1 00:00:02,001 --> 00:00:08,942 ♪ ARE YOU READY, Y'ALL TO DRINK SOME SMOOTHIES 2 00:00:09,008 --> 00:00:10,543 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY, BABY 3 00:00:10,610 --> 00:00:15,949 ♪ WHERE YOU COME FROM IT'LL BE ALL RIGHT 4 00:00:16,015 --> 00:00:20,954 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: LADIES AND GENTLEMEN, 5 00:00:21,020 --> 00:00:24,324 NEBRASKA, ARKANSAS, GIVE IT UP FOR YOUR HOST, 6 00:00:24,391 --> 00:00:24,824 THE ONE, THE ONLY... 7 00:00:24,891 --> 00:00:31,331 JAMES CORDEN! 8 00:00:31,398 --> 00:00:33,500 >> James: HOW ARE YOU? 9 00:00:33,566 --> 00:00:35,101 THANK YOU VERY, VERY MUCH. 10 00:00:35,168 --> 00:00:38,505 I'M VERY HAPPY YOU'RE HERE. 11 00:00:38,571 --> 00:00:41,941 THANK YOU VERY MUCH VERY, VERY MUCH EVERYBODY, CHEERS GUYS, 12 00:00:42,008 --> 00:00:45,345 THANK YOU! 13 00:00:45,412 --> 00:00:51,718 HELLO, GOOD EVENING AND WELCOME TO THE "LATE LATE SHOW." 14 00:00:51,785 --> 00:00:53,086 LET'S TAKE A LOOK AND SEE WHO OUR GUESTS ARE ON THE SHOW 15 00:00:53,153 --> 00:00:54,187 TONIGHT! 16 00:00:54,254 --> 00:00:55,355 SHE IS A GRAMMY-WINNING, TONY-NOMINATED ACTOR YOU KNOW 17 00:00:55,422 --> 00:00:56,990 FROM "PALM SPRINGS," "MADE FOR LOVE," "BLACK MIRROR" AND SO 18 00:00:57,056 --> 00:01:01,928 MUCH MORE! 19 00:01:01,995 --> 00:01:05,865 THE WONDERFUL CRISTIN MILIOTI IS HERE TONIGHT! 20 00:01:05,932 --> 00:01:06,966 CRISTIN HOW ARE YOU? 21 00:01:07,033 --> 00:01:08,935 >> GOOD. 22 00:01:09,002 --> 00:01:10,937 >> James: ARE YOU SURE YOU'RE OKAY? 23 00:01:11,004 --> 00:01:14,207 YOU DON'T SEEM TOO CHIPPER, IS EVERYTHING ALL RIGHT? 24 00:01:14,274 --> 00:01:16,509 >> NO I'M GOOD. 25 00:01:16,576 --> 00:01:22,549 NOW I FEEL LIKE -- I FEEL GOOD IT SEEMS LIKE I'M GOING TO LIE 26 00:01:22,615 --> 00:01:23,850 BUT IT'S ALL GOOD. 27 00:01:23,917 --> 00:01:24,951 I'M GOING TO GO. 28 00:01:25,018 --> 00:01:28,955 >> James: CRISTIN MILIOTI, EVERYBODY. 29 00:01:29,022 --> 00:01:30,356 AND SHE IS AN ACTOR, COMEDIAN, AND DIRECTOR YOU KNOW FROM 30 00:01:30,423 --> 00:01:31,858 "CRIMINAL MINDS," "WHOSE LINE IS IT ANYWAY," AND "FEAR THE 31 00:01:31,925 --> 00:01:34,961 WALKING DEAD!" THE INCREDIBLE, THE LOVELY, 32 00:01:35,028 --> 00:01:37,263 AISHA TYLER IS HERE TONIGHT! 33 00:01:37,330 --> 00:01:39,132 AISHA, HOW ARE YOU? 34 00:01:39,199 --> 00:01:45,171 OH WOW, HOLD UP, OH MY GOD, OKAY, OH, WOW! 35 00:01:45,238 --> 00:01:51,978 >> I'M SO GOOD. 36 00:01:52,045 --> 00:01:56,216 >> James: AISHA TYLER EVERYBODY! 37 00:01:56,282 --> 00:01:58,818 AND, THEY ARE A GRAMMY-NOMINATED ROCK BAND HAILING FROM GLASGOW! 38 00:01:58,885 --> 00:02:07,927 THEIR GREATEST HITS ALBUM, "HITS TO THE HEAD," IS OUT NOW. 39 00:02:07,994 --> 00:02:09,262 THE SMASHING, THE SENSATIONAL, FRANZ FERDINAND ARE HERE 40 00:02:09,329 --> 00:02:11,264 TONIGHT! 41 00:02:11,331 --> 00:02:13,500 HOW ARE YOU TONIGHT? 42 00:02:13,566 --> 00:02:14,734 >> WE'RE GOOD. 43 00:02:14,801 --> 00:02:17,971 >> James: IS EVERYBODY RESTED TONIGHT? 44 00:02:18,037 --> 00:02:19,706 >> FEEL GOOD YES. 45 00:02:19,772 --> 00:02:26,946 >> James: YOU KNOW THE HALF STAR HOTEL THAT IS OVER THE ROAD 46 00:02:27,013 --> 00:02:32,552 FROM THIS STUDIO, WE HAVE NEVER SEEN ANYBODY WALK IN THE DOORS 47 00:02:32,619 --> 00:02:35,421 OR OUT THE DOORS. 48 00:02:35,488 --> 00:02:39,926 WE WERE LIKE, WHY WOULD EVERYBODY ALL GO THERE? 49 00:02:39,993 --> 00:02:45,431 GUESS WHO ALL WENT THERE FOR TWO HOURS FOR A NAP THIS AFTERNOON? 50 00:02:45,498 --> 00:02:46,132 FRANZ FERDINAND. 51 00:02:46,199 --> 00:02:48,735 DID YOU SEE ANYONE IN THE HOTEL? 52 00:02:48,801 --> 00:02:52,972 >> HIGHLY RECOMMEND IT, IT'S AMAZING. 53 00:02:53,039 --> 00:02:53,540 FRANZ FERDINAND, EVERYBODY! 54 00:02:53,606 --> 00:02:58,978 REGGIE, ARE YOU READY? 55 00:02:59,045 --> 00:03:00,980 >> James: THEN LET'S ROLL THE TITLES! 56 00:03:09,656 --> 00:03:10,723 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 57 00:03:10,790 --> 00:03:11,858 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 58 00:03:11,925 --> 00:03:14,327 ♪ IT'S THE LATE, LATE SHOW ♪ 59 00:03:22,001 --> 00:03:25,872 >> James: IT CERTAINLY IS. 60 00:03:25,939 --> 00:03:27,840 FRANZ FERDINAND IS HERE. 61 00:03:27,907 --> 00:03:29,676 WHAT A NAME FOR A BAND. 62 00:03:29,742 --> 00:03:42,922 YOU HEARD THAT TARK MONK -- ANTARCTIC MONKEY SONG HAVEN'T 63 00:03:42,989 --> 00:03:44,090 YOU? 64 00:03:44,157 --> 00:03:45,224 >> NO I HAVEN'T. 65 00:03:45,291 --> 00:03:54,100 >> James: WHAT PART OF ME SAYS TO IAN! 66 00:03:54,167 --> 00:03:55,234 WHAT'S THE CALL BACK? 67 00:03:55,301 --> 00:04:02,442 >> BECAUSE IT'S GOING TO MAKE US LOOK LIKE ASS (BLEEP). 68 00:04:02,508 --> 00:04:06,546 DO YOU WANT TO ASK (BLEEP) FOR A SECOND? 69 00:04:06,613 --> 00:04:10,116 >> Reggie: WE TALK AMONGST OURSELVES ARE SOMETIMES FOR 70 00:04:10,183 --> 00:04:12,185 AWHILE WHEN YOU GUYS ARE OVER THERE. 71 00:04:20,994 --> 00:04:23,496 >> James: YOU NEVER NOTICE WHEN I'M IN THE MIDDLE OF 72 00:04:23,563 --> 00:04:27,800 TALKING TO BILL CLINTON, AND I HEAR YOU SAYING SOMETHING LIKE 73 00:04:27,867 --> 00:04:30,269 BOOM BOOM BOOM BOOM BOOM BOOM BOOM. 74 00:04:30,336 --> 00:04:35,742 YES, YOU TALK MOONGS YOURSELVES DURING THE SHOW. 75 00:04:35,808 --> 00:04:36,242 >> Reggie: STEVE WAS ASKING HAD I HEARD THE NEW BRITTANY 76 00:04:36,309 --> 00:04:37,910 SONG AND I SAID NO. 77 00:04:37,977 --> 00:04:45,785 IT'S THE SAME THING LIKE ANTARCTIC MONKEYS. 78 00:04:45,852 --> 00:04:46,853 GOING DISCO. 79 00:04:46,919 --> 00:04:50,523 >> James: THEY HAVEN'T GONE DISCO. 80 00:04:50,590 --> 00:04:53,593 WHY DON'T YOU (BLEEP) LISTEN TO IT? 81 00:04:53,660 --> 00:04:55,128 >> Reggie: I DON'T WANT TO POP. 82 00:04:55,194 --> 00:05:01,367 >> James: THERE IS NOTHING REMOTELY DISCO ABOUT IT, IT'S 83 00:05:01,434 --> 00:05:04,704 THERE BETTER BE A MIRROR BALL, RIGHT? 84 00:05:04,771 --> 00:05:19,652 THE MIRROR BALL IN THE SONG IS ESSENLYSYMBO IS 85 00:05:19,719 --> 00:05:20,853 THE MIRROR BALL IN THE SONG IS ESSENLYSYMBO IS 86 00:05:20,920 --> 00:05:24,223 ESSENTIALLY FROM THE WAIST DOWN IT LOOKS LIKE YOU'VE BEEN 87 00:05:24,290 --> 00:05:25,391 PLAYING GOLF. 88 00:05:25,458 --> 00:05:32,532 AND THE WAIST UP YOU LOOK LIKE YOU STOLE IT FROM FERRELL'S 89 00:05:32,598 --> 00:05:33,633 WARDROBE. 90 00:05:33,700 --> 00:05:38,938 >> YOU'RE DRESSED LIKE AN EXPENSIVE ICE CREAM SANDWICH 91 00:05:39,005 --> 00:05:39,906 TODAY. 92 00:05:39,972 --> 00:05:48,915 >> James: OVERPRICED OAT MILK VEGAN SANDWICH. 93 00:05:48,981 --> 00:05:54,153 >> AND WHAT ABOUT VEGAN, HARD? 94 00:05:54,220 --> 00:05:59,325 >> James: WHY BE TERRIBLE IF YOU SUDDENLY WENT DISCO? 95 00:05:59,392 --> 00:06:07,433 I DON'T LIKE THE VIBE IN HERE, I DON'T LIKE THIS VIBE, ONE BIT. 96 00:06:07,500 --> 00:06:10,603 I WILL SAY THIS. 97 00:06:10,670 --> 00:06:14,941 IT WOULD MAKE THE BAND LOOK LIKE (BLEEP), RIGHT? 98 00:06:15,007 --> 00:06:16,175 THAT IS NOT TRUE. 99 00:06:16,242 --> 00:06:20,513 ONE MEMBER OF THE BAND. 100 00:06:20,580 --> 00:06:21,280 WELL, IT'S THAT TIME. 101 00:06:21,347 --> 00:06:21,981 IT'S TIME FOR THE NEWS. 102 00:06:22,048 --> 00:06:28,087 ♪ ♪ ♪ THE NEWS ♪ ♪ ♪ 103 00:06:28,154 --> 00:06:34,727 (APPLAUSE) >> James: HERE'S THE NEWS. 104 00:06:34,794 --> 00:06:36,295 A NEW COURT FILING FROM THE JUSTICE DEPARTMENT HAS REVEALED 105 00:06:36,362 --> 00:06:39,899 THAT DONALD TRUMP'S TEAM MAY HAVE INTENTIONALLY MOVED AND 106 00:06:39,966 --> 00:06:42,835 HIDDEN CLASSIFIED PAPERS AT MAR-A-LAGO-- EVEN AFTER THE 107 00:06:42,902 --> 00:06:45,004 GOVERNMENT ASKED FOR THEM TO BE RETURNED. 108 00:06:45,071 --> 00:06:47,440 HERE'S A PHOTO THE JUSTICE DEPARTMENT RELEASED THIS 109 00:06:47,507 --> 00:06:49,575 MORNING, SHOWING TOP SECRET DOCUMENTS IN TRUMP'S HOME 110 00:06:49,642 --> 00:06:53,446 OFFICE. 111 00:06:53,513 --> 00:06:54,547 LOOK AT THAT. 112 00:06:54,614 --> 00:07:00,486 NOW I KNOW WE'RE GOING TO TALK ABOUT THE DOCUMENTS BUT: 113 00:07:00,553 --> 00:07:02,155 LOOK AT THAT CARPET. 114 00:07:02,221 --> 00:07:03,556 THAT DEFINITELY LOOKS LIKE THE CARPET YOU WOULD SEE IN 115 00:07:03,623 --> 00:07:06,058 CRIME SCENE PHOTOS. 116 00:07:06,125 --> 00:07:07,059 SEASONALITY IT? 117 00:07:07,126 --> 00:07:12,198 HOW DO YOU EVEN PICK A CARPET LIKE THAT? 118 00:07:12,265 --> 00:07:13,633 ARE YOU AT THE STORE, LIKE "DO YOU HAVE ANYTHING THAT'LL 119 00:07:13,699 --> 00:07:15,668 LOOK GREAT WITH A BUNCH OF CIGARETTE BURNS?" 120 00:07:15,735 --> 00:07:21,908 THAT'S WHAT WE WANT. 121 00:07:21,974 --> 00:07:23,643 IT NEVER MADE SENSE TO ME THAT TOP SECRET DOCUMENTS WERE 122 00:07:23,709 --> 00:07:27,647 ACTUALLY LABELED "TOP SECRET." 123 00:07:27,713 --> 00:07:34,120 BECAUSE I DIDN'T WANT TO LOOK AT THEM AND NOW I DO. 124 00:07:34,187 --> 00:07:35,555 EVERY TOP SECRET DOCUMENT SHOULD BE LABELED "MY NOVEL, 125 00:07:35,621 --> 00:07:37,323 FIRST DRAFT." 126 00:07:37,390 --> 00:07:38,958 NO ONE'S LOOKING AT IT. 127 00:07:39,025 --> 00:07:40,793 NO ONE'S STEALING IT. 128 00:07:40,860 --> 00:07:43,830 (APPLAUSE) AND, ACCORDING TO ANONYMOUS 129 00:07:43,896 --> 00:07:45,965 SOURCES, MELANIA TRUMP WASN'T WORRIED ABOUT THE F.B.I. RAID 130 00:07:46,032 --> 00:07:49,702 AT MAR-A-LAGO BECAUSE DONALD WOULD "NEVER KEEP HIS STUFF" IN 131 00:07:49,769 --> 00:07:53,873 HER ROOM. 132 00:07:53,940 --> 00:07:59,412 JUST ANOTHER DAY IN PARADISE FOR THE HAPPY COUPLE. 133 00:07:59,478 --> 00:08:07,420 I BET WHEN DONALD AND MELANIA WALK AROUND EACH OTHER AT MAR A 134 00:08:07,486 --> 00:08:10,823 LAGO, IT'S LIKE SOMEONE'S ACCOUNTS YOU DON'T QUITE KNOW. 135 00:08:10,890 --> 00:08:17,897 LIKE YOU WALK PAST ME AND LIKE ON YOUR PHONE YOU'RE LIKE -- 136 00:08:17,964 --> 00:08:22,068 (LAUGHTER) IF YOU WERE GOING TO HIDE 137 00:08:22,134 --> 00:08:25,371 SENSITIVE WORK DOCUMENTS HERE IN THE OFFICES OF THE "LATE LATE 138 00:08:25,438 --> 00:08:28,374 SHOW," WHERE WOULD YOU HIDE THEM? 139 00:08:28,441 --> 00:08:31,244 >> WOULD I NEVER TELL YOU. 140 00:08:31,310 --> 00:08:33,379 >> James: BUT WHERE WOULD YOU HIDE THEM? 141 00:08:33,446 --> 00:08:34,947 >> I'D HAVE NOTHING TO HIDE. 142 00:08:35,014 --> 00:08:39,285 >> James: NO ONE'S SAYING YOU'VE GOT ANYTHING TO HIDE. 143 00:08:39,352 --> 00:08:43,823 YOU'RE MAKING THIS FEEL REALLY WEIRD. 144 00:08:43,890 --> 00:08:47,093 WINNIE WHERE WOULD YOU HIDE SECRET DOCUMENTS? 145 00:08:47,159 --> 00:08:50,029 >> ROB'S BATHROOM. 146 00:08:50,096 --> 00:08:50,997 >> James: WHY? 147 00:08:51,063 --> 00:08:54,901 >> HE HAS OLOT OF (BLEEP) IN THERE SO -- 148 00:08:54,967 --> 00:08:57,703 >> James: IT'S HARD TO DESCRIBE. 149 00:08:57,770 --> 00:09:02,708 SCOTTY, WOULD THE CAMERA REACH YOUR BATHROOM, SHOW PEOPLE YOUR 150 00:09:02,775 --> 00:09:03,376 BATHROOM? 151 00:09:03,442 --> 00:09:04,577 ROB SHOW PEOPLE YOUR BATHROOM? 152 00:09:04,644 --> 00:09:08,481 >> I'M GOING TO LOOK LIKE SUCH A CREEP. 153 00:09:08,547 --> 00:09:10,383 >> Reggie: YOU'RE A CREEP GUY. 154 00:09:10,449 --> 00:09:12,652 >> James: WILL THE CAMERA REACH? 155 00:09:12,718 --> 00:09:15,688 >> YES THE CAMERA WILL REACH. 156 00:09:15,755 --> 00:09:24,764 >> James: GO SCOTTY. 157 00:09:24,830 --> 00:09:28,901 I'M NOT EVEN GOING TO EXPLAIN TO YOU IS THIS OKAY? 158 00:09:28,968 --> 00:09:31,837 YOU'RE SUDDENLY WORRIED -- >> I MEAN THIS IS LIKE NOT GREAT 159 00:09:31,904 --> 00:09:32,505 FOR ME. 160 00:09:32,571 --> 00:09:34,006 >> James: WHY? 161 00:09:34,073 --> 00:09:35,775 I THINK IT'S GREAT FOR YOU. 162 00:09:35,841 --> 00:09:39,512 I THINK IT MAKES YOU LOOK LIKE A MORE FUN TIME THAN YOU ACTUALLY 163 00:09:39,578 --> 00:09:41,147 ARE. 164 00:09:41,213 --> 00:09:43,983 (APPLAUSE) >> James: WHEN SCOTTY IS 165 00:09:44,050 --> 00:09:49,455 THERE JUST INTERRUPT THE MONO. 166 00:09:49,522 --> 00:09:54,327 NOBODY KNOWS WHAT'S GOING ON IF WE DON'T TELL THEM. 167 00:09:54,393 --> 00:09:55,728 THIS IS AN ODD STORY. 168 00:09:55,795 --> 00:10:02,568 A MAN IN SOUTH LONDON HEARD NOISES OUTSIDE HIS DOOR AT 5:30 169 00:10:02,635 --> 00:10:05,905 THIS MORNING. 170 00:10:05,972 --> 00:10:09,909 LOOK HOW NERVOUS ROB IS, HE'S NOT EVEN IN ON THIS, HE'S 171 00:10:09,976 --> 00:10:12,411 TEXTING. 172 00:10:12,478 --> 00:10:18,317 A MAN IN SOUTH LONDON HEARD NOISES OUTSIDE HIS DOOR AT 5:30 173 00:10:18,384 --> 00:10:19,385 THIS MORNING. 174 00:10:19,452 --> 00:10:21,787 HE OPENED THE DOOR AND DISCOVERED A POLICE RAID GOING 175 00:10:21,854 --> 00:10:22,455 ON, WHICH INCLUDED THIS GUY. 176 00:10:22,521 --> 00:10:23,923 SEE IF YOU CAN RECOGNIZE HIM. 177 00:10:23,990 --> 00:10:31,430 >> HOW DID I GET (BLEEP) AND (BLEEP)? 178 00:10:31,497 --> 00:10:34,467 >> PUT BORIS ON THE PHONE. 179 00:10:34,533 --> 00:10:37,203 WHERE IS BORIS? 180 00:10:37,269 --> 00:10:42,808 (LAUGHTER) >> James: BORIS JOHNSON ON A 181 00:10:42,875 --> 00:10:45,544 POLICE RAID. 182 00:10:45,611 --> 00:10:48,114 IS IT ALREADY "TAKE YOUR FAILED PRIME MINISTER TO WORK" DAY? 183 00:10:48,180 --> 00:10:49,315 IN CASE ANYONE HERE IN AMERICA DOESN'T KNOW ABOUT BORIS 184 00:10:49,382 --> 00:10:50,850 JOHNSON, I THINK "GUY WHO GETS MADE FUN OF WHILE ON A POLICE 185 00:10:50,916 --> 00:10:53,252 RAID HE JOINED FOR SOME UNKNOWN REASON" IS A PRETTY GOOD 186 00:10:53,319 --> 00:10:59,992 DESCRIPTION. 187 00:11:00,059 --> 00:11:07,933 I GOT TO SAY THOUGH, YOU DO WANT TO SEE A BUM BLING POSH PERSON, 188 00:11:08,000 --> 00:11:09,668 NULLIFIES EVERYTHING. 189 00:11:09,735 --> 00:11:13,806 JOLLY GOOD, SORRY, YOU DON'T HAPPEN TO HAVE ANY DRUGS ON YOU, 190 00:11:13,873 --> 00:11:14,907 DO YOU? 191 00:11:14,974 --> 00:11:26,485 THE ODD THE OLD WACKY TABACKY? 192 00:11:26,552 --> 00:11:27,386 OR THE DEVIL'S DANDRUFF? 193 00:11:27,453 --> 00:11:27,953 NO? 194 00:11:28,020 --> 00:11:29,755 OKAY, NO PROBLEM, BYE." 195 00:11:29,822 --> 00:11:30,990 AND, A MIX UP AT A CRYPTO-CURRENCY FIRM IS MAKING 196 00:11:31,057 --> 00:11:32,224 HEADLINES. 197 00:11:32,291 --> 00:11:35,761 Crypto.com INTENDED TO SEND AN AUSTRALIAN WOMAN A $100 REFUND, 198 00:11:35,828 --> 00:11:38,497 BUT INSTEAD, ACCIDENTALLY WIRED HER $10 MILLION. 199 00:11:38,564 --> 00:11:42,435 WHICH SHE IMMEDIATELY USED TO BUY A MANSION. 200 00:11:42,501 --> 00:11:47,473 AMAZING. 201 00:11:47,540 --> 00:11:49,642 IT'S AMAZING! 202 00:11:49,708 --> 00:11:53,646 (APPLAUSE) SOMEONE ACTUALLY MADE MONEY 203 00:11:53,712 --> 00:11:56,382 OFF OF CRYPTO THIS YEAR. 204 00:11:56,449 --> 00:11:57,750 OVER $10 MILLION. 205 00:11:57,817 --> 00:12:05,925 IT WAS SUCH A BIG MISTAKE THAT THE CRYPTOARENA HERE IN LOS 206 00:12:05,991 --> 00:12:11,630 ANGELES HAS BEEN RENAMED TO "HEY, JANICE, IF YOU'RE READING 207 00:12:11,697 --> 00:12:15,334 THIS, WOULD YOU MIND RETURNING OUR PHONE CALLS?" ARENA. 208 00:12:15,401 --> 00:12:18,938 AND FINALLY, AUTHORITIES NEAR THE BORDER STOPPED A 209 00:12:19,004 --> 00:12:21,941 TRUCK DRIVER WHO CLAIMED TO BE TRANSPORTING PACKAGES OF 210 00:12:22,007 --> 00:12:23,209 BABY WIPES. 211 00:12:23,275 --> 00:12:26,812 BUT A DRUG-SNIFFING DOG ALERTED AGENTS THAT THE BABY WIPES WERE, 212 00:12:26,879 --> 00:12:32,451 IN REALITY, $12 MILLION WORTH OF COCAINE. 213 00:12:32,518 --> 00:12:34,453 YEAH LOOK AT THAT. 214 00:12:34,520 --> 00:12:37,890 DOESN'T LOOK SUSPICIOUS AT ALL. 215 00:12:37,957 --> 00:12:42,194 UNMARKED BABY WIPES, MEASURED OUT INTO ONE-KILO BRICKS. 216 00:12:42,261 --> 00:12:44,363 COCAINE BABY WIPES. 217 00:12:44,430 --> 00:12:46,232 IMAGINE THAT. 218 00:12:46,298 --> 00:12:48,067 "WOW, MRS. FLETCHER, YOUR BABY IS SO CONFIDENT!" 219 00:12:48,134 --> 00:12:55,674 "YES, JACKIE, THAT'S BECAUSE WE USE COCAINE BABY WIPES!" 220 00:12:55,741 --> 00:12:58,477 OH HANG ON, OKAY GREAT. 221 00:12:58,544 --> 00:13:01,313 OKAY HERE WE GO, HERE WE GO. 222 00:13:01,380 --> 00:13:04,984 THIS IS ROB'S OFFICE AND NOW IT'S GOING INTO THE RESTROOM 223 00:13:05,050 --> 00:13:05,384 HERE. 224 00:13:05,451 --> 00:13:08,053 LOOK AT THIS! 225 00:13:08,120 --> 00:13:14,293 IT'S EVERY SINGLE CARD BORE CUTOUT OF THE SHOW! 226 00:13:14,360 --> 00:13:20,466 (APPLAUSE) >> James: DOES IT EVER CREEP 227 00:13:20,533 --> 00:13:22,268 YOU OUT ROBERT WHEN YOU ARE THERE? 228 00:13:22,334 --> 00:13:24,570 WHO IS THAT GUY UNDERNEATH THE TOILET? 229 00:13:24,637 --> 00:13:26,539 >> I THINK HE STARTED IT ALL. 230 00:13:26,605 --> 00:13:30,209 I THINK NATE PUT HIM THERE AND THEN EVERYBODY ELSE STARTED 231 00:13:30,276 --> 00:13:35,781 SHOWING UP. 232 00:13:35,848 --> 00:13:37,950 >> James: WE'LL BE RIGHT BACK WITH MORE OF THE "LATE LATE 233 00:13:38,017 --> 00:13:39,018 SHOW" EVERYBODY! 234 00:13:57,036 --> 00:14:01,607 ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 235 00:14:01,674 --> 00:14:04,910 THE SUMMER IS ALMOST OVER AND I FEEL SO FORTUNATE I 236 00:14:04,977 --> 00:14:07,913 GOT TO SPEND TIME WITH SO MANY GOOD FRIENDS. 237 00:14:07,980 --> 00:14:10,115 BUT, ONE PERSON I DIDN'T GET A CHANCE TO SEE WAS MY PAL JASON 238 00:14:10,182 --> 00:14:11,917 MOMOA. 239 00:14:11,984 --> 00:14:13,419 FORTUNATELY, I RAN INTO HIM THE OTHER DAY. 240 00:14:13,485 --> 00:14:15,487 TAKE A LOOK. 241 00:14:22,995 --> 00:14:29,935 ♪ ♪ ♪ >> James: HEY, HEY, JASON! 242 00:14:30,002 --> 00:14:31,503 >> I'VE BEEN SO BUSY, I'VE BEEN SHOOTING SEASON THREE OF "SEE." 243 00:14:31,570 --> 00:14:32,571 SORRY WE HAVEN'T BEEN ABLE TO HANG OUT THIS SUMMER. 244 00:14:32,638 --> 00:14:33,772 >> James: I KNOW, IT'S BEEN A REAL BUMMER, YOU KNOW? 245 00:14:33,839 --> 00:14:36,942 USUALLY WE SPEND EVERY SECOND OF THE SUMMER TOGETHER. 246 00:14:37,009 --> 00:14:38,677 TOO BAD WE DIDN'T GET TO HAVE THE OLD MOMOA-CORDEN HOT BOY 247 00:14:38,744 --> 00:14:41,380 SUMMER 2022! 248 00:14:41,447 --> 00:14:42,581 >> YOU KNOW WHAT? 249 00:14:42,648 --> 00:14:43,916 WE DON'T HAVE A TIME MACHINE, WE CAN'T GO BACK, BUT... 250 00:14:43,983 --> 00:14:44,917 >> James: HANG ON... 251 00:14:44,984 --> 00:14:46,585 ARE YOU THINKING WHAT I'M THINKING? 252 00:14:46,652 --> 00:14:47,620 >> MONTAGE! 253 00:14:47,686 --> 00:14:50,956 YEAH! 254 00:14:51,023 --> 00:15:00,466 ♪ ♪ ♪ (LAUGHING TOGETHER) 255 00:15:00,532 --> 00:15:03,369 (♪"WALKING ON SUNSHINE"♪) ♪ I USED TO THINK 256 00:15:03,435 --> 00:15:05,404 MAYBE YOU LOVED ME ♪ NOW, BABY 257 00:15:05,471 --> 00:15:10,743 I'M SURE ♪ AND I JUST CAN'T WAIT 258 00:15:10,809 --> 00:15:12,945 TILL THE DAY WHEN >> James: WHOA! 259 00:15:13,012 --> 00:15:13,946 >> SO BIG! 260 00:15:14,013 --> 00:15:19,385 ♪ YOU KNOCK ON MY DOOR NOW, EVERY TIME I GO FOR 261 00:15:19,451 --> 00:15:26,258 ♪ THE MAILBOX GOTTA HOLD MYSELF DOWN 262 00:15:26,325 --> 00:15:30,229 ♪ 'CAUSE I JUST CAN'T WAIT TILL YOU WRITE ME 263 00:15:30,296 --> 00:15:37,803 ♪ YOU'RE COMING AROUND I'M WALKING ON SUNSHINE, WHOA-OH 264 00:15:37,870 --> 00:15:42,941 ♪ I'M WALKING ON SUNSHINE WHOA-OH 265 00:15:43,008 --> 00:15:47,646 ♪ I'M WALKING ON SUNSHINE WHOA-OH 266 00:15:47,713 --> 00:15:48,947 ♪ AND DON'T IT FEEL GOOD! 267 00:15:49,014 --> 00:15:51,717 HEY ♪ ALL RIGHT NOW 268 00:15:51,784 --> 00:15:53,185 AND DON'T IT FEEL GOOD! 269 00:15:53,252 --> 00:15:55,487 ♪ I'LL SAY IT, SAY IT SAY IT AGAIN NOW 270 00:15:55,554 --> 00:15:58,957 ♪ AND DON'T IT FEEL GOOD! 271 00:15:59,024 --> 00:16:03,195 HEY, YEAH NOW ♪ AND DON'T IT FEEL GOOD! 272 00:16:03,262 --> 00:16:06,298 DON'T IT, DON'T IT, DON'T IT ♪ DON'T IT, DON'T IT 273 00:16:06,365 --> 00:16:10,102 DON'T IT FEEL GOOD ♪ HEY, YEAH NOW 274 00:16:10,169 --> 00:16:11,603 AND DON'T IT FEEL GOOD! 275 00:16:11,670 --> 00:16:14,807 ♪ AND DON'T IT, DON'T IT DON'T IT, DON'T IT, DON'T IT 276 00:16:14,873 --> 00:16:17,943 ♪ DON'T IT FEEL GOOD AND DON'T IT FEEL GOOD 277 00:16:18,010 --> 00:16:21,780 ♪ OH, DON'T IT FEEL GOOD DON'T IT FEEL GOOD 278 00:16:21,847 --> 00:16:22,815 ♪ NOW DON'T IT FEEL GOOD? 279 00:16:22,881 --> 00:16:25,451 OH YEAH, OH YEAH, OH YEAH ♪ DON'T IT FEEL GOOD ♪ 280 00:16:25,517 --> 00:16:30,289 (SCREAMING) ♪ ♪ ♪ 281 00:16:30,356 --> 00:16:43,202 (CAR CRASHES) (CHEERING AND APPLAUSE) 282 00:16:43,268 --> 00:16:46,872 >> James: MY THANKS TO JASON MOMOA! 283 00:16:46,939 --> 00:16:49,041 WE LOVE HIM SO MUCH. 284 00:16:49,108 --> 00:16:50,242 CHECK OUT THE FINAL SEASON OF "SEE." 285 00:16:50,309 --> 00:16:51,677 NEW EPISODES PREMIERE FRIDAYS ON APPLE TV+. 286 00:16:51,744 --> 00:16:53,746 WE'LL BE RIGHT BACK WITH CRISTIN MILIOTI AND AISHA TYLER. 287 00:17:35,988 --> 00:17:37,923 ♪ ♪ ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 288 00:17:37,990 --> 00:17:41,293 SHE STARS IN "THE RESORT!" PLEASE WELCOME CRISTIN MILIOTI! 289 00:17:41,360 --> 00:17:49,368 >> Reggie: IT'S CRISTIN MILIOTI. 290 00:17:49,435 --> 00:17:52,938 >> James: SHE STARS IN "ARCHER!" 291 00:17:53,005 --> 00:17:53,872 PLEASE WELCOME AISHA TYLER! 292 00:17:53,939 --> 00:17:58,243 IT'S AISHA TYLER! 293 00:17:58,310 --> 00:18:02,214 >> Reggie: IT'S AISHA TYLER. 294 00:18:02,281 --> 00:18:17,162 ALL RIGHT! 295 00:18:17,229 --> 00:18:18,130 ALL RIGHT! 296 00:18:18,197 --> 00:18:18,897 ♪ ♪ ♪ ♪ >> James: BLESS YOU FOR BEING 297 00:18:18,964 --> 00:18:20,933 THANK YOU FOR FINDING THE TIME. 298 00:18:20,999 --> 00:18:23,202 CRISTIN I HAVEN'T SEEN YOU FOR SO LONG. 299 00:18:23,268 --> 00:18:24,303 >> I KNOW. 300 00:18:24,369 --> 00:18:27,906 >> James: WE BOTH MET IN 2012, WE WERE WORKING IN 301 00:18:27,973 --> 00:18:32,544 YOU WERE GIVING SUCH AN EXTRAORDINARY PERFORMANCE IN 302 00:18:32,611 --> 00:18:35,681 "ONCE, THE MUSICAL. 303 00:18:35,747 --> 00:18:42,921 " IS IT TRUE YOU COULDN'T ACTUALLY GET INTO YOUR SCHOOL 304 00:18:42,988 --> 00:18:44,089 CHOIR IS THAT RIGHT? 305 00:18:44,156 --> 00:18:48,227 >> THERE WAS A GROUP IN MY SCHOOL CALLED THE MADRIGALS, DO 306 00:18:48,293 --> 00:18:51,930 YOU KNOW WHAT MADRIGALS ARE? 307 00:18:51,997 --> 00:18:52,598 EXACTLY. 308 00:18:52,664 --> 00:18:54,399 THAT'S RIGHT, THAT'S CORRECT. 309 00:18:54,466 --> 00:19:02,307 MADRIGALS ARE LIKE FOLLOW A LINE EVERYWHERE, THEY ARE IN LIKE REN 310 00:19:02,374 --> 00:19:08,547 FAIR, YOU GET THE CONE WITH THE DRAPES AND TURKEY LEG AND YOU'RE 311 00:19:08,614 --> 00:19:11,149 LIKE FA LA LA LA LA. 312 00:19:11,216 --> 00:19:15,387 YOUR FACE IS EXACTLY LIKE IT'S SUPPOSED TO BE. 313 00:19:15,454 --> 00:19:19,658 I WAS DESPERATE FOB A MADRIGAL BUT THEY WOULD NOT HAVE ME. 314 00:19:19,725 --> 00:19:21,960 >> James: WAIT SOME QUESTIONS. 315 00:19:22,027 --> 00:19:25,597 I WAS SORT OF WITH IT FOR A MINUTE WHEN YOU WERE ON HATS AND 316 00:19:25,664 --> 00:19:29,668 THEN IT BECAME WHEN TURKEY LEGS. 317 00:19:29,735 --> 00:19:30,636 WHY? 318 00:19:30,702 --> 00:19:35,207 >> LIKE A FIGY PUDDING AND A -- >> THANK YOU. 319 00:19:35,274 --> 00:19:37,342 IT'S VERY LIKE -- OKAY. 320 00:19:37,409 --> 00:19:39,111 >> James: IT'S NOT THE SAME THING. 321 00:19:39,177 --> 00:19:41,480 YOU WOULD WALK AROUND WITH A TURKEY LEG? 322 00:19:41,547 --> 00:19:43,515 IT'S LIKE A MICROPHONE? 323 00:19:43,582 --> 00:19:46,852 >> WE DIDN'T HAVE A BUDGET FOR TURKEY LEGS. 324 00:19:46,919 --> 00:19:50,055 IT WAS LIKE OF A VERY TURKEY LEG ENERGY. 325 00:19:50,122 --> 00:19:51,757 DOES THAT MAKE SENSE? 326 00:19:51,823 --> 00:19:55,494 JUST FEELS LIKE A BRITISH PERSON WOULD UNDERSTAND WHAT YOU WERE 327 00:19:55,561 --> 00:19:55,994 SAYING. 328 00:19:56,061 --> 00:19:56,895 >> James: DOES IT? 329 00:19:56,962 --> 00:19:58,564 A TURKEY LEG ENERGY? 330 00:19:58,630 --> 00:20:03,635 >> YES, LIKE CHRISTMAS CAROLING. 331 00:20:03,702 --> 00:20:06,138 >> EVERYBODY IS WHAT IS I.T. 332 00:20:06,204 --> 00:20:07,039 CALLED BROCADE? 333 00:20:07,105 --> 00:20:08,874 >> YES, BROCADE. 334 00:20:08,941 --> 00:20:12,210 >> YOU HAVE A LOT OF STRINGS ON THE BACK OF THE DRESS. 335 00:20:12,277 --> 00:20:17,249 >> James: OKAY NOW I KNOW, STRINGS ON THE BACK AND A BUSTLE 336 00:20:17,316 --> 00:20:18,183 AND FUNNY HATS. 337 00:20:18,250 --> 00:20:27,793 >> AND THEY WERE WASSAILING ALL AROUND TOWN. 338 00:20:27,859 --> 00:20:31,964 >> James: WHAT IS WASSAILING? 339 00:20:32,030 --> 00:20:37,970 >> IT'S GREENER SLEEVES, ANNE BOLYN. 340 00:20:38,036 --> 00:20:40,939 >> James: YOU WANTED TO BE PART OF THIS, NOBODY WOULD LET 341 00:20:41,006 --> 00:20:41,740 YOU IN, WHY? 342 00:20:41,807 --> 00:20:43,909 >> I ASSUME IT WAS POLITICAL. 343 00:20:43,976 --> 00:20:45,243 >> James: REALLY? 344 00:20:45,310 --> 00:20:49,848 MAYBE YOU DIDN'T HAVE THE RIGHT TURKEY LEG ENERGY. 345 00:20:49,915 --> 00:20:53,986 AISHA, WE KNOW YOU AS AN ACTOR, COMEDIAN HOST, WRITER, DIRECTOR 346 00:20:54,052 --> 00:20:58,390 BUT YOU ARE ALSO IS THIS TRUE SOMEWHAT OF A SINGER IS THAT 347 00:20:58,457 --> 00:20:59,524 RIGHT? 348 00:20:59,591 --> 00:21:02,761 >> I WAS IN A FA LA LA GROUP, NOT IN HIGH SCHOOL BUT IN 349 00:21:02,828 --> 00:21:03,929 COLLEGE. 350 00:21:03,996 --> 00:21:06,898 LIKE KIND OF GLEE BUT NOBODY HAVING SEX KIND OF VIBES, YOU 351 00:21:06,965 --> 00:21:10,168 KNOW WHAT I MEAN? 352 00:21:10,235 --> 00:21:12,571 THEY WERE GETTING LUCKY ALL THE TIME. 353 00:21:12,638 --> 00:21:17,809 WE USED TO USE THESE TERRIBLE MOCK KIND OF TURTLE NECKS. 354 00:21:17,876 --> 00:21:21,813 >> James: WERE YOU ALSO CALLED THE MADRIGALS? 355 00:21:21,880 --> 00:21:33,558 >> NO WE WERE CALLED THE ROCK-A-PELLAS. 356 00:21:33,625 --> 00:21:43,001 WE FANCIED OURSELVES TO BE SOCIALLY RELEVANT, FREEDOM 357 00:21:43,068 --> 00:21:48,807 SONGS, WHAT BOYS WANT TO HEAR ON TRI NIGHT, APARTHEID, COME ON! 358 00:21:48,874 --> 00:21:53,445 WE WEREN'T VERY POLITICAL. 359 00:21:53,512 --> 00:21:57,115 >> James: HOW MANY PEOPLE WERE IN ROCK-A-PELLAS? 360 00:21:57,182 --> 00:22:00,352 >> THEY ARE STILL AT MY COLLEGE. 361 00:22:00,419 --> 00:22:03,455 THEY'VE EXISTED SINCE I GRADUATED YEARS AGO. 362 00:22:03,522 --> 00:22:08,260 >> James: THE ROCK-A-PELLAS ARE STILL OUT THERE, THE 363 00:22:08,326 --> 00:22:15,834 DARTMOUTH ROCK-A-PELLAS, GO GET THEM ROCK-A-PELLAS, RIGHT? 364 00:22:15,901 --> 00:22:18,503 YOU'RE NOT THE FIRST PERFORMER IN YOUR SYSTEM. 365 00:22:18,570 --> 00:22:23,442 YOUR GRANDMOTHER WAS IN ICECAP AIDS. 366 00:22:23,508 --> 00:22:31,983 FOR ANYONE WHO DOESN'T KNOW WHAT IS ICE CAN A PAIDS IS -- ICECAP 367 00:22:32,050 --> 00:22:36,088 AIDS IS? 368 00:22:36,154 --> 00:22:43,495 ICECAPADES IS? 369 00:22:43,562 --> 00:22:49,234 >> LIKE CHRISTMAS SHOWS -- >> James: CHRISTMAS SHOWS 370 00:22:49,301 --> 00:22:54,639 MUST HAVE BEEN A NIGHTMARE IN YOUR FAMILY. 371 00:22:54,706 --> 00:22:57,375 CHRISTMAS SOUNDS A DISASTER. 372 00:22:57,442 --> 00:23:05,450 >> EVERYONE WASSAILING AND FA LA LING. 373 00:23:05,517 --> 00:23:08,587 >> THAT'S THE MOST EXCITING. 374 00:23:08,653 --> 00:23:17,929 >> TIMMONS ONTARIO, THE SAME TOWN AS SHANIA TWAIN. 375 00:23:17,996 --> 00:23:24,569 THEY SPOTTED HER ON ICE AND SAID YOU'LL COME ON TO HERE. 376 00:23:24,636 --> 00:23:26,271 >> James: YOU WORNLT GET OFTEN THE ICE? 377 00:23:26,338 --> 00:23:28,573 >> I VALUE MY TEETH. 378 00:23:28,640 --> 00:23:35,347 >> James: YOU WOULDN'T GET IN A DRAMATIC WAY IN CENTRAL PARK, 379 00:23:35,413 --> 00:23:37,582 LET'S ICECAPADE? 380 00:23:37,649 --> 00:23:42,954 >> YOU'RE GOING TO GET HURT. 381 00:23:43,021 --> 00:23:47,893 I DON'T HAVE THE -- YOU KNOW LIKE THAT KIND OF SAD SKATE 382 00:23:47,959 --> 00:23:50,228 WHERE YOU'RE KIND OF -- >> James: IT'S LIKE THIS ALL 383 00:23:50,295 --> 00:23:52,831 THE TIME. 384 00:23:52,898 --> 00:23:53,632 WHOA! 385 00:23:53,698 --> 00:23:57,302 >> I FEEL THAT WAY ABOUT SKIING TOO. 386 00:23:57,369 --> 00:24:01,439 I DON'T UNDERSTAND HOW THE WOODEN BOARDS WITH YOUR KNEES 387 00:24:01,506 --> 00:24:04,442 ARE -- I'M SURE IT'S THRILLING BUT -- 388 00:24:04,509 --> 00:24:07,445 >> James: FOR ME IT'S RISK VERSUS REWARD. 389 00:24:07,512 --> 00:24:08,413 WHAT'S THE RISK? 390 00:24:08,480 --> 00:24:09,414 I MIGHT DIE. 391 00:24:09,481 --> 00:24:10,749 WHAT'S THE REWARD? 392 00:24:10,816 --> 00:24:13,819 I SLID DOWN THE MOUNTAIN ON SOME WOOD. 393 00:24:13,885 --> 00:24:16,755 WHEN I WEIGH IT, I'M NOT GOING TO DO IT. 394 00:24:16,822 --> 00:24:21,226 I ALSO THINK WITH ICE SKATING, ICE SKATING IS ONE OF THOSE 395 00:24:21,293 --> 00:24:24,996 THINGS THAT HAS NEVER BEEN TRULY REPRESENTED IN A FILM. 396 00:24:25,063 --> 00:24:28,333 WHEN ANYBODY DOES TONIGHT A FILM IT'S LIKE FUN, PEOPLE ARE HAVING 397 00:24:28,400 --> 00:24:29,601 FUN. 398 00:24:29,668 --> 00:24:35,574 AND IF YOU GO TO AN ICE SKATING RINK DURING CHRISTMAS NO ONE IS 399 00:24:35,640 --> 00:24:38,009 HAVING FUN. 400 00:24:38,076 --> 00:24:42,747 PEOPLE ARE USHERED TO GO THE SAME WAY, KIDS ARE TAKING PEOPLE 401 00:24:42,814 --> 00:24:43,982 OUT. 402 00:24:44,049 --> 00:24:45,951 >> WHEN YOU GET SCARED OR WHEN YOU ARE FALLING ASLEEP SOMETIMES 403 00:24:46,017 --> 00:24:49,888 AT NIGHT AND YOUR NERVOUS SYSTEM DOES SOMETHING LIKE YOU'RE 404 00:24:49,955 --> 00:24:50,922 FALLING DOWN STEPS? 405 00:24:50,989 --> 00:24:51,590 PLEASE SAY YES. 406 00:24:51,656 --> 00:24:53,124 >> YOU KNOW WHAT I MEAN. 407 00:24:53,191 --> 00:24:57,696 >> THE THING THAT YOU JERK AWAKE. 408 00:24:57,762 --> 00:24:59,831 >> LIKE YOU JERK AWAKE. 409 00:24:59,898 --> 00:25:01,199 WHY WOULD I DO THAT? 410 00:25:01,266 --> 00:25:04,102 >> James: IT'S THE BAND DURING THERE SHOW. 411 00:25:04,169 --> 00:25:07,439 AISHA WHEN YOU WERE GROWING UP I WAS SHOCKED TO HEAR THIS GIVEN 412 00:25:07,505 --> 00:25:08,740 YOUR PROFESSION. 413 00:25:08,807 --> 00:25:16,781 YOU WEREN'T ALLOWED TO WATCH TELEVISION IN YOUR HOUSE. 414 00:25:16,848 --> 00:25:20,852 >> THEY THOUGHT TELEVISION ROTTED YOUR BRAIN. 415 00:25:20,919 --> 00:25:26,157 THEY DROPPED ME OFF AT THE LIBRARY ON THE WEEKEND AT 7, 416 00:25:26,224 --> 00:25:30,662 IT'S GREAT TO SPEND SATURDAY ALONE IN THE LIBRARY, LIKE 417 00:25:30,729 --> 00:25:31,630 REALLY? 418 00:25:31,696 --> 00:25:32,797 SUPER-COOL KID. 419 00:25:32,864 --> 00:25:37,002 MAYBE IT'S BECAUSE I'M OBSESSED WITH TELEVISION RIGHT NOW 420 00:25:37,068 --> 00:25:39,437 BECAUSE I DIDN'T HAVE ONE AS A KID. 421 00:25:39,504 --> 00:25:41,640 >> James: DID YOU TRY TO SNEAK TELEVISION? 422 00:25:41,706 --> 00:25:45,310 >> MY PARENTS WERE ALSO VEGETARIANS. 423 00:25:45,377 --> 00:25:53,752 I WAS ONS OF A UNICORN, CAME TO SCHOOL WITH A FIG NEWTON AND A 424 00:25:53,818 --> 00:25:54,786 ROCK, YOU KNOW? 425 00:25:54,853 --> 00:26:01,760 I WOULD GO TO A FRIEND'S HOUSE, HEY WHAT'S UP MOM? 426 00:26:01,826 --> 00:26:11,703 I WOULD GO TO A FRIEND'S REFRIGERATOR AND SLAM MY CHEEKS 427 00:26:11,770 --> 00:26:19,110 WITH BOL WITH BALONEY. 428 00:26:19,177 --> 00:26:21,479 >> SHOULD WE CALL SOMEONE, ARE YOU OKAY? 429 00:26:21,546 --> 00:26:25,917 I GOT TO MESS UP ON THE SUGAR, I'LL BE ALL RIGHT IN THE MINUTE. 430 00:26:25,984 --> 00:26:29,821 >> James: THAT'S WHY YOU DIDN'T GET IN THE BAND. 431 00:26:29,888 --> 00:26:33,091 YOUR PARENTS IN THE MADRIGALS. 432 00:26:33,158 --> 00:26:37,028 IF YOUR PARENTS ARE VEGETARIAN AND YOU'RE LOOKING FOR TURKEY 433 00:26:37,095 --> 00:26:38,964 LEG ENERGY IT'S NEVER GOING TO HAPPEN. 434 00:26:39,030 --> 00:26:42,200 YOU WERE DEAD ON ARRIVAL! 435 00:26:42,267 --> 00:26:46,338 NOW WE CAN WATCH TELEVISION NOW AND THANK GOD BECAUSE LET'S TALK 436 00:26:46,404 --> 00:26:50,875 ABOUT YOUR NEW SHOW, "THE RESORT." 437 00:26:50,942 --> 00:26:52,143 PEOPLE ARE LOVING IT. 438 00:26:52,210 --> 00:26:54,145 TELL US WHAT IT'S ABOUT AND WHO YOU PLAY. 439 00:26:54,212 --> 00:26:58,450 >> I PLAY EMMA AND OUTSIDE OF THAT I DON'T REALLY KNOW HOW TO 440 00:26:58,516 --> 00:27:02,187 DESCRIBE IT, WHICH I KNOW IS MY JOB BUT IT'S LIKE A VERY I WOULD 441 00:27:02,253 --> 00:27:06,624 SAY IF YOU WATCH IT, IT STARTS OUT AS ONE THING, YOU THINK IT'S 442 00:27:06,691 --> 00:27:08,727 ABOUT A MURDER MYSTERY. 443 00:27:08,793 --> 00:27:11,763 A COUPLE IN A TEN YEAR ANNIVERSARY THEIR MARRIAGE IS 444 00:27:11,830 --> 00:27:13,431 NOT IN A GOOD PLACE. 445 00:27:13,498 --> 00:27:17,335 THEY GET INVOLVED IN SOLVING THIS LOCAL MYSTERY, WAY BIGGER 446 00:27:17,402 --> 00:27:21,806 THAN THAT, SORT OF MANY GENRES IN ONE. 447 00:27:21,873 --> 00:27:25,176 >> James: PART ROM COM, LOT OF ACTION. 448 00:27:25,243 --> 00:27:26,578 ARE YOU DOING YOUR OWN STUNTS? 449 00:27:26,644 --> 00:27:30,281 >> I AM, WELL -- (APPLAUSE) 450 00:27:30,348 --> 00:27:31,549 >> LIKE YES. 451 00:27:31,616 --> 00:27:34,686 I HAVE A STUNT WOMAN FOR SOME OF THE STUFF DO I BUT FOR THE MOST 452 00:27:34,753 --> 00:27:37,155 PART I DON'T KNOW HOW ALL OF A SUDDEN THE LAST COUPLE OF SHOWS 453 00:27:37,222 --> 00:27:40,992 I'VE DONE HAVE BEEN VERY ACTION HEAVY WHICH I LOVE BUT IT'S 454 00:27:41,059 --> 00:27:45,797 MOSTLY LIKE ME GETTING BLASTED OUT OF A HOLE OR THROWN DOWN A 455 00:27:45,864 --> 00:27:46,698 HILL. 456 00:27:46,765 --> 00:27:51,369 I DON'T HAVE, I DON'T HAVE LIKE PEOPLE -- 457 00:27:51,436 --> 00:27:53,571 >> James: HOW MANY TIMES ARE YOU ROLLING DOWN THE HILL? 458 00:27:53,638 --> 00:27:57,008 >> AS MANY AS IT STAYS TO GET THE SHOT! 459 00:27:57,075 --> 00:27:58,810 >> James: BUT YOU WON'T SKI? 460 00:27:58,877 --> 00:28:00,512 >> BUT I WON'T SKI. 461 00:28:00,578 --> 00:28:03,048 I KNOW IT'S MENTAL ILLNESS. 462 00:28:03,114 --> 00:28:08,119 >> James: YOU WON'T ICE SKATE, BUT YOU WILL THROW 463 00:28:08,186 --> 00:28:09,854 YOURSELF 40 FOOT DOWN A HILL? 464 00:28:09,921 --> 00:28:13,391 >> WITHOUT EVEN THINKING, OVER AND OVER AND OVER AND OVER. 465 00:28:13,458 --> 00:28:20,165 THERE IS A SCENE IN THE SENT EPISODE WHERE I FALL AND 466 00:28:20,231 --> 00:28:22,901 FACE-PLANT AND SLIDE DOWN A HILL OF ROCKS AND WE DO THAT 30 467 00:28:22,967 --> 00:28:26,905 I DIDN'T THINK ABOUT IT, MY TEETH! 468 00:28:26,971 --> 00:28:29,040 >> James: DO YOU ENJOY DOING STUNTS? 469 00:28:29,107 --> 00:28:30,942 >> I ENJOY DOING STUNTS. 470 00:28:31,009 --> 00:28:36,448 I'M A HUGE ACTION FILM FAN ATTIC, NOW THAT I'M DIRECTING I 471 00:28:36,514 --> 00:28:40,819 THINK DIRECTING SCENES IS MUCH MORE FUN AND I GET SUPEREXCITED 472 00:28:40,885 --> 00:28:45,623 TO GET OTHER PEOPLE GO DOWN THE HILL AND CHIP THEIR TEETH. 473 00:28:45,690 --> 00:28:52,230 I DIRECTED A SCENE WHERE THERE WERE LIKE THOUSANDS OF ZOMBIES 474 00:28:52,297 --> 00:28:56,267 WERE ATTACKING THIS OUTPOST BUT WE HAD 12. 475 00:28:56,334 --> 00:29:00,672 WALK THAT WAY NOW TURN YOUR SHIRT INSIDE OUT AND THEN WALK 476 00:29:00,738 --> 00:29:05,844 THAT WAY FOR HOURS, NOW YOU KNOW, NOW GO THIS WAY. 477 00:29:05,910 --> 00:29:07,278 OH MY GOD. 478 00:29:07,345 --> 00:29:10,181 YOU'RE ABLE TO TURN IT INTO A GIANT CROWD. 479 00:29:10,248 --> 00:29:17,622 >> James: LET'S TAKE A LOOK AT A CLIP FROM 480 00:29:17,689 --> 00:29:18,623 "THE RESORT." 481 00:29:18,690 --> 00:29:20,191 THE FINALE IS AVAILABLE TOMORROW ON PEACOCK. 482 00:29:20,258 --> 00:29:22,660 >> OH MY GOD. 483 00:29:22,727 --> 00:29:24,629 WE'RE (BLEEP) ON ME. 484 00:29:24,696 --> 00:29:25,363 >> (BLEEP). 485 00:29:25,430 --> 00:29:27,866 >> OH NO NO (BLEEP). 486 00:29:27,932 --> 00:29:33,404 >> OH MY GOD. 487 00:29:33,471 --> 00:29:38,276 OH OH OH! 488 00:29:38,343 --> 00:29:40,545 (BLEEP). 489 00:29:40,612 --> 00:29:45,116 >> OH OH! 490 00:29:45,183 --> 00:29:48,553 OH MY GOD DUDE NO! 491 00:29:48,620 --> 00:29:50,388 AH! 492 00:29:50,455 --> 00:29:52,190 OH MY GOD. 493 00:29:52,257 --> 00:29:56,895 BUT IT'S GOOD LUCK TO BE (BLEEP) BY A BAT RIGHT? 494 00:29:56,961 --> 00:29:58,963 STICK AROUND, MORE WITH THESE TWO WHEN WE COME BACK. 495 00:30:13,011 --> 00:30:18,950 >> LED US TO A GORILLA DEN AND GOT RAY BAN. 496 00:30:19,017 --> 00:30:26,324 >> WHY BECAUSE I SAW A PIECE OF THE NN FALL OFF AND DIDN'T SAY 497 00:30:26,391 --> 00:30:27,559 ANYTHING. 498 00:30:27,625 --> 00:30:32,397 >> AKA CARELESS, YOU DIDN'T CARE ABOUT US ARCHER AND NEVER DID. 499 00:30:32,463 --> 00:30:35,099 YOU BECAME A SPY TO PLEAS YOUR MOTHER. 500 00:30:35,166 --> 00:30:37,368 >> TOO FAR? 501 00:30:37,435 --> 00:30:44,642 ♪ ♪ ♪ ♪ ♪ ♪ ALL RIGHT WE BACK Y'ALL, WE BACK! 502 00:30:44,709 --> 00:30:46,544 THAT WAS A CLIP FROM "ARCHER," WHICH AIRS WEDNESDAYS AT 10:00 503 00:30:46,611 --> 00:30:51,382 ON FXX AND THE NEXT DAY ON HULU. 504 00:30:51,449 --> 00:30:54,085 CONGRATS ON THE SHOW, BACK FOR SEASON 13. 505 00:30:54,152 --> 00:31:00,959 PEOPLE LOVE THIS SHOW SO MUCH, YOU AND THE CAST YOU WENT TO 506 00:31:01,025 --> 00:31:01,960 COMIC-COM LAST MONTH. 507 00:31:02,026 --> 00:31:05,396 YOU'RE A BIG COMIC-COM LAST MONTH. 508 00:31:05,463 --> 00:31:09,200 >> THAT WAS MY 11th COMIC COM. 509 00:31:09,267 --> 00:31:10,368 I LOVE IT. 510 00:31:10,435 --> 00:31:15,506 AS I MENTIONED BEFORE I SPENT MOST OF MY CHILDHOOD READING 511 00:31:15,573 --> 00:31:15,907 BOOKS. 512 00:31:15,974 --> 00:31:17,542 I LOVE A NERD. 513 00:31:17,609 --> 00:31:19,544 IT'S ALSO KIND OF FOR ACTORS. 514 00:31:19,611 --> 00:31:23,815 IT'S LIKE THE ONLY TIME ALL YEAR YOU SEE PEOPLE YOU KNOW THEY'RE 515 00:31:23,881 --> 00:31:25,483 ALL SHOOTING DIFFERENT PLACES. 516 00:31:25,550 --> 00:31:33,925 THEY ARE DAYTIME COMIC-COM AND COMIC COM AFTER DARK. 517 00:31:33,992 --> 00:31:36,894 >> James: WHAT HAPPENS AT COMIC COM? 518 00:31:36,961 --> 00:31:42,767 >> I GOT TO SEE STEVIE LOU THIS YEAR WRITE IS SUPER-EXCITING. 519 00:31:42,834 --> 00:31:46,671 THERE IS A LOT OF FAN BOYING AND GIRLING WHEN YOU'RE THERE. 520 00:31:46,738 --> 00:31:51,075 >> James: HAVE YOU BEEN TO COMIC COM AT ALL? 521 00:31:51,142 --> 00:31:52,944 >> I WAS THERE THIS YEAR. 522 00:31:53,011 --> 00:31:57,949 >> IT USED TO BE SUPERHERO STUFF AND IT'S NOW KIND OF GENRE WHICH 523 00:31:58,016 --> 00:31:58,950 IS COOL. 524 00:31:59,017 --> 00:32:01,219 >> James: ARE YOU AT HOME IN THAT ENVIRONMENT? 525 00:32:01,286 --> 00:32:04,088 >> YOU GET USHERED TO THINGS. 526 00:32:04,155 --> 00:32:07,358 DID I GET TO GO TO THE PARTY THAT NIGHT. 527 00:32:07,425 --> 00:32:09,327 >> James: GREAT NIGHT. 528 00:32:09,394 --> 00:32:09,861 YEAH. 529 00:32:09,927 --> 00:32:11,095 IT WAS A GREAT NIGHT. 530 00:32:11,162 --> 00:32:12,964 WE ALL HAD A GREAT TIME. 531 00:32:13,031 --> 00:32:16,668 >> ELEVATOR WIVES. 532 00:32:16,734 --> 00:32:18,169 YOU KNOW. 533 00:32:18,236 --> 00:32:20,805 (LAUGHTER) >> YOU WANT TO TALK ABOUT TURKEY 534 00:32:20,872 --> 00:32:22,073 LEG ENERGY. 535 00:32:22,140 --> 00:32:29,614 I GOT IN THE VERITY ONE YEAR -- ELEVATOR ONE YEAR, GUY WHO MADE 536 00:32:29,681 --> 00:32:34,252 LIKE A GUN de MENINO OUTFIT OUT OF TOILET PAPER BOX. 537 00:32:34,319 --> 00:32:35,987 IT IS A WIDE VARIETY. 538 00:32:36,054 --> 00:32:37,188 >> James: I WOULD LOVE TO GO. 539 00:32:37,255 --> 00:32:40,224 >> YOU ARE TOTALLY INVITED. 540 00:32:40,291 --> 00:32:45,363 >> James: I'M NOT BUT, "CRIMINAL MINDS" IS RETURNING TO 541 00:32:45,430 --> 00:32:47,799 PARAMOUNT PLUS AFTER THREE YEARS OF THE AIR. 542 00:32:47,865 --> 00:32:49,701 HOW DOES IT FEEL TO BE BACK? 543 00:32:49,767 --> 00:32:52,003 >> IT'S SO GREAT TO BE BACK. 544 00:32:52,070 --> 00:32:58,276 I FEEL LIKE WHEN THE SHOW ENDED AFTER SEASON 15 WE ALL HAD MORE 545 00:32:58,343 --> 00:32:59,544 STORIES TO TELL. 546 00:32:59,610 --> 00:33:03,781 NOW THAT THEY CAME BACK, WE WANT TO DO ANOTHER SEASON, IT TOOK A 547 00:33:03,848 --> 00:33:05,516 WHILE, BAD BREAKUP. 548 00:33:05,583 --> 00:33:07,385 I WANT YOU BACK! 549 00:33:07,452 --> 00:33:10,822 SO WE'RE ALL BACK SIX OF THE EIGHT OF US ARE BACK AND WE'RE 550 00:33:10,888 --> 00:33:13,591 ALREADY SHOOTING AND IT'S AWESOME. 551 00:33:13,658 --> 00:33:16,661 PEOPLE ARE GOING TO LOVE IT, IT'S GOING TO BE ON STREAMING 552 00:33:16,728 --> 00:33:21,733 NOW SO IT'S GOING TO BE A LITTLE DARKER A LITTLE EDGIER A LITTLE 553 00:33:21,799 --> 00:33:22,867 COOLER. 554 00:33:22,934 --> 00:33:25,803 I DON'T KNOW HOW YOU CAN GET DARKER ON CRIMINAL MINDS BUT 555 00:33:25,870 --> 00:33:29,774 WE'RE DOING IT. 556 00:33:29,841 --> 00:33:31,909 REGGIE, DO YOU HAVE A QUESTION FOR ANY OF OUR GUESTS THIS 557 00:33:31,976 --> 00:33:32,443 EVENING? 558 00:33:32,510 --> 00:33:33,111 >> Reggie: YES, I DO. 559 00:33:33,177 --> 00:33:35,113 TONIGHT'S QUESTION GOES TO... 560 00:33:35,179 --> 00:33:39,283 (DRUM ROLL) TO OUR GUESTS THIS EVENING. 561 00:33:39,350 --> 00:33:47,091 AS BOTH OF YOU ARE PROBABLY AWARE OF, ANUBIS FROM EGYPTIAN 562 00:33:47,158 --> 00:33:51,429 LOWER WAS BARRED FROM FORMER GODS WHO OCCUPIED THE SAME 563 00:33:51,496 --> 00:33:59,871 TERRITORY SUCH AS THE GOD FROM SAMARIAN CALLED ARISKAGAL. 564 00:33:59,937 --> 00:34:02,774 >> CLOSE PERSONAL FRIENDLY REALLY. 565 00:34:02,840 --> 00:34:05,777 >> Reggie: MY QUESTION IS THIS THAT'S WHY I BRING THIS UP, 566 00:34:05,843 --> 00:34:08,946 THANK YOU FOR REVEALING THAT, I WASN'T GOING TO REVEAL THAT. 567 00:34:09,013 --> 00:34:11,582 YOU DID THAT, THAT WAY I DON'T GET IN TROUBLES. 568 00:34:11,649 --> 00:34:14,652 IF YOU HAD THAT POWER TO BE THE PERSON WHO COULD TAKE PEOPLE 569 00:34:14,719 --> 00:34:19,023 BACK AND FORTH FORMULA UNDERWORLD, TO THE REGULAR 570 00:34:19,090 --> 00:34:24,629 WORLD, WHAT WOULD YOU DO WITH THAT POWER? 571 00:34:24,695 --> 00:34:31,636 >> I KNOW A FORMER PRESIDENT, I WOULD BE FERRIED ONE WAY AND NOT 572 00:34:31,702 --> 00:34:32,270 BACK. 573 00:34:32,336 --> 00:34:33,504 >> I'D JUST SEE THAT, YEAH. 574 00:34:33,571 --> 00:34:40,211 >> I MEAN, YOU KNOW, YOU GUYS COULD MAKE UP YOUR OWN MINDS BUT 575 00:34:40,278 --> 00:34:42,647 THAT -- >> James: REAGAN. 576 00:34:42,713 --> 00:34:45,183 >> EISENHOWER. 577 00:34:45,249 --> 00:34:48,719 >> THERE ARE A COUPLE OF SEATS IN MY GONDOLA THAT I HAVE SOME 578 00:34:48,786 --> 00:34:50,321 NAMES THAT I'D LIKE TO PUT THERE. 579 00:34:50,388 --> 00:34:51,789 >> WE HAVE A GONDOLA? 580 00:34:51,856 --> 00:34:58,296 >> THAT'S HOW YOU GET TO HADES. 581 00:34:58,362 --> 00:34:59,197 RIGHT? 582 00:34:59,263 --> 00:35:02,700 >> James: LIKE FAN TOM OF THE OPERA RIGHT? 583 00:35:02,767 --> 00:35:03,835 THAT'S ABSOLUTELY CORRECT! 584 00:35:03,901 --> 00:35:04,802 PLEASE THANK OUR INCREDIBLE GUESTS, CRISTIN MILIOTI AND 585 00:35:04,869 --> 00:35:05,703 AISHA TYLER! 586 00:35:05,770 --> 00:35:07,305 FRANZ FERDINAND IS HERE WHEN WE COME BACK! 587 00:35:32,997 --> 00:35:34,932 ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 588 00:35:34,999 --> 00:35:38,035 HERE PERFORMING "CURIOUS" FROM THEIR ALBUM "HITS TO THE HEAD," 589 00:35:38,102 --> 00:35:43,875 WHICH IS OUT NOW, PLEASE WELCOME FRANZ FERDINAND! 590 00:35:43,941 --> 00:35:45,943 CHEAPER ♪ ♪ ♪ ♪ ♪ (CHEERING AND APPLAUSE) 591 00:35:55,019 --> 00:36:03,995 ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ MEET CUTE 592 00:36:04,061 --> 00:36:07,532 ON THE FIRST PAGE ♪ TENSION ENTER LEFT 593 00:36:07,598 --> 00:36:16,107 ON A DARK STAGE ♪ OUR STARS COLLIDE 594 00:36:16,173 --> 00:36:20,311 LIGHT DESTROY THE NIGHT ♪ AM I THINKING ABOUT NOW? 595 00:36:20,378 --> 00:36:22,380 AM I THINKING ABOUT THEN? 596 00:36:22,446 --> 00:36:26,984 ♪ AM I THINKING ABOUT YOU OR ME AND WHEN 597 00:36:27,051 --> 00:36:31,522 ♪ WE ARE THE FUTURE I'M CURIOUS 598 00:36:31,589 --> 00:36:37,828 ♪ CURIOUS WILL YOU WANT ME? 599 00:36:37,895 --> 00:36:38,696 ♪ WILL YOU WANT ME WHEN YOU'VE GOT ME? 600 00:36:38,763 --> 00:36:39,597 ♪ ARE YOU GONNA LOVE ME? 601 00:36:39,664 --> 00:36:44,168 TELL ME ♪ I'M A FUTURE SEEKER 602 00:36:44,235 --> 00:36:46,938 HEAT-SEEKING FREAK, I ♪ WANT TO KNOW NOW 603 00:36:47,004 --> 00:36:48,506 I'VE GOT TO KNOW NOW ♪ NO, I KNOW THAT NO 604 00:36:48,573 --> 00:36:51,242 I SHOULDN'T BE SO ♪ CURIOUS 605 00:36:51,309 --> 00:36:56,080 BUT HELL, YOU'VE GOT ME ♪ CURIOUS 606 00:36:56,147 --> 00:37:04,455 BECAUSE I MIGHT LOVE YOU ♪ ♪ ♪ ♪ 607 00:37:04,522 --> 00:37:07,592 ♪ WITH MYSTERY DISSIPATING 608 00:37:07,658 --> 00:37:13,464 ♪ IS IT ORDINARY REMAINING? 609 00:37:13,531 --> 00:37:16,467 ♪ DISCOVERY IS DISCOVERED AND YOU KNOW WHAT I WILL 610 00:37:16,534 --> 00:37:20,071 ♪ SAY WHEN SAY WHEN 611 00:37:20,137 --> 00:37:26,377 ♪ WHEN THE QUESTION IS ASKED WHEN THE QUESTION REMAINS 612 00:37:26,444 --> 00:37:31,415 ♪ REPETITION, REPETITION REVEALING THE DAY 613 00:37:31,482 --> 00:37:32,250 ♪ ARE WE THE FUTURE? 614 00:37:32,316 --> 00:37:36,087 I'M CURIOUS ♪ CURIOUS 615 00:37:36,153 --> 00:37:39,156 WILL YOU WANT ME? 616 00:37:39,223 --> 00:37:40,691 ♪ WILL YOU WANT ME WHEN YOU'VE GOT ME? 617 00:37:40,758 --> 00:37:42,326 ♪ ARE YOU GONNA LOVE ME? 618 00:37:42,393 --> 00:37:46,097 TELL ME ♪ I'M A FUTURE SEEKER 619 00:37:46,163 --> 00:37:49,433 HEAT-SEEKING FREAK, I ♪ WANT TO KNOW NOW 620 00:37:49,500 --> 00:37:53,371 I'VE GOT TO KNOW NOW ♪ NO, I KNOW THAT 621 00:37:53,437 --> 00:37:55,039 NO, I SHOULDN'T BE SO CURIOUS ♪ BUT HELL, YOU'VE GOT ME 622 00:37:55,106 --> 00:37:58,275 CURIOUS ♪ WILL YOU LOVE ME NOW? 623 00:37:58,342 --> 00:37:59,777 WILL YOU LOVE ME THEN? 624 00:37:59,844 --> 00:38:01,445 ♪ WILL YOU LOVE ME WHEN YOU SEE 625 00:38:01,512 --> 00:38:07,485 ♪ YOU SEE THE MAN WITHIN? 626 00:38:07,551 --> 00:38:11,222 WILL YOU LOVE THE MAN WITHIN? 627 00:38:11,288 --> 00:38:12,456 ♪ WILL YOU HOLD ME WHEN YOU'VE GOT ME? 628 00:38:12,523 --> 00:38:13,257 ♪ ARE YOU GONNA LOVE ME? 629 00:38:13,324 --> 00:38:14,825 TELL ME ♪ YES, I'M A FUTURE SEEKER 630 00:38:14,892 --> 00:38:16,260 A HEAT-SEEKING FREAK ♪ YOU KNOW, YOU KNOW 631 00:38:16,327 --> 00:38:18,229 YOU'VE GOT ME ♪ CURIOUS 632 00:38:18,295 --> 00:38:20,297 CURIOUS ♪ YOU'VE GOT ME CURIOUS ♪ 633 00:38:27,238 --> 00:38:34,078 >> James: WHOA! 634 00:38:34,145 --> 00:38:35,312 FRANS FERDINAND EVERYONE! 635 00:38:35,379 --> 00:38:36,013 YOU CAN CATCH THEM ON TOUR THIS FALL, INCLUDING TOMORROW NIGHT 636 00:38:36,080 --> 00:38:36,580 AT THE NOVO HERE IN LOS ANGELES. 637 00:38:36,647 --> 00:38:37,882 COME ON BACK, EVERYBODY! 638 00:38:37,948 --> 00:38:38,949 I LOVE THAT! 639 00:38:52,997 --> 00:38:54,165 ♪ ♪ ♪ ♪ >> James: ST THANK YOU SO MUC. 640 00:38:54,231 --> 00:38:56,934 TOMORROW NIGHT, WE HAVE TERRY CREWS, KEN JEONG, AND MUSIC FROM 641 00:38:57,001 --> 00:38:57,468 AMANDA SHIRES. 642 00:38:57,535 --> 00:39:01,272 REGGIE, TAKE US HOME.