1 00:00:03,169 --> 00:00:04,070 >> ARE I READY Y'ALL 2 00:00:04,137 --> 00:00:06,539 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 3 00:00:06,606 --> 00:00:13,880 ♪ ON THE SHOW TONIGHT IT'LL BE ALL RIGHT 4 00:00:13,947 --> 00:00:17,650 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: LADIES AND GENTLEMEN, 5 00:00:17,717 --> 00:00:22,789 GENTLEMEN, ALL THE WAY FROM EAGLE CREEK, MICHIGAN FROM THE 6 00:00:22,856 --> 00:00:25,325 HEART OF THE COAL MINING CENTER OF AMERICA, GIVE IT UP FOR YOUR 7 00:00:25,392 --> 00:00:36,970 HOST, THE ONE, THE ONLY JAMES CORDEN! 8 00:00:37,036 --> 00:00:39,773 >> James: HOW ARE YOU, THANK YOU VERY, VERY MUCH, I 9 00:00:39,839 --> 00:00:44,477 APPRECIATE IT YOU'RE VERY KIND. THANK YOU VERY, VERY MUCH, 10 00:00:44,544 --> 00:00:46,413 EVERYBODY. CHEESIER, GUYS. 11 00:00:46,479 --> 00:00:49,516 HELLO, GOOD EVENING. AND WELCOME TO THE "LATE, LATE 12 00:00:49,582 --> 00:00:51,551 SHOW." THANKS FOR STOPPING BY. 13 00:00:51,618 --> 00:00:56,423 THANKS FOR BEING HERE, THANKS FOR COMING OUT, EVERYBODY. 14 00:00:56,489 --> 00:00:57,791 LET'S SEE WHO THE GUESTS ARE ON THE SHOW TONIGHT! 15 00:00:57,857 --> 00:01:00,560 SHE'S A MULTIPLE EMMY-WINNING HOST, COMEDIAN, AND ACTOR 16 00:01:00,627 --> 00:01:03,163 WHO CAN CURRENTLY BE SEEN IN "AMERICAN GIGOLO," "A LEAGUE OF 17 00:01:03,229 --> 00:01:07,367 THEIR OWN," AND "THE L WORD: GENERATION Q," THE ONE, THE 18 00:01:07,434 --> 00:01:12,105 ONLY, THE LEGENDARY, ROSIE O'DONNELL! 19 00:01:12,172 --> 00:01:14,374 IS HERE TONIGHT. ROSIE! 20 00:01:14,441 --> 00:01:16,543 >> HOW ARE YOU? >> I'M SO EXCITED STO BE HERE. 21 00:01:16,609 --> 00:01:18,411 >> James: I'M SO HAPPY THAT YOU ARE HERE. 22 00:01:18,478 --> 00:01:20,480 ARE YOU ONE OF MY FAVORITE PEOPLE. 23 00:01:20,547 --> 00:01:23,616 I'M ALWAYS THRILLED WHEN I GET TO COME AND SEE YOU BEFORE THE 24 00:01:23,683 --> 00:01:25,652 SHOW. YOU ALWAYS OFFER ME A LITTLE 25 00:01:25,718 --> 00:01:28,888 GLIMPSE OF WISDOM, JOY AND LOVE. AND I MEAN THAT FROM THE BOTTOM 26 00:01:28,955 --> 00:01:31,324 OF MY HEART. >> WELL, I LOVE YOU BACK, JAMES, 27 00:01:31,391 --> 00:01:35,295 I REALLY DO I THINK DO YOU A GREAT SHOW AND I'M THRILLED TO 28 00:01:35,361 --> 00:01:36,563 BE A PART OF IT. >> James: WE ARE THRILLED ARE 29 00:01:36,629 --> 00:01:41,134 YOU HERE, WE LOVE YOU, ROSIE O'DONNELL, EVERYBODY. 30 00:01:41,201 --> 00:01:43,069 HE'S A TALENTED ACTOR YOU KNOW FROM "FREE GUY," "BRITTANY RUNS 31 00:01:43,136 --> 00:01:46,940 A MARATHON," AND "PITCH PERFECT," THE DASHING, THE 32 00:01:47,006 --> 00:01:50,376 I SAID THAT TWICE NOW, WHO ELSE COULD IT BE, MAYBE THAT IS MY 33 00:01:50,443 --> 00:01:53,246 NEW THING S IT TOO LATE FOR ME TO GET A THING. 34 00:01:53,313 --> 00:01:58,751 WHO ELSE COULD IT BE. BUT WE LOVE HIM, THE WONDERFUL, 35 00:01:58,818 --> 00:02:03,156 UTKARSH AMBUDKAR IS HERE TONIGHT. 36 00:02:03,223 --> 00:02:05,825 HOW ARE YOU? >> SO GREAT TO BE HERE. 37 00:02:05,892 --> 00:02:08,661 A LOT OF SALT ON THESE COOKIES. >> James: THEY ARE HEAVILY 38 00:02:08,728 --> 00:02:10,797 SALTED COOKIE. >> DELICIOUS. 39 00:02:10,864 --> 00:02:14,133 >> James: SOME OF STHEM ARE SALT, SOME OF THEM ARE COCAINE. 40 00:02:14,200 --> 00:02:16,703 >> I TOOK MY BLOOD PRESSURE MEDICATION EITHER WAY SO WE'RE 41 00:02:16,769 --> 00:02:17,937 GOOD. >> James: YOU'RE ALL GOOD. 42 00:02:18,004 --> 00:02:20,340 HOW ARE YOU. EVERYTHING GOOD? 43 00:02:20,406 --> 00:02:24,611 >> I'M GREAT, ROSIE O'DONNELL JUST SIGNED MY BARBIE DOLL OF 44 00:02:24,677 --> 00:02:26,546 HERS. I'M JUST A LIVING LEGEND ACROSS 45 00:02:26,613 --> 00:02:29,449 THE HALL, SO MANY EMMY, IT LOOKS SO GOOD BACK HERE, LOVE IT. 46 00:02:29,516 --> 00:02:33,353 >> James: A COOKIE IN YOUR HAND, WHAT COULD BE BETTER, WE 47 00:02:33,419 --> 00:02:38,057 LOVE YOU, UTKARSH AMBUDKAR, EVERYBODY. 48 00:02:38,124 --> 00:02:39,058 AND HE'S A GRAMMY AWARD-WINNING 49 00:02:39,125 --> 00:02:43,696 SINGER-SONGWRITER, HIS DEBUT SOLO ALBUM IS CALLED 50 00:02:43,763 --> 00:02:47,066 IS ABSOLUTELY BRILLIANTS, I SAW HIM FRIDAY NIGHT AT THE 51 00:02:47,133 --> 00:02:51,037 WILSON, BEST CONCERT IN YEAR, HIS ALBUM IS CALLED SELF-TITLED 52 00:02:51,104 --> 00:02:53,940 AND HE'S GOING TO CHAT AND PERFORM FOR US LATER TONIGHT. 53 00:02:54,007 --> 00:02:56,009 THE ONE, THE ONLY, WHO ELSE COULD IT BE. 54 00:02:56,075 --> 00:03:03,283 MARCUS MUMFORD IS HERE TONIGHT. MARCUS, HOW ARE YOU? 55 00:03:03,349 --> 00:03:04,517 WHO ELSE COULD IT BE. HOW ARE YOU. 56 00:03:04,584 --> 00:03:08,454 >> I'M VERY WELL, I'VE BEEN SNORTING SALT FOR THE LAST HOUR. 57 00:03:08,521 --> 00:03:10,256 >> James: HEY, MARCUS, LOOK AT YOU. 58 00:03:10,323 --> 00:03:13,326 HOW DOES IT FEEL DOING WHAT YOU ARE DOING RIGHT NOW WITHOUT YOUR 59 00:03:13,393 --> 00:03:15,061 SONS AROUND? >> IT'S DIFFERENT. 60 00:03:15,128 --> 00:03:16,863 >> James: IT MUST BE DIFFERENT. 61 00:03:16,930 --> 00:03:18,631 >> IT IS DIFFERENT. >> James: THANK YOU SO MUCH 62 00:03:18,698 --> 00:03:21,601 FOR BEING HERE, SO EXCITED FOR YOUR PERFORMANCE LATER ON. 63 00:03:21,668 --> 00:03:25,438 MARCUS MUMFORD, EVERYBODY. ARE YOU READY? 64 00:03:25,505 --> 00:03:27,240 >> Reggie: YES. >> James: THEN LET'S 65 00:03:27,307 --> 00:03:29,375 REGGIE, ARE YOU READY? THEN LET'S! 66 00:03:29,442 --> 00:03:31,010 I'M JAMES CORDEN, AND THIS? THIS IS "THE LATE LATE SHOW!" 67 00:03:31,077 --> 00:03:32,245 ROLL THE TITLES! COME ON! 68 00:03:36,649 --> 00:03:40,320 ♪ THE LATE LATE SHOW, OH, OH 69 00:03:40,386 --> 00:03:47,226 THE LATE LATE SHOW, WOO! ♪ THE LATE LATE SHOW, OH, OH 70 00:03:47,293 --> 00:03:51,531 THE LATE LATE SHOW OH-OH! ♪ IT'S THE LATE, LATE SHOW ♪ 71 00:03:51,598 --> 00:03:56,102 >> James: IT CERTAINLY IS! IS BLESS YOU FOR BEING HERE. 72 00:03:56,169 --> 00:03:58,805 HEY, I WANT TO TALK ABOUT SOMETHING STRAIGHT OFF THE BAT, 73 00:03:58,871 --> 00:04:00,873 RIGHT OFF THE TOP OF THE DOME DISURKS SEE IT LAST NIGHT, DID 74 00:04:00,940 --> 00:04:03,743 YOU WATCH IT. EVERYONE. 75 00:04:03,810 --> 00:04:04,877 >> EVERYONE WAS WATCHING IT. >> James: DID YOU SEE IT. 76 00:04:04,944 --> 00:04:08,481 >> I SAW IT. >> James: REGGIE WATTS ON 77 00:04:08,548 --> 00:04:12,218 CELEBRITY JEOPARDY. UNREAL. 78 00:04:12,285 --> 00:04:14,587 SO GOOD. HOW WAS IT, REG, DID YOU ENJOY 79 00:04:14,654 --> 00:04:16,055 IT. >> Reggie: IT WAS A TRIP. 80 00:04:16,122 --> 00:04:22,061 ME AND EDDIE WERE JUST CHILL, YOU KNOW ELIZA WAS ELIZA. 81 00:04:22,128 --> 00:04:23,930 >> James: I ABSOLUTELY LOVED IT. 82 00:04:23,997 --> 00:04:26,899 THIS WAS AN INTERESTING MOMENT. >> NO SURPRISE THE PARIS LAS 83 00:04:26,966 --> 00:04:31,337 VEGAS HOTEL HAS A 540 FOOT TALL REPLICA OF THIS LANDMARK. 84 00:04:31,404 --> 00:04:35,675 ED YE. >> WHAT IS THE STATUE OF LIBERTY 85 00:04:35,742 --> 00:04:38,211 JDZ NOR. EL EIZA. 86 00:04:38,277 --> 00:04:40,647 >> THE PARIS. >> James: NO. 87 00:04:40,713 --> 00:04:47,587 REGGIE. >> WHAT IS THE TOUR DEIFFEL. 88 00:04:47,654 --> 00:04:51,124 >> James: NO WHAT STD EIFFEL TOWER. 89 00:04:51,190 --> 00:04:52,291 HOLD ON, REGGIE, ARE YOU CORRECT, THAT IS FRENCH FOR WHAT 90 00:04:52,358 --> 00:04:56,529 IS THE EIFFEL TOWER. THAT PUTS NEW THE LEAD. 91 00:04:56,596 --> 00:05:03,336 >> James: YEAH IT DOES. >> Reggie: I LIKE THAT. 92 00:05:03,403 --> 00:05:04,570 >> James: AS SOON AS I SAW MAYIM LIKE, THAT I THOUGHT, IT 93 00:05:04,637 --> 00:05:08,608 IS ACTUALLY JUST NICE TO SEE ANOTHER TV HOST CONFUSED BY WHAT 94 00:05:08,675 --> 00:05:14,447 REGGIE IS SAYING WHAT WAS WAS YOUR THOUGHT BEHIND TALKING IN 95 00:05:14,514 --> 00:05:16,449 FRENCH. >> Reggie: I DID IT, I DIDN'T 96 00:05:16,516 --> 00:05:17,717 REALLY THINK ABOUT IT BUT THE THING YOU DON'T SEE THERE IS A 97 00:05:17,784 --> 00:05:20,553 REALLY QUICK EDIT A-- ARE YOU CORRECT. 98 00:05:20,620 --> 00:05:23,423 THERE WAS THIS STOP DOWN, A LOT OF CONVERSATIONS GOING ON. 99 00:05:23,489 --> 00:05:30,997 AND LIKE-- WELL,-- LIKE, AND MAYIM IS JUST LIKE LIKE. 100 00:05:31,064 --> 00:05:35,401 >> James: PEOPLE GO DO WE ACCEPT FRENCH ANSWER. 101 00:05:35,468 --> 00:05:39,205 >> Reggie: YEAH,S TO ALLLY, I WAS JUST GOING FOR IT IT CAUSED 102 00:05:39,272 --> 00:05:42,742 SCOM WAVES BUT THAT'S OKAY BECAUSE IN THE END, WE ALL 103 00:05:42,809 --> 00:05:47,547 LEARNED SO MUCH ABOUT THINGS. >> James: WE DID, YEAH. 104 00:05:47,613 --> 00:05:50,316 ALSO LIKE THAT YOU DECIDED TO ANSWER IN FRENCH AND THE 105 00:05:50,383 --> 00:05:54,754 QUESTION WAS ABOUT THE PARIS HOTEL IN VEGAS. 106 00:05:54,821 --> 00:05:56,789 >> Reggie: THAT'S CORRECT. >> James: IT IS THE 107 00:05:56,856 --> 00:06:05,331 EQUIVALENTS OF ORDERING CHORIZO BURRITO AT DEL TACO. 108 00:06:05,398 --> 00:06:08,768 WE HAVE TO TALK ABOUT THIS QUESTION, THERE WAS A QUESTION 109 00:06:08,835 --> 00:06:13,139 THAT REALLY STUMPED REGGIE. >> A SUMMER 2018 COLLABORATION 110 00:06:13,206 --> 00:06:16,075 BETWEEN TROY SEVAN AND HER. EL EIZA. 111 00:06:16,142 --> 00:06:21,547 >> WHO IS ARIANA GRANDE. >> YES. 112 00:06:21,614 --> 00:06:22,381 >> OKAY. >> James: HOW DID YOU NOT 113 00:06:22,448 --> 00:06:26,052 KNOW. SHE'S BEEN ON THE SHOW LIKE 12 114 00:06:26,119 --> 00:06:27,687 TIMES. SHE'S BEEN HERE. 115 00:06:27,754 --> 00:06:30,056 YOU HAVE WATCHED HER FROM THREE FEET AWAY. 116 00:06:30,123 --> 00:06:32,391 SHE'S BEEN ON THE COUCH. SHE'S DONE SORNTION SHE'S DONE 117 00:06:32,458 --> 00:06:39,732 SKETCHES, CARPOOLS, EVERYTHING. >> LISTEN, I MEAN I'M MORE USED 118 00:06:39,799 --> 00:06:44,670 TO HER SISTER'S WORK, ARIANA VENTSE BUT I JUST LIKE-- SO THAT 119 00:06:44,737 --> 00:06:50,276 IS WHERE, AND SHE'S MORE UNDERGROUND, KIND OF LIKE 120 00:06:50,343 --> 00:06:51,277 SOLANGE. YOU KNOW WHAT I MEAN. 121 00:06:51,344 --> 00:06:53,646 >> James: LOOK AT YOUR FACE, LOOK, LOOK AT THAT. 122 00:06:53,713 --> 00:06:55,148 NO IDEA. >> NOPE. 123 00:06:55,214 --> 00:06:58,351 >> James: AND HE AS IF SEEING SOMEONE FOR THE FIRST TIME. 124 00:06:58,417 --> 00:07:00,119 >> Reggie: NOT AT ALL. >> James: THERE IS ALWAYS THE 125 00:07:00,186 --> 00:07:04,257 FINAL JEOPARDY FOR A MASSIVE COME BACK. 126 00:07:04,323 --> 00:07:09,729 NOW THE CATEGORY WAS 19th CENTURY LITERATURE I WILL SAY IF 127 00:07:09,796 --> 00:07:13,065 AGAIN, 19th CENTURY LITERATURE, LET'S HAVE A LOOK. 128 00:07:13,132 --> 00:07:16,536 >> WILLIAM BRODY, AN UPSTANDING SCOTTISH TRADESMAN BY DAY AND 129 00:07:16,602 --> 00:07:19,772 LEADER OF A GANG OF BURGLARS BY NIGHT HELPED INSPIRE THESE TWO 130 00:07:19,839 --> 00:07:34,720 TITLE CHARACTERS. >> WE'LL BEGIN WITH YOU, REGGIE 131 00:07:34,787 --> 00:07:42,028 TITLE CHARACTERS. >> WE'LL BEGIN WITH YOU, REGGIE 132 00:07:42,094 --> 00:07:48,067 WHAT DID YOU COME UP WITH. >> Reggie: WHO IS THELMA AND 133 00:07:48,134 --> 00:07:52,572 LOUISE. (APPLAUSE). 134 00:07:52,638 --> 00:07:55,908 >> James: ABSOLUTELY EXCEPTIONAL. 135 00:07:55,975 --> 00:07:59,111 YOU DID US PROUD, REG, WERE YOU ABSOLUTELY BRILLIANT. 136 00:07:59,178 --> 00:08:03,516 YOU REALLY, REALLY WERE. >> James: BUT IT'S THAT TIME. 137 00:08:03,583 --> 00:08:07,453 IT'S TIME FOR THE NEWS. I HATE TO BE THE BEARER OF BAD 138 00:08:07,520 --> 00:08:11,224 NEWS BUT HERE IS A STORY. AFTER THE BIDEN ADMINISTRATION 139 00:08:11,290 --> 00:08:14,927 UIETLY CHANGED THE GUIDELINES THE OTHER DAY, MORE THAN 700,000 140 00:08:14,994 --> 00:08:20,333 BORROWERS WILL NO LONGER QUALIFY FOR FEDERAL STUDENT LOAN RELIEF 141 00:08:20,399 --> 00:08:23,369 CUZ THAT'S HOW YOU WANT TO HEAD INTO THE MID TERMS BY MULLING 142 00:08:23,436 --> 00:08:27,406 THE SWITCHEROO OO WITH MASSIVE AMOUNTS OF LIFE CRIPPLING DEBT, 143 00:08:27,473 --> 00:08:31,043 ONE EXPERT DESCRIBED THE MOVE AS QUOTE A GUT PUNCH TO STAY THE 144 00:08:31,110 --> 00:08:34,113 LEAST AND THAT'S MORE BAD NEWS BECAUSE GUT PUNCHES AREN'T 145 00:08:34,180 --> 00:08:36,182 COVERED UNDER BIDEN'S HEALTH-CARE PLAN. 146 00:08:36,249 --> 00:08:38,484 EVEN WORSE, THE BIDEN ADMINISTRATION IS NOW TRYING TO 147 00:08:38,551 --> 00:08:42,455 SPIN IT BY SAYING DON'T THINK OF THIS AS US GOING BACK ON OUR 148 00:08:42,521 --> 00:08:46,292 WORD, THINK OF THIS AS A SECOND FREE EDUCATION WHICH IS NEVER 149 00:08:46,359 --> 00:08:52,565 TRUST THE GOVERNMENT. IN OTHER NEWS, POPE FRANCIS HAD 150 00:08:52,632 --> 00:08:55,935 A ONE-ON-ONE MEETING WITH C.E.O. TIM COOK AT THE VATICAN EARLIER 151 00:08:56,002 --> 00:09:00,106 TODAY NO WORD YET ON WHAT THEY DISCUSSED BUT WE DO KNOW AT SOME 152 00:09:00,172 --> 00:09:06,379 POINT TIM COOK SAID WELL, THE CAMERA SAY LITTLE BETTER THE 153 00:09:06,445 --> 00:09:09,515 POPE HAS BUILT A REPUTATION FOR BEING SCEPTICAL ABOUT NEW 154 00:09:09,582 --> 00:09:11,250 TECHNOLOGIES WHICH DOES MAKE SENSE IT IS PROBABLY HARD TO 155 00:09:11,317 --> 00:09:14,754 SELL THE VATICAN ON THE IDEA OF FACETIME WHEN THEY STILL 156 00:09:14,820 --> 00:09:18,557 COMMUNICATE THROUGH PUFFS OF WHITE SMOKE. 157 00:09:18,624 --> 00:09:22,495 I WOULD LOVE FOR THE POPE TO GET SUPER INTO TECH, FULLY EMBRACE 158 00:09:22,561 --> 00:09:26,933 IT SO WHEN IS HE BLESSING YOU HE IS LIKE IN THE NAME OF THE 159 00:09:26,999 --> 00:09:31,637 FATHER, THE SON-- SORRY. WHAT WAS I SAYING? 160 00:09:31,704 --> 00:09:37,576 WHAT WAS THAT? I WOULD LIKE HIM TO GET INTO 161 00:09:37,643 --> 00:09:44,216 TIKTOK LIKE FROM INSIDE THE POPE MOBILE. 162 00:09:44,283 --> 00:09:46,419 >> James: AND DID YOU SEETHIS? ELON MUSK SHOWED OFF HIS NEW 163 00:09:46,485 --> 00:09:49,722 OPTIMUS ROBOT PROTOTYPE ON FRIDAY, AND IT WAS MORE THAN A 164 00:09:49,789 --> 00:09:53,559 LITTLE UNDERWHELMING. NOW, THIS IS WHAT WE WERE 165 00:09:53,626 --> 00:09:56,362 ORIGINALLY PROMISED. AND THIS IS WHAT ACTUALLY SHOWED 166 00:09:56,429 --> 00:10:11,310 UP ON STAGE. ♪. 167 00:10:11,377 --> 00:10:15,181 UP ON STAGE. ♪. 168 00:10:15,247 --> 00:10:17,917 I FEEL LIKE I'VE SEEN THIS ROB ODD BEFORE. 169 00:10:17,984 --> 00:10:20,386 IN LIKE 1996. IT WALKS LIKE SOMEONE WEARING 170 00:10:20,453 --> 00:10:25,024 HEELS FOR THE FIRST TIME. IT WALKS LIKE THE BABY JUST 171 00:10:25,091 --> 00:10:29,962 WENT TO SLEEP AND YOU'RE TRYING NOT TO WAKE IT UP. 172 00:10:30,029 --> 00:10:33,265 THAT ROBOT IS SUCH TRASH I HALF EXPECTED A ROOMBA TO COME OUT 173 00:10:33,332 --> 00:10:41,207 AND TAKE IT AWAY. WOULD YOU BUY UP WITH OF THOSE 174 00:10:41,273 --> 00:10:45,244 ROBOTS? LET'S SAY THAT ROBOT IS $2000. 175 00:10:45,311 --> 00:10:46,545 >> NO. >> James: NO. 176 00:10:46,612 --> 00:10:47,880 A THOUSAND DOLLARS. >> NO. 177 00:10:47,947 --> 00:10:52,918 >> James: $500. >> WHAT I WOULD DO IS-- IF I 178 00:10:52,985 --> 00:10:54,053 WANTED A ROBOT LIKE THAT. >> James: YEAH. 179 00:10:54,120 --> 00:11:03,496 >> IS GO TO A BANKRUPT CLUCK E CHEESE, TAKE ONE OF THE 180 00:11:03,562 --> 00:11:06,732 ANIMATRONIC CHUCK E CHEESE GUY, STRIP THE FUR OFF OF HIM AND 181 00:11:06,799 --> 00:11:08,234 THEN YOU BASICALLY HAVE IT. >> James: IT LOOKS LIKE 182 00:11:08,300 --> 00:11:10,603 SOMETHING IN A RIDE IN DISNEY WORLD. 183 00:11:10,669 --> 00:11:11,771 >> YEAH. >> James: YOU KNOW WHEN ARE 184 00:11:11,837 --> 00:11:18,244 YOU ON PIRATES OF THE CARIBBEAN AND THEY ARE JUST GOING. 185 00:11:18,310 --> 00:11:19,545 >> YEAH. >> James: THAT'S IT AND DID 186 00:11:19,612 --> 00:11:25,818 YOU HEAR ABOUT THIS AND DID YOU HEAR ABOUT THE 187 00:11:25,885 --> 00:11:27,053 SCANDAL THAT ROCKED THE PROFESSIONAL FISHING WORLD OVER 188 00:11:27,119 --> 00:11:28,421 THE WEEKEND? AT A TOURNAMENT IN OHIO, TWO 189 00:11:28,487 --> 00:11:30,089 FISHERMEN ALLEGEDLY STUFFED THEIR FISH WITH METAL WEIGHTS TO 190 00:11:30,156 --> 00:11:31,357 INCREASE THE WIGHT OF THEIR CATCH. 191 00:11:31,424 --> 00:11:34,360 HERE'S THE MOMENT WHEN THEY WERE FOUND OUT AND CONFRONTED ONE OF 192 00:11:34,427 --> 00:11:44,970 THE ALLEGED PERPETRATORS. >> WE GOT WEIGHTS IN FISH. 193 00:11:45,037 --> 00:11:49,041 GET THE [BLEEP] OUT OF HERE. [BLEEP]. 194 00:11:49,108 --> 00:12:03,989 >> YOU COULD GO TO JAIL! [BLEEP] [BLEEP]. 195 00:12:04,056 --> 00:12:05,524 >> YOU COULD GO TO JAIL! [BLEEP] [BLEEP]. 196 00:12:05,591 --> 00:12:13,365 >> I MEAN-- (APPLAUSE) 197 00:12:13,432 --> 00:12:14,633 YOU >> James: YOU 100% COULD'VE TOLD 198 00:12:14,700 --> 00:12:15,534 ME THAT WAS FOOTAGE FROM JANUARY 6th AND I WOULD HAVE BELIEVED 199 00:12:15,601 --> 00:12:19,338 YOU. HONESTLY, IN A MILLION YEARS, 200 00:12:19,405 --> 00:12:23,008 I WOULD NEVER BE ABLE TO GUESS THAT PROFESSIONAL FISHERMEN'S 201 00:12:23,075 --> 00:12:30,950 TRASH TALK WOULD INCLUDE THE PHRASE, WHERE'S YOUR CROWN NOW? 202 00:12:31,016 --> 00:12:34,286 WHERE'S YOUR CROWN NOW! THAT'S LIKE WHAT I SAY TO LOUIS 203 00:12:34,353 --> 00:12:38,557 WHEN I BEAT HIM IN A GAME OF CROQUET. 204 00:12:38,624 --> 00:12:41,127 I TELL YOU WHAT, IT DID MAKE ME BANT TO GET INTO PROFESSIONAL 205 00:12:41,193 --> 00:12:47,066 FISHING THOUGH, LIKE IF THAT IS WHAT GOES DOWN? 206 00:12:47,133 --> 00:12:49,969 WHY ISN'T THIS TELEVISED. >> I THINK THEY SHOULD GO THE 207 00:12:50,035 --> 00:12:53,172 OTHER WAY, THEY SHOULD MAKE IT THE WILD WEST, CHEAT HOWEVER YOU 208 00:12:53,239 --> 00:12:57,910 WANT, YOU KNOW. GO-- LIKE WEIGH DOWN FISH, SCUBA 209 00:12:57,977 --> 00:13:01,213 DRIVER V A GUY DRESS UP AS A MERMAID, PULL HIM OUT, WEIGH 210 00:13:01,280 --> 00:13:02,681 THAT DUDE. >> I THINK THE PRIZE IS LIKE 211 00:13:02,748 --> 00:13:07,119 FIVE GRAND, FIVE GRAND, DO YOU WANT TO GET IT INTO T REG, 212 00:13:07,186 --> 00:13:08,187 PROFESSIONAL FISHING. >> Reggie: YEAH, THAT SOUNDS 213 00:13:08,254 --> 00:13:14,927 LIKE A LOT OF FUN. (APPLAUSE) 214 00:13:14,994 --> 00:13:17,363 FEDERAL SUPREME COURT OF SWITZERLAND HAS RULED THAT THE 215 00:13:17,429 --> 00:13:21,600 CHOCOLATE BUNNIES MADE BY THE GERMAN COMPANY LIDL ARE TOO 216 00:13:21,667 --> 00:13:25,938 SIMILAR TO THE ONES MADE BY THE SWISS COMPANY LINDT, THEREFORE, 217 00:13:26,005 --> 00:13:35,314 LIDL MUST DESTROY ALL OF THEIR BUNNIES. 218 00:13:35,381 --> 00:13:41,153 OKAY, YOU'RE SAD ABOUT THE BUNNIES, THINK FOR A MINUTE. 219 00:13:41,220 --> 00:13:42,755 THESE ARE THE KINDS OF CASES THE SUPREME COURT IS HANDLING IN 220 00:13:42,821 --> 00:13:46,792 SWITZERLAND? THAT MUST BE SO NICE. 221 00:13:46,859 --> 00:13:49,295 LIVING THERE. I DON'T KNOW WHEN THEY'RE GOING 222 00:13:49,361 --> 00:13:50,863 TO DESTROY THE CHOCOLATE BUNNIES, BUT I KNOW THEY'RE 223 00:13:50,930 --> 00:13:54,099 GOING TO DO IT BY BITING THE EARS OFF FIRST. 224 00:13:54,166 --> 00:13:57,403 DON'T WORRY, THOUGH, LIDL PLANS TO MELT DOWN AND REPACKAGE THE 225 00:13:57,469 --> 00:14:00,906 CHOCOLATE INTO A COMPLETELY ORIGINAL, BRAND NEW PRODUCT TO 226 00:14:00,973 --> 00:14:04,310 AVOID ANY FURTHER COPYRIGHT ISSUES. 227 00:14:04,376 --> 00:14:08,047 THEY'RE CALLING IT THE LIDL'S SMOOCH. 228 00:14:08,113 --> 00:14:09,982 AND THAT'S THE NEWS! WE'LL BE RIGHT BACK! 229 00:14:21,160 --> 00:14:22,494 >> James: WELCOME BACK. >> James: LET'S MEET OUR GUESTS 230 00:14:22,561 --> 00:14:24,330 TONIGHT! HIS NEW ALBUM "SELF-TITLED" 231 00:14:24,396 --> 00:14:28,634 IS OUT NOW, MARCUS MUMFORD! >> Reggie: IT'S MARCUS 232 00:14:28,701 --> 00:14:37,910 MUMFORD, LOOKING GOOD, MAN. >> James: HE STARS IN "GHOSTS," 233 00:14:37,977 --> 00:14:42,781 UTKARSH AMBUDKAR! IT'S UTKARSH. 234 00:14:42,848 --> 00:14:50,623 HE'S LOOKING GOOD. SHE STARS IN "AMERICAN GIGOLO," 235 00:14:50,689 --> 00:14:58,197 ROSIE O'DONNELL! >> Reggie: IT'S ROSIE 236 00:14:58,264 --> 00:15:13,145 O'DONNELL. >> James: HAVE A SEAT, PLEASE. 237 00:15:13,212 --> 00:15:14,046 O'DONNELL. >> James: HAVE A SEAT, PLEASE. 238 00:15:14,113 --> 00:15:16,482 >> HEY. >> James: HEY GANG, HOW ARE 239 00:15:16,548 --> 00:15:21,487 YOU? >> GOOD. 240 00:15:21,553 --> 00:15:23,989 >> James: I'M SO HAPPY ARE YOU HERE, THANK YOU FOR COMING TO 241 00:15:24,056 --> 00:15:27,726 SEE US. MARCUS, I FEEL LIKE I HAVE SEEN 242 00:15:27,793 --> 00:15:28,661 YOU VERY RECENTLY, I WAS THERE AT THE WILTON, SAW YOU FRIDAY 243 00:15:28,727 --> 00:15:31,163 NIGHT IN L.A YOU WERE ABSOLUTELY FANTASTIC. 244 00:15:31,230 --> 00:15:34,099 YOU LOOKED LIKE YOU WERE HAVING A BLAST UP THERE, HAVING A 245 00:15:34,166 --> 00:15:35,467 REALLY GOOD TIME. >> I WAS HAVING A GREAT TIME. 246 00:15:35,534 --> 00:15:39,204 BUT YOU PARKED YOUR CAR OUTSIDE OUR TRUCK AND BLOCKED THE WAY 247 00:15:39,271 --> 00:15:42,574 FOR THE CREW SO WE COULDN'T GET ALL OUR GEAR OUT. 248 00:15:42,641 --> 00:15:44,877 >> James: THAT WASN'T ME, YOU KNOW THAT WASN'T ME. 249 00:15:44,943 --> 00:15:47,012 >> YOU GOT ALL THE BLAME, JAMES CORDEN WAS PARKED. 250 00:15:47,079 --> 00:15:49,481 >> James: IT WASN'T ME, I WAS NOT DRIVING THAT NIGHT BECAUSE 251 00:15:49,548 --> 00:15:53,319 HI HAD QUITE SOME DRINKS, ROSIE O DOANL THAT IS THE TRUTH. 252 00:15:53,385 --> 00:15:56,789 >> AND THAT IS A GOOD WAY TO GO I NEVER UNDERSTAND WHY A 253 00:15:56,855 --> 00:16:00,125 CELEBRITY GETS A DRUNK DRIVING CHARGE WHEN IN IS UBER, HOW LAZY 254 00:16:00,192 --> 00:16:03,128 DO YOU HAVE TO BE. >> James: FOR SURE, BUT WE'RE 255 00:16:03,195 --> 00:16:05,798 THRILLED ARE YOU HERE. ROSIE, YOU ARE HAVING QUITE THE 256 00:16:05,864 --> 00:16:07,900 MOMENT. YOU ARE ON FIRE RIGHT NOW, YOU 257 00:16:07,966 --> 00:16:11,003 HAVE BEEN SHOOTING THE NEW SEE SOFN THE L WORD. 258 00:16:11,070 --> 00:16:16,909 YOU DID YOUR FIRST-- TOLD YOU ABOUT THIS, THAT IS OKAY, FIRST 259 00:16:16,975 --> 00:16:19,311 GAY LOVE SCENE. >> MY FIRST GAY LOVE SCENE. 260 00:16:19,378 --> 00:16:21,547 >> James: YOU HAVE DONE MNY LOVE SCENES BEFORE. 261 00:16:21,613 --> 00:16:23,716 >> HAVE I DONE THREE, ALL WITH MEN. 262 00:16:23,782 --> 00:16:26,251 AND SO THERE WAS A LOT OF ACTING SCROFFED FOR ME. 263 00:16:26,318 --> 00:16:30,856 AND IT FELT LIKE SOMETHING NEW. SO I WASN'T REALLY INTIMIDATED. 264 00:16:30,923 --> 00:16:32,958 >> James: SURE. >> BUT WITH THIS, I'M LIKE YOU 265 00:16:33,025 --> 00:16:36,862 WANT ME TO DO THIS WITH A WOMAN LIKE I ACTUALLY DO YOU WANT ME 266 00:16:36,929 --> 00:16:40,766 TO SHOW YOU MY MOVES? I WAS LIKE, I DON'T THINK THAT 267 00:16:40,833 --> 00:16:45,170 THAT MEME, MY KID COULD LIVE DOWN THAT MEME, YOU KNOW, MY 268 00:16:45,237 --> 00:16:49,007 FOUR KIDS IN THEIR 20S. THEY ARE LIKE MOM, PLEASE, NO 269 00:16:49,074 --> 00:16:51,210 SEX SCENES, WHAT ARE YOU TALKING ABOUT. 270 00:16:51,276 --> 00:16:52,478 >> James: IT WAS OKAY, YOU GOT THROUGH IT. 271 00:16:52,544 --> 00:16:56,315 >> I GOT THROUGH IT I GOT A LOT OF ADVICE FROM A LOT OF PEOPLE. 272 00:16:56,382 --> 00:16:57,282 AND YOU KNOW-- . >> James: WHO DID YOU GO TO 273 00:16:57,349 --> 00:16:59,785 FOR ADVICE. >> ALL OF THE YOUNG LESBIANS ON 274 00:16:59,852 --> 00:17:04,456 THAT SHOW, THEY ARE HAVING SEX EVERY FIVE MINUTES ON THAT SHOW 275 00:17:04,523 --> 00:17:07,393 IT IS THE FIRST TIME THEY HAVE HAD A 60 YEAR OLD WOMAN IN BED 276 00:17:07,459 --> 00:17:10,662 DOING IT, YOU KNOW. AND THEY WERE LIKE OH S THAT HOW 277 00:17:10,729 --> 00:17:13,432 THE OLD PEOPLE DO IT. I'M LIKE THAT IS HOW WE USED TO 278 00:17:13,499 --> 00:17:15,267 DO IT IN THE DAY. >> James: YES, WITH REGULAR 279 00:17:15,334 --> 00:17:17,202 BREAKS. >> EXACTSLY, EXACTLY. 280 00:17:17,269 --> 00:17:20,072 >> James: NOW UTKARSH, I'M SO HAPPY YOU ARE HERE, ARE YOU NOT 281 00:17:20,139 --> 00:17:25,144 ONLY A INCREDIBLY TALENTED ACTOR BUT INCREDIBLY TALENTED RAPPER. 282 00:17:25,210 --> 00:17:27,679 AND WE HAVE A PICTURE OF YOUR FIRST EVER CD. 283 00:17:27,746 --> 00:17:30,516 >> WE USED TO PERFORM BACK IN THE DAY IN NEW YORK TOGETHER. 284 00:17:30,582 --> 00:17:35,187 >> US AND GUILLERMO WNSD AND REGGIE AND I DID A PILOT FOR CBS 285 00:17:35,254 --> 00:17:39,057 BEFORE LIN GOT FAMOUS THE THREE OF US DOING THE LEX TRICK 286 00:17:39,124 --> 00:17:41,693 COMPANY. >> James: LIN-MANUEL MIRANDA. 287 00:17:41,760 --> 00:17:43,362 >> YEAH, THAT GUY. >> James: YOU HAVE HAD QUITE 288 00:17:43,429 --> 00:17:45,864 THE PAST. WE HAVE THIS PHOTO HERE OF YOUR 289 00:17:45,931 --> 00:17:52,938 FIRST EVER CD COVER. QI IS CALLED UTI. 290 00:17:53,005 --> 00:17:53,972 NOW-- (LAUGHTER) 291 00:17:54,039 --> 00:17:54,840 >> YEAH. >> James: TALK ME THROUGH ALL 292 00:17:54,907 --> 00:17:59,945 OF THIS. >> SELF-TITLED. 293 00:18:00,012 --> 00:18:01,146 >> James: WALK ME THROUGH THE WHOLE THOUGHT OF THE YEETIVE 294 00:18:01,213 --> 00:18:04,783 HERE, UTKARSH. >> SO BACK IF THE DAY THEY USED 295 00:18:04,850 --> 00:18:07,186 TO CALL ME UTKARSH THE INCREDIBLE. 296 00:18:07,252 --> 00:18:11,924 I THOUGHT THIS IS GREAT, I SHOULD MAKE AN ACRONYM AND UTI 297 00:18:11,990 --> 00:18:14,326 IS THE WAY TO GO I DIDN'T HAVE A LOT OF MONEY, I WENT TO KINKOS 298 00:18:14,393 --> 00:18:20,332 AS WE USED TO DO I PRESSED MAYBE 2 TO 500 CD HE AND I SHOWED IT 299 00:18:20,399 --> 00:18:23,936 TO MY GIRLFRIEND AND SHE WAS LIKE YO WHAT HAVE YOU DONE. 300 00:18:24,002 --> 00:18:28,140 AND I WAS LIKE WELL, I DON'T HAVE ANY MONEY TO FIX IT BUT I 301 00:18:28,207 --> 00:18:32,644 THOUGHT IT WAS VERY COOL, ME IN THE CANOE, MY RAP ALBUM WITH THE 302 00:18:32,711 --> 00:18:34,913 CIGARETTES IN MY MOUTH. >> James: I WILL SAY IT IS 303 00:18:34,980 --> 00:18:38,951 UNDERUSED, THE CANOE IN RAP ALBUMS. 304 00:18:39,017 --> 00:18:40,085 >> I AGREE. >> James: I WISH MORE RAPPER 305 00:18:40,152 --> 00:18:43,121 WAS BE MORE HONEST ABOUT THEIR USE OF CANOES. 306 00:18:43,188 --> 00:18:46,158 >> AND JUST TO DOUBLE DOWN THE FIRST TRACK I'M JUST REALIZING 307 00:18:46,225 --> 00:18:52,498 IS CALLED YOU THEI, SO I REALLY pJUST DIDN'T SEE AT ALL. 308 00:18:52,564 --> 00:18:55,033 >> IT LOOKED A LITTLE LIKE SWAMP PEOPLE TOO, DOESN'T IT. 309 00:18:55,100 --> 00:18:58,136 LIKE A CROCODILE COULD COME UP AT ANY MINUTE. 310 00:18:58,203 --> 00:19:02,307 >> AND IT IS BLURRED OUT, THANK GOD BUT THAT IS MY PERSONAL HOME 311 00:19:02,374 --> 00:19:05,310 PHONE NUMBER THAT I STILL HAVE, YEAH. 312 00:19:05,377 --> 00:19:07,946 ABOVE THE MEISPACE PAGE, GUYS, FOLLOW MY LEAD. 313 00:19:08,013 --> 00:19:11,083 LET ME KNOW. >> James: MARCUS, ARE YOU VERY 314 00:19:11,149 --> 00:19:14,686 COMFORTABLE AROUND CELEBRATED ACTORS. 315 00:19:14,753 --> 00:19:17,155 OBVIOUSLY YOU ARE PARTNER CARRIE MULLIGAN SAY TWO TIME OSCAR 316 00:19:17,222 --> 00:19:20,692 NOMINEE WHICH MAKES ME ASK THE QUESTION, WHY IS IT THEN YOU WHO 317 00:19:20,759 --> 00:19:27,599 HAVE A TATTOO OF AN ACADEMY AWARD ON YOUR BODY? 318 00:19:27,666 --> 00:19:30,202 >> WELL, WHEN WE WERE IN LOCKDOWN COVID, SHE WAS SUPPOSED 319 00:19:30,269 --> 00:19:34,806 TO HAVE A FILM COME OUT, LIKE AFTER THE AWARDS WERE OVER AND 320 00:19:34,873 --> 00:19:37,609 STUFF BECAUSE IT WAS NOT SUPPOSED TO BE AN AWARDS FIM, 321 00:19:37,676 --> 00:19:40,812 CALLED PROMISING YOUNG WOMEN. >> AND IT IS BRILLIANT. 322 00:19:40,879 --> 00:19:43,248 >> NO EXPECTATIONS, NO EXPECTATIONS FOR IT TO BE AN 323 00:19:43,315 --> 00:19:46,785 AWARDS CONVERSATION BUT COVID COMES, IT GETS PUSHED BACK T 324 00:19:46,852 --> 00:19:49,288 COMES OUT AROUND ALL THE AWARDS FILMS AND SUDDENLY THERE IS ALL 325 00:19:49,354 --> 00:19:52,190 THIS CHAT ABOUT IT. AND IT BECAME THIS ANXIETY IN 326 00:19:52,257 --> 00:19:55,527 OUR HOUSEHOLD BECAUSE NOW THERE IS PRESSURE TO GET NOMINATED 327 00:19:55,594 --> 00:19:58,330 WHERE THERE WASN'T BEFORE. AND SO I SAID LET'S MAKE IT FUN, 328 00:19:58,397 --> 00:20:01,433 LET'S HAVE A TATTOO BET FURKS DON'T GET NOMINATED YOU HAVE TO 329 00:20:01,500 --> 00:20:04,303 BE BRANDED WITH YOUR FAILURE FOR THE REST OF YOUR LIFE, YOU GET 330 00:20:04,369 --> 00:20:07,139 AN OSCAR TA TOO AND EVERYONE WILL SAY IS THAT FOR WHEN YOU 331 00:20:07,205 --> 00:20:11,376 WERE NOMINATED FOR EDUCATION AND SHE WILL SAY NO IT WAS FOR WHEN 332 00:20:11,443 --> 00:20:14,546 I WASN'T NOMINATED AND SHE DID GET NOMINATED SO I GOT THE 333 00:20:14,613 --> 00:20:16,615 TATTOO. >> James: SO HER GETTING 334 00:20:16,682 --> 00:20:20,752 NOMINATED MEANT THAT YOU HAD TO PAY THE FOR FIT, CAN WE SEE IT, 335 00:20:20,819 --> 00:20:23,822 IS IT A PLACE IN YOUR BODY WHERE WE WOULD BE ABLE TO SEE SUCH A 336 00:20:23,889 --> 00:20:26,124 THING. >> I THINK. 337 00:20:26,191 --> 00:20:28,527 >> YOU NEED HELP. >> I THINK IT'S HEAR. 338 00:20:28,594 --> 00:20:31,463 >> Reggie: STAND BY, HOLD. >> James: OH LOOK THERE IT IS, 339 00:20:31,530 --> 00:20:34,600 ON THE SHOULDER THERE, CAN WE GET THAT, YOU HAVE GOT THAT. 340 00:20:34,666 --> 00:20:36,835 THERE ST. THE ACADEMY AWARDS. 341 00:20:36,902 --> 00:20:42,741 LOOK AT THAT. >>S. 342 00:20:42,808 --> 00:20:46,211 >> OR A REALLY MESSED UP-- . >> James: THERE IS THE ACADEMY 343 00:20:46,278 --> 00:20:50,415 AWARD. >> OR A REALLY MESSED UP BOBBY 344 00:20:50,482 --> 00:20:52,784 PIN. >> YOU CAN MAKE THAT INTO ANY 345 00:20:52,851 --> 00:20:55,020 STORY YOU WANT. >> James: NOW ROSIE, LET'S 346 00:20:55,087 --> 00:20:58,190 TALK ABOUT AND CONGRATULATE YOU ON AMERICAN GIGOLO, THE 347 00:20:58,256 --> 00:21:00,592 REIMAGINING OF THE RICHARD GERE MOVIE FROM THE '80S. 348 00:21:00,659 --> 00:21:02,894 FOR ANYONE WHO HASN'T CAUGHT IT TELL US WHAT IT IS ABOUT AND WHO 349 00:21:02,961 --> 00:21:05,163 YOU PLAY. >> I PLAY DETECTIVE SUNDAY WHO 350 00:21:05,230 --> 00:21:09,001 IS THE COP WHO ORIGINALLY FORCED THE CONFESSION OUT OF THE JOHN 351 00:21:09,067 --> 00:21:12,671 BAR ENTHAL CHARACTER PLAYED BY RICHARD GERE IN THE MOVIE. 352 00:21:12,738 --> 00:21:16,008 SO I GO TO A PRISON AND TELL HIM YOU ARE OUT AND DO YOU WANT TO 353 00:21:16,074 --> 00:21:20,479 HELP ME FIND WHO SET YOU UP. HE PRETTY MUCH SAYS NO AND I TRY 354 00:21:20,545 --> 00:21:24,116 TO CONVINCE HIM AND WE TRY TO SOLVE A COUPLE MURDERS ALONG THE 355 00:21:24,182 --> 00:21:25,183 WAY. AND I THINK PEOPLE ARE ENJOYING 356 00:21:25,250 --> 00:21:27,319 IT AND ST ON SHOW TIME. >> James: THERE IT S LET'S 357 00:21:27,386 --> 00:21:31,123 LOOK AT A CLIP FROM AMERICAN GILL LOW, AND. 358 00:21:31,189 --> 00:21:34,459 >> YOUR BY FRIEND'S FORMER PIMP HAD HER HEAD BLOWN OFF. 359 00:21:34,526 --> 00:21:37,262 >> YEAH, THAT IS WHY I AM HERE. >> YOU KNOW HE DIDN'T DO IT SO 360 00:21:37,329 --> 00:21:39,531 WHY DO YOU KEEP COMING AFTER HIM? 361 00:21:39,598 --> 00:21:42,801 >> I'M NOT COMING AFTER HIM. I'M TRYING TO HELP HIM. 362 00:21:42,868 --> 00:21:48,607 I'M TRYING TO HELP HIM AND I'M TRYING TO HELP YOU. 363 00:21:48,674 --> 00:21:51,643 >> CAN YOU DO ME A FIFER, YOU CAN COME DOWN TO THE PRECINCT 364 00:21:51,710 --> 00:21:55,747 WITH ME? >> WHAT, YOU ARE ARRESTING ME 365 00:21:55,814 --> 00:21:57,015 NOW? >> INTO, NO I'M NOT. 366 00:21:57,082 --> 00:21:59,618 IF I WAS ARRESTING YOU, YOU WOULD KNOW IT. 367 00:21:59,685 --> 00:22:03,088 I WANT YOU TO WALK INTO MY OFFICE WITH ME, SIT DOWN AND 368 00:22:03,155 --> 00:22:06,224 TAKE A LOOK AT MY BOARD. YOU WILL FIGURE OUT EVERYTHING 369 00:22:06,291 --> 00:22:10,362 THAT I KNOW. YOU WILL BE ABLE TO SEE WHAT I 370 00:22:10,429 --> 00:22:11,963 SEE. J STICK AROUND, MORE WITH THESE 371 00:22:12,030 --> 00:22:14,533 TWO WHEN WE COME BACK, EVERYBODY. 372 00:22:29,481 --> 00:22:31,950 OH IF YOU THINK ARE YOU GETTING A NIBBLE OF MY YOU ARE 373 00:22:32,017 --> 00:22:36,088 SOARLY MISTAKEN T IS ONE THING TO COMPLAIN ABOUT COOKIES AND 374 00:22:36,154 --> 00:22:38,156 CANDLES BUT THE FACT THAT YOU COULD SAY ANYTHING BAD TO SAY 375 00:22:38,223 --> 00:22:41,326 ABOUT MY WONDERFUL WIFE IS BONKERS. 376 00:22:41,393 --> 00:22:44,262 YEAH, SHE'S A LITTLE TALK TIFF BUT I LOVE EVERY WORD. 377 00:22:44,329 --> 00:22:46,364 SHE'S KIND. AND SHE'S SMART. 378 00:22:46,431 --> 00:22:53,472 AND HER VOICE IS MALIFLU-AUS AND SHE'S GOT A GREAT ASS AND I KNOW 379 00:22:53,538 --> 00:22:57,409 NO ONE IS DEBATING THAT AND I'M ON A ROLL. 380 00:22:57,476 --> 00:23:01,079 >> AND YOU KNOW WHAT ELSE, JAY'S COOKIES ARPTD TOO SALTY, THEY'RE 381 00:23:01,146 --> 00:23:04,850 AMAZING AND HE'S GOT A GREAT ASS, YOU MIGHT NOT SEE THEM IN 382 00:23:04,916 --> 00:23:08,720 THESE PANTS BUT IF YOU PUT HIM IN A SOFT JEAN OR CHINO, YOUR 383 00:23:08,787 --> 00:23:12,657 JAW WOULD DROP. >> THANK YOU. 384 00:23:12,724 --> 00:23:15,093 >> James: THAT WAS A CLIP FROM "GHOSTS," WHICH AIRS THURSDAY 385 00:23:15,160 --> 00:23:21,600 NIGHTS AT 8:30 RIGHT HERE ON CBS. 386 00:23:21,666 --> 00:23:24,202 CONGRATS ON THE SHOW T GETS BIGGER AND BIGGER. 387 00:23:24,269 --> 00:23:26,438 FOR ANYONE WHO DOESN'T KNOW TELL US WHAT IT IS ABOUT AND WHO YOU 388 00:23:26,505 --> 00:23:29,407 PLAY. >> I PLAY JAY, AND ME AND MY 389 00:23:29,474 --> 00:23:31,443 WIFE SAM MOVE INTO A MANSION ON A WHIM. 390 00:23:31,510 --> 00:23:33,945 SHE INHERITS IT FROM A PAST AWAY FAMILY MEMBER. 391 00:23:34,012 --> 00:23:38,717 AND IT IS HAUNTED. AND SAM FALLS DOWN THE STAIRS 392 00:23:38,784 --> 00:23:41,186 AND THE NEXT THING YOU KNOW SHE CAN SEE GHOSTS AND I CAN'T. 393 00:23:41,253 --> 00:23:44,089 SO BASICALLY I JUST SPEND EVERY EPISODE BEING LIKE WHAT IS GOING 394 00:23:44,156 --> 00:23:46,158 ON. WAS' HAPPENING. 395 00:23:46,224 --> 00:23:48,760 GHOST THING, I JUST LOOK CONFUSED AND I IGNORE THE OTHER 396 00:23:48,827 --> 00:23:51,630 ACTORS MUCH LIKE I DO MY OWN CHILDREN. 397 00:23:51,696 --> 00:23:53,031 AND WE'RE GOOD. IT'S NICE. 398 00:23:53,098 --> 00:23:57,035 AND I ALSO APPARENTLY PITCH MY VOICE UP ABOUT THREE OCTAVES 399 00:23:57,102 --> 00:23:59,905 WHEN I ACT. >> James: DID WHEN WAS THE 400 00:23:59,971 --> 00:24:03,642 FIRST TIME YOU REALIZED THAT. >> YEAH, APPARENTLY THIS IS MY 401 00:24:03,708 --> 00:24:05,977 TV VOICE, HEY JAMES. >> James: THE SHOW HAS MANY 402 00:24:06,044 --> 00:24:09,214 LOYAL FAMILIARS, ARE YOU EVER SURPRISED BY THE TIME TYPE OF 403 00:24:09,281 --> 00:24:12,484 PEOPLE, BY WHO IS WATCHING YOU KNOW T IS JUST LIKE ONE OF THOSE 404 00:24:12,551 --> 00:24:16,888 SHOWS WHERE PEOPLE SAY KNOW, THIS IS THE ONLY THING THAT GETS 405 00:24:16,955 --> 00:24:19,357 MY WHOLE FAMILY TO SIT DOWN IN FRONT OF THE TELEVISION, ONE OF 406 00:24:19,424 --> 00:24:22,060 THOSE THROW BACK SHOWS BUT MARK HAM SAIL HUGE FAN. 407 00:24:22,127 --> 00:24:25,430 GOD BLESS YOU MARK, PLEASE COME BE ON THE SHOW, PLAY MY DAD, I 408 00:24:25,497 --> 00:24:28,166 GOT YOU, BRO. LET'S DO IT IT'S THERE, THERE 409 00:24:28,233 --> 00:24:30,702 SAY LIKENESS. AND MY FRIEND WHO WE JUST 410 00:24:30,769 --> 00:24:33,905 MENTION APPROXIMATED, LIN-MANUEL AND HIS FAMILY ALSO LOVE THE 411 00:24:33,972 --> 00:24:36,708 SHOW. HIS SON IS ALWAYS PITCHING YLDS 412 00:24:36,775 --> 00:24:39,978 TO ME AND WE'RE TRYING TO GET IT DONE. 413 00:24:40,045 --> 00:24:40,912 SEBASTIAN. >> IS HE LITTLE? 414 00:24:40,979 --> 00:24:44,349 >> HE'S SEVEN NOW. HE'S GOT A KEEN EYE FOR 415 00:24:44,416 --> 00:24:48,320 NARRATIVE, I TELL YOU THAT. IF WE COULD GET LIN ON THE SHOW 416 00:24:48,386 --> 00:24:50,288 IT WOULD BE INCREDIBLE. >> James: THAT WOULD BE 417 00:24:50,355 --> 00:24:52,057 AMAZING. NOW ROSIE, I WANT TO TALK TO YOU 418 00:24:52,123 --> 00:24:54,092 ABOUT THIS. >> YES. 419 00:24:54,159 --> 00:24:56,661 >> James: YOU POSTED A PHOTO OF YOU AND DAVID BOWIE AND IMAN 420 00:24:56,728 --> 00:25:00,465 RIGHT HERE. NOW I DIDN'T REALIZE HOW CLOSE 421 00:25:00,532 --> 00:25:05,370 YOU WERE WITH BOWIE. AND HOW DID YOU FIRST MEETS? 422 00:25:05,437 --> 00:25:09,207 >> WELL, I I DID A MOVIE WITH IMAN CALLED EXIT TO EDEN WHICH 423 00:25:09,274 --> 00:25:14,212 I'M SORRY IF YOU SAW IT. I WOULD LIKE TO GIVE YOU $20 AND 424 00:25:14,279 --> 00:25:16,982 APOLOGIZE IT WAS LIKE ONE OF THE WORST MOVIES EVER MADE. 425 00:25:17,048 --> 00:25:18,817 >> NO WAY. >> IT REALLY WAS. 426 00:25:18,884 --> 00:25:21,319 >> WAS THAT THE ONE WITH DREYFUSS. 427 00:25:21,386 --> 00:25:24,689 >> NO DAN AYKROYD AND I ON AN S & M ISLAND AND WHICH WERE 428 00:25:24,756 --> 00:25:26,892 UNDERCOVER COPS. >> I LOVED ST. 429 00:25:26,958 --> 00:25:29,895 >> I LOVED IT. >> ST A GREAT MOVIE FROM MY 430 00:25:29,961 --> 00:25:32,163 CHILDHOOD. >> IT WAS SO BAD THAT I ACTUALLY 431 00:25:32,230 --> 00:25:36,301 GOT A NEW PUPPY BEFORE HI THO DO PRESS AND YOU PUT IT IN MY 432 00:25:36,368 --> 00:25:39,237 SPORTS BRA SO THE HEAD WAS RIGHT THERE SO THE HOST REALLY 433 00:25:39,304 --> 00:25:42,440 COULDN'T ASK ME NIK ELSE. THAT IS HOW BAD THE MOVE YEAR 434 00:25:42,507 --> 00:25:43,942 WAS. BUT I DID A MOVIE WITH IMAN AND 435 00:25:44,009 --> 00:25:47,612 WE BAIMENT CLOSE FRIENDS AND OF COURSE THEY IS MARRIED TO DAVID. 436 00:25:47,679 --> 00:25:50,482 AND WE GOT ALONG. HE LOVED THE FACT THAT I DIDN'T 437 00:25:50,548 --> 00:25:55,120 REALLY KNOW HIS MUSIC BESIDES CHIENA GIRL, YOU KNOW, WHICH HE 438 00:25:55,186 --> 00:25:56,488 WAS LIKE, WHAT, ARE YOU KIDDING ME? 439 00:25:56,554 --> 00:25:59,758 IT IS LIKE MY SELLOUT SONG, I CAN'T BELIEVE IT. 440 00:25:59,824 --> 00:26:03,461 AND I WAS LIKE I THINK IT'S CUTE, LITTLE CHINA GIRL, HE'S 441 00:26:03,528 --> 00:26:05,964 LIKE OH GOD. AND THEN HE, I ALWAYS WANTED 442 00:26:06,031 --> 00:26:08,700 THEM TO COME WITH ME TO SEE MUSICALS. 443 00:26:08,767 --> 00:26:12,037 AND HE HAD NOTORIOUSLY DIDN'T LIKE A LOT OF MUSICALS. 444 00:26:12,103 --> 00:26:15,073 SO IMAN IS LIKE HE WILL NEVER STAIRKS HE WILL NEVER STAY. 445 00:26:15,140 --> 00:26:18,810 AND I SAID LET'S GO WE SAW RENT AND AFTER 15 MINUTES HE LEANED 446 00:26:18,877 --> 00:26:22,614 OVER TO ME AND SAID I'M GOING TO KILL YOU. AND I WAS NOT HAPPY. 447 00:26:22,681 --> 00:26:28,920 AND THE BET WAS THAT IF HE DIDN'T LIKE T I WAS GOING TO BEM 448 00:26:28,987 --> 00:26:32,557 AND HE WOULD FEED ME ALL THE SUSHI BECAUSE I WAS AFRAID TO 449 00:26:32,624 --> 00:26:35,627 EAT SUSHI AT THE TIME. I WAS LIKE I'M NOT EATING RAW 450 00:26:35,694 --> 00:26:39,030 FISH AND I WENT AND FELL IN LOVE WITH IT AND EVERY TIME GI NOW 451 00:26:39,097 --> 00:26:44,135 HAVE I THE DAVID BOWIE MEN-- MENU. 452 00:26:44,202 --> 00:26:46,504 >> James: WHAT STD DAVID BOW HEIE MENU. 453 00:26:46,571 --> 00:26:49,607 >> THE SLICED FLUKE WITH THE MISO CHIP AT THE BEGINNING AND 454 00:26:49,674 --> 00:26:52,677 THE RISE CAKE WITH THE SALMON TARTAR AND, COME ON, WE'LL GO. 455 00:26:52,744 --> 00:26:56,614 >> James: MARCUS AND I WERE SHARING DAVID BOWIE CLIPS. 456 00:26:56,681 --> 00:26:57,816 A WEEK OR SO AGO. >> WE WERE. 457 00:26:57,882 --> 00:27:01,686 >> James: WE WERE SHARING CLIPS OF INSPIRATIONS FOR DAVID 458 00:27:01,753 --> 00:27:03,621 BOWIE. >> THAT IS WHY HE DID AN 459 00:27:03,688 --> 00:27:06,591 INTERVIEW ABOUT FEARLESSNESS AND BEING JUST OUT OF YOUR DEPTH AND 460 00:27:06,658 --> 00:27:07,859 MAKING YOUR BEST. AND HE SENT IT TO ME WHEN I PUT 461 00:27:07,926 --> 00:27:10,829 MY RECORD OUT AND IT HAPPENED TO BE THE INTERVIEW I WATCHED THE 462 00:27:10,895 --> 00:27:14,699 DAY I STARTED WRITING MY RECORD. >> James: I LISTENED TO YOUR 463 00:27:14,766 --> 00:27:17,068 ALBUM, I LOVED IT, IT MADE ME THINK OF THIS. 464 00:27:17,135 --> 00:27:19,471 HE SAID THAT IS SO WEIRD, I WATCHED THAT THE DAY I STARTED 465 00:27:19,537 --> 00:27:22,407 RECORDING. >> BOWIE CAME TO UP WITH OF OUR 466 00:27:22,474 --> 00:27:24,709 SHOWS AND HE WALKED PAST THE DRESSING ROOM, THERE WAS 467 00:27:24,776 --> 00:27:26,878 ABSOLUTE SILENCE. BECAUSE HE CAME IN AND HE WAS 468 00:27:26,945 --> 00:27:30,849 THERE TO SEAT OPENER. >> James: OH NO. 469 00:27:30,915 --> 00:27:33,752 >> OR AT LEAST I THINK HE DID. >> James: ALTHOUGH ARE YOU 470 00:27:33,818 --> 00:27:37,022 PRETTY STACKED UP ON HEROES BECAUSE OVER THE SUMMER, THIS IS 471 00:27:37,088 --> 00:27:43,828 INCREDIBLE TO ME JOINED JONI MITCHELL ON STAGE FOR ONE OF HER 472 00:27:43,895 --> 00:27:46,765 FIRST-- I THINK IT WAS HER FIRST INN 20 YEARS, HOW DID YOU AND 473 00:27:46,831 --> 00:27:49,567 JONI MITCHEL. >> BRANDI CARLILE. 474 00:27:49,634 --> 00:27:53,438 >> SHE'S FANTASTIC. >> UNBELIEVABLE, AND I FOLLOWED 475 00:27:53,505 --> 00:27:56,107 WHEREVER SHE WENT AND SHE TOOK US TO JONI'S HOUSE, DEFINITELY 476 00:27:56,174 --> 00:28:01,212 GOING FOLLOW IF SHE GOES THERES. AND THERE IS A LOT OF FROZEN 477 00:28:01,279 --> 00:28:03,782 MARGARITA. AND JONI JUST WANTS TO BE AROUND 478 00:28:03,848 --> 00:28:08,453 MUSIC AND BRANDI HAS BEEN A MUSICAL FISIO THERAPY FOR HER, 479 00:28:08,520 --> 00:28:12,891 GOT HER SINGING AGAIN ALONG WITH A LOT OF OTHER SUPPORT. 480 00:28:12,957 --> 00:28:17,695 AND ELTON JOHN GOES ALONG AND WENT AND TRIED TO SING MY FUNNY 481 00:28:17,762 --> 00:28:21,666 VALENTINE, SHAKA CAN AT THE END BECAUSE I FORGOT ONE OF THE 482 00:28:21,733 --> 00:28:27,405 LYRICS, SHAKA CAN WITH HER MASSIVE-- LEANS DOWN TO JOIN AND 483 00:28:27,472 --> 00:28:30,608 SAYS YOU REALLY [BLEEP] UP THAT, YOU WANT ME TO DO IT AGAIN. 484 00:28:30,675 --> 00:28:34,546 WHICH WAS GREAT, I LOVED LOVED . >> SHE WAS JUST PLAYING BONGOS 485 00:28:34,612 --> 00:28:36,581 AND EVENTUALLY PLAYED AT NEWPORT. 486 00:28:36,648 --> 00:28:38,316 >> IT MUST HAVE BEEN INCREDIBLE ON STAGE. 487 00:28:38,383 --> 00:28:42,654 I REALLY CAN'T BELIEVE IT UP CAR SHALL, YOU ARE VERY TALENTED 488 00:28:42,720 --> 00:28:46,491 ACTOR, AND FREE STYLE RAPPER. I MEAN AFTER GETTING A VERY, 489 00:28:46,558 --> 00:28:52,897 VERY TO KNOW, YOU'VE GOT TO KNOW MARCUS, ROSIE, MYSELF, THE BAND 490 00:28:52,964 --> 00:28:55,900 S THERE ANYWAY YOU WOULD BE ABLE TO TAKE US TO BREAK WITH A RAP? 491 00:28:55,967 --> 00:29:02,807 IS THAT SOMETHING YOU WOULD BE ABLE TO DO. 492 00:29:02,874 --> 00:29:06,277 CAN I GET A MICROPHONE, WE HAVE ONE RIGHT HERE. 493 00:29:06,344 --> 00:29:10,615 >> THNGS, HERE WITH GO. >> DO WE DO A BOOMBOX. 494 00:29:10,682 --> 00:29:13,451 >> YEAH, DO A BOOMBOX, REGGIE. >> Reggie:HERE SAY BOOMBOX, 495 00:29:13,518 --> 00:29:22,026 STAND BY, INITIATED ING BOOMBOX NOW. 496 00:29:22,093 --> 00:29:26,764 >> YEAH, REGGIE WATTS AND UTK WE READY TO FLY BUT BACK IN THE 497 00:29:26,831 --> 00:29:32,036 DAY, I WAS UTI. YEAH, WE IN A LEAGUE OF OUR OWN, 498 00:29:32,103 --> 00:29:36,307 OFF THE TOP OF THE DOME, DON'T YOU KNOW, I'M ON THE MICROPHONE 499 00:29:36,374 --> 00:29:39,244 WITH MR. MARCUS, OKAY, YOU'RE THE BEST REGARDLESS, WHAT YOU 500 00:29:39,310 --> 00:29:44,149 SAY IS VITAL AND YOUR ALBUM IS CALLED SELF-TITLED. 501 00:29:44,215 --> 00:29:47,051 WHEN IT COMES TO PLAY IN THE MUSIC, YOU DON'T HAVE RIVALS, 502 00:29:47,118 --> 00:29:51,990 JAMES, THE THING DID YOU AT THE OSCARS WHEN YOU BATTED THE 503 00:29:52,056 --> 00:29:53,358 MICROPHONE IN YOUR SPEECH, I DON'T HAVE A RHYME BUT I FOUND 504 00:29:53,424 --> 00:29:59,030 IT VERY ENTERTAINING. I LIKE THE WAY ARE YOU NEVER 505 00:29:59,097 --> 00:30:02,901 COMPLAINING BUT TELL TOM TO STOP POPPING THE WRONG SPOT, YEAH 506 00:30:02,967 --> 00:30:07,172 THRARKS IS HOW WE DROP THE HIP-HOP, YEAH, COME WATCH 507 00:30:07,238 --> 00:30:10,341 GHOSTS, I SPIT THE PROSE, EVERYBODY KNOWS I GOT THE SHOWS, 508 00:30:10,408 --> 00:30:13,845 YEAH. >> James: WE'LL BE RIGHT BACK. 509 00:30:13,912 --> 00:30:14,646 COME ON. ♪ 510 00:30:36,067 --> 00:30:38,069 >> James: WE ARE BACK WITH ROSIE O'DONNELL, UTKARSH 511 00:30:38,136 --> 00:30:41,272 AMBUDKAR AND MARCUS MUMFORD, WE'RE GOING TO TALK ABOUT MARCUS 512 00:30:41,339 --> 00:30:46,945 MUMFORD'S BRILLIANT NEW ALBUM, SELF TIGHTS ELED OUT RIGHT NOW, 513 00:30:47,011 --> 00:30:52,584 I'M A BIG FAN OF THIS RECORD, THIS IS PARTICULARLY PERSONAL 514 00:30:52,650 --> 00:30:54,485 AND BRILLIANT. I DIDN'T KNOW THIS UNTIL I WAS 515 00:30:54,552 --> 00:30:57,889 READING ABOUT IT TODAY THAT ELTON JOHN WAS VERY IMPORTANT IN 516 00:30:57,956 --> 00:31:00,358 THE PROCESS OF MAKING THIS RECORD IN WHAT WAY? 517 00:31:00,425 --> 00:31:02,760 HOW? >> WE STARTED OUT BY SAYING 518 00:31:02,827 --> 00:31:06,431 WHATEVER YOU DO, DON'T DO ANYTHING THAT IS OUTSIDE THE 519 00:31:06,497 --> 00:31:07,665 BAND. DON'T BREAK THE BAND UP T IS TOO 520 00:31:07,732 --> 00:31:11,336 PRECIOUS T WAS REALLY SWEET. I SAID YEAH, I GET IT BUT HAVE I 521 00:31:11,402 --> 00:31:12,837 WRITTEN THESE COUPLE SONGS I DON'T QUITE THINK THEY ARE FOR 522 00:31:12,904 --> 00:31:16,641 THE BAND AND I PLAYED THEM TO HIM HERE IN LOS ANGELES. 523 00:31:16,708 --> 00:31:21,779 AND HE SAT ME DOWN IN HIS KITCHEN, DRIPPING IN GUCCI, YOU 524 00:31:21,846 --> 00:31:25,516 KNOW, WITH DAVID IN HIS BATH ROBE IN THE BACK AND THEY GAVE 525 00:31:25,583 --> 00:31:28,119 ME THIS SPEECH TOGETHER LIKE GOD PARENT, THEY GAVE ME THIS SPEECH 526 00:31:28,186 --> 00:31:31,155 ABOUT FEARLESSNESS AND SAID THIS HAS TO BE SOMETHING YOU DO ON 527 00:31:31,222 --> 00:31:34,292 pYOUR OWN AND IT SAY REALLY PERSONAL STORY AND YOU SHOULD GO 528 00:31:34,359 --> 00:31:35,960 FOR IT AND YOU SHOULD NOT BE AFRAID. 529 00:31:36,027 --> 00:31:38,830 AND HERE IS WHY. AND I ONLY PLAYED THEM THREE 530 00:31:38,896 --> 00:31:40,265 SONGS. AND THAT IS WHAT MADE ME GO BACK 531 00:31:40,331 --> 00:31:42,867 AND KEEP WRITING IT WAS REALLY, I DON'T THINK I WOULD HAVE DONE 532 00:31:42,934 --> 00:31:46,170 IT WITHOUT THAT CONVERSATION. >> WITHOUT THAT ADVICE. 533 00:31:46,237 --> 00:31:49,807 >> ROSIE, YOU KNOW SO MANY SINGERS, WE KNOW HOW MUCH YOU 534 00:31:49,874 --> 00:31:53,177 LOVE MUSICALS, IS IT TRUE BARBARA STREISAND SAY BIG PART 535 00:31:53,244 --> 00:31:55,079 OF YOUR LIFE. DID YOU EVER TAKE SINGING 536 00:31:55,146 --> 00:31:58,650 LESSONS WITH HER? DID SHE ENCOURAGE YOU TO SING? 537 00:31:58,716 --> 00:32:03,521 >> SNO, I WAS LUCKY BECAUSE I REALLY CAN SING AND I WAS IN 538 00:32:03,588 --> 00:32:09,360 FOUR MUSICALS, YAY ENTHUSIASM. I CAN'T SING LIKE COME ON, I'M 539 00:32:09,427 --> 00:32:13,498 NO LEA MICHELLE IN FUNNY GIRL, LET'S SAY THAT I DON'T KNOW HOW 540 00:32:13,564 --> 00:32:17,869 TO BELLED-- BELT AND HOLD IT, CAN I SING FUNNY PATTER SONGS 541 00:32:17,935 --> 00:32:20,271 AND GETS AWAY WITH IT, IF A SHOW IS ABOUT TO CLOSE THE PRODUCERS 542 00:32:20,338 --> 00:32:24,842 COOL ME AND GO ROSIE, DO YOU WARRANT TO PLAY GOLDA IN FIDDLER 543 00:32:24,909 --> 00:32:28,846 ON THE ROOF BECAUSE WHEN YOU THINK MUCH TRADITIONAL JEWISH 544 00:32:28,913 --> 00:32:30,748 THEATER YOU THINK OF ROSIE O'DONNELL. 545 00:32:30,815 --> 00:32:33,818 SO I JUMPED RIGHT IN BECAUSE I WILL DO ANY MUSICAL THEY ASK ME 546 00:32:33,885 --> 00:32:36,220 ANY TIME EVEN THOUGH I'M NOT REALLY A SINGER. 547 00:32:36,287 --> 00:32:40,792 >> I SAW YOU IN SEUSSICAL WHEN I WAS 16 YEAR OLDS AND I LOVED FLU 548 00:32:40,858 --> 00:32:41,893 IT. YOU WERE INCREDIBLE. 549 00:32:41,959 --> 00:32:44,495 >> THANK YOU, OH THE THINGS YOU CAN THING. 550 00:32:44,562 --> 00:32:45,997 I WAS THE CAT IN THE HAT. >> YES. 551 00:32:46,064 --> 00:32:48,366 >> IN CASE YOU DIDN'T KNOW. >> IT WAS A HUGE DEAL. 552 00:32:48,433 --> 00:32:51,569 >> James: REGGIE, DO YOU HAVE A QUESTION FOR ANY OF OUR GUESTS 553 00:32:51,636 --> 00:32:54,038 THIS RECENT? >> Reggie: YES, I DO, JAMES, 554 00:32:54,105 --> 00:33:01,512 TONIGHT'S QUESTION GOES TO ALL OF OUR GUEST, WHEN IT COMES TO 555 00:33:01,579 --> 00:33:07,185 FONDUE, WHAT ARE SOME FON DOS AND FONDONTS THAT YOU LIKE TO 556 00:33:07,251 --> 00:33:09,520 PARTICIPATE. >> FONDUE IS CHOCOLATE, ALL THE 557 00:33:09,587 --> 00:33:13,057 WAY, I'M GOING WITH CHOCOLATE, MAYBE THOSE BUNNIES WE CAN 558 00:33:13,124 --> 00:33:15,893 INCORPORATE THAT INTO THE-- THOSE WASTED BUNNY, I'M 559 00:33:15,960 --> 00:33:21,332 STILL UPSET ABOUT THAT. >> James: UTKARSH. 560 00:33:21,399 --> 00:33:26,170 >> JUST NEVER UNDERESTIMATE THE POWER OF A GOOD BOWL OF SOUR 561 00:33:26,237 --> 00:33:28,306 CREAM. >> YES. 562 00:33:28,373 --> 00:33:33,845 >> James: MARCUS. >> DON'T SCRAPE THE BOTTOM. 563 00:33:33,911 --> 00:33:36,948 >> YEAH THAT SAWLS A GOOD ONE. >> Reggie: THAT IS ACTUALLY 564 00:33:37,014 --> 00:33:40,618 TRUE THERE IS ALOT OF LIGHTHEARTED ANSWERS BUT THAT IS 565 00:33:40,685 --> 00:33:43,755 ACTUALLY TRUE. >> James: IT IS ABSOLUTELY 566 00:33:43,821 --> 00:33:49,160 TRUE, PLEASE THANK ROSIE O'DONNELL, UTKARSH AMBUDKAR, AND 567 00:33:49,227 --> 00:33:50,595 MARCUS MUMFORD. MARCUS IS PERFORMING RIGHT AFTER 568 00:33:50,661 --> 00:33:51,929 THE BREAK. DON'T GO ANYWHERE. 569 00:34:04,509 --> 00:34:07,645 >> James: PERFORMING "GRACE" FROM THE ALBUM "SELF-TITLED," 570 00:34:07,712 --> 00:34:10,081 PLEASE WELCOME ONCE AGAIN, MARCUS MUMFORD! 571 00:34:10,148 --> 00:34:25,029 ♪ ♪ ♪ ♪ ♪ ♪ 572 00:34:25,096 --> 00:34:25,863 ♪ ♪ ♪ ♪ ♪ ♪ 573 00:34:25,930 --> 00:34:36,908 >> ♪ WELL HOW SHOULD WE PROCEED? 574 00:34:36,974 --> 00:34:42,780 ♪ WITHOUT THINGS GETTING TOO 575 00:34:42,847 --> 00:34:53,491 ♪ HEAVY EVEN THOUGH 576 00:34:53,558 --> 00:35:00,665 ♪ I'D NEVER TELL YOU EVERYTHING 577 00:35:00,731 --> 00:35:06,871 ♪ I COULD'VE SWORN I'D DROPPED THAT BOMB ON YOU 578 00:35:06,938 --> 00:35:21,819 ♪ ALREADY ♪ GRACE 579 00:35:21,886 --> 00:35:26,724 ♪ ALREADY ♪ GRACE 580 00:35:26,791 --> 00:35:33,664 LIKE A ♪ RIVER 581 00:35:33,731 --> 00:35:44,876 AND YEAH ♪ SEE THERE WILL COME A TIME 582 00:35:44,942 --> 00:35:50,481 WHEN IT WON'T ♪ FEEL 583 00:35:50,548 --> 00:35:57,088 JUST LIKE LIVING IT ♪ OVER AND OVER 584 00:35:57,154 --> 00:36:03,261 WITH THE WEIGHT ♪ OF THE SHADOW ON YOUR 585 00:36:03,327 --> 00:36:13,571 SHOULDERS ♪ AND I HEAR 586 00:36:13,638 --> 00:36:20,878 THERE'S HEALING JUST AROUND THIS ♪ CORNER 587 00:36:20,945 --> 00:36:28,286 THIS ALL BEHIND ♪ I'M FINE, IT'S 588 00:36:28,352 --> 00:36:42,466 ALRIGHT ♪ ♪ ♪ 589 00:36:42,533 --> 00:36:54,779 ♪ ♪ ♪ JUST GIVING IT TIME 590 00:36:54,845 --> 00:37:04,288 ♪ JUST GIVING IT TIME I'M STILL TRYING 591 00:37:04,355 --> 00:37:16,200 ♪ STILL GETTING USED TO THIS PLACE 592 00:37:16,267 --> 00:37:21,939 ♪ ♪ ♪ ♪ ♪ ♪ 593 00:37:22,006 --> 00:37:27,311 ♪ AND I DON'T KNOW IF I'M EVER GONNA GET USED TO THIS 594 00:37:27,378 --> 00:37:38,356 ♪ GRACE LIKE A RIVER 595 00:37:38,422 --> 00:37:50,334 ♪ GRACE LIKE A RIVER 596 00:37:50,401 --> 00:37:56,207 ♪ GRACE LIKE A 597 00:37:56,273 --> 00:38:06,651 ♪ RIVER GRACE 598 00:38:06,717 --> 00:38:14,025 ♪ LIKE A RIVER ♪ 599 00:38:14,091 --> 00:38:24,869 ♪ ♪ ♪ ♪ ♪ ♪ 600 00:38:24,935 --> 00:38:28,606 ( CHEERS AND APPLAUSE ) GENTLEMEN, WHAT ABOUT THAT, 601 00:38:28,673 --> 00:38:32,943 MARCUS MUMFORD, EVERYBODY. YOU CAN 602 00:38:33,010 --> 00:38:34,211 CATCH HIM ON TOUR THIS FALL. 603 00:38:34,278 --> 00:38:35,813 COME ON BACK, EVERYBODY. 604 00:38:50,895 --> 00:38:52,797 THANK YOU SO MUCH FOR WATCHING. >> James: TOMORROW NIGHT: MILA 605 00:38:52,863 --> 00:38:55,666 KUNIS, CLEA DUVALL, AND A PERFORMANCE FROM THE CAST OF 606 00:38:55,733 --> 00:38:58,269 OKLAHOMA! WE HOPE O SEE YOU THEN, REGGIE, 607 00:38:58,335 --> 00:38:59,537 TAKE US HOME.