1 00:00:03,000 --> 00:00:06,379 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:06,413 --> 00:00:11,275 ♪ AND FEEL THE LOVE TONIGHT DON'T YOU WORRY WHERE IT IS 3 00:00:11,310 --> 00:00:16,793 ♪ YOU COME FROM IT WILL BE ALL RIGHT 4 00:00:16,827 --> 00:00:18,379 ♪ IT'S THE "LATE, LATE SHOW" ♪ ♪ 5 00:00:18,413 --> 00:00:20,689 >> Reggie: LADIES AND GENTLEMEN, >> LADIES AND GENTLEMEN, ALL THE 6 00:00:20,724 --> 00:00:26,517 WAY FROM TRINIDAD AND TOBAGO AND TABASCO, GIVE IT UP FOR YOUR 7 00:00:26,551 --> 00:00:30,517 HOST, THE ONE, THE ONLY JAMES CORDEN! 8 00:00:30,551 --> 00:00:36,896 [CHEERS AND APPLAUSE] >> James: THANK YOU SO MUCH. 9 00:00:36,931 --> 00:00:46,034 GLAD TO SEE YOU. SO HAPPY YOU'RE HERE. 10 00:00:46,068 --> 00:00:52,241 HELLO AND GOOD EVENING. WELCOME TO "THE LATE LATE SHOW." 11 00:00:52,275 --> 00:00:53,310 GLAD YOU'RE HERE. I HOPE YOU HAD A GREAT DAY. 12 00:00:53,344 --> 00:00:57,275 THANK YOU VERY, VERY MUCH. [CHEERS AND APPLAUSE] 13 00:00:57,310 --> 00:01:00,310 LET'S SEE WHO OUR GUESTS ARE ON THE SHOW TONIGHT! 14 00:01:00,344 --> 00:01:04,310 SHE'S A ONE-OF-A-KIND ACTRESS YOU KNOW 15 00:01:04,343 --> 00:01:06,689 FROM THE "PITCH PERFECT" MOVIES, "BRIDESMAIDS" AND "ISN'T IT 16 00:01:06,724 --> 00:01:08,275 ROMANTIC," THE DAZZLING, THE INCOMPARABLE, ONE OF OUR 17 00:01:08,310 --> 00:01:11,965 FAVORITES, REBEL WILSON! REBEL! 18 00:01:12,000 --> 00:01:13,724 >> HI. >> James: HOW ARE YOU? 19 00:01:13,758 --> 00:01:16,793 >> I'M ALL GOOD. GLAD TO BE BACK. 20 00:01:16,827 --> 00:01:20,379 >> James: SO HAPPY TO SEE YOU. >> IT'S AWESOME. 21 00:01:20,413 --> 00:01:23,689 I LOVE IT HERE. I'VE BEEN HERE IN FOR A FEW 22 00:01:23,724 --> 00:01:25,586 YEARS. THIS IS FIRST TIME I'VE POPPED 23 00:01:25,620 --> 00:01:26,827 OUT. I'VE BEEN HERE FOR AGES. 24 00:01:26,862 --> 00:01:30,000 >> James: IT WAS YOU. WE WONDERED WHAT IT WAS. 25 00:01:30,033 --> 00:01:32,033 DIDN'T WE? WHERE WERE YOU? 26 00:01:32,068 --> 00:01:36,000 >> I WAS JUST BEHIND THE COUCH. >> James: WE SHOULD HAVE 27 00:01:36,033 --> 00:01:37,965 LOOKED BEHIND THE COUCH. >> I DIDN'T HAVE FAR TO TRAVEL 28 00:01:38,000 --> 00:01:39,275 TODAY. >> James: LOOK. 29 00:01:39,310 --> 00:01:44,206 YOU GO BACK AND MAKE YOURSELF AT HOME AS YOU ALREADY HAVE WE LOVE 30 00:01:44,241 --> 00:01:46,448 YOU, REBEL WILSON, EVERYBODY! [CHEERS AND APPLAUSE] 31 00:01:46,482 --> 00:01:48,068 HE'S AN INCREDIBLY TALENTED ACTOR, WRITER, PRODUCER, AND 32 00:01:48,103 --> 00:01:50,827 DIRECTOR YOU KNOW FROM "INSTRUCTIONS NOT INCLUDED," 33 00:01:50,862 --> 00:01:56,241 "CODA," AND "HOW TO BE A LATIN LOVER," THE DELIGHTFUL, THE 34 00:01:56,275 --> 00:01:59,723 DEBONAIR, EUGENIO DERBEZ! [CHEERS AND APPLAUSE] 35 00:01:59,758 --> 00:02:02,551 EUGENIO, HOW ARE YOU? HOW NICE TO SEE YOU? 36 00:02:02,586 --> 00:02:05,586 HOW ARE YOU DOING? >> AMAZING! 37 00:02:05,620 --> 00:02:08,033 HOW ARE YOU? >> James: I'M VERY, VERY WELL. 38 00:02:08,068 --> 00:02:12,034 ALL THE BETTER FOR SEEING YOU, SIR. 39 00:02:12,068 --> 00:02:15,448 EUGENIO DERBEZ, EVERYBODY! HE'S A TREMENDOUSLY TALENTED 40 00:02:15,482 --> 00:02:16,724 STAND-UP COMEDIAN AND WE'RE THRILLED HE'S BACK ON THE SHOW, 41 00:02:16,758 --> 00:02:21,172 PERFORMING HERE FOR US TONIGHT, IT'S JOE ZIMMERMAN! 42 00:02:21,206 --> 00:02:24,275 [CHEERS AND APPLAUSE] HEY, JOE, HOW ARE YOU? 43 00:02:24,310 --> 00:02:27,103 GETTING READY? >> YEAH, I'VE HEARD L.A. 44 00:02:27,137 --> 00:02:32,275 MICROPHONES ARE A LOT HEAVIER THAN NEW YORK MICROPHONES. 45 00:02:32,310 --> 00:02:36,275 TRAINING ON THEM. >> James: HYDRATE. 46 00:02:36,310 --> 00:02:37,241 STAY FIT. STAY AT IT. 47 00:02:37,275 --> 00:02:38,965 WE LOVE THAT YOU'RE PREPPING IN THIS WAY. 48 00:02:39,000 --> 00:02:41,344 JOE ZIMMERMAN, EVERYBODY! IT'S GOING TO BE A FUN ONE. 49 00:02:41,379 --> 00:02:45,172 ARE YOU READY? I'M JAMES CORDEN AND THIS, THIS 50 00:02:45,206 --> 00:02:53,689 IS "THE LATE LATE SHOW." ROLL THE TITLES! 51 00:02:53,724 --> 00:03:00,413 THE LATE, LATE SHOW, WOO 52 00:03:00,448 --> 00:03:06,068 ♪ THE LATE, LATE SHOW, OH, OH THE LATE, LATE SHOW OH-OH 53 00:03:06,103 --> 00:03:09,310 ♪ IT'S THE LATE, LATE SHOW James: IT CERTAINLY IS. 54 00:03:09,344 --> 00:03:11,379 BLESS YOU FOR BEING HERE. THANK YOU FOR COMING OUT. 55 00:03:11,413 --> 00:03:13,448 EVERYBODY DOING OK? GOOD FOR YOU. 56 00:03:13,482 --> 00:03:15,344 GOOD FOR YOU. HEY, YOU KNOW, REBEL WILSON'S 57 00:03:15,379 --> 00:03:19,034 HERE, WHO WE LOVE. DO YOU KNOW ABOUT WHAT HER MOVIE 58 00:03:19,068 --> 00:03:23,413 IS BACK "SENIOR YEAR?" REBEL WAKES UP FROM A 20-YEAR 59 00:03:23,448 --> 00:03:28,413 COMA AND GOES BACK TO HIGH SCHOOL! 60 00:03:28,448 --> 00:03:34,103 THAT'S MY IDEA OF ABSOLUTE HELL! IF YOU WENT BACK TO HIGH SCHOOL, 61 00:03:34,137 --> 00:03:36,482 WHAT WOULD YOU DO? DO ANYTHING DIFFERENTLY? 62 00:03:36,517 --> 00:03:38,482 >> NOT A DAMN THING. >> James: DO IT ALL THE 63 00:03:38,517 --> 00:03:40,689 EXACTLY THE SAME THING? >> I LOVED HIGH SCHOOL. 64 00:03:40,724 --> 00:03:42,379 I LOVED IT. I LOVED IT. 65 00:03:42,413 --> 00:03:46,655 I WENT TO CLASS JUST ENOUGH. I CHEATED JUST ENOUGH. 66 00:03:46,689 --> 00:03:51,067 I COULD GO TO SCHOOL, EAT TWO CHEESEBURGERS FOR LUNCH AND THEN 67 00:03:51,103 --> 00:03:55,000 GO TO FOOTBALL PRACTICE AND IT WAS FINE SOMEHOW. 68 00:03:55,034 --> 00:03:58,172 >> James: HANG ON, DID YOU ENJOY SCHOOL BECAUSE YOU WERE 69 00:03:58,206 --> 00:04:01,965 REALLY GOOD AT FOOTBALL BECAUSE YOU WERE LIKE "THE DUDE" ON THE 70 00:04:02,000 --> 00:04:04,034 FOOTBALL TEAM. >> I WAS LIKE THE BIG FAT GUY ON 71 00:04:04,068 --> 00:04:08,034 THE FOOTBALL TEAM WHICH IS A DIFFERENT CLASSIFICATION. 72 00:04:08,068 --> 00:04:09,551 YOU KNOW WHAT I MEAN? >> James: NOT THE QUARTERBACK? 73 00:04:09,586 --> 00:04:11,275 >> I WASN'T DOING THE PECK THING. 74 00:04:11,310 --> 00:04:14,724 I WAS DOING CARTMAN IMPRESSIONS AND DYING INSIDE. 75 00:04:14,758 --> 00:04:17,689 >> James: THAT'S WHAT I MEAN. WHY WOULD YOU WANT TO GO BACK TO 76 00:04:17,724 --> 00:04:18,689 THAT? >> BECAUSE I ENJOYED THAT. 77 00:04:18,724 --> 00:04:21,103 >> James: OK. WOULD YOU GO BACK TO HIGH 78 00:04:21,137 --> 00:04:23,034 SCHOOL, REG? >> Reggie: 100%. 79 00:04:23,068 --> 00:04:24,551 >> James: REALLY? >> Reggie: I LOVED IT. 80 00:04:24,586 --> 00:04:27,034 I HAD THE BEST HIGH SCHOOL EXPERIENCE. 81 00:04:27,068 --> 00:04:29,241 >> James: I DON'T UNDERSTAND EITHER OF YOU! 82 00:04:29,275 --> 00:04:32,000 >> YOU DIDN'T LIKE HIGH SCHOOL? YOU'RE CHARMING AND FUN AND -- 83 00:04:32,034 --> 00:04:35,034 >> James: I DIDN'T LIKE IT. I'VE NO INTEREST IN GOING BACK 84 00:04:35,068 --> 00:04:36,482 TO IT. >> NOW WHEN I THINK ABOUT IT, 85 00:04:36,517 --> 00:04:40,034 IT'S LIKE THE IDEAL EXISTENCE YOU SNIT A ROOM AND LEARN A 86 00:04:40,068 --> 00:04:43,931 COUPLE OF INTERESTING -- YOU SIT IN A ROOM AND LEARN A COUPLE OF 87 00:04:43,965 --> 00:04:46,310 INTERESTING FACTS, LIKE SCROLLING TWIT WITHOUT THE 88 00:04:46,344 --> 00:04:49,793 VITRIOL. YOU GIVE SOMEONE A TICKET AND 89 00:04:49,827 --> 00:04:51,413 THEY HAND YOU LUNCH AND THAT'S AS MUCH MONEY AS YOU NEED. 90 00:04:51,448 --> 00:04:55,034 YOU WOULD SEE MOVIES AND THAT WOULD BE ENOUGH TO GET YOU TO 91 00:04:55,068 --> 00:05:00,000 NEXT FRIDAY. I -- [BLEEP] MISS IT! 92 00:05:00,034 --> 00:05:01,965 >> Reggie: LIKEWISE. >> James: LOOK, WE CAN TALK 93 00:05:02,000 --> 00:05:07,034 AOUT THIS FOREVER, BUT IT'S THAT TIME, IT'S TIME FOR THE 94 00:05:07,068 --> 00:05:09,172 NEWS! EARLIER TODAY, PRESIDENT BIDEN 95 00:05:09,206 --> 00:05:11,068 MET WITH THE PRIME MINISTER OF ITALY AT THE WHITE HOUSE. 96 00:05:11,103 --> 00:05:13,965 IT WAS MARIO DRAGHI'S FIRST TRIP TO WASHINGTON. 97 00:05:14,000 --> 00:05:19,034 ITALY'S PRIME MINISTER, MARIO DRAGHI - OR AS JOE BIDEN CALLS 98 00:05:19,068 --> 00:05:22,275 HIM, 'FREDDIE SPAGHETTI.' IT WAS A FRIENDLY MEETING. 99 00:05:22,310 --> 00:05:28,896 BIDEN OPENED WITH, "WELCOME," OR AS THEY SAY IN YOUR COUNTRY, 100 00:05:28,931 --> 00:05:31,034 "WHEN YOU'RE HERE, YOU'RE FAMILY." 101 00:05:31,068 --> 00:05:35,965 THIS IS TRUE, BACK AT HOME, THE PRIME MINISTER IS FACING GROWING 102 00:05:36,000 --> 00:05:37,379 DISSENT, EVEN FROM HIS OWN PARTY. 103 00:05:37,413 --> 00:05:38,379 WHEN BIDEN HEARD THIS, HE WAS LIKE, "NICE, MAN. 104 00:05:38,413 --> 00:05:43,517 ME TOO." IN OTHER NEWS, AS YOU KNOW, ELON 105 00:05:43,551 --> 00:05:45,827 MUSK IS IN THE MIDDLE OF PURCHASING TWITTER. 106 00:05:45,862 --> 00:05:49,517 WELL, TODAY, MUSK SAID THAT ONE OF THE FIRST THINGS HE WOULD DO 107 00:05:49,551 --> 00:05:51,034 AFTER THE ACQUISITION GOES THROUGH IS LIFT THE PERMANENT 108 00:05:51,068 --> 00:05:55,931 TWITTER BAN ON DONALD TRUMP. WE ARE LEAVING THIS SHOW IN THE 109 00:05:55,965 --> 00:06:03,068 NICK OF TIME. MUSK EXPLAINED THAT PERMANENT 110 00:06:03,103 --> 00:06:09,206 BANS SHOULD BE RESERVED FOR BOTS, SCAM, OR SPAM ACCOUNTS. 111 00:06:09,241 --> 00:06:12,517 I COULD SAY IT'S SCAM. IT'S SCAM! 112 00:06:12,551 --> 00:06:15,034 DONALD TRUMP IS A SCAM ACCOUNT. IT'S ALL A SCAM. 113 00:06:15,068 --> 00:06:25,793 [CHEERS AND APPLAUSE] ALL OF IT IS A SCAM! 114 00:06:25,827 --> 00:06:30,275 SERIOUSLY, BANNING TRUMP IS LIKE THE ONE GOOD THING TWITTER HAS 115 00:06:30,310 --> 00:06:31,965 DONE IN LIKE A DECADE. IT'S THAT, THE WHEELS VERSUS 116 00:06:32,000 --> 00:06:35,931 DOORS DEBATE, AND THE TIME THAT ONE GUY SAID HIS COUSIN LOOKS 117 00:06:35,965 --> 00:06:39,034 LIKE A HONEY BUN. THAT'S IT. 118 00:06:39,068 --> 00:06:45,413 IAN, TRUMP BACK ON TWITTER: THE PLUSES AND MINUSES, GO. 119 00:06:45,448 --> 00:06:51,931 >> Ian: IS IT OK YET TO SAY HOW FUNNY HE WAS ON THERE OR NO? 120 00:06:51,965 --> 00:06:55,034 >> James: I THINK SOME PARTS OF AMERICA YOU CAN SAY THAT. 121 00:06:55,068 --> 00:06:57,379 >> Ian: YEAH. >> James: I DON'T GET THE 122 00:06:57,413 --> 00:06:58,620 FEELING THAT THIS IS ONE OF THEM. 123 00:06:58,655 --> 00:07:02,517 >> Ian: DOES ONE OF THESE CAMERAS GO DIRECTLY TO THE PART 124 00:07:02,551 --> 00:07:03,862 OF AMERICA WHERE IT'S OK TO SAY THAT. 125 00:07:03,896 --> 00:07:06,827 >> James: I THINK ALL OF THESE CAMERAS DIRECTLY SAY THAT. 126 00:07:06,862 --> 00:07:12,379 >> Ian: HE'S PRETTY FUNNY. I DON'T AGREE WITH HIM 127 00:07:12,413 --> 00:07:14,827 POLITICALLY, BUT YOU GOTTA ADMIT, LIKE 40% OF THE TIME, 128 00:07:14,862 --> 00:07:23,206 YOU'RE LIKE, OH -- OK, ACTUALLY. [LAUGHTER] 129 00:07:23,241 --> 00:07:25,137 >> JAMES: AND TODAY WAS THE OFFICIAL STATE OPENING OF 130 00:07:25,172 --> 00:07:26,931 PARLIAMENT IN LONDON, AND FOR THE FIRST TIME EVER, PRINCE 131 00:07:26,965 --> 00:07:31,034 CHARLES DELIVERED THE SPEECH IN THE QUEEN'S PLACE. 132 00:07:31,068 --> 00:07:35,034 AND BEFORE YOU ASK, YES, HE DID IT IN HER VOICE. 133 00:07:35,068 --> 00:07:38,034 [LAUGHTER] THE QUEEN HAS ONLY MISSED THE 134 00:07:38,068 --> 00:07:43,034 EVENT TWICE IN HER REIGN. IN 1959 AND 1963, BOTH TIMES 135 00:07:43,068 --> 00:07:51,758 WHILE SHE WAS PREGNANT. SO, CONGRATULATIONS YOUR 136 00:07:51,793 --> 00:07:56,241 MAJESTY! [APPLAUSE] 137 00:07:56,275 --> 00:07:59,310 CAN WE SEE THAT PHOTO OF PRINCE CHARLES AGAIN? 138 00:07:59,344 --> 00:08:02,000 LOOK AT THAT, THERE ARE ONLY TWO GROUPS OF PEOPLE THAT COULD PULL 139 00:08:02,034 --> 00:08:07,931 OFF THAT LEVEL OF BLING. ONE IS THE MONARCHY. 140 00:08:07,965 --> 00:08:16,137 THE OTHER... MIGOS. >> JAMES: MOVING ON, NETFLIX HAS 141 00:08:16,172 --> 00:08:17,413 ANNOUNCED IN AN INTERNAL MEMO THAT THEY WILL BE INTRODUCING 142 00:08:17,448 --> 00:08:19,034 ADS TO THEIR PLATFORM SOONER THAN ORIGINALLY INDICATED. 143 00:08:19,068 --> 00:08:23,689 AS SOON AS OCTOBER. UNFORTUNATELY FOR NETFLIX, MOST 144 00:08:23,724 --> 00:08:25,103 OF THOSE ADS ARE GOING TO BE FOR HBO MAX. 145 00:08:25,137 --> 00:08:27,034 I'M NOT SURE ABOUT THIS. I DON'T KNOW IF MY NERVES CAN 146 00:08:27,068 --> 00:08:31,965 HANDLE A COMMERCIAL BREAK RIGHT BEFORE FINDING OUT IF SOMETHING 147 00:08:32,000 --> 00:08:39,034 IS OR IS NOT CAKE. I CAN'T -- HAVE YOU SEEN THAT 148 00:08:39,068 --> 00:08:40,620 SHOW? IS IT CAKE? 149 00:08:40,655 --> 00:08:44,102 HAVE YOU SEEN IT YET? IT'S AN HOUR! 150 00:08:44,136 --> 00:08:49,655 WHO'S GOT THE MOST -- IS ANYONE HERE WHO WORKS ON THE SHOW 151 00:08:49,689 --> 00:08:51,241 SHARING A NETFLIX ACCOUNT THEY HAVEN'T PAID FOR? 152 00:08:51,275 --> 00:08:55,034 BE HONEST. BE HONEST. 153 00:08:55,068 --> 00:08:56,103 DAVE -- NO! CECE! 154 00:08:56,137 --> 00:08:57,620 NO! NOT THE CHUCKLE BROTHERS. 155 00:08:57,655 --> 00:09:02,241 LOOK AT THIS. YOU'VE EVEN STARTED DRESSING 156 00:09:02,275 --> 00:09:04,206 LIKE EACH OTHER. LOOK AT THIS. 157 00:09:04,241 --> 00:09:06,103 SEE? >> WE'RE TURNING INTO ONE 158 00:09:06,137 --> 00:09:08,000 PERSON. >> James: YOU ABSOLUTELY ARE. 159 00:09:08,034 --> 00:09:10,034 DAVE, WHOSE ACCOUNT ARE YOU STEALING? 160 00:09:10,068 --> 00:09:16,482 >> I USE MY MOM'S. >> James: CECE, WHOSE ARE YOU 161 00:09:16,517 --> 00:09:19,068 STEALING? >> I USE MY DAD'S. 162 00:09:19,103 --> 00:09:24,034 [LAUGHTER] >> JAMES: AND FINALLY, DID YOU 163 00:09:24,068 --> 00:09:25,965 GUYS HEAR ABOUT THIS? THERE'S A NEW MUSICAL PREMIERING 164 00:09:26,000 --> 00:09:29,896 EXCLUSIVELY ON TIKTOK LATER THIS MONTH, FEATURING DOJA CAT AND 165 00:09:29,931 --> 00:09:34,034 DOLLY PARTON. IT'S BEING PRODUCED BY TACO 166 00:09:34,068 --> 00:09:39,034 BELL, AND IT'S CALLED, "MEXICAN PIZZA: THE MUSICAL." 167 00:09:39,068 --> 00:09:43,517 SO, THIS IS HOW I FIND OUT I DIDN'T GET THE ROLE OF CHEESY 168 00:09:43,551 --> 00:09:49,965 GORDITA CRUNCH? I NAILED THAT AUDITION! 169 00:09:50,000 --> 00:09:54,551 A MUSICAL PREMIERING EXCLUSIVELY ON TIKTOK. 170 00:09:54,586 --> 00:09:55,965 SO IF YOU GET BORED, YOU ALWAYS HAVE THE OPTION TO SWIPE UP AND 171 00:09:56,000 --> 00:10:01,931 WATCH A DENTAL ASSISTANT DOING THE "MY MONEY DON'T JIGGLE 172 00:10:01,965 --> 00:10:06,379 JIGGLE" DANCE. I WISH TACO BELL THE BEST, I DO, 173 00:10:06,413 --> 00:10:11,034 BUT A RESTAURANT PUTTING ON A MUSICAL DOESN'T ALWAYS WORK OUT. 174 00:10:11,068 --> 00:10:16,103 I HOPE IT GOES OVER BETTER THAN THIS ONE, "THE BURGER KING & I." 175 00:10:16,137 --> 00:10:18,413 AND THAT'S THE NEWS WE'LL BE RIGHT BACK EVERYBODY. 176 00:10:33,689 --> 00:10:36,241 >> JAMES: WHEN I HEARD ABOUT REBEL WILSON'S NEW MOVIE SENIOR 177 00:10:36,275 --> 00:10:37,448 YEAR, I REALIZED IT WAS THE PERFECT OPPORTUNITY TO DO 178 00:10:37,482 --> 00:10:42,034 SOMETHING WE SHOULD HAVE DONE LONG AGO, CROWN A LATE, LATE 179 00:10:42,068 --> 00:10:49,482 SHOW PROM KING. TAKE A LOOK. 180 00:10:49,517 --> 00:10:54,034 >> SO THE SHOW IS ELECTING A PROM KING, AND CERTAIN PEOPLE 181 00:10:54,068 --> 00:10:56,862 HAVE GOTTEN REALLY INTO IT. >> LATE LATE SHOW, VOTE FOR 182 00:10:56,896 --> 00:10:58,034 ANDREW FOR PROM KING. THAT'S ME 183 00:10:58,068 --> 00:11:09,000 >> WHO WANTS CUPCAKES? >> DID YOU SEE LOU'S HANDING OUT 184 00:11:09,034 --> 00:11:17,000 CUPCAKES? >> I THINK I SHOULD BE PROM 185 00:11:17,034 --> 00:11:17,896 KENG. I'M TALL AND PLAYED FOOTBALL IN 186 00:11:17,931 --> 00:11:20,482 HIGH SCHOOL. >> I'M RUNNING FOR PROM KING 187 00:11:20,517 --> 00:11:23,655 BECAUSE I'M TALL AND I PLAYED FOOTBALL IN HIGH SCHOOL. 188 00:11:23,689 --> 00:11:25,206 >> DUDE! >> EVERYONE WANTS TO BE PROM 189 00:11:25,241 --> 00:11:28,586 KING, BUT ONLY I WILL BE PROM KING! 190 00:11:28,620 --> 00:11:31,310 >> NICK, VOTE FOR ME OR YOU'RE FIRED. 191 00:11:31,344 --> 00:11:34,206 >> I SHOULD GET TO RUN FOR PROM KING. 192 00:11:34,241 --> 00:11:35,896 IT'S COMPLETELY SEXIST THAT I CAN'T. 193 00:11:35,931 --> 00:11:40,689 >> YOU CAN. >> I CAN'T. 194 00:11:40,724 --> 00:11:45,965 OH WELL, THEN I DON'T WANT IT. >> I DIDN'T KNOW WE'RE DOING THE 195 00:11:46,000 --> 00:11:50,275 PROM THING KING TODAY. I THOUGHT I'D PUT THIS CROWN ON, 196 00:11:50,310 --> 00:11:57,965 AND, DAMN, I LOOK GOOD! [CHEERS AND APPLAUSE] 197 00:11:58,000 --> 00:11:59,275 >> JAMES: THE CAMPAIGNS HAVE ENDED, THE VOTES HAVE BEEN 198 00:11:59,310 --> 00:12:00,517 TALLIED, BUT WHO WILL BE CROWNED "THE LATE LATE SHOW" PROM KING? 199 00:12:00,551 --> 00:12:02,448 HERE TO JUDGE WHICH "LATE LATE SHOW" STAFF MEMBER SPARKLES 200 00:12:02,482 --> 00:12:07,689 BRIGHTEST OF THEM ALL, IT'S REBEL WILSON REBEL ENTERS. 201 00:12:07,724 --> 00:12:19,379 [CHEERS AND APPLAUSE] 202 00:12:19,413 --> 00:12:20,275 REBEL. >> HI. 203 00:12:20,310 --> 00:12:21,827 >> James: HOW ARE YOU? NICE TO SEE YOU. 204 00:12:21,862 --> 00:12:23,172 NICE TO SEE YOU. WE'RE SO HAPPY YOU'RE HERE. 205 00:12:23,206 --> 00:12:30,517 TELL ME, BEFORE WE BRING OUR FINALISTS OUT, WHAT DO YOU LOOK 206 00:12:30,551 --> 00:12:32,034 FOR IN A PROM KING? >> BANK BALANCE? 207 00:12:32,068 --> 00:12:34,551 >> James: OK, THAT'LL BE A STRUGGLE HERE TO BE HONEST. 208 00:12:34,586 --> 00:12:38,137 >> YOU DON'T PAY THEM THAT MUCH? >> I DON'T PERSONALLY PAY THEM. 209 00:12:38,172 --> 00:12:40,896 IT'S VERY MUCH A NETWORK -- >> OH, YEAH 210 00:12:40,931 --> 00:12:42,482 YEAH. >> James: THAT'S THE ISSUE. 211 00:12:42,517 --> 00:12:44,172 THAT'S THE ISSUE. WE FEEL READY. 212 00:12:44,206 --> 00:12:54,655 LET'S BRING OUT THE FINALISTS. PLEASE WELCOME FUMI, JOHNNY, 213 00:12:54,689 --> 00:13:04,379 MICHAEL AND NICK! [CHEERS AND APPLAUSE] 214 00:13:04,413 --> 00:13:10,896 >> YEAH, BRING IT ON! >> James: IT'S LIKE THE WORST 215 00:13:10,931 --> 00:13:12,172 BOY BAND I'VE EVER SEEN IN MY LIFE. 216 00:13:12,206 --> 00:13:13,655 WOW. THIS IS INCREDIBLE! 217 00:13:13,689 --> 00:13:18,137 LOOK AT YOU ALL. I SHOULD SAY -- THIS IS 218 00:13:18,172 --> 00:13:21,931 IMPORTANT -- I DON'T CONSIDER NICK OR FUMI EVER WHEN I MEET 219 00:13:21,965 --> 00:13:23,620 THEM OR ARE AROUND THEM TO BE SHORT MEN. 220 00:13:23,655 --> 00:13:27,551 THEY'RE NOT. BUT UNFORTUNATELY, WHEN YOU 221 00:13:27,586 --> 00:13:34,206 STAND THEM BETWEEN MICHAEL AND JOHNNY, NO ONE LOOKS LIKE THEIR 222 00:13:34,241 --> 00:13:38,000 REGULAR SIZE. REBEL, NOW, YOU'VE PREPARED A 223 00:13:38,034 --> 00:13:40,862 QUESTION. YOU WILL ASK EACH FINALIST ONE 224 00:13:40,896 --> 00:13:44,206 QUESTION TO DETERMINE WHO TRULY HAS THE SOUL OF A PROM KING. 225 00:13:44,241 --> 00:13:46,103 LET'S START WITH MICHAEL. >> OK, MICHAEL. 226 00:13:46,137 --> 00:13:48,793 HI. >> HI, REBEL. 227 00:13:48,827 --> 00:13:51,034 >> UM, HOW WOULD YOU USE THE TITLE OF "PROM KING" TO MAKE THE 228 00:13:51,068 --> 00:13:53,517 WORLD A BETTER PLACE? >> OH. 229 00:13:53,551 --> 00:13:56,034 THAT'S A GOOD QUESTION. >> THAT'S AN AMAZING QUESTION 230 00:13:56,068 --> 00:13:59,310 AND I WOULD LIKE TO -- I WOULD LIKE TO FIRST SAY JUST AS PROM 231 00:13:59,344 --> 00:14:04,482 KING, YOU KNOW, NO ONE IS PERFECT, BUT AS I STRIVE TO MAKE 232 00:14:04,517 --> 00:14:08,034 THE WORLD A BETTER PLACE, THE FIRST THING I WILL IMPLEMENT IS 233 00:14:08,068 --> 00:14:14,310 ANYONE THAT USES A MICROWAVE AND MICROWAVES BROCCOLI AND CHEESE 234 00:14:14,344 --> 00:14:17,793 WILL BE SENT TO THE GUILLOTINES. >> James: WOW. 235 00:14:17,827 --> 00:14:22,241 WOW. I FEEL LIKE -- 236 00:14:22,275 --> 00:14:23,689 >> IT'LL MAKE THE WORLD A BETTER PLACE. 237 00:14:23,724 --> 00:14:26,206 >> James: FEEL LIKE MICHAEL IS BRINGING SOME OF HIS OWN ENERGY 238 00:14:26,241 --> 00:14:27,758 FROM THE BREAK ROOM WITH THIS ONE. 239 00:14:27,793 --> 00:14:29,931 >> YEAH. >> James: LET'S GO TO YOUR 240 00:14:29,965 --> 00:14:31,482 QUESTION FOR NICK. >> NICK, HI. 241 00:14:31,517 --> 00:14:34,206 >> James: THANK YOU FOR BRINGING IN YOUR OWN TUX, NICK. 242 00:14:34,241 --> 00:14:38,275 WE REALLY APPRECIATE IT. >> YEAH, WOW. 243 00:14:38,310 --> 00:14:39,896 PROM KING SHOULD BE MORE THAN JUST A PRETTY FACE. 244 00:14:39,931 --> 00:14:42,379 BESIDES YOUR FACE, WHAT'S YOUR BEST FEATURE? 245 00:14:42,413 --> 00:14:47,068 >> OH, GOOD QUESTION. >> UM, MY BEST FEATURE IS I'M A 246 00:14:47,103 --> 00:14:50,655 GOOD SPORT AND I SAY THAT BECAUSE THIS IS ONLY LIKE THE 247 00:14:50,689 --> 00:14:52,482 FOURTH WEIRDEST THING I'VE DONE ON THIS SHOW. 248 00:14:52,517 --> 00:14:57,482 >> James: HA-HA. [APPLAUSE] 249 00:14:57,517 --> 00:15:02,517 OK. LET'S GO TO JOHNNY. 250 00:15:02,551 --> 00:15:06,206 >> JOHNNY, THE PROM KING MUST BE HONEST SO WHAT'S YOUR GREATEST 251 00:15:06,241 --> 00:15:08,172 WEAKNESS? >> I WOULD SAY MY GREATEST 252 00:15:08,206 --> 00:15:09,413 WEAKNESS IS I'M VERY CRITICAL OF MYSELF. 253 00:15:09,448 --> 00:15:11,551 I WANT EVERYTHING I DO TO BE PERFECT. 254 00:15:11,586 --> 00:15:15,655 I'M VERY HARD ON MYSELF. >> GOOD ANSWER. 255 00:15:15,689 --> 00:15:18,758 >> James: YOU WANT EVERYTHING TO BE PERFECT? 256 00:15:18,793 --> 00:15:21,034 >> YEAH. >> James: DOESN'T ALWAYS FEEL 257 00:15:21,068 --> 00:15:25,137 LIKE THAT IN YOUR WORK LIFE, JOHNNY, BUT I'M PLEASED TO HEAR 258 00:15:25,172 --> 00:15:27,137 THAT. IN THE SEVEN YEARS YOU'VE WORKED 259 00:15:27,172 --> 00:15:30,000 HERE, I DON'T THINK I'VE EVER HEARD ANYONE GO, OH, THAT'S THE 260 00:15:30,034 --> 00:15:35,241 PROBLEM WITH JOHNNY. HE'S JUST A PERFECTIONIST! 261 00:15:35,275 --> 00:15:38,758 [LAUGHTER] HE JUST WANTS IT PERFECT. 262 00:15:38,793 --> 00:15:43,827 ALL RIGHT. LET'S GO TO FUMI. 263 00:15:43,862 --> 00:15:46,137 >> FUMI, THE PROM KING SHOULD HAVE A REALISTIC SELF-IMAGE. 264 00:15:46,172 --> 00:15:50,034 WHO WOULD PLAY YOU IN A MOVIE? >> OH. 265 00:15:50,068 --> 00:15:51,206 OH. THAT'S AN EXCELLENT QUESTION. 266 00:15:51,241 --> 00:15:56,655 UM, I WOULD SAY -- I WILL GO WITH MERYL STREEP, BECAUSE I 267 00:15:56,689 --> 00:16:00,206 FEEL SHE'S AMAZING AND I THINK SHE COULD REALLY CAPTURE THE 268 00:16:00,241 --> 00:16:06,793 ETHOSES OF WHAT IT'S LIKE TO BE A 32-YEAR-OLD HORNY ASIAN MAN. 269 00:16:06,827 --> 00:16:09,655 >> SHE IS A GOOD ACTRESS. >> James: SHE'S A VERY GOOD 270 00:16:09,689 --> 00:16:10,793 ACTRESS. >> SHE'S A GOOD ACTRESS. 271 00:16:10,827 --> 00:16:11,758 YEAH. >> James: REBEL, WE'VE HEARD 272 00:16:11,793 --> 00:16:14,379 FROM THEM ALL. IT'S TIME FOR YOU, REBEL, TO 273 00:16:14,413 --> 00:16:26,000 DECLARE WHO DO YOU THINK IS THE LATE, LATE PROM KING? 274 00:16:26,034 --> 00:16:29,103 >> OK. FIRSTLY, I JUST WANT TO THANK 275 00:16:29,137 --> 00:16:32,965 EVERYBODY FOR THEIR ANSWERS. [LAUGHTER] 276 00:16:33,000 --> 00:16:38,068 FOR GETTING ALL DRESSED UP, BUT ONLY ONE SHALL BE NAMED THE 277 00:16:38,103 --> 00:16:46,482 LATE, LATE SHOW PROM KING. AND THAT PERSON WILL BE NICK! 278 00:16:46,517 --> 00:16:50,862 >> James: OH MY GOSH! OH MY GOSH! 279 00:16:50,896 --> 00:16:57,655 CONGRATULATIONS, NICK. STAY THERE. 280 00:16:57,689 --> 00:17:02,724 NICK BERNSTEIN -- REBEL, PLEASE COME -- YOU ARE. 281 00:17:02,758 --> 00:17:10,792 REBEL, HANG ON. PLACE ON THE SASH, NICK. 282 00:17:10,827 --> 00:17:14,862 YOU'RE THE LATE, LATE PROM CONNECT WELL DONE. 283 00:17:14,896 --> 00:17:18,619 HUGE MOMENT HAVE -- -- PROM KING. 284 00:17:18,655 --> 00:17:20,896 WELL DONE. HUGE, HUGE MOMENT WITH MOM AND 285 00:17:20,931 --> 00:17:22,344 DAD. YOU CAN'T HAVE A PROM KING 286 00:17:22,378 --> 00:17:25,344 WITHOUT MUSIC. ♪ ALL MY LIFE, I WANTED SOMEONE 287 00:17:25,378 --> 00:17:30,862 LIKE YOU ♪ AND I THANK GOD THAT I'VE -- 288 00:17:30,896 --> 00:17:35,586 THAT I'VE FINALLY FOUND YOU ♪ >> James: TIME TO TAKE YOUR 289 00:17:35,620 --> 00:17:38,551 RIGHTFUL PLACE ON THE PROM KING'S THRONE. 290 00:17:38,586 --> 00:17:40,689 LADIES AND GENTLEMEN, THE LATE, LATE PROM KING, NICK BERNSTEIN 291 00:17:40,724 --> 00:17:50,517 ♪ AND I KNOW THAT YOU FEEL THE SAME WAY TOO. 292 00:17:50,551 --> 00:17:51,517 >> James: OUR THANKS TO REBEL. WE'LL BE RIGHT BACK. 293 00:18:18,413 --> 00:18:19,551 >> James: WELCOME BACK, LET'S 294 00:18:19,586 --> 00:18:22,896 MEET OUR GUESTS TONIGHT. AND PRODUCER OF "SENIOR YEAR," 295 00:18:22,931 --> 00:18:30,241 REBEL WILSON! [CHEERS AND APPLAUSE] 296 00:18:30,275 --> 00:18:37,413 GOOD TO SEE YOU. HE'S THE STAR AND PRODUCER OF 297 00:18:37,448 --> 00:18:52,379 "THE VALET," EUGENIO DERBEZ! [CHEERS AND APPLAUSE] 298 00:18:52,379 --> 00:19:00,965 "THE VALET," EUGENIO DERBEZ! [CHEERS AND APPLAUSE] 299 00:19:01,000 --> 00:19:02,758 >> James: THANK YOU FOR BEING HERE. 300 00:19:02,793 --> 00:19:07,448 THANK YOU FOR COMING TO SEE US. REBEL, THANK YOU FOR CROWNING 301 00:19:07,482 --> 00:19:09,931 NICK BERNSTEIN PROM KING OVER THERE. 302 00:19:09,965 --> 00:19:13,241 LOOK AT HIS LITTLE FACE. BLESS YOU BOTH FOR BEING HERE. 303 00:19:13,275 --> 00:19:17,965 EUGENIO THIS WEEKEND IN MIAMI WAS THE INAUGURAL FORMMA 1 RACE 304 00:19:18,000 --> 00:19:20,448 -- FORMULA 1 RACE OVER THERE. LOOKED LIKE AN INCREDIBLE DAY. 305 00:19:20,482 --> 00:19:24,344 WHAT I DIDN'T KNOW IS YOU USED TO OWN A FORMULA 3 RACING TEAM. 306 00:19:24,379 --> 00:19:26,275 >> YES. >> James: I CAN'T BELIEVE 307 00:19:26,310 --> 00:19:27,413 THAT. BEING AN OWNER OF A TEAM AS 308 00:19:27,448 --> 00:19:29,448 GLAMOROUS AS IT SOUNDS? >> NOT AT ALL. 309 00:19:29,482 --> 00:19:32,448 >> James: REALLY? WHY? 310 00:19:32,482 --> 00:19:35,862 >> THEY INVITED ME TO BE PART OF THIS. 311 00:19:35,896 --> 00:19:38,655 I LOVED ALWAYS CARS SINCE I WAS A KID. 312 00:19:38,689 --> 00:19:42,689 I ALWAYS WANTED TO RACE A CAR. SO WHEN THEY TOLD ME ABOUT THIS, 313 00:19:42,724 --> 00:19:46,758 THEY SAID IF YOU INVEST IN THIS, YOU CAN EVEN RACE A CAR. 314 00:19:46,793 --> 00:19:49,758 SO I WAS LIKE, HM. HM. 315 00:19:49,793 --> 00:19:54,896 SO THEY FINALLY CONVINCED ME. SO I REMEMBER THE FIRST DAY I 316 00:19:54,931 --> 00:20:03,551 WENT TO TRAIN, AND I WAS IN MONTEREY IN MEXICO TRAINING IN 317 00:20:03,586 --> 00:20:05,344 THE CIRCUIT. IT WAS ONE OF THE WORST DAYS OF 318 00:20:05,379 --> 00:20:07,137 MY LIFE. >> James: WHY? 319 00:20:07,172 --> 00:20:13,275 >> BECAUSE YOU IMAGINE THAT THE CARS ARE -- YOU KNOW, AMAZING! 320 00:20:13,310 --> 00:20:17,793 AND THEY'RE NOT! IN ORDER TO BE FAST, THEY GET 321 00:20:17,827 --> 00:20:23,172 RID OF ALL THE LUXURY. THEY DON'T HAVE THE SHOCK 322 00:20:23,206 --> 00:20:26,137 ABSORBERS AT ALL. >> NO CUP HOLDERS OR ANYTHING? 323 00:20:26,172 --> 00:20:27,620 >> NO. >> I WOULD HATE THAT. 324 00:20:27,655 --> 00:20:29,448 >> James: YOU'RE THAT FAR FROM THE GROUND. 325 00:20:29,482 --> 00:20:34,862 >> NO A/C, NOTHING! YOU CAN FEEL EVERY PEBBLE IN THE 326 00:20:34,896 --> 00:20:36,034 PAVEMENT. >> James: OH WOW. 327 00:20:36,068 --> 00:20:38,000 >> IN YOUR BUTT. >> James: YEAH. 328 00:20:38,034 --> 00:20:41,413 >> YOU CAN FEEL EVERY CRACK IN YOUR CRACK. 329 00:20:41,448 --> 00:20:44,724 >> James: WOW. SO YOU DON'T RECOMMEND IT? 330 00:20:44,758 --> 00:20:46,034 YOU DON'T RECOMMEND OWNING A TEAM? 331 00:20:46,068 --> 00:20:51,000 >> YOU'RE LIKE IN A COFFIN ALREADY. 332 00:20:51,034 --> 00:20:57,448 LIKE YOU CAN'T MOVE. THERE'S NO HYDRAULIC STEERING OR 333 00:20:57,482 --> 00:21:04,275 ANYTHING. AFTER MANY, MANY LAPS, I STARTED 334 00:21:04,310 --> 00:21:05,586 VOMITING. >> James: THAT'S WHAT YOU 335 00:21:05,620 --> 00:21:06,862 THOUGHT YOU'D GET OUT OF THE TEAM? 336 00:21:06,896 --> 00:21:11,034 >> AT THAT MOMENT, I COULDN'T, SO I STAYED THERE LIKE FOR FIVE 337 00:21:11,068 --> 00:21:16,241 YEARS, BUT -- AND THEN EVERY CRASH WAS A LOT OF -- MILLIONS 338 00:21:16,275 --> 00:21:21,034 AND MILLIONS OF PESOS. >> James: THAT'S A LOT OF 339 00:21:21,068 --> 00:21:22,275 MONEY. >> STILL. 340 00:21:22,310 --> 00:21:24,551 >> James: I DON'T THINK ANYONE HERE IS GOING TO -- I DON'T 341 00:21:24,586 --> 00:21:26,517 THINK ANYONE HERE IS GOING TO INVEST IN SUCH A THING. 342 00:21:26,551 --> 00:21:32,655 >> NAH! >> James: REBEL, YOU'RE A HUGE 343 00:21:32,689 --> 00:21:36,034 SPORTS FAN. HUGE FAN OF THE L.A. RAMS. 344 00:21:36,068 --> 00:21:38,344 WE SAW EACH ANOTHER AT A GAME. >> YEAH. 345 00:21:38,379 --> 00:21:40,448 YEAH. >> James: YOU'RE BIG INTO 346 00:21:40,482 --> 00:21:42,517 FOOTBALL. >> LIKE SO BIG. 347 00:21:42,551 --> 00:21:46,275 >> James: YOU STRUCK UP A FRIENDSHIP -- LOOK AT YOU HERE 348 00:21:46,310 --> 00:21:51,862 AT THE OSCARS WITH MATT STAF STAFFORD. 349 00:21:51,896 --> 00:21:55,724 >> YEAH. I MEAN, I WAS THE OFFICIAL L.A. 350 00:21:55,758 --> 00:21:58,000 RAMS AMBASSADOR. THEN THEY WON THE SUPER BOWL. 351 00:21:58,034 --> 00:22:05,034 SO I DON'T WANT TO SAY I WAS THE LUCKY CHARM, BUT. 352 00:22:05,068 --> 00:22:09,000 >> James: THEY DIDN'T WIN THE SUPER BOWL WHEN YOU WEREN'T THE 353 00:22:09,034 --> 00:22:10,379 AMBASSADOR. >> IT WAS AWESOME TO GET TO KNOW 354 00:22:10,413 --> 00:22:13,689 THEM AND HANG OUT. WE WERE IN THE OSCARS "VANITY 355 00:22:13,724 --> 00:22:16,689 FAIR" PARTY TOGETHER. I NOTICED A LOT OF PEOPLE DON'T 356 00:22:16,724 --> 00:22:19,620 RECOGNIZE THE FOOTBALL PLAYERS BECAUSE THEY'RE NORMALLY HEARING 357 00:22:19,655 --> 00:22:22,827 HELMETS ON TV. WE WERE LIKE, HEY, THAT'S LIKE 358 00:22:22,862 --> 00:22:24,862 L.A. RAMS. >> James: I KNEW THEY WERE 359 00:22:24,896 --> 00:22:27,620 RAMS BECAUSE ONE OF THEM WAS HUGE AND THEN YOU WERE TALKING 360 00:22:27,655 --> 00:22:29,724 TO THEM. I REMEMBER SAYING TO MY WIFE 361 00:22:29,758 --> 00:22:32,862 THAT THEY'RE 100% L.A. RAMS PLAYERS, BECAUSE LOOK AT HOW 362 00:22:32,896 --> 00:22:37,034 EXCITED REBEL IS AND SHE'S NOT EXCITED ABOUT ANY ACTOR HERE. 363 00:22:37,068 --> 00:22:46,862 >> I DON'T GET EXCITED BY LEO DICAPRIO BUT L.A. RAMS, YES! 364 00:22:46,896 --> 00:22:49,241 THEY'RE CHAMPIONS. >> James: EUGENIO, YOU'RE HERE 365 00:22:49,275 --> 00:22:58,068 ON STAGE WITH THE CAST OF "CODA" WHEN YOU WON BEST PICTURE. 366 00:22:58,103 --> 00:22:59,137 TELL ME -- [APPLAUSE] 367 00:22:59,172 --> 00:23:01,827 -- WHAT DID THAT MOMENT MEAN TO YOU? 368 00:23:01,862 --> 00:23:04,689 >> OH, THAT WAS PROBABLY ONE OF THE BEST NIGHTS OF MY LIFE. 369 00:23:04,724 --> 00:23:09,793 YOU SEE ME -- I WAS LOOKING TO THE SKY. 370 00:23:09,827 --> 00:23:14,931 I WAS LOOKING TO A GUY THAT WAS ON TOP OF -- NO, I WAS -- I WAS 371 00:23:14,965 --> 00:23:19,172 THANKING MY MOM, BECAUSE WHEN I WAS -- I WAS A KID, I USED TO GO 372 00:23:19,206 --> 00:23:22,517 TO THE MOVIE THEATERS VERY OFTEN WITH MY MOM. 373 00:23:22,551 --> 00:23:26,827 EVERY WEEKEND, WE WOULD WATCH TWO OR THREE MOVIES A DAY, 374 00:23:26,862 --> 00:23:29,275 SOMETIMES FOUR. AND WE ALWAYS WATCHED THE OSCARS 375 00:23:29,310 --> 00:23:34,724 TOGETHER, SO -- AND I ALWAYS TOLD HER THAT I WOULD LIKE TO BE 376 00:23:34,758 --> 00:23:37,793 THERE SOME DAY. I WOULD LIKE TO BE A 377 00:23:37,827 --> 00:23:42,689 STORY-TELLER.pWHEN I FINALLY WAI COULDN'T BELIEVE -- WHEN I WAS A 378 00:23:42,724 --> 00:23:45,000 KID, I WAS WATCHING THAT STAGE FROM MY HOUSE. 379 00:23:45,034 --> 00:23:48,137 SO I LOOKED TO THE SKY. I SENT HER A KISS. 380 00:23:48,172 --> 00:23:52,241 >> James: AW! THAT IS SO -- I'M SO PLEASED YOU 381 00:23:52,275 --> 00:23:54,206 HAD THAT MOMENT! SO GORGEOUS! 382 00:23:54,241 --> 00:23:58,517 REBEL, EARLIER IN THE SHOW, WE CROWNED OUR LATE, LATE SHOW PROM 383 00:23:58,551 --> 00:24:00,103 KING. >> WHICH IS KIND OF LIKE THE 384 00:24:00,137 --> 00:24:01,413 OSCARS. >> James: VERY SIMILAR. 385 00:24:01,448 --> 00:24:03,241 IT'S CERTAINLY NICK'S ACADEMY AWARDS. 386 00:24:03,275 --> 00:24:05,620 LOOK AT HIM THERE, JUST RIGHT THERE RIGHT NOW. 387 00:24:05,655 --> 00:24:08,482 YOU SENT US A PHOTO -- >> YEAH. 388 00:24:08,517 --> 00:24:09,379 >> >> James: THIS IS REBEL WILSON 389 00:24:09,413 --> 00:24:10,793 AT HIGH SCHOOL. TALK TO ME. 390 00:24:10,827 --> 00:24:12,482 WHAT ARE WE LOOKING AT HERE? WHAT IS HAPPENING? 391 00:24:12,517 --> 00:24:19,206 >> THAT'S ME WITH MY FRIENDS, ANNA AND ZAHRA IN MY SWEET 16TH 392 00:24:19,241 --> 00:24:22,275 BIRTHDAY PARTY. THIS PARTY WAS THE MOST EPIC 393 00:24:22,310 --> 00:24:24,379 HIGH SCHOOL PARTY YOU COULD EVER IMAGINE. 394 00:24:24,413 --> 00:24:26,965 IT WAS LIKE THE MOVIES. THEY SHOULD MAKE A MOVIE ABOUT 395 00:24:27,000 --> 00:24:30,620 IT. 30 MINUTES BEFORE THE PARTY 396 00:24:30,655 --> 00:24:31,862 STARTED, A BUSLOAD OF GAY CRASHERS CAME. 397 00:24:31,896 --> 00:24:32,793 A BUS. A BUS. 398 00:24:32,827 --> 00:24:35,206 HOW DID THEY EVEN GET A BUS TO MY HOUSE? 399 00:24:35,241 --> 00:24:37,068 BUT THEY DID. THEN THE COPS WERE CALLED THREE 400 00:24:37,103 --> 00:24:39,206 TIMES IN THE NIGHT. >> James: STOP! 401 00:24:39,241 --> 00:24:42,275 >> PEOPLE WERE GETTING PUNCHED. PEOPLE WERE LIKE -- IT WAS LIKE 402 00:24:42,310 --> 00:24:43,724 INSANE. IT WAS LIKE ONE OF THOSE PARTIES 403 00:24:43,758 --> 00:24:47,275 WHERE IT WAS JUST LIKE CHAOS. LUCKILY, MY PARENTS BARRICADED 404 00:24:47,310 --> 00:24:51,724 THE HOUSE SO THAT THE HOUSE WASN'T DESTROYED, BUT ALL I 405 00:24:51,758 --> 00:24:53,172 REMEMBER IS I GOT PRETTY UPSET BECAUSE OF SOME OF THE BAD 406 00:24:53,206 --> 00:24:56,965 THINGS THAT WERE HAPPENING. SO I WENT TO BED AT MIDNIGHT. 407 00:24:57,000 --> 00:24:59,137 I REMEMBER JUST WAKING UP AND LOOKING OUT THE BACK WINDOW AND 408 00:24:59,172 --> 00:25:01,551 THERE'S JUST -- YOU COULDN'T SEE THE BACKYARD. 409 00:25:01,586 --> 00:25:06,586 IT WAS JUST BOTTLES EVERYWHERE. MY MOM 410 00:25:06,620 --> 00:25:11,103 JUST LIKE PUTTING THE BOTTLES INTO A BIG BAG ONE BY 411 00:25:11,137 --> 00:25:12,413 ONE. I WAS AND LIKE, OH GOSH, WHAT -- 412 00:25:12,448 --> 00:25:13,275 BUT EVERYONE THOUGHT IT WAS THE MOST LEGENDARY PARTY AND TALKED 413 00:25:13,310 --> 00:25:18,517 ABOUT IT FOR YEARS LATER. [APPLAUSE] 414 00:25:18,551 --> 00:25:20,344 >> James: REBEL, WE GOT TO CONGRATULATE YOU ON YOUR 415 00:25:20,379 --> 00:25:21,620 BRILLIANT NEW MOVIE "SENIOR YEAR." 416 00:25:21,655 --> 00:25:22,310 FOR ANYONE WHO DOESN'T KNOW, TELL US WHAT IT'S ABOUT AND WHO 417 00:25:22,344 --> 00:25:28,068 YOU PLAY. [APPLAUSE] 418 00:25:28,103 --> 00:25:30,379 >> I PLAY A CHARACTER CALLED STEPHANIE. 419 00:25:30,413 --> 00:25:33,896 SHE WAKED UP FROM A 20-YEAR COMA AND DECIDES SHE WANTS TO REDO 420 00:25:33,931 --> 00:25:40,551 HER SENIOR YEAR IN HIGH SCHOOL. IT'S A SERIOUS DRAMA. 421 00:25:40,586 --> 00:25:44,206 >> I HOPE THE ACADEMY RECOGNIZES YOUR WORK. 422 00:25:44,241 --> 00:25:47,517 >> TO GET OUT OF THE A COMA, I'M LIKE, AH! 423 00:25:47,551 --> 00:25:49,482 IT'S A COMEDY, GUYS. IT'S GOING TO BRING A LOT OF 424 00:25:49,517 --> 00:25:51,931 CHEER. THERE'S LIKE CHEERLEADING AND 425 00:25:51,965 --> 00:25:55,482 DANCING AND LOTS OF FUN STUFF. >> James: IN THE MOVIE, YOU 426 00:25:55,517 --> 00:26:00,586 RECREATE THE ICONIC BRITNEY SPEARS MUSIC VIDEO "YOU DRIVE ME 427 00:26:00,620 --> 00:26:04,413 CRAZY" WHICH LOOKS LIKE PHENOMENAL AMOUNT OF FUN DID YOU 428 00:26:04,448 --> 00:26:06,931 ENJOY DOING THAT? >> OF COURSE! 429 00:26:06,965 --> 00:26:12,172 ONE, I LOVE BRITTANY. I LOVE PAYING HOMAGE TO HER. 430 00:26:12,206 --> 00:26:15,206 20 YEARS EARLIER IN 2002, SHE WAS THE BIGGEST STAR IN THE 431 00:26:15,241 --> 00:26:17,689 WORLD. WE DID THE CRAZY VIDEO. 432 00:26:17,724 --> 00:26:20,000 I HAVE THIS THING, I DON'T KNOW WHETHER YOU -- YOU DO A LOT OF 433 00:26:20,034 --> 00:26:22,655 MUSICAL STUFF AS WELL. WHEN I'M DANCING, I JUST REALLY 434 00:26:22,689 --> 00:26:24,689 LIKE TO GIVE IT. >> James: YEAH. 435 00:26:24,724 --> 00:26:29,103 >> LIKE JUST GIVE MY ALL TO IT, AND THEN WHAT HAPPENS IS I FALL 436 00:26:29,137 --> 00:26:34,586 OVER, AND SO IN THE BRITNEY SPEARS THING, THEY KEEP THE TAKE 437 00:26:34,620 --> 00:26:37,655 WHERE I'M DANCING AND JUST LIKE LOVING IT AND LIKE DOING ALL THE 438 00:26:37,689 --> 00:26:41,448 THINGS AND THEN I FALL FORWARD OUT OF FRAME, BUT THEN I LIKE -- 439 00:26:41,482 --> 00:26:47,103 THE SHOW MUST GO ON, SO I'M JUST LIKE -- AND I GET BACK INTO IT. 440 00:26:47,137 --> 00:26:50,241 >> James: HAH! OF COURSE YOU DO. 441 00:26:50,275 --> 00:26:52,551 >> BUT I DON'T KNOW WHY, IN DANCE ROUTINES, I ALWAYS FALL 442 00:26:52,586 --> 00:26:57,103 OVER AND IN "PITCH PERFECT 2" WE WERE SHOOTING THE BIG FINALE 443 00:26:57,137 --> 00:27:00,620 SEQUENCE AND I FALL NEVER FRONT OF LIKE 2,000 EXTRAS. 444 00:27:00,655 --> 00:27:02,862 THEN I GOT SCOLDED FOR IT. THEY THOUGHT HE WAS DOING IT TO 445 00:27:02,896 --> 00:27:05,482 BE FUNNY. I'M JUST LIKE, NO, I JUST GET SO 446 00:27:05,517 --> 00:27:09,000 INTO IT THAT I JUST FALL OVER. >> James: BALANCE GONE. 447 00:27:09,034 --> 00:27:12,931 >> BUT IN "SENIOR YEAR" THAT MADE THE FINISHED MOVIE SO -- 448 00:27:12,965 --> 00:27:16,137 >> James: OF COURSE, I THINK IT'LL BE A HUGE SUCCESS. 449 00:27:16,172 --> 00:27:19,310 LET'S TAKE A LOOK AT THE CLIP FROM "SENIOR YEAR" WHICH 450 00:27:19,344 --> 00:27:21,551 PREMIERS ON NETFLIX THIS FRIDAY. >> DR. JOHNSON TO THE THIRD 451 00:27:21,586 --> 00:27:24,068 FLOOR. THE CHEERLEADER JUST WOKE UP. 452 00:27:24,103 --> 00:27:28,137 >> OH, DON'T MEAN TO BE A BITCH BUT IS SHE A CHEER CAPTAIN? 453 00:27:28,172 --> 00:27:32,206 >> SHE'S A CAPTAIN. >> DO YOU HAVE VON DUTCH JEANS 454 00:27:32,241 --> 00:27:36,034 BECAUSE THIS IS REALLY UNFLATTERING. 455 00:27:36,068 --> 00:27:38,620 WHAT ARE YOU STARING AT? HELLO! 456 00:27:38,655 --> 00:27:41,103 IT'S VERY RUDE TO BE A STARE BEAR. 457 00:27:41,137 --> 00:27:44,793 HELLO? STOP -- STOP DOING THAT! 458 00:27:44,827 --> 00:27:48,034 WHY ARE YOU DOING IS THAT, YOU FREAKY OLD -- 459 00:27:48,068 --> 00:27:59,758 [BUMP] >> AND THE CHEERLEADER'S BACK 460 00:27:59,793 --> 00:28:02,137 DOWN. CHEER CAPTAIN! 461 00:28:02,172 --> 00:28:03,655 >> JAMES: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 462 00:28:03,689 --> 00:28:04,137 BACK. 463 00:29:01,206 --> 00:29:03,586 >> JAMES: THAT WAS A CLIP FROM "THE VALET," WHICH PREMIERES MAY 464 00:29:03,620 --> 00:29:07,206 20TH ON HULU. CONGRATULATIONS ON THE FILM. 465 00:29:07,241 --> 00:29:11,827 FOR ANYONE WHO DOESN'T KNOW, TELL US WHAT IT'S ABOUT AND WHO 466 00:29:11,862 --> 00:29:15,206 YOU PLAY. >> WELL, THIS MOVIE IS ABOUT A 467 00:29:15,241 --> 00:29:22,896 VALET PARK ATTENDANT. HE GETS CAUGHT UP IN A PAPARAZZI 468 00:29:22,931 --> 00:29:26,965 PHOTO WITH A MARRIED AND VERY WEALTHY GUY, AND HIS LOVER THAT 469 00:29:27,000 --> 00:29:32,758 HAPPENS TO BE A VERY FAMOUS AND BEAUTIFUL ACTRESS, SO IT'S LIKE 470 00:29:32,793 --> 00:29:37,275 -- IT WAS A VERY FUNNY STORY. IMAGINE IMMORTAL -- SOMEONE WHO 471 00:29:37,310 --> 00:29:40,275 -- WHAT'S THE NAME OF THE KING OF THE PROM? 472 00:29:40,310 --> 00:29:42,965 >> NICK. >> James: DON'T FORGET. 473 00:29:43,000 --> 00:29:44,137 NICK. >> YES. 474 00:29:44,172 --> 00:29:49,724 YES. IMAGINE NICK DATING SCARLETT 475 00:29:49,758 --> 00:29:54,034 JOHANSSON OR MEGAN FOX. IT'S A VERY, VERY FUNNY MOVIE 476 00:29:54,068 --> 00:29:57,241 WHERE THIS -- [LAUGHTER] 477 00:29:57,275 --> 00:29:59,724 >> James: I THINK IF EITHER OF THEM ARE WATCHING TONIGHT, HE'S 478 00:29:59,758 --> 00:30:01,827 GOT A SHOT. ABSOLUTELY. 479 00:30:01,862 --> 00:30:06,413 THE FILM IS SUCH A GREAT -- IT'S SUCH A GREAT CONCEPT, AND YOU 480 00:30:06,448 --> 00:30:07,689 HAVE AN INTERESTING RELATIONSHIP WITH VALETS. 481 00:30:07,724 --> 00:30:10,655 THEY REALLY HELPED YOU WHEN YOU FIRST CAME TO LOS ANGELES. 482 00:30:10,689 --> 00:30:11,896 >> OH YEAH. YEAH. 483 00:30:11,931 --> 00:30:15,413 LET ME TELL YOU A STORY. UM, WHEN I CAME TO THIS COUNTRY 484 00:30:15,448 --> 00:30:19,793 -- YOU KNOW, I DID MY ENTIRE CAREER IN MEXICO AND LATIN 485 00:30:19,827 --> 00:30:28,896 AMERICA -- [CHEERS AND APPLAUSE] 486 00:30:28,931 --> 00:30:32,896 MY SISTER AND MY COUSIN AND MY -- MY FAMILY! 487 00:30:32,931 --> 00:30:36,000 [CHEERS AND APPLAUSE] THANK YOU. 488 00:30:36,034 --> 00:30:39,034 THANK YOU. SO. 489 00:30:39,068 --> 00:30:43,241 >> James: HA-HA! >> WHEN I WOULD DO MY TV SHOWS 490 00:30:43,275 --> 00:30:46,862 BACK THERE, THEY WERE REALLY FAMOUS IN MEXICO, BUT HERE, 491 00:30:46,896 --> 00:30:51,034 NOBODY KNEW ME. SO I CAME FOR SOME MEETINGS, AND 492 00:30:51,068 --> 00:30:58,000 WHEN I WENT TO THE STUDIOS TO MEET THE EXECUTIVES, THE 493 00:30:58,034 --> 00:30:59,689 MEETINGS DIDN'T GO WELL. NOTHING HAPPENED. 494 00:30:59,724 --> 00:31:07,620 I WAS LIKE -- I SWEAR THAT I HAVE A HUGE FAN BASE THAT WOULD 495 00:31:07,655 --> 00:31:08,965 SHOW TO THE CINEMAS. THEY'RE LIKE, YEAH, WHATEVER. 496 00:31:09,000 --> 00:31:12,344 I WENT ONE DAY WITH MY AGENTS TO THE RESTAURANT. 497 00:31:12,379 --> 00:31:14,620 THE VALET PARKERS WERE LIKE, OH, I'LL PARK YOUR CAR HERE IN FRONT 498 00:31:14,655 --> 00:31:17,655 OF THE RESTAURANT. THE WAITERS GAVE ME THE BEST 499 00:31:17,689 --> 00:31:20,172 TABLE IN THE RESTAURANT. THEN THE COOK -- THE COOK -- THE 500 00:31:20,206 --> 00:31:24,896 ENTIRE KITCHEN CAME OUT TO ASK FOR PHOTOGRAPHS. 501 00:31:24,931 --> 00:31:27,758 THEY GAVE ME THE THINGS FOR FREE ON THE HOUSE. 502 00:31:27,793 --> 00:31:31,241 EVERYONE IN THE RESTAURANT WAS LIKE, "WHO THE HELL IS THIS 503 00:31:31,275 --> 00:31:34,000 GUY?" THEY STARTED TAKING TO PICTURES 504 00:31:34,034 --> 00:31:39,896 WITH ME. I K DON'T KNOW WHO YOU ARE BUT U 505 00:31:39,931 --> 00:31:42,896 SEEM TO BE FAMOUS. THE AGENTS ARE LIKE, WE NEED TO 506 00:31:42,931 --> 00:31:45,931 CHANGE THE STRATEGY. NO MORE MEETINGS IN THE STUDIO. 507 00:31:45,965 --> 00:31:48,034 FROM NOW ON, MEET EVERYONE IN THE RESTAURANT. 508 00:31:48,068 --> 00:31:51,586 >> James: SUCH A GREAT PLAN! SUCH A GREAT PLAN! 509 00:31:51,620 --> 00:31:54,896 ABSOLUTELY MAKES SENSE. >> THANKS TO MY PEEPS, I'M HERE 510 00:31:54,931 --> 00:31:57,931 AND WORKING. >> James: THAT'S AMAZING. 511 00:31:57,965 --> 00:32:01,275 REBEL, YOU USED TO -- YOU USED TO WORK IN A MOVIE THEATER? 512 00:32:01,310 --> 00:32:03,275 >> I DID. I DID. 513 00:32:03,310 --> 00:32:05,586 YEAH. >> James: WERE YOU GOOD THAT 514 00:32:05,620 --> 00:32:06,448 THE? >> NO. 515 00:32:06,482 --> 00:32:08,172 >> James: WHY? >> I WASN'T A VERY GOOD 516 00:32:08,206 --> 00:32:09,448 EMPLOYEE. >> James: HA-HA. 517 00:32:09,482 --> 00:32:12,586 >> I WOULD WATCH ALL THE MOVIES INSTEAD OF ACTUALLY WORKING. 518 00:32:12,620 --> 00:32:15,896 >> James: RIGHT. >> I WOULD GET BUSTED BECAUSE I 519 00:32:15,931 --> 00:32:21,758 WOULD BE IN THERE SITTING THERE AND WATCHING AND BEING LIKE, OH 520 00:32:21,793 --> 00:32:23,310 YEAH. I WAS GOOD AT DESCRIBING TO 521 00:32:23,344 --> 00:32:26,448 PEOPLE LIKE WHAT MOVIE THEY SHOULD GO AND SEE AND I COULD 522 00:32:26,482 --> 00:32:28,689 DESCRIBE ALL THE MOVIES, BECAUSE I'D SEEN THEM ALL. 523 00:32:28,724 --> 00:32:32,206 >> James: IF ME AND EUGENIO, WE'RE COMING TO THE MOVIES, WHAT 524 00:32:32,241 --> 00:32:34,793 WOULD YOU -- HOW WOULD YOU SELL US ON A FILM? 525 00:32:34,827 --> 00:32:41,103 >> UM, I WOULD JUST SAY LIKE, UM, "SENIOR YEAR" YOU GUYS 526 00:32:41,137 --> 00:32:44,034 SHOULD GO TO SEE IT BECAUSE IT'S REALLY GOOD. 527 00:32:44,068 --> 00:32:49,896 IT STARS, LIKE, REBEL WILSON. >> James: FEELS LIKE YOU'RE 528 00:32:49,931 --> 00:32:52,068 JUST TRYING TO SELL YOURS. >> YEAH, THEN I WOULD JUST GO 529 00:32:52,103 --> 00:32:55,482 LIKE THAT. NO. 530 00:32:55,517 --> 00:32:58,896 I WOULDN'T. JOE ZIMMERMAN IS HERE WHEN WE 531 00:32:58,931 --> 00:33:00,448 COME BACK, EVERYBODY. 532 00:33:09,724 --> 00:33:12,034 >> JAMES: OUR NEXT GUEST IS A BRILLIANT STAND-UP COMEDIAN WITH 533 00:33:12,068 --> 00:33:15,206 A BRAND NEW ALBUM, "COMEDY TO FALL ASLEEP TO." 534 00:33:15,241 --> 00:33:26,068 PLEASE WELCOME BACK, THE HILARIOUS, JOE ZIMMERMAN. 535 00:33:26,103 --> 00:33:28,103 ♪ >> THANK YOU. 536 00:33:28,137 --> 00:33:30,827 THANK YOU SO MUCH. THANK YOU. 537 00:33:30,862 --> 00:33:33,862 I FINALLY KNOW WHAT I LOOK LIKE, BECAUSE I DID COMMERCIAL 538 00:33:33,896 --> 00:33:40,206 AUDITIONS IN NEW YORK FOR TWO YEARS, AND I ONLY BOOKED ONE 539 00:33:40,241 --> 00:33:46,517 ROLE. IT WAS RARE BOOK STORE OWNER. 540 00:33:46,551 --> 00:33:48,344 [APPLAUSE] , AND THERE WAS NO WARDROBE. 541 00:33:48,379 --> 00:33:52,517 THEY WERE JUST LIKE DRESS HOW YOU NORMALLY WOULD. 542 00:33:52,551 --> 00:33:53,827 [LAUGHTER] ALL RIGHT. 543 00:33:53,862 --> 00:33:58,586 I HAD A BIG BIRTHDAY THIS YEAR, AND I DON'T FEEL OLD, BUT I DID 544 00:33:58,620 --> 00:34:03,793 RECENTLY IDENTIFY A BIRD. THAT CAN'T BE GOOD. 545 00:34:03,827 --> 00:34:09,206 [LAUGHTER] IS THAT A WHIPPER-WHEEL? 546 00:34:09,241 --> 00:34:15,551 WHY DO I CARE? AND WHY DO I HAVE BINOCULARS? 547 00:34:15,585 --> 00:34:18,551 THIS BIRD BOOK SAYS IT IS A WHIPPER-WHEEL. 548 00:34:18,585 --> 00:34:20,516 YES! GOT IT. 549 00:34:20,551 --> 00:34:24,034 I ACTUALLY MET A PROFESSIONAL BIRD WATCHER. 550 00:34:24,068 --> 00:34:25,310 HE GIVES BIRDING TOURS IN CENTRAL PARK. 551 00:34:25,344 --> 00:34:26,275 I SAID, THAT SOUNDS LIKE A FUN JOB. 552 00:34:26,310 --> 00:34:33,034 AND HE GOES, WELL, YOU GET A LOT OF EGOS. 553 00:34:33,068 --> 00:34:36,585 [LAUGHTER] ARE WE STILL TALKING ABOUT 554 00:34:36,620 --> 00:34:37,793 BIRDS? [LAUGHTER] 555 00:34:37,827 --> 00:34:40,793 AND HE TOLD ME GUYS WILL BRAG ABOUT HOW MANY BIRDS THEY'VE 556 00:34:40,827 --> 00:34:44,310 SEEN, AND THE BEST PART IS HOW THEY VERIFY THEY'VE SEEN A BIRD 557 00:34:44,344 --> 00:34:45,655 IS THEY JUST SAY THAT THEY SAW IT. 558 00:34:45,688 --> 00:34:51,034 [LAUGHTER] IT'S AN HONOR CODE, SO I'VE SEEN 559 00:34:51,068 --> 00:34:53,655 EVERY BIRD. PROVE I HAVEN'T! 560 00:34:53,688 --> 00:34:57,517 [LAUGHTER] OH YEAH, WHERE'D YOU SEE THE 561 00:34:57,551 --> 00:35:03,034 CINNAMON BREASTED TOADY TYRANT? CALIFORNIA. 562 00:35:03,068 --> 00:35:06,655 THEY ONLY LIVE IN TASMANIA. YEAH, I WAS SURPRISED. 563 00:35:06,689 --> 00:35:12,620 [LAUGHTER] I WAS LIKE, WEIRD, HERE? 564 00:35:12,655 --> 00:35:14,172 CHECK. [LAUGHTER] 565 00:35:14,206 --> 00:35:17,034 BUT THEN I REALIZED YOU COULD HAVE MORE FUN IF YOU WENT TOO 566 00:35:17,068 --> 00:35:19,068 LOW WITH YOUR NUMBER. THEY'RE ALL BRAGGING AND YOU'RE 567 00:35:19,103 --> 00:35:21,689 JUST LIKE, THAT'S COOL. I'VE ONLY SEEN TWO BIRDS. 568 00:35:21,724 --> 00:35:29,655 [LAUGHTER] WELL, YOU'VE SEEN MORE THAN TWO. 569 00:35:29,689 --> 00:35:32,896 [LAUGHTER] I WISH! 570 00:35:32,931 --> 00:35:34,793 [LAUGHTER] IT'S JUST BEEN PIGEONS AND CROWS 571 00:35:34,827 --> 00:35:39,000 FOR ME. [LAUGHTER] 572 00:35:39,034 --> 00:35:44,517 HOW LONG HAVE YOU BEEN BIRDING? [LAUGHTER] 573 00:35:44,551 --> 00:35:46,379 FOUR YEARS. I DON'T KNOW IF I'M LOOKING IN 574 00:35:46,413 --> 00:35:49,551 THE WRONG PLACES OR WHAT? [LAUGHTER] 575 00:35:49,586 --> 00:35:53,448 SO BAD AT IT, BUT I LOVE IT. [LAUGHTER] 576 00:35:53,482 --> 00:35:57,793 I'VE SEEN CHICKEN NUGGETS, IF THAT COUNTS. 577 00:35:57,827 --> 00:36:01,000 [LAUGHTER] HA-HA. 578 00:36:01,034 --> 00:36:06,655 UM, SO I WAS LISTENING TO NPR AND I DON'T LIKE NPR AS MUCH AS 579 00:36:06,689 --> 00:36:09,689 I LOOK LIKE I DO. [LAUGHTER] 580 00:36:09,724 --> 00:36:13,137 BUT APPARENTLY, MEN AS WE GET OLDER HAVE A TOUGH TIME MAKING 581 00:36:13,172 --> 00:36:14,620 CLOSE FRIENDS. AND I THOUGHT ABOUT T YEAH, IT 582 00:36:14,655 --> 00:36:19,413 WAS SO EASY AS A KID. I REMEMBER WHEN I WAS SIX. 583 00:36:19,448 --> 00:36:21,137 CRAIG MOVED IN NEXT DOOR. HE WAS SIX. 584 00:36:21,172 --> 00:36:24,172 WE WERE LIKE, OH, THIS IS ALL WE NEED. 585 00:36:24,206 --> 00:36:26,655 [LAUGHTER] AGE AND PROXIMITY. 586 00:36:26,689 --> 00:36:29,689 BUT FRIENDS. IF SOME GUY MY AGE MOVES IN NEXT 587 00:36:29,724 --> 00:36:36,620 DOOR TO ME NOW, I'M LIKE F THIS GUY TALKS TO ME, I WILL BE 588 00:36:36,655 --> 00:36:40,344 FURIOUS. [LAUGHTER] 589 00:36:40,379 --> 00:36:42,620 HE'S MAKING EYE CONTACT. I HATE HIM. 590 00:36:42,655 --> 00:36:47,344 [LAUGHTER] WHEN YOU'RE A KID, IT'S SO EASY 591 00:36:47,379 --> 00:36:49,655 TO HANG OUT. YOU JUST INVITE HIM OVER TO 592 00:36:49,689 --> 00:36:51,517 PLAY. WE ALWAYS HAD SO MUCH FUN 593 00:36:51,551 --> 00:36:53,655 PLAYING, WE WERE MAD TO BE CALLED FOR DINNER. 594 00:36:53,689 --> 00:36:57,896 DO YOU REMEMBER LOVING LIFE THAT MUCH? 595 00:36:57,931 --> 00:37:01,034 [LAUGHTER] THAT YOU'RE ANNOYED ABOUT 596 00:37:01,068 --> 00:37:02,413 DINNER? [LAUGHTER] 597 00:37:02,448 --> 00:37:06,344 ALWAYS ASKING TO BE EXCUSED. PLEASE, CAN I GO BACK TO MY 598 00:37:06,379 --> 00:37:07,379 LIFE? [LAUGHTER] 599 00:37:07,413 --> 00:37:09,724 HOW MUCH EATING DO WE HAVE TO DO IN THIS HOUSE? 600 00:37:09,758 --> 00:37:12,655 [LAUGHTER] ALWAYS WITH THE EATING AND THE 601 00:37:12,689 --> 00:37:17,689 TALKING. KIDS HATE MEALS AND BED TIME. 602 00:37:17,724 --> 00:37:23,172 THAT'S ALL I HAVE NOW. [LAUGHTER] 603 00:37:23,206 --> 00:37:27,862 I CALL THOSE THE BIG TWO. [LAUGHTER] 604 00:37:27,896 --> 00:37:32,448 AND IF I EVER DO THINK TO HANG OUT WITH A MALE FRIEND, IT'S 605 00:37:32,482 --> 00:37:34,482 NEVER PLAYFUL ANYMORE. IT'S ALWAYS LIKE, HEY, HAVEN'T 606 00:37:34,517 --> 00:37:37,689 SEN YOU IN A WHILE. YOU WANNA EAT SOMETHING? 607 00:37:37,724 --> 00:37:40,482 [LAUGHTER] BEST-CASE SCENARIO, THERE'LL BE 608 00:37:40,517 --> 00:37:44,827 A BIG GAME ON TV WE DON'T EVEN HAVE TO SPEAK. 609 00:37:44,862 --> 00:37:48,620 WE CAN JUST WATCH OTHER MEN PLAY. 610 00:37:48,655 --> 00:37:52,000 [LAUGHTER] OH AND THEY'RE PLAYING WELL. 611 00:37:52,034 --> 00:37:53,655 I LOVE THAT. [LAUGHTER] 612 00:37:53,689 --> 00:37:57,689 I LOVE WHEN OUR FAVORITE MEN PLAY WELL. 613 00:37:57,724 --> 00:38:01,896 [LAUGHTER] THEY ALWAYS PLAY BETTER WHEN 614 00:38:01,931 --> 00:38:05,758 THEY PLAY TOGETHER. [LAUGHTER] 615 00:38:05,793 --> 00:38:08,827 LET'S TOUCH HANDS. [LAUGHTER] 616 00:38:08,862 --> 00:38:13,068 HEY, MAYBE AFTER THIS, WE COULD PLAY FOR OLD TIME'S SAKE? 617 00:38:13,103 --> 00:38:15,758 YEAH, NO, YOU'RE RIGHT. I'M FULL, TOO. 618 00:38:15,793 --> 00:38:17,793 WE ATE A LOT. YEAH. 619 00:38:17,827 --> 00:38:18,655 [LAUGHTER] BED WOULD BE INCREDIBLE. 620 00:38:18,689 --> 00:38:21,689 HA-HA. YOU'RE MY BEST FRIEND. 621 00:38:21,724 --> 00:38:23,379 [LAUGHTER] I'LL SEE YOU AGAIN IN FOUR YEA 622 00:38:23,413 --> 00:38:25,689 YEARS. [LAUGHTER] 623 00:38:25,724 --> 00:38:27,965 HEY, YOU GUYS, I'M JOE ZIMMERMAN. 624 00:38:28,000 --> 00:38:29,689 THANK YOU SO MUCH. I APPRECIATE IT. 625 00:38:29,724 --> 00:38:33,689 THANK YOU. ♪ 626 00:38:33,724 --> 00:38:35,620 >> JAMES: JOE ZIMMERMAN, EVERYONE! 627 00:38:35,655 --> 00:38:40,655 HIS NEW ALBUM "COMEDY TO FALL ASLEEP TO" IS OUT NOW. 628 00:38:40,689 --> 00:38:42,551 WE'LL BE RIGHT BACK. 629 00:38:59,137 --> 00:38:59,965 ♪ >> James: BLESS YOU FOR 630 00:39:00,000 --> 00:39:01,068 WATCHING. TOMORROW NIGHT, 631 00:39:01,103 --> 00:39:06,068 JESSICA BIEL, DAVID SPADE, AND MUSIC FROM BASTILLE. 632 00:39:06,103 --> 00:39:08,827 JENNY SLATE IS GOING TO SHOW US HOW TO MAKE A. 633 00:39:08,862 --> 00:39:13,206 [INDISCERNIBLE] REGGIE, TAKE US HOME.