1 00:00:02,736 --> 00:00:06,172 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:06,239 --> 00:00:11,244 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY, BABY 3 00:00:11,311 --> 00:00:15,515 ♪ WHERE YOU COME FROM IT'LL BE ALL RIGHT 4 00:00:15,582 --> 00:00:18,485 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: THAT'S RIGHT IT'S 5 00:00:18,551 --> 00:00:22,155 THE LATE LATE SHOW. YOU'RE NOT GOING TO BELIEVE THIS 6 00:00:22,222 --> 00:00:30,196 BUT AN INCREDIBLE PERSON LIES JUST BEYOND SILKEN CURTAINS. 7 00:00:30,263 --> 00:00:33,867 GIVE IT UP FOR THE ONE AND ONLY JAMES CORDEN! 8 00:00:33,933 --> 00:00:38,405 >> James: HELLO! THANK YOU VERY, VERY MUCH. 9 00:00:38,471 --> 00:00:41,708 WHAT A PLEASURE TO SEE YA. THANK YOU VERY, VERY MUCH FOR 10 00:00:41,775 --> 00:00:45,278 COMING OUT, EVERYBODY. CHEERS, GUYS. 11 00:00:45,345 --> 00:00:49,249 HELLO, GOOD EVENING AND WELCOME TO "THE LATE LATE SHOW." 12 00:00:49,315 --> 00:00:51,851 BLESS YOU FOR BEING HERE. THANKS FOR STOPPING BY TO HANG 13 00:00:51,918 --> 00:00:54,954 OUT FOR A LITTLE MINUTE. THANKS, EVERYBODY. 14 00:00:55,021 --> 00:00:59,159 LET'S TAKE A LOOK TO SEE WHO OUR GUESTS ARE ON THE SHOW TONIGHT. 15 00:00:59,225 --> 00:01:00,593 SHE'S THE EMMY AWARD-WINNING HOST OF "MAKING THE CUT"AND AN 16 00:01:00,660 --> 00:01:03,196 ICONIC SUPERMODEL, THE ONE, THE ONLY, HEIDI KLUM! 17 00:01:03,263 --> 00:01:06,166 [CHEERS AND APPLAUSE] HEIDI! 18 00:01:06,232 --> 00:01:08,635 HOW ARE YOU? >> GREAT, HOW ARE YOU? 19 00:01:08,701 --> 00:01:11,438 I'M HAPPY TO SEE YOU. >> James: I'M VERY WELL. 20 00:01:11,504 --> 00:01:13,706 HEIDI, I LOVE THIS DRESS. >> THANK YOU. 21 00:01:13,773 --> 00:01:15,608 >> James: THIS IS SENSATIONAL! >> THANK YOU. 22 00:01:15,675 --> 00:01:18,011 >> James: WHERE DOES SOMEONE FIND SUCH A THING? 23 00:01:18,077 --> 00:01:22,816 >> YOU KNOW. >> James: WHAT? 24 00:01:22,882 --> 00:01:24,918 WHAT DID SHE SAY? >> NAME COM. 25 00:01:24,984 --> 00:01:29,055 >> James: FROM WHERE? >> NAME COM. 26 00:01:29,122 --> 00:01:32,659 THE DESIGNER. >> THOUGHT I'D RAZZLE AND DAZZLE 27 00:01:32,725 --> 00:01:36,729 IT UP FOR YOU TODAY. >> James: YOU'VE RAZZLED AND 28 00:01:36,796 --> 00:01:39,199 DAZZLED US BEYOND BELIEF. WE LOVE YOU. 29 00:01:39,265 --> 00:01:42,802 HEIDI KLUM, EVERYBODY! HE'S BEEN CALLED "THE FELLINI OF 30 00:01:42,869 --> 00:01:44,003 PHOTOGRAPHY," HIS WORK HAS GRACED MAGAZINE 31 00:01:44,070 --> 00:01:45,438 COVERS, MUSIC VIDEOS, FILM, TELEVISION AND TOUCHED ALMOST 32 00:01:45,505 --> 00:01:52,212 EVERY CORNER OF POP CULTURE. THE MAN, THE MYTH, THE LEGEND: 33 00:01:52,278 --> 00:01:58,585 PHOTOGRAPHER DAVID LACHAPELLE! [CHEERS AND APPLAUSE] 34 00:01:58,651 --> 00:02:00,186 DAVID! HOW ARE YOU? 35 00:02:00,253 --> 00:02:01,454 >> I'M GREAT. THANK YOU. 36 00:02:01,521 --> 00:02:03,790 >> James: IT'S SUCH AN HONOR TO HAVE YOU HERE. 37 00:02:03,857 --> 00:02:05,758 I'M SO THRILLED TO MEET YOU. THANKS FOR COMING ON. 38 00:02:05,825 --> 00:02:08,061 HOW ARE YOU DOING? HAVE YOU GOT EVERYTHING YOU 39 00:02:08,127 --> 00:02:09,295 NEED? >> I'VE GOT EVERYTHING I NEED. 40 00:02:09,362 --> 00:02:11,798 >> James: ARE YOU SURE? >> YEAH, NO, I'M PERFECT. 41 00:02:11,865 --> 00:02:14,033 THANK YOU. >> James: BECAUSE WHEN YOU'RE 42 00:02:14,100 --> 00:02:17,103 HERE, YOU COULD SNAP YOUR FINGER AND SAY ANYTHING YOU WANT AND 43 00:02:17,170 --> 00:02:19,138 IT'LL BE THERE. >> I'M PERFECT, THANK YOU. 44 00:02:19,205 --> 00:02:24,911 >> James: I'LL SEND NICK BERNSTEIN OUT TO THE SHOP 45 00:02:24,978 --> 00:02:30,283 ANYTIME YOU NEED. WE LOVE YOU, DAVID LACHAPPELLE, 46 00:02:30,350 --> 00:02:31,684 EVERYBODY! THIS IS EXCITING. 47 00:02:31,751 --> 00:02:34,754 HE'S THE CO-HEAD WRITER OF THE "THE LATE LATE SHOW," EVERY 48 00:02:34,821 --> 00:02:37,857 NIGHT YOU SEE HIM SIT IN AND MAKE US ALL LAUGH WITH SOME OF 49 00:02:37,924 --> 00:02:44,130 THE FUNNIEST INSIDES OF THE MONOLOGUE WORLD. 50 00:02:44,197 --> 00:02:46,599 ONE OF THE BEST STAND-UP COMEDIANS WORKING TODAY AND THE 51 00:02:46,666 --> 00:02:50,670 CO-HOST OF THE ALL-FANTASY EVERYTHING PODCAST, OUR FRIEND, 52 00:02:50,737 --> 00:02:54,674 YOUR FRIEND GIVING US STAND-UP COMEDY TONIGHT, IAN KARMEL IS 53 00:02:54,741 --> 00:02:58,645 HERE! THERE HE IS! 54 00:02:58,711 --> 00:03:02,782 HOW ARE YOU, BABY? >> THIS IS SUCH A TRIP. 55 00:03:02,849 --> 00:03:06,619 I DON'T THINK THAT DAVID, HEIDI AND I HAVE BEEN TOGETHER SINCE 56 00:03:06,686 --> 00:03:09,088 THE BOAT PARTY IN 2006. >> James: THAT WAS A GREAT 57 00:03:09,155 --> 00:03:12,392 ONE, HEY! WHY HAVE YOU EVEN GOT A DRESSING 58 00:03:12,458 --> 00:03:13,726 ROOM? >> WHAT ARE YOU TALKING ABOUT? 59 00:03:13,793 --> 00:03:17,230 >> James: LITERALLY GOT YOUR OWN OFFICE HERE. 60 00:03:17,297 --> 00:03:19,365 YOUR OWN OFFICE WHICH IS 19 STEPS AWAY. 61 00:03:19,432 --> 00:03:21,467 WHY HAVE YOU GOT A DRESSING ROOM? 62 00:03:21,534 --> 00:03:27,407 >> MY OFFICE DOESN'T HAVE A SMALL AMOUNT OF HUMMUS IN IT 63 00:03:27,473 --> 00:03:32,211 AND, BABY, MY GREEN ROOM DOES! >> James: HA-HA. 64 00:03:32,278 --> 00:03:40,153 IAN, THIS IS DANA. IAN'S FIANCE BUT FOR ONLY SIX 65 00:03:40,219 --> 00:03:43,222 MORE DAYS! SIX MORE DAYS! 66 00:03:43,289 --> 00:03:45,024 YEAH. YEAH. 67 00:03:45,091 --> 00:03:46,626 AND THEN SHE'S GOING TO LEAVE HIM. 68 00:03:46,693 --> 00:03:50,229 HE DOESN'T KNOW YET. HE DOESN'T KNOW YET. 69 00:03:50,296 --> 00:03:53,132 THAT'S WHAT DANA IS -- YEAH. THEY'RE NOT GETTING MARRIED OR 70 00:03:53,199 --> 00:03:54,300 ANYTHING. SHE'S GOING TO LEAVE HIM ON 71 00:03:54,367 --> 00:03:59,005 SUNDAY. SHE HAS PLANS. 72 00:03:59,072 --> 00:04:06,779 THINK ABOUT THAT. YOU REALLY GET INTO THAT HUMMUS, 73 00:04:06,846 --> 00:04:12,885 BABY. WE LOVE YOU. 74 00:04:12,952 --> 00:04:16,823 ROLL THE TITLES! 75 00:04:18,091 --> 00:04:20,760 ♪ THE LATE LATE SHOW, OH, OH 76 00:04:20,827 --> 00:04:23,496 THE LATE LATE SHOW, WOO! ♪ THE LATE LATE SHOW, OH, OH 77 00:04:23,563 --> 00:04:31,204 THE LATE LATE SHOW OH-OH! ♪ IT'S THE LATE, LATE SHOW ♪ 78 00:04:31,270 --> 00:04:32,572 >> James: IT CERTAINLY IS HAPPY MONDAY, EVERYBODY. 79 00:04:32,639 --> 00:04:35,008 IAN IS DOING STAND-UP TONIGHT. HE'S UP THERE GETTING READY 80 00:04:35,074 --> 00:04:40,279 WHICH MEANS YOU LUCKY DEVILS, OUR-HEAD WRITER LAUREN GREENBERG 81 00:04:40,346 --> 00:04:42,715 IS SITTING IN ON IAN'S DESK TONIGHT. 82 00:04:42,782 --> 00:04:45,418 NICE TO SEE YOU, LAUREN. GUESS WHAT I DID? 83 00:04:45,485 --> 00:04:48,755 GUESS WHAT I DID LAST NIGHT? FIRST TIME EVER, NEVER DONE THIS 84 00:04:48,821 --> 00:04:52,492 BEFORE. I WATCHED -- OUT OF CHARACTER 85 00:04:52,558 --> 00:04:56,696 FOR ME -- I WATCHED THE "GAME OF THRONES" SPINOFF! 86 00:04:56,763 --> 00:04:58,598 YEAH. WHAT'S IT CALLED? 87 00:04:58,665 --> 00:05:02,168 >> HOUSE OF DRAGONS. >> James: HOUSE OF DRAGONS. 88 00:05:02,235 --> 00:05:06,105 HOUSE OF -- ONE DRAGON? >> ONE DRAGON. 89 00:05:06,172 --> 00:05:08,808 >> James: HOUSE OF DRAGON. I WATCHED IT. 90 00:05:08,875 --> 00:05:12,211 I NEVER WATCHED AN EPISODE OF "GAME OF THRONES" EVER BECAUSE 91 00:05:12,278 --> 00:05:18,618 IT GOT TO -- BY THE TIME PEOPLE WERE SO INTO IT, I WAS LIKE, OK, 92 00:05:18,685 --> 00:05:20,453 I'M NOT GOING TO -- >> GET IT! 93 00:05:20,520 --> 00:05:24,791 >> James: I'M NOT GOING TO BE IN NOW. 94 00:05:24,857 --> 00:05:25,892 I FIGURED THIS IS ONLY EPISODE TWO. 95 00:05:25,958 --> 00:05:28,227 ALL SHOT IN BRITAIN. I THOUGHT I'M GOING TO DIVE IN. 96 00:05:28,294 --> 00:05:30,630 I GOT NEWS FOR YOU. ENJOYED IT! 97 00:05:30,697 --> 00:05:35,101 [LAUGHTER] [CHEERS AND APPLAUSE] 98 00:05:35,168 --> 00:05:37,570 I DID NOT SEE THAT COMING. >> I WAS REALLY HOPING YOU WERE 99 00:05:37,637 --> 00:05:43,943 GOING TO SAY YOU WERE WATCHING "SELLING OC" IT'S LIKE SELLING 100 00:05:44,010 --> 00:05:46,179 SUNSET BUT IN THE OC. THE NEW SPINOFF. 101 00:05:46,245 --> 00:05:49,816 YOU GUYS KNOW T RIGHT? IT IS SUCH TRASH! 102 00:05:49,882 --> 00:05:53,019 >> James: WHY ARE PEOPLE JUST NOW SELLING [BLEEP] ALL THE 103 00:05:53,086 --> 00:05:57,924 TIME? >REAL ESTATE? 104 00:05:57,990 --> 00:06:02,061 >> PEOPLE WHO COULDN'T MAKE IT AS SOAP ACTORS SELLING REAL 105 00:06:02,128 --> 00:06:03,162 ESTATE. >> James: IS THAT WHAT IT IS? 106 00:06:03,229 --> 00:06:06,599 >> YEAH. >> James: THEY'RE ALL SUPER 107 00:06:06,666 --> 00:06:07,767 HOT? >> STUNNING. 108 00:06:07,834 --> 00:06:10,303 THEY'RE ALL WEARING CROP TOPS AND STILLETTOS TO SELL THESE 109 00:06:10,369 --> 00:06:12,538 PROPERTIES. DO PEOPLE ACTUALLY DRESS LIKE 110 00:06:12,605 --> 00:06:15,608 THAT? AT WORK? 111 00:06:15,675 --> 00:06:17,510 I DON'T KNOW. IT'S SO WILD. 112 00:06:17,577 --> 00:06:20,480 >> James: I HAVEN'T WATCHED THAT. 113 00:06:20,546 --> 00:06:24,617 I WON'T WATCH THE SELLINGS. I WON'T DO THAT I FEEL LIKE MY 114 00:06:24,684 --> 00:06:27,687 -- WHAT'S IT CALLED? >> GAME OF DRAGON. 115 00:06:27,754 --> 00:06:30,223 >> HOUSE OF THE DRAGON. >> IT IS GAME OF THE DRAGON. 116 00:06:30,289 --> 00:06:33,059 >> James: HOUSE OF THE DRAGON. >> SORRY. 117 00:06:33,126 --> 00:06:37,396 >> James: SELLING DRAGONS! THAT'S WHAT I'LL WATCH. 118 00:06:37,463 --> 00:06:38,765 SELLING DRAGONS IS A SHOW I'LL WATCH. 119 00:06:38,831 --> 00:06:43,302 [APPLAUSE] I REALLY FEEL LIKE THIS IS A BIG 120 00:06:43,369 --> 00:06:47,774 MOMENT FOR ME, AND IT'S GOING FOR NOTHING! 121 00:06:47,840 --> 00:06:52,979 FOR THE LAST SEVEN YEARS, I'VE BEEN HERE AND ONCE A WEEK, 122 00:06:53,045 --> 00:06:55,815 PEOPLE ARE LIKE, WHAT? YOU NEVER WATCHED "GAME OF 123 00:06:55,882 --> 00:06:57,984 THRONES?" LIKE THAT. 124 00:06:58,050 --> 00:07:01,854 AND NOW I FEEL LIKE I'VE GONE IN AT 2, MORE THAN THAT, I'VE GONE 125 00:07:01,921 --> 00:07:05,958 OUT ON A LIMB AND SAID I ENJOYED IT, AND I FEEL LIKE YOU SHOULD 126 00:07:06,025 --> 00:07:09,328 BE LOOKING AT ME GOING, OH YEAH. YOU KNOW WHAT? 127 00:07:09,395 --> 00:07:13,432 >> DID YOU LIKE IT SO MUCH YOU'LL GO BACK AND WATCH EPISODE 128 00:07:13,499 --> 00:07:15,001 1? >> James: I DON'T THINK I NEED 129 00:07:15,067 --> 00:07:18,704 TO GO BACK AND WATCH EPISODE 1. I GET IT. 130 00:07:18,771 --> 00:07:23,042 LOOK, GUYS, WE CAN SIT HERE ALL DAY OF TALKING OF DRAGONS AND 131 00:07:23,109 --> 00:07:24,410 SELLINGS AND ALL OF THOSE THINGS. 132 00:07:24,477 --> 00:07:27,280 WE CAN SIT HERE EVERY MINUTE OF THE DAY. 133 00:07:27,346 --> 00:07:30,616 IT'S NOT WHAT AMERICA WANTS, NEEDS, DESIRES. 134 00:07:30,683 --> 00:07:32,985 AMERICA NEEDS WHAT WE'RE GOING TO GIVE YOU RIGHT NOW AND THAT 135 00:07:33,052 --> 00:07:39,192 -- I SHOULD HAVE THOUGHT THIS OUT -- IT'S TIME FOR THE NEWS! 136 00:07:39,258 --> 00:07:41,994 ACCORDING TO A NEW POLL, THE POLITICIAN WITH THE HIGHEST 137 00:07:42,061 --> 00:07:45,331 FAVORABILITY AMONG POTENTIAL 2024 CONTENDERS IS... BERNIE 138 00:07:45,398 --> 00:07:54,240 SANDERS. BERNIE CAME IN FIRST, WITH JOE 139 00:07:54,307 --> 00:07:57,510 BIDEN AND DONALD TRUMP TYING FOR SECOND. 140 00:07:57,577 --> 00:08:02,415 AH, THE FACES OF GEN Z! [LAUGHTER] 141 00:08:02,481 --> 00:08:05,418 IN A POLL ABOUT WHO PEOPLE MOST WANT FOR PRESIDENT IN 2024, 142 00:08:05,484 --> 00:08:11,157 BIDEN AND TRUMP ARE TIED FOR SECOND PLACE. 143 00:08:11,224 --> 00:08:12,592 AND YET EVERY DAY SOMEONE SAYS TO ME, "WHY DO 144 00:08:12,658 --> 00:08:16,495 YOU WANNA GO BACK TO ENGLAND, JAMES?" 145 00:08:16,562 --> 00:08:19,432 I FEEL BAD FOR BERNIE SANDERS, I DO. 146 00:08:19,498 --> 00:08:23,569 HE'S LIKE THE NICE GUY IN HIGH SCHOOL WHO ALWAYS GETS 147 00:08:23,636 --> 00:08:25,004 FRIEND-ZONED. DO YOU KNOW WHAT I MEAN? 148 00:08:25,071 --> 00:08:26,272 EVERYONE IS LIKE "UGH, BERNIE, YOU'RE SO GREAT. 149 00:08:26,339 --> 00:08:30,710 I WISH I COULD FIND A PRESIDENT LIKE YOU" BEFORE SPEEDING OFF ON 150 00:08:30,776 --> 00:08:36,983 THE BACK OF JOE BIDEN'S HARLEY. IN OTHER NEWS, DONALD TRUMP'S 151 00:08:37,049 --> 00:08:39,752 SOCIAL MEDIA APP, TRUTH SOCIAL, IS REPORTEDLY FACING SEVERE 152 00:08:39,819 --> 00:08:42,154 FINANCIAL ISSUES, AND IS CURRENTLY STIFFING A VENDOR FOR 153 00:08:42,221 --> 00:08:46,759 MORE THAN $1 MILLION. IT'S 2022. 154 00:08:46,826 --> 00:08:48,861 IF YOU WILLINGLY DO WORK WITH A TRUMP BUSINESS, THE PROBLEM IS 155 00:08:48,928 --> 00:08:50,196 YOU. YOU KNEW WHAT WAS GOING TO 156 00:08:50,263 --> 00:08:57,870 HAPPEN. OK? 157 00:08:57,937 --> 00:08:59,071 [APPLAUSE] YOU MUST HAVE SEEN THIS! 158 00:08:59,138 --> 00:09:02,341 TRUMP REFUSED TO PAY OVER $1 MILLION TO A VENDOR BUT HE'S 159 00:09:02,408 --> 00:09:05,578 CURRENTLY NEGOTIATING WITH THEM. HE WAS LIKE, "INSTEAD OF CASH, 160 00:09:05,645 --> 00:09:09,548 HOW ABOUT A STACK OF THESE CLASSIFIED DOCUMENTS FROM 161 00:09:09,615 --> 00:09:15,254 MAR-A-LAGO?" LAUREN, YOU'RE ALWAYS ON TOP OF 162 00:09:15,321 --> 00:09:16,522 ALL SOCIAL MEDIA TRENDS, DO YOU HAVE A TRUTH SOCIAL ACCOUNT SET 163 00:09:16,589 --> 00:09:20,660 UP? >> NO, BUT I FEEL LIKE I SHOULD 164 00:09:20,726 --> 00:09:23,729 JUST SO I COULD CONNECT WITH MY DAD A LITTLE MORE BECAUSE -- 165 00:09:23,796 --> 00:09:26,632 [LAUGHTER] -- BECAUSE EVERYTHING HE POSTS 166 00:09:26,699 --> 00:09:33,906 IS LIKE -- HA-HA. [APPLAUSE] 167 00:09:33,973 --> 00:09:35,274 >> James: AND FINALLY, A LUXURY HOTEL IN CANADA HAS JUST 168 00:09:35,341 --> 00:09:37,410 DISCOVERED ITS FAMOUS PHOTOGRAPH OF WINSTON CHURCHILL, WORTH OVER 169 00:09:37,476 --> 00:09:39,245 $100,000, WAS STOLEN AND REPLACED WITH 170 00:09:39,312 --> 00:09:44,150 A COPY, PERHAPS MONTHS AGO. THE ICONIC PORTRAIT IS 171 00:09:44,216 --> 00:09:46,819 CONSIDERED ONE OF THE MOST WIDELY REPRODUCED IMAGES IN THE 172 00:09:46,886 --> 00:09:50,189 HISTORY OF PHOTOGRAPHY. WHICH I WOULD ARGUE IS A 173 00:09:50,256 --> 00:09:54,126 COMPELLING REASON NOT TO HANG THE ORIGINAL IN A PUBLIC PLACE. 174 00:09:54,193 --> 00:09:57,863 LOOK AT THAT PHOTO! LOOK. 175 00:09:57,930 --> 00:10:00,599 LOOK AT THAT. HE LOOKS LIKE MY DAD WHEN I TOLD 176 00:10:00,666 --> 00:10:06,639 HIM I WANTED TO WORK IN THEATER. IT'S TAKEN MONTHS FOR THE STAFF 177 00:10:06,706 --> 00:10:08,341 TO REALIZE THE PHOTO WAS STOLEN AND REPLACED WITH A FAKE. 178 00:10:08,407 --> 00:10:11,110 I DON'T WANT TO SAY THAT THE SWAP SHOULD'VE BEEN OBVIOUS, BUT 179 00:10:11,177 --> 00:10:15,815 THIS WAS THE REPLACEMENT IMAGE... 180 00:10:15,881 --> 00:10:17,950 [LAUGHTER] AND THAT'S THE NEWS! 181 00:10:18,017 --> 00:10:21,654 WE'LL BE RIGHT BACK WITH HEIDI KLUM AND DAVID LACHAPELLE! 182 00:10:39,338 --> 00:10:40,573 >> James: LET'S MEET OUR GUESTS TONIGHT! 183 00:10:40,639 --> 00:10:43,843 SHE'S A JUDGE ON "AMERICA'S GOT TALENT," HEIDI KLUM! 184 00:10:43,909 --> 00:10:55,955 [CHEERS AND APPLAUSE] >> James: HIS EXHIBITION "MAKE 185 00:10:56,022 --> 00:10:59,091 BELIEVE" DEBUTS THIS FALL IN NEW YORK CITY AT FOTOGRAFISKA, DAVID 186 00:10:59,158 --> 00:11:14,040 LACHAPELLE! [CHEERS AND APPLAUSE] 187 00:11:14,106 --> 00:11:14,306 LACHAPELLE! [CHEERS AND APPLAUSE] 188 00:11:20,146 --> 00:11:22,181 >> James: BLESS YOU FOR BEING HERE. 189 00:11:22,248 --> 00:11:24,083 THANK YOU SO MUCH FOR COMING. DAVID, YOU HAVE HAD SUCH A 190 00:11:24,150 --> 00:11:27,953 LEGENDARY CAREER AS A PHOTOGRAPHER. 191 00:11:28,020 --> 00:11:30,689 WE'RE GOING TO SHOW SOME IMAGES OF SOME OF YOUR WORK. 192 00:11:30,756 --> 00:11:33,959 I'D LOVE YOU TO JUST GIVE ME ONE WORD OR SOMETHING THAT COMES TO 193 00:11:34,026 --> 00:11:36,929 MIND WHEN YOU SEE THESE IMAGES AND YOU REVISIT THEM. 194 00:11:36,996 --> 00:11:38,297 THIS IS WHITNEY HOUSTON RIGHT HERE. 195 00:11:38,364 --> 00:11:39,932 WHAT DO YOU REMEMBER ABOUT THIS SHOOT? 196 00:11:39,999 --> 00:11:42,201 >> HEAVEN. >> James: HEAVEN? 197 00:11:42,268 --> 00:11:45,771 REALLY? >> I JUST -- YOU KNOW, I LOVE 198 00:11:45,838 --> 00:11:46,672 WHITNEY. >> YEAH. 199 00:11:46,739 --> 00:11:48,074 >> SHE CAME. SHE WAS SIX HOURS LATE WITH 200 00:11:48,140 --> 00:11:51,143 BOBBY WHICH IS FINE -- I'M ALWAYS LATE. 201 00:11:51,210 --> 00:11:53,279 I WAS AT THE GYM. I SAID, YOU KNOW, JUST LET THEM 202 00:11:53,345 --> 00:11:56,749 COME WHENEVER THEY COME. THEY SHOWED UP AND I JUST WENT 203 00:11:56,816 --> 00:12:00,719 STRAIGHT UP TO BOBBY, BECAUSE I KNEW -- I SAW BOBBY WHEN HE WAS 204 00:12:00,786 --> 00:12:03,089 YOUNG. I KNEW THAT, YOU KNOW, IT'D BE 205 00:12:03,155 --> 00:12:05,491 GOOD TO GIVE HIM SOME ATTENTION. SHE WAS SO PROUD -- BOBBY, I SAW 206 00:12:05,558 --> 00:12:08,961 YOU WHEN YOU WERE IN NEW EDITION WHEN YOU WERE THIS BIG. 207 00:12:09,028 --> 00:12:11,063 AND WHITNEY WAS JUST BEAMING. IT'S UNCOMFORTABLE WHEN THERE'S 208 00:12:11,130 --> 00:12:13,899 A FAMOUS PERSON, SOMEONE WHO IS NOT AT -- YOU KNOW, SHE'S 209 00:12:13,966 --> 00:12:17,236 GETTING ALL THE ATTENTION, SO THEY -- BOBBY HAD A GOOD TIME. 210 00:12:17,303 --> 00:12:20,706 SO THEY STAYED UNTIL 6:00 IN THE MORNING. 211 00:12:20,773 --> 00:12:23,209 WE SHOT UNTIL 6:00 OR 7:00 IN THE MORNING. 212 00:12:23,275 --> 00:12:25,878 IT WAS JUST ME AND HER. IT WAS THE VERY LAST SHOT WE 213 00:12:25,945 --> 00:12:28,080 DID. IT WAS A SHOT OF HER PRAYING, 214 00:12:28,147 --> 00:12:32,318 AND IT WAS JUST SO BEAUTIFUL. IT WAS JUST SUCH A GOOD MEMORY. 215 00:12:32,384 --> 00:12:35,888 WE DID SO MANY SETUPS. I SAID IF BOBBY IS HAVING A GOOD 216 00:12:35,955 --> 00:12:38,390 TIME, THEY'LL STAY. I MADE SURE BOBBY HAD A GOOD 217 00:12:38,457 --> 00:12:39,992 TIME. BOBBY WAS RUNNING THE SHOW. 218 00:12:40,059 --> 00:12:41,627 >> James: I WANT TO SHOW YOU SOMETHING HERE. 219 00:12:41,694 --> 00:12:45,531 THIS IS SOMETHING I ABSOLUTELY HATE WHEN PEOPLE SUPER IMPOSE 220 00:12:45,598 --> 00:12:48,834 SOMEONE'S FACE ON MY BODY. I DIDN'T MIND YOU DID THIS ONE. 221 00:12:48,901 --> 00:12:51,670 I DIDN'T MIND AT ALL. WHAT DO YOU REMEMBER ABOUT THIS? 222 00:12:51,737 --> 00:12:55,641 WHAT DO YOU REMEMBER ABOUT THIS? >> THAT'S SO FUNNY BECAUSE YOU 223 00:12:55,708 --> 00:12:56,609 HAD NO TATTOOS BACK THEN. THAT'S RIGHT! 224 00:12:56,675 --> 00:12:59,845 >> OH MY GOSH! >> IT'S LIKE A LITTLE BAMBINO. 225 00:12:59,912 --> 00:13:07,153 WELL, I PUT, UM, I PUT -- I SHOT LIKE A ROCK STAR. 226 00:13:07,219 --> 00:13:16,829 DAVID BECKHAM IS A ROCK STAR. I POUT TUPAC SHAKUR'S -- I PUT 227 00:13:16,896 --> 00:13:18,130 ON TUPAC SHAKUR'S SUMMER SONG THAT NEEDED TO HEAR. 228 00:13:18,197 --> 00:13:20,266 I PUT IT ON REALLY LOUD. HE CAME OUT ON THE SET FEELING 229 00:13:20,332 --> 00:13:21,700 LIKE A ROCK STAR. >> James: I MEAN. 230 00:13:21,767 --> 00:13:27,039 I WANT TO SHOW YOU -- LET ME, UM, THIS ONE HERE I REALLY LOVE 231 00:13:27,106 --> 00:13:29,708 THIS BRITTANY. DO YOU REMEMBER SEEING THIS WHEN 232 00:13:29,775 --> 00:13:30,743 THIS CAME OUT. WHAT WAS THIS DAY LIKE? 233 00:13:30,809 --> 00:13:34,613 >> THIS DAY ACTUALLY WAS NOT IN NEW YORK. 234 00:13:34,680 --> 00:13:36,849 THAT WAS SAN DIEGO. >> James: REALLY? 235 00:13:36,916 --> 00:13:41,287 >> NORMALLY, YOUR PICTURES ARE SO BUSY, IT'S ALMOST LIKE 236 00:13:41,353 --> 00:13:43,489 WHERE'S WALDO? THERE'S LIKE 5,000 THINGS 237 00:13:43,556 --> 00:13:46,025 HAPPENING AT THE SAME TIME. IT'S ALWAYS SUPER WILD. 238 00:13:46,091 --> 00:13:50,429 >> James: WHAT AN INCREDIBLE THING TO LOOK BACK ON ALL OF 239 00:13:50,496 --> 00:13:52,932 THESE UNBELIEVABLE IMAGES. WHEN I LOOKED THROUGH THEM, I 240 00:13:52,998 --> 00:13:55,000 COULDN'T BELIEVE HOW MANY I RECOGNIZED AND KNEW EXACTLY 241 00:13:55,067 --> 00:13:58,637 WHERE I WAS AT THAT POINT. I COULD REMEMBER WHEN, YOU KNOW, 242 00:13:58,704 --> 00:14:01,807 WHEN I LEFT HOME, WHEN I DID ALL OF THOSE THINGS. 243 00:14:01,874 --> 00:14:05,211 SEEING THESE ALL THE TIME PEPPERING EVERYTHING ABOUT 244 00:14:05,277 --> 00:14:10,416 CULTURE REALLY. I MEAN, YOUR DAUGHTER -- LAST 245 00:14:10,482 --> 00:14:13,385 WEEK, YOUR DAUGHTER JUST LEFT HOME FOR COLLEGE. 246 00:14:13,452 --> 00:14:18,958 IT'S HER FIRST TIME AWAY, YES? >> IT'S CRAZY THIS WEEKEND, SHE 247 00:14:19,024 --> 00:14:21,860 JUST MOVED IN I CALLED. NORMALLY SHE PICKS UP. 248 00:14:21,927 --> 00:14:25,030 THREE OR FOUR HOURS I DON'T HEAR ANYTHING. 249 00:14:25,097 --> 00:14:28,734 ALREADY MY HEAD IS GOING, WHY IS SHE NOT ANSWERING? 250 00:14:28,801 --> 00:14:29,802 ALREADY THE WORRYING IS STARTING! 251 00:14:29,868 --> 00:14:31,437 IT'S HARD. FIRST THEY HAVE A CAR AND THEN 252 00:14:31,503 --> 00:14:32,638 THEY DRIVE. THAT'S HARD. 253 00:14:32,705 --> 00:14:35,007 THEN THEY MOVE ACROSS THE COUNTRY AND THAT'S EVEN HARDER. 254 00:14:35,074 --> 00:14:38,310 IT'S LIKE -- I'M NONSTOP LIKE SCARED. 255 00:14:38,377 --> 00:14:41,313 >> James: HOW MANY TIMES -- HOW MUCH TIME DO YOU GIVE IT 256 00:14:41,380 --> 00:14:43,849 BETWEEN CALLING AGAIN WHEN SHE HASN'T CALLED BACK? 257 00:14:43,916 --> 00:14:48,721 >> I MEAN, NOW I CALLED -- I CALLED THIS WEEKEND -- EVERY TWO 258 00:14:48,787 --> 00:14:51,257 HOURS I CALL AGAIN. WHY DON'T YOU JUST CALL ME BACK? 259 00:14:51,323 --> 00:14:55,894 NOW I WANT THE NUMBER OF THE ROOMMATE SO I CAN BUG THE 260 00:14:55,961 --> 00:14:59,999 ROOMMATE IF SHE DOESN'T PICK UP. >> James: I THINK THAT'S A 261 00:15:00,065 --> 00:15:00,866 VERY GOOD IDEA. >> RIGHT. 262 00:15:00,933 --> 00:15:01,767 >> James: YEAH. >> I WILL BE DOING THAT. 263 00:15:01,834 --> 00:15:03,936 >> James: I WOULD BE VERY COOL WITH THAT. 264 00:15:04,003 --> 00:15:06,205 SHE'S ALIVE! >> THEN I'M GOING TO GET THE 265 00:15:06,272 --> 00:15:08,173 NUMBER FROM THE NEIGHBOR SO THEN -- YEAH. 266 00:15:08,240 --> 00:15:10,175 >> James: DO THE WHOLE THING, YEAH. 267 00:15:10,242 --> 00:15:13,345 DAVID U LEFT HOME -- YOU WERE A TEENAGER WHEN YOU LEFT HOME, 268 00:15:13,412 --> 00:15:15,180 RIGHT? >> I WAS A DROPOUT. 269 00:15:15,247 --> 00:15:20,119 I LEFT SCHOOL 15, BECAUSE I WAS BEING BULLIED, BUT, YOU KNOW, 270 00:15:20,185 --> 00:15:24,423 I'VE NO HARD FEELINGS FOR THOSE BULLIES, BECAUSE, YOU KNOW -- 271 00:15:24,490 --> 00:15:27,559 SUCCESS IS THE BEST REVENGE REALLY, BUT, YOU KNOW, I FORGIVE 272 00:15:27,626 --> 00:15:29,528 THEM. IF IT DIDN'T HAPPEN THE WAY IT 273 00:15:29,595 --> 00:15:32,598 DID -- I LOVED MY PARENTS BUT I COULDN'T BE IN SCHOOL. 274 00:15:32,665 --> 00:15:36,068 IT WAS A NIGHTMARE, BUT NEW YORK WAS REALLY CLOSE, SO I TOOK THE 275 00:15:36,135 --> 00:15:38,103 TRAIN TO NEW YORK. THAT'S WHERE I FOUND, LIKE, MY 276 00:15:38,170 --> 00:15:40,005 PEOPLE. I KEPT GOING TO NEW YORK. 277 00:15:40,072 --> 00:15:43,575 I BECAME A TRUANT AND THEN A DROPOUT AND STARTED WORKING IN 278 00:15:43,642 --> 00:15:46,378 NIGHT CLUBS FOR TWO YEARS AND FINALLY I WAS WORKING AS A BUS 279 00:15:46,445 --> 00:15:48,180 BOY. THAT WAS NOT FUN! 280 00:15:48,247 --> 00:15:53,218 FOLLOWING -- LIKE, PICKING UP GLASSES AND FOLLOWING -- PICKING 281 00:15:53,285 --> 00:15:57,356 UP PEOPLE'S PURSES. >> LIZA MINELLI? 282 00:15:57,423 --> 00:16:00,326 >> WE WERE ASSIGNED TO FOLLOW SOMEONE AROUND. 283 00:16:00,392 --> 00:16:04,830 >> James: YOUR JOB IS TO GET ASSIGNED TO FOLLOW LIZA MINELLI 284 00:16:04,897 --> 00:16:06,498 AROUND? >> I DID THIS ALBUM COVER FOR 285 00:16:06,565 --> 00:16:08,967 HER BUT I NEVER TOLD HER THE STORY. 286 00:16:09,034 --> 00:16:12,137 I WAS FOLLOWING HER AROUND. MY JOB WAS TO PICK UP -- SHE WAS 287 00:16:12,204 --> 00:16:13,839 DROPPING HER PURSE AND STUFF. I WOULD PICK IT UP AND GIVE IT 288 00:16:13,906 --> 00:16:15,874 TO HER. BY THE THIRD TIME -- 289 00:16:15,941 --> 00:16:18,043 >> WHEN YOU PHOTOGRAPHED HER, YOU DIDN'T TELL HER. 290 00:16:18,110 --> 00:16:21,113 >> I DIDN'T TELL HER I KEPT PICKING UP HER PURSE. 291 00:16:21,180 --> 00:16:24,583 IT WAS A BAD TIME IN HER LIFE. SHE WAS DOING THE THING PEOPLE 292 00:16:24,650 --> 00:16:27,119 WERE DOING AT STUDIO 54. >> WHAT WERE THEY DOING? 293 00:16:27,186 --> 00:16:33,359 >> WELL, LIKE, AT -- THIS MOON CAME DOWN AND THE SPOON WENT UP 294 00:16:33,425 --> 00:16:37,796 TO THE NOSE AND THE WHOLE CLUB STARTED SMELLING. 295 00:16:37,863 --> 00:16:40,899 I WAS A CLEAN TEEN. I DRANK ORANGE JUICE. 296 00:16:40,966 --> 00:16:44,570 WHO NEEDED DRUGS? WHY WOULD THEY DO DRUGS? 297 00:16:44,636 --> 00:16:46,805 THE MUSIC WAS SO FABULOUS AND POSITIVE. 298 00:16:46,872 --> 00:16:49,875 YOU JUST WANTED TO DANCE. DANCING WAS MY THING. 299 00:16:49,942 --> 00:16:53,045 >> James: DAVID, CAN I SPEAK ON BEHALF OF THE AUDIENCE, CAN 300 00:16:53,112 --> 00:16:56,148 YOU JUST STAY AFTER AND TELL US ALL OF YOUR STORIES? 301 00:16:56,215 --> 00:17:03,455 CAN YOU DO THAT? >> I WANT TO HEAR YOU TALK ABOUT 302 00:17:03,522 --> 00:17:05,724 ALL OF YOUR AMAZING STORIES. THAT'S A BOOK I WANT TO READ. 303 00:17:05,791 --> 00:17:08,961 >> James: THAT'S ALL WE'RE GOING TO DO THAT'S ABSOLUTELY 304 00:17:09,027 --> 00:17:10,796 WHAT WE'RE GOING TO DO. I'VE SO MANY QUESTIONS. 305 00:17:10,863 --> 00:17:15,334 HEIDI, WE HAVE TO TALK ABOUT "AMERICA'S GOT TALENT" IN ITS 306 00:17:15,401 --> 00:17:16,268 17TH SEASON. >> EXCITING! 307 00:17:16,335 --> 00:17:18,637 >> James: THE SHOW GETS BIGGER AND BIGGER. 308 00:17:18,704 --> 00:17:21,206 YOU'VE BEEN A JUDGE -- YOU'VE BEEN ON THE SHOW -- 309 00:17:21,273 --> 00:17:23,175 >> NINE YEARS. >> James: LONG ENOUGH NOW. 310 00:17:23,242 --> 00:17:25,744 NINE SEASONS. OF ALL THE ACTS YOU'VE SEEN, 311 00:17:25,811 --> 00:17:28,213 WHICH STANDS OUT AS YOUR FAVORITE ACT? 312 00:17:28,280 --> 00:17:31,150 >> DEFINITELY THE REGURGITATETOR. 313 00:17:31,216 --> 00:17:33,752 THE REGURGITATETOR WAS THIS GUY MANY, MANY YEARS AGO. 314 00:17:33,819 --> 00:17:37,456 HE WOULD LITERALLY SWALLOW ANYTHING AND REGURGITATE IT BACK 315 00:17:37,523 --> 00:17:39,224 UP. HE WOULD HAVE, LIKE, COINS AND 316 00:17:39,291 --> 00:17:43,328 HE WOULD NUMBER THEM WITH THE SHARPIE ON IT 1, 2, 3, 4, 317 00:17:43,395 --> 00:17:46,532 SWALLOW THEM ALL AND SAID SAYS WHAT NUMBER DO YOU WANT TO COME 318 00:17:46,598 --> 00:17:48,233 UP FIRST? IT WOULD COME BACK UP. 319 00:17:48,300 --> 00:17:50,969 >> DID IT SMELL? >> I WOULDN'T SNIFFING ON IT. 320 00:17:51,036 --> 00:17:56,141 I DON'T KNOW. HE TOOK A DIAMOND RING. 321 00:17:56,208 --> 00:17:58,710 THEN A LOCKETT. THEN THE KEY ALL SEPARATELY HE 322 00:17:58,777 --> 00:18:00,913 WOULD SWALLOW IT. HOLD ON, HOLD ON. 323 00:18:00,979 --> 00:18:04,082 THEN HE WOULD MOVE IT AROUND. MY RING WAS IN THE LOCKETT 324 00:18:04,149 --> 00:18:05,617 LOCKED. THEN HE REGURGITATED EVERYTHING 325 00:18:05,684 --> 00:18:09,488 BACK UP. MIND-BLOWING STUFF! 326 00:18:09,555 --> 00:18:10,722 MIND-BLOWING STUFF. >> James: LET'S TAKE A LOOK AT 327 00:18:10,789 --> 00:18:15,227 A CLIP FROM "AMERICA'S GOT TALENT,"NEW EPISODES AIR 328 00:18:15,294 --> 00:18:17,429 TUESDAYS AND WEDNESDAYS AT 8:00 ON NBC. 329 00:18:17,496 --> 00:18:21,733 ♪ [APPLAUSE] 330 00:18:21,800 --> 00:18:36,682 [CHEERS AND APPLAUSE] ♪ 331 00:18:36,748 --> 00:18:44,590 [CHEERS AND APPLAUSE] ♪ 332 00:18:54,166 --> 00:18:55,667 >> James: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 333 00:18:55,734 --> 00:18:56,001 BACK. ♪ 334 00:19:10,516 --> 00:19:11,683 ♪ >> James: WELCOME BACK. 335 00:19:11,750 --> 00:19:13,685 WE HAVE AS OUR GUEST TONIGHT NONE OTHER THAN THE GREAT ARTIST 336 00:19:13,752 --> 00:19:14,953 DAVID LACHAPELLE, WHO HAS CREATED COUNTLESS ICONIC 337 00:19:15,020 --> 00:19:19,591 PHOTOGRAPHS OVER THE SPAN OF HIS CAREER, LIKE THIS OF LADY GAGA. 338 00:19:19,658 --> 00:19:25,831 THIS OF THE KARDASHIANS. AND THIS OF THE ROCK. 339 00:19:25,898 --> 00:19:28,433 ALSO HERE WITH US IS THE INCOMPARABLE HEIDI KLUM, WHO 340 00:19:28,500 --> 00:19:30,469 KNOWS EVERYTHING THERE IS TO KNOW ABOUT HOW TO WORK IT FOR 341 00:19:30,536 --> 00:19:35,707 THE CAMERA. TONIGHT, OUR "LATE LATE SHOW" 342 00:19:35,774 --> 00:19:42,014 STAFF MEMBERS WILL COMPETE TO SEE WHO CAN TAKE THE BEST, MOST 343 00:19:42,080 --> 00:19:45,717 ELABORATE, MOST LACHAPELLIAN PHOTOS OF THEMSELVES. 344 00:19:45,784 --> 00:19:52,424 THIS IS "LATE LATE LACHAPELLE." ♪ 345 00:19:52,491 --> 00:19:59,197 EACH OF OUR CONTESTANTS HAVE RECREATED A LACHAPELLE IMAGE 346 00:19:59,264 --> 00:20:02,267 USING ONLY A $250 BUDGET AND THEIR OWN LATENT MODELING 347 00:20:02,334 --> 00:20:06,471 TALENT. DAVID, HEIDI, AND I WILL 348 00:20:06,538 --> 00:20:10,142 DETERMINE WHICH SELF-PORTRAIT OUTSHINES THEM ALL, AND THAT 349 00:20:10,208 --> 00:20:18,684 PHOTO WILL BE HUNG ON THE WALLS OF CBS TELEVISION CITY FOR THE 350 00:20:18,750 --> 00:20:29,661 REST OF TIME. [CHEERS AN 351 00:20:29,728 --> 00:20:37,769 DAVID, HEIDI, ARE YOU READY? THIS IS A SELF-PORTRAIT DONE BY 352 00:20:37,836 --> 00:20:38,971 CARTER AND INSPIRED BY THIS LACHAPELLE IMAGE OF KATY PERRY. 353 00:20:39,037 --> 00:20:47,412 AND HERE IS CARTER'S VERSION. OH! 354 00:20:47,479 --> 00:20:53,318 OH, IT'S VERY GOOD! IT'S VERY GOOD, INDEED! 355 00:20:53,385 --> 00:20:54,453 >> WOW. WOW. 356 00:20:54,519 --> 00:20:59,224 >> James: I SHOULD SAY THIS ABOUT CARTER -- LET ME JUST 357 00:20:59,291 --> 00:21:02,227 SHARE THIS WITH EVERYBODY -- CARTER JUST STOPPED WORKING AT 358 00:21:02,294 --> 00:21:04,463 THE SHOW. WHEN DID YOU LEAVE? 359 00:21:04,529 --> 00:21:06,365 TWO YEARS AGO? >> A YEAR AGO. 360 00:21:06,431 --> 00:21:08,100 LAST SEPTEMBER. >> James: A YEAR AGO AND YET 361 00:21:08,166 --> 00:21:09,568 HAS BEEN BACK FOUR TIMES SINCE. SUCH IS HIS EXPERTISE AT 362 00:21:09,635 --> 00:21:12,904 RECREATING THIS SORT OF STUFF, OK? 363 00:21:12,971 --> 00:21:15,040 DAVID WHAT'S YOUR FIRST THOUGHT WHEN YOU SEE THAT? 364 00:21:15,107 --> 00:21:18,443 >> THAT'S REALLY GOOD! FROM HERE, IT'S REALLY GOOD. 365 00:21:18,510 --> 00:21:21,613 >> MY FIRST THOUGHT IS LIKE USUALLY WHEN YOU DO AN ARM LIKE 366 00:21:21,680 --> 00:21:25,884 THAT YOU HAVE TO SEPARATE A LITTLE AND NOT SQUISH IT SO HARD 367 00:21:25,951 --> 00:21:28,487 BECAUSE YOU'RE MAKING THIS WIDE. >> OH MY GOODNESS. 368 00:21:28,553 --> 00:21:32,691 >> YES, I KNOW! >> James: BUT LOOK AT THE 369 00:21:32,758 --> 00:21:34,726 TRICEPS. >> YOU LOOK FANTASTIC AS A 370 00:21:34,793 --> 00:21:37,195 BLOND. I LOVE THE BLUE EYES AND THE RED 371 00:21:37,262 --> 00:21:38,630 LIPS. I HAVE TO SAY, IT'S PRETTY GOOD. 372 00:21:38,697 --> 00:21:43,568 >> James: THIS WAS ACTUALLY CARTER'S LINKEDIN PHOTO FOR THE 373 00:21:43,635 --> 00:21:46,972 PAST FOUR YEARS. THAT'S HOW AMAZING IT IS. 374 00:21:47,039 --> 00:21:50,175 LET'S MOVE ONTO OUR NEXT CONTESTANT. 375 00:21:50,242 --> 00:21:53,645 THIS IS MOLLY. LET'S SEE THE IMAGE YOU WERE 376 00:21:53,712 --> 00:21:55,847 INSPIRED BY. IT'S CAMERON DIAZ. 377 00:21:55,914 --> 00:21:59,184 AND LET'S SEE YOUR SELF-PORTRAIT. 378 00:21:59,251 --> 00:22:02,187 GO FOR IT. >> WHOA! 379 00:22:02,254 --> 00:22:05,957 >> James: OH, IT'S VERY GOOD. IT'S VERY GOOD, INDEED! 380 00:22:06,024 --> 00:22:08,994 >> IT'S VERY GOOD. >> WOW! 381 00:22:09,061 --> 00:22:10,395 NICE! >> IT'S VERY GOOD! 382 00:22:10,462 --> 00:22:13,432 I MEAN, THERE'S NOTHING TO COMPLAIN HERE BUT, YOU KNOW, THE 383 00:22:13,498 --> 00:22:17,469 GREAT THING IS THE IDEA WAS ALREADY THERE, BUT DAVID, THAT'S 384 00:22:17,536 --> 00:22:21,573 THE HARD THING IS TO COME UP ORIGINALLY WITH THE IDEA. 385 00:22:21,640 --> 00:22:24,710 TO COPY IT IS NOT AS HARD. >> James: THAT IS THE GAME, 386 00:22:24,776 --> 00:22:27,212 THOUGH. HEIDI, I -- I -- I HATE TO BREAK 387 00:22:27,279 --> 00:22:31,550 IT TO YOU, IF WE -- NO! NO! 388 00:22:31,616 --> 00:22:34,419 >> I KNOW THAT'S THE GAME. >> James: IF WE DON'T RECREATE 389 00:22:34,486 --> 00:22:38,557 T ALL WE'RE DOING IS SHOWING PHOTOS OUR STAFF HAVE TAKEN. 390 00:22:38,623 --> 00:22:40,592 >> BUT I HAVE NOTHING TO COMPLAIN. 391 00:22:40,659 --> 00:22:43,528 IT'S EPIC. YOU DID A FANTASTIC JOB. 392 00:22:43,595 --> 00:22:45,230 NOTHING TO COMPLAIN HERE. >> James: IT IS FANTASTIC. 393 00:22:45,297 --> 00:22:48,200 DAVID, WHAT'S YOUR THOUGHTS? >> I THINK SHE DID A GREAT JOB. 394 00:22:48,266 --> 00:22:49,735 I MEAN. >> YEAH, RIGHT! 395 00:22:49,801 --> 00:22:52,938 >> James: WELL DONE, MOLLY. ABSOLUTELY FANTASTIC. 396 00:22:53,004 --> 00:22:54,039 >> GREAT JOB. GREAT JOB. 397 00:22:54,106 --> 00:22:59,978 >> James: NEXT UP, WE HAVE JANETTE. 398 00:23:00,045 --> 00:23:03,682 YOU WERE INSPIRED BY THIS IMAGE OF NICKI MINAJ. 399 00:23:03,749 --> 00:23:11,123 AND HERE IS YOUR SELF-PORTRAIT. >> WHEW! 400 00:23:11,189 --> 00:23:14,760 >> James: IT'S VERY, VERY GOOD! 401 00:23:14,826 --> 00:23:18,396 >> $250? >> James: THE AMAZING THING 402 00:23:18,463 --> 00:23:24,269 ABOUT THIS, WE SET THIS ASSIGNMENT FOR JANET TE SEVEN 403 00:23:24,336 --> 00:23:26,338 AGO. SHE DECIDED TO TAKE IT VERY, 404 00:23:26,404 --> 00:23:28,774 VERY SERIOUSLY. SHE WASN'T EVEN INTENDING TO 405 00:23:28,840 --> 00:23:31,042 HAVE A BABY. >> BALONEY! 406 00:23:31,109 --> 00:23:34,112 >> James: ABSOLUTELY TRUE. >> SURE! 407 00:23:34,179 --> 00:23:36,314 >> THAT'S COMMITMENT. >> James: I THINK THAT'S A 408 00:23:36,381 --> 00:23:38,984 MASTERPIECE. WHAT'S YOUR THOUGHTS, HEIDI? 409 00:23:39,050 --> 00:23:42,854 >> MASTERPIECE. I AGREE WITH YOU. 410 00:23:42,921 --> 00:23:44,756 AMAZING. AMAZING. 411 00:23:44,823 --> 00:23:46,491 NOTHING TO COMPLAIN HERE. >> I'M BLOWN AWAY. 412 00:23:46,558 --> 00:23:49,394 LIKE, SERIOUSLY! >> James: OUR NEXT CONTESTANT 413 00:23:49,461 --> 00:23:52,764 IS DAVE! YOU WERE INSPIRED BY THIS IMAGE 414 00:23:52,831 --> 00:23:59,905 OF LEONARDO DICAPRIO. THERE IT IS THERE! 415 00:23:59,971 --> 00:24:06,511 PLEASE SHOW US YOUR SELF-PORTRAIT. 416 00:24:06,578 --> 00:24:12,017 [APPLAUSE] >> DID YOU -- DID YOU -- IS THAT 417 00:24:12,083 --> 00:24:14,820 YOUR BODY AND EVERYTHING? >> YEAH! 418 00:24:14,886 --> 00:24:16,988 YEAH. >> THAT'S NOT PHOTOSHOPPED? 419 00:24:17,055 --> 00:24:22,427 >> NO. THIS DOES NOT LOOK LIKE MY BODY. 420 00:24:22,494 --> 00:24:24,196 >> THAT'S SURREAL. THAT'S CRAZY. 421 00:24:24,262 --> 00:24:28,400 >> James: DAVE LOOKS LIKE AN ARTIST WHO IS HUGE IN BELGIUM 422 00:24:28,466 --> 00:24:31,036 BUT NO ONE'S EVER HEARD OF HIM IN THE STATES. 423 00:24:31,102 --> 00:24:37,342 LIKE, PULL UP LEO'S ONE THERE -- I MEAN, WHEN DICAPRIO DOES IT, 424 00:24:37,409 --> 00:24:39,978 IT'S SENSUAL AND HOT. WHEN DAVE DOES IT, HE LOOKS LIKE 425 00:24:40,045 --> 00:24:44,249 HE WORKS IN A GROCERY STORE AND HE'S TAKING A NAP! 426 00:24:44,316 --> 00:24:47,285 WELL DONE, DAVE. ABSOLUTELY STERLING WORK. 427 00:24:47,352 --> 00:24:54,192 NEXT UP IS WINNIE! YOU WERE INSPIRED BY THIS STILL 428 00:24:54,259 --> 00:24:59,497 LIFE FROM THE SERIES "EARTH LAUGHS IN FLOWERS." 429 00:24:59,564 --> 00:25:05,637 THAT'S THE ORIGINAL. LET'S SEE WINNIE'S ATTEMPT. 430 00:25:05,704 --> 00:25:06,805 >> WOW! >> YES! 431 00:25:06,872 --> 00:25:12,911 >> AND THAT'S YOU IN THE SHOT? THAT'S REALLY COOL. 432 00:25:12,978 --> 00:25:20,218 >> James: THIS IS THE HARDEST WINNIE'S WORKED IN THE SIX YEARS 433 00:25:20,285 --> 00:25:22,254 SHE'S BEEN HERE. EVEN WHEN SHE DECIDED TO DO 434 00:25:22,320 --> 00:25:25,090 THIS, SHE PICKED A PHOTO WHERE SHE COULD LIE DOWN! 435 00:25:25,156 --> 00:25:27,993 >> HA-HA! IT'S CRAZY I LOVE THAT YOU PUT 436 00:25:28,059 --> 00:25:31,796 YOURSELF WHERE THE MASK WAS. >> YEAH. 437 00:25:31,863 --> 00:25:32,998 >> AND YOU GOT THE WHOLE THING SPRING TIME. 438 00:25:33,064 --> 00:25:37,535 YOU KNOW, IT WAS ABOUT TEENAGE AND HORMONES BURSTING AND YOU 439 00:25:37,602 --> 00:25:39,905 NAILED IT! YOU EVEN GOT THE LITTLE, UM, 440 00:25:39,971 --> 00:25:41,907 SHOE BACK THERE. WHAT ARE THEY CALLED? 441 00:25:41,973 --> 00:25:47,512 >> THE CORC! -- CROC! 442 00:25:47,579 --> 00:25:53,218 >> James: LOOK, I THINK WE CAN ALL AGREE THIS HAS BEEN QUITE 443 00:25:53,285 --> 00:25:56,488 THE GALLERY SHOW BUT WE SHOULD GIVE THEM ALL A ROUND OF 444 00:25:56,554 --> 00:25:58,823 APPLAUSE. [APPLAUSE] 445 00:25:58,890 --> 00:26:01,559 STERLING WORK. BUT HERE IS THE TOUGH PART NOW, 446 00:26:01,626 --> 00:26:05,497 DAVID AND HEIDI, WE HAVE TO DECIDE WHOSE PHOTOGRAPH 447 00:26:05,563 --> 00:26:10,035 TRANSCENDED THE GAME TO BECOME -- DARE I SAY IT -- ART! 448 00:26:10,101 --> 00:26:14,706 SO DAVID, HEIDI? GATHER IN. 449 00:26:14,773 --> 00:26:16,141 GATHER IN. GATHER IN. 450 00:26:16,207 --> 00:26:22,013 GATHER IN. [SPEAKING AMONGST THEMSELVES 451 00:26:22,080 --> 00:26:28,453 QUIETLY] >> I THINK IT'S A FOUR-WAY TIE. 452 00:26:28,520 --> 00:26:31,423 >> James: WE CAN'T! >> THEY HAVE TO -- 453 00:26:31,489 --> 00:26:34,092 >> James: WE CAN'T -- WE HAVE TO -- WE HAVE TO CHOOSE. 454 00:26:34,159 --> 00:26:36,928 WE HAVE TO CHOOSE. >> I BROUGHT PRIZES FOR ALL OF 455 00:26:36,995 --> 00:26:38,830 THEM. >> THEY CAN ALL HAVE THE 456 00:26:38,897 --> 00:26:41,232 PRESENTS BUT WE -- >> I CAN'T CHOOSE ONE. 457 00:26:41,299 --> 00:26:45,136 YOU CAN'T JUDGE ART. >> Jamie: JAMES -- 458 00:26:45,203 --> 00:26:47,405 >> James: CAN I SAY THIS IS EXCEPTIONAL! 459 00:26:47,472 --> 00:26:51,009 DAVID IS SO BLOWN AWAY BY HOW GOOD THEY ARE, HE'S SAYING HE 460 00:26:51,076 --> 00:26:52,978 CANNOT CHOOSE. >> I WANT THEM TO FIVE-WAY TIE 461 00:26:53,044 --> 00:26:55,914 BUT HEIDI IS A JUDGE. >> A FIVE-WAY TIE? 462 00:26:55,981 --> 00:26:58,316 >> James: YOU CANNOT DO A FIVE-WAY TIE. 463 00:26:58,383 --> 00:27:01,052 IT'LL BE SUCH -- IT WILL BE SUC- >> NO, SERIOUS! 464 00:27:01,119 --> 00:27:06,157 I REALLY -- I MEAN, YOU GOT -- THE BABY, SO CRAZY! 465 00:27:06,224 --> 00:27:12,197 >> James: WOULD YOU DO A FIVE-WAY TIE ON "AMERICA'S GOT 466 00:27:12,263 --> 00:27:14,632 TALENT?" >> NO. 467 00:27:14,699 --> 00:27:19,104 >> James: THEN WE DON'T DO IT HERE. 468 00:27:19,170 --> 00:27:23,141 DAVID SAYS EVERYONE IS A WINNER. >> HEIDI, YOU HAVE TWO SHOWS 469 00:27:23,208 --> 00:27:27,679 WHERE YOU JUDGE ON TV. ONE ON A STREAMER, ONE ON A 470 00:27:27,746 --> 00:27:29,881 NETWORK AND ONE SOMEWHERE I DON'T KNOW SO WHAT WE'RE GOING 471 00:27:29,948 --> 00:27:32,217 TO DO IS I NEED YOU TO CHOOSE A WINNER. 472 00:27:32,283 --> 00:27:34,819 >> RIGHT NOW? RIGHT NOW? 473 00:27:34,886 --> 00:27:36,821 RIGHT NOW? >> James: HEIDI? 474 00:27:36,888 --> 00:27:38,957 >> YES. RIGHT NOW? 475 00:27:39,024 --> 00:27:41,893 >> James: WHICH PHOTO WILL GRACE THE WALLS? 476 00:27:41,960 --> 00:27:43,828 >> THE BATHROOM! >> James: IT'S MOLLY'S 477 00:27:43,895 --> 00:27:48,400 BATHROOM! WELL DONE, MOLLY! 478 00:27:48,466 --> 00:27:51,536 THERE YOU HAVE IT! IT'LL BE RIGHT THERE FOR 479 00:27:51,603 --> 00:27:53,538 ETERNITY. WE'LL BE RIGHT BACK, EVERYBODY! 480 00:28:12,257 --> 00:28:13,458 ♪ >> James: WE'RE BACK WITH 481 00:28:13,525 --> 00:28:17,128 HEIDI KLUM AND DAVID LACHAPELLE. DAVID, CONGRATULATIONS ON THIS 482 00:28:17,195 --> 00:28:21,699 ABSOLUTELY INCREDIBLE EXHIBITION WHICH IS "MAKE BELIEVE" THE 483 00:28:21,766 --> 00:28:25,970 LARGEST SHOWING OF YOUR WORK EVER. 484 00:28:26,037 --> 00:28:30,041 DAVID IS IN NEW YORK -- IT DEBUTS IN NEW YORK CITY NEXT 485 00:28:30,108 --> 00:28:32,877 MONTH. WHEN YOU HEAR THIS IS HAPPENING, 486 00:28:32,944 --> 00:28:35,814 WHAT DO YOU MAKE OF THIS? HOW EXCITED ARE YOU TO SHARE 487 00:28:35,880 --> 00:28:38,383 THIS BODY OF WORK? >> TRULY IT'S A DREAM THAT I 488 00:28:38,450 --> 00:28:41,419 DIDN'T THINK WAS GOING TO HAPPEN IN MY LIFETIME SHOWING IN A 489 00:28:41,486 --> 00:28:45,824 MUSEUM IN NEW YORK BECAUSE MY FIRST BOSS WAS ANDY WARHOL. 490 00:28:45,890 --> 00:28:51,863 HIS DREAM WAS TO SHOW AT MOMA. HE NEVER HAD THAT CHANCE UNTIL 491 00:28:51,930 --> 00:28:56,067 HE DIED AND THEN THEY HAD THE BIGGEST RETROSPECTIVE IN THE 492 00:28:56,134 --> 00:28:59,704 MUSEUM'S HISTORY FROM THE RAFTERS, THE ATTIC TO THE 493 00:28:59,771 --> 00:29:00,905 BASEMENT. I JUST DIDN'T THINK IT WAS GOING 494 00:29:00,972 --> 00:29:03,508 TO HAPPEN. IN FACT, WE WERE LOOKING TO DO A 495 00:29:03,575 --> 00:29:05,677 POP-UP MUSEUM. I WAS GOING TO FINANCE IT 496 00:29:05,743 --> 00:29:07,812 MYSELF. I WANTED TO SHARE MY WORK WITH 497 00:29:07,879 --> 00:29:09,514 NEW YORK. I GREW UP THERE. 498 00:29:09,581 --> 00:29:14,185 I CALLED. THEY SAID WE HAVE THIS BUILDING. 499 00:29:14,252 --> 00:29:16,754 YOU CAN HAVE THE WHOLE BUILDING. IT'S INCREDIBLE. 500 00:29:16,821 --> 00:29:20,358 I'M SO EXCITED TO GO BACK TO MY HOMETOWN. 501 00:29:20,425 --> 00:29:25,997 NEW YORK IS THE TOUGHEST CITY IN THE WORLD, YOU KNOW? 502 00:29:26,064 --> 00:29:29,200 ♪ IF YOU CAN MAKE IT ♪ >> James: I CAN'T WAIT TO SEE 503 00:29:29,267 --> 00:29:30,468 IT. WE HAVE TO TALK ABOUT YOUR HIT 504 00:29:30,535 --> 00:29:34,205 SHOW "MAKING THE CUT" BACK FOR A THIRD SEASON. 505 00:29:34,272 --> 00:29:36,508 TELL US ABOUT IT. WHAT'S THE VIBE? 506 00:29:36,574 --> 00:29:37,675 WHAT CAN WE EXPECT THIS TIME AROUND? 507 00:29:37,742 --> 00:29:39,277 >> IT'S A DESIGN COMPETITION SHOW. 508 00:29:39,344 --> 00:29:42,680 WE HAVE 10 AMAZING DESIGNERS FROM ALL AROUND THE WORLD, 509 00:29:42,747 --> 00:29:46,718 BECAUSE WE HAD SEEN IN 260 COUNTRIES AROUND THE WORLD. 510 00:29:46,784 --> 00:29:52,490 EVERY WINNING LOOK BASICALLY REPRODUCED AND SOLD ON AMAZON 511 00:29:52,557 --> 00:29:55,093 FASHION IF YOU GUYS LOE IT. SOME EPISODES ARE ALREADY OUT. 512 00:29:55,160 --> 00:29:56,661 YOU CAN STREAM THE FIRST FOUR ALREADY. 513 00:29:56,728 --> 00:30:00,064 IT'S AMAZING AND SO MUCH FUN. I MEAN, BUT YOU KNOW WHAT IS 514 00:30:00,131 --> 00:30:01,699 DIFFERENT IS THE PEOPLE MAKE IT DIFFERENT. 515 00:30:01,766 --> 00:30:04,569 THE PREMISES IS ALWAYS THE SAME BECAUSE IT'S A DESIGN 516 00:30:04,636 --> 00:30:06,704 COMPETITION SHOW BUT THEY JUST MAKE IT SO DIFFERENT BECAUSE 517 00:30:06,771 --> 00:30:09,007 THEY COME FROM DIFFERENT WALKS OF LIFE AND DIFFERENT PARTS OF 518 00:30:09,073 --> 00:30:12,544 THE WORLD SO, YOU KNOW, THEY BRING THE NEWNESS EVERY YEAR. 519 00:30:12,610 --> 00:30:15,113 >> James: CANNOT WAIT TO CATCH UP WITH IT. 520 00:30:15,180 --> 00:30:17,115 REGGIE, DO YOU HAVE A QUESTION FOR OUR GUESTS THIS EVENING? 521 00:30:17,182 --> 00:30:24,422 >> Reggie: YES, JAMES. TONIGHT'S QUESTION GOES TO... 522 00:30:24,489 --> 00:30:31,930 ALL OF OUR GUESTS TONIGHT. THIS IS A WORLD SURROUNDED BY 523 00:30:31,996 --> 00:30:36,935 MYSTERY, INTRIGUE, DISCOVERY, PLAYFULNESS, CHILD-LIKE ATTITUDE 524 00:30:37,001 --> 00:30:44,475 INSATIABLE. IN YOUR EXPERIENCE THROUGH ALL 525 00:30:44,542 --> 00:30:53,017 THE DIFFERENT MECHANISM THAT HAS MAKE UP WHAT FASHION IS, WHAT'S 526 00:30:53,084 --> 00:30:56,020 THE QUINTESSENTIAL AND ESSENTIAL ELEMENT OF FASHION. 527 00:30:56,087 --> 00:30:59,524 >> SHOULD I ANSWER THAT? I WOULD SAY TO NOT WALK AROUND 528 00:30:59,591 --> 00:31:02,961 NAKED, EVEN THOUGH I WOULDN'T HAVE ANYTHING AGAINST IT. 529 00:31:03,027 --> 00:31:05,396 >> James: DID YOU AGREE WITH THAT, DAVID? 530 00:31:05,463 --> 00:31:09,901 >> I LOVE WALKING AROUND NAKED. >> THIS IS A LOT FOR ME. 531 00:31:09,968 --> 00:31:13,204 >> James: REG? >> Reggie: I WAS HOPING FOR 532 00:31:13,271 --> 00:31:17,575 THAT ANSWER SO THAT'S GREAT. >> James: IT'S ABSOLUTELY 533 00:31:17,642 --> 00:31:21,145 CORRECT. LET'S THANK OUR GUESTS, HEIDI 534 00:31:21,212 --> 00:31:23,848 KLUM AND DAVID LACHAPELLE. STICK AROUND, IAN KARMEL IS HERE 535 00:31:23,915 --> 00:31:25,483 WHEN WE COME BACK. 536 00:31:38,896 --> 00:31:40,231 ♪ >> James: OUR NEXT GUEST IS A 537 00:31:40,298 --> 00:31:44,469 BRILLIANT STAND-UP COMEDIAN AND THE CO-HOST OF THE "ALL FANTASY 538 00:31:44,535 --> 00:31:46,771 EVERYTHING" PODCAST. YOU CAN SEE HIM LIVE AT 539 00:31:46,838 --> 00:31:50,441 REVOLUTION HALL IN PORTLAND, OREGON, ON NOVEMBER 18TH. 540 00:31:50,508 --> 00:31:55,246 PLEASE WELCOME, ONE OF OUR OWN, THE TREMENDOUSLY TALENTED IAN 541 00:31:55,313 --> 00:32:04,789 KARMEL. [CHEERS AND APPLAUSE] 542 00:32:04,856 --> 00:32:06,324 >> HELLO! THANK YOU. 543 00:32:06,391 --> 00:32:11,029 THANK YOU. I'M GETTING MARRIED IN SIX DAYS! 544 00:32:11,095 --> 00:32:13,031 [CHEERS AND APPLAUSE] YEAH. 545 00:32:13,097 --> 00:32:16,034 YEAH. YOU HAVE TO CLAP. 546 00:32:16,100 --> 00:32:20,038 THAT'S LIKE COMEDIAN CHEATING. I'M SO EXCITED! 547 00:32:20,104 --> 00:32:27,645 I'M SO EXCITED TO GET MARRIED, BECAUSE I LOVE MY FIANCE, ALMOST 548 00:32:27,712 --> 00:32:31,082 AS MUCH AS I HATE SAYING THE WORD FIANCE. 549 00:32:31,149 --> 00:32:35,086 IT'S A TERRIBLE WORD. IT'S GOT MAJOR "I STUDIED ABROAD 550 00:32:35,153 --> 00:32:37,021 ENERGY" THAT WORD. EVERY TIME I SAY FIANCE, I FEEL 551 00:32:37,088 --> 00:32:40,625 LIKE WHEN I SLIDE SOMEONE A PIECE OF PAPER THAT HAS ALL 552 00:32:40,692 --> 00:32:44,929 THREE SPAGHETTI FACTORIES I WORKED AT AND I CALL IT MY 553 00:32:44,996 --> 00:32:46,564 RESUME. I WISH THERE WAS A BETTER WORD 554 00:32:46,631 --> 00:32:49,734 FOR IT BUT THERE'S NOT. THERE'S JUST NOT A BETTER TERM. 555 00:32:49,801 --> 00:32:52,837 I WISH I COULD CALL HER MY GIRLFRIEND PLUS OR SOMETHING 556 00:32:52,904 --> 00:32:59,677 LIKE THAT BUT THEN THAT MAKES ME -- IT SOUND LIKE SHE'S MY 557 00:32:59,744 --> 00:33:02,413 GIRLFRIEND AND I CAN WATCH ALL EPISODES OF THE OFFICE ON HER. 558 00:33:02,480 --> 00:33:07,819 SOMETHING THAT HAPPENS WHEN YOU GET MARRIED, A MONTH BEFORE YOUR 559 00:33:07,885 --> 00:33:08,986 WEDDING, YOU RECEIVE GIFTS EARLY. 560 00:33:09,053 --> 00:33:12,724 SINCE I'M HERE ON NATIONAL TELEVISION, I THOUGHT I'D TAKE 561 00:33:12,790 --> 00:33:17,195 THE OPPORTUNITY TO KNOCK OUT SOME OF THE THANK YOUS TO SAVE 562 00:33:17,261 --> 00:33:21,065 MYSELF TIME LATER. CHERYL AND JEFFREY FISHBINE. 563 00:33:21,132 --> 00:33:23,968 THANK YOU FOR THE WHITE SERVING TRAY. 564 00:33:24,035 --> 00:33:28,639 EVERY TIME WE HAVE A DINNER PARTY, WE'LL BE REMINDED OF YOUR 565 00:33:28,706 --> 00:33:31,342 GENEROSITY. WEDDINGS ARE EXPENSIVE. 566 00:33:31,409 --> 00:33:37,315 I'M THE FIRST GUY TO NOTICE THAT OR COMMENT ON IT. 567 00:33:37,382 --> 00:33:40,151 WHEN PEOPLE WHO ARE ALREADY MARRIED FIND OUT THAT YOU'RE 568 00:33:40,218 --> 00:33:44,622 GETTING MARRIED, THEY LOVE TO GIVE YOU VOICE HOW -- ADVICE ON 569 00:33:44,689 --> 00:33:47,725 HOW TO CUT DOWN THE COSTS OF THE WEDDING. 570 00:33:47,792 --> 00:33:49,327 THE ADVICE BREAKS DOWN INTO ONE OF TWO CATEGORIES. 571 00:33:49,394 --> 00:33:51,629 FIRST CATEGORY, YOU'RE TALKING TO THEM AND THEY'RE LIKE "YOU 572 00:33:51,696 --> 00:33:54,399 KNOW WHAT? WE GOT MARRIED IN MY UNCLE'S 573 00:33:54,465 --> 00:33:55,867 BACKYARD. IT WAS NO BIG DEAL. 574 00:33:55,933 --> 00:34:00,338 IT WAS MY UNCLE'S BACKYARD." THEN YOU TALK TO THEM AND FIND 575 00:34:00,405 --> 00:34:04,342 OUT THAT THEIR UNCLE IS A SITTING U.S. SENATOR AND HIS 576 00:34:04,409 --> 00:34:08,880 BACKYARD IS WYOMING! THEY GOT A BUNCH OF, LIKE, 577 00:34:08,946 --> 00:34:11,115 GENERATIONAL WEALTH BECAUSE SOMEONE ON THEIR FAMILY TREE 578 00:34:11,182 --> 00:34:15,052 INVENTED WIND. THEN THE OTHER CATEGORY OF 579 00:34:15,119 --> 00:34:18,990 ADVICE -- THESE PEOPLE MEAN WELL -- BUT THE ADVICE BREAKS DOWN TO 580 00:34:19,056 --> 00:34:21,259 BASICALLY DON'T HAVE A WEDDING. WANT TO SAVE MONEY ON YOUR 581 00:34:21,325 --> 00:34:24,796 WEDDING, DON'T HAVE A WEDDING. THAT'S HOW YOU SAVE MONEY. 582 00:34:24,862 --> 00:34:28,633 INSTEAD OF RENTING AN EXPENSIVE VENUE, HAVE IT ON AN ACTIVE CITY 583 00:34:28,699 --> 00:34:30,768 BUS AND DON'T WASTE MONEY ON CATERING. 584 00:34:30,835 --> 00:34:33,671 HAVE YOUR GUESTS SWING THROUGH AN ARBY'S ON THE WAY TO THE 585 00:34:33,738 --> 00:34:38,876 CEREMONY AND FILL UP THEIR POCKETS WITH SAUCE WHICH IS FREE 586 00:34:38,943 --> 00:34:42,380 AND WHENEVER THEY GET HUNGRY, THEY STICK THEIR HAND IN THERE 587 00:34:42,447 --> 00:34:52,557 AND POOH BEAR IT. DINO AND DR. STEVE BORZAK, THANK 588 00:34:52,623 --> 00:34:56,294 YOU FOR THE OUTDOOR TUMBLERS. EVERY TIME WE HAVE A BARBECUE, 589 00:34:56,360 --> 00:35:00,731 WE'LL BE REMINDED OF YOUR GENEROSITY. 590 00:35:00,798 --> 00:35:07,238 [APPLAUSE] YOU HAVE TO HAVE FLOWERS AT YOUR 591 00:35:07,305 --> 00:35:10,942 WEDDING? BECAUSE WHAT BETTER WAY TO 592 00:35:11,008 --> 00:35:13,311 SYMBOLIZE MARRIAGE THAN BY HAVING SOMETHING BEAUTIFUL 593 00:35:13,377 --> 00:35:17,315 SLOWLY DYING ON EVERY TABLE. [LAUGHTER] 594 00:35:17,381 --> 00:35:21,886 FLOWERS ARE EXPENSIVE! NOTHING LOSES VALUE ON EARTH 595 00:35:21,953 --> 00:35:23,754 FASTER THAN FLOWERS AT A WEDDING. 596 00:35:23,821 --> 00:35:28,759 NOTHING LOSES VALUE FASTER. THEY'RE LIKE GOD MADE A PT 597 00:35:28,826 --> 00:35:30,495 CRUISER. NOTHING LOSES VALUE FASTER. 598 00:35:30,561 --> 00:35:32,964 NOTHING. AT THE BEGINNING OF THE WEDDING, 599 00:35:33,030 --> 00:35:34,232 THEY'RE CRUCIAL. YOU NEED THEM. 600 00:35:34,298 --> 00:35:38,503 EVERY WEDDING ENDS THE SAME WAY SOMEONE'S AUNT TRYING TO GIVE 601 00:35:38,569 --> 00:35:41,439 AWAY A FLORAL DISPLAY TO A BUNCH OF DRUNK 29-YEAR-OLDS. 602 00:35:41,506 --> 00:35:43,841 SHE'S JUST CHASING THEM AROUND LIKE, THEY'RE JUST GOING TO 603 00:35:43,908 --> 00:35:45,209 THROW 'EM AWAY. TAKE 'EM. 604 00:35:45,276 --> 00:35:49,313 TAKE 'EM. YOU'LL SAVE SO MUCH MONEY ON THE 605 00:35:49,380 --> 00:35:51,849 FLOWERS YOU NORMALLY BUY. YOU JUST HAVE TO BE LIKE, THANK 606 00:35:51,916 --> 00:35:57,455 YOU, THIS, UM, $500 DISPLAY OF HYDRANGEAS WILL REALLY BRIGHTEN 607 00:35:57,522 --> 00:36:02,260 UP THE IKEA BOOK SHELF WHERE I KEEP THE ENTOURAGE DVD'S. 608 00:36:02,326 --> 00:36:05,696 I HOPE WE HAVE A COOL WEDDING. I REALLY HOPE WE DO. 609 00:36:05,763 --> 00:36:09,800 YOU KNOW, AS LONG AS I'M THERE AND MY GIRLFRIEND PRIME IS 610 00:36:09,867 --> 00:36:13,971 THERE, I'M FINE WITH IT BUT -- BUT THERE'S A LOT OF PRESSURE. 611 00:36:14,038 --> 00:36:16,407 WE LIVE IN L.A. WE HAVE A LOT OF FRIENDS NOW WHO 612 00:36:16,474 --> 00:36:19,010 ARE GETTING MARRIED AND THEY'RE ALL HAVING COOL WEDDINGS. 613 00:36:19,076 --> 00:36:21,579 YOU TALK TO THEM. IT PUTS A LOT OF PRESSURE ON 614 00:36:21,646 --> 00:36:23,581 YOU. YOU KNOW? 615 00:36:23,648 --> 00:36:25,750 YOU'RE TALKING TO THEM AND THEY'RE LIKE, WHAT'S THE THEME 616 00:36:25,816 --> 00:36:31,055 OF YOUR WEDDING? OURS WAS YOU'RE DRIVING A 617 00:36:31,122 --> 00:36:34,258 RESTORED FORD BRONCO, THE SUN IS SETTING AND IT'S THE MAGIC HOUR 618 00:36:34,325 --> 00:36:40,164 AND THE SONG BY THE ROLLING STONES COMES ON THE RADIO. 619 00:36:40,231 --> 00:36:46,137 EVERYONE YOU KNOW IS ALIVE. NO ONE YOU KNOW IS IN PAIN. 620 00:36:46,203 --> 00:36:49,473 [LAUGHTER] WHAT'S THE THEME OF YOUR 621 00:36:49,540 --> 00:36:54,145 WEDDING? THE THEME OF MY WEDDING? 622 00:36:54,211 --> 00:36:56,681 WEDDING. [LAUGHTER] 623 00:36:56,747 --> 00:36:59,283 I HATE COOL PEOPLE! I HATE 'EM! 624 00:36:59,350 --> 00:37:02,320 THEIR WEDDINGS ARE ALWAYS THE PERFECT BLEND OF CLASSY AND 625 00:37:02,386 --> 00:37:03,454 COOL. YOU KNOW? 626 00:37:03,521 --> 00:37:07,892 THEY'RE LIKE, WE HAD THE REHEARSAL DINNER AT LASER TAG. 627 00:37:07,959 --> 00:37:13,064 AND THE SUNDAY BRUNCH WAS AT A BOTANICAL GUARD WENDT MONARCH 628 00:37:13,130 --> 00:37:16,200 BUTTERFLIES RETURN TO SOUTHERN CALIFORNIA. 629 00:37:16,267 --> 00:37:21,372 THE FIRST DANCE WAS TO THE SPACE JAM THEME AND THE FAT 630 00:37:21,439 --> 00:37:23,207 FATHER/DAUGHTER DANCE WAS TONY BENNETT'S LAST IN-PERSON 631 00:37:23,274 --> 00:37:31,582 PERFORMANCE BEFORE THE DEMENTIA AND -- EVERYONE DOES CAKE. 632 00:37:31,649 --> 00:37:36,554 WE DIDN'T WANT TO DO CAKE. INSTEAD WE DID A FUNKY DONUT BAR 633 00:37:36,621 --> 00:37:40,424 AND ALL THE DONUTS WERE BAKED BY MERYL STREEP'S CHARACTER FROM 634 00:37:40,491 --> 00:37:45,696 "IT'S COMPLICATED." AND ALEXANDRA OCASIO-CORTEZ AND 635 00:37:45,763 --> 00:37:51,068 -- OH. AND -- OUR DV WAS GREAT. 636 00:37:51,135 --> 00:37:57,341 IT WAS PRESIDENT BARACK OBAMA AND IN BETWEEN SONGS, HE 637 00:37:57,408 --> 00:37:58,175 APOLOGIZED FOR USING DRONES IN YEMEN. 638 00:37:58,242 --> 00:38:09,420 IT WAS AMAZING. MARISSA MENIK. 639 00:38:09,487 --> 00:38:14,492 THANK YOU FOR THE MATTE BLACK CATALOGER WITH DETACHABLE YARN 640 00:38:14,558 --> 00:38:18,062 FEATURE. EVERY TIME OUR CATS PLAY IN THE 641 00:38:18,129 --> 00:38:24,235 MATTE BLACK CATALOGER WITH DETACHABLE YARN FEATURE, WE'LL 642 00:38:24,301 --> 00:38:26,937 EASTBOUND MINDED OF YOUR GENEROSITY. 643 00:38:27,004 --> 00:38:29,273 THANK YOU I'M IAN KARMEL. YOU'VE BEEN WONDERFUL. 644 00:38:29,340 --> 00:38:33,144 THANK YOU. >> James: LADIES AND 645 00:38:33,210 --> 00:38:40,718 GENTLEMEN, IAN KARMEL! CHECK IT OUT! 646 00:38:40,785 --> 00:38:43,487 HE'S GETTING MARRIED SUNDAY. COME ON BACK, EVERYBODY! 647 00:38:54,198 --> 00:38:55,533 JAMES THANK YOU SO MUCH FOR WATCHING. 648 00:38:55,599 --> 00:38:57,868 WE'LL SEE YOU TOMORROW NIGHT. REGGIE, TAKE US HOME!