1 00:00:03,002 --> 00:00:08,942 ♪ ARE YOU READY ALL TO HAVE SOME FUN, 2 00:00:09,008 --> 00:00:09,876 ♪ ON THE SHOW TONIGHT, DON'T YOU WORRY BABY 3 00:00:09,943 --> 00:00:15,949 ♪ WHERE YOU COME FROM, IT'LL BE ALRIGHT, 4 00:00:16,015 --> 00:00:25,959 ♪ IT'S "THE LATE LATE SHOW!" >> FROM THE DISEPTS-- IT IS YOUR 5 00:00:26,025 --> 00:00:37,504 HOST, THE HOST OF HOST, ST EVERYBODY, IT'S JAMES CORDEN! 6 00:00:37,570 --> 00:00:40,573 HOW ARE YOU, THANK YOU VERY, VERY MUCH, APPRECIATE IT. 7 00:00:40,640 --> 00:00:44,110 THANK YOU FOR COMING OUT. THANK YOU SIR. 8 00:00:44,177 --> 00:00:46,279 THANK YOU VERY, VERY MUCH, EVERYBODY. 9 00:00:46,346 --> 00:00:49,816 I APPRECIATE IT. HELLO, GOOD EVENING. 10 00:00:49,883 --> 00:00:51,084 AND WELCOME TO THIS, TO THE "LATE, LATE SHOW." 11 00:00:51,151 --> 00:00:54,220 THANK YOU FOR BEING HERE, THANKS FOR HANGING OUT WITH US TONIGHT. 12 00:00:54,287 --> 00:00:56,990 BLESS YOU, EVERYBODY. THANK YOU VERY, VERY MUCH. 13 00:00:57,056 --> 00:00:58,992 LET'S TAKE A LOOK AND SEE WHO OUR GUESTS ARE ON THE SHOW 14 00:00:59,058 --> 00:01:00,360 TONIGHT. SHE SAY LEGENDARY ACTRESS YOU 15 00:01:00,427 --> 00:01:03,263 KNOW FROM AMERICAN BEAUTY, 20th CENTURY WOMEN, THE KIDS 16 00:01:03,329 --> 00:01:07,667 ARE ALL RIGHT AND SO MUCH MORE, THE ICONIC, WE LOVE HER, ANNETTE 17 00:01:07,734 --> 00:01:10,069 BENING IS HERE TONIGHT, EVERYBODY. 18 00:01:10,136 --> 00:01:11,738 HI, ANNETTE, HOW ARE YOU. >> HEY JAMES. 19 00:01:11,805 --> 00:01:14,274 >> James: HOW. >> GREAT. 20 00:01:14,340 --> 00:01:17,076 >> James: HOW DELICIOUS TO SEE YOU, HOW IS IT ALL GOING ST 21 00:01:17,143 --> 00:01:18,344 GOING GREAT. >> James: WHO IS IN THE ROOM 22 00:01:18,411 --> 00:01:19,879 WITH YOU THERE. >> THIS IS PETER. 23 00:01:19,946 --> 00:01:23,316 >> James: HI PETER. >> AND AN EXTRAORDINARY 24 00:01:23,383 --> 00:01:25,752 HAIRDRESSER AND THAT IS SALIA MY ASSISTANT. 25 00:01:25,819 --> 00:01:28,288 >> James: HI, I LOVE THIS LOOK YOU HAVE GONE FOR. 26 00:01:28,354 --> 00:01:31,624 STAND UP FOR ME, PETER. STAND UP FOR ME, CAN I BE 27 00:01:31,691 --> 00:01:37,564 HONEST, PETER, THAT IS EXACTLY WHAT I IMAGINE ANNETTE BENING'S 28 00:01:37,630 --> 00:01:43,036 HAIRDRESSER LOOKS LIKE. SHORT BOLARO, SOLID STASH, HEAD 29 00:01:43,102 --> 00:01:45,138 PIECE, THE WHOLE THING IS A TRIUMPH. 30 00:01:45,205 --> 00:01:49,809 AS ARE YOU, AN ETH BENING. WE LOVE YOU, ANNETTE BENING, 31 00:01:49,876 --> 00:01:54,981 EVERYTHING. AND HE IS A BILL YANT 32 00:01:55,048 --> 00:01:56,916 HE'S A BRILLIANT EMMY-WINNING ACTOR YOU KNOW FROM "HALSTON," 33 00:01:56,983 --> 00:01:58,151 "FARGO," AND "MOULIN ROUGE," WHO CURRENTLY STARS IN THE NEW 34 00:01:58,218 --> 00:02:01,921 LIMITED SERIES, "OBI-WAN KENOBI," THE GLORIOUS, 35 00:02:01,988 --> 00:02:08,194 THE DELICIOUS, THE DEVILISH, THE-- THE DIE COT ME OF ALL THAT 36 00:02:08,261 --> 00:02:16,936 IS GOOD IN THE WORLD. EWAN McGREGOR IS HERE TONIGHT. 37 00:02:17,003 --> 00:02:20,807 >> James: THERE HE S HOW ARE YOU, HE WAN. 38 00:02:20,874 --> 00:02:24,677 YOU ARE LOOKING ABSOLUTELY RAVISHING. 39 00:02:24,744 --> 00:02:26,012 >> MATE, THANK YOU. >> James: YOU ARE. 40 00:02:26,079 --> 00:02:28,615 >> YOU ARE LOOKING GREAT TOO. >> James: HI A WONDERFUL 41 00:02:28,681 --> 00:02:31,651 MOMENT BACKSTAGE. I WENT IN TO SEE EWAN, HE WAS 42 00:02:31,718 --> 00:02:36,289 GETTING A LITTLE TRIM AND I GOT HIT BY SOME OF HIS HAIR. 43 00:02:36,356 --> 00:02:42,328 >> IT WAS JUST A-- . >> OTHERWISE I AM QUITE HAPPY TO 44 00:02:42,395 --> 00:02:44,998 COVER YOU WITH MY HAIR BUT THE FACT TA IT WAS THE WHITE STUFF. 45 00:02:45,064 --> 00:02:49,068 >> James: I KEPT SOME AND I WILL CHERISH IT, I WILL WEAR IT 46 00:02:49,135 --> 00:02:52,539 IN A LOCKET AROUND MY NECK. >> I STUCKED SOME IN YOUR 47 00:02:52,605 --> 00:02:53,940 POCKET. >> James: WE LOVE YOU, HE WANT 48 00:02:54,007 --> 00:02:56,109 McGREGOR, EVERYBODY. THEY'RE A GRAMMY AWARD-WINNING 49 00:02:56,175 --> 00:03:00,914 DUO, WHOSE SONGS HAVE AMASSED OVER 15 BILLION STREAMS 50 00:03:00,980 --> 00:03:04,918 WORLDWIDE. WE'RE SO EXCITED TO HAVE THEM 51 00:03:04,984 --> 00:03:09,722 CHAINSMOKERS! ARE HERE TONIGHT. 52 00:03:09,789 --> 00:03:16,796 HOW ARE YOU, FELLAS? HO NICE THO SEE YOU HO IS IT 53 00:03:16,863 --> 00:03:17,697 GOING. >> DOING ALL RIGHT. 54 00:03:17,764 --> 00:03:24,737 >> James: YEAH? >> RIGHT? 55 00:03:24,804 --> 00:03:30,043 YEAH, CHILL ABOUT IT, YEAH. >> James: ARE YOU COOL, I'M 56 00:03:30,109 --> 00:03:36,115 COOL, WE'RE FOUR COOL GUYS. YOU ARE SUPPOSED TO LEAD THIS 57 00:03:36,182 --> 00:03:41,354 CONVERSATION. >> YEAH, I MEAN I'M NOT LEADING 58 00:03:41,421 --> 00:03:45,391 NOTHING, BRAGH. LOOK AT, THIS THREE COOL DUDES, 59 00:03:45,458 --> 00:03:48,595 ONE HOLDING DRUM STICK, NOT-- DRUM STICKS, NO ONE KNOWS 60 00:03:48,661 --> 00:03:54,167 WHY, NOT A DRUM KIT ANYWHERE. BUT HE'S READY, READY TO DRUM AT 61 00:03:54,233 --> 00:03:59,439 ANY POINT. LET'S SEE IT, YOU CAN PUT THEM 62 00:03:59,505 --> 00:04:05,878 OUT. CAN CHAINSMOKERS, EVERYBODY. 63 00:04:05,945 --> 00:04:07,914 ARE YOU READY, THEN LET'S, I'M JAMES CORDEN, THIS, THIS IS THE 64 00:04:07,981 --> 00:04:12,986 "LATE, LATE SHOW." ROLL THE TITLES. 65 00:04:13,052 --> 00:04:16,723 ♪ THE "LATE, LATE SHOW." ♪ THE LATE LATE SHOW, OH, OH 66 00:04:16,789 --> 00:04:19,759 THE LATE LATE SHOW, WOO! ♪ THE LATE LATE SHOW, OH, OH 67 00:04:19,826 --> 00:04:31,437 THE LATE LATE SHOW OH-OH! ♪ IT'S THE LATE, LATE SHOW ♪ 68 00:04:31,504 --> 00:04:35,108 I'M EXCITED FOR TONIGHT'S SHOW. I'M EXCITED. 69 00:04:35,174 --> 00:04:47,286 I FEEL EXCITED, I LOVE ANNETTE BENING, EWAN McGREGOR IS HERE. 70 00:04:47,353 --> 00:04:52,125 EWAN McGREGOR IS ONE OF THE PEOPLE WHO I CAN'T BELIEVE I 71 00:04:52,191 --> 00:04:56,929 HAVE TO-- GENUINELY, LIKE IF YOU GREW UP, GROWING NEWSPAPER 72 00:04:56,996 --> 00:05:01,067 BRITAIN, HE WAS LIKE THE FIRST PERSON I EVER SAW LIKE POST 73 00:05:01,134 --> 00:05:04,837 TRAINSPOTTING, D THEN MOULIN ROUGE ALL THE BIG MOVIES, I 74 00:05:04,904 --> 00:05:11,511 THOUGHT OH WOW, PEOPLE CAN COME FROM A REGULAR-- IN BRITAN AND 75 00:05:11,577 --> 00:05:13,579 GO ON AND DO THINGS, IT WAS AMAZING. 76 00:05:13,646 --> 00:05:21,521 >> WHAT IS HIS PHONE NUMBER? I WILL TELL YOU RIGHT NOW, HE 77 00:05:21,587 --> 00:05:24,691 WON'T MIND, THIS I WILL TILL, HANG ON, HE WON'T MIND THIS AT 78 00:05:24,757 --> 00:05:26,759 ALL. HE IS A PRETTY CHILL DUDE. 79 00:05:26,826 --> 00:05:41,307 IT'S 503-3 [BLEEP]. OH, SORRY, THAT'S YOUR PHONE 80 00:05:41,374 --> 00:05:53,586 NUMBER. (APPLAUSE) 81 00:05:53,653 --> 00:05:56,756 SORRY, THAT'S MY BAD, MAN. I JUST -- CUZ YOU ARE ONE THE 82 00:05:56,823 --> 00:06:02,195 ONLY PEOPLE WHEN I WAS YOUNGER, I THOUGHT WOW, YOU CAN, ALTHOUGH 83 00:06:02,261 --> 00:06:03,529 . >> IF THERE IS ANYBODY THRUP 84 00:06:03,596 --> 00:06:07,934 THAT WILL MAYBE TEXT A PICTURE TO EWAN McGREGOR, GO AHEAD AND 85 00:06:08,000 --> 00:06:12,638 SEND IT TO THAT NUMBER. >> James: THAT'S T THERE YOU 86 00:06:12,705 --> 00:06:14,574 GO. EWAN WAS ACTUALLY IN ONE OF MY 87 00:06:14,640 --> 00:06:18,111 FAVORITE MOMENTS FROM THE SHOW. I THINK ABOUT IT A LOT. 88 00:06:18,177 --> 00:06:21,280 DO YOU REMEMBER WHEN YOU DID SPILL YOUR GUTS AND THIS 89 00:06:21,347 --> 00:06:22,648 HAPPENED? >> EWAN. 90 00:06:22,715 --> 00:06:28,888 >> YES. >> YOU HAVE EVER [BLEEP] YOUR 91 00:06:28,955 --> 00:06:31,390 PANTS? >> I AM REALLY ENJOYING THIS. 92 00:06:31,457 --> 00:06:37,597 >> WELL, I GUESS YES! >> I MIGHT HAVE [BLEEP] IN THE 93 00:06:37,663 --> 00:06:45,171 '90S. >> James: WELL, I GUESS YES. 94 00:06:45,238 --> 00:06:48,975 SO LET'S OPEN IT UP TO THE GROUP. 95 00:06:49,041 --> 00:06:56,582 LOUIS, DO YOU WANT TO SHARE YOUR STORY ABOUT WHEN [BLEEP]. 96 00:06:56,649 --> 00:06:58,484 >> WHICH TIME? (LAUGHTER). 97 00:06:58,551 --> 00:07:05,024 >> James: WHEN YOU WERE ON YOUR SECOND DATE WITH YOUR NOW 98 00:07:05,091 --> 00:07:07,560 WIFE. >> WE WERE IN KENSINGTON 99 00:07:07,627 --> 00:07:11,097 GARDENS. AND WE WERE HAVING A PICNIC. 100 00:07:11,164 --> 00:07:17,303 AND I SORT OF ROLLED OVER TRYING TO BE ROMANTIC AND JUST OUT OF 101 00:07:17,370 --> 00:07:27,947 NOWHERE I BLEEP MYSELF. OUT OF NOWHERE. 102 00:07:28,014 --> 00:07:30,383 (APPLAUSE) >> YOU MUST HAVE [BLEEP] 103 00:07:30,449 --> 00:07:32,185 YOURSELF. >> James: IT'S THAT TIME, IT'S 104 00:07:32,251 --> 00:07:37,790 TIME FOR THE NEWS. PRIMARY VOTERS IN MULTIPLE 105 00:07:37,857 --> 00:07:40,660 STATES WENT TO THE POLLS YESTERDAY AND HERE IN DEEP-BLUE 106 00:07:40,726 --> 00:07:44,931 CALIFORNIA, PROGRESSIVES HAD A BAD DAY IN BOTH THE BAY AREA AND 107 00:07:44,997 --> 00:07:47,767 IN LOS ANGELES. IN SAN FRANCISCO, A PROGRESSIVE 108 00:07:47,834 --> 00:07:50,870 PROSECUTOR WAS VOTED OUT IN A HISTORIC RECALL FOR BEING TOO 109 00:07:50,937 --> 00:07:57,310 SOFT ON CRIME. WHICH IS TERRIBLE BECAUSE TRUE 110 00:07:57,376 --> 00:08:00,947 CRIME PODCASTS ARE ITS THIRD BIGGEST EMPLOYER IN THE BAY 111 00:08:01,013 --> 00:08:03,115 AREA. HERE IN LOS ANGELES A 112 00:08:03,182 --> 00:08:05,985 BILLIONAIRE FORMER REPUBLICAN ADVANCED TO THE NOVEMBER RUNOFF 113 00:08:06,052 --> 00:08:07,787 FOR MAYOR. THIS COULD BE BAD NEWS FOR 114 00:08:07,854 --> 00:08:10,356 DEMOCRATS IN CALIFORNIA, BUT GOOD NEWS FOR OTHER, DIFFERENT 115 00:08:10,423 --> 00:08:15,061 DEMOCRATS IN CALIFORNIA. THEY SAY THIS COULD POINT 116 00:08:15,127 --> 00:08:17,363 TOWARDS A RED WAVE THIS NOVEMBER. 117 00:08:17,430 --> 00:08:27,006 BUT HERE'S WHAT I SAY AT LEAST THE PEOPLE OF CALIFORNIA KNOW 118 00:08:27,073 --> 00:08:32,745 HOW TO SURF. DOES THAT MAKE SENSE? 119 00:08:32,812 --> 00:08:35,081 I DON'T CARE. I'LL BE DONE WITH THIS SHOW IN 120 00:08:35,147 --> 00:08:36,983 LESS THAN A YEAR, I'M NOT GOING TO TRY TO LEARN YOUR WEIRD 121 00:08:37,049 --> 00:08:43,022 POLITICAL SYSTEM NOW. RUNOFFS AND MID TERMS. 122 00:08:43,089 --> 00:08:45,791 IN OTHER POLITICAL NEWS, TOMORROW NIGHT, THE JANUARY 123 00:08:45,858 --> 00:08:48,761 SIXTH COMMITTEE WILL HOLD A SPECIAL PRIMETIME HEARING, WHICH 124 00:08:48,828 --> 00:08:51,530 WILL AIR LIVE ON ALL THE BROADCAST NETWORKS AND IT'S 125 00:08:51,597 --> 00:08:54,333 BEING PRODUCED BY A FORMER ABC EXECUTIVE. 126 00:08:54,400 --> 00:08:57,803 AND EVEN MORE EXCITING, THE HALFTIME SHOW WILL BE PERFORMED 127 00:08:57,870 --> 00:09:05,978 BY IMAGINE DRAGONS FEATURING CONGRESSWOMAN LIZ CHENEY. 128 00:09:06,045 --> 00:09:10,116 THAT IS ACTUALLY TRUE, SHE IS DOING THE KENDRICK LAMAR BITS 129 00:09:10,182 --> 00:09:13,452 FROM WHEN THEY OPENED THE GRAMMYS. 130 00:09:13,519 --> 00:09:15,888 THE HEARING IS BEING PRODUCED BY A FORMER ABC EXECUTIVE, WHICH IS 131 00:09:15,955 --> 00:09:17,924 WHY IT'S BEING MARKETED AS, "EXTREME TAKEOVER: CAPITOL 132 00:09:17,990 --> 00:09:22,495 BUILDING EDITION." ACCORDING TO SOURCES, THE 133 00:09:22,561 --> 00:09:26,766 COMMITTEE INTENDS TO REVEAL PREVIOUSLY SECRET WHITE HOUSE 134 00:09:26,832 --> 00:09:30,069 RECORDS, PHOTOS, AND VIDEOS TO PROVE HOW TRUMP BROKE THE LAW 135 00:09:30,136 --> 00:09:37,843 ALL IN PRIMETIME. AND AFTER BEV'S ALREADY HEARD AT 136 00:09:37,910 --> 00:09:40,880 THIS POINT THE ONLY PHOTO OF TRUMP THAT THEY COULD RELEASE 137 00:09:40,947 --> 00:09:46,686 THAT WOULD SHOCK ME IS ONE OF HIM ON A PELTON HUGGING HIS SON. 138 00:09:46,752 --> 00:09:53,559 IT IS THE ONLY THING IN OTHER NEWS, DO YOU KNOW THE 139 00:09:53,626 --> 00:09:57,129 REALITY SHOW "CHRISLEY KNOWS BEST?" 140 00:09:57,196 --> 00:10:01,067 DOE YOU KNOW IT? I DON'T, BUT DO YOU? 141 00:10:01,133 --> 00:10:06,005 I HAVE HAVE IDEA, I DON'T TAKE, YOU ARE A BIG FAN, I TAKE T 142 00:10:06,072 --> 00:10:08,074 WELL, HAVE YOU HEARD WHAT HAS HAPPENED? 143 00:10:08,140 --> 00:10:10,176 WELL, YOU ARE IN FOR A SHOCK. WELL, THE TWO STARS, TODD AND 144 00:10:10,242 --> 00:10:16,949 JULIE CHRISLEY HAVE BEEN FOUND GUILTY OF BANK FRAUD AND TAX 145 00:10:17,016 --> 00:10:22,054 EVASION AND COULD FACE UP TO THIRTY YEARS IN PRISON. 146 00:10:22,121 --> 00:10:26,459 I'M NOT LAUGHING AT THE STORY, I'M LAUGHING AT THIS LADY'S 147 00:10:26,525 --> 00:10:34,867 REACTION. SHE'S LIKE-- WHAT IS YOUR NAME, 148 00:10:34,934 --> 00:10:36,402 MADAME. >> BREEZE. 149 00:10:36,469 --> 00:10:38,137 >> James: BREEZE. >> YES. 150 00:10:38,204 --> 00:10:39,705 >> James: HERE IS THE THINGK I QUESTIONED WHETHER THIS SHOULD 151 00:10:39,772 --> 00:10:42,708 BE IN THE MONOLOGUE BECAUSE FRANKLY IT IS SOMETHING I HAVE 152 00:10:42,775 --> 00:10:44,910 NEVER HEARD OF BEFORE. BUT SOMEBODY, SOMEBODY SAID NO, 153 00:10:44,977 --> 00:10:52,718 NO, NO T IS A BIG DEAL AND YOU, HAVE PROVED IT. 154 00:10:52,785 --> 00:10:58,157 ARE YOU GOBSMACKED ABSOLUTELY GOBSMACKED BY THIS, BRIE. 155 00:10:58,224 --> 00:10:58,958 >> AWFUL. >> James: I KNOW, YOU CAN 156 00:10:59,025 --> 00:11:00,259 BELIEVE IT. >> I KNGTD. 157 00:11:00,326 --> 00:11:01,293 FIRST DONALD TRUMP AND NOW TODD CHRISLEY. 158 00:11:01,360 --> 00:11:05,164 ARE THERE ANY GOOD MEN LEFT IN THE WORLD? 159 00:11:05,231 --> 00:11:08,167 FOR THOSE OF YOU UNFAMILIAR WITH THE CHRISLEYS OR THEIR SHOW, 160 00:11:08,234 --> 00:11:11,637 HERE'S A LITTLE CLIP TO GIVE YOU AN IDEA OF WHO YOU'RE DEALING 161 00:11:11,704 --> 00:11:17,309 WITH: QUNS THAT WAS MY WHEN I WAS A 162 00:11:17,376 --> 00:11:18,511 CHILD WINCE DON'T CARE. >> THANK YOU. 163 00:11:18,577 --> 00:11:21,914 >> MY DUCK THAT I GOT FROM HARPER'S FIEF AND DIME. 164 00:11:21,981 --> 00:11:24,316 >> PLEASE PUT IT ON THE PLATTER SO I CAN PHOTOGRAPH THESE THING 165 00:11:24,383 --> 00:11:27,887 FORCE MY BLOG. >> WHAT IS THAT. 166 00:11:27,953 --> 00:11:30,222 GRACE AND CHEESE. >> James: YEAH, I KNOW WHAT 167 00:11:30,289 --> 00:11:38,998 YOU ARE THINKING, THEY LOOK LIKE SOME REAL CRIMINAL MASTER MINDS. 168 00:11:39,065 --> 00:11:40,900 (LAUGHTER) HOW OFTEN DO YOU WATCH THAT 169 00:11:40,966 --> 00:11:43,369 SHOW? >> WELL, I DON'T HAVE A LOT OF 170 00:11:43,436 --> 00:11:47,139 FREE TIME BUT I WOULD SAY AT LEAST TWICE A WEEK. 171 00:11:47,206 --> 00:11:52,278 I LOVE THE CHRISLEYS, THEY'RE SOUTHERN, THEY'RE FUN, THEY HAVE 172 00:11:52,344 --> 00:11:57,783 THAT SAS. I LIKE THE CHRISLEYS. 173 00:11:57,850 --> 00:12:01,187 I FOLLOW ON THEIR INSTAGRAM. >> James: 174 00:12:01,253 --> 00:12:02,421 IN THE LAST FEW WEEKS, PEOPLE HAVE ASKED WHY I'M LEAVING THIS 175 00:12:02,488 --> 00:12:09,728 SHOW AND THIS IS WHY. I'M LEAVING THE SHOW. 176 00:12:09,795 --> 00:12:17,703 IT IS THIS. TALKING ABOUT THE CHRISLEYS. 177 00:12:17,770 --> 00:12:21,273 I DIDN'T KNOW WHO THEY WERE THREE HOURS AGO. 178 00:12:21,340 --> 00:12:31,484 ALL I KNOW IS BRI LOVES THEM MORE THAN SHE LOVES ME. 179 00:12:31,550 --> 00:12:37,089 IT WOULD EVEN IN PRISON THEY ARE STILL TRYING TO DO A REALITY 180 00:12:37,156 --> 00:12:41,327 STYLE TELEVISION CONFESSION AG. THEY LIE I FEEL LIKE WHEN MY 181 00:12:41,393 --> 00:12:45,331 BUPG MALTS WERE GOING TO KNOCK MY TEETH OUT, I JUST DO NOT NEED 182 00:12:45,397 --> 00:12:50,803 THIS TRAUMA RIGHT-- DRAWMA RIGHT NOW, 183 00:12:50,870 --> 00:12:52,004 AND ACCORDING TO A NEW SURVEY, 83% OF AMERICANS SAY THEY 184 00:12:52,071 --> 00:12:53,339 WOULDN'T TELL THEIR OWN FAMILY IF THEY WON A LOTTERY JACKPOT 185 00:12:53,405 --> 00:13:00,546 BECAUSE THEY WOULD WANT TO KEEP THE MONEY ALL TO THEMSELVES. 186 00:13:00,613 --> 00:13:03,415 AN IS IS TRUE, TWO PERCENT SAY THEY ARE READY TO LEAVE THEIR 187 00:13:03,482 --> 00:13:09,889 SIGNIFICANT OTHER IF THEY WIN THE LOTTERY. 188 00:13:09,955 --> 00:13:11,790 THE LOTTERY, PEOPLE WOULD BE BREAKING UP WITH THEIR PARTNERS 189 00:13:11,857 --> 00:13:19,331 LIKE, IT'S NOT YOU, IT'S ME, I'M HELLA RICH NOW IAN, WOULD YOU 190 00:13:19,398 --> 00:13:25,738 (APPLAUSE) -- IF YOU WON THE LETRY THIS 191 00:13:25,804 --> 00:13:33,112 WEEKEND, WOULD YOU TELL US? >> SOMEBODY WOULD TELL YOU. 192 00:13:33,179 --> 00:13:35,381 YOU PERSONALLY WOULDN'T REACH OUT TO ME? 193 00:13:35,447 --> 00:13:39,051 >> I WOULD, YEAH, I YOU I WOULD TELL, I WOULD PROBABLY TELL YOU. 194 00:13:39,118 --> 00:13:40,886 I WOULD MAKE YOU KEEP IT A SECRET THOUGH. 195 00:13:40,953 --> 00:13:43,055 >> James: RIGHT. >> AND THEN I WOULD COME TO WORK 196 00:13:43,122 --> 00:13:45,824 ON MONDAY. AND I WOULD TELL EVERYONE IN MY 197 00:13:45,891 --> 00:13:55,000 OWN SPECIAL WAY. (LAUGHTER). 198 00:13:55,067 --> 00:13:59,805 >> James: AND HERE'S A STORY. BRITAN'S ANNUAL CHEESE ROLLING 199 00:13:59,872 --> 00:14:03,509 CONTEST AT PLACE THE OTHER DAY, THE CHEESE ROLLING CONTEST, YOU 200 00:14:03,576 --> 00:14:06,645 KNOW, THE CHEESE ROLLING CONTEST. 201 00:14:06,712 --> 00:14:12,985 GENUINELY AMAZING. CONTESTANTSES 202 00:14:13,052 --> 00:14:14,787 A WHEEL OF CHEESE THAT IS ROLLING DOWN A STEEP HILL. 203 00:14:14,853 --> 00:14:15,921 AND FOR THE FIRST TIME EVER, AN AMERICAN WOMAN WON THE 204 00:14:15,988 --> 00:14:26,532 COMPETITION. IF YOU'VE NEVER SEEN IT BEFORE, 205 00:14:26,599 --> 00:14:33,806 THIS IS AN EXAMPLE OF ONE OF THE CHEESE RACES FROM EARLIER THIS 206 00:14:33,872 --> 00:14:48,754 YEAR. 207 00:14:48,821 --> 00:14:51,257 YEAR. 208 00:14:51,323 --> 00:14:52,524 I MEAN IT'S A COMPETITION SO 209 00:14:52,591 --> 00:14:55,628 POINTLESSLY DANGEROUS, I CANNOT BELIEVE IT WASN'T INVENTED HERE 210 00:14:55,694 --> 00:15:04,703 IN AMERICA. BY THE WAY, I'VE CHASED A WHEEL 211 00:15:04,770 --> 00:15:09,375 OF CHEESE DOWN A HILL, BUT IT WASN'T FOR A COMPETITION. 212 00:15:09,441 --> 00:15:14,780 IT WAS A VERY WINDY PICNIC. >> YOU'RE GOING TO HAVE A BOOK 213 00:15:14,847 --> 00:15:19,885 CALLED A VERY WINDY PICNIC. >> James: ACTUALLY A PLAY, I'M 214 00:15:19,952 --> 00:15:24,523 WRITING A PLAY, YES, CAN I TELL YOU NOW, I'M WRITING A PLAY 215 00:15:24,590 --> 00:15:28,761 CALLED A VERY WINDY PICNIC. DO YOU KNOW WHAT IT IS ABOUT. 216 00:15:28,827 --> 00:15:41,106 >> GO ON. >> James: VIETNAM. 217 00:15:41,173 --> 00:15:50,816 NOT THE WAR, IT IS SET IN VIETNAM, NOT-- SET IN 2008. 218 00:15:50,883 --> 00:15:54,286 APP AMERICAN WINNING BRITAN'S CHEESE ROLLING CONTEST, 219 00:15:54,353 --> 00:15:55,854 IS ONLY FAIR. IT'S ACTUALLY PAYBACK FOR THE 220 00:15:55,921 --> 00:15:59,091 TIME BENEDICT CUMBERBATCH: WON A MONSTER TRUCK RALLY. 221 00:15:59,158 --> 00:16:04,129 AND THAT'S THE NEWS >> James: WE'LL BE RIGHT BACK 222 00:16:04,196 --> 00:16:05,097 EVERYBODY. 223 00:16:21,980 --> 00:16:24,917 LET'S EYELETS' MEET OUR GUEST, TONIGHT SHE STARS IN 224 00:16:24,983 --> 00:16:29,822 "JERRY & MARGE GO LARGE," ANNETTE BENING! 225 00:16:29,888 --> 00:16:37,930 HOW ARE YOU? NICE TO SEE YOU. 226 00:16:37,996 --> 00:16:39,832 >> GOOD TO SEE YOU, THANK YOU. HE STARS IN "OBI-WAN KENOBI," 227 00:16:39,898 --> 00:16:41,900 EWAN MCGREGOR! 228 00:16:59,017 --> 00:17:03,655 >> IT'S A WOMAN GOING INSANE. >> James: BIG FAN OF YOURS. 229 00:17:03,722 --> 00:17:06,191 NOW BLESS YOU FOR BEING HERE, I'M SO HAPPY YOU ARE HERE, THESE 230 00:17:06,258 --> 00:17:09,561 ARE THE GREAT DAYS WHERE I HAVE TWO PEOPLE, I LOVE AND RESPECT 231 00:17:09,628 --> 00:17:13,098 AND ADMIRE AND THE THREE OF US GET TO HAVE A CHAT AND YOU'VE 232 00:17:13,165 --> 00:17:15,434 NEVER MET BEFORE, YOUR PATHS HAVE NEVER CROSSED. 233 00:17:15,501 --> 00:17:17,803 >> THEY HAVEN'T. >> IT IS SO LOVELY, GREAT TO BE 234 00:17:17,870 --> 00:17:19,238 ON. >> James: YOU CELEBRATED YOUR 235 00:17:19,304 --> 00:17:20,906 BIRTHDAY LAST WEEK, HAPPY BIRTHDAY. 236 00:17:20,973 --> 00:17:24,610 >> THANK YOU, THANK YOU. >> James: NOW WE TALKED ABOUT 237 00:17:24,676 --> 00:17:28,013 THIS ON THE SHOW BEFORE. WE KNOW THAT YOU ARE VERY GOOD 238 00:17:28,080 --> 00:17:30,516 AT THROWING A PARTY. YOU ARE GOOD AT THIS. 239 00:17:30,582 --> 00:17:31,750 >> I AM. >> James: WE HEAR THIS FROM 240 00:17:31,817 --> 00:17:36,655 ANYONE INVOLVED IN THOSE, THEY TELL US ANNETTE BENING WAS THE 241 00:17:36,722 --> 00:17:40,926 RINGLEADER AT ALL THE PARTIES. HOW DID YOU CELEBRATE, HOW MESSY 242 00:17:40,993 --> 00:17:42,961 DID IT GET. >> NOT TOO BUSY, HAVE I BEEN 243 00:17:43,028 --> 00:17:45,931 AWAY FOR QUITE AWHILE SO I GOT TOGETHER WITH MY GIRLFRIEND. 244 00:17:45,998 --> 00:17:48,400 WE ALWAYS CELEBRATE EACH OTHER'S BIRTHDAYS TOGETHER. 245 00:17:48,467 --> 00:17:52,404 THEN THE NEXT DAY WE JUST ARE QUIET WITH MY KIDS AT HOME, WITH 246 00:17:52,471 --> 00:17:54,807 MY HUSBAND. >> James: DON'T APOLOGIZE. 247 00:17:54,873 --> 00:17:56,875 >> THAT IS WHAT I LOVE, SO YEAH T IS GREAT. 248 00:17:56,942 --> 00:18:00,712 >> James: WHAT IS THE BEST PART ANNETTE BENING HAS EVER 249 00:18:00,779 --> 00:18:06,285 BEEN. >> ON A SPANISH SAILING SHIP IN 250 00:18:06,351 --> 00:18:09,188 SAN DIEGO WHEN I WAS A TEENAGER, MY FRIEND AND I KATHY WERE 251 00:18:09,254 --> 00:18:17,763 INVITED TO GO ON THIS, IT WAS WITH THE SAILS, ANCIENT SHIP 252 00:18:17,830 --> 00:18:21,133 THEY HAD REFURBISHED AND WENT TO A VERY FANCY PARTY WITH A LOT OF 253 00:18:21,200 --> 00:18:24,002 VERY HANDSOME SPANISH SAILORS BUT THEY WERE ALL VERY DRESSED 254 00:18:24,069 --> 00:18:28,907 UP IN THEIR DECKED OUT OUTFITS. AND I WON'T TELL TOO MANY 255 00:18:28,974 --> 00:18:38,116 DETAILS FURTHER BECAUSE I-- BUT ANYWAY, I-- . 256 00:18:38,183 --> 00:18:42,955 >> James: WOW, WOW, YOU NEVER HAVE SEEN SOMEBODY'S EYES TELL 257 00:18:43,021 --> 00:18:47,626 KNEE EXACTLY WHAT HAPPENED. THAT WAS AMAZING. 258 00:18:47,693 --> 00:18:51,430 >> ALL I CAN TELL YOU IS I ENDED UP DRIVING HOME, DRIVING CATHY'S 259 00:18:51,497 --> 00:18:54,233 CAR AND I HAD NEVER DRIVEN A STICK SHIFT BEFORE, I THINK I 260 00:18:54,299 --> 00:18:56,101 WAS PROBABLY 17. AND THAT WAS DIFFICULT, BUT I 261 00:18:56,168 --> 00:18:58,437 MADE IT. I MADE IT. 262 00:18:58,504 --> 00:19:01,773 SHE HAD A HARDER TIME. BUT I'M NOT GOING TO GO FURTHER 263 00:19:01,840 --> 00:19:06,311 THAN THAT. >> James: ALL RIGHT. 264 00:19:06,378 --> 00:19:09,181 WELL, GOOD TO KNOW. NOW YOU WE TALKED ABOUT THIS, 265 00:19:09,248 --> 00:19:12,384 TWO OF YOUR DAUGHTERS ARE ACTING NOW AND YOUR DAUGHTER ESTHER HAS 266 00:19:12,451 --> 00:19:17,089 A CAMIO IN OBI-WAN KENOBI, YOU HAVE DONE A MOVIE WITH ONE OF 267 00:19:17,155 --> 00:19:19,892 YOUR OTHER DAUGHTERS, CLARA, THIS MUST BE AN AMAZING THING, 268 00:19:19,958 --> 00:19:22,528 HOW DOES IT FEEL TO BE WORKING WITH YOUR DAUGHTERS. 269 00:19:22,594 --> 00:19:28,066 >> YOU KNOW T IS EXTRAORDINARY. I PLAYED A FEW SCENES WITH 270 00:19:28,133 --> 00:19:31,103 ESTHER IN THE STAR WARS SERIES AND I'M SURE EVERYBODY THINKS 271 00:19:31,169 --> 00:19:33,539 SHE GOT THE JOB BECAUSE OF ME, BUT REALLY SHE DIDN'T. 272 00:19:33,605 --> 00:19:37,209 SHE AUDITIONED FOR THE ROLL AND SENT IT IN, AND THE DIRECTOR 273 00:19:37,276 --> 00:19:40,379 SAID TO ME, I FIND THIS GREAT GIRL BUT TURNS OUT TO BE YOUR 274 00:19:40,445 --> 00:19:42,814 DAUGHTER, ARE YOU HAPPY WITH THAT. 275 00:19:42,881 --> 00:19:46,451 I SAID IT WOULD BE AMAZING. SO WE GOT TO PLAY THE SCENE AND 276 00:19:46,518 --> 00:19:49,555 SHE WAS JUST BRILLIANT. JUST BRILLIANT. 277 00:19:49,621 --> 00:19:53,392 YOU DON'T REALLY KNOW WITH YOUR KIDS, DO YOU, UNTIL YOU 278 00:19:53,458 --> 00:19:56,161 ARE-- UNTIL THAT MOMENT WHERE I WAS ACTING WITH HER AND IT FELT 279 00:19:56,228 --> 00:19:58,764 REALLY NORMAL AND NATURAL AND SHE DID A GREAT JOB. 280 00:19:58,830 --> 00:20:04,636 AND THEN CLARRA SORT OF, SHE GOT TOGETHER WITH A GREAT WRITER, 281 00:20:04,703 --> 00:20:08,674 RUBY AND WROTE A FILM, SORT OF ABOUT ME AND HER. 282 00:20:08,740 --> 00:20:12,578 AND OUR EXPERIENCE OVER THE LAST FIVE YEARS, AND CLARA'S 283 00:20:12,644 --> 00:20:16,515 EXPERIENCE WITH ADDICTION AND SHE WROTE THIS FILM WHERE WE 284 00:20:16,582 --> 00:20:20,419 BOTH PLAY FATHER AND-- WELL, I PLAY FATHER, SHE PLAYS DAUGHTER. 285 00:20:20,485 --> 00:20:24,623 AND BUT IT WAS THE MOST EXTRAORDINARY SITUATION TO BE 286 00:20:24,690 --> 00:20:28,293 IN, VERY PERSONAL AND BEAUTIFUL, IT WAS JUST A BEAUTIFUL THING TO 287 00:20:28,360 --> 00:20:30,395 DO, TOGETHER. >> James: AMAZING. 288 00:20:30,462 --> 00:20:33,632 >> QUITE AMAZING. IT IS VERY ODD TO BE JUST LIKE 289 00:20:33,699 --> 00:20:34,866 FULL OF PRIDE WHILE YOU ARE WORKING IN A SCENE WITH SOMEBODY 290 00:20:34,933 --> 00:20:38,136 BUT I REALLY WAS. I WAS REALLY BLOWN AWAY. 291 00:20:38,203 --> 00:20:41,273 >> James: ANNETTE, YOUR YOUNGER DAUGHTER JUST GRADUATED 292 00:20:41,340 --> 00:20:42,741 FROM JULLIARD. >> YES. 293 00:20:42,808 --> 00:20:45,243 >> James: HOW WAS THAT, DOES THE WHOLE FAMILY ATTEND THE 294 00:20:45,310 --> 00:20:47,679 GRADE YAITION. >> YEAH, IT WAS BEAUTIFUL, 295 00:20:47,746 --> 00:20:52,584 OUTSIDE, AND SHE ALL THESE AMAZING ACTORS AND DANCERS AND 296 00:20:52,651 --> 00:20:55,621 MUSICIANS, AND THE ACADEMICS WHO WERE ALSO WRITING Ph.D'S AND 297 00:20:55,687 --> 00:20:58,256 THEY ARE ALL GRADUATING AT THE SAME TIME. 298 00:20:58,323 --> 00:21:02,461 IT WAS REALLY MOVING TO SEE ALL OF THESE ARTISTS LAUNCHING INTO 299 00:21:02,527 --> 00:21:04,429 THEIR REAL CITIVE LIVES. BEAUTIFUL. 300 00:21:04,496 --> 00:21:08,500 >> James: YOU DROPPED, YOUR PARENTS, IS IT, BOTH YOUR 301 00:21:08,567 --> 00:21:11,036 PARENTS ARE TEACHERS S THAT RIGHT. 302 00:21:11,103 --> 00:21:12,204 >> YEAH. >> James: AND YOU DROPPED OUT 303 00:21:12,270 --> 00:21:15,207 OF THE SCHOOL THAT THEY WERE TEACHERS AT WHEN YOU WERE 16. 304 00:21:15,273 --> 00:21:18,343 >> WELL, MY-- I WANT TO THE SCHOOL THAT MY DAD TAWTD AT AND 305 00:21:18,410 --> 00:21:24,583 MY BROTHER HAD BEEN, AND MY BROTHER WAS HEAD BOY. 306 00:21:24,650 --> 00:21:27,419 >> LIKE THE BEST OF THE BEST. >> AND HE IS THREE YEARS OLDER 307 00:21:27,486 --> 00:21:32,357 THAN ME, WHEN HE LEFT SCHOOL AT 18 I CAME INTO MINE PENULTIMATE 308 00:21:32,424 --> 00:21:36,161 YEAR AND I HATED IT REALLY. THEY DIDN'T-- I WAS ONLY 309 00:21:36,228 --> 00:21:38,163 INTERESTED IN PERFORMANCE IN ANYWAY. 310 00:21:38,230 --> 00:21:41,333 LIKE POETRY READINGS OR MUSIC WAS THE WAY TO PERFORM AT 311 00:21:41,400 --> 00:21:43,568 SCHOOL. AND I WASN'T ALLOWED TO DO MUSIC 312 00:21:43,635 --> 00:21:46,038 AND ART. AND THOSE WERE THE ONLY TWO 313 00:21:46,104 --> 00:21:48,373 THINGS I WAS INTERESTED IN. THEY WOULDN'T LET ME DO THEM 314 00:21:48,440 --> 00:21:50,609 BOTH BECAUSE THEY THOUGHT I WAS COPPING OUT. 315 00:21:50,676 --> 00:21:53,679 SO I JUST GOT FED UP I THINK. I KEPT BEING SENT TO THE DEPUTY 316 00:21:53,745 --> 00:21:57,616 HEAD MASTER THIS LOVELY MAN AND IT BECAME LIKE ALMOST A WEEKLY 317 00:21:57,683 --> 00:21:58,884 OCCURRENCE. I WOULD GO IN, WHAT HAVE YOU 318 00:21:58,950 --> 00:22:04,756 DONE NOW, WE WOULD HAVE A CUP OF TEA AND HE WOULD TELL ME OFF. 319 00:22:04,823 --> 00:22:09,327 AND I THINK HE LOOKED FORWARD TO T TO BE HONEST. 320 00:22:09,394 --> 00:22:12,097 AND THEN SIX WOKES INTO MY PENULTIMATE YEAR, I WAS ALMOST 321 00:22:12,164 --> 00:22:16,034 BARELY 16 MY PARENTS SAID TO ME, YOU KNOW, WE'VE SPOKEN ABOUT IT, 322 00:22:16,101 --> 00:22:18,570 WE JUST THINK IF YOU WANT TO LEAVE SCHOOL YOU SHOULD LEAVE 323 00:22:18,637 --> 00:22:19,671 SCHOOL. AND I WAS OUT. 324 00:22:19,738 --> 00:22:22,841 I NEVER WENT BACK. BUT IT WAS AMAZING BRAVE THING 325 00:22:22,908 --> 00:22:26,378 FOR THEM TO DO. A WEEK LATER I WAS WORKING IN 326 00:22:26,445 --> 00:22:29,681 THE LOCAL THEATER AND IT WAS AN AMAZING MOMENT FOR ME. 327 00:22:29,748 --> 00:22:32,651 >> James: YOUR UNCLE WAS AN ACTOR. 328 00:22:32,718 --> 00:22:34,653 >> DENNIS LAWSON, BRILLIANT ACTOR. 329 00:22:34,720 --> 00:22:36,922 >> James: THAT MUST HAVE HAD A HUGE IMPACT. 330 00:22:36,988 --> 00:22:40,192 HE WOULD COME INTO TOWN. >> YOU KNOW, HE HAD DONE T YOU 331 00:22:40,258 --> 00:22:45,130 KNOW, I COME FROM A TINY TOWN IN SCOTLAND AND ST A BEAUTIFUL 332 00:22:45,197 --> 00:22:48,300 PLACE BUT IT NOT A HOT BED OF ACTING TALENT BUT MY UNCLE HAD 333 00:22:48,366 --> 00:22:55,474 DONE IT HE HAD WANTED TO BE AN ACTOR, BECOME AN ACTOR, AND SO 334 00:22:55,540 --> 00:22:57,175 HE WAIVED THE WAY, IT MADE IT A POSSIBILITY FOR ME. 335 00:22:57,242 --> 00:23:00,679 BUT I WONDER IF HE HADN'T BEEN AN ACTOR WOULD I STILL HAVE 336 00:23:00,746 --> 00:23:04,649 WANTED TO DO IT I HOPE SO. BUT GOD BLESS DENNIS LAWSON, 337 00:23:04,716 --> 00:23:07,953 THAT IS ALL YOU CAN SAY. >> James: NOW ANEST. 338 00:23:08,019 --> 00:23:13,291 WE HAVE TO CONGRATULATE YOU ON YOUR BRILLIANT NEW MOVIE JERRY 339 00:23:13,358 --> 00:23:16,895 AND MARGE GO LARGE. NOW THIS IS LOOSELY BASED ON 340 00:23:16,962 --> 00:23:21,933 TRUE EVENTS. FOR ANYONE WHO DOESN'T KNOW, 341 00:23:22,000 --> 00:23:23,268 TELL US WHAT IT IS ABOUT AND WHO YOU PLAY. 342 00:23:23,335 --> 00:23:29,941 >> IT IS BASED ON A TRUE STORY, I PLAY MARGE,-- JERRY SAY MATH 343 00:23:30,008 --> 00:23:32,978 WIZ, A RETIRED COUPLE FROM MICHIGAN AND JERRY FINDS A FLAW 344 00:23:33,044 --> 00:23:34,946 IN THE LOTTERY. HE IS JUST ONE OF THOSE PEOPLE 345 00:23:35,013 --> 00:23:39,951 WHO CAN LOOK AT THE RULES AND SAY WAIT A MINUTE, THIS DOESN'T, 346 00:23:40,018 --> 00:23:42,854 THIS DOESN'T LOOK RIGHT T LOOKS LIKE YOU COULD MAKE A LOT OF 347 00:23:42,921 --> 00:23:46,591 MONEY ON THAT. SO HE ACTUALLY WENT SECRETLY, 348 00:23:46,658 --> 00:23:49,060 PLAYED IT, TRIED IT OUT AND IN FACT FIGURED OUT THAT THERE WAS 349 00:23:49,127 --> 00:23:53,098 IN FACT THIS FLAW. SO THEY WEREN'T CHEATING BY. 350 00:23:53,165 --> 00:23:55,901 BY THE END OF THE WHOLE THING, WHEN THEY EVENTUALLY CHANGED THE 351 00:23:55,967 --> 00:24:02,007 RULES, THEY HAD MADE $27 MILLION WITH THEIR FRIENDS AND THEY MADE 352 00:24:02,073 --> 00:24:06,011 A FUND FOR THEIR TOWN. IT IS JUST THE MOST AMAZING 353 00:24:06,077 --> 00:24:08,413 STORY. AND SO YEAH, WE MADE THIS COMEDY 354 00:24:08,480 --> 00:24:09,848 ABOUT THEM. >> James: YOU AND BRIAN 355 00:24:09,915 --> 00:24:14,186 CRANSTON WHO PLAYS JERRY, YOU HAVE SUCH INCREDIBLE CHEMISTRY. 356 00:24:14,252 --> 00:24:16,721 I MEAN IT IS A MATCH MADE IN HEAVEN, REALLY, IN MANY WAYS BUT 357 00:24:16,788 --> 00:24:19,291 ON SCREEN. WERE YOU A FAN OF HIS WORK 358 00:24:19,357 --> 00:24:22,727 BEFORE YOU STARTED. >> YES, HE IS A TOTAL PRO, THE 359 00:24:22,794 --> 00:24:27,165 MOST CHARMING MAN BUT I HAVE TO ADMIT, I HNTS SEEN A LOT OF 360 00:24:27,232 --> 00:24:28,934 BREAKING BAD. BECAUSE I JUST, I WATCHED SOME 361 00:24:29,000 --> 00:24:31,903 OF IT AND THEN I HADN'T WATCHED IT. 362 00:24:31,970 --> 00:24:33,839 SO WE ARE IN ATLANTA MAKING THE MOVIE. 363 00:24:33,905 --> 00:24:36,474 IT IS DURING COVID. ARE YOU NOT GOING ANYWHERE, YOU 364 00:24:36,541 --> 00:24:39,411 ARE WORKING OR YOU ARE AT HOME. SO I START YOU KNOW, WATCHING 365 00:24:39,477 --> 00:24:45,750 BREAKING BAD AND THEN OF COURSE THIS SERIES YOU GET COMPLETELY 366 00:24:45,817 --> 00:24:46,985 INCROSS-- ENGROSSED. THE NEXT ONE, YOU HAVE TO WATCH 367 00:24:47,052 --> 00:24:48,820 IT IMMEDIATELY. IS I SO I GOT REALLY INTO IT, 368 00:24:48,887 --> 00:24:51,323 THEN I WOULD BRING IT TO THE SET WITH ME. 369 00:24:51,389 --> 00:24:54,492 I THOUGHT I GOT TO SEE, I WAS JUST LITERALLY IN BETWEEN TAKES 370 00:24:54,559 --> 00:24:58,129 I'M WATCHING THIS AS WALTER WHITE, AND THEN GOING ON TO THE 371 00:24:58,196 --> 00:25:03,635 SET AND AFTER A WHILE IT WAS LIKE-- OH, YOU ARE WALTER WHITE 372 00:25:03,702 --> 00:25:06,371 OR ARE YOU JERRY. >> James: CORRECT. 373 00:25:06,438 --> 00:25:10,008 >> I NEVER TOLD HIM BUT I DID HAVE THOSE MEEMENTS BECAUSE OF 374 00:25:10,075 --> 00:25:12,010 THAT FANTASTIC PSYCHO THAT HE PLAYED. 375 00:25:12,077 --> 00:25:16,715 BUT THEN IN OUR MOVIE IS HE THE MOST HONESTLY SENSITIVE PERSON. 376 00:25:16,781 --> 00:25:21,653 >> James: AS WE ALL KNOW HE IS THAT, IS HE A MONSTER. 377 00:25:21,720 --> 00:25:25,991 >> LET'S TAKE A LOOK AT A CLIP FROM JERRY AND MARGE GO LARGE, 378 00:25:26,057 --> 00:25:31,663 IT IS JUNE 17TH ON PARAMOUNT+ 379 00:25:31,730 --> 00:25:35,934 STICK AROUND, MORE WITH THESE GOT OUR DINNER WHRERKSZ HAVE 380 00:25:36,001 --> 00:25:39,371 THREE DAYS OF FOOD AND I FOUND A SMALL-- TO PLAY IN, YEAH, KEEP 381 00:25:39,437 --> 00:25:43,608 THINGS QUIET, YOU KNOW LIKE HOW I PARKED A BLOCK AT A WAY AT A 382 00:25:43,675 --> 00:25:51,583 GOOD GARAGE SALE. YOU GOT A HAM RADIO? 383 00:25:51,650 --> 00:25:54,653 HAM RADIO, WE'RE GOING TO HIT SOME DEAD ZONES. 384 00:25:54,719 --> 00:25:56,288 >> I SUPPOSE CAN I GO TO ACE OR SOMETHING. 385 00:25:56,354 --> 00:26:04,029 >> HOW ARE WE ON BATTERIES. >> I-- . 386 00:26:04,095 --> 00:26:06,164 >> OKAY. >> James: STICK AROUND, MORE 387 00:26:06,231 --> 00:26:08,233 WITH THESE TWO WHEN WE COME BACK. 388 00:26:20,478 --> 00:26:21,980 SKY WALKER IS-- WE'VE BEEN LOOKING FOR YOU FOR A LONG TIME. 389 00:26:59,951 --> 00:27:01,886 -- MONSTER. >> James: THAT WAS A CLIP FROM 390 00:27:01,953 --> 00:27:03,888 "OBI-WAN KENOBI," WHICH IS STREAMING ON DISNEY+ WITH NEW 391 00:27:03,955 --> 00:27:09,327 EPISODES PREMIERING WEDNESDAYS. CONGRATS ON THE SHOW, A MASSIVE 392 00:27:09,394 --> 00:27:12,063 HIT, A HUGE HIT RIGHT OUT OF THE GATE. 393 00:27:12,130 --> 00:27:14,632 EXPLAIN TO ANYONE WHO HASN'T SEEN IT YET WHERE THE STORY 394 00:27:14,699 --> 00:27:19,471 PICKS UP. >> IT IS TEN YEARS I THINK 395 00:27:19,537 --> 00:27:23,274 PROBABLY LESS, 8 TO 10 YEARS AFTER THE LAST PREQUELL THAT I 396 00:27:23,341 --> 00:27:27,746 DID IN 2003. SO IT IS TEN YEARS AFTER THE END 397 00:27:27,812 --> 00:27:33,251 OF THAT FILM WHERE THERE IS THE ORDER, THE JEDI ORDER ARE 398 00:27:33,318 --> 00:27:36,888 DESTROYED OR GONE INTO BEHINDING AND ANNIKAN HAS GONE TO THE DARK 399 00:27:36,955 --> 00:27:39,924 SIDE AND BECOME VADER IN THE MEANTIME BUT I DON'T KNOW THAT 400 00:27:39,991 --> 00:27:42,360 UNTIL THIS MOMENT. >> THE SHOW IS HUGE, AND 401 00:27:42,427 --> 00:27:45,230 AMAZING. AND I KNOW PLAYING THAT ROLE SAY 402 00:27:45,296 --> 00:27:47,632 REAL DREAM FOR YOU, IT MUST BE INCREDIBLE TO REVISIT IT. 403 00:27:47,699 --> 00:27:52,270 BUT YOU ACTUALLY HAD A SPECIAL BOND WITH ONE OF YOUR CASEMATES 404 00:27:52,337 --> 00:27:53,304 WHICH WAS A CAMEL. >> YEAH. 405 00:27:53,371 --> 00:27:57,308 >> James: NOW THIS IS A CAMEM-- CAMEL. 406 00:27:57,375 --> 00:28:02,047 >> THAT GUY, THAT IS WHAT HE BECAME, WHICH IS AN E OW I WHICH 407 00:28:02,113 --> 00:28:04,182 WE ALL KNOW, ANYONE WOULD HAVE SAID THAT. 408 00:28:04,249 --> 00:28:06,951 >> James: OF COURSE. >> BUT I WORKED WITH A REAL 409 00:28:07,018 --> 00:28:14,626 CAMEL CALLED SILUS. SO IN THE ORIGINAL FILM, I WROTE 410 00:28:14,692 --> 00:28:18,463 LITERALLY ROAD A GYM HORSE THAT WAS PAINTED BLUE, YOU KNOW, AND 411 00:28:18,530 --> 00:28:22,233 I HAD TO PRETEND TO LIKE DO THE MOVEMENT, YOU KNOW LIKE AT THE 412 00:28:22,300 --> 00:28:27,038 END, WHEN I'M DELIVERING LIKE, WHEN I'M DELIVERING LUKE SKY 413 00:28:27,105 --> 00:28:33,478 WACKER TO UNCLE OWEN AND AUNT, AND RIDE IN I WAS LITERALLY ON A 414 00:28:33,545 --> 00:28:36,748 GYM HORSE GOING LIKE. THIS AND THEN I GAVE, THEN I 415 00:28:36,815 --> 00:28:39,117 WOULD JUST SIT ON IT THIS WAY AND GO OUT. 416 00:28:39,184 --> 00:28:44,956 BUT THIS TIME HI A REAL CAMEL CALLED SILUS AND HE HAD A 417 00:28:45,023 --> 00:28:48,960 TRAINER CALLED TITUS, HE WAS A LOVELY MAN AND HE CALLED 418 00:28:49,027 --> 00:28:52,931 ME-- ALL THE TIME, I DON'T KNOW, AS A SCOTSMAN WE DON'T GET 419 00:28:52,997 --> 00:28:56,901 CALLED COWBOY A LOT. I REALLY LIKED IT, COME ON, 420 00:28:56,968 --> 00:28:58,169 COWBOY. AND THEN HE TOLD ME THAT HE WAS 421 00:28:58,236 --> 00:29:02,774 GOING TO-- THE CAMEL HAD BEEN WORKING A LONG TIME, WAS GETTING 422 00:29:02,841 --> 00:29:05,677 OLD AND HE WAS GOING TO RETIRE HIM. 423 00:29:05,743 --> 00:29:09,481 AND I THOUGHT SHOULD I ADOPT THE CAMEL, YOU KNOW, WHAT A GREAT 424 00:29:09,547 --> 00:29:12,650 ANIMAL TO HAVE AT HOME. BUT I HAVE A LITTLE BABY AND 425 00:29:12,717 --> 00:29:16,121 I'VE GOT PROBABLY ENOUGH ON MY PLATE REALLY WITHOUT HAVING A 426 00:29:16,187 --> 00:29:17,388 CAMEL TOO. >> James: YOU HAVE GOT ENOUGH 427 00:29:17,455 --> 00:29:23,261 ON YOUR PLATE, COWBOY. ENOUGH ON YOUR PLATE. 428 00:29:23,328 --> 00:29:27,165 NOW LOOK, BEFORE WE G I WANT TO TALK TO YOU ABOUT THIS, ANNETTE. 429 00:29:27,232 --> 00:29:30,735 THIS IS VERY, VERY COOL, AMAZING THING, YOU ARE THE VICE CHAIR OF 430 00:29:30,802 --> 00:29:32,537 THE ENTERTAINMENT COMMUNITY FUND. 431 00:29:32,604 --> 00:29:35,673 NOW HOW DID YOU GET INVOLVED WITH THIS ORGANIZATION, WHAT DO 432 00:29:35,740 --> 00:29:39,677 THEY DO HOW CAN WE HELP? >> DURING THE PANDEMIC OUR 433 00:29:39,744 --> 00:29:42,213 INDUSTRY WAS DECIMATED. WE WEREN'T THE ONLY ONES. 434 00:29:42,280 --> 00:29:44,449 A LOT OF PEOPLE OUT THERE DIDN'T HAVE WORK. 435 00:29:44,516 --> 00:29:47,819 BUT IN OUR BUSINESS, WE, MOST PEOPLE WERE JUST UNEMPLOYED. 436 00:29:47,886 --> 00:29:53,992 AND SO WE HAD A FUND THAT WE CREATED DURING THE PANDEMIC, THE 437 00:29:54,058 --> 00:29:55,426 ENTERTAINMENT COMMUNITY WAS VERY NIMBLE. 438 00:29:55,493 --> 00:29:59,464 THEY WERE ABLE TO ASSESS PEOPLE VERY QUICKLY. 439 00:29:59,531 --> 00:30:02,600 SO WE GOT, OVER ACTUALLY 20 MILLION DOLLARS PUT OUT ACROSS 440 00:30:02,667 --> 00:30:05,803 THE COUNTRY TO VARIOUS PEOPLE WHO WERE IN NEED. 441 00:30:05,870 --> 00:30:09,307 YOU KNOW, WHETHER YOU ARE A COSTUME DESIGNER IN ATLANTA OR 442 00:30:09,374 --> 00:30:14,746 STAGE HAND IN DENVER OR AN OPERA SINGER IN MINNEAPOLIS AND YOU 443 00:30:14,812 --> 00:30:18,783 NEED HELP, WE HAVE A LOT OF EMERGENCY FINANCIAL ASSISTANCE, 444 00:30:18,850 --> 00:30:20,218 ASSISTANTS. IT SAY REALLY GREAT 445 00:30:20,285 --> 00:30:23,421 ORGANIZATION, IT'S BEEN AROUND FOR A LONG TIME, HAS INTEGRITY 446 00:30:23,488 --> 00:30:26,157 AND SO THAT'S WHY I WORK WITH THEM AND I LOVE WHAT THEY DO. 447 00:30:26,224 --> 00:30:29,127 >> James: THAT IS AN AMAZING THING. 448 00:30:29,194 --> 00:30:30,728 BLESS YOU. PLEASE SUPPORT, IF YOU CAN. 449 00:30:30,795 --> 00:30:36,334 NOW REGGIE ISN'T HERE TONIGHT, REGGIE IS AWAY SO HE HAS HAS 450 00:30:36,401 --> 00:30:38,670 SENTS TIM A QUESTION, HE HAS WRITTEN THIS QUESTION FOR TIM, 451 00:30:38,736 --> 00:30:42,874 TIM WHAT IS REGGIE'S QUESTION. >> ALL RIGHT, TONIGHT'S QUESTION 452 00:30:42,941 --> 00:30:47,178 GOES TO ANEST BENING AND EWAN McGREGOR. 453 00:30:47,245 --> 00:30:50,682 CAN A GREMLIN CAUSE SO MUCH CHAOS THAT IT IS IMPOSSIBLE FOR 454 00:30:50,748 --> 00:31:01,459 IT TO GAIN ITS REPUTATION BACK? >> James: HE ALWAYS HIT US YOU 455 00:31:01,526 --> 00:31:05,396 ON THE HEAD, DOESN'T HE. >> I THINK IT IS A YES. 456 00:31:05,463 --> 00:31:09,133 >> ISN'T THE GREMLIN'S REPUTATION THAT OF CREATING 457 00:31:09,200 --> 00:31:13,071 CHAOS THEREFORE HE IS LIKE TOTALLY ON POINT, NO? 458 00:31:13,137 --> 00:31:16,341 HE'S NOT LOST HIS REPUTATION, HE-- HE DOESN'T NEED TO GET IT 459 00:31:16,407 --> 00:31:20,278 BACK, HE EARNED IT. >> WELL, HE ALREADY TERKSED ME 460 00:31:20,345 --> 00:31:23,681 THE ANSWER, THAT IS CORRECT JPS IT'S ABSOLUTELY CORRECT. 461 00:31:23,748 --> 00:31:24,949 PLEASE THANK ANNETTE BENING, EWAN McGREGOR. 462 00:31:25,016 --> 00:31:28,286 STICK AROUND, THE CHAINSMOKERS ARE HERE WHEN WE COME BACK. 463 00:31:28,353 --> 00:31:29,354 THANK YOU SO MUCH. >> THANK YOU. 464 00:31:51,042 --> 00:31:52,343 >> James: WELL QUOAM BACK, I AM HERE AT THE BAR WITH THE ONE, 465 00:31:52,410 --> 00:31:56,147 THE ONLY, CHAINSMOKERS, ALEX AND DREW ARE HERE, EVERYBODY. 466 00:31:56,214 --> 00:31:59,550 SO GOOD TO SIGH, ALWAYS LOVE IT WHEN YOU STOP BY, THANKS FOR 467 00:31:59,617 --> 00:32:03,254 FIENDING TIME FOR US, YOU'RE BACK FROM A TWO YEAR HIATUS, 468 00:32:03,321 --> 00:32:06,391 YOU'VE GOT NEW MUSIC OUT AND YOU ANNOUNCE THIS QUITE INTERESTING 469 00:32:06,457 --> 00:32:08,793 FASHION, I WAS DRIVING PAST THESE BILLBOARDS IN LOS ANGELES 470 00:32:08,860 --> 00:32:14,198 THAT SAYS SORRY, THE CHAIN SMOKERS ARE BACK. 471 00:32:14,265 --> 00:32:18,102 WHAT WAS THE THINKS BEHIND IT? >> I MEAN I DON'T WANT TO SAY 472 00:32:18,169 --> 00:32:21,072 PEOPLE HAD TOO MUCH OF US IN THE EARLIER YEARS BUT IT FELT LIKE 473 00:32:21,139 --> 00:32:28,079 THE RIGHT WAY, IT WAS KIND OF SELF-DEP REKAIGHT, SORRY GUYS T 474 00:32:28,146 --> 00:32:29,747 IS UP AGAIN. >> I DON'T THINK PEOPLE FEEL 475 00:32:29,814 --> 00:32:33,951 NARC I THINK PEOPLE ARE PUMPED THAT THE CHAIN SMOKERS ARE BACK. 476 00:32:34,018 --> 00:32:36,954 >> JUST IN CASE THOUGH, YOU KNOW WHAT I MEAN, WE JUST WANTED TO 477 00:32:37,021 --> 00:32:39,424 HEDGE OUR BETS. >> James: NOW THE TITLE OF THE 478 00:32:39,490 --> 00:32:43,328 ALBUM IS, SO FAR SO GOOD. AND WHERE DOES THE TITLE OF THE 479 00:32:43,394 --> 00:32:45,396 ALBUM COME FROM. >> IT WAS INSPIRED FROM THIS 480 00:32:45,463 --> 00:32:50,935 FRENCH MOVIE CALLED THE HANG, IT WAS BUN OF OUR FAVORITE MOVIES 481 00:32:51,002 --> 00:32:55,273 AND ALEX HAD A TATTOO THAT IS FRENCH ON HIS SHOULDER, WE WERE 482 00:32:55,340 --> 00:32:58,509 TRYING TO NAME A PROJECT. >> BUT WITHDREW YOU HAVE TO 483 00:32:58,576 --> 00:33:01,012 MANIPULATE HIM INTO THINKING THE IDEA WAS HIS, SO I HAVE BEEN 484 00:33:01,079 --> 00:33:03,381 SAYING THIS FOR YEARS THAT SO FAR SO GOOD. 485 00:33:03,448 --> 00:33:06,818 WE SHOULD NAME A SONG OR AN ALBUM AFTER THAT. 486 00:33:06,884 --> 00:33:10,788 AND FINALLY ONE DAY OFF IN TEXAS HE IS LIKE SO FAR SO GOOD, HUH, 487 00:33:10,855 --> 00:33:15,126 PRETTY GOOD NAME, I WAS LIKE ABSOLUTELY. 488 00:33:15,193 --> 00:33:16,394 LIKE. >> BRILLIANT. 489 00:33:16,461 --> 00:33:19,063 >> YOU ARE A GENIUS. >> YES. 490 00:33:19,130 --> 00:33:22,266 >> NOW THE SONG THAT YOU ARE GOING TO PLAY FOR US TONIGHT IS 491 00:33:22,333 --> 00:33:23,701 CALLED I LOVE YOU. >> I LOVE YOU. 492 00:33:23,768 --> 00:33:27,438 >> WHICH IS-- QUITE ROMAN TIFNLGT I DON'T KNOW WHAT I 493 00:33:27,505 --> 00:33:30,174 THINK OF THE CHAINSMOKERS, I DON'T THINK OF THAT LEVEL OF 494 00:33:30,241 --> 00:33:32,243 ROMANCE. WHERE DOES THE SONGS COME FROM? 495 00:33:32,310 --> 00:33:38,416 >> WHAT DO I THINK OF IT? >> JUST BEING OFF MY-- WHERE 496 00:33:38,483 --> 00:33:40,618 DOES THE ORIGIN FOR THIS REALLY COME FROM. 497 00:33:40,685 --> 00:33:45,256 >> SO THIS SONG IS LICK A LOVE NOTE TO AN EX-GIRLFRIEND AND WE 498 00:33:45,323 --> 00:33:49,727 REALIZE A LOT OF OUR MUSIC IS TRY UP FARCHT AND SAD, SOUNDS 499 00:33:49,794 --> 00:33:53,398 SUPER FUN, BUT A LOT HEARTBREAKING. 500 00:33:53,464 --> 00:34:00,505 >> AND SO HAS-- STILL-- DIDN'T WORK. 501 00:34:00,571 --> 00:34:02,707 >> DID YOU SEND HER THE SONG THINKING THIS IS. 502 00:34:02,774 --> 00:34:07,512 >> I SENTS HER A DIFFERENT SONG, I LEFT THIS ONE, SHE HASN'T 503 00:34:07,578 --> 00:34:12,049 REACHED OUT. >> WELL, WE ACTUALLY TRACKED HER 504 00:34:12,116 --> 00:34:13,484 DOWN. >> OH MY GOD. 505 00:34:13,551 --> 00:34:16,687 >> I'M KIDDING. STICK AROUND, THE CHAINSMOKERS 506 00:34:16,754 --> 00:34:18,756 ARE HERE WHEN WE COME BACK. 507 00:34:36,007 --> 00:34:37,642 >> James: WELCOME BACK, HERE PERFORMING I LOVE YOU FROM THEIR 508 00:34:37,708 --> 00:34:42,113 NEW ALBUM SO FAR SO GOOD, PLEASE WELCOME 509 00:34:42,180 --> 00:34:45,850 ♪ ♪ ♪ ♪ ♪ ♪ 510 00:34:45,917 --> 00:34:48,052 ♪ IN THE RANGE OUTSIDE AND I'M THINKING ABOUT LOOSE ENDS 511 00:34:48,119 --> 00:34:52,757 ♪ EVEN THOUGH WE CUT TIES, I DON'T WANNA BE JUST FRIENDS 512 00:34:52,824 --> 00:34:54,725 ♪ FROM THE DAY I GOT YOUR NUMBER LIKE PARIS IN THE SUMMER, 513 00:34:54,792 --> 00:34:58,963 ♪ IT ENDS EVERY DAY GOES BY, 514 00:34:59,030 --> 00:35:02,834 ♪ I WISH I WAS IN YOUR BED (OOH, OOH, OOH) 515 00:35:02,900 --> 00:35:07,138 ♪ I LOVE YOU, OH, GOD (OOH, OOH, OOH) 516 00:35:07,205 --> 00:35:10,575 ♪ TRYING TO FIND A REASON WHY WE CAN'T WORK THIS OUT 517 00:35:10,641 --> 00:35:16,047 (OOH, OOH, OOH) ♪ I LOVE YOU, OH, MY GOD 518 00:35:16,113 --> 00:35:17,615 (OOH, OOH, OOH) ♪ IT'S HARD TO FIND A REASON 519 00:35:17,682 --> 00:35:32,563 WHY WE CAN'T WORK THIS OUT ♪ OOH-OOH-OOH, OOH-OOH-OOH, YEAH 520 00:35:32,630 --> 00:35:33,498 WHY WE CAN'T WORK THIS OUT ♪ OOH-OOH-OOH, OOH-OOH-OOH, YEAH 521 00:35:33,564 --> 00:35:38,503 YEAH, YEAH, YEAH ♪ I LOVE YOU, OH, MY GOD 522 00:35:38,569 --> 00:35:43,474 YOU WERE ON THE WEST SIDE, ♪ I WAS DRIVING DOWN THE I-10 523 00:35:43,541 --> 00:35:45,009 AND THE SONG CAME ON, ♪ GOT ME THINKING 524 00:35:45,076 --> 00:35:52,950 WHO YOU CHOSE INSTEAD ♪ OH, I NEVER THOUGHT TWICE, 525 00:35:53,017 --> 00:35:58,789 BUT I WONDER WHAT YOU SEE ♪ IN THEM 526 00:35:58,856 --> 00:35:59,724 ANOTHER DAY GOES BY ♪ THAT I CAN'T GET YOU 527 00:35:59,790 --> 00:36:00,591 OUT OF MY HEAD (OOH, OOH, OOH) 528 00:36:00,658 --> 00:36:04,195 ♪ I LOVE YOU, OH, GOD (OOH, OOH, OOH) 529 00:36:04,262 --> 00:36:06,097 ♪ TRYING TO FIND A REASON WHY WE CAN'T WORK THIS OUT 530 00:36:06,163 --> 00:36:11,002 (OOH, OOH, OOH) ♪ I LOVE YOU, OH, MY GOD 531 00:36:11,068 --> 00:36:13,938 (OOH, OOH, OOH) ♪ IT'S HARD TO FIND A REASON WHY 532 00:36:14,005 --> 00:36:20,811 WE CAN'T WORK THIS OUT ♪ OOH-OOH-OOH, OOH-OOH-OOH, YEAH 533 00:36:20,878 --> 00:36:27,552 OOH-OOH-OOH, OOH-OOH-OOH, OH ♪ OOH-OOH-OOH, OOH-OOH-OOH, 534 00:36:27,618 --> 00:36:34,025 YEAH, YEAH, YEAH ♪ WHEN IT HITS, 535 00:36:34,091 --> 00:36:37,361 I'M CONVINCED ♪ THAT YOU KNOW IT'S NOT OVER 536 00:36:37,428 --> 00:36:42,266 ALL MY LOVE'S COUNTERFEIT ♪ UNLESS YOU'RE COMING OVER 537 00:36:42,333 --> 00:36:45,503 DO YOU THINK OF MY VOICE ♪ WHEN YOUR CITY GETS COLDER? 538 00:36:45,570 --> 00:36:49,106 ♪ ♪ ♪ IKE, IKE, DANCHOU! 539 00:36:49,173 --> 00:36:50,708 GANBARE, GANBARE, DANCHOU! ♪ ♪ ♪ 540 00:36:50,775 --> 00:37:02,453 ♪ ♪ ♪ ♪ 541 00:37:02,520 --> 00:37:04,422 ♪ TRYING TO FIND A REASON WHY WE CAN'T WORK THIS OUT 542 00:37:04,488 --> 00:37:15,700 ♪ I LOVE YOU, OH, MY GOD ♪ IT'S HARD TO FIND A REASON WHY 543 00:37:15,766 --> 00:37:28,679 ♪ I LOVE YOU, ♪ I LOVE YOU, 544 00:37:28,746 --> 00:37:31,882 ♪ IT'S HARD TO FIND A REASON WHY WE CAN'T WORK THIS OUT 545 00:37:31,949 --> 00:37:38,556 ♪ ♪ ♪ ♪ ♪ ♪ 546 00:37:38,623 --> 00:37:48,332 ♪ >> James: WHAT ABOUT THAT, THE 547 00:37:48,399 --> 00:37:50,601 CHAINSMOKERS. BEAUTIFUL DRUMS. 548 00:37:50,668 --> 00:37:52,069 TICKETS TO THEIR "SO FAR SO GOOD" TOUR ARE ON SALE NOW. 549 00:37:52,136 --> 00:37:53,137 COME ON BACK. 550 00:38:06,951 --> 00:38:10,588 >> James: THANK YOU SO MUCH FOR WATCHING, TOMORROW NIGHT 551 00:38:10,655 --> 00:38:14,358 TOMORROW CRUISE AND THE CAST OF TOP GUN MATCH RICK, MUS PRIK 552 00:38:14,425 --> 00:38:18,029 MARK OWEN. WE'LL SEE YOU THEN, MELISSA, 553 00:38:18,095 --> 00:38:19,096 TAKE US HOME.