1 00:00:02,033 --> 00:00:04,517 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:04,551 --> 00:00:07,448 ♪ AND FEEL THE LOVE TONIGHT DON'T YOU WORRY WHERE IT IS 3 00:00:07,482 --> 00:00:09,931 ♪ YOU COME FROM IT WILL BE ALL RIGHT 4 00:00:09,965 --> 00:00:11,965 ♪ IT'S THE "LATE, LATE SHOW" 5 00:00:16,033 --> 00:00:20,000 >> Reggie: LADIES AND GENTLEMEN, ALL THE WAY FROM LAKE ERIE, 6 00:00:20,034 --> 00:00:22,000 MICHIGAN, GIVE IT UP FOR YOUR HOST, JAMES CORDEN! 7 00:00:45,034 --> 00:00:46,551 >> James: HELLO, GOOD EVENING, LADIES AND GENTLEMEN, WELCOME TO 8 00:00:46,586 --> 00:00:51,000 "THE LATE LATE SHOW." 9 00:00:51,034 --> 00:00:52,551 THANKS FOR STOPPING BY, WE'RE SO GLAD YOU'RE HERE. 10 00:00:52,586 --> 00:00:56,000 LET'S SEE WHO THE GUESTS ARE ON THE SHOW TONIGHT! 11 00:00:56,034 --> 00:00:58,103 SHE'S AN EMMY-WINNING ACTRESS YOU KNOW FROM "MARE OF 12 00:00:58,137 --> 00:01:00,310 EASTTOWN," "WATCHMEN," "FARGO," AND OF COURSE "DESIGNING WOMEN." 13 00:01:00,344 --> 00:01:13,275 THE TRULY INCOMPARABLE, JEAN SMART IS HERE TONIGHT! 14 00:01:13,310 --> 00:01:13,827 CAN YOU BELIEVE IT. 15 00:01:13,862 --> 00:01:17,000 HEY JEAN, HOW ARE YOU? 16 00:01:17,033 --> 00:01:19,965 >> James: I JUST WANTED TO SAY HI. 17 00:01:20,000 --> 00:01:20,793 >> OKAY, HI, CAN I GO NOW? 18 00:01:20,827 --> 00:01:23,724 >> James: YEAH, I WILL SEE YOU LATER. 19 00:01:23,758 --> 00:01:26,000 >> OKAY. 20 00:01:26,033 --> 00:01:28,689 SEAN SMART, EVERYBODY! 21 00:01:28,724 --> 00:01:29,931 [APPLAUSE] AND 22 00:01:29,965 --> 00:01:30,793 HE'S A FANTASTIC ACTOR YOU KNOW FROM "THE AFFAIR," "DAWSON'S 23 00:01:30,827 --> 00:01:33,448 CREEK," AND "LITTLE FIRES EVERYWHERE." 24 00:01:33,482 --> 00:01:37,586 THE CHARMING, THE DEBONAIR, JOSHUA JACKSON IS HERE TONIGHT! 25 00:01:37,620 --> 00:01:39,896 MAWS PLAWS JOSHUA, HOW ARE YOU? 26 00:01:39,931 --> 00:01:40,931 >> I'M GOOD. 27 00:01:40,965 --> 00:01:42,793 I THOUGHT I WAS GOING TO GET TO MEET JEAN SMART. 28 00:01:42,827 --> 00:01:44,378 >> James: YOU WILL, YEAH. 29 00:01:44,413 --> 00:01:45,586 >> OKAY, GOOD, GOOD. 30 00:01:45,620 --> 00:01:46,965 >> James: I WILL BE HONEST, I WOULDN'T KNOCK ON THE DOOR. 31 00:01:47,000 --> 00:01:49,965 I DON'T THINK SHE IS UP FOR VISITSERS AT THE MOMENT, THAT 32 00:01:50,000 --> 00:01:52,068 HAS BEEN MY EXPERIENCE. 33 00:01:52,103 --> 00:01:53,793 I LOVE THIS, ARE YOU WEARING A LITTLE SWEATER VEST. 34 00:01:53,827 --> 00:01:54,482 >> YEAH. 35 00:01:54,517 --> 00:01:56,033 >> James: I LOVE T I LOVE IT. 36 00:01:56,068 --> 00:01:56,482 >> GOING FOR A COLLEGE PROFESSOR YOU WOULDN'T LET YOUR CHILDREN 37 00:01:56,517 --> 00:01:56,896 HANG OUT WITH. 38 00:01:56,931 --> 00:01:59,931 IS IT WORKING? 39 00:01:59,965 --> 00:02:02,000 >> James: CAN I BE HONEST? 40 00:02:02,034 --> 00:02:04,034 >> James: YOU'VE ABSOLUTELY NAILED IT. 41 00:02:04,068 --> 00:02:06,379 JOSHUA JACKSON, EVERYBODY. 42 00:02:06,413 --> 00:02:09,000 AND THIS IS EXCITING, THEY'RE AN INCREDIBLY TALENTED 43 00:02:09,033 --> 00:02:10,103 DANCE-ROCK BAND WHO ARE HERE TONIGHT TO PERFORM THEIR NEW 44 00:02:10,137 --> 00:02:15,689 SINGLE "MOVE" FOR THE FIRST TIME ON TELEVISION. 45 00:02:15,724 --> 00:02:17,413 WE LOVE THEM HERE AT "THE LATE LATE SHOW." 46 00:02:17,448 --> 00:02:21,413 THE SUPERB, THE ELECTRIC, DNCE! 47 00:02:21,448 --> 00:02:23,310 THERE WE ARE, HOW ARE YOU? 48 00:02:23,344 --> 00:02:24,034 >> HEY, WHAT'S UP. 49 00:02:24,068 --> 00:02:26,482 >> James: HOW IS IT GOING. 50 00:02:26,517 --> 00:02:28,896 >> I GOT MY OTHER BROTHERS HERE THOUGH. 51 00:02:28,931 --> 00:02:32,482 >> James: YEAH, NO CERTAINLY, CERTAINLY SEEMS LIKE WHAT THEY 52 00:02:32,517 --> 00:02:33,965 ARE NORMALLY LIKE WHEN THEY ARE HERE. 53 00:02:34,000 --> 00:02:36,000 THAT IS THE VIBE. 54 00:02:36,034 --> 00:02:36,827 >> I HOPE THAT IS ALL RIGHT. 55 00:02:36,862 --> 00:02:37,930 WE ARE CHANGING THINGS UP TONIGHTS. 56 00:02:37,965 --> 00:02:42,586 >> James: SO YOU ARE JUST STILL STICKING WITH DNCE. 57 00:02:42,620 --> 00:02:44,517 >> NO IT'S THE JONAS BROTHERS. 58 00:02:44,551 --> 00:02:47,137 >> James: CAN I TELL YOU THE TRUTH, YOU ARE THE ONLY JONAS 59 00:02:47,172 --> 00:02:49,344 BROTHER WHOSE NUMBER I'VE GOT. 60 00:02:49,379 --> 00:02:52,896 >> THAT'S WHAT I LIKE TO HEAR, JAMES. 61 00:02:52,930 --> 00:02:54,103 >> James: SAME HERE. 62 00:02:54,137 --> 00:02:58,379 >> JUST KIDDING, IT IS DNC SO EXCITED TO BE HERE, WE CAN'T 63 00:02:58,413 --> 00:02:59,067 WAIT. 64 00:02:59,103 --> 00:03:00,724 >> James: HEY, THERE THEY ARE. 65 00:03:00,758 --> 00:03:02,586 DNCE, EVERYBODY. 66 00:03:02,620 --> 00:03:04,034 COME ON NOW. 67 00:03:04,068 --> 00:03:04,931 OKAY. 68 00:03:04,965 --> 00:03:06,000 YOU READY, THEN LET'S, I'M JAMES CORDEN. 69 00:03:06,034 --> 00:03:07,000 THIS IS THE "LATE, LATE SHOW." 70 00:03:07,034 --> 00:03:09,000 ROLL THE TITLES. 71 00:03:15,034 --> 00:03:17,551 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 72 00:03:17,586 --> 00:03:21,551 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 73 00:03:21,586 --> 00:03:23,586 ♪ IT'S THE LATE, LATE SHOW 74 00:03:31,034 --> 00:03:32,103 THERE ST, HOW SERVE DOING, HOW IS THE BAND. 75 00:03:32,137 --> 00:03:32,896 >> GREAT, GREAT. 76 00:03:32,930 --> 00:03:34,827 >> James: YEAH? 77 00:03:34,862 --> 00:03:38,000 >> GREAT, GREAT. 78 00:03:38,034 --> 00:03:39,413 >> FEEL LIKE MAKING LOVE. 79 00:03:39,448 --> 00:03:41,965 >> James: DO YOU, DO YOU REALLY. 80 00:03:42,000 --> 00:03:43,067 >> YEAH. 81 00:03:43,103 --> 00:03:45,000 >> James: HOW BUT, TOM, DO YOU FEEL LIKE MAKING LOVE. 82 00:03:45,034 --> 00:03:48,689 >> NO, I FEEL LIKE BEING IN A BED BUT NOT FOR THAT. 83 00:03:48,724 --> 00:03:51,067 >> James: SAME, WRESH'S TIRED. 84 00:03:51,103 --> 00:03:51,620 >> WE'RE TIRED. 85 00:03:51,655 --> 00:03:52,517 >> James: WE'RE TIRED. 86 00:03:52,551 --> 00:03:53,689 >> SLEEPY BOY. 87 00:03:53,724 --> 00:03:56,482 >> James: I WILL HAVE TO IS SAY, IF YOU WATCHED THE SHOW 88 00:03:56,517 --> 00:04:01,034 LAST NIGHT, IT WASN'T LAST NIGHT, WE TAPED IT LAST WEEK. 89 00:04:01,068 --> 00:04:03,482 WE WERE IN NEW YORK CITY. 90 00:04:03,517 --> 00:04:04,689 >> NEW YORK CITY. 91 00:04:04,724 --> 00:04:07,896 >> James: WE WERE IN BROOKLYN ON TUESDAY, FILMING FOR THE 92 00:04:07,931 --> 00:04:09,034 SHOW, IN NEW YORK YESTERDAY. 93 00:04:09,068 --> 00:04:13,034 WE MADE THE MISTAKE OF ESSENTIALLY DRINKING EVERYWHERE 94 00:04:13,068 --> 00:04:14,965 WE WERE. 95 00:04:15,000 --> 00:04:16,241 >> YEAH. 96 00:04:16,274 --> 00:04:19,757 >> James: NOT TO A POINT WHERE WE WERE LIKE-- NOT LIKE ROB CRAB 97 00:04:19,793 --> 00:04:22,482 LAST NIGHT, BUT WE HAD ALREADY LEFT BY THEN BUT ESSENTIALLY 98 00:04:22,517 --> 00:04:26,379 EVERY POINT WE WERE LIKE SHOULD I HAVE A DRINK. 99 00:04:26,413 --> 00:04:28,310 AND I'M FEELING THAT NOW, I'M FEELING IT. 100 00:04:28,344 --> 00:04:31,206 >> THERE WAS JUST ENOUGH TIME EVERYWHERE WE WENT WHERE WE ARE 101 00:04:31,241 --> 00:04:33,241 SAID SHOULD WE GET A COCKTAIL. 102 00:04:33,275 --> 00:04:35,068 >> James: ABSOLUTELY RIGHT. 103 00:04:35,103 --> 00:04:40,344 AT EVERY POINT THERE WAS A WINDOW OF LIKE-- SHOULD WE HAVE 104 00:04:40,379 --> 00:04:41,034 A DRINK. 105 00:04:41,068 --> 00:04:44,275 >> WANT TO GET A COCKTAIL? 106 00:04:44,310 --> 00:04:45,344 >> YEAH, YEAH. 107 00:04:45,379 --> 00:04:46,931 >> James: SLEEPILY BOY, ABSOLUTELY SLEEPY BOY BUT 108 00:04:46,965 --> 00:04:51,793 NOTHING WILL PICK YOU UP MORE THAN JOSHUA JACKSON BEING HERE. 109 00:04:51,827 --> 00:04:53,034 [CHEERS AND APPLAUSE]. 110 00:04:53,068 --> 00:05:00,034 >> James: JOSHUA JACK SON, DAWSON'S CREEK WAS SO HUGE IT 111 00:05:00,068 --> 00:05:05,586 WAS HUGE HERE, RIGHT, MASSIVE AT HOME, MASSIVE AT HOME. 112 00:05:05,620 --> 00:05:07,862 >> REAL HOT THROB, WASN'T HE. 113 00:05:07,896 --> 00:05:08,689 THAT JJ. 114 00:05:08,724 --> 00:05:12,551 >> OH YEAH, SIZZLING PIECE OF MEAT. 115 00:05:12,586 --> 00:05:14,655 >> James: OKAY. 116 00:05:14,689 --> 00:05:22,965 >> BIG HUNK OF ALL AMERICAN, USDA APPROVED BEEF. 117 00:05:23,000 --> 00:05:26,862 >> James: A BIG HUNK OF SIZZLING MEAT. 118 00:05:26,896 --> 00:05:27,793 >> YEAH. 119 00:05:27,827 --> 00:05:29,034 >> James: WHO WAS YOUR FIRST TV CRUSH, REG? 120 00:05:29,068 --> 00:05:32,793 >> Reggie: I LOVED LINDA CARTER. 121 00:05:32,827 --> 00:05:34,862 >> James: LINDAR CARTER FROM-- . 122 00:05:34,896 --> 00:05:36,241 >> Reggie: WONDER WOMAN. 123 00:05:36,275 --> 00:05:37,655 >> James: YES, WONDER WOMAN. 124 00:05:37,689 --> 00:05:38,655 >> Reggie: YEAH. 125 00:05:38,689 --> 00:05:41,034 >> James: SHE'S BEEN ON THE SHOW, RIGHT, ROB? 126 00:05:41,068 --> 00:05:43,862 >> DON'T THINK SO. 127 00:05:43,896 --> 00:05:46,965 >> James: WELL, COULD SOMEONE CHECK THAT. 128 00:05:47,000 --> 00:05:48,758 >> SHE WAS WONDER WOMAN LIKE 50 YEARS AGO. 129 00:05:48,793 --> 00:05:51,448 >> James: I KNOW BUT I THINK WE DID SOMETHING. 130 00:05:51,482 --> 00:05:52,068 >> DID WE. 131 00:05:52,103 --> 00:05:53,758 DID SHE DO A CAMIO WALKON. 132 00:05:53,793 --> 00:05:56,344 >> James: WE DID SOMETHING. 133 00:05:56,379 --> 00:05:58,172 >> WE MIGHT HAVE HAD SUPERGIRL FROM THE C-W BUT NOT WONDER 134 00:05:58,206 --> 00:05:59,310 WOMAN FROM THE 70S. 135 00:05:59,344 --> 00:06:01,068 >> SHE HAS NOT BEEN ON THE SHOW. 136 00:06:01,103 --> 00:06:08,482 >> Reggie: OH,-- . 137 00:06:08,517 --> 00:06:17,758 >> James: WE'LL BE RIGHT BACK, EVERYBODY. 138 00:06:17,793 --> 00:06:28,620 IT'S THAT TIME, IT'S TIME FOR THE NEWS. 139 00:06:28,655 --> 00:06:31,275 FORMER PRESIDENT GEORGE W. BUSH WAS GIVING A SPEECH LAST NIGHT 140 00:06:31,310 --> 00:06:35,241 AND HE MADE QUITE THE FREUDI ACTION N SLIP. 141 00:06:35,275 --> 00:06:39,620 >> THE DECISION OF ONE MAN COULD LAUNCH A WHOLLY UNJUSTIFIED AND 142 00:06:39,655 --> 00:06:41,034 BRUTAL INVASION OF IRAQ. 143 00:06:41,068 --> 00:06:46,413 I MEAN OF UKRAINE. 144 00:06:46,448 --> 00:06:48,862 IRAQ-- ANYWAY. 145 00:06:48,896 --> 00:06:50,103 >> OOPS SEE. 146 00:06:50,137 --> 00:06:56,517 >> James: I HATE WHEN I MIX UP MY UNPROVOKED INVASION HERE IS 147 00:06:56,551 --> 00:07:01,068 THE THING, RIGHT, AFTER TRUMP, RIGHT, EVEN GEORGE W. BUSH 148 00:07:01,103 --> 00:07:09,068 INADVERTED ENTLY CONFESSING TO A WAR CRIME SHOW SEEMS-- CUTE, HE 149 00:07:09,103 --> 00:07:11,310 IMMEDIATELY TRIES TO COVER THE MISTAKE BY SAYING THIS. 150 00:07:11,344 --> 00:07:15,620 >> I MEAN OF THE UKRAINE. 151 00:07:15,655 --> 00:07:21,068 IRAQ-- ANYWAY. 152 00:07:21,103 --> 00:07:22,275 I'M 75, I'M 75. 153 00:07:22,310 --> 00:07:27,241 >> James: TO BE FAIR HE WAS ALSO MAKING SLIP UPS LIKE THAT 154 00:07:27,275 --> 00:07:35,000 AT 75, 65, 55, AND 45, AUR MAN FOUR YEAR YOUNGER THAN THE 155 00:07:35,034 --> 00:07:38,689 CURRENT PRESIDENT OF THE UNITED STATES IS LIKE AT THIS AGE YOUR 156 00:07:38,724 --> 00:07:41,275 BRAIN MAKES YOU SAY SOME CRAZY [BLEEP]. 157 00:07:41,310 --> 00:07:43,344 DO YOU HAVE ANY SHOCKING REVELATIONS YOU HAVE BEEN 158 00:07:43,379 --> 00:07:48,655 HOLDING IN, YOU WANT TO PUT IT OUT NOW I EAT THE ENTIRE APPLE. 159 00:07:48,689 --> 00:07:50,551 >> SO DO I. 160 00:07:50,586 --> 00:07:51,827 >> SO DO I. 161 00:07:51,862 --> 00:07:54,241 >> I EAT THE WHOLE THING, I TAKE THE STALK AND I EAT THE WHOLE 162 00:07:54,275 --> 00:07:55,068 THING. 163 00:07:55,103 --> 00:07:58,965 AND THIS GUY SHAMES ME FOR IT DAILY. 164 00:07:59,000 --> 00:08:01,068 IT'S THE MOST SHOCKING THING HAVE I SEEN YOU DO. 165 00:08:01,103 --> 00:08:03,586 >> IT'S STILL AN APPLE, MAN. 166 00:08:03,620 --> 00:08:04,517 >> IT IS APPLE. 167 00:08:04,551 --> 00:08:07,068 >> ST THE CROSS HARD PARTS IN THE MIDDLE. 168 00:08:07,103 --> 00:08:11,275 >> SAYS YOU, IT IS STILL AN APPLE. 169 00:08:11,310 --> 00:08:13,275 YOU SAY THAT, I DON'T, STILL AN APPLE. 170 00:08:13,310 --> 00:08:14,931 >> DO YOU EAT THE SKIN OF AN ORANGE. 171 00:08:14,965 --> 00:08:18,827 >> HAVE I BEEN KNOWN TO NIBBLE AT IT, BUT THERE IS SKIN OF AN 172 00:08:18,862 --> 00:08:23,344 ORANGE IN A LOT OF THINGS, I DONLT BITE INTO IT LIKE AN 173 00:08:23,379 --> 00:08:23,931 APPLE. 174 00:08:23,965 --> 00:08:25,137 >> DO YOU WITH A BANANA. 175 00:08:25,172 --> 00:08:36,309 >> NO, I DON'T-- I DON'T-- DO I PEEL IT OR DO I GO ON IT? 176 00:08:36,344 --> 00:08:40,309 >> THAT IS YOUR OWN INTERPRETATION. 177 00:08:40,344 --> 00:08:44,689 >> James: I KNOW YOU STILL ARE TECHNICALLY DRUNK, ROB. 178 00:08:44,724 --> 00:08:45,965 >> PLEASE. 179 00:08:46,000 --> 00:08:48,448 >> James: NO, I DON'T EAT THE PEEL BUT I WOULDN'T CHASTISE YOU 180 00:08:48,482 --> 00:08:49,103 IF YOU DID. 181 00:08:49,137 --> 00:08:49,931 >> ALL RIGHT. 182 00:08:49,965 --> 00:08:51,482 >> James: AND THAT'S THE DIFFERENCE. 183 00:08:51,517 --> 00:08:55,379 >> A BANANA PEEL TASTES GROWS, AN ORANGE PEEL IS BITTER, THE 184 00:08:55,413 --> 00:08:59,310 INSIDE OF AN APPLE TASTES LIKE MORE APP WELL A SLIGHTSLY 185 00:08:59,344 --> 00:09:00,896 DIFFERENT TEXTURE T IS APPLE ALL THE WAY THROUGH. 186 00:09:00,931 --> 00:09:02,586 >> YOU ARE JUST EATING WOOD AT THAT POINT. 187 00:09:02,620 --> 00:09:03,758 >> Reggie: YEAH. 188 00:09:03,793 --> 00:09:07,241 >> ARE YOU BEING IMMATURE AND ARE NOT READY TO HAVE THIS 189 00:09:07,275 --> 00:09:08,241 CONVERSATION. 190 00:09:08,275 --> 00:09:12,000 >> James: YOU ARE, YOU ARE BEING VERY IMMATURE. 191 00:09:12,034 --> 00:09:13,517 THAT ST WHAT YOU ARE DOING. 192 00:09:13,551 --> 00:09:16,068 YOU ARE BEING VERY IMMATURE. 193 00:09:16,103 --> 00:09:17,206 >> I APOLOGIZE. 194 00:09:17,241 --> 00:09:19,655 >> James: YOU ARE THE-- YOU ARE THE SECOND MOST SENIOR 195 00:09:19,689 --> 00:09:26,448 PERSON ON THE FLOOR IN HERE AFTER NICK. 196 00:09:26,482 --> 00:09:28,206 ARE YOU BEING VERY IMMATURE. 197 00:09:28,241 --> 00:09:29,448 >> SORRY, NICK. 198 00:09:29,482 --> 00:09:31,793 >> James: WHERE DO YOU STAND ON THIS, NICK, EATING THE CORE. 199 00:09:31,827 --> 00:09:37,275 >> I WOULDN'T DO IT PERSONALLY BUT I WOULDN'T SHAME YOU FOR IT 200 00:09:37,310 --> 00:09:38,034 EITHER. 201 00:09:38,068 --> 00:09:43,931 >> James: AND THAT-- [APPLAUSE]. 202 00:09:43,965 --> 00:09:49,413 > James: THAT IS WHY HE IS A NATURAL LEADER. 203 00:09:49,448 --> 00:09:52,965 [LAUGHTER] AND FINALLY IT WAS OUR SACRED 204 00:09:53,000 --> 00:09:54,172 DUTY TO SHOW YOU THIS. 205 00:09:54,206 --> 00:09:55,413 THE CAMBODIAN GOVERNMENT HAS ASKED PEOPLE TO STOP PICKING A 206 00:09:55,448 --> 00:09:59,000 RARE PLANT THAT IS POTENTIALLY VULNERABLE TO EXTINCTION. 207 00:09:59,034 --> 00:10:03,000 APPARENTLY, PEOPLE ARE PICKING THEM AND TAKING SELFIES 208 00:10:03,034 --> 00:10:10,931 WITH THEM, BECAUSE THEY LOOK LIKE A PENIS. 209 00:10:10,965 --> 00:10:13,689 LOOK AT THAT. 210 00:10:13,724 --> 00:10:17,517 THEY LOOK SO MUCH LIKE A A PENIS, CBS WON'T LET US SHOW 211 00:10:17,551 --> 00:10:22,379 THE WHOLE THING WITHOUT BLURRING. 212 00:10:22,413 --> 00:10:25,000 IT'S JUST A PLANTSD, THE REAL PLANTS, THE DIRECTS QUOTE WE GOT 213 00:10:25,034 --> 00:10:32,000 FROM THE BOSSES AT CBS IS TO BLUR JUST THE TYPE. 214 00:10:32,034 --> 00:10:33,344 [LAUGHTER] WHO DO WE TALK TO ABOUT THIS 215 00:10:33,379 --> 00:10:38,344 NICK YVMENT CAN WE NOT JUST SHOW A NATURAL ORGANICALLY GROWN 216 00:10:38,379 --> 00:10:40,896 PLANTS ON TV? 217 00:10:40,931 --> 00:10:42,931 >> I DON'T WANT TO TALK ABOUT PENIS WITH YOU. 218 00:10:49,379 --> 00:10:50,551 [LAUGHTER]. 219 00:10:50,586 --> 00:10:51,000 >> James: VERY UNIQUE PLANTS, THEY ARE ACTUALLY A TYPE OF 220 00:10:51,034 --> 00:10:52,034 FLOWER. 221 00:10:52,068 --> 00:10:55,448 COULD HAVE FOOLED ME, LOOKS MORE LIKE A HARDWOOD. 222 00:10:55,482 --> 00:10:56,241 AND THAT'S THE NEWS. 223 00:10:56,275 --> 00:10:58,275 WE'LL BE RIGHT BACK, EVERYBODY. 224 00:11:13,034 --> 00:11:15,655 >> James: WELCOME BACK. 225 00:11:15,689 --> 00:11:16,931 >> James: EVERY NOW AND THEN, I LIKE TO FILL IN FOR PEOPLE 226 00:11:16,965 --> 00:11:18,482 AND TAKE OVER THEIR JOB, SO THEY CAN TAKE A MUCH-NEEDED BREAK. 227 00:11:18,517 --> 00:11:24,000 SO, WHEN FORMULA ONE CAME TO MIAMI A FEW WEEKS AGO, I KNEW I 228 00:11:24,034 --> 00:11:24,413 HAD TO DO JUST THAT. 229 00:11:24,448 --> 00:11:29,827 TAKE A LOOK. 230 00:11:29,862 --> 00:11:32,000 [VEHICLE VROOMING] >> James: I'VE COME DOWN TO 231 00:11:32,034 --> 00:11:34,551 MIAMI TO COME TO THE INAUGURAL FORMULA ONE MIAMI GRAND PRIX. 232 00:11:34,586 --> 00:11:39,000 WE'RE GOING TO SPEND THE WEEKEND WITH THE McLAREN RACING TEAM, 233 00:11:39,034 --> 00:11:42,655 TO SEE IF WE CAN IMPROVE THEM ALL ACROSS THE TRACK. 234 00:11:42,689 --> 00:11:46,689 LET'S GO AND TRY AND FIND DANIEL RICCIARDO AND LANDO NORRIS. 235 00:11:46,724 --> 00:11:56,448 S S S DANIEL, LANDO, HERE THEY ARE, MY 236 00:11:56,482 --> 00:11:57,103 DRIVERS. 237 00:11:57,137 --> 00:11:58,655 THE TEAM, HOW ARE WE DOING? 238 00:11:58,689 --> 00:12:07,000 FEELING GOOD SNRVMENT'S GOING TO BE PEDESTRIANSAL TO THE METAL, 239 00:12:07,034 --> 00:12:08,896 DRIVING MISS DAISY. 240 00:12:08,931 --> 00:12:13,413 WE'RE IN MIAMI, THIS DOESN'T WORK FOR ME, OKAY. 241 00:12:13,448 --> 00:12:26,551 I HAVE GOT THE NEW RACEWEAR NAY THINK SAY LITTLE MORE MIAMI 242 00:12:26,586 --> 00:12:27,137 "MIAMI AT 5:00." 243 00:12:27,172 --> 00:12:28,655 S S S THAT'S IT, BOYS. 244 00:12:28,689 --> 00:12:30,068 JUST RULE THE SQUARE. 245 00:12:30,103 --> 00:12:31,172 S S S LET THEM KNOW WE RULE MIAMI, 246 00:12:31,206 --> 00:12:32,793 BABY. 247 00:12:32,827 --> 00:12:33,655 THAT'S IT. 248 00:12:33,689 --> 00:12:37,000 SLOW-MO, GO. 249 00:12:37,034 --> 00:12:38,517 S S S THAT'S IT. 250 00:12:38,551 --> 00:12:39,068 WHO'S MY NUMBER ONE? 251 00:12:39,103 --> 00:12:39,655 >> I AM. 252 00:12:39,689 --> 00:12:41,448 >> I AM. 253 00:12:41,482 --> 00:12:42,689 >> James: CORRECT. 254 00:12:42,724 --> 00:12:43,413 S S S I'M JOINING THE PIT CREW. 255 00:12:43,448 --> 00:12:44,103 >> YEP. 256 00:12:44,137 --> 00:12:45,275 >> James: WHAT DO WE DO FIRST? 257 00:12:45,310 --> 00:12:47,068 >> THE FIRST THING YOU NEED TO DO IS JOIN THE WARM-UP. 258 00:12:47,103 --> 00:12:51,068 >> James: HEY, I'M ALREADY WARM, BUT I'LL GIVE IT A SHOT. 259 00:12:51,103 --> 00:12:55,034 LET'S GO, COME ON. 260 00:12:55,068 --> 00:12:57,034 [MEDITATION MUSIC] THAT'S IT, STRETCH IT OUT, OKAY. 261 00:12:57,068 --> 00:12:59,068 SO, LET'S GET ON OUR FRONTS, OKAY? 262 00:12:59,103 --> 00:13:01,344 ON YOUR FRONTS. 263 00:13:01,379 --> 00:13:03,172 RIGHT DOWN-- AND LET'S JUST TAKE THIS UP FOR 264 00:13:03,206 --> 00:13:05,689 A DOWNWARD DOG, OKAY, THAT'S IT. 265 00:13:05,724 --> 00:13:09,689 AND THEN UP, AND THEN RIGHT DOWN LOW. 266 00:13:09,724 --> 00:13:11,103 AS WE COME UP TO DOWNWARD DOG... 267 00:13:11,137 --> 00:13:15,103 OKAY, EVERYBODY JUST... [VROOMS] LIKE A RACE CAR, OKAY? 268 00:13:15,137 --> 00:13:17,655 SO TAKE IT BACK HERE, AND... 269 00:13:17,689 --> 00:13:20,724 >> [VROOMS] >> James: THAT'S IT, BRILLIANT. 270 00:13:20,758 --> 00:13:21,517 EVERYBODY NOW, HANDS ON HIPS. 271 00:13:21,551 --> 00:13:27,000 JUST COPY ME IN THE MIDDLE, OKAY? 272 00:13:27,034 --> 00:13:31,000 WHAT, SHOULD I OPEN THIS OUT? 273 00:13:31,034 --> 00:13:32,000 REALLY OPEN UP THE HIPS. 274 00:13:32,034 --> 00:13:33,896 AND THEN ONE ARM HERE, AND ONE ARM HERE, OKAY. 275 00:13:33,931 --> 00:13:36,275 AND REMEMBER: WE'RE IN MIAMI, OKAY, GUYS, OKAY? 276 00:13:36,310 --> 00:13:41,655 [SALSA MUSIC] ANDREW, GO! 277 00:13:41,689 --> 00:13:42,241 GET IN THERE, LEAD THE SALSA! 278 00:13:42,275 --> 00:13:43,551 YA-YA-YA-YA! 279 00:13:43,586 --> 00:13:44,862 LET ME SEE THAT MIAMI SPIRIT! 280 00:13:44,896 --> 00:13:45,724 THAT'S IT, GO. 281 00:13:45,758 --> 00:13:48,172 GIUSEPPE, THAT'S APPALLING. 282 00:13:48,206 --> 00:13:49,620 THAT IS ABSOLUTELY APPALLING. 283 00:13:49,655 --> 00:13:52,379 OKAY, ONE LAST, ONE LAST, ONE LAST-- GO FOR IT! 284 00:13:52,413 --> 00:13:53,103 YES, GO, JOHNNY! 285 00:13:53,137 --> 00:13:53,620 GO ON, JOHNNY. 286 00:13:53,655 --> 00:13:56,724 WAIT. 287 00:13:56,758 --> 00:13:57,413 AND I'M DIPPING YOU! 288 00:13:57,448 --> 00:13:57,655 DIP. 289 00:13:57,689 --> 00:13:59,931 DIP. 290 00:13:59,965 --> 00:14:03,034 S S S >> James: INSIDE. 291 00:14:03,068 --> 00:14:04,275 >> TURN IT AROUND... 292 00:14:04,310 --> 00:14:05,689 >> James: OUTSIDE. 293 00:14:05,724 --> 00:14:07,896 LET'S GO, GUYS. 294 00:14:07,931 --> 00:14:09,620 THESE ARE JUST GOING TO GET DIRTY AGAIN TOMORROW, RIGHT? 295 00:14:09,655 --> 00:14:12,034 WHAT DO WE NEED TO WASH THEM FOR? 296 00:14:12,068 --> 00:14:14,448 >> IT'LL BE NICE TO DO IT, YOU KNOW? 297 00:14:14,482 --> 00:14:15,931 YOU'VE GOT-- YOU'VE GOT TO SCRUB A BIT HARDER THAN THAT. 298 00:14:15,965 --> 00:14:17,655 YOU'RE NOT DOING DISHES, MATE, COME ON. 299 00:14:17,689 --> 00:14:19,689 >> James: THAT GOOD? 300 00:14:19,724 --> 00:14:21,655 BUT YOU STILL THINK I MISSED A BIT OR WHAT? 301 00:14:21,689 --> 00:14:22,586 YEAH? 302 00:14:22,620 --> 00:14:23,862 YEAH, GO ON, GET OUT OF HERE! 303 00:14:23,896 --> 00:14:24,379 AND YOU, GO ON. 304 00:14:24,413 --> 00:14:29,000 MISSED A BIT, GO ON. 305 00:14:29,034 --> 00:14:29,896 OH, IT'S NOT COMING OFF, THAT. 306 00:14:29,931 --> 00:14:36,689 IT'S NEVER GOING TO GET CLEAN, THAT ONE. 307 00:14:36,724 --> 00:14:37,655 I'M READY TO ROLL. 308 00:14:37,689 --> 00:14:38,931 OKAY. 309 00:14:38,965 --> 00:14:41,655 ALL RIGHT, LADS, LET'S GO GET THEM. 310 00:14:41,689 --> 00:14:49,310 AS SOON AS I FEEL IT POP LOOSE-- [OWER DRILL] 311 00:14:49,344 --> 00:14:50,413 WOO! 312 00:14:50,448 --> 00:14:51,034 ALL RIGHT, LET'S KEEP IT-- KEEP IT HERE, OKAY, GUYS. 313 00:14:51,068 --> 00:14:53,620 LET'S LOCK AND LOAD, GUYS. 314 00:14:53,655 --> 00:14:59,103 S S S [MUSIC SQUEALS TO HALT] 315 00:14:59,137 --> 00:14:59,862 >> YOU GOT TO GET IT! 316 00:14:59,896 --> 00:15:00,482 >> James: WHAT THE [BLEEP]? 317 00:15:00,517 --> 00:15:01,620 LIAM! 318 00:15:01,655 --> 00:15:02,275 >> SORRY! 319 00:15:02,310 --> 00:15:04,103 >> James: CONCENTRATE, YEAH? 320 00:15:04,137 --> 00:15:05,689 SORRY, FELLAS. 321 00:15:05,724 --> 00:15:06,241 LIAM'S ALL OVER THE SHOP. 322 00:15:06,275 --> 00:15:12,241 S S S YES! 323 00:15:12,275 --> 00:15:13,482 YES! 324 00:15:13,517 --> 00:15:13,965 COME ON. 325 00:15:14,000 --> 00:15:16,482 COME ON, COME ON. 326 00:15:16,517 --> 00:15:17,689 TELL PETE HE CAN FLY BACK HOME, HE'S FIRED. 327 00:15:17,724 --> 00:15:19,034 LET'S GO. 328 00:15:19,068 --> 00:15:21,689 WE'VE GOT IT. 329 00:15:21,724 --> 00:15:32,206 S S S >> THANKS, MATE. 330 00:15:32,241 --> 00:15:33,137 >> James: THERE YOU GO. 331 00:15:33,172 --> 00:15:33,827 BIG RACE. 332 00:15:33,862 --> 00:15:35,034 JUST TRYING TO REST THE LEGS. 333 00:15:35,068 --> 00:15:36,103 >> AND THE NEW CRASH HELMET DESIGN AS WELL, TELL US ABOUT 334 00:15:36,137 --> 00:15:36,724 THAT. 335 00:15:36,758 --> 00:15:37,655 >> James: LET'S GO LOWER. 336 00:15:37,689 --> 00:15:39,034 CAN THIS GO LOWER? 337 00:15:39,068 --> 00:15:39,896 SO HE'S SHOT FROM BELOW? 338 00:15:39,931 --> 00:15:41,655 SO HE LOOKS LIKE AN ABSOLUTE BEEFCAKE. 339 00:15:41,689 --> 00:15:43,137 CAN WE GO LOWER? 340 00:15:43,172 --> 00:15:44,413 OR I CAN JUST GO-- WE'LL GO HIGHER. 341 00:15:44,448 --> 00:15:45,000 >> SURE. 342 00:15:45,034 --> 00:15:45,655 >> James: THERE, THERE. 343 00:15:45,689 --> 00:15:46,896 THAT'S IT. 344 00:15:46,931 --> 00:15:47,379 GO NOW. 345 00:15:47,413 --> 00:15:48,000 THAT'S IT. 346 00:15:48,034 --> 00:15:48,482 THAT'S THE ANGLE. 347 00:15:48,517 --> 00:15:51,241 THAT'S THE ANGLE. 348 00:15:51,275 --> 00:15:52,931 >> YEAH, SO, THE HELMET'S AWESOME. 349 00:15:52,965 --> 00:15:53,655 DO YOU LIKE IT? 350 00:15:53,689 --> 00:15:54,620 >> YEAH, IT'S ONE OF THE BEST. 351 00:15:54,655 --> 00:15:56,172 >> YOU'VE BEEN AROUND THIS TRACK. 352 00:15:56,206 --> 00:15:57,275 HOW WAS IT? 353 00:15:57,310 --> 00:15:58,241 YOU TOOK ONE OF THE MIAMI DOLPHINS PLAYERS WITH YOU. 354 00:15:58,275 --> 00:15:59,068 >> I DID. 355 00:15:59,103 --> 00:16:00,275 >> HE HAD A GREAT TIME, HE TOLD US. 356 00:16:00,310 --> 00:16:02,034 >> James: WE CAN'T TALK ABOUT PUTTING A DOLPHIN IN A CAR. 357 00:16:02,068 --> 00:16:06,241 THAT IS-- PETER WILL ABSOLUTELY GO NUTS WITH THAT. 358 00:16:06,275 --> 00:16:09,689 SO, I DON'T KNOW IF YOU HAD A DOLPHIN IN THE CAR, BUT YOU 359 00:16:09,724 --> 00:16:12,241 CANNOT SAY THAT YOU'VE-- YOU'VE GOT A DOLPHIN AND YOU PUT IT IN 360 00:16:12,275 --> 00:16:13,689 THE CAR. 361 00:16:13,724 --> 00:16:15,965 JUST SAY "NO COMMENT." 362 00:16:16,000 --> 00:16:16,586 >> NO COMMENT. 363 00:16:16,620 --> 00:16:17,103 >> HE'S AN N.F.L. PLAYER. 364 00:16:17,137 --> 00:16:17,689 MIAMI DOLPHINS. 365 00:16:17,724 --> 00:16:18,517 HE'S AN N.F.L. PLAYER. 366 00:16:18,551 --> 00:16:20,413 >> James: N.F.L. PLAYER, OKAY, OKAY. 367 00:16:20,448 --> 00:16:21,689 OKAY-- A DOLPHIN PLAYS IN THE N.F.L.? 368 00:16:21,724 --> 00:16:23,034 OKAY, GOOD ONE. 369 00:16:23,068 --> 00:16:24,241 ALL RIGHT, YOU MUST THINK WE'RE BORN YESTERDAY. 370 00:16:24,275 --> 00:16:25,689 THANK GOD I'M HERE. 371 00:16:25,724 --> 00:16:27,068 THIS WAS GOING OFF THE RAILS. 372 00:16:27,103 --> 00:16:28,000 >> HOW'S THE EXPERIENCE SO FAR? 373 00:16:28,034 --> 00:16:29,862 HAVE YOU-- >> James: SO, I'M GOING TO NEED 374 00:16:29,896 --> 00:16:30,482 THAT IN AUSTRALIAN, PLEASE. 375 00:16:30,517 --> 00:16:31,517 CAN YOU ASK IN AUSTRALIA? 376 00:16:31,551 --> 00:16:32,689 >> AUSTRALIAN? 377 00:16:32,724 --> 00:16:33,137 >> James: AUSTRALIAN, IF YOU COULD ASK IT IN AUSTRALIAN. 378 00:16:33,172 --> 00:16:33,724 RIGHT, THANK YOU. 379 00:16:33,758 --> 00:16:36,206 >> RIGHT, SORRY, AHH... 380 00:16:36,241 --> 00:16:36,931 HEY, ANY TACOS, MATE? 381 00:16:36,965 --> 00:16:37,551 >> James: THAT'S-- NOPE. 382 00:16:37,586 --> 00:16:37,965 SO, YOU START WITH G'DAY. 383 00:16:38,000 --> 00:16:39,551 >> G'DAY. 384 00:16:39,586 --> 00:16:41,448 I MEAN, DANIEL, YOU KNOW, THE CARS-- LET'S TALK ABOUT THE 385 00:16:41,482 --> 00:16:42,379 CARS. 386 00:16:42,413 --> 00:16:43,931 McLAREN IS PROVED IN LANDO'S HANDS, IT'S-- 387 00:16:43,965 --> 00:16:45,689 >> James: OKAY, STORM OFF, STORM OFF, STORM OFF, STORM OFF, 388 00:16:45,724 --> 00:16:49,655 STORM OFF. 389 00:16:49,689 --> 00:16:53,310 S S S OKAY, SO THIS CORNER HERE, 390 00:16:53,344 --> 00:16:54,206 YOUR HANDS ARE GOING TO BE LIKE THIS. 391 00:16:54,241 --> 00:16:55,758 >> OKAY. 392 00:16:55,793 --> 00:16:57,413 >> James: SO COME WITH ME, JUST ON A TRUCK. 393 00:16:57,448 --> 00:16:57,758 THERE YOU GO. 394 00:16:57,793 --> 00:16:59,965 AND, TURN. 395 00:17:00,000 --> 00:17:00,310 THAT'S IT. 396 00:17:00,344 --> 00:17:01,724 AND, BACK. 397 00:17:01,758 --> 00:17:03,793 AND THEN THIS WAY, TURN. 398 00:17:03,827 --> 00:17:05,723 AND BACK. 399 00:17:05,758 --> 00:17:09,689 IF YOU KEEP GOING-- >> OH, YOU DON'T WANT TO GO OVER 400 00:17:09,723 --> 00:17:11,586 THERE. 401 00:17:11,619 --> 00:17:12,550 YOU DON'T WANT TO GO OVER THERE. 402 00:17:12,586 --> 00:17:17,689 >> James: SEE, YOU'VE GOT TO FOLLOW THE ROAD. 403 00:17:17,723 --> 00:17:18,241 ARMS OUT. 404 00:17:18,275 --> 00:17:19,517 ARMS OUT NOW, OKAY. 405 00:17:19,550 --> 00:17:20,655 AND WE'RE JUST GOING TO-- WE'RE JUST GOING TO-- WE'RE GOING TO 406 00:17:20,689 --> 00:17:21,034 DANCE THIS CORNER. 407 00:17:21,068 --> 00:17:21,448 READY? 408 00:17:21,482 --> 00:17:21,758 COME WITH ME. 409 00:17:21,792 --> 00:17:23,034 COME ON. 410 00:17:23,068 --> 00:17:24,241 STICK WITH ME, STICK WITH ME. 411 00:17:24,275 --> 00:17:25,103 AND TURN. 412 00:17:25,137 --> 00:17:25,655 THAT'S IT. 413 00:17:25,689 --> 00:17:26,344 AND TURN. 414 00:17:26,378 --> 00:17:27,034 NICE. 415 00:17:27,068 --> 00:17:27,550 WE'RE GLIDING DOWN THE TRACK. 416 00:17:27,586 --> 00:17:28,344 REPEAT WITH ME. 417 00:17:28,378 --> 00:17:29,689 >> "WE'RE GLIDING DOWN THE TRACK." 418 00:17:29,724 --> 00:17:30,413 >> James: THAT'S IT. 419 00:17:30,448 --> 00:17:32,034 HOW DOES THE TRACK FEEL TO YOU? 420 00:17:32,068 --> 00:17:32,586 HOW'S IT FEELING? 421 00:17:32,620 --> 00:17:33,344 >> GOOD. 422 00:17:33,379 --> 00:17:33,724 >> James: YEAH? 423 00:17:33,758 --> 00:17:34,965 >> YEAH. 424 00:17:35,000 --> 00:17:36,241 >> James: LET'S-- LET'S REALLY FEEL IT. 425 00:17:36,275 --> 00:17:38,758 LET'S GET DOWN AND REALLY FEEL IT. 426 00:17:38,793 --> 00:17:40,137 IT'S ONE THING, WALKING IT-- >> IT'S QUITE WARM, YEAH? 427 00:17:40,172 --> 00:17:41,655 >> James: --BUT PUT YOURSELF AT THE LEVEL OF THE CAR. 428 00:17:41,689 --> 00:17:42,241 YOU SEE? 429 00:17:42,275 --> 00:17:45,241 THE LEVEL OF THE CAR. 430 00:17:45,275 --> 00:17:47,965 TALK-- TALK-- TALK TO THE TRACK, IF YOU CAN. 431 00:17:48,000 --> 00:17:48,724 >> HI, I'M LANDO. 432 00:17:48,758 --> 00:17:52,241 >> James: HI, LANDO, HOW ARE YOU? 433 00:17:52,275 --> 00:17:53,379 >> I'M WARM. 434 00:17:53,413 --> 00:17:56,724 BUT I'M LOOKING FORWARD TO GETTING ON TOP OF YOU LATER. 435 00:17:56,758 --> 00:17:58,620 >> James: OKAY, TRY NOT TO SEXUALIZE THE ROAD, IF YOU CAN. 436 00:17:58,655 --> 00:18:00,413 MAKE IT MORE OF A FRIENDSHIP, OKAY? 437 00:18:00,448 --> 00:18:04,137 YOU'VE GOT TO TRUST THE TRACK AND LET THE TRACK TRUST YOU. 438 00:18:04,172 --> 00:18:06,275 LIE DOWN, AND I'M GOING TO TELL THE TRACK A SECRET. 439 00:18:06,310 --> 00:18:09,724 JUST TELL IT A SECRET THAT NO ONE KNOWS, OKAY? 440 00:18:09,758 --> 00:18:16,034 I FAILED MY FIRST THREE DRIVING TESTS, BUT NO ONE KNOWS. 441 00:18:16,068 --> 00:18:24,241 I TOLD MY MOM AND MY DAD I PASSED, FIRST TIME. 442 00:18:24,275 --> 00:18:28,551 I KILLED A I KILLED A HITCHHIKER IN 1996. 443 00:18:28,586 --> 00:18:29,689 HERE. 444 00:18:29,724 --> 00:18:31,724 HERE, I THINK YOU CAN JUST LET IT GO. 445 00:18:31,758 --> 00:18:32,862 WHEN YOU HIT THIS CORNER, YOU'RE NOT LANDO-- YOU'RE ELSA. 446 00:18:32,896 --> 00:18:33,241 >> ELSA. 447 00:18:33,275 --> 00:18:33,586 S LET IT GO. 448 00:18:33,620 --> 00:18:34,517 LET IT GO. 449 00:18:34,551 --> 00:18:34,931 S WE'RE AT ONE WITH THE CAR AND THE ROAD. 450 00:18:34,965 --> 00:18:36,241 S LET IT GO. 451 00:18:36,275 --> 00:18:37,689 LET IT GO. 452 00:18:37,724 --> 00:18:52,655 S HIS NAME IS LANDO. S >> OH, WOW! 453 00:18:52,655 --> 00:18:57,896 S HIS NAME IS LANDO. S >> OH, WOW! 454 00:19:00,310 --> 00:19:05,724 THAT'S GOOD. 455 00:19:05,758 --> 00:19:09,724 GO GETS HIM LADS, OKAY? 456 00:19:09,758 --> 00:19:20,068 ALL RIGHT. 457 00:19:20,103 --> 00:19:24,275 OKAY, I'M GOING TO BE IN YOUR EAR FOR THIS LAP. 458 00:19:24,310 --> 00:19:27,689 >> GOT YOU CLOSE YOUR EYES. 459 00:19:27,724 --> 00:19:33,310 DO NOT CLOSE YOUR EYES DO NOT CLOSE YOUR EYES. 460 00:19:33,344 --> 00:19:35,000 I CAN'T STRESS THAT ENOUGH. 461 00:19:35,034 --> 00:19:43,586 DANIEL P6, P OF, OKAY. 462 00:19:43,620 --> 00:19:45,620 WHERE CAN I GO FASTER. 463 00:19:45,655 --> 00:19:51,000 >> I THINK YOU CAN GO FASTER ALL OVER BECAUSE YOU ARE IN P6. 464 00:19:51,034 --> 00:19:53,310 >> HOW IS IT LOOKING, CAN I GET SOME FEEDBACK. 465 00:19:53,344 --> 00:19:58,344 >> FEEDBACK, YEAH, I MEAN YOU ARE DRESSED PRETTY WELL. 466 00:19:58,379 --> 00:20:01,034 GOOD GUY TO BE AROUND. 467 00:20:01,068 --> 00:20:03,448 ALWAYS THE LIFE OF THE PARTY. 468 00:20:03,482 --> 00:20:04,655 SMELL TERRIFIC. 469 00:20:04,689 --> 00:20:07,793 >> I DON'T KNOW WHY THIS IS REALLY NICE AND IT'S MAKING ME 470 00:20:07,827 --> 00:20:08,862 FEEL GOOD. 471 00:20:08,896 --> 00:20:14,965 >> HOW FAR ARE YOU GOING TO GO WITH THAT BEARD JOB. 472 00:20:15,000 --> 00:20:16,344 >> I'M GOING ALL THE WAY. 473 00:20:16,379 --> 00:20:19,413 >> I'M IN. 474 00:20:19,448 --> 00:20:20,862 >> THAT'S NOT EVEN THE START OF IT. 475 00:20:20,896 --> 00:20:24,862 >> DANIELK I DON'T KNOW ABOUT YOU BUT WHENEVER I'M DRIVING, IT 476 00:20:24,896 --> 00:20:27,758 RELAXES ME TO SING A SONG. 477 00:20:27,793 --> 00:20:34,310 JOEL IS GOING TO KICK US OFF WITH SOMETHING SO WE'RE GOING TO 478 00:20:34,344 --> 00:20:39,206 SEE I WANT TO DANCE WITH SOMEBODY. 479 00:20:39,241 --> 00:20:40,137 >> OH I WANT TO DANCE WITH SOMEBODY. 480 00:20:40,172 --> 00:20:44,068 ♪ I WANT TO FEEL THE HEAT WITH SOMEBODY. 481 00:20:44,103 --> 00:20:48,827 ♪ YEAH I WANNA DANCE WITH SOMEBODY. 482 00:20:48,862 --> 00:20:49,241 ♪. 483 00:20:49,275 --> 00:20:50,689 >> DANIEL GO. 484 00:20:50,724 --> 00:20:53,758 >> WITH SOMEBODY WHO LOVES ME. 485 00:20:53,793 --> 00:20:55,000 ♪. 486 00:20:55,034 --> 00:20:57,586 >> NOW WE'RE IN P5, THAT'S P5, THAT'S WHAT MI TALKING ABOUT. 487 00:20:57,620 --> 00:21:00,896 >> COME ON, LET'S GO, BOYS, LET'S GO. 488 00:21:00,931 --> 00:21:06,344 >> James: WELL, LANDO, RPS I HAVE TO TILL, I THINK I HAVE 489 00:21:06,379 --> 00:21:09,448 MADE IMPROVEMENTS ACROSS THE ENTIRE McLAREN TEAM. 490 00:21:09,482 --> 00:21:10,896 I'M LOOKING FORWARD TO RACE TEAM. 491 00:21:10,931 --> 00:21:14,379 >> THAT'S COOL, ONE MORE THING, GUY, COME ON, COME ON. 492 00:21:14,413 --> 00:21:22,344 >> WHAT, WHAT, NO, GUYS, GUYS, HOLDON, LANDO! 493 00:21:22,379 --> 00:21:23,379 DANIEL. 494 00:21:26,103 --> 00:21:27,241 [APPLAUSE]. 495 00:21:27,275 --> 00:21:30,793 >> O TO THE TEAM AT McLAREN RACING, WE LOVE THEM ALL SO 496 00:21:30,827 --> 00:21:33,758 MUCH, STICK AROUND, EVERYBODY, WE'LL BE RIGHT BACK WITH JEAN 497 00:21:33,793 --> 00:21:35,758 SMART AND JOSHUA JACKSON. 498 00:21:51,034 --> 00:21:51,965 >> James: WELCOME BACK, EVERYBODY! 499 00:21:52,000 --> 00:21:53,344 NOW, LET'S MEET OUR GUESTS TONIGHT. 500 00:21:53,379 --> 00:21:53,965 SHE STARS IN "HACKS." 501 00:21:54,000 --> 00:21:55,965 PLEASE WELCOME JEAN SMART! 502 00:21:58,310 --> 00:22:00,310 >> Reggie: JEAN SMART. 503 00:22:02,827 --> 00:22:04,827 HOW ARE YOU, ARE YOU GOOD? 504 00:22:07,068 --> 00:22:09,448 HE STARS IN "DOCTOR DEATH." 505 00:22:09,482 --> 00:22:15,172 PLEASE WELCOME JOSHUA JACKSON! 506 00:22:15,206 --> 00:22:17,206 >> Reggie: IT'S JOSHUA JACKSON. 507 00:22:32,034 --> 00:22:33,965 >> James: HOW ARE YOU? 508 00:22:34,000 --> 00:22:34,758 >> GOOD. 509 00:22:34,793 --> 00:22:35,793 >> James: I'M SO HAPPY TO SEE YOU. 510 00:22:35,827 --> 00:22:38,413 >> I HAVEN'T SEEN YOU SINCE THE SCAVENGER HUNT. 511 00:22:38,448 --> 00:22:42,034 >> James: THAT'S RIGHT, WE HAD A SCAVENGER HUNT, THAT WAS THE 512 00:22:42,068 --> 00:22:42,551 LAST TIME. 513 00:22:42,586 --> 00:22:43,689 >> THAT WAS SO FUN. 514 00:22:43,724 --> 00:22:46,103 >> James: IT WAS GREAT FUN, PRECOVID, PRETHE MADNESS. 515 00:22:46,137 --> 00:22:48,862 CAN WE TALK ABOUT FOR A MOMENT THIS POINT IN TIME, THIS 516 00:22:48,896 --> 00:22:52,068 PHENOMENAL MOMENT THAT JEAN SMART IS HAVING IN HER CAREER. 517 00:22:52,103 --> 00:22:55,793 IT'S AMAZING WHAT IS HAPPENING? 518 00:22:55,827 --> 00:22:57,620 [APPLAUSE] PERFORMANCE AFTER PERFORMANCE. 519 00:22:57,655 --> 00:23:00,000 WHAT DO YOU THINK ABOUT THE ATTENTION THAT YOU ARE GETTING 520 00:23:00,034 --> 00:23:01,551 RIGHT NOW? 521 00:23:01,586 --> 00:23:03,724 >> IT'S REALLY NICE, YES. 522 00:23:03,758 --> 00:23:07,241 NO, I-- I DON'T KNOW, IT'S KIND OF BAFFLING. 523 00:23:07,275 --> 00:23:09,206 CUZ YOU DON'T FEEL LIKE ARE YOU ANY DIFFERENT. 524 00:23:09,241 --> 00:23:12,000 I DON'T FEEL LIKE I AM BETTER THAN I WAS 20 YEARS AGO BUT HAVE 525 00:23:12,034 --> 00:23:14,689 I BEEN GETTING SOME PHENOMENAL ROLES. 526 00:23:14,724 --> 00:23:16,862 SO REALLY PHENOMENAL ROLES. 527 00:23:16,896 --> 00:23:19,965 >> James: I THINK SOME OF THE PERFORMANCES ALSO RICHLY 528 00:23:20,000 --> 00:23:20,689 DESERVED. 529 00:23:20,724 --> 00:23:22,448 THAT IS WHAT IS GREAT ABOUT IT. 530 00:23:22,482 --> 00:23:24,827 JOSHUA, I KNOW YOU ARE A HUGE JEAN SMART FAN AS WE ALL ARE. 531 00:23:24,862 --> 00:23:29,103 >> THAT IS TRUE, I WAS VERY GEEKED OUT BACKSTAGE. 532 00:23:29,137 --> 00:23:30,758 >> James: WHEN DID YOU DISCOVER JEAN SMART. 533 00:23:30,793 --> 00:23:34,965 >> THE FIRST TIME I REMEMBER SEEING YOU WAS WATCHING 534 00:23:35,000 --> 00:23:38,103 DESIGNING WOMEN WITH MY MOM. 535 00:23:38,137 --> 00:23:39,896 >> BUT BEFORE YOU APPROXIMATE BORN. 536 00:23:39,931 --> 00:23:43,103 >> IN UTERO SHE USED TO PUMP IT INTO THE STOP AK IT WAS THAT AND 537 00:23:43,137 --> 00:23:45,931 THEN HONESTLY MY FAVORITE, HACKS IS AMAZING BUT THE RELATIONSHIP 538 00:23:45,965 --> 00:23:50,517 THAT YOU HAD WITH THAT [BLEEP] WAS SECOND TO NONE. 539 00:23:50,551 --> 00:23:53,000 NOW THAT IS THE MARK OF A GREAT ACTOR. 540 00:23:53,034 --> 00:23:53,689 >> James: IT'S TRUE. 541 00:23:53,724 --> 00:23:56,655 >> DO I NEED TO EXPLAIN THAT. 542 00:23:56,689 --> 00:24:02,068 >> James: ABSOLUTELY, YOU CAN. TELL US ALL ABOUT IT. 543 00:24:02,103 --> 00:24:03,344 NOW, ABOUT,. 544 00:24:03,379 --> 00:24:10,172 >> NO, BUT I MEAN IN WATCHMEN MY CHARACTER IS OBSESSED WITH HER 545 00:24:10,206 --> 00:24:11,482 LOVE. 546 00:24:11,517 --> 00:24:14,827 SHE HASN'T SEEN IN 20 YEARS, HE LIVES ON MARS AND HE IS BLUE AND 547 00:24:14,862 --> 00:24:16,689 LARGE AND SO SHE. 548 00:24:16,724 --> 00:24:18,724 >> AND PROPORTIONATE, IS HE LARGE AND PROPORTIONATE. 549 00:24:18,758 --> 00:24:19,862 >> THANK YOU. 550 00:24:19,896 --> 00:24:23,586 SO SHE CARRIES AROUND THIS SILVER VALISE AND WE FINALLY 551 00:24:23,620 --> 00:24:25,862 FIND OUT WHAT IS IN IT. 552 00:24:25,896 --> 00:24:29,793 >> AND IT IS A SPACE [BLEEP]. 553 00:24:29,827 --> 00:24:33,000 >> AND A SPACE [BLEEP] OF AMP EARL-- AMPLE 554 00:24:33,034 --> 00:24:35,965 >> James: COMMIT TO A ROLE IN SUMP A WAY, I TELL YOU WHAT 555 00:24:36,000 --> 00:24:40,241 HAPPENS, YOU GET A STAR ON THE HOLLYWOOD WALK OF FAME, THAT IS 556 00:24:40,275 --> 00:24:41,068 WHAT HAPPENS. 557 00:24:41,103 --> 00:24:44,655 WHAT WAS THE HIGHLIGHT FROM THAT DAY? 558 00:24:44,689 --> 00:24:47,793 >> I, YOU KNOW, I WAS SO NERVOUS. 559 00:24:47,827 --> 00:24:58,000 I WAS INCREDIBLY NERVOUS BUT IT WAS, I MEAN IT WAS A THRILL. 560 00:24:58,034 --> 00:25:01,689 IT WAS FUNNY BECAUSE MY PUBLICIST A COUPLE OF DAYS 561 00:25:01,724 --> 00:25:04,034 BEFORE SAID HOW DO YOU FEEL ABOUT PUTTING YOUR HANDS IN THE 562 00:25:04,068 --> 00:25:05,206 CEMENT. 563 00:25:05,241 --> 00:25:07,000 I SAID NO, NO, THAT SAY DIFFERENT CEREMONY, THAT IS THE 564 00:25:07,034 --> 00:25:10,586 OUTSIDE CHINESE THEATER WHERE PEOPLE PUT THEIR SHOE AND HAND 565 00:25:10,620 --> 00:25:13,689 PRINT AND REMINDED ME OF THE STORY OF MARILYN MONROE, I HOPE 566 00:25:13,724 --> 00:25:14,931 IT IS A TRUE STORY. 567 00:25:14,965 --> 00:25:19,310 SHE WAS DOING HERS ALONG WITH JANE RUSTLE, FOR THOSE OF YOU 568 00:25:19,344 --> 00:25:21,310 TOO YOUNG TO KNOW WHO JANE RUSTLE WAS, A VERY BEAUTIFUL, 569 00:25:21,344 --> 00:25:24,482 VERY BUSTY ACTRESS AND THEY WERE DOING THEIRS AT THE SAME TIME, 570 00:25:24,517 --> 00:25:28,586 THEY DID THE SHOE PRINTS IN THE WET CEMENT AND GOT DOWN ON THE 571 00:25:28,620 --> 00:25:32,206 STOP ACH AND SUPPOSEDLY MARILYN TURNED TO CHAIN AND SAID WELL, I 572 00:25:32,241 --> 00:25:36,620 DON'T KNOW WHY THEY WANT OUR FEET AND HANDS, YOU JUST SHOULD 573 00:25:36,655 --> 00:25:42,793 LEAN OVER AND I SHOULD SIT DOWN. 574 00:25:42,827 --> 00:25:46,758 >> James: WELL, YEAH, I MEAN SHE'S GOT A POINT. 575 00:25:46,793 --> 00:25:49,896 >> I MEAN JOSHUA, WE WERE TALKING AT THE TOP OF THE SHOW, 576 00:25:49,931 --> 00:25:52,068 YOU HAVE BEEN ACTING SINCE YOU WERE 11. 577 00:25:52,103 --> 00:25:57,448 AND I CAN REMEMBER BACK HOME IN THE 90S ALL OF THE BIGGEST TEEN 578 00:25:57,482 --> 00:25:59,620 MAGAZINES AT HOME LIKE SMASH HITS AND ALL THESE MAGAZINES 579 00:25:59,655 --> 00:26:03,689 EVEN HERE LIKE TEEN BEAT AND TIGER BEAT, WERE YOU JUST ON THE 580 00:26:03,724 --> 00:26:05,931 COVER OF ALL OF THESE MAGAZINES. 581 00:26:05,965 --> 00:26:07,827 WHAT DO YOU PRER ABOUT THAT TIME? 582 00:26:07,862 --> 00:26:11,137 YOU MUST HAVE CONSTANTLY BEEN DOING PHOTO SHOOTS, I IMAGINE. 583 00:26:11,172 --> 00:26:15,689 >> I DON'T IMAGINE CONSTANTLY DOING PHOTO SHOOTS BUT WHAT I DO 584 00:26:15,724 --> 00:26:18,275 REMEMBER IS HAVING EVERY EMBARRASSING STAGE OF MY LIFE 585 00:26:18,310 --> 00:26:19,551 RECORDED BY CAMERA. 586 00:26:19,586 --> 00:26:22,793 LIKE EVERY AWKWARD PHASE THAT I HAVE EVER GONE THROUGH IS 587 00:26:22,827 --> 00:26:24,068 WELL-DOCUMENTED. 588 00:26:24,103 --> 00:26:25,862 I CAN'T WAIT FOR MY DAUGHTER TO BE OLD ENOUGH TO START GOOGLE 589 00:26:25,896 --> 00:26:27,241 SEARCHING HER DAD. 590 00:26:27,275 --> 00:26:30,379 I HAVE A LOT OF E KLAIN-- EXPLAINING TO DO. 591 00:26:30,413 --> 00:26:33,551 >> James: DOES IT EVER GET TIRESOME DOING TEEN MAGAZINES. 592 00:26:33,586 --> 00:26:36,034 >> IT IS NOT COOL WHEN YOU ARE A TEENAGER, RIGHT. 593 00:26:36,068 --> 00:26:36,793 >> IT WASN'T COOL. 594 00:26:36,827 --> 00:26:38,172 >> IT WASN'T. 595 00:26:38,206 --> 00:26:40,896 >> YOUR FRIENDS DIDN'T THINK IT WAS COOL. 596 00:26:40,931 --> 00:26:44,103 >> NO, YOU ARE A TEENAGE BOY GETTING YOUR PHOTO TAKEN, I'M 597 00:26:44,137 --> 00:26:45,172 CANADIAN, WE DON'T DO THAT. 598 00:26:45,206 --> 00:26:47,655 I WAS KIND OF AWKWARD ANYWAY. 599 00:26:47,689 --> 00:26:51,655 I DEFINITELY WAS NOT THE KID WHO WAS LIKE HEY, LOOK AT ME, I'M ON 600 00:26:51,689 --> 00:26:53,310 A MAGAZINE. 601 00:26:53,344 --> 00:26:55,689 BUT SARCASM DOES NOT TRANSLATE WELL TO PHOTOGRAPHS OR TO 602 00:26:55,724 --> 00:26:56,689 PRINTS. 603 00:26:56,724 --> 00:26:58,034 I GOT MYSELF IN ALL SORTS OF TROUBLE WITH THAT. 604 00:26:58,068 --> 00:27:02,275 >> James: YOU ARE SAYING THAT YOU WOULD DO THOSE SORTS OF 605 00:27:02,310 --> 00:27:05,793 POSES SARCASTICALLY BUT THEY WOULD NEVER READ. 606 00:27:05,827 --> 00:27:07,689 >> WITH ALL DUE RESPECT TO JONATHAN TAYLOR THOMAS I JUST 607 00:27:07,724 --> 00:27:11,034 REMEMBER JONATHAN TAYLOR THOMAS ABSOLUTELY BEING THAT GUY. 608 00:27:11,068 --> 00:27:12,482 >> James: SURE. 609 00:27:12,517 --> 00:27:15,586 >> AND THEN I DID A PHOTO SHOOT FOR I THINK IT WAS TIGER BEAT, 610 00:27:15,620 --> 00:27:17,103 OR TEEN BEAT, ONE OF THOSE MAGAZINES. 611 00:27:17,137 --> 00:27:20,241 AND BECAUSE I FELT SO AWKWARD AND UNCOMFORTABLE I WAS 612 00:27:20,275 --> 00:27:23,689 LIKE-- AND NOW THAT PHOTO IS LIKE LITERALLY THERE FOR THE 613 00:27:23,724 --> 00:27:25,758 FIRST THING THAT COMES UP ON GOOGLE. 614 00:27:25,793 --> 00:27:31,000 >> James: ST NOT ONLY THERE, IT IS HERE, AND ARE YOU RIGHT. 615 00:27:31,034 --> 00:27:32,241 IF DOESN'T TRANSLATE. 616 00:27:32,275 --> 00:27:33,137 LOOK AT THIS. 617 00:27:33,172 --> 00:27:35,206 >> THAT'S SO CUTE. 618 00:27:35,241 --> 00:27:37,689 [LAUGHTER] >> RIGHT, SARCASM DOES NOT 619 00:27:37,724 --> 00:27:38,896 TRANSLATE. 620 00:27:38,931 --> 00:27:42,206 >> James: SNO ONE WOULD LOOK AT THAT PHOTO AND GO, AH, IT'S 621 00:27:42,241 --> 00:27:42,551 SATIRE, IS HE. 622 00:27:42,586 --> 00:27:43,241 >> NO. 623 00:27:43,275 --> 00:27:44,724 >> James: THAT IS WHAT IT IS. 624 00:27:44,758 --> 00:27:46,965 >> I EVEN WENT FINGER GUNS. 625 00:27:47,000 --> 00:27:47,896 >> James: YOU DID. 626 00:27:47,931 --> 00:27:51,310 >> FULL FINGER GUNS AND THE TONGUE I LIKE. 627 00:27:51,344 --> 00:27:52,448 >> HEY. 628 00:27:52,482 --> 00:27:55,586 >> James: NOW WE'VE GOT TO CONGRATULATE YOU ALONG WITH 629 00:27:55,620 --> 00:27:59,655 EVERYBODY ELSE, THE BRILLIANT SEASON 2 OF HACKS. 630 00:27:59,689 --> 00:28:01,034 AN ABSOLUTE SMASH. 631 00:28:01,068 --> 00:28:02,275 >> THANK YOU. 632 00:28:02,310 --> 00:28:04,793 TELL US WHAT IS HAPPENING THIS SEASON. 633 00:28:04,827 --> 00:28:07,000 >> YOU KNOW, YOU ALWAYS WORRY ABOUT THE SECOND SEASON IF THE 634 00:28:07,034 --> 00:28:10,034 FIRST SEASON IS POPULAR BECAUSE YOU FEEL LIKE EVERYONE IS 635 00:28:10,068 --> 00:28:11,586 GUNNING FOR, REALLY, MAKE ME LAUGH. 636 00:28:11,620 --> 00:28:12,379 >> James: SURE. 637 00:28:12,413 --> 00:28:14,586 >> BUT IT IS THIS-- IT IS AMAZING. 638 00:28:14,620 --> 00:28:16,551 THE WRITERS HAVE COME UP WITH THESE BRILLIANT, WE ARE ON THE 639 00:28:16,586 --> 00:28:17,137 ROAD TOGETHER. 640 00:28:17,172 --> 00:28:20,241 SO THAT IS ALWAYS GREAT. 641 00:28:20,275 --> 00:28:23,689 ARE YOU STUCK IN A CAR WITH SOMEBODY OR STUCK ON A TOUR BUS 642 00:28:23,724 --> 00:28:29,862 WITH SOMEBODY AND LOREIR METCALF COMES ON AND DOES A STINT AS MY 643 00:28:29,896 --> 00:28:33,965 TOUR MANAGER OH DEAR GOD, DEAR GOD, DEAR GOD T IS ONE OF THE 644 00:28:34,000 --> 00:28:35,103 FUNNIEST THINGS. 645 00:28:35,137 --> 00:28:39,689 I THINK THE FIRST EPISODE TONIGHT AND THEN THE SECOND 646 00:28:39,724 --> 00:28:46,172 EPISODE WE ARE ON A CRUISE WHICH IS WILD WE LOVE YOUR-- HAS A 647 00:28:46,206 --> 00:28:49,689 CHRISTMAS ROOM, HAS A ROOM DEDICATED TO CHRISTMAS, ARE YOU, 648 00:28:49,724 --> 00:28:54,724 IS THIS SOMETHING THAT WE COULD SEE JEAN SMART HAVING, ARE YOU A 649 00:28:54,758 --> 00:28:56,862 CHRISTMAS QUEEN QUNS UNFORTUNATELY THEY GOT THAT IDEA 650 00:28:56,896 --> 00:28:58,103 FROM ME. 651 00:28:58,137 --> 00:28:58,551 >> REALLY. 652 00:28:58,586 --> 00:28:59,827 >> James: GO ON. 653 00:28:59,862 --> 00:29:02,241 >> BECAUSE WE WERE DOING A SHOT LAST YEAR WHERE I AM PROMOTING 654 00:29:02,275 --> 00:29:05,241 MY CHRISTMAS ALBUM OR SOMETHING, I DON'T KNOW. 655 00:29:05,275 --> 00:29:08,827 AND I'M SITTING ON A MALE STRIPPER'S LAP WHO HAS A SANTA 656 00:29:08,862 --> 00:29:10,482 OUTFIT ON BUT NO SHIRT OF COURSE. 657 00:29:10,517 --> 00:29:11,793 >> MAKE SENSES. 658 00:29:11,827 --> 00:29:15,344 >> OLD BRITNEY SPARIES HUSBAND, HER BOYFRIEND. 659 00:29:15,379 --> 00:29:16,517 AND HE WAS VERY NICE. 660 00:29:16,551 --> 00:29:19,689 AND I'M SITTING ON HIS LAP, MRS. CLAUS OR SOMETHING AND 661 00:29:19,724 --> 00:29:21,482 THERE IS THIS GIANT WHITE NUTCRACKER BEHIND US. 662 00:29:21,517 --> 00:29:26,034 SO I SAID TO THE PRODUCERS, IS THERE ANY CHANCE I COULD BUY 663 00:29:26,068 --> 00:29:26,724 THAT? 664 00:29:26,758 --> 00:29:27,103 >> James: BUY THE NUTCRACKER. 665 00:29:27,137 --> 00:29:28,275 >> YES. 666 00:29:28,310 --> 00:29:30,620 AND THEY SAID-- I ASKED THE PROP GUY OR THE SET DESIGNER. 667 00:29:30,655 --> 00:29:33,724 HE SAID I WILL CHECK STVMENT PROBABLY BELONGS TO THE STUDIO. 668 00:29:33,758 --> 00:29:37,931 SO HE CHECKED AND HE SAID YEAH, NO, IT BELONG WRONGS TO THE PROP 669 00:29:37,965 --> 00:29:38,206 DEPARTMENT. 670 00:29:38,241 --> 00:29:39,482 OKAY. 671 00:29:39,517 --> 00:29:43,965 WELL, HE TOLD THE PRODUCERS, SO THEY WENT ON CRAIG'S LIST AND 672 00:29:44,000 --> 00:29:47,862 THEY FOUND TWO BIG NUTCRACKERS THAT ARE IN THEIR LITTLE WOODEN 673 00:29:47,896 --> 00:29:51,655 THING, YOU KNOW, THE GUYS OUTSIDE BUCKINGHAM PALACE 674 00:29:51,689 --> 00:29:54,103 MATCHING THE SET AND THEY HAD JUST SOLD SO THEY WENT TO THE 675 00:29:54,137 --> 00:29:56,068 PROP DEPARTMENT IS THERE ANY CHANCE YOU CAN GET THIS FOR JEAN 676 00:29:56,103 --> 00:30:01,689 SO THEY GAVE IT TO THEM, SHOWED UP AT MY HOUSE WITH THIS GIANT 677 00:30:01,724 --> 00:30:04,241 WHITE NUTCRACKER AND WALKED UP THE DRIVEWAY AND WENT WHAT? 678 00:30:04,275 --> 00:30:06,448 THERE WERE THE TWO NUTCRACKERS, I HAD BOUGHT THEM. 679 00:30:06,482 --> 00:30:09,448 >> James: YOU HAD BOUGHT THEM. 680 00:30:09,482 --> 00:30:13,482 LET'S TAKE A LOOK AT A CLIP FROM HACKS, NEW EPISODE DROPS EVERY 681 00:30:13,517 --> 00:30:15,655 THURSDAY ON HBO MAX. 682 00:30:15,689 --> 00:30:19,827 >> EVERYBODY THINKS YOU ARE DONE. 683 00:30:19,862 --> 00:30:21,241 NO ONE BELIEVES YOU. 684 00:30:21,275 --> 00:30:26,068 THEY WANT TO SEE YOU GET KNOCKED DOWN AND THEY WANT YOU TO STAY 685 00:30:26,103 --> 00:30:27,034 DOWN. 686 00:30:27,068 --> 00:30:30,103 BUT GUESS WHAT, YOU ARE GOING TO GET BACK UP. 687 00:30:30,137 --> 00:30:38,172 ARE YOU GOING TO KICK HARD, AND HIT AGAIN AND AGAIN AND AGAIN. 688 00:30:38,206 --> 00:30:43,103 HIT THEM SO HARD HE DOESN'T GET ANGRY, HE GETS SCARED. 689 00:30:43,137 --> 00:30:45,517 YOU ARE THE UNDERDOG. 690 00:30:45,551 --> 00:30:51,586 BUT ARE YOU GOING TO GUESS BACK UP BECAUSE YOU ARE A-- SO GET 691 00:30:51,620 --> 00:30:53,275 KILL HIM. 692 00:30:53,310 --> 00:30:54,517 >> OKAY. 693 00:30:54,551 --> 00:30:55,482 >> OKAY. 694 00:30:55,517 --> 00:30:56,655 >> OKAY. 695 00:30:56,689 --> 00:30:58,793 >> James: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 696 00:30:58,827 --> 00:30:59,724 BACK, EVERYBODY. 697 00:31:07,034 --> 00:31:08,482 S SHE HAD AN ALLERGIC REACTION 698 00:31:08,517 --> 00:31:12,827 TO THE ANESTHES YARKS I DID EVERYTHING I COULD TO SAVE HER 699 00:31:12,862 --> 00:31:14,310 BUT THE ANESTHESOLOGIST MADE A MISTAKE. 700 00:31:14,344 --> 00:31:17,275 >> OH MY, OH, POOR THING. 701 00:31:17,310 --> 00:31:22,517 >> YET ANOTHER REASON I CHOSE TO MOVE ON, THEIR STAFF WAS 702 00:31:22,551 --> 00:31:23,448 UNDERPERFORMING. 703 00:31:23,482 --> 00:31:24,758 >> I HOPE THEY DON'T HAVE A JOB ANY MORE. 704 00:31:24,793 --> 00:31:25,862 >> WELL, WE'RE ALL HUMAN. 705 00:31:25,896 --> 00:31:29,551 WE ALL MAKE MISTAKES, JUST IN THIS LINE OF WORK THE 706 00:31:29,586 --> 00:31:35,000 CONSEQUENCES OF THOSE MISTAKES IS SIMPLY MORE CONSEQUENTLY. 707 00:31:35,034 --> 00:31:36,896 >> BUT NOT YOU. 708 00:31:36,931 --> 00:31:40,896 NO MISTAKES. 709 00:31:40,931 --> 00:31:41,931 >> NO MA'AM, NOT ME. 710 00:31:44,931 --> 00:31:47,827 >> Reggie: WELCOME BACK. 711 00:31:47,862 --> 00:31:48,965 >> James: THAT WAS A CLIP FROM "DOCTOR DEATH," WHICH IS 712 00:31:49,000 --> 00:31:52,896 STREAMING NOW ON PEACOCK! 713 00:31:52,931 --> 00:31:56,482 CONGRATULATIONS ON THE SHOW STRKS BASED ON A VERY SCARY, 714 00:31:56,517 --> 00:31:59,206 TRUE STORY WHICH I COULDN'T BELIEVE THAT IT WAS TRUE, FOR 715 00:31:59,241 --> 00:32:01,000 ANYONE THAT DOESN'T KNOW TELL US WHAT IT IS ABOUT AND WHO YOU 716 00:32:01,034 --> 00:32:05,310 >> IT IS BASED ON THE TRUE STORY OF DR. CHRISTOPHER DUNG WHO WAS 717 00:32:05,344 --> 00:32:09,241 A SPINAL SURGEON IN TEXAS WHO PERFORMED 38 SURGERIES AND 718 00:32:09,275 --> 00:32:14,000 BUTCHERED 33 OF HIS PATIENTS. 719 00:32:14,034 --> 00:32:15,275 H IS NOW IN PRISON. 720 00:32:15,310 --> 00:32:19,965 HE IS THE ONLY SURGEON WHO HAS EVER BEEN CRIMINALLY TRIEZED AND 721 00:32:20,000 --> 00:32:23,172 CONVICTED IN THE UNITED STATES FOR VERY GOOD REASON AND IT IS 722 00:32:23,206 --> 00:32:24,413 THE TELLING OF HIS STORY. 723 00:32:24,448 --> 00:32:27,827 BECAUSE HONESTLY F IT WASN'T TRUE IT YOU WOULDN'T BELIEVE IT. 724 00:32:27,862 --> 00:32:29,827 IF SOMEONE HAD WRITTEN THIS OUT OF THEIR IMAGINATION YOU WOULD 725 00:32:29,862 --> 00:32:32,620 NEVER BELIEVE IT BECAUSE IT WAS SO FAN TAS KAL. 726 00:32:32,655 --> 00:32:37,241 >> IT IS MESMERIZING, THE SHOW IS MESMERIZING AND A LITTLE 727 00:32:37,275 --> 00:32:37,758 GRAPHIC. 728 00:32:37,793 --> 00:32:38,896 >> A LITTLE GRAPHIC. 729 00:32:38,931 --> 00:32:41,586 IN THE BEGINNING, SORRY TO INTERRUPT, PROBLY NOT A GOOD 730 00:32:41,620 --> 00:32:42,620 IDEA. 731 00:32:42,655 --> 00:32:43,862 >> IN THE BEGINNING YOU ACTUALLY DON'T SEE MUCH. 732 00:32:43,896 --> 00:32:45,965 IT IS YOUR IMAGINATION. 733 00:32:46,000 --> 00:32:49,931 IT IS SO, LIKE WE ALL HAVE THE BODY HORROR THING, LIKE WHEN YOU 734 00:32:49,965 --> 00:32:55,862 HEAR THE SOUNDS OF SURGERY, AND EXACTLY, I WAS IN T I KNEW I WAS 735 00:32:55,896 --> 00:32:57,482 COMING BUT THAT HAMMER SOUND. 736 00:32:57,517 --> 00:33:00,034 >> I WAS IN SALSA WHEN I FIRST STARTED WATCHING IT. 737 00:33:00,068 --> 00:33:02,827 >> BAD IDEA-- EATING SALSA. 738 00:33:02,862 --> 00:33:08,068 >> IT IS NOT A-- I DO THINK THAT SHOULD BE SAID AT THE START. 739 00:33:08,103 --> 00:33:13,862 >> IT-- THERE SHOULD BE A DISCLAIMER, NO SALSA IT IS NOT A 740 00:33:13,896 --> 00:33:14,655 SALSA SHOW. 741 00:33:14,689 --> 00:33:16,655 >> WHERE IS REGGIE. 742 00:33:16,689 --> 00:33:18,862 OH, REGGIE IS AT THE BAR. 743 00:33:18,896 --> 00:33:19,965 HEY REG. 744 00:33:20,000 --> 00:33:21,068 >> Reggie: HI. 745 00:33:21,103 --> 00:33:22,517 >> James: DO YOU HAVE A QUESTION FOR OUR GUEST THIS 746 00:33:22,551 --> 00:33:23,620 EVENING. 747 00:33:23,655 --> 00:33:28,034 >> YEAH, I DO, I HAD A COUPLE OF DRINKS SO I'M READY. 748 00:33:28,068 --> 00:33:36,000 TONIGHT'S QUESTION GOES TO MAKE IT FOR BOTH OF OUR GUESTS. 749 00:33:36,034 --> 00:33:37,241 AND HERE WE GO. 750 00:33:37,275 --> 00:33:42,000 ONE OF YOU IS CANADIAN AND ST HARD TO GUESS WHICH BUT ONE OF 751 00:33:42,034 --> 00:33:44,034 YOU IS. 752 00:33:44,068 --> 00:33:50,551 WHOEVER IS THE CAN DAN, DISREGARD THAT FACT AND TELL ME 753 00:33:50,586 --> 00:33:56,034 WHAT YOUR FAVORITE VIEW IS THAT YOU HAVE EVER SEEN. 754 00:33:56,068 --> 00:33:57,310 >> LADIES FIRST. 755 00:33:57,344 --> 00:34:04,068 >> MINE WAS ACTUALLY IN CANADA AND WE DROVE TO BANFF. 756 00:34:04,103 --> 00:34:08,068 WE GOT THERE AFTER DARK, WE COULDN'T SEE ANYTHING, AT SIX 757 00:34:08,103 --> 00:34:09,344 FLAGS IN THE MOUNTAIN. 758 00:34:09,379 --> 00:34:14,275 AND SO I COULDN'T SEE ANYTHING, YOU KNOW, I DON'T KNOW WHAT TO 759 00:34:14,310 --> 00:34:18,655 EXPECTED, I HAVE SEEN BEAUTIFUL PICTURES OF BANFT AND OPENED THE 760 00:34:18,688 --> 00:34:21,241 DRAPES IN THE HOTEL ROOM AND JUST GASSED. 761 00:34:21,275 --> 00:34:27,137 IT WAS THE MOST BREATHTAKING-- IT WAS JUST LIKE 762 00:34:27,172 --> 00:34:31,103 NOTHING YOU COULD DESCRIBE IN A PICTURE OR PAINTING OR ANYTHING. 763 00:34:31,137 --> 00:34:32,137 JUST WAS-- . 764 00:34:32,172 --> 00:34:37,206 >> James: SOMEWHERE SO BEAUTIFUL IS CALLED BANFT, 765 00:34:37,241 --> 00:34:38,034 JOSHUA. 766 00:34:38,068 --> 00:34:39,447 >> THAT IS SO PEOPLE DON'T GO THERE. 767 00:34:39,482 --> 00:34:40,344 >> James: YOU? 768 00:34:40,379 --> 00:34:46,447 >> MY DAUGHTER BEING BORN INTO MY HANDS. 769 00:34:46,482 --> 00:34:48,793 >> SEE, I SHOULD HAVE THOUGHT OF THAT. 770 00:34:48,827 --> 00:34:50,516 >> James: HEY, YOUR WAS FINE. 771 00:34:50,551 --> 00:34:53,241 >> James: YOU KNOW WHAT I WAS THINKING, I MADE A SANDWICH ONCE 772 00:34:53,275 --> 00:34:58,000 THAT WAS SO-- REG S THAT CORRECT? 773 00:34:58,034 --> 00:34:59,655 >> Reggie: YES, THAT IS CORRECT,. 774 00:34:59,689 --> 00:35:01,931 >> James: IT'S ABSOLUTELY CORRECT. 775 00:35:01,965 --> 00:35:06,103 PLEASE THANK JEAN SMART, JOSHUA JACKSON, DNC ARE HERE WHEN WE 776 00:35:06,137 --> 00:35:08,068 COME BACK. 777 00:35:08,103 --> 00:35:08,724 THANK YOU SO MUCH. 778 00:35:20,034 --> 00:35:21,241 >> James: WELCOME BACK. 779 00:35:21,275 --> 00:35:23,413 HERE PERFORMING THEIR INCREDIBLE NEW SINGLE, "MOVE," FOR THE 780 00:35:23,448 --> 00:35:26,000 FIRST TIME ON TELEVISION! 781 00:35:26,034 --> 00:35:32,000 PLEASE WELCOME DNCE! 782 00:35:32,034 --> 00:35:33,034 S ALL I'M TRYNA DO IS MAKE YOU GET UP OUT THAT CHAIR 783 00:35:33,068 --> 00:35:38,000 S AND MAKE YOU MOVE MAKE YOU MOVE 784 00:35:38,034 --> 00:35:39,931 S GRAB THAT DRINK AND MEET ME ON THE DANCE FLOOR, BABY 785 00:35:39,965 --> 00:35:46,137 S LET'S GET CRAZY, MOVE BABY, MOVE 786 00:35:46,172 --> 00:35:49,000 S I COULD BARELY SEE MY FINGERS HIGH ENOUGH FOR VERTIGO 787 00:35:49,034 --> 00:35:54,103 S ALL THE GOOD [/ BLEEP/] LINGS YEAH, YOU KNOW 788 00:35:54,137 --> 00:35:55,517 LIKE WATER THROUGH MY BODY LIKE A RIVER THROUGH THE SANDS 789 00:35:55,551 --> 00:35:59,068 OF TIME TO WASTE A MOMENT WITH YOU 790 00:35:59,103 --> 00:36:03,448 WOULD BE A STUPID CRIME OH, YEAH 791 00:36:03,482 --> 00:36:06,379 S SHE TRYNA TELL ME SOMETHIN' SHE TALKIN' WITH HER BODY 792 00:36:06,413 --> 00:36:10,793 S SHE MAKIN' WAVES INSIDE THIS ROOM 793 00:36:10,827 --> 00:36:14,034 ROOM, ROOM S WE ON TO SOMETHIN' MAJOR 794 00:36:14,068 --> 00:36:18,034 JUST LET THE FEELIN' TAKE YA S LIKE IT OR NOT 795 00:36:18,068 --> 00:36:20,000 MIGHT BE LEAVIN' WITH A STRANGER S ALL I'M TRYNA DO IS 796 00:36:20,034 --> 00:36:23,413 MAKE YOU GET UP OUT THAT CHAIR S AND MAKE YOU MOVE 797 00:36:23,448 --> 00:36:27,413 MAKE YOU MOVE S GRAB THAT DRINK AND MEET ME 798 00:36:27,448 --> 00:36:31,413 ON THE DANCE FLOOR, BABY S LET'S GET CRAZY, MOVE 799 00:36:31,448 --> 00:36:35,413 BABY, MOVE S WHEN YOU MOVE LIKE THIS 800 00:36:35,448 --> 00:36:38,103 I CAN TELL YOU A STAR S WHEN YOU MOVE LIKE THAT 801 00:36:38,137 --> 00:36:42,793 WANNA BUY YOU A CAR YEAH, YEAH 802 00:36:42,827 --> 00:36:44,034 S ALL I'M TRYNA DO IS MAKE YOU GET UP OUT THAT CHAIR 803 00:36:44,068 --> 00:36:49,793 S AND MAKE YOU MOVE MAKE YOU MOVE 804 00:36:49,827 --> 00:36:52,448 S YOU CAN TELL ME HOW YOU WANT IT 805 00:36:52,482 --> 00:36:55,310 S I COULD TAKE IT FAST OR TAKE IT SLOW 806 00:36:55,344 --> 00:36:58,000 S FLY YOU TO ARUBA OR MEXICO 807 00:36:58,034 --> 00:37:02,034 S I'M CLEARIN' OUT MY CALENDAR ALL THE DAYS THAT END IN "Y" 808 00:37:02,068 --> 00:37:03,448 S TO WASTE A MOMENT WITH YOU WOULD BE A STUPID CRIME 809 00:37:03,482 --> 00:37:09,724 OH, YEAH S SHE TRYNA TELL ME SOMETHIN' 810 00:37:09,758 --> 00:37:10,793 SHE TALKIN' WITH HER BODY S SHE MAKIN' WAVES INSIDE 811 00:37:10,827 --> 00:37:15,448 THIS ROOM ROOM, ROOM 812 00:37:15,482 --> 00:37:19,034 S WE ON TO SOMETHIN' MAJOR JUST LET THE FEELIN' TAKE YA 813 00:37:19,068 --> 00:37:23,137 S LIKE IT OR NOT MIGHT BE LEAVIN' WITH A STRANGER 814 00:37:23,172 --> 00:37:26,034 S ALL I'M TRYNA DO IS MAKE YOU GET UP OUT THAT CHAIR 815 00:37:26,068 --> 00:37:31,000 S AND MAKE YOU MOVE MAKE YOU MOVE 816 00:37:31,034 --> 00:37:32,379 S GRAB THAT DRINK AND MEET ME ON THE DANCE FLOOR, BABY 817 00:37:32,413 --> 00:37:38,000 S LET'S GET CRAZY, MOVE BABY, MOVE 818 00:37:38,034 --> 00:37:41,551 S WHEN YOU MOVE LIKE THIS I CAN TELL YOU A STAR 819 00:37:41,586 --> 00:37:43,413 S WHEN YOU MOVE LIKE THAT WANNA BUY YOU A CAR 820 00:37:43,448 --> 00:37:48,482 YEAH, YEAH S ALL I'M TRYNA DO IS 821 00:37:48,517 --> 00:37:51,413 MAKE YOU GET UP OUT THAT CHAIR S AND MAKE YOU MOVE 822 00:37:51,448 --> 00:37:55,034 MAKE YOU MOVE S ALL I'M TRYNA DO IS 823 00:37:55,068 --> 00:37:59,379 MAKE YOU GET UP OUT THAT CHAIR S AND MAKE YOU MOVE 824 00:37:59,413 --> 00:38:07,896 MAKE YOU MOVE S >> James: OH MY WORD, LADIES 825 00:38:07,931 --> 00:38:11,275 AND GENTLEMEN, COME ON, DNCE, EVERYBODY. 826 00:38:11,310 --> 00:38:13,310 MOVE IS OUT RIGHT NOW, COME ON BACK, EVERYBODY. 827 00:38:31,034 --> 00:38:32,241 >> James: NEXT WEEK, WE HAVE HARRY STYLES, KALEY CUOCO, 828 00:38:32,275 --> 00:38:34,689 TERRY CREWS, PATRICIA ARQUETTE, MILES TELLER, BEN SCHWARTZ, 829 00:38:34,724 --> 00:38:36,448 AMANDA PEET, GLEN POWELL, AND JUNE DIANE RAPHAEL. 830 00:38:36,482 --> 00:38:39,482 WE'VE GOT MUSIC FROM BLOC PARTY AND AMOS LEE. 831 00:38:39,517 --> 00:38:43,206 PLUS-- THIS IS EXCITING! 832 00:38:43,241 --> 00:38:45,310 TOM CRUISE AND I SHOT SOMETHING VERY SPECIAL THAT WE CAN'T WAIT 833 00:38:45,344 --> 00:38:47,862 TO SHOW YOU! 834 00:38:47,896 --> 00:38:51,482 NEXT WEEK, BE SURE STO TUNE IN, I DO NOT WANT TO MISS IT. 835 00:38:51,517 --> 00:38:53,517 REGGIE, TAKE US HOME.