,793
IM SITTING HERE LISTENING, THAT
IS THE PHRASE, THAT IS WHAT WE

311
00:19:18,827 --> 00:19:23,068
ARE GOING TO WRITE TODAY.
SONG WRITING IS 50% THERAPY AND

312
00:19:23,103 --> 00:19:27,000
BECOME EMPATHETIC AND LISTENING
AND THE REST IS LIKE TALENT AND

313
00:19:27,034 --> 00:19:30,103
ACTIVATION AND ALL THE OTHER
THINGS.

314
00:19:30,137 --> 00:19:34,862
>> LAKEITH, ATLANTA IS BACK, THE
THIRD SEASON.

315
00:19:34,896 --> 00:19:39,275
I CAN'T WAIT TO SEE IT.
WHAT ARE SOME OF THE PLACES,

316
00:19:39,310 --> 00:19:42,034
SOME OF THE PLACES YOU SHOT THE
SHOW WHAT WERE YOUR FAVORITE

317
00:19:42,068 --> 00:19:44,758
PLACES AND WHAT CAN WE EXPECT IN
THIS NEW SEASON.

318
00:19:44,793 --> 00:19:48,965
>> WE SHOT IN PARIS, AMSTERDAM,
LONDON.

319
00:19:49,000 --> 00:19:55,793
ONE OF THE BEST PLACES FOR ME
WAS AMSTERDAM, I LOVE BEING OUT

320
00:19:55,827 --> 00:19:58,241
THERE, EXPERIENCE, EXPERIMENTING
WITH THE EXPERIENCE IN

321
00:19:58,275 --> 00:20:00,206
CONSCIOUSNESS AND SEEING WHERE
YOU CAN GO, EXPERIMENT WITH

322
00:20:00,241 --> 00:20:03,448
THINGS THERE, IT IS MUCH MORE
LIBERALLY ACCEPTED IN CERTAIN

323
00:20:03,482 --> 00:20:06,862
PARTS SO I LOVE THAT PART.
AN WE SHOT IN THE RED LIGHT

324
00:20:06,896 --> 00:20:09,275
DISTRICT WHICH WAS REALLY
INTERESTING BECAUSE THERE WERE

325
00:20:09,310 --> 00:20:12,862
PEOPLE WHO, GET THIS, LIVE
THERE, PEOPLE LIVE THERE.

326
00:20:12,896 --> 00:20:14,586
>> James: YEAH, ARE YOU IN
SOHO.

327
00:20:14,620 --> 00:20:17,275
>> I DIDN'T KNOW PEOPLE LIVED
THERE AND THERE WAS THERE GUY

328
00:20:17,310 --> 00:20:20,758
LIVED BOFD WHERE WE WERE
SHOOTING AND WAS KIND OF

329
00:20:20,793 --> 00:20:23,862
HARASSING US THE WHOLE TIME.
HE WAS TRYING TO GET IN WITH THE

330
00:20:23,896 --> 00:20:27,241
RED LIGHT STUFF, AND WE WERE
LIKE NO, WE'RE FILMING.

331
00:20:27,275 --> 00:20:30,413
OH, OKAY, BUT I STILL WANT TO
GET IN, NO, YOU CAN'T GET IN.

332
00:20:30,448 --> 00:20:34,655
>> James: YOU AND DONALD
TRUMP, DID YOU CLICK STRAIGHT

333
00:20:34,689 --> 00:20:38,034
AWAY, HOW DID YOU MEET.
>> YEAH, IT WAS A TRIP BECAUSE

334
00:20:38,068 --> 00:20:42,172
WE MET A LITTLE HOLLYWOOD GET
TOGETHER WHERE YOU GO TO NETWORK

335
00:20:42,206 --> 00:20:46,103
AND ALL THE UPCOMING ACTORS AND
ACT RESES AND DIRECTORS

336
00:20:46,137 --> 00:20:49,241
CONGREGATE AND I WAS JUST
DANCING BY MYSELF, BECAUSE I

337
00:20:49,275 --> 00:20:53,241
DON'T REALLY LOOK AT OTHER
PEOPLE FROM OUT FRONT, DO I, SO

338
00:20:53,275 --> 00:20:56,551
I JUMPED ON THE STAGE, STARTED
DANCING AND THEN I LOOKED UP AND

339
00:20:56,586 --> 00:20:59,758
HE WAS LIKE I THINK YOU ARE
PERFECT FOR THIS ROLE.

340
00:20:59,793 --> 00:21:02,689
>> James: JUST THAT, JUST ON A
DANCE ROUTINE.

341
00:21:02,724 --> 00:21:05,310
>> YEAH, BECAUSE I THINK HE
UNDERSTOOD DARIUS WOULD NEED

342
00:21:05,344 --> 00:21:08,172
CERTAIN LAYERS THAT I WAS
EXPRESSING AT THE TIME.

343
00:21:08,206 --> 00:21:11,275
>> James: I LOVE THAT I CAN
NOT WAIT FOR THE SHOW, THE THIRD

344
00:21:11,310 --> 00:21:15,413
SEASON OF ATLANTA PREMIERS
SUNDAY MARCH 24th.

345
00:21:15,448 --> 00:21:19,137
OF FX AND THE FEKS DAY ON HULU.
STICK AROUND, WE'LL BE RIGHT

346
00:21:19,172 --> 00:21:20,000
BACK, EVERYBODY.

347
00:21:38,758 --> 00:21:39,689
>> James: WELCOME BACK.

348
00:21:39,724 --> 00:21:42,137
WE'RE HERE WITH
LAKEITH STANFIELD AND RYAN

349
00:21:42,172 --> 00:21:45,379
TEDDER, WE LOVE ONE REPUBLIC
WEST COAST, THE SONG TOOK YOU

350
00:21:45,413 --> 00:21:47,413
FIVE YEARS TO FINISH.
>> YEAH.

351
00:21:47,448 --> 00:21:55,793
>> James: WHICH HAVING NEVER
WRITTEN A SONG I DON'T KNOW BUT

352
00:21:55,827 --> 00:21:59,689
IT DOES FEEL LIKE A LONG TIME TO
WRITE A SONG, IS THAT TYPICAL,

353
00:21:59,724 --> 00:22:01,620
WHY FIVE YEARS.
>> IT'S NOT TYPICAL.

354
00:22:01,655 --> 00:22:04,793
WHAT HAPPENED IS I HAD THE
CHORUS FIVE YEARS AGO AND I

355
00:22:04,827 --> 00:22:08,344
DIDN'T HAVE THE VERSE TO IT,
WHICH HAPPENS A LOT OF TIMES.

356
00:22:08,379 --> 00:22:12,620
I APOLOGIZE, HI THE CHORUS IN
TEN SECONDS AND THE VERSE TOOK

357
00:22:12,655 --> 00:22:15,931
SIX MONTHS BUT WITH WEST COAST,
I HAD IT, WE PLAYED IT, SOME

358
00:22:15,965 --> 00:22:20,620
PEOPLE, THE RECORD LABEL, AND
SOMEBODY WAS LIKE THIS SONG IS

359
00:22:20,655 --> 00:22:24,862
INCREDIBLE BUT I DON'T THINK I
SOUNDS LIKE YOU GUYS. AND I GOT

360
00:22:24,896 --> 00:22:27,655
SUPERINSECURE BECAUSE THAT ONE
PERSON SAID THAT ONE THING, AND

361
00:22:27,689 --> 00:22:42,620
I SHELFED IT AND WAS LIKE I'M
NOT GOING TO RETURN TO THIS FOR

362
00:22:42,620 --> 00:22:46,275
I SHELFED IT AND WAS LIKE I'M
NOT GOING TO RETURN TO THIS FOR

363
00:22:46,310 --> 00:22:51,413
AWHILE.

364
00:22:51,448 --> 00:22:52,724
AND EVENTUALLY IT CIRCLED BACK
AROUND AND POPPED UP JUST ON A

365
00:22:52,758 --> 00:22:53,965
DEMO REAL AND I LISTENED TO THE
CHORUS AND I WAS LIKE THIS MIGHT

366
00:22:54,000 --> 00:22:55,034
BE MY FAVORITE THING WE HAVE
DONE IN FIVE YEARS, I WILL

367
00:22:55,068 --> 00:22:56,344
FINISH IT.
>> James: AND THEN YOU ARE

368
00:22:56,379 --> 00:22:57,482
GOING TO GO OUT BE THE ROAD, THE
NEVER ENDING SUMMER TOUR, WHAT

369
00:22:57,517 --> 00:22:58,448
ARE SOME OF YOUR MUST-HAVES WHEN
YOU ARE ON THE TOUR?

370
00:22:58,482 --> 00:22:59,551
WHAT ARE THE HOME COMFORTS THAT
YOU NEED?

371
00:22:59,586 --> 00:23:00,413
>> CANNED E8D-- CANDLES, SOLID
WI-FI AND I TRAVEL WITH-- HE

372
00:23:00,448 --> 00:23:02,413
KNOWS.
I TRAVEL WITH A 1963 AIR STREAM

373
00:23:02,448 --> 00:23:04,379
THAT I TURNED INTO A RECORDING
STUDIO.

374
00:23:04,413 --> 00:23:05,827
>> James: THE ONE OUTSIDE THE
HOUSE.

375
00:23:05,862 --> 00:23:09,448
YOU TAKE THAT ON THE TOUR.
>> I TAKE THAT ON TOUR, SO I DID

376
00:23:09,482 --> 00:23:13,344
SPEAKING OF ADELE, ADELE,
U2-RBGS WORKED ON ED SHEERAN

377
00:23:13,379 --> 00:23:15,379
STUFF IN THERE, ONE REPUBLIC
STUFF IN THERE.

378
00:23:15,413 --> 00:23:18,172
SO BE O THE ROAD I GO CRAZY, I
HATE VENUES.

379
00:23:18,206 --> 00:23:22,551
I HATE SITTING IN ARENAS OR
SHEDS OR THEATERS, THEY STRESS

380
00:23:22,586 --> 00:23:28,068
ME OUT, I GET CRAZY ANXIETY SO I
HAVE TO HAVE A PLACE TO GO, AND

381
00:23:28,103 --> 00:23:34,793
WORK AND STAY BUSY, WHEN I WAS A
KID MY SOME SAID A IDLE MINE STD

382
00:23:34,827 --> 00:23:39,448
DEVIL'S WORKSHOP, SO I WORKED ON
SONGS THROUGHOUT TOURS TO KEEP

383
00:23:39,482 --> 00:23:42,275
MY SANITY.
>> THAT WOULD BE PRINTING BIT

384
00:23:42,310 --> 00:23:45,137
COYNE, AS YOU KNOW.
>> LAKEITH ONE OF 9 GREAT THINGS

385
00:23:45,172 --> 00:23:49,689
ABOUT BEING AN ACTOR, YOU GET TO
GO IN DIFFERENT ENVIRONMENTS AND

386
00:23:49,724 --> 00:23:52,827
LEARN NEW SKILLS AND YOU HAD TO
LEARN TO RIDE A HORSE FOR THE

387
00:23:52,862 --> 00:23:55,034
HARDER THEY FALL.
YOU SAID IT WAS A LIFE CHANGING

388
00:23:55,068 --> 00:23:56,758
EXPERIENCE FOR YOU, WHY, IN WHAT
WAY.

389
00:23:56,793 --> 00:24:00,344
>> THE HORSE IS A BEAUTIFUL,
MAGICAL CREATURES THAT REQUIRE

390
00:24:00,379 --> 00:24:05,034
YOU TO STEP UP TO THE PLATE AND
MEET THEM HALFWAY.

391
00:24:05,068 --> 00:24:08,310
AND I WENT IN A STATE OF MIND AT
THE TIME GOING IN WHERE I NEEDED

392
00:24:08,344 --> 00:24:10,068
THAT EXTRA PUSH.
I DIDN'T KNOW WHERE I WAS GO FOG

393
00:24:10,103 --> 00:24:13,965
GET IT AND I JUMPED UP ON THE
HORSE AND I HAD RESERVATIONS AND

394
00:24:14,000 --> 00:24:17,689
THE HORSE HAD RESERVATIONS AND
IT BUCKED ME OFF. AND I FELL

395
00:24:17,724 --> 00:24:21,275
DOWN AND THEY WERE LIKE YOU
DON'T HAVE TO GET BACK ON, I WAS

396
00:24:21,310 --> 00:24:23,758
LIKE WHAT DO YOU MEAN, OF COURSE
I'M GETTING ON.

397
00:24:23,793 --> 00:24:25,965
I REALIZE HAVE I TO TAKE
CONTROL.

398
00:24:26,000 --> 00:24:28,586
I'M SO CONNECTED TO THE BEING I
DON'T WANT TO TAKE CONTROL TOO

399
00:24:28,620 --> 00:24:31,551
MUCH BECAUSE I DON'T WANT TO
HURT IT BUT HAVE I TO DO IT THE

400
00:24:31,586 --> 00:24:35,620
RIGHT WAY, I DO THAT, AND BEFORE
YOU KNOW T WITHIN A COUPLE OF

401
00:24:35,655 --> 00:24:38,344
WEEKS I'M ACTUALLY RIDING A
HORSE AND IT FEELS LIKE I'M

402
00:24:38,379 --> 00:24:40,862
FLYING AND CRYING BECAUSE IT IS
SO AMAZING.

403
00:24:40,896 --> 00:24:44,827
AND I LOVE HORSES.
>> James: I LOVE THAT.

404
00:24:44,862 --> 00:24:47,724
REGGIE, DO YOU HAVE A QUESTION
FOR OUR GUESTS THIS EVENING?

405
00:24:47,758 --> 00:24:54,310
>> YES, I DO.
TONIGHT'S QUESTION GOES TO OUR

406
00:24:54,344 --> 00:24:58,482
GUEST THIS EVENING.
ALSO IF YOU WERE CONFRONTEDDED

407
00:24:58,517 --> 00:25:03,103
WITH A FORCE OF THE DARKNESS,
AND THE FORCE OF THE LIGHTEDNESS

408
00:25:03,137 --> 00:25:10,896
AND THE FORCE OF THE GRAYNESS,
WHAT WOULD YOU SAY TO ALL OF

409
00:25:10,931 --> 00:25:20,896
THEM AS THEY APPROACH?
>> BE HONEST, WHAT ARE YOU

410
00:25:20,931 --> 00:25:22,586
WATCHING ON NETFLIX AT THIS
MOMENT.

411
00:25:22,620 --> 00:25:28,689
>> James: OKAY, LA KEETD.
>> I WOULD SAY HELLO, OLD

412
00:25:28,724 --> 00:25:31,310
FRIEND.
>> Reggie: 110 PERCENTLY

413
00:25:31,344 --> 00:25:32,689
CORRECT.
>> James: IT'S ABSOLUTELY

414
00:25:32,724 --> 00:25:36,034
CORRECT.
PLEASE THANK LAKEITH STANFIELD,

415
00:25:36,068 --> 00:25:38,551
RYAN TEDDER, STICK AROUND, ONE
REPUBLIC ARE PLAYING RIGHT AFTER

416
00:25:38,586 --> 00:25:38,827
THIS.

417
00:25:54,137 --> 00:25:55,793
>> James: WELCOME BACK.
NOW TOMORROW

418
00:25:55,827 --> 00:25:58,137
TOMORROW APPLE WILL HOLD THEIR
PEEK PERFORMANCE EVENT WHERE

419
00:25:58,172 --> 00:26:03,310
THEY ARE EXPECTED TO ANNOUNCE
THE HIGHLY ANTICIPATED APPLE

420
00:26:03,344 --> 00:26:09,931
WATCH SERIES 8 WITH A TON OF NEW
ADVANCEMENTS.

421
00:26:09,965 --> 00:26:16,517
SINCE TIM COOK OR AS I CALL HIM
TIM APPLE AND I ARE

422
00:26:16,551 --> 00:26:22,862
BROS FOR LIFE, HE SENT ME AN
ADVANCED COPY OF THE WATCH,

423
00:26:22,896 --> 00:26:27,310
SOME OF THE NEW FEATURES, HE
SAID I WOULD LOVE IT IF YOU

424
00:26:27,344 --> 00:26:29,620
COULD JUST GIVE THE WATCH A
PUSH.

425
00:26:29,655 --> 00:26:36,724
AND I WAS LIKE TIM, SURE.
YOU'RE APPLE, WE'RE ON AT 12:37

426
00:26:36,758 --> 00:26:39,448
ON CBS, YOU HAVE COME TO THE
RIGHT PLACE, YOU WANT TO GET THE

427
00:26:39,482 --> 00:26:41,413
WORD OUT THERE.
SO I'M GOING TO SHARE SOME OF

428
00:26:41,448 --> 00:26:53,000
THE NEW FEATURES WITH YOU.
SO FIRST UP, YOU KNOW HOW

429
00:26:53,034 --> 00:26:56,310
SOMETIMES YOU LEAVE THE HOUSE
AND YOU HAVE FORGOTTEN YOUR

430
00:26:56,344 --> 00:27:05,034
KAZOO KAZOO, NO LONGER A
PROBLEM.

431
00:27:05,068 --> 00:27:11,379
YOU JUST SET IT TO KAZOO MODE
AND THEN YOU CAN JUST ANY TIME

432
00:27:11,413 --> 00:27:24,482
ARE YOU LIKE-- GOT MY KAZOO,
DOESN'T MATTER BECAUSE.

433
00:27:24,517 --> 00:27:39,448
♪ SNOATD.
♪

434
00:27:39,448 --> 00:27:45,034
♪ SNOATD.
♪

435
00:27:45,068 --> 00:27:49,206
[APPLAUSE]

436
00:27:49,241 --> 00:27:54,310
YOU DON'T HAVE TO PLAY IT AS
LONG AS THAT.

437
00:27:54,344 --> 00:27:59,034
[LAUGHTER]
BUT WHY WOULDN'T YOU, RIGHT?

438
00:27:59,068 --> 00:28:05,034
SO THIS NEXT ONE THEY HAVE ADDED
IS

439
00:28:05,068 --> 00:28:09,413
A NEW PAPARAZZI MODE WHICH
YOU KNOW SOMETIMES YOU WALK OUT

440
00:28:09,448 --> 00:28:13,448
OF A RESTAURANT, I WONDER WHAT
IF FEELS LIKE, SWARMED BY

441
00:28:13,482 --> 00:28:17,034
PAPARAZZI.
YOU CAN SET THE WATCH TO

442
00:28:17,068 --> 00:28:22,310
PAPARAZZI MODE.

443
00:28:22,310 --> 00:28:31,965
PAPARAZZI MODE.

444
00:28:43,000 --> 00:28:46,172
[LAUGHTER]
SO YOU SET IT TO PAPARAZZI MODE.

445
00:28:46,206 --> 00:28:49,482
AND THEN YOU WILL BE LEAVING A
RESTAURANT OR SOMETHING AND OH,

446
00:28:49,517 --> 00:28:52,448
I WANT TO FEEL LIKE THERE IS
PAPARAZZI, YOU CAN WALK OUT AND

447
00:28:52,482 --> 00:29:07,275
BE LIKE OH MY GOD, STOP, NO.
OKAY.

448
00:29:07,310 --> 00:29:10,862
I HAVE A FEELING THIS NEXT ONE
WILL SOON BE A NEW DANCE TREND

449
00:29:10,896 --> 00:29:17,034
ON TIKTOK BECAUSE APPLE HAS
ADDED A BRAND NEW MODE, THIS IS

450
00:29:17,068 --> 00:29:25,034
CHARLESTON MODE.
I HAVE TO GO BACK TO C NOW.

451
00:29:25,068 --> 00:29:35,655
[LAUGHTER]
SHOULD HAVE DONE IT IN

452
00:29:35,689 --> 00:29:39,448
ALPHABETICALLY.
[LAUGHTER]

453
00:29:39,482 --> 00:29:45,655
PROBABLY SHOULD HAVE GONE
FORWARD.

454
00:29:45,689 --> 00:29:49,793
YOU SET IT TO CHARLESTON MODE,
OH, MISSED IT.

455
00:29:49,827 --> 00:29:51,517
THERE.
SET IT TO CHARLESTON MODES AND

456
00:29:51,551 --> 00:29:57,000
THEN ANY TIME DO YOU A
CHARLESTON IT WILL JUST-- .

457
00:29:57,034 --> 00:30:10,551
♪ SNROAT AND WHAT IS AMAZING IS
YOU CAN CHANGE THE TEMPO OF THE

458
00:30:10,586 --> 00:30:15,103
CHARLESTON SO IF YOU PUT IT TO
TEMPO CHANGE, YOU CAN-- THE

459
00:30:15,137 --> 00:30:24,000
FASTER YOU MOVE YOUR HANDS, THE
FASTER THE BAND-- THE WATCH WILL

460
00:30:24,034 --> 00:30:26,793
GO.
[LAUGHTER]

461
00:30:26,827 --> 00:30:32,965
RIGHT.
SO YOU CAN START WITH THE

462
00:30:33,000 --> 00:30:36,827
NORMAL.
THAT'S TOO FAST.

463
00:30:36,862 --> 00:30:51,793
THAT, THAT IS TOO FAST.
SILLY WATCH.

464
00:30:51,793 --> 00:30:57,241
THAT, THAT IS TOO FAST.
SILLY WATCH.

465
00:30:57,275 --> 00:30:59,620
NOW THEY'VE ADDED THIS ONE AND
THIS IS GREAT.

466
00:30:59,655 --> 00:31:04,724
THIS IS A GREAT NEW FEATURE,
ANYONE WHO HAS EVER DREAMT OF

467
00:31:04,758 --> 00:31:09,000
HOTING SNL, SEAT NIGHT LIVE,
THEY HAVE CREATED THE SNL END

468
00:31:09,034 --> 00:31:12,448
CREDIT MODE.
YOU KNOW THE BIT AT THE END WHEN

469
00:31:12,482 --> 00:31:16,206
THEY SPEAK AND THEY DO THE
CLAPPING THING AND THE PEOPLE

470
00:31:16,241 --> 00:31:17,758
MILL AROUND, DO YOU KNOW WHAT I
MEAN.

471
00:31:17,793 --> 00:31:22,689
SO ALL YOU HAVE TO DO IS YOU SET
IT TO SNL MODE AND THEN YOU JUST

472
00:31:22,724 --> 00:31:28,896
GO, MY THANKS TO LADY GAGA, AND
THIS INCREDIBLE CAST, LORNE,

473
00:31:28,931 --> 00:31:34,862
GOOD NIGHT, EVERYBODY.
AND SO WHAT IS AMAZING IS YOU

474
00:31:34,862 --> 00:31:43,827
GOOD NIGHT, EVERYBODY.
AND SO WHAT IS AMAZING IS YOU

475
00:31:56,689 --> 00:32:03,551
REQUEST SWITCH, YOU CAN DO
SWITCH MODE, THIS ALLOWS TO

476
00:32:03,586 --> 00:32:06,724
CYCLE THROUGH ALL OF THE NEW
MODES, YOU GO TO SWITCH MODE AND

477
00:32:06,758 --> 00:32:11,137
THEN ANY OF THOSE NEW MODES, YOU
CAN DO AT THE SAME TIME SO BE

478
00:32:11,172 --> 00:32:17,137
LIKE OH MY, STOP, STOP.
♪ I WANT TO SAY THANK YOU TO

479
00:32:17,137 --> 00:32:26,068
LIKE OH MY, STOP, STOP.
♪ I WANT TO SAY THANK YOU TO

480
00:32:41,965 --> 00:32:44,241
LORNE, AND THANK YOU SO MUCH FOR
WATCHING.

481
00:32:44,275 --> 00:32:48,448
WE'LL SEE YOU NEXT WEEK, ALL
RIGHT, THANK YOU.

482
00:32:48,482 --> 00:33:00,482
WE'LL BE BACK.
♪ I JUST WANT TO SAY.

483
00:33:00,517 --> 00:33:15,448
♪

484
00:33:15,448 --> 00:33:22,344
♪

485
00:33:22,379 --> 00:33:26,206
>> James: THANK YOU LORNE,
THANK YOU NBC, THANK YOU LADY GA

486
00:33:26,241 --> 00:33:31,137
GAVMENT SEE YOU NEXT WEEK,
EVERYBODY, GREAT SHOW, THANK

487
00:33:31,172 --> 00:33:46,103
YOU.
WE'LL BE RIGHT BACK WITH ONE

488
00:33:46,103 --> 00:33:46,620
YOU.
WE'LL BE RIGHT BACK WITH ONE

489
00:33:46,655 --> 00:33:47,689
REPUBLIC, EVERYBODY.

490
00:34:14,000 --> 00:34:21,137
>> James: HERE TO PERFORM THEIR
NEWEST SINGLE "WEST COAST,"

491
00:34:21,172 --> 00:34:22,137
♪ I'VE BEEN DREAMING
ABOUT THE WEST COAST

492
00:34:22,172 --> 00:34:26,103
[I'VE BEEN DREAMIN']
♪ FOUND SOME FACES

493
00:34:26,137 --> 00:34:29,931
THAT I DON'T KNOW
[I'VE BEEN DREAMIN' ABOUT IT]

494
00:34:29,965 --> 00:34:33,310
♪ I NEED THE SUN
FOR JUST A YEAR

495
00:34:33,344 --> 00:34:37,034
♪ I'LL KISS THE SKY
AND DISAPPEAR

496
00:34:37,068 --> 00:34:39,931
♪ I'VE BEEN
STARING UP AT

497
00:34:39,965 --> 00:34:43,206
♪ THE GREYEST SKIES
TRYING TO FIND MYSELF SOME LUCK

498
00:34:43,241 --> 00:34:44,965
♪ BUT IT'S RUNNIN' DRY
IT'S LIKE THE WEATHER MAKES

499
00:34:45,000 --> 00:34:46,827
♪ THE WORST OF
MY CLOUDY MIND

500
00:34:46,862 --> 00:34:52,310
♪ I COULD REALLY USE
A DOSE OF SOME PARADISE

501
00:34:52,344 --> 00:34:54,688
♪ SOMETIMES YOU GOTTA RUN FROM
A BROKEN HEART

502
00:34:54,724 --> 00:34:57,758
♪ BEFORE I TURN INTO
A GHOST NEED A BRAND NEW START

503
00:34:57,793 --> 00:34:59,517
♪ GET MYSELF
HEADED TO THE COAST,

504
00:34:59,551 --> 00:35:01,344
♪ MAN IT AIN'T
THAT FAR

505
00:35:01,379 --> 00:35:05,344
♪ YEAH, THEY GOT SUN IN LA AND
SOME SHINING STARS

506
00:35:05,379 --> 00:35:08,310
♪ I'VE BEEN DREAMING
ABOUT THE WEST COAST

507
00:35:08,344 --> 00:35:09,379
[I'VE BEEN DREAMIN']
♪ FOUND SOME FACES

508
00:35:09,413 --> 00:35:13,344
THAT I DON'T KNOW
[I'VE BEEN DREAMIN' ABOUT IT]

509
00:35:13,379 --> 00:35:17,344
♪ SEEIN' SIGNS FOR CALIFORNIA
TRADE THE SHADE

510
00:35:17,379 --> 00:35:21,137
♪ FOR SOMETHING WARMER
I'VE BEEN

511
00:35:21,172 --> 00:35:23,206
♪ DREAMING ABOUT THE WEST COAST
[I'VE BEEN DREAMIN']

512
00:35:23,241 --> 00:35:25,310
♪ WHERE THE PEOPLE TAKE IT
REAL SLOW

513
00:35:25,344 --> 00:35:28,862
[I'VE BEEN DREAMIN' ABOUT IT]
♪ I NEED THE SUN

514
00:35:28,896 --> 00:35:33,310
FOR JUST A YEAR
♪ I'LL KISS THE SKY

515
00:35:33,344 --> 00:35:37,310
AND DISAPPEAR
♪ AIN'T FELT A DROP NOW

516
00:35:37,344 --> 00:35:40,827
FOR FORTY DAYS
♪ BUT STILL THEY'RE WASHING CARS

517
00:35:40,862 --> 00:35:43,241
AND THEY DON'T SHOW ANY AGE
♪ AIN'T NOTHIN'

518
00:35:43,275 --> 00:35:44,965
THAT YOU WANT'LL COST YOU
♪ MORE THAN TIME

519
00:35:45,000 --> 00:35:46,827
IF YOU'RE TRYNA
♪ FIND YOURSELF,

520
00:35:46,862 --> 00:35:51,448
BETTER GET IN LINE
♪ I'M COUNTING UP

521
00:35:51,482 --> 00:35:52,724
MY MONEY AND SPENDING TO
♪ GET IT RIGHT

522
00:35:52,758 --> 00:35:54,344
GOT THE FUTURE
♪ IN MY POCKET,

523
00:35:54,379 --> 00:35:56,448
I'M SPENDIN' IT
♪ ALL TONIGHT

524
00:35:56,482 --> 00:35:58,827
LIKE A PROPHET
♪ WITH THE VISION,

525
00:35:58,862 --> 00:36:01,344
I FINALLY SEE THE LIGHT
♪ AND YOU KNOW

526
00:36:01,379 --> 00:36:06,172
I'VE BEEN DREAMIN'
♪ ABOUT THE WEST COAST

527
00:36:06,206 --> 00:36:07,586
[I'VE BEEN DREAMIN']
♪ FOUND SOME FACES

528
00:36:07,620 --> 00:36:10,896
THAT I DON'T KNOW
[I'VE BEEN DREAMIN' ABOUT IT]

529
00:36:10,931 --> 00:36:16,517
♪ SEEIN' SIGNS FOR CALIFORNIA
TRADE THE SHADE

530
00:36:16,551 --> 00:36:17,517
♪ FOR SOMETHING WARMER
I'VE BEEN DREAMING

531
00:36:17,551 --> 00:36:21,034
♪ ABOUT THE WEST COAST
[I'VE BEEN DREAMIN']

532
00:36:21,068 --> 00:36:24,724
♪ WHERE THE PEOPLE TAKE IT
REAL SLOW

533
00:36:24,758 --> 00:36:28,517
[I'VE BEEN DREAMIN' ABOUT IT]
♪ I NEED THE SUN FOR JUST A YEAR

534
00:36:28,551 --> 00:36:33,310
I'LL KISS THE SKY
♪ AND DISAPPEAR

535
00:36:33,344 --> 00:36:37,310
GLITTER NIGHTS
♪ UNDER STARRY SKIES

536
00:36:37,344 --> 00:36:40,862
ALL I WANNA DO
♪ IS FLY

537
00:36:40,896 --> 00:36:45,310
TAKE ME WHERE
♪ THE SUN SHINES

538
00:36:45,344 --> 00:36:46,379
BRIGHTER
♪ I'VE BEEN DREAMIN' ABOUT THE

539
00:36:46,413 --> 00:36:49,310
WEST COAST
♪ TIME TO FIND

540
00:36:49,344 --> 00:36:56,379
MYSELF A NEW GLOW
♪ I NEED THE SUN

541
00:36:56,413 --> 00:36:57,482
FOR JUST A YEAR
♪ I'LL KISS THE SKY

542
00:36:57,517 --> 00:37:03,206
AND DISAPPEAR
♪ I'VE BEEN DREAMIN'

543
00:37:03,241 --> 00:37:05,103
ABOUT THE WEST COAST
[I'VE BEEN DREAMIN']

544
00:37:05,137 --> 00:37:09,344
♪ FOUND SOME FACES
THAT I DON'T KNOW

545
00:37:09,379 --> 00:37:15,655
♪ SEEIN' SIGNS FOR CALIFORNIA
TRADE THE SHADE

546
00:37:15,689 --> 00:37:16,896
♪ FOR SOMETHIN' WARMER
I'VE BEEN DREAMING

547
00:37:16,931 --> 00:37:20,172
♪ ABOUT THE WEST COAST
[I'VE BEEN DREAMIN']

548
00:37:20,206 --> 00:37:22,862
♪ WHERE THE PEOPLE TAKE IT
REAL SLOW

549
00:37:22,896 --> 00:37:27,413
♪ I NEED THE SUN
FOR JUST A YEAR

550
00:37:27,448 --> 00:37:33,000
♪ I'LL KISS THE SKY
AND DISAPPEAR

551
00:37:34,344 --> 00:37:35,758
>> James: LADIES AND

552
00:37:35,793 --> 00:37:42,655
GENTLEMEN, ONE REPUBLIC.
TICKETS FOR THE NEVER ENDING

553
00:37:42,689 --> 00:37:45,000
SUMMER TOUR ON SALE NOW, COME ON
BACK, EVERYBODY.

554
00:37:59,275 --> 00:38:01,931
>> James: THANK YOU SO MUCH
FOR WATCHING, TOMORROW JENNIFER

555
00:38:01,965 --> 00:38:06,379
GARNER WILL BE HERE, GREG
KINNEAR AND MUSIC FROM 5 SECONDS

556
00:38:06,413 --> 00:38:07,862
OF SUMMER.
WE HOPE TO SEE YOU THEN.

557
00:38:07,896 --> 00:38:09,310
REGGIE, TAKE US HOME.
♪