1 00:00:02,001 --> 00:00:05,939 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:06,005 --> 00:00:09,943 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY, BABY 3 00:00:10,009 --> 00:00:14,948 ♪ WHERE YOU COME FROM IT'LL BE ALL RIGHT 4 00:00:15,014 --> 00:00:19,185 ♪ IT'S "THE LATE LATE SHOW!" 5 00:00:19,252 --> 00:00:22,956 >> Reggie: LADIES AND GENTLEMEN, ALL THE WAY FROM ASHEVILLE, 6 00:00:23,022 --> 00:00:24,090 WAY FROM ASHEVILLE, NORTH CAROLINA, GIVE IT UP FOR YOUR 7 00:00:24,157 --> 00:00:34,968 HERO, THE ONE, THE ONLY JAMES CORDEN! 8 00:00:35,034 --> 00:00:36,970 (CHEERS AND APPLAUSE). >> James: HOW ARE YOU, HOW 9 00:00:37,036 --> 00:00:43,410 NCE TO SEE I. THANK YOU. 10 00:00:43,476 --> 00:00:49,416 I APPRECIATE IT. HELLO, GOOD EVENING, AND WELCOME 11 00:00:49,482 --> 00:00:52,585 TO THE "LATE, LATE SHOW." THANK YOU FOR STOPPING BY. 12 00:00:52,652 --> 00:00:54,687 WOW, HOT CROWD. HOT CROWD. 13 00:00:54,754 --> 00:00:56,990 HOT CROWD. YOU HAVE GOT TO SEE WHAT THIS 14 00:00:57,056 --> 00:01:00,026 GUY DID HERE WHEN I WALKED OUT. WILL YOU SHOW US SIR WHEN I 15 00:01:00,093 --> 00:01:02,762 WALKED OUT. WILL YOU STAND UP AND JUST SHOW 16 00:01:02,829 --> 00:01:07,867 US WHAT YOU JUST DID? NO, IT WAS WAY BIGGER. 17 00:01:07,934 --> 00:01:15,875 YOU LITERALLY DID THIS-- I WAS LIKE WOW, I DIDN'T KNOW I COULD 18 00:01:15,942 --> 00:01:19,078 ELICIT SUCH ENTHUSIASM BUT BLESS YOU. 19 00:01:19,145 --> 00:01:21,214 AND BLESS YOU FOR BEING HERE. LET'S TAKE A LOOK AND SEE WHO 20 00:01:21,281 --> 00:01:26,453 OUR GUESTS ARE ON THE SHOW TONIGHT. 21 00:01:26,519 --> 00:01:28,688 OUR ABSOLUTE FAVORITES HERE, HE'S A ONE OF A KIND ACTOR, 22 00:01:28,755 --> 00:01:32,525 GOLDBLUM! IS ON THE SHOW TONIGHT, JEFF. 23 00:01:32,592 --> 00:01:34,627 >> THERE IS HE. >> James: HOW ARE YOU, MY 24 00:01:34,694 --> 00:01:37,964 FRIEND? >> I'M GOOD. 25 00:01:38,031 --> 00:01:39,532 LOOK AT YOU. I'M SO HAPPY TO BE HERE. 26 00:01:39,599 --> 00:01:41,835 SO HAPPY TO SEE YOU. >> James: I'M ALWAYS HAPPY TO 27 00:01:41,901 --> 00:01:45,872 SEE YOU, JEFF. ANY TIME I RUN INTO YOU,. 28 00:01:45,939 --> 00:01:47,140 >> AND WE DID RUN INTO EACH OTHER. 29 00:01:47,207 --> 00:01:50,944 >> James: WE DID. >> AND I'M STILL GOOD FOR THAT 30 00:01:51,010 --> 00:01:52,378 PLEDGE. YOU AND HAVE I TO GET TOGETHER 31 00:01:52,445 --> 00:01:54,848 FOR A DINNER AND DISCUSS EVERY LITTLE THING. 32 00:01:54,914 --> 00:02:00,820 >> James: CAN I BE HONEST, NOTHING WOULD GIVE ME MORE 33 00:02:00,887 --> 00:02:06,259 PLEASURE. YOU SAY THE WORD, I'LL BE THERE. 34 00:02:06,326 --> 00:02:07,994 >> I'M CALLING YOU UP IMMEDIATELY. 35 00:02:08,061 --> 00:02:10,230 >> James: I LOVE YOU. >> I LOVE YOU. 36 00:02:10,296 --> 00:02:13,500 >> James: JEFF GOLDBLUM, EVERYBODY. 37 00:02:13,566 --> 00:02:16,302 AND THIS IS EXCITING. HE SAN INCREDIBLE ACTOR WHO IS 38 00:02:16,369 --> 00:02:19,706 RIGHTLY GETTING THE MOST EXTRAORDINARY REVIEWS FOR 39 00:02:19,772 --> 00:02:23,843 PLAYING ELVIS PRESSLEY IN THE NEW BAZ LUHRMANN SHOW "ELVIS" IT 40 00:02:23,910 --> 00:02:26,913 IS ABSOLUTELY, HIS PERFORMANCE SIN CEDABLE. 41 00:02:26,980 --> 00:02:30,316 WE'RE THRILLED TO HAVE HIM ON THE SHOW, THE SUB LINE AUSTIN 42 00:02:30,383 --> 00:02:34,921 BUTLER IS HERE TONIGHT. THERE HE IS. 43 00:02:34,988 --> 00:02:37,690 >> HOW ARE YOU, AUSTIN. >> I'M SO HAPPY TO BE HERE. 44 00:02:37,757 --> 00:02:40,126 >> James: SO NICE TO SIGH, HOW ARE YOU DOING. 45 00:02:40,193 --> 00:02:45,532 >> I'M WELL, I AM SO EXCITED TO BE HERE WITH JEFF GOLD BLUM, I 46 00:02:45,598 --> 00:02:50,637 HAVEN'T MET YOU YET, I'M SO EXCITED TO BE HERE. 47 00:02:50,703 --> 00:02:52,572 >> >> James: YOU CAN GO MEET HIM 48 00:02:52,639 --> 00:02:54,974 NOW. AUSTIN BUTLER, EVERYBODY. 49 00:02:55,041 --> 00:03:00,146 AND LATER ON WE HAVE MUSIC FROM ZAC BROWN BAND. 50 00:03:00,213 --> 00:03:01,147 YOU WANT TO STICK AROUND FOR THAT. 51 00:03:01,214 --> 00:03:02,315 ARE YOU READY? THEN LET'S. 52 00:03:02,382 --> 00:03:04,083 I'M JAMES CORDEN. AND THIS, THIS IS THE "LATE, 53 00:03:04,150 --> 00:03:06,152 LATE SHOW," ROLL THE TITLES. COME ON. 54 00:03:10,957 --> 00:03:16,362 ♪ THE "LATE, LATE SHOW." ♪ A THE LATE LAY 55 00:03:16,429 --> 00:03:19,666 Captioning sponsored by CBS 56 00:03:19,732 --> 00:03:20,833 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 57 00:03:20,900 --> 00:03:22,936 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 58 00:03:23,002 --> 00:03:27,941 ♪ IT'S THE LATE, LATE SHOW ♪ 59 00:03:28,007 --> 00:03:29,742 IT CERTAINLY IS. YOU HAVE ALL HAD A DRINK? 60 00:03:29,809 --> 00:03:33,980 IS THAT WHAT HAS HAPPENED. HAVE YOU BEEN AT THE SIPSMITH 61 00:03:34,047 --> 00:03:35,848 BAR? WE SHOULD DO THIS. 62 00:03:35,915 --> 00:03:40,420 WE SHOULD BE SERVING SIPSMITH GIN EVERY SINGLE DAY. 63 00:03:40,486 --> 00:03:44,190 THIS SHOW THE CROWD GETS. I LOVE IT. 64 00:03:44,257 --> 00:03:48,661 HEY. AUSTIN BUTLER IS ON 65 00:03:48,728 --> 00:03:51,731 THE SHOW TONIGHT, HE PLAYS ELVIS HAVE YOU SEEN, YOU HAVE SEEN 66 00:03:51,798 --> 00:03:54,667 ELVIS, IS HE EXTRAORDINARY. LIKE YOU WOULD SEE A ROLE THAT 67 00:03:54,734 --> 00:03:57,770 SOMEONE IS JUST ABSOLUTELY BORN TO PLAY. 68 00:03:57,837 --> 00:04:00,640 HE IS AMAZING. >> I CAN'T WAIT TO SEE T IT 69 00:04:00,707 --> 00:04:04,277 LOOKS SO GOOD. >> James: HOW IS YOUR ELVIS 70 00:04:04,344 --> 00:04:05,478 IMPRESSION. >> I CAN'T DO THE VOICE. 71 00:04:05,545 --> 00:04:11,784 I DID THE DIET AND THE DRUGS FOR A FEW YEARS. 72 00:04:11,851 --> 00:04:13,252 >> Reggie: NICE. >> I HAD A PRETTY GOOD 73 00:04:13,319 --> 00:04:16,556 IMPRESSION THAT WAY. >> James: AN TECHNICALLY ONLY 74 00:04:16,623 --> 00:04:17,790 FOR A MOMENT DID YOU DIE ON A TOILET. 75 00:04:17,857 --> 00:04:20,126 >> I DID DIE ON A TOILET. >> James: WHAT BUT, REG, YOU 76 00:04:20,193 --> 00:04:24,664 HAVE GOT AN ELVIS IN YOU? >> Reggie: WELL, I DON'T. 77 00:04:24,731 --> 00:04:30,670 BUT I DO HAVE-- HERE IS WHAT I DO. 78 00:04:30,737 --> 00:04:37,910 ♪ NO, NOT AT ALL, NOT EVEN THAT. BUT I DID, IT WAS MY FIRST 79 00:04:37,977 --> 00:04:43,516 RECORD, WAS A GOLD BUT KIND OF SEMISEE-THROUGH LIKE A 80 00:04:43,583 --> 00:04:47,186 GOLD-- WHAT IS HAPPENING WITH YOUR MOUTH. 81 00:04:47,253 --> 00:04:49,489 >> James: I'M DOING A LITTLE ELVIS. 82 00:04:49,555 --> 00:04:50,990 >> THAT'S PRETTY GOOD. >> James: IS THAT ANY GOOD? 83 00:04:51,057 --> 00:04:55,461 I DON'T KNOW, I DON'T KNOW, MAN, BUT IT GOT ME ALL SHOOK UP. 84 00:04:55,528 --> 00:04:56,963 >> Reggie: THAT'S EXACTLY ELVIS. 85 00:04:57,030 --> 00:05:00,667 >> James: I GOT TO TILL, BAZ LUHRMANN WAS-- OH MAN. 86 00:05:00,733 --> 00:05:04,070 >> WOE. >> James: I'M MEAN. 87 00:05:04,137 --> 00:05:06,439 >> WHOA. >> I KNOW LIKE LINS, WE'RE 88 00:05:06,506 --> 00:05:08,741 FRIENDS AND ALSO-- . >> James: NO I HEAR YOU. 89 00:05:08,808 --> 00:05:12,645 >> I JUST WANT YOU TO KEEP THE FACT THAT WE ARE FRENGSD I LOVE 90 00:05:12,712 --> 00:05:16,149 YOU, I WORK TOGETHER FOR A LONG TIME, WHEN I TELL YOU WHAT I AM 91 00:05:16,215 --> 00:05:24,657 ABOUT TO TELL YOU. THAT IS REALLY GOOD. 92 00:05:24,724 --> 00:05:25,858 PLACE (APPLAUSE). 93 00:05:25,925 --> 00:05:32,565 >> James: THE FIRST TIME-- YOU DON'T MESS WITH ME,-- BEING A 94 00:05:32,632 --> 00:05:36,669 GOD, MY MOTHER. ME AND YOU IT'S. 95 00:05:36,736 --> 00:05:41,974 >> IT'S GETSING BETTER. >> GETTING LIKE GEORGE BUSH. 96 00:05:42,041 --> 00:05:42,909 >> James: GEORGE BUSH? >> Reggie: YEAH. 97 00:05:42,975 --> 00:05:48,448 >> James: GEORGE BUSH. NOT GEORGE BUSH! 98 00:05:48,514 --> 00:05:50,717 >> Reggie: SOUNDED LIKE GEORGE BUSH. 99 00:05:50,783 --> 00:05:57,890 >> James: YOU SHUT YOUR [BLEEP] MOUTH NOT GEORGE BUSH. 100 00:05:57,957 --> 00:06:05,164 NOW I'M CAUGHT IN THE TRAP. >> WOW, I HAVE BEEN CRUSHING. 101 00:06:05,231 --> 00:06:07,400 >> IT'S INSANE, CRAZY. >> IT'S LIKE HE'S IN THE ROOM. 102 00:06:07,467 --> 00:06:11,304 >> James: I KNOW, RIGHT, LIKE IS HE RIGHT HERE IN STUDIO 56. 103 00:06:11,370 --> 00:06:15,308 >> Reggie: WHOA. >> James: SPECIAL, CBS. 104 00:06:15,374 --> 00:06:19,145 I DON'T KNOW IF I AM-- I'M LIKE AUSTIN BUTLER, I CAN'T GET OUT 105 00:06:19,212 --> 00:06:21,881 OF IT. IS HE TRAPPED, AND I GET IT NOW. 106 00:06:21,948 --> 00:06:26,753 FOR AGES I WILL BE THINKING YOU SHOT IT AGES AGO, I DON'T KNOW 107 00:06:26,819 --> 00:06:28,921 HAVE DONE IT FOR A FEW MINUTE, I CAN'T GET OUT OF IT MAN, THE 108 00:06:28,988 --> 00:06:33,893 ONLY WAY CAN I GET OUT OF THIS IS TO SAY IT IS TIME, IT'S THAT 109 00:06:33,960 --> 00:06:36,662 TIME, FOR THE NEWS. AND HERE'S SOME BIG NEWS FROM 110 00:06:36,729 --> 00:06:42,869 RIGHT HERE IN STUDIO FIFTY-SIX. RIGHT IMMEDIATELY AFTER 111 00:06:42,935 --> 00:06:45,304 TONIGHT'S SHOW, WE'RE PACKING THINGS UP AND 112 00:06:45,371 --> 00:06:53,312 LEAVING FOR LONDON. W COULDN'T BE MORE EXCITED. 113 00:06:53,379 --> 00:06:57,150 WE'VE ALREADY CHECKED INTO OUR FLIGHTS. 114 00:06:57,216 --> 00:07:01,888 AND I GOT TO TILL MENTALLY WE'VE CHECKED OUT OF TONIGHT'S SHOW. 115 00:07:01,954 --> 00:07:06,559 THAT'S NOT A JOKE. SERIOUSLY, I'VE ALREADY TAKEN 116 00:07:06,626 --> 00:07:07,493 ENOUGH AMBIEN TO PUT DOWN A CHARGING RHINO. 117 00:07:07,560 --> 00:07:08,995 WE'RE ALL PACKED AND READY TO GO. 118 00:07:09,061 --> 00:07:19,605 ALL THAT'S LEFT IS TO TRICK NICK BERNSTEIN INTO HIS TRAVEL CRATE. 119 00:07:19,672 --> 00:07:21,908 HOW GO YOU TRAVEL, WHAT CLASS SEAT. 120 00:07:21,974 --> 00:07:24,110 >> HOW DO I TRAVEL. >> James: WHAT CLASS OF SEAT 121 00:07:24,177 --> 00:07:28,114 DOES THE SENIOR VICE PRESIDENT OF LATE NIGHT PROGRAMMING WEST 122 00:07:28,181 --> 00:07:32,585 COAST WHAT DO YOU TRAVEL IN, ECONOMY OR PREMIUM ECONOMY? 123 00:07:32,652 --> 00:07:40,426 WINCE PUT IT ON FACT THAT I HAVE TO FLY FIRST FOR BUSINESS. 124 00:07:40,493 --> 00:07:43,529 >> I'M THE SENIOR VICE PRESIDENT. 125 00:07:43,596 --> 00:07:46,833 >> James: THAT S THAT BLOWS MY MIND. 126 00:07:46,899 --> 00:07:53,206 DOES THE NETWORK KNOW THAT? THAT YOU SLIP IT INTO YOUR OWN 127 00:07:53,272 --> 00:07:57,910 DEAL. YOU SHOULD BE PREMIUM ECONOMY. 128 00:07:57,977 --> 00:08:01,881 NO WHEN DWOW FLY, DO YOU FLY TONIGHT? 129 00:08:01,948 --> 00:08:04,851 >> I GO A COUPLE DAYS LATER THAN YOU. 130 00:08:04,917 --> 00:08:07,687 I GO OVER THE WEEKEND. I WILL BE THERE FOR THE FIRST 131 00:08:07,753 --> 00:08:09,689 SHOW. >> James: THAT WAS THE LONGEST 132 00:08:09,755 --> 00:08:12,658 ANSWER TO THE SIMPLIST QUESTION. THE DWE WAS DO YOU FLY TONIGHT 133 00:08:12,725 --> 00:08:17,630 AND I GOT A FULL DIARY OF THE WEEK. 134 00:08:17,697 --> 00:08:20,032 I'M EXCITED TO G WHO FLIES TONIGHT, DO YOU FLY TONIGHT. 135 00:08:20,099 --> 00:08:21,901 >> I FLY TOMORROW. >> James: I FLY TONIGHT, IAN 136 00:08:21,968 --> 00:08:25,905 IS TONIGHT, LAUREN IS TONIGHT, REG, WHEN DO YOU GO, WHEN DOES 137 00:08:25,972 --> 00:08:29,275 THE BAND GO. >> TOMORROW. 138 00:08:29,342 --> 00:08:32,712 >> James: BUT WE'RE GOING TO LONDON. 139 00:08:32,778 --> 00:08:36,782 WE COULDN'T BE MORE EXCITED. WE'RE NOT THE ONLY ONES HEADING 140 00:08:36,849 --> 00:08:37,984 OVERSEAS. PRESIDENT BIDEN WILL KICK OFF 141 00:08:38,050 --> 00:08:40,219 HIS BUSY SUMMER TRAVEL SCHEDULE ON SATURDAY, BY HEADING TO 142 00:08:40,286 --> 00:08:42,021 GERMANY TO ATTEND A GROUP OF SEVEN SUMMIT. 143 00:08:42,088 --> 00:08:44,757 ALL IN ALL, BIDEN WILL SPEND THE SUMMER VISITING GERMANY, MADRID, 144 00:08:44,824 --> 00:08:47,326 ISRAEL AND SAUDI ARABIA FOR MEETINGS, AND THEN HE'LL JUST 145 00:08:47,393 --> 00:08:53,432 HIT WHATEVER MUSIC FESTIVALS HE CAN REACH BY TRAIN OR 146 00:08:53,499 --> 00:08:57,904 HITCHHIKING. BIDEN IS CALLING IT HIS 'SUMMER 147 00:08:57,970 --> 00:09:00,806 OF CAN'T-GET-MUCH- WORSE TOUR.' IN MID-JULY, HE'LL VISIT ISRAEL 148 00:09:00,873 --> 00:09:05,511 AND SAUDI ARABIA FOR THE FIRST TIME AS PRESIDENT. 149 00:09:05,578 --> 00:09:09,882 OR AS BIDEN CALLS IT THE TRIP WHERE I CAN'T MIX THEM UP. 150 00:09:09,949 --> 00:09:12,652 DON'T MIX THEM UP, DON'T MIX THEM UP. 151 00:09:12,718 --> 00:09:14,320 AND DID YOU HEAR ABOUT THIS? A CORPORATE TEAM-BUILDING 152 00:09:14,387 --> 00:09:15,554 EXERCISE IN SWITZERLAND DIDN'T QUITE GO AS PLANNED. 153 00:09:15,621 --> 00:09:18,658 YOU KNOW THOSE EXERCISES WHERE YOU THINK POSITIVE THOUGHTS AND 154 00:09:18,724 --> 00:09:24,664 WALK ACROSS HOT COALS? WELL, THIS TIME IT RESULTED IN 155 00:09:24,730 --> 00:09:29,135 25 INJURIES AND 13 CO-WORKERS RUSHED TO THE HOSPITAL WITH 156 00:09:29,201 --> 00:09:30,436 BURNS. DON'T WORRY, THEY'RE FINE. 157 00:09:30,503 --> 00:09:33,906 THEY JUST CHANGED IT FROM A TEAM BUILDING EXERCISE TO A COMPANY 158 00:09:33,973 --> 00:09:40,146 BARBECUE. IMAGINE YOU AND 12 OTHER 159 00:09:40,212 --> 00:09:42,648 CO-WORKERS PILING INTO THE BACK OF AN AMBULANCE, IF THAT'S NOT A 160 00:09:42,715 --> 00:09:45,885 TEAM-BUILDING EXPERIENCE, I DON'T KNOW WHAT IS. 161 00:09:45,952 --> 00:09:48,154 ALSO, WHEN YOU THINK ABOUT IT, THIS IS A TEAM-BUILDING 162 00:09:48,220 --> 00:09:50,957 EXPERIENCE THAT JUST KEEPS ON GIVING. 163 00:09:51,023 --> 00:09:53,893 NOW THEY CAN RENT WHEELCHAIRS TOGETHER. 164 00:09:53,960 --> 00:09:57,296 GO TO PHYSICAL THERAPY TOGETHER. START A CLASS-ACTION SUIT 165 00:09:57,363 --> 00:10:04,270 AGAINST THEIR EMPLOYER, TOGETHER. 166 00:10:04,337 --> 00:10:09,608 AND WE WANTED TO TELL BUT THIS. YOU ABOUT THIS, IN JUST A FEW 167 00:10:09,675 --> 00:10:10,810 HOURS, YOU'LL HAVE THE RARE OPPORTUNITY TO SEE FIVE ALIGNED 168 00:10:10,876 --> 00:10:13,946 PLANETS WITH THE NAKED EYE. MERCURY, VENUS, MARS, JUPITER 169 00:10:14,013 --> 00:10:17,950 AND SATURN WILL BE ALIGNED AND MOST VISIBLE IN THE PRE-DAWN 170 00:10:18,017 --> 00:10:22,254 HOURS. FIVE PLANETS AT ONE TIME. 171 00:10:22,321 --> 00:10:25,958 SIX, IF YOU HAPPEN TO BE STANDING NEXT TO A PLANET 172 00:10:26,025 --> 00:10:27,960 HOLLYWOOD. THEY SAY YOU WILL BE ABLE TO SEE 173 00:10:28,027 --> 00:10:32,498 IT WITH THE NAKED EYE. I DON'T UNDERSTAND WHY I HAVE TO 174 00:10:32,565 --> 00:10:33,733 BE NAKED, BUT HEY, I'M NOT COMPLAINING. 175 00:10:33,799 --> 00:10:37,970 MOVING ON, YOU KNOW ABOUT NOISE-CANCELING HEADPHONES, 176 00:10:38,037 --> 00:10:42,908 OBVIOUSLY. WELL, SCIENTISTS ARE NOW WORKING 177 00:10:42,975 --> 00:10:45,978 ON NOISE-CANCELING WALLPAPER. TESTING SHOWS THAT THE SPECIAL 178 00:10:46,045 --> 00:10:49,715 WALLPAPER COULD ABSORB UP TO EIGHTY-SEVEN PERCENT OF ALL 179 00:10:49,782 --> 00:10:50,983 SOUND WAVES. IT'S PREPOSTEROUS THAT WE'RE 180 00:10:51,050 --> 00:10:53,285 GETTING NOISE-CANCELING WALLPAPER BEFORE WE GET THE 181 00:10:53,352 --> 00:11:00,026 LICKABLE WALLPAPER FROM "WILLY WONKA." 182 00:11:00,092 --> 00:11:02,395 I FEEL LIKE HE PROMISED THAT A LONG TIME AGO AND IT HASN'T COME 183 00:11:02,461 --> 00:11:03,929 IN. >> YEAH. 184 00:11:03,996 --> 00:11:05,898 NOISE-CANCELING WALLPAPER, WHAT A CONVERSATION STARTER. 185 00:11:05,965 --> 00:11:16,642 AND THAT CONVERSATION WOULD START LIKE, 186 00:11:16,709 --> 00:11:24,583 SAY WHAT? ( MUMBLING ) 187 00:11:24,650 --> 00:11:29,655 I CAN'T-- ( MUMBLING ) 188 00:11:29,722 --> 00:11:31,190 I'M SURE NOISE-CANCELLING WALLPAPER WOULD BE EXPENSIVE, 189 00:11:31,257 --> 00:11:34,293 BUT IT'S WORTH EVERY PENNY IF THIS SPARES ONE KID FROM HAVING 190 00:11:34,360 --> 00:11:40,966 TO LISTEN TO THEIR PARENTS HAVE SEX. 191 00:11:41,033 --> 00:11:42,034 AND THAT'S THE NEWS. WE'LL BE RIGHT BACK, EVERYBODY. 192 00:12:02,988 --> 00:12:03,923 >> James: WELCOME BACK. >> James: NOW LET'S MEET OUR 193 00:12:03,989 --> 00:12:06,092 GUESTS TONIGHT. HE STARS IN "JURASSIC WORLD 194 00:12:06,158 --> 00:12:08,160 DOMINION," JEFF GOLDBLUM! >> Reggie: IT'S JEFF GOLDBLUM! 195 00:12:26,011 --> 00:12:37,323 HE STARS IN "ELVIS," AUSTIN BUTLER. 196 00:12:37,389 --> 00:12:40,159 ♪ >> Reggie: OH YEAH. 197 00:12:40,226 --> 00:12:46,699 HE'S BACKS. HE'S GOT THE POISE. 198 00:12:46,765 --> 00:12:52,171 I LIKE THAT GUY. >> James: HAVE A SEAT, PLEASE. 199 00:12:52,238 --> 00:12:56,041 LOOK AT THIS. I GOT TO TELT YOU, I GOT TO TELL 200 00:12:56,108 --> 00:12:59,945 YOU, WE HAVE HAD SOME WELL DRESSED COUCHES IN OUR TIME BUT 201 00:13:00,012 --> 00:13:03,883 I DON'T THINK ANYTHING COMES CLOSE TO WHAT WE ARE LOOKING AT 202 00:13:03,949 --> 00:13:06,152 RIGHT HERE. WHOOO! 203 00:13:06,218 --> 00:13:11,524 I MEAN. >> WHAT IS THAT ZZ TOP SONG. 204 00:13:11,590 --> 00:13:13,159 ♪ NOTHING BETSER THAN A SHORP DRESSED MAN. 205 00:13:13,225 --> 00:13:15,194 >> James: DON'T RUIN IT, JEFF T WAS SO HOT. 206 00:13:15,261 --> 00:13:17,997 I GOT TO SAY, YOU BOTH LOOK AMAZES. 207 00:13:18,063 --> 00:13:20,699 JEFF, YOU NEVER DISAPPOINT. YOU NEVER DISAPPOINT WITH YOUR 208 00:13:20,766 --> 00:13:24,403 OUTFITS, EVER, EVER, EVER. IS THIS NOW BECAUSE YOU ARE THE 209 00:13:24,470 --> 00:13:26,705 FACE OF PRADA? YOU JUST GOT BACK FROM MILAN. 210 00:13:26,772 --> 00:13:31,510 YOU ARE THE FACE OF PRADA. I HAVE SEEN YOU WALKING 211 00:13:31,577 --> 00:13:32,711 CATWALKS, HOW DID YOU COME TO BE PART OF THIS? 212 00:13:32,778 --> 00:13:37,016 >> YOU KNOW, WE CAME INTO EACH OTHER'S ORBIT SOME TIME AGO. 213 00:13:37,082 --> 00:13:41,954 I WORE SOME SHIRTS AND THINGS THAT THEY SUPPLIED. 214 00:13:42,021 --> 00:13:45,257 AND INTRODUCED ON THE, WHEN OUR BAND PLAYED HERE AND THERE. 215 00:13:45,324 --> 00:13:49,929 AND TA DA DA DA. AND THEY ASKED ME TO BE ON THIS 216 00:13:49,995 --> 00:13:51,197 CATWALK. ANYWAY, YOU KNOW. 217 00:13:51,263 --> 00:13:57,670 I WAS JUST THERE IN MILAN AND I, THIS IS WHERE I GOT ALL OF THIS. 218 00:13:57,736 --> 00:14:00,706 HOW ABOUT THAT. >> James: ALL OF THIS. 219 00:14:00,773 --> 00:14:02,374 >> YEAH, I KNOW. >> James: WHOOO. 220 00:14:02,441 --> 00:14:05,144 (APPLAUSE). >> James: WHAT A LIFE. 221 00:14:05,211 --> 00:14:08,714 JEFF, YOU HAVE BEEN IN MILAN, AUSTIN, YOU RECENTLY JUST SHOT A 222 00:14:08,781 --> 00:14:09,882 SHOW IN LONDON. >> YEAH. 223 00:14:09,949 --> 00:14:11,917 >> James: YOU WERE OVER THERE FOR QUITE SOME TIME. 224 00:14:11,984 --> 00:14:16,589 TALK TO ME ABOUT THIS, I HEARD A STORY, YOU HAD A RUN IN WITH SIR 225 00:14:16,655 --> 00:14:20,292 PAUL MCCARTNEY, WHICH IS EVERYBODY'S DREAM WHEN THEY GO 226 00:14:20,359 --> 00:14:22,761 TO LONDON. >> YOUR SON HAS THE MIDDLE NAME 227 00:14:22,828 --> 00:14:25,931 MCCARTNEY. >> James: HE DU DOES, IS HE 228 00:14:25,998 --> 00:14:29,168 RIGHT THERE TONIGHT, HE IS GIVING YOU A WAVE RIGHT THERE, 229 00:14:29,235 --> 00:14:30,336 THERE HE IS. THERE HE IS. 230 00:14:30,402 --> 00:14:32,705 >> WHAT IS HIS FIRST NAME. >> James: HE IS NAMED, IT SAY 231 00:14:32,771 --> 00:14:36,475 LONG STORY WHICH I WILL TELL YOU ANOTHER TIME, WHICH INVOLVES A 232 00:14:36,542 --> 00:14:41,247 DARE WITH ME AND PAUL MCCARTNEY WHERE I WOULD GET HIM TO DO A 233 00:14:41,313 --> 00:14:43,549 CHARITY SCESM FOR ME AND I SAID IF YOU DO THE SKETCH, I WILL 234 00:14:43,616 --> 00:14:47,186 NAME MY UNBORN CHILD AFTER YOU, HE SAID DEAL. 235 00:14:47,253 --> 00:14:51,957 MAX WAS BORN, WE NAMED HIM MAX MCCARTNEY CORDEN. 236 00:14:52,024 --> 00:14:54,927 WE GOT A PHOTO OF THE BIRTH CERTIFICATE, SENT IT TO PAUL AND 237 00:14:54,994 --> 00:14:57,930 HE WAS IKE YOU ARE INSANE, THIS IS CRAZY. 238 00:14:57,997 --> 00:15:01,800 TWO DAYS LATER THE MOST BEAUTIFUL CASHMERE BLANKET 239 00:15:01,867 --> 00:15:07,139 ARRIVED AND EMBROIDERED IN THE CORNER IT SAYS TO MAX, FROM ONE 240 00:15:07,206 --> 00:15:12,778 McCARTH NEE TO ANOTHER LOVE YOUR UNCLE PAUL, UNCLE PAUL! 241 00:15:12,845 --> 00:15:17,950 I GOT TO TELL YOU, HIS LIFE HAS BEEN STEADILY DOWN HILT SINCE 242 00:15:18,017 --> 00:15:19,451 THAT MOMENT. BUT YOU WERE IN LONDON. 243 00:15:19,518 --> 00:15:22,187 YOU HAD, WHAT HAPPENED WITH PAUL MCCARTNEY. 244 00:15:22,254 --> 00:15:29,395 >> WELL, IT IS THAT THING WHERE, YOU KNOW I'M A BEATLES MAN AND 245 00:15:29,461 --> 00:15:31,697 ENORMOUS PAUL MCCARTNEY FAN. AND I AM IN THIS PLACE RIGHT NOW 246 00:15:31,764 --> 00:15:35,034 WHERE THESE THINGS ARE HAPPENING THAT I JUST, I MEAN, LIKE THAT 247 00:15:35,100 --> 00:15:38,704 STORY YOU JUST TOLD ME, JUST THINKING BACK TO BEING A CHILD 248 00:15:38,771 --> 00:15:40,873 AND GOINGK MEETING ANY ONE OF THESE PEOPLE, OR BEING ON THIS 249 00:15:40,939 --> 00:15:43,976 COUCH WITH YOU, IT IS SO SPECIAL. 250 00:15:44,043 --> 00:15:48,447 SO WHAT HAPPENED WAS I WAS GOING TO THIS CAFE A LOT IN LONDON 251 00:15:48,514 --> 00:15:52,618 WHERE I ENDED UP BECOMING FRIENDS WITH STELLA MCCARTNEY. 252 00:15:52,685 --> 00:15:57,823 AND SO WE BECAME VERY FRIENDLY AND WHEN I WAS IN PARIS, DURING 253 00:15:57,890 --> 00:16:02,027 FASHION WEEK OUT THERE, I WASN'T DOING THE FASHION WEEK, I WASN'T 254 00:16:02,094 --> 00:16:04,563 WALKING PRADA. BUT I WAS THERE AND UNDER THE 255 00:16:04,630 --> 00:16:06,131 RADAR AND SHE HEARD THAT I WAS THERE. 256 00:16:06,198 --> 00:16:10,803 SO SHE CALLED ME AND SHE SAID HEY, I HEARD YOU WERE IN PARIS. 257 00:16:10,869 --> 00:16:13,939 WOULD YOU BE ABLE TO COME TO MY SHOW TOMORROW MORNING AT IS 11 258 00:16:14,006 --> 00:16:17,676 A.M. I SAID STELLA, I AM OWE AN A 259 00:16:17,743 --> 00:16:19,912 TRAIN ED HADDING BACK TO LONDON SO I DON'T KNOW IF I CAN. 260 00:16:19,978 --> 00:16:23,882 SHE SAID IF YOU CAN GET YOUR TRAIN MOVED, YOU COME TO MY SHOW 261 00:16:23,949 --> 00:16:27,820 AT 11, AND YOU CAN RIDE THE TRAIN BACK WITH ME AND MY DAD. 262 00:16:27,886 --> 00:16:30,956 AND LET ME TRY TO MOVE THIS TRAIN. 263 00:16:31,023 --> 00:16:35,394 SO I THEN CALLED AND MADE, I TRIED TO MOVE IT, THERE WAS NO 264 00:16:35,461 --> 00:16:38,130 OTHER SEAT ON THIS TRAIN. I CALLED HER BACK AND SAID I'M 265 00:16:38,197 --> 00:16:41,266 SO SORRY BUT I REALLY DON'T THINK CAN I MAKE T I CAN'T GET A 266 00:16:41,333 --> 00:16:44,470 SEAT, SHE SAID LET ME SEE WHAT MY DAD CAN DO SHE CALLS ME BACK 267 00:16:44,536 --> 00:16:47,573 TWO MINUTES LATER AND GOES WE GOT YOU A SEAT. 268 00:16:47,639 --> 00:16:51,643 SO THEN I GO TO HER SHOW THE NEXT DAY AND PAUL COMES UP TO ME 269 00:16:51,710 --> 00:16:54,213 RIGHT BEFORE THE SHOW AND HE GOES I HEAR WE'RE RIDING THE 270 00:16:54,279 --> 00:16:56,715 TRAIN TOGETHER. OH, YEAH, THIS IS AMAZING. 271 00:16:56,782 --> 00:17:01,387 AND THEN HE, THE SHOW HAPPENS AND AFTER WASHED WE GET IN THE 272 00:17:01,453 --> 00:17:04,423 CAR TOGETHER AND IT IS JUST THE DRIVER, ME, STELLA AND PAUL. 273 00:17:04,490 --> 00:17:08,727 WE DRIVE TO THE TRAIN STATION IN PARIS AND WALK THROUGH SECURITY 274 00:17:08,794 --> 00:17:13,632 TOGETHER AND GO THROUGH CUSTOMS AND ARE EATING PEANUTS IN 275 00:17:13,699 --> 00:17:15,934 LOUNGE. SUDDENLY WE'RE ON THE TRAIN. 276 00:17:16,001 --> 00:17:19,905 AND THE FOUR SEATS WHERE YOU ARE FACING EACH OTHER SO I'M SITTING 277 00:17:19,972 --> 00:17:21,940 ACROSS FROM PAUL AND STELLA IS THERE AND THE DRIVER IS HERE. 278 00:17:22,007 --> 00:17:26,712 WE'RE TALKING AND THAT THING YOU TEND TO MEET PEOPLE THAT YOU 279 00:17:26,779 --> 00:17:29,848 REALLY ADMIRE IN A CROWD, AND YOU CAN'T SPEAK FOR MORE THAN 280 00:17:29,915 --> 00:17:31,417 TWO SECONDS. BUT WITH THIS SUDDENLY WE'RE 281 00:17:31,483 --> 00:17:36,922 LOCKED IN A TRAIN TOGETHER. AND SO WE JUST TALKED AND HE WAS 282 00:17:36,989 --> 00:17:39,825 SO HUMAN AND IT WAS JUST AMAZINGMENT AND AT ONE POINT 283 00:17:39,892 --> 00:17:42,060 STELLA SAID SOMETHING ABOUT ELVIS. 284 00:17:42,127 --> 00:17:45,197 AND I TOOK THAT AS MY MOMENT, YOU KNOW, PAUL, I HAVEN'T MET 285 00:17:45,264 --> 00:17:49,001 MANY PEOPLE WHO ACTUALLY HAD THE OPPORTUNITY TO BE IN THE ROOM 286 00:17:49,067 --> 00:17:50,602 WITH ELVIS. WHAT WAS IT LIKE. 287 00:17:50,669 --> 00:17:53,939 WHAT IS YOUR STORY, BECAUSE HAVE I HEARD THE STORY OF THE BEATLES 288 00:17:54,006 --> 00:17:57,943 MEETING ELVIS. HE TELLS ME THE STORY, OF THEM 289 00:17:58,010 --> 00:18:00,446 GETTING IN THE CAR, HEADING UP TO BEVERLY HILLS AND THEY GET TO 290 00:18:00,512 --> 00:18:04,917 THE DOOR AND THEY KNOCK ON THE DOOR AND ELVIS ANSWERS AND IT HE 291 00:18:04,983 --> 00:18:07,586 IS BEAUTIFUL. AND HE SAYS ELVIS WELCOMES THEM 292 00:18:07,653 --> 00:18:10,589 IN. AND FRIENDS WERE IN THE BACK 293 00:18:10,656 --> 00:18:12,558 PLAYING POOL AND THEY ALL ENDED UP SITTING IN THE LIVING ROOM. 294 00:18:12,624 --> 00:18:17,396 AND HE SAID AT FIRST THEY DIDN'T KNOW WHAT TO SAY TO HIM, JUST 295 00:18:17,463 --> 00:18:20,365 LOOKING AT HIM. AND HE SAID THEN ELVIS PICKED UP 296 00:18:20,432 --> 00:18:23,335 A-BASE GUITAR AND STARTS FIDDLING AROUND AND PAUL SAID, 297 00:18:23,402 --> 00:18:26,705 YOU KNOW, I PLAY THE BASS AND SO PAUL PICKED UPS-BASE AND ELVIS 298 00:18:26,772 --> 00:18:31,343 PICKS UP A GUITAR AND THEY START JAMMING TOGETHER AND THE ENTIRE 299 00:18:31,410 --> 00:18:36,381 TIME THERE WAS A JUKEBOX IN THE BACK AND ELVIS WAS PLAYING A 300 00:18:36,448 --> 00:18:39,718 SONG CALLED MO HAIR SAM, I NEVER HEARD THE SONG, I HEARD OVER 301 00:18:39,785 --> 00:18:41,954 DETAILS OF THE STORY BUT NEVER THAT PART. 302 00:18:42,020 --> 00:18:45,958 I SAID PAUL, I NEVER HEARD THAT SONG BEFORE. 303 00:18:46,024 --> 00:18:49,928 AND SO HE SEE IF YOU CAN FIND THE SONG AND SO STELLA GETS THE 304 00:18:49,995 --> 00:18:55,734 SONG UP ON HER PHONE AND GIVES THE HEADPHONE TO ME AND TO PAUL. 305 00:18:55,801 --> 00:18:58,537 SUDDENLY I'M SITTING ON A TRAIN ACROSS FROM PAUL MRK CART NEE, 306 00:18:58,604 --> 00:19:02,774 THE FRENCH COUNTRY SIDE GOING BY, AND SHE PLAYS THE SONG ELISE 307 00:19:02,841 --> 00:19:06,178 INNED TO WITH ELVIS ALL THESE YEARS AGO AND IS HE STRUMMING IT 308 00:19:06,245 --> 00:19:09,314 OUT ON THE TABLE AND SINGING THE SOPG TO ME, AND THOSE WERE THE 309 00:19:09,381 --> 00:19:12,317 MOMENTS WHERE YOU HAVE TO PINCH YOURSELF, I CAN'T BELIEVE THIS 310 00:19:12,384 --> 00:19:16,889 IS MY LIFE RIGHT NOW AND GAVE ME A HUG AND WE WENT OUR SEPARATED 311 00:19:16,955 --> 00:19:18,891 WAYS AFTERWARD. >> James: THAT SAY GREAT 312 00:19:18,957 --> 00:19:20,359 STORY. ALSO ABOUT THE POWER OF MUSIC. 313 00:19:20,425 --> 00:19:21,894 POT WE ARE OF MUSIC, THAT IS WHAT IT IS. 314 00:19:21,960 --> 00:19:27,900 JEFF, WE HAVE BEEN LUCKY TO HAVE YOU PLAY THE PIANO ON THE SHOW 315 00:19:27,966 --> 00:19:30,502 MANY, MANY TIMES. WHEN DID YOU FIRST HEAR JAZZ 316 00:19:30,569 --> 00:19:34,673 MUSIC AND THINK OH, THAT IS IT. THAT IS WHAT I AM GOING TO DO. 317 00:19:34,740 --> 00:19:38,176 I WANT TO PLAY JAZZ. >> WELL, YOU KNOW THERE WERE 318 00:19:38,243 --> 00:19:44,516 FOWFER US KIDS GROWING UP IN PITTSBURGH, I'M FROM PITTSBURGH 319 00:19:44,583 --> 00:19:47,686 AND MOM GAVE US MUSIC LESSONS AND I PLAYED, I THINK I STARTED 320 00:19:47,753 --> 00:19:52,357 8, 9, 10 OR SOMETHING LIKE THAT. I WAS A BAD STUDENT EARLY ON. 321 00:19:52,424 --> 00:19:56,261 I DIDN'T KNOW DISCIPLINE OR HOMEWORK AND SO I WOULDN'T 322 00:19:56,328 --> 00:19:58,564 PRACTICE. AND ONCE A WEEK TOMMY EMIL WOULD 323 00:19:58,630 --> 00:20:01,466 COME OVER AND I WOULD HAVE A MISERABLE TIME OF IT. 324 00:20:01,533 --> 00:20:06,672 HE WOULD GO-- BUT THEN HE GAVE ME THIS SHEET OF MUSIC TO LEARN, 325 00:20:06,738 --> 00:20:09,741 AFTER WE DID JUST THE SCALES AND STUFF LIKE THAT AND AND ALLEY 326 00:20:09,808 --> 00:20:14,880 CAT AND IT HAD SOME KIND OF SIN COULD PAITION TO IT,. 327 00:20:14,947 --> 00:20:17,783 ♪ AND I WAS LIKE I LOVE THAT. I LOVE THAT. 328 00:20:17,849 --> 00:20:21,787 SO I AM GOING TO SIT HOWEVER LONG IT TAKES AND PRACTICE. 329 00:20:21,853 --> 00:20:23,956 AND PLAY IT. AND I DID. 330 00:20:24,022 --> 00:20:27,426 AND THAT IS HOW IT FIRST, THAT FIRST HAPPENED. 331 00:20:27,492 --> 00:20:31,129 AND THEP HE GAVE ME A COUPLE MORE, STAIRWAY TO THE STARS, 332 00:20:31,196 --> 00:20:34,366 WITH SOME CHORDS, YOU KNOW, SO I KIND OF FELL IN LOVE WITH JAZZ. 333 00:20:34,433 --> 00:20:38,103 >> James: AT THAT POINT DID YOU EVER THINK OH, I WILL BE A 334 00:20:38,170 --> 00:20:41,406 RECORDING ARTIST, I WILL PUT THIS MUSIC OUT, I WILL PLAY 335 00:20:41,473 --> 00:20:43,475 SHOWS. >> CERTAINLY NOT, NO, I DECIDED 336 00:20:43,542 --> 00:20:46,645 ALREADY I WOULD BE AN ACTOR. MY CAREER WAS GOING TO BE ACTING 337 00:20:46,712 --> 00:20:50,649 BUT SO PIANO WAS JUST SOMETHING I JUST WAS IN LOVE WITH AND JUST 338 00:20:50,716 --> 00:20:57,923 KEPT DOING T KIND OF GREW PARALLEL TO MY ODYSSEY WITH 339 00:20:57,990 --> 00:20:59,558 ACTING ALL ALONG. THAT IS WHAT HAPPENED. 340 00:20:59,625 --> 00:21:02,661 >> AN ODYSSEY OF ACTING, THAT SHOULD BE THE NAME OF YOUR BOOK. 341 00:21:02,728 --> 00:21:07,466 IT ABSOLUTELY 14UD SHOULD. >> KNOW AUSTIN, WE'VE GOT TO 342 00:21:07,532 --> 00:21:08,700 TALK. WE'VE GOT TO TALK AND 343 00:21:08,767 --> 00:21:12,971 CONGRATULATE YOU ON ELVIS. YOUR MORMANCE. 344 00:21:13,038 --> 00:21:14,640 >> (APPLAUSE) 345 00:21:14,706 --> 00:21:18,276 IS EXTRAORDINARY IT SAN EXTRAORDINARY PERFORMANCE. 346 00:21:18,343 --> 00:21:22,614 ST A HUGE UNDERTAKING, WHAT YOU HAVE DONE IN THIS FILM. 347 00:21:22,681 --> 00:21:26,652 WHAT YOU HAVE DONE IN IT, YOU ANCHOR IT IN THE MOST INCREDIBLE 348 00:21:26,718 --> 00:21:28,020 WAY. HOW RELIEVED ARE YOU, OR HOW DO 349 00:21:28,086 --> 00:21:30,656 YOU FEEL TO FINALLY HAVE THE FILM COMING? 350 00:21:30,722 --> 00:21:36,528 >> I FEEL SO HAPPY. I FELT TERROR FOR SO LONG. 351 00:21:36,595 --> 00:21:38,764 YOU KNOW T IS SUCH A RESPONSIBILITY. 352 00:21:38,830 --> 00:21:43,301 ANY TIME YOU PLAY SOMEBODY THAT LIVED YOU FEELED RESPONSIBILITY 353 00:21:43,368 --> 00:21:46,538 BUT WITH ELVIS, FOR ONE SO MANY PEOPLE WHAT HE SOUNDS LIKE OR 354 00:21:46,605 --> 00:21:53,211 THEY HAVE THE IDEA OF IT. AND THEN ON TOP OF THAT, WE'RE 355 00:21:53,278 --> 00:21:57,416 TALKING ABOUT THE LEGACY OF ELVIS PRESSLEY AND SO THE DESIRE 356 00:21:57,482 --> 00:22:00,852 TO MAKE HIS FAMILY PROUD AND ALL THOSE THINGS. 357 00:22:00,919 --> 00:22:04,022 SO I FELT SO MUCH PRESSURE. I DIDN'T SLEEP FOR TWO YEARS. 358 00:22:04,089 --> 00:22:06,658 I JUST WOULD WAKE UP EVERY DAY AT 3:00 IN THE MORNING WITH MY 359 00:22:06,725 --> 00:22:11,797 HEART POUNDING AND JUST GET TO THE WORK. 360 00:22:11,863 --> 00:22:16,435 SO NOW ONCE PRESS ILE AND LISA MARIE SAW IT AND THEY FELT THE 361 00:22:16,501 --> 00:22:19,271 WAY THEY DID I FELT SUCH A WEIGHT OFF, THAT IT IS OKAY. 362 00:22:19,337 --> 00:22:21,440 THEN I WENT TO CANNES AND I GOT TO BE THERE AND WATCHED IT FOR 363 00:22:21,506 --> 00:22:25,644 THE FIRST TIME IN CANNES. MY DAD WAS THERE, HE HAD NEVER 364 00:22:25,711 --> 00:22:28,513 BEEN OUTSIDE THE COUNTRY AND SUDDENLY THERE WITH HIS BOW TIE 365 00:22:28,580 --> 00:22:31,650 ON ON THE CANNES RED CARPET. IT HAS BEEN REALLY, REALLY A 366 00:22:31,717 --> 00:22:34,186 SPECIAL TIME. >> James: DIDN'T IT GETS LIKE 367 00:22:34,252 --> 00:22:36,955 A 12 MINUTE STANDING OVATION. >> THAT IS WHAT THEY SAY. 368 00:22:37,022 --> 00:22:40,692 >> James: BE HONEST. BE HONEST. 369 00:22:40,759 --> 00:22:43,595 AT ANY POINT DURING THAT 12 MINUTES DO YOU GET BORED? 370 00:22:43,662 --> 00:22:48,600 ARE YOU EVER LIKE, ALL RIGHT, I UNDERSTAND, YOU LIKED IT, COME 371 00:22:48,667 --> 00:22:52,270 ON, LET'S HAVE A DRINK. ARE PEOPLE LIKE. 372 00:22:52,337 --> 00:22:55,207 >> YEAH, IT IS FUNNY BECAUSE SOME PEOPLE ARE DOING THAT. 373 00:22:55,273 --> 00:22:58,643 AND THEN YOU LOOK AT ONE GUY AND HE'S JUST STANDING THERE 374 00:22:58,710 --> 00:23:00,178 COMPLETELY BORED OUT OF HIS MIND. 375 00:23:00,245 --> 00:23:03,415 YOU KNOW, THAT SORT OF THING. SO YEAH, BUT-- . 376 00:23:03,482 --> 00:23:06,685 >> James: I RESPECT THAT MAN. >> I DID TOO, HE WAS BOLD IN A 377 00:23:06,752 --> 00:23:08,620 GROUP OF PEOPLE WITH SINGING HANDS. 378 00:23:08,687 --> 00:23:15,160 >> James: YEAH. >> GOOD FOR YOU. 379 00:23:15,227 --> 00:23:25,170 YEAH, TO ME IT WAS SO SURREAL AND YOU HAVE, THAT I HEARD THE 380 00:23:25,237 --> 00:23:29,307 STORY, JIM SHOWED ME THE STORY HE SHOWED A FILM, I FORGOT BUT 381 00:23:29,374 --> 00:23:34,513 AT THE END IT WAS SIGH LNT AND HE HEARD IN THE GUY IN THE BOOK 382 00:23:34,579 --> 00:23:37,582 GO JIM, IT'S [BLEEP]. HE TOLD ME THAT STORY AND I 383 00:23:37,649 --> 00:23:41,353 THOUGHT OH MY GOD, THAT CAN HAPPENING, THAT IS HORRIFYING 384 00:23:41,419 --> 00:23:46,658 BUT THANKFULLY THAT DIDN'T LAP. AND I'M JUST, PEOPLE ARE 385 00:23:46,725 --> 00:23:49,761 CLAPPING, WHEN THE CAMERA SON YOU, VERY CLOSE AND ARE YOU KIND 386 00:23:49,828 --> 00:23:51,429 OF LIKE. >> SO YOU MISSED A LOT. 387 00:23:51,496 --> 00:23:58,637 >> THANK YOU, YEAH BUT THEN I LOOK DOWN AND SEE GEE AIRPORTO 388 00:23:58,703 --> 00:24:02,674 DEL TOR FACE, AND SO I JUST FOCUSED ON PEOPLE, SHARON STONE. 389 00:24:02,741 --> 00:24:05,944 >> DID YOU EVER THINK TO LOOK DOWN THE LENS AND SAY THANK YOU 390 00:24:06,011 --> 00:24:09,414 VERY MUCH. >> I STAY AWAY FROM THAT FRAY 391 00:24:09,481 --> 00:24:12,284 NOW. YEAH, THERE ARE CERTAIN THINGS THAT ARE NOW TOO ON THE 392 00:24:12,350 --> 00:24:15,420 NOSE. >> James: I JUST GAVE YOU A 393 00:24:15,487 --> 00:24:17,522 LIKE. >> I WAS REALLY IMPRESSED, I 394 00:24:17,589 --> 00:24:22,661 KONTS TELL THE DIFFERENCE. >> James: BE HONEST. 395 00:24:22,727 --> 00:24:25,363 THANK YOU VERY MUCH. >> ACTUALLY VERY GOOD, LOOK AT 396 00:24:25,430 --> 00:24:28,266 THAT. >> James: LET'S TAKE A LOOK AT 397 00:24:28,333 --> 00:24:34,639 A CLIP FROM ELVIS IN THEATERS TOMORROW. 398 00:24:34,706 --> 00:24:41,847 ♪ SNOATS COME ON BACK TO ME SNOATD SO HE CAN PLAY SOME HOUSE 399 00:24:41,913 --> 00:24:46,184 SNOATS COME BACK. ♪ COME BACK BABY. 400 00:24:46,251 --> 00:24:51,356 ♪ I WANNA PLAY HOUSE SNOATS WHAT ARE THEY HOLLERING AT. 401 00:24:51,423 --> 00:24:54,626 ♪. >> THEM GIRLS WANT TO SEE YOU 402 00:24:54,693 --> 00:25:02,767 WIGGLE. >> DO MORE, MUCH MORE, DO IT 403 00:25:02,834 --> 00:25:05,503 AGAIN. WELL. 404 00:25:05,570 --> 00:25:11,376 ♪ AND I WANT TO YOU KNOW. ♪ COME BACK BABY GIRL. 405 00:25:11,443 --> 00:25:14,646 >> James: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 406 00:25:14,713 --> 00:25:15,213 BACK. 407 00:25:21,987 --> 00:25:25,924 >> LOOK AT YOU. >> LOOK AT ME, AND LOOK AT YOU. 408 00:25:25,991 --> 00:25:29,094 IT IS SO TRIPPY. YOU. 409 00:25:29,160 --> 00:25:30,262 >> YOU LOOK LIKE ARE YOU DOING WELL. 410 00:25:30,328 --> 00:25:36,234 >> HAVE I FIVE KIDS, I ADORE LIFE MORE THAN LIFE ITSELF. 411 00:25:36,301 --> 00:25:41,673 EXPENSES ADD UP UP, YOU, ALAN, DO YOU HAVE ANY FAMILY. 412 00:25:41,740 --> 00:25:45,410 >> NO. >> I NEED TO TALK TO YOU TOO. 413 00:25:45,477 --> 00:25:48,179 PRIVATELY. >> DO YOU TWO TALK A LOT. 414 00:25:48,246 --> 00:25:52,083 >> HE SLID INTO MY DM. >> WHAT DID YOU DO. 415 00:25:52,150 --> 00:25:55,053 >> SEVEN MINUTES TO MIDNIGHT. >> THE DOOMS DAY CLOCK MIGHT BE 416 00:25:55,120 --> 00:25:57,956 ABOUT OUT OF TIME BUT AS THEY SAY ST ALWAYS DARKEST JUST 417 00:25:58,023 --> 00:26:00,025 BEFORE ETERNAL NOTHINGNESS. (APPLAUSE). 418 00:26:06,231 --> 00:26:08,800 >> James: WOW. WELCOME BACK. 419 00:26:08,867 --> 00:26:11,903 >> James: THAT WAS A CLIP FROM "JURASSIC WORLD DOMINION," WHICH 420 00:26:11,970 --> 00:26:16,441 IS OUT NOW AND IS THE NUMBER ONE MOVIE IN THE COUNTRY. 421 00:26:16,508 --> 00:26:20,612 AND THE REASON FOR THAT IS NOT THE DINOSAURS STRKS NOT THE 422 00:26:20,679 --> 00:26:24,649 DINOSAURS T IS NOT CHRIS PRATT STRKS NOT LAURA DERN, IT IS ONLY 423 00:26:24,716 --> 00:26:30,822 DOWN TO JEFFREY GOLDBLUM. NOW I LOVE THIS. 424 00:26:30,889 --> 00:26:34,392 YOU TOOK YOUR BOYS TO THE MOVIE THEATER TO SEE IT. 425 00:26:34,459 --> 00:26:40,198 AND IT WAS THE FIRST TIME THEY WATCHED A FILM IN A SINEMA, A 426 00:26:40,265 --> 00:26:41,700 MOVIE THEATER. >> EXACTLY RIGHT, THEY HAD NEVER 427 00:26:41,766 --> 00:26:46,137 SEEN ONE, COVID, SO WE TOOK THEM TO A MOVIE THEATER. 428 00:26:46,204 --> 00:26:48,907 AND YOU KNOW, YOU KNOW, IT'S IMPORTANT TO GO TO THE MOVIES, 429 00:26:48,974 --> 00:26:52,844 MOVIES AGAIN, YOUR MOVIE WILL BE A DELICIOUS EXPERIENCE SHALL 430 00:26:52,911 --> 00:26:57,048 WON'T IT, FOR PEOPLE TOGETHER, STRANGERS TOGETHER. 431 00:26:57,115 --> 00:27:01,720 YOU KNOW, LIKE THAT OH MY GOD, SEEING YOU LIKE THAT. 432 00:27:01,786 --> 00:27:04,356 >> James: AMAZING THING FOR YOUR CHILDREN'S FIRST EXPERIENCE 433 00:27:04,422 --> 00:27:10,362 TO BE WATCHING THEIR FATHER IN A-- IN JURASSIC PARK. 434 00:27:10,428 --> 00:27:15,367 WERE OTHER PEOPLE IN THE MOVIE THEATER LIKE IS THAT. 435 00:27:15,433 --> 00:27:18,136 >> SORT OF, YEAH, KIND OF. >> James: AM I RIGHT IN 436 00:27:18,203 --> 00:27:22,107 THINKING YOUR FIRST MEETING WITH STEVEN SPIELBERG FOR JURASSIC 437 00:27:22,173 --> 00:27:24,909 PARK WAY BACK WHEN, THE ORIGINAL, IS IT TRUE THAT WHEN 438 00:27:24,976 --> 00:27:28,413 YOU GOT THERE HE TOLD YOU THAT THEY CHANGED THE SCRIPT AND THEY 439 00:27:28,480 --> 00:27:29,714 HAD CUT YOUR CHARACTER FROM THE FILM. 440 00:27:29,781 --> 00:27:32,017 >> THAT'S TRUE. >> James: SO WHAT DID YOU DO 441 00:27:32,083 --> 00:27:35,453 TO GET YOUR PARK PUT BACK IN. >> I DIDN'T DO ANYTHING, IT WAS 442 00:27:35,520 --> 00:27:37,956 JUST LUCKY. BUT IT'S TRUE, MR. STEVEN 443 00:27:38,023 --> 00:27:41,526 SPIELBERG THE GREAT AND BRILLIANT STEVEN SPIELBERG, WE 444 00:27:41,593 --> 00:27:46,664 HAD A MEETING AND I HAD-- THEY SAID READ THIS, MIKE-- BOOK 445 00:27:46,731 --> 00:27:48,299 MICHAEL CRITON AND THERE IS THIS PART IN IT. 446 00:27:48,366 --> 00:27:51,403 AND HE MET ME AND HE SAID THIS IS MOOT AT THIS POINT, I THINK, 447 00:27:51,469 --> 00:27:55,907 BECAUSE IT'S GOING THROUGH REVISIONS AND THE PART IS NO 448 00:27:55,974 --> 00:27:58,143 MORE. AND YOU KNOW, I SAID WELL BEFORE 449 00:27:58,209 --> 00:28:02,580 I LEAVE OFF THE TOP OF MY HEAD I READ THE BOOK, HERE'S WHY THAT 450 00:28:02,647 --> 00:28:04,916 CHARACTER MIGHT BE INTERESTING. AND YOU KNOW, YOU KNOW ABOUT 451 00:28:04,983 --> 00:28:07,986 SORRIES MORE THAN I DO BUT I THINK THAT CHARACTER COULD 452 00:28:08,053 --> 00:28:10,488 BE-- ANYWAY, I'M SURE THAT HAD NO IMPACT BUT LUCKILY, 453 00:28:10,555 --> 00:28:13,458 COINCIDENTALLY THE CHARACTER WOUND UP IN THIS THING AND I 454 00:28:13,525 --> 00:28:15,493 PLAYED THAT PART FOR A FEW MOVIES, YEAH. 455 00:28:15,560 --> 00:28:17,762 >> James: AND ABSOLUTELY BRILLIANT. 456 00:28:17,829 --> 00:28:20,165 YOU ARE SO GREAT IN THE FILM, YOU REALLY ARE. 457 00:28:20,231 --> 00:28:35,113 AUSTIN, WHEN WERE YOU DOING ELVIS, 458 00:28:35,180 --> 00:28:36,981 AUSTIN, WHEN WERE YOU DOING ELVIS, 459 00:28:37,048 --> 00:28:42,687 YOU WORKED WITH A MOVEMENT COACH. 460 00:28:42,754 --> 00:28:43,822 >> YEAH. >> James: FOR ELVIS TO GET THE 461 00:28:43,888 --> 00:28:45,090 PHYSICALITY OF THE MAN. AND ONE OF THE THINGS SHE ASKED 462 00:28:45,156 --> 00:28:46,224 TO YOU DO WAS TO IDENTIFY, IS THIS RIGHT, IDENTIFY THE ANIMAL 463 00:28:46,291 --> 00:28:47,092 BEHIND THE CHARACTER. >> YES, I MEAN WE TRIED SO MANY 464 00:28:47,158 --> 00:28:48,026 THINGS. AND JUST TRYING TO FINDANY KEY 465 00:28:48,093 --> 00:28:49,227 THAT IS GOING TO INSPIRE YOU IN SOME WAY. 466 00:28:49,294 --> 00:28:50,328 ONE OF THE THINGS WE DID WHICH I HADN'T REALLY WORKED WITH 467 00:28:50,395 --> 00:28:51,796 ANIMALS IN THAT SORT OF WAY BEFORE BUT YES, WE WERE 468 00:28:51,863 --> 00:28:56,434 IDENTIFYING THINGS LIKE CUZ IT'S NOT JUST NE PHYSICAL GESTURE T 469 00:28:56,501 --> 00:28:59,771 HOW DID THAT ANIMAL BREATHE, WHAT IS THE ESENCE OF THAT 470 00:28:59,838 --> 00:29:04,109 ANIMAL. SO ONE WAS LOOKING AT ELVIS' 471 00:29:04,175 --> 00:29:07,946 EYES AND FINDING THE QUALITY OF A CROCODILE WHEN THEY COME UP 472 00:29:08,012 --> 00:29:11,683 FROM UNDERNEATH THE WATER AND THE WAY THAT THEY SCOPE OUT O 473 00:29:11,749 --> 00:29:15,420 THE TERRAIN. SO CROCODILE EYES IS ONE THING 474 00:29:15,487 --> 00:29:20,892 THAT WE WOULD WORK ON. >> WHAT WOULD YOU SAY THE ANIMAL 475 00:29:20,959 --> 00:29:28,933 OF JEFF AND EYE. WHICH ANIMALS WOULD YOU SAY. 476 00:29:29,000 --> 00:29:35,273 >> DO ME FIRST. >> YOU HAVE LIKE A DOG TO ME, OF 477 00:29:35,340 --> 00:29:40,044 SOME SORT, LIKE A LABRADOR. >> HOW DARE YOU. 478 00:29:40,111 --> 00:29:42,881 >> A LABRADOR. >> FRIENDLY. 479 00:29:42,947 --> 00:29:44,916 >> . I JUST WANT TO BE AROUND YOU. 480 00:29:44,983 --> 00:29:49,854 DOGS ARE MY FAVORITE, YEAH. >> THANK YOU, THANK YOU. 481 00:29:49,921 --> 00:29:53,691 HOW DO I EVER. >> I LOVE THAT. 482 00:29:53,758 --> 00:30:00,565 >> LET'S SEE WHO ARE YOU? YOU KNOW, RIGHT NOW I WOULDN'T 483 00:30:00,632 --> 00:30:03,668 SAY THIS INITIALLY BUT YOU HAVE THE QUALITY OF A LION. 484 00:30:03,735 --> 00:30:05,670 YOU KNOW,. >> James: I HAVE NEVER BEEN 485 00:30:05,737 --> 00:30:13,945 THIS AROUSED IN MY LIFE THIS IS HONESTLY THE MOST AROUSED I HAVE 486 00:30:14,012 --> 00:30:15,146 EVER FELT. >> I'M SORRY. 487 00:30:15,213 --> 00:30:19,217 >> James: TO HAVE-- A LION. >> YEAH, ITS COLOR. 488 00:30:19,284 --> 00:30:21,419 >> James: NO ONE WAS THINKING A LION. 489 00:30:21,486 --> 00:30:24,155 >> I SEE IT IN YOUR EYES. >> James: NONE OF YOU THOUGHT 490 00:30:24,222 --> 00:30:26,357 LION. YOU ARE NOT THIS CLOSE TO ME. 491 00:30:26,424 --> 00:30:27,458 >> WHEN ARE YOU RIGHT HERE, I FEEL IT. 492 00:30:27,525 --> 00:30:33,898 >> James: AND YOU ARE HERE, REALLY. 493 00:30:33,965 --> 00:30:36,100 >> James: AT THE END OF AN M.G.M. FILM. 494 00:30:36,167 --> 00:30:40,572 >> ROAR IT OUT. >> James: WHAT ARE YOU? 495 00:30:40,638 --> 00:30:48,079 >> OH, SO I DON'T THINK, I THINK JEFF IS ACTUALLY MORE A LIKE A 496 00:30:48,146 --> 00:30:58,256 CHEETAH, A LEOPARD BECAUSE HE IS QUICK, HE AND YOU I THINK ARE, 497 00:30:58,323 --> 00:31:12,904 GOD, THIS IS FUN, WHAT ARE YOU FEELING, JEFF? 498 00:31:12,971 --> 00:31:18,743 >> James: YOU KNOW WHAT I AM GETTING, A DUCKBILLED PLATY PUS. 499 00:31:18,810 --> 00:31:23,681 I TELL YOU WHY, I TELL YOU WHY. UTTERLY UNIQUE. 500 00:31:23,748 --> 00:31:27,318 UTTERLY UNIQUE, THEY ARE ON LAND. 501 00:31:27,385 --> 00:31:28,953 THEY'RE IN THE SEA. WHERE'S WHIPPING AROUND. 502 00:31:29,020 --> 00:31:32,056 THERE IS NOTHING THEY CAN'T DO DO. 503 00:31:32,123 --> 00:31:33,258 THERE IS NOTHING THEY CAN'T PLAY. 504 00:31:33,324 --> 00:31:38,730 THERE IS NOTHING OUT OF THE LITTLE AM, JUST THEY ARE PART 505 00:31:38,796 --> 00:31:41,666 DUCK, PART PLATY PUS AND THEY ARE JUST RIGHT IN THERE. 506 00:31:41,733 --> 00:31:46,571 YOU KNOW WHY, DO YOU KNOW Y A DUCKBILLED PLATY PUS, THIS IS 507 00:31:46,638 --> 00:31:50,742 HOW I FELT WATCHING THIS, IT GOES, THIS IS WHO I AM. 508 00:31:50,808 --> 00:31:52,910 GET OUT OF THE WAY. nd THAT'S AUSTIN BUTLER THAT 509 00:31:52,977 --> 00:31:54,846 IS WHAT ST. >> I LIKE THAT A LOT. 510 00:31:54,912 --> 00:31:55,913 >> James: WE'LL BE RIGHT BACK, EVERYBODY. 511 00:32:11,996 --> 00:32:13,564 >> James: WELCOME BACK, REGGIE, DO YOU HAVE A QUESTION 512 00:32:13,631 --> 00:32:17,201 FOR OUR GUESTS THIS EVENING? >> Reggie: SI, TONIGHT'S 513 00:32:17,268 --> 00:32:26,411 QUESTION GOES TO-- HERE'S THE QUESTION FOR REAL. 514 00:32:26,477 --> 00:32:29,981 YOU KNOW, YOU GUYS WERE TALKING ABOUT ANIMALS JUST A LITTLE BIT 515 00:32:30,048 --> 00:32:33,851 AGO, IT WASN'T THAT LONG AGO, I WILL ESTIMATE, MAYBE FIVE 516 00:32:33,918 --> 00:32:35,520 MINUTES, FOUR MINUTES. >> WE WERE TALKING ABOUT 517 00:32:35,586 --> 00:32:38,489 ANIMALS, YEAH. >> Reggie: SO WHEN IT COMES TO 518 00:32:38,556 --> 00:32:45,196 SPIDERS, SPIDERS ARE OBVIOUSLY HIGHLY ADVANCED, INCREDIBLY 519 00:32:45,263 --> 00:32:47,932 EFFICIENT HUNTERS THAT USE STRATEGIES OF ALL KINDS, ONE OF 520 00:32:47,999 --> 00:32:51,035 THE GREATEST CREATE EAR-- CREATURES IN THE WORLD, I 521 00:32:51,102 --> 00:32:53,304 WOULD SAY, MORNTIONZ ALL OF THEM. 522 00:32:53,371 --> 00:33:02,480 WHAT AND HOW DO YOU FEEL ABOUT SPIDERS? 523 00:33:02,547 --> 00:33:05,249 >> WELL, I WAS BITEN BY A SPIDER WHEN I WAS A CHILD. 524 00:33:05,316 --> 00:33:11,389 I HAVE THIS, UNREALISTIC FEAR OF THEM NOW BUT I AM WORKING ON 525 00:33:11,456 --> 00:33:15,526 GETTING OVER IT. I TRY TO BE IN THE HOUSINGS I 526 00:33:15,593 --> 00:33:19,997 NEVER KILL A SPIDER, I PUT A CUP OVER IT, LITTLE PAPER UNDER FEET 527 00:33:20,064 --> 00:33:25,203 AND TAKE IT OUT SO WE'RE GETTING TO A POINT OF LOVE, I RESPECT 528 00:33:25,269 --> 00:33:31,042 THEIR PLACE IN THE ECOSYSTEM AND THAT'S HOW I FEEL. 529 00:33:31,109 --> 00:33:33,211 >> VERY GOOD, WHERE WERE YOU BIT EPP BY A SPIDER. 530 00:33:33,277 --> 00:33:35,313 >> ON MY SIDE. >> I USED TO CLIMB THROUGH THE 531 00:33:35,380 --> 00:33:41,986 TREES A LOT AS A KID IN MY YARD AND JUST REMEMBER THIS SEERING 532 00:33:42,053 --> 00:33:46,924 PAIN AND CAME IN AND WAS CRYING TO MY MOM AND SHE TOOK MY SHIRT 533 00:33:46,991 --> 00:33:50,361 OFF AND A SPIDER FELL OUT AND FROM THAT MOMENT THE IMAGE OF 534 00:33:50,428 --> 00:33:52,130 THAT SPIDER I THINK INSTILLED FEAR IN ME FROM CHILDHOOD. 535 00:33:52,196 --> 00:33:55,933 >> THEY CAN BE SCARY. I AM A LITTLE FRIGHTENED OF 536 00:33:56,000 --> 00:33:57,201 THEM. BUT HEARING THIS, I NOW KNOW 537 00:33:57,268 --> 00:34:04,609 MORE ABOUT SPIDERS THAN I EVER DID BEFORE THANKS TO YOUR LITTLE 538 00:34:04,675 --> 00:34:07,678 SKETCH AND HAVING DONE THE DINOSAUR MOVIE I'M NOW IMMERSED 539 00:34:07,745 --> 00:34:11,983 IN THE SAME KIND OF CREEDO WHICH IS THAT ALL CREATURES ARE BOND 540 00:34:12,049 --> 00:34:16,287 RUSS AND MIRACULOUS AND HAVE THE RIGHT TO AS MUCH SAFETY AND 541 00:34:16,354 --> 00:34:17,989 LIBERTY AS WE DO. WE HAVE TO FIGURE OUT HOW TO 542 00:34:18,055 --> 00:34:20,758 STAY OUT OF THEIR TERRITORY IF THERE IS SOME PROBLEM WITH US, 543 00:34:20,825 --> 00:34:25,029 ET CETERA, ET CETERA. BUT THAT BEING SAID, YOU KNOW, 544 00:34:25,096 --> 00:34:27,598 THEY CAN CREEP ME OUT HERE AND THERE BECAUSE I KNOW NOTHING 545 00:34:27,665 --> 00:34:34,405 ABOUT THEM AND SOME OF THEM ARE FROM WHAT I GATHER, ARE LETHAL 546 00:34:34,472 --> 00:34:37,208 AND DANGEROUS SO YOU KNOW, I DON'T KNOW. 547 00:34:37,275 --> 00:34:41,212 AND THEY'RE VERY FRAGILE AND BEAUTIFUL BUT YES, TAKE THEM 548 00:34:41,279 --> 00:34:46,784 OUTSIDE, DON'T HURT THEM, DON'T HURT ANY OF THEM, YES. 549 00:34:46,851 --> 00:34:52,523 >> James: REG S THAT RIGHT. >> Reggie:S TOALMENTE 550 00:34:52,590 --> 00:34:53,624 CORRECTO. >> James: IT IS CORRECTO. 551 00:34:53,691 --> 00:34:55,960 PLEASE THANK OUR AMAZING GETIONS, AUSTIN BUTLER, JEFF 552 00:34:56,027 --> 00:34:57,028 GOLDBLUM, WE'LL BE RIGHT BACK, EVERYBODY. 553 00:35:13,978 --> 00:35:15,046 >> James: WELCOME BACK. THERE ARE 554 00:35:15,112 --> 00:35:16,147 THEY'RE A MULTIPLE GRAMMY AWARD-WINNING COUNTRY BAND, 555 00:35:16,214 --> 00:35:18,916 THEIR LATEST ALBUM, "THE COMEBACK" IS OUT RIGHT NOW. 556 00:35:18,983 --> 00:35:20,184 HERE PERFORMING, "OUT IN THE MIDDLE," PLEASE WELCOME, ZAC 557 00:35:20,251 --> 00:35:32,196 BROWN BAND! 558 00:35:32,263 --> 00:35:40,938 ♪ ♪ ♪ ♪ ♪ ♪ 559 00:35:41,005 --> 00:35:42,340 ♪ THERE'S AN OLD RURAL 560 00:35:42,406 --> 00:35:44,108 ROUTE TWO-LANE ♪ TAKE IT OUT 561 00:35:44,175 --> 00:35:46,210 PAST WHERE THE RADIO ♪ JUST CAN'T 562 00:35:46,277 --> 00:35:48,579 PAST THE RIVER BRIDGE ♪ WITH A ROPE SWING 563 00:35:48,646 --> 00:35:51,749 AND A MAILBOX ♪ PAINTED ALL JOHN DEERE GREEN 564 00:35:51,816 --> 00:35:54,218 THE END OF A BUNCH ♪ OF GRAVEL DRIVEWAY 565 00:35:54,285 --> 00:36:00,258 OUT HERE DOING OUR OWN THING ♪ OUT IN THE MIDDLE 566 00:36:00,324 --> 00:36:02,193 WHERE THE HARD WORK ♪ MEETS HARD LIVING 567 00:36:02,260 --> 00:36:06,197 OUT IN THE MIDDLE ♪ WHERE WE'RE GROWN 568 00:36:06,264 --> 00:36:09,066 TILL WE'RE GONE ♪ GOD WILLING 569 00:36:09,133 --> 00:36:11,836 JUST SOME GOOD OLD BOYS ♪ AND GOOD OLD GIRLS 570 00:36:11,903 --> 00:36:14,205 HUNTING RED DIRT DREAMS ♪ IN A CONCRETE WORLD 571 00:36:14,272 --> 00:36:29,153 GETTING BY ON JUST A LITTLE ♪ OUT IN THE MIDDLE 572 00:36:29,220 --> 00:36:30,321 GETTING BY ON JUST A LITTLE ♪ OUT IN THE MIDDLE 573 00:36:30,388 --> 00:36:35,159 ♪ ♪ ♪ COME FRIDAY 574 00:36:35,226 --> 00:36:36,994 ♪ WE COME UNDONE STAY HALF-LIT 575 00:36:37,061 --> 00:36:40,898 ♪ LIKE THE HIGH LIFE NEON BARELY HANGING ON 576 00:36:40,965 --> 00:36:43,000 ♪ LIKE SHEDS IN THE POLE BARN YOU CAN HEAR HANK 577 00:36:43,067 --> 00:36:49,006 ♪ CLEAR 'CROSS THE NEXT FARM CITY FOLK SAY WE'RE CRAZY 578 00:36:49,073 --> 00:36:53,678 ♪ BUT THEY AIN'T NEVER BEEN WAY OUT IN THE MIDDLE 579 00:36:53,744 --> 00:36:58,182 ♪ WHERE THE HARD WORK MEETS HARD LIVING 580 00:36:58,249 --> 00:36:59,450 ♪ OUT IN THE MIDDLE WHERE WE'RE GROWN 581 00:36:59,517 --> 00:37:05,256 ♪ TILL WE'RE GONE GOD WILLING 582 00:37:05,323 --> 00:37:06,991 ♪ JUST SOME GOOD OLD BOYS AND GOOD OLD GIRLS 583 00:37:07,058 --> 00:37:12,997 HUNTING RED DIRT DREAMS ♪ IN A CONCRETE WORLD 584 00:37:13,064 --> 00:37:18,202 GETTING BY ON JUST A LITTLE ♪ OUT IN THE MIDDLE OF NOWHERE 585 00:37:18,269 --> 00:37:25,009 THAT'S WHERE I WANNA BE ♪ IN THE OLD OAK SHADE 586 00:37:25,076 --> 00:37:34,185 BY THE FAMILY GRAVES ♪ WITH THE SOUTHERN GROUND ON ME 587 00:37:34,251 --> 00:37:42,994 ♪ ♪ ♪ ♪ ♪ ♪ 588 00:37:43,060 --> 00:37:45,329 ♪ OUT IN THE MIDDLE WHERE THE HARD WORK 589 00:37:45,396 --> 00:37:47,698 ♪ MEETS HARD LIVING OUT IN THE MIDDLE 590 00:37:47,765 --> 00:37:49,000 ♪ WHERE WE'RE GROWN TILL WE'RE GONE 591 00:37:49,066 --> 00:37:54,205 ♪ GOD WILLING JUST SOME GOOD OLD 592 00:37:54,271 --> 00:37:58,209 ♪ AND GOOD OLD GIRLS HUNTING RED DIRT DREAMS 593 00:37:58,275 --> 00:38:06,183 ♪ IN A CONCRETE WORLD GETTING BY 594 00:38:06,250 --> 00:38:10,187 ♪ ON JUST A LITTLE OUT IN THE MIDDLE ♪ 595 00:38:10,254 --> 00:38:11,889 ( CHEERS AND APPLAUSE ) >> James: ZAC BROWN BAND, 596 00:38:11,956 --> 00:38:13,891 EVERYBODY! YOU CAN CHECK THEM OUT ON TOUR 597 00:38:13,958 --> 00:38:15,960 THIS SUMMER. WE'LL BE RIGHT BACK. 598 00:38:30,975 --> 00:38:35,913 SHOW TO LONDON WE'VE GOT SOME FUN THINGS PLANNED, AND SO MANY 599 00:38:35,980 --> 00:38:38,916 INCREDIBLE GUESTS: PRESIDENT JOE BIDEN, BILLIE EILISH, ED 600 00:38:38,983 --> 00:38:42,920 SHEERAN, DAVID HARBOUR, VIN DIESEL, ALANIS MORRISETTE, JOHN 601 00:38:42,987 --> 00:38:44,789 BOYEGA, AND SAM SMITH, PLUS A GRAWRMEE DISORNAN, TESSA 602 00:38:44,855 --> 00:38:50,661 THOMPSON, SAM SMITH PLUS WE HAVE A BRAND NEW CARPOOL KARAOKE WITH 603 00:38:50,728 --> 00:38:52,196 LIZZO. BE SURE TO TUNE IN. 604 00:38:52,263 --> 00:38:53,397 AND THANK YOU ONCE AGAIN TO SIPSMITH FOR SPONSORING OUR BAR 605 00:38:53,464 --> 00:38:59,136 ALL THIS WEEK. WE CAN'T WAIT TO SEE THEM IN 606 00:38:59,203 --> 00:39:00,805 LONDON. WE'LL SEE YOU THEN, REGGIE, TAKE 607 00:39:00,871 --> 00:39:02,873 US HOME.