1 00:00:03,002 --> 00:00:04,704 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:04,771 --> 00:00:11,945 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY, BABY 3 00:00:12,011 --> 00:00:15,949 ♪ WHERE YOU COME FROM IT'LL BE ALL RIGHT 4 00:00:16,015 --> 00:00:20,387 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: LADIES AND GENTLEMEN, 5 00:00:20,453 --> 00:00:22,455 ALL THE WAY FROM... 6 00:00:37,036 --> 00:00:38,872 >> James: THANK YOU VERY MUCH FOR COMING OUT! 7 00:00:38,938 --> 00:00:42,275 I APPRECIATE IT! THANK YOU VERY MUCH FOR BEING 8 00:00:42,342 --> 00:00:46,079 HERE! GOOD EVENING, WELCOME TO "THE 9 00:00:46,146 --> 00:00:50,517 LATE LATE SHOW." BLESS YOU FOR BEING HERE. 10 00:00:50,583 --> 00:00:57,557 THANKS FOR HANGING OUT THE LAST HOUR OF THE DAY. 11 00:00:57,624 --> 00:00:58,792 LET'S SEE WHO THE GUESTS ARE ON THE SHOW TONIGHT, SHE'S A 12 00:00:58,858 --> 00:01:00,927 TALENTED ACTOR YOU KNOW FROM "CRAZY RICH ASIANS," "HUSTLERS," 13 00:01:00,994 --> 00:01:04,397 AND "FRESH OFF THE BOAT," THE EXCEPTIONAL, CONSTANCE WU! 14 00:01:04,464 --> 00:01:05,999 >> HEY! >> James: HOW ARE YA? 15 00:01:06,065 --> 00:01:08,201 GOOD. HOW YOU DOING? 16 00:01:08,268 --> 00:01:10,003 >> James: VERY WELL. SO NICE TO SEE YOU. 17 00:01:10,069 --> 00:01:13,840 >> NICE TO SEE YOU. >> James: I LOVE THE OUTFIT 18 00:01:13,907 --> 00:01:16,843 YOU'RE ROCKING TONIGHT. THIS OUTFIT IS AN ABSOLUTE 19 00:01:16,910 --> 00:01:21,981 SENSATION, AS ARE YOU. BLESS YOU BO BORE BEING HERE, 20 00:01:22,048 --> 00:01:23,950 CONSTANCE WU, EVERYBODY! ( CHEERS AND APPLAUSE ) 21 00:01:24,017 --> 00:01:25,518 SHE'S A WONDERFUL ACTOR YOU KNOW FROM "THE AFTERPARTY," "LOVE 22 00:01:25,585 --> 00:01:27,687 LIFE," AND "LONG WEEKEND" WE ARE HAPPY SHE IS MAKING HER 23 00:01:27,754 --> 00:01:31,558 LATE-NIGHT TALK SHOW DEBUT WITH US HERE TONIGHT, IT'S THE 24 00:01:31,624 --> 00:01:33,793 DAZZLING, ZOE CHAO! ( CHEERS AND APPLAUSE ) 25 00:01:33,860 --> 00:01:36,329 ZOE, HOW ARE YOU? >> WELL, JAMES, HOW ARE YOU? 26 00:01:36,396 --> 00:01:41,968 >> James: I'M GOOD. SO HAPPY YOU'RE HERE. 27 00:01:42,035 --> 00:01:43,803 I CAN'T BELIEVE THIS IS YOUR FIRST TALK SHOW. 28 00:01:43,870 --> 00:01:45,338 >> I CAN. I'M SWEATING A LOT. 29 00:01:45,405 --> 00:01:48,341 >> James: IT DOESN'T SHOW. ALTHOUGH IF YOU ARE SWEATING, A 30 00:01:48,408 --> 00:01:52,645 GOOD CHOICE OF OUTFIT, BECAUSE IF YOU CAN CHOOSE SOMETHING THAT 31 00:01:52,712 --> 00:01:54,747 JUST COVERS THE AREAS YOU SWEAT. >> THANK YOU. 32 00:01:54,814 --> 00:01:58,952 >> James: WE'RE SO HAPPY YOU'RE HERE. 33 00:01:59,018 --> 00:02:03,656 ZOE CHAO, EVERYBODY! ( CHEERS AND APPLAUSE ) 34 00:02:03,723 --> 00:02:05,391 THEY'RE A CRITICALLY ACCLAIMED INDIE ROCK BAND HAILING FROM 35 00:02:05,458 --> 00:02:09,929 OMAHA, NEBRASKA, THEY'RE SET TO RELEASE RE-RECORDINGS FROM NINE 36 00:02:09,996 --> 00:02:12,832 OF THEIR STUDIO ALBUMS OVER THE COMING MONTHS. 37 00:02:12,899 --> 00:02:16,970 I COULDEN BE MORE EXCITED TO EAT UP EVERY SINGLE ONE OF THEIR 38 00:02:17,036 --> 00:02:18,938 SONGS. WE LOVE IT EVERY TIME THEY STOP 39 00:02:19,005 --> 00:02:21,875 BY. THE ALWAYS COOL, BRIGHT EYES! 40 00:02:21,941 --> 00:02:25,144 ( CHEERS AND APPLAUSE ) HEY, HOW ARE YA? 41 00:02:25,211 --> 00:02:26,312 >> WHOA! >> James: WHOA! 42 00:02:26,379 --> 00:02:30,383 I'LL BE JOHN DOG IF THAT WASN'T JAMES CORDEN AT MY DOOR. 43 00:02:30,450 --> 00:02:34,420 HOW ARE YOU DOING? >> James: WHAT DID YOU JUST 44 00:02:34,487 --> 00:02:36,523 SAY? JOHN DOG? 45 00:02:36,589 --> 00:02:40,760 >> THESE ARE OUR ASSOCIATES. >> James: HEY "BRIGHT EYES" 46 00:02:40,827 --> 00:02:43,663 ASSOCIATES, HOW ARE YOU DOING? >> COULDN'T BE BETTER. 47 00:02:43,730 --> 00:02:45,965 >> James: SEEMS LIKE YOU COULD BE BETTER. 48 00:02:46,032 --> 00:02:49,168 >> YEAH, UH, COUNT THE MEMORIES, NOT THE CALORIES, THAT'S WHAT 49 00:02:49,235 --> 00:02:55,508 I'M ALWAYS SAYING. SO. 50 00:02:55,575 --> 00:03:00,613 >> James: LOVE YOU, MAN. SO HAPPY YOU'RE HERE. 51 00:03:00,680 --> 00:03:02,415 BRIGHT EYES REGGIE, ARE YOU READY? 52 00:03:02,482 --> 00:03:04,484 ROLL THE TITLES! ♪ ♪ ♪ 53 00:03:06,619 --> 00:03:14,427 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 54 00:03:14,494 --> 00:03:19,966 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 55 00:03:20,033 --> 00:03:22,435 ♪ IT'S THE LATE, LATE SHOW ♪ ♪ ♪ ♪ 56 00:03:22,502 --> 00:03:26,172 >> James: IT CERTAINLY IS! >> James: IS JASON HERE? 57 00:03:26,239 --> 00:03:29,409 WHERE IS HE? WHERE IS THE MEN'S GROOMER? 58 00:03:29,475 --> 00:03:33,179 IS HE DOWN HERE? WHERE IS HE? 59 00:03:33,246 --> 00:03:34,414 HE'SER ALREADY LEFT? >> IN THE GREEN ROOM. 60 00:03:34,480 --> 00:03:38,418 >> James: SEND HIM DOWN BECAUSE THERE'S TWO -- HERE HE 61 00:03:38,484 --> 00:03:44,457 COMES. BECAUSE THIS IS JASON 62 00:03:44,524 --> 00:03:50,163 ( CHEERS AND APPLAUSE ) LISTEN TO THIS -- LISTEN TO THIT 63 00:03:50,229 --> 00:03:54,701 SEVEN OR EIGHT HOURS AGO, JASON HAD OUR LATEST "THE LATE LATE 64 00:03:54,767 --> 00:04:00,273 SHOW" BABY, A BRAND-NEW DAUGHTER! 65 00:04:00,340 --> 00:04:03,876 ( CHEERS AND APPLAUSE ) WE'RE SO HAPPY FOR YOU, BROTHER! 66 00:04:03,943 --> 00:04:06,312 >> THANK YOU! >> James: EVERYONE GREAT? 67 00:04:06,379 --> 00:04:09,048 I'M GREAT, SHE'S GREAT, WE'RE SO HAPPY. 68 00:04:09,115 --> 00:04:15,254 >> James: SO HAPPY FOR YOU! ( AIR HORN BLOWING ) 69 00:04:15,321 --> 00:04:18,291 NOW GET OUT OF HERE! GET BACK TO THE HOSPITAL! 70 00:04:18,358 --> 00:04:21,928 I SAID TO HIM, JASON, WHY ARE YOU HERE? 71 00:04:21,995 --> 00:04:28,468 HE WENT, OH, SHE'S OUT OF IT. HE SAID, THEY'RE BOTH OUT OF IT. 72 00:04:28,534 --> 00:04:32,972 I CAME DOWN, I'M DOING THIS. BLESS HIM. 73 00:04:33,039 --> 00:04:36,576 >> FOURTH KID, THIRD KID? >> James: THIRD. 74 00:04:36,643 --> 00:04:40,513 THE FIRST, STILL BE THERE, SECOND, MIGHT BE THERE, CHECKING 75 00:04:40,580 --> 00:04:44,584 IN OVER ZOOM. THIRD, CHECKED IN, POPPED OUT. 76 00:04:44,651 --> 00:04:53,359 >> James: RIGHT. FULL CO-WORKERS BIRTHDAY 77 00:04:53,426 --> 00:04:54,494 VIBES. > 78 00:04:54,560 --> 00:04:57,497 >> James: WHERE IS SHE? SHE'S FINE, GOT PIRATE BOOTY. 79 00:04:57,563 --> 00:05:02,435 WHAT CAN POSSIBLY GO WRONG? >> WE GAVE HER A KNIFE AND A 80 00:05:02,502 --> 00:05:04,637 LIGHTER. SHE'LL FIGURE IT OUT. 81 00:05:04,704 --> 00:05:08,341 >> JAMES: BRIGHT EYES IS ON THE SHOW TONIGHT. 82 00:05:08,408 --> 00:05:12,178 LOVE RIGHT EYES. WHAT SONG IS BRIGHT EYES DOING? 83 00:05:12,245 --> 00:05:13,046 >> "FALLING OUT OF LOVE AT THIS VOLUME." 84 00:05:13,112 --> 00:05:15,014 >> James: OH, BIG CHIN COMING IN. 85 00:05:15,081 --> 00:05:24,590 ALL THAT TO LOOK FORWARD TO. >> James: WE CAN CHITCHAT NO 86 00:05:24,657 --> 00:05:30,430 MORE -- YEAH, YOU TAKE A DRINK, IAN -- IT'S TIME FOR -- 87 00:05:30,496 --> 00:05:33,833 ( SLURPING ) -- THE NEWS. 88 00:05:33,900 --> 00:05:35,201 ( CHEERS AND APPLAUSE ) TODAY WAS THE SUMMER SOLSTICE, 89 00:05:35,268 --> 00:05:36,602 THE LONGEST DAY OF THE YEAR - AND TO CELEBRATE, THOUSANDS 90 00:05:36,669 --> 00:05:41,908 GATHERED AT STONEHENGE TODAY FOR THE FIRST TIME SINCE 2019. 91 00:05:41,974 --> 00:05:46,412 LOOK AT THEM, KICKING OFF HOT DRUID SUMMER. 92 00:05:46,479 --> 00:05:52,251 ( LAUGHTER ) I LOVE THE WORD SOLSTICE. 93 00:05:52,318 --> 00:05:54,087 >> YEAH. SO SATISFYING. 94 00:05:54,153 --> 00:05:55,188 SOLSTICE. GOOD WORD. 95 00:05:55,254 --> 00:06:03,529 SOUNDS LIKE A MID-SIZED SEDAN. >> YEAH 96 00:06:03,596 --> 00:06:06,532 AND AN ERECTILE DYSFUNCTION MEDICATION ALL AT THE SAME TIME. 97 00:06:06,599 --> 00:06:08,267 ( LAUGHTER ) SOLSTICE. 98 00:06:08,334 --> 00:06:10,436 >> SOLSTICE. >> James: I JUST POPPED A 99 00:06:10,503 --> 00:06:15,842 SOLSTICE. I'LL JUST BE GOOD IN ABOUT 35 100 00:06:15,908 --> 00:06:17,610 MINUTES. ( LAUGHTER ) 101 00:06:17,677 --> 00:06:21,848 >> ACTUALLY, I ASKED FOR THIS WITH NO SOLSTICE. 102 00:06:21,914 --> 00:06:24,517 >> James: CAN I GET THE SOLSTICE ON THE SIDE? 103 00:06:24,584 --> 00:06:26,319 >> YEAH. >> James: YOU'RE IN GOOD 104 00:06:26,385 --> 00:06:27,687 SHAPE. WHAT ARE YOU DOING? 105 00:06:27,754 --> 00:06:29,655 THE WORKOUT. IT'S THE SOLSTICE. 106 00:06:29,722 --> 00:06:33,292 YOU CAN USE IT FOR ANYTHING. IT'S INCREDIBLE. 107 00:06:33,359 --> 00:06:34,527 TODAY WAS THE LONGEST DAY OF THE YEAR. 108 00:06:34,594 --> 00:06:36,596 AND IT FELT EVEN LONGER IF YOU SPENT IT WATCHING THE JANUARY 6 109 00:06:36,662 --> 00:06:42,468 HEARINGS. TODAY'S JANUARY 6 HEARING 110 00:06:42,535 --> 00:06:44,270 FOCUSED ON DONALD TRUMP'S STATE-LEVEL PRESSURE TO OVERTURN 111 00:06:44,337 --> 00:06:46,439 THE 2020 ELECTION. DURING THE HEARING, IT WAS 112 00:06:46,506 --> 00:06:50,276 REVEALED THAT TRUMP'S CHIEF OF STAFF SUGGESTED SENDING A GIFT 113 00:06:50,343 --> 00:06:54,413 TO THE PEOPLE CONDUCTING THE AUDIT IN GEORGIA. 114 00:06:54,480 --> 00:06:58,417 AND THAT GIFT - WE'RE NOT MAKING THIS UP - WAS... 115 00:06:58,484 --> 00:07:02,421 AUTOGRAPHED MAGA HATS. ( LAUGHTER ) 116 00:07:02,488 --> 00:07:06,125 I LOVE THAT TRUMP IS EVEN CHEAP WITH HIS BRIBES. 117 00:07:06,192 --> 00:07:07,093 ( LAUGHTER ) DID THEY ACTUALLY THINK THAT 118 00:07:07,160 --> 00:07:12,598 WOULD WORK? GETTING AMERICANS TO OVERTHROW A 119 00:07:12,665 --> 00:07:18,538 DEMOCRATIC ELECTION, FOR A HAT? ( LAUGHTER ) 120 00:07:18,604 --> 00:07:20,072 NOW THAT I'M SAYING IT OUT LOUD, IT COULD WORK. 121 00:07:20,139 --> 00:07:23,342 SIGNED MAGA HATS IN EXCHANGE FOR OVERTURNING VOTES IN GEORGIA. 122 00:07:23,409 --> 00:07:27,814 THIS HAS SOME SERIOUS ROOKIE STEPDAD VIBES. 123 00:07:27,880 --> 00:07:28,681 # ( LAUGHTER ) 124 00:07:28,748 --> 00:07:34,420 DOESN'T IT? "HEY BILLY I BROUGHT YOU A 125 00:07:34,487 --> 00:07:36,589 BASEBALL CAP. I'M GONNA HAVE SEX WITH YOUR MOM 126 00:07:36,656 --> 00:07:40,827 NOW, K?" ( LAUGHTER ) 127 00:07:40,893 --> 00:07:42,628 IN OTHER POLITICAL NEWS, ALABAMA HELD A RUNOFF ELECTION TODAY TO 128 00:07:42,695 --> 00:07:47,066 CHOOSE A REPUBLICAN CANDIDATE FOR SENATE - AND REPRESENTATIVE 129 00:07:47,133 --> 00:07:50,436 MO BROOKS RAN AS 'MAGA MO,' EVEN THOUGH TRUMP ENDORSED HIS 130 00:07:50,503 --> 00:07:54,407 OPPONENT. BUT THIS WHOLE THING SOUNDS LIKE 131 00:07:54,473 --> 00:07:58,411 MO BROOKS IS EXPERIENCING A CLASSIC CASE OF 'MO MAGA, MO 132 00:07:58,477 --> 00:07:59,679 PROBLEMS.' ( LAUGHTER ) 133 00:07:59,745 --> 00:08:02,415 ACCORDING TO REPORTS, BROOKS HAD BEEN FEVERISHLY WORKING BEHIND 134 00:08:02,481 --> 00:08:04,550 THE SCENES TO EARN TRUMP'S ENDORSEMENT BACK. 135 00:08:04,617 --> 00:08:06,552 WHICH SHOULD HAVE BEEN THE FIRST RED FLAG. 136 00:08:06,619 --> 00:08:14,427 BECAUSE NO ONE IN CONGRESS IS FEVERISHLY WORKING ON ANYTHING. 137 00:08:14,493 --> 00:08:16,996 ( LAUGHTER ) HE CALLS HIMSELF 'MAGA MO.' 138 00:08:17,063 --> 00:08:21,567 'MAGA-MO' SOUNDS LIKE THE NAME OF ELMO'S UNCLE WHO STORMED THE 139 00:08:21,634 --> 00:08:24,604 CAPITOL. ( LAUGHTER ) 140 00:08:24,670 --> 00:08:30,877 ( APPLAUSE ) MOVING ON, CEREAL GIANT KELLOGG 141 00:08:30,943 --> 00:08:34,447 ANNOUNCED TODAY THAT THEY WILL BE SPLITTING INTO THREE SEPARATE 142 00:08:34,513 --> 00:08:38,251 COMPANIES - ONE FOCUSED ON CEREALS, ONE FOCUSED ON SNACKS, 143 00:08:38,317 --> 00:08:42,488 AND ONE FOCUSED ON PLANT-BASED FOODS. 144 00:08:42,555 --> 00:08:45,825 AND THE FACT THAT CEREAL ISN'T INCLUDED IN PLANT-BASED FOODS 145 00:08:45,892 --> 00:08:50,429 REALLY MAKES YOU WONDER WHAT THEY'RE PUTTING IN THAT STUFF. 146 00:08:50,496 --> 00:08:53,366 ( LAUGHTER ) IT'S A SHAME KELLOGG IS 147 00:08:53,432 --> 00:08:57,570 OFFICIALLY SPLITTING UP BUT DON'T WORRY, SNAP, CRACKLE AND 148 00:08:57,637 --> 00:09:08,281 POP WILL STILL GET TO SEE EACH OTHER EVERY THIRD WEEKEND. 149 00:09:08,347 --> 00:09:12,685 POP TARTS, A CEREAL OR A SNACK? >> I DON'T KNOW WHY WE'RE TRYIG 150 00:09:12,752 --> 00:09:17,390 TO PAINT IT IN A CORNER. IT'S LIKE ASKING IS J. LO A 151 00:09:17,456 --> 00:09:20,026 BETTER SINGER OR ACTOR. >> James: TO TELL YOU THE 152 00:09:20,092 --> 00:09:24,096 TRUTH, NOT FOR ME, POP TARTS. >> YOU DON'T LIKE POP TARTS? 153 00:09:24,163 --> 00:09:28,834 >> James: NOT FOR ME. I DON'T GET IT. 154 00:09:28,901 --> 00:09:31,404 WHAT, HAVE YOU HAD ONE? >> James: BRO -- 155 00:09:31,470 --> 00:09:33,572 I SHOULDN'T HAVE ASKED. >> James: WHO DO YOU THINK 156 00:09:33,639 --> 00:09:35,908 YOU'RE TALKING TO. >> YEAH, YEAH, YEAH. 157 00:09:35,975 --> 00:09:38,244 >> James: YOU THINK I HAVEN'T HAD SOMETHING WHICH IS COVERED 158 00:09:38,311 --> 00:09:39,378 IN SUGAR? >> YEAH. 159 00:09:39,445 --> 00:09:41,213 >> James: OF COURSE I HAVE, OF COURSE I HAVE. 160 00:09:41,280 --> 00:09:46,085 >> IT DOESN'T JUST LOOK LIKE IT. >> James: YEAH. 161 00:09:46,152 --> 00:09:51,657 HERE'S MY ISSUE. I HAVE NO ISSUE WITH KELLOGG. 162 00:09:51,724 --> 00:09:54,593 A CORN FLAKE, NEVER DISAPPOINTS. >> ARE YOU SAYING YOU PREFER A 163 00:09:54,660 --> 00:10:03,102 CORN FLAKE? YUM, YUM, GIVE ME A BOWL OF CORN 164 00:10:03,169 --> 00:10:05,438 FLAKES? >> James: ONE HUNDRED PERCENT. 165 00:10:05,504 --> 00:10:14,080 THE FOOD THAT WAS TO MAKE PEOPLE STOP MASTURBATING IN THE 166 00:10:14,146 --> 00:10:16,182 1980s? >> IT'S A CHASTITY CEREAL. 167 00:10:16,248 --> 00:10:18,617 >> James: ARE YOU SERIOUS? YEAH. 168 00:10:18,684 --> 00:10:28,461 >> James: PEOPLE WERE JUST MAMASTURBATING TOO MUCH AND YOU 169 00:10:28,527 --> 00:10:35,468 HAD TO HAVE A CORN FLAKE. HOW DOES THAT STOP IT? 170 00:10:35,534 --> 00:10:40,039 >> GUMS UP YOUR MOUTH. >> James: GUMS UP YOUR MOUTH? 171 00:10:40,106 --> 00:10:44,010 YEAH. >> James: HOW DO YOU 172 00:10:44,076 --> 00:10:45,611 MASTURBATE? >> VERY SUCCESSFULLY. 173 00:10:45,678 --> 00:10:50,616 >> James: AND DID YOU SEE THIS? 174 00:10:50,683 --> 00:10:56,288 IN THE MALDIVES, THE FIRST BLOCKS OF A FLOATING CITY ARE 175 00:10:56,355 --> 00:10:59,058 NOW BEING TOWED INTO PLACE. WHEN COMPLETED IN 2027, THE CITY 176 00:10:59,125 --> 00:11:02,328 WILL BE MADE UP OF FLOATING UNITS WITH CANALS 177 00:11:02,395 --> 00:11:05,798 RUNNING IN BETWEEN. HERE'S WHAT IT WILL LOOK LIKE, 178 00:11:05,865 --> 00:11:10,436 5,000 WHEN IT'S DONE. LOOK AT THAT, 179 00:11:10,503 --> 00:11:13,606 THEY'VE BUILT THEIR VERY OWN MARGARITAVILLE. 180 00:11:13,672 --> 00:11:16,709 ( LAUGHTER ) IMAGINE LIVING IN A CITY MADE UP 181 00:11:16,776 --> 00:11:20,212 OF MULTIPLE FLOATING BLOCKS. HEY HOW ARE THINGS BETWEEN YOU 182 00:11:20,279 --> 00:11:26,419 AND YOUR GIRLFRIEND? WE DRIFTED APART -- LITERALLY. 183 00:11:26,485 --> 00:11:31,657 ( LAUGHTER ) AND FINALLY, K.F.C. HAS 184 00:11:31,724 --> 00:11:33,559 INTRODUCED A NEW TOOL TO HELP YOU ENJOY THEIR SIDE DISHES. 185 00:11:33,626 --> 00:11:36,595 IT'S CALLED A FINGER SPORK - AND ESSENTIALLY ACTS AS A UTENSIL 186 00:11:36,662 --> 00:11:39,031 FINGER PUPPET. HERE IT IS HERE. 187 00:11:39,098 --> 00:11:42,468 LOOK AT THAT. YOU'VE HEARD OF 188 00:11:42,535 --> 00:11:47,239 EDWARD SCISSORHANDS, RIGHT? WELL, THIS IS EQUALLY STUPID. 189 00:11:47,306 --> 00:11:50,443 ( LAUGHTER ) IT'S AS STUPID AS THAT. 190 00:11:50,509 --> 00:12:01,787 ( APPLAUSE ) IMAGINE SITTING -- I DON'T GET 191 00:12:01,854 --> 00:12:06,892 IT, IS THE SPORK ON THE NAIL SIDE OR THE FINGERPRINT SIDE? 192 00:12:06,959 --> 00:12:08,761 >> IT'S ON THE PRINT SIDE. >> James: IT'S ON THE PRINT 193 00:12:08,828 --> 00:12:10,429 SIDE. SO YOU'VE GOT A SCOOP. 194 00:12:10,496 --> 00:12:12,498 BUT THEN LOOK -- >> YEAH. 195 00:12:12,565 --> 00:12:15,501 >> James: THAT'S NOT A NATURAL - RIGHT. 196 00:12:15,568 --> 00:12:20,639 >> James: WHEREAS ACTUALLY WHAT YOU WANT IS A LIPPED ZONE 197 00:12:20,706 --> 00:12:24,610 HERE, SO YOU'RE THERE. >> I THINK YOU CAN ADJUST IT. 198 00:12:24,677 --> 00:12:26,479 ( LAUGHTER ) >> James: SO YOU'RE SAYING 199 00:12:26,545 --> 00:12:30,416 IT'S A DIP AND YOU CAN SORT OF MOVE AND -- 200 00:12:30,483 --> 00:12:32,351 >> YEAH. >> James: BECAUSE I MEAN THAT 201 00:12:32,418 --> 00:12:39,458 IS -- I'M SIDEWAYS THERE. IF THAT'S A MAC AND CHEESE, I'M 202 00:12:39,525 --> 00:12:41,026 SIDEWAYS AT THAT POINT, THAT IS A DISASTER. 203 00:12:41,093 --> 00:12:45,231 >> THIS IS HOW YOU WANT TO DO YOUR MAC AND CHEESE. 204 00:12:45,297 --> 00:12:49,835 THIS IS VERY MUCH LIKE I'M A LITTLE NAUGHTY GUY NOT HAVING 205 00:12:49,902 --> 00:12:53,973 FROSTING I'M SUPPOSED TO HAVE. ( LAUGHTER ) 206 00:12:54,039 --> 00:12:59,979 >> James: LOOK AT ME WITH MY FINGER SPORK. 207 00:13:00,045 --> 00:13:02,414 K.F.C. SAYS IT MAKES IT, "MORE FUN TO SCOOP OUT YOUR MAC AND 208 00:13:02,481 --> 00:13:03,616 CHEESE, RETRIEVE THAT LAST PIECE OF CORN, AND DELIGHT IN YOUR 209 00:13:03,682 --> 00:13:08,854 MASHED POTATOES." THEY ALSO WANT TO REMIND 210 00:13:08,921 --> 00:13:10,122 CUSTOMERS TO REMEMBER TO REMOVE THE FINGER SPORKS BEFORE WIPING 211 00:13:10,189 --> 00:13:18,430 THE TEARS OUT OF THEIR EYES. ( LAUGHTER ) 212 00:13:18,497 --> 00:13:21,033 LITTLE SPORKS. ( APPLAUSE ) 213 00:13:21,100 --> 00:13:23,636 LITTLE SPORKS THAT FIT OVER YOUR FINGERS. 214 00:13:23,702 --> 00:13:29,041 OR, IF YOU'RE REALLY HUNGRY, THEY ALSO HAVE THESE: 215 00:13:29,108 --> 00:13:33,045 ( LAUGHTER ) AND THAT'S THE NEWS! 216 00:13:33,112 --> 00:13:34,113 ( CHEERS AND APPLAUSE ) NOW, DOING A SHOW LIKE THIS 217 00:13:34,180 --> 00:13:35,514 EVERY NIGHT, WE READ A LOT OF HEADLINES. 218 00:13:35,581 --> 00:13:37,383 BUT HEADLINES DON'T ALWAYS TELL YOU WHAT THE STORY IS. 219 00:13:37,449 --> 00:13:42,488 SO WE THOUGHT WE'D HELP CLEAR THINGS UP WITH OUR SEGMENT, 220 00:13:42,555 --> 00:13:46,425 HONEST HEADLINES. ♪♪ 221 00:13:46,492 --> 00:13:47,793 ♪♪ ALL RIGHT. 222 00:13:47,860 --> 00:13:54,433 THIS FIRST HEADLINE COMES FROM THE "NEW YORK TIMES" -- 223 00:13:54,500 --> 00:13:59,905 ( DRINK SHAKER INTERRUPTS ) IAN, WHAT ARE YOU DOING? 224 00:13:59,972 --> 00:14:01,140 I'M IN THE MIDDLE OF HONEST HEADLINES. 225 00:14:01,207 --> 00:14:05,811 >> WELL JAMES, TO BE HONEST, IT'S ALMOST TIME FOR THE SHOW TO 226 00:14:05,878 --> 00:14:07,913 GO TO LONDON, WHERE SIPSMITH GIN IS MADE. 227 00:14:07,980 --> 00:14:09,248 >> JAMES: YES. AND I'M AS EXCITED AS YOU ARE 228 00:14:09,315 --> 00:14:12,618 ABOUT LONDON, BUT RIGHT NOW WE'RE IN AMERICA AND I HAVE AN 229 00:14:12,685 --> 00:14:14,987 OBLIGATION TO DELIVER THE UNVARNISHED, HONEST HEADLINES TO 230 00:14:15,054 --> 00:14:19,558 AMERICANS- >> BUT JAMES, DID YOU KNOW THE 231 00:14:19,625 --> 00:14:22,962 SIPSMITH GINSMITHS WERE RESPONSIBLE FOR CHANGING THE LAW 232 00:14:23,028 --> 00:14:25,130 IN THE U.K.? THEY PETITIONED PARLIAMENT TO 233 00:14:25,197 --> 00:14:28,834 BRING SMALL BATCH GIN DISTILLING BACK TO LONDON HOW'S THAT FOR A 234 00:14:28,901 --> 00:14:35,307 HEADLINE? >> JAMES: SENSATIONAL, BUT -- 235 00:14:35,374 --> 00:14:36,809 >> AND HERE WE SIT SURROUNDED BY STUNNING SIPSMITH BOTTLES, IT'S 236 00:14:36,875 --> 00:14:39,011 THE ONE WITH THE SWAN. >> JAMES: YES. 237 00:14:39,078 --> 00:14:41,113 THE SIPSMITH SWAN IS SUBLIME, BUT THE HEADLINES... 238 00:14:41,180 --> 00:14:44,883 >> DON'T YOU JUST WANT TO SAY SAYONARA TO SERIOUS SUBJECTS AND 239 00:14:44,950 --> 00:14:47,653 SIP SOME SIPSMITH? >> JAMES: CERTAINLY. CERTAINLY. 240 00:14:47,720 --> 00:14:48,821 I WANT TO SAY SAYONARA AND SIP SIPSMITH. 241 00:14:48,887 --> 00:14:50,990 BUT YOU KNOW HOW STRICT I AM ABOUT SERVING SEDATE STORIES 242 00:14:51,056 --> 00:14:52,958 SWIFTLY. >> ALL DUE RESPECT, SIR, 243 00:14:53,025 --> 00:14:56,829 SAGACITY IS FOR SUCKERS. SIMMER DOWN AND SIP SOME 244 00:14:56,895 --> 00:14:59,265 SIPSMITH. >> JAMES: WHEN I'M SATISFIED 245 00:14:59,331 --> 00:15:01,166 I'VE SUCCEEDED IN MY SACRED DUTY, THEN I'LL SIMMER AND SIP 246 00:15:01,233 --> 00:15:04,837 SIPSMITH, BUT NOT WHILE THE CITIZENS ARE STILL STARVED FOR 247 00:15:04,903 --> 00:15:08,040 SINCERITY. >> I'D SUGGEST THE CITIZENS ARE 248 00:15:08,107 --> 00:15:10,342 STARVED FOR SIPS OF SIPSMITH. THAT'S MY STANCE. 249 00:15:10,409 --> 00:15:12,578 >> JAMES: I DON'T RECOLLECT SEEKING YOUR STANCE ABOUT 250 00:15:12,645 --> 00:15:14,913 SIPPING SIPSMITH. >> SALUTATIONS. 251 00:15:14,980 --> 00:15:16,815 I'D LIKE TO SIP A SIPSMITH STRAWBERRY SMASH SPRITZ, S'IL 252 00:15:16,882 --> 00:15:18,984 VOUS PLAIT >> CERTAINLY, CECE. 253 00:15:19,051 --> 00:15:21,186 >> JAMES: CECE I MUST INSIST YOU CEASE AND DESIST SIPPING 254 00:15:21,253 --> 00:15:24,823 SIPSMITH >> SHUCKS I WAS SO PSYCHED TO 255 00:15:24,890 --> 00:15:27,993 SIP SIPSMITH. >> JAMES: SURELY, CECE, YOU CAN 256 00:15:28,060 --> 00:15:30,529 SEE HOW STOPPING TO SIP SIPSMITH SIGNIFIES SLIPPING STANDARDS. 257 00:15:30,596 --> 00:15:32,631 >> BUT SUSAN, SCOTTY, SCHIFF AND STEVE ARE SIPPING SIPSMITH. 258 00:15:32,698 --> 00:15:36,302 >> JAMES: CECE SUSAN, SCOTTY, SCHIFF AND STEVE SELECTED TO SIP 259 00:15:36,368 --> 00:15:38,771 SIPSMITH IN SPITE OF MY STIPULATION THAT SIPSMITH SHALL 260 00:15:38,837 --> 00:15:48,080 BE SIPPED AS SCHEDULED AFTER THIS SEGMENT. 261 00:15:48,147 --> 00:15:49,214 >> SHEESH, YOU'RE BEING SUCH A SIPPING STICKLER. 262 00:15:49,281 --> 00:15:51,016 >> JAMES: DID I STUTTER? I'VE SAID WHAT I'VE SAID ABOUT 263 00:15:51,083 --> 00:15:52,685 SIPPING SIPSMITH AND I SHALL NOT BE STRONGARMED INTO A SITUATION 264 00:15:52,751 --> 00:15:54,353 IN WHICH SIPSMITH IS SIPPED SOONER THAN SPECIFIED. 265 00:15:54,420 --> 00:15:56,889 >> SHOOT, SON, SHUT IT AND SIP SOME SIPSMITH. 266 00:15:56,955 --> 00:16:00,826 >> JAMES: WINNIE ? >> SUP? 267 00:16:00,893 --> 00:16:03,495 >> JAMES: SKIP THE SASS ABOUT SIPPING SIPSMITH. 268 00:16:03,562 --> 00:16:04,730 WE'LL SIP SCORES OF SIPSMITH WHEN I SAY SO. 269 00:16:04,797 --> 00:16:08,500 >> SAY SO STAT, SWEETIE. >> JAMES: SWEETIE? 270 00:16:08,567 --> 00:16:11,403 YOU'RE SUGGESTING I SIDELINE MY SCRUPLES TO SIP SIPSMITH? 271 00:16:11,470 --> 00:16:12,838 >> SI SEÑOR. IT'S TIME TO STOP SQUABBLING AND 272 00:16:12,905 --> 00:16:16,842 START SIPPING SIPSMITH. >> SERIOUSLY. 273 00:16:16,909 --> 00:16:19,044 THE SIPSMITH SWAN SEEMS SAD. >> JAMES: SORRY SWAN. 274 00:16:19,111 --> 00:16:20,813 SINCERELY. >> SO.... 275 00:16:20,879 --> 00:16:24,817 >> JAMES: SO, I SEE THE SENSE IN WHAT YOU'RE SAYING. 276 00:16:24,883 --> 00:16:28,821 SEND IN A SIPSMITH EASTERN STANDARD AND LET'S START SIPPING 277 00:16:28,887 --> 00:16:30,889 SOME SCRUMPTIOUS SIPSMITH STAT. >> EVERYONE: SUPER! 278 00:16:55,013 --> 00:16:56,915 ♪ ♪ ♪ ♪ PUFF, THE MAGIC DRAGON 279 00:16:56,982 --> 00:17:03,188 LIVED BY THE SEA ♪ AND FROLICKED IN 280 00:17:03,255 --> 00:17:08,460 THE AUTUMN MIST ♪ IN A LAND CALLED HONALEE 281 00:17:08,527 --> 00:17:15,567 LITTLE JACKIE PAPER ♪ LOVED THAT RASCAL PUFF 282 00:17:15,634 --> 00:17:20,272 AND BROUGHT HIM STRINGS ♪ AND SEALING WAX 283 00:17:20,339 --> 00:17:24,476 AND OTHER FANCY STUFF ♪ OH, PUFF, THE MAGIC DRAGON 284 00:17:24,543 --> 00:17:31,116 LIVED BY THE SEA ♪ AND FROLICKED IN 285 00:17:31,183 --> 00:17:35,921 THE AUTUMN MIST ♪ IN A LAND CALLED HONALEE 286 00:17:35,988 --> 00:17:39,925 PUFF, THE MAGIC DRAGON ♪ LIVED BY THE SEA 287 00:17:39,992 --> 00:17:46,098 AND FROLICKED IN ♪ THE AUTUMN MIST 288 00:17:46,165 --> 00:17:51,904 IN A LAND CALLED HONALEE ♪ TOGETHER THEY WOULD TRAVEL 289 00:17:51,970 --> 00:17:58,076 ON A BOAT WITH BILLOWED SAIL ♪ JACKIE KEPT A LOOK-OUT 290 00:17:58,143 --> 00:18:03,949 PERCHED ON PUFF'S GIGANTIC TAIL ♪ NOBLE KINGS AND PRINCES 291 00:18:04,016 --> 00:18:07,920 WOULD BOW WHENE'ER THEY CAME ♪ PIRATE SHIPS WOULD 292 00:18:07,986 --> 00:18:15,661 LOWER THEIR FLAGS ♪ WHEN PUFF ROARED OUT HIS NAME 293 00:18:15,727 --> 00:18:19,898 OH, PUFF, THE MAGIC DRAGON ♪ LIVED BY THE SEA 294 00:18:19,965 --> 00:18:23,902 AND FROLICKED IN ♪ THE AUTUMN MIST 295 00:18:23,969 --> 00:18:31,844 IN A LAND CALLED HONALEE ♪ PUFF, THE MAGIC DRAGON 296 00:18:31,910 --> 00:18:34,079 LIVED BY THE SEA ♪ AND FROLICKED IN 297 00:18:34,146 --> 00:18:39,918 THE AUTUMN MIST ♪ IN A LAND CALLED HONALEE 298 00:18:39,985 --> 00:18:46,091 A DRAGON LIVES FOREVER ♪ BUT NOT SO, LITTLE BOYS 299 00:18:46,158 --> 00:18:54,600 PAINTED WINGS AND GIANTS' RINGS ♪ MAKE WAY FOR OTHER TOYS 300 00:18:54,666 --> 00:18:59,905 ONE GREY NIGHT IT HAPPENED ♪ JACKIE PAPER CAME NO MORE 301 00:18:59,972 --> 00:19:04,443 AND PUFF, THAT MIGHTY DRAGON ♪ HE CEASED HIS FEARLESS ROAR 302 00:19:04,510 --> 00:19:10,082 OH, PUFF, THE MAGIC DRAGON ♪ LIVED BY THE SEA 303 00:19:10,148 --> 00:19:19,725 AND FROLICKED IN ♪ THE AUTUMN MIST 304 00:19:19,791 --> 00:19:23,896 IN A LAND CALLED HONALEE ♪ PUFF, THE MAGIC DRAGON 305 00:19:23,962 --> 00:19:28,333 LIVED BY THE SEA ♪ AND FROLICKED IN 306 00:19:28,400 --> 00:19:34,740 THE AUTUMN MIST ♪ IN A LAND CALLED HONALEE 307 00:19:34,806 --> 00:19:40,078 ♪ ♪ ♪ ♪ ♪ ♪ 308 00:19:40,145 --> 00:19:41,146 ( CHEERS AND APPLAUSE ) 309 00:19:57,996 --> 00:19:58,931 >> James: WELCOME BACK! LET'S MEET OUR 310 00:19:58,997 --> 00:19:59,932 GUESTS TONIGHT SHE STARS IN, "THE TERMINAL LIST," 311 00:19:59,998 --> 00:20:03,902 CONSTANCE WU! ( CHEERS AND APPLAUSE ) 312 00:20:03,969 --> 00:20:15,347 ( BAND PLAYING ) >> James: NICE TO SEE YOU! 313 00:20:15,414 --> 00:20:16,181 AMAZING! SHE STARS IN "THE AFTERPARTY," 314 00:20:16,248 --> 00:20:18,250 ZOE CHAO! ( CHEERS AND APPLAUSE ) 315 00:20:38,036 --> 00:20:41,640 ( BAND PLAYING ) >> James: THANK YOU FOR BEING 316 00:20:41,707 --> 00:20:44,776 HERE! I'M SO HAPPY YOU'RE HERE. 317 00:20:44,843 --> 00:20:49,114 ZOE, THIS IS YOUR FIRST LATE NIGHT TALK SHOW. 318 00:20:49,181 --> 00:20:50,215 >> YEAH! >> James: HOW ARE YOU FEELING? 319 00:20:50,282 --> 00:20:52,651 ARE YOU OKAY? ARE YOU NERVOUS? 320 00:20:52,718 --> 00:20:53,719 CAN WE GET YOU ANYTHING? >> I'M TERRIFIED. 321 00:20:53,785 --> 00:20:58,256 I ASKED MY 98-YEAR-OLD GRANDFATHER LAST NIGHT, I WAS, 322 00:20:58,323 --> 00:21:02,461 LIKE, GRAND-DAD, I'M GOING TO BE ON TV TOMORROW NIGHT AND I'M 323 00:21:02,527 --> 00:21:04,930 REALLY NERVES. HE SAID, YOU KNOW WHAT, JUST 324 00:21:04,997 --> 00:21:09,768 GIGGLE AT EVERYTHING. >> James: THAT'S NOT BAD 325 00:21:09,835 --> 00:21:11,903 ADVICE, YOU KNOW. >> YOU CAN GET AWAY WITH 326 00:21:11,970 --> 00:21:16,675 ANYTHING IF YOU GIGGLE AT THE END OF IT 327 00:21:16,742 --> 00:21:18,644 ( LAUGHTER ) >> James: 328 00:21:18,710 --> 00:21:24,182 ( GIGGLING ) >> James: ROLL THE CLIP. 329 00:21:24,249 --> 00:21:28,954 HAVE YOUR PATHS CROSSED BEFORE? >> I DON'T KNOW IF ZOE KNOWS 330 00:21:29,021 --> 00:21:33,759 THIS, BUT I'VE AUDITIONED FOR MANY ROLES THAT SHE HAS GOTTEN. 331 00:21:33,825 --> 00:21:35,961 >> James: OH. I DON'T KNOW IF CONSTANCE 332 00:21:36,028 --> 00:21:39,231 KNOWS THIS, BUT I HAVE AUDITIONED FOR MANY ROLES THAT 333 00:21:39,297 --> 00:21:41,533 SHE HAS GOTTEN. >> James: CAN YOU REMEMBER 334 00:21:41,600 --> 00:21:48,540 WHAT SOME OF THE RO ROLES WERE. >> THIS LITTLE INDY CALLED 335 00:21:48,607 --> 00:21:51,510 "CRAZY RICH ASIANS." >> James: YEAH. 336 00:21:51,576 --> 00:21:53,578 I DIDN'T KNOW THAT. T'S CONSTANT. 337 00:22:09,995 --> 00:22:11,930 >> James: YOU ARE BOTH INCREDIBLY TALENTED. 338 00:22:11,997 --> 00:22:14,433 I WOULD LOVE TO SEE YOU IN SOMETHING TOGETHER. 339 00:22:14,499 --> 00:22:19,204 AUDITIONS ARE ALWAYS TRICKY. CONTESTANTS, HAVE YOU EVER HAD A 340 00:22:19,271 --> 00:22:22,340 REALLY TERRIBLE AUDITION? >> IT'S ONE OF MY FIRST BECAUSE 341 00:22:22,407 --> 00:22:25,444 I'VE ALWAYS DREAMED OF BEING ON BROADWAY. 342 00:22:25,510 --> 00:22:33,351 WHEN I WAS IN DRAMA SCHOOL, LIKE 1920, I COULDN'T AUDITION FOR 343 00:22:33,418 --> 00:22:37,022 BROADWAY YESTERDAY BECAUSE I WASN'T IN THE UNION FOR STAGE 344 00:22:37,089 --> 00:22:40,025 PEOPLE. BUT ONE LOOPHOLE, CHILDREN DON'T 345 00:22:40,092 --> 00:22:42,994 EXPECT YOU TO BE EQUITY. >> James: YES. 346 00:22:43,061 --> 00:22:49,401 SO I DECIDE TO AUDITION FOR YOUNG SIMBA IN THE LION KING. 347 00:22:49,468 --> 00:22:55,073 SO I WAS AUDITIONING FOR AN 8-YEAR-OLD ROLE, AND I THOUGHT I 348 00:22:55,140 --> 00:22:58,477 COULD PASS, AND IT WAS THE FIRST AND ONLY AUDITION WHERE I WAS 349 00:22:58,543 --> 00:23:02,681 THE TALLEST PERSON THERE. >> James: WOW... 350 00:23:02,748 --> 00:23:07,552 I APPLAUD YOUR GUMPTION FOR EVEN GOING THROUGH WITH IT. 351 00:23:07,619 --> 00:23:10,188 >> I DID NOT PASS FOR AN EIGHT-YEAR-OLD. 352 00:23:10,255 --> 00:23:13,391 >> James: WHAT ABOUT YOU? SO MANY DOOZIES, BUT ONE 353 00:23:13,458 --> 00:23:19,998 TERRIBLE ONE THAT STICKS OUT IS I WENT OUT FOR A NEW MUSICAL. 354 00:23:20,065 --> 00:23:22,434 THEY SAID PREPARE 16 BARS OF MUSIC. 355 00:23:22,501 --> 00:23:28,473 I WAS, LIKE, GREAT, A CLEAR CHALLENGE, I'M A VIRGO, LOVE AN 356 00:23:28,540 --> 00:23:31,910 ASSIGNMENT, LET'S DO THIS. 16 BARS, I SHOW UP. 357 00:23:31,977 --> 00:23:35,814 12 PEOPLE HAD FLOWN IN FROM NEW YORK, WHICH JUST FELT EXTRA. 358 00:23:35,881 --> 00:23:39,151 I SANG MY 16 BARS, AND NOT A BAR MORE. 359 00:23:39,217 --> 00:23:43,188 I CUT MYSELF OFF IN THE MIDDLE OF A PHRASE. 360 00:23:43,255 --> 00:23:48,794 >> James: OH, WOW! YOU DIDN'T DO MORE THAN 16? 361 00:23:48,860 --> 00:23:56,468 I ACTUALLY DID NOT KNOW WHAT THE 17th BAR WAS SO IT WENT 362 00:23:56,535 --> 00:24:02,874 LIKE,. ♪ BARKING UP THE RA -- ♪ 363 00:24:02,941 --> 00:24:05,577 >> AND THEY WERE, LIKE, THAT'S INTERESTING, COULD WE HEAR THE 364 00:24:05,644 --> 00:24:09,381 REST OF IT? I WAS, LIKE, YOU ASKED ME FOR 16 365 00:24:09,447 --> 00:24:11,950 BARS. IF YOU WANTED THE REST OF IT, I 366 00:24:12,017 --> 00:24:13,351 WOULD HAVE LEARNED THE REST OF THE SONG. 367 00:24:13,418 --> 00:24:15,520 SO I JUST SAID, NO. AND I LEFT. 368 00:24:15,587 --> 00:24:17,222 >> James: LEFT THE STAGE. YEAH. 369 00:24:17,289 --> 00:24:20,592 >> James: YOU'RE, I'M IMAGINING, DIDN'T GET IT. 370 00:24:20,659 --> 00:24:23,395 >> KEEP THEM WANTING MORE. EXACTLY. 371 00:24:23,461 --> 00:24:26,231 AND THAT WAS THE LAST MUSICAL AUDITION I WENT OUT FOR. 372 00:24:26,298 --> 00:24:27,666 >> James: WOW. YEAH. 373 00:24:27,732 --> 00:24:31,303 >> James: NOW, YOU LIVED IN NEW YORK BEFORE YOU SETTLED 374 00:24:31,369 --> 00:24:32,504 HERE. >> MM-HMM. 375 00:24:32,571 --> 00:24:34,639 >> James: IN LOS ANGELES. WHAT WAS IT THAT INITIALLY MADE 376 00:24:34,706 --> 00:24:38,043 YOU DO THAT TRIP TO CALL LOS ANGELES YOUR OWN. 377 00:24:38,109 --> 00:24:43,648 >> I WAS A DIE-HARD NEW YORKER, AND I SORT OF HATED L.A. ON 378 00:24:43,715 --> 00:24:45,984 PRINCIPLE BECAUSE OF THAT. BUT THEN A BOY BROKE MY HEART. 379 00:24:46,051 --> 00:24:48,587 >> James: A BOY IN NEW YORK. YES. 380 00:24:48,653 --> 00:24:51,823 THIS IS WHAT HAPPENS WHEN I GO THROUGH A BREAKUP, I EITHER MOVE 381 00:24:51,890 --> 00:24:55,827 OR I CHANGE MY HAIR. AND YOU COULD TELL HOW BAD THE 382 00:24:55,894 --> 00:24:59,731 BREAKUP WAS BY HOW FAR I MOVED OR HOW NUTS MY HAIR WAS. 383 00:24:59,798 --> 00:25:02,567 SO IT WAS A BAD ONE. >> James: YOU MOVED HERE, AND 384 00:25:02,634 --> 00:25:06,838 WHAT DID YOU DO HAIRWISE? A BUZZ CUT? 385 00:25:06,905 --> 00:25:10,408 >> I DON'T EVEN REMEMBER. I MIGHT HAVE PLUCKED THE WHOLE 386 00:25:10,475 --> 00:25:14,045 THING OUT. >> James: HE BROKE YOUR HEART 387 00:25:14,112 --> 00:25:18,950 AND YOU THOUGHT YOU HAD TO MOVE. >> I HAD TO MOVE TO THE PLACE I 388 00:25:19,017 --> 00:25:21,920 NEVER WANTED TO MOVE BECAUSE THAT'S THE ONLY THING I COULD DO 389 00:25:21,987 --> 00:25:25,690 AT THIS POINT IN MY LIFE. I COULDN'T AFFORD TO MOVE. 390 00:25:25,757 --> 00:25:29,060 I PUT IT ON MAXED-OUT CREDIT CARDS. 391 00:25:29,127 --> 00:25:34,666 >> James: YOU LIVED IN BROOKLYN BUT YOU LIVE HERE. 392 00:25:34,733 --> 00:25:37,402 DO YOU LIKE IT HERE WHEN YOU COME BACK AND VISIT? 393 00:25:37,469 --> 00:25:41,539 WHAT SORT OF OF FEELINGS DO YOU HAVE WHEN YOU COME BACK HERE? 394 00:25:41,606 --> 00:25:45,210 >> WHEN I LIVED HERE FIVE AND A HALF YEARS, IT WAS A DARK TIME. 395 00:25:45,277 --> 00:25:48,880 IT WAS RIGHT AFTER GRAD SCHOOL AND I TOTALED THREE CARS IN THAT 396 00:25:48,947 --> 00:25:50,615 TIME. >> YOU OKAY? 397 00:25:50,682 --> 00:25:53,251 EAH, I WAS FINE. I KEEP DOING THIS. 398 00:25:53,318 --> 00:26:00,992 I WISH I'D STOP DOING THAT. AND I TOTALED TWO PT CRUISERS 399 00:26:01,059 --> 00:26:01,893 AND -- ( APPLAUSE ) 400 00:26:01,960 --> 00:26:05,397 THANK YOU. SOME PT CRUISER FANS WE'VE GOT 401 00:26:05,463 --> 00:26:09,234 HERE. >> James: I THINK REGGIE WAS 402 00:26:09,301 --> 00:26:12,037 APPLAUDING THE TOTALING OF A PT CRUISER BECAUSE IT'S ONE LESS ON 403 00:26:12,103 --> 00:26:14,272 THE ROAD. THAT'S THE THOUGHT, I THINK. 404 00:26:14,339 --> 00:26:18,743 >> SO I TOTALED TWO PT CRUISERS AND A RENTAL CAR TO PICK UP THE 405 00:26:18,810 --> 00:26:22,447 SECOND PT CRUISER. >> James: OH, WOW. 406 00:26:22,514 --> 00:26:24,049 YEAH. SO I WAS CLEARLY NOT LEARNING 407 00:26:24,115 --> 00:26:27,719 THE LESSON, SO I HAD TO MOVE TO NEW YORK WHERE I CANNOT DRIVE. 408 00:26:27,786 --> 00:26:32,223 >> James: AND YOU CERTAINLY WOULDN'T BUY A PT CRUISER IN 409 00:26:32,290 --> 00:26:35,593 BROOKLYN, UNLESS YOU BOUGHT IT IRONICALLY. 410 00:26:35,660 --> 00:26:38,630 >> RIGHT, RIGHT, RIGHT. OR. 411 00:26:38,697 --> 00:26:42,434 >> OR THE THIRD TIME'S A CHARGE. SO MAYBE THE THIRD PT CRUISER 412 00:26:42,500 --> 00:26:45,403 WOULD START FLYING. >> RIGHT. 413 00:26:45,470 --> 00:26:47,605 OR NOT. DON'T MAKE ME... 414 00:26:47,672 --> 00:26:53,411 >> James: CONTESTANTS, WE'VE GOT TO CONGRATULATE YOU ON YOUR 415 00:26:53,478 --> 00:26:55,146 BRILLIANT NEW SHOW "THE TERMINAL LIST." 416 00:26:55,213 --> 00:26:57,248 >> YEAH. >> James: TELL US WHAT IT'S 417 00:26:57,315 --> 00:27:00,719 ABOUT AND WHO YOU PLAY. >> I PLAY A WAR JOURNALIST WHO 418 00:27:00,785 --> 00:27:04,089 IS SORT OF DIGGING FOR THE DIRT UNDER THIS MISSION THAT WENT 419 00:27:04,155 --> 00:27:10,328 WRONG WITH SOME NAVY SEALs, AND CHRIS PRATT PLAYS JAMES 420 00:27:10,395 --> 00:27:17,936 REECE, HE'S LIKE THE HEAD SEAL OF THIS PLATOON -- NO SPOILERS, 421 00:27:18,003 --> 00:27:20,171 BUT SOMETHING HAPPENED TO THEM. >> James: IT WOULD BE A BORING 422 00:27:20,238 --> 00:27:28,246 SHOW IF NOTHING HAPPENED. A SHOW ABOUT A LOT OF NAVY 423 00:27:28,313 --> 00:27:29,848 SEALs JUST CHILLING. >> SOMETHING HAPPENED AND WE'VE 424 00:27:29,914 --> 00:27:31,616 GOT TO FIGURE OUT HOW IT HAPPENED AND WHY. 425 00:27:31,683 --> 00:27:35,587 >> James: I'M A BIG FAN OF CHRIS PRATT'S. 426 00:27:35,653 --> 00:27:39,557 I HE'S ON SET LATER ON IN THE WEEK. 427 00:27:39,624 --> 00:27:46,297 WHAT'S IT LIKE HANGING OUT WITH HIM ON SET. 428 00:27:46,364 --> 00:27:50,168 >> HIS WIFE AND I WERE HAVING BABIES AT THE TIME. 429 00:27:50,235 --> 00:27:57,042 HE WAS GIVING ADVICE ON MILK BECAUSE I'M A LITTLE GIRL BUT I 430 00:27:57,108 --> 00:28:01,312 MADE A LOT. HE SAID, KATHERINE DOES, TOO. 431 00:28:01,379 --> 00:28:04,849 YOU'VE GOT TO GET AN EXTRA FREEZER. 432 00:28:04,916 --> 00:28:10,922 >> James: AN ADDITIONAL FREEZER JUST FOR THE BREAST 433 00:28:10,989 --> 00:28:13,391 MILK? >> YES, AND I HAD IT AND FILLED 434 00:28:13,458 --> 00:28:18,663 IT UP. >> James: NOT JUST A PRETTY 435 00:28:18,730 --> 00:28:19,864 FACE. LET'S TAKE A LOOK AT A CLIP FROM 436 00:28:19,931 --> 00:28:21,466 "THE TERMINAL LIST." ALL EIGHT EPISODES PREMIERE JULY 1ST ON 437 00:28:21,533 --> 00:28:23,535 PRIME VIDEO. 438 00:28:25,470 --> 00:28:32,343 ( PHONE BUZZING ) >> AGENT HOLDER, KATY BURN AT 439 00:28:32,410 --> 00:28:35,246 GOLD STREAM. THE LIAISON'S OFFICE SAID I 440 00:28:35,313 --> 00:28:37,382 COULD MEET YOU HERE. >> NO, THEY DIDN'T. 441 00:28:37,449 --> 00:28:40,919 I SPOKE WITH BRENDA FREEMAN. THEY WOULD HAVE TOLD YOU WE 442 00:28:40,985 --> 00:28:44,222 DON'T ALLOW REPORTERS AT THE CRIME SCENES. 443 00:28:44,289 --> 00:28:49,394 >> HE WAVED A GUN IN MY FACE. YOU WANT A WITNESS STATEMENT, 444 00:28:49,461 --> 00:28:50,462 TELL ME WHAT HAPPENED IN THERE. 445 00:29:03,942 --> 00:29:08,880 >> WHAT HAPPENED IN THERE? I THINK SHE THINKS BRETT, 446 00:29:08,947 --> 00:29:13,351 WHILE WE WERE ALL DISTRACTED WHEN YOU WOKE UP, SHE THINKS 447 00:29:13,418 --> 00:29:14,552 HE -- >> ARE YOU OKAY? 448 00:29:14,619 --> 00:29:18,356 NOT REALLY. I THINK I NEED TO JUST PUT MY 449 00:29:18,423 --> 00:29:24,562 DAUGHTER BACK TO SLEEP. >> DADDY! 450 00:29:24,629 --> 00:29:26,998 I'LL FIND IT IN A SECOND. I LOVE YOU. 451 00:29:27,065 --> 00:29:28,066 >> WHO'S BRETT? I KNEW IT. 452 00:29:28,133 --> 00:29:34,305 REMEMBER I WAS TELLING YOU BEFORE IT HAD TO BE BRETT. 453 00:29:34,372 --> 00:29:36,875 >> TELL ME AGAIN, SHALL WE STAY IN THE ROOM? 454 00:29:36,941 --> 00:29:39,444 >> YEAH. 455 00:29:39,511 --> 00:29:40,578 ( CHEERS AND APPLAUSE ) ( BAND PLAYING ) 456 00:29:40,645 --> 00:29:45,917 >> Reggie: ALL RIGHT, CHECK THIS OUT OVER THERE -- 457 00:29:45,984 --> 00:29:47,118 >> JAMES: THAT WAS A CLIP FROM "THE AFTERPARTY," ALL EPISODES 458 00:29:47,185 --> 00:29:49,888 ARE STREAMING RIGHT NOW ON APPLE TV+. 459 00:29:49,954 --> 00:29:52,790 CONGRATULATIONS ON THE SHOW. YOU ARE SO BRILLIANT IN THE 460 00:29:52,857 --> 00:29:54,526 SHOW. IT'S A GREAT CAST, BUT YOU ARE A 461 00:29:54,592 --> 00:29:58,997 REAL STANDOUT. FOR ANYONE WHO HASN'T CAUGHT IT 462 00:29:59,063 --> 00:30:03,401 YET, TELL US WHAT IT'S ABOUT. >> IT IS A CONTEMPORARY WHO DONE 463 00:30:03,468 --> 00:30:05,937 IT. IT TAKES PLACE AT THE 464 00:30:06,004 --> 00:30:08,640 AFTER-PARTY OF A HIGH SCHOOL REUNION AND SOMEONE IS MURDERED, 465 00:30:08,706 --> 00:30:11,609 AND EACH EPISODE IS IN THE PERSPECTIVE OF A DIFFERENT 466 00:30:11,676 --> 00:30:18,416 CHARACTER, AND IN A DIFFERENT GENRE. 467 00:30:18,483 --> 00:30:24,088 >> DIFFERENT GENRE LIKE WE HAVE A PSYCHOLOGICAL THRILLER, 468 00:30:24,155 --> 00:30:29,160 ROM-COM, ANIMATED EPISODE, MUSICAL -- 469 00:30:29,227 --> 00:30:36,100 > ♪ ANIMATED EPISODE ♪ 470 00:30:36,167 --> 00:30:37,302 >> YEAH. >> James: WHAT ELSE CAN YOU 471 00:30:37,368 --> 00:30:45,109 TELL US ABOUT "THE AFTERPARTY." >> THERE'S A WEDDING, AND 472 00:30:45,176 --> 00:30:48,112 ANOTHER MURDER. >> James: SHUT UP! 473 00:30:48,179 --> 00:30:52,217 THAT'S ALL. >> James: THAT'S IT. 474 00:30:52,283 --> 00:30:54,752 SORT OF LIKE MY SONG. 16 BARS. 475 00:30:54,819 --> 00:30:56,788 I GOT THAT JOKE. I FOLLOWED IT. 476 00:30:56,854 --> 00:30:59,757 I WAS THERE. >> James: I CAN'T WAIT TO SEE 477 00:30:59,824 --> 00:31:03,828 SEASON TWO AND I THINK YAO DESERVE EVERY SINGLE ACCOLADE 478 00:31:03,895 --> 00:31:08,433 YOU HAD FROM SEASON ONE. YOU ARE ABSOLUTELY BRILLIANT. 479 00:31:08,499 --> 00:31:09,567 ( CHEERS AND APPLAUSE ) CONTESTANTS, YOU HAVE JUST 480 00:31:09,634 --> 00:31:13,771 COMPLETED YOUR MEMOIR. WHAT INSPIRED YOU TO WRITE THIS? 481 00:31:13,838 --> 00:31:17,742 WHICH PART OF YOUR LIFE ARE WE FOCUSING ON? 482 00:31:17,809 --> 00:31:21,946 >> ALL THE TIMES I DREAMED OF YOU. 483 00:31:22,013 --> 00:31:26,851 >> James: SO IT'S A PAMPHLET. WHEN YOU SAY "BOOK," YOU MEAN 484 00:31:26,918 --> 00:31:30,855 INGREDIENTS LIST ON THE BACK OF A BOTTLE AND WHEN YOU SAY DREAM 485 00:31:30,922 --> 00:31:35,126 YOU MEAN ( BLEEP ) NIGHTMARE. WHAT MADE YOU WANT TO DO THIS? 486 00:31:35,193 --> 00:31:40,331 >> WELL, YOU KNOW, I FEEL LIKE WITH SOCIAL MEDIA AND INTERNET 487 00:31:40,398 --> 00:31:43,768 CULTURE, WE ONLY OFTEN GET A LITTLE SNIPPET OF PEOPLE'S LIVES 488 00:31:43,835 --> 00:31:46,437 AND MAKE A JUDGMENT BASED ON IT. >> James: SURE. 489 00:31:46,504 --> 00:31:50,441 I THINK AS AN ACTOR WHAT WE LOVE IS REALLY EXPLORING THE 490 00:31:50,508 --> 00:31:54,445 HUMAN EXPERIENCE AND I THINK SNIPPETS OF PEOPLE'S LIVES CAN 491 00:31:54,512 --> 00:31:57,382 BE VERY REDUCTIVE TO WHAT IT MEANS TO BE HUMAN. 492 00:31:57,448 --> 00:32:00,685 SO I WANTED TO TAKE THE OPPORTUNITY TO WRITE SOMETHING 493 00:32:00,752 --> 00:32:04,055 MORE EXPANSIVE, AND, SO, THAT'S -- I DID. 494 00:32:04,122 --> 00:32:05,957 THAT'S WHAT I DID DURING MY PANDEMIC. 495 00:32:06,024 --> 00:32:07,625 >> James: WHAT'S THE BOOK CALLED? 496 00:32:07,692 --> 00:32:11,863 >> MAKING A SCENE. >> James: MAKING A SCENE. 497 00:32:11,929 --> 00:32:16,934 ( CHEERS AND APPLAUSE ) GOOD TITLE, CONSTANCE! 498 00:32:17,001 --> 00:32:19,270 REGGIE, DO YOU HAVE A QUESTION FOR OUR GUESTS? 499 00:32:19,337 --> 00:32:21,939 >> Reggie: YES, I DO. TONIGHT'S QUESTION IS -- 500 00:32:22,006 --> 00:32:23,975 ( DRUM ROLL ) -- OBVIOUSLY, YOU HAD THE 501 00:32:24,042 --> 00:32:28,780 OPPORTUNITY EAT AT A CANTINA OR CAFETERIA AT SOME POINT DURING 502 00:32:28,846 --> 00:32:35,420 YOUR LIVES. WHAT WAS YOUR FAVORITE CAFETERIA 503 00:32:35,486 --> 00:32:37,221 EXPERIENCE? ( LAUGHTER ) 504 00:32:37,288 --> 00:32:39,390 >> OH... UM... 505 00:32:39,457 --> 00:32:43,795 OOOH... WHAT IS THAT PLACE CALLED? 506 00:32:43,861 --> 00:32:48,366 YIELD COUNTRY BUFFET. THAT'S ( BLEEP ). 507 00:32:48,433 --> 00:32:52,470 >> AND I THINK MINE WOULD HAVE TO BE ELEMENTARY SCHOOL -- 508 00:32:52,537 --> 00:32:56,474 MAYBERRY ELEMENTARY SCHOOL IN RICHMOND, VIRGINIA. 509 00:32:56,541 --> 00:32:59,444 THEY GAVE US SPAGHETTI THAT THEY CHOPPED UP. 510 00:32:59,510 --> 00:33:04,048 I LIKED THE CHOPPED SPAGHETTI. THAT WAS A CAFETERIA. 511 00:33:04,115 --> 00:33:06,150 >> James: THOSE ARE THE ANSWERS, REG. 512 00:33:06,217 --> 00:33:09,120 >> Reggie: THAT'S ACTUALLY KIND OF BEYOND CORRECT. 513 00:33:09,187 --> 00:33:16,594 >> James: IT'S BEYOND CORRECT! LADIES AND GENTLEMEN, PLEASE 514 00:33:16,661 --> 00:33:19,530 THANK OUR GUESTS, CONSTANCE WU, ZOE CHAO. 515 00:33:19,597 --> 00:33:21,599 "BRIGHT EYES" IS HERE WHEN WE COME BACK! 516 00:34:01,973 --> 00:34:04,108 ♪ ♪ ♪ ♪ TELL ME WHAT YOU 517 00:34:04,175 --> 00:34:07,912 WANTED TO HEAR ♪ LET ME DO THE RIGHT THING 518 00:34:07,979 --> 00:34:11,883 LET ME DO THE WRONG THING ♪ AND IF IT'S EVER THIS CLEAR 519 00:34:11,949 --> 00:34:16,487 I'LL ONLY SAY IT ONCE ♪ JUST LET ME TURN THE AMPS 520 00:34:16,554 --> 00:34:23,895 WAY UP SO YOU CAN HEAR NOTHING ♪ AND IF I DIE TONIGHT 521 00:34:23,961 --> 00:34:33,571 THEN I GUESS I DIE TONIGHT ♪ LET ME GO ON 522 00:34:33,638 --> 00:34:36,741 ♪ ♪ ♪ ♪ ♪ ♪ 523 00:34:36,808 --> 00:34:43,881 ♪ ♪ ♪ ♪ ♪ 524 00:34:43,948 --> 00:34:48,352 JUST SAY WHAT YOU WANTED TO SAY ♪ I CANNOT STAND THESE TALKS, 525 00:34:48,419 --> 00:34:54,892 DEAR THEY'RE ONLY GETTING ♪ NOWHERE IT'S NEVER RESOLVED 526 00:34:54,959 --> 00:34:59,897 WE ONLY RUN AROUND ♪ YOU ONLY TELL ME 527 00:34:59,964 --> 00:35:05,169 ANYONE COULD BE JUST LIKE ME ♪ IF IT'S A DIFFERENT TIME 528 00:35:05,236 --> 00:35:11,876 AND A DIFFERENT PLACE TO BE ♪ YOU WOULD GO ON 529 00:35:11,943 --> 00:35:14,078 ♪ ♪ ♪ ♪ ♪ ♪ 530 00:35:14,145 --> 00:35:16,781 ♪ ♪ ♪ ♪ ♪ ♪ 531 00:35:16,848 --> 00:35:19,116 ♪ ♪ ♪ ♪ ♪ ♪ 532 00:35:19,183 --> 00:35:20,184 ♪ ♪ ♪ ♪ ♪ ♪ 533 00:35:20,251 --> 00:35:21,652 ♪ ♪ ♪ ♪ ♪ ♪ 534 00:35:21,719 --> 00:35:27,892 ♪ ♪ ♪ ♪ ♪ ♪ 535 00:35:27,959 --> 00:35:29,994 ♪ ♪ ♪ ♪ ♪ ♪ 536 00:35:30,061 --> 00:35:30,561 ♪ ♪ ♪ ♪ ♪ ♪ 537 00:35:30,628 --> 00:35:31,929 ♪ ♪ ♪ ♪ ♪ ♪ 538 00:35:31,996 --> 00:35:35,833 ♪ ♪ ♪ ♪ ♪ ♪ 539 00:35:35,900 --> 00:35:36,667 ♪ ♪ ♪ ♪ ♪ ♪ 540 00:35:36,734 --> 00:35:43,341 ♪ ♪ ♪ ♪ ♪ ♪ 541 00:35:43,407 --> 00:35:43,908 ♪ ♪ ♪ ♪ ♪ ♪ 542 00:35:43,975 --> 00:35:44,976 ♪ ♪ ♪ ♪ ♪ ♪ 543 00:35:45,042 --> 00:35:45,543 ♪ ♪ ♪ ♪ ♪ ♪ 544 00:35:45,610 --> 00:35:46,911 ♪ ♪ ♪ ♪ ♪ ♪ 545 00:35:46,978 --> 00:35:48,946 ♪ ♪ ♪ ♪ ♪ ♪ 546 00:35:49,013 --> 00:35:49,480 ♪ ♪ ♪ ♪ ♪ ♪ 547 00:35:49,547 --> 00:35:57,021 ♪ ♪ ♪ 548 00:35:57,088 --> 00:35:57,588 ♪ ♪ ♪ ♪ ♪ ♪ 549 00:35:57,655 --> 00:36:06,898 ♪ ♪ ♪ ♪ 550 00:36:06,964 --> 00:36:08,933 >> James: LADIES AND GENTLEMEN, WHAT ABOUT THAT! 551 00:36:09,000 --> 00:36:14,071 BRIGHT EYES, EVERYBODY! OH, I LOVE YOU, MAN! 552 00:36:14,138 --> 00:36:15,306 YOU CAN CATCH THEM ON TOUR NOW AND PLAYING AT THE GREEK THEATER 553 00:36:15,373 --> 00:36:16,374 HERE IN LOS ANGELES THIS THURSDAY. 554 00:36:30,988 --> 00:36:33,624 >> James: THANK YOU SO MUCH FOR WATCHING! 555 00:36:33,691 --> 00:36:36,093 TOMORROW NIGHT: CHRIS PRATT, TAYLOR KITSCH, AND MUSIC FROM 556 00:36:36,160 --> 00:36:40,932 JAMES BAY. PLUS LA LAURA DERN WILL TEACH US 557 00:36:40,998 --> 00:36:41,999 HOW TO MAKE A PERFECT QUICHE. REGGIE, TAKE US HOME.