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♪ ARE YOU READY, Y'ALL
TO HAVE SOME FUN

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♪ WITH ITS LOVE TONIGHT.

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♪ DO YOU
IT'LL BE ALL RIGHT

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♪ IT'S "THE LATE LATE SHOW!"
>> Reggie: LADIES AND GENTLEMEN,

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GENTLEMEN, ALL THE WAY FROM
WHERE YOU EXPECTING TO BE COMING

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00:00:24,557 --> 00:00:33,233
FROM, IT IS THE ONE, THE ONLY
JAMES CORDEN!

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00:00:33,299 --> 00:00:33,767
(CHEERS AND APPLAUSE).

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>> James: HOW ARE YOU.

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THANK YOU VERY, VERY MUCH.

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GREAT HAVING YOU HERE.

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THANK YOU FOR COMING.

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THANK YOU TO EVERYBODY.

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HELLO, GOOD EVENING AND WELCOME
TO THE "LATE, LATE SHOW."

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SO HAPPY YOU'RE HERE.

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THANKS FOR STAYING UP FOR US.

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LET'S TAKE A LOOK AND SEE WHO
THE GUESTS ARE ON THE SHOW

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SHE'S A PHENOMENAL EMMY-WINNING
ACTOR, PRODUCER, AND DIRECTOR

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YOU KNOW FROM "THE HANDMAID'S
TALE," "MAD MEN," "SHINING

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GIRLS," AND SO MUCH MORE, THE
EXQUISITE, ELISABETH MOSS!

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IS HERE TONIGHT.

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YOU CAN BELIEVE IT HOW ARE YOU?

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>> I'M GOOD, HOW ARE YOU, MY
FRIEND.

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>> I'M VERY, VERY WELL.

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SO HAPPY TO SEE YOU.

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>> I'M HAPPY TO BE HERE.

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>> I'M JUST SO HAPPY TO SEE YOU.

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>> I'M SO HAPPY TO SEE YOU.

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>> James: HOW IS YOUR LIFE
WHAT IS GOING ON, DO YOU NEED MY

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HELP ON ANYTHING.

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>> ALWAYS, I'M ACTUALLY GOING TO
LONDON SO I NEED YOUR HELP ON

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WHERE TO LIVE AND WHERE TO GO.

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>> James: I'M YOUR MAN.

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WE LOVE YOU, ELISABETH MOSS,
EVERYBODY.

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AND
HE'S A TREMENDOUSLY TALENTED

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ACTOR YOU KNOW FROM "ROGUE ONE,"
"NARCOS: MEXICO," AND BEST OF

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ALL "DIRTY DANCING: HAVANA
NIGHTS," THE DASHING, THE

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DAZZLING, DIEGO LUNA!

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IS HERE TONIGHT.

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DIEGO.

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>> THERE HE IS.

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HOW ARE YOU?

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>> HANG ON, WHAT'S WRONG.

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>> I HAVE DONE MORE THAN 30
FILMS, REALLY, HAVANA NIGHT, YOU

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HAVE TO MENTION.

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>> James: IT'S MY FAVORITE
FILM.

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00:02:01,821 --> 00:02:04,224
>> I'M GOING TO THINK IF I'M
STAYING OR LEAVING.

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>> James: DIEGO, IT IS MY
FAVORITE, YOU KNOW, THIS I HAVE

48
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TOLD YOU THIS.

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I SAY IT MAKES DIRTY DANCING
LOOK LIKE A PIECE OF [BLEEP],

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THAT'S HOW GOOD IT.

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IS YOU KNOW WHY IT IS GOOD?

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>> WHY.

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>> James: BECAUSE OF YOU.

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>> OH [BLEEP]
>> James: DIEGO LUNA,

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EVERYBODY.

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SHE'S A TREMENDOUSLY TALENTED
STAND-UP COMEDIAN AND WE'RE

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THRILLED SHE'LL BE MAKING HER
LATE NIGHT DEBUT HERE WITH US

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TONIGHT.

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THE ONE, THE ONLY CAITLIN
PELOOFO, IS HERE TONIGHT.

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>> GOOD, HOW ARE YOU.

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>> James: I'M GOOD.

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>> WE'RE PRETTY GOOD, HANGING
OUT.

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>> James: WHO DO YOU HAVE IN
THE ROOM.

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>> DUCK NUMBER ONE IS MY FIANCE,
DUCK NUMBER TWO IS MY MOTHER AND

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THERE IS MY DAD.

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>> James: LOOK, THE WHOLE
FAMILY IS THERE.

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ALL OF THE DUCKS.

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>> YES, YES.

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>> James: WE ARE SO THRILLED.

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WE CAN'T WAIT FOR YOU TO BE OUT
HERE ON THE SHOW, CAITLIN

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PELOOFO, EVERYBODY.

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ARE YOU READY.

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>> Reggie: YES.

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00:03:01,948 --> 00:03:02,916
>> James:
THEN LET'S!

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THIS IS "THE LATE LATE SHOW!"
ROLL THE TITLES!

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00:03:05,985 --> 00:03:06,553
Captioning sponsored by CBS

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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW, WOO!

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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW OH-OH!

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♪ IT'S THE LATE, LATE SHOW ♪
>> James: IT CERTAINLY IS!

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J IT CERTAINLY S BLESS YOU FOR
BEING HERE, THANKS FOR COMING,

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FUN SHOW TONIGHT, FUN VIBE, FUN
VIBE.

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>> IT'S A PARTY VIBE IN THE
ROOM.

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WE'RE BRINGING THE PARTY BACK TO
LATE NIGHT.

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>> James: WE COULD CHAT LIKE
THIS ALL DAY, WE COULD, BUT WE

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CAN'T, IT'S THAT TIME, IT'S TIME
TO PROVIDE FOR YOU OUR SACRED

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00:03:45,625 --> 00:03:55,134
DUTY, THAT'S RIGHT, IT'S TIME
FOR THE NEWS.

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00:03:55,201 --> 00:04:01,107
>> WE'LL FIND OUT HOW THAT IS
GOING, AS WELL AS THROUGHOUT

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SOUTHERN ILLINOIS IN OUR 6:00
REPORT.

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00:04:03,776 --> 00:04:09,716
YOU'LL SEE.

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00:04:09,782 --> 00:04:14,153
>> YES.

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GOD SPEED
.

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♪
♪ ♪ ♪

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♪ ♪ ♪
♪ ♪ ♪

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♪ ♪ ♪
♪ ♪ ♪

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00:05:03,636 --> 00:05:13,613
>> James: YES, YES, YES.

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00:05:13,680 --> 00:05:14,147
YES.

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YES.

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00:05:15,081 --> 00:05:24,924
>> James: WE'LL BE RIGHT BACK,
EVERYBODY.

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WITH THE NEW BRITISH PRIME
MINISTER FOR HIS FIRST

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REGULARLY-SCHEDULED WEEKLY
AUDIENCE.

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THE WEEKLY AUDIENCE IS A
CONSTITUTIONAL CUSTOM IN WHICH

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THE PRIME MINISTER INFORMS THE
HEAD OF STATE ABOUT

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PARLIAMENTARY BUSINESS.

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BUT IT GOT OFF TO AN UNUSUAL
START WHEN KING CHARLES FLIPPED

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HIS CHAIR AROUND, STRADDLED IT,
AND SAID, I WANT YOU TO THINK OF

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ME AS THE COOL BOSS.

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TOMORROW, THE QUEEN WILL BE
IS TOMORROW THE QUEEN WILL BE

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GIVING HER FINAL SENDOFF,
WESTMINSTER ABBY WILL FILL UP

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WITH BRITISH AND FOREIGN
DIGNITARIES AND AT 11 A.M. BIG

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00:06:11,871 --> 00:06:14,340
BEN WILL STRIKE JUST ONCE TO
START A NATIONAL TWO MINUTE

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00:06:14,407 --> 00:06:15,475
SILENCE.

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NOW I KNOW THIS IS PROBABLY HARD
FOR AMERICANS TO FOLLOW.

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ALL OF THIS, THINK OF
WESTMINSTER ABBEY AS A SACRED

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GATHERING PLACE USED FOR MANY,
MANY DIFFERENT, VARIOUS

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IMPORTANT OCCASIONS.

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IT'S KIND OF LIKE YOUR DAVE AND
BUSTERS.

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IT'LL BE A TOUCHING, EMOTIONAL
MOMENT FOR BRITAIN.

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ALL OVER THE U.K., PEOPLE IN
PUBS WILL BE DRINKING OUT OF

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SADNESS, RATHER THAN THE USUAL,
DRINKING OUT OF HAPPINESS,

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DRINKING BECAUSE IT'S LUNCH,
DRINKING BECAUSE IT'S DINNER,

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OR DRINKING BECAUSE SOMEONE ELSE
IS BUYING.

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MOVING ON, ACCORDING TO A NEW
SURVEY, THE AVERAGE AMERICAN HAS

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SENT INTIMATE MESSAGES OR PHOTOS
TO THE WRONG PERSON, GET THIS,

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SIX TIMES.

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ON AVERAGE!

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ON AVERAGE SIX TIMES.

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I MEAN AT THAT POINT, IT STOPS
FEELING LIKE A MISTAKE AND

128
00:07:05,758 --> 00:07:09,896
STARTS FEELING LIKE YOU REALLY
DO WANT YOUR FRIEND CHAD TO SEE

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00:07:09,962 --> 00:07:11,164
YOUR PENIS.

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00:07:11,230 --> 00:07:14,333
ON AVERAGE, PEOPLE SEND INTIMATE
MESSAGES TO THE WRONG PERSON SIX

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TIMES.

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00:07:15,968 --> 00:07:18,504
THE OTHER TIMES, THEY GENUINELY
WANTED THE PERSON TO PICK UP

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00:07:18,571 --> 00:07:23,109
SOME EGGPLANTS AND PEACHES ON
THE WAY HOME FROM WORK.

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ACCORDING TO THE SURVEY, HALF OF
THOSE WHO SEND INTIMATE PHOTOS

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00:07:26,412 --> 00:07:31,450
CLAIM THEY DO SO AT LEAST ONCE A
WEEK.

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IF YOU'RE SENDING PICS THAT
OFTEN, ARE THEY REALLY EVEN

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INTIMATE ANYMORE?

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IT'S MORE LIKE A
JUNK-OF-THE-MONTH CLUB.

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00:07:40,159 --> 00:07:42,762
MOVING ON, THERE IS NOW AN APP
THAT DETECTS COVID IN YOUR

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00:07:42,829 --> 00:07:45,898
VOICE.

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00:07:45,965 --> 00:07:50,336
THE APP, WHICH USES ARTIFICIAL
INTELLIGENCE, CAN DETECT THE

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00:07:50,403 --> 00:07:54,340
EFFECT OF UPPER RESPIRATORY
SYMPTOMS ON YOUR VOCAL CORDS AND

143
00:07:54,407 --> 00:07:55,942
IS SAID TO BE 89% ACCURATE.

144
00:07:56,008 --> 00:07:58,444
THE ODDS GO UP IF YOU SAY INTO
YOUR PHONE, I CAN'T TASTE OR

145
00:07:58,511 --> 00:08:06,352
SMELL ANYTHING.

146
00:08:06,419 --> 00:08:07,520
AN APP THAT CAN DETECT COVID.

147
00:08:07,587 --> 00:08:18,331
THE ONLY DIFFICULT PART, GETTING
THE PHONE UP YOUR NOSE.

148
00:08:18,397 --> 00:08:20,466
YOU HAVE TO USE TWO AIR PODS.

149
00:08:20,533 --> 00:08:24,971
THAT'S ACTUALLY WHAT ST, I'M NOT
EVEN JOKING, THAT IS ACTUALLY

150
00:08:25,037 --> 00:08:29,575
WHAT ST, YOU PUT TWO AIR POD,
TWIST THEM, I'M GENUINELY NOT

151
00:08:29,642 --> 00:08:31,010
JOKING, ACTUALLY WHAT ST.
HERE'S HOW IT WORKS.

152
00:08:31,077 --> 00:08:32,511
YOU SPEAK A FEW WORDS INTO THE
APP.

153
00:08:32,578 --> 00:08:33,913
THE ARTIFICIAL INTELLIGENCE
COMPARES IT TO YOUR NORMAL

154
00:08:33,980 --> 00:08:37,516
SPEAKING VOICE.

155
00:08:37,583 --> 00:08:39,886
THE APP TELLS YOU WHETHER OR NOT
YOU HAVE COVID.

156
00:08:39,952 --> 00:08:42,355
THEN, NO MATTER WHAT THE RESULTS
ARE, YOU STILL GET ON YOUR PLANE

157
00:08:42,421 --> 00:08:51,097
FROM MIAMI TO TAMPA.

158
00:08:51,163 --> 00:08:54,934
IF YOU HAD TO CREATE A APP,
DON'T TELL ME WHAT IT DOES,

159
00:08:55,001 --> 00:09:01,340
DON'T TELL ME WHAT THE BUSINESS
IS, WHAT IS THE NAME?

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00:09:01,407 --> 00:09:02,375
>> DEBORAH.

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00:09:02,441 --> 00:09:05,978
>> James: EXCEPTIONAL NAME,
THAT IS EXCEPTIONAL.

162
00:09:06,045 --> 00:09:07,980
WHERE DID YOU DO THAT, I BOOKED
IT ON DEB RA.

163
00:09:08,047 --> 00:09:10,316
I BET IT ALREADY EXISTS.

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00:09:10,383 --> 00:09:10,783
>> DEBORAH.

165
00:09:10,850 --> 00:09:12,251
>> James: DEBORAH.

166
00:09:12,318 --> 00:09:14,053
>> IT IS THE THING ABOUT
DEBORAH, THERE SAY WAITING LIST.

167
00:09:14,120 --> 00:09:15,021
>> James: FOR DEBORAH.

168
00:09:15,087 --> 00:09:17,256
>> SO YOU CAN FEEL FREE TO APPLY
FOR DEBORAH.

169
00:09:17,323 --> 00:09:18,658
>> James: YEAH, YEAH, I FOUND
TON DEBORAH.

170
00:09:18,724 --> 00:09:22,128
>> I MEAN HOW DO I GET ON
DEBORAH?

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00:09:22,194 --> 00:09:25,031
>> James: IT IS DIFFICULT.

172
00:09:25,097 --> 00:09:27,533
DEBORAH IS VERY CHOOSEY ABOUT
WHO SHE LETS DOWNLOAD HER.

173
00:09:27,600 --> 00:09:32,505
WHAT BUT, LOUIS, YOU GOING TO
START AN APP, WHAT WOULD YOU

174
00:09:32,571 --> 00:09:34,340
CALL IT.

175
00:09:34,407 --> 00:09:35,541
>> QUACK.

176
00:09:35,608 --> 00:09:38,377
>> James: AGAIN, THERE'S NO
REASON WHY THAT WOULDN'T HAPPEN.

177
00:09:38,444 --> 00:09:38,711
>> ABSOLUTELY.

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00:09:38,778 --> 00:09:39,879
>> YEAH.

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00:09:39,946 --> 00:09:42,348
>> James: AND WHAT IS THAT,
NO, I GOT IT ON QUACK, ARE YOU

180
00:09:42,415 --> 00:09:45,451
ON QUACK, I'M ON QUACK.

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00:09:45,518 --> 00:09:48,554
>> UPLOAD IT ON QUACK, SEE WHAT
HAPPENS.

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00:09:48,621 --> 00:09:53,793
>> AFTER MY GRANDMOTHER PASSED I
WAS ABLE TO FIND A HOME TO GIVE

183
00:09:53,859 --> 00:09:54,527
ME A LOT OF GREAT COMFORT.

184
00:09:54,593 --> 00:09:57,530
>> James: WHERE DID YOU FIND
IT.

185
00:09:57,596 --> 00:10:02,368
>> IT WAS ON QUACK.

186
00:10:02,435 --> 00:10:08,240
AND FINALLY
AND FINALLY, A TEN-MILE-LONG

187
00:10:08,307 --> 00:10:09,909
CORN MAZE IN SPRING GROVE,
ILLINOIS IS CELEBRATING THE 60th

188
00:10:09,976 --> 00:10:11,277
ANNIVERSARY OF JAMES BOND.

189
00:10:11,344 --> 00:10:12,745
THE MAZE SPANS 28 ACRES AND IS
CONSIDERED THE LARGEST IN THE

190
00:10:12,812 --> 00:10:14,080
WORLD.

191
00:10:14,146 --> 00:10:14,580
HERE'S THE MAZE HERE.

192
00:10:14,647 --> 00:10:21,921
LOOK AT THAT DETAIL.

193
00:10:21,988 --> 00:10:23,723
IT'S AS GOOD AS IT IS WEIRD.

194
00:10:23,789 --> 00:10:27,893
A CORN MAZE IN SPRING GROVE,
ILLINOIS.

195
00:10:27,960 --> 00:10:33,899
WHAT A PERFECT WAY TO CELEBRATE
A FICTIONAL BRITISH SPY.

196
00:10:33,966 --> 00:10:38,337
CAN YOU IDENTIFY WHICH BOND IS
IMAGINE THAT, WHAT ARE YOU

197
00:10:38,404 --> 00:10:40,773
WORKING ON RIGHT NOW.

198
00:10:40,840 --> 00:10:48,581
>> ARE YOU NOT GOING TO BELIEVE,
THIS WE'RE MAKING A MAZE AS A TO

199
00:10:48,647 --> 00:10:53,786
CELEBRATED JAMES BOND, AND I'VE
GOT THESE INCREDIBLE NEW SHEERS

200
00:10:53,853 --> 00:10:57,556
WHICH ARE PRUNED SEAN CONNERY'S
NOSE BRILLIANTLY.

201
00:10:57,623 --> 00:10:58,758
>> WHERE DID YOU GET THOSE.

202
00:10:58,824 --> 00:11:04,196
>> James: I GOT THEM ON QUACK
>> James: A CORN MAZE ACTUALLY

203
00:11:04,263 --> 00:11:05,598
MAKES A LOT OF SENSE IF YOU
UNDERSTAND THE BOND FRANCHISE'S

204
00:11:05,664 --> 00:11:11,937
LONG RELATIONSHIP WITH CORN.

205
00:11:12,004 --> 00:11:14,006
HERE'S DANIEL CRAIG...

206
00:11:20,479 --> 00:11:24,717
HERE'S ROGER MOORE...

207
00:11:24,784 --> 00:11:30,723
AND OF COURSE, HERE'S SEAN
CONNERY...

208
00:11:30,790 --> 00:11:32,792
WE'LL BE RIGHT BACK WITH MORE OF
THE "LATE, LATE SHOW," EVERYBODY

209
00:11:50,042 --> 00:11:53,979
♪ ♪ ♪
>> James: WELCOME BACK.

210
00:11:54,046 --> 00:12:03,923
SOME OF YOU MAY HAVE NOTICED
THAT BEHIND MY DESK THERE ARE A

211
00:12:03,989 --> 00:12:06,225
BECAUSE WE DIDN'T HAVE THE-- TO
FILL THE SPACE, NOW THE SHOW

212
00:12:06,292 --> 00:12:09,895
SEVEN AND A HALF YEARS IN, EVERY
DAY WITHOUT FAIL SOMEONE WILL

213
00:12:09,962 --> 00:12:16,936
COME UP TO ME AND THEY WILL SAY,
I'M SO SORRIES TO BOTHER YOU, I

214
00:12:17,002 --> 00:12:19,839
SAID FINE, I THINK I KNOW WHAT
THIS IS ABOUT.

215
00:12:19,905 --> 00:12:25,678
AND THEY WILL SAY I DON'T WANT A
PHOTO.

216
00:12:25,744 --> 00:12:33,819
JUST WHAT-- , AND THEY WILL GO O
YOU KNOW WHAT I AM GOING TO

217
00:12:33,886 --> 00:12:37,123
SCRKS I WILL SAY NO, NO, GO
AHEAD, SAY IT.

218
00:12:37,189 --> 00:12:44,463
THEY GO WHAT-- WHAT-- IS IT,
WHAT ARE THOSE RECORDS BACK

219
00:12:44,530 --> 00:12:48,367
THERE IN THE "LATE, LATE SHOW"
RECORD COLLECTION.

220
00:12:48,434 --> 00:12:50,536
AND I THOUGHT WE HAVE A LITTLE
MINUTE TODAY BEFORE OUR GUESTS

221
00:12:50,603 --> 00:12:52,638
COME DOWN SO MAYBE I WILL TELL
YOU ABOUT SOME OF THEM AND WE'LL

222
00:12:52,705 --> 00:12:55,841
HAVE A LISTEN TO SOME OF THEM,
THIS IS THE "LATE, LATE SHOW"

223
00:12:55,908 --> 00:13:01,881
RECORD COLLECTION.

224
00:13:01,947 --> 00:13:05,885
NOW THIS FIRST ONE, THIS SAY
REAL FAVORITE OF MINE, YOU KNOW

225
00:13:05,951 --> 00:13:09,855
THE CLASSIC,
DJ KOOL'S CLASSIC LET ME CLEAR

226
00:13:09,922 --> 00:13:11,223
MY THROAT?

227
00:13:11,290 --> 00:13:17,930
WELL, THE VERSION YOU KNOW IS
THE EDITED VERSION.

228
00:13:17,997 --> 00:13:25,471
THIS IS THE UNCUT ORIGINAL WHERE
HE ACTUALLY CLEARS HIS THROAT.

229
00:13:25,538 --> 00:13:37,483
LET'S TAKE A LISTEN.

230
00:13:37,550 --> 00:13:49,328
♪ IT'S NOT COVID, IT'S NOT
COVID.

231
00:13:49,395 --> 00:13:56,402
>> EVERYBODY JUMP, JUMP, JUMP.

232
00:13:56,468 --> 00:14:00,372
>> James: THIS NEXT ONE, THIS
IS ONE THE-- THIS IS ACTUALLY,

233
00:14:00,439 --> 00:14:05,711
THIS IS THE RAREST RECORD I OWN.

234
00:14:05,778 --> 00:14:08,714
I ACTUALLY HESITATED TO BRING IT
TO AMERICA, THERE ARE ONLY THREE

235
00:14:08,781 --> 00:14:11,283
PEOPLE WHO HAVE A COPY OF THIS.

236
00:14:11,350 --> 00:14:17,957
IT'S ME AND LET'S JUST SAY THE
OTHER TWO BOTH OWN SPACESHIP

237
00:14:18,023 --> 00:14:23,362
COMPANIES.

238
00:14:23,429 --> 00:14:24,430
IT'S-- DWSH IT'S A MASTERPIECE.

239
00:14:24,496 --> 00:14:35,474
I MEAN WHAT IT IS, IS ROBERT DE
NIRO BEING TICKLED.

240
00:14:35,541 --> 00:14:41,747
THE REASON IF IS SO RARE, IT IS
ACTUALLY ONE OF THE ONLY KNOWN

241
00:14:41,814 --> 00:14:47,586
RECORDINGS OF ROBERT DE NIRO
BEING TICKLED.

242
00:14:47,653 --> 00:14:54,960
HAVE A LISTEN.

243
00:14:55,027 --> 00:14:56,895
>> DOES THAT TICKLE?

244
00:14:56,962 --> 00:14:57,529
>> NO.

245
00:14:57,596 --> 00:15:00,633
>> COME ON, WHAT ABOUT THAT?

246
00:15:00,699 --> 00:15:01,133
>> NO, DOESN'T TICKLE.

247
00:15:01,200 --> 00:15:04,870
>> WHAT ABOUT THAT?

248
00:15:04,937 --> 00:15:05,871
>> NO.

249
00:15:05,938 --> 00:15:09,908
>> THIS?

250
00:15:09,975 --> 00:15:12,211
>> I TOLD YOU, I'M NOT TICKLISH.

251
00:15:12,278 --> 00:15:14,280
>> COME ON WA, ABOUT THAT, TELL
ME THAT TICKLES.

252
00:15:28,027 --> 00:15:33,365
>> James: THIS SAY FAVORITE OF
MINE, I ACTUALLY GOT THIS ON MY

253
00:15:33,432 --> 00:15:38,203
FIFTH BIRTHDAY.

254
00:15:38,270 --> 00:15:39,938
CAN YOU BELIEVE THAT, I GOT IT
ON MY FIFTH BIRTHDAY.

255
00:15:40,005 --> 00:15:41,640
TAND IS THE GHOSTBUSTERS SONG.

256
00:15:41,707 --> 00:15:45,944
IT'S WEIRD, WHAT IS WIRED ABOUT
THIS IS ON MY FIFTH BIRTHDAY

257
00:15:46,011 --> 00:15:50,115
GHOSTBUSTERS WASN'T EVEN OUT.

258
00:15:50,182 --> 00:15:51,950
ISN'T THAT WEIRD.

259
00:15:52,017 --> 00:15:55,387
IT IS AN ALTERNATE VERSION OF
RAY PARKER'S CLASSIC GHOSTBUSTER

260
00:15:55,454 --> 00:15:59,224
THEME AND IN IT YOU ACTUALLY
FIND OUT THAT WHEN HE SAYS-- HE

261
00:15:59,291 --> 00:16:07,533
SAYS I AIN'T AFRAID OF NO GHOST,
WELL RAY MAY NOT HAVE BEEN BEING

262
00:16:07,599 --> 00:16:08,367
COMPLETELY HONEST.

263
00:16:08,434 --> 00:16:10,903
HAVE A LISTEN.

264
00:16:10,969 --> 00:16:11,603
SOMETHING WEIRD.

265
00:16:11,670 --> 00:16:15,941
♪ WHO YOU GOING TO CALL.

266
00:16:16,008 --> 00:16:23,749
♪ GHOSTBUSTERS. I AIN'T AFRAID
OF NO GHOST.

267
00:16:23,816 --> 00:16:36,328
OKAY, I'M A LITTLE AFRAID.

268
00:16:36,395 --> 00:16:44,737
>> THERE'S ONE NOW.

269
00:16:44,803 --> 00:16:49,675
THIS LAST ONE, THIS IS, EVERYONE
KNOWS, YOU KNOW, ONE OF MY

270
00:16:49,742 --> 00:16:55,347
FAVORITE DJ'S, I ACTUALLY
HAVEN'T STOOD IN LINE, WHEN DID

271
00:16:55,414 --> 00:16:56,882
WE GO, WHEN DID WE SEE HIM.

272
00:16:56,949 --> 00:16:58,917
>> IT WAS PREPANDEMIC.

273
00:16:58,984 --> 00:17:00,352
>> James: WAS IT.

274
00:17:00,419 --> 00:17:01,653
>> IT WAS PREPANDEMIC T WAS
2018.

275
00:17:01,720 --> 00:17:06,024
>> James: WAS THE LAST TIME WE
SAW HIM, ONE OF MY FAVORITE EVER

276
00:17:06,091 --> 00:17:09,862
DJ'S WHICH IS DJ BLUE BALLS,
OKAY.

277
00:17:09,928 --> 00:17:14,466
AND THIS SAY REMIX OF THE
FOUNDATION SONG, BUILD ME UP

278
00:17:14,533 --> 00:17:15,401
BUTTER CUP.

279
00:17:15,467 --> 00:17:20,372
I DON'T KNOW WHY THEY CALL HIM
DJ BLUE BALLS.

280
00:17:20,439 --> 00:17:22,441
BUT THEY DO.

281
00:17:44,430 --> 00:17:55,174
♪
♪ WHY DO YOU.

282
00:17:55,240 --> 00:17:56,375
♪ WHY DO YOU.

283
00:17:56,442 --> 00:17:57,443
♪ WHY DO YOU.

284
00:17:57,509 --> 00:18:00,345
♪ WHY DO, WHY, WHY, WHY.

285
00:18:00,412 --> 00:18:03,916
♪ WHY.

286
00:18:03,982 --> 00:18:11,990
♪
>> James: THAT WAS THE LATE

287
00:18:12,057 --> 00:18:14,059
LATE RECORD COLLECTION, WE'LL BE
RIGHT BACK, EVERYBODY.

288
00:18:35,981 --> 00:18:37,983
WELCOME BACK, LET'S MEET OUR
GUEST

289
00:18:38,050 --> 00:18:43,589
SHE STARS IN "THE HANDMAID'S
TALE," ELISABETH MOSS!

290
00:18:43,655 --> 00:18:45,657
>> Reggie: ELISABETH MOSS.

291
00:18:55,000 --> 00:18:57,002
>> James: HE STARS IN "ANDOR,"
DIEGO LUNA!

292
00:19:11,984 --> 00:19:17,055
>> HI, HOW ARE YOU.

293
00:19:17,122 --> 00:19:17,422
>> James: HI.

294
00:19:17,489 --> 00:19:18,557
>> HI.

295
00:19:18,624 --> 00:19:25,531
>> James: WHAT A THRILL,
THERE, COME CLOSER, LET'S NOT BE

296
00:19:25,597 --> 00:19:27,432
SHY.

297
00:19:27,499 --> 00:19:29,768
, HOW YOU, I'M SO HAPPY TO SEE
YOU.

298
00:19:29,835 --> 00:19:30,636
>> I'M SO HAPPY TO SEE YOU.

299
00:19:30,702 --> 00:19:34,473
>> James: GET IN HERE, YOU.

300
00:19:34,540 --> 00:19:35,574
>> THANK YOU VERY MUCH.

301
00:19:35,641 --> 00:19:36,775
>> James: LET'S DOTS WHOLE
INTERVIEW LIKE, THIS I'M SO

302
00:19:36,842 --> 00:19:41,146
HAPPY TO STY, WE KNOW EACH OTHER
A BIT, I ALWAYS FEEL LIKE WE

303
00:19:41,213 --> 00:19:43,982
KNOW EACH OTHER BETTER THAN WE
DO, DO YOU FEEL THIS.

304
00:19:44,049 --> 00:19:45,050
>> YES.

305
00:19:45,117 --> 00:19:47,719
>> James: GOOD, I'M GLAD. I
KNOW ARE YOU FLOLT A BIG

306
00:19:47,786 --> 00:19:48,086
BIRTHDAY PERSON.

307
00:19:48,153 --> 00:19:48,887
>>.

308
00:19:48,954 --> 00:19:49,688
>> NO.

309
00:19:49,755 --> 00:19:51,890
>> James: YOU TURNED 40 THIS
SUMMER.

310
00:19:51,957 --> 00:19:53,058
>> YEAH.

311
00:19:53,125 --> 00:19:55,260
>> James: THAT SAY GIG ONE BY
ANYONE'S MATRIX, DID YOU DO

312
00:19:55,327 --> 00:19:58,063
ANYTHING SPECIAL, DID YOU BREAK
THE MOLD.

313
00:19:58,130 --> 00:20:01,199
>> I LIVED ANOTHER YEAR, NO I
DON'T LIKE PARTIES.

314
00:20:01,266 --> 00:20:03,435
I LIKE MY BIRTHDAY BUT I DON'T
NEED TO DO ANYTHING.

315
00:20:03,502 --> 00:20:06,805
SO I HAD THE BEST BIRTHDAY EVER.

316
00:20:06,872 --> 00:20:07,906
>> James: WHAT DID YOU DO.

317
00:20:07,973 --> 00:20:09,741
>> I THINK YOU WILL APPRECIATED
THAT.

318
00:20:09,808 --> 00:20:13,211
WE WERE SHOOTING THE NIGHT OF MY
BIRTHDAY, INTO MY BIRTHDAY ALL

319
00:20:13,278 --> 00:20:17,349
NIGHT LONG AND I GOT TO ACT IN
DIRECTING THE BIGGEST SCENE

320
00:20:17,416 --> 00:20:22,120
WE'VE EVER DONE ON ITS
HANDMAID'S TAIL IN HISTORY. SO

321
00:20:22,187 --> 00:20:24,856
IF YOU KNOW ME, YOU KNOW THAT
THAT IS ABSOLUTELY PERFECT FOR

322
00:20:24,923 --> 00:20:26,091
ME.

323
00:20:26,158 --> 00:20:28,627
LIKE THAT STD PERFECT BIRTHDAY
AND EVERYONE KEPT ASKING ME, OF

324
00:20:28,694 --> 00:20:31,229
COURSE, IT WAS MY 40th.

325
00:20:31,296 --> 00:20:31,997
YOU SHOULD DO SOMETHING.

326
00:20:32,064 --> 00:20:34,800
A BIG BIRTHDAY, IT IS A BIG
DEAL.

327
00:20:34,866 --> 00:20:37,536
AND I WAS LIKE WHAT I WANT FOR
MY BIRTHDAY IS NOT TO SEE YOU.

328
00:20:37,603 --> 00:20:39,738
>> James: YEAH, CORRECT.

329
00:20:39,805 --> 00:20:42,507
>> WE WERE TALKING ABOUT THAT,
WE HAVE GREAT SYMPATHY FOR YOU,

330
00:20:42,574 --> 00:20:45,644
BECAUSE YOU I THINK HAVE DRAWN
THE SHORTEST OF SHORT DRAWNS

331
00:20:45,711 --> 00:20:49,448
WHICH IS YOU WERE BORN IN THAT
WEIRD WEEK BETWEEN CHRISTMAS AND

332
00:20:49,514 --> 00:20:50,716
NEW YEARS.

333
00:20:50,782 --> 00:20:54,419
AND I JUST THINK, I THINK NO ONE
SHOULD BE ALLOWED TO GIVE BIRTH

334
00:20:54,486 --> 00:20:55,487
IN THAT TIME.

335
00:20:55,554 --> 00:20:58,490
IT'S LIKE, IT MUST BE AWFUL.

336
00:20:58,557 --> 00:20:59,591
NO ONE EVEN KNOWS.

337
00:20:59,658 --> 00:21:03,929
>> IT IS SO COOL THAT-- LIKE I
DON'T WANT PEOPLE IN MY

338
00:21:03,996 --> 00:21:05,364
BIRTHDAY, I NEVER HAD PEOPLE IN
MY BIRTHDAY.

339
00:21:05,430 --> 00:21:07,532
>> James: YEAH, EVER, WHAT IS
IT LIKE.

340
00:21:07,599 --> 00:21:11,503
>> 29th OF DECEMBER, SO
EVERYONE IS LIKE HUNGOVER OR ON

341
00:21:11,570 --> 00:21:12,704
A HOLIDAY.

342
00:21:12,771 --> 00:21:15,907
AND ALSO THERE WAS ANOTHER KID
THAT WAS BORN AROUND THAT TIME

343
00:21:15,974 --> 00:21:19,878
THAT WAS MUCH MORE CELEBRATED,
LET'S PUT IT THAT WAY, THAN ME.

344
00:21:19,945 --> 00:21:24,650
I HATED THE IDEA OF LIKE WHO IS
THIS GUY.

345
00:21:24,716 --> 00:21:27,085
I WOULD GET A PRESENT, IT WOULD
BE LIKE THIS IS YOUR CHRISTMAS

346
00:21:27,152 --> 00:21:28,587
AND BIRTHDAY PRESENT.

347
00:21:28,654 --> 00:21:31,523
THIS WOULD BE MY FATHER.

348
00:21:31,590 --> 00:21:37,529
NOT LIKE-- THAT WAS, AND SO THE
FIRST TIME I MADE SOME MONEY, I

349
00:21:37,596 --> 00:21:42,000
ORGANIZED A HUGE PARTY, AND
EVERYONE WAS HUNGOVER.

350
00:21:42,067 --> 00:21:43,201
>> James: RIGHT.

351
00:21:43,268 --> 00:21:47,906
>> AND EM WAS THERE LIKE JUST
TALKING ABOUT THEIR TRIP, OH,

352
00:21:47,973 --> 00:21:50,842
I'M LEAVING TOMORROW MORNING TO
THE BEACH, WISH WERE YOU THERE.

353
00:21:50,909 --> 00:21:55,347
>> MY BIRTHDAY IS IN JULY, YOU
CAN HAVE MINE.

354
00:21:55,414 --> 00:21:57,482
>> James: NOW YOU HAVE BEEN A
HUGE STAR IN MEXICO.

355
00:21:57,549 --> 00:21:58,684
SINCE YOU WERE A TEENAGER.

356
00:21:58,750 --> 00:22:02,187
WHEN YOU GO BACK THERE, WHAT IS
YOUR RELATIONSHIP LIKE WHERE

357
00:22:02,254 --> 00:22:03,288
FANS IN MEXICO?

358
00:22:03,355 --> 00:22:04,623
CAN YOU TALK DOWN THE STREET?

359
00:22:04,690 --> 00:22:07,059
DO YOU GET MOBBED EVERYWHERE YOU
GO?

360
00:22:07,125 --> 00:22:08,460
>> IT'S DIFFERENT IN MEXICO, YOU
KNOW.

361
00:22:08,527 --> 00:22:09,428
>> James: GO ON, WHY.

362
00:22:09,494 --> 00:22:10,629
>> IT'S VERY DIFFERENT.

363
00:22:10,696 --> 00:22:15,233
I DON'T KNOW, I HAVE BEEN AROUND
FOR A LONG TIME SO I AM MORE

364
00:22:15,300 --> 00:22:18,170
LIKE A SOFA IN PEOPLE'S LIVING
ROOM, YOU KNOW, THEY THINK OF ME

365
00:22:18,236 --> 00:22:19,504
AS PART OF THE FAMILY.

366
00:22:19,571 --> 00:22:24,576
I HAVE BEEN THERE FEAR EVER, YOU
KNOW, THEY TALK TO ME HONESTLY,

367
00:22:24,643 --> 00:22:26,445
LIKE OPENLY, WHICH IS GREAT.

368
00:22:26,511 --> 00:22:29,848
BUT THEY COME AND THEY LIKE,
YOUR ACTIONS ACTIONS WERE TERRIN

369
00:22:29,915 --> 00:22:31,049
THAT SHOW.

370
00:22:31,116 --> 00:22:36,288
I MEAN I KEEP TRYING OR WE LOVE
SEEING YOU THERE, SADLY YOU

371
00:22:36,354 --> 00:22:37,489
DIED, RIGHT?

372
00:22:37,556 --> 00:22:42,527
I MEAN YEAH, AND IT IS KIND OF
COOL, YOU KNOW, BECAUSE IT IS

373
00:22:42,594 --> 00:22:46,698
VERY-- THE RELATION, IT'S NOT
LIKE OH, THEY GO CRAZY BECAUSE

374
00:22:46,765 --> 00:22:49,234
YOU'VE BEEN AROUND AND YOU ARE
GOING TO BE THERE, YOU KNOW.

375
00:22:49,301 --> 00:22:53,638
PEOPLE WALKING THE STREETS T IS
NOT LIKE IN L.A., YOU KNOW IT IS

376
00:22:53,705 --> 00:22:57,275
MORE LIKE GROUNDED, YOU KNOW,
AND THE ENCOUNTERS ARE SWEET.

377
00:22:57,342 --> 00:23:00,512
I LOVE LIVING IN MEXICO BECAUSE
OF THAT, YOU KNOW.

378
00:23:00,579 --> 00:23:03,682
THEY TELL YOU WHAT THEY ACTUALLY
THINK, THEY'RE HONEST, OPEN.

379
00:23:03,749 --> 00:23:06,585
AND THAT I APPRECIATE.

380
00:23:06,651 --> 00:23:10,756
>> James: LET'S TAKE ABOUT
HANDMAID'S TALE, SEASON FOUR

381
00:23:10,822 --> 00:23:12,991
ENDED IN A VERY DRAMATIC
FASHION.

382
00:23:13,058 --> 00:23:14,459
WHAT HAVE WE GOT TO LOOK FORWARD
TO?

383
00:23:14,526 --> 00:23:15,627
WHAT IS HAPPENING THIS SEASON?

384
00:23:15,694 --> 00:23:18,063
>> I A LOT MORE LAUGHS.

385
00:23:18,130 --> 00:23:21,533
>> James: YEAH, ONE EPISODE.

386
00:23:21,600 --> 00:23:25,537
>> WE HAVE A LIVE MUSICAL
EPISODE WE'RE DOING.

387
00:23:25,604 --> 00:23:27,873
WE'RE REALLY EXCITED.

388
00:23:27,939 --> 00:23:28,874
A LOT OF PRAT FALL.

389
00:23:28,940 --> 00:23:30,942
>> James: I WOULD LOVE IT IF
YOU DID.

390
00:23:35,080 --> 00:23:37,916
>> WHAT ARE WE, WHAT HAVE WE GOT
TO LOOK FORWARD TO.

391
00:23:37,983 --> 00:23:39,985
>> WE'RE IN CANADA, JUNE MY
CHARACTER IS IN CANADA.

392
00:23:41,787 --> 00:23:47,459
AND SO IT WOULD BE FINE EXCEPT
SO IS SERENA WHO IS SORT OF MY

393
00:23:47,526 --> 00:23:49,528
NEMESIS AND WHO IS NOW OUR NEW
VILAN.

394
00:23:51,163 --> 00:23:53,165
AND SO A LOT OF HIGH JINKINGS,
HOW DID THAT GO, HOW

395
00:24:14,252 --> 00:24:18,623
>> HE TEXTED MY AND WAS LIKE ASK
I 145D OWE YOU, I DON'T KNOW

396
00:24:18,690 --> 00:24:27,299
WHAT I HAVE TO OFFER YOU, I WAS
LIKE OKAY, YES, OH MY GOD.

397
00:24:27,365 --> 00:24:29,835
AND THEY PUT HIM TO WORK.

398
00:24:29,901 --> 00:24:30,936
>> REALLY.

399
00:24:31,002 --> 00:24:34,606
>> COMPLETELY, I MADE HIM
COFFEE, I MADE HIM SIT AT A

400
00:24:34,673 --> 00:24:35,640
LITTLE DESK.

401
00:24:35,707 --> 00:24:38,710
THAT IS WHAT SHADOWING IS, THAT
IS HOW YOU LEARN.

402
00:24:38,777 --> 00:24:39,978
>> YOU KNOW WHAT I MEAN.

403
00:24:40,045 --> 00:24:43,281
>> WE PLAYED ALL THE CHARACTERS
ON THE SHOW, I MADE HIM SAY ALL

404
00:24:43,348 --> 00:24:47,786
THE LINES.

405
00:24:47,853 --> 00:24:50,288
BASICALLY JUST COMPLETELY USED
AND MISUSED HIM FOR A COUPLE OF

406
00:24:50,355 --> 00:24:51,489
MONTHS.

407
00:24:51,556 --> 00:24:55,927
>> LET'S LOOK AT A CLIP OF THE
HANDMAID'S TALE, NEW EPISODES

408
00:24:55,994 --> 00:25:04,169
ARE EVERY WEDNESDAY, ONLY ON
HULU.

409
00:25:04,236 --> 00:25:11,710
>> HOW COULD SHE KNOW THAT?

410
00:25:11,776 --> 00:25:14,479
>> I DID SOMETHING.

411
00:25:14,546 --> 00:25:19,484
I SENT HER A FINGER.

412
00:25:19,551 --> 00:25:25,523
FRED'S FINGER.

413
00:25:25,590 --> 00:25:26,458
>> WHAT?

414
00:25:26,524 --> 00:25:29,828
I CUT IT OFF AND-- CUZ I WANTED
HER TO KNOW.

415
00:25:44,009 --> 00:25:46,011
>> James: STICK AROUND MORE
WITH THESE TWO WHEN WE COME

416
00:25:52,584 --> 00:25:55,587
I WANT IT BACK.

417
00:25:55,654 --> 00:26:01,593
>> WAITING TO FEW IT.

418
00:26:01,660 --> 00:26:07,232
>> EXCUSE ME, I'M ONE OF THESE
GOING TO LET YOU FLOAT UNTIL

419
00:26:07,299 --> 00:26:10,602
THEY FORGET HOW MUCH YOU OWE
THEM.

420
00:26:10,669 --> 00:26:11,736
>> YOU'RE HERE WITH THEM.

421
00:26:11,803 --> 00:26:15,674
TO WHAT, THREATEN ME?

422
00:26:15,740 --> 00:26:18,243
YOU LET HIM TALK YOU INTO THIS.

423
00:26:18,310 --> 00:26:19,577
>> THE SUBJECT IS MONEY.

424
00:26:19,644 --> 00:26:20,478
>> I JUST ASKED YOU A QUESTION.

425
00:26:20,545 --> 00:26:25,550
>> SINCE WREN DO YOU TAKE
ORDERS.

426
00:26:25,617 --> 00:26:27,619
>> LEAVE HIM OUT OF IT.

427
00:26:38,997 --> 00:26:40,532
>> James: THAT WAS A CLIP FROM
"ANDOR."

428
00:26:40,598 --> 00:26:42,767
THE FIRST THREE EPISODES ARE
AVAILABLE SEPTEMBER 21st

429
00:26:42,834 --> 00:26:49,274
EXCLUSIVELY ON DISNEY+.

430
00:26:49,341 --> 00:26:50,942
CONGRATS ON THE SHOW, IT IS
GOING TO BE ABSOLUTELY MAGIC.

431
00:26:51,009 --> 00:26:54,946
THIS IS A PREQUALL SERIES TO THE
MOVIE ROGUE ONE, FANS ARE VERY

432
00:26:55,013 --> 00:26:58,416
HOW DID YOU COME TO BE PART OF
THE STAR WARS UNIVERSE?

433
00:26:58,483 --> 00:26:59,651
>> IT WAS FUN.

434
00:26:59,718 --> 00:27:04,155
I RECEIVED A CALL, MY AGENT SAID
LIKE THERE IS A DIRECTOR THAT

435
00:27:04,222 --> 00:27:05,023
WANTS TO MEET YOU.

436
00:27:05,090 --> 00:27:06,791
WE THINK IT'S ABOUT STAR WARS.

437
00:27:06,858 --> 00:27:12,998
SO I FLEW TO L.A. AND I WENT TO
A RESTAURANT AND AT 4:00 T WAS

438
00:27:13,064 --> 00:27:15,700
EMPTY, THERE WAS JUST THE
DIRECTOR SITTING DOWN WITH HIS

439
00:27:15,767 --> 00:27:17,435
COMPUTER GIVING HIS BACK TO THE
WALL.

440
00:27:17,502 --> 00:27:21,940
AND I SIT DOWN AND HE STARTS
TALKING ABOUT THE STORY AND THE

441
00:27:22,007 --> 00:27:23,174
GUY AND THAT THIS GUY SAY THIEF.

442
00:27:23,241 --> 00:27:27,379
AND THEN THE GUY, AND I GO LIKE,
WHO IS GOING TO PLAY THE GUY,

443
00:27:27,445 --> 00:27:28,847
SOUNDS INTERESTING.

444
00:27:28,913 --> 00:27:31,049
AND HE SAYS I WANT TO YOU PLAY
THE GUY.

445
00:27:31,116 --> 00:27:33,385
AND I GO LIKE, REALLY?

446
00:27:33,451 --> 00:27:38,623
NO, NO, THAT, THERE HAS TO BE
SOMETHING WRONG, I'M MEXICAN.

447
00:27:38,690 --> 00:27:43,395
I JUST CROSSED THE BOARDER FROM
MEXICO.

448
00:27:43,461 --> 00:27:47,899
>> I HAVE THIS ACCENT, I CANNOT
GET RID OF THIS ACCENT.

449
00:27:47,966 --> 00:27:50,635
>> HE AND HE WAS LIKE YEAH.

450
00:27:50,702 --> 00:27:57,042
>> I THOUGHT HE WANTED GAEL'S
NUMBER.

451
00:27:57,108 --> 00:28:02,180
>> YOU HAVE, SO I WAS JUST
AMUSED BY THE IDEA BECAUSE HE

452
00:28:02,247 --> 00:28:03,381
SAID SOMETHING BEAUTIFUL.

453
00:28:03,448 --> 00:28:12,657
HE SAID I WANT TO DO THIS FILM
WITH YOU BECAUSE I SAW YOU IN

454
00:28:12,724 --> 00:28:14,025
THE-- .

455
00:28:14,092 --> 00:28:15,160
>> James: BUT I GET THAT.

456
00:28:15,226 --> 00:28:16,394
>> I DON'T.

457
00:28:16,461 --> 00:28:20,432
I DIDN'T DO DID THINKING THIS IS
GOING TO GET ME TO DO-- LIKE I

458
00:28:20,498 --> 00:28:25,403
WAS JUST DOING A FILM WHERE I
SPENT MOST OF THE FILM NAKED AND

459
00:28:25,470 --> 00:28:26,538
SWEARING.

460
00:28:26,604 --> 00:28:29,140
YOU KNOW, AND ENJOYING AND
HAVING FUN AND TELLING A COOL

461
00:28:29,207 --> 00:28:32,777
STORY ABOUT A VERY SPECIFIC
CONTEXT.

462
00:28:32,844 --> 00:28:36,448
MY CONTEXT AND SUDDENLY THAT
TOOK ME THERE, YOU KNOW.

463
00:28:36,514 --> 00:28:38,583
IT WAS-- IT WAS A SURPRISE.

464
00:28:38,650 --> 00:28:44,589
AND I HAD TO GO BACK TO MEXICO
AND NOT TELL ANYONE FOR MONTHS.

465
00:28:44,656 --> 00:28:46,891
THAT I WAS GOING TO DO STAR
WARS.

466
00:28:46,958 --> 00:28:49,861
AND I HAD TO GO BACK TO MY LIFE
PRETENDING I WAS THE SAME GUY

467
00:28:49,928 --> 00:28:50,595
AND I WASN'T.

468
00:28:50,662 --> 00:28:52,330
IT WAS COOL.

469
00:28:52,397 --> 00:28:57,936
>> I THINK IT SURPRISES YOU AND
SURPRISING TO-- LIKE I CAN FEEL

470
00:28:58,002 --> 00:29:01,706
BOTH OF US ARE LIKE NO, NO, JUST
MADE COMPLETE SENSE.

471
00:29:01,773 --> 00:29:02,540
>> ABSOLUTELY SHOULD BE IN STAR
WARS.

472
00:29:02,607 --> 00:29:04,476
OF COURSE THAT MAKES SENSE.

473
00:29:04,542 --> 00:29:05,543
>> James: 100%.

474
00:29:05,610 --> 00:29:09,013
I MEAN YOU HAVE BEEN
ACTING-- ACTING SINCE YOU WERE A

475
00:29:09,080 --> 00:29:10,648
KID, WERE YOU SO YOUNG.

476
00:29:10,715 --> 00:29:11,816
>> YES.

477
00:29:11,883 --> 00:29:14,619
>> James: AND YOU HAVE HAD
PHENOMENAL SUCCESS AS AN ACTOR,

478
00:29:14,686 --> 00:29:15,854
NOW AS A DIRECTOR.

479
00:29:15,920 --> 00:29:18,857
DID IT EVER CROSS YOUR MIND THAT
YOU SHOULD HAVE A BACKUP PLAN.

480
00:29:18,923 --> 00:29:20,625
>> YEAH, BECAUSE I DON'T KNOW
HOW TO DO ANYTHING ELSE.

481
00:29:20,692 --> 00:29:21,793
I REALLY DON'T.

482
00:29:21,860 --> 00:29:25,029
AND I DIDN'T GO TO COLLEGE OR
UNIVERSITY OR ANYTHING LIKE

483
00:29:25,096 --> 00:29:29,033
THAT, SO I IT JUST GOES SOUTH OR
DOESN'T WORK OUT.

484
00:29:29,100 --> 00:29:35,940
BUT I DID RECENTLY ACTUALLY FIND
A TAPE OF SOMETHING, I THINK I

485
00:29:36,007 --> 00:29:37,175
BROUGHT YOU A LITTLE VIDEO OF
IT.

486
00:29:37,242 --> 00:29:41,546
>> James: EXPLAIN THIS, WHAT
IS IT, A NEW CAREER, A BACKUP

487
00:29:41,613 --> 00:29:42,747
CAREER.

488
00:29:42,814 --> 00:29:44,616
>> A POTENTIAL BACKUP CAREER,
HAVE I BEEN OFFERED A POSITION

489
00:29:44,682 --> 00:29:45,817
WITH THE COMPANY.

490
00:29:45,884 --> 00:29:48,119
I ACTUALLY HAVE THIS, I REALLY
HAVE AND I REALLY LIKE THAT I

491
00:29:48,186 --> 00:29:49,254
REALLY ENJOYED IT.

492
00:29:49,320 --> 00:29:51,456
SO I THINK IF IT DOESN'T WORK
OUT WITH THE ACTING I HAVE

493
00:29:51,523 --> 00:30:01,032
SOMETHING THAT I CAN MAYBE FALL
BACK ON.

494
00:30:01,099 --> 00:30:06,804
>> James: ELISABETH MOSS THE
TRAIN DRIVER.

495
00:30:06,871 --> 00:30:07,605
>> YEAH, TRAIN DUCTER.

496
00:30:07,672 --> 00:30:08,873
>> James: I LOVE THIS FOR YOU.

497
00:30:08,940 --> 00:30:10,141
>> I LOVE IT TOO.

498
00:30:10,208 --> 00:30:10,942
IT IS REALLY FUN, AND YOU REALLY
CAN'T MESS IT UP, BECAUSE IT IS

499
00:30:11,009 --> 00:30:12,110
ON THE TRACK.

500
00:30:12,177 --> 00:30:16,414
>> James: I THINK COMING TOO
SEASON SIX, YOU SHOULD COMMIT.

501
00:30:16,481 --> 00:30:19,784
>> THEY OFFERED ME THAT, A
NORTHERN ONTARIO COMPANY, IF YOU

502
00:30:19,851 --> 00:30:20,985
EVER WANT TO COME UP.

503
00:30:21,052 --> 00:30:24,689
>> James: IT WOULD BE THE BEST
THING, CAN I BE HONEST, IF YOU

504
00:30:24,756 --> 00:30:31,396
WANT PEOPLE TO BE LIKE SHE IS
COMPLETELY UNIQUE AND LIKE NO

505
00:30:31,462 --> 00:30:31,863
ONE ELSE.

506
00:30:31,930 --> 00:30:32,997
>> THE REAL DEAL.

507
00:30:33,064 --> 00:30:37,035
>> James: IF YOU END THE
HANDMAID'S TALE AND FULLY COMMIT

508
00:30:37,101 --> 00:30:40,905
TO BEING A TRAIN DRIVER FOR FIVE
YEARS, FOR FIVE YEARS, THEN COME

509
00:30:40,972 --> 00:30:44,442
BACK OUT AND ACT IN SOMETHING
ELSE, IT WILL BE LIKE THE WAY WE

510
00:30:44,509 --> 00:30:53,885
ALL BALK IT, I RECKON DANIEL-DAY
LEWIS, I THINK, DRINKING WINE, I

511
00:30:53,952 --> 00:30:57,956
THINK YOU COULD BE ELED TWO
SHOES AND WENT NOBODY WAS A

512
00:30:58,022 --> 00:31:00,892
COULD BE ELLER, I THINK THIS IS
YOU AND TRAINS, I DO.

513
00:31:00,959 --> 00:31:02,060
>> I LIKE THIS PLAN.

514
00:31:02,126 --> 00:31:03,795
>> James: RECOMMENDATIONIE, DO
YOU HAVE A QUESTION FOR OUR

515
00:31:03,861 --> 00:31:04,963
GUESTS THIS EVENING.

516
00:31:05,029 --> 00:31:11,469
>> Reggie: I DO, TONIGHT'S
QUESTION IS IN IF YOU WERE ABLE

517
00:31:11,536 --> 00:31:15,773
TO BE A DIFFERENT PERSON THAN
YOU ARE CURRENTLY, DO YOU THINK

518
00:31:15,840 --> 00:31:20,778
YOU WOULD BE AWARE OF THE FACT
THAT YOU WERE SOMEONE ELSE

519
00:31:20,845 --> 00:31:22,180
BEFORE THAT.

520
00:31:22,247 --> 00:31:23,448
>> NO I DON'T THINK SO.

521
00:31:23,514 --> 00:31:27,819
IF I CAN THINK OF WHAT THAT
QUESTION MIGHT MEAN, I DON'T

522
00:31:27,885 --> 00:31:30,421
THINK, I DON'T THINK I WOULD
REMEMBER, IF WERE YOU SOMEBODY

523
00:31:30,488 --> 00:31:33,558
ELSE WHY WOULD YOU REMEMBER WHO
YOU WERE BEFORE, RIGHT?

524
00:31:33,625 --> 00:31:43,401
THAT'S WHAT ARE YOU SAYING,
UNLESS IT'S A PARALLEL UNIVERSE

525
00:31:43,468 --> 00:31:47,105
SITUATION.

526
00:31:47,171 --> 00:31:48,773
>> YES, I DEFINITELY THINK YOU
WOULD BE AWARE.

527
00:31:48,840 --> 00:31:49,407
>> YOU WOULD BE AWARE.

528
00:31:49,474 --> 00:31:51,242
>> OF COURSE, OF COURSE.

529
00:31:51,309 --> 00:31:51,876
LIKE YOU AND I.

530
00:31:51,943 --> 00:31:54,712
YOU AND I ARE AWARE, RIGHT.

531
00:31:54,779 --> 00:31:55,513
>> YES.

532
00:31:55,580 --> 00:31:56,714
>> YOU KNOW WHAT I AM TALKING
ABOUT.

533
00:31:56,781 --> 00:32:01,085
>> I TOTALLY DO.

534
00:32:01,152 --> 00:32:03,788
>> YEAH, I ACCEPTED IT WHEN I
CAME IN.

535
00:32:03,855 --> 00:32:13,398
EVEN IF-- HE WEARS THE GLASSES
TO PROTECT HIMSELF BUT I KNEW.

536
00:32:13,464 --> 00:32:14,265
YEAH.

537
00:32:14,332 --> 00:32:17,535
I MEAN AS SOON AS WE'RE DONE, WE
CAN GO.

538
00:32:17,602 --> 00:32:21,306
>> Reggie: YOU HAVE ALREADY
DONE T IT IS GREAT, BOTH ANSWERS

539
00:32:21,372 --> 00:32:22,073
ARE CORRECT.

540
00:32:22,140 --> 00:32:24,075
>> James: IT'S ABSOLUTELY
CORRECT.

541
00:32:24,142 --> 00:32:26,344
PLEAS THANK ELISABETH MOSS,
DIEGO LUNA.

542
00:32:26,411 --> 00:32:28,413
STAND FRUP CAITLIN PELOOFO WHEN
WE COME BACK.

543
00:32:42,026 --> 00:32:43,194
>> James: OUR NEXT GUEST IS
A BRILLIANT STAND-UP COMEDIAN

544
00:32:43,261 --> 00:32:44,929
AND WE'RE SO PROUD SHE'S MAKING3
HER LATE NIGHT DEBUT HERE WITH

545
00:32:44,996 --> 00:32:49,967
US TONIGHT.

546
00:32:50,034 --> 00:32:51,569
YOU CAN SEE HER LIVE, THIS
WEEKEND, AT COMEDY CORNER

547
00:32:51,636 --> 00:32:52,537
UNDERGROUND IN MINNEAPOLIS.

548
00:32:52,603 --> 00:33:04,649
PLEASE WELCOME, THE WONDERFUL,
CAITLIN PELOOFO.

549
00:33:04,716 --> 00:33:05,983
>> HELLO, HELLO.

550
00:33:06,050 --> 00:33:09,220
HI. THIS IS EXCITING.

551
00:33:09,287 --> 00:33:09,987
OH MY GOD.

552
00:33:10,054 --> 00:33:11,489
HI, GUYS.

553
00:33:11,556 --> 00:33:13,925
I AM SO HAPPY TO BE HERE.

554
00:33:13,991 --> 00:33:17,095
I JUST MOVED IN WITH MY
BOYFRIEND WHICH IS EXCITING.

555
00:33:17,161 --> 00:33:18,463
THANK YOU.

556
00:33:18,529 --> 00:33:19,597
IT IS GREAT.

557
00:33:19,664 --> 00:33:23,034
I HOPE HE'S THE UP WITH BECAUSE
I HAVE TRUELY GIVEN UP.

558
00:33:23,101 --> 00:33:26,037
I HAVE STOPPED TRYING
COMPLETELY, ALL RIGHT.

559
00:33:26,104 --> 00:33:30,108
I'M JUST IN MY 30S AND HAVE I
LEARNED SOMETHING, OKAY, MEN DO

560
00:33:30,174 --> 00:33:31,776
NOT CARE HOW MUCH WE WEIGH,
LADIES.

561
00:33:31,843 --> 00:33:35,413
THEY ALWAYS WANT TO SEE US
NAED.

562
00:33:35,480 --> 00:33:37,115
YEAH, IT JUST VARIED ON HOW
MUCH.

563
00:33:37,181 --> 00:33:43,020
IT IS EITHER HELL YA OR, SURE.

564
00:33:43,087 --> 00:33:44,055
WHY THE HELL NOT.

565
00:33:44,122 --> 00:33:47,859
EITHER WAY YOU'RE IN SO I AM
GOING TO JUST DEEP FRY

566
00:33:47,925 --> 00:33:48,993
EVERYTHING, OKAY.

567
00:33:49,060 --> 00:33:50,928
I MEAN THAT'S NOT TO SAY I
HAVEN'T BEEN PUT IN THE FRIEND

568
00:33:50,995 --> 00:33:56,901
ZONE BEFORE, OF COURSE I HAVE, I
LOOK LIKE I COULD BUILD YOU A

569
00:33:56,968 --> 00:33:59,137
PORCH, ALL RIGHT.

570
00:33:59,203 --> 00:34:00,605
THANK YOU.

571
00:34:00,671 --> 00:34:04,442
I APPRECIATE IT.

572
00:34:04,509 --> 00:34:08,913
THE TRUTH S I'VE BUILT TWO
PORCHES SO WHAT ARE YOU GOING TO

573
00:34:08,980 --> 00:34:09,380
DO, RIGHT?

574
00:34:09,447 --> 00:34:10,548
I MEAN I'M USEFUL.

575
00:34:10,615 --> 00:34:12,850
THIS SAY USEFUL BODY, ALL RIGHT.

576
00:34:12,917 --> 00:34:14,886
YEAH, YEAH, I'M PRACTICAL.

577
00:34:14,952 --> 00:34:16,053
THAT'S MY BODY TYPE.

578
00:34:16,120 --> 00:34:21,125
SOME WOMEN ARE THIN, SOME ARE
CURVEY, I'M RRR, I'M A SOUND

579
00:34:21,192 --> 00:34:22,193
EFFECT.

580
00:34:22,260 --> 00:34:24,462
THANK YOU, I APPRECIATE IT I
NEVER UNDERSTOOD WHY MEN

581
00:34:24,529 --> 00:34:25,730
PREFERRED TINY LITTLE WOMEN.

582
00:34:25,797 --> 00:34:29,000
I MEAN YES, THEY LOOK BEAUTIFUL,
BUT WHAT ARE THEY GOING TO DO ON

583
00:34:29,067 --> 00:34:30,535
MOVING DAY, OKAY.

584
00:34:30,601 --> 00:34:34,372
WHAT ARE THEY-- OH, I GOT THE
THROW PILLOWS, NO, GENTLEMAN,

585
00:34:34,439 --> 00:34:38,075
YOU SHOULD WANT SOMEONE LIKE ME,
YES, SOMEONE WHO CAN STRAP A

586
00:34:38,142 --> 00:34:40,645
FRIDGE TO HER BACK, ALL RIGHT.

587
00:34:40,711 --> 00:34:45,316
YEAH, THOSE SMALL GIRLS THEY GET
BOYFRIENDS, I EARN BOYFRIENDS.

588
00:34:45,383 --> 00:34:49,353
YEAH, IT'S JUST LIKE A DIFFERENT
VIBE.

589
00:34:49,420 --> 00:34:50,588
THANK YOU.

590
00:34:50,655 --> 00:34:51,756
THANK YOU.

591
00:34:51,823 --> 00:34:56,594
THANK YOU. YES, IT IS A VIBE
THAT WILL GET YOU PUT IN THE

592
00:34:56,661 --> 00:34:58,429
FRIEND ZONE, I WILL TELL YOU
THAT.

593
00:34:58,496 --> 00:35:01,299
I REMEMBER ONE TIME BEFORE MY
BOYFRIEND AND I GOT PUT IN A

594
00:35:01,365 --> 00:35:04,469
FRIEND ZONE BY A GUY RIGHT AWAY
I WAS DEVASTATED.

595
00:35:04,535 --> 00:35:06,737
I REALLY LIKED HIM BUT THEP WE
BECAME FRIENDS AND THAT WAS

596
00:35:06,804 --> 00:35:08,906
ACTUALLY THE BEST THING THAT
COULD HAVE HAPPENED.

597
00:35:08,973 --> 00:35:14,912
YEAH, LADIES, IF YOU WANT TO GET
OVER A GUY, JUST GET TO KNOW

598
00:35:14,979 --> 00:35:15,213
HIM.

599
00:35:15,279 --> 00:35:17,315
OH BOY.

600
00:35:17,381 --> 00:35:17,915
YES, HE WAS AN IDIOT.

601
00:35:17,982 --> 00:35:19,083
YEAH, YEAH, YEAH.

602
00:35:19,150 --> 00:35:22,353
I WAS LIKE NO, YOUR FAVORITE
COLOR CANNOT BE THE PATRIOTS.

603
00:35:22,420 --> 00:35:26,457
WHAT THE HELL AM I DOING HERE.

604
00:35:26,524 --> 00:35:29,327
BUT I LANDED ON MY FEET, I GOT A
GREAT GUY NOW, HE'S YOUNGER THAN

605
00:35:29,393 --> 00:35:32,263
ME WHICH IS EXCITING, YES.

606
00:35:32,330 --> 00:35:35,099
OH, THANK YOU, YES, I LOVE A
YOUNG GUY.

607
00:35:35,166 --> 00:35:38,636
GIVE ME A 21 YEAR OLD, THEY
STILL THINK MY DRINKING HABIT'S

608
00:35:38,703 --> 00:35:40,304
FUN, YOU KNOW.

609
00:35:40,371 --> 00:35:41,939
YES T IS A NIGHTMARE T IS.

610
00:35:42,006 --> 00:35:43,140
IT'S VERY BAD.

611
00:35:43,207 --> 00:35:47,411
I DON'T WANT TO BRAG BUT I'VE
RUINED A CHRISTMAS, THANK YOU.

612
00:35:47,478 --> 00:35:48,880
YES, YES, IT'S VERY BAD.

613
00:35:48,946 --> 00:35:50,915
OH MY GOD.

614
00:35:50,982 --> 00:35:53,284
HONESTLY, I DIDN'T THINK I HAD A
DRINKING PROBLEM UNTIL I STOPPED

615
00:35:53,351 --> 00:36:00,958
DRINKING FOR ONE MONTH AND
IMMEDIATELY LOST 15 POUNDS.

616
00:36:01,025 --> 00:36:02,927
THAT IS TWINS.

617
00:36:02,994 --> 00:36:03,728
YES.

618
00:36:03,794 --> 00:36:06,564
THAT IS THE WEIGHT OF HEALTHY
TWINS.

619
00:36:06,631 --> 00:36:10,301
I DROPPED LYING MARRING AND RITA
RIGHT THERE MY BODY WAS LIKE

620
00:36:10,368 --> 00:36:14,272
GIRL, WE'LL GIVE YOU ABS JUST
PUT DOWN THE SAN GREA IT'S NOT

621
00:36:14,338 --> 00:36:14,906
FRUIT, OKAY.

622
00:36:14,972 --> 00:36:15,439
BUT I LOVE DRINKING.

623
00:36:15,506 --> 00:36:17,108
I LOVE IT SO MUCH.

624
00:36:17,174 --> 00:36:18,242
IT'S SO FUN, IT'S SO FUN.

625
00:36:18,309 --> 00:36:20,578
HONESTLY I THOUGHT THE PANDEMIC
WAS GOING TO BE A PARTY.

626
00:36:20,645 --> 00:36:22,780
I THOUGHT IT WOULD BE ME AND MY
YOUNGER BOYFRIEND GETTING

627
00:36:22,847 --> 00:36:24,448
HAMMERED EVERY NIGHT.

628
00:36:24,515 --> 00:36:25,316
THAT IS WHAT I THOUGHT.

629
00:36:25,383 --> 00:36:27,618
BUT IT TURNS OUT HE'S NOT A GIG
DRINKER.

630
00:36:27,685 --> 00:36:31,355
YEAH, I KNOW, AND I HONESTLY
SHOULD HAVE KNOWN BECAUSE I SAW

631
00:36:31,422 --> 00:36:41,832
HIM TAKE NYQUIL FROM THE CAP, SO
(APPLAUSE)

632
00:36:41,899 --> 00:36:46,170
I WAS LIKE WE ARE DIFFERENT
PEOPLE.

633
00:36:46,237 --> 00:36:47,271
I USE A STRAW.

634
00:36:47,338 --> 00:36:52,910
HE WHO MEASURES THEIR MEDICINE,
WHAT A DORK, RIGHT.

635
00:36:52,977 --> 00:36:54,145
GET A PERSONALITY.

636
00:36:54,211 --> 00:36:57,014
IS HE YOUNGER THAN ME WHICH IS
NICE BUT THE ONLY TIME IT'S EVER

637
00:36:57,081 --> 00:37:00,418
BEEN AN ISSUE IS WHEN HE GAVE ME
A HICKEY.

638
00:37:00,484 --> 00:37:00,885
THANK YOU.

639
00:37:00,952 --> 00:37:01,819
OKAY.

640
00:37:01,886 --> 00:37:04,956
MI TOO OLD TO BE GETTING
HICKEYS.

641
00:37:05,022 --> 00:37:06,891
I OWN A FOOD PROCESSORS.

642
00:37:06,958 --> 00:37:08,125
HOW DARE YOU.

643
00:37:08,192 --> 00:37:09,727
DO NOT MARK ME WITH YOUR MOUTH.

644
00:37:09,794 --> 00:37:12,597
CAN I MAKE MY OWN HUMMUS, ALL
RIGHT.

645
00:37:12,663 --> 00:37:13,965
SHOW SOME RESPECT.

646
00:37:14,031 --> 00:37:18,269
BUT HONESTLY, THAT'S IT THAT IS
THE ONLY ISSUE WE'VE HAD BECAUSE

647
00:37:18,336 --> 00:37:23,274
WE HAVE VERY GOOD SEXUAL
CHEMISTRY, ALL RIGHT.

648
00:37:23,341 --> 00:37:24,008
OH MY,-- GUYS.

649
00:37:24,075 --> 00:37:26,310
IT'S GOOD, ALL RIGHT.

650
00:37:26,377 --> 00:37:27,278
WE'LL TAPE IT.

651
00:37:27,345 --> 00:37:30,881
ALL RIGHT.

652
00:37:30,948 --> 00:37:33,317
IT IS GREAT, YOU KNOW, WE'RE ON
THE SAME PAGE WHICH IS IMPORTANT

653
00:37:33,384 --> 00:37:34,986
AND THAT NEVER HAPPENS.

654
00:37:35,052 --> 00:37:37,955
BECAUSE SEX ED IN THIS COUNTRY
IS VERY BAD, IF YOU ARE LUCKY

655
00:37:38,022 --> 00:37:41,859
SEX ED WILL TEACH YOU HOW TO PUT
A CONDOM ON A BANANA.

656
00:37:41,926 --> 00:37:47,198
GREAT, HOW ABOUT YOU TEACH US
HOW TO CONVINCE A BANANA TO WEAR

657
00:37:47,264 --> 00:37:51,268
A CONDOM.

658
00:37:51,335 --> 00:37:53,137
YES!

659
00:37:53,204 --> 00:37:58,709
THAT'S THE HARDEST PART OF THE
WHOLE THING, RIGHT, IF I HAD

660
00:37:58,776 --> 00:38:01,579
BOTH THOSE NEGOTIATION SKILLS I
WOULDN'T HAVE HPV.

661
00:38:01,646 --> 00:38:06,083
ALL RIGHT, WELL, WE GOT A LITTLE
JUDGEY ON THE HPV, ALL RIGHT,

662
00:38:06,150 --> 00:38:09,253
WELL, I GOT IT I GOT NO SHAME
ABOUT T ALL RIGHT.

663
00:38:09,320 --> 00:38:16,193
YOU'VE BEEN LISTENING TO A DIRTY
BIRD THIS WHOLE TIME.

664
00:38:16,260 --> 00:38:19,263
HONESTLY, IF YOU ARE A WOMAN IN
YOUR 30S AND I DON'T HAVE HPV, I

665
00:38:19,330 --> 00:38:23,167
BET YOU MEASURE YOUR MEDICINE,
OKAY.

666
00:38:23,234 --> 00:38:24,135
YOU'RE A DORK.

667
00:38:24,201 --> 00:38:25,269
GET A PERSONALITY.

668
00:38:25,336 --> 00:38:26,937
THAT'S IT FOR ME GUYS.

669
00:38:27,004 --> 00:38:29,340
THANK YOU SO MUCH.

670
00:38:29,407 --> 00:38:37,548
>> James: OH MY GOSH, OH MY
WORD, OH MY WORD.

671
00:38:37,615 --> 00:38:40,584
KATE LYNN PELOOFO.

672
00:38:40,651 --> 00:38:46,323
THAT'S THE BEST STANDUP WE'VE
HAD ON THE SHOW, CHECK OUT HER

673
00:38:46,390 --> 00:38:49,393
PODCAST GOOD
TIME GAL," WHICH IS ONLINE NOW.

674
00:38:59,937 --> 00:39:03,874
♪ ♪ ♪
>> James: THANK YOU SO MUCH,

675
00:39:03,941 --> 00:39:06,243
DOMENT FORE GET TO TUNE IN NEXT
WEEK, ITS A IMAGINE LORIAN WEEK

676
00:39:06,310 --> 00:39:10,147
AND THE ENTIRE CAST WILL BE
PLAYING TWISTER, UNO AND CONNECT

677
00:39:10,214 --> 00:39:12,216
FOUR ALL WEEK, WE CAN'T WAIT FOR
YOU TO JOIN US, REGGIE, TAKE US