1 00:00:08,034 --> 00:00:19,379 THE LATE LATE SHOW WOO! ♪ THE LATE LATE SHOW-OH-HO 2 00:00:19,413 --> 00:00:21,413 THE LATE LATE SHOW-OH-OH! ♪ IT'S THE LATE LATE SHOW 3 00:00:59,620 --> 00:01:02,000 STOP IT! GOOD EVENING. 4 00:01:02,034 --> 00:01:07,034 WELCOME TO "THE LATE LATE SHOW." HOPE YOU HAD A PLEASANT DAY. 5 00:01:07,068 --> 00:01:10,000 WE SO APPRECIATE YOU BEING HERE WITH US RIGHT NOW. 6 00:01:10,034 --> 00:01:15,000 WHAT HAPPENED? YEAH, WELL, YOU KNOW, JUST BE 7 00:01:15,034 --> 00:01:16,275 AWARE. YEAH? 8 00:01:16,310 --> 00:01:17,551 LET'S MEET OUR GUESTS ON THE SHOW TONIGHT, HE'S A VERY FUNNY 9 00:01:17,586 --> 00:01:21,000 ACTOR, WRITER, AND PRODUCER YOU KNOW FROM "HORRIBLE BOSSES," 10 00:01:21,033 --> 00:01:22,655 "FIST FIGHT" AND "IT'S ALWAYS SUNNY IN PHILADELPHIA," 11 00:01:22,689 --> 00:01:28,448 THE MIGHTY, THE GLORIOUS, CHARLIE DAY! 12 00:01:28,482 --> 00:01:31,000 [ CHEERS AND APPLAUSE ] CHARLIE, HOW ARE YOU? 13 00:01:31,033 --> 00:01:33,896 >> PRETTY GOOD. YOU WANT TO HANG OUT AND DO A TV 14 00:01:33,931 --> 00:01:36,000 SHOW THING LATER? >> James: ME AND YOU? 15 00:01:36,033 --> 00:01:37,103 YEAH. >> James: WHAT SORT OF TIME? 16 00:01:37,137 --> 00:01:39,000 YOU KNOW, WITHIN THE HOUR OR SO. 17 00:01:39,033 --> 00:01:43,586 I GOTTA RUN. >> James: UM, WHAT DO YOU 18 00:01:43,620 --> 00:01:44,896 MEAN? HOW -- 19 00:01:44,931 --> 00:01:46,068 >> DO YOU WANT ME TO, LIKE, I'LL COME OUT THERE AND WE'LL HAVE A 20 00:01:46,103 --> 00:01:49,586 CONVERSATION OR SOMETHING. >> James: LET ME JUST CHECK. 21 00:01:49,620 --> 00:01:52,206 I'LL SEND YOU A TEXT. >> I'LL BE IN HERE! 22 00:01:52,241 --> 00:01:56,965 >> James: CHARLIE DAY, EVERYBODY! 23 00:01:57,000 --> 00:01:58,241 [ CHEERS AND APPLAUSE ] SHE'S A SIX-TIME EMMY NOMINATED 24 00:01:58,275 --> 00:02:02,000 ACTRESS YOU KNOW FROM HER BRILLIANT RUN ON "VEEP," THE 25 00:02:02,034 --> 00:02:08,482 CHARMING, THE TALENTED ANNA KLUMSKY! 26 00:02:08,517 --> 00:02:10,205 [ CHEERS AND APPLAUSE ] ANNA! 27 00:02:10,240 --> 00:02:10,896 >> HELLO! HI! 28 00:02:10,931 --> 00:02:12,793 >> James: HOW ARE YOU? GOOD. 29 00:02:12,827 --> 00:02:15,103 HOW ARE YOU? >> James: I AM VERY, VERY 30 00:02:15,137 --> 00:02:18,413 WELL. I LOVE THIS OUTFIT. 31 00:02:18,448 --> 00:02:20,275 >> THANK YOU! >> James: I FEEL YOU SHOULD 32 00:02:20,310 --> 00:02:22,137 WEAR MORE OFF THE SHOULDER STUFF. 33 00:02:22,172 --> 00:02:23,000 >> WHY NOT? >> James: I CAN'T GET ENOUGH 34 00:02:23,034 --> 00:02:25,862 OF IT. >> IT'S 2022. 35 00:02:25,896 --> 00:02:27,896 >> James: CORRECT. I WANT THAT SLEEVE TO BE CUT 36 00:02:27,931 --> 00:02:31,379 OFF OF YOU BY THE TIME WE SEE EACH OTHER IN PERSON. 37 00:02:31,413 --> 00:02:34,620 >> James: IT WOULD LOOK AMAZING. 38 00:02:34,655 --> 00:02:36,413 >> I WOULD LOOK AMAZING. EVERYONE NEEDS TO SEE THAT 39 00:02:36,448 --> 00:02:39,172 SHOULDER. >> James: I'M GOING TO DO 40 00:02:39,206 --> 00:02:41,413 THAT. WHICH SHOULDER, LEFT OR RIGHT? 41 00:02:41,448 --> 00:02:44,379 >> WHICH DO YOU THINK IS YOUR BET SHOULDER? 42 00:02:44,413 --> 00:02:46,000 >> Reggie: IT'S -- IT'S YOUR LEFT. 43 00:02:46,034 --> 00:02:49,000 ANNA KLUMSKY, EVERYBODY! AND LATER ON, WE HAVE A 44 00:02:49,034 --> 00:02:54,000 PERFORMANCE FROM BASTILLE. YOU DON'T WANT TO MISS THAT! 45 00:02:54,034 --> 00:03:04,034 HEY HEY HEYO, HEY HEY HAY-O, HEY HEY HEYO-HEY HEYO. 46 00:03:04,068 --> 00:03:18,965 HEY HEY HEYO. HAY HEY HEYO. 47 00:03:19,000 --> 00:03:20,103 HEY HEY HEYO. HAY HEY HEYO. 48 00:03:20,137 --> 00:03:24,275 WELL, IT'S TIME FOR THE NEWS, [ CHEERS AND APPLAUSE ] 49 00:03:24,310 --> 00:03:26,655 TENSIONS ARE STILL HIGH ALONG THE RUSSIAN-UKRAINIAN BORDER. 50 00:03:26,689 --> 00:03:28,034 BUT THIS MORNING, VLADIMIR PUTIN SAI THAT MOSCOW IS READY FOR 51 00:03:28,068 --> 00:03:29,448 TALKS WITH NATO. PUTIN SAYS RUSSIA IS READY TO 52 00:03:29,482 --> 00:03:31,241 DISCUSS "CONFIDENCE-BUILDING MEASURES." 53 00:03:31,275 --> 00:03:34,689 I LIKE THAT PUTIN SAYS HE NEEDS MORE CONFIDENCE. 54 00:03:34,724 --> 00:03:37,620 LIKE HE'S A GUY WHO WEARS A T-SHIRT INTO THE HOTEL HOT TUB 55 00:03:37,655 --> 00:03:41,862 OR SOMETHING. CONFIDENCE- BUILDING MEASURES. 56 00:03:41,896 --> 00:03:43,620 SOUNDS LIKE SOMETHING WHERE A DIPLOMAT GOES DON'T WORRY, THIS 57 00:03:43,655 --> 00:03:47,034 HAPPENS TO A LOT OF NATIONS. IT'S PROBABLY STRESS AT WORK. 58 00:03:47,067 --> 00:03:50,930 LET'S JUST HOLD EACH OTHER. SERIOUSLY, WHAT ARE CONFIDENCE 59 00:03:50,965 --> 00:03:59,206 BUILDING MEASURES? TRUST FALLS AND STUFF? 60 00:03:59,241 --> 00:04:14,241 IS PUTIN GOING TO BE LIKE, JOE, ARE YOU READY TO CATCH ME? 61 00:04:14,241 --> 00:04:15,310 IS PUTIN GOING TO BE LIKE, JOE, ARE YOU READY TO CATCH ME? 62 00:04:15,344 --> 00:04:18,827 JOE, PUT ICE CREAM DOWN. YOU READY TO CATCH, OKAY? 63 00:04:18,862 --> 00:04:22,000 I SWEAR TO GOD, JOE, YOU BETTER CATCH. 64 00:04:22,034 --> 00:04:23,310 [ LAUGHTER ] IN OTHER NEWS, DONALD TRUMP'S 65 00:04:23,344 --> 00:04:24,482 LONGTIME ACCOUNTING FIRM HAS CUT TIES WITH HIM AND THE REST OF 66 00:04:24,517 --> 00:04:28,000 THE TRUMP ORGANIZATION. THE FIRM ALSO SAID IT COULD NO 67 00:04:28,034 --> 00:04:31,724 LONGER STAND BEHIND A DECADE OF FINANCIAL STATEMENTS, CALLING 68 00:04:31,758 --> 00:04:35,724 THEM UNRELIABLE. GOOD OR THEM, STANDING UP AND 69 00:04:35,758 --> 00:04:43,413 DOING THE RIGHT THING TEN YEARS TOO LATE. 70 00:04:43,448 --> 00:04:45,000 [ LAUGHTER ] WHAT NEW INFORMATION COULD HAVE 71 00:04:45,034 --> 00:04:45,827 COME TO LIGHT RIGHT NOW? WERE THEY LIKE 72 00:04:45,862 --> 00:04:46,931 [REALIZING] WAIT A MINUTE... 73 00:04:46,965 --> 00:04:49,931 TRUMP ORGANIZATION? DOES THAT HAVE SOMETHING TO DO 74 00:04:49,965 --> 00:04:55,034 WITH DONALD TRUMP? WHAT?! 75 00:04:55,068 --> 00:05:02,310 MEANWHILE, EVERYBODY HERE IN LOS ANGELES 76 00:05:02,344 --> 00:05:04,758 IS STILL BUZZING ABOUT THE RAMS SUPER BOWL WIN ON SUNDAY. 77 00:05:04,793 --> 00:05:06,068 [ CHEERS AND APPLAUSE ] YEAH. 78 00:05:06,103 --> 00:05:07,103 LEBRON JAMES EVEN POSTED A TWEET SUGGESTING HIS OWN IDEA FOR A 79 00:05:07,137 --> 00:05:09,344 CHAMPIONSHIP PARADE. HE WROTE 80 00:05:09,379 --> 00:05:15,758 WE, DODGERS AND RAMS SHOULD ALL DO A JOINT PARADE TOGETHER. 81 00:05:15,793 --> 00:05:19,758 YOU CAN'T REQUEST A PARADE FOR YOURSELF, AND I KNOW THIS FOR A 82 00:05:19,793 --> 00:05:25,000 FACT, I TRIED. [ LAUGHTER ] 83 00:05:25,034 --> 00:05:28,620 TRUST ME, LeBRON, YOU CAN'T. [ LAUGHTER ] 84 00:05:28,655 --> 00:05:33,000 BUT I DO AGREE, WE SHOULD CELEBRATE ALL OF THE ELITE 85 00:05:33,034 --> 00:05:37,517 ATHLETIC SQUADS IN L.A. - THE -- THEY DIDN'T GET TO HAVE A 86 00:05:37,551 --> 00:05:39,000 PARADE, LIKE THE RAMS, THE DODGERS, THE LAKERS, 87 00:05:39,034 --> 00:05:43,517 AND OF COURSE, "THE LATE LATE SHOW" CURLING TEAM. 88 00:05:43,551 --> 00:05:45,000 [ CHEERS AND APPLAUSE ] WE'RE ALL WINNERS. 89 00:05:45,034 --> 00:05:49,206 WE'RE ALL WINNERS. [ CHEERS AND APPLAUSE ] 90 00:05:49,241 --> 00:05:53,034 I THINK THIS IS A GOOD IDEA THEY SHOULD ALL DO A PARADE. 91 00:05:53,068 --> 00:05:58,000 THE LAKERS WON THEIR CHAMPIONSHIP, THERE WASN'T FANS 92 00:05:58,034 --> 00:06:00,758 THERE. >> NO, IT WAS DURING THE BUBBLE. 93 00:06:00,793 --> 00:06:03,758 I LOVE THIS IDEA. I DEFINITELY THINK THE LAKERS 94 00:06:03,793 --> 00:06:07,551 WHO ARE CURRENTLY, LIKE, IN TENTH PLACE IN THE WEST, TWO 95 00:06:07,586 --> 00:06:10,931 YEARS REMOVED FROM WINNING THEIR CHAMPIONSHIP, SHOULD HAVE TO GO 96 00:06:10,965 --> 00:06:15,000 OUT THERE WITH THE WORLD CHAMP ONE RAMS AND DODGERS AND SIT 97 00:06:15,034 --> 00:06:20,551 NEXT TO THEM WHILE, ONCE AGAIN, THEY ARE IN TENTH PLACE IN THEIR 98 00:06:20,586 --> 00:06:22,620 DIVISION. [ LAUGHTER ] 99 00:06:22,655 --> 00:06:27,000 TWO SONIC THE HEDGE HOG MOVIES HAVE COME OUT SINCE THEY'VE WON 100 00:06:27,034 --> 00:06:30,034 THEIR CHAMPIONSHIP, AND I, FOR ONE, WOULD LIKE TO SEE, AGAIN, 101 00:06:30,068 --> 00:06:34,896 THE TENTH PLACE LOS ANGELES LAKERS OUT THERE NEXT TO TWO 102 00:06:34,931 --> 00:06:38,827 ACTUAL WORLD CHAMPIONS LIKE, THANK, WE DID IT. 103 00:06:38,862 --> 00:06:43,000 WE DID DO IT BACK WHEN ALL OF YOU WERE WATCHING TIGER KING, 104 00:06:43,034 --> 00:06:46,965 STILL, WE WON A CHAMPIONSHIP. EVERYONE WAS PLAYING ANIMAL 105 00:06:47,000 --> 00:06:52,896 CROSSING AND BAKING SOURDOUGH LOAVES OF PREYED AND WE WON THE 106 00:06:52,931 --> 00:06:56,137 CHAMPIONSHIP AND, NOW, TWO YEARS LATER, WE'RE HAVING A PARADE. 107 00:06:56,172 --> 00:07:01,517 I WOULD LOVE TO SEE THEM. [ APPLAUSE ] 108 00:07:01,551 --> 00:07:05,517 >> James: ALTHOUGH, I WOULD SAY, 109 00:07:05,551 --> 00:07:07,103 IF IT DID HAPPEN, THE HISTORIC EVENT WOULD BE THE BIGGEST 110 00:07:07,137 --> 00:07:10,034 THREEWAY HELD IN LA SINCE VALENTINE'S DAY AT GUILLERMO'S. 111 00:07:10,068 --> 00:07:15,034 [ LAUGHTER ] BUT CELEBRATIONS ARE ALREADY 112 00:07:15,068 --> 00:07:17,482 UNDERWAY HERE IN LOS ANGELES. EARLIER TODAY, THE FAMOUS 113 00:07:17,517 --> 00:07:21,034 HOLLYWOOD SIGN WAS TEMPORARILY CHANGED TO SAY RAMS HOUSE. 114 00:07:21,068 --> 00:07:23,896 AND IN KEEPING WITH TRADITION HERE IN L.A., THAT HOUSE IS A 115 00:07:23,931 --> 00:07:29,862 TWO-BED, ONE-BATH, TEAR-DOWN THAT COSTS NINE MILLION DOLLARS. 116 00:07:29,896 --> 00:07:38,172 [ LAUGHTER ] THE SIGN WILL STAY UP THROUGH 117 00:07:38,206 --> 00:07:39,413 WEDNESDAY BECAUSE THIS IS LOS ANGELES AND 118 00:07:39,448 --> 00:07:40,827 WE CAN'T PRETEND TO CARE ABOUT SPORTS ANY LONGER THAN THAT. 119 00:07:40,862 --> 00:07:42,068 MOVING ON, THE OSCARS HAVE ANNOUNCED THAT THEY WILL GIVE 120 00:07:42,103 --> 00:07:43,620 TWITTER USERS A VOTE DURING THE AWARDS CEREMONY. 121 00:07:43,655 --> 00:07:48,172 IT'S TRUE, PEOPLE CAN VOTE ON THEIR FAVORITE FILMS THAT WERE 122 00:07:48,206 --> 00:07:50,000 RELEASED IN 2021 - EVEN IF THE FILM WASN'T NOMINATED FOR AN 123 00:07:50,034 --> 00:07:52,896 OSCAR. THE FILM WITH THE MOST VOTES 124 00:07:52,931 --> 00:07:54,000 WILL BE RECOGNIZED DURING THE BROADCAST. 125 00:07:54,034 --> 00:08:00,310 ...IT'S "SPIDER-MAN." [ APPLAUSE ] 126 00:08:00,344 --> 00:08:03,379 IT'S GOING TO BE SPIDER-MAN, IT'S THE NEW SPIDER-MAN. 127 00:08:03,413 --> 00:08:11,206 CALL OFF THE VOTE. IT'S THE NEW SPIDER-MAN. 128 00:08:11,241 --> 00:08:16,137 ARE THEY GIVEN A SHORT LIST TO VOTE FOR OR CAN YOU VOTE FOR ANY 129 00:08:16,172 --> 00:08:17,413 FILM. >> I THINK YOU CAN VOTE FOR 130 00:08:17,448 --> 00:08:19,000 ANYTHING. >> James: WE HAVE TO START A 131 00:08:19,034 --> 00:08:23,448 MOVEMENT THAT IT'S "JACKASS." SHOULDN'T WE DO THAT? 132 00:08:23,482 --> 00:08:26,034 [ CHEERS AND APPLAUSE ] THAT'S THE BEST OUTCOME IN THIS 133 00:08:26,068 --> 00:08:30,448 IS EVERYBODY GOES, NO, IT'S "JACKASS 2.0". 134 00:08:30,482 --> 00:08:34,034 BECAUSE THE IDEA OF SEEING SIEVEO AND JOHNNY KNOXVILLE ON 135 00:08:34,068 --> 00:08:38,000 STAGE FOR THE OSCARS WOULD BE AMAZING. 136 00:08:38,034 --> 00:08:48,793 THIS IS TRUE TWITTER USERS WILL GET TO PRESENT AN AWARD. 137 00:08:48,827 --> 00:08:50,068 I CAN'T WAIT UNTIL NEXT YEAR, WHEN GLENN CLOSE IS PRESENTED 138 00:08:50,103 --> 00:08:57,000 WITH HER LIFETIME ACHIEVEMENT OSCAR FROM @DONKEY LORD69. 139 00:08:57,034 --> 00:09:01,034 [ LAUGHTER ] HOW DOES THE VOTE WORK? 140 00:09:01,068 --> 00:09:06,034 YIN ONE KNOW? IS IT THE MOST RETWEETS OR 141 00:09:06,068 --> 00:09:10,034 WHATEVER? >> THERE'S AN OSCAR HASHTAG AND 142 00:09:10,068 --> 00:09:13,034 THEY COUNT THE VOTE THAT WAY. >> James: WE SHOULD MAKE A 143 00:09:13,068 --> 00:09:16,862 PUSH FOR JACKASS ON THIS, GUYS. SHOULDN'T WE? 144 00:09:16,896 --> 00:09:20,344 >> ABSOLUTELY WE SHOULD, YEAH. >> James: OR THIS IS OUR 145 00:09:20,379 --> 00:09:26,034 CHANCE TO GET CLIFFORD THE BIG RED DOG AT THE OSCARS. 146 00:09:26,068 --> 00:09:28,758 [ LAUGHTER ] [ APPLAUSE ] 147 00:09:28,793 --> 00:09:33,068 AGAIN, DON'T WANT TO BE A BROKEN RECORD, THE COLOR IS IRRELEVANT. 148 00:09:33,103 --> 00:09:39,000 [ LAUGHTER ] IT DOESN'T NEED TO BE RED. 149 00:09:39,034 --> 00:09:44,310 DOESN'T NEED TO BE RED. THE LARGENESS IS THE TAKEAWAY. 150 00:09:44,344 --> 00:09:51,862 NO ONE SEES A DOG OF THAT SIZE AND COMES BACK AND SAYS, I'M I'E 151 00:09:51,896 --> 00:09:54,379 JUST SEEN A RED DOG. [ LAUGHTER ] 152 00:09:54,413 --> 00:09:56,413 THEY'RE TRYING TO HAVE THEIR CAKE AND EAT IT THERE. 153 00:09:56,448 --> 00:09:59,862 IT'S ONE OR THE OTHER. IT'S BIG OR IT'S RED. 154 00:09:59,896 --> 00:10:03,551 BOTH ARE UNIQUE, YOU CAN'T DO BOTH, YOU JUST CAN'T. 155 00:10:03,586 --> 00:10:05,586 >> SHOULD BE JUST CLIFFORD, THE BIG, BIG DOG. 156 00:10:05,620 --> 00:10:13,586 >> James: YEAH. CLIFFORD THE [ BLEEP ] BIG DO. 157 00:10:13,620 --> 00:10:20,517 [ LAUGHTER ] [ APPLAUSE ] 158 00:10:20,551 --> 00:10:26,965 DID YOU SEE A FILM THIS YEAR THAT SHOULD BE NOMINATED FOR 159 00:10:27,000 --> 00:10:31,827 BEST PICTURE? >> Reggie: ROANOKE. 160 00:10:31,862 --> 00:10:34,379 IS THAT A FILM? >> James: IS THAT A FILM? 161 00:10:34,413 --> 00:10:42,000 I THINK I'M UNDERSTANDING WHY IT WAS OVERLOOKED FOR BEST PICTURE. 162 00:10:42,034 --> 00:10:43,758 MOVING ON, A ZOO IN STAFFORDSHIRE, ENGLAND HAS COME 163 00:10:43,793 --> 00:10:45,965 UP WITH A RATHER UNUSUAL WAY TO ENCOURAGE THEIR MONKEYS TO MATE. 164 00:10:46,000 --> 00:10:49,965 THEY ACTUALLY HIRED A MARVIN GAYE IMPERSONATOR TO SERENADE 165 00:10:50,000 --> 00:10:53,655 THE MONKEYS. WHAT A GREAT GIG YOU GET TO 166 00:10:53,689 --> 00:10:56,896 SPEND YOUR DAYS SINGING MARVIN GAYE SONGS AND WATCHING MONKEYS 167 00:10:56,931 --> 00:11:00,275 HAVE SEX??? [ LAUGHTER ] 168 00:11:00,310 --> 00:11:03,862 IT'S A VERY SPECIFIC JOB DESCRIPTION. 169 00:11:03,896 --> 00:11:05,103 I MEAN, IMAGINE BEING THE MARVIN GAYE IMPERSONATOR IN 170 00:11:05,137 --> 00:11:09,000 STAFFORDSHIRE, ENGLAND WHO DIDN'T GET THIS JOB. 171 00:11:09,034 --> 00:11:12,034 [ LAUGHTER ] CAN YOU IMAGINE THAT? 172 00:11:12,068 --> 00:11:14,620 WHAT'S ON YOUR PERFECT ROMANCE PLAY LIST? 173 00:11:14,655 --> 00:11:19,137 >> I LIKE THAT FADE INTO YOU SONG BY MAZZIE STAR. 174 00:11:19,172 --> 00:11:25,413 YOU KNOW THAT ONE? ♪ FADE INTO YOU... 175 00:11:25,448 --> 00:11:29,448 THAT ONE? >> James: WELL, I'M TURNED 176 00:11:29,482 --> 00:11:30,413 OFF. [ LAUGHTER ] 177 00:11:30,448 --> 00:11:33,965 WHAT ABOUT YOU, NICK, WHAT DO YOU PUT ON? 178 00:11:34,000 --> 00:11:37,206 CONAN'S CONAN'S -- [ LAUGHTER ] 179 00:11:37,241 --> 00:11:42,620 >> I HAVE TALKED WAY TOO OFTEN, AND SO HAVE YOU, ABOUT MY LOVE 180 00:11:42,655 --> 00:11:45,965 LIFE, AND MY WIFE HAS HAD IT WITH THIS CONVERSATION. 181 00:11:46,000 --> 00:11:49,655 >> James: TALK ME THROUGH THE CONVERSATION. 182 00:11:49,689 --> 00:11:52,275 [ LAUGHTER ] >> WELL, I MEAN, IT LITERALLY 183 00:11:52,310 --> 00:11:54,896 CAME UP YESTERDAY ON VALENTINE'S DAY BECAUSE YOU BROUGHT UP MY 184 00:11:54,931 --> 00:11:56,482 SEX LIFE. >> James: YEP. 185 00:11:56,517 --> 00:12:02,344 WITH HER YESTERDAY. >> James: YEP. 186 00:12:02,379 --> 00:12:06,034 AND I'M, LIKE, I HAVE TO WATCH THE SHOWDOWN TO SEE WHAT 187 00:12:06,068 --> 00:12:10,551 IT LOOKS LIKE BEFORE IT GOES OUT INTO THE UNIVERSE. 188 00:12:10,586 --> 00:12:12,793 SHE SAID WHY DOES JAMES KEEP TALKING ABOUT US? 189 00:12:12,827 --> 00:12:16,344 AND I HAD NO ANSWER FOR IT. >> James: YOU MADE A MISTAKE 190 00:12:16,379 --> 00:12:23,103 BY WATCHING THIS WITH ANYONE. [ LAUGHTER ] 191 00:12:23,137 --> 00:12:26,965 WELL, WE'LL NEVER DO IT AGAIN, I PROMISE YOU THAT. 192 00:12:27,000 --> 00:12:33,758 WHAT YOU GET UP TO -- WHAT HAPPENED TO THE SEX SWING? 193 00:12:33,793 --> 00:12:37,034 >> WE'RE SAVING IT. >> James: I THOUGHT IT WAS FOR 194 00:12:37,068 --> 00:12:38,896 VALENTINES. >> IT WAS. 195 00:12:38,931 --> 00:12:42,034 WE HAD A COUPLE THINGS GOING ON AND IT GOT A LITTLE COMPLICATED. 196 00:12:42,068 --> 00:12:44,965 >> James: SHOULDN'T DO THAT WITH NICK THEN. 197 00:12:45,000 --> 00:12:48,517 YESTERDAY WHAT YOU HAD ON VALENTINES WAS BETTER THAN WHAT 198 00:12:48,551 --> 00:12:50,275 HAPPENED. THE SHOW BOUGHT YOU, WE WERE 199 00:12:50,310 --> 00:12:53,965 GOING TO REPLACE YOUR CHAIR WITH A SEX SWING. 200 00:12:54,000 --> 00:12:57,206 [ LAUGHTER ] AND IT WAS GOING TO BE HANGING 201 00:12:57,241 --> 00:13:03,000 FROM THE ROOF, AND YOUR LEGS WERE GOING TO BE UP IN, LIKE -- 202 00:13:03,034 --> 00:13:09,758 SO, AND THAT WASN'T MY IDEA. SO IT'S NOT JUST ME THAT'S 203 00:13:09,793 --> 00:13:14,034 INTRIGUED. BY YOUR CLEARLY FEROCIOUS SEXUAL 204 00:13:14,068 --> 00:13:16,758 APPETITE. [ LAUGHTER ] 205 00:13:16,793 --> 00:13:20,586 >> IF IT MAKES YOU HAPPIER DURING THE MONOLOGUE, I GUESS -- 206 00:13:20,620 --> 00:13:23,655 I GUESS I'LL HAVE NO -- >> James: YOU DON'T HAVE TO BE 207 00:13:23,689 --> 00:13:29,000 IN A SEX SWING. I WAS NEVER INTRIGUED ABOUT YOUR 208 00:13:29,034 --> 00:13:32,862 LOVE LIFE WHEN YOU HAD SHORT HAIR. 209 00:13:32,896 --> 00:13:37,448 NOW THAT YOU'VE GROWN LONG HAIR IT MAKES ME THINK THAT YOU ARE A 210 00:13:37,482 --> 00:13:38,482 FREAK. >> IT -- IT MAKES A DIFFERENCE. 211 00:13:38,517 --> 00:13:41,034 >> James: YOU'VE FOUND IT MAKES A DIFFERENCE. 212 00:13:41,068 --> 00:13:48,620 DO YOU FEEL MORE VIRILE WHEN YOU WATCH YOURSELF MAKE LOVE? 213 00:13:48,655 --> 00:13:50,310 [ LAUGHTER ] I'M GOING TO STOP, NICK, WE'RE 214 00:13:50,344 --> 00:13:58,586 GOING TO MOVE ON. HAS EVERYBODY SEEN THIS? 215 00:13:58,620 --> 00:13:59,862 TO CELEBRATE HER DIAMOND JUBILEE, QUEEN ELIZABETH IS 216 00:13:59,896 --> 00:14:01,137 RELEASING HER VERY OWN SPARKLING WINE. 217 00:14:01,172 --> 00:14:03,034 THE BOTTLE FEATURES DESIGNS INSPIRED BY HER CORONATION ROBE, 218 00:14:03,068 --> 00:14:04,620 HERE IT IS HERE, AND WHAT'S MOST IMPRESSIVE IS THAT THE QUEEN 219 00:14:04,655 --> 00:14:09,551 LITERALLY STOMPED THE GRAPES HERSELF. 220 00:14:09,586 --> 00:14:12,103 [ LAUGHTER ] YOU HEAR THOSE FOOTSTEPS, 221 00:14:12,137 --> 00:14:13,068 BUZZBALLZ? IT'S ANOTHER WOMAN-OWNED ADULT 222 00:14:13,103 --> 00:14:18,000 BEVERAGE COMING AROUND THE CORNER. 223 00:14:18,034 --> 00:14:28,551 [ LAUGHTER ] HAVE WE BEEN SENT ANY BUZZ 224 00:14:28,586 --> 00:14:31,655 BALLS? NEXT TIME YOU'RE IN A 225 00:14:31,689 --> 00:14:34,137 SUPERMARKET, PICK UP A BUZZ BALL, CRACK IT THERE AND THEN. 226 00:14:34,172 --> 00:14:38,000 THAT'S WHAT I DO. BUY TWO, DRINK ONE ON THE WAY 227 00:14:38,034 --> 00:14:42,724 AROUND, PAY FOR TWO ON THE WAY OUT, AND AS YOU LEAVE THE TRADER 228 00:14:42,758 --> 00:14:45,896 JOE'S, YOU JUST GOT A LITTLE BUZZ ON. 229 00:14:45,931 --> 00:14:49,965 A SPARKLING WINE IS A LITTLE MORE SOPHISTICATED AND 230 00:14:50,000 --> 00:14:51,137 APPROPRIATE FOR QUEEN ELIZABETH. THIS WAS THE ROYAL FAMILY'S 231 00:14:51,172 --> 00:14:56,448 FIRST IDEA, FIZZY LIZZIE'S ATOMIC HARD SELTZER. 232 00:14:56,482 --> 00:14:57,620 [ LAUGHTER ] AND THAT'S THE NEWS. 233 00:14:57,655 --> 00:14:58,620 WE'LL BE RIGHT BACK WITH ANNA KLUMSKY AND CHARLIE DAY 234 00:15:22,034 --> 00:15:24,965 >> James: WELCOME BACK! LET'S MEET OUR GUESTS TONIGHT 235 00:15:25,000 --> 00:15:25,931 SHE STARS IN, "INVENTING ANNA," ANNA KLUMSKY! 236 00:15:25,965 --> 00:15:39,000 [ BAND PLAYS ] [REGGIE IMPROVISES VOCALS ] 237 00:15:39,034 --> 00:15:41,000 >> JAMES: HE STARS IN "I WANT YOU BACK," CHARLIE DAY! 238 00:15:55,206 --> 00:15:58,758 [ BAND PLAYS ] [REGGIE IMPROVISES VOCALS ] 239 00:15:58,793 --> 00:16:03,586 THANK YOU FOR BEING HERE! I'M VERY THRILLED THAT YOU'RE 240 00:16:03,620 --> 00:16:05,896 HERE. YOU BOTH LOOK DELICIOUS AND 241 00:16:05,931 --> 00:16:07,551 NUTRITIOUS AND I APPRECIATE THAT. 242 00:16:07,586 --> 00:16:10,000 YESTERDAY WAS VALENTINES. WERE WE A ROMANTIC BUNCH? 243 00:16:10,034 --> 00:16:11,862 HOW DID YOU CELEBRATE, WHAT DID YOU DO? 244 00:16:11,896 --> 00:16:14,034 >> I AM. MY HUSBAND AND I ARE ALWAYS 245 00:16:14,068 --> 00:16:16,103 REALLY GOOD ABOUT CARDS AND TREATS. 246 00:16:16,137 --> 00:16:20,965 I GOT A REESES PEANUT BUTTER CUP I WAS THRILLED ABOUT. 247 00:16:21,000 --> 00:16:25,068 >> James: SENSATIONAL. SO MY KIDS ARE SCHOOL AGE, SO 248 00:16:25,103 --> 00:16:30,241 MOST OF VALENTINES BECOMES DOING ALL THE VALENTINES FOR ALL THE 249 00:16:30,275 --> 00:16:31,310 CLASSMATES. >> James: I CAN'T. 250 00:16:31,344 --> 00:16:33,275 YOU'RE REALLY POKING A NERVE HERE FOR ME. 251 00:16:33,310 --> 00:16:35,827 >> YEAH, WHAT'S YOUR NERVE? >> James: HAS THIS ALWAYS BEEN 252 00:16:35,862 --> 00:16:41,000 THE WAY IN AMERICA? >> SINCE I REMEMBER, YES. 253 00:16:41,034 --> 00:16:43,275 >> James: IT'S JUST A BAD IDEA. 254 00:16:43,310 --> 00:16:45,275 >> I AGREE WITH YOU, IT'S REALLY STRANGE. 255 00:16:45,310 --> 00:16:50,517 >> James: WHEN DOES IT STOP? DO YOU WRITE CARDS AND THINGS? 256 00:16:50,551 --> 00:16:54,000 >> IT'S ALWAYS BEEN THE WAY. THE FOUNDING FATHERS WERE, LIKE, 257 00:16:54,034 --> 00:16:58,275 LET'S MAKE SURE THE CHILDREN GIVE EACH OTHER THEIR 258 00:16:58,310 --> 00:17:00,034 VALENTINES. THE PARENTS WILL DO THEM FOR THE 259 00:17:00,068 --> 00:17:02,172 CHILDREN. >> James: BUT IS THERE AN AGE 260 00:17:02,206 --> 00:17:06,344 THAT IT STOPS IN AMERICA? >> I THINK IT STOPS BY HIGH 261 00:17:06,378 --> 00:17:07,413 SCHOOL. NO? 262 00:17:07,448 --> 00:17:10,550 >> James: SO 12? WHEN THEY MEAN IT. 263 00:17:10,586 --> 00:17:14,344 >> James: SO WHEN YOU'RE 12, IT'S, LIKE, ON YOUR OWN, KID, 264 00:17:14,378 --> 00:17:18,137 YOU GET WHAT YOU GET. >> OR THAT PERSON GOT, YOU KNOW, 265 00:17:18,172 --> 00:17:21,619 TEN VALENTINES AND THAT KID GOT NONE AND WE ALL KNOW HOW THIS 266 00:17:21,655 --> 00:17:25,034 SHAKES OUT. WE ALL KNOW THE HIERARCHY. 267 00:17:25,068 --> 00:17:29,310 >> James: CHARLIE YOU DON'T REALLY CELEBRATE VALENTINES AND 268 00:17:29,344 --> 00:17:31,896 YOU DON'T GET BIG INTO IT. >> NO. 269 00:17:31,931 --> 00:17:36,413 >> James: BUT LAST WEEK WAS YOUR BIRTHDAY AND YOU WENT BIG? 270 00:17:36,448 --> 00:17:41,275 >> I DIDN'T INTEND TO BUT WE WENT TO A REALLY FANCY JAPANESE 271 00:17:41,310 --> 00:17:44,275 RESTAURANT AND WE HAD LIKE A SEVEN-COURSE MEAL. 272 00:17:44,310 --> 00:17:49,206 THEY DID, LIKE, A SEVEN-COURSE SAKEEÉ TASTING. 273 00:17:49,241 --> 00:17:53,724 >> James: OH... AND THEY WERE REAL AMBITIOUS 274 00:17:53,758 --> 00:17:56,172 SO IT WAS LIKE THAT, AND SEVEN OF THOSE -- 275 00:17:56,206 --> 00:18:00,310 >> James: OH, MY GOD -- IS SIX TOO MANY. 276 00:18:00,344 --> 00:18:03,137 >> James: HANG ON. THE WHOLE THING FULL OF SAKEEÉ. 277 00:18:03,172 --> 00:18:04,448 >> YEAH. >> James: AND YOU JUST -- 278 00:18:04,482 --> 00:18:07,310 OH, I TOOK CARE OF IT. >> James: WELL DONE. 279 00:18:07,344 --> 00:18:11,206 YEAH. AND YOU'RE SITTING EACH TIME, 280 00:18:11,241 --> 00:18:12,689 EATING EACH COURSE AND THEN YOU GET UP. 281 00:18:12,724 --> 00:18:16,000 >> James: YOU'RE TRADITIONALLY NOT EATING THE VOLUME OF FOOD 282 00:18:16,034 --> 00:18:18,689 THAT YOU NEED TO EAT TO DEAL WITH THAT AMOUNT OF SAKEEÉ. 283 00:18:18,724 --> 00:18:20,655 YOU'RE NOT HAVING FRIES TO THE TABLE. 284 00:18:20,689 --> 00:18:24,241 YOU'RE HAVING A SMALL THING OF RAW FISH AND THEN STAND UP AND 285 00:18:24,275 --> 00:18:27,344 JUST FALL OVER. >> WE MIGHT HAVE GONE TO AN IN 286 00:18:27,379 --> 00:18:29,793 AND OUT BURGER AFTERWARD, I'M NOT SURE. 287 00:18:29,827 --> 00:18:33,137 YOU HAVE TO ASK THE UBER DRIVER. I DON'T REMEMBER THE THING. 288 00:18:33,172 --> 00:18:34,344 >> OH, DEAR. HAPPY BIRTHDAY. 289 00:18:34,379 --> 00:18:37,551 >> James: HAPPY BIRTHDAY, AND I'M GLAD YOU WENT HARD AS 290 00:18:37,586 --> 00:18:39,241 EVERYONE SHOULD. >> THANK YOU. 291 00:18:39,275 --> 00:18:40,965 >> James: NOW, ANNA, YOU'RE FROM CHICAGO. 292 00:18:41,000 --> 00:18:43,620 >> I AM. >> James: BUT I'VE ALWAYS 293 00:18:43,655 --> 00:18:46,655 ASSOCIATED PEOPLE FROM CHICAGO WITH A VERY PARTICULAR ACCENT 294 00:18:46,689 --> 00:18:49,620 WHICH YOU DON'T HAVE. >> THAT'S DIVINE THAT YOU THINK 295 00:18:49,655 --> 00:18:51,517 THAT. I THINK MOST OF THE PEOPLE THAT 296 00:18:51,551 --> 00:18:56,310 DON'T KNOW ME WEALTHY I HAVE A REALLY OBNOXIOUS CHICAGO ACCENT. 297 00:18:56,344 --> 00:18:57,586 >> James: REALLY? YEAH. 298 00:18:57,620 --> 00:19:00,517 >> James: I DON'T HEAR IT. NONE OF THE CHARACTERS I'VE 299 00:19:00,551 --> 00:19:03,034 PLAYED ARE FROM CHICAGO, SO MAYBE THAT'S WHY. 300 00:19:03,068 --> 00:19:04,275 I DON'T KNOW. I DON'T KNOW. 301 00:19:04,310 --> 00:19:07,413 >> James: I THINK I'M PROBABLY TOO BRITISH AND I THINK WHEN 302 00:19:07,448 --> 00:19:12,000 PEOPLE ARE FROM CHICAGO, THEY'RE LIKE, CHICAGO. 303 00:19:12,034 --> 00:19:16,724 >> I HAVE SAY SAUSAGE, POP -- I DON'T SAY SODA. 304 00:19:16,758 --> 00:19:19,000 >> HOW DO YOU SAY THE FOOTBALL TEAM. 305 00:19:19,034 --> 00:19:22,689 >> THE BEARS. >> James: WHAT. 306 00:19:22,724 --> 00:19:30,344 THE BEARS. >> James: YOU SAY IT DOWN, 307 00:19:30,379 --> 00:19:31,931 DA BEARS. I CAN'T DO IT WITHOUT MOVING MY 308 00:19:31,965 --> 00:19:32,724 HEAD. >> YOU CAN. 309 00:19:32,758 --> 00:19:39,586 >> James: NO, I CAN'T. DA BEARS. 310 00:19:39,620 --> 00:19:43,965 I GENUINELY CAN'T DO IT. >> WHY NOT? 311 00:19:44,000 --> 00:19:48,551 MIKE DITKA. YOU SAY, LIKE, MIKE DITKA. 312 00:19:48,586 --> 00:19:50,413 >> James: OH, PLEASE. NOT MY FAULT. 313 00:19:50,448 --> 00:19:55,931 >> James: WITH ALL DUE RESPECT, LET'S NOT START GETTING 314 00:19:55,965 --> 00:20:01,448 OUR DICKERS OUT. >> I'M NOT TOUCHING THAT ONE. 315 00:20:01,482 --> 00:20:04,586 >> James: CHARLIE, ARE YOU AWARE THERE'S A PETITION ONLINE 316 00:20:04,620 --> 00:20:09,896 ABOUT YOUR VOICE, AN IT'S CALLED LET CHARLIE DAY KNOW HIS VOICE 317 00:20:09,931 --> 00:20:12,241 IS BEAUTIFUL. HAVE YOU SEEN THIS? 318 00:20:12,275 --> 00:20:14,931 >> THAT'S KIND OF SWEET! >> James: DO YOU NOT THINK 319 00:20:14,965 --> 00:20:20,103 YOUR VOICE IS BEAUTIFUL? >> NO. 320 00:20:20,137 --> 00:20:21,413 [ LAUGHTER ] NO. 321 00:20:21,448 --> 00:20:24,655 I MEAN, WELL, IT TOOK ME A WHILE TO REALIZE I HAD AN ODD VOICE 322 00:20:24,689 --> 00:20:29,448 BECAUSE WHAT I HEAR IS LIKE A JAMES EARL JONES, MORGAN FREEMAN 323 00:20:29,482 --> 00:20:31,137 KIND OF THING. >> James: OH, OKAY. 324 00:20:31,172 --> 00:20:36,241 I HEAR A RICH, SEXY VOICE. YOU HAVE WONDERFUL 325 00:20:36,275 --> 00:20:37,551 CONFIDENCE. >> THANK YOU. 326 00:20:37,586 --> 00:20:42,551 AD THEN WHEN I SEE A MOVIE I'M IN, I'M, LIKE, HAVE THEY PITCHED 327 00:20:42,586 --> 00:20:44,965 IT UP? WHAT ARE THEY DOING? 328 00:20:45,000 --> 00:20:49,379 >> James: BUT DOES ANYONE IN YOUR FAMILY HAVE A SIMILAR 329 00:20:49,413 --> 00:20:50,517 VOICE? YOU HAVE A SISTER. 330 00:20:50,551 --> 00:20:53,896 >> NO, I'M THE ONLY ONE BLESSED WITH THIS ODD VOICE. 331 00:20:53,931 --> 00:20:58,965 BUT I'M PRETTY SURE, LIKE, ANY DAY NOW IT'S GOING TO DROP, AND 332 00:20:59,000 --> 00:21:06,965 THE NEXT, LIKE, FIVE, TEN YEARS, MY CAREER IS GOING TO BE A WHOLE 333 00:21:07,000 --> 00:21:12,620 DIFFERENT -- [ TALKING IN LOW TONES ] 334 00:21:12,655 --> 00:21:16,241 >> James: ANNA, WHAT WOULD YOU DO WHEN YOU ENTERTAINED YOURSELF 335 00:21:16,275 --> 00:21:19,931 AROUND THE HOUSE. >> I WAS AN ONLY CHILD FOR 14 336 00:21:19,965 --> 00:21:22,931 YEARS BEFORE MY HALF BROTHER WAS BORN. 337 00:21:22,965 --> 00:21:24,793 >> ONE GUY! [ LAUGHTER ] 338 00:21:24,827 --> 00:21:29,413 >> AND WE ALSO DIDN'T GROW UP IN THE SAME HOUSE SO TOTALLY ONLY 339 00:21:29,448 --> 00:21:31,931 CHILD, AND I ENTERTAINED MYSELF VERY WELL. 340 00:21:31,965 --> 00:21:40,275 I HAD LOTS AND LOTS OF BARBIES GROWING UP, I WAS VERY INVOLVED 341 00:21:40,310 --> 00:21:43,758 WITH THEIR STORY. I COPIED THEIR FACES AND WOULD 342 00:21:43,793 --> 00:21:46,896 WRITE OUT ALL THEIR INFORMATION AND LAMINATE THE PIECES OF PAPER 343 00:21:46,931 --> 00:21:50,896 SO THAT THEY HAD, LIKE, I.D.S. >> James: WOW. 344 00:21:50,931 --> 00:21:54,965 WE HAD CARPET SAMPLES I WOULD MAKE, LIKE, THEIR NEIGHBORHOOD. 345 00:21:55,000 --> 00:22:03,793 WE HAD A BARBIE THAT WASN'T REAL, SHE WAS THE COSTCO BRAND 346 00:22:03,827 --> 00:22:07,413 BARBIE AND SO SHE BECAME, LIKE, THE VILLAGE ALCOHOLIC. 347 00:22:07,448 --> 00:22:13,000 I AFFIXED A BOTTLE TO HER HAND. SHE LOST CUSTODY OF HER TEENAGE 348 00:22:13,034 --> 00:22:15,413 DAUGHTER WHO GOT PREGNANT, IT WAS VERY INVOLVED. 349 00:22:15,448 --> 00:22:24,137 >> James: IS SHE OKAY? NO. 350 00:22:24,172 --> 00:22:28,034 >> James: CHARLIE, YOU'RE BRILLIANT IN THIS FILM. 351 00:22:28,068 --> 00:22:30,310 WHAT IS IT ABOUT AND WHO DO YOU PLAY? 352 00:22:30,344 --> 00:22:34,103 >> SHOUT OUT, WE ARE THE NUMBER ONE MOVIE NOW ACROSS ALL 353 00:22:34,137 --> 00:22:41,000 STREAMING PLATFORMS. >> WHAT! 354 00:22:41,034 --> 00:22:44,344 I WANT TO SAY CONGRATULATIONS TO THE TEAM. 355 00:22:44,379 --> 00:22:47,000 >> OH, WOW. THAT'S AWESOME, THANK YOU. 356 00:22:47,034 --> 00:22:50,724 >> BUT TO PLUG THE MOVIE I PLAY A GUY NAMED PETER AND I GET 357 00:22:50,758 --> 00:22:56,620 DUMPED AND I RUN INTO A WOMAN NAMED EMMA PLAYED BY JENNY SLATE 358 00:22:56,655 --> 00:23:01,827 WHO HAS ALSO BEEN BROKEN UP WITH AND WE REALIZE WE'RE IN THE SAME 359 00:23:01,862 --> 00:23:05,310 PREDICAMENT AND WE DECIDE WHY DON'T WE USE EACH OTHERS' 360 00:23:05,344 --> 00:23:11,344 TALENTS TO WIN BACK OUR EXES. SO SHE TRIES TO WOO MY 361 00:23:11,379 --> 00:23:16,758 GIRLFRIEND'S NEW BOYFRIEND AWAY FROM HER AND I TRIED TO WORK OUT 362 00:23:16,793 --> 00:23:19,517 WITH HER TRAINER EXBOYFRIEND WHICH LEADS TO THE COMEDY PART. 363 00:23:19,551 --> 00:23:22,000 >> James: THERE'S A SCENE WHERE YOUR CHARACTER JUMPS OFF A 364 00:23:22,034 --> 00:23:25,034 ROOF INTO A HOT TUB. NOW, IT'S ACTUALLY YOU. 365 00:23:25,068 --> 00:23:26,793 >> PARTS OF IT. >> James: RIGHT. 366 00:23:26,827 --> 00:23:30,241 ARE YOU A DAREDEVIL IN REAL LIFE? 367 00:23:30,275 --> 00:23:37,000 IS THIS SOMETHING YOU WOULD -- >> YOU KNOW WHAT, I'M EASILY LED 368 00:23:37,034 --> 00:23:41,000 BY MY PEERS. GROWING UP I JUMPED OFF ALL 369 00:23:41,034 --> 00:23:44,034 SORTS OF CRAZY DANGEROUS THINGS. THERE'S A BRIDGE. 370 00:23:44,068 --> 00:23:47,551 I GREW UP IN RHODE ISLAND SURROUNDED BY WATER AND THERE 371 00:23:47,586 --> 00:23:51,517 WAS A BRIDGE WE JUMPED OFF OF. THE BRIDGE, THAT'S NOT THE 372 00:23:51,551 --> 00:23:54,000 DANGEROUS PART. WHAT WAS HE CAN TICK IS YOU HAD 373 00:23:54,034 --> 00:23:58,206 TO SWIM OFFSHORE AND HAD TO TRY NOT TO GET HIT BY A BOAT. 374 00:23:58,241 --> 00:24:01,793 THE OTHER KIDS WERE DOING IT AND I WAS A SUCKER FOR PEER 375 00:24:01,827 --> 00:24:02,827 PRESSURE. >> James: IT WAS GREAT 376 00:24:02,862 --> 00:24:06,586 TRAINING AND THE FILM IS ABSOLUTELY BRILLIANT. 377 00:24:06,620 --> 00:24:11,206 LET'S TAKE A LOOK AT A CLIP FROM "I WANT YOU BACK" 378 00:24:11,241 --> 00:24:13,275 WHICH IS OUT NOW ON AMAZON PRIME VIDEO. 379 00:24:13,310 --> 00:24:15,586 >> I DON'T THINK YOU CAN GET TO JENNY. 380 00:24:15,620 --> 00:24:17,206 >> YOU MADE THAT PERFECTLY CLEAR. 381 00:24:17,241 --> 00:24:20,413 >> BUT I DO THINK YOU COULD BECOME NOAH'S FRIEND. 382 00:24:20,448 --> 00:24:23,517 >> I COULD DO THAT. PEOPLE LIKE TO BE MY FRIEND. 383 00:24:23,551 --> 00:24:28,000 I'M EXTREMELY AFFABLE. IN COLLEGE, ALL THE GIRLS WERE, 384 00:24:28,034 --> 00:24:31,000 LIKE, YOU'RE SUCH A GOOD FRIEND. >> OH, DARN IT. 385 00:24:31,034 --> 00:24:34,103 PEOPLE LIKE TO BE MY FRIEND. I GET IN HIS HEAD. 386 00:24:34,137 --> 00:24:37,689 >> AND MAKE HIM REALIZE JENNY IS NOT THAT GREAT. 387 00:24:37,724 --> 00:24:41,172 >> SHE'S NOT THAT GREAT. AND I'M THE ONE WHO GOT AWAY. 388 00:24:41,206 --> 00:24:43,103 DO YOU REALLY THINK WE CAN DO THIS? 389 00:24:43,137 --> 00:24:47,034 >> YES, I DO. I WILL IF YOU'RE IN. 390 00:24:47,068 --> 00:24:54,000 WE WILL WIN BACK OUR PEOPLE. IT'S ON! 391 00:24:54,034 --> 00:24:56,000 >> James: STICK AROUND, MORE OF THESE TWO WHEN WE COME BACK! 392 00:25:07,034 --> 00:25:08,310 >> YOU PUT UP A GOOD FIGHT IN THERE. 393 00:25:08,344 --> 00:25:12,862 I CAN'T IMAGINE A YOUNG WOMAN HER AGE HAVING TO SPEND TIME AT 394 00:25:12,896 --> 00:25:14,241 RIKERS LIKE THAT. >> HAPPENS. 395 00:25:14,275 --> 00:25:17,310 >> James: I DIDN'T NOTICE IF SHE HAD FAMILY IN THE COURTROOM. 396 00:25:17,344 --> 00:25:19,000 >> I HAVE NO COMMENT. DIDN'T ASK FOR ONE. 397 00:25:19,034 --> 00:25:22,448 BUT YOU WERE GOING TO. I DIDN'T KNOW IF YOU HAD AN 398 00:25:22,482 --> 00:25:28,137 IDEA HOW SHE GOT MIXED UP. >> NO COMMENT. 399 00:25:28,172 --> 00:25:30,172 FORTRESS, TRUE POWER PLAYER PRIVATE EQUITY. 400 00:25:30,206 --> 00:25:35,000 THAT IS NOT A SANDBOX MOST 26-YEAR-OLDS WOULD PLAY IN OR 401 00:25:35,034 --> 00:25:38,413 EVEN KNOW EXISTED BUT SHE DID. HOW DID SHE KNOW? 402 00:25:38,448 --> 00:25:39,448 >> NO COMMENT. 403 00:25:48,034 --> 00:25:49,172 >> JAMES: THAT WAS A CLIP FROM "INVENTING ANNA" WHICH IS 404 00:25:49,206 --> 00:25:54,068 STREAMING NOW ON NETFLIX. CONGRATULATIONS ON THE SHOW. 405 00:25:54,103 --> 00:25:54,931 >> THANK YOU [ CHEERS AND APPLAUSE ] 406 00:25:54,965 --> 00:25:57,655 >> James: TELL US ALL ABOUT IT. 407 00:25:57,689 --> 00:26:03,000 >> SO, YEAH, IT'S BASED ON A TRUE STORY OF A YOUNG WOMAN 408 00:26:03,034 --> 00:26:07,000 NAMED ANNA DELVIS/ANNA SORIGAN WHO SCAMMED HER WAY TO THE TOP 409 00:26:07,034 --> 00:26:10,413 OF NEW YORK CITY FINANCE AND I PLAY AN INVESTIGATORS WHO 410 00:26:10,448 --> 00:26:14,965 INVESTIGATES THE STORY. >> James: DID YOU KNOW SANDRA 411 00:26:15,000 --> 00:26:24,000 BEFORE YOU WORKED WITH HER ON THIS? 412 00:26:24,034 --> 00:26:27,172 >> I ONLY KNEW OF HER. I WAS IN LOS ANGELES FOR A DAY 413 00:26:27,206 --> 00:26:37,275 DOING PRESS FOR THE LAST SHOW I DID CALLED "VEEP," AND -- THANK 414 00:26:37,310 --> 00:26:38,551 YOU -- [ APPLAUSE ] 415 00:26:38,586 --> 00:26:41,241 -- AND WE HAD A GENERAL MEETING SO WE GABBED AND GABBED AND 416 00:26:41,275 --> 00:26:45,000 GABBED ABOUT THAT SCRIPT BY I THOUGHT WAS SO FASCINATING AND 417 00:26:45,034 --> 00:26:47,620 COULDN'T WAIT TO FINISH. IT WAS A TERRIFIC MEETING AND I 418 00:26:47,655 --> 00:26:50,758 REALLY WANTED TO PLAY THAT ROLE SO I GOT TO. 419 00:26:50,793 --> 00:26:53,379 >> James: GREAT. SUCH A GOOD SHOW. 420 00:26:53,413 --> 00:26:59,413 NOW, CHARLIE, YOU'VE MADE 15 SEASONS OF "IT'S ALWAYS SUNNY IN 421 00:26:59,448 --> 00:27:03,379 PHILADELPHIA" MAKES IT THE LONGEST RUNNING SITCOM OF ALL 422 00:27:03,413 --> 00:27:08,000 TIME. DID YOU ALWAYS WANT TO WORK IN 423 00:27:08,034 --> 00:27:09,482 COMEDY? WHEN DID YOU KNOW YOU WANTED TO 424 00:27:09,517 --> 00:27:13,172 WORK IN COMEDY? WERE YOU A CLASS CLOWN IN 425 00:27:13,206 --> 00:27:14,448 SCHOOL? >> OH, YEAH, ABSOLUTELY. 426 00:27:14,482 --> 00:27:20,793 CLASS CLOWN, I WAS EIGHTH GRADE, VOTED FUNNIEST, HIGH SCHOOL 427 00:27:20,827 --> 00:27:26,379 VOTED THINKS HE'S THE FUNNIEST. >> OH, THAT'S VERY NICHE OF 428 00:27:26,413 --> 00:27:28,586 THEM. >> IT WAS VERY LOUSY OF THEM. 429 00:27:28,620 --> 00:27:32,931 BUT I WAS ALSO VOTED FUNNIEST IN HIGH SCHOOL, SO CAN'T BLAME ME 430 00:27:32,965 --> 00:27:35,586 FOR BEING RIGHT. I MEAN, I WAS RIGHT! 431 00:27:35,620 --> 00:27:39,827 >> James: YOU WERE VOTED THINKS HE'S FUN NEST BUT SOMEONE 432 00:27:39,862 --> 00:27:43,137 ELSE VOTED FUNNIEST. >> NO, I WAS ALSO VOTED 433 00:27:43,172 --> 00:27:44,206 FUNNIEST. >> James: BOTH. 434 00:27:44,241 --> 00:27:47,034 IN THE SAME YEAR. >> AND THEY HAD A CATEGORY FOR 435 00:27:47,068 --> 00:27:51,034 EACH ONE, JUST TO COVER ALL THE EXISTENTIALISM. 436 00:27:51,068 --> 00:27:54,172 >> ONE TO BUILD YOU UP, ONE TO KNOCK YOU DOWN, A REAL 437 00:27:54,206 --> 00:27:57,137 NEW ENGLAND MOVE. >> James: EVERYONE GETS A 438 00:27:57,172 --> 00:28:00,724 VALENTINES CARD AND THEN -- GET OUT OF HERE! 439 00:28:00,758 --> 00:28:02,000 >> THAT'S IT. >> James: REGGIE, DO YOU HAVE 440 00:28:02,034 --> 00:28:04,034 A QUESTION FOR OUR GUESTS THIS EVENING? 441 00:28:04,068 --> 00:28:08,965 >> Reggie: YES, I DO. TONIGHT'S QUESTION GOES TO -- 442 00:28:09,000 --> 00:28:12,000 [ DRUM ROLL ] BOTH TO ANNA AND -- 443 00:28:12,034 --> 00:28:16,793 ♪ CHARLIE DAY, IT WOULD BE SO NICE... ♪ 444 00:28:16,827 --> 00:28:18,344 >> ON KEY. >> James: I LOVE THAT. 445 00:28:18,379 --> 00:28:22,068 WE SHOULD HAVE DONE THAT EARLIER, MESSED AROUND WITH THE 446 00:28:22,103 --> 00:28:29,758 BASTILLE STUFF. WE SHOULD HAVE DONE. 447 00:28:29,793 --> 00:28:35,275 ♪ CHARLIEDAY, CHARLIE DAY COME TOGETHER IN EVERY NATION ♪ 448 00:28:35,310 --> 00:28:38,379 LET'S DO THAT TOMORROW NIGHT ON THE SHOW. 449 00:28:38,413 --> 00:28:40,448 >> PLEASE DO IT. >> James: WE'LL DO IT TOMORROW 450 00:28:40,482 --> 00:28:45,689 ON A BIG MADONNA PARODY. >> THIS IS EXCITING. 451 00:28:45,724 --> 00:28:47,275 >> Reggie: HERE'S THE QUESTION. 452 00:28:47,310 --> 00:28:53,689 AS A LOT OF PEOPLE MAY KNOW, I HAVE A SIX-YEAR-OLD AND A 453 00:28:53,724 --> 00:28:54,931 THREE-YEAR-OLD -- >> REALLY? 454 00:28:54,965 --> 00:28:56,896 >> Reggie: -- AND RAISING KIDS IS HARD THESE DAYS WITH THE 455 00:28:56,931 --> 00:29:00,379 ECONOMY AND STUFF, AND DO YOU HAVE ANY ADVICE FOR SOMEONE 456 00:29:00,413 --> 00:29:04,172 THAT'S RAISING AN EIGHT-YEAR-OLD THAT WANTS TO FIND OUT MORE 457 00:29:04,206 --> 00:29:12,827 ABOUT WHO THEY ARE BUT STILL HAHASTO MAINTAIN ANOTHER LIFE F? 458 00:29:12,862 --> 00:29:14,137 >> AH... YOU WANT TO TAKE THAT ONE? 459 00:29:14,172 --> 00:29:19,379 >> James: START WITH YOU, ANNA THEN WE'LL COME TO YOU, CHARLIE. 460 00:29:19,413 --> 00:29:23,310 WHAT DO YOU THINK. >> LOTS OF WATER AND PLENTY OF 461 00:29:23,344 --> 00:29:25,965 SUNLIGHT. >> James: CHARLIE? 462 00:29:26,000 --> 00:29:31,068 I HEARD SIX, THREE, EIGHT AND TWO KIDS, WHICH MEANS AS YOU'RE 463 00:29:31,103 --> 00:29:33,827 DROPPING KIDS AS YOU'RE TELLING THE STORY, SIMPLY DROP ANOTHER 464 00:29:33,862 --> 00:29:37,344 ONE AND YOU ONLY HAVE ONE KID TO WORRY ABOUT. 465 00:29:37,379 --> 00:29:43,034 DROP ANOTHER ONE AFTER THAT, ZERO KIDS, NO PROBLEMS. 466 00:29:43,068 --> 00:29:45,413 >> Reggie: THANK YOU SO MUCH. BOTH YOUR RESPONSES ARE CORRECT. 467 00:29:45,448 --> 00:29:49,689 >> James: IT'S ABSOLUTELY CORRECT! 468 00:29:49,724 --> 00:29:51,275 ANNA KLUMSKY, CHARLIE DAY, EVERYBODY! 469 00:29:51,310 --> 00:29:52,310 WE'LL BE RIGHT BACK! [ CHEERS AND APPLAUSE ] 470 00:30:13,034 --> 00:30:14,275 [ CHEERS AND APPLAUSE ] >> James: WELCOME BACK. 471 00:30:14,310 --> 00:30:15,517 WE'VE GOT SOME FANTASTIC GUESTS COMING UP ON THE SHOW: OLYMPIC 472 00:30:15,551 --> 00:30:24,000 GOLD MEDALIST CHLOE KIM, REBECCA HALL, IKE BARINHOLTZ, SAM 473 00:30:24,034 --> 00:30:27,000 RICHARDSON, DAVE GROHL AND WILL ARNETT, PLUS MUSIC FROM MACHINE 474 00:30:27,034 --> 00:30:28,724 GUN KELLY AND WILLOW SMITH. BELLED LOVE YOU TO BE HERE BUT 475 00:30:28,758 --> 00:30:33,000 IF YOU CAN'T MAKE IT TO L.A. TO WATCH IN PERSON, YOU CAN STREAM 476 00:30:33,034 --> 00:30:34,413 FULL EPISODES ON PARAMOUNT+ OR CHECK OUT OUR YOUTUBE PAGE. 477 00:30:34,448 --> 00:30:38,000 AND, PLEASE DON'T FORGET TO FOLLOW ME ON TWITTER AT LATE 478 00:30:38,034 --> 00:30:38,758 LATE SHOW. YOU CAN ALSO HEART ME ON 479 00:30:38,793 --> 00:30:39,827 INSTAGRAM LINK ME ON LINKED IN 480 00:30:39,862 --> 00:30:45,000 PIN ME ON PINTEREST SNAP ME ON SNAPCHAT 481 00:30:45,034 --> 00:30:48,034 INITIAL ME ON DOCUSIGN BATHROOM ME ON OCCUPIED 482 00:30:48,068 --> 00:30:51,103 GET ME RETURNS ON TURBOTAX GET YOUR BOOSTER ON TURBOVAX, 483 00:30:51,137 --> 00:30:53,000 BUDGET ME ON MINT RUPERT ME ON GRINT 484 00:30:53,034 --> 00:30:56,931 POCKET ME ON LINT SEND YOUR BOYFRIEND 485 00:30:56,965 --> 00:30:58,344 ENGAGEMENT RING PHOTOS ON HINT, FIND ME A DATE ON HINGE 486 00:30:58,379 --> 00:31:00,103 MAKE ME GO [OOH BUTTON] 487 00:31:00,137 --> 00:31:03,172 ON CRINGE MANAGE MY NETWORK ON HOOTSUITE 488 00:31:03,206 --> 00:31:06,103 MANAGE HIS SHIRTS ON FRUITPETE TAG MY PLANTS ON PICTURETHIS 489 00:31:06,137 --> 00:31:09,068 GRAB MY PRATTS ON PICTURECHRIS BEAT ME ON WORDLE 490 00:31:09,103 --> 00:31:12,103 CINCH ME ON GIRDLE BUY ME TICKETS ON STUBHUB 491 00:31:12,137 --> 00:31:16,000 BUY THIGH POWDER ON CHUBRUB GET ME CLEAN ON TUBSCRUB 492 00:31:16,034 --> 00:31:18,034 PISS OFF A BEAR ON CUBSNUB UPVOTE ME ON REDDIT 493 00:31:18,068 --> 00:31:21,034 NORTON ME ON ED-DIT CONNECT WITH ME ON SAY-SO 494 00:31:21,068 --> 00:31:24,068 RE-CONNECT WITH BEN ON J.LO BUY ME DOG TREATS ON CHEWY 495 00:31:24,103 --> 00:31:27,827 TALK LIKE GEN Z ON CHEW-GEE FIND ME A HOTEL ON HOPPER 496 00:31:27,862 --> 00:31:30,068 FIND ME AN ARNOLD ON GET TO DA CHOPPA 497 00:31:30,103 --> 00:31:33,034 MONKEY ME ON MAILCHIMP SALAD ME ON KALEBLIMP 498 00:31:33,068 --> 00:31:36,068 LOCKER ME ON PALEWIMP COCKTAIL ME ON TAILSHRIMP 499 00:31:36,103 --> 00:31:38,965 MAKE SOME PLANS ON EVERNOTE EAT SOME CANS ON CLEVERGOAT 500 00:31:39,000 --> 00:31:44,000 TAKE SOME NOTES ON NOTABILITY TRAIN SOME GOATS ON GOAT AGILITY 501 00:31:44,034 --> 00:31:47,103 GAME WITH ME ON TWITCH ABERCROMBIE ME ON FITCH 502 00:31:47,137 --> 00:31:50,551 MEET WITH ME ON ZOOM MEET PUBERTY ON DAD IT'S MY ROOM 503 00:31:50,586 --> 00:31:52,034 OR, IF YOU WISH, FEEL FREE TO WRITE ME AN OLD-FASHIONED LETTER 504 00:31:52,068 --> 00:31:54,034 BY ADDRESSING IT TO TELEVISION CITY STUDIOS, 7800 BEVERLY 505 00:31:54,068 --> 00:31:58,551 BOULEVARD, LOS ANGELES, CALIFORNIA 90036. 506 00:31:58,586 --> 00:32:01,034 AND DON'T FORGET TO SEAL THAT ENVELOPE, WITH A KISS. 507 00:32:01,068 --> 00:32:04,103 WHEN THE LETTER ARRIVES, I'LL FIND THE ENVELOPE TO BE EMPTY 508 00:32:04,137 --> 00:32:06,103 BECAUSE, UNFORTUNATELY, A KISS IS ACTUALLY NOT A GOOD SEALING 509 00:32:06,137 --> 00:32:09,068 AGENT. I'LL WONDER WHY SOMEONE WOULD DO 510 00:32:09,103 --> 00:32:12,103 SOMETHING AS RUDE AS SENDING ME AN EMPTY ENVELOPE, FIND YOUR 511 00:32:12,137 --> 00:32:15,517 NAME IN THE RETURN ADDRESS AND HAVE YOU PERMANENTLY BANNED FROM 512 00:32:15,551 --> 00:32:18,103 EVER ENTERING CBS. MEANWHILE, HAVING NEVER HEARD 513 00:32:18,137 --> 00:32:21,034 BACK FROM ME, YOU'LL FEAR THE WORST AND COME STRAIGHT TO CBS 514 00:32:21,068 --> 00:32:24,068 TO CHECK THAT I'M OKAY. WHEN THE GUARDS DON'T LET YOU IN 515 00:32:24,103 --> 00:32:27,862 YOU'LL GET EVEN MORE NERVOUS, SUMMONING A BRUTE STRENGTH THAT 516 00:32:27,896 --> 00:32:29,551 YOU NEVER KNEW YOU HAD IN YOU AND MAKE YOUR WAY THROUGH THEM. 517 00:32:29,586 --> 00:32:33,034 THEY'LL SEND ME A WARNING THAT SOMEONE IS COMING TO FIND ME SO, 518 00:32:33,068 --> 00:32:37,034 I'LL CLOSE THE DOOR TO MY OFFICE AND SEAL IT, WITH A KISS. 519 00:32:37,068 --> 00:32:39,965 THIS WILL OF COURSE NOT STOP YOU FROM COMING RIGHT IN. 520 00:32:40,000 --> 00:32:42,068 RELIEVED TO FIND I'M OKAY, YOU'LL CALM DOWN. 521 00:32:42,103 --> 00:32:45,000 AFTER SOME NERVOUS EXPLANATIONS WE'LL REALIZE WHAT HAPPENED AND 522 00:32:45,034 --> 00:32:47,931 THEN WE'LL HAVE A REALLY GOOD LAUGH ABOUT IT. 523 00:32:47,965 --> 00:32:50,793 THE COPS WILL THEN ARRIVE AND PUT HANDCUFFS ON YOU. 524 00:32:50,827 --> 00:32:53,034 BUT THEY'LL SEAL THE HANDCUFFS 525 00:32:53,068 --> 00:32:57,000 WITH, A TITANIUM LOCK. I'M SORRY, I KNOW YOUR 526 00:32:57,034 --> 00:32:59,482 INTENTIONS WERE GOOD, BUT YOU COMMITTED A CRIME, AND YOU MUST 527 00:32:59,517 --> 00:33:01,517 PROPERLY MAKE YOUR WAY THROUGH THE US LEGAL SYSTEM. 528 00:33:21,034 --> 00:33:22,689 >> James: WELCOME BACK. THEY'RE A TALENTED POP-ROCK BAND 529 00:33:22,724 --> 00:33:26,000 HAILING FROM ENGLAND. THEIR BRILLIANT NEW ALBUM, GIVE 530 00:33:26,034 --> 00:33:27,931 ME THE FUTURE IS NUMBER ONE IN THE U.K.. 531 00:33:27,965 --> 00:33:29,413 RIGHT NOW, HERE, PERFORMING THEIR SINGLE, "SHUT OFF THE 532 00:33:29,448 --> 00:33:35,206 LIGHTS," PLEASE WELCOME, BASTILLE! 533 00:33:35,241 --> 00:33:39,586 ♪ ♪ 534 00:33:39,620 --> 00:33:40,620 ♪ ♪ ♪ I, 535 00:33:40,655 --> 00:33:43,724 I'M LOST IN MY HEAD AGAIN ♪ TIME TRAVELLING, 536 00:33:43,758 --> 00:33:46,724 RUNNING A-, ♪ RUNNING AWAY WITH DARKNESS 537 00:33:46,758 --> 00:33:48,310 MY ONLY FRIEND ♪ DON'T WANNA DO THIS 538 00:33:48,344 --> 00:33:50,931 ALL AGAIN ♪ YOU PULL ME BACK 539 00:33:50,965 --> 00:33:52,310 DOWN TO EARTH ♪ CLOTHES OFF, 540 00:33:52,344 --> 00:33:55,413 YOUR HANDS ARE ON, ♪ HANDS ARE ON ME 541 00:33:55,448 --> 00:33:58,379 GRACELAND-ING ONTO YOUR BED ♪ THERE YOU ARE IN MY HEAD, 542 00:33:58,413 --> 00:33:59,551 THERE'S A BEAT ♪ IT'S THE BEAT 543 00:33:59,586 --> 00:34:03,931 THAT YOU MAKE ♪ WHEN YOU'RE MOVING YOUR BODY 544 00:34:03,965 --> 00:34:07,758 YOU PROVE THAT I CAN'T ESCAPE, ♪ I CAN'T ESCAPE 545 00:34:07,793 --> 00:34:09,585 GOT MY HEART IN YOUR HANDS ♪ AND YOUR HANDS ON MY CHEST 546 00:34:09,620 --> 00:34:10,585 IN MY CHEST ♪ THERE'S A BREATH 547 00:34:10,620 --> 00:34:14,827 IT'S THE BREATH ♪ THAT YOU TAKE AWAY 548 00:34:14,862 --> 00:34:16,034 AND YOU SAID ♪ SHUT OFF THE LIGHTS 549 00:34:16,068 --> 00:34:20,344 WE DON'T NEED THEM ♪ TO DANCE HEY 550 00:34:20,379 --> 00:34:24,310 OH, YOU SAID ♪ JUST SHUT OFF THE LIGHTS, 551 00:34:24,344 --> 00:34:32,379 WE DON'T NEED THEM TO DANCE ♪ OH OH, YOU SAID 552 00:34:32,413 --> 00:34:35,241 JUST SHUT OFF THE LIGHTS, ♪ SHUT OFF THE LIGHTS 553 00:34:35,275 --> 00:34:38,275 WE'RE DRUNK, ♪ WE'RE INVINCIBLE 554 00:34:38,310 --> 00:34:40,310 NO GOING QUIETLY ♪ INTO THE NIGHT 555 00:34:40,344 --> 00:34:44,724 THIS ROOM IS OUR UNIVERSE ♪ YOU ARE MY GRAVITY 556 00:34:44,757 --> 00:34:47,379 TONIGHT NO TALK OF THE FUTURE ♪ NOW DARK THOUGHTS, 557 00:34:47,413 --> 00:34:48,655 YOU'RE SHAKING 'EM, ♪ TAKING 'EM OUT 558 00:34:48,688 --> 00:34:53,137 THIS RHYTHM THAT WE CREATE ♪ SETS ME STRAIGHT IN MY HEAD, 559 00:34:53,172 --> 00:34:54,862 THERE'S A BEAT ♪ IT'S THE BEAT 560 00:34:54,896 --> 00:34:56,620 THAT YOU MAKE ♪ WHEN YOU'RE MOVING YOUR BODY 561 00:34:56,655 --> 00:35:02,482 YOU PROVE THAT I CAN'T ESCAPE, ♪ I CAN'T ESCAPE 562 00:35:02,517 --> 00:35:04,344 GOT MY HEART IN YOUR HANDS ♪ AND YOUR HANDS ON MY CHEST 563 00:35:04,379 --> 00:35:07,896 IN MY CHEST THERE'S A BREATH ♪ IT'S THE BREATH 564 00:35:07,931 --> 00:35:09,448 THAT YOU TAKE AWAY ♪ AND YOU SAID 565 00:35:09,482 --> 00:35:11,448 SHUT OFF THE LIGHTS, ♪ WE DON'T NEED THEM TO DANCE 566 00:35:11,482 --> 00:35:20,034 ♪ ♪ ♪ ♪ 567 00:35:20,068 --> 00:35:23,413 SHUT OFF THE LIGHTS, ♪ WE DON'T NEED THEM TO DANCE 568 00:35:23,448 --> 00:35:27,344 ♪ ♪ ♪ AND YOU SAID 569 00:35:27,379 --> 00:35:32,379 SHUT OFF THE LIGHTS, ♪ WE DON'T NEED THEM TO DANCE 570 00:35:32,413 --> 00:35:38,000 SHUT OFF THE LIGHTS, ♪ AND YOU SAID 571 00:35:38,034 --> 00:35:40,344 SHUT OFF THE LIGHTS, ♪ WE DON'T NEED THEM TO DANCE 572 00:35:40,379 --> 00:35:47,137 ♪ ♪ ♪ AND YOU SAID 573 00:35:47,172 --> 00:35:48,241 SHUT OFF THE LIGHTS, ♪ WE DON'T NEED THEM TO DANCE 574 00:35:48,275 --> 00:35:50,551 ♪ ♪ ♪ ♪ 575 00:35:50,586 --> 00:35:52,586 ♪ ♪ ♪ 576 00:35:52,620 --> 00:35:53,689 ♪ ♪ ♪ ♪ 577 00:35:53,724 --> 00:35:55,724 ♪ ♪ ♪ AND YOU SAID 578 00:35:55,758 --> 00:35:57,448 SHUT OFF THE LIGHTS, ♪ WE DON'T NEED THEM TO DANCE 579 00:35:57,482 --> 00:36:05,448 ♪ ♪ ♪ ♪ 580 00:36:05,482 --> 00:36:12,620 SHUT OFF THE LIGHTS, ♪ ♪ 581 00:36:12,655 --> 00:36:14,448 ♪ ♪ SHUT OFF THE LIGHTS, 582 00:36:14,482 --> 00:36:25,551 ♪ WE DON'T NEED THEM TO DANCE ♪ ♪ 583 00:36:25,586 --> 00:36:30,931 SHUT OFF THE LIGHTS, ♪ WE DON'T NEED THEM TO DANCE 584 00:36:30,965 --> 00:36:31,827 ♪ AND YOU SAID SHUT OFF THE LIGHTS, 585 00:36:31,862 --> 00:36:32,655 ♪ WE DON'T NEED THEM TO DANCE ♪ ♪ 586 00:36:32,689 --> 00:36:39,000 ♪ ♪ ♪ 587 00:36:39,034 --> 00:36:40,310 [ CHEERS AND APPLAUSE ] >> JAMES: BASTILLE, EVERYONE 588 00:36:40,344 --> 00:36:41,275 TICKETS FOR THEIR GIVE ME THE FUTURE WORLD TOUR ARE AVAILABLE 589 00:36:41,310 --> 00:36:42,310 RIGHT NOW. WE'LL BE RIGHT BACK. 590 00:36:59,034 --> 00:37:00,103 [ CHEERS AND APPLAUSE ][ BAND P] >> James: THANK YOU SO MUCH 591 00:37:00,137 --> 00:37:03,000 FOR WATCHING TONIGHT! TOMORROW, EXCITING SUPER BOWL 592 00:37:03,034 --> 00:37:06,000 CHAMPION AARON DONALD IS COMING STRAIGHT FROM THE PARADE TO BE 593 00:37:06,034 --> 00:37:12,000 HERE. ADAM MCKAY & REBECCA HALL. 594 00:37:12,034 --> 00:37:14,000 REGGIE, TAKE US HOME. [ CHEERS AND APPLAUSE ]