1 00:00:02,035 --> 00:00:07,040 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:09,008 --> 00:00:15,949 ♪ GET READY FOR ALL THE THINGS THAT WE'RE ABOUT TO SHOW YOU 3 00:00:16,015 --> 00:00:20,653 ♪ ♪ IT'S "THE LATE LATE SHOW!" 4 00:00:20,720 --> 00:00:22,956 >> Reggie: LADIES AND GENTLEMEN, GENTLEMEN, ALL THE WAY FROM 5 00:00:23,022 --> 00:00:28,628 INTSACAWBELLIUP, GIVE IT UP FOR THE MAN THAT KNOWS CODING, 6 00:00:28,695 --> 00:00:35,969 BETTER THAN ANYONE ELSE, JAMES CORDEN! 7 00:00:36,035 --> 00:00:37,637 >> James: HOW ARE YOU? 8 00:00:37,704 --> 00:00:39,506 THANK YOU VERY, VERY MUCH. 9 00:00:39,572 --> 00:00:42,575 IT'S VERY NICE TO SEE YOU. 10 00:00:42,642 --> 00:00:47,614 THANK YOU VERY, VERY MUCH, EVERYBODY! 11 00:00:47,680 --> 00:00:52,185 HELLO, GOOD EVENING, AND WELCOME TO "THE LATE LATE SHOW." 12 00:00:52,252 --> 00:00:52,719 BLESS YOU FOR STAYING UP. 13 00:00:52,786 --> 00:00:53,920 WE KNOW IT'S LATE. 14 00:00:53,987 --> 00:00:56,122 WE APPRECIATE IT THANKS, GUYS, LET'S TAKE A LOOK -- THANK YOU 15 00:00:56,189 --> 00:00:57,390 VERY MUCH. 16 00:00:57,457 --> 00:01:02,095 LET'S TAKE A LOOK TO SEE WHO OUR GUESTS ARE ON THE SHOW TONIGHT! 17 00:01:02,162 --> 00:01:03,363 SHE'S A TALENTED ACTOR YOU KNOW FROM THE "BAD MOMS" MOVIES, 18 00:01:03,430 --> 00:01:04,497 "THAT '70S SHOW," AND SO MUCH MORE, THE ALWAYS FUN, THE 19 00:01:04,564 --> 00:01:09,769 STUNNING, MILA KUNIS! 20 00:01:09,836 --> 00:01:10,136 MILA! 21 00:01:10,203 --> 00:01:10,937 HOW ARE YOU? 22 00:01:11,004 --> 00:01:11,805 HOW ARE YOU DOING? 23 00:01:11,871 --> 00:01:12,472 >> GREAT. 24 00:01:12,539 --> 00:01:13,573 HOW ARE YOU? 25 00:01:13,640 --> 00:01:15,942 >> James: I'M VERY, VERY WELL. 26 00:01:16,009 --> 00:01:16,943 WHAT ARE WE ROCKING? 27 00:01:17,010 --> 00:01:18,945 LITTLE PINSTRIPE? 28 00:01:19,012 --> 00:01:20,947 >> IT'S BEETLE JUICE. 29 00:01:21,014 --> 00:01:25,885 I THOUGHT IT WAS ON PAR FOR OCTOBER. 30 00:01:25,952 --> 00:01:30,957 >> James: IT'S COMPLETELY BRAND MAKING ME FEEL OFF BRAND. 31 00:01:31,024 --> 00:01:31,591 ARE YOU GOOD? 32 00:01:31,658 --> 00:01:32,091 ARE YOU WELL? 33 00:01:32,158 --> 00:01:34,360 >> I'M GOOD. 34 00:01:34,427 --> 00:01:35,295 SO EXCITED TO BE HERE. 35 00:01:35,361 --> 00:01:37,564 >> James: WE LOVE IT EVERY TIME COMATOSE US. 36 00:01:37,630 --> 00:01:38,965 MILA KUNIS, EVERYBODY! 37 00:01:39,032 --> 00:01:42,802 >> AND SHE'S AN INCREDIBLE ACT ACTOR, 38 00:01:42,869 --> 00:01:43,903 WRITER AND DIRECTOR YOU KNOW FROM "VEEP," "HAPPIEST SEASON," 39 00:01:43,970 --> 00:01:48,975 AND "HOUSEBROKEN," THE LOVELY, THE DIVINE, CLEA DUVALL! 40 00:01:49,042 --> 00:01:49,542 CLEA! 41 00:01:49,609 --> 00:01:50,243 HOW ARE YOU? 42 00:01:50,310 --> 00:01:52,846 >> I'M DOING GREAT, HOW ARE YOU? 43 00:01:52,912 --> 00:01:53,980 >> James: I'M VERY, VERY WELL. 44 00:01:54,047 --> 00:01:55,348 SO NICE TO SEE YOU. 45 00:01:55,415 --> 00:01:56,983 >> SO NICE TO BE HERE. 46 00:01:57,050 --> 00:01:59,319 EVERYTHING GOING ON GOOD WITH YOUR LIFE? 47 00:01:59,385 --> 00:02:01,421 IS IT OK FOR ME TO DANCE LIKE THIS? 48 00:02:01,488 --> 00:02:03,156 >> I LOVE IT. 49 00:02:03,223 --> 00:02:03,756 PREFER IT. 50 00:02:03,823 --> 00:02:04,457 >> James: WANT TO JUMP IN? 51 00:02:04,524 --> 00:02:05,325 >> WE CAN ALL DO IT. 52 00:02:05,391 --> 00:02:06,759 >> James: NOW YOU'RE COOKING. 53 00:02:06,826 --> 00:02:09,562 LOOK AT US, WE'RE LIKE TWO OF THE FOUR TOPS. 54 00:02:09,629 --> 00:02:12,966 >> AND NOW I'M GOOD. 55 00:02:13,032 --> 00:02:15,134 >> James: CLEA DUVALL, EVERYBODY. 56 00:02:15,201 --> 00:02:18,938 NOW ON THEIR NATIONAL TOUR, WE'RE SO HAPPY TO HAVE THEM 57 00:02:19,005 --> 00:02:26,446 HERE TONIGHT, THE AMAZING CAST OF "OKLAHOMA!" 58 00:02:26,513 --> 00:02:26,913 HEY! 59 00:02:26,980 --> 00:02:27,714 HOW ARE WE DOING? 60 00:02:27,780 --> 00:02:29,249 >> HEY, JAMES! 61 00:02:29,315 --> 00:02:31,684 >> James: THANK YOU SO MUCH FOR BEING HERE! 62 00:02:31,751 --> 00:02:35,855 I'M SUCH A FAN OF THIS PRODUCTION OF "OKLAHOMA." 63 00:02:35,922 --> 00:02:36,756 IT'S SO GOOD. 64 00:02:36,823 --> 00:02:39,125 >> JAMES, I THINK YOU'VE BEEN MISINFORMED. 65 00:02:39,192 --> 00:02:41,227 WE'RE NOT THE CAST OF "OKLAHOMA." 66 00:02:41,294 --> 00:02:45,031 WE'RE THE CAST OF "MILA KUNIS." 67 00:02:45,098 --> 00:02:49,802 >> James: SORRY, DID YOU SAY THE CAST OF "MILA KUNIS?" 68 00:02:49,869 --> 00:02:51,337 WHAT? 69 00:02:51,404 --> 00:02:52,472 WHAT? 70 00:02:52,539 --> 00:02:55,975 >> MILA KUNIS, AWARD-WINNING ACTOR AND PRODUCER, STAR OF 71 00:02:56,042 --> 00:02:57,076 >> James: YEAH, I KNOW WHO MILA KUNIS IS, I JUST DIDN'T 72 00:02:57,143 --> 00:02:58,978 KNOW SHE WAS A MUSICAL. 73 00:02:59,045 --> 00:03:01,915 >> OH JAMES, DON'T BE SO SILLY. 74 00:03:01,981 --> 00:03:03,917 >> James: I DON'T THINK I'M BEING... 75 00:03:03,983 --> 00:03:04,918 >> OF COURSE MILA KUNIS IS A MUSICAL! 76 00:03:04,984 --> 00:03:05,752 SHE'S PROBABLY THE GREATEST MUSICAL OF ALL TIME! 77 00:03:05,818 --> 00:03:06,252 GANG? 78 00:03:06,319 --> 00:03:06,553 SHOULD WE SHOW HIM? 79 00:03:06,619 --> 00:03:15,929 >> YES! 80 00:03:15,995 --> 00:03:18,932 [SINGING] >> MILA KUNIS! 81 00:03:18,998 --> 00:03:21,868 SHE'S OUR FAVORITE ACTRESS OF ALL TIME 82 00:03:21,935 --> 00:03:22,702 MILA KUNIS! 83 00:03:22,769 --> 00:03:26,706 EVERYTHING SHE DOES CREATES A BUZZ 84 00:03:26,773 --> 00:03:32,178 EVERYONE HERE THINKS SHE'S MIGHTY FINE! 85 00:03:32,245 --> 00:03:33,212 MILA KUNIS! 86 00:03:33,279 --> 00:03:35,848 SHE'S THE GREATEST GUEST YOU'LL EVER SEE 87 00:03:35,915 --> 00:03:36,683 MILA KUNIS! 88 00:03:36,749 --> 00:03:38,651 LOVE TO HAVE HER HERE, 89 00:03:38,718 --> 00:03:40,420 LET OUT A CHEER! 90 00:03:40,486 --> 00:03:46,960 YEAH, THERE'S NOWHERE ELSE WE'D RATHER BE! 91 00:03:47,026 --> 00:03:48,828 MILA-KUNIS MILA-KUNIS 92 00:03:48,895 --> 00:03:50,096 MILA-KUNIS MILA-KUNIS 93 00:03:50,163 --> 00:03:53,466 MILA-KUNIS YOU KNOW SHE'S THE BEST 94 00:03:53,533 --> 00:03:54,167 IN THE LAND! 95 00:03:54,233 --> 00:03:57,971 AND WE ARE HER NUMBER ONE FANS! 96 00:03:58,037 --> 00:03:59,906 SHE'S MADE OUR DAY! 97 00:03:59,973 --> 00:04:01,941 WOW! 98 00:04:02,008 --> 00:04:04,744 AYIPIOEEAY! 99 00:04:04,811 --> 00:04:09,115 THERE'S NO DENYIN' SHE IS OUR QUEEN, MILA KUNIS! 100 00:04:09,182 --> 00:04:10,917 MILA KUNIS! 101 00:04:10,984 --> 00:04:11,551 M.K.! 102 00:04:11,618 --> 00:04:13,119 SHE'S HERE! 103 00:04:13,186 --> 00:04:18,257 SHE'S MADE OUR DAY! 104 00:04:18,324 --> 00:04:21,995 MILA KUNIS! 105 00:04:22,061 --> 00:04:28,267 WOW! 106 00:04:28,334 --> 00:04:33,272 [CHEERS AND APPLAUSE] [CHEERS AND APPLAUSE] 107 00:04:33,339 --> 00:04:33,973 >> YEE-HAW! 108 00:04:34,040 --> 00:04:35,041 ROLL THE TITLES! 109 00:04:44,651 --> 00:04:49,555 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 110 00:04:49,622 --> 00:04:53,993 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 111 00:04:54,060 --> 00:04:58,965 ♪ IT'S THE LATE, LATE SHOW ♪ >> James: IT CERTAINLY IS! 112 00:04:59,032 --> 00:04:59,866 IT CERTAINLY IS, BLESS YOU FOR BEING HERE. 113 00:04:59,932 --> 00:05:00,333 FUN START TO THE SHOW. 114 00:05:00,400 --> 00:05:01,300 FUN START! 115 00:05:01,367 --> 00:05:03,102 IT'S SUPER-TUPPER FUN. 116 00:05:03,169 --> 00:05:05,538 THAT'S WHAT WE DO AROUND HERE. 117 00:05:05,605 --> 00:05:10,009 >> WE WILL BRING IN THE SUPER-DUPER FUN BACK TO LATE 118 00:05:10,076 --> 00:05:10,743 NIGHT. 119 00:05:10,810 --> 00:05:13,646 >> James: TONIGHT IS YOM KIPPUR. 120 00:05:13,713 --> 00:05:16,582 IAN, WHAT ARE YOU ATONING FOR THIS YEAR? 121 00:05:16,649 --> 00:05:21,654 >> Ian: I'M ATONING ON WORKING ON YOM KIPPUR AGAIN. 122 00:05:21,721 --> 00:05:24,090 >> Reggie: REALTIME ATONEMENT. 123 00:05:24,157 --> 00:05:27,960 >> Ian: WHILE I'M WORKING, I'LL BE ATONING IMMEDIATELY 124 00:05:28,027 --> 00:05:28,594 AFTER. 125 00:05:28,661 --> 00:05:29,328 OH, I SHOULDN'T BE WORKING. 126 00:05:29,395 --> 00:05:30,430 I FORGIVE MYSELF. 127 00:05:30,496 --> 00:05:31,864 OH, I SHOULDN'T BE WORKING. 128 00:05:31,931 --> 00:05:32,999 I FORGIVE MYSELF. 129 00:05:33,066 --> 00:05:33,866 >> James: THAT'S IT. 130 00:05:33,933 --> 00:05:35,101 THAT'S IT. 131 00:05:35,168 --> 00:05:39,305 LOOK, WE CAN DO THIS ALL DAY, BUT WE CAN'T, BECAUSE IT'S THAT 132 00:05:39,372 --> 00:05:43,209 TIME... IT'S TIME FOR THE NEWS. 133 00:05:43,276 --> 00:05:45,611 NEW DETAILS HAVE EMERGED ABOUT THE CLASSIFIED DOCUMENTS HELD 134 00:05:45,678 --> 00:05:48,047 BY DONALD TRUMP AFTER LEAVING OFFICE. 135 00:05:48,114 --> 00:05:50,450 FOR ONE, IT'S BEING REPORTED THAT TRUMP PERSONALLY PACKED THE 136 00:05:50,516 --> 00:05:54,353 BOXES THAT WERE SENT TO THE NATIONAL ARCHIVES IN JANUARY. 137 00:05:54,420 --> 00:05:58,191 I MEAN, THE GUY'S BEEN DIVORCED MULTIPLE TIMES. 138 00:05:58,257 --> 00:06:02,261 IF THERE'S ONE THING HE'S GOOD AT, IT'S PACKING UP BOXES. 139 00:06:02,328 --> 00:06:04,764 [LAUGHTER] I LIKE TO THINK TRUMP PACKED 140 00:06:04,831 --> 00:06:08,067 THE BOXES, SEALED THEM WITH A KISS AND THEN SPRAYED THEM WITH 141 00:06:08,134 --> 00:06:09,802 JUST THE TINIEST AMOUNT OF COLOGNE. 142 00:06:09,869 --> 00:06:14,540 [LAUGHTER] IT IS ALSO BEING REPORTED THAT 143 00:06:14,607 --> 00:06:17,744 WHEN TRUMP ASKED HIS LAWYER TO SAY ALL REQUESTED MATERIALS HAD 144 00:06:17,810 --> 00:06:21,647 BEEN SENT OVER TO THE NATIONAL ARCHIVES, THE LAWYER REFUSED- 145 00:06:21,714 --> 00:06:25,551 OUT OF CONCERN THAT THE STATEMENT WASN'T TRUE. 146 00:06:25,618 --> 00:06:32,925 SPOILER ALERT, THE STATEMENT WASN'T TRUE. 147 00:06:32,992 --> 00:06:36,562 [LAUGHTER] IMAGINE THAT, A LAWYER WHO 148 00:06:36,629 --> 00:06:38,297 REFUSES TO LIE ON BEHALF OF A CLIENT. 149 00:06:38,364 --> 00:06:41,234 OR AS TRUMP CALLS THAT, AN "EX-LAWYER." 150 00:06:41,300 --> 00:06:46,372 [LAUGHTER] IN OTHER NEWS, DONALD TRUMP 151 00:06:46,439 --> 00:06:48,841 IS NOW SUING CNN FOR DEFAMATION, AND HE'S SEEKING $475 MILLION IN 152 00:06:48,908 --> 00:06:50,910 DAMAGES. 153 00:06:50,977 --> 00:06:53,713 TRUMP WANTS CNN TO STOP THE LIES. 154 00:06:53,780 --> 00:06:57,617 STARTING WITH THE FACT THAT THAT "BLITZER" GUY THEY HAVE IS 155 00:06:57,683 --> 00:06:59,185 CLEARLY NOT A WOLF, C'MON! 156 00:06:59,252 --> 00:07:02,421 [LAUGHTER] THIS IS TRUE, THE LAWSUIT TAKES 157 00:07:02,488 --> 00:07:05,057 ISSUE WITH CNN'S USE OF THE WORDS "RACIST" AND 158 00:07:05,124 --> 00:07:07,627 "INSURRECTIONIST" WHEN DISCUSSING TRUMP. 159 00:07:07,693 --> 00:07:11,664 I DON'T WANT TO HELP TRUMP IN THIS LAWSUIT, BUT CNN ALSO 160 00:07:11,731 --> 00:07:13,599 CALLED HIM A "BILLIONAIRE." 161 00:07:13,666 --> 00:07:16,536 [LAUGHTER] BUT THIS IS TRICKY TERRITORY FOR 162 00:07:16,602 --> 00:07:18,504 TRUMP. 163 00:07:18,571 --> 00:07:21,407 ON THE ONE HAND, HE THINKS THAT CNN CALLING HIM RACIST HURT HIS 164 00:07:21,474 --> 00:07:23,876 CHANCES FOR RE-ELECTION. 165 00:07:23,943 --> 00:07:27,446 ON THE OTHER HAND, IF HE SAYS HE ISN'T RACIST, THAT COULD ALSO 166 00:07:27,513 --> 00:07:29,448 HURT HIS CHANCES FOR RE-ELECTION. 167 00:07:29,515 --> 00:07:37,356 [LAUGHTER] AND ACCORDING TO NEW REPORTS, 168 00:07:37,423 --> 00:07:39,392 BIDEN APPARENTLY TOLD CIVIL RIGHTS LEADER AL SHARPTON DURING 169 00:07:39,458 --> 00:07:42,762 A MEETING AT THE WHITE HOUSE LAST MONTH. 170 00:07:42,829 --> 00:07:47,066 -- THAT HE'LL RUN FOR PRESIDENT AGAIN IN 2024. 171 00:07:47,133 --> 00:07:48,234 GOOD FOR HIM. 172 00:07:48,301 --> 00:07:49,202 FULL-TIME KITCHEN STAFF, PLENTY OF BEDS, AN ACTIVE EVENTS 173 00:07:49,268 --> 00:07:50,369 CALENDAR. 174 00:07:50,436 --> 00:07:51,637 THE WHITE HOUSE IS ESSENTIALLY AN ASSISTED LIVING FACILITY. 175 00:07:51,704 --> 00:07:54,473 [LAUGHTER] THIS IS TRUE, AS HE POSED FOR 176 00:07:54,540 --> 00:07:57,376 A PHOTOGRAPH IN THE WHITE HOUSE WITH AL SHARPTON, BIDEN 177 00:07:57,443 --> 00:07:59,846 REPORTEDLY SAID, "I'M GOING TO DO IT AGAIN." 178 00:07:59,912 --> 00:08:00,980 AH, YES. 179 00:08:01,047 --> 00:08:02,815 THE CLASSIC, TIME-HONORED WAY OF ANNOUNCING YOUR RUN FOR 180 00:08:02,882 --> 00:08:04,717 PRESIDENT -- WHISPERING IT TO ONE PERSON AS YOU POSE FOR A 181 00:08:04,784 --> 00:08:06,853 PHOTO. 182 00:08:06,919 --> 00:08:09,989 [LAUGHTER] BUT I HAVE TO SAY, I'M NOT SURE 183 00:08:10,056 --> 00:08:11,891 BIDEN KNOWS WHAT HE'S GETTING HIMSELF INTO. 184 00:08:11,958 --> 00:08:15,595 AS A GUY WHO'S ABOUT TO STEP DOWN AFTER EIGHT YEARS, LET ME 185 00:08:15,661 --> 00:08:19,599 SAY, EIGHT YEARS CAN FEEL LIKE A LONG TIME. 186 00:08:19,665 --> 00:08:23,035 [LAUGHTER] AND IN THE ON-AGAIN, OFF-AGAIN 187 00:08:23,102 --> 00:08:25,938 SAGA OF ELON MUSK TRYING TO BUY TWITTER, IT'S APPARENTLY BACK 188 00:08:26,005 --> 00:08:27,340 ON. 189 00:08:27,406 --> 00:08:31,310 EARLIER TODAY, MUSK REVIVED HIS BID FOR THE COMPANY AT THE 190 00:08:31,377 --> 00:08:34,213 ORIGINAL OFFER PRICE, JUST DAYS BEFORE A COURTROOM FIGHT WITH 191 00:08:34,280 --> 00:08:38,618 TWITTER. 192 00:08:38,684 --> 00:08:40,586 NOW I DON'T KNOW WHO I'M ROOTING FOR HERE? 193 00:08:40,653 --> 00:08:42,488 WHO DO WE ROOT FOR HERE? 194 00:08:42,555 --> 00:08:42,889 MUSK? 195 00:08:42,955 --> 00:08:43,422 TWITTER? 196 00:08:43,489 --> 00:08:45,424 THE CONCEPT OF MONEY? 197 00:08:45,491 --> 00:08:49,562 [LAUGHTER] THE ONLY WAY I WOULD RESPECT 198 00:08:49,629 --> 00:08:52,331 ELON MUSK FOR BUYING TWITTER IS IF HE BOUGHT TWITTER, AND THEN 199 00:08:52,398 --> 00:08:54,300 IMMEDIATELY DELETED IT. 200 00:08:54,367 --> 00:08:57,503 [LAUGHTER] DELETE IT. 201 00:08:57,570 --> 00:08:58,037 GONE. 202 00:08:58,104 --> 00:08:59,238 GONE. 203 00:08:59,305 --> 00:09:00,072 DEAD! 204 00:09:00,139 --> 00:09:03,042 [CHEERS AND APPLAUSE] CAN YOU IMAGINE? 205 00:09:03,109 --> 00:09:06,345 MUSK BROUGHT BACK HIS ORIGINAL OFFER THAT HE MADE LAST SPRING. 206 00:09:06,412 --> 00:09:08,447 BASICALLY, AS FAR AS MULTI-BILLION DOLLAR DEALS GO, 207 00:09:08,514 --> 00:09:10,416 HE RETWEETED HIMSELF. 208 00:09:10,483 --> 00:09:16,122 [LAUGHTER] IF YOU COULD BE THE C.E.O. OF 209 00:09:16,188 --> 00:09:19,258 ANY APP AND MAKE CHANGES, WHICH ONE WOULD YOU TAKE ON? 210 00:09:19,325 --> 00:09:20,459 WHAT WOULD IT BE? 211 00:09:20,526 --> 00:09:25,631 >> Ian: I WOULD C.E.O. OF ONE OF THOSE RUNNING APPS, THE ONE 212 00:09:25,698 --> 00:09:27,199 THAT TRACKS YOUR WORKOUT. 213 00:09:27,266 --> 00:09:29,368 FOR A PREMIUM PRICE, WE WOULD MAKE IT LOOK LIKE YOU WENT ON A 214 00:09:29,435 --> 00:09:32,138 REALLY LONG RUN AND YOU COULD POST THAT. 215 00:09:32,204 --> 00:09:33,072 >> James: RIGHT. 216 00:09:33,139 --> 00:09:34,807 >> Ian: BUT YOU DON'T HAVE TO GO ON THE RUN. 217 00:09:34,874 --> 00:09:35,942 >> James: SURE. 218 00:09:36,008 --> 00:09:45,251 >> Ian: FOR $9.99 A MONTH, YOU GET 12 HOLY [BLEEP] RUNS. 219 00:09:45,318 --> 00:09:45,985 >> James: WHAT ABOUT YOU, REG? 220 00:09:46,052 --> 00:09:51,357 >> Reggie: I'D BE THE C.E.O. 221 00:09:51,424 --> 00:09:54,727 OF INSTAGRAM AND MAKE THE FEEDS CHRONOLOGICAL. 222 00:09:54,794 --> 00:09:56,963 THAT'S ABOUT IT. 223 00:09:57,029 --> 00:10:00,266 [CHEERS AND APPLAUSE] >> James: THAT'S IT. 224 00:10:00,333 --> 00:10:01,067 THAT'S IT? 225 00:10:01,133 --> 00:10:04,203 >> Ian: HE WOULD BANKRUPT INSTAGRAM. 226 00:10:04,270 --> 00:10:05,538 >> James: THAT'S WHAT HE'S SAYING. 227 00:10:05,604 --> 00:10:06,806 THAT'S WHAT HE'S SAYING. 228 00:10:06,872 --> 00:10:09,275 YOU KNOW WHAT I THINK SHOULD BE THE LAW -- I ACTUALLY SAID THIS 229 00:10:09,342 --> 00:10:14,013 ONCE AT A THING IN FRONT OF PEOPLE WHO RAN LIKE C.E.O.'S WHO 230 00:10:14,080 --> 00:10:16,315 RUN THESE APPS, IT DIDN'T GO OVER WELL. 231 00:10:16,382 --> 00:10:19,251 I SAID I THINK THE LAW SHOULD BE FOR EVERY MINUTE YOU SPEND ON A 232 00:10:19,318 --> 00:10:25,391 SOCIAL MEDIA APP, AS SOON AS YOU COME OUT OF IT, YOU CAN'T GO 233 00:10:25,458 --> 00:10:28,094 BACK IN FOR THAT AMOUNT OF TIME SO IF YOU'RE ON IT FOR 20 234 00:10:28,160 --> 00:10:30,663 MINUTES, YOU'RE LOCKED OUT FOR 20 MINUTES. 235 00:10:30,730 --> 00:10:34,433 IF YOU'RE ON IT FOR ONE MINUTE, YOU'RE LOCKED OUT FOR A MINUTE. 236 00:10:34,500 --> 00:10:36,836 I HONESTLY THINK IT WOULD CHANGE -- 237 00:10:36,902 --> 00:10:38,671 >> Ian: BEAUTIFUL IDEA. 238 00:10:38,738 --> 00:10:41,307 >> James: YEAH, AND I SAID THAT TO THE GUY WHO RUNS 239 00:10:41,374 --> 00:10:44,410 SNAPCHAT, AND HE JUST WENT YEAH, NO, WE'RE NOT GOING TO DO THAT. 240 00:10:44,477 --> 00:10:53,686 [LAUGHTER] >> James: AND DID YOU SEE THIS 241 00:10:53,753 --> 00:10:54,787 DURING MONDAY NIGHT FOOTBALL LAST NIGHT? 242 00:10:54,854 --> 00:10:55,988 AN ANIMAL RIGHTS PROTESTER RAN ONTO THE FIELD, AND WHEN 243 00:10:56,055 --> 00:10:56,989 SECURITY COULDN'T CONTAIN THE MAN, THEY GOT SOME HELP FROM A 244 00:10:57,056 --> 00:10:58,024 COUPLE OF THE LOS ANGELES RAMS. 245 00:10:58,090 --> 00:11:00,026 TAKE A LOOK... 246 00:11:07,633 --> 00:11:13,472 [LAUGHTER] LA>> James: ABSOLUTELY 247 00:11:13,539 --> 00:11:15,975 INCREDIBLE! 248 00:11:16,042 --> 00:11:18,878 INCREDIBLE! 249 00:11:18,944 --> 00:11:20,546 HE'S AN ANIMAL RIGHTS PROTESTER AND HE GETS TAKEN DOWN BY SOME 250 00:11:20,613 --> 00:11:22,048 RAMS. 251 00:11:22,114 --> 00:11:25,084 [LAUGHTER] THIS IS EXACTLY WHAT ALANIS 252 00:11:25,151 --> 00:11:30,556 MORISETTE WAS SINGING ABOUT IN "IRONIC." 253 00:11:30,623 --> 00:11:33,959 YOU'RE TOO YOUNG FOR THAT JOKE, AREN'T YOU? 254 00:11:34,026 --> 00:11:34,593 DO YOU KNOW THAT SONG? 255 00:11:34,660 --> 00:11:36,395 TELL ME YOU KNOW THAT SONG. 256 00:11:36,462 --> 00:11:39,465 NO, I KNOW YOU KNOW THAT SONG, MADAM. 257 00:11:39,532 --> 00:11:42,835 DO YOU, YOUNG FOLK, DO YOU HAVE A CLUE WHAT I'M TALKING ABOUT? 258 00:11:42,902 --> 00:11:43,369 >> NO! 259 00:11:43,436 --> 00:11:45,371 >> James: NOT A CLUE! 260 00:11:45,438 --> 00:11:45,938 ARE YOU SERIOUS? 261 00:11:46,005 --> 00:11:47,540 ARE YOU DEADLY SERIOUS? 262 00:11:47,606 --> 00:11:54,980 YOU DON'T KNOW THE ALANIS MORISSETTE SONG "IRONIC?" 263 00:11:55,047 --> 00:11:56,415 IT'S LIKE RAIN ON YOUR WEDDING DAY. 264 00:11:56,482 --> 00:11:59,318 A LOT OF IT ISN'T IRONIC, IT'S JUST ANNOYING. 265 00:11:59,385 --> 00:12:00,486 THAT'S THE WEIRD THING. 266 00:12:00,553 --> 00:12:04,490 SHE SAYS IS IRONIC AND IT'S JUST STUFF THAT PISSES YOU OFF. 267 00:12:04,557 --> 00:12:06,158 10,000 SPOONS WHEN ALL YOU NEED IS A KNIFE. 268 00:12:06,225 --> 00:12:12,932 NO IRONY THERE, JUST SOMEONE HASN'T DONE THE DISHES. 269 00:12:12,998 --> 00:12:15,634 [LAUGHTER] WHAT'S ANOTHER ONES? 270 00:12:15,701 --> 00:12:17,770 RAIN ON YOUR WEDDING DAY. 271 00:12:17,837 --> 00:12:19,004 >> Ian: BLACK FLY IN YOUR CHARDONNAY. 272 00:12:19,071 --> 00:12:21,140 MEETING THE MAN OF YOUR DREAMS AND MEETING HIS BEAUTIFUL WIFE. 273 00:12:21,207 --> 00:12:21,941 >> James: NOTA IRONIC. 274 00:12:22,007 --> 00:12:22,608 IT'S ANNOYING. 275 00:12:22,675 --> 00:12:23,375 YOU WENT TO DIFFERENT SCHOOLS. 276 00:12:23,442 --> 00:12:25,344 WHAT ARE YOU GOING TO DO ABOUT IT? 277 00:12:25,411 --> 00:12:29,682 >> Ian: MAYBE YOU HAVE A LOVELY FRIENDSHIP WITH THAT GUY. 278 00:12:29,748 --> 00:12:31,417 >> James: HE'LL GET DIVORCED. 279 00:12:31,484 --> 00:12:32,918 IT'LL HAPPEN. 280 00:12:32,985 --> 00:12:33,786 KILL THIS OUT. 281 00:12:33,853 --> 00:12:35,020 >> Ian: THERE WAS A GUY WHO NEVER FLEW. 282 00:12:35,087 --> 00:12:39,758 HE WAS AFRAID TO GO ON AN AIRPLANE AND HE FINALLY WENT ON 283 00:12:39,825 --> 00:12:41,861 AN AIRPLANE WHICH THE PLANE CRASHED WHICH -- 284 00:12:41,927 --> 00:12:43,863 >> James: AGAIN, AGAIN, HE WASN'T ON THE WAY DOWN GOING, 285 00:12:43,929 --> 00:12:46,098 WELL, THIS IS IRONIC! 286 00:12:46,165 --> 00:12:49,101 [LAUGHTER] HE WAS LIKE, OH, I WAS [BLEEP] 287 00:12:49,168 --> 00:12:51,971 RIGHT THE WHOLE TIME! 288 00:12:52,037 --> 00:12:52,638 LOOK AT THAT GUY. 289 00:12:52,705 --> 00:12:54,406 CAN WE PLAY THAT VIDEO AGAIN? 290 00:12:54,473 --> 00:13:02,581 PLAY IT AGAIN. 291 00:13:02,648 --> 00:13:05,951 >> Ian: THE STADIUM SECURITY REALLY MESSED UP BECAUSE IT WAS 292 00:13:06,018 --> 00:13:10,856 PROBABLY LIKE GUY IN A RAMS JERSEY, GUY IN A RAMS JERSEY. 293 00:13:10,923 --> 00:13:15,494 GUY WITH NO SHIRT ON WHATSOEVER. 294 00:13:15,561 --> 00:13:17,062 PINK T-SHIRT. 295 00:13:17,129 --> 00:13:20,366 TURQUOISE SHORTS, BLACK DRESS SHOES, ROAD FLAIR. 296 00:13:20,432 --> 00:13:21,934 GUY IN A RAMS JERSEY. 297 00:13:22,001 --> 00:13:23,402 >> James: AND FINALLY, HIDDEN VALLEY LAUNCHED AN ENTIRE 298 00:13:23,469 --> 00:13:26,939 COLLECTION OF RANCH DRESSING-INSPIRED HOME DECOR 299 00:13:27,006 --> 00:13:28,140 TODAY. 300 00:13:28,207 --> 00:13:31,944 THE LINE INCLUDES WALLPAPER, A BLANKET, PILLOWS, POSTERS AND 301 00:13:32,011 --> 00:13:35,447 A $10,000 PIZZA COUCH. 302 00:13:35,514 --> 00:13:38,017 THIS IS REAL, HERE IT IS HERE. 303 00:13:38,083 --> 00:13:40,252 LOOK AT THAT! 304 00:13:40,319 --> 00:13:42,788 FOR $10,000 YOU BETTER BE ABLE TO EAT THAT. 305 00:13:42,855 --> 00:13:46,425 [LAUGHTER] LOOK AT IT AGAIN! 306 00:13:46,492 --> 00:13:48,060 THAT SHOULD COST NO MORE THAN $28. 307 00:13:48,127 --> 00:13:50,396 [LAUGHTER] THAT COUCH SHOULD BE FREE 308 00:13:50,462 --> 00:13:52,298 OUTSIDE OF A BANKRUPT PIZZA PARLOR. 309 00:13:52,364 --> 00:13:55,901 [LAUGHTER] CAN YOU IMAGINE SHOWING PEOPLE 310 00:13:55,968 --> 00:14:03,742 AROUND YOUR HOUSE LIKE, "LOOK AT THIS, THAT WAS THE PIZZA COUCH 311 00:14:03,809 --> 00:14:04,710 THAT COST $10,000! 312 00:14:04,777 --> 00:14:10,349 IT WAS THAT OR A VACATION TO HAWAII, YOU KNOW?" 313 00:14:10,416 --> 00:14:11,717 IT WORKS IN ANY KIND OF LIVING SPACE. 314 00:14:11,784 --> 00:14:16,655 -- I TOLD YOU WE SHOULD HAVE CUT THIS STORY, ROB -- I'M SO 315 00:14:16,722 --> 00:14:17,957 [BLEEP] SURE OF IT! 316 00:14:18,023 --> 00:14:19,825 [LAUGHTER] [APPLAUSE] 317 00:14:19,892 --> 00:14:22,194 >> WAIT UNTIL YOU GET TO THIS LAST JOKE. 318 00:14:22,261 --> 00:14:24,597 THEY'RE GOING TO GO WILD. 319 00:14:24,663 --> 00:14:26,599 I MEAN -- >> James: OK, I DON'T WANT TO 320 00:14:26,665 --> 00:14:30,536 YOU INCREASE YOUR LAUGHTER OR DECREASE YOUR LAUGHTER FOR THIS, 321 00:14:30,603 --> 00:14:31,804 ALL RIGHT? 322 00:14:31,870 --> 00:14:34,707 I WANT YOU TO GIVE IT THE LAUGH YOU ABSOLUTELY FUNDAMENTALLY IN 323 00:14:34,773 --> 00:14:37,042 YOUR CORE THINK IT DESERVES. 324 00:14:37,109 --> 00:14:38,844 OK? 325 00:14:38,911 --> 00:14:39,678 NO MORE THAN THAT. 326 00:14:39,745 --> 00:14:41,113 NO LESS. 327 00:14:41,180 --> 00:14:41,947 DON'T MESS AROUND. 328 00:14:42,014 --> 00:14:44,850 IF YOU THINK IT'S HILARIOUS, BIG LAUGH. 329 00:14:44,917 --> 00:14:45,818 IF YOU DON'T, DON'T LAUGH. 330 00:14:45,884 --> 00:14:47,419 JUST GIVE IT WHAT IT ABSOLUTELY DESERVES, OK? 331 00:14:47,486 --> 00:14:50,889 AND I WILL DO IT TO THE BEST OF MY ABILITY. 332 00:14:50,956 --> 00:14:55,894 BUT IT'S NOT ONLY HOME DECOR, NOT -- SORRY, I'M GOING TO DO IT 333 00:14:55,961 --> 00:15:00,232 AGAIN. 334 00:15:00,299 --> 00:15:01,634 COME ON. 335 00:15:01,700 --> 00:15:05,537 COME ON -- REMEMBER, ONLY WHAT IT DESERVES. 336 00:15:05,604 --> 00:15:07,906 BUT IT'S NOT THE ONLY HOME DEÉCR LINE INSPIRED BY A CONDIMENT. 337 00:15:07,973 --> 00:15:09,441 IF YOU'RE NOT A FAN OF RANCH DRESSING, THERE'S ALSO THE HONEY 338 00:15:09,508 --> 00:15:12,945 MUSTARD HOT TUB. 339 00:15:13,012 --> 00:15:16,382 [LIGHT CHUCKLES] AND THAT'S THE NEWS! 340 00:15:16,448 --> 00:15:18,450 WE'LL BE RIGHT BACK WITH MILA KUNIS AND CLEA DUVALL! 341 00:15:44,009 --> 00:15:44,610 >> James: WELCOME BACK. 342 00:15:44,677 --> 00:15:45,878 LET'S MEET OUR GUESTS TONIGHT! 343 00:15:45,944 --> 00:15:48,314 SHE'S THE CO-CREATOR, WRITER AND DIRECTOR OF "HIGH SCHOOL," CLEA 344 00:15:48,380 --> 00:15:55,487 DUVALL! 345 00:15:55,554 --> 00:16:00,526 ♪ IT'S CLEA DUVALL. 346 00:16:00,592 --> 00:16:01,193 SHE'S A PAL. 347 00:16:01,260 --> 00:16:01,794 >> James: SO GREAT TO SEE YOU. 348 00:16:01,860 --> 00:16:02,995 THANK YOU FOR BEING HERE. 349 00:16:03,062 --> 00:16:04,930 HAVE A SEAT, PLEASE. 350 00:16:04,997 --> 00:16:05,964 >> James: SHE STARS IN "LUCKIEST GIRL ALIVE," MILA 351 00:16:06,031 --> 00:16:08,033 KUNIS! 352 00:16:16,742 --> 00:16:23,082 ♪ ♪ 353 00:16:23,148 --> 00:16:25,417 >> James: NOW, LOTS TO TALK ABOUT. 354 00:16:25,484 --> 00:16:26,552 SO HAPPY YOU'RE BOTH HERE. 355 00:16:26,618 --> 00:16:28,887 MILA, YOUR DAUGHTER WYATT TURNED EIGHT OVER THE WEEKEND. 356 00:16:28,954 --> 00:16:29,521 NOW WAS THAT? 357 00:16:29,588 --> 00:16:30,789 HOW DO WE CELEBRATE? 358 00:16:30,856 --> 00:16:31,990 >> THANK YOU! 359 00:16:32,057 --> 00:16:36,261 SHE WANTED LIKE A LUAU BIRTHDAY THEME, POOL PARTY BECAUSE WE 360 00:16:36,328 --> 00:16:45,237 LIVE IN L.A. AND THE WEATHER'S ALWAYS NICE AND SHE WANTED A GE 361 00:16:45,304 --> 00:16:49,942 GEOD CAKE, FIRST IT WAS PINEAPPLE THEN IT TURNED INTO A 362 00:16:50,008 --> 00:16:54,179 MY GIRLFRIEND A LITTLE BIT AGO THREW HER DAUGHTER ONE OF THOSE 363 00:16:54,246 --> 00:16:58,650 ESCAPE ROOM PARTIES EXCEPT SHE THREW ALL THE KIDS IN THE ESCAPE 364 00:16:58,717 --> 00:17:03,889 ROOM AND THE PARENTS GOT TO WATCH THEM TRY TO ESCAPE, AND I 365 00:17:03,956 --> 00:17:05,023 HIGHLY RECOMMEND IT. 366 00:17:05,090 --> 00:17:08,394 LIKE JUST THROW YOUR KIDS INTO AN ESCAPE ROOM AND YOU'LL 367 00:17:08,460 --> 00:17:13,198 REALIZE IF AN APOCALYPSE HAPPENS, THEY'RE THE FIRST TO 368 00:17:13,265 --> 00:17:13,966 GO. 369 00:17:14,032 --> 00:17:14,366 THEY DON'T KNOW WHAT THEY'RE DOING. 370 00:17:14,433 --> 00:17:15,601 >> James: NO. 371 00:17:15,667 --> 00:17:19,972 I LIKE THE IDEA OF HAVING A LOAD OF KIDS, TELLING THEM IT'S AN 372 00:17:20,038 --> 00:17:21,874 ESCAPE ROOM BUT IT ISN'T. 373 00:17:21,940 --> 00:17:27,780 YOU PUT THEM IN A ROOM AND THEN YOU GET TO JUST SIT IN SILENCE, 374 00:17:27,846 --> 00:17:29,848 READ A CHAPTER OF A BOOK AND THEN, LIKE, WHEN YOU'RE READY 375 00:17:29,915 --> 00:17:32,184 AND YOU START TO MISS THEM, NORMALLY AROUND THE TWO-HOUR 376 00:17:32,251 --> 00:17:38,757 pMARK, JUST SLIDE A KEY INTO A CORNER AND THEY GO, "GUYS! 377 00:17:38,824 --> 00:17:42,828 I FOUND A KEY!" AND YOU SAY "YOU'VE DONE IT!" 378 00:17:42,895 --> 00:17:46,799 AND ALL YOU HAVE DONE IS READ A BOOK AND DRANK A BOTTLE OF WINE. 379 00:17:46,865 --> 00:17:48,567 ARE YOU AN ESCAPE ROOM PERSON? 380 00:17:48,634 --> 00:17:49,701 >> I REALLY AM. 381 00:17:49,768 --> 00:17:50,702 >> James: DOESN'T SURPRISE ME. 382 00:17:50,769 --> 00:17:53,939 >> I DID THREE ESCAPE ROOMS LAST WEEKEND. 383 00:17:54,006 --> 00:17:54,640 >> James: YOU DID NOT! 384 00:17:54,706 --> 00:17:56,275 THAT'S RIDICULOUS! 385 00:17:56,341 --> 00:17:57,209 >> I'M OBSESSED. 386 00:17:57,276 --> 00:18:01,079 I HAVE A GROUP OF FRIENDS I DID DO IT WITH. 387 00:18:01,146 --> 00:18:03,982 WE'VE DONE EVERY SINGLE ESCAPE ROOM IN LOS ANGELES NOW. 388 00:18:04,049 --> 00:18:06,351 WE'RE HAVING TO BRANCH OUT INTO ANAHEIM, SANTA CLARITA. 389 00:18:06,418 --> 00:18:08,487 >> ARE YOU PREPARING FOR THE ZOMBIES TO TAKE OVER? 390 00:18:08,554 --> 00:18:12,024 >> WELL, HERE IS THE PROBLEM IS THAT NONE OF THE SKILLS ARE 391 00:18:12,090 --> 00:18:13,192 TRANSFERABLE IS THE TRUTH. 392 00:18:13,258 --> 00:18:14,393 >> NO. 393 00:18:14,460 --> 00:18:15,461 NOT. 394 00:18:15,527 --> 00:18:19,698 >> HAVE I DONE ZOMBIE APOCA APOCALYPSE-THEMED ROOMS? 395 00:18:19,765 --> 00:18:20,666 I HAVE. 396 00:18:20,732 --> 00:18:24,203 >> SO I KNOW WHO TO CALL IF THE ZOMBIES COME. 397 00:18:24,269 --> 00:18:25,103 EXACTLY. 398 00:18:25,170 --> 00:18:26,038 >> James: IT'S YOU AND A GROUP OF FRIENDS. 399 00:18:26,104 --> 00:18:26,738 YOU'RE LIKE LET'S GO. 400 00:18:26,805 --> 00:18:28,240 DOES IT GET COMPETITIVE? 401 00:18:28,307 --> 00:18:30,342 >> NO BECAUSE YOU HAVE TO WORK AS A TEAM. 402 00:18:30,409 --> 00:18:32,911 YOU CAN ONLY EXCEL IF YOU WORK AS A TEAM. 403 00:18:32,978 --> 00:18:36,281 IF EVERYONE IS ON THEIR OWN, YOU USUALLY FAIL SO IT'S -- 404 00:18:36,348 --> 00:18:39,785 >> James: HONESTLY, HONESTLY, ME IN AN ESCAPE ROOM, I'D GO, 405 00:18:39,852 --> 00:18:42,454 GUYS, YOU FIGURE IT OUT. 406 00:18:42,521 --> 00:18:47,759 >> WAIT, WEREN'T YOU -- WERE YOU NOT IN AN ESCAPE ROOM WITH ME 407 00:18:47,826 --> 00:18:50,529 YEARS AGO? 408 00:18:50,596 --> 00:18:51,964 OUR MUTUAL FRIEND GOT US AN ESCAPE ROOM. 409 00:18:52,030 --> 00:18:53,699 WE WERE IN THE SAME ESCAPE ROOM. 410 00:18:53,765 --> 00:18:54,900 >> James: WE WERE! 411 00:18:54,967 --> 00:18:57,870 >> I JUST REMEMBERED WHEN YOU SAID SOMETHING THAT YOU AND I 412 00:18:57,936 --> 00:19:00,472 DID ONE TOGETHER. 413 00:19:00,539 --> 00:19:01,707 >> HOW'D YOU DO? 414 00:19:01,773 --> 00:19:02,808 >> AWFUL. 415 00:19:02,875 --> 00:19:04,276 >> James: IT WAS ONE OF THE ESCAPE ROOMS WHERE YOU'RE 416 00:19:04,343 --> 00:19:05,611 COMPETING AGAINST ANOTHER TEAM AND THEN YOU THINK YOU'VE DONE 417 00:19:05,677 --> 00:19:08,947 GREAT AND YOU GO, OH MY GOD! 418 00:19:09,014 --> 00:19:10,048 DID WE WIN? 419 00:19:10,115 --> 00:19:11,483 THEY GO, NO. 420 00:19:11,550 --> 00:19:15,754 AND YOU SEE EVERYONE ELSE AT THE BAR, NO, NO, NO, WE FINISHED 45 421 00:19:15,821 --> 00:19:16,622 MINUTES AGO. 422 00:19:16,688 --> 00:19:20,425 YOU WERE IN THE ONE FOR SEVEN-YEAR-OLDS! 423 00:19:20,492 --> 00:19:22,227 YOU BOTH GREW UP HERE IN LOS ANGELES AND YOU HAVE A LOT IN 424 00:19:22,294 --> 00:19:23,028 COMMON. 425 00:19:23,095 --> 00:19:25,664 YOU'RE BOTH HUGE L.A. DODGERS FANS. 426 00:19:25,731 --> 00:19:26,932 >> OH YEAH. 427 00:19:26,999 --> 00:19:28,700 >> James: CLEA, LOOK AT THIS, YOU GOT TO PLAY AT DODGERS 428 00:19:28,767 --> 00:19:30,002 STADIUM. 429 00:19:30,068 --> 00:19:31,003 LOOK AT CLEA HERE. 430 00:19:31,069 --> 00:19:32,070 YOU REALLY LOOK LIKE YOU KNOW WHAT YOU'RE DOING. 431 00:19:32,137 --> 00:19:33,972 >> NOT TO BRAG, BUT I DO. 432 00:19:34,039 --> 00:19:35,007 I DO. 433 00:19:35,073 --> 00:19:36,174 >> DO YOU? 434 00:19:36,241 --> 00:19:36,942 >> YEAH. 435 00:19:37,009 --> 00:19:38,076 >> James: HANG ON. 436 00:19:38,143 --> 00:19:39,778 HOW DID YOU PLAY? 437 00:19:39,845 --> 00:19:42,481 YOU FELT HAPPY WITH YOUR PERFORMANCE? 438 00:19:42,548 --> 00:19:46,118 >> I DO -- YES, EVERY YEAR THEY DO THE HOLLYWOOD STARS GAME 439 00:19:46,184 --> 00:19:47,786 WHERE THEY HAVE ACTORS AND MUSICIANS COME AND PLAY A GAME 440 00:19:47,853 --> 00:19:49,821 BEFORE THE REAL GAME. 441 00:19:49,888 --> 00:19:51,089 >> OK. 442 00:19:51,156 --> 00:19:53,425 >> AND YOU PLAY ON THE FIELD OF THE DODGERS STADIUM AND SO I GOT 443 00:19:53,492 --> 00:19:54,259 TO DO THAT. 444 00:19:54,326 --> 00:19:56,528 THE FIRST YEAR, I DIDN'T GET TO PLAY. 445 00:19:56,595 --> 00:19:58,630 THE SECOND YEAR, I DID GET TO PLAY. 446 00:19:58,697 --> 00:19:59,831 >> OH, OK. 447 00:19:59,898 --> 00:20:01,667 >> AND IT WAS TRULY ONE OF THE MOST MAGNIFICENT MOMENTS OF MY 448 00:20:01,733 --> 00:20:02,134 LIFE. 449 00:20:02,200 --> 00:20:02,434 >> James: REALLY? 450 00:20:02,501 --> 00:20:03,535 >> YES. 451 00:20:03,602 --> 00:20:06,071 IT WAS -- BECAUSE I JUST -- I GREW UP LOVING BASEBALL. 452 00:20:06,138 --> 00:20:07,339 I WAS OBSESSED WITH THE DODGERS. 453 00:20:07,406 --> 00:20:09,975 I WANTED TO BE A DODGER UNTIL I WAS TOLD THAT THAT WASN'T GOING 454 00:20:10,042 --> 00:20:11,109 TO HAPPEN FOR ME. 455 00:20:11,176 --> 00:20:11,577 >> OH. 456 00:20:11,643 --> 00:20:12,778 >> BUT THAT'S OK. 457 00:20:12,844 --> 00:20:13,345 THERE'S STILL TIME. 458 00:20:13,412 --> 00:20:13,912 >> James: YEAH. 459 00:20:13,979 --> 00:20:15,847 >> WELL -- I DON'T KNOW. 460 00:20:15,914 --> 00:20:20,719 >> I DON'T KNOW, A 45-YEAR-OLD WOMAN ON THE DODGERS WOULD BE 461 00:20:20,786 --> 00:20:25,357 PRETTY RADICAL BUT, I DON'T KN KNOW. 462 00:20:25,424 --> 00:20:27,726 >> James: ANSWER ME THIS, WHO WAS THE WORST CELEBRITY PLAYER? 463 00:20:27,793 --> 00:20:31,096 >> OK, I'M NOT GOING TO NAME HIS NAME -- 464 00:20:31,163 --> 00:20:32,397 >> BUT. 465 00:20:32,464 --> 00:20:35,701 >> I'M JUST NOT GOING TO DO IT. 466 00:20:35,767 --> 00:20:36,568 I'M JUST NOT GOING TO DO IT. 467 00:20:36,635 --> 00:20:39,838 >> GIVE US ONE LETTER. 468 00:20:39,905 --> 00:20:40,606 FIRST LETTER. 469 00:20:40,672 --> 00:20:40,973 >> James: SAY WHAT HAPPENED FIRST. 470 00:20:41,039 --> 00:20:42,240 GO ON. 471 00:20:42,307 --> 00:20:45,377 >> I WAS PLAYING SECOND BASE AND HE HIT THE BALL TOWARDS ME, SAW 472 00:20:45,444 --> 00:20:48,780 THE BALL COMING TOWARDS ME, STARTED TO SHOWBOAT TOWARDS 473 00:20:48,847 --> 00:20:52,384 FIRST BASE LIKE RUNNING VERY SLOWLY, PLAYING FOR THE CROWD. 474 00:20:52,451 --> 00:20:54,753 OBVIOUSLY HE THOUGHT THIS GIRL IS NOT GOING TO GET THE BALL. 475 00:20:54,820 --> 00:20:57,356 BUT I FIELDED THE BALL EXPERTLY. 476 00:20:57,422 --> 00:21:02,628 I FIELDED THE BALL,AND THEN HE STARTS -- HE SAW ME FIELD IT AND 477 00:21:02,694 --> 00:21:05,364 GOES, OH NO, SHE KNOWS WHAT SHE'S DOING. 478 00:21:05,430 --> 00:21:08,000 HE RAN REALLY, REALLY FAST, THREW THE BALL TO FIRST BASE. 479 00:21:08,066 --> 00:21:09,001 GOT HIM OUT. 480 00:21:09,067 --> 00:21:10,068 THE CROWD WENT WILD. 481 00:21:10,135 --> 00:21:12,704 IT WAS TRULY ONE OF THE GREATEST MOMENTS OF MY LIFE. 482 00:21:12,771 --> 00:21:13,872 . 483 00:21:13,939 --> 00:21:15,641 >> James: SPEAKING OF SPORTS, I WANT TO TALK TO YOU ABOUT 484 00:21:15,707 --> 00:21:17,709 THIS, MILA, I WAS SURPRISED. 485 00:21:17,776 --> 00:21:19,311 YOU TOOK UP TENNIS, MILA KUNIS. 486 00:21:19,378 --> 00:21:20,345 YOU'RE FULLY TAT. 487 00:21:20,412 --> 00:21:23,248 >> THIS IS WHERE YOUR PRODUCERS -- FULLY AT IT. 488 00:21:23,315 --> 00:21:26,985 >> THIS IS WHERE YOUR PRODUCERS ARE FILTHY LIARS. 489 00:21:27,052 --> 00:21:28,153 >> James: I WOULD IMAGINE YOU'RE PRETTY GOOD. 490 00:21:28,220 --> 00:21:28,553 >> I'M NOT. 491 00:21:28,620 --> 00:21:29,588 >> James: WHY? 492 00:21:29,655 --> 00:21:30,522 >> I SHOULDN'T PLAY ANY SPORTS. 493 00:21:30,589 --> 00:21:31,690 I'M OLD. 494 00:21:31,757 --> 00:21:38,296 NO ONE SHOULD START UP A SPORT -- MY DOCTOR GOES, YOU KNOW, 495 00:21:38,363 --> 00:21:41,033 TENNIS IS SO GOOD FOR YOU. 496 00:21:41,099 --> 00:21:41,800 IT'S QUICK REFLEXES. 497 00:21:41,867 --> 00:21:42,934 IT'S GOOD FOR YOUR MIND AND BODY. 498 00:21:43,001 --> 00:21:44,169 YOU SHOULD TAKE IT UP. 499 00:21:44,236 --> 00:21:49,608 I'M LIKE, OH F MY DOCTOR THINKS I SHOULD DO IT, THAT'S A GOOD 500 00:21:49,675 --> 00:21:50,776 RECOMMENDATION. 501 00:21:50,842 --> 00:21:56,815 I STARTED TAKING TENNIS LESSONS FOR FUNSIES IN DECEMBER IN 502 00:21:56,882 --> 00:22:00,085 JANUARY, I DID SOMETHING TO THIS KNEE. 503 00:22:00,152 --> 00:22:05,290 WHEN ONE HURTS, ANOTHER COMPENSATES, NOW I HAVE TWO BAD 504 00:22:05,357 --> 00:22:06,458 KNEES. 505 00:22:06,525 --> 00:22:10,128 >> James: NOW DAVID IS LIKE, I THINK YOU NEED AN EXPENSIVE 506 00:22:10,195 --> 00:22:10,595 OPERATION." 507 00:22:10,662 --> 00:22:11,697 THE MAN IS GENIUS. 508 00:22:11,763 --> 00:22:15,834 LOOK AT THIS PHOTO OF A YOUNG CLEA DUVALL. 509 00:22:15,901 --> 00:22:16,668 WHAT ARE WE DOING HERE? 510 00:22:16,735 --> 00:22:18,503 ARE YOU FALLING OVER OR BREAK DANCING. 511 00:22:18,570 --> 00:22:19,237 >> BREAK DANCING. 512 00:22:19,304 --> 00:22:21,106 >> James: STOP! 513 00:22:21,173 --> 00:22:21,740 NO! 514 00:22:21,807 --> 00:22:23,075 >> I WAS A KID OF THE 80'S. 515 00:22:23,141 --> 00:22:24,309 BREAK DANCING WAS HUGE. 516 00:22:24,376 --> 00:22:25,877 THAT WAS MY LITTLE CREW. 517 00:22:25,944 --> 00:22:27,312 WE'RE ALL PRETTY TOUGH. 518 00:22:27,379 --> 00:22:28,380 >> FOR REAL? 519 00:22:28,447 --> 00:22:29,748 >> James: YEAH, FOR REAL. 520 00:22:29,815 --> 00:22:31,183 >> YOU WEREN'T THERE. 521 00:22:31,249 --> 00:22:32,517 YOU DON'T KNOW. 522 00:22:32,584 --> 00:22:34,519 >> James: LOOK AT THAT, THOUGH. 523 00:22:34,586 --> 00:22:37,289 >> YEAH F I TRIED TO DO THAT NOW, I WOULD BE IN A SIMILAR 524 00:22:37,355 --> 00:22:41,059 SITUATION TO YOU, NEVER WALK AGAIN. 525 00:22:41,126 --> 00:22:42,260 >> MY KNEES. 526 00:22:42,327 --> 00:22:45,630 >> James: LUCKILY, MILA KNOWS A DOCTOR THAT COULD SOLVE THAT 527 00:22:45,697 --> 00:22:46,865 OUT. 528 00:22:46,932 --> 00:22:50,035 MILA, LET'S CONGRATULATE YOU ON YOUR NEW MOVIE "LUCKIEST GIRL 529 00:22:50,102 --> 00:22:51,236 ALIVE." 530 00:22:51,303 --> 00:22:54,806 FOR EVERYONE WHO DOESN'T KNOW WHAT IT'S ABOUT, TELL US ABOUT 531 00:22:54,873 --> 00:22:55,407 IT. 532 00:22:55,474 --> 00:22:57,309 >> WHAT A HARD TRANSITION. 533 00:22:57,375 --> 00:23:00,245 IT'S A LITTLE BIT ABOUT PERCEPTION VERSUS REALITY. 534 00:23:00,312 --> 00:23:03,315 IT'S BASED ON THE ASPECTS OF THE STORY BASED ON THE WRITER'S 535 00:23:03,381 --> 00:23:07,586 LIFE, SOMEONE WHO PUTS FORTH A VERSION OF HERSELF AND PRIVATELY 536 00:23:07,652 --> 00:23:11,223 THERE'S A LOT TO UNRAVEL AND DEAL WITH WHEN IT COMES TO 537 00:23:11,289 --> 00:23:13,558 TRAUMA AND DIFFERENT THINGS THAT HAVE HAPPENED IN HER LIFE AND 538 00:23:13,625 --> 00:23:17,028 HER COMING TO TERMS WITH THAT AND COMING TO TERMS WITH WHO SHE 539 00:23:17,095 --> 00:23:18,263 IS VERSUS WHO SHE WANTS TO BE. 540 00:23:18,330 --> 00:23:20,866 >> James: YOU NOT ONLY STAR IN THE FILM, YOU'RE ALSO A PRODUCER 541 00:23:20,932 --> 00:23:21,900 ON THE FILM. 542 00:23:21,967 --> 00:23:24,269 DID YOU -- WHAT SORT OF RESPONSIBILITIES DOES THAT 543 00:23:24,336 --> 00:23:25,337 ENTAIL? 544 00:23:25,403 --> 00:23:27,472 DID YOU ENJOY TAKING THAT ADDITIONAL RESPONSIBILITY? 545 00:23:27,539 --> 00:23:30,342 >> YEAH, I MEAN, ALL JOKES ASIDE, I REALLY DID. 546 00:23:30,408 --> 00:23:32,844 I LOVE PRODUCING BECAUSE I GET TO BE HOME AND I GET TO BE WITH 547 00:23:32,911 --> 00:23:34,613 MY KIDS. 548 00:23:34,679 --> 00:23:38,450 BUT I WILL SAY BEING AN ACTOR FOR 30 YEARS, YOU KIND OF THINK 549 00:23:38,517 --> 00:23:40,986 THAT THINGS JUST MAGICALLY HAPPEN AND THAT THERE'S JUST, 550 00:23:41,052 --> 00:23:44,823 LIKE, AN UNLIMITED AMOUNT OF THINGS THAT COULD OCCUR AT ANY 551 00:23:44,890 --> 00:23:46,057 POINT. 552 00:23:46,124 --> 00:23:49,394 LIKE, I WANT A TWINKIE AND IT MAGICALLY APPEARS AND THEN WHEN 553 00:23:49,461 --> 00:23:52,364 YOU'RE A PRODUCER, YOU'RE LIKE, THAT TWINKIE COST A LOT MORE 554 00:23:52,430 --> 00:23:53,932 MONEY THAN I THOUGHT IT DID. 555 00:23:53,999 --> 00:23:56,735 I THINK IT PUTS A LOT OF THINGS IN PERSPECTIVE WHEN IT COMES TO 556 00:23:56,802 --> 00:23:57,502 JUST THE PRODUCTION SIDE. 557 00:23:57,569 --> 00:23:58,937 I LEARNED A LOT ABOUT THAT. 558 00:23:59,004 --> 00:24:01,573 AND, LIKE, YOU KNOW, I WAS ALL DONE IN COVID, SO IT WAS A VERY 559 00:24:01,640 --> 00:24:04,643 LARGE LEARNING EXPERIENCE FOR SURE, BUT I LOVED IT. 560 00:24:04,709 --> 00:24:09,214 >> James: YOU'RE BRILLIANT IN THE FILM, LET'S TAKE A LOOK AT 561 00:24:09,281 --> 00:24:10,315 A CLIP FROM "LUCKIEST GIRL ALIVE," WHICH PREMIERES THIS 562 00:24:10,382 --> 00:24:12,551 FRIDAY ON NETFLIX! 563 00:24:12,617 --> 00:24:15,020 >> DO YOU KNOW THE DIFFERENCE BETWEEN ME AND SOMEONE LIKE YOU, 564 00:24:15,086 --> 00:24:18,190 DEAN? 565 00:24:18,256 --> 00:24:25,831 BETWEEN ME AND AN -- I WAS SO ANGRY YOU WOULDN'T BELIEVE IT 566 00:24:25,897 --> 00:24:30,101 BUT MY ANGER IS LIKE CARBON MONOXIDE. 567 00:24:30,168 --> 00:24:33,438 IT'S ODORLESS, TASTELESS, COLORLESS AND COMPLETELY TOXIC! 568 00:24:33,505 --> 00:24:36,942 BUT ONLY TO ME! 569 00:24:37,008 --> 00:24:38,977 [APPLAUSE] >> James: STICK AROUND, MORE 570 00:24:39,044 --> 00:24:41,046 WITH THESE TWO WHEN WE COME BACK. 571 00:24:57,028 --> 00:24:59,264 >> NEXT. 572 00:24:59,331 --> 00:25:00,232 NAME. 573 00:25:00,298 --> 00:25:02,167 >> SARA. 574 00:25:02,234 --> 00:25:03,902 >> TEGAN QUINN. 575 00:25:03,969 --> 00:25:04,402 >> ARE YOU GUYS TWINS? 576 00:25:04,469 --> 00:25:04,836 >> YES. 577 00:25:04,903 --> 00:25:06,671 >> NO. 578 00:25:06,738 --> 00:25:08,240 >> HEY. 579 00:25:08,306 --> 00:25:09,507 >> WHAT? 580 00:25:09,574 --> 00:25:12,410 >> LOOK, I KNOW YOU'RE MAD AT ME BUT WE DON'T KNOW ANYBODY HERE. 581 00:25:12,477 --> 00:25:14,379 DON'T YOU THINK WE SHOULD AT LEAST HAVE EACH OTHER? 582 00:25:14,446 --> 00:25:16,448 >> I DON'T WANT TO SHARE EVERYTHING WITH YOU. 583 00:25:16,514 --> 00:25:24,089 JUST LEAVE ME ALONE! 584 00:25:24,155 --> 00:25:30,962 [CHEERS AND APPLAUSE] >> James: THAT WAS A CLIP FROM 585 00:25:31,029 --> 00:25:34,933 "HIGH SCHOOL," THE FIRST FOUR EPISODES PREMIERE OCTOBER 14TH 586 00:25:35,000 --> 00:25:38,803 ON AMAZON FREEVEE. 587 00:25:38,870 --> 00:25:40,438 CONGRATULATIONS ON THE SHOW! 588 00:25:40,505 --> 00:25:44,442 YOU CO-CREATED THE SHOW AND CO-WROTE THE SHOW AND DIRECTED 589 00:25:44,509 --> 00:25:45,877 SEVERAL EPISODES OF THE SHOW. 590 00:25:45,944 --> 00:25:46,511 NOW, IT'S STORY TWO OF PEOPLE WE ABSOLUTELY LOVE HERE "THE LATE 591 00:25:46,578 --> 00:25:47,712 LATE SHOW" TEGAN AND SARAH. 592 00:25:47,779 --> 00:25:49,915 FOR ANYONE WHO DOESN'T KNOW, WHAT'S THE SHOW ABOUT? 593 00:25:49,981 --> 00:25:53,318 >> THE SHOW IS BASED ON THEIR MEMOIR HIGH SCHOOL THAT'S ABOUT 594 00:25:53,385 --> 00:25:57,956 THEIR HIGH SCHOOL YEARS AND THEM, YOU KNOW, COMING OF AGE 595 00:25:58,023 --> 00:26:00,725 AND DISCOVERING THEIR SEXUALITY, DISCOVERING MUSIC AND BEING ABLE 596 00:26:00,792 --> 00:26:03,328 TO CONNECT THROUGH MUSIC. 597 00:26:03,395 --> 00:26:08,300 >> James: THE TWINS PLAYING TEGAN AND SARA HAD NEVER ACTED 598 00:26:08,366 --> 00:26:08,600 BEFORE? 599 00:26:08,667 --> 00:26:09,334 >> NO. 600 00:26:09,401 --> 00:26:11,536 >> James: HOW DID YOU FIND THEM? 601 00:26:11,603 --> 00:26:13,071 >> WELL, TIKTOK FOUND THEM. 602 00:26:13,138 --> 00:26:19,744 TEGAN FROM TEGAN & SARA WAS SCROLLING THROUGH TIKTOK AND 603 00:26:19,811 --> 00:26:23,081 RALEY WHO PLAYS TEGAN WHO JUST APPEARED IN HER FEED. 604 00:26:23,148 --> 00:26:24,349 >> James: STOP! 605 00:26:24,416 --> 00:26:27,953 >> AND SHE'S JUST -- RALEY IS SO MAGNETIC, SWEET, CUTE AND FUNNY 606 00:26:28,019 --> 00:26:31,890 AND SHE DID A DEEPER DIVE AND SAW SHE WAS A TWIN AND SAW A 607 00:26:31,957 --> 00:26:37,195 SEASON AND SAW THEM DOING VIDEOS TOGETHER AND SENT THEM TO -- AND 608 00:26:37,262 --> 00:26:40,031 THEN TEGAN AND SARA WERE PRIVATELY OBSESSED WITH THEM AND 609 00:26:40,098 --> 00:26:46,705 SENT THEM TO LAURA, THE CO-WRITER, CO-SHOW RUNNER AND I 610 00:26:46,771 --> 00:26:47,839 AND SAID WHAT ABOUT THEM TO PLAY US? 611 00:26:47,906 --> 00:26:50,008 AND WE SAID "YOU'RE OUT OF THEIR MIND! 612 00:26:50,075 --> 00:26:51,910 THEY'RE LIKE RANDOM PEOPLE OFF THE STREET! 613 00:26:51,977 --> 00:26:52,877 NO WAY! 614 00:26:52,944 --> 00:26:55,814 THAT'S CRAZY!" BUT THEY DID AUDITION AND THERE 615 00:26:55,880 --> 00:26:58,249 WAS JUST SOMETHING SO SPECIAL ABOUT THEM, SO WE BROUGHT THEM 616 00:26:58,316 --> 00:27:01,286 OUT HERE AND HAD THEM WORK WITH AN ACTING COACH AND AUDITIONED 617 00:27:01,353 --> 00:27:03,788 THEM IN PERSON AND THEY WERE FANTASTIC! 618 00:27:03,855 --> 00:27:04,356 >> James: WOW! 619 00:27:04,422 --> 00:27:05,991 >> THAT'S A WILD STORY. 620 00:27:06,057 --> 00:27:06,992 >> James: THAT'S AMAZING. 621 00:27:07,058 --> 00:27:09,160 >> IT'S CRAZY. 622 00:27:09,227 --> 00:27:10,195 IT IS. 623 00:27:10,261 --> 00:27:12,330 >> James: I URGE EVERYBODY TO CHECK OUT THE SHOW. 624 00:27:12,397 --> 00:27:15,166 CONGRATULATIONS ABOUT THE SHOW. 625 00:27:15,233 --> 00:27:18,370 MILA, I WANT TO TALK TO YOU ABOUT THIS, THIS IS VERY, VERY 626 00:27:18,436 --> 00:27:21,406 EXCITING AND VERY WELL DESERVED, BECAUSE OF YOUR INCREDIBLE 627 00:27:21,473 --> 00:27:26,578 FUND-RAISING FOR UKRAINE, TIME MAGAZINE NAMED YOU ONE OF THE 628 00:27:26,644 --> 00:27:35,653 MOST 100 INFLUENTIAL PEOPLE OF 2022. 629 00:27:35,720 --> 00:27:37,355 IT MUST HAVE FELT GREAT TO BE HONORED? 630 00:27:37,422 --> 00:27:39,891 >> I DIDN'T KNOW IT WAS HAPPENING AND I DIDN'T KNOW IT 631 00:27:39,958 --> 00:27:43,561 HAPPENED, BUT THE CRAZIER PART WAS ONE OF MY BEST FRIENDS I 632 00:27:43,628 --> 00:27:46,731 GUESS DID AN INTERVIEW FOR IT BUT DIDN'T TELL ME ABOUT IT SO I 633 00:27:46,798 --> 00:27:50,435 ODDLY FOUND OUT BECAUSE THEY WERE LIKE, OH MY GOD, ZOEY SAID 634 00:27:50,502 --> 00:27:52,670 THE NICEST THINGS ABOUT YOU AND I WAS LIKE, WHERE? 635 00:27:52,737 --> 00:27:54,072 I HAVE NO CLUE! 636 00:27:54,139 --> 00:27:55,407 I DON'T HAVE SOCIAL MEDIA. 637 00:27:55,473 --> 00:27:58,610 ALL OF THESE THINGS FIRST HAPPENED ON SOCIAL. 638 00:27:58,676 --> 00:28:00,912 I DIDN'T KNOW ANYTHING ABOUT WHAT ANYONE WAS TALKING ABOUT. 639 00:28:00,979 --> 00:28:03,882 I SAID, BABE, GO LOOK ON THE TWITTER AND SEE WHAT PEOPLE ARE 640 00:28:03,948 --> 00:28:05,283 TALKING ABOUT. 641 00:28:05,350 --> 00:28:06,017 SEW WENT AND LOOKED. 642 00:28:06,084 --> 00:28:07,352 AND I WAS LIKE, I DID IT! 643 00:28:07,419 --> 00:28:07,986 LOOK AT ME. 644 00:28:08,053 --> 00:28:08,953 I'M AWESOME. 645 00:28:09,020 --> 00:28:10,922 HE WAS LIKE, OH, GOOD GOD. 646 00:28:10,989 --> 00:28:16,594 >> James: ON THAT NOTE, YOUR HUSBAND ACTUALLY TWEETED THIS... 647 00:28:16,661 --> 00:28:18,129 "DEAR TIME MAGAZINE, I ALREADY LOSE EVERY ARGUMENT 648 00:28:18,196 --> 00:28:20,098 I HAVE W/ MY WIFE.ù YOU JUST HAD TO DO THIS, DIDN'T YOU?" 649 00:28:20,165 --> 00:28:22,600 [LAUGHTER] WHAT'S YOUR RESPONSE TO THIS? 650 00:28:22,667 --> 00:28:23,234 I KIND OF LOVE IT. 651 00:28:23,301 --> 00:28:24,102 >> IT'S TRUE. 652 00:28:24,169 --> 00:28:24,836 IT'S TRUE. 653 00:28:24,903 --> 00:28:27,238 HE DOES LOSE EVERY ARGUMENT. 654 00:28:27,305 --> 00:28:31,109 HE GOES I'D RATHER BE HAPPY THAN RIGHT, AND SO UM, IT'S A FACT, 655 00:28:31,176 --> 00:28:34,145 GUYS, SO, YEAH, THANK YOU, TIME MAGAZINE! 656 00:28:34,212 --> 00:28:39,150 >> James: WELL, I WILL SAY IT IS AMAZING WHAT YOU DID AND WHAT 657 00:28:39,217 --> 00:28:40,018 YOU'RE STILL DOING. 658 00:28:40,085 --> 00:28:41,186 IT'S INCREDIBLE. 659 00:28:41,252 --> 00:28:43,488 REGGIE, DO YOU HAVE A QUESTION FOR OUR GUESTS THIS EVENING? 660 00:28:43,555 --> 00:28:47,258 >> Reggie: YES. 661 00:28:47,325 --> 00:28:49,294 QUESTION... WHEN YOU BECOME AWARE OF A SITUATION THAT YOU 662 00:28:49,360 --> 00:28:52,697 NEED TO PREPARE FOR, HOW DO YOU DO THAT? 663 00:28:52,764 --> 00:28:56,034 >> CLEARLY CALL CLEA TO GET YOU OUT OF IT. 664 00:28:56,101 --> 00:28:57,268 >> YEAH, HA-HA. 665 00:28:57,335 --> 00:29:01,973 I MEAN, I JUST IMMEDIATELY GO START PREPARING, BECAUSE I AM A 666 00:29:02,040 --> 00:29:05,944 REAL -- I'M A VERY GOOD STUDENT AND A BIG RULE FOLLOWER SO I 667 00:29:06,010 --> 00:29:09,013 JUST DIVE RIGHT IN AND I'M TOO PREPARED TOO SOON AND THEN I 668 00:29:09,080 --> 00:29:11,316 START TO GET NERVOUS. 669 00:29:11,382 --> 00:29:13,685 THAT I'M NOT GOING TO BE ABLE TO EXECUTE AND THEN I ALWAYS DO. 670 00:29:13,751 --> 00:29:15,787 I GET OUT OF THAT ROOM. 671 00:29:15,854 --> 00:29:17,856 EVERY TIME. 672 00:29:17,922 --> 00:29:19,824 >> James: REG, IS THAT CORRECT? 673 00:29:19,891 --> 00:29:20,592 >> Reggie: YES, IT IS CORRECT. 674 00:29:20,658 --> 00:29:25,697 >> James: IT'S ABSOLUTELY CORRECT. 675 00:29:25,763 --> 00:29:26,798 >> James: THANKS TO MILA KUNIS AND CLEA DUVALL. 676 00:29:26,865 --> 00:29:28,066 COMING UP, A PERFORMANCE FROM THE CAST OF "OKLAHOMA!" 677 00:29:28,133 --> 00:29:29,634 STICK AROUND! 678 00:29:29,701 --> 00:29:31,703 THANK YOU SO MUCH. 679 00:29:48,987 --> 00:29:51,556 >> James: WE'VE GOT SOME FANTASTIC GUESTS COMING UP ON 680 00:29:51,623 --> 00:29:54,792 THE SHOW: JAMIE LEE CURTIS, CEDRIC THE ENTERTAINER, MARLON 681 00:29:54,859 --> 00:29:56,394 WAYANS, EDDIE REDMAYNE, LENA DUNHAM, NICK KROLL, ZACH WOODS, 682 00:29:56,461 --> 00:30:00,932 AND JIMMY SMITTS, PLUS MUSIC FROM ONE REPUBLIC AND FLORENCE 683 00:30:00,999 --> 00:30:02,834 AND THE MACHINE. 684 00:30:02,901 --> 00:30:06,771 IF YOU CAN'T MAKE IT TO L.A. TO WATCH IN PERSON, YOU CAN STREAM 685 00:30:06,838 --> 00:30:10,875 FULL EPISODES ON PARAMOUNT PLUS OR CHECK OUT OUR YOUTUBE PAGE. 686 00:30:10,942 --> 00:30:12,944 AND PLEASE DON'T FORGET TO FOLLOW ME ON TWITTER AT 687 00:30:13,011 --> 00:30:13,978 "LATE LATE SHOW." 688 00:30:14,045 --> 00:30:14,946 YOU CAN ALSO HEART ME ON INSTAGRAM, 689 00:30:15,013 --> 00:30:15,947 LINK ME ON LINKED IN, PIN ME ON PINTEREST, 690 00:30:16,014 --> 00:30:18,750 SNAP ME ON SNAPCHAT, STREAM ME ON SPOTIFY, 691 00:30:18,816 --> 00:30:20,785 BAY-O ME ON SCOTTIFY, UPLOAD ME ON DROPBOX, 692 00:30:20,852 --> 00:30:23,655 EXPLODE ME POP ROCKS, CALL ME A CAR ON UBER, 693 00:30:23,721 --> 00:30:27,225 CALL ME A NERD ON GOOBER, RENT ME A CABIN ON AIRBNB, 694 00:30:27,292 --> 00:30:29,360 BELIEVE IN LIFE AFTER LOVE ON CHER-BNB, 695 00:30:29,427 --> 00:30:32,063 SEND ME MONEY ON ZELLE, TAME MY BEAST ON BELLE, 696 00:30:32,130 --> 00:30:35,200 TRACK MY SLEEP ON PILLOW, CHASE MY RENT ON YOU STILL OWE! 697 00:30:35,266 --> 00:30:37,569 MOISTURIZE ME ON LOTION, WORK WITH ME ON NOTION, 698 00:30:37,635 --> 00:30:39,904 ORDER POKEÉ ON SWEETFIN, DESCRIBE OUR GUITAR PLAYER ON 699 00:30:39,971 --> 00:30:42,640 SWEET TIM, STREAM WITH ME ON DISNEY PLUS, 700 00:30:42,707 --> 00:30:45,410 SCHEME WITH ME ON DISNEY SUS, MARKET ME ON ON TRAPORT, 701 00:30:45,476 --> 00:30:50,949 BETRAY WOMEN ON SUPREME COURT, FRIEND ME ON BE REAL, 702 00:30:51,015 --> 00:30:53,084 NOPE ME ON JORDAN PEELE, GET THE SCOOP ON L.A. TIMES, 703 00:30:53,151 --> 00:30:55,253 ASK "HOW DO I LIVE?" ON LEANN RIMES, 704 00:30:55,320 --> 00:30:57,188 PING ME ON SLACK, HEAL ME ON QUACK, 705 00:30:57,255 --> 00:30:58,823 BUILD ME A WEBSITE ON SQUARESPACE, 706 00:30:58,890 --> 00:31:01,292 'SAY HELLO TO MY LITTLE FRIEND' ON SCARFACE, 707 00:31:01,359 --> 00:31:03,995 MASSAGE ME ON SOOTHE, JB ME ON SMOOVE, 708 00:31:04,062 --> 00:31:06,264 BACK ME UP ON GOOGLE ONE, FILL ME WITH PRIDE ON 709 00:31:06,331 --> 00:31:08,666 I LOVE YOU, SON, SEND ME CASH ON VENMO, 710 00:31:08,733 --> 00:31:11,336 SEND ME A KINGSLEY ON BENMO, REVIEW OUR BUSINESS ON HONEY 711 00:31:11,402 --> 00:31:13,204 BOOK, REVIEW THE BREAKUP ON "HONEY, 712 00:31:13,271 --> 00:31:14,439 LOOK." 713 00:31:14,505 --> 00:31:16,608 OR, IF YOU WISH, FEEL FREE TO WRITE ME AN OLD-FASHIONED LETTER 714 00:31:16,674 --> 00:31:18,042 BY ADDRESSING IT TO: TELEVISION CITY STUDIOS 715 00:31:18,109 --> 00:31:22,413 7800 BEVERLY BOULEVARD, LOS ANGELES, CALIFORNIA 90036. 716 00:31:22,480 --> 00:31:24,749 YOU WORRY THAT WITH THESE CRAZY GAS PRICES, IT MIGHT BE EASIER 717 00:31:24,816 --> 00:31:28,253 TO JUST FLY TO LOS ANGELES YOURSELF RATHER THAN PUT THE 718 00:31:28,319 --> 00:31:29,454 LETTER ON A MAIL TRUCK. 719 00:31:29,520 --> 00:31:31,990 SO YOU BUY YOURSELF A PLANE TICKET, PACK YOUR SUITCASE, KISS 720 00:31:32,056 --> 00:31:34,692 YOUR FAMILY GOODBYE, AND YOU AND THE LETTER HEAD FOR THE AIRPORT. 721 00:31:34,759 --> 00:31:37,161 YOU MAKE YOUR FLIGHT, BUT SOMEWHERE IN THE AIR, YOU ARE 722 00:31:37,228 --> 00:31:39,564 REROUTED TO BOULDER, COLORADO. 723 00:31:39,631 --> 00:31:41,733 AND THE LETTER, WHICH YOU PUT IN YOUR CHECKED BAG FOR SOME 724 00:31:41,799 --> 00:31:43,568 REASON, HAS BEEN SENT TO ATLANTA. 725 00:31:43,635 --> 00:31:46,471 YOU'RE STANDING BY BAGGAGE CLAIM, SHOULDERS CLENCHED, 726 00:31:46,537 --> 00:31:48,373 THINKING "WHAT THE [BLEEP] AM I DOING HERE? 727 00:31:48,439 --> 00:31:50,008 AND WHY DOESN'T ANYTHING WORK ANYMORE?" 728 00:31:50,074 --> 00:31:51,843 YOU SHRUG AND FIND A LOCAL DIVE BAR. 729 00:31:51,909 --> 00:31:52,710 NOTHING FLASHY. 730 00:31:52,777 --> 00:31:54,579 NOT YOUR USUAL KIND OF PLACE. 731 00:31:54,646 --> 00:31:56,714 YOU ORDER A GLASS OF DRAFT BEER, AND IT'S PRETTY REFRESHING, 732 00:31:56,781 --> 00:31:57,915 ACTUALLY. 733 00:31:57,982 --> 00:32:01,586 IN FACT, THE BAR ITSELF HAS A DOWN-TO-EARTH FEEL YOU'RE NOT 734 00:32:01,653 --> 00:32:03,187 USED TO, BUT YOU LOVE IT. 735 00:32:03,254 --> 00:32:07,425 YOU REALIZE, FOR THE FIRST TIME, MAYBE IN YEARS, YOU DON'T HAVE 736 00:32:07,492 --> 00:32:08,660 ANYWHERE TO BE. 737 00:32:08,726 --> 00:32:11,162 SURE, YOU'RE STILL AT THE MERCY OF THE WHIMS OF THE AIRLINES, 738 00:32:11,229 --> 00:32:12,363 BUT IN A WAY, YOU'RE ALSO FREE. 739 00:32:12,430 --> 00:32:15,233 YOU GAZE AT THE RING OF MOISTURE GATHERING AROUND THE EDGE OF 740 00:32:15,300 --> 00:32:19,304 YOUR GLASS AND THINK, WHY WOULD I EVER LEAVE HERE? WHAT DO I 741 00:32:19,370 --> 00:32:20,138 HAVE TO GO BACK TO? 742 00:32:20,204 --> 00:32:22,273 WHY DO WE CLING TO WHAT'S NOT WORKING? 743 00:32:22,340 --> 00:32:24,809 JUST THEN YOU REALIZE HOURS HAVE FLOWN BY, AND IT'S TIME TO 744 00:32:24,876 --> 00:32:26,010 HEAD BACK TO THE AIRPORT. 745 00:32:26,077 --> 00:32:27,879 BUT YOU DECIDE YOU DON'T NEED TO GIVE ME A LETTER AFTER ALL. 746 00:32:27,945 --> 00:32:30,882 YOU WERE JUST USING IT AS A BAND-AID TO FIX A MUCH DEEPER 747 00:32:30,948 --> 00:32:32,350 PROBLEM IN YOUR SOUL. 748 00:32:32,417 --> 00:32:34,385 YOU TIP THE BARTENDER, WALK OUT THE DOOR, AND STRUT INTO YOUR 749 00:32:34,452 --> 00:32:35,353 NEW LIFE. 750 00:32:35,420 --> 00:32:36,354 YOU LIVE ON A RANCH NOW. 751 00:32:36,421 --> 00:32:38,423 YOU DON'T OWN A TV. 752 00:32:38,489 --> 00:32:40,058 YOU'RE NOT EVEN WATCHING THIS. 753 00:32:40,124 --> 00:32:42,827 BUT YOUR WIFE IS, AND SHE IS PISSED. 754 00:32:42,894 --> 00:32:44,896 WE'LL BE RIGHT BACK WITH A PERFORMANCE FROM "OKLAHOMA!" 755 00:33:00,978 --> 00:33:02,080 >> James: WELCOME BACK! 756 00:33:02,146 --> 00:33:03,881 ONE OF THE BIGGEST HITS ON BROADWAY IS NOW PLAYING 757 00:33:03,948 --> 00:33:05,516 ACROSS THE COUNTRY ON A NATIONAL TOUR. 758 00:33:05,583 --> 00:33:08,486 HERE PERFORMING "PEOPLE WILL SAY WE'RE IN LOVE" ARE SASHA 759 00:33:08,553 --> 00:33:10,555 HUTCHINGS AND SEAN GRANDILLO FROM "RODGERS AND HAMMERSTEIN'S 760 00:33:10,621 --> 00:33:20,131 OKLAHOMA!" [CHEERS AND APPLAUSE] 761 00:33:20,198 --> 00:33:23,267 >> ♪ WHY DO THEY THINK UP STORIES THAT LINK MY 762 00:33:23,334 --> 00:33:27,138 NAME WITH YOURS? 763 00:33:27,205 --> 00:33:30,274 >> ♪ WHY DO THE NEIGHBORS GOSSIP ALL DAY 764 00:33:30,341 --> 00:33:34,879 ♪ BEHIND THEIR DOORS? 765 00:33:34,946 --> 00:33:43,454 >> ♪ I KNOW A WAY TO PROVE WHAT THEY SAY IS QUITE UNTRUE 766 00:33:43,521 --> 00:33:49,427 ♪ HERE IS THE GIST, A PRACTICAL LIST 767 00:33:49,494 --> 00:33:57,568 OF DON'TS FOR YOU ♪ DON'T THROW 768 00:33:57,635 --> 00:34:04,342 BOUQUETS AT ME ♪ DON'T PLEASE 769 00:34:04,409 --> 00:34:11,048 MY FOLKS TOO MUCH ♪ DON'T LAUGH 770 00:34:11,115 --> 00:34:16,087 AT MY JOKES TOO MUCH ♪ PEOPLE WILL SAY 771 00:34:16,154 --> 00:34:22,360 WE'RE IN LOVE >> WHO LAUGHS AT YOUR JOKES? 772 00:34:22,427 --> 00:34:28,933 >> ♪ DON'T SIGH AND GAZE AT ME 773 00:34:29,000 --> 00:34:36,207 ♪ YOUR SIGHS ARE SO LIKE MINE 774 00:34:36,274 --> 00:34:43,448 ♪ YOUR EYES MUSTN'T GLOW LIKE MINE 775 00:34:43,514 --> 00:34:50,621 ♪ PEOPLE WILL SAY WE'RE IN LOVE 776 00:34:50,688 --> 00:34:56,994 ♪ DON'T START COLLECTING THINGS 777 00:34:57,061 --> 00:34:57,762 >> LIKE WHAT? 778 00:34:57,829 --> 00:35:05,169 >> ♪ GIVE ME MY ROSE AND MY GLOVE 779 00:35:05,236 --> 00:35:11,576 ♪ SWEETHEART THEY'RE SUSPECTING THINGS 780 00:35:11,642 --> 00:35:23,087 ♪ PEOPLE WILL SAY WE'RE IN LOVE 781 00:35:23,154 --> 00:35:30,795 [CHEERS AND APPLAUSE] >> DON'T PLAY THE GUITAR 782 00:35:30,862 --> 00:35:32,263 >> DON'T PRAISE ♪ MY CHARMS TOO MUCH 783 00:35:32,330 --> 00:35:42,773 DON'T LOOK ♪ SO LOOK SO VEIN WITH ME 784 00:35:42,840 --> 00:35:47,445 DON'T STAND ♪ IN THE RAIN WITH ME 785 00:35:47,512 --> 00:35:50,915 -- DON'T TOUCH MY HAT -- PEOPLE WILL SAY 786 00:35:50,982 --> 00:35:54,552 ♪ WE'RE IN LOVE DON'T TAKE 787 00:35:54,619 --> 00:36:00,358 ♪ MY ARM TOO MUCH DON'T KEEP YOUR 788 00:36:00,424 --> 00:36:07,999 ♪ HAND IN MINE YOUR HAND 789 00:36:08,065 --> 00:36:12,870 ♪ FEELS SO GRAND IN MINE PEOPLE WILL SAY 790 00:36:12,937 --> 00:36:19,977 ♪ WE'RE IN LOVE OH NO 791 00:36:20,044 --> 00:36:27,118 ♪ DON'T DANCE ALL NIGHT WITH ME 792 00:36:27,184 --> 00:36:29,954 -- THAT'S EXACTLY WHAT I'M TALKING ABOUT -- 793 00:36:30,021 --> 00:36:32,924 ♪ TILL THE STARS FADE FROM ABOVE 794 00:36:32,990 --> 00:36:40,298 ♪ THEY'LL SEE IT'S ALRIGHT WITH ME 795 00:36:40,364 --> 00:36:55,246 ♪ PEOPLE WILL SAY WE'RE IN LOVE ♪ 796 00:36:55,313 --> 00:36:56,180 ♪ PEOPLE WILL SAY WE'RE IN LOVE ♪ 797 00:36:56,247 --> 00:36:57,048 [CHEERS AND APPLAUSE] >> James: LADIES AND 798 00:36:57,114 --> 00:37:01,018 GENTLEMEN, THAT WAS ABSOLUTELY BRILLIANT! 799 00:37:01,085 --> 00:37:02,286 RODGERS AND HAMMERSTEIN'S OKLAHOMA! ON TOUR ACROSS THE 800 00:37:02,353 --> 00:37:03,154 COUNTRY, COMING SOON TO THE WEST END AND AT THE AHMANSON THEATRE 801 00:37:03,221 --> 00:37:03,921 IN LOS ANGELES THROUGH OCTOBER 16. 802 00:37:03,988 --> 00:37:05,990 WE'LL BE RIGHT BACK! 803 00:37:28,980 --> 00:37:32,917 >> James: TOMORROW NIGHT: CEDRIC THE ENTERTAINER, LENA 804 00:37:32,984 --> 00:37:36,020 DUNHAM AND KEVIN JAMES ARE GOING TO BE HERE AND WE HAVE MUSIC 805 00:37:36,087 --> 00:37:36,887 FROM ONE REPUBLIC. 806 00:37:36,954 --> 00:37:37,955 SEE YOU THEN. 807 00:37:38,022 --> 00:37:40,024 REGGIE, TAKE US HOME.