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00:00:02,001 --> 00:00:06,940
♪ ARE YOU READY, Y'ALL
TO HAVE SOME FUN

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00:00:07,006 --> 00:00:09,943
♪ ON THE SHOW TONIGHT
DON'T YOU WORRY, BABY

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00:00:10,009 --> 00:00:14,948
♪ WHERE YOU COME FROM
IT'LL BE ALL RIGHT

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♪ IT'S "THE LATE LATE SHOW!"
♪ ♪ ♪

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>> Reggie: LADIES AND GENTLEMEN,
ALL THE WAY FROM...

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WAY FROM THE HACIENDA-- GIVE DUP
FOR YOUR HOST, THE ONE, THE ONLY

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00:00:26,526 --> 00:00:33,967
JAMES CORDEN!
(CHEERS AND APPLAUSE).

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00:00:34,033 --> 00:00:38,538
>> James: HOW ARE YOU?
THANK YOU SO MUCH.

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00:00:38,605 --> 00:00:42,142
APPRECIATE YOU BEING HERE.
THANK YOU, EVERYBODY.

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00:00:42,208 --> 00:00:47,247
THANK YOU, SO GOOD TO SEE YOU.
THANK YOU VERY, VERY MUCH.

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GOOD EVENING LADIES AND
GENTLEMEN, WELCOME TO. "THE LATE

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00:00:50,049 --> 00:00:52,819
LATE SHOW."
BLESS YOU FOR STAYING UP, FOR

13
00:00:52,886 --> 00:00:55,555
COMING OUT TO SEE US.
LET'S LOOK TO SEE WHO OUR GUESTS

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ARE, IS HE ONE THE BIGGEST MOVIE
STARS ON PLAN ELEVATOR EARTH YOU

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KNOW FROM GUARDIANS OF THE
GALAXY, JURASSIC PARK AND SO

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00:01:04,998 --> 00:01:07,400
MUCH MORE
MOVIES, AND SO MUCH MORE, THE

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ABSOLUTELY CHARMING, THE ONE AND
ONLY, CHRIS PRATT.

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THERE HE IS.
HOW ARE YOU, CHRIS.

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>> I'M DOING WELL, HOW ARE YOU,
MR. COVEREDEN.

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>> James: I'M VERY WELL, I'M
UNBELIEVABLY THRILLED TO SEE

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YOU.
>> OH, WELL I'M VERY THRILLED TO

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BE HERE AGAIN AND REALLY EXCITED
TO SEE YOUR AUDIENCE, THEY SOUND

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LIKE THEY'RE HAVING A LOT OF FUN
TONIGHT.

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(CHEERS AND APPLAUSE).
>> James: WOW.

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LOOK AT THAT.
LOOK AT THAT.

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THAT'S WHEN YOU KNOW, THAT'S
WHEN YOU KNOW YOU HAVE CROSSED

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INTO LIKE GENUINE MOVIE STAR.
GENUINE A LIST MOVIE STAR WHEN

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YOU KNOW OPEN THE DOOR, THANK,
THE AUDIENCE, THEY'RE GOING TO

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LOVE YOU LATER, AND HE DOES,
>> James: CHRIS PRATT,

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EVERYBODY!
HE'S A TALENTED ACTOR YOU KNOW

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FROM "FRIDAY NIGHT LIGHTS,"
"WACO" AND "LONE SURVIVOR," THE

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-- HAND SORNLINGS WERE YOU EXCID
THEN, DID YOU, THIS YOU WENT

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LIKE THIS.
YOU WERE LIKE-- YAY.

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WHO IS IT, WHO IS IT SO YOU ARE
SO EXCITED TO SEE.

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>> KIM, KIM TAYE LORE KITSCH.
>>, NO, HE IS NOT ON THE SHOW.

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>> YES, IS HE.
>> James: HE IS NOT, HE WAS

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CHANGED ON THE LISTING, HE
PULLED OUT A WEEK AGO.

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>> NO.
>> James: HONESTLY, I'M SO SOR

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EYE, TAYLOR KITSCH IS HERE
TONIGHT.

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THERE HE IS, HOWE ARE YOU,
TAYLOR?

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>> VERY, VERY GOOD, I JUST WANT
TO SAY I'M EXCITED TO SEE THE

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AUDIENCE.
(CHEERS AND APPLAUSE).

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>> James: HEY, TAYLOR, THERE
ARE SOME PEOPLE HERE VERY

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EXCITED TO SEE YOU, TELL THAT
YOU RIGHT NOW.

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>> LET'S GO.
>> James: OKAY, THAT FEELS

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WEIRD BUT GOOD, TAYLOR KITSCH
EVERYBODY.

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AND HE'S A
GRAMMY-NOMINATED AND

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MULTI-PLATINUM SELLING
SINGER-SONGWRITER AND MUSICIAN

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HAILING FROM THE U.K, HIS THIRD
STUDIO ALBUM LEAP IS OUT JULY

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8TH.
WE ADORE HIM HERE AT

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"THE LATE LATE SHOW," THE
DASHING, THE ONE, THE ONLY,

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JAMES BAY IS ON THE SHOW TONIGHT
>> THERE HE IS.

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HOW ARE YOU, JAMES.
>> I'M VERY GOOD, THANK YOU SO

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MUCH FOR HAVING ME BACK.
>> James: WE'RE SO THRILLED TO

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SIGH, CAN I BE HONEST, I'M SO
THRILL TO YOU HAVE BACK.

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>> THANK YOU VERY MUCH.
>> James: WE LOST YOU FOR

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AWHILE, THE HAIR WENT, YOU WENT
SHORT.

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>> MIX IT UP.
>> James: BUT NOW WE'RE BACK

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WITH THE HAT, WE'VE GOT THE
HAIR, THAT'S THE BAY I LIKE T IS

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THE BAY I WANT.
>> SO APPRECIATE IT.

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>> James: JAMES BAY,
EVERYBODY.

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REGGIE, ARE YOU READY?
THEN LET'S THIS IS THE LATE LATE

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SHOW, ROLL THE TITLES.
♪

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♪ ♪ ♪

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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW, WOO!

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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW OH-OH!

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♪ IT'S THE LATE, LATE SHOW ♪
♪ ♪ ♪

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>> James: IT CERTAINLY IS.
IT CERTAINLY IS.

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HEY LOOK AT ME.
HAVING A LITTLE-- HAVING A

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BEVERAGE.
I'M HAVING A BEVERAGE, THE START

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OF SUMMER GUYS.
>> YEAH.

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>> James: HEY, BOTH OUR GUESTS
TONIGHT ARE IN "THE TERMINAL

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LIST," A SHOW ABOUT A PLATOON OF
NAVY SEALS.

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DO YOU THINK YOU COULD BE A NAVY
SEAL, COULD YOU DO IT?

75
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>> Reggie: YES.
>> James: REALLY?

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00:04:30,770 --> 00:04:35,608
>> Reggie: YES.
>> James: WHAT ABOUT YOU,

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KARM, COULD YOU DO T NAVY SEAL.
>> TO MAKE SURE THE POSTMATES

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ARRIVE AT THE BASE.
>> James: THAT IS EXACTLY WHAT

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00:04:42,415 --> 00:04:44,751
I WAS GOING TO SAIRKS I THINK WE
COULDN'T BE NAVY SEALS BUT WE

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00:04:44,817 --> 00:04:46,953
COULD COOK FOR NAVY SEALS.
>> WE COULD HANG IN THERE.

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>> James: AND WITHOUT US
THEY'RE FINISHED, NOTHING.

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>> RIGHT, WE KNOW THEY HAVE A
CARB LOAD, THEY HAVE A MISSION,

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00:04:55,461 --> 00:04:59,399
OFF THE NEXT DAY, COMING BACK.
>> James: GREAT BANTER WITH EM

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00:04:59,465 --> 00:05:01,434
THIS, FLIPPING EGGS NO ONE MADE
THAT SHOW.

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NO ONE MADE THE SHOW ABOUT THE
CHEF WHO COOKED FOR NAVY SEALS.

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00:05:06,272 --> 00:05:07,707
>> YEAH.
>> WE HAVE PRATT HERE, I SAY WE

87
00:05:07,774 --> 00:05:09,575
PITCH IT TO HIM.
>> James: I THINK PRATT IS

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00:05:09,642 --> 00:05:12,445
ALREADY IN, KITSCH IS THE
PROBLEM.

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00:05:12,512 --> 00:05:17,784
WE'LL WIN HIM AROUND.
WE COULD SIT AND CHAT LIKE THIS

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00:05:17,850 --> 00:05:22,321
ALL DAY, WE REALLY COULD BUT OUR
SACRED DUTY IS

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CALLING US.
THAT'S RIGHT, IT'S TIME FOR,

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THE NEWS.
TODAY, PRESIDENT BIDEN CALLED ON

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CONGRESS FOR A THREE-MONTH
SUSPENSION OF THE FEDERAL GAS

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TAX.
THIS SO-CALLED GAS TAX HOLIDAY

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WOULD POTENTIALLY CUT 18 CENTS
PER GALLON DURING THE BUSIEST

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TRAVEL MONTHS.
IF THIS DOESN'T WORK, BIDEN'S

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NEXT PLAN IS TO JUST LET
EVERYTHING KIND OF SUCK UNTIL

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THE END OF HIS PRESIDENCY.
A GAS TAX HOLIDAY.

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GAS TAX HOLIDAY SOUNDS LIKE WHAT
REPUBLICANS CELEBRATE INSTEAD OF

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00:05:50,817 --> 00:05:57,290
EARTH DAY.
JOE BIDEN REALLY IS LIKE A

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GRANDFATHER.
HE LITERALLY WANTS TO HAND THE

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00:06:01,027 --> 00:06:04,430
AMERICAN PEOPLE LESS THAN A
QUARTER AND BE LIKE, DON'T SPEND

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IT ALL IN ONE PLACE.
AND WE'RE TAKING THIS SHOW TO

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LONDON NEXT WEEK, SO THIS STORY
CAUGHT OUR EYE.

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80% OF BRITAIN'S USUAL TRAIN
LINES HAVE SHUT DOWN AS A RESULT

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OF THE BIGGEST STRIKE BY RAILWAY
WORKERS IN THIRTY YEARS.

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LUCKILY, AS A BACKUP, BRITISH
PEOPLE CAN ALWAYS TRAVEL BY

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UMBRELLA.
WE DON'T LIKE TO BUT WE CAN.

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YOU KNOW EVERYONE'S JUST GOING
TO USE THIS AS AN EXCUSE.

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I CAN'T GET HOME, THE TRAINS
AREN'T WORKING.

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I'M GOING TO HAVE TO STAY HERE
AT THE PUB UNTIL THIS WHOLE

112
00:06:38,397 --> 00:06:43,002
THING BLOWS OVER.
TRAIN WORKERS ARE STAYING HOME,

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WITH NOTHING TO DO, FOR DAYS ON
END.

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YOU COULD SAY THEY'RE,
'ALL-BORED.'

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EXACTLY, THAT WAS EXACTLY THE
LAUGH IT DESERVED.

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SORT OF HALF LAUGH, AND
HALF-- YOU LAUGH AND YOU GO

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00:07:08,928 --> 00:07:14,300
WELL, THANK GOD I DIDN'T HAVE TO
SAY THAT OUT LOUD.

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YOU KNOW WHO ISN'T WORRIED ABOUT
GETTING AROUND LONDON WITHOUT

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TRAINS?
PRIME MINISTER BORIS JOHNSON.

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AND FINALLY, WE HAVE ANOTHER
WORLD RECORD TO TELL YOU ABOUT.

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A MAN IN IDAHO HAS SET A NEW
RECORD BY GETTING 59

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MARSHMALLOWS CATAPULTED INTO HIS
MOUTH IN ONE MINUTE.

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LOOK AT THIS, 59 MARSHMALLOWS IN
A MINUTE I LOVE IT.

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CAN YOU BELIEVE THAT.
I FEEL LIKE IF THAT HAD HAPPENED

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DURING LOCKDOWN WE WOULD ALL BE
LIKE THAT IS IMPRESSIVE.

126
00:08:06,385 --> 00:08:18,297
BUT NOW OUT OF LOCKDOWN ARE YOU
LIKE GEEZ, WHAT ARE YOU DOING?

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I EARNESTLY DON'T SEE MUCH
DIFFERENCE BETWEEN THIS AND WHAT

128
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STEPHEN CURRY JUST DID IN THE
FINALS.

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EQUALLY IMPRESSIVE TO ME.
THIS IS TRUE, THE MAN GOT SOME

130
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HELP FROM HIS BROTHER-IN-LAW,
WHO WAS IN TOWN FOR FATHER'S DAY

131
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WEEKEND.
CAN YOU IMAGINE THAT

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CONVERSATION WITH HIS WIFE?
HONEY, ME AND YOUR BROTHER ARE

133
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GONNA GO DOWN TO THE BASEMENT
AND HAVE A LITTLE FUN.

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00:08:39,252 --> 00:08:49,929
HAVE YOU GOT THOSE GO PROS, I
JUST HAVE TO LOOSEN MY JAW.

135
00:08:49,996 --> 00:08:52,031
ARE IMPRESSED BY THAT, 59 IN A
MINUTE.

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00:08:52,098 --> 00:08:53,299
>> YEAH, ABSOLUTELY.
>> James: YEAH.

137
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>> THAT IS LIKE ONE A SECOND.
>> James: DO YOU THINK ME AND

138
00:08:55,434 --> 00:09:00,139
YOU COULD BEAT THAT?
IF WE HAD THE TRUE-- NOT NOW,

139
00:09:00,206 --> 00:09:08,648
NOT NOW BUT LIKE DO YOU THINK WE
COULD BEAT THAT, BECAUSE WE HAVE

140
00:09:08,714 --> 00:09:11,284
PREVIEW OF KARM CATCHING THAT
SHRIMP, ONE OF MY FAVORITE.

141
00:09:11,350 --> 00:09:19,358
>> YOU WANT A SHRIMP.
OH MY GOD.

142
00:09:19,425 --> 00:09:24,664
COME ON!
>> James: UNBELIEVABLE.

143
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>> YEAH, WE'RE THE TOM BRADY AN
GRONK OF SHRIMP.

144
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>> James: YOU 100%, YOU ARE
ABSOLUTELY RIGHT.

145
00:09:29,235 --> 00:09:30,636
DO YOU WANT TO TRY ONE.
>> YEAH.

146
00:09:30,703 --> 00:09:33,706
>> James: DO YOU THINK YOU CAN
CATCH THIS, OKAY.

147
00:09:33,773 --> 00:09:38,311
NOW I HAVE NEVER USED THIS
BEFORE I'M WORRIED ABOUT THOSE

148
00:09:38,377 --> 00:09:40,246
LAMP SHADES.
>> SHOULD I GET DOWN.

149
00:09:40,313 --> 00:09:42,448
>> James: NO, YOU'RE GOOD, YOU
READY?

150
00:09:42,515 --> 00:09:44,417
>> I'M READY.
>> James: TELL ME WHERE YOU

151
00:09:44,483 --> 00:09:48,454
WANT IT?
>> IN THE MOUTH.

152
00:09:48,521 --> 00:09:51,490
>> James: NO, I MEAN-- THE
TRAJECTORY, THE TRAJECTORY.

153
00:09:51,557 --> 00:09:54,293
>> ARCING INTO MY MOUTH.
>> James: OKAY.

154
00:09:54,360 --> 00:10:07,540
COMING AT YOU.
I THINK IT'S THE THROW.

155
00:10:07,606 --> 00:10:12,611
CAN SET CHRIS PRATT.
I CAN'T-- THIS IS BETTER.

156
00:10:12,678 --> 00:10:16,415
>> JUST THROW IT.
>> James: I CAN'T GET THE

157
00:10:16,482 --> 00:10:19,018
LINE.
>> OH!

158
00:10:19,085 --> 00:10:22,455
COME ON.
BE THE MARSHMALLOW.

159
00:10:22,521 --> 00:10:26,325
>> OKAY.
>> James: BE THE MARSH MALLOW.

160
00:10:26,392 --> 00:10:34,300
>> OKAY.
OH SCOM ON, YOU GOT THIS, TOM,

161
00:10:34,367 --> 00:10:40,373
YOU GOT THIS.
AND THAT-- THAT IS THE NEWS!

162
00:10:40,439 --> 00:10:42,441
WE'LL BE RIGHT BACK WITH MORE ON
THE LATE LATE SHOW, EVERYBODY.

163
00:11:03,996 --> 00:11:06,932
>> James: WELCOME BACK!
WE'RE HERE WITH THE ONE, THE

164
00:11:06,999 --> 00:11:07,933
ONLY, CHRIS PRATT AND WE'RE
READY TO PLAY,

165
00:11:08,000 --> 00:11:19,945
"WHERE'S YOUR TED AT?"
S" WHERE A YOUR TED AT.

166
00:11:20,012 --> 00:11:23,182
NOW, WE'RE ALL FAMILIAR WITH TED
TALKS, BUT WHAT ABOUT A TED TALK

167
00:11:23,249 --> 00:11:29,055
WHERE THE PRESENTER HAS DONE
ZERO RESEARCH, SPENT ZERO HOURS

168
00:11:29,121 --> 00:11:33,059
REHEARSING, AND HAS ZERO IDEA
WHAT THE TOPIC IS GOING TO BE?

169
00:11:33,125 --> 00:11:37,063
IN THIS GAME, CHRIS, REGGIE, AND
I WILL BE GIVING 100% IMPROVISED

170
00:11:37,129 --> 00:11:41,367
TED TALKS ON TOPICS WE HAVE
NEVER HEARD BEFORE.

171
00:11:41,434 --> 00:11:45,071
OUR ONLY AID WILL BE THIS
CLICKER, USED TO NAVIGATE

172
00:11:45,137 --> 00:11:49,041
THROUGH A POWER POINT
PRESENTATION WE HAVE NEVER, EVER

173
00:11:49,108 --> 00:11:53,045
SEEN.
REGGIE AND CHRIS, ARE YOU READY?

174
00:11:53,112 --> 00:11:58,184
OK.
>> NO.

175
00:11:58,250 --> 00:12:02,521
>> James: REGGIE IS THE ONLY
PERSON WHO ACTUALLY EVER HAVE

176
00:12:02,588 --> 00:12:06,392
DONE A TED KAWK TALK, WE'LL
START WITH YOU.

177
00:12:06,459 --> 00:12:09,061
>> Reggie: HI I'M REGGIE WATTS
AND TODAY I WILL BE TALKING

178
00:12:09,128 --> 00:12:14,133
ABOUT...
HOW TO TELL YOUR LOVED ONES

179
00:12:14,200 --> 00:12:19,538
YOU'VE PLANNED TO BE MUM FIED.
MUM IF I KAITION HAS BEEN AROUND

180
00:12:19,605 --> 00:12:25,744
FOR CENTURIES AS WE ALL KNOW THE
GREEKS, THE SARDOS A, IN AND

181
00:12:25,811 --> 00:12:34,220
GRAPH LUCK HAVE BEEN WELL
TRAINED AND IN THEIR

182
00:12:34,286 --> 00:12:35,421
MUMFIFICATION.
DON'T FORGET THE HE GIP

183
00:12:35,488 --> 00:12:38,691
SHARNTION INFLATION HAD A LOT TO
DO, WHEN ARE YOU MUM FYING

184
00:12:38,757 --> 00:12:41,060
PEOPLE THERE IS ALOT OF EXPENSE
THAT GOES INTO IT, SO SOME

185
00:12:41,127 --> 00:12:47,166
PEOPLE SKIMPED ON THEIR
MUMIFICATION PRACTICES LIKE LESS

186
00:12:47,233 --> 00:12:49,902
BANDAGES, ONLY BANDAGES ON ONE
SIDE BECAUSE THEY ARE LAYING

187
00:12:49,969 --> 00:12:51,937
DOWN, ARE YOU NEVER GOING TO SEE
THE BACK SIDE.

188
00:12:52,004 --> 00:12:57,042
SO LET ME SEE THAP, COME ON.
NOW THE REASON WHY WE BRING UP

189
00:12:57,109 --> 00:13:00,880
THIS MEME I GUESS IT IS A MEME
OF SORTS IS BECAUSE IT DISTRACTS

190
00:13:00,946 --> 00:13:06,952
FROM THE FACT THAT MUMIFICATION
IS SCARY AND WHETHER YOU OR A

191
00:13:07,019 --> 00:13:12,525
LOVED ONE IS INTO MUMIFICATION
WE HAVE TO DEAL WITH THAT FEAR

192
00:13:12,591 --> 00:13:14,026
SO JUST A LITTLE DISTRACTION
THERE FOUR.

193
00:13:14,093 --> 00:13:20,799
AS YOU CAN SEE, THE TEMPERATURES
IN THE UNITED STATES ARE

194
00:13:20,866 --> 00:13:23,169
CONSTANT-- CONSTANTSLY FLUBBING
YAITING RED MEANING FAVORABLE

195
00:13:23,235 --> 00:13:29,041
AND GREEN MEANING NOT SO GREATS.
SO HOW DOES THAT EFFECT MUMMIVE

196
00:13:29,108 --> 00:13:31,644
KAITION, WE SEE HIGHER IN THE
RED AREAS, THESE ARE PEOPLE

197
00:13:31,710 --> 00:13:37,049
REALLY IN IT, THE GREEN KNOT SO
MUCH AND BLUT WE DON'T TALK

198
00:13:37,116 --> 00:13:43,122
ABOUT.
SO IN CONCLUSION, IF YOU DON'T

199
00:13:43,189 --> 00:13:46,825
HAVE A ROCKET AND YOU DON'T HAVE
A TURTLE, DON'T BOTHER MIXING

200
00:13:46,892 --> 00:13:52,364
THE TWO BECAUSE SPEED AND
SLOWNESS HAVE EVERYTHING TO DO

201
00:13:52,431 --> 00:13:55,301
WITH MUMIFICATION.
YOU HAVE TO TAKE YOUR TIME WHEN

202
00:13:55,367 --> 00:14:01,140
TAKING A BRAIN OUT OF YOUR NOSE.
THIS IS THE BASIC PRINCIPLE OF

203
00:14:01,207 --> 00:14:04,577
MUMIFICATION.
DON'T GO TOO FAST, DON'T GO TO

204
00:14:04,643 --> 00:14:08,314
SLOW, JUST RIGHT, LIKE THE
SWEDISH SAY, NOT TOO MUCH, NOT

205
00:14:08,380 --> 00:14:09,381
TOO LITTLE, THANK YOU I'M REGGIE
WATTS.

206
00:14:09,448 --> 00:14:15,154
>> James: OH MY GOSH, OH MY
WORD, REGGIE, THAT WAS

207
00:14:15,221 --> 00:14:16,755
UNBELIEVABLE.
THAT WAG UNBLEEFABLE.

208
00:14:16,822 --> 00:14:27,233
NEXT UP IS MR. CHRIS PRATT.
CHRIS, GET IN THERE.

209
00:14:27,299 --> 00:14:29,068
>> HELLO, EVERYBODY, THANK YOU
FOR BEING HERE, I'M CHRIS PRATT.

210
00:14:29,134 --> 00:14:41,046
TODAY I WILL BE TALKING ABOUT
HOW TO LIE ABOUT HAVING-- AS YOU

211
00:14:41,113 --> 00:14:44,250
KNOW SEEN CITIZEN KANE, AS YOU
KNOW IT IS ONE OF THE GREATEST

212
00:14:44,316 --> 00:14:47,453
FILMS IN CINEMATIC HISTORY.
YOU WHAT DON'T KNOW THAT BECAUSE

213
00:14:47,519 --> 00:14:52,992
YOU'VE SEEN T RIGHT.
YOU KNOW THAT BECAUSE YOU HAVE A

214
00:14:53,058 --> 00:14:55,761
PRETENTIOUS NEPHEW WHO WENT TO
FILM SCHOOL AND HE WON'T STOP

215
00:14:55,828 --> 00:15:02,901
TALKING ABOUT IT.
WE DON'T HAVE TIME TO WATCH OLD

216
00:15:02,968 --> 00:15:06,839
BLACK AND WHITE MOVIES, WE
HARDLY HAVE TIME, JUST ENOUGH

217
00:15:06,905 --> 00:15:10,376
TIME TO WATCH THE THINGS WE
REALLY WANT TO SEE LIKE JURASSIC

218
00:15:10,442 --> 00:15:13,045
WORLD DOMINION WHICH IS IN
THEATERS NOW.

219
00:15:13,112 --> 00:15:17,049
OR THE TERMINAL LIST WHICH IS
PREMIERING ON PRIME VIDEO JULY

220
00:15:17,116 --> 00:15:21,053
1ST.
LOOK, I'M FROM HOLLYWOOD, THE

221
00:15:21,120 --> 00:15:27,293
TRUTH DOESN'T MATTER, WHAT
MATTERS IS IMAGE.

222
00:15:27,359 --> 00:15:32,131
AND LET'S BE HONEST, WHOEVER IS
BEING GIFTED THIS SHIRT IS NOT

223
00:15:32,197 --> 00:15:40,606
THE WORLD'S HORNIEST DAD.
HE IS THE GUY NAMED DARRYL,

224
00:15:40,673 --> 00:15:42,808
PROBABLY.
WHAT HAS GOT FOUR KIDS, HAS BEEN

225
00:15:42,875 --> 00:15:47,179
MARRIED 30 YEARS AND HASN'T
WOKEN UP WITH AN ERECTION IN TEN

226
00:15:47,246 --> 00:15:50,516
YEARS BUT THAT'S NOT GOING TO
STOP HIM FROM WEARING THE SHIRT

227
00:15:50,582 --> 00:15:56,055
AND CONVINCING PEOPLE THAT HE
HAS SEEN, THAT HE IS THE WORLD'S

228
00:15:56,121 --> 00:15:59,158
HORNIEST DAD AND YOU CAN
CONVINCE PEOPLE THAT YOU HAVE

229
00:15:59,224 --> 00:16:03,362
SEEN CITIZEN KANE.
AND THAT IS THE BECAUSE YOU HAVE

230
00:16:03,429 --> 00:16:04,930
WHATEVER EVERYBODY NEEDS WHEN
THEY FACE REJECTION, WHEN YOU

231
00:16:04,997 --> 00:16:09,068
SEE THAT NEPHEW FROM FILM SCHOOL
SAYING SO REALLY, WHAT DOES

232
00:16:09,134 --> 00:16:14,073
ROSEBUD MEAN.
YOU HAVE FOUND-- YOU SAY AND

233
00:16:14,139 --> 00:16:23,182
HEAR ME, MEMORIZE THIS, IT WAS A
SLED.

234
00:16:23,248 --> 00:16:28,587
(APPLAUSE)
JUST, JUST BE PRESENT WITH

235
00:16:28,654 --> 00:16:37,029
CONFIDENCE, GIVE THEM THAT BIG
[BLEEP] ENERGY OF COURSE YOU'VE

236
00:16:37,096 --> 00:16:41,066
SEEN CITIZEN KANE F YOU HADN'T
SEEN CITIZEN KANE, HOW DID YOU

237
00:16:41,133 --> 00:16:49,074
END UP WITH HER, RIGHT?
IN CONCLUSION, THE STORY OF

238
00:16:49,141 --> 00:16:54,146
CITIZEN KANE IS ABOUT A
NEWSPAPER MAGAZINE NATE WHO YOU

239
00:16:54,213 --> 00:16:57,916
KNOW, DEDICATES HIS ENTIRE LIFE
TO BUILDING AN EMPIRE BUT ON HIS

240
00:16:57,983 --> 00:17:01,620
DEATH BED WANTS NOTHING BUT A
PIECE OF HIS CHILDHOOD, THAT

241
00:17:01,687 --> 00:17:06,825
SAUL YOU NEED TO KNOW SO I JUST
SAVED YOU TWO AND A HALF HOURS.

242
00:17:06,892 --> 00:17:11,163
BE LIKE THIS WOMAN.
HAVE NO REGRETS SHORTLY BEFORE

243
00:17:11,230 --> 00:17:17,870
YOU DIE.
SHE WAS IN THE FILM CITIZEN

244
00:17:17,936 --> 00:17:21,073
KANE.
I'VE BEEN CHRIS PRATT, REMEMBER

245
00:17:21,140 --> 00:17:26,078
CITIZEN KANE IT'S ALMOST AS GOOD
AS CASABLANCA.

246
00:17:26,145 --> 00:17:33,619
OR SO I'VE BEEN TOLD.
>> James: CHRIS PRATT,

247
00:17:33,685 --> 00:17:35,187
EVERYBODY.
AN INCREDIBLE EFFORT.

248
00:17:35,254 --> 00:17:39,558
ALL RIGHT.
OKAY.

249
00:17:39,625 --> 00:17:41,059
OKAY.
HELLO, I'M JAMES CORDEN AND

250
00:17:41,126 --> 00:17:53,071
TODAY I WILL BE TALKING ABOUT
WHEN IS THE RIGHT TIME TO TATTOO

251
00:17:53,138 --> 00:18:05,050
YOUR CHILD.
IT'S A QUESTION WE ALWAYS ASK.

252
00:18:05,117 --> 00:18:12,791
WHEN, NOT IF, WHEN, WHEN IS THE
RIGHT TIME TO TATTOO YOUR CHILD.

253
00:18:12,858 --> 00:18:21,066
AND BY THE END OF THIS HEAD TALK
YOU'RE GOING TO KNOW.

254
00:18:21,133 --> 00:18:28,273
THAT IS THE TATTOO ON THE BACK
OF MY 11 YEAR OLD SON.

255
00:18:28,340 --> 00:18:30,008
OKAY.
NOW I KNOW YOU'RE THINKS WHY,

256
00:18:30,075 --> 00:18:34,379
WHY, WHY THAT TATTOO.
AND I WILL TELL YOU WHY, IT IS

257
00:18:34,446 --> 00:18:38,350
BECAUSE THIS ASK HOW BIG THE
TATTOO SHOULD BE ON YOUR CHILD,

258
00:18:38,417 --> 00:18:40,486
OKAY.
NOT AN INCH SMALLER, YOU

259
00:18:40,552 --> 00:18:44,957
KNOWMENT PEOPLE SAY WHEN IS THE
RIGHT TIME, I SAY YESTERDAY.

260
00:18:45,023 --> 00:18:52,731
AND IF YOU MISSED IT, THEN IT'S
RIGHT NOW.

261
00:18:52,798 --> 00:18:58,337
WHAT HAVE WE GOT LEER?
BIG CAT.

262
00:18:58,403 --> 00:19:01,073
BIG CAT.
MAN EATER.

263
00:19:01,139 --> 00:19:09,047
AND LOOK AT THIS MAN.
GOOD, COMPLETELY, UNAFRAID.

264
00:19:09,114 --> 00:19:11,183
MOTIONLESS.
YOU KNOW WHY?

265
00:19:11,250 --> 00:19:18,857
TATTOOED AS A BABY.
AND WHEN THAT HAPPENS, WHEN THAT

266
00:19:18,924 --> 00:19:23,262
HAPPENS, YOU FEAR NOTHING.
THE TRAUMA OF THAT TATTOO WILL

267
00:19:23,328 --> 00:19:31,036
LET YOU PHASE EVERY HURDLE IN
YOUR LIFE.

268
00:19:31,103 --> 00:19:35,173
AND WHY AREN'T MORE PEOPLE DOING
IT?

269
00:19:35,240 --> 00:19:38,710
THAT'S WHY.
CORPORATE GREED.

270
00:19:38,777 --> 00:19:44,349
A TATTOO LASTS FOREVER.
AN XBOX BREAKS.

271
00:19:44,416 --> 00:19:48,954
A PLACE STATION BREAKS.
EVERY SINGLE TOY YOU BUY YOUR

272
00:19:49,021 --> 00:19:52,724
CHILD THEY WILL GROW OUT OF AND
CORPORATE GREED WANTS TO YOU

273
00:19:52,791 --> 00:19:56,295
KEEP BUYING THEM TOYS, KEEP
BUYING THEM STUFF WHEN THEY KNOW

274
00:19:56,361 --> 00:20:08,240
DEEP DOWN THE BEST GIFT YOU CAN
GIVE A CHILD IS A NECK STA TOO,

275
00:20:08,307 --> 00:20:13,045
OKAY?
IN CONCLUSION, OKAY, IN

276
00:20:13,111 --> 00:20:27,993
CONCLUSION, AS A FAMOUS SAYING,
THERE A A FAMOUS SAYING THAT

277
00:20:28,060 --> 00:20:29,227
CONCLUSION, AS A FAMOUS SAYING,
THERE A A FAMOUS SAYING THAT

278
00:20:29,294 --> 00:20:34,900
SAYS, IF YOU DON'T TATTOO YOUR
CHILD, YOU MIGHT AS WELL SPEND

279
00:20:34,967 --> 00:20:39,171
THE REST OF YOUR LIFE KISSING A
FISH, I'M JAMES CORDEN, TATTOO

280
00:20:39,237 --> 00:20:44,042
YOUR BABIES.
THANK YOU VERY MUCH.

281
00:20:44,109 --> 00:20:46,945
TO REGGIE WATT, THE INCREDIBLE
CHRIS PRATT, JURASSIC WORLD

282
00:20:47,012 --> 00:20:51,016
DOMINION IS IN THEATERS RIGHT
NOW.

283
00:20:51,083 --> 00:20:52,084
WE'LL BE RIGHT BACK, EVERYBODY.

284
00:21:03,996 --> 00:21:07,099
>> James: WELCOME BACK.
LET'S MEET OUR GUEST TONIGHTS.

285
00:21:07,165 --> 00:21:19,945
HE PLAYS BEN EDWARDS IN, "THE
TERMINAL LIST," TAYLOR KITSCH!

286
00:21:20,012 --> 00:21:22,948
HE PLAYS JAMES REECE IN, "THE
TERMINAL LIST," CHRIS PRATT!

287
00:21:23,015 --> 00:21:28,453
HE PLAYS JAMES REECE IN, "THE
TERMINAL LIST," CHRIS PRATT!

288
00:21:28,520 --> 00:21:43,402
>> James: GET IN TAYLOR, GET

289
00:21:43,468 --> 00:21:48,006
>> James: GET IN TAYLOR, GET

290
00:21:48,073 --> 00:22:01,420
IN DUDE.
KITSCH, PRATT.

291
00:22:01,486 --> 00:22:11,430
>> James: READY, WAIT?
>> Reggie: THREE, FOUR.

292
00:22:11,496 --> 00:22:13,498
KITSCH, PRATT.
CORDEN.

293
00:22:30,015 --> 00:22:32,017
>> James: COME HAVE A SEAT,
PLEASE.

294
00:22:39,024 --> 00:22:42,728
OH, LOOK AT THIS.
WE ARE IN A GOOD MOOD.

295
00:22:42,794 --> 00:22:44,296
>> THAT'S A WAY TO SWEAT THROUGH
THE ENTIRE INTERVIEW.

296
00:22:44,362 --> 00:22:48,834
>> James: WE ARE IN A GOOD
MOOD.

297
00:22:48,900 --> 00:22:50,969
>> WHOOO!
>> James: JUST A LITTLE BIT OF

298
00:22:51,036 --> 00:22:54,439
A BIRTHDAY HANG OVER BECAUSE IT
WAS YOUR BIRTHDAY YESTERDAY.

299
00:22:54,506 --> 00:22:56,641
>> HAPPY BIRTHDAY.
>> James: HAVE YOU BEEN DOING

300
00:22:56,708 --> 00:22:59,444
THIS EVER SINCE?
IS THAT WHY THE PARTY.

301
00:22:59,511 --> 00:23:01,713
>> THAT'S RIGHT, MY BIRTHDAY
WEEK, I'M PARTYING ALL WEEK.

302
00:23:01,780 --> 00:23:04,850
>> James: HOW DID YOU
CELEBRATE YOUR BIRTHDAY, ARE YOU

303
00:23:04,916 --> 00:23:07,285
INTO IT?
>> LISTEN, BIG DAD ENERGY, YEAH,

304
00:23:07,352 --> 00:23:09,488
YOU KNOW WE ARE DO ALL KINDS OF
HARD-CORE STUFF.

305
00:23:09,554 --> 00:23:12,858
I WENT GOLFING.
OH YEAH.

306
00:23:12,924 --> 00:23:16,428
>> James: HOW DID YOU PLAY?
>> YOU WANT TO KNOW THE TRUTH, I

307
00:23:16,495 --> 00:23:19,231
HAD THE BEST ROUND OF MY LIFE.
>> DID YOU REALLY?

308
00:23:19,297 --> 00:23:21,733
>> YES, I DID.
FOR ME T IS NOT AS GOOD-- HE

309
00:23:21,800 --> 00:23:24,469
SCAI GOOD GOLFER.
I SHOT AN 85 WHICH FOR ME THAT

310
00:23:24,536 --> 00:23:26,972
IS PRETTY GOOD.
>> James: THAT IS EXCEPTIONAL

311
00:23:27,038 --> 00:23:32,677
FOR ME.
>> AND GOD HONEST TRUTH I SHOT A

312
00:23:32,744 --> 00:23:38,984
42 ON THE FRONT AND A 43 ON THE
BACK, AS I WAS TURNING 43.

313
00:23:39,050 --> 00:23:43,722
>> James: STOP.
>> SPOOKY.

314
00:23:43,789 --> 00:23:50,962
ALL RIGHT, THAT'S MY TIME.
>> James: I'LL SEE YOU LATER,

315
00:23:51,029 --> 00:23:59,404
GUYS.
LIKE THE BEST CARDIO HAVE I HAD

316
00:23:59,471 --> 00:24:03,942
IN THE ENTIRE-- FEEL MY.
>> WATER, WATER.

317
00:24:04,009 --> 00:24:08,613
>> James: CAN WE GET A
DEFIBRILLATOR FOR THE BREAK.

318
00:24:08,680 --> 00:24:12,851
TAYLOR, I GOT TO TELL YOU THIS,
YOU ARE A GOOD GOLFER BUT I WANT

319
00:24:12,918 --> 00:24:15,153
TO TALK TO YOU ABOUT THIS.
>> INCREDIBLE, INCREDIBLE.

320
00:24:15,220 --> 00:24:18,523
>> James: IS HE ACTUALLY.
>> YES.

321
00:24:18,590 --> 00:24:19,457
>> James: THAT IS REALLY
ANNOYING.

322
00:24:19,524 --> 00:24:20,659
>> BECAUSE HE PLAYED HOCKEY HIS
WHOM LIFE.

323
00:24:20,725 --> 00:24:35,240
>> James: YOU KNOW WHY?
TAYLOR MADE.

324
00:24:35,307 --> 00:24:37,843
>> MIC PASS,.
>> James: GENUINELY AM

325
00:24:37,909 --> 00:24:40,812
STRUGGLING NOW.
YOU JUST MADE A BIG MOVE.

326
00:24:40,879 --> 00:24:43,248
SO YOU MOVED TO MONTANA.
>> MONTANA.

327
00:24:43,315 --> 00:24:46,184
>> James: NOW HOW IS THAT?
I SORT OF, REGGIE SPENDS A LOT

328
00:24:46,251 --> 00:24:50,288
OF TIME OUT THERE IN MONTANA.
ARE YOU NOT SCARED OF THE

329
00:24:50,355 --> 00:24:54,492
WILDLIFE.
IS IT TRUE YOU HAVE BEEN HAVING

330
00:24:54,559 --> 00:24:56,828
ENCOUNTERS WITH GRIZZLY BEARS.
>> AMAZING ENCOUNTERS.

331
00:24:56,895 --> 00:25:00,866
I LOVE WILDLIFE PHOTOGRAPHY,
HAVE I AN ADVENTUE VAN, WE GO

332
00:25:00,932 --> 00:25:05,003
BACK COUNTRY THERE ARE THREE OF
US THAT WENT BACK COUNTRY INTO

333
00:25:05,070 --> 00:25:11,643
WYOMING.
AND WHAT YOU ARE LOOKING FOR ARE

334
00:25:11,710 --> 00:25:16,848
CARCASSES.
YEAH.

335
00:25:16,915 --> 00:25:25,924
>> REALLY?
>> CARCASSES, TWO, THREE, FOUR.

336
00:25:25,991 --> 00:25:31,930
♪.
>> TWO THREE.

337
00:25:31,997 --> 00:25:32,898
>> SORRY, THIS IS REALLY-- HE
TOLD ME THIS.

338
00:25:32,964 --> 00:25:35,834
>> James: ARE YOU LOOKING FOR
CARCASSES WHY?

339
00:25:35,901 --> 00:25:38,603
>> SO HOW YOU FIND A CARCASS IS
YOU ARE LOOKING FOR BIRDS,

340
00:25:38,670 --> 00:25:40,472
RIGHT.
AND THEY WANT THE CARCASS.

341
00:25:40,538 --> 00:25:42,240
>> James: SURE.
>> SO I TURN THIS CORNER IN THE

342
00:25:42,307 --> 00:25:48,046
BACK COUNTRY AND I SEE NO JOKE
PROBABLY 50 BIRDS WHICH IS

343
00:25:48,113 --> 00:25:50,415
CRAZY.
SO WE GO, WE PARK 150 YARDS AWAY

344
00:25:50,482 --> 00:25:52,817
AND MY BUDDY GOES I'M GOING TO
JUST WALK UP.

345
00:25:52,884 --> 00:25:58,023
I CAN'T SEE ANYTHING WITH THE
BINOCS AND LET'S JUST SAY, I'M

346
00:25:58,089 --> 00:26:00,859
GOING TO WALK.
WE HAVE A SANDWICH, WE ARE

347
00:26:00,926 --> 00:26:03,228
WATCHING OUR BUDDY.
YEAH.

348
00:26:03,295 --> 00:26:11,202
SO HE GETS PROBABLY 25 YARDS TO
THE CARCASS AND I'M NOT KIDDING,

349
00:26:11,269 --> 00:26:16,841
HE IS RUNNING BACK TO OUR JEEP
AND THE VAN WE HAD TWO.

350
00:26:16,908 --> 00:26:22,747
LIKE LAST OF THE MO HICKAN
STYLE, SCREAMING AND ME AND MY

351
00:26:22,814 --> 00:26:26,351
OTHER BUDDY ARE LIKE HE'S
GETTING HIS CARDIO IN.

352
00:26:26,418 --> 00:26:29,354
I LITERALLY SAID THAT AS A JOKE
LIKE HE WAS JUST SCREWING WITH

353
00:26:29,421 --> 00:26:32,857
US.
AND BY THE TIME HE GETS TO US,

354
00:26:32,924 --> 00:26:35,694
HE IS SAYING GRIZ, GRIZ, GRIZ,
GRIZ.

355
00:26:35,760 --> 00:26:40,065
AND THEY WERE PROBABLY 20 YARDS
FROM HIM ALL ON THEIR BEHIND

356
00:26:40,131 --> 00:26:41,066
LEGS AND THERE ARE THREE OF
THEM.

357
00:26:41,132 --> 00:26:43,168
>> James: NO.
>> YEAH, YOU DON'T WANT TO GET

358
00:26:43,234 --> 00:26:47,405
IN BETWEEN A CARCASS AND A
FAMILY OF GRIZ BY THE WAY.

359
00:26:47,472 --> 00:26:48,406
>> NO.
>> I DON'T THINK YOU WANT THAT.

360
00:26:48,473 --> 00:26:52,777
>> James: I DON'T EVEN WANT TO
CALL THEM GRIZ.

361
00:26:52,844 --> 00:26:54,813
>> NO NICKNAMES.
>> James: THAT IS HOW OUT OF

362
00:26:54,879 --> 00:26:59,050
THE LOOP I AM ON THIS, I WILL
MAINTAIN CALLING THEM GRIZZLY

363
00:26:59,117 --> 00:27:02,354
BEARS.
>> YEAH, THAT'S FAIR, FORMAL.

364
00:27:02,420 --> 00:27:03,555
>> James: CORRECT.
>> YEAH.

365
00:27:03,621 --> 00:27:11,796
SO WE GET IN THE JEEP AND WE GET
FAIRLY CLOSE AND WE HAD AN

366
00:27:11,863 --> 00:27:14,666
AMAZING, BRILLIANT ENCOUNTER FOR
30 MINUTES WATCHING THEM.

367
00:27:14,733 --> 00:27:16,868
AND THIS IS ONE OF MY FAVORITE
SHOTS.

368
00:27:16,935 --> 00:27:20,872
>> LOOK AT THIS PHOTO.
TAKEN BY TAYLOR KITSCH.

369
00:27:20,939 --> 00:27:25,643
LOOK AT THIS.
THIS IS INCREDIBLE, IT'S

370
00:27:25,710 --> 00:27:26,978
AMAZING.
>> YEAH, IT'S AWESOME.

371
00:27:27,045 --> 00:27:29,414
>> James: LIKE THAT IS
SHALL.

372
00:27:29,481 --> 00:27:32,517
>> TWO YEAR OLD BEAR.
>> YEP JNS WE CALL THEM A GRIZ.

373
00:27:32,584 --> 00:27:36,254
>> WE CALL THEM GRIZ.
>> WOW, ARE YOU ALREADY.

374
00:27:36,321 --> 00:27:41,559
>> I BLEW THAT 6X18 IN MY HOUSE,
YEAH, WE'RE PUMPED ABOUT THAT

375
00:27:41,626 --> 00:27:43,094
ONE.
>> James: ONE THING YOU BOTH

376
00:27:43,161 --> 00:27:44,696
HAVE IN COMMON YOU BOTH AM A
MOMENT IN YOUR LIFE WHERE YOU

377
00:27:44,763 --> 00:27:47,932
LIVED IN YOUR CARS WHEN YOU WERE
STARTING OUT.

378
00:27:47,999 --> 00:27:51,603
TAYLOR YOU LIVED IN A PONT YAK
FIREFLY IN L.A.

379
00:27:51,669 --> 00:27:52,837
>> ROOMY.
>> James: WHAT DID YOU LEARN

380
00:27:52,904 --> 00:27:57,575
ABOUT CAR LIFE.
>> WHAT TRIPS DO YOU HAVE.

381
00:27:57,642 --> 00:27:58,810
>> TIPS FOR LIVING OUT OF YOUR
CAR.

382
00:27:58,877 --> 00:28:02,981
>> James: THIS SHOW IS GOING
TO END IN APRIL, I MIGHT END UP

383
00:28:03,048 --> 00:28:06,785
THERE.
>> I WOULD DRIVE AROUND L.A.

384
00:28:06,851 --> 00:28:08,553
LOOKING FOR STREETS WITHOUT
STREET LIGHTS.

385
00:28:08,620 --> 00:28:14,392
>> James: VERY SMART.
>> ALLEYS, NOT SAFE BUT DARK.

386
00:28:14,459 --> 00:28:16,861
SLEEP BETTER.
>> YEAH.

387
00:28:16,928 --> 00:28:20,031
>> AND IT WAS ACTUALLY QUITE
CONVENIENT BECAUSE I WOULD SLEEP

388
00:28:20,098 --> 00:28:24,836
IN THE DRIVER'S SIDE AND IF YOU
GOT TO TAKE A LEAK, YOU JUST

389
00:28:24,903 --> 00:28:32,844
LITERALLY JUST OPENED THE DOOR,
GO, SHUT, ZS.

390
00:28:32,911 --> 00:28:35,280
BRILLIANT.
>> James: CHRIS, YOU WORKED AS

391
00:28:35,346 --> 00:28:36,381
A BARTENDER.
>> YEAH.

392
00:28:36,448 --> 00:28:38,983
>> James: I IMAGINE YOU BEING
A VERY GOOD BARTENDER.

393
00:28:39,050 --> 00:28:42,053
>> OH, WELL.
>> James: I BETS YOU WERE LIKE

394
00:28:42,120 --> 00:28:44,856
LICE CHAMPS GROWING UP THERE,
FUN BARTENDER.

395
00:28:44,923 --> 00:28:50,962
>> I WAS MORE OF A FUN-- WHAT I
LOOKED IN SORT OF THE NECESSARY

396
00:28:51,029 --> 00:28:56,167
MULTITASKING AND ORGANIZATIONAL
THINKING I MADE UP FOR IN FREE

397
00:28:56,234 --> 00:28:59,104
DRINKS AND GREGARIOUS BEHAVIOR.
>> James: WOULD YOU GIVE AWAY

398
00:28:59,170 --> 00:29:01,172
FREE DRINKS.
>> PERIODICALLY YEAH, I WOULD.

399
00:29:01,239 --> 00:29:05,910
ACTUALLY THERE WAS ONE TIME
I-- THIS IS FUNNY.

400
00:29:05,977 --> 00:29:08,847
I FORGOT ABOUT THIS, I HAD A
WOMAN COME INTO THE BAR WHO

401
00:29:08,913 --> 00:29:14,552
LOOKED EXACTLY LIKE MY MOM.
AND IS WITH LIKE THAT IS SO WILD

402
00:29:14,619 --> 00:29:17,489
SHE LOOKED AND SOUNDED LIKE MY
MOM, THE STRANGEST THING AND

403
00:29:17,555 --> 00:29:20,959
THEN ORDERED A WHITE RUSSIAN AND
THIS IS A DRINK THAT MY MOM WAS

404
00:29:21,025 --> 00:29:25,663
DRINK, SHE ALWAYS DRANK BEER BUT
IF SHE DRANK A DRINK IT WOULD BE

405
00:29:25,730 --> 00:29:29,567
A WHITE RUSSIAN.
THIS IS CRAZY, THIS LADY LOOSEK

406
00:29:29,634 --> 00:29:31,369
LIKE MY MOM AND ORDERED MY MOM'S
DRINK.

407
00:29:31,436 --> 00:29:35,974
AND I TOLD HER MA'AM, YOU LOOK
EXACTLY LIKE MY MOM, AND AS LONG

408
00:29:36,040 --> 00:29:38,076
AS ARE YOU DRINKING WHITE
RUSSIANS THEY RON THE HOUSE.

409
00:29:38,143 --> 00:29:43,481
REALLY, WOW, OKAY, GREATS.
SO I GIVE HER, I COMPLETELY

410
00:29:43,548 --> 00:29:45,583
OVERSERVER WHITE RUSSIANS OVER
THE COURSE OF THE NIGHT AND AS

411
00:29:45,650 --> 00:29:52,857
IT WAS CLOSING TIME THE LADY
GOES, I JUST WANT TO TELL YOU

412
00:29:52,924 --> 00:29:55,860
SOMETHING.
AND PROJECTILE VOMMITIES CREAM

413
00:29:55,927 --> 00:30:00,865
CA LIEUA AND VODKA ALL OVER THE
BAR, AND THEN IT BAS SO MUCH SHE

414
00:30:00,932 --> 00:30:08,072
HAD TO DO IT AGAIN.
WENT-- THE ICE BUCKET.

415
00:30:08,139 --> 00:30:14,045
>> SHE JUST VOMITED-- I WAS LIKE
EXACTLY THAT IS EXACTLY LIKE MY

416
00:30:14,112 --> 00:30:15,013
MOM.
>> James: STICK AROUND, MORE

417
00:30:15,079 --> 00:30:17,081
WITH THESE TWO WHEN WE COME
BACK, EVERYBODY.

418
00:30:27,025 --> 00:30:31,996
I DON'T BUY IT.
>> NO WAY, NO WAY.

419
00:30:32,063 --> 00:30:42,507
WHOEVER SET US UP, THEY MIGHT BE
ABLE TO FAKE EVIDENCE, THEY

420
00:30:42,574 --> 00:30:48,880
CAN'T FAKE-- COULD KILLING
FIELDS IN COR IN ADDITION OWE,

421
00:30:48,947 --> 00:30:54,385
THAT IS WHAT ARE YOU TELLING ME?
>> SOMEONE DOES.

422
00:30:54,452 --> 00:30:56,854
>> Reggie: WELCOME BACK TO
SUMMER VACATION, HOPE ARE YOU

423
00:30:56,921 --> 00:30:59,991
FEELING GREAT, NOW TIME TO GET
BACK TO WORK.

424
00:31:00,058 --> 00:31:03,928
>> James: THAT WAS A CLIP FROM
"THE TERMINAL LIST."

425
00:31:03,995 --> 00:31:08,499
ALL 8 EPISODES PREMIERE JULY 1
ON PRIME VIDEO.

426
00:31:08,566 --> 00:31:12,270
KEN GRATES ON THIS, I THINK IT
IS GOING TO BE A HUGE SMASH, FOR

427
00:31:12,337 --> 00:31:13,805
ANYONE THAT DOESN'T KNOW, TELL
US WHAT THE SHOW IS ABOUT AND

428
00:31:13,871 --> 00:31:17,809
WHO YOU BOTH PLAY.
>> SURE, SO IT IS THE TERMINAL

429
00:31:17,875 --> 00:31:21,312
LIST BASED ON A BOOK BY THE
AUTHOR JACKER CARR, NEW YORK

430
00:31:21,379 --> 00:31:24,616
TIMES BEST SELLING AUTHOR, HAS A
SERIES OF BOOKS FOLLOWING THIS

431
00:31:24,682 --> 00:31:28,286
CHARACTER, LIEUTENANT COMMANDER
JAMES REECE, A NAVY SEAL, AND

432
00:31:28,353 --> 00:31:33,825
THE FIRST SEASON WE BAIFLT
FOLLOW HIM OVERSEES ON A COVERT

433
00:31:33,891 --> 00:31:37,462
MISSION AND ESSENTIALLY HIS
ENTIRE PLAT ON IS WIPED OUT.

434
00:31:37,528 --> 00:31:40,598
HE COMES HOME, HE HAS
CONFLICTING MEMORIES ABOUT WHAT

435
00:31:40,665 --> 00:31:44,335
HAPPENED.
SO LIKE HE BECOMES THIS

436
00:31:44,402 --> 00:31:46,738
UNRELIABLE NARRATOR TO HIS OWN
STORY.

437
00:31:46,804 --> 00:31:49,807
WHAT HAPPENS IS IT LINES UP WITH
THE RECORD IS NOT HOW IT WENT

438
00:31:49,874 --> 00:31:53,511
DOWN AND SOMETHING IS OFF
CLEARLY WITH THIS GUY'S HEAD,

439
00:31:53,578 --> 00:31:57,849
SUFFERS A TRAUMATIC BRAIN INJURY
AND HE STARTS TO THINK THAT THE

440
00:31:57,915 --> 00:32:01,819
WORLD AROUND HIM IS COLLAPSING
AND THAT THERE IS A CONSPIRACY

441
00:32:01,886 --> 00:32:05,256
OUT TO GET HIM AND YOU KIND OF
CAN'T TELL IF HE IS UTILIZES

442
00:32:05,323 --> 00:32:09,594
LIKE THE TRADE CRAFT OF A
PROPERLY TRAINED KILLING MACHINE

443
00:32:09,661 --> 00:32:12,297
OPERATOR OR JUST LOSING HIS
MIND.

444
00:32:12,363 --> 00:32:15,800
AND SO IT'S THIS GUY WHO
ESSENTIALLY FEARS THAT THE WORLD

445
00:32:15,867 --> 00:32:21,205
AROUND HIM IS OUT TO GET HIM BUT
WE'RE NOT CERTAIN IF WE CAN

446
00:32:21,272 --> 00:32:23,341
REALLY TRUST WHAT HE BELIEVES OR
IF HE TRUST WHAT HE BELIEVES.

447
00:32:23,408 --> 00:32:28,780
>> IT IS A GREAT STORY, I
IMAGINE THERE ARE COUNTLESS-- A

448
00:32:28,846 --> 00:32:32,183
SERIOUS SUBJECT BUT JUST BEING
HERE NOW ON THE SHOW, YOU TWO,

449
00:32:32,250 --> 00:32:36,087
CAN I ONLY IMAGINE HAVE AN
ABSOLUTE BLAST, WOULD THAT BE

450
00:32:36,154 --> 00:32:38,056
RIGHT, TAYLOR, I IMAGINE THIS IS
A HOOT.

451
00:32:38,122 --> 00:32:41,326
>> WHAT IS IT, EPISODE 7 WHERE
WE HAVE THE ROAD TRIP.

452
00:32:41,392 --> 00:32:43,261
>> YEAH.
>> I MEAN IT LITERALLY TURNED

453
00:32:43,328 --> 00:32:45,797
INTO A BUDDY COMEDY.
>> RIGHT.

454
00:32:45,863 --> 00:32:48,466
>> AND THAT WASN'T WHAT THE
WRITERS WANTED.

455
00:32:48,533 --> 00:32:52,704
>> NO, NO, WE ARE REACHING THE
CLIMB AXE AND WE'RE DYING

456
00:32:52,770 --> 00:32:59,711
LAUGHING, YOU KNOW, SO THAT WAS,
HONESTLY, YOU KNOW, THE GUY IS

457
00:32:59,777 --> 00:33:02,747
REECE'S BEST FRIEND, A SEAL THAT
HE WENT THROUGH, TRAINING,

458
00:33:02,814 --> 00:33:08,720
EVERYTHING, FOUGHT OVERSEAS WITH
HIM AND FACILITATING HIS

459
00:33:08,786 --> 00:33:11,856
REDEMPTION MORE OR LESS.
AND THERE IS A DUPLICITOUS LINE

460
00:33:11,923 --> 00:33:14,659
THAT WE WALK WHICH IS A LOT OF
FUN TO PLAY.

461
00:33:14,726 --> 00:33:19,764
BUT YOU KNOW, IT WAS QUITE
SEEMLESS, THIS BROTHERHOOD THAT

462
00:33:19,831 --> 00:33:20,631
WE HAVE.
>> YEAH.

463
00:33:20,698 --> 00:33:21,899
>> IT WAS A LOT OF FUN, A LOT OF
LAUGHS.

464
00:33:21,966 --> 00:33:27,271
>> James: IT IS GOING TO BE A
REALLY, REALLY BIG SHOW, WE KNOW

465
00:33:27,338 --> 00:33:29,807
EVERYTHING THAT YOU AND CHRIS
AND TAYLOR, THAT GOES FOR YOU,

466
00:33:29,874 --> 00:33:33,244
DO YOU REGGIE, DO YOU HAVE A
QUESTION FOR OUR GUEST THIS

467
00:33:33,311 --> 00:33:35,580
EVENING.
>> Reggie: I SURE DO.

468
00:33:35,646 --> 00:33:45,390
THE QUESTION TONIGHT IS WHEN YOU
BE ACTIN LIKE YOU BE THINKING

469
00:33:45,456 --> 00:33:51,529
HEY MAN, I THIS PERSON, I BE
DOING STUFF, HOPE YOU CAUGHT IT

470
00:33:51,596 --> 00:33:56,868
ON CAMERA.
OR ARE YOU LIKE MAN, CAN'T WAIT

471
00:33:56,934 --> 00:34:09,814
FOR THAT DINNER WITH THE PERSON
LATER.

472
00:34:09,881 --> 00:34:13,818
>> ABSOLUTELY THE FORMER.
I BE LIKE, I BE ACTING.

473
00:34:13,885 --> 00:34:24,729
I BE THIS PERSON AND THAT'S JUST
MY PROCESS.

474
00:34:24,796 --> 00:34:30,701
>> THEN I'LL BE LIKE YEAH.
>> James: REG.

475
00:34:30,768 --> 00:34:31,903
>> Reggie: WOW, THAT'S
CORRECT.

476
00:34:31,969 --> 00:34:34,071
>> James: IT'S ABSOLUTELY
CORRECT.

477
00:34:34,138 --> 00:34:36,808
PLEASE THANK CHRIS PRATT, TAYLOR
KITSCH.

478
00:34:36,874 --> 00:34:37,875
STICK AROUND, JAMES BAY SLEER
WHEN WE COME BACK.

479
00:34:55,026 --> 00:34:56,260
>> James: WELCOME BACK.
HERE PERFORMING HIS BRILLIANT

480
00:34:56,327 --> 00:35:00,164
LATEST SINGLE, "ONE LIFE," FROM
HIS FORTHCOMING ALBUM, "LEAP"

481
00:35:00,231 --> 00:35:05,736
WHICH IS OUT JULY 8, PLEASE
WELCOME, JAMES BAY!

482
00:35:05,803 --> 00:35:13,911
♪ ♪ ♪

483
00:35:13,978 --> 00:35:15,913
♪ ♪ ♪
♪ ALL I WANNA BE

484
00:35:15,980 --> 00:35:17,315
IS WITH YOU
♪ IN YOUR ARMS

485
00:35:17,381 --> 00:35:19,617
IN OUR ROOM
♪ LIVING SMALL

486
00:35:19,684 --> 00:35:21,519
IN A BIG HOUSE
♪ I'VE BEEN HAVING DREAMS

487
00:35:21,586 --> 00:35:27,492
HAVE YOU HAD THEM TOO?
♪ I SEE ME AND YOU

488
00:35:27,558 --> 00:35:29,160
BY THE DOOR
♪ RUSHING IN

489
00:35:29,227 --> 00:35:33,531
FROM THE RAIN
♪ AT THE BACK OF THE GARDEN

490
00:35:33,598 --> 00:35:39,136
DO YOU SEE THAT TOO?
♪ FOREVER AIN'T FOREVER

491
00:35:39,203 --> 00:35:41,506
IF WE'RE NOT TOGETHER
♪ I DON'T WANNA

492
00:35:41,572 --> 00:35:44,809
PUT A LOAD OF PRESSURE ON YOU
♪ I JUST WANNA TELL YOU

493
00:35:44,876 --> 00:35:47,745
I JUST WANNA TELL YOU
♪ WITHOUT YOU

494
00:35:47,812 --> 00:35:53,518
I DON'T KNOW WHAT I'D DO.
♪ I'VE GOT ONLY ONE LIFE

495
00:35:53,584 --> 00:35:55,653
AND I WANT YOU IN IT
♪ OH OH

496
00:35:55,720 --> 00:36:01,526
TELL ME THAT
♪ YOU'LL NEVER LET ME GO.

497
00:36:01,592 --> 00:36:05,530
OR BURY MY BODY,
♪ SEND IT DOWN THE RIVER

498
00:36:05,596 --> 00:36:13,504
OH OH
♪ I COULD NEVER DO IT ON MY OWN.

499
00:36:13,571 --> 00:36:16,474
SOMETIMES I GET SAD
♪ AT THE FRONT

500
00:36:16,541 --> 00:36:17,508
AT THE BACK
♪ IN THE MIDDLE

501
00:36:17,575 --> 00:36:21,512
OF THE HAPPIEST MOMENTS
♪ COZ GOOD THINGS

502
00:36:21,579 --> 00:36:26,117
CAN GO BAD EASILY.
♪ SO I DON'T WANNA SLOW DOWN

503
00:36:26,183 --> 00:36:27,852
WANNA JUMP
♪ WANNA FLY

504
00:36:27,919 --> 00:36:31,656
WANNA FALL
♪ I WANNA HIT THE GROUND RUNNING

505
00:36:31,722 --> 00:36:46,637
DO YOU WANNA MARRY ME?
♪ I ONLY GOT ONE LIFE,

506
00:36:46,704 --> 00:36:48,272
AND I WANT YOU IN IT
♪ OH OH

507
00:36:48,339 --> 00:36:49,574
TELL ME THAT
♪ YOU'LL NEVER LET ME GO.

508
00:36:49,640 --> 00:36:53,377
OR BURY MY BODY,
♪ SEND IT DOWN THE RIVER

509
00:36:53,444 --> 00:37:01,652
OH OH
♪ I COULD NEVER DO IT ON MY OWN.

510
00:37:01,719 --> 00:37:02,353
NO A LIFE
♪ AIN'T A LIFE

511
00:37:02,420 --> 00:37:02,954
AIN'T A LIFE
♪ AIN'T A LIFE

512
00:37:03,020 --> 00:37:05,823
WITHOUT YOU
♪ NO A LIFE

513
00:37:05,890 --> 00:37:07,658
AIN'T A LIFE
♪ AIN'T A LIFE

514
00:37:07,725 --> 00:37:22,607
AIN'T A LIFE ALONE.

515
00:37:22,673 --> 00:37:37,521
AIN'T A LIFE ALONE.

516
00:37:37,588 --> 00:37:46,864
♪ I ONLY GOT ONE LIFE,
I DON'T WANNA MISS IT

517
00:37:46,931 --> 00:37:55,539
♪ ♪ ♪
♪ ♪ ♪

518
00:37:55,606 --> 00:38:10,488
♪ ♪ ♪
♪ ♪ ♪

519
00:38:10,554 --> 00:38:11,989
♪ ♪ ♪
♪ ♪ ♪

520
00:38:12,056 --> 00:38:17,528
♪ OH OH

521
00:38:17,595 --> 00:38:19,597
♪ OH OH
♪ I COULD NEVER DO IT ON MY OWN.

522
00:38:21,599 --> 00:38:25,903
♪

523
00:38:25,970 --> 00:38:29,407
LADIES AND GENTLEMEN, COME ON,
THE ONE, ONLY, JAMES BAY.

524
00:38:29,473 --> 00:38:30,908
WE LOVE HIM.
YOU CAN CATCH HIM ON TOUR

525
00:38:30,975 --> 00:38:32,576
STARTING AUGUST 17.
I WILL BE THERE, I HOPE YOU WILL

526
00:38:32,643 --> 00:38:33,644
TOO.
COME ON BACK, EVERYBODY.

527
00:38:50,995 --> 00:38:52,196
>> James: THANK YOU SO MUCH
FOR WATCHING.

528
00:38:52,263 --> 00:38:55,900
>> James: TOMORROW NIGHT: AUSTIN
BUTLER, JEFF GOLDBLUM, AND MUSIC

529
00:38:55,966 --> 00:38:59,336
FROM ZAC BROWN BAND.
WE HOPE WILL YOU JOIN US,

530
00:38:59,403 --> 00:39:01,338
REGGIE, TAKE US HOME.
♪