1 00:00:02,902 --> 00:00:04,003 ♪ ARE YOU READY, Y'ALL 2 00:00:04,070 --> 00:00:09,976 TO HAVE SOME FUN ♪ AND FEEL THE LOVE TONIGHT 3 00:00:10,043 --> 00:00:11,344 DON'T YOU WORRY WHERE IT IS ♪ YOU COME FROM 4 00:00:11,411 --> 00:00:14,414 IT'LL BE ALL RIGHT ♪ IT'S "THE LATE LATE SHOW!" 5 00:00:14,481 --> 00:00:19,085 >> Reggie: LADIES AND GENTLEMEN, ALL THE WAY FROM 6 00:00:19,152 --> 00:00:25,558 GIVE IT UP FOR YOUR HOST, THE INSIDE A CAPRESE SANDWICH, ONE, 7 00:00:25,625 --> 00:00:31,698 THE ONLY JAMES CORDEN! (CHEERS AND APPLAUSE). 8 00:00:31,765 --> 00:00:34,734 >> James: HOW ARE YOU. VERY, VERY NICE TO SEE YOU. 9 00:00:34,801 --> 00:00:43,510 THANK YOU FOR COMING. VERY, VERY LOVELY. 10 00:00:43,576 --> 00:00:47,080 HELLO, GOOD EVENING AND WELCOME TO THE "LATE, LATE SHOW." 11 00:00:47,147 --> 00:00:50,917 THANK YOU FOR BEING HERE. HOPE YOU HAD A GOOD DAY. 12 00:00:50,984 --> 00:00:58,491 LET'S TAKE A LOOK AND SEE WHO OUR GUESTS ARE ON THE SHOW 13 00:00:58,558 --> 00:00:59,626 TONIGHT. HE'S AN EMMY AWARD-WINNING 14 00:00:59,692 --> 00:01:01,261 ACTOR YOU KNOW AND LOVE FROM "THE WEST WING," "GET OUT," 15 00:01:01,327 --> 00:01:02,896 "THE HANDMAID'S TALE," AND SO MUCH MORE! 16 00:01:02,962 --> 00:01:06,633 THE EFFORTLESS BRADLEY WHITFORD IS HERE TONIGHT! 17 00:01:06,699 --> 00:01:09,636 THERE HE IS! A, BRADLEY. 18 00:01:09,702 --> 00:01:11,104 >> HI JAMES. >> James: HOW NICE TO SIGH, 19 00:01:11,171 --> 00:01:13,673 HOW ARE YOU DOING? >> I'M GOOD, ACTUALLY I'M REALLY 20 00:01:13,740 --> 00:01:15,608 GOOD. >> James: YEAH, GOOD. 21 00:01:15,675 --> 00:01:19,379 >> I GET SAD SOMETIMES BUT I THINK THAT'S PART OF IT. 22 00:01:19,446 --> 00:01:23,616 >> James: IS IT? KEEP IT LIGHT, BRADLEY. 23 00:01:23,683 --> 00:01:28,254 BRADLEY WHITFORD, EVERYBODY. AND SHE IS A TALENTED ACTOR YOU 24 00:01:28,321 --> 00:01:29,355 KNOW FROM "RIVERDALE" AND "PALM SPRINGS!" 25 00:01:29,422 --> 00:01:32,525 HER NEW NETFLIX MOVIE, "DO REVENGE," COMES OUT FRIDAY! 26 00:01:32,592 --> 00:01:35,628 THE GLORIOUS CAMILA MENDES IS HERE TONIGHT! 27 00:01:35,695 --> 00:01:41,000 THERE SHE IS! HEY CAM CAMILA, HOW ARE YOU. 28 00:01:41,067 --> 00:01:43,236 >> I'M GOOD, HOW ARE YOU. >> James: I'M VERY WELL, HOW 29 00:01:43,303 --> 00:01:46,372 ARE YOU DOING. >> I'M GOOD, IT'S BEEN A FEW 30 00:01:46,439 --> 00:01:47,607 YEARS. >> James: IT'S BEEN AWHILE, 31 00:01:47,674 --> 00:01:50,009 HAVE YOU GOT EVERYTHING YOU NEED. 32 00:01:50,076 --> 00:01:51,611 >> I'VE GOT SOME CAR ROTS IN HERE, I'M ALL SCET. 33 00:01:51,678 --> 00:01:55,682 >> James: YOU KNOW YOU HAD SUCH A HUGE STORE YOU CAN ASK 34 00:01:55,748 --> 00:01:56,883 FOR ANYTHING. >> ANYTHING. 35 00:01:56,950 --> 00:01:59,018 >> James: YOU CAN SAY I WANT BRADLEY WHITFORD IN THIS ROOM, 36 00:01:59,085 --> 00:02:00,053 NOW. >> YEAH, WHERE IS HE. 37 00:02:00,119 --> 00:02:03,957 >> James: I ASK MAKE IT HAPPEN RIGHT NOW, TRY IT. 38 00:02:04,023 --> 00:02:11,164 BRADLEY WHITFORD TO CAMILA >> BRADLEY WHIT FORD JNS MENDES' SHOW 39 00:02:11,231 --> 00:02:13,266 RIGHT NOW. >> OH MY GOODNESS, HOW ARE YOU 40 00:02:13,333 --> 00:02:15,735 DOING. >> James: HE CAN WE CAN MAKE 41 00:02:15,802 --> 00:02:17,036 ANYTHING HAPPEN. AND HE IS A PLATINUM SELLING 42 00:02:17,103 --> 00:02:19,105 HIS SOPHOMORE ALBUM, "HDTV," SINGER-SONGWRITER. IS 43 00:02:19,172 --> 00:02:20,974 OUT THIS FRIDAY! WE'RE SO EXCITED HE'S HERE. 44 00:02:21,040 --> 00:02:25,678 THE GREAT TAI VERDES IS HERE TONIGHT! 45 00:02:25,745 --> 00:02:28,815 HEY, HOW ARE YOU? >> GOOD, HOW ARE YOU DOING, 46 00:02:28,882 --> 00:02:31,951 JAMES. >> James: HOW IS IT GOO GOING. 47 00:02:32,018 --> 00:02:34,320 >> I'M PRETTY IMMACULATE. MYSELF. >> James: ARE YOU PRETTY 48 00:02:34,387 --> 00:02:38,057 IMMACULATE. HAVE YOU GOT EVERYTHING YOU 49 00:02:38,124 --> 00:02:39,292 NEED? >> I ALWAYS DO, I ALWAYS DO. 50 00:02:39,359 --> 00:02:43,096 >> James: YOU DON'T NEED BRADLEY WHITFORD AT ALL? 51 00:02:43,162 --> 00:02:45,265 >> MAYBE A LITTLE BIT OF BRADLEY ON THE SIDE. 52 00:02:45,331 --> 00:02:49,269 >> James: BRADLEY WHISFORD NOW, TO TAI VERDE. 53 00:02:49,335 --> 00:02:53,239 THERE YOU GO. YOU ASK AND YOU GET HIM. 54 00:02:53,306 --> 00:02:56,476 TAI VERDES, EVERYBODY. REGGIE, ARE YOU READY? 55 00:02:56,543 --> 00:02:57,877 THEN LET'S! HE'S REGGIE WATTS, I'M JAMES 56 00:02:57,944 --> 00:02:59,479 CORDEN, AND THIS? THIS IS "THE LATE LATE SHOW!" 57 00:02:59,546 --> 00:03:01,381 ROLL THE TITLES! COME ON! 58 00:03:07,654 --> 00:03:10,823 ♪ THE LATE LATE SHOW, OH, OH 59 00:03:10,890 --> 00:03:17,463 THE LATE LATE SHOW, WOO! ♪ THE LATE LATE SHOW, OH, OH 60 00:03:17,530 --> 00:03:21,935 THE LATE LATE SHOW OH-OH! ♪ IT'S THE LATE, LATE SHOW ♪ 61 00:03:22,001 --> 00:03:24,704 BLESS YOU FOR BEING HERE, ( AIR HORNS ) THANKS 62 00:03:24,771 --> 00:03:26,806 FOR HUMANNING IN. WE'RE ALL THINKING IT, WE ALL 63 00:03:26,873 --> 00:03:30,176 WANT TO KNOW, IAN IS BACK, HE'S BACK FROM HIS HONEYMOON. 64 00:03:30,243 --> 00:03:34,781 HOW WAS IT? DID YOU HAVE A GOOD TIME? 65 00:03:34,847 --> 00:03:38,051 IT. >> IT WAS FAN-- FANTASTIC. 66 00:03:38,117 --> 00:03:41,621 ALL WE DID WAS LAID OP A BEACH, ATE PINA KOLPACK AD, ATE LOBSTER 67 00:03:41,688 --> 00:03:42,689 IT WAS FANTASTIC. >> James: WOW. 68 00:03:42,755 --> 00:03:48,695 CUZ WE CALLED YOU, WE FACE TIMED YOU FROM THE SHOW. 69 00:03:48,761 --> 00:03:53,299 >> YEAH, NO, I SAW THAT. >> James: DIDN'T CROSS YOUR 70 00:03:53,366 --> 00:03:55,468 MIND, YOU DIDN'T THINK IT MIGHT BE URGENT? 71 00:03:55,535 --> 00:03:58,871 >> I WAS IN THE POOL. >> James: I MEAN THAT WOULD 72 00:03:58,938 --> 00:04:00,974 HAVE BEEN THE IDEAL WAY FOR YOU TO ANSWER THE PHONE. 73 00:04:01,040 --> 00:04:02,609 >> YEAH. >> James: LIKE I MEAN NOTHING, 74 00:04:02,675 --> 00:04:06,245 HAVE I HAD NOTHING FROM YOU, HAVE I HAD NO CORRESPONDENT. 75 00:04:06,312 --> 00:04:11,150 >> NO, NO. >> James: LIKE ZERO. 76 00:04:11,217 --> 00:04:15,521 >> YEAH, YEAH. >> James: I DON'T LIKE MARRIED 77 00:04:15,588 --> 00:04:17,890 IAN, I'M GOING TO SAY T I DON'T LIKE HIM. 78 00:04:17,957 --> 00:04:19,859 >> YEAH, YOU KNOW WHAT. >> James: HE'S GOT AN 79 00:04:19,926 --> 00:04:23,830 >> YOU KNOW WHAT, MY WIFE ATTITUDE. LIKES 80 00:04:23,896 --> 00:04:25,064 ME. ALL RIGHT? 81 00:04:25,131 --> 00:04:29,068 >> James: YEAH? WELL, YOU HAD A GREAT TIME. 82 00:04:29,135 --> 00:04:31,037 >> OH, DUDE T WAS FANTASTIC. AND THEN I CAME BACK AND 83 00:04:31,104 --> 00:04:33,306 YESTERDAY HI LIKE THE HUSBANDEST DAY EVER. 84 00:04:33,373 --> 00:04:37,910 I'M REALLY TAKING TO IT I WENT TO A STORE THAT JUST SELLS 85 00:04:37,977 --> 00:04:40,013 BARBECUE EQUIPMENT. >> James: EXCEPTIONAL. 86 00:04:40,079 --> 00:04:43,449 >> I WENT IN THERE, BARBECUES GALORE IN PASADENA, I THINK THAT 87 00:04:43,516 --> 00:04:48,521 IS WHAT IT IS CALLED. >> James: BAR BA QUEUE GALORE. 88 00:04:48,588 --> 00:04:51,090 >> NOW THAT I AM SAYING IT, IT DEFINITELY SOUNDS LIKE WHAT IT 89 00:04:51,157 --> 00:04:53,059 WOULDN'T BE CALLED. >> James: HANG ON, LET'S LOOK 90 00:04:53,126 --> 00:04:56,963 THIS UP. >> IT'S CORRECT, I KNOW 91 00:04:57,030 --> 00:05:00,133 BARBECUES GALORE. >> James: REALLY, WHY HAVE 92 00:05:00,199 --> 00:05:04,637 I-- I LOVE A BARBECUE SHOP. >> ARE YOU LIVING THE BARBECUE 93 00:05:04,704 --> 00:05:06,239 LIFESTYLE. >> James: I LOVE TO GRILL. 94 00:05:06,305 --> 00:05:09,042 SO HANG ON, HOW MANY BARBECUES ARE WE TALKING TO. 95 00:05:09,108 --> 00:05:12,578 WHAT IS GALORE NOW ADAYS. >> I THINK TO HIT GALORE YOU 96 00:05:12,645 --> 00:05:16,315 HAVE TO HAVE AT LEAST LIKE 30 BARBECUES AND THIS PLACE IS 97 00:05:16,382 --> 00:05:18,885 EASILY CLEARING THAT HURDLE. >> James: AND WHAT WERE YOU 98 00:05:18,951 --> 00:05:20,486 GETTING THERE. >> I WAS IN THERE. 99 00:05:20,553 --> 00:05:23,823 >> James: PARAPHERNALIA OR AN ACTUAL. 100 00:05:23,890 --> 00:05:27,794 >> THE Q HAS BEEN TAKEN CARE OF AS A WEDDING PRESENT SO I IN 101 00:05:27,860 --> 00:05:31,397 THERE GETTING BARBECUE PARAPHERNALIA, PREMIUM LUMP 102 00:05:31,464 --> 00:05:33,066 CHARCOAL, YOU KNOW, LIKE SORT OF A SCRUBBER. 103 00:05:33,132 --> 00:05:38,337 I WAS GETTING LIKE ACCESSORY FOR THE QUE. 104 00:05:38,404 --> 00:05:43,109 I WAS GETTING LIKE OH A COAL STARTER WHICH MANNY HOOKED UP, 105 00:05:43,176 --> 00:05:43,943 TOO. >> James: GO ON. 106 00:05:44,010 --> 00:05:47,280 >> HE TOOK $10 OFF. >> James: STOP. 107 00:05:47,346 --> 00:05:48,581 >> YEAH. >> James: MANNY IS AN ABSOLUTE 108 00:05:48,648 --> 00:05:50,049 >> DUDE, MANNY, IF YOU ARE GOD. GOING 109 00:05:50,116 --> 00:05:55,088 PASADENA AND ANYONE BUT MANNY TO BARBECUE'S GALORE IN COMES UP, 110 00:05:55,154 --> 00:05:57,523 WAIT IT OUT. >> James: IF I GO TO BARBECUES 111 00:05:57,590 --> 00:05:59,258 GALORE IN PASADENA I SAY IS MANNY HERE. 112 00:05:59,325 --> 00:06:03,362 AND THEY SAY HE'S NOT HERE TODAY, I'M GOING TO TURN AROUND 113 00:06:03,429 --> 00:06:04,597 AND I WILL WALK STRAIGHT OUT OF THERE. 114 00:06:04,664 --> 00:06:06,566 >> YEAH. >> James: I'M GOING TO GO HOME 115 00:06:06,632 --> 00:06:10,603 AND SAY TO THE KID GUYS, WE'LL ORDER IN. 116 00:06:10,670 --> 00:06:12,972 WE'RE NOT HAVING A BARBECUE. AND THEY WILL GO Y AND I WILL 117 00:06:13,039 --> 00:06:15,108 THERE AND DO YOU KNOW WHAT SAY MANNY WASN'T. THEY 118 00:06:15,174 --> 00:06:19,078 WILL SAY, EVEN MY DAUGHTER CHARLOTTE WHO IS FOUR YEARS OLD 119 00:06:19,145 --> 00:06:21,280 WILL GO, I COMPLETELY UNDERSTAND. 120 00:06:21,347 --> 00:06:22,648 >> ABSOLUTELY. >> James: ARE YOU COOL WITH US 121 00:06:22,715 --> 00:06:24,951 TALKING ABOUT MANNY, BARBECUE'S GALORE. 122 00:06:25,017 --> 00:06:29,055 >> I MEAN, I GUESS SO. I'M A LITTLE BIT MORE UP SET 123 00:06:29,122 --> 00:06:34,293 THAT-- UPSET THAT ARE YOU SO CLOSE TO MANNY, BAR-- BARBECUE 124 00:06:34,360 --> 00:06:35,962 GALORE WHICH IS RIGHT NEXT TO WHERE I LIVE. 125 00:06:36,028 --> 00:06:39,866 AND YOU DIDN'T EVEN BOTHER TO SAY LIKE HEY, DO YOU WANT TO 126 00:06:39,932 --> 00:06:44,237 COME AND HANG OUT AT THE BARBECUE GALORE WITH ME. 127 00:06:44,303 --> 00:06:47,440 >> James: NICK, THAT IS MARRIED IAN. 128 00:06:47,507 --> 00:06:53,045 ACTUALLY NOT INTERESTED IN BECAUSE HE IS NOT, HE'S FRIENDSHIP ANY 129 00:06:53,112 --> 00:06:54,247 MORE. >> YEAH. 130 00:06:54,313 --> 00:06:58,117 >> James: THAT IS TU HOSH HOSH DID BACK FIRES IN A BIG WAY, 131 00:06:58,184 --> 00:07:03,089 WAKE UP WAKE UP, TWO KIDS, YOU KNOW WHAT YOU WILL REALIZE, YOU 132 00:07:03,156 --> 00:07:06,459 DON'T HAVE ANY. IT'S TRUE, IT'S TRUE. 133 00:07:06,526 --> 00:07:08,661 IT'S TRUE. ALL, YOUR ONLY PEOPLE THAT YOU 134 00:07:08,728 --> 00:07:17,069 WILL KNOW AS FRIENDS ARE YOUR WIFE'S-- YOUR WIFE'S FRIENDS' 135 00:07:17,136 --> 00:07:20,206 HUSBANDS. YOU WON'T KNOW WHAT THEY DO. 136 00:07:20,273 --> 00:07:25,044 YOU WON'T KNOW WHERE THEY WORK. YOU WON'T KNOW WHERE THEY WERE 137 00:07:25,111 --> 00:07:29,048 BORN AND WILL YOU SPEND COUNTLESS SUNDAYS AND SATURDAYS 138 00:07:29,115 --> 00:07:33,052 IN PARKS AND PLAY DATES AND THINGS, STANDING, TALKING TO 139 00:07:33,119 --> 00:07:37,056 THEM GOING WOW, YOU WON'T EVEN KNOW THEIR SECOND NAME IT WILL 140 00:07:37,123 --> 00:07:40,459 AND IT WILL TAKE YOU A YEAR, JUST BE PHIL. IT 141 00:07:40,526 --> 00:07:43,996 WILL TAKE YOU A YEAR TO EVEN KNOW THAT THIS GUY IS CALLED 142 00:07:44,063 --> 00:07:51,971 PHIL BECAUSE ALL YOU KNOW HIM AS IS OH, THAT'S FOXES DAD. 143 00:07:52,038 --> 00:07:53,039 >> YOU KNOW HOW I KNOW THAT THAT IS NOT GOING HAPPEN. 144 00:07:53,105 --> 00:07:55,474 >> James: GO ON. >> AS LONG AS THERE IS A PLACE 145 00:07:55,541 --> 00:07:58,411 IN PASADENA CALLED BARBECUE GALORE. 146 00:07:58,477 --> 00:08:00,413 >> James: WILL YOU HAVE A FRIEND. 147 00:08:00,479 --> 00:08:03,082 >> IN MANNY. >> James: THAT'S TRUE. 148 00:08:03,149 --> 00:08:04,851 >> YEAH. >> James: YOU'RE ABSOLUTELY 149 00:08:04,917 --> 00:08:06,819 >> WE LOVE YOU, MANNY WHAT CAN RIGHT. I 150 00:08:06,886 --> 00:08:08,354 TELL YOU. LISTEN, WE'D LOVE TO DO THIS 151 00:08:08,421 --> 00:08:09,755 ALL DAY, WE REALLY WOULD. BUT WE CAN'T. 152 00:08:09,822 --> 00:08:12,124 BECAUSE IT'S THAT TIME. IT'S TIME FOR THE NEWS. 153 00:08:12,191 --> 00:08:13,192 S S S >> Reggie: THE NEWS. 154 00:08:13,259 --> 00:08:14,894 (CHEERS AND APPLAUSE) >> James: ACCORDING TO A NEW 155 00:08:14,961 --> 00:08:17,063 BOOK, DONALD TRUMP REPEATEDLY TOLD AIDES THAT HE WOULD 156 00:08:17,129 --> 00:08:22,802 REMAIN IN THE WHITE HOUSE, DESPITE LOSING TO JOE BIDEN! 157 00:08:22,869 --> 00:08:25,037 SAYING "I'M JUST NOT GOING TO LEAVE." 158 00:08:25,104 --> 00:08:29,041 I HOPE HE DID IT LIKE JENNIFER HUDSON IN "DREAMGIRLS." 159 00:08:29,108 --> 00:08:33,045 "THERE'S NO WAY I CAN EVER, EVER GO. 160 00:08:33,112 --> 00:08:38,150 NO, NO, NO, NO, WAY. NO, NO, NO, NO, WAY." 161 00:08:38,217 --> 00:08:41,053 TRUMP SAID "I'M JUST NOT GOING TO LEAVE." 162 00:08:41,120 --> 00:08:46,692 I LIKE TO THINK I'D BEHAVE BETTER THAN TRUMP, BUT THIS IS 163 00:08:46,759 --> 00:08:56,202 EXACTLY HOW I REACT TO AN 11 :00 A.M. CHECK-OUT TIME AT A HOTEL. 164 00:08:56,269 --> 00:09:00,039 I'M JUST NOT GOING TO LEAVE, YOU EVER DO THAT THING WHERE CAN HE 165 00:09:00,106 --> 00:09:04,410 WITH STAY FOR AN HOUR AND A HALF, YEAH, $200. 166 00:09:04,477 --> 00:09:06,779 >> YEAH, IT'S RIDICULOUS. >> James: WE DON'T HAVE TO DO 167 00:09:06,846 --> 00:09:10,917 THAT NOW, BECAUSE IF WE VAN HOUR AND A HALF TO SPARE, YOU KNOW 168 00:09:10,983 --> 00:09:12,351 WHERE WE ARE GOING. >> BARBECUE GALORE IN PASADENA. 169 00:09:12,418 --> 00:09:15,488 PART OF ME WISHES TRUMP MEANT >> James: 100 PERCENT. IT 170 00:09:15,554 --> 00:09:21,060 AND NEVER LEFT. JUST WANDERING AROUND THE 171 00:09:21,127 --> 00:09:25,064 WHITE HOUSE WITH AN OPEN ROBE, SPILLING GREASE ALL OVER 172 00:09:25,131 --> 00:09:27,133 TOP-SECRET DOCUMENTS, WALKING INTO BIDEN'S MEETINGS AND JUST 173 00:09:27,199 --> 00:09:32,405 IN OTHER NEWS, OF COURSE, YELLING "NOPE!" PRINCE 174 00:09:32,471 --> 00:09:35,641 CHARLES WAS FORMALLY PROCLAIMED MONARCH ON SATURDAY, TAKING THE 175 00:09:35,708 --> 00:09:38,544 NAME KING CHARLES III. THIS MORNING, HE ADDRESSED 176 00:09:38,611 --> 00:09:41,047 PARLIAMENT FOR THE FIRST TIME AS KING. 177 00:09:41,113 --> 00:09:45,985 FIRST THING HE DID WAS MAKE A SINCERE APOLOGY FOR SPOILING THE 178 00:09:46,052 --> 00:09:51,490 ENDING OF "THE CROWN." HERE'S KING CHARLES AND CAMILLA, 179 00:09:51,557 --> 00:09:53,626 QUEEN CONSORT, EARLIER TODAY, SITTING ON THEIR THRONES, 180 00:09:53,693 --> 00:10:03,502 TOGETHER, FOR THE FIRST TIME. I WILL SAY, GAME OF THROAPS HAS 181 00:10:03,569 --> 00:10:10,776 THE THRONE IN GAME OF THRONES RUINED THRONES. IS 182 00:10:10,843 --> 00:10:13,579 SO BIG IT RUINED THROARNTION ALTHOUGH I DO THINK THERE SHOULD 183 00:10:13,646 --> 00:10:16,248 BE MORE THRONES IN OTHER JOBS SHALL NOT JUST THE MONARCHY, 184 00:10:16,315 --> 00:10:19,485 LIKE GET PROMOTED AT STAR BOOKS, BOOM. 185 00:10:19,552 --> 00:10:22,521 MAKE YOUR FRAP SITTING ON A THRONE. 186 00:10:22,588 --> 00:10:27,293 >> SHOULD BE THRONING THEM OUT THERE. 187 00:10:27,360 --> 00:10:28,794 YEAH, EXACTLY. YOU 188 00:10:28,861 --> 00:10:30,529 YOU HIT YOUR SALES GOALS FOR THE QUARTER? 189 00:10:30,596 --> 00:10:32,398 YOU'RE IN THE THRONE ZONE. YOU BECOME THE SENIOR VICE 190 00:10:32,465 --> 00:10:36,602 PRESIDENT OF LATE NIGHT PROGRAMMING, WEST COAST? 191 00:10:36,669 --> 00:10:39,472 YOU DO NOT GET A THRONE, SORRY ABOUT THAT. 192 00:10:39,538 --> 00:10:41,540 AND, DID YOU HEAR ABOUT THIS? BRITISH AUTHORITIES ARE ASKING 193 00:10:41,607 --> 00:10:43,743 MOURNERS NOT TO LEAVE ANY MORE MARMALADE SANDWICHES OUTSIDE 194 00:10:43,809 --> 00:10:47,480 BUCKINGHAM PALACE. PEOPLE HAVE BEEN LEAVING THE 195 00:10:47,546 --> 00:10:51,484 SANDWICHES AS PART OF A MAKESHIFT MEMORIAL. 196 00:10:51,550 --> 00:10:55,788 I'VE BEEN MISSING HOME SO MUCH THESE LAST FEW DAYS-- BUT I'VE 197 00:10:55,855 --> 00:10:58,891 NEVER MISSED IT MORE THAN WHEN I HEARD THERE ARE FREE MARMALADE 198 00:10:58,958 --> 00:11:00,326 SANDWICHES JUST LYING AROUND. ALTHOUGH, I MUST SAY, ANYONE 199 00:11:00,393 --> 00:11:02,395 WHO KNOWS THE QUEEN KNOWS THAT THE WAY TO HER HEART ISN'T 200 00:11:02,461 --> 00:11:06,632 MARMALADE SANDWICHES, BUT PERFECTLY-MADE MARTINIS. 201 00:11:06,699 --> 00:11:11,937 AND IF ARE YOU IN LOS ANGELES AND WANT TO HON OR THE QUEEN. 202 00:11:12,004 --> 00:11:13,305 LISTEN, IF YOU WANT TO HONOR THE QUEEN, MAKE IT A TURKEY CLUB 203 00:11:13,372 --> 00:11:15,174 WITH APPLEWOOD-SMOKED BACON AND LEAVE IT OUTSIDE TELEVISION CITY 204 00:11:15,241 --> 00:11:18,778 HERE IN LOS ANGELES, AND I'LL... I'LL MAKE SURE IT GETS TO THE 205 00:11:18,844 --> 00:11:26,786 PROPER LOCATION. AND DID YOU FIND OUT, THIS 206 00:11:26,852 --> 00:11:31,390 APPLE'S NEW IOS16 RELEASED AND ONE OF THE NEW FEATURES IS THE 207 00:11:31,457 --> 00:11:38,497 ABILITY TO UNSEND AND EDITED TEXT MESSAGES YOU HAVE ALREADY 208 00:11:38,564 --> 00:11:41,567 SEPTEMBER. THIS MEECHS NO MORE IPHONE 209 00:11:41,634 --> 00:11:44,570 TYPOS, THIS SAY BIG DUCKING DEAL. 210 00:11:44,637 --> 00:11:48,441 YOU HAVE TWO MINUTES TO DELETE YOUR TEXT WHICH IN TURN MEANS 211 00:11:48,507 --> 00:11:51,777 YOUR RECIPIENT HAS TWO MINUTES TO SCREEN GRAB IT AND SHOW 212 00:11:51,844 --> 00:11:56,148 EVERYBODY WHAT YOU REALLY THINK OF CHRIS' NEW GIRLFRIEND. 213 00:11:56,215 --> 00:12:02,188 THIS HAS ALREADY HAPPENED TO ME TOM CRUISED ME SAYING I WAS HIS 214 00:12:02,254 --> 00:12:07,393 HERO, HIS INSPIRATION, THERE WAS A TIPO SO HE DELETED IT. 215 00:12:07,460 --> 00:12:11,864 , WHAT IS THE BIGGEST TEXTING DISASTER YOU HAVE EVER HAD. 216 00:12:11,931 --> 00:12:14,800 EVER HAVE ONE? >> THIS IS BEFORE I MELT THE 217 00:12:14,867 --> 00:12:16,669 WOMAN WHO IS NOW THE WOMAN I AM MARRIED TOO. 218 00:12:16,735 --> 00:12:24,210 BEFORE WE MET EVEN. I WAS ON TOUR IN WASHINGTON 219 00:12:24,276 --> 00:12:28,347 D.C., AND I WAS TRAVELING WITH COME EL YANDS AND WHAWN BROUGHT 220 00:12:28,414 --> 00:12:30,516 HIS DPRENDS TWO GIRLS WHO WERE LIKE IN GRAD SCHOOL AND I WAS 221 00:12:30,583 --> 00:12:34,153 TALKING TO ONE OF NEM. AND FEELING VERY CHARMING. 222 00:12:34,220 --> 00:12:36,522 AND WE WERE GETTING ALONG GREAT AND WE DID THE SHOW AND THEN 223 00:12:36,589 --> 00:12:38,057 THEY CAME OUT WITH THIS AFTER THE SHOW. 224 00:12:38,124 --> 00:12:41,160 I WAS DRINKING A LOT T WAS WE WERE DRINKING. AFTER 225 00:12:41,227 --> 00:12:44,330 A SHOW, SO I WAS PRETTY DRUNK. I WAS LIKE MAN, THIS IS REALLY 226 00:12:44,396 --> 00:12:49,702 GOING SOL WHERE. ME AND THIS GIRL, SPARKS ARE 227 00:12:49,768 --> 00:12:50,803 FLYING. AND WE PARTED WAYS WITHOUT 228 00:12:50,870 --> 00:12:54,440 ANYTHING HAPPENING, RIGHT. AND THEN I WENT ON AND KEPT 229 00:12:54,507 --> 00:13:00,513 PARTYING THROUGHOUT THE NIGHT AND I WOKE UP THE NEXT DAY, YOU 230 00:13:00,579 --> 00:13:02,515 KNOW, LIKE 10 A.M. I LOOKED AT MY PHONE, TEXT 231 00:13:02,581 --> 00:13:04,750 MESSAGES, YOU KNOW, FROM A BUNCH OF PEOPLE INCLUDING ONE FROM 232 00:13:04,817 --> 00:13:10,189 BEFORE. AND WHAT THAT TEXT THAT GIRL FROM THE NIGHT MESSAGE SAID 233 00:13:10,256 --> 00:13:13,559 WAS HEY IAN, IT WAS SO NICE MEETING YOU LAST NIGHT. 234 00:13:13,626 --> 00:13:16,428 DOING RIGHT NOW BUT I WISH YOU I DON'T KNOW WHAT YOU ARE WERE 235 00:13:16,495 --> 00:13:21,967 HAVING SEX WITH ME INSTEAD. I KNOW. 236 00:13:22,034 --> 00:13:24,737 IN FACT, AFTER TALKING TO YOU, I CAN'T THINK OF ANYONE WHO I 237 00:13:24,803 --> 00:13:27,806 WOULD RATHER BE HAVING SEX W YOU WERE SO SMART AND SO FUNNY. 238 00:13:27,873 --> 00:13:33,412 I HOPE WE GET TO RUN INTO EACH OTHER AGAIN SOON. 239 00:13:33,479 --> 00:13:34,747 AND I LIKE LOST IT I WAS LIKE BYE. I 240 00:13:34,813 --> 00:13:36,515 KNEW IT I KNEW SHE WAS FEELING ME. 241 00:13:36,582 --> 00:13:40,119 I WENT AND GOT MY FRIENDS AND THEY WERE LIKE DUDE, I TOLD YOU, 242 00:13:40,186 --> 00:13:44,757 I TOWLD, WE WENT TO BREAKFAST AND GOT CHAMPAGNE, WE ARE WE 243 00:13:44,823 --> 00:13:46,725 WERE LIKE CELEBRATING LIKE I HAD HOOKED UP WITH HER, YOU KNOW 244 00:13:46,792 --> 00:13:49,261 WHAT I MEEP. I WAS AT THIS POINT T HAS BEEN 245 00:13:49,328 --> 00:13:51,597 AN HOUR. HAVE I TO SEND A TEXT MESSAGE 246 00:13:51,664 --> 00:13:53,032 BACK. I HAVEN'T RESPONDED. 247 00:13:53,098 --> 00:13:56,235 SHE SENT THAT AT LIKE MIDNIGHT, IT'S BEEN LIKE 12 HOURS, SO I 248 00:13:56,302 --> 00:13:58,571 SENT ONE HEY, IT WAS SO NICE MEETING YOU TOO. 249 00:13:58,637 --> 00:14:03,342 SEX. I BET HAVING SEX WITH YOU I ALSO WISH WE WERE HAVING WOULD 250 00:14:03,409 --> 00:14:07,713 FUNNY AND SMART, YOU PROBABLY BE REALLY FUN, YOU SEEM SO WILL BE 251 00:14:07,780 --> 00:14:09,949 QUOTING FACTS ABOUT HISTORY WHILE WE WERE DOING AND I WOULD 252 00:14:10,015 --> 00:14:12,751 THINK THAT WAS RAD. AND I SENT IT. 253 00:14:12,818 --> 00:14:17,556 AND THEN I HEARD NOTHING FOR LIKE TWO, THREE HOURS. 254 00:14:17,623 --> 00:14:20,759 AND I WAS LIKE OH, SHE IS PROBABLY FEELING PRETTY SHY 255 00:14:20,826 --> 00:14:24,430 BECAUSE THAT WAS A PRETTY, I'M A COMEDIAN, SHE'S JUST A GRAD 256 00:14:24,496 --> 00:14:28,701 STUDENT, SHE'S NOT USED TO LIKE, YOU KNOW, THIS GO-GO LIFETYLE 257 00:14:28,767 --> 00:14:30,736 THAT I HAVE. SO I SENT ANOTHER ONE I SAID 258 00:14:30,803 --> 00:14:33,872 HEY, I HOPE YOU DON'T FEEL BAD ABOUT THAT TEXT YOU SENTS, YOU 259 00:14:33,939 --> 00:14:35,774 KNOW, GOOD FOR YOU FOR PUTTING IT OUT. 260 00:14:35,841 --> 00:14:37,910 THERE I WOULD HAVE DONE THE SAME. 261 00:14:37,977 --> 00:14:42,948 I SENT IT A FEW MORE HOURS WENT BY, AT THIS POINT IT'S LIKE TEN 262 00:14:43,015 --> 00:14:48,487 HOURS SINCE THE TEXT, I SEND HER ONE MORE, I WAS LIKES HA HA HA, 263 00:14:48,554 --> 00:14:51,290 OH, I GET T I MADE YOU WAIT 12 HOURS FOR A RESPONSE. 264 00:14:51,357 --> 00:14:56,762 NOW ARE YOU MAKING ME WAIT 12 HOURS FOR A RESPONSE, LOL, 265 00:14:56,829 --> 00:15:02,167 FIVE MINUTES WENT BY, AND THEN HONESTLY, I RESPECT IT NOW I GOT 266 00:15:02,234 --> 00:15:06,438 ANOTHER TEXT MESSAGE FROM HER. SHE FINALLY REPLIED AND I OPENED 267 00:15:06,505 --> 00:15:07,740 IT. AND I READ IT. 268 00:15:07,806 --> 00:15:14,780 AND IT SAID HEY IAN, YOU SENT YOURSELF THAT TEXT FROM MY PHONE 269 00:15:14,847 --> 00:15:22,121 LAST NIGHT. (LAUGHTER) 270 00:15:22,187 --> 00:15:26,158 YOU SAID IT WOULD BE THE FUNNIEST WAY FOR US TO EXCHANGE 271 00:15:26,225 --> 00:15:27,526 NUMBERS AND I SAID I THINK YOU'RE TOO DRUNK. 272 00:15:27,593 --> 00:15:32,765 YOU MIGHT NOT REMEMBER. AND YOU SAID NO, NO, I'LL 273 00:15:32,831 --> 00:15:35,167 REMEMBER. JUST TO BE CLEAR, I'M NOT 274 00:15:35,234 --> 00:15:43,742 INTERESTED IN YOU SEXUALLY OR OTHERWISE. 275 00:15:43,809 --> 00:15:49,682 (APPLAUSE). >> James: WOW. 276 00:15:49,748 --> 00:15:54,420 EVERYBODY SHALL EVEN LORD OF THE RINGS, THE RINGS OF POWER. 277 00:15:54,486 --> 00:15:56,088 DRAWING OVER 25 MILLION MASSIVE SUCCESS. VIEWERS. 278 00:15:56,155 --> 00:15:57,189 BUT, LIKE A LOT OF FANTASY EPICS, THIS SHOW HAS WAY TOO 279 00:15:57,256 --> 00:16:00,826 IT CAN BE HARD TO KEEP TRACK MANY CHARACTERS. OF. 280 00:16:00,893 --> 00:16:04,763 SO, THEY ACTUALLY RELEASED A VIDEO TO HELP REFRESH YOU ON WHO 281 00:16:04,830 --> 00:16:06,932 ALL THE CHARACTERS ARE. BUT, I'VE GOT TO SAY, I STILL 282 00:16:06,999 --> 00:16:21,880 THINK THERE'S TOO MANY. TAKE A LOOK. 283 00:16:21,947 --> 00:16:24,783 THINK THERE'S TOO MANY. TAKE A LOOK. 284 00:18:00,379 --> 00:18:03,582 >> James: "THE LORD OF THE RINGS: THE RINGS OF POWER" IS 285 00:18:03,649 --> 00:18:06,718 OUT NOW ON PRIME VIDEO. HUGE THANKS TO DR. PHIL, SIMONE 286 00:18:06,785 --> 00:18:10,189 BILES, AND TONY HAM HANDS. WE'LL BE RIGHT BACK WITH MORE OF 287 00:18:10,255 --> 00:18:11,890 THE "LATE, LATE SHOW". 288 00:18:30,609 --> 00:18:38,150 >> Reggie: WELCOME BACK. NOW YOUR HOST. 289 00:18:38,217 --> 00:18:39,618 >> James: WELCOME BACK! LET'S MEET OUR GUESTS TONIGHT! 290 00:18:39,685 --> 00:18:45,123 SHE STARS IN "DO REVENGE!" PLEASE WELCOME CAMILA MENDES! 291 00:18:45,190 --> 00:18:52,664 >> Reggie: CAMILA MENDES! HOW ARE YOU? 292 00:18:52,731 --> 00:18:54,900 >> GOOD, HOW ARE YOU. >> James: THANK YOU FOR BEING 293 00:18:54,967 --> 00:18:55,801 HERE. >> James: HE STARS IN "THE 294 00:18:55,868 --> 00:18:57,436 HANDMAID'S TALE!" IT'S BRADLEY WHITFORD! 295 00:18:57,503 --> 00:19:11,183 >> Reggie: BRADLEY WHITFORD! >> James: SO HAPPY TO SEE YOU. 296 00:19:11,250 --> 00:19:20,058 >> YOU TOO. >> James: THERE WE ARE. 297 00:19:20,125 --> 00:19:23,562 THANK YOU SO MUCH FOR BEING HERE, THANKS FOR COMING TO SEE 298 00:19:23,629 --> 00:19:25,130 I'M VERY HONORED THAT YOU US. WOULD 299 00:19:25,197 --> 00:19:29,134 BE HERE. CAMILA YOU WERE JUST IN ITALY, 300 00:19:29,201 --> 00:19:31,603 AT THE VENICE IL AM FESTIVAL, FIRST TIME THERE. 301 00:19:31,670 --> 00:19:32,971 >> YES, I WAS. >> James: WE HAVE A PICTURE OF 302 00:19:33,038 --> 00:19:35,841 YOU THERE, YOU LOOK SCHEUTLY INCREDIBLE. 303 00:19:35,908 --> 00:19:38,410 >> THANK YOU, THANK YOU. >> James: HOW WAS IT, IT WAS 304 00:19:38,477 --> 00:19:42,414 YOUR FIRST TIME, WAS IT GOOD, WHAT DID YOU SEE WA, DID YOU DO. 305 00:19:42,481 --> 00:19:45,117 >> FIRST TIME IN VENICE, I WAS THERE WITH ARMANI BEAUTY JUST 306 00:19:45,183 --> 00:19:48,520 I WENT TO THE PREMIER OF BONES DOING RED CARPET THINGS. & 307 00:19:48,587 --> 00:19:52,057 ALL. >> James: WHICH SWT CHAL A MAI 308 00:19:52,124 --> 00:19:53,292 MOVIE. >> HOW WAS IT? 309 00:19:53,358 --> 00:19:56,862 >> I WATCHED IT ON AN EMPTY >> James: IT WAS GREAT. STOP 310 00:19:56,929 --> 00:20:00,098 ACH SO I WAS RUNNING AROUND ALL DAY AND SUPERBUSY AND I DIDN'T 311 00:20:00,165 --> 00:20:02,601 GET TO EAT DINNER AND THEN I REALIZED IT WAS A MOVIE ABOUT 312 00:20:02,668 --> 00:20:05,871 CANNIBALISM. SO THE WHOLE TIME I'M WATCHING 313 00:20:05,938 --> 00:20:09,241 THEM, EAT HUMAN FLESH, AND I DIDN'T HAVE ANYTHING IN MY 314 00:20:09,308 --> 00:20:11,944 STOMACH SO THAT WAS FUN. >> James: PEOPLE LOVED IT. 315 00:20:12,010 --> 00:20:17,316 >> NO, YEAH T WAS A BEAUTIFUL MOVIE, IT IS A LOVE STORY 316 00:20:17,382 --> 00:20:18,517 ABOUT. >> ABOUT EATING EACH OTHER. 317 00:20:18,584 --> 00:20:22,921 >> IT SAY BEAUTIFUL METAPHOR. >> James: I MEAN BRADLEY, THE 318 00:20:22,988 --> 00:20:27,359 EMMY AWARDS WERE TONIGHT. YOU WON A FAIR FEW IN YOUR TIME. 319 00:20:27,426 --> 00:20:31,296 DO YOU ENJOY AWARD SHOWS? DO YOU ENJOY THE PARTIESES? 320 00:20:31,363 --> 00:20:35,667 TONIGHT. >> HONESTLY, NO, OUR ARE YOU GOING TO GO OUT SHOW ISN'T 321 00:20:35,734 --> 00:20:37,569 UP AND IT IS KIND OF A GREAT RELIEF. 322 00:20:37,636 --> 00:20:40,606 THEY'RE KIND OF WEIRD BECAUSE THEY ARE WONDERFUL. IT 323 00:20:40,672 --> 00:20:43,675 SLIEK A HUMAN DOG SHOW WHERE SOMEONE COMES OUT IF HE END AND 324 00:20:43,742 --> 00:20:45,944 SAYS THE POODLE IS BETTER THAN THE SCHNAUZER AND YOU GO OH, 325 00:20:46,011 --> 00:20:50,949 BUT YOU DO THEM AND IT IS-- OKAY. LIKE 326 00:20:51,016 --> 00:20:54,186 OBVIOUSLY WE'RE NOT WORKING IN ANYONE WILL TELL YOU, A COAL MINE 327 00:20:54,252 --> 00:20:57,823 AND WE'RE NOT SCHOOL TEACHERS, NOT NURSES. 328 00:20:57,889 --> 00:21:00,892 ALL THIS SILLY PUBLICITY STUFF IS EXHAUSTINGED. 329 00:21:00,959 --> 00:21:04,062 AND A COUPLE OF YEARS AGO T WASN'T THE EMMYS, IT WAS THE 330 00:21:04,129 --> 00:21:07,265 OSCARS, I HAPPENED TO BE IN THE TWO MOVIES THAT GOT NOMINATED 331 00:21:07,332 --> 00:21:10,435 THE SAME YEAR WHICH WAS INSANE. THE POST AND GET OUT. 332 00:21:10,502 --> 00:21:14,840 SO I'M-- YOU GET TO GO TO ALL OF THESE PANELS AND YOU TALK ABOUT 333 00:21:14,906 --> 00:21:16,975 SOMETHING AND I WAS FLYING IT AND I WAS SHOOTING AROUND. 334 00:21:17,042 --> 00:21:22,381 AND I HAD BEEN SICK AND WE DID TWO ALL-NIGHTERS. 335 00:21:22,447 --> 00:21:24,883 THE INDEPENDENT SPIRIT AWARD AND THEN THE FINAL THING IS AND 336 00:21:24,950 --> 00:21:27,219 THEY PICK YOU UP EARLY IN THE DAY, THE DAY BEFORE THE OSCARS 337 00:21:27,285 --> 00:21:31,790 AND I DIDN'T FEEL GOOD. AND IT WAS-- IT IS THIS REALLY 338 00:21:31,857 --> 00:21:35,627 AND IT IS A VERY END OF IT, LONG THING. GET 339 00:21:35,694 --> 00:21:38,463 OUT WON. AND IT WAS A PREDICTOR FOR WHO 340 00:21:38,530 --> 00:21:41,733 MIGHT WIN THE OSCARS. AND THERE WAS THIS HUGE PRESS 341 00:21:41,800 --> 00:21:45,370 THING AND I CALLED AMY BECAUSE THERE WAS THIS BIG NIGHT BEFORE 342 00:21:45,437 --> 00:21:48,707 PARTIES, WHICH IS VERY MYSTERIOUS, THERE IS NO PRESS, 343 00:21:48,774 --> 00:21:51,009 THANK GOD. THAT WILL PAY OFF LATER. 344 00:21:51,076 --> 00:21:56,882 AND I CALLED AMY AND I SAID MAN, I GOT TO GET-- I DON'T FEEL 345 00:21:56,948 --> 00:21:57,749 I DON'T-- SHE SAID WE DON'T GOOD. HAVE 346 00:21:57,816 --> 00:22:01,720 TO GO. I SAID NO, WE HAVE TO GO, LIKE 347 00:22:01,787 --> 00:22:04,423 THE SWAG BAG IS SUPPOSED TO BE INCREDIBLE. 348 00:22:04,489 --> 00:22:10,562 SO I DON'T FEEL GOOD. WE G I WALK IN, AND I REALIZE 349 00:22:10,629 --> 00:22:11,530 IMMEDIATELY,-- I DON'T FEEL GOOD. 350 00:22:11,596 --> 00:22:16,034 AND I GO I DON'T FEEL GOOD. I DON'T FEEL GOOD. 351 00:22:16,101 --> 00:22:19,371 AND AMY IS LIKE WE CAN GO. AND I SEE ACROSS THE ROOM, I 352 00:22:19,438 --> 00:22:26,912 SAID, THERE WAS JOHN HAMM AND WALLTON GOINGON AND I KNOW, 353 00:22:26,978 --> 00:22:31,750 YEAH, I JUST DROPPED THE NAME. >> JOHN HAMM GOOD NAME TO DROP. 354 00:22:31,817 --> 00:22:36,888 >> OKAY, WELL, YOU WILL LIKE THIS. 355 00:22:36,955 --> 00:22:40,659 SO I GO, LET ME JUST SAY GOOD-BYE TO THEM, THAT IS THE 356 00:22:40,726 --> 00:22:43,862 LAST THING I REMEMBER, I WAKE UP, MY WIFE IS SCREAMING, AND 357 00:22:43,929 --> 00:22:48,533 JOHN HAMM, LOVELY JOHN IS GOING YOU'RE GOING FIND, A VERY 358 00:22:48,600 --> 00:22:56,675 HANDSOME MAN JUST CAUGHT YOU. AND HE STARTS SAYING OVER AND 359 00:22:56,742 --> 00:22:59,778 REALLY-- THEY TRY TO GET ME OVER, AND I CAN'T TALK, I UP, 360 00:22:59,845 --> 00:23:03,115 GOES THIS HAPPENED TO MEI DAD I FALL DOWN AGAIN AND JOHN ALL THE 361 00:23:03,181 --> 00:23:04,916 TIME, THIS HAPPENED TO MY DAD ALL THE TIME. 362 00:23:04,983 --> 00:23:09,988 NOW I DON'T KNOW JOHN WELL. ALL I KNOW ABOUT HIM IS REALLY 363 00:23:10,055 --> 00:23:14,993 ABOUT HIS LIFE IS AN INTERVIEW ON NPR WITH TERRY GROSS WHERE I 364 00:23:15,060 --> 00:23:18,930 VAGUELY REMEMBER, AND I STILL CAN'T TALK, I VAGUELY REMEMBER 365 00:23:18,997 --> 00:23:22,901 THAT ONE OF HIS PARENTS TRAGICALLY DIED WHEN HE WAS 366 00:23:22,968 --> 00:23:25,971 WHICH WAS LIKE THE SEMINAL YOUNG. EVENT 367 00:23:26,037 --> 00:23:29,775 AND HE KEEPS SAYING TO ME IN HIS LIFE. WHILE 368 00:23:29,841 --> 00:23:32,811 I CAN'T TALK, THIS HAPPENED TO MY DAD ALL THE TIME. 369 00:23:32,878 --> 00:23:34,012 THIS HAPPENED TO MY DAD ALL THE TIME. 370 00:23:34,079 --> 00:23:37,482 SO AN AMBULANCE COMES IN, THEY PUT ME ON A GURNEY, THEY'RE 371 00:23:37,549 --> 00:23:44,322 GURNEY, SWEAR TO GOD, REACHED PUSHING ME OUT, I'M ON A FOR THE 372 00:23:44,389 --> 00:23:48,460 SWAG BAG, MISSED IT. MY WIFE IS TERRIFIED, LIKE YOU 373 00:23:48,527 --> 00:23:52,731 WHERE YOU CAN EXPIRE AT ANY KNOW I'M OF A CERTAIN AGE MOMENT. 374 00:23:52,798 --> 00:23:57,569 AND WE GET INTO THE AMBULANCE AND I'M JUST BEGINNING TO BE 375 00:23:57,636 --> 00:24:04,176 ABLE TO TALK AND I'M LIKE-- GOOGLE JOHN HAMM. 376 00:24:04,242 --> 00:24:08,914 >> WHAT, SWEETIE, WHAT, GOOGLE JOHN HAMM. 377 00:24:08,980 --> 00:24:12,918 AND SHE IS LIKE GOOGLE JOHN HAMM, YEAH, GOOGLE IT, GOOGLE 378 00:24:12,984 --> 00:24:15,821 IT. AND I'M LIKE HIS FAMILY, WHAT 379 00:24:15,887 --> 00:24:20,592 HAPPENED TO HIS FAMILY. I SWEAR TO GOD. 380 00:24:20,659 --> 00:24:26,364 I'M IN THE GLANCE AND SHE SAYS WELL, IT SAYS HIS MOTHER DIED 381 00:24:26,431 --> 00:24:30,468 WHEN HE WAS LIKE IN MIDDLE SCHOOL OR SOMETHING, I'M LIKE 382 00:24:30,535 --> 00:24:32,938 YES! THAT'S HORRIBLE, ABSOLUTELY, 383 00:24:33,004 --> 00:24:36,575 ABSOLUTELY HORRIBLE. AND I HAVE NEVER TOLD THIS 384 00:24:36,641 --> 00:24:39,845 PROBABLY SO I HOPE JOHN ISN'T UPSET, LIKE THE TRAGEDY OF 385 00:24:39,911 --> 00:24:42,614 LOSING A PARENT, I CAN'T IMAGINE BUT I WAS RELIEVED. 386 00:24:42,681 --> 00:24:46,651 THE GREAT THING IS THERE IS NO PRESS THERE, AND THE RUMOR 387 00:24:46,718 --> 00:24:53,992 STARTED GOING AROUND THAT JOHN JOHN SLATTERLY HAD FAINTED. 388 00:24:54,059 --> 00:24:58,864 AND I WAS JUST COMPLETELY DEHYDRATED. 389 00:24:58,930 --> 00:25:02,634 AND IT WAS NOT, IT WASN'T ANYTHING. 390 00:25:02,701 --> 00:25:07,138 I WAS JUST SICK AND DEHYDRATED SO YOU HAVE TO BE CAREFUL. 391 00:25:07,205 --> 00:25:08,773 >> James: YOU HAVE TO HYDRATE. >> HYDRATE KIDS. 392 00:25:08,840 --> 00:25:12,944 >> James: CAMILA, YOU SPENT SOME TIME, YOU WERE IN LONDON 393 00:25:13,011 --> 00:25:14,112 THIS SUMMER. >> YES. 394 00:25:14,179 --> 00:25:15,380 >> James: HOW DID YOU GET ON THERE, DID YOU ENJOY BEING IN 395 00:25:15,447 --> 00:25:16,581 THE CITY? >> I DID. 396 00:25:16,648 --> 00:25:20,218 I DIDN'T GET TO REALLY EXPLORE MUCH BECAUSE I WAS SHOOTING A 397 00:25:20,285 --> 00:25:22,988 MOVIE AND WE WERE WORKING SIX DAYS A WEEK. 398 00:25:23,054 --> 00:25:28,593 SO SUNDAYS WERE MY ONLY DAY OFF. BUT I DID SPEND A LOT OF TIME 399 00:25:28,660 --> 00:25:31,830 WATCHING ONE OF MY FAVORITE UK SHOWS, DO YOU KNOW NAKED 400 00:25:31,897 --> 00:25:32,931 ATTRACTION, DO YOU GUYS KNOW NAKED ATTRACTIONS. 401 00:25:32,998 --> 00:25:35,400 >> James: YES. >> THAT IS LIKE MAYBE THE BEST 402 00:25:35,467 --> 00:25:38,703 DATING SHOW TO EVER EXIST. >> James: TRY AND EXPLAIN TO 403 00:25:38,770 --> 00:25:40,772 PEOPLE WHO DON'T KNOW WHAT IT IS WHAT IS SO UNIQUE ABOUT IT. 404 00:25:40,839 --> 00:25:43,975 >> IT IS MAYBE THE BEST AND WORST THING AT THE SAME TIME 405 00:25:44,042 --> 00:25:47,212 OBJECTIFYING BUT ALSO VERY BECAUSE STIN CEDLY LIBERATING. 406 00:25:47,279 --> 00:25:50,749 THERE IS ARE FIVE CONTESTANTS ALL STANDING BEHIND THESE PODS 407 00:25:50,815 --> 00:25:54,119 AND THE PODS SLOWLY, YOU KNOW, COME UP. 408 00:25:54,185 --> 00:25:55,987 AND EVERYONE IS NAKED. >> James: COMPLETELY NAKED. 409 00:25:56,054 --> 00:25:58,356 >> AND YOU SEE EARNINGS. >> James: YES. 410 00:25:58,423 --> 00:26:00,926 >> IT'S LIKE CHANNEL 4. >> James: CHANNEL 4, THERE IS 411 00:26:00,992 --> 00:26:04,729 NO PIXELATING, NOTHING. AT ONE POINT THE THING IS HERE. 412 00:26:04,796 --> 00:26:08,934 AND THERE ARE JUST PEOPLE LOOKING AT-- PRIVATE PARTS. 413 00:26:09,000 --> 00:26:12,938 >> AND THE ONE OOKING FOR LOVE GOES DOWN THE AISLE AND PICKS 414 00:26:13,004 --> 00:26:16,641 EVERYTHING AND WILL BE LIKE TAKES A GOOD LOOK AT THIS PERSON HAS 415 00:26:16,708 --> 00:26:19,878 GOT TO GO. >> James: AND THEY GET 416 00:26:19,945 --> 00:26:23,014 ELIMINATED JUST ON THEIR PRIVATE PARTS. 417 00:26:23,081 --> 00:26:26,084 >> AND THE NEXT PHASE IS TORSO AREA, AND THEN FACE AND THEN 418 00:26:26,151 --> 00:26:28,954 VOICE AND I THINK THE LAST ONE SAY QUESTION OR SOMETHING. 419 00:26:29,020 --> 00:26:31,589 >> James: AND THE LAST ONE, THE PERSON WHO IS DECIDING HAS 420 00:26:31,656 --> 00:26:36,061 TO THEN COME OUT NAKED AND THEY STAND IN FRONT OF EACH OTHER. 421 00:26:36,127 --> 00:26:37,529 [BLEEP] NAKED. YEAH. 422 00:26:37,595 --> 00:26:40,532 >> AND THEN THE MOST AWKWARD PART IS WHEN THEY HAVE TO GO ON 423 00:26:40,598 --> 00:26:43,802 A DATE LATER AND THE CAMERA CREW FOLLOWS THEM TO THIS DATE BUT 424 00:26:43,868 --> 00:26:46,104 THEY HAVE PRETTY MUCH NOTHING TO SAY TO EACH OTHER. 425 00:26:46,171 --> 00:26:48,440 >> James. >> BECAUSE THEY HAVE SEEN IT 426 00:26:48,506 --> 00:26:49,507 ALL. >> James: ARE YOU FAMILIAR 427 00:26:49,574 --> 00:26:51,443 >> I WAS UP FORP IT BUT I'M WITH THIS SHOW. NOT 428 00:26:51,509 --> 00:26:55,146 A BIG ENOUGH STAR. >> James: CAMILA WE HAVE TO 429 00:26:55,213 --> 00:26:58,984 CONGRATULATED YOU ON YOUR NEW MOVIE "DO REVENGE," FOR ANYONE 430 00:26:59,050 --> 00:27:01,252 WHAT IT IS ABOUT AND WHO YOU THAT DOESN'T KNOW, TELL US PLAY. 431 00:27:01,319 --> 00:27:08,927 WHO IS SEX TAPE GETS LEAKED BY >> I PLAY A GIRL NAMED DREA HER 432 00:27:08,994 --> 00:27:11,663 BOYFRIEND AT THE TIME. I'M DOING A TERRIBLE JOB 433 00:27:11,730 --> 00:27:14,299 EXPLAINING THIS, BASICALLY HER AND HER FRIEND MAKE A REVENGE 434 00:27:14,366 --> 00:27:19,104 PACT TO GET REVENGE ON THE PEOPLE WHO SCREWED THEM. 435 00:27:19,170 --> 00:27:22,340 >> James: BUT YOU PLAY A HIGH-SCHOOL STUDENT, YOU ARE 436 00:27:22,407 --> 00:27:24,409 ALSO A HIGH-SCHOOL STUDENT IN RIVERDALE. 437 00:27:24,476 --> 00:27:27,545 >> YES. >> James: AT WHAT POINT DO YOU 438 00:27:27,612 --> 00:27:29,214 THINK YOU MIGHT-- GET TO GRADUATE. 439 00:27:29,280 --> 00:27:32,817 >> I'M DONE, NO, IT'S DONE, WE'RE NOT DOING HIGH SCHOOL 440 00:27:32,884 --> 00:27:34,319 ROLLS ANY MORE. THIS IS THE LAST ONE. 441 00:27:34,386 --> 00:27:37,522 BUT I'M GOING OUT WITH A BANG, IT SAY REALLY FUN ONE. 442 00:27:37,589 --> 00:27:40,925 >> James: IF SAY GREAT ONE. >> James: LET'S TAKE A LOOK AT A 443 00:27:40,992 --> 00:27:42,060 CLIP FROM "DO REVENGE," WHICH PREMIERES ON NETFLIX THIS 444 00:27:42,127 --> 00:27:48,933 FRIDAY. >> DREA. 445 00:27:49,000 --> 00:27:52,937 >> WHAT? >> OH MY GOSH. 446 00:27:53,004 --> 00:27:56,408 MATT. >> BABY, I'M ALREADY ON THE 447 00:27:56,474 --> 00:27:59,010 PHONE TALKING TO PIE DAD'S LAWYER, I'VE GOT TO GO. 448 00:27:59,077 --> 00:28:02,881 >> HOW COULD YOU DO THIS TO THANK YOU. ME? 449 00:28:02,947 --> 00:28:07,485 I DIDN'T DO THIS, I GOT >> WHAT? HACKED. 450 00:28:07,552 --> 00:28:12,524 BABY, COME ON, I WOULD NEVER DO THIS. 451 00:28:12,590 --> 00:28:20,365 I LOVE YOU. >> James: SO GOOD. 452 00:28:20,432 --> 00:28:22,834 MORE WITH THESE TWO WHEN WE STICK AROUND. COME 453 00:28:22,901 --> 00:28:23,535 BACK. 454 00:28:30,608 --> 00:28:32,110 THANK YOU, UH 455 00:28:32,177 --> 00:28:36,214 FOR REMINDING ME OF THE UNTIMELY PASSING OF MY WIFE. 456 00:28:36,281 --> 00:28:42,120 IT DOESN'T HURT TO HEAR ALL >> LET'S NOT BE HASTY. THE 457 00:28:42,187 --> 00:28:46,291 DETAILS. I HAVE WATCHED YOU GENTLEMEN 458 00:28:46,357 --> 00:28:52,997 SQUANDER ONE OPPORTUNITY AFTER ANOTHER THAT COULD HAVE LEAD TO 459 00:28:53,064 --> 00:28:57,335 MORE PROSPERITY, IT IS THE PUBLIC MOURNING OF ONE OF OUR 460 00:28:57,402 --> 00:29:07,045 PEERS IS AN OPPORTUNITY WE CANNOT WASTE. 461 00:29:07,112 --> 00:29:08,146 >> James: THAT WAS A CLIP FROM "THE HANDMAID'S TALE!" 462 00:29:08,213 --> 00:29:09,848 THE FIRST TWO EPISODES OF SEASON FIVE PREMIERES THIS 463 00:29:09,914 --> 00:29:16,421 WEDNESDAY, WITH NEW EPISODES EVERY WEEK, ONLY ON HULU. 464 00:29:16,488 --> 00:29:18,756 CONGRATULATIONS ON THIS NEW SEASON, WHAT'S HAPPENING, WHAT 465 00:29:18,823 --> 00:29:21,960 IS IN STORE FOR US. >> OH, GOOD TIMES. 466 00:29:22,026 --> 00:29:29,400 >> James: YEAH. >> YEAH, LISTEN, I LOVE THE 467 00:29:29,467 --> 00:29:30,568 SHOW. I LOVE THE CAST. 468 00:29:30,635 --> 00:29:36,141 YOU KNOW MAX, YVONNE, LIZZIE, ANNE, IT IS AN EXTRAORDINARY 469 00:29:36,207 --> 00:29:39,410 CAST, IT IS A STORY WE REALLY CARE ABOUT. 470 00:29:39,477 --> 00:29:41,713 AND IT IS ODDLY FUN TO MAKE. >> James: BOTH OF YOU HAVE 471 00:29:41,779 --> 00:29:45,216 SOMETHING IN COMMON. YOU BOTH WENT TO ACTING SCHOOL 472 00:29:45,283 --> 00:29:47,685 IN NEW YORK. CAMILA YOU WENT TO NYU TISCH. 473 00:29:47,752 --> 00:29:49,621 >> UH-HUH. >> James: HAD YOU DONE THAT 474 00:29:49,687 --> 00:29:54,025 SORT OF ACTING CLASS BEFORE, WHEN YOU GOT THERE, WAS IT 475 00:29:54,092 --> 00:29:55,860 EVERYTHING YOU THOUGHT IT WOULD BE? 476 00:29:55,927 --> 00:29:59,531 >> YEAH. I MEAN IT'S ACTING SCHOOL, YOU 477 00:29:59,597 --> 00:30:02,600 KNOW, AND NYU PLACES YOU IN DIFFERENT STUDIOS SO EACH STUDIO 478 00:30:02,667 --> 00:30:07,872 HAS THEIR OWN APPROACH, I WAS IN PLAYWRIGHT HORIZON WHICH IS A 479 00:30:07,939 --> 00:30:11,809 LITTLE MORE A VANTDE GUARD AND THEIR IDEA WAS TO CREATE 480 00:30:11,876 --> 00:30:14,012 WELL-ROUNDED ARTISTS. AND SO WE HAD THIS ONE TEACHER 481 00:30:14,078 --> 00:30:18,016 WHO CREATED HER OWN TECHNIQUE. I DON'T REMEMBER WHAT IT WAS 482 00:30:18,082 --> 00:30:22,020 CALLED BUT I JUST REMEMBER THERE WERE LIKE SEVEN STAGES OF 483 00:30:22,086 --> 00:30:25,323 CONSCIOUSNESS OR EXISTENCE. AND THE FIRST ONE WAS PRIMAL. 484 00:30:25,390 --> 00:30:28,760 THAT WAS WHAT, THE STAGE WAS CALLED. 485 00:30:28,826 --> 00:30:33,097 SCHOOL, WE ALL SAT IN CIRCLE, AND ON THE FIRST DAY OF ALL THE 486 00:30:33,164 --> 00:30:36,100 ACT ARES AND SHE WAS LIKE ALL RIGHT, I WILL GO FIRST. 487 00:30:36,167 --> 00:30:40,905 HEADING TOWARD ME LIKE A SLUG AND THEN SHE JUST STARTED ON 488 00:30:40,972 --> 00:30:46,044 THE FLOOR. AND SHE WAS LIKE-- I AM AND 489 00:30:46,110 --> 00:30:49,914 MOVED TOWARD ME AND THE IDEA WAS THAT I WAS SUPPOSED TO AS SHE IS 490 00:30:49,981 --> 00:30:54,018 SUPPOSED TO TAKE OVER AND GO ARRIVING TOWARD ME I AM TO THE 491 00:30:54,085 --> 00:30:56,321 CIRCLE TO SOMEBODY ELSE AND BY THE IND OF IT THE ENTIRE CLASS, 492 00:30:56,387 --> 00:30:59,090 WE WERE ALL JUST SLUGS ON THE FLOOR. 493 00:30:59,157 --> 00:31:02,961 AND I JUST REMEMBER HAVING A MOMENT WHEN I WENT HOME THAT DAY 494 00:31:03,027 --> 00:31:08,466 WOULD SAY IF HE SAW THAT THIS LIKE I WONDER WHAT MY DAD WAS MY 495 00:31:08,533 --> 00:31:11,502 COLLEGE EDUCATION. >> James: YOU WENT TO 496 00:31:11,569 --> 00:31:14,672 JULLIARD, A VERY, VERY PRESTIGIOUS SCHOOL, WERE YOUR 497 00:31:14,739 --> 00:31:18,009 PERFORMANCES, WERE THEY OPEN TO THE PUBLIC? 498 00:31:18,076 --> 00:31:22,013 >> INITIALLY THANK GOD NO. BUT BY THE END YOU ACTUALLY 499 00:31:22,080 --> 00:31:26,818 WOULD GO, YOU WOULD TAKE PLAYS AT THAT POINT AND TOUR THEM LIKE 500 00:31:26,884 --> 00:31:29,120 IN HIGH SCHOOLS. >> James: RIGHT. 501 00:31:29,187 --> 00:31:34,025 >> AND THE HIGH SCHOOLS DIDN'T ALWAYS-- LIKE WEREN'T REALLY, 502 00:31:34,092 --> 00:31:42,033 LIKE, INTERESTED IN IANESCO'S RHINOCEROS PRODUCTION, SO THEY 503 00:31:42,100 --> 00:31:44,736 AND YOU WOULD GET SORT OF WOULD BE TOUGH. PELTED 504 00:31:44,802 --> 00:31:47,438 WITH STUFF. BUT YOU ALWAYS WAITED FOR THE 505 00:31:47,505 --> 00:31:50,174 AFTER PLAY DISCUSSION. AND THEY WOULD LET ME SORT OF 506 00:31:50,241 --> 00:31:57,615 RUN IT BECAUSE I WAS KIND OF LIKE WORKED THE CROWD AND MAKE 507 00:31:57,682 --> 00:31:59,617 AND I WAS MAKING A LOT OF JOKES. JOKES. 508 00:31:59,684 --> 00:32:03,721 IT WAS THE LAST PERFORMANCE AND THEY WERE LAUGHING. AND 509 00:32:03,788 --> 00:32:05,790 THERE WAS THIS GUY IN THE BACK LIKE THIS. 510 00:32:05,857 --> 00:32:10,695 AD I SAID YEAH, YEAH, I WILL GET YOU, JUST A FEW MORE 511 00:32:10,762 --> 00:32:12,697 QUESTIONS AND I WILL GET YOU. FINALLY I MAKE A JOKE, EVERYBODY 512 00:32:12,764 --> 00:32:15,199 LAUGHS AND THEN I GO YEAH, YEAH, YOU HAD A QUESTION. 513 00:32:15,266 --> 00:32:20,505 NOW THIS IS THE MOMENT IN MY LIFE WHERE ACTORS ARE VEIN, I 514 00:32:20,571 --> 00:32:24,409 AND THIS IS, THERE WAS A THINK YOU KNOW. LITTLE 515 00:32:24,475 --> 00:32:28,780 BIT OF A RETREAT ON THE HAIRLINE, NOT A FULL SURRENDER 516 00:32:28,846 --> 00:32:34,786 BUT LIKE THE FIRST, YOU KNOW, THE INTRODUCTION OF SIDE BURNS 517 00:32:34,852 --> 00:32:36,587 UP HERE. AND I WAS A LITTLE NEUROTIC 518 00:32:36,654 --> 00:32:40,858 BACK, I GO YEAH, MAN WHAT IS ABOUT T AND THE GUY IN THE YOUR 519 00:32:40,925 --> 00:32:43,661 QUESTION. AND HE GOES WHAT'S THE MATTER 520 00:32:43,728 --> 00:32:46,898 WITH YOUR HEAD, DID YOU SHAVE IT OR ARE YOU GOING BALD. 521 00:32:46,964 --> 00:32:52,937 THAT SCENE IN THE ROSE LIKE I WAS LIKE, AND IT WAS LIKE THE SLOW 522 00:32:53,004 --> 00:32:56,974 MOTION WHERE SHE COLLAPSES AND THE MIC LIKE BOUNCES T WAS 523 00:32:57,041 --> 00:33:00,845 DEVASTATING TO ME. FOUND OUT ONE OF MY CLASSMATES 524 00:33:00,912 --> 00:33:03,514 PAID THE GUY. >> OH MY GOD. 525 00:33:03,581 --> 00:33:09,420 >> AND TO GET HIM BACK I THINK THEY'RE STILL IN COFFEE SHOPS, 526 00:33:09,487 --> 00:33:14,158 PUT UP IN CLEANERS AND COFFEE HIS 8X10 WHICH I SIGNED AND SHOPS 527 00:33:14,225 --> 00:33:17,462 ALL OVER MANHATTAN THAT SAYS FANS LIKE YOU THAT MAKE STARS 528 00:33:17,528 --> 00:33:20,732 LIKE ME. >> James: WE'LL BE RIGHT BACK. 529 00:33:35,747 --> 00:33:37,648 >> James: WELCOME BACK! REGGIE, DO YOU HAVE A QUESTION 530 00:33:37,715 --> 00:33:40,585 FOR ANY OF OUR GUESTS THIS EVENING? 531 00:33:40,651 --> 00:33:44,021 >> Reggie: YES, I DO. TONIGHT'S QUESTION GOES TO... 532 00:33:44,088 --> 00:33:46,524 OUR GETIONS THAT WE HAVE SPECIFICALLY INVITED ON THE SHOW 533 00:33:46,591 --> 00:33:49,460 CURRENTLY SEATED RIGHT HERE'S AND OR CONCURRENTLY AND SO 534 00:33:49,527 --> 00:33:54,399 I HAVE A TRAJECTORY SO THAT CONFIRMS THEM OPTICALLY TO MY 535 00:33:54,465 --> 00:33:56,501 SENSES. >> WE'RE ALL AT THE MERCY OF 536 00:33:56,567 --> 00:33:59,003 GRAVITY NOW. >> Reggie: HERE'S THE 537 00:33:59,070 --> 00:34:04,609 QUESTION. AND YOU CAN RESPOND HOWEVER 538 00:34:04,675 --> 00:34:09,447 HOWEVER YOU FEEL. LIKE WHEN YOU'RE-- YEAH, LIKE, 539 00:34:09,514 --> 00:34:16,587 OKAY, LIKE EARLY MORNING, YOU KNOW, ARE YOU EVER LIKE OH 540 00:34:16,654 --> 00:34:23,861 >> LIKE, I WOULD SAY LIKE [BLEEP]. EVERY 541 00:34:23,928 --> 00:34:24,762 DAY. YOU? 542 00:34:24,829 --> 00:34:30,868 >> NOT UNTIL THIS MOMENT. IS THAT CORRECT? 543 00:34:30,935 --> 00:34:34,739 >> Reggie: I TRIED TO STUMP YOU BUT I JUST CAN'T DO T YOU 544 00:34:34,806 --> 00:34:36,407 GUYS ARE CORRECT. THAT'S ABSOLUTELY CORRECT! 545 00:34:36,474 --> 00:34:38,643 PLEASE THANK OUR INCREDIBLE GUESTS, CAMILA MENDES AND 546 00:34:38,709 --> 00:34:40,478 BRADLEY WHITFORD! STICK AROUND. 547 00:34:40,545 --> 00:34:42,713 FA TAI VERDES IS HERE WHEN WE COME BACK. 548 00:34:58,396 --> 00:35:01,199 >> James: WELCOME BACK. HIS SOPHOMORE ALBUM, "HDTV," 549 00:35:01,265 --> 00:35:03,034 HERE PERFORMING "TWO SUGARS" OUT THIS FRIDAY. FOR 550 00:35:03,100 --> 00:35:14,011 THE FIRST TIME ON TELEVISION, PLEASE WELCOME TAI VERDES! 551 00:35:14,078 --> 00:35:18,249 I FEEL LIKE I'M IN MALIBU REARVIEW MIRROR 552 00:35:18,316 --> 00:35:20,384 POINTED RIGHT AT YOU CLEANSE MY PALETTE 553 00:35:20,451 --> 00:35:23,855 ON THE P.C.H. HIDE THAT SMILE 554 00:35:23,921 --> 00:35:26,457 PEAKING OUT YOUR FACE UH 555 00:35:26,524 --> 00:35:28,659 I'M ROSY IN THE CHEEKS I LOVE THE SUMMER SLEEP 556 00:35:28,726 --> 00:35:32,163 IN A FIVE-STAR SUITE HOT LIKE GREASE 557 00:35:32,230 --> 00:35:35,933 UP IN THE KITCHEN MIX IT UP WITH YOU AND ME 558 00:35:36,000 --> 00:35:39,637 WHEN YOU NEED A CUP OF SWEAT WHEELS HIT THE CONCRETE TEA 559 00:35:39,704 --> 00:35:42,807 I GOT TWO SUGARS CAN'T STOP THINKING ABOUT 560 00:35:42,874 --> 00:35:44,408 YOU, SUGAR ON MY MIND AND IT 561 00:35:44,475 --> 00:35:48,412 HURTS SO BAD I'M HAPPY THAT YOU GOT 562 00:35:48,479 --> 00:35:52,183 THE LAST LAUGH HA-HA-HA-HA 563 00:35:52,250 --> 00:35:55,419 I GOT TWO SUGARS DON'T CARE MUCH 'BOUT MY 564 00:35:55,486 --> 00:35:56,654 VIEWS, SUGAR CALLED YOU UP WHILE THE 565 00:35:56,721 --> 00:36:00,391 MOON WAS HIGH WHY CAN'T WE JUST GO BACK TO 566 00:36:00,458 --> 00:36:04,395 LAST NIGHT I, I, I, I 567 00:36:04,462 --> 00:36:16,374 I GOT TWO SUGAR I GOT TWO SUGAR 568 00:36:16,440 --> 00:36:18,776 AND THAT'S YOU SUGAR GUESS I'M LEAVING MALIBU 569 00:36:18,843 --> 00:36:20,811 CAN'T STAY HERE CAUSE I JUST THINK OF YOU 570 00:36:20,878 --> 00:36:24,382 I GOT QUESTIONS FROM MY P.O.V. 571 00:36:24,448 --> 00:36:28,386 WHY CAN'T YOU JUST BE IN LOVE WITH ME 572 00:36:28,452 --> 00:36:30,421 BUT INSTEAD, YOU GOT ME CRANKING OUT AN OVEN 573 00:36:30,488 --> 00:36:32,390 TALK A LITTLE SOMETHING THAT THE SUMMER SUN 574 00:36:32,456 --> 00:36:35,526 STRIP YOU DOWN SEPIA TONES IN MY 575 00:36:35,593 --> 00:36:38,462 DAYDREAMS FLYING AROUND GOT SOME NEW WINGS (BLEEP) 576 00:36:38,529 --> 00:36:42,433 I'M NEVER TOUCHING THE GROUND I GOT TWO SUGARS 577 00:36:42,500 --> 00:36:44,368 CAN'T STOP THINKING ABOUT YOU, SUGAR 578 00:36:44,435 --> 00:36:48,272 ON MY MIND AND IT HURTS SO BAD 579 00:36:48,339 --> 00:36:52,376 I'M HAPPY THAT YOU'VE GOT THE LAST LAUGH 580 00:36:52,443 --> 00:36:55,313 HA-HA-HA-HA I GOT TWO SUGARS 581 00:36:55,379 --> 00:36:58,883 DON'T CARE MUCH ABOUT MY VIEWS, SUGAR 582 00:36:58,950 --> 00:37:01,619 CALLED YOU UP WHILE THE MOON WAS HIGH 583 00:37:01,686 --> 00:37:08,392 WHY CAN'T WE JUST GO BACK TO LAST NIGHT 584 00:37:08,459 --> 00:37:18,536 I, I, I, I ♪ 585 00:37:18,603 --> 00:37:26,444 I GOT TWO SUGARS OH YEAH 586 00:37:26,510 --> 00:37:33,484 SNOATS. WHY DON'T YOU TAKE-TAKE-TAKE 587 00:37:33,551 --> 00:37:36,354 WHAT YOU NEED-NEED-NEED FROM ME 588 00:37:36,420 --> 00:37:38,689 NO I WON'T CHARGE NO FEE 589 00:37:38,756 --> 00:37:42,693 YOU CAN GET THIS (BLEEP) FOR FREE 590 00:37:42,760 --> 00:37:44,462 YEAH WHY DON'T YOU TAKE MY HAND 591 00:37:44,528 --> 00:37:48,399 CAUSE I'M CRAVING SOMETHING SWEET 592 00:37:48,466 --> 00:37:50,768 UH-HUH WHY DON'T YOU TAKE-TAKE-TAKE 593 00:37:50,835 --> 00:37:52,403 WHAT YOU NEED-NEED-NEED FROM ME 594 00:37:52,470 --> 00:37:57,475 I, I, I, I I GOT TWO SUGARS 595 00:37:57,541 --> 00:38:00,378 CAN'T STOP THINKING ABOUT YOU, SUGAR 596 00:38:00,444 --> 00:38:03,514 ON MY MIND AND IT HURTS SO BAD 597 00:38:03,581 --> 00:38:07,585 I'M HAPPY THAT YOU'VE GOT THE LAST LAUGH 598 00:38:07,652 --> 00:38:10,454 HA-HA-HA-HA I GOT TWO SUGARS 599 00:38:10,521 --> 00:38:12,390 DON'T CARE MUCH ABOUT MY VIEWS, SUGAR 600 00:38:12,456 --> 00:38:15,259 CALLED YOU UP WHILE THE MOON WAS HIGH 601 00:38:15,326 --> 00:38:25,036 WHY CAN'T WE JUST GO BACK TO LAST NIGHT 602 00:38:25,102 --> 00:38:27,638 LADIES AND GENTLEMEN, TAI VERDES, EVERYBODY. 603 00:38:27,705 --> 00:38:30,508 THAT WAS GREAT. "HDTV" IS OUT FRIDAY. 604 00:38:30,574 --> 00:38:31,842 COME ON BACK! 605 00:38:44,088 --> 00:38:45,423 >> James: THANK YOU SO MUCH FOR WATCHING. 606 00:38:45,489 --> 00:38:48,392 TOMORROW NIGHT, WE'LL BE JOINED BY ADRIEN BRODY AND LOUIS 607 00:38:48,459 --> 00:38:50,795 TOMLINSON. WE HOPE YOU'LL JOIN US, TOO. 608 00:38:50,861 --> 00:38:52,129 REGGIE, TAKE US HOME.