1 00:00:03,103 --> 00:00:04,471 ♪ ARE YOU READY, Y'ALL 2 00:00:04,537 --> 00:00:06,172 TO HAVE SOME FUN ♪ TONIGHT. 3 00:00:06,239 --> 00:00:13,246 ♪ THEN THERE MIGHT BE SOMETHING. ♪ THE LATE SHOW. 4 00:00:13,313 --> 00:00:20,920 >> Reggie: LADIES AND GENTLEMEN, ALL THE WAY FROM 5 00:00:20,987 --> 00:00:26,559 GREAT FALLS, MONTANA, GIVE IT UP FOR YOUR HOST, THE ONE, ONLY 6 00:00:26,626 --> 00:00:32,699 JAMES CORDEN! (CHEERS AND APPLAUSE). 7 00:00:32,766 --> 00:00:35,702 >> James: HOW ARE YOU? THANK YOU VERY MUCH. 8 00:00:35,769 --> 00:00:39,773 NICE TO SEE YOU. THANK YOU FOR COMING OUT TO SEE 9 00:00:39,839 --> 00:00:41,908 US, EVERYBODY, WE VERY, VERY MUCH APPRECIATE IT. 10 00:00:41,975 --> 00:00:44,844 CHEERS, GUYS. THANK YOU. 11 00:00:44,911 --> 00:00:48,815 HELLO, GOOD EVENING AND WELCOME TO THE "LATE, LATE SHOW." 12 00:00:48,882 --> 00:00:57,424 THANKS FOR STAYING UP FOR US. HOPE YOU HAD A GOOD DAY. 13 00:00:57,490 --> 00:01:01,127 LET'S SEE WHO IS ON THE SHOW. THE MAGAZINE NIFER SENTS MARLON 14 00:01:01,194 --> 00:01:08,001 WAYONS IS HERE TONIGHT AND HE'S A POWERHOUSE DIRECTOR, ONE OF 15 00:01:08,067 --> 00:01:11,738 OUR FAVORITE THE MIGHTY MARC MARON IS HERE THIS EVENING. 16 00:01:11,805 --> 00:01:14,941 AND LATER IN THE SHOW WE'VE GOT A PERFORMANCE FROM AMOS LEE YOU 17 00:01:15,008 --> 00:01:19,846 DO NOT WANT TO MISS THAT, ARE YOU READY TO TART THIS, REC. 18 00:01:19,913 --> 00:01:26,486 >> Reggie: OKAY MAFNLG IF I SATED ARE YOU READY TO START 19 00:01:26,553 --> 00:01:29,689 THIS AND YOU SAID NO. >> James: SORRY, JAMES, NO. 20 00:01:29,756 --> 00:01:33,693 >> WHAT ARE THEY GOING DO, FIRE US. 21 00:01:33,760 --> 00:01:41,968 ROLL THE TITLES. THE LATE LATE SHOW, OH, OH 22 00:01:42,035 --> 00:01:47,974 THE LATE LATE SHOW, WOO! THE LATE LATE SHOW, OH, OH 23 00:01:48,041 --> 00:01:57,083 THE LATE LATE SHOW OH-OH! IT'S THE LATE, LATE SHOW 24 00:01:57,150 --> 00:01:59,319 >> James:S WHAT'S GOING ON IN THIS DRAWER NOW? 25 00:01:59,385 --> 00:02:05,058 WHAT IS GOING ON IN THIS DRAWER? THIS DRAWER WAS NEVER-- LOOK AT 26 00:02:05,124 --> 00:02:10,897 THIS. HOW MANY-- LOOK, LOOK. 27 00:02:10,964 --> 00:02:15,401 WHO, WHAT IS GOING ON IN HERE NOW? 28 00:02:15,468 --> 00:02:21,074 I GOT, LOOK. IS THIS YOU, PETE, YOU HAVE PUT 29 00:02:21,140 --> 00:02:24,711 50,000 MASKS IN MY DRAW SNER. >> JUST HAD TO PUT THEM 30 00:02:24,777 --> 00:02:25,812 SOMEWHERE. >> James: NOW YOU DON'T HAVE 31 00:02:25,879 --> 00:02:28,548 TO WEAR ONE ON THE SHOW ANY MORE YOU PUT ONE IN HERE. 32 00:02:28,615 --> 00:02:31,718 BLESS YOU, PETE, THAT IS TOO MANY MASKS. 33 00:02:31,784 --> 00:02:36,823 THEY WEREN'T IN THERE ON FRIDAY. AND FOR SOME REASON THESE, STILL 34 00:02:36,890 --> 00:02:40,093 IN HERE. NO IDEA WHY. 35 00:02:40,159 --> 00:02:47,700 NO IDEA, I'LL FIGURE THAT OUT. IT'S THAT TIME, IT'S TIME FORS 36 00:02:47,767 --> 00:02:48,768 NEWS. >> James: AND, WE MAY 37 00:02:48,835 --> 00:02:49,969 FINALLY HAVE A MOTIVE FOR WHY DONALD TRUMP HELD ONTO 38 00:02:50,036 --> 00:02:51,804 ALL THOSE CLASSIFIED DOCUMENTS AT MAR-A-LAGO. 39 00:02:51,871 --> 00:02:54,407 ACCORDING TO REPORTS, DONALD TRUMP TOLD AIDES HE PLANNED TO 40 00:02:54,474 --> 00:02:58,511 TRADE THE DOCUMENTS FOR F.B.I. FILES ON THE TRUMP-RUSSIA 41 00:02:58,578 --> 00:03:02,982 INVESTIGATION. AH, YES, THE HALLMARK OF 42 00:03:03,049 --> 00:03:11,124 SOMEONE WITH NOTHING TO HIDE-- STEALING STATE SECRETS THAT YOU 43 00:03:11,190 --> 00:03:15,128 CAN LATER TRADE FOR INCRIMINATING EVIDENCE. 44 00:03:15,194 --> 00:03:18,197 THIS WOULD BE LIKE IF YOU STOLE A COP CAR AND WERE LIKE, 45 00:03:18,264 --> 00:03:22,802 "I'LL GIVE IT BACK IF YOU PROMISE TO NEVER ARREST ME." 46 00:03:22,869 --> 00:03:27,140 ALSO, THIS IS HOW DESENSITIZED WE ARE TO TRUMP AT THIS POINT. 47 00:03:27,206 --> 00:03:32,045 WE'RE LIKE, "OH, GOOD, HE WASN'T SELLING SECRETS TO ENEMIES. 48 00:03:32,111 --> 00:03:34,781 HE WAS JUST PLANNING TO BLACKMAIL HIS OWN COUNTRY. 49 00:03:34,847 --> 00:03:40,486 WELL, THAT'S SOMETHING!" AND, DURING A RALLY IN ARIZONA 50 00:03:40,553 --> 00:03:43,022 OVER THE WEEKEND, TRUMP DEFENDED KEEPING CLASSIFIED DOCUMENTS-- 51 00:03:43,089 --> 00:03:46,025 BY ACCUSING PAST PRESIDENTS OF DOING THE SAME. 52 00:03:46,092 --> 00:03:51,864 INCLUDING THIS OUTRAGEOUS CLAIM. TAKE A LOOK. 53 00:03:51,931 --> 00:03:54,968 GEORGE H.W. BUSH TOOK MILLIONS OF DOCUMENTS TO A FORMER BOWLING 54 00:03:55,034 --> 00:03:57,570 ALLEY AND FORMER CHINESE RESTAURANT WHERE THEY COMBINED 55 00:03:57,637 --> 00:04:03,977 THEM SO THEY ARE IN A BOWLING ALLEY/CHINESE RESTAURANT. 56 00:04:04,043 --> 00:04:10,149 >> James: I DEMAND AN INVESTIGATION! 57 00:04:10,216 --> 00:04:14,187 IS IT JU ME OR DOES BECAUSE A COMBINATION BOWLING 58 00:04:14,253 --> 00:04:17,223 ALLEY AND CHINESE RESTAURANT SOUNDS AMAZING. 59 00:04:17,290 --> 00:04:20,994 YOU KNOW WHERE THAT IS, AMAZING. >> IT HIGHLAND PARK, I THINK IS 60 00:04:21,060 --> 00:04:24,330 CLOSED BUT I DO KNOW WHERE THAT IS. 61 00:04:24,397 --> 00:04:25,498 >> ON EAGLE ROCK. >> YEAH. 62 00:04:25,565 --> 00:04:28,701 >> THAT WAS A CRAZY PLACE, IT IS A GOOD PLACE. 63 00:04:28,768 --> 00:04:30,403 >> YEAH, GEORGE H.W. USED TO HANG OUT THERE ALL THE TIME T 64 00:04:30,470 --> 00:04:33,973 WAS AWESOME GOOD BOWLER TOO REALLY GOOD. 65 00:04:34,040 --> 00:04:35,708 >> James: I THINK I SEE WHAT TRUMP IS GOING FOR HERE THOUGH, 66 00:04:35,775 --> 00:04:38,611 I DO. DOES HE THINK THAT FORTUNE 67 00:04:38,678 --> 00:04:42,882 COOKIES ARE SECRET DOCUMENTS? "HE HAD ALL THESE SECRETS-- 68 00:04:42,949 --> 00:04:47,353 HE CUT THEM INTO LITTLE LINES AND BAKED THEM INTO COOKIES. 69 00:04:47,420 --> 00:04:51,491 NOT EVEN GOOD COOKIE, NOT NICE. TRUMP CLAIMS GEORGE H.W. BUSH 70 00:04:51,557 --> 00:04:53,726 HID CLASSIFIED DOCUMENTS IN A BOWLING ALLEY-SLASH-CHINESE 71 00:04:53,793 --> 00:04:57,230 RESTAURANT. TO BE SAFE, BUSH ALSO HID 72 00:04:57,296 --> 00:04:59,832 SOME IN A LASER TAG-SLASH-KABOB HOUSE, AND A TRAMPOLINE 73 00:04:59,899 --> 00:05:02,268 PARK-SLASH-RIB SHACK. HE'S GOT ALL THE COMBINATIONS 74 00:05:02,335 --> 00:05:08,041 COVERED. AND DID EVERYBODY SEE THIS, ON 75 00:05:08,107 --> 00:05:11,844 FRIDAY PRESIDENT BIDEN SPHOAK TO WORKERS AT A VOLUME COPLANT IN 76 00:05:11,911 --> 00:05:18,685 MARYLAND WHERE HE OPENED WITH THIS LINE, HAVE A LOOFNLGT LET 77 00:05:18,751 --> 00:05:20,987 ME START OFF WITH TWO WORDS, MADE IN AMERICA. 78 00:05:21,054 --> 00:05:31,564 MADE IN AMERICA. [BLEEP] HE DOESN'T MAKE IT EASY, 79 00:05:31,631 --> 00:05:33,800 DOES HE? HE DOESN'T. 80 00:05:33,866 --> 00:05:37,904 HE SAID TWO WORDS AND IT ENDED UP BEING THREE, EVEN BIDEN 81 00:05:37,970 --> 00:05:42,375 SENTENCES ARE EXPERIENCING INFLATION. 82 00:05:42,442 --> 00:05:43,643 BUT, I WILL SAY, ONE OF THE MOST AMERICAN THINGS YOU CAN DO IS BE 83 00:05:43,710 --> 00:05:48,014 BAD AT MATH. BUT THE CROWD REALLY SUPPORTED 84 00:05:48,081 --> 00:05:50,083 BIDEN. THEY WERE LIKE, "THREE MORE 85 00:05:50,149 --> 00:05:53,653 YEARS! THREE MORE YEARS!" 86 00:05:53,720 --> 00:05:56,856 AND FINALLY, A PLAYSET HAS GONE VIRAL FOR ENCOURAGING 87 00:05:56,923 --> 00:06:00,626 PRESCHOOLERS TO BECOME-- THIS IS TRUE-- TO BECOME 88 00:06:00,693 --> 00:06:05,498 YOUTUBE INFLUENCERS. IT'S A TOY "VLOGGER KIT," THAT 89 00:06:05,565 --> 00:06:08,034 INCLUDES A PRETEND SELFIE STICK AND A CAMERA STAND WITH A RING 90 00:06:08,101 --> 00:06:13,873 LIGHT. HERE IT IS HERE. 91 00:06:13,940 --> 00:06:16,909 LOOK AT THAT IT IS THE EXACT RIGHT RESPONSE. 92 00:06:16,976 --> 00:06:20,446 LOOK AT THAT. I MEAN, I SAW THAT AND IT MADE 93 00:06:20,513 --> 00:06:25,284 MY NOSTALGIC FOR LIKE QUANTITY, OLD-FASHIONED CHILDHOOD 94 00:06:25,351 --> 00:06:28,287 ACTIVITIES LIKE KILLING SOMEONE IN FORTNIGHT. 95 00:06:28,354 --> 00:06:30,923 THEY SHOULD ACTUALLY GIVE THIS TO ADULTS WHO ARE THINK BEING 96 00:06:30,990 --> 00:06:34,327 STARTING A YOUTUBE CHANNEL. LIKE JUST SET THIS UP AND GET IT 97 00:06:34,393 --> 00:06:40,166 OUT OF YOUR SYSTEM. CAN WE SEE IT AGAIN. 98 00:06:40,233 --> 00:06:41,501 THE INFLUENCER KIT INCLUDES A PRETEND SELFIE STICK, CAMERA 99 00:06:41,567 --> 00:06:43,436 STAND WITH RING LIGHT, AND, OF COURSE, A TERRIBLE RELATIONSHIP 100 00:06:43,503 --> 00:06:47,039 WITH YOUR PARENTS. AND THAT'S THE NEWS! 101 00:06:47,106 --> 00:06:49,275 WE'LL BE RIGHT BACK WITH MORE "LATE LATE SHOW!" 102 00:07:03,956 --> 00:07:07,260 >> James: WELCOME BACK. AS MANY OF YOU KNOW, I LOVE 103 00:07:07,326 --> 00:07:08,528 LOVE. SO, NOTHING MAKES ME HAPPIER 104 00:07:08,594 --> 00:07:12,632 THAN HELPING THE AMAZING SINGLE PEOPLE WHO WORK HERE 105 00:07:12,698 --> 00:07:16,269 FIND THEIR PERFECT MATCH. WHICH BRINGS ME TO ONE OF MY 106 00:07:16,335 --> 00:07:18,938 FAVORITE GAMES WE PLAY HERE ON THE SHOW. 107 00:07:19,005 --> 00:07:21,007 THIS IS "LATE LATE LIVE TINDER!" (MUSIC) 108 00:07:21,073 --> 00:07:22,575 (CHEERS AND APPLAUSE) >> Reggie: IT'S "LATE LATE LIVE 109 00:07:22,642 --> 00:07:27,013 TINDER!" >> James: THE PERSON WE'RE 110 00:07:27,079 --> 00:07:29,749 SETTING UP TONIGHT IS EXTREMELY OUTGOING, TALENTED, AND-- DARE I 111 00:07:29,816 --> 00:07:36,422 SAY-- A TOTAL DISH. PLEASE GIVE A WARM WELCOME TO 112 00:07:36,489 --> 00:07:38,090 PEDRO, OUR ADMINISTRATIVE COORDINATOR! 113 00:07:38,157 --> 00:07:39,592 PEDRO, COME UP HERE AND MEET YOUR DESTINY. 114 00:07:39,659 --> 00:07:48,201 (CHEERS AND APPLAUSE) >> HI JAMES. 115 00:07:48,267 --> 00:07:50,002 >> James: NICE TOO SEE YOU, PEDRO, TO LET THE AUDIENCE KNOW, 116 00:07:50,069 --> 00:07:54,507 PEDRO DOES HAVE HANDS, THIS IS VERY MUCH A FASHION CHOICE, 117 00:07:54,574 --> 00:07:56,309 RIGHT, THAT'S WHAT WE ARE GOING FOR, I LIKE IT. 118 00:07:56,375 --> 00:07:58,744 NOW LOOK, YOU HAVE A REPUTATION FOR BEING 119 00:07:58,811 --> 00:07:59,979 ONE OF THE FRIENDLIEST FACES AROUND THE OFFICE. 120 00:08:00,046 --> 00:08:04,450 WHEN IT COMES TO A PARTNER, DO YOU TEND TOWARD SWEETIE PIES OR 121 00:08:04,517 --> 00:08:10,423 GO AFTER THE BAD BOY? >> I, JUST A LITTLE BIT OF A BAD 122 00:08:10,489 --> 00:08:12,191 BOY. >> James: WHAT WAS THAT, WHAT 123 00:08:12,258 --> 00:08:15,228 WAS THAT NOISE? WHAT HAPPENED THEN. 124 00:08:15,294 --> 00:08:17,797 >> IT'S A SWEENEY TODD IS WHAT I WOULD SAY, SOMEONE WHO IS NICE 125 00:08:17,864 --> 00:08:20,766 BUT CAN HAVE A BAD SIDE. >> James: OKAY. 126 00:08:20,833 --> 00:08:26,072 SO IF WE WERE TALKING ABOUT A PERFECT MAN, A PERFECT PARTNER 127 00:08:26,138 --> 00:08:29,141 WHO WOULD IT BE. >> CHRIS HEMSWORTH. 128 00:08:29,208 --> 00:08:31,978 >> James: OKAY, ALL RIGHT, WELL, LET'S SEE IF WE CAN FIND A 129 00:08:32,044 --> 00:08:34,413 HEMSWORTH TONIGHT. HERE'S HOW IT WILL WORK. 130 00:08:34,480 --> 00:08:36,482 THE GUYS WILL COME OUT ONE AT A TIME. 131 00:08:36,549 --> 00:08:41,654 YOU'LL TAKE THE FOAM FINGER AND SWIPE RIGHT IF YOU LIKE THE GUY, 132 00:08:41,721 --> 00:08:44,290 OR LEFT IF YOU DON'T. GUYS WHO GET A RIGHT SWIPE 133 00:08:44,357 --> 00:08:47,827 WILL TAKE A SEAT ON ONE OF THESE CHAIRS. 134 00:08:47,894 --> 00:08:56,102 GUYS WHO GET A LEFT SWIPE WILL FALL INTO THIS BALL OF TEARS AND 135 00:08:56,168 --> 00:09:00,606 REJECTION. ARE YOU READY TO DO THIS. 136 00:09:00,673 --> 00:09:04,210 >> YES, I AM. >> James: LET'S BRING OUT OUR 137 00:09:04,277 --> 00:09:09,115 FIRST CONTESTANTS. WOW, I MEAN HE WOULD BE A 138 00:09:09,181 --> 00:09:10,750 HEMSWORTH KOWSIN. >> HI DANIEL. 139 00:09:10,816 --> 00:09:12,818 >> >> James: HE'S NOT ALLOWED TO 140 00:09:12,885 --> 00:09:15,821 SPEAK, PEDRO, ARE YOU AWARE OF THIS, YOU KNOW THE GAME. 141 00:09:15,888 --> 00:09:18,925 NOW WE DIDN'T TALK ABOUT AGE RANGE, YOU HAVE GOT ANY, WHAT DO 142 00:09:18,991 --> 00:09:22,094 YOU TOP AND BOTTOM OUT. >> SOMEWHERE AROUND MY AGE AS A 143 00:09:22,161 --> 00:09:24,697 START. >> James: WHICH IS. 144 00:09:24,764 --> 00:09:25,831 >> 26. >> James: OKAY. 145 00:09:25,898 --> 00:09:27,433 >> AND NO END. >> James: NO END. 146 00:09:27,500 --> 00:09:30,336 I LOVE THAT I LOVE THAT. SO 26 AND UP. 147 00:09:30,403 --> 00:09:32,772 >> YES T IS. >> James: LET'S SEE, I GET THE 148 00:09:32,838 --> 00:09:37,043 FEELING PEDRO THAT 24, 23 MIGHT BE OKAY ALSO. 149 00:09:37,109 --> 00:09:38,878 >> THEY'RE CHILDREN, THAT IS WHAT I WILL SAY. 150 00:09:38,945 --> 00:09:42,815 >> James: OKAY, OKAY, BUT IF CHRIS HEMSWORTH WALKED OUT AND 151 00:09:42,882 --> 00:09:45,117 HE WAS 23. >> I WOULD SAY YES. 152 00:09:45,184 --> 00:09:47,219 >> James: SO WHAT DO WE THINK ABOUT DANIEL. 153 00:09:47,286 --> 00:09:49,021 I LIKE DANIEL, I LIKE THIS WHOLE LOOK. 154 00:09:49,088 --> 00:09:52,959 >> HE HAS A VERY CUTE. >> DANIEL KURKS TURN PLEASE. 155 00:09:53,025 --> 00:09:58,164 >> James: OH NO, THIS ISN'T A [BLEEP] MEAT MARKET. 156 00:09:58,230 --> 00:10:02,902 LET'S NOT START HAVING GUYS PAR AIDING THEIR ASS AS THEY TURN 157 00:10:02,969 --> 00:10:04,370 AROUND. LET'S JUST FOCUS ON DANIEL AND 158 00:10:04,437 --> 00:10:08,874 WHAT BRINGS, I WILL SAY A VERY NICE SMILE. 159 00:10:08,941 --> 00:10:12,578 >> I WAS JUST ABOUT TO SAY THE SAME THING. 160 00:10:12,645 --> 00:10:16,749 DANIEL, I WILL SWIPE RIGHT. >> James: TAKE A SEAT, DANIEL. 161 00:10:16,816 --> 00:10:20,219 >> THANK YOU. >> James: LET'S BRING OUT OUR 162 00:10:20,286 --> 00:10:26,359 NEXT CONTESTANT. >> HI. 163 00:10:26,425 --> 00:10:29,829 >> James: I LIKE DYLAN. >> I LIKE HIS STYLE. 164 00:10:29,895 --> 00:10:32,098 >> James: KIND OF LIKE AN EXTRA IN SUCCESSION, LIKE 165 00:10:32,164 --> 00:10:35,001 SOMEONE WHO WAS AT KINDAL ROY'S PARTY. 166 00:10:35,067 --> 00:10:38,204 SO WHAT ARE OUR THOUGHTS, OUR FIRST THOUGHTS WHEN WE LOOK AT 167 00:10:38,270 --> 00:10:41,207 DILLAN. >> I THINK ARE YOU VERY 168 00:10:41,273 --> 00:10:43,409 HANDSOME. BUT I'M NOT REALLY INTO BLONDS. 169 00:10:43,476 --> 00:10:46,612 SO I AM GOING TO-- . >> James: OH, DYLAN, I'M 170 00:10:46,679 --> 00:10:50,216 SORRY. DYLAN, I'M SORRY. 171 00:10:50,282 --> 00:10:56,155 GOOD-BYE, DILLAN. LET'S BRING OUT OUR NEXT 172 00:10:56,222 --> 00:10:58,624 CONTESTANT. >> HI. 173 00:10:58,691 --> 00:11:04,163 >> James: WHAT DOES THAT SAY, OKAY, DEFINITELY NOT BLOND. 174 00:11:04,230 --> 00:11:07,166 >> NO, ABSOLUTELY NOT. >> James: LEO IS ABSOLUTELY 175 00:11:07,233 --> 00:11:09,602 NOT BLOND. I'M TRYING TO WORK OUT 176 00:11:09,668 --> 00:11:11,804 WHETHER-- TRYING TO WORK OUT WHETHER LEO HAS BEEN OUT ALL 177 00:11:11,871 --> 00:11:14,273 NIGHT OR JUST WOKE UP. I CAN'T. 178 00:11:14,340 --> 00:11:20,012 >> YOU HAVE GORGEOUS EYEBROWS. >> James: GREAT BROWS, KILLER 179 00:11:20,079 --> 00:11:22,982 BROWS. >> BUT IT'S THE AGE RANG FOR ME, 180 00:11:23,049 --> 00:11:27,620 I'M SO SORRY. >> James: LEO, YOU WERE GONE 181 00:11:27,686 --> 00:11:31,957 ON ARRIVAL, BYE. >> WOW. 182 00:11:32,024 --> 00:11:35,428 >> James: GOOD FORCE. WOW. 183 00:11:35,494 --> 00:11:50,376 OKAY, I MEAN DON'T WORRY, LEO, WE'LL CLEAR IT UP. OKAY, LET'S 184 00:11:50,443 --> 00:11:52,478 OKAY, I MEAN DON'T WORRY, LEO, WE'LL CLEAR IT UP. OKAY, LET'S 185 00:11:52,545 --> 00:12:02,188 BRING OUT OUR NEXT CONTESTANTS. OKAY. 186 00:12:02,254 --> 00:12:06,125 HI. OKAY, SOMETHING JUST HAPPENED. 187 00:12:06,192 --> 00:12:09,829 OKAY, WOW. >> IT'S THE SMILE, IT'S THE 188 00:12:09,895 --> 00:12:12,998 TATTOOS, IT'S THE VERY, VERY WELL FITTED SHIRT. 189 00:12:13,065 --> 00:12:17,670 >> James: NO WAIT, LET'S TALK ABOUT HIM FOR A MINUTE, PLAYING 190 00:12:17,736 --> 00:12:25,077 HARD TO GET FOR A MINUTE. DANIEL SAT RIGHT THERE I FEEL T 191 00:12:25,144 --> 00:12:27,646 YOU FEEL IT BUT LET'S PLAY AROUND A LITTLE, OKAY. 192 00:12:27,713 --> 00:12:28,714 >> OKAY. >> James: OKAY. 193 00:12:28,781 --> 00:12:32,384 NOW MY ONLY WORRY IS HE HAS BEEN SKIPPING LEG DAY. 194 00:12:32,451 --> 00:12:35,121 SO WE DON'T KNOW. HE MIGHT WALK OUT THERE, THEY 195 00:12:35,187 --> 00:12:38,557 MIGHT BE JUST LIKE SPARROWS LEGS. 196 00:12:38,624 --> 00:12:40,493 WE DON'T NOAVMENT I MEAN ONE THING YOU HAVE GOT TO ASK 197 00:12:40,559 --> 00:12:42,695 YOURSELF AND THIS IS IMPORTNT, HE'S 42. 198 00:12:42,761 --> 00:12:48,801 WHY IS HE SINGLE? OKAY. 199 00:12:48,868 --> 00:12:55,174 IS HE, YOU KNOW A BIT WEIRD. >> YOU KNOW WHAT, I'M GOING TO 200 00:12:55,241 --> 00:12:57,943 TAKE THAT CHANCE. >> James: WE'RE GOING TO FIND 201 00:12:58,010 --> 00:13:01,247 OUT. HAVE A SEAT PLEASE. 202 00:13:01,313 --> 00:13:04,049 >> VERY NICE LEGS. >> James: LET'S BRING OUT OUR 203 00:13:04,116 --> 00:13:10,322 NEXT CONTESTANT. WPSZ HI. 204 00:13:10,389 --> 00:13:13,325 >> James: HEY, JUSTIN, I LOVE THIS JACKET. 205 00:13:13,392 --> 00:13:16,061 I ACTUALLY LOVE THAT JACKET. >> FUN SHIRT. 206 00:13:16,128 --> 00:13:18,097 >> James: I COULDN'T WEA IT BUT I LOVE IT. 207 00:13:18,164 --> 00:13:21,267 I COULDN'T WEAR THAT, IF I WORE THAT YOU WOULD BE LIKE OH MY 208 00:13:21,333 --> 00:13:26,338 GOD, HE'S HAVING A BREAKDOWN. BUT ON JUSTIN, THIS ALL WORKS, 209 00:13:26,405 --> 00:13:29,508 LOVELY SMILE P KIND EYES WHAT IS YOUR THOUGHT. 210 00:13:29,575 --> 00:13:31,710 >> JUSTIN IS VERY CUTE. >> James: UH-HUH. 211 00:13:31,777 --> 00:13:34,146 >> NO I'M GOING TO SWIPE RIGHT ON JUSTIN. 212 00:13:34,213 --> 00:13:38,918 >> James: OKAY, JUTIN, TAKE A SEAT. 213 00:13:38,984 --> 00:13:40,085 >> OKAY. OKAY. 214 00:13:40,152 --> 00:13:42,655 SO WE'VE GOT OUR THREE HERE. HOWEVER, SHOULD SOMEBODY COME 215 00:13:42,721 --> 00:13:46,525 OUT THAT YOU LIKE MORE THAN JUSTIN, JAR ED OR DANIEL YOU CAN 216 00:13:46,592 --> 00:13:52,898 SWITCH THEM OUT AT ANY POINT. LET'S BRING OUT OUR NEXT 217 00:13:52,965 --> 00:14:01,006 CONTESTANTS. >> WELL, NO NEED FOR 218 00:14:01,073 --> 00:14:05,678 INTRODUCTION IS WHAT I WILL SAY. HI. 219 00:14:05,744 --> 00:14:07,346 Z. >> James: I. 220 00:14:07,413 --> 00:14:13,385 >> I MEAN YOU LOOK LIKE YOU HAVE A GREAT PERSONALITY. 221 00:14:13,452 --> 00:14:17,990 >> James: YEAH, THAT'S WHAT WE ARE ALL THINKING, HE WALKED OUT 222 00:14:18,057 --> 00:14:22,461 WITH A SHIRT OPEN AND WE ALL THOUGHT GREAT PERSONALITY. 223 00:14:22,528 --> 00:14:26,265 WHAT IS YOUR THOUGHTS ON NICO, 29. 224 00:14:26,332 --> 00:14:28,701 >> IS HE VERY HANDSOME, IN THE AGE RANGE. 225 00:14:28,767 --> 00:14:31,003 >> James: DO YOU WANT TO DATE SOMEONE WHO IS LIKE NO, I CAN'T, 226 00:14:31,070 --> 00:14:34,773 I'M AT THE GYM. >> I AM GOING TO BE LATE, I'M AT 227 00:14:34,840 --> 00:14:37,910 THE GYM. >> MY QUESTION WITH NICKO IS 228 00:14:37,977 --> 00:14:41,847 WILL WE BE ABLE TO EAT ON OUR DATE. 229 00:14:41,914 --> 00:14:46,819 SO LEFT. >> James: OH NICKO, I'M SORRY. 230 00:14:46,885 --> 00:14:51,857 NOW THIS SOUR LAST CONTESTANT. >> OKAY. 231 00:14:51,924 --> 00:14:56,929 >> James: BRING HIM OUT. >> HI ISAAC. 232 00:14:56,996 --> 00:14:59,064 >> James: I LOVE ISAAC ALREADY. 233 00:14:59,131 --> 00:15:01,767 I ABSOLUTELY LOVE, THAT SAY LOVELY SMILE. 234 00:15:01,834 --> 00:15:03,769 >> YEAH. >> James: AND I WILL SAY 235 00:15:03,836 --> 00:15:07,473 THAT'S HOW YOU BUTTON UP A SHIRT. 236 00:15:07,539 --> 00:15:11,744 ALL THE WAY TO THE TOP, OKAY. ISAAC, LOVELY SMILE. 237 00:15:11,810 --> 00:15:13,846 I LIKE THIS HAT. I LOVE THE SHIRT. 238 00:15:13,912 --> 00:15:15,648 I LOVE EVERYTHING THAT IS GOING ON HERE, WHAT ARE YOU FEELING. 239 00:15:15,714 --> 00:15:20,386 >> HE LOOKS LIKE I COULD JUST CUDDLE-- CUDDLE UP AND BE NICE 240 00:15:20,452 --> 00:15:22,187 AND WARM. SO OKAY. 241 00:15:22,254 --> 00:15:24,456 >> James: ARE YOU THINKING OF MAKING A TRADE? 242 00:15:24,523 --> 00:15:29,328 >> YES, MI. >> James: OH MY GOD, THE 243 00:15:29,395 --> 00:15:32,364 TENSION IN HERE. WHATEVER YOU ARE FEELING AT HOME 244 00:15:32,431 --> 00:15:39,905 T IS ABSOLUTE TENSION. OKAY. OR WILL IT BE PEDRO. 245 00:15:39,972 --> 00:15:43,242 >> JUSTIN, I'M SO SORRY BUT CAN YOU GO INTO THE BALL PIT? 246 00:15:43,309 --> 00:15:46,945 >> James: JUSTIN. JUSTIN, I'M SORRY. 247 00:15:47,012 --> 00:15:50,783 TAKE A SEAT, ISAAC PLEASE. JUST GIVE A ROUND OF APPLAUSE 248 00:15:50,849 --> 00:15:56,955 FOR ISAAC, JAR ED AND DANIEL. OKAY, HERE IS WHAT IS GOING TO 249 00:15:57,022 --> 00:16:01,293 HAPPEN. YOU CAN ASK EACH OF OUR 250 00:16:01,360 --> 00:16:05,264 CONTESTANTSES BUN QUESTION WHICH THEY WILL ALL HAVE TO ANSWER. 251 00:16:05,331 --> 00:16:09,134 SO LET'S GO DOWN THE LINE, GENTLEMEN, INTRODUCE YOURSELF 252 00:16:09,201 --> 00:16:15,040 AND ANSWER THIS QUESTION. >> WHAT IS YOUR SEXIEST TRAIT. 253 00:16:15,107 --> 00:16:19,211 >> James: SO INTRODUCE YOURSELF AND WHAT IS YOUR 254 00:16:19,278 --> 00:16:22,981 SEXIEST TRAIT. >> MY NAME SIGHS AK, HELLO, MYS 255 00:16:23,048 --> 00:16:26,819 SEX YIS TRAIT WOULD PROBABLY BE MY LEGS AND I LOVE TO HOLD 256 00:16:26,885 --> 00:16:34,360 PEOPLE AND CUDDLE THEM AND MAKE THEM FEEL LIKE WE'RE TOGETHER. 257 00:16:34,426 --> 00:16:37,463 >> OKAY. THAT'S A GREAT ANSWER. >> James: I MEAN WHETHER YOU 258 00:16:37,529 --> 00:16:40,566 PICK HIM OR NOT, I'M GOING TO HAVE A CUDDLED WITH HIM AFTER 259 00:16:40,632 --> 00:16:41,800 THE SHOW. OKAY. 260 00:16:41,867 --> 00:16:44,269 ALL RIGHT, CONTESTANT NUMBER TWO, WHO ARE YOU AND ANSWER THE 261 00:16:44,336 --> 00:16:47,339 QUESTION. >> HEY, MY NAME IS JAR ODD, MY 262 00:16:47,406 --> 00:16:56,548 SEXIEST TRAIT IS I'M CANADIAN SI WILL TREAT YOU VERY WELL. 263 00:16:56,615 --> 00:17:01,820 >> James: IS THAT SCARE ANYONE ELSE? 264 00:17:01,887 --> 00:17:08,026 DOES IT SCARE YOU? >> I WILL TREAT YOU VERY WELL. 265 00:17:08,093 --> 00:17:10,996 >> James: I'M NICE, I WILL TREAT YOU WELL. 266 00:17:11,063 --> 00:17:13,365 OKAY. LET'S GO TO DANIEL, INTRODUCE 267 00:17:13,432 --> 00:17:16,635 YOURSELF AND WHAT IS YOUR SEXIST TRAIT. 268 00:17:16,702 --> 00:17:21,240 >> MY NAME IS DANIEL, MY SNGS YAS TRAIT IS THE PASSION THAT 269 00:17:21,306 --> 00:17:27,980 COMES OUT OF ME AT ANY MOMENT, 0 TO A HUNDRED REAL QUICK. 270 00:17:28,046 --> 00:17:29,748 >> OKAY. YAY DANIEL. 271 00:17:29,815 --> 00:17:37,222 >> James: ALL RIGHT, SO WE'VE GOT ISAAC, JAR ODD OR DANIEL. 272 00:17:37,289 --> 00:17:44,229 YOU CAN ONLY CHOOSE ONE, WHO ARE YOU GOING TO GO ON A DATE WITH? 273 00:17:44,296 --> 00:17:51,303 I THINK JAR ODD, HI JAR ODD. COME ON DOWN, ISAAC, DANIEL, 274 00:17:51,370 --> 00:17:56,175 THANK YOU SO MUCH FOR PLAYING, JARED, COME ON DOWN. 275 00:17:56,241 --> 00:18:00,379 JARED, PETRO-- PEDRO, OKAY, COME THIS WAY. 276 00:18:00,446 --> 00:18:05,584 PEDRO, ON THIS SIDE. OKAY NOW THE MAGIC TRULY BEGINS. 277 00:18:05,651 --> 00:18:08,487 BECAUSE WE'RE SENDING THE TWO OF YOU AN ALL-INCLUSIVE, 278 00:18:08,554 --> 00:18:14,927 ALL-EXPENSE-PAID TRIP DOWN THE HALLWAY FOR A DATE ON THE PATIO! 279 00:18:14,993 --> 00:18:17,596 OUTSIDE WINNIE HE'S OFFICE, OKAY. 280 00:18:17,663 --> 00:18:19,598 SO HAVE FUN, OFF YOU LOVEBIRDS GO. 281 00:18:19,665 --> 00:18:20,632 WE WILL CHECK IN WITH YOU LATER ON THE SHOW. 282 00:18:20,699 --> 00:18:23,602 GIVE A BIG ROUD OF APPLAUSE FOR JARED AND PEDRO. 283 00:18:23,669 --> 00:18:25,938 STAY TUNED. WE'LL BE RIGHT BACK WITH MORE OF 284 00:18:26,004 --> 00:18:27,072 THE LATHE LATHE SHOW.-- THE "LATE, LATE SHOW." 285 00:18:59,771 --> 00:19:01,773 >> James: WELCOME BACK. LET'S MEET OUR GUESTS TONIGHT! 286 00:19:01,840 --> 00:19:03,842 HE STARS IN "THE CURSE OF BRIDGE HOLLOW." 287 00:19:03,909 --> 00:19:06,612 PLEASE WELCOME MARLON WAYANS! (CHEERS AND APPLAUSE) 288 00:19:06,678 --> 00:19:19,291 >> Reggie: IT'S MARLON WAYANS! >> James: HE STARS IN "TO 289 00:19:19,358 --> 00:19:20,926 LESLIE." PLEASE WELCOME MARC MARON! 290 00:19:20,993 --> 00:19:35,874 (CHEERS AND APPLAUSE) >> Reggie: IT'S MARC MARON! 291 00:19:35,941 --> 00:19:37,142 (CHEERS AND APPLAUSE) >> Reggie: IT'S MARC MARON! 292 00:19:37,209 --> 00:19:41,580 >> James: HAVE A SEAT. HOW ARE YOU? 293 00:19:41,647 --> 00:19:44,016 I'M VERY HAPPY YOU'RE HERE. THANK YOU FOR COMING. 294 00:19:44,082 --> 00:19:46,485 NOW YOU'RE FRIENDS. YOU WORK TOGETHER. 295 00:19:46,552 --> 00:19:49,421 YOU GET ON VERY, VERY WELL. MARLON, WHAT IS YOUR FAVORITE 296 00:19:49,488 --> 00:19:54,860 THING ABOUT MARC. >> YOU NOW HAVE TIME TO. 297 00:19:54,927 --> 00:19:56,328 >> WHAT ARE YOU SAYING, THE JACKET. 298 00:19:56,395 --> 00:19:59,331 >> A LITTLE WARM STRKS NICE, WE ARE INSIDE. 299 00:19:59,398 --> 00:20:01,800 >> James: I THINK IT IS A CHOICE. 300 00:20:01,867 --> 00:20:08,540 >> IN IS WHAT WE DO. >> YEAH, HE LIKES TO TAKE-- IS 301 00:20:08,607 --> 00:20:10,876 HE NEVER SERIOUS, WE DID A DRAMA. 302 00:20:10,943 --> 00:20:13,378 WE DID RESPECT TOGETHER. >> James: BRILLIANT FILM. 303 00:20:13,445 --> 00:20:17,115 >> I COULD NOT KEEP A STRAIGHT FACE DOING THESE DRAMATIC 304 00:20:17,182 --> 00:20:19,518 SCENES. THIS GUY WON'T STOP CRACKING 305 00:20:19,585 --> 00:20:21,753 JOKES. ONE TIME WE ARE AT LUNCH AND ME, 306 00:20:21,820 --> 00:20:26,124 MARC AND A COUPLE OF ACTORS. SOME WHITE GUY COMES OVER. 307 00:20:26,191 --> 00:20:29,494 AND MARC LOOKS OVER AND HE GOES, WHO THE HELL ARE YOU. 308 00:20:29,561 --> 00:20:34,199 AND HE GOES I'M THE PRODUCER. SO MARC KEEPS GOING. 309 00:20:34,266 --> 00:20:39,638 HE'S LIKE YEAH? HOW DID YOU GET THE GIG? 310 00:20:39,705 --> 00:20:42,908 >> HE GOES I'M'S THE HEAD OF THE STUDIO. 311 00:20:42,975 --> 00:20:46,478 HE GOES YEAH, AND HOW IS THAT WORKING OUT FOR YOU. 312 00:20:46,545 --> 00:20:50,315 AND THEN THE GUY GOES WELL ACTUALLY, I JUST MOVED INTO A 313 00:20:50,382 --> 00:20:52,517 PRODUCTION DEAL AND TODAY'S MY LAST DAY. 314 00:20:52,584 --> 00:20:55,554 AND THEN MARC IS LIKE YEAH, FAILING UP. 315 00:20:55,621 --> 00:20:59,424 THAT'S ALWAYS NICE. >> James: THIS IS HOW YOU 316 00:20:59,491 --> 00:21:03,228 MEETS AND GREET WITH A STRANGER. >> NO, HE WAS JUST ONE OF THOSE 317 00:21:03,295 --> 00:21:05,397 GUYS. HE SAT DOWN, I DIDN'T KNOW HIM, 318 00:21:05,464 --> 00:21:09,301 YOU DIDN'T KNOW HIM, I DIDN'T KNOW, I WAS JUST WHAT ARE YOU, 319 00:21:09,368 --> 00:21:13,338 WHAT ARE YOU. TURNS OUT HE OWNS THE PLACE. 320 00:21:13,405 --> 00:21:14,740 >> James: HOW LONG DID YOU GIVE HIM TO SIT DOWN, DID YOU 321 00:21:14,806 --> 00:21:18,644 GIVE HIM AN OPPORTUNITY TO SAY HI GUYS. 322 00:21:18,710 --> 00:21:20,846 NICE TO BE HERE. >> I WAS ALREADY IN. 323 00:21:20,912 --> 00:21:23,015 >> James: WERE YOU LOCKED IN. >> I WAS LOCKED IN. 324 00:21:23,081 --> 00:21:26,218 THERE WAS NO GETTING OUT. LIKE ONCE HE SAID I'M THE 325 00:21:26,284 --> 00:21:29,054 PRODUCER AND THEN THE HEAD OF THE STUDIO, I THOUGHT WELL THIS 326 00:21:29,121 --> 00:21:31,890 ISN'T GOING TO GO WELL NO MATTER WHAT I DO. 327 00:21:31,957 --> 00:21:34,559 IS HE SITTING THERE AND WHAT AM I GOING TO GO LIKE, I'M SORRY. 328 00:21:34,626 --> 00:21:39,097 I HAD TO KEEP MAKING HIM LAUGH. I HAD TO RUIN MY CAREER SO HE 329 00:21:39,164 --> 00:21:42,200 COULD HAVE THAT DAMN STORE REE. >> James: YEAH, I GET IT AND 330 00:21:42,267 --> 00:21:44,269 WE'RE THRILLED HERE ON THE LATE NIGHT TALK SHOW THAT YOU DO. 331 00:21:44,336 --> 00:21:47,472 WE REALLY ARE. NOW YOU BOTH HAVE BIRTHDAYS 332 00:21:47,539 --> 00:21:50,709 RECENTLY AND MARLON, I WANT TO TALK TO YOU ABOUT THIS, OVER THE 333 00:21:50,776 --> 00:21:55,047 SUMMER YOU HAD NOT ONE BUT THREE SEPARATE BIRTHDAY PARTIES. 334 00:21:55,113 --> 00:21:56,248 WHY? FOR WHAT REASON? 335 00:21:56,314 --> 00:21:58,183 >> I DID IT THE RIGHT WAY. >> James: OKAY. 336 00:21:58,250 --> 00:22:00,285 >> HERE IS WHAT HAPPENED. MY FAMILY WAS GOING TO THROW ME 337 00:22:00,352 --> 00:22:03,755 A PARTY AND I WAS LIKE ALL RIGHT, COOL, LET ME GET A LOOK 338 00:22:03,822 --> 00:22:07,459 AT THE GUEST LIST BUT UNDERSTAND I'M 50 AND I HAVE COLLECTED 339 00:22:07,526 --> 00:22:10,762 PEOPLE THROUGHOUT MY LIFE FROM GROWING UP TO THEM TO MY BIG 340 00:22:10,829 --> 00:22:12,864 FAMILY. AND THEN A LOT OF PEOPLE IN THE 341 00:22:12,931 --> 00:22:15,067 INDUSTRY. AND MY FAMILY WANTED TO THROW A 342 00:22:15,133 --> 00:22:17,302 PARTY WHERE THEY JUST THROW EVERYBODY TOGETHER, I LOOKED AT 343 00:22:17,369 --> 00:22:19,271 THE GUEST LIST AND I WAS LIKE NO WE CAN'T DO THIS. 344 00:22:19,337 --> 00:22:24,109 THEY ARE LIKE YVMENT I SAID LISTEN, THE GUEST LIST WAS 345 00:22:24,176 --> 00:22:28,980 NASDAQ, RIHANNA AND AUNT PAULINE, I'M LIKE YO, NOBODY 346 00:22:29,047 --> 00:22:33,985 WANTS TO PARTY WITH AUNT PAULINE. 347 00:22:34,052 --> 00:22:37,189 >> James: APOLOGIES TO AUNT PAULINE. 348 00:22:37,255 --> 00:22:41,860 MARC AND I WOULD HAPPILY PARTY WITH YOU, OVER NASDAQ AND RI 349 00:22:41,927 --> 00:22:43,595 HANA. >> SHE IS ON NEXT WEEK, WE'RE 350 00:22:43,662 --> 00:22:46,565 THROWING HER A HUGE PARTY AND GUESS WHO IS PLAYING, GUESS WHO 351 00:22:46,631 --> 00:22:51,002 IS PLAYING. >> James: NAS AND RYANA YES. 352 00:22:51,069 --> 00:22:54,239 YOU DON'T STRIKE ME AS SOMEONE THAT LEANS BIG INTO YOUR 353 00:22:54,306 --> 00:22:57,342 BIRTHDAY, WOULD THAT BE FAIR? >> THIS YEAR WE WENT OUT TO A 354 00:22:57,409 --> 00:22:58,810 RESTAURANT. I HAD A DINNER WITH A WOMAN THAT 355 00:22:58,877 --> 00:23:01,780 I AM INVOLVED WITH. AND IT WAS VERY PLEASANT. 356 00:23:01,847 --> 00:23:05,584 AND I, I GET AGGRAVATEDDED VERY EASILY. 357 00:23:05,650 --> 00:23:07,285 DO YOU EVER GO TO I A RESTAURANT AND THERE IS NO ONE IN THE PLACE 358 00:23:07,352 --> 00:23:10,889 AND THEY ARE LIKE LET ME SEE IF WE CAN GET YOU A TABLE. 359 00:23:10,956 --> 00:23:14,960 >> James: IT'S THE WORST. >> WHAT DO YOU MEAN, WHAT'S 360 00:23:15,026 --> 00:23:16,995 GOING ON. >> James: THAT SAY HORRIBLE, 361 00:23:17,062 --> 00:23:24,002 OR WHEN YOU CALL AHEAD AND THEY GO-- CAN I GET YOU IN AT 8:00. 362 00:23:24,069 --> 00:23:26,972 YOU GO IN AT 7:30, THE PLACE MUST BE POPIN. 363 00:23:27,038 --> 00:23:31,543 AND YOU GET THERE, NOTHING. >> IT WAS GOOD THOUGH, DO YOU 364 00:23:31,610 --> 00:23:34,012 ALWAYS GET TABLES. AT THAT LEVEL. 365 00:23:34,079 --> 00:23:41,052 >> IT DEPENDS WHICH BROTHER THEY THINK I AM.p>> IF I SAY I'M DAMT 366 00:23:41,119 --> 00:23:43,889 ANYWHERE. >> James: YOUR ENTIRE FAMILY, 367 00:23:43,955 --> 00:23:45,423 WHEN WERE YOU YOUNGER, HOW DID THAT WORK OUT. 368 00:23:45,490 --> 00:23:50,328 DID YOUR PARENTS PUT YOU THROUGH SOME KIND OF COMEDY BOOTCAMP? 369 00:23:50,395 --> 00:23:53,732 >> NO, KNOWING WE WANTED TO DO COMEDY WE PLAYED A GAME CALLED 370 00:23:53,799 --> 00:23:56,968 MAKE ME LAUGH OR DIE. AND BASICALLY YOU HAVE LIKE 30 371 00:23:57,035 --> 00:24:00,972 SECONDS TO MAKE SOMEBODY LAUGH OR YOU HAVE TO DO SOMETHING LIKE 372 00:24:01,039 --> 00:24:04,643 CLOSE TO DEATH WHICH IS LIKE WAKE MY FATHER UP OUT OF HIS 373 00:24:04,709 --> 00:24:09,314 SLEEP AND HE WORKED 14 HOUR DAYS. 374 00:24:09,381 --> 00:24:11,850 THROW WATER ON HIS FACE OR SLAM YOUR FINGER IN A DOOR OR PUT 375 00:24:11,917 --> 00:24:13,451 YOUR FINNINGER IN THE LIGHT SOCK ET. 376 00:24:13,518 --> 00:24:15,687 SO ST CALLED MAKE ME LAUGH OR DIE. 377 00:24:15,754 --> 00:24:18,623 AND THEN YOU ASK WHY IN THE FIRST TWO MINUTES OF MY LAST 378 00:24:18,690 --> 00:24:22,727 STANDUP SPECIAL I PULLED MY AS OUT DID BECAUSE I GOT TO GET 379 00:24:22,794 --> 00:24:24,763 THAT LAUGH. >> James: OR. 380 00:24:24,830 --> 00:24:26,798 >> OR DIE. >> James: WHAT WAS THE WORST 381 00:24:26,865 --> 00:24:30,869 THING YOU HAD TO DO? >> I HAD TO BE THE ONE TO POUR 382 00:24:30,936 --> 00:24:34,606 THE GLASS OF WATER ON MY FATHER. >> James: OH MY GOD. 383 00:24:34,673 --> 00:24:37,776 >> NO, ACTUALLY, HIS SHOES, MY FATHER'S FEET, THEY STUCK 384 00:24:37,843 --> 00:24:41,213 TOGETHER LIKE THIS AND HE HAS THIS BUNION, REALLY SHINY BUNION 385 00:24:41,279 --> 00:24:44,616 AND IF YOU OPEN UP THIS TOE THERE IS ALL KIND OF WHITE STUFF 386 00:24:44,683 --> 00:24:48,453 RIGHT THERE. SO I HAD TO GET IN THERE AND 387 00:24:48,520 --> 00:24:49,788 JUST-- . >> James: NO. 388 00:24:49,855 --> 00:24:53,091 >> HIT THAT LIKE THAT. >> James: AND YOU WERE THE 389 00:24:53,158 --> 00:24:56,828 YOUNGEST? >> YEAH. 390 00:24:56,895 --> 00:25:00,465 >> James: WE HAVE STO TALK MARC ABOUT YOUR NEW MOVIE, TO 391 00:25:00,532 --> 00:25:03,735 LESLEY, HUGE CONGRATULATIONS, FOR ANYONE WHO DOESN'T KNOW, 392 00:25:03,802 --> 00:25:05,237 TELL US WHAT IT IS ABOUT AND WHO YOU PLAY? 393 00:25:05,303 --> 00:25:08,139 >> THIS MOVIE IS ABOUT A WOMAN WHO IS KIND OF, SHE WON THE LAT 394 00:25:08,206 --> 00:25:12,777 REE IN A SMALL TOWN IN TEXAS AND SHE JUST, IT KIND OF PIX UP WITH 395 00:25:12,844 --> 00:25:16,615 HER HAVING BLOWN ALL THE MONEY, SHESES SHE DONE THE STREET, A 396 00:25:16,681 --> 00:25:20,552 TRAGIC SORT OF ALCOHOLIC. AND SHE KIND OF SHOWS UP AT HER 397 00:25:20,619 --> 00:25:24,055 SON IS' APARTMENT WHO SHE HAD ABANDONED. 398 00:25:24,122 --> 00:25:28,326 SO THE STORY OF THIS WOMAN KIND OF COMING BACK FROM THAT 399 00:25:28,393 --> 00:25:31,997 HORRENDOUS LIFE OF BLOWING ALL THIS MONEY AND GOING BACK TO HER 400 00:25:32,063 --> 00:25:35,267 OLD TOWN, YOU KNOW, AS THIS TREMENDOUS FAILURE AND ALCOHOLIC 401 00:25:35,333 --> 00:25:37,936 AND KIND OF HER TRYING TO REBUILD. 402 00:25:38,003 --> 00:25:44,342 >> THAT SOUNDS FUNNY, I WANT STO SEE THAT. 403 00:25:44,409 --> 00:25:49,781 >> WAIT, AREN'T YOU IN ANOTHER HORROR MOVIE? 404 00:25:49,848 --> 00:25:54,252 >> James: I CAN'T WAIT TO SEE THE FILM. 405 00:25:54,319 --> 00:25:55,587 >> James: LET'S TAKE A LOOK AT A CLIP FROM "TO LESLIE," WHICH IS 406 00:25:55,654 --> 00:25:58,957 IN SELECT THEATERS AND AVAILABLE ON DEMAND NOW. 407 00:25:59,024 --> 00:26:01,793 >> WHAT HAVE I GOT TO DO FOR ALL THIS? 408 00:26:01,860 --> 00:26:04,396 >> WELL, NOTHING. >> I GOT TO WORK, DON'T SNI. 409 00:26:04,462 --> 00:26:07,265 >> OH, RIGHT, YEAH, YOU GOT TO WORK. 410 00:26:07,332 --> 00:26:11,269 BASICALLY YOU GOT TO, YOU KNOW, CLEAN UP THE ROOMS AFTER THE 411 00:26:11,336 --> 00:26:15,173 GUESTS LEAVE AND WASH YOUR TOWELS, WASH THE SHEETS, 412 00:26:15,240 --> 00:26:20,045 MAINTAIN THE PROPERTY A LITTLE BIT AND HELP GUESTS WITH THEIR 413 00:26:20,111 --> 00:26:22,647 BAGS. >> IS THAT IT? 414 00:26:22,714 --> 00:26:27,085 >> James: THAT IS IT, REALLY, PRETTY MUCH IT, RIGHT. 415 00:26:27,152 --> 00:26:29,487 >> OKAY. >> James: STICK AROUND, MORE 416 00:26:29,554 --> 00:26:30,956 WITH THESE TWO WHEN WE COME BACK 417 00:26:38,563 --> 00:26:48,573 >> POP QUIZ, I KNOW WHAT THE CHAINSAW WAS ORIGINALLY CALLED? 418 00:26:48,640 --> 00:27:03,521 >> A BONE CUTTER. YEAH, THIS WILL DO JUST FINE. 419 00:27:03,588 --> 00:27:08,827 >> A BONE CUTTER. YEAH, THIS WILL DO JUST FINE. 420 00:27:08,893 --> 00:27:16,034 ♪ SNEET I'M ON THE HIGHWAY TO HELL. 421 00:27:16,101 --> 00:27:25,343 ♪ >> James: THAT WAS A CLIP FROM 422 00:27:25,410 --> 00:27:27,312 THE CURSE OF BRIDGE HOLLOW," WHICH 423 00:27:27,379 --> 00:27:32,417 IS PREMIERES ON NETFLIX THIS FRIDAY. 424 00:27:32,484 --> 00:27:35,420 CONGRATULATIONS ON THE FILM, YOUR FIRST BIG EVER EVER FAMILY 425 00:27:35,487 --> 00:27:36,821 MOVIE. TELL US WHAT THE FILM IS ABOUT. 426 00:27:36,888 --> 00:27:44,195 >> THE MOVIE IS ABOUT A FAMILY THAT MOVES FROM NEW YORK TO 427 00:27:44,262 --> 00:27:47,699 MASSACHUSETTS AND ALL THE HALLOWEEN DECORATIONS START 428 00:27:47,766 --> 00:27:53,104 COMING TO LIFE BECAUSE THEY UNLEASHED THE SPIRIT OF-- SO THE 429 00:27:53,171 --> 00:27:56,107 FATHER AND DAUGHTER HAVE TO BAND TOGETHER TO SAVE THE TOWN AND 430 00:27:56,174 --> 00:27:59,010 SAVE THE WORLD IT IS A REALLY SWEET MOVIE, REALLY FUNNY IT IS 431 00:27:59,077 --> 00:28:05,683 MY FIRST HORROR COMEDY WHERE THERE IS NO BODY PARTS AND 432 00:28:05,750 --> 00:28:09,554 FLUIDS AND. >> THE FIRST ONE I ACTUALLY 433 00:28:09,621 --> 00:28:14,359 COULD TAKE MY KIDS TO, TOO BAD THEY ARE 21 AND 22 NOW. 434 00:28:14,426 --> 00:28:19,931 >> James: NOW AS WE SAW ON THE CLIP YOU GET TO WIELD A CHAINSAW 435 00:28:19,998 --> 00:28:22,133 AROUND. DO YOU ENJOY ACTION SCENES LIKE 436 00:28:22,200 --> 00:28:23,668 THAT, IS THAT SOMETHING YOU ENJOY. 437 00:28:23,735 --> 00:28:28,106 >> IT LOOKS FUN ON TV BUT I LEARNED SOMETHING, MAKE SURE YOU 438 00:28:28,173 --> 00:28:30,408 PICK THE RIGHT SHOES. IT IS FUN IF YOU HAVE SNEAKERS 439 00:28:30,475 --> 00:28:32,043 ON. WHEN ARE YOU DOS ACTION AND ARE 440 00:28:32,110 --> 00:28:38,016 YOU IN SOME HARD BOTTOM SHOES T IS NOT FUN IT I COULD ONLY 441 00:28:38,083 --> 00:28:45,023 IMAGINE, THE ROCK MUST HAVE FEET THAT LOOK LIKE MY FATHER'S. 442 00:28:45,090 --> 00:28:49,661 >> THAT IS QUICK. >> OFF THE DOME. 443 00:28:49,727 --> 00:28:51,963 >> YOU ARE A DAREDEVIL WHICH I DIDN'T KNOW. 444 00:28:52,030 --> 00:28:55,500 YOU RECENTLY TOOK WHAT I WOULD CONSIDER TO BE A VERY SCARY 445 00:28:55,567 --> 00:28:58,736 FLIGHT TO A CANADIAN. >> THAT WAS CRAZY. 446 00:28:58,803 --> 00:29:04,742 >> James: GO ON. >> I WENT TO VANCOUVER ISLAND 447 00:29:04,809 --> 00:29:09,848 FOR A VACATION AND YOU HAVE TO FLY FROM A SMALL PROP PLANE FROM 448 00:29:09,914 --> 00:29:14,085 A SMALL AIRPORT. AND THE SECURITY AT THE AIRPORT, 449 00:29:14,152 --> 00:29:17,355 WE GET TO THAT AIRPORT, NOTHING. THEY ARE LIKE YOU GOOD. 450 00:29:17,422 --> 00:29:21,092 YEAH, I'M GOOD. SO WE ARE WAITING IN THE FLIGHTS 451 00:29:21,159 --> 00:29:24,129 AN HOUR LATE AND THEN THE GATE AGENT ACTUALLY GETS ON THE MIC 452 00:29:24,195 --> 00:29:27,031 AND GOES SO THE PLANE WILL BE HERE SOON AND WE'RE GOING TO TRY 453 00:29:27,098 --> 00:29:32,003 TO MAKE IT OVER TO THE ISLAND. >> SHE SAID THAT QULOWT LINE. 454 00:29:32,070 --> 00:29:36,307 WE'RE GOING TO TRY TO MAKE IT I SAID DID SHE JUST SAY WE'RE 455 00:29:36,374 --> 00:29:39,444 GOING TO TRY TO MAKE IT. AND SO WE'RE WAITING AND THE 456 00:29:39,511 --> 00:29:43,281 PLANE COMES AND UNLOADS AND WE GET ON THIS PLANE AND WE ARE ON 457 00:29:43,348 --> 00:29:46,284 THE PLANE AND THE PILOT GOES, IT DOESN'T LOOK GREAT. 458 00:29:46,351 --> 00:29:48,987 BUT WE'RE GOING TO TRY TO GET THROUGHOUT THE FOG BECAUSE 459 00:29:49,053 --> 00:29:50,588 APPARENTLY IF IS VERY FOGGY THIS TIME OF YEAR. 460 00:29:50,655 --> 00:29:54,092 I DIDN'T KNOW THAT. SO THE IDEA IS, HE SAYS WE WILL 461 00:29:54,159 --> 00:29:56,661 TAKE OFF AND IF WE CAN'T COME IN WE'LL JUST COME BACK. 462 00:29:56,728 --> 00:30:00,532 >> AND I WAS LIKE THAT IS TOO LONG TO BE ON A PROP PLANE, YOU 463 00:30:00,598 --> 00:30:03,201 HAVE EVER BEEN ON A PROP PLANE, YOU JUST ASSUME THEY ARE GOING 464 00:30:03,268 --> 00:30:06,771 TOO GO DOWN, WHY WON'T YOU, THERE IS ME AND 12 PEOPLE ON 465 00:30:06,838 --> 00:30:08,606 THIS PLANE, AND WE GET TO WHERE 466 00:30:08,673 --> 00:30:10,441 THIS PLANE, E ARE SUPPOSED TO LT 467 00:30:10,508 --> 00:30:17,081 SO WE GOES WE'RE GO GOING TO CIRCLE, 20 MINUTES OF CIRCLING, 468 00:30:17,148 --> 00:30:19,417 I SEE THE PILOT THERE IS NO DOOR, IT IS TOO MUCH 469 00:30:19,484 --> 00:30:20,818 INFORMATION. I DON'T KNOW ANYTHING ABOUT 470 00:30:20,885 --> 00:30:24,589 FLYING SO I SEE THE GUY REACH DOWN, REACHING UNDER HIS SEAT, 471 00:30:24,656 --> 00:30:28,426 HE IS GOING QUICK. AND I'M THINKING OH GOD, DO YOU WANT ME 472 00:30:28,493 --> 00:30:29,360 TO DO T IT SEEMS AWKWARD. 473 00:30:29,427 --> 00:30:32,597 TO D O ANYWAY HE SAYS I WILL CIE 474 00:30:32,664 --> 00:30:36,868 THIRD TIME AND I'M LIKE THIS IS CRAZEE. 475 00:30:36,935 --> 00:30:40,104 >> THEN WE FEEL THE PLANE START TO GO DOWN, AND THE GUY ON THE 476 00:30:40,171 --> 00:30:45,276 PLANE GOES, I THINK HE'S GOING FOR IT. 477 00:30:45,343 --> 00:30:48,446 >> AND WE'RE ALL LIKE, SEVMENT AND HE GOT UNDER THE CLOUDS AND 478 00:30:48,513 --> 00:30:51,849 HE LANDED THAT THING. I THOUGHT IT WAS HEROIC BUT 479 00:30:51,916 --> 00:30:53,418 APPARENTLY JUST ANOTHER DAY AT WORK FOR THAT GUY. 480 00:30:53,484 --> 00:30:59,090 >> James: MARC MARON, I WANT TO TALK TO YOU ABOUT THIS, A 481 00:30:59,157 --> 00:31:03,528 VERY FAMOUS PICTURE OF BIG E AND TUPAC, AND LOOK WHO IS HERE ON 482 00:31:03,595 --> 00:31:05,964 THE CORNER OF THIS PHOTO, YOU. >> THAT'S ME. 483 00:31:06,030 --> 00:31:08,733 >> James: TALK TO YOU ABOUT IN NIGHT, WHAT WAS IT LIKE? 484 00:31:08,800 --> 00:31:13,571 >> I HAD JUST DID ABOVE THE REALM WITH TUPAC AND HE HAD DONE 485 00:31:13,638 --> 00:31:19,310 A MOVIE JUICE WITH MY BEST FRIEND OMAR EPPS SO PAC WAS 486 00:31:19,377 --> 00:31:24,082 PERFORMING AT GLAND SLAM AND BIGGIE BIG E PERFORMING THAT 487 00:31:24,148 --> 00:31:27,352 NIGHT AND THEY SHARED THE STAGE AND IT WAS REALLY COOL AND 488 00:31:27,418 --> 00:31:29,287 HANGING OUT AND SMOKING WEED TOGETHER. 489 00:31:29,354 --> 00:31:32,323 IT WAS A GREAT NIGHT AND THEN A COUPLE OF YEARS AFTER THAT HE 490 00:31:32,390 --> 00:31:38,529 THEY START BEEFING, SO I SEEN BIG E, LIKE AT THE VIBE SHOW, I 491 00:31:38,596 --> 00:31:42,567 MEAN VIBE MAGAZINE PARTY AND HE WAS LIKE YO, I'M PROUD OF YOU 492 00:31:42,634 --> 00:31:47,805 GUYS, YOU'RE FAMILY. I LIKE WHAT Y'ALL ARE ARE DOING. 493 00:31:47,872 --> 00:31:50,942 LEGEND AND HE GAVE US DAF AND SAID KEEP DOING WHAT ARE YOU 494 00:31:51,009 --> 00:31:52,644 DOING, KID. AND THEN TEN MINUTES LATER I 495 00:31:52,710 --> 00:31:54,879 HEARD BOP BOP BOP. BIG E GETS SHOT. 496 00:31:54,946 --> 00:31:57,882 >> James: NO, NO. >> IT IS THE CRAZIEST THING, I 497 00:31:57,949 --> 00:32:02,353 SEE TUPAC IN VEGAS AT THE LUXOR AND IT WAS THE NIGHT IT HAPPEN 498 00:32:02,420 --> 00:32:06,024 TOED HIM, I SAW HIM 20 MINUTES BEFORE, WENT AND GAVE HIM A HUG, 499 00:32:06,090 --> 00:32:09,360 SAID I MET YOUR BROTHER, GOOD SEEING YOU, ME AND OMAR GOT IN 500 00:32:09,427 --> 00:32:12,397 THE CAB. PAC HAD ALL THOSE PEOPLE AROUND 501 00:32:12,463 --> 00:32:13,931 HIM. HE GOT IN HIS BMW AND WAS 502 00:32:13,998 --> 00:32:17,635 LOOKING AT US LIKE I WISH I COULD GET IN THAT CAB WITH Y'ALL 503 00:32:17,702 --> 00:32:20,805 BUT HE GOT IN THAT BMW. BOP BOP BOP. 504 00:32:20,872 --> 00:32:26,878 20 MINUTES LATER HE WAS SHOT, SO 20 MINUTES AFTER THIS 505 00:32:26,944 --> 00:32:29,947 INTERVIEW-- . >> James: IT DOESN'T 506 00:32:30,014 --> 00:32:32,350 APPLY-- TWNS DOESN'T APPLY TO WHITE GUYS, YOU'RE GOOD. 507 00:32:32,417 --> 00:32:34,085 >> James: THAT SAN INCREDIBLE STORY, OH MY GOD. 508 00:32:34,152 --> 00:32:38,423 >> ST CRAZY BECAUSE I'M SITTING THERE WATCHING BOTH OF THEM IN 509 00:32:38,489 --> 00:32:43,695 THE BACKGROUND OF THAT PICTURE AND I LOVED THEM BOTH, MISS THEM 510 00:32:43,761 --> 00:32:46,197 BOTH AND YEAH. >> James: WOW, ONE INCREDIBLE 511 00:32:46,264 --> 00:32:48,333 THING, THAT IS AMAZING. REGGIE, DO YOU HAVE A QUESTION 512 00:32:48,399 --> 00:32:51,402 FOR OUR GUEST THIS EVENING.p>> S QUESTION IS. 513 00:32:51,469 --> 00:32:55,440 >> I WILL BE PLAYING AT THE M.G.M. NATIONAL HALLBUTTER 514 00:32:55,506 --> 00:32:58,309 THEATER OCTOBER 159 IF THAT IS WHAT YOU ARE TRYING TO ASK. 515 00:32:58,376 --> 00:33:01,579 >> Reggie: THAT IS SO CRAZY, I WAS GOING TO ASK THAT, I 516 00:33:01,646 --> 00:33:05,983 SWITCHED IT. >> James: ARE YOU ALSO GOING 517 00:33:06,050 --> 00:33:10,688 TO ASK MARC WHERE HE IS PLAYING IN LONDON, RIGHT? 518 00:33:10,755 --> 00:33:20,631 >> NO IT IS SOLD OUT. >> James: THAT'S ABSOLUTELY 519 00:33:20,698 --> 00:33:21,499 CORRECT. PLEASE THANK OUR INCREDIBLE 520 00:33:21,566 --> 00:33:22,433 GUESTS, MARLON WAYANS AND MARC MARON! 521 00:33:22,500 --> 00:33:24,469 WE'LL BE RIGHT BACK WITH MUSIC FROM AMOS LEE! 522 00:33:41,285 --> 00:33:42,587 >> James: WELCOME BACK. HE'S A TALENTED 523 00:33:42,653 --> 00:33:45,189 SINGER-SONGWRITER AND MUSICIAN, WHO IS SET TO KICK OFF HIS U.S. 524 00:33:45,256 --> 00:33:46,991 TOUR ON OCTOBER 17. HERE PERFORMING "INVISIBLE 525 00:33:47,058 --> 00:33:49,327 OCEANS" FROM THE DELUXE EDITION OF HIS ALBUM, "DREAMLAND," 526 00:33:49,394 --> 00:33:51,295 WHICH IS OUT NOW, PLEASE WELCOME AMOS LEE! 527 00:33:51,362 --> 00:33:57,969 (CHEERS AND APPLAUSE) (MUSIC) 528 00:33:58,035 --> 00:34:01,339 IN INVISIBLE OCEANS, WE GET SO CARRIED AWAY 529 00:34:01,406 --> 00:34:06,711 SNOATS. ♪ 530 00:34:06,778 --> 00:34:11,048 ♪ AND SHE'S LYING THERE 531 00:34:11,115 --> 00:34:19,590 MOTIONLESS CORPSE-LIKE, IN A DAZE 532 00:34:19,657 --> 00:34:27,231 ♪ SINKING WAY DOWN 533 00:34:27,298 --> 00:34:29,967 ♪ CURLED UP LIKE A WAVE 534 00:34:30,034 --> 00:34:36,941 SHE CALLS MY NAME AND I GO TO HER 535 00:34:37,008 --> 00:34:39,610 ♪ AND WAIT UNTIL THE 536 00:34:39,677 --> 00:34:47,585 TIDE IS TURNED IT'S UNBEARABLE THAT I CAN'T 537 00:34:47,652 --> 00:34:54,091 LIFT THE WEIGHT ♪ 538 00:34:54,158 --> 00:35:04,902 OF HER WORLD AND I GUESS IT WAS DELUSIONAL 539 00:35:04,969 --> 00:35:11,375 TO THINK I EVER COULD ♪ 540 00:35:11,442 --> 00:35:21,519 SHE SAYS "YOU DON'T HAVE TO SAVE ME 541 00:35:21,586 --> 00:35:30,027 ♪ YOU DON'T HAVE TO SAY A WORD 542 00:35:30,094 --> 00:35:39,670 IN LOVE AND SILENCE I'LL RETURN" MMMM-MMMM 543 00:35:39,737 --> 00:35:54,619 MMMM-MMMM ♪ 544 00:35:54,685 --> 00:36:04,428 MMMM-MMMM ♪ 545 00:36:04,495 --> 00:36:12,670 NOW I'M LYING IN OUR DARK ROOM WITH THE WAVE GONE BACK TO SEA 546 00:36:12,737 --> 00:36:19,110 ♪ AND I'M STARING IN THE MIRROR 547 00:36:19,176 --> 00:36:27,418 WONDERING, HOW WRONG I COULD BE ♪ 548 00:36:27,485 --> 00:36:34,759 SINKING WAY DOWN SNROAT 549 00:36:34,825 --> 00:36:41,766 I WISH THAT SHE COULD SAVE WISH I HADN'T 550 00:36:41,832 --> 00:36:43,668 ♪ SAID A WORD 551 00:36:43,734 --> 00:36:50,107 IN SILENCE, OUR LOVE RETURNS ♪ 552 00:36:50,174 --> 00:36:59,784 IN WAVES LIKE WAVES 553 00:36:59,850 --> 00:37:02,653 ♪ LIKE WAVES 554 00:37:02,720 --> 00:37:17,602 LIKE WAVES ♪ 555 00:37:17,668 --> 00:37:20,137 LIKE WAVES ♪ 556 00:37:20,204 --> 00:37:30,214 IN INVISIBLE OCEANS WE GET SO CARRIED AWAY 557 00:37:30,281 --> 00:37:32,650 ♪ (CHEERS AND APPLAUSE) 558 00:37:46,564 --> 00:37:49,400 >> James: WELCOME BACK! WE'RE HERE WITH PEDRO AND HIS 559 00:37:49,467 --> 00:37:53,204 DATE, WELCOME BACK TO THE COUCH. NOW LOOK, WE'RE ALL DYING TO 560 00:37:53,270 --> 00:37:58,643 KNOW HOW IT WENT, OKAY. SO PEDRO S, YOU FELT LIKE IT 561 00:37:58,709 --> 00:38:01,479 WENT VERY WELL. >> I THINK SO. 562 00:38:01,545 --> 00:38:04,915 >> James: JARED. >> YEAH, I THOUGHT IT WENT 563 00:38:04,982 --> 00:38:07,151 GREAT, YEAH. >> James: OKAY, LOOK, WE HAVE 564 00:38:07,218 --> 00:38:09,654 JUST GOT ONE LAST QUESTION FOR YOU BOTH. 565 00:38:09,720 --> 00:38:11,589 HERE IS THE QUESTION. I WOULD LIKE YOU BOTH TO SAY YES 566 00:38:11,656 --> 00:38:16,827 OR NO, AT THE SAME TIME ON THE COUNT OF THREE, OKAY, WILL THERE 567 00:38:16,894 --> 00:38:24,835 BE A SECOND DATE. >> ONE, TWO, THREE. 568 00:38:24,902 --> 00:38:26,037 >> YES. >> YES. 569 00:38:26,103 --> 00:38:29,106 >> James: OH THERE WE ARE. LOVE IS IN THE AIR. 570 00:38:29,173 --> 00:38:33,310 I GIVE THANKS TO JARED, PEDRO. WE LOVE YOU, WE LOVE YOU VERY 571 00:38:33,377 --> 00:38:35,479 MUCH. WE'LL SEE YOU TOMORROW NIGHT. 572 00:38:35,546 --> 00:38:36,847 REGGIE, TAKE US HOME.