1 00:00:02,001 --> 00:00:06,940 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:07,006 --> 00:00:09,609 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY 3 00:00:09,676 --> 00:00:14,948 ♪ WHERE IT IS YOU COME FROM IT'LL BE ALL RIGHT 4 00:00:15,014 --> 00:00:17,484 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: LADIES AND 5 00:00:17,550 --> 00:00:21,821 GENTLEMEN, ALL THE WAY FROM... 6 00:00:21,888 --> 00:00:26,292 [GIBBERISH] GIVE IT UP FOR YOUR HOST, THE 7 00:00:26,359 --> 00:00:32,732 GHOST WITH THE MOST, JAMES CORDEN! 8 00:00:34,634 --> 00:00:41,641 [CHEERS AND APPLAUSE] >> James: HI! 9 00:00:41,708 --> 00:00:42,142 HOW AR YOU? 10 00:00:42,208 --> 00:00:42,575 THANK YOU VERY MUCH! 11 00:00:42,642 --> 00:00:43,009 I APPRECIATE IT! 12 00:00:43,076 --> 00:00:43,777 THANK YOU! 13 00:00:43,843 --> 00:00:44,577 BLESS YOU, EVERYBODY! 14 00:00:44,644 --> 00:00:45,478 THANK YOU SO MUCH! 15 00:00:45,545 --> 00:00:46,646 ♪ ♪ ♪ HELLO, GOOD EVENING, AND WELCOME 16 00:00:46,713 --> 00:00:48,381 TO "THE LATE LATE SHOW!" THANKS FOR STOPPING BY. 17 00:00:48,448 --> 00:00:54,988 WE APPRECIATE YOU BEING HERE. 18 00:00:55,054 --> 00:00:57,157 LET'S TAKE A LOOK AND SEE WHO THE GUESTS ARE ON THE SHOW 19 00:00:57,223 --> 00:00:58,391 TONIGHT. 20 00:00:58,458 --> 00:01:05,165 AT JUST 18, SHE IS ONE OF THE MOST POPULAR CREATORS IN SOCIAL 21 00:01:05,231 --> 00:01:08,935 MEDIA HISTORY WITH OVER 11 BILLION LIKES ON TIKTOK. 22 00:01:09,002 --> 00:01:10,136 SHE'S ON THE NEW SEASON OF "DANCING WITH THE STARS," AND 23 00:01:10,203 --> 00:01:11,204 THE SECOND SEASON OF "THE D'AMELIO SHOW" PREMIERES 24 00:01:11,271 --> 00:01:13,940 TOMORROW ON HULU! 25 00:01:14,007 --> 00:01:14,908 THE INCREDIBLE CHARLI D'AMELIO IS HERE TONIGHT! 26 00:01:14,974 --> 00:01:20,213 [CHEERS AND APPLAUSE] CHARLI, HOW ARE YOU? 27 00:01:20,280 --> 00:01:22,715 >> I'M GOOD, HOW ARE YOU? 28 00:01:22,782 --> 00:01:23,950 >> James: I'M VERY WELL. 29 00:01:24,017 --> 00:01:25,518 >> GOING GREAT. 30 00:01:25,585 --> 00:01:27,454 >> James: HAVE YOU BEEN IN REHEARSALS TODAY? 31 00:01:27,520 --> 00:01:29,456 >> I GO TO REHEARSAL RIGHT AFTER THIS. 32 00:01:29,522 --> 00:01:31,524 >> James: YOU GO RIGHT AFTER THIS TO REHEARSAL. 33 00:01:31,591 --> 00:01:32,959 WHAT ARE WE DANCING THIS WEEK? 34 00:01:33,026 --> 00:01:35,662 ARE YOU ALLOWED TO TELL ME? 35 00:01:35,728 --> 00:01:36,296 >> James: YES, I'M DANCING A -- 36 00:01:36,362 --> 00:01:37,664 >> YES, I'M DANCING A RUMBA. 37 00:01:37,730 --> 00:01:38,531 >> James: IS IT LIKE THIS ONE? 38 00:01:38,598 --> 00:01:43,970 >> IT'S LIKE A CHA-CHA BUT SLOW. 39 00:01:44,037 --> 00:01:45,104 LOTS OF HIPS. 40 00:01:45,171 --> 00:01:49,976 ALL THE THINGS. 41 00:01:50,043 --> 00:01:52,745 >> James: MADE FOR IT MADE FOR IT. 42 00:01:52,812 --> 00:01:53,379 BLESS YOU FOR BEING HERE. 43 00:01:53,446 --> 00:01:55,782 CHARLI D'AMELIO, EVERYBODY. 44 00:01:55,849 --> 00:01:58,985 AND HE IS A HANDSOME STAR YOU KNOW FROM "BROTHERS AND 45 00:01:59,052 --> 00:02:04,924 SISTERS," "KINSEY," AND HIS NEW FILM "BROS," WHICH IS OUT 46 00:02:04,991 --> 00:02:06,092 THE DASHING, THE TALENTED, LUKE MACFARLANE IS ON THE SHOW 47 00:02:06,159 --> 00:02:06,860 TONIGHT! 48 00:02:06,926 --> 00:02:09,729 [CHEERS AND APPLAUSE] HOW ARE YOU? 49 00:02:09,796 --> 00:02:11,164 >> I'M GOOD. 50 00:02:11,231 --> 00:02:16,536 HOW NICE TO SEE YOU. 51 00:02:16,603 --> 00:02:17,804 >> James: WE'RE THRILLED YOU'RE HERE. 52 00:02:17,871 --> 00:02:21,708 I HOPE WE'RE MORE THRILLED FOR YOUR GUESTS ON THE SOFA WHO 53 00:02:21,774 --> 00:02:23,676 NEVER LOOKED LESS BOTHERED. 54 00:02:23,743 --> 00:02:25,545 >> THEY DROVE ME HERE. 55 00:02:25,612 --> 00:02:27,480 >> James: STEP TO YOUR RIGHT, LUKE. 56 00:02:27,547 --> 00:02:28,715 WHO'S THIS TO YOUR SHOULDER? 57 00:02:28,781 --> 00:02:29,582 >> THIS IS JEFF. 58 00:02:29,649 --> 00:02:30,950 >> James: HEY, JEFF. 59 00:02:31,017 --> 00:02:34,220 HOW ARE YOU DOING? 60 00:02:34,287 --> 00:02:39,025 >> HOW'S IT GOING, JAMES? 61 00:02:39,092 --> 00:02:41,494 >> THIS IS GABE. 62 00:02:41,561 --> 00:02:44,964 >> James: YEAH, WELL -- I MEAN, YEAH. 63 00:02:45,031 --> 00:02:47,967 WANT ME TO GET YOU A DRINK OR ANYTHING? 64 00:02:48,034 --> 00:02:49,035 LUKE MACFARLANE, EVERYBODY! 65 00:02:49,102 --> 00:02:49,836 [CHEERS AND APPLAUSE] AND SHE IS A GRAMMY-NOMINATED 66 00:02:49,903 --> 00:02:54,974 AND PLATINUM-SELLING COUNTRY ARTIST. 67 00:02:55,041 --> 00:02:57,010 HER FOURTH STUDIO ALBUM "SUBJECT TO CHANGE" IS OUT NOW! 68 00:02:57,076 --> 00:02:58,545 THE DAZZLING, THE LOVELY, KELSEA BALLERINI IS HERE TONIGHT! 69 00:02:58,611 --> 00:03:03,583 [CHEERS AND APPLAUSE] KELSEY! 70 00:03:03,650 --> 00:03:04,150 HOW ARE YOU. 71 00:03:04,217 --> 00:03:05,885 >> HI, JAMES. 72 00:03:05,952 --> 00:03:06,753 >> James: HOW ARE YOU DOING? 73 00:03:06,819 --> 00:03:07,554 >> I'M GOOD. 74 00:03:07,620 --> 00:03:10,924 I'M READY TO BRING YEE-HAW TONIGHT. 75 00:03:10,990 --> 00:03:16,396 >> "LOVE IS A COWBOY!" >> James: I'M SO EXCITED. 76 00:03:16,462 --> 00:03:18,565 BLESS YOU FOR BEING HERE. 77 00:03:18,631 --> 00:03:19,499 KELSEA BALLERINI, EVERYBODY! 78 00:03:19,566 --> 00:03:23,436 [CHEERS AND APPLAUSE] REGGIE, ARE YOU READY? 79 00:03:23,503 --> 00:03:25,939 >> Reggie: YES. 80 00:03:26,005 --> 00:03:26,906 THIS IS "THE LATE LATE SHOW!" ROLL THE TITLES! 81 00:03:26,973 --> 00:03:28,975 COME ON! 82 00:03:37,016 --> 00:03:38,051 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 83 00:03:38,117 --> 00:03:39,185 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 84 00:03:39,252 --> 00:03:39,886 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 85 00:03:39,953 --> 00:03:40,687 ♪ IT'S THE LATE, LATE SHOW ♪ 86 00:03:49,028 --> 00:03:49,696 >> James: THANKS FOR BEING HERE. 87 00:03:49,762 --> 00:03:51,831 THANKS FOR COMING OUT, EVERYBODY. 88 00:03:51,898 --> 00:03:54,701 CHARLI D'AMELIO IS ON THE SHOW TODAY. 89 00:03:54,767 --> 00:03:58,204 SHE HAS 11 BILLION LIKES ON TIKTOK. 90 00:03:58,271 --> 00:03:59,305 YEAH. 91 00:03:59,372 --> 00:04:04,877 ONE OF THE MOST SUCCESSFUL TIKTOK ACCOUNTS OF ALL TIME. 92 00:04:04,944 --> 00:04:09,248 KARMS, YOU BLOWING UP ON TIKTOK RIGHT NOW? 93 00:04:09,315 --> 00:04:14,053 >> Reggie: I DON'T WANT TO GIVE ALL OF MY INFORMATION TO 94 00:04:14,120 --> 00:04:15,254 THE CHINESE GOVERNMENT. 95 00:04:15,321 --> 00:04:18,491 >> James: WHEN YOU PUT IT LIKE THAT, THAT'S VERY VALID. 96 00:04:18,558 --> 00:04:19,158 >> I WOULD! 97 00:04:19,225 --> 00:04:20,760 >> James: YOU WANT TO BLOW UP? 98 00:04:20,827 --> 00:04:22,829 >> I WOULD LOVE TO BLOW UP. 99 00:04:22,895 --> 00:04:24,297 >> James: HOW CAN WE BLOW UP? 100 00:04:24,364 --> 00:04:25,798 >> I HAVE AN ACCOUNT. 101 00:04:25,865 --> 00:04:27,100 I'VE NEVER POSTED. 102 00:04:27,166 --> 00:04:29,636 >> James: THAT WOULD PROBABLY BE THE FIRST THING SHOULD YOU DO 103 00:04:29,702 --> 00:04:32,105 IF YOU WANT TO BLOW UP. 104 00:04:32,171 --> 00:04:33,039 >> YEAH. 105 00:04:33,106 --> 00:04:33,640 >> James: YOU WANT TO BLOW UP? 106 00:04:33,706 --> 00:04:37,076 >> HOLD ON. 107 00:04:37,143 --> 00:04:39,579 >> James: ROB, HOW CAN WE BLOW UP? 108 00:04:39,646 --> 00:04:41,981 >> FAKE A BIGFOOT SIGHTING? 109 00:04:42,048 --> 00:04:45,351 USE THE SCHOOL'S PRODUCTION TO MAKE A VERY REALISTIC BIGFOOT, 110 00:04:45,418 --> 00:04:49,956 BUT HE'S LIKE -- A BIGFOOT BLOW UP. 111 00:04:50,023 --> 00:04:50,757 >> James: BFBU. 112 00:04:50,823 --> 00:04:52,725 >> BFBU. 113 00:04:52,792 --> 00:04:54,727 >> James: I'M REALLY FOCUSED. 114 00:04:54,794 --> 00:04:58,564 I'M NOT FOCUSED ON THE CONTENT OR ANYTHING BUT MY MAIN FOCUS IS 115 00:04:58,631 --> 00:05:00,199 BLOWING UP. 116 00:05:00,266 --> 00:05:04,303 >> IT'S BIGFOOT LEAVING AN APPLEBEE'S AND HE'S GOT FOOD 117 00:05:04,370 --> 00:05:06,339 POISONING. 118 00:05:06,406 --> 00:05:12,812 [LAUGHTER] HE'S LIKE, HE DOESN'T BARF ON 119 00:05:12,879 --> 00:05:19,018 CAMERA BUT YOU CAN TELL RIGHT OFF CAMERA HE JUST -- REALLY, 120 00:05:19,085 --> 00:05:20,353 LIKE. 121 00:05:20,420 --> 00:05:20,787 >> James: BLOWS UP. 122 00:05:20,853 --> 00:05:24,023 >> HE BLOWS UP. 123 00:05:24,090 --> 00:05:26,125 IT'S BIGFOOT -- >> James: I THINK IF THEY'RE 124 00:05:26,192 --> 00:05:28,661 ALL BIGFOOT IDEAS, IT'S GOING TO BE DIFFICULT TO BLOW UP. 125 00:05:28,728 --> 00:05:33,700 >> IT'S -- OK, IT'S COCHELLA AND BIGFOOT IS IN THE -- 126 00:05:33,766 --> 00:05:34,200 >> James: NO. 127 00:05:34,267 --> 00:05:35,001 NO. 128 00:05:35,068 --> 00:05:37,637 I -- MAYBE I DON'T NEED TO BLOW UP. 129 00:05:37,704 --> 00:05:41,007 >> YOU SHOULD BLOW UP. 130 00:05:41,074 --> 00:05:44,944 >> James: I THINK THERE'S A POINT -- I THINK I'M AT THE 131 00:05:45,011 --> 00:05:49,515 POINT IN LIFE AGE-WISE WHERE IT'S EMBARRASSING TO BLOW UP ON 132 00:05:49,582 --> 00:05:50,616 TIKTOK. 133 00:05:50,683 --> 00:05:53,753 I THINK IT'S EITHER YOUNGINS OR LIKE ANTHONY HOPKINS. 134 00:05:53,820 --> 00:05:54,754 YOU KNOW? 135 00:05:54,821 --> 00:06:00,760 WHEN -- YOU KNOW LIKE DAME JUDI DENCH. 136 00:06:00,827 --> 00:06:02,128 LIKE, YOU KNOW WHAT I MEAN? 137 00:06:02,195 --> 00:06:05,631 LIKE THERE'S A MIDDLE GROUND WHERE IT'S LIKE, YEAH, DUDE, 138 00:06:05,698 --> 00:06:06,432 DON'T DO THAT. 139 00:06:06,499 --> 00:06:10,770 >> LET ME PITCH YOU A TIKTOK THOUGH. 140 00:06:10,837 --> 00:06:13,039 >> James: HERE WE GO. 141 00:06:13,106 --> 00:06:13,339 BIGFOOT? 142 00:06:13,406 --> 00:06:13,606 >> YEAH. 143 00:06:13,673 --> 00:06:14,040 YEAH. 144 00:06:14,107 --> 00:06:15,007 IT WAS -- YEAH. 145 00:06:15,074 --> 00:06:18,144 >> James: IT WAS ME ALL ALONG. 146 00:06:18,211 --> 00:06:23,382 >> BIGFOOT WALKS OUT OF AN APPLEBEE'S AND HAS FOOD 147 00:06:23,449 --> 00:06:24,550 POISONING. 148 00:06:24,617 --> 00:06:27,854 >> James: TWO THINGS ALREADY THAT WILL MAKE IT NOT BLOW UP. 149 00:06:27,920 --> 00:06:28,621 >> LOOKS SICK. 150 00:06:28,688 --> 00:06:31,124 TAKES OFF THE HEAD, JAMES CORDEN. 151 00:06:31,190 --> 00:06:34,794 >> James: THIS GUY WENT -- THIS GUY WENT... OH! 152 00:06:34,861 --> 00:06:36,429 >> HOW OLD ARE YOU? 153 00:06:36,496 --> 00:06:37,330 HOW OLD ARE YOU? 154 00:06:37,396 --> 00:06:41,033 >> ACTUALLY I JUST TURNED 32 YESTERDAY. 155 00:06:41,100 --> 00:06:42,068 >> THAT'S TOO OLD. 156 00:06:42,135 --> 00:06:46,005 ANY YOUNG PEOPLE LIKE THAT IDEA? 157 00:06:46,072 --> 00:06:53,746 >> James: I ALSO LIKE THAT YOU SAID, "HOW OLD ARE YOU?" 158 00:06:53,813 --> 00:06:58,151 AND YOU SAID, "ACTUALLY..." 159 00:06:58,217 --> 00:07:02,321 THAT'S HOW YOU SHOULD START... 160 00:07:02,388 --> 00:07:07,160 "ACTUALLY, YOU'RE NOT GOING TO BELIEVE THIS, I WAS 32... 161 00:07:07,226 --> 00:07:10,496 YESTERDAY!" HOW OLD ARE YOU? 162 00:07:10,563 --> 00:07:11,864 THEY GO, I'LL BE 43 NEXT WEEK. 163 00:07:11,931 --> 00:07:14,367 AND THEN YOU GO, WELL, YOU'RE 4 42. 164 00:07:14,433 --> 00:07:15,968 JUST ANSWER THE [BLEEP] QUESTION. 165 00:07:16,035 --> 00:07:18,337 I DON'T NEED -- >> YES! 166 00:07:18,404 --> 00:07:20,907 >> James: I DON'T NEED ADDITIONAL INFORMATION. 167 00:07:20,973 --> 00:07:22,175 >> THANK YOU, JAMES. 168 00:07:22,241 --> 00:07:24,210 >> James: JUST ANSWER THE QUESTION. 169 00:07:24,277 --> 00:07:29,282 MAYBE THAT'S -- MAYBE THAT'S HOW I BLOW UP ON TIKTOK. 170 00:07:29,348 --> 00:07:35,254 I MISS -- MY NAME COULD BE NO BULL [BLEEP] AND I TELL IT LIKE 171 00:07:35,321 --> 00:07:36,322 IT IS. 172 00:07:36,389 --> 00:07:38,424 I'M THE OPPOSITE OF MR. BEAST. 173 00:07:38,491 --> 00:07:39,559 I ROB PEOPLE ON THE STREET. 174 00:07:39,625 --> 00:07:40,359 WHAT ARE YOU DOING NOW? 175 00:07:40,426 --> 00:07:43,229 >> I'M MAKING MY FIRST TIKTOK. 176 00:07:43,296 --> 00:07:46,966 >> James: NO, YOU'RE NOT MAKING YOUR FIRST TIKTOK. 177 00:07:47,033 --> 00:07:48,534 IT'S BLOWING UP. 178 00:07:48,601 --> 00:07:49,135 IT'S ABSOLUTELY BLOWING UP. 179 00:07:49,202 --> 00:07:49,635 >> THIS IS THE FIRST ONE. 180 00:07:49,702 --> 00:07:50,369 IT'S 15 SECONDS. 181 00:07:50,436 --> 00:07:51,804 YOU GOT FIVE LEFT. 182 00:07:51,871 --> 00:07:54,440 DO SOMETHING COOL. 183 00:07:54,507 --> 00:07:58,110 YEAH! 184 00:07:58,177 --> 00:08:02,815 [APPLAUSE] >> James: WE'VE GOT A DUTY, 185 00:08:02,882 --> 00:08:03,249 GUYS. 186 00:08:03,316 --> 00:08:04,350 WE HAVE A DUTY. 187 00:08:04,417 --> 00:08:08,254 THIS CAN'TING BE ALL ABOUT BLOWING -- THIS CAN'T BE ALL 188 00:08:08,321 --> 00:08:10,389 ABOUT BLOWING UP AND STUFF IS HAPPENING IN THE WORLD RIGHT NOW 189 00:08:10,456 --> 00:08:19,699 AND AMERICA NEEDS US TO GIVE THEM THE NEWS. 190 00:08:19,765 --> 00:08:21,167 >> James: ONCE AGAIN, LAWMAKERS ARE FLIRTING WITH A 191 00:08:21,234 --> 00:08:22,368 POTENTIAL GOVERNMENT SHUTDOWN. 192 00:08:22,435 --> 00:08:23,369 IF BOTH SIDES CAN'T AGREE ON A NEW STOPGAP SPENDING BILL, THE 193 00:08:23,436 --> 00:08:24,804 GOVERNMENT WILL SHUT DOWN AT MIDNIGHT ON FRIDAY. 194 00:08:24,871 --> 00:08:29,308 THAT'S HOW YOU KNOW IT'S FALL IN THE UNITED STATES-- WHEN YOU CAN 195 00:08:29,375 --> 00:08:33,279 FEEL THAT FIRST THREAT OF GOVERNMENT SHUTDOWN IN THE AIR. 196 00:08:33,346 --> 00:08:37,683 DID CONGRESS EVER STOP FLIRTING WITH A GOVERNMENT SHUTDOWN? 197 00:08:37,750 --> 00:08:42,755 I FEEL LIKE THIS HAS BEEN THEIR MAIN FLIRT. 198 00:08:42,822 --> 00:08:43,856 "HEY! 199 00:08:43,923 --> 00:08:50,229 GUESS WHAT, I'M THINKING ABOUT... CLOSING A NATIONAL 200 00:08:50,296 --> 00:08:52,632 PARK." 201 00:08:52,698 --> 00:08:55,868 [LAUGHTER] UNTIL HE PULLED HIS PLAN LATE 202 00:08:55,935 --> 00:08:59,605 TODAY, THE BIGGEST HANG-UP HAD BEEN SENATOR JOE MANCHIN WANTING 203 00:08:59,672 --> 00:09:04,577 TO ADD A PIPELINE IN HIS HOME STATE AS PART OF THE BILL. 204 00:09:04,644 --> 00:09:06,178 MANCHIN SEEMS LIKE HE SUGGESTS AN OIL PIPELINE AT EVERY 205 00:09:06,245 --> 00:09:08,180 OPPORTUNITY. 206 00:09:08,247 --> 00:09:10,683 AFTER DINNER, IT'S LIKE "ANYONE UP FOR DESSERT? 207 00:09:10,750 --> 00:09:16,889 ESPRESSO?" "I COULD TAKE AN OIL PIPELINE." 208 00:09:16,956 --> 00:09:20,626 [LAUGHTER] AND, IN FINANCIAL NEWS, THE 209 00:09:20,693 --> 00:09:24,363 BRITISH POUND PLUNGED TO A RECORD LOW THIS WEEK, THE 210 00:09:24,430 --> 00:09:27,199 WEAKEST LEVEL IN HISTORY AGAINST THE DOLLAR. 211 00:09:27,266 --> 00:09:32,371 THE POUND IS SO LOW, IT'S LISTENING TO ADELE ON REPEAT. 212 00:09:32,438 --> 00:09:35,541 [LAUGHTER] THIS IS BIG NEWS FOR ME. 213 00:09:35,608 --> 00:09:39,745 SURE, I'M A TV HOST, BUT FIRST AND FOREMOST, I'M AN ECONOMIST. 214 00:09:39,812 --> 00:09:41,480 [LAUGHTER] THE BRITISH POUND HAS DROPPED TO 215 00:09:41,547 --> 00:09:43,182 A RECORD LOW. 216 00:09:43,249 --> 00:09:46,152 OR, IN TERMS YOU AMERICANS WOULD UNDERSTAND, IT NOW COSTS 217 00:09:46,218 --> 00:09:51,257 LIKE 15 QUID FOR A CHEEKY LITTLE RIBENA AT THE OFF-LICENSE. 218 00:09:51,324 --> 00:09:54,260 BUT I'M LUCKY, NONE OF THIS APPLIES TO ME. 219 00:09:54,327 --> 00:09:56,762 I GET PAID IN "GOLDEN GIRLS" MEMORABILIA. 220 00:09:56,829 --> 00:10:04,537 [LAUGHTER] THIS GUY IS ABSOLUTELY JAZZED! 221 00:10:04,603 --> 00:10:05,104 I LOVE IT. 222 00:10:05,171 --> 00:10:06,839 I LOVE IT! 223 00:10:06,906 --> 00:10:10,109 THE HAND SIGNALS COMING OUT OF THIS DUDE! 224 00:10:10,176 --> 00:10:11,777 >> YOU'RE THE GUY! 225 00:10:11,844 --> 00:10:13,946 >> James: HA! 226 00:10:14,013 --> 00:10:18,184 >> Reggie: THAT'S YOUR NEW TAG LINE. 227 00:10:18,250 --> 00:10:23,322 "YOU'RE THE GUY!" >> James: I FINISHED THE LAST 228 00:10:23,389 --> 00:10:25,791 JOKE AND HE WENT. 229 00:10:25,858 --> 00:10:26,692 >> HE'S GOT A CATCH PHRASE ALREADY. 230 00:10:26,759 --> 00:10:27,893 >> Reggie: HE'S THE "YOU'RE THE GUY" GUY. 231 00:10:27,960 --> 00:10:30,896 >> James: IMAGINE IF A YEAR FROM NOW THE BIGGEST ACCOUNT ON 232 00:10:30,963 --> 00:10:35,668 TIKTOK IS "YOU'RE THE GUY" GUY AND IT'S THIS GUY. 233 00:10:35,735 --> 00:10:40,206 >> I THINK IT'S ERNESTLY BETTER THAN WHAT I DO OVER HERE WHICH I 234 00:10:40,272 --> 00:10:43,843 KNOW IS NOT SAYING MUCH BUT WE JUST SWITCH PLACES AND YOU WERE 235 00:10:43,909 --> 00:10:45,244 LIKE, DON'T YOU THINK SO, IAN? 236 00:10:45,311 --> 00:10:45,811 AND HE'S LIKE. 237 00:10:45,878 --> 00:10:48,180 >> YOU'RE THE GUY! 238 00:10:48,247 --> 00:10:54,820 [APPLAUSE] >> James: AND DID YOU HEAR 239 00:10:54,887 --> 00:10:57,056 ABOUT THIS? 240 00:10:57,123 --> 00:10:58,190 THE CENTER FOR DISEASE CONTROL IS NO LONGER RECOMMENDING 241 00:10:58,257 --> 00:11:00,092 UNIVERSAL MASKING IN HEALTHCARE FACILITIES. 242 00:11:00,159 --> 00:11:03,963 AREN'T YOU GLAD TO HEAR YOU NO LONGER HAVE TO WEAR A MASK IN 243 00:11:04,030 --> 00:11:06,432 HEALTHCARE SETTINGS, COMPLETELY MASKED AUDIENCE AT A TELEVISION 244 00:11:06,499 --> 00:11:08,534 TAPING? 245 00:11:08,601 --> 00:11:16,342 [LAUGHTER] THE CDC FEELS LIKE A PARENT THAT 246 00:11:16,409 --> 00:11:20,246 JUST HAD THEIR THIRD CHILD AND THEY'RE NOW LIKE, "DO WHAT 247 00:11:20,312 --> 00:11:24,417 YOU'RE GOING TO DO, JUST DON'T COME TO ME WHEN YOU GET HURT." 248 00:11:24,483 --> 00:11:26,519 NO MORE MASK REQUIREMENTS AT HEALTHCARE FACILITIES. 249 00:11:26,585 --> 00:11:31,924 SO, TO GET AROUND THE MASK RULES HERE IN OUR STUDIO, WE'RE GOING 250 00:11:31,991 --> 00:11:34,026 TO BE HOSTING AN ENTIRE WEEK OF SHOWS FROM THE TRAUMA UNIT AT 251 00:11:34,093 --> 00:11:36,195 CEDARS SINAI HOSPITAL. 252 00:11:36,262 --> 00:11:40,733 [LAUGHTER] AND, THE ANNUAL LISTING OF THE 253 00:11:40,800 --> 00:11:44,503 "BEST COUNTRIES IN THE WORLD" HAS BEEN RELEASED. 254 00:11:44,570 --> 00:11:49,942 ANY GUESSES AS TO WHICH COUNTRY IS THE BEST? 255 00:11:50,009 --> 00:11:50,543 REG, WHAT DO YOU THINK? 256 00:11:50,609 --> 00:11:51,710 >> Reggie: NEW ZEALAND. 257 00:11:51,777 --> 00:11:55,948 >> James: YOU THINK NEW ZEALAND. 258 00:11:56,015 --> 00:11:56,649 ANY ADVANCE? 259 00:11:56,715 --> 00:11:57,249 GUILLERMO? 260 00:11:57,316 --> 00:11:58,384 >> I WILL AGREE WITH THAT. 261 00:11:58,451 --> 00:12:00,986 >> James: WHAT DO YOU THINK? 262 00:12:01,053 --> 00:12:02,121 >> DENMARK. 263 00:12:02,188 --> 00:12:03,289 >> James: I CAN TELL YOU THE BEST COUNTRY IN THE WORLD IS 264 00:12:03,355 --> 00:12:09,962 SWITZERLAND FOLLOWED BY GERMANY, -- 265 00:12:10,029 --> 00:12:18,637 [AUDIENCE MEMBERS CHEERING] YEAH! 266 00:12:18,704 --> 00:12:21,807 YEAH! 267 00:12:21,874 --> 00:12:22,975 WOW! 268 00:12:23,042 --> 00:12:26,045 IMAGINE IF WE TALKED TO THEM NOW AND THEY'RE NOT EVEN FROM 269 00:12:26,112 --> 00:12:27,012 SWITZERLAND. 270 00:12:27,079 --> 00:12:31,217 THEY JUST LOVE MINI POCKET KNIVES AND TWEEZERS. 271 00:12:31,283 --> 00:12:34,120 I TAKE IT YOU'RE FROM SWITZERLAND? 272 00:12:34,186 --> 00:12:34,620 >> YEAH. 273 00:12:34,687 --> 00:12:35,821 >> James: CONGRATS. 274 00:12:35,888 --> 00:12:38,724 YOU CAN LEAVE HERE AND GO BACK TO THE BEST COUNTRY IN THE WOR 275 00:12:38,791 --> 00:12:39,925 WORLD. 276 00:12:39,992 --> 00:12:41,994 WELL DONE. 277 00:12:42,061 --> 00:12:45,931 THE BEST COUNTRY IN THE WORLD IS SWITZERLAND FOLLOWED BY GERMANY, 278 00:12:45,998 --> 00:12:51,170 CANADA, THE UNITED STATES AND SWEDEN. 279 00:12:51,237 --> 00:12:54,340 THE U.K. CAME IN AT NUMBER EIGHT. 280 00:12:54,406 --> 00:13:04,083 WELL -- I LIKE YOUR -- MM, BUT NUMBER SEVEN IS NORTH KOREA! 281 00:13:04,150 --> 00:13:04,950 >> NO! 282 00:13:05,017 --> 00:13:07,820 NO! 283 00:13:07,887 --> 00:13:12,892 MAYBE? 284 00:13:12,958 --> 00:13:18,164 >> James: IS SWITZERLAND THE BEST COUNTRY OR IS IT LIKE THE 285 00:13:18,230 --> 00:13:23,836 GUY THAT NOBODY HATES BUT NOBODY LOVES? 286 00:13:23,903 --> 00:13:25,738 YOU'VE WORKED WITH HIM FOR TEN YEARS, AND ALL YOU KNOW ABOUT 287 00:13:25,804 --> 00:13:26,939 HIM IS, HE SMELLS NICE. 288 00:13:27,006 --> 00:13:30,276 IF YOU HEARD HE RESCUED A DOG, YOU'D BE LIKE "YEAH." 289 00:13:30,342 --> 00:13:35,481 IF YOU HEARD HE MURDERED HIS FAMILY, YOU'D BE LIKE "YEAH." 290 00:13:35,548 --> 00:13:39,051 [LAUGHTER] WHAT CAN THE U.S. DO, IAN, TO 291 00:13:39,118 --> 00:13:39,752 CLIMB TO NUMBER ONE? 292 00:13:39,818 --> 00:13:40,553 WHAT CAN THEY DO? 293 00:13:40,619 --> 00:13:42,588 >> WE'RE AT NUMBER FOUR RIGHT NOW? 294 00:13:42,655 --> 00:13:43,622 >> James: I THINK THAT'S RIGHT. 295 00:13:43,689 --> 00:13:44,990 NUMBER FOUR, YEAH. 296 00:13:45,057 --> 00:13:46,492 >> NUMBER FOUR? 297 00:13:46,559 --> 00:13:51,797 I THINK THERE'S NO CHOICE BUT TO INVADE GERMANY, CANADA AND 298 00:13:51,864 --> 00:13:52,298 SWITZERLAND. 299 00:13:52,364 --> 00:13:53,065 >> James: GO AT IT? 300 00:13:53,132 --> 00:13:54,200 >> GO AT IT. 301 00:13:54,266 --> 00:13:57,503 WE CAN INVENT A NEW KIND OF MUSIC AND DO WAR. 302 00:13:57,570 --> 00:13:59,438 THOSE TWO ARE THE THINGS WE'RE BEST AT. 303 00:13:59,505 --> 00:14:00,606 >> James: THAT'S IT. 304 00:14:00,673 --> 00:14:04,977 AND HERE IS A STORY FOR YOU, KING CHARLES REVEALED HIS NEW 305 00:14:05,044 --> 00:14:08,013 ROYAL INSIGNIA TODAY. 306 00:14:08,080 --> 00:14:09,848 HERE IT IS HERE! 307 00:14:09,915 --> 00:14:11,116 THOSE ARE THE INITIALS OF HIS NAME AND TITLE, CHARLES AND 308 00:14:11,183 --> 00:14:12,351 "REX," WHICH IS LATIN FOR KING, AND THE ROMAN NUMERAL FOR THREE. 309 00:14:12,418 --> 00:14:18,190 THAT'S THE FIRST MAJOR THING YOU DO AS THE KING OF ENGLAND? 310 00:14:18,257 --> 00:14:19,858 THAT'S WHAT YOU DO? 311 00:14:19,925 --> 00:14:28,434 THAT'S THE FIRST MAJOR THING AS THE KING OF ENGLAND? 312 00:14:28,500 --> 00:14:30,169 GRAPHIC DESIGN? 313 00:14:30,236 --> 00:14:31,337 THAT'S -- THE INSIGNIA WILL APPEAR ON 314 00:14:31,403 --> 00:14:32,338 GOVERNMENT BUILDINGS, STATE DOCUMENTS, ROYAL MAIL, AND, OF 315 00:14:32,404 --> 00:14:35,541 COURSE, ON THE KING'S CUSTOM YEEZYS. 316 00:14:35,608 --> 00:14:38,010 [LAUGHTER] THE REVEAL WAS DELAYED A BIT, 317 00:14:38,077 --> 00:14:39,511 BECAUSE THE FIRST LOGO WAS A LITTLE TOO CLOSE TO BURGER 318 00:14:39,578 --> 00:14:41,580 KING'S. 319 00:14:41,647 --> 00:14:51,890 [LAUGHTER] [APPLAUSE] 320 00:14:51,957 --> 00:15:03,269 AND FINALLY, WE WANTED TO TELL YOU ABOUT THIS, TODAY, D.J. 321 00:15:03,335 --> 00:15:04,903 MARSHMELLO RELEASED A LINE OF PRODUCTS, AIR FRYERS, AVAILABLE 322 00:15:04,970 --> 00:15:06,171 EXCLUSIVELY AT BEST BUY. 323 00:15:06,238 --> 00:15:07,006 AND, THIS IS NICE, WHEN THE AIR FRYER IS DONE COOKING, IT GOES: 324 00:15:07,072 --> 00:15:11,744 [AIRHORN] CAN WE SEE THAT PHOTO AGAIN? 325 00:15:11,810 --> 00:15:13,412 I'M SORRY! 326 00:15:13,479 --> 00:15:13,946 THERE'S NO WAY THAT'S D.J. 327 00:15:14,013 --> 00:15:16,081 MARSHMELLO IN THERE. 328 00:15:16,148 --> 00:15:17,049 >> NO. 329 00:15:17,116 --> 00:15:18,017 NO. 330 00:15:18,083 --> 00:15:20,052 >> James: ARE WE ALL JUST GOING ALONG WITH IT? 331 00:15:20,119 --> 00:15:25,357 IT LOOKS MORE LIKE ME THAN D.J. 332 00:15:25,424 --> 00:15:26,825 MARSHMELLO! 333 00:15:26,892 --> 00:15:30,763 ARE WE ALL JUST GOING THROUGH WITH THIS NOW? 334 00:15:30,829 --> 00:15:31,697 IT'S NOT. 335 00:15:31,764 --> 00:15:33,666 IT'S A GUY WITH $50 ON HIM. 336 00:15:33,732 --> 00:15:38,837 >> HE'S PULLING A DAFT PUNK! 337 00:15:38,904 --> 00:15:39,972 >> James: IT'S INSANE TO ME! 338 00:15:40,039 --> 00:15:44,943 THE ONLY WAY YOU COULD TRULY RESPECT D.J. MARSHMELLO IF 339 00:15:45,010 --> 00:15:46,378 THERE'S ONE OF THOSE HATS. 340 00:15:46,445 --> 00:15:46,945 THERE'S NOT. 341 00:15:47,012 --> 00:15:47,713 THERE'S 1,000. 342 00:15:47,780 --> 00:15:48,414 PULL IT UP AGAIN. 343 00:15:48,480 --> 00:15:51,717 CAN YOU IMAGINE THE PHOTO SHOOT? 344 00:15:51,784 --> 00:15:53,919 HEY, HOW ARE YOU BEEN? 345 00:15:53,986 --> 00:15:56,455 YEAH, JUST PLAYED VEGAS LAST NIGHT, 7,000 PEOPLE. 346 00:15:56,522 --> 00:16:00,626 COOL, DO YOU WANT TO POP THE APRON ON AND JUST -- YEAH, YEAH. 347 00:16:00,693 --> 00:16:01,093 YEAH. 348 00:16:01,160 --> 00:16:02,328 YEAH. 349 00:16:02,394 --> 00:16:05,297 POP IT ON AND THEN -- AND THEN JUST -- IF YOU CAN JUST LEAN ON 350 00:16:05,364 --> 00:16:11,704 THE AIR FRYER, LEAN ON THE AIR FRYER LIKE A DAD WHO HAS JUST 351 00:16:11,770 --> 00:16:12,738 WON A POOL TOURNAMENT, YEAH. 352 00:16:12,805 --> 00:16:13,439 YEAH. 353 00:16:13,505 --> 00:16:15,607 THAT'LL BE GREAT. 354 00:16:15,674 --> 00:16:17,376 >> TEACHER? 355 00:16:17,443 --> 00:16:18,811 QUESTION. 356 00:16:18,877 --> 00:16:24,883 HIS EYES LOOK LIKE TWO SETS OF DUELING PENISES. 357 00:16:24,950 --> 00:16:31,557 [LAUGHTER] [APPLAUSE] 358 00:16:31,623 --> 00:16:36,495 >> James: NO WONDER HE'S ALWAYS GOT A SMILE ON HIS FACE. 359 00:16:36,562 --> 00:16:46,839 ON ONE HAND, IT LOOKS LIKE A COOL AIR FRYERS THAT LOOK LIKE 360 00:16:46,905 --> 00:16:50,542 MARSHMELLO, ON THE OTHER HAND, IT LOOKS LIKE HE BEHEADED HIS 361 00:16:50,609 --> 00:16:51,377 ENTIRE FAMILY. 362 00:16:51,443 --> 00:16:54,046 NOT FOR ME. 363 00:16:54,113 --> 00:16:57,850 WHEN IT COMES TO D.J.-INSPIRED COOKING APPLIANCES, I'M MORE OF 364 00:16:57,916 --> 00:17:01,954 A SKRILLEX GRILLEX GUY. 365 00:17:02,020 --> 00:17:03,856 >> YES, YES, YES! 366 00:17:03,922 --> 00:17:05,090 AND THAT'S THE NEWS! 367 00:17:05,157 --> 00:17:07,159 WE'LL BE RIGHT BACK WITH MORE "LATE LATE SHOW!" 368 00:17:37,990 --> 00:17:39,024 >> James: WELCOME BACK! 369 00:17:39,091 --> 00:17:40,893 LET'S MEET OUR GUESTS TONIGHT! 370 00:17:40,959 --> 00:17:42,828 SHE'S ON "DANCING WITH THE STARS!" 371 00:17:42,895 --> 00:17:46,932 PLEASE WELCOME CHARLI D'AMELIO! 372 00:17:46,999 --> 00:17:52,938 [CHEERS AND APPLAUSE] HOW ARE YOU? 373 00:17:53,005 --> 00:17:53,872 THANK YOU SO MUCH FOR BEING HERE. 374 00:17:53,939 --> 00:17:56,708 HAVE A SEAT, PLEASE! 375 00:17:56,775 --> 00:17:58,777 HE STARS IN "BROS!" IT'S LUKE MACFARLAND! 376 00:18:03,615 --> 00:18:13,892 [CHEERING] [APPLAUSE] 377 00:18:13,959 --> 00:18:14,493 HOW ARE YOU? 378 00:18:14,560 --> 00:18:17,262 >> I'M GOOD, HOW ARE YOU? 379 00:18:17,329 --> 00:18:19,765 >> James: THANK YOU SO MUCH FOR COMING. 380 00:18:19,832 --> 00:18:21,533 WE GREATLY APPRECIATE IT CHARLI, IT'S YOUR FIRST TIME ON THE 381 00:18:21,600 --> 00:18:22,434 SHOW. 382 00:18:22,501 --> 00:18:23,936 LET'S TALK A LITTLE BIT ABOUT YOUR CAREER. 383 00:18:24,002 --> 00:18:25,704 LIKE MANY TEENS, YOU JOINED TIKTOK. 384 00:18:25,771 --> 00:18:29,708 YOU STARTED POSTING DANCE VIDEOS UP IN YOUR BEDROOM. 385 00:18:29,775 --> 00:18:32,478 YOU THEN GOT HUNDREDS OF THOUSANDS OF FOLLOWERS. 386 00:18:32,544 --> 00:18:37,249 YOU'VE NOW GOT 147 MILLION FOLLOWERS ON TIKTOK. 387 00:18:37,316 --> 00:18:40,719 AT WHAT POINT WHEN IT STARTS GETTING LIKE TO MILLIONS AND 388 00:18:40,786 --> 00:18:44,289 MILLIONS OF PEOPLE DO YOU GO DOWNSTAIRS AND TELL YOUR PARENTS 389 00:18:44,356 --> 00:18:46,692 WHAT IS GOING ON? 390 00:18:46,758 --> 00:18:50,996 AND DO THEY UNDERSTAND STRAIGHT AWAY WHEN YOU TELL THEM? 391 00:18:51,063 --> 00:18:52,197 >> I'M VERY LUCKY. 392 00:18:52,264 --> 00:18:54,166 MY PARENTS ARE PRETTY HIP TO SOCIAL MEDIA. 393 00:18:54,233 --> 00:18:55,868 >> James: OK. 394 00:18:55,934 --> 00:18:59,037 >> THEIR SOCIAL MEDIA GAME HAS ALWAYS BEEN WONDERFUL. 395 00:18:59,104 --> 00:19:01,473 THEY WERE GREAT AT KEEPING EVERYONE UPDATED. 396 00:19:01,540 --> 00:19:05,143 NOW, WE KEEP A LOT MORE PEOPLE UPDATED,. 397 00:19:05,210 --> 00:19:06,411 >> James: SURE. 398 00:19:06,478 --> 00:19:09,047 >> BUT EVEN FROM THE BEGINNING, MY DAD GOT ME A CAKE FOR WHEN I 399 00:19:09,114 --> 00:19:13,719 HIT 100,000 FOLLOWERS ON TIKTOK, SO THAT WAS VERY SWEET. 400 00:19:13,785 --> 00:19:16,054 THEY HAVE BEEN SUPPORTIVE OF ME THROUGHOUT THIS ENTIRE THING AND 401 00:19:16,121 --> 00:19:18,223 THEY'RE HERE WITH ME NOW IN L.A. 402 00:19:18,290 --> 00:19:21,727 AND WE HAVE OUR SHOW AND EVERYTHING, SO IT'S -- IT'S 403 00:19:21,793 --> 00:19:24,663 REALLY GREAT, AND I'M VERY GLAD TO HAVE THEM. 404 00:19:24,730 --> 00:19:26,198 >> James: THEY WERE UP TO SPEED THE WHOLE WAY THROUGH? 405 00:19:26,265 --> 00:19:27,199 >> YES. 406 00:19:27,266 --> 00:19:29,501 >> James: NOW, LUKE, WE'VE MANY THINGS IN COMMON. 407 00:19:29,568 --> 00:19:31,870 OBVIOUSLY, OUR LOOKS, OUR CHARM. 408 00:19:31,937 --> 00:19:32,471 >> YES! 409 00:19:32,538 --> 00:19:38,744 BUT WE ALSO -- [LAUGHTER] 410 00:19:38,810 --> 00:19:42,314 WE ALSO BOTH HAVE A SISTER NAMED RUTH. 411 00:19:42,381 --> 00:19:43,348 >> OH. 412 00:19:43,415 --> 00:19:46,518 >> James: AND YOU, YOU RECENTLY CAME TO YOUR SISTER 413 00:19:46,585 --> 00:19:46,852 RUTH'S RESCUE. 414 00:19:46,919 --> 00:19:47,586 >> YES. 415 00:19:47,653 --> 00:19:48,720 >> James: TELL ME WHAT HAPPENED. 416 00:19:48,787 --> 00:19:51,490 >> SO SHE'S NOT ONLY MY SISTER BUT SHE'S MY TWIN SISTER. 417 00:19:51,557 --> 00:19:55,761 SO SHE LIVES IN CALGARY, ALBERTA, WHERE I'M FROM, CANADA, 418 00:19:55,827 --> 00:19:58,597 AND SHE LOST HER WEDDING RING IN A VERY COLD RIVER. 419 00:19:58,664 --> 00:20:00,432 ONE DAY WE WERE SORT OF HANGING OUT BY THE RIVER. 420 00:20:00,499 --> 00:20:04,803 SHE LOOKED AT ME AND SHE WAS WHITE IN THE FACE AND I SAID, 421 00:20:04,870 --> 00:20:06,338 "WHAT?" AND SHE LOST HER WEDDING RING 422 00:20:06,405 --> 00:20:08,307 AND HER ENGAGEMENT RING. 423 00:20:08,373 --> 00:20:09,441 THEY FELL OFF INTO THE RIVER. 424 00:20:09,508 --> 00:20:11,843 WE KIND OF LOOKED AROUND A LITTLE BIT IN VAIN BUT WE HAD 425 00:20:11,910 --> 00:20:14,413 HAD SOME BEERS DOWN AT THE RIV RIVER. 426 00:20:14,479 --> 00:20:17,015 THE NEXT DAY I GOT MY FRIENDS TOGETHER AND I SAID "WE'RE GOING 427 00:20:17,082 --> 00:20:19,785 TO FIND THIS RING!" WE SPENT ABOUT TWO HOURS. 428 00:20:19,851 --> 00:20:23,088 IT'S FREEZING COLD, GLACIAL WATER. 429 00:20:23,155 --> 00:20:24,556 >> James: WE HAVE A PICTURE OF YOU HERE. 430 00:20:24,623 --> 00:20:25,223 LOOK. 431 00:20:25,290 --> 00:20:26,425 THAT'S THE RIVER YOU WERE IN. 432 00:20:26,491 --> 00:20:27,292 LOOK. 433 00:20:27,359 --> 00:20:28,961 >> I HAVE WEIRD LOOKING KNEES, I'M TOLD. 434 00:20:29,027 --> 00:20:33,332 BUT THAT'S ANOTHER THING THAT INSTAGRAM TELLS YOU IS ALL OF 435 00:20:33,398 --> 00:20:34,399 YOUR INSECURITIES. 436 00:20:34,466 --> 00:20:36,635 I NEVER KNEW I HAD WEIRD KNEES BUT LOTS OF PEOPLE -- 437 00:20:36,702 --> 00:20:38,837 >> YOU'LL LEARN A LOT ABOUT YOURSELF. 438 00:20:38,904 --> 00:20:41,039 >> IT'S SO TRUE. 439 00:20:41,106 --> 00:20:42,341 PEOPLE SAID I HAD WEIRD KNEES. 440 00:20:42,407 --> 00:20:48,213 I NEVER THOUGHT I HAD WEIRD KNEES BUT BASED ON THAT PICTURE, 441 00:20:48,280 --> 00:20:51,550 PEOPLE SAID I HAVE WEIRD KNEES. 442 00:20:51,617 --> 00:20:52,751 THAT'S A MOUNTIE POLICE OFFICER. 443 00:20:52,818 --> 00:20:56,254 THAT'S A CANADIAN, THE HAT AND THE HORSES AND THE RED COATS. 444 00:20:56,321 --> 00:20:59,358 HE SORT OF SPEARHEADED THE CAMPAIGN. 445 00:20:59,424 --> 00:21:00,459 >> James: AND LOOK WHATpHAPPENE! 446 00:21:00,525 --> 00:21:05,364 TWO HOURS LATER, THEY ONLY FOUND IT... WHICH IS INSANE! 447 00:21:05,430 --> 00:21:07,366 [APPLAUSE] >> YEP. 448 00:21:07,432 --> 00:21:08,000 YEP. 449 00:21:08,066 --> 00:21:09,267 >> James: IT'S CRAZY TO ME! 450 00:21:09,334 --> 00:21:10,068 >> YEP. 451 00:21:10,135 --> 00:21:10,602 YEP. 452 00:21:10,669 --> 00:21:11,203 IT WAS PRETTY AMAZING. 453 00:21:11,269 --> 00:21:12,471 SHE WAS TOTALLY THRILLED. 454 00:21:12,537 --> 00:21:15,107 SHE WAS VERY EMOTIONAL. 455 00:21:15,173 --> 00:21:18,510 SHE ALREADY CAME TO TERMS WITH THE FACT THEY MIGHT BE GONE 456 00:21:18,577 --> 00:21:20,412 FOREVER BUT WE FOUND THEM. 457 00:21:20,479 --> 00:21:24,149 >> James: IT'S GOING TO BE BAD IF SHE EVER GETS DIVORCED. 458 00:21:24,216 --> 00:21:26,618 SHE'LL BE LIKE "I WENT IN THAT RIVER FOR NOTHING!" 459 00:21:26,685 --> 00:21:27,719 >> YEAH. 460 00:21:27,786 --> 00:21:31,023 >> James: LET'S TALK ABOUT THIS, CHARLI, LOOK AT THIS. 461 00:21:31,089 --> 00:21:36,728 ON THE COVER OF FORBES MAGAZINE, AND YOU YOUR SISTER ON THE COVER 462 00:21:36,795 --> 00:21:38,964 OF FORBES MAGAZINE RIGHT HERE. 463 00:21:39,031 --> 00:21:40,298 TELL ME ABOUT IT. 464 00:21:40,365 --> 00:21:42,934 THEY CALL THE TWO OF YOU MARKETING MACHINES. 465 00:21:43,001 --> 00:21:44,169 MARKETING MACHINES. 466 00:21:44,236 --> 00:21:46,304 OF ALL THE THINGS YOU'VE BEEN ABLE TO DO IN THE LAST COUPLE OF 467 00:21:46,371 --> 00:21:48,373 YEARS, WHAT HAVE YOU FOUND THE MOST EXCITING? 468 00:21:48,440 --> 00:21:52,010 >> OOH, WELL, I WOULD SAY, YOU KNOW, I HAVE A SHOW WITH MY 469 00:21:52,077 --> 00:21:56,381 FAMILY THAT HAS BEEN AMAZING. 470 00:21:56,448 --> 00:22:00,052 THAT'S ONE OF MY GREATEST ACCOMPLISHMENTS AS WELL AS I 471 00:22:00,118 --> 00:22:04,256 CAME OUT WITH A FRAGRANCE AND I GOT TO GO TO THE SOUTH OF FRANCE 472 00:22:04,322 --> 00:22:07,959 TO THE LABS TO CREATE IT AND THAT WAS SOMETHING THAT I GOT TO 473 00:22:08,026 --> 00:22:11,463 DO REALLY ON MY OWN WITHOUT MY FAMILY THERE FOR THE FIRST TIME. 474 00:22:11,530 --> 00:22:16,134 AND THAT WAS LIKE A BIG ADULT STEP IN MY LIFE, SO THAT FELT 475 00:22:16,201 --> 00:22:18,470 REALLY, REALLY GOOD, I WAS AND REALLY PROUD OF THAT. 476 00:22:18,537 --> 00:22:22,307 >> James: DO YOU -- IF I MADE A FRAGRANCE, I WOULD CONSTANTLY 477 00:22:22,374 --> 00:22:23,542 JUST DROP IT IN. 478 00:22:23,608 --> 00:22:28,647 I WOULD BE LIKE, WELL, WHEN I WAS IN THE LABORETORY -- SORRY, 479 00:22:28,714 --> 00:22:32,184 THAT'S -- I GOT MY OWN FRAGR FRAGRANCE. 480 00:22:32,250 --> 00:22:37,689 GUYS, THIS REMINDS ME OF WHEN I WAS IN THE LABORATORY -- AS YOU 481 00:22:37,756 --> 00:22:39,791 SHE WOULD CALL IT "THE LAB." 482 00:22:39,858 --> 00:22:43,328 YOU RECENTLY MOVED OUT OF YOUR PARENTS' HOME. 483 00:22:43,395 --> 00:22:44,296 HOW'S THAT GOING? 484 00:22:44,362 --> 00:22:45,530 ARE YOU ENJOYING NOT LIVING WITH YOUR PARENTS? 485 00:22:45,597 --> 00:22:49,000 ARE YOU STILL GOING HOME WITH A BIG BAG OF LAUNDRY? 486 00:22:49,067 --> 00:22:52,003 >> YEAH, SO I MOVED OUT OF MY PARENTS' HOUSE WITH MY SISTER. 487 00:22:52,070 --> 00:22:53,872 IT'S HARD, BECAUSE THEY'RE REALLY FAR. 488 00:22:53,939 --> 00:22:55,874 THEY'RE THREE MINUTES DOWN THE ROAD. 489 00:22:55,941 --> 00:22:57,142 >> James: WOW, YEAH! 490 00:22:57,209 --> 00:23:04,082 >> AND, YOU KNOW, I THINK I MISS MY MOM A LOT, BECAUSE SHE MAKES 491 00:23:04,149 --> 00:23:05,217 REALLY GOOD FOOD. 492 00:23:05,283 --> 00:23:09,054 AND WE HAVE JUST, LIKE, POP TARTS IN OUR PANTRY, SO IT'S 493 00:23:09,121 --> 00:23:09,821 DEFINITELY LACKING A LITTLE BIT. 494 00:23:09,888 --> 00:23:11,823 BUT I DO MISS THEM A LOT. 495 00:23:11,890 --> 00:23:16,495 I DO KNOW HOW TO DO LAUNDRY, THOUGH, SO, THANKS, MOM, FOR 496 00:23:16,561 --> 00:23:17,062 TEACHING ME THAT. 497 00:23:17,129 --> 00:23:17,429 >> James: THERE YOU GO. 498 00:23:17,496 --> 00:23:17,896 LOOK AT YOU. 499 00:23:17,963 --> 00:23:18,930 THIS IS ALL RIGHT. 500 00:23:18,997 --> 00:23:19,664 WIN STEP AT A TIME. 501 00:23:19,731 --> 00:23:20,632 YOU HAVE THE LAUNDRY. 502 00:23:20,699 --> 00:23:22,267 NOW, STAY ON THE POP TARTS. 503 00:23:22,334 --> 00:23:24,636 BUILD UP A COUPLE OF RECIPES. 504 00:23:24,703 --> 00:23:26,304 YOU'RE GOING TO BE ABSOLUTELY FINE. 505 00:23:26,371 --> 00:23:27,973 >> IT'LL HAPPEN EVENTUALLY. 506 00:23:28,039 --> 00:23:32,911 >> James: SOON YOU'LL BE JUST LIVING IN THE LABORATORY. 507 00:23:32,978 --> 00:23:36,248 LUKE, LET'S CONGRATULATE YOU AND TALK ABOUT YOUR EXTRAORDINARY 508 00:23:36,314 --> 00:23:40,318 NEW FILM "BROS!" GETTING THE MOST BRILLIANT 509 00:23:40,385 --> 00:23:41,520 REVIEWS. 510 00:23:41,586 --> 00:23:43,555 FOR ANYONE WHO DOESN'T KNOW, TELL US WHAT IT'S ABOUT AND WHO 511 00:23:43,622 --> 00:23:44,289 YOU PLAY. 512 00:23:44,356 --> 00:23:51,596 >> "BROS!" IS A ROMANTIC COMEDY. 513 00:23:51,663 --> 00:23:55,033 "YOU'VE GOT MAIL" "SLEEPLESS IN SEATTLE" TYPE OF THING. 514 00:23:55,100 --> 00:23:57,435 THE DIFFERENCE IS THIS IS A GAY ROMANTIC COMEDY. 515 00:23:57,502 --> 00:24:03,408 [CHEERS AND APPLAUSE] BILLY EICHNER HAS BEEN A GUEST 516 00:24:03,475 --> 00:24:06,545 HERE, I BELIEVE BEFORE, WROTE I IT. 517 00:24:06,611 --> 00:24:13,118 AND IT WAS PRODUCED BY JUDD APATOW WHO BROUGHT US GREAT 518 00:24:13,185 --> 00:24:17,989 FILMS LIKE "BRIDESMAIDS." 519 00:24:18,056 --> 00:24:20,058 THE STORY ABOUT TWO EMOTIONALLY GUYS -- 520 00:24:24,996 --> 00:24:27,065 >> WE LOVE BILLY EICHNER. 521 00:24:27,132 --> 00:24:29,167 HE'LL BE ON THIS SHOW ON THURSDAY. 522 00:24:29,234 --> 00:24:32,704 YOU AND HE HAVE BEEN ON A NATIONAL TOUR PROMOTING THE 523 00:24:32,771 --> 00:24:33,605 FILM. 524 00:24:33,672 --> 00:24:34,840 HOW HAS LIFE BEEN ON THE ROAD WITH BILLY? 525 00:24:34,906 --> 00:24:35,974 >> I WAS NAIVE. 526 00:24:36,041 --> 00:24:36,741 I LOVE TO TRAVEL. 527 00:24:36,808 --> 00:24:39,144 I'M A BIG FAN OF NATIONAL PARKS. 528 00:24:39,211 --> 00:24:43,181 SO I WAS VERY EXCITED TO GO VISIT SOME NATIONAL PARKS. 529 00:24:43,248 --> 00:24:46,251 AND THERE'S NO TIME WHEN YOU'RE ON A PRESS TOUR TO DO ANYTHING 530 00:24:46,318 --> 00:24:49,387 LIKE THAT, SO BILLY REALLY ENJOYED MAKING FUN OF ME. 531 00:24:49,454 --> 00:24:52,657 HE'S LIKE, "ARE YOU GOING TO VISIT THE LIBERTY BELL WHEN 532 00:24:52,724 --> 00:24:54,860 YOU'RE IN PHILADELPHIA?" THERE'S NO TIME FOR ANYTHING 533 00:24:54,926 --> 00:24:56,061 LIKE THAT BUT WE HAD A GREAT TIME. 534 00:24:56,127 --> 00:25:01,900 IT WAS A LOT OF FUN AND WE'RE JUST SO EXCITED TO PROMOTE THE 535 00:25:01,967 --> 00:25:02,901 MOVIE TO AS MANY PEOPLE AS POSSIBLE. 536 00:25:02,968 --> 00:25:04,102 IT'S BRILLIANT. 537 00:25:04,169 --> 00:25:06,938 LET'S TAKE A LOOK AT A CLIP OF "BROS" WHICH OPENS IN THEATER 538 00:25:07,005 --> 00:25:07,572 THIS HAS FRIDAY. 539 00:25:07,639 --> 00:25:08,874 >> ARE YOU ASKING ME OUT? 540 00:25:08,940 --> 00:25:11,076 >> DOWN FOR FOREVER. 541 00:25:11,142 --> 00:25:11,509 >> SAME. 542 00:25:11,576 --> 00:25:12,277 >> SOUNDS GOOD. 543 00:25:12,344 --> 00:25:14,145 >> TOMORROW OR WE CAN DO WHENEVER? 544 00:25:14,212 --> 00:25:16,948 >> I CAN DO WHATEVER OR WHEN WHENEVER. 545 00:25:17,015 --> 00:25:17,782 >> I DON'T CARE WHAT WE DO. 546 00:25:17,849 --> 00:25:20,552 >> WE CAN DO IT WHENEVER AND WHATEVER. 547 00:25:20,619 --> 00:25:21,586 >> THAT WORKS, GREAT. 548 00:25:21,653 --> 00:25:22,854 >> WITH WHENEVER WHENEVER. 549 00:25:22,921 --> 00:25:24,189 >> WHENEVER WHENEVER. 550 00:25:24,256 --> 00:25:25,790 >> GIFT OF MICHAEL SCOTT DANCING. 551 00:25:25,857 --> 00:25:28,193 >> IT'S GOOD. 552 00:25:28,260 --> 00:25:28,727 OFFICE GIFT? 553 00:25:28,793 --> 00:25:29,561 THIS PERSON ISN'T GAY. 554 00:25:29,628 --> 00:25:30,862 >> HEART. 555 00:25:30,929 --> 00:25:31,196 UNHEART. 556 00:25:31,263 --> 00:25:31,463 THUMBS UP. 557 00:25:31,529 --> 00:25:33,932 PEACE. 558 00:25:33,999 --> 00:25:35,000 >> PEACE? 559 00:25:35,066 --> 00:25:37,369 >> LATER. 560 00:25:37,435 --> 00:25:43,174 >> CAN YOU HEART MY LATER, BITCH? 561 00:25:43,241 --> 00:25:46,778 >> BYE. 562 00:25:46,845 --> 00:25:48,613 >> James: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 563 00:25:48,680 --> 00:25:50,682 BACK. 564 00:26:32,991 --> 00:26:34,159 [CHEERS AND APPLAUSE] >> James: THAT WAS A CLIP FROM 565 00:26:34,225 --> 00:26:37,963 "DANCING WITH THE STARS" WHICH STREAMS LIVE ON MONDAYS AT 8:00 566 00:26:38,029 --> 00:26:41,232 EASTERN, 5:00 PACIFIC ON DISNEY+! 567 00:26:41,299 --> 00:26:43,802 YOU HAVE TWO TOP SCORES IN A ROW! 568 00:26:43,868 --> 00:26:44,602 ARE YOU HAVING FUN? 569 00:26:44,669 --> 00:26:47,939 ARE YOU ENJOYING IT? 570 00:26:48,006 --> 00:26:49,641 >> I'M HAVING SO MUCH FUN. 571 00:26:49,708 --> 00:26:53,078 IT'S SUCH A GREAT ENVIRONMENT TO BE A PART OF, AND, I MEAN, THE 572 00:26:53,144 --> 00:26:54,179 CAST IS AMAZING. 573 00:26:54,245 --> 00:26:57,015 MY PARTNER IS AMAZING, AND I'M JUST HAVING SO MUCH FUN. 574 00:26:57,082 --> 00:27:00,151 >> James: HAS THERE BEEN ANY ELEMENT OF THIS THAT MADE YOU 575 00:27:00,218 --> 00:27:03,388 SORT OF FEEL LIKE YOU KIND OF RECONNECTED WITH DANCE? 576 00:27:03,455 --> 00:27:04,789 IT'S BEEN SUCH A MASSIVE PART OF YOUR LIFE? 577 00:27:04,856 --> 00:27:08,760 >> YEAH, I MEAN, I HADN'T DANCED IN QUITE A WHILE. 578 00:27:08,827 --> 00:27:11,396 I KIND OF, YOU KNOW, STOPPED REALLY LOVING IT. 579 00:27:11,463 --> 00:27:13,098 THAT WAS REALLY HARD FOR ME, BECAUSE THAT WAS MY LIFE BEFORE, 580 00:27:13,164 --> 00:27:18,470 BUT STARTING THIS, I MEAN, JUST EVEN HEARING FROM MY FRIENDS AND 581 00:27:18,536 --> 00:27:22,273 FAMILY LIKE YOU LOOK HAPPY, YOU LOOK ACTUALLY LIKE YOU'RE HAVING 582 00:27:22,340 --> 00:27:24,275 FUN. 583 00:27:24,342 --> 00:27:25,710 THEY HADN'T SEEN THAT IN A WHILE. 584 00:27:25,777 --> 00:27:27,012 THAT MADE ME FEEL REALLY GOOD. 585 00:27:27,078 --> 00:27:28,713 I WAS PROUD OF MYSELF. 586 00:27:28,780 --> 00:27:33,118 >> James: NEXT WEEK YOU'RE DANCING TO A BILLIE EILISH SONG 587 00:27:33,184 --> 00:27:33,985 FOR BOND WEEK. 588 00:27:34,052 --> 00:27:35,987 SHE LAUNCHED HER CAREER ON SOCIAL MEDIA. 589 00:27:36,054 --> 00:27:40,592 ARTISTS LIKE HER OR ARTISTS LIKE OLIVIA RODRIGO, ARE THESE PEOPLE 590 00:27:40,658 --> 00:27:41,359 YOU LOOK UP TO? 591 00:27:41,426 --> 00:27:43,495 >> YEAH, I LOVE BILLIE EILISH. 592 00:27:43,561 --> 00:27:45,096 I HAVE FOR SUCH A LONG TIME. 593 00:27:45,163 --> 00:27:47,599 HER MUSIC -- SHE GREW UP DANCING. 594 00:27:47,665 --> 00:27:50,802 YOU CAN TELL SHE MAKES MUSIC TO DANCE TO, AND THAT WAS SOMETHING 595 00:27:50,869 --> 00:27:54,672 THAT I ALWAYS LOVED ABOUT HER AND HER MUSIC THAT REALLY SET 596 00:27:54,739 --> 00:27:56,041 HER APART FOR ME. 597 00:27:56,107 --> 00:27:59,711 YOU KNOW, I SAW HER ON HER LAST TOUR A FEW TIMES. 598 00:27:59,778 --> 00:28:00,979 I LOVE HER SO MUCH. 599 00:28:01,046 --> 00:28:04,349 TO BE ABLE TO DANCE TO HER SONG ON THE SHOW MAKES ME FEEL REALLY 600 00:28:04,416 --> 00:28:04,916 HAPPY. 601 00:28:04,983 --> 00:28:06,051 >> James: THAT'S GREAT. 602 00:28:06,117 --> 00:28:09,054 AROUND CHARLI'S AGE, LUKE, YOU MOVED FROM A SMALL TOWN IN 603 00:28:09,120 --> 00:28:10,021 CANADA TO NEW YORK CITY. 604 00:28:10,088 --> 00:28:10,955 >> YES. 605 00:28:11,022 --> 00:28:14,325 >> James: YOU WENT TO JUILLIARD, VERY, VERY 606 00:28:14,392 --> 00:28:15,360 PRESTIGIOUS SCHOOL OF DRAMA. 607 00:28:15,427 --> 00:28:16,494 >> YES. 608 00:28:16,561 --> 00:28:17,896 >> James: HOW MUCH OF A CULTURE SHOCK WAS IT FOR MOVING 609 00:28:17,962 --> 00:28:19,364 TO MANHATTAN FROM A SMALL TOWN? 610 00:28:19,431 --> 00:28:21,800 >> I ALWAYS DREAMED ABOUT GOING TO NEW YORK. 611 00:28:21,866 --> 00:28:22,534 IT WAS GREAT. 612 00:28:22,600 --> 00:28:24,135 IT WAS TOTALLY A CULTURE SHOCK. 613 00:28:24,202 --> 00:28:25,170 MY TOWN IS WONDERFUL. 614 00:28:25,236 --> 00:28:26,738 IT'S A SMALL TOWN, LIKE YOU SAID. 615 00:28:26,805 --> 00:28:31,109 WHEN I FIRST GOT TO NEW YORK, I FELT LIKE I WAS IN A MUSIC VIDEO 616 00:28:31,176 --> 00:28:32,310 ALL THE TIME. 617 00:28:32,377 --> 00:28:35,213 I FELT LIKE I WOULD WALK DOWN THE STREET AND EVERYONE SEEMED 618 00:28:35,280 --> 00:28:37,148 SO BUSY AND HAPPY AND EXCITED. 619 00:28:37,215 --> 00:28:40,985 I ALSO, LIKE, IT WAS THE FIRST TIME THAT I MET GAY PEOPLE IN MY 620 00:28:41,052 --> 00:28:43,655 LIFE OR SAW GAY PEOPLE ON THE STREETS. 621 00:28:43,721 --> 00:28:45,256 SO THAT WAS A VERY IMPORTANT MOMENT FOR ME. 622 00:28:45,323 --> 00:28:47,058 >> James: YEAH, IT MUST HAVE BEEN. 623 00:28:47,125 --> 00:28:51,529 SO WHO ELSE WAS IN YOUR -- >> MY CLASS? 624 00:28:51,596 --> 00:28:54,699 THE MOST FAMOUS ACTRESS, ALTHOUGH MANY BRILLIANT 625 00:28:54,766 --> 00:28:59,337 ACTRESSES AND ACTORS IN MY CLA CLASS, JESSICA CHASTAIN WAS IN 626 00:28:59,404 --> 00:28:59,971 MY CLASS. 627 00:29:00,038 --> 00:29:01,406 SHE WON AN OSCAR THIS YEAR. 628 00:29:01,473 --> 00:29:02,107 >> James: SHE DID! 629 00:29:02,173 --> 00:29:03,274 >> SHE DID, YES. 630 00:29:03,341 --> 00:29:05,343 WE USED TO DO SCENES TOGETHER. 631 00:29:05,410 --> 00:29:08,580 ACTUALLY, WE USED TO DO THIS FUNNY THING WHERE WE WOULD, UM, 632 00:29:08,646 --> 00:29:12,417 GO TO HOSPITALS AND SING FOR PATIENTS TOGETHER ACTUALLY. 633 00:29:12,484 --> 00:29:14,052 >> James: YOU AND CHASTAIN? 634 00:29:14,119 --> 00:29:15,220 >> WE DID. 635 00:29:15,286 --> 00:29:17,622 WE GOT A LITTLE EXTRA MONEY AND THAT'S WHAT WE DID ON THE 636 00:29:17,689 --> 00:29:18,289 WEEKENDS, YEAH. 637 00:29:18,356 --> 00:29:19,524 >> James: WHAT WOULD YOU SING? 638 00:29:19,591 --> 00:29:22,927 >> UM, WELL -- WE KIND OF DID STANDARDS, BECAUSE A LOT OF THEM 639 00:29:22,994 --> 00:29:27,999 WERE OLDER FOLKS, SO I REMEMBER GIVE OUR REGARDS TO BROADWAY WAS 640 00:29:28,066 --> 00:29:30,301 A BIG HIT. 641 00:29:30,368 --> 00:29:32,837 MOON RIVER, MOON RIVER WAS ACTUALLY A BIG HIT OF OURS. 642 00:29:32,904 --> 00:29:35,206 >> James: THIS IS THE MOVIE I'M INTERESTED IN WATCHING NOW. 643 00:29:35,273 --> 00:29:36,341 THIS IS IT. 644 00:29:36,407 --> 00:29:38,676 REG, DO YOU HAVE A QUESTION FOR OUR GUESTS THIS EVENING? 645 00:29:38,743 --> 00:29:40,478 >> Reggie: BOY, DO I EVER? 646 00:29:40,545 --> 00:29:41,746 TONIGHT'S QUESTION GOES TO... 647 00:29:41,813 --> 00:29:45,150 BOTH OF OUR GUESTS. 648 00:29:45,216 --> 00:29:46,351 HUGE KILL JOY'S FAN. 649 00:29:46,417 --> 00:29:47,785 MASSIVE, MASSIVE. 650 00:29:47,852 --> 00:29:50,021 YOU'RE INCREDIBLE IN THAT. 651 00:29:50,088 --> 00:29:51,222 >> THANK YOU. 652 00:29:51,289 --> 00:29:55,026 >> Reggie: THE QUESTION GOES AS FOLLOWS: LET'S SAY A MASSIVE 653 00:29:55,093 --> 00:29:59,697 CME HAPPENS -- OR SORRY, MASS CORONAL EJECTION HAPPENS FROM 654 00:29:59,764 --> 00:30:02,300 THE SUN AND KNOCKS OUT ALL THE POWER FROM THE PLANET AND WE NO 655 00:30:02,367 --> 00:30:04,903 LONGER HAVE ACCESS TO ANY OF THE SOCIAL MEDIA STUFF WE HAVE 656 00:30:04,969 --> 00:30:06,104 ACCESS TO ANYMORE. 657 00:30:06,171 --> 00:30:09,574 WHAT WOULD YOU SAY WOULD BE WHAT WOULD YOU WANT TO DO IN THAT 658 00:30:09,641 --> 00:30:10,441 MOMENT? 659 00:30:10,508 --> 00:30:12,710 WHAT WOULD BE YOUR CORE DEFINING FEATURE? 660 00:30:12,777 --> 00:30:14,913 >> WOW, THESE ARE GREAT QUESTIONS. 661 00:30:14,979 --> 00:30:16,214 WOW. 662 00:30:16,281 --> 00:30:19,884 YOU KNOW WHEN I GOT INTO OVER THE PANDEMIC WAS TRADITIONAL 663 00:30:19,951 --> 00:30:20,385 LONG BOW HUNTING! 664 00:30:20,451 --> 00:30:21,619 >> OH SICK! 665 00:30:21,686 --> 00:30:24,789 >> I LEARNED HOW TO MAKE A LONG BOW SO I WOULD REALLY GET DEEP 666 00:30:24,856 --> 00:30:27,258 INTO MY LONG BOW SORT OF CULT CULTURE. 667 00:30:27,325 --> 00:30:29,594 I WOULD KIND OF GO OUT INTO THE WOODS. 668 00:30:29,661 --> 00:30:33,598 I WOULD LEARN HOW TO FIND MUSHROOMS. 669 00:30:33,665 --> 00:30:35,300 IT WOULDN'T BE THAT BAD FOR ME ACTUALLY. 670 00:30:35,366 --> 00:30:37,368 THANKS. 671 00:30:37,435 --> 00:30:40,538 >> James: CHARLI, HOW'S YOUR LONG BOW SKILLS? 672 00:30:40,605 --> 00:30:42,273 >> UM, YOU KNOW, I COULD PRACTICE. 673 00:30:42,340 --> 00:30:42,974 >> I COULD TEACH YOU. 674 00:30:43,041 --> 00:30:44,175 >> James: YEAH. 675 00:30:44,242 --> 00:30:46,077 >> IT'S A LITTLE SAD, BECAUSE, YOU KNOW, THERE GOES MY CAREER 676 00:30:46,144 --> 00:30:53,718 BUT -- I MEAN, I TOOK UP BAKING OVER THE PANDEMIC AND NOW THAT I 677 00:30:53,785 --> 00:30:57,355 DON'T LIVE WITH MY PARENTS, UM, THEY ALLOW ME TO BAKE AGAIN. 678 00:30:57,422 --> 00:30:58,890 I GOT BANNED FOR A WHILE. 679 00:30:58,957 --> 00:31:01,960 BUT I WOULD HOPEFULLY DO THAT, BECAUSE I LOVE. 680 00:31:02,026 --> 00:31:04,662 >> James: I THINK BETWEEN THE THREE OF US YOU REALLY GOT THIS 681 00:31:04,729 --> 00:31:05,163 SORTED. 682 00:31:05,230 --> 00:31:06,097 >> I THINK SO, TOO. 683 00:31:06,164 --> 00:31:08,299 >> James: WE'RE GOING TO BAKE AND LONG BOW. 684 00:31:08,366 --> 00:31:12,303 >> Reggie: THAT'S SO CRAZY BECAUSE THE EXACT ANSWER IS BAKE 685 00:31:12,370 --> 00:31:13,338 AND LONG BOUGH. 686 00:31:13,404 --> 00:31:17,709 >> James: BAKE AND LONG BOW IS ABSOLUTELY CORRECT. 687 00:31:17,775 --> 00:31:18,943 PLEASE THANK OUR INCREDIBLE GUESTS, CHARLI D'AMELIO AND LUKE 688 00:31:19,010 --> 00:31:19,844 MACFARLANE! 689 00:31:19,911 --> 00:31:20,311 KELSEA ALLERINI IS HERE WHEN WE COME BACK! 690 00:31:45,036 --> 00:31:47,705 >> James: WELCOME BACK. 691 00:31:47,772 --> 00:31:49,474 I'M JOINED AT THE BAR BY THE ONE, THE ONLY, KELSEA BALLERINI! 692 00:31:49,540 --> 00:31:53,778 BALLERINI BIRTHDAY I WANT TO TALK TO YOU! 693 00:31:53,845 --> 00:31:55,280 YOU JUST HAD A BIRTHDAY. 694 00:31:55,346 --> 00:31:56,281 >> I DID. 695 00:31:56,347 --> 00:31:57,048 I DID. 696 00:31:57,115 --> 00:31:58,283 >> James: IS THAT NOT A GOOD THING? 697 00:31:58,349 --> 00:32:00,585 >> NO, I FEEL LIKE WHEN YOU GET TO YOUR LATE 20'S, THAT'S THE 698 00:32:00,652 --> 00:32:01,853 NORMAL REACTION. 699 00:32:01,919 --> 00:32:02,954 >> James: LATE 20'S? 700 00:32:03,021 --> 00:32:03,554 >> 29. 701 00:32:03,621 --> 00:32:05,857 >> James: YOU'VE NO IDEA. 702 00:32:05,923 --> 00:32:06,291 SO YOU'RE YOUNG. 703 00:32:06,357 --> 00:32:07,525 >> I FEEL GOOD. 704 00:32:07,592 --> 00:32:10,428 I FEEL LIKE THE LAST YEAR OF MY 20'S IS GOING TO BE THE BEST. 705 00:32:10,495 --> 00:32:11,296 >> James: HOW'D YOU CELEBRATE? 706 00:32:11,362 --> 00:32:12,930 BIG PARTY? 707 00:32:12,997 --> 00:32:16,701 HOW'S A BELL REINE BIRTHDAY -- BALLERINI BIRTHDAY? 708 00:32:16,768 --> 00:32:17,735 >> I FLEW HOME. 709 00:32:17,802 --> 00:32:20,138 I WANTED TO SPEND THIS ONE WITH ALL OF MY FRIENDS. 710 00:32:20,204 --> 00:32:23,508 WE RENTED OUT THIS LITTLE BAR IN NASHVILLE CALLED FLAMINGO. 711 00:32:23,574 --> 00:32:27,412 WE HAD A BIRTHDAY SUIT PARTY. 712 00:32:27,478 --> 00:32:28,246 >> James: NAKED PARTY? 713 00:32:28,313 --> 00:32:29,314 >> FULLY NUDE, NO. 714 00:32:29,380 --> 00:32:33,184 WE ALL WON OUR FAVORITE BLAKE LIVELY INSPIRED SUITS. 715 00:32:33,251 --> 00:32:35,720 >> James: OH, SUITS. 716 00:32:35,787 --> 00:32:37,155 OH, SUITS! 717 00:32:37,221 --> 00:32:39,357 BE CAREFUL HOW WE -- >> THIS WOULD HAVE BEEN 718 00:32:39,424 --> 00:32:40,591 APPROPRIATE ATTIRE. 719 00:32:40,658 --> 00:32:41,726 >> James: BE CAREFUL WHEN YOU SAY TO PEOPLE "YOU WANT TO COME 720 00:32:41,793 --> 00:32:46,130 TO A BIRTHDAY SUIT PARTY?" BECAUSE IT DOES HAVE DIFFERENT 721 00:32:46,197 --> 00:32:46,998 CONNOTATIONS IN SOME PLACES. 722 00:32:47,065 --> 00:32:48,866 >> I LIKE THE DOUBLE MEANING. 723 00:32:48,933 --> 00:32:49,901 NO ONE TOOK IT SERIOUSLY. 724 00:32:49,967 --> 00:32:51,202 >> James: NO ONE WENT NUDE? 725 00:32:51,269 --> 00:32:52,603 >> NO ONE WENT NUDE. 726 00:32:52,670 --> 00:32:53,604 >> James: I GET IT. 727 00:32:53,671 --> 00:32:56,341 WE LOVE A PARTY HERE IN THE "THE LATE LATE SHOW." 728 00:32:56,407 --> 00:33:00,978 OUR EXECUTIVE ROB -- GRUMPY GUY THERE -- 729 00:33:01,045 --> 00:33:02,113 >> HEY, ROB. 730 00:33:02,180 --> 00:33:04,816 >> James: I ALWAYS WANTED AT OUR HOLIDAY PARTY TO HAVE A 731 00:33:04,882 --> 00:33:06,417 TATTOO ARTIST. 732 00:33:06,484 --> 00:33:10,121 ROB ABSOLUTELY -- HE BANNED IT LIKE I SAID I THINK IT'D BE 733 00:33:10,188 --> 00:33:12,557 REALLY GOOD IF WE ALL DID HEROIN. 734 00:33:12,623 --> 00:33:15,259 THAT'S HOW HE REACTED, OK? 735 00:33:15,326 --> 00:33:17,362 HE HAD NO INTEREST IN THIS TATTOO ARTIST. 736 00:33:17,428 --> 00:33:20,264 YOU'VE GOT A BIT OF INK GOING ON, RIGHT? 737 00:33:20,331 --> 00:33:21,532 >> A COUPLE LITTLE ONES. 738 00:33:21,599 --> 00:33:25,370 ARE YOU OPPOSED TO THE TATTOO IN GENERAL OR DO YOU NOT WANT ONE? 739 00:33:25,436 --> 00:33:28,639 >> I DEFINITELY WOULDN'T WANT ONE. 740 00:33:28,706 --> 00:33:31,676 GIVING OUR STAFF AND CREW DRUNK AND GIVING THEM TATTOOS SEEMS 741 00:33:31,743 --> 00:33:32,877 INAPPROPRIATE. 742 00:33:32,944 --> 00:33:34,145 >> James: YOU'RE LOOKING THAT THE ALL WRONG LIKE THEY DON'T 743 00:33:34,212 --> 00:33:35,246 HAVE A CHOICE. 744 00:33:35,313 --> 00:33:36,514 >> THE GENERAL POPULATION OF THE PARTY? 745 00:33:36,581 --> 00:33:38,683 >> James: HE'S WORRIED THAT WE HAVE YOUNG MEMBERS ON THE TEAM. 746 00:33:38,750 --> 00:33:42,053 HE'S WORRIED THEY'LL GET DRUNK AND HAVE A TATTOO AND WAKE UP 747 00:33:42,120 --> 00:33:43,821 AND REGRET IT AND I'M LIKE -- >> THAT'S LIFE! 748 00:33:43,888 --> 00:33:45,757 >> James: NOT OUR PROBLEM! 749 00:33:45,823 --> 00:33:46,724 CORRECT! 750 00:33:46,791 --> 00:33:48,426 >> I CAN TELL YOU THE STORY OF MY FIRST TATTOO? 751 00:33:48,493 --> 00:33:49,861 >> James: GO ON, YEAH. 752 00:33:49,927 --> 00:33:52,363 >> IT WAS 90 -- I WAS 19 OR 20. 753 00:33:52,430 --> 00:33:55,500 IT WAS THE DAY BEFORE MY FIRST PROMO SHOOT. 754 00:33:55,566 --> 00:33:57,301 I HAD A PANIC ATTACK. 755 00:33:57,368 --> 00:34:00,772 WHAT IF I TURN 25 ONE DAY AND I WANT A TATTOO AND ALL OF A 756 00:34:00,838 --> 00:34:03,908 SUDDEN I GET A TATTOO AND THEN SOMEONE IS LIKE BALLERINI IS OFF 757 00:34:03,975 --> 00:34:04,842 THE DEEP END. 758 00:34:04,909 --> 00:34:07,712 THE DAY BEFORE THE PHOTO SHOOT, I GOT THIS. 759 00:34:07,779 --> 00:34:09,881 IT'S SO MUCH BIGGER THAN I WANTED AND A DIFFERENT THOUGHT 760 00:34:09,947 --> 00:34:14,552 THAN I WANTED AND ALL THE THINGS BUT IT WAS MY NAIVE WAY FOR 761 00:34:14,619 --> 00:34:15,920 BEING THE SAME FROM THE BEGINNING JUST IN CASE IT WORKS. 762 00:34:15,987 --> 00:34:17,989 >> James: I LOVE IT. 763 00:34:18,055 --> 00:34:18,723 HOW SWEET THE SOUND! 764 00:34:18,790 --> 00:34:18,990 >> YEAH. 765 00:34:19,056 --> 00:34:19,857 YEAH. 766 00:34:19,924 --> 00:34:20,324 >> James: LET'S TALK ABOUT THE NEW SOUND. 767 00:34:20,391 --> 00:34:22,326 THE ALBUM IS OUT. 768 00:34:22,393 --> 00:34:22,960 "SUBJECT TO CHANGE." 769 00:34:23,027 --> 00:34:24,228 TALK TO US ABOUT THE ALBUM. 770 00:34:24,295 --> 00:34:25,463 WHAT CAN WE EXPECT? 771 00:34:25,530 --> 00:34:27,965 >> IT'S A BOOK MARK OF THE LAST TWO YEARS OF MY LIFE WHICH IS, 772 00:34:28,032 --> 00:34:32,236 UM, YOU KNOW, JUST LIKE GROWING UP AND A LOT OF SELF-ASSESSMENT 773 00:34:32,303 --> 00:34:37,275 AND A LOT OF JUXTAPOSITION -- TRY IT -- AND CHANGE, LIKE, WE 774 00:34:37,341 --> 00:34:39,243 HAVE ALL EXPERIENCED SO MUCH CHANGE THE LAST FEW YEARS SO 775 00:34:39,310 --> 00:34:42,046 IT'S REALLY JUST INSTEAD OF RESISTING IT, KIND OF WELCOMING 776 00:34:42,113 --> 00:34:43,748 IT AND FINDING JOY IN IT. 777 00:34:43,815 --> 00:34:48,219 >> James: AND YOU'VE GOT A BIG CLAP -- COLLAB? 778 00:34:48,286 --> 00:34:48,820 TELL US ABOUT THIS. 779 00:34:48,886 --> 00:34:50,188 THIS IS REALLY EXCITING. 780 00:34:50,254 --> 00:34:56,994 >> IT'S ME, CHAR CARLY PIERCE, MY COUNTRY GIRL AND SISTER AND 781 00:34:57,061 --> 00:34:57,995 KELLY CLARKSON! 782 00:34:58,062 --> 00:34:58,663 >> James: OH COME ON! 783 00:34:58,729 --> 00:35:00,064 >> I KNOW, SHE'S LIKE AN ICON. 784 00:35:00,131 --> 00:35:02,099 I HAVE MY FRIENDS AND THEN MY HERO. 785 00:35:02,166 --> 00:35:07,071 AND THE SONG IS CALLED "YOU'RE DRUNK, GO HOME." 786 00:35:07,138 --> 00:35:08,272 >> James: YOU'RE DRUNK. 787 00:35:08,339 --> 00:35:09,907 GO HOME. 788 00:35:09,974 --> 00:35:11,142 >> CHEERS. 789 00:35:11,209 --> 00:35:13,144 >> James: STICK AROUND, KELSEY IS GOING TO PERFORM WHEN WE COME 790 00:35:13,211 --> 00:35:13,778 BACK, EVERYONE. 791 00:35:13,845 --> 00:35:14,345 DON'T GO ANYWHERE. 792 00:35:25,990 --> 00:35:27,825 ♪ >> James: WELCOME BACK. 793 00:35:27,892 --> 00:35:30,528 HERE PERFORMING "LOVE IS A COWBOY" FROM HER BRILLIANT 794 00:35:30,595 --> 00:35:31,896 NEW ALBUM, "SUBJECT TO CHANGE," WHICH IS OUT RIGHT NOW, 795 00:35:31,963 --> 00:35:36,033 PLEASE WELCOME, ONCE AGAIN, KELSEA BALLERINI! 796 00:35:36,100 --> 00:35:41,339 [CHEERS AND APPLAUSE] 797 00:35:46,077 --> 00:35:50,481 ♪ ROUGH AROUND THE EDGES STOPS YOU IN YOUR TRACKS 798 00:35:50,548 --> 00:35:56,954 ♪ WRECKS YOU IN THE WORST WAY WHEN IT LOOKS LIKE THAT 799 00:35:57,021 --> 00:36:01,125 ♪ KNOCKS YOU OFF THE HORSE BUT IT KEEPS YOU COMIN' BACK 800 00:36:01,192 --> 00:36:06,731 ♪ LOVE IS A COWBOY MM-MM 801 00:36:06,797 --> 00:36:09,867 ♪ YOU CAN WRAP YOUR ARMS AROUND IT 802 00:36:09,934 --> 00:36:12,303 ♪ BUT YOU CAN'T MAKE IT STAY ALL THE BAD ONES SAY 803 00:36:12,370 --> 00:36:17,174 ♪ THEY'RE THE GOOD, AND ALL THE GOOD ONES RIDE AWAY 804 00:36:17,241 --> 00:36:21,112 ♪ A LITTLE EL DORADO AND A LITTLE BIT JOHN WAYNE 805 00:36:21,178 --> 00:36:26,450 ♪ LOVE IS A COWBOY MM-MM 806 00:36:26,517 --> 00:36:31,489 ♪ MAKES YOUR HEART FEEL LIKE WILD HORSES IN YOUR CHEST 807 00:36:31,556 --> 00:36:36,727 ♪ TRYING TO CATCH IT'S LIKE TRYNA TAME A WILD, WILD WEST 808 00:36:36,794 --> 00:36:41,465 ♪ AND WHEN I'M WITH HIM IT'S LIKE ROPIN' THE WIND 809 00:36:41,532 --> 00:36:47,204 ♪ LOVE IS A COWBOY MM-MM 810 00:36:47,271 --> 00:36:52,076 ♪ TAKE YOUR DANCIN' IN THAT NEON LEAVING YOU CRYIN' IN IT, TOO 811 00:36:52,143 --> 00:36:54,345 ♪ YEAH, GETS YA DRUNK LIKE WHISKEY 812 00:36:54,412 --> 00:36:59,350 AND HIGHER THAN THE MOON ♪ SO WHEN YOU GET THAT FEELIN' 813 00:36:59,417 --> 00:37:03,888 HOLD ON TO YOUR BOOTS ♪ LOVE IS A COWBOY 814 00:37:03,955 --> 00:37:08,459 MM-MM ♪ MAKES YOUR HEART FEEL LIKE 815 00:37:08,526 --> 00:37:12,730 WILD HORSES IN YOUR CHEST ♪ TRYING TO CATCH IT'S LIKE 816 00:37:12,797 --> 00:37:18,436 TRYNA TAME A WILD, WILD WEST ♪ AND WHEN I'M WITH HIM 817 00:37:18,502 --> 00:37:23,441 IT'S LIKE ROPIN' THE WIND ♪ LOVE IS A COWBOY 818 00:37:23,507 --> 00:37:27,244 MM-MM ♪ IT'LL MAKE YOU FEEL LIKE 819 00:37:27,311 --> 00:37:31,682 OOH-OOH-OOH-OOH-OOH ♪ OR IT'LL LEAVE YOU 820 00:37:31,749 --> 00:37:36,153 BLUE, OOH-OOH-OOH-OOH ♪ NO MATTER WHAT YOU 821 00:37:36,220 --> 00:37:43,628 DO, OOH-OOH-OOH-OOH ♪ YEAH, LOVE IS A COWBOY 822 00:37:43,694 --> 00:37:48,499 MM-MM ♪ IT MAKES YOUR HEART FEEL LIKE 823 00:37:48,566 --> 00:37:52,770 WILD HORSES IN YOUR CHEST ♪ TRYING TO CATCH IT'S LIKE 824 00:37:52,837 --> 00:37:59,276 TRYNA TAME THE WILD, WILD WEST ♪ IT'S RECKLESS AND RUGGED 825 00:37:59,343 --> 00:38:03,748 IT'S SWEET AND IT'S STUBBORN ♪ LOVE IS A COWBOY 826 00:38:03,814 --> 00:38:08,753 MM-MM ♪ YEAH, AND WHEN I'M WITH HIM 827 00:38:08,819 --> 00:38:15,726 IT'S LIKE ROPIN' THE WIND ♪ LOVE IS 828 00:38:15,793 --> 00:38:17,795 A COWBOY ♪ [CHEERS AND APPLAUSE] 829 00:38:25,202 --> 00:38:29,607 >> James: LADIES AND GENT GENTLEMEN, THE INCREDIBLE KELSEA 830 00:38:29,674 --> 00:38:30,107 BALLERINI. 831 00:38:30,174 --> 00:38:30,908 WE'LL BE RIGHT BACK! 832 00:38:30,975 --> 00:38:32,777 YOU CAN CATCH HER ON TOUR RIGHT NOW. 833 00:38:32,843 --> 00:38:34,078 COME ON BACK, EVERYBODY! 834 00:38:34,145 --> 00:38:35,279 YOU ARE SO TALENTED! 835 00:38:35,346 --> 00:38:37,348 >> THANK YOU. 836 00:38:49,994 --> 00:38:51,696 >> James: THANK YOU SO MUCH FOR WATCHING. 837 00:38:51,762 --> 00:38:54,699 TOMORROW NIGHT, MAX GREENFIELD IS GOING TO BE HERE. 838 00:38:54,765 --> 00:38:56,934 AND WE'LL STAND UP -- WE'LL HEAR STAND-UP. 839 00:38:57,001 --> 00:38:59,003 REGGIE, TAKE US HOME!