1 00:00:02,001 --> 00:00:05,939 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:06,005 --> 00:00:10,944 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY, BABY 3 00:00:11,010 --> 00:00:12,979 ♪ WHERE YOU COME FROM"Z IT'LL BE ALL RIGHT 4 00:00:13,046 --> 00:00:18,284 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: LADIES AND 5 00:00:18,351 --> 00:00:22,455 GENTLEMEN, ALL THE WAY FROM... 6 00:00:22,522 --> 00:00:25,392 INSIDE THE CRYPT KEEPERS' CRYPT ITSELF, GIVE IT UP FOR YOUR 7 00:00:25,458 --> 00:00:29,662 HOST, THE ONE, THE ONLY... JAMES CORDEN! 8 00:00:29,729 --> 00:00:35,635 [CHEERS AND APPLAUSE] >> James: THANK YOU VERY MUCH. 9 00:00:35,702 --> 00:00:40,106 I APPRECIATE YOU. 10 00:00:40,173 --> 00:00:40,573 THANKS, GUYS. 11 00:00:40,640 --> 00:00:41,408 YOU'RE VERY KIND. 12 00:00:41,474 --> 00:00:43,676 THANK YOU, VERY, VERY MUCH, EVERYBODY. 13 00:00:43,743 --> 00:00:45,145 CHEERS! 14 00:00:45,211 --> 00:00:48,348 HELLO, GOOD EVENING, AND WELCOME TO "THE LATE LATE SHOW." 15 00:00:48,415 --> 00:00:50,617 BLESS YOU FOR BEINGXr8Ñ HERE. 16 00:00:50,683 --> 00:00:51,584 THANKS FOR STOPPING BY. 17 00:00:51,651 --> 00:00:52,852 CHEERS, GUYS. 18 00:00:52,919 --> 00:00:55,989 LET'S TAKE A LOOK TO SEE WHO OUR GUESTS ARE ON THE SHOW TONIGHT. 19 00:00:56,055 --> 00:00:57,590 HE'S AN ACTOR, WRITER, AND COMEDIAN, WHO CAN CURRENTLY BE 20 00:00:57,657 --> 00:00:59,926 SEEN IN HIS BRILLIANT NETFLIX SPECIAL "LITTLE BIG BOY," AND 21 00:00:59,993 --> 00:01:01,928 THE FILM, "DON'T WORRY, DARLING." 22 00:01:01,995 --> 00:01:04,931 WHO ELSE COULD IT BE BUT THE SPECTACULAR NICK KROLL IS ON THE 23 00:01:04,998 --> 00:01:05,698 SHOW TONIGHT! 24 00:01:05,765 --> 00:01:09,068 [CHEERS AND APPLAUSE] THERE HE IS! 25 00:01:09,135 --> 00:01:10,003 HOW ARE YOU? 26 00:01:10,069 --> 00:01:12,439 >> GOOD, HOW ARE YOU? 27 00:01:12,505 --> 00:01:13,273 >> James: I'M VERY WELL. 28 00:01:13,339 --> 00:01:14,808 I LOVE YOU IN A LEMON. 29 00:01:14,874 --> 00:01:15,475 AND YOU KNEW THAT! 30 00:01:15,542 --> 00:01:16,309 >> I WORE JUST FOR YOU, JAMES. 31 00:01:16,376 --> 00:01:18,445 >> James: I LOVE YOU IN A LEMON. 32 00:01:18,511 --> 00:01:20,613 YOU'RE KIND OF MADE FOR PASTELS. 33 00:01:20,680 --> 00:01:21,381 >> FINALLY! 34 00:01:21,448 --> 00:01:24,150 SOMEONE IS SAYING IT ON NATIONAL 35 00:01:24,217 --> 00:01:25,185 TELEVISION. 36 00:01:25,251 --> 00:01:27,420 >> James: LADIES AND GENTLEMEN, WHAT A THRILL, NICK 37 00:01:27,487 --> 00:01:29,656 KROLL, EVERYBODY! 38 00:01:29,722 --> 00:01:31,624 [CHEERS AND APPLAUSE] AND SHE IS A GRAMMY-NOMINATED 39 00:01:31,691 --> 00:01:32,859 ROCK STAR WITH OVER 11 BILLION ONLINE STREAMS. 40 00:01:32,926 --> 00:01:34,627 HER NEW ALBUM IS CALLED "DANCE FEVER," AND LATER ON SHE'S GOING 41 00:01:34,694 --> 00:01:37,964 TO BE PERFORMING WITH HER BRILLIANT BAND, FLORENCE AND THE 42 00:01:38,031 --> 00:01:38,665 MACHINE. 43 00:01:38,731 --> 00:01:40,333 THE ENTRANCING FLORENCE WELCH IS 44 00:01:40,400 --> 00:01:41,267 ON THE SHOW TONIGHT! 45 00:01:41,334 --> 00:01:47,540 [CHEERS AND APPLAUSE] FLORENCE, HOW ARE YOU! 46 00:01:47,607 --> 00:01:48,141 >> I'M GLAD. 47 00:01:48,208 --> 00:01:49,108 >> James: ARE YOU GOOD? 48 00:01:49,175 --> 00:01:49,809 >> YES! 49 00:01:49,876 --> 00:01:52,078 HA-HA. 50 00:01:52,145 --> 00:01:52,779 NO, I AM GOOD. 51 00:01:52,846 --> 00:01:53,279 I AM GOOD. 52 00:01:53,346 --> 00:01:53,546 YEAH. 53 00:01:53,613 --> 00:01:53,847 YEAH. 54 00:01:53,913 --> 00:01:54,314 YEAH. 55 00:01:54,380 --> 00:01:54,914 >> James: YEAH. 56 00:01:54,981 --> 00:01:55,482 HOW'S IT ALL GOING? 57 00:01:55,548 --> 00:01:56,716 >> IT'S GOING WELL. 58 00:01:56,783 --> 00:01:58,751 >> James: IS IT? 59 00:01:58,818 --> 00:01:59,486 IS IT? 60 00:01:59,552 --> 00:02:00,920 >> YES! 61 00:02:00,987 --> 00:02:03,423 >> James: WHAT'S UP, BABE? 62 00:02:03,490 --> 00:02:04,724 >> I THINK I'M GOOD. 63 00:02:04,791 --> 00:02:07,460 >> James: GOT A LITTLE BIT OF THE OLD GIGGLES? 64 00:02:07,527 --> 00:02:08,161 THAT'S ALL RIGHT. 65 00:02:08,228 --> 00:02:10,530 WE LIKE THE GIGGLES AROUND HERE. 66 00:02:10,597 --> 00:02:13,867 >> I'M SORRY. 67 00:02:13,933 --> 00:02:16,903 [GIGGLING] >> James: ANYTHING I CAN DO TO 68 00:02:16,970 --> 00:02:17,203 HELP? 69 00:02:17,270 --> 00:02:20,540 >> NOPE. 70 00:02:20,607 --> 00:02:25,378 >> James: NOTHING AT ALL? 71 00:02:25,445 --> 00:02:28,214 [CHUCKLING] >> OK, BYE! 72 00:02:28,281 --> 00:02:29,582 >> James: FLORENCE WELCH, EVERYBOD! 73 00:02:29,649 --> 00:02:30,049 ARE YOU READY? 74 00:02:30,116 --> 00:02:31,951 THEN LET'S! 75 00:02:32,018 --> 00:02:35,021 I'M JAMES CORDEN AND THIS, THIS IS "THE LATE LATE SHOW." 76 00:02:35,088 --> 00:02:36,089 ROLL THE TITLES! 77 00:02:41,094 --> 00:02:44,664 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 78 00:02:44,731 --> 00:02:46,900 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 79 00:02:46,966 --> 00:02:58,344 ♪ IT'S THE LATE, LATE SHOW ♪ 80 00:02:58,411 --> 00:02:59,312 WHAT WAS THAT? 81 00:02:59,379 --> 00:03:00,313 WHAT HAPPENED THERE? 82 00:03:00,380 --> 00:03:00,780 WHAT HAPPENED? 83 00:03:00,847 --> 00:03:01,848 WHAT WAS THAT? 84 00:03:01,915 --> 00:03:03,483 WHAT WAS THAT? 85 00:03:03,550 --> 00:03:05,451 >> Ian: I'VE BEEN OUT SICK. 86 00:03:05,518 --> 00:03:08,688 >> James: HOLD SO, WE SHOULD TELL THE AUDIENCE. 87 00:03:08,755 --> 00:03:12,559 EVERY NIGHT WHEN I SAY "ROLL THE TITLES" WE HAVE A RITUAL. 88 00:03:12,625 --> 00:03:13,192 IAN MEETS ME HERE HALF WAY. 89 00:03:13,259 --> 00:03:14,761 WE HAVE A HIGH-FIVE. 90 00:03:14,827 --> 00:03:18,164 ME AND PETE DO SOME KIND OF WEIRD THING THAT JUST HAPPENED 91 00:03:18,231 --> 00:03:19,065 ORGANICALLY OVER THE COURSE OF TIME. 92 00:03:19,132 --> 00:03:23,703 THIS TIME, THE BIG CAT DON'T MOVE! 93 00:03:23,770 --> 00:03:24,671 [LAUGHTER] >> Ian: I WAS OUT SICK 94 00:03:24,737 --> 00:03:25,705 YESTERDAY. 95 00:03:25,772 --> 00:03:26,205 >> James: OK. 96 00:03:26,272 --> 00:03:28,575 IT'S FINE. 97 00:03:28,641 --> 00:03:29,809 NO ONE BELIEVES YOU WERE SICK. 98 00:03:29,876 --> 00:03:32,545 YOU DON'T HAVE TO GO ALONG WITH THIS WHOLE THING -- WE GET IT. 99 00:03:32,612 --> 00:03:36,516 IT WAS A DAY AFTER YOUR BIRTHDAY. 100 00:03:36,583 --> 00:03:36,983 YOU HAD A BIG RAGER. 101 00:03:37,050 --> 00:03:38,251 IT DOESN'T MATTER. 102 00:03:38,318 --> 00:03:40,720 I CAN'T STRESS ENOUGH, THERE IS NOT ONE PERSON WHO WORKS IN "THE 103 00:03:40,787 --> 00:03:43,690 LATE LATE SHOW" WHO THOUGHT FOR A SECOND YOU WERE SICK YESTE 104 00:03:43,756 --> 00:03:44,924 YESTERDAY. 105 00:03:44,991 --> 00:03:46,993 WE WERE LIKE, NO, NO, WE WERE -- >> Ian: I WAS ABSOLUTELY SICK 106 00:03:47,060 --> 00:03:48,294 YESTERDAY! 107 00:03:48,361 --> 00:03:49,596 >> James: IT'S COOL. 108 00:03:49,662 --> 00:03:50,330 IT'S COOL. 109 00:03:50,396 --> 00:03:51,798 IT'S COOL. 110 00:03:51,864 --> 00:03:54,000 LIKE WHEN WINNIE SMILES, WE DON'T THINK SHE'S ACTUALLY 111 00:03:54,067 --> 00:03:56,002 HAPPY. 112 00:03:56,069 --> 00:03:56,569 SHE'S JUST SMILING. 113 00:03:56,636 --> 00:03:57,737 YOU DO A SIMILAR THING. 114 00:03:57,804 --> 00:04:00,340 >> Ian: I WOULD JUST TAKE A DAY OFF IF I WANTED A DAY OFF. 115 00:04:00,406 --> 00:04:01,474 I WAS SICK. 116 00:04:01,541 --> 00:04:03,343 EVIDENCE OF THAT IS THE FACT I DIDN'T DO ANYTHING FOR MY 117 00:04:03,409 --> 00:04:05,545 BIRTHDAY. 118 00:04:05,612 --> 00:04:08,881 I FELL ASLEEP WATCHING "BRIGETTE JONES' DIARY." 119 00:04:08,948 --> 00:04:10,016 >> James: WHICH ONE? 120 00:04:10,083 --> 00:04:11,684 WHICH ONE? 121 00:04:11,751 --> 00:04:12,151 ONE? 122 00:04:12,218 --> 00:04:12,585 >> Ian: FIRST ONE. 123 00:04:12,652 --> 00:04:13,620 OH MY GOD. 124 00:04:13,686 --> 00:04:14,654 IT'S A MASTER CLASS. 125 00:04:14,721 --> 00:04:16,623 >> James: IT REALLY IS. 126 00:04:16,689 --> 00:04:18,458 BIRTH, GRANT, ZELLWEGER. 127 00:04:18,524 --> 00:04:20,727 >> Ian: BAM, THREE FOR THREE. 128 00:04:20,793 --> 00:04:22,528 >> James: THAT'S THE TRUTH OF IT. 129 00:04:22,595 --> 00:04:24,464 THAT'S THE TRUTH OF IT. 130 00:04:24,530 --> 00:04:27,667 >> Ian: GETTING BACK TO THAT I DIDN'T WANT TO SORT OF HIGH-FIVE 131 00:04:27,734 --> 00:04:29,969 YOU, PASS ON GERMS YOU WEREN'T, LIKE, GOING TO WELCOME OR 132 00:04:30,036 --> 00:04:33,473 ANYTHING LIKE THAT SO I JUST WAS GOING FOR THE AIR HIGH-FIVE. 133 00:04:33,539 --> 00:04:36,142 >> James: I WILL NOT TAKE AN AIR HIGH-FIVE. 134 00:04:36,209 --> 00:04:41,481 I DON'T EVEN KNOW WHAT AN AIR HIGH-FIVE IS.>c<%█ 135 00:04:41,547 --> 00:04:42,148 LIKE A BLUETOOTHED HIGH-FIVE. 136 00:04:42,215 --> 00:04:42,382 NO. 137 00:04:42,448 --> 00:04:42,849 NO. 138 00:04:42,915 --> 00:04:43,249 NO. 139 00:04:43,316 --> 00:04:43,850 I WON'T DO IT. 140 00:04:43,916 --> 00:04:45,652 I WON'T DO IT. 141 00:04:45,718 --> 00:04:48,454 WELL, WE'RE GLAD YOU'RE BACK FROM BEING "SICK." 142 00:04:48,521 --> 00:04:52,325 HEY, GOOD TO HAVE NICK KROLL HERE. 143 00:04:52,392 --> 00:04:53,459 >> Reggie: ABOUT TIME. 144 00:04:53,526 --> 00:04:56,029 >> James: I LOVE IT EVERY TIME NICK KROLL IS ON THE SHOW. 145 00:04:56,095 --> 00:04:58,665 HIS STAND-UP SPECIAL IS http://upload.youtube.com/closek 146 00:04:58,731 --> 00:04:59,932 ABSOLUTELY BRILLIANT. 147 00:04:59,999 --> 00:05:03,536 THE SHOW "BIG MOUTH" WHICH HE'S HERE TO TALK ABOUT IS ALL ABOUT 148 00:05:03,603 --> 00:05:04,537 PUBERTY. 149 00:05:04,604 --> 00:05:08,207 DO YOU REMEMBER HAVING "THE TALK" ABOUT PUBERTY? 150 00:05:08,274 --> 00:05:10,510 >> Reggie: PUBE TALK. 151 00:05:10,576 --> 00:05:12,945 I DON'T THINK MY MOM REALLY SAID MUCH. 152 00:05:13,012 --> 00:05:17,517 MY DAD TRIED, BUT I THINK THE BEST HE COULD DO WAS LIKE, "WHEN 153 00:05:17,583 --> 00:05:20,386 YOU GET UP IN THE MORNING, YOU GOTTA -- YOU GET A BONER. 154 00:05:20,453 --> 00:05:24,957 [LAUGHTER] THAT WAS IT. 155 00:05:25,024 --> 00:05:30,663 >> James: I THINK THAT'S MORE THAN MY -- THE THING OF THE 156 00:05:30,730 --> 00:05:33,399 TALK, I DON'T REMEMBER MY PARENTS -- CAN I BE HONEST? 157 00:05:33,466 --> 00:05:35,234 I DON'T REMEMBER MY PARENTS ACTUALLY TALKING TO ME. 158 00:05:35,301 --> 00:05:35,902 LIKE AN ACTUAL TALK. 159 00:05:35,968 --> 00:05:37,370 LIKE, A TALK. 160 00:05:37,437 --> 00:05:38,871 I DON'T REMEMBER ANYTHING. 161 00:05:38,938 --> 00:05:42,475 THEY WERE EITHER SCREAMING AT ME FOR MY BEHAVIOR IN SCHOOL OR 162 00:05:42,542 --> 00:05:45,278 JUST, WE WERE ALL SITTING IN SILENCE WATCHING THE TV. 163 00:05:45,344 --> 00:05:47,113 [LAUGHTER] DID YOU GET "THE TALK?" 164 00:05:47,180 --> 00:05:52,351 >> >> Ian: IAN I DIDN'T GET A 165 00:05:52,418 --> 00:05:53,052 TALK. 166 00:05:53,119 --> 00:05:55,021 I GOT A BOOK SLID UNDER MY DOOR. 167 00:05:55,088 --> 00:05:59,092 IT HAD CARTOON NAKED ADULTS IN IT WHICH IS -- IT FEELS LIKE THE 168 00:05:59,158 --> 00:06:02,261 WRONG THING TO GIVE TO SOMEONE AT ANY AGE. 169 00:06:02,328 --> 00:06:08,367 THEY'RE LIKE, "IF YOU HAVE ANY QUESTIONS, A LOT OF PEOPLE HAVE 170 00:06:08,434 --> 00:06:09,502 QUESTIONS." 171 00:06:09,569 --> 00:06:13,039 >> James: WELL, LOOK, WE CAN CHITCHAT ALL NIGHT LONG, WE 172 00:06:13,106 --> 00:06:21,581 COULD, BUT WE SHA N 'BECAUSE IT'S TIME FOR THE NEWS. 173 00:06:21,647 --> 00:06:22,882 >> James: PRESIDENT BIDEN AND FELLOW G-7 LEADERS HELD AN 174 00:06:22,949 --> 00:06:24,250 EMERGENCY VIRTUAL SUMMIT THIS MORNING. 175 00:06:24,317 --> 00:06:25,718 THE GROUP MET TO DISCUSS RUSSIA'S LATEST STRIKES AND 176 00:06:25,785 --> 00:06:26,953 REITERATE THE GROUP'S QUOTE "UNDETERRED SUPPORT" FOR 177 00:06:27,019 --> 00:06:30,590 UKRAINE. 178 00:06:30,656 --> 00:06:32,358 I ALREADY MESSED ALL OF THIS [BLEEP] UP. 179 00:06:32,425 --> 00:06:33,926 LET'S DO IT AGAIN. 180 00:06:33,993 --> 00:06:42,769 [CHEERS AND APPLAUSE] YOU DON'T HAVE TO SAY IT THAT 181 00:06:42,835 --> 00:06:46,105 FAST. 182 00:06:46,172 --> 00:06:51,477 TIM, YOU KNOW -- TIM, LIKE, YOU KNOW YOU DON'T HAVE TO -- YOU 183 00:06:51,544 --> 00:06:54,647 DON'T HAVE TO -- NO, YOU DON'T HAVE TO -- NO, IT DOESN'T HELP 184 00:06:54,714 --> 00:07:00,553 ANYONE TO JUST GO. 185 00:07:00,620 --> 00:07:03,322 [BLUBBERING] SO, LIKE -- LIKE -- IF I SAY IT 186 00:07:03,389 --> 00:07:06,492 QUICK ENOUGH, THEY WON'T HAVE HEARD ME SAY IT. 187 00:07:06,559 --> 00:07:11,397 CAN YOU JUST SAY, "HEY, JAMES, HOPE ALL IS GOOD WITH YOU, 188 00:07:11,464 --> 00:07:12,365 BUDDY. 189 00:07:12,431 --> 00:07:15,067 LET'S PICK IT UP FROM THE NEWS JINGLE." 190 00:07:15,134 --> 00:07:16,202 YOU KNOW? 191 00:07:16,269 --> 00:07:21,073 THERE'S NO NEED FOR US TO BE SO ABRUPT WITH EACH OTHER. 192 00:07:21,140 --> 00:07:24,811 >> Tim: GO. 193 00:07:24,877 --> 00:07:30,349 >> James: THAT IN ITSELF WAS TOO QUICK. 194 00:07:30,416 --> 00:07:32,218 >> Tim: HEY, JAMES. 195 00:07:32,285 --> 00:07:34,187 HEY... JAMES. 196 00:07:34,253 --> 00:07:35,488 HOW YOU DOING? 197 00:07:35,555 --> 00:07:41,227 >> James: I'M GOOD, TIM, HOW ARE YOU DOING? 198 00:07:41,294 --> 00:07:41,994 >> Tim: GOOD. 199 00:07:42,061 --> 00:07:44,130 LET'S PICK IT UP FROM THE JINGLE. 200 00:07:44,197 --> 00:07:45,331 >> James: LET'S PICK IT UP FROM THE JINGLE. 201 00:07:45,398 --> 00:07:45,932 WE'LL DO. 202 00:07:45,998 --> 00:07:48,201 IT'S TIME FOR "THE NEWS." 203 00:07:48,267 --> 00:07:51,337 PRESIDENT BIDEN AND FELLOW G-7 LEADERS HELD AN 204 00:07:51,404 --> 00:07:52,405 EMERGENCY VIRTUAL SUMMIT THIS MORNING. 205 00:07:52,471 --> 00:07:53,606 THE GROUP MET TO DISCUSS RUSSIA'S LATEST STRIKES AND 206 00:07:53,673 --> 00:07:55,174 REITERATE THE GROUP'S QUOTE "UNDETERRED SUPPORT" FOR 207 00:07:55,241 --> 00:07:56,709 UKRAINE. 208 00:07:56,776 --> 00:08:01,914 THEY ALSO HAD A QUICK DEBRIEF ON THE "BAKE-OFF'S" MEXICAN WEEK. 209 00:08:01,981 --> 00:08:04,350 [LAUGHTER] BUT, SINCE MOST OF THE ATTENDEES 210 00:08:04,417 --> 00:08:05,718 WERE ON ZOOM, IT WAS DISCUSSED LIKE THIS-- 211 00:08:05,785 --> 00:08:07,920 "I THINK WE SHOULD-- OH, NO, YOU GO." 212 00:08:07,987 --> 00:08:13,559 http://upload.youtube.com/closek "NO, I'M SORRY, YOU GO." 213 00:08:13,626 --> 00:08:15,361 A VIRTUAL MEETING OF WORLD LEADERS. 214 00:08:15,428 --> 00:08:18,464 HERE'S FRENCH PRESIDENT EMMANUEL MACRON THIS MORNING, LOGGING 215 00:08:18,531 --> 00:08:21,067 INTO THE MEETING FROM WHAT APPEARS TO BE THE BUSINESS 216 00:08:21,133 --> 00:08:28,507 CENTER OF A HOLIDAY INN EXPRES [LAUGHTER] 217 00:08:28,574 --> 00:08:30,343 IN OTHER NEWS, A GROUP OF PRO-RUSSIAN HACKERS HAVE NOW 218 00:08:30,409 --> 00:08:31,978 CLAIMED RESPONSIBILITY FOR TAKING DOWN U.S. AIRPORT 219 00:08:32,044 --> 00:08:33,179 WEBSITES YESTERDAY. 220 00:08:33,246 --> 00:08:34,480 THE OUTAGE IMPACTED MULTIPLE AIRPORTS ACROSS THE COUNTRY AND 221 00:08:34,547 --> 00:08:37,216 LASTED FOR SEVERAL HOURS. 222 00:08:37,283 --> 00:08:43,923 AND, IN AN EVEN MORE RUTHLESS STEP, THE HACKERS ALLOWED 223 00:08:43,990 --> 00:08:48,461 SPIRIT AIRLINES TO DO BUSINESS AS USUAL. 224 00:08:48,527 --> 00:08:53,065 [LAUGHTER] [CHEERS AND APPLAUSE] 225 00:08:53,132 --> 00:08:56,769 THE WEBSITES WERE HACKED, MEANING, IF YOU HAD A FLIGHT 226 00:08:56,836 --> 00:08:59,305 FROM ANY OF THOSE AIRPORTS-- WELL, NOTHING CHANGED. 227 00:08:59,372 --> 00:09:02,375 I MEAN, WHO'S EVER LIKE, "WE SHOULD CHECK THE AIRPORT 228 00:09:02,441 --> 00:09:05,378 WEBSITE." 229 00:09:05,444 --> 00:09:07,947 [LAUGHTER] LISTEN, I DON'T WANT TO GIVE 230 00:09:08,014 --> 00:09:09,682 PRO-RUSSIAN HACKERS ANY IDEAS, BUT I'M NOT SURE YOU BRING THIS 231 00:09:09,749 --> 00:09:13,619 COUNTRY TO ITS KNEES BY DISRUPTING AIRPORT WEBSITES. 232 00:09:13,686 --> 00:09:14,687 [LAUGHTER] YOU BRING THIS COUNTRY TO ITS 233 00:09:14,754 --> 00:09:18,624 KNEES BY DISRUPTING FOOD DELIVERY AND PORN WEBSITES. 234 00:09:18,691 --> 00:09:22,828 [LAUGHTER] 235 00:09:22,895 --> 00:09:24,063 THAT WAS TOO QUICK. 236 00:09:24,130 --> 00:09:27,400 THAT WAS TOO -- TOO -- THAT IS TOO -- THAT WAS -- THAT WAS WAY 237 00:09:27,466 --> 00:09:29,235 TOO QUICK TO CLAP THAT JOKE. 238 00:09:29,302 --> 00:09:33,506 [LAUGHTER] I'M SORRY, THAT WAS EXTREMELY -- 239 00:09:33,572 --> 00:09:36,042 YOU HEARD PORN WEBSITES AND YOU WERE LIKE, YEAH! 240 00:09:36,108 --> 00:09:38,978 [APPLAUSE] THAT'S -- HAVE YOU HEARD ABOUT 241 00:09:39,045 --> 00:09:50,356 THIS NEW FEATURE ON T -- ON THEI PHONE 14 THAT SENSES YOU'RE IN A 242 00:09:50,423 --> 00:09:56,862 CAR CRASH AND CALLED 911 FOR YOU. 243 00:09:56,929 --> 00:09:58,497 WELL, THERE HAVE BEEN MULTIPLE REPORTS OF THE PHONE CALLING 244 00:09:58,564 --> 00:09:59,432 911 WHEN PEOPLE ARE RIDING ROLLER COASTERS. 245 00:09:59,498 --> 00:10:00,633 IT'S NOT IDEAL. 246 00:10:00,700 --> 00:10:02,335 BUT IT'S A SMALL PRICE TO PAY FOR A SLIGHTLY BETTER CAMERA. 247 00:10:02,401 --> 00:10:04,904 I LIKE THAT EVEN THE iPHONE 14 IS LIKE, "YEAH, WE NEED TO 248 00:10:04,971 --> 00:10:07,707 CONTACT THE AUTHORITIES IF YOU'RE AN ADULT AT AN AMUSEMENT 249 00:10:07,773 --> 00:10:10,076 PARK." 250 00:10:10,142 --> 00:10:16,215 [LAUGHTER] AND FINALLY, THIS IS A WILD 251 00:10:16,282 --> 00:10:17,850 STORY. 252 00:10:17,917 --> 00:10:18,985 NO, THIS IS WILD. 253 00:10:19,051 --> 00:10:20,686 AN INMATE SERVING TIME IN GEORGIA ALLEGEDLY IMPERSONATED 254 00:10:20,753 --> 00:10:24,957 THE BILLIONAIRE C.E.O. OF AN L.A. ENTERTAINMENT COMPANY. 255 00:10:25,024 --> 00:10:28,461 HE THEN, OVER THE PHONE, CONVINCED CUSTOMER SERVICE AT 256 00:10:28,527 --> 00:10:32,298 THE BILLIONAIRE'S INVESTMENT FIRM TO WIRE HIM MILLIONS OF 257 00:10:32,365 --> 00:10:36,602 DOLLARS, WHICH HE THEN USED TO BUY 6,000 GOLD COINS. 258 00:10:36,669 --> 00:10:40,773 THEN, HE GOT A PRIVATE JET TO FLY THOSE GOLD COINS TO ATLANTA, 259 00:10:40,840 --> 00:10:43,909 WHERE HE USED A PORTION OF THEM TO BUY A $4 MILLION HOUSE. 260 00:10:43,976 --> 00:10:45,711 AND HE DID ALL OF THIS FROM HIS 261 00:10:45,778 --> 00:10:50,416 PRISON CELL! 262 00:10:50,483 --> 00:10:56,055 I MEAN, I KNOW WHEN YOU'RE INCARCERATED IT'S IMPORTANT TO 263 00:10:56,122 --> 00:11:01,093 STAY BUSY BUT -- I MEAN, HOPEFULLY HE ALSO MADE MONEY 264 00:11:01,160 --> 00:11:02,261 AS A FINANCIAL ADVISOR TO THE OTHER INMATES. 265 00:11:02,328 --> 00:11:04,130 "YOUR PORTFOLIO IS STRONG WHEN IT COMES TO CIGARETTES, BUT 266 00:11:04,196 --> 00:11:10,336 LET'S DIVERSIFY WITH SOME INSTANT RAMEN, MAYBE SOME 267 00:11:10,403 --> 00:11:12,705 TOILET WINE." 268 00:11:12,772 --> 00:11:15,141 [LAUGHTER] THIS COULD END UP BEING A HUGE 269 00:11:15,207 --> 00:11:16,308 WIN FOR HIM. 270 00:11:16,375 --> 00:11:17,643 SUCCESSFULLY IMPERSONATING A BILLIONAIRE IS ONE OF THE BEST 271 00:11:17,710 --> 00:11:21,047 WAYS TO BECOME PRESIDENT. 272 00:11:21,113 --> 00:11:23,949 [LAUGHTER] AND THAT'S THE NEWS! 273 00:11:24,016 --> 00:11:26,018 WE'LL BE RIGHT BACK, EVERYBODY! 274 00:11:43,035 --> 00:11:44,970 >> James: WELCOME BACK, LET'S MEET OUR GUESTS TONIGHT! 275 00:11:45,037 --> 00:11:46,572 HER ALBUM IS CALLED "DANCE FEVER!" 276 00:11:46,639 --> 00:11:47,540 PLEASE WELCOME FLORENCE WELCH! 277 00:11:47,606 --> 00:11:51,777 [CHEERS AND APPLAUSE] >> Reggie: IT'S FLORENCE 278 00:11:51,844 --> 00:11:53,846 WELCH! 279 00:12:00,986 --> 00:12:02,922 >> James: HE'S THE STAR AND CO-CREATOR OF "BIG MOUTH," IT'S 280 00:12:02,988 --> 00:12:05,024 NICK KROLL. 281 00:12:05,091 --> 00:12:07,093 [CHEERS AND APPLAUSE] >> Reggie: IT'S NICK KROLL! 282 00:12:14,333 --> 00:12:16,335 [CHEERS AND APPLAUSE] >> James: HOW ARE YOU? 283 00:12:27,012 --> 00:12:27,947 THANK YOU SO MUCH FOR BEING HERE. 284 00:12:28,013 --> 00:12:29,682 THANK YOU FOR FINDING THE TIME. 285 00:12:29,748 --> 00:12:30,983 FLORENCE, WE'RE SO HAPPY YOU'RE HERE. 286 00:12:31,050 --> 00:12:32,184 YOU'VE BEEN VERY BUSY. 287 00:12:32,251 --> 00:12:37,256 YOUR NORTH AMERICAN TOUR ENDS THIS WEEKEND AT THE HOLLYWOOD 288 00:12:37,323 --> 00:12:37,957 BOWL -- [CHEERING] 289 00:12:38,023 --> 00:12:40,392 YOU'VE HAD -- FANS HAVE BEEN 290 00:12:40,459 --> 00:12:43,963 GIVING YOU QUITE UNUSUAL GIFTS DURING SHOWS. 291 00:12:44,029 --> 00:12:45,331 WHAT ARE WE TALKING ABOUT? 292 00:12:45,397 --> 00:12:46,999 >> I KNOW. 293 00:12:47,066 --> 00:12:48,367 THAT'S SO SWEET. 294 00:12:48,434 --> 00:12:53,839 SOMEONE GAVE ME A SEVERED HAND. 295 00:12:53,906 --> 00:12:54,874 >> James: A SEVERED HAND? 296 00:12:54,940 --> 00:12:55,841 A REAL SEVERED HAND? 297 00:12:55,908 --> 00:12:56,709 >> IT WASN'T REAL, NO. 298 00:12:56,775 --> 00:12:58,344 >> James: OH. 299 00:12:58,410 --> 00:12:59,278 >> NO, IT WASN'T REAL. 300 00:12:59,345 --> 00:13:02,681 I MEAN, THAT WOULD BE VERY DIFFERENT ENERGY. 301 00:13:02,748 --> 00:13:03,616 IT WAS FAKE, YEAH. 302 00:13:03,682 --> 00:13:05,251 >> I WOULD LIKE THE HAND BACK AT SOME POINT. 303 00:13:05,317 --> 00:13:06,385 >> James: YEAH. 304 00:13:06,452 --> 00:13:09,288 FOR WHAT REASON WOULD SOMEBODY GIVE YOU A SEVERED HAND? 305 00:13:09,355 --> 00:13:12,691 >> I -- I JUST -- I LOVE THE PEOPLE THAT COME TO OUR SHOWS, 306 00:13:12,758 --> 00:13:18,164 BECAUSE THEY REALLY, LIKE, THE WHOLE ALBUM HAS A KIND OF FOLK 307 00:13:18,230 --> 00:13:20,499 HORROR FAIRY-TALE ELEMENT TO IT, AND THEY REALLY HAVE JUST GONE 308 00:13:20,566 --> 00:13:21,734 ALL IN. 309 00:13:21,800 --> 00:13:24,670 LIKE, PEOPLE SOME COME TO THE SHOWS JUST TO SEE THE CROWD NOW. 310 00:13:24,737 --> 00:13:25,905 IT'S INCREDIBLE. 311 00:13:25,971 --> 00:13:31,010 LIKE, THE OUTFITS THAT THEY COME IN -- IT'S KIND OF LIKE DANCE 312 00:13:31,076 --> 00:13:31,510 FEVER COMIC-CON. 313 00:13:31,577 --> 00:13:33,379 >> James: OH. 314 00:13:33,445 --> 00:13:35,981 >> YEAH, IT'S -- IT'S INCREDIBLE. 315 00:13:36,048 --> 00:13:37,783 >> James: OK, I KNOW YOU'RE VERY HAPPY TO BE ON THIS 316 00:13:37,850 --> 00:13:38,918 PARTICULAR SHOW. 317 00:13:38,984 --> 00:13:43,088 NOW, YOU'RE A BIG FAN OF FLORENCE AND THAT THEIR MACHINE 318 00:13:43,155 --> 00:13:43,389 OF HERS? 319 00:13:43,455 --> 00:13:44,557 >> YES! 320 00:13:44,623 --> 00:13:49,528 I'M A BIG FAN AND MY WIFE INTRODUCED ME TO YOUR MUSIC, MY 321 00:13:49,595 --> 00:13:54,300 WIFE, LILLY, AND, UM, THIS IS SORT OF A WEIRD STORY BUT DURING 322 00:13:54,366 --> 00:13:57,536 THE LOCKDOWN, I WAS ABOUT TO GO START SHOOTING A NEW SHOW CALLED 323 00:13:57,603 --> 00:14:01,674 "HISTORY OF THE WORLD PART 2" AND MY WIFE WAS LIKE THE DAY 324 00:14:01,740 --> 00:14:03,676 http://upload.youtube.com/closek BEFORE WE STARTED SHOOTING IS 325 00:14:03,742 --> 00:14:08,681 LIKE MAYBE TAKE A DANCE CLASS WITH ME TO GET YOU PUMPED UP AND 326 00:14:08,747 --> 00:14:09,882 GET READY AND MOVE YOUR BODY. 327 00:14:09,949 --> 00:14:14,687 THERE'S AN AMAZING CHOREOGRAPHER NAMED RYAN. 328 00:14:14,753 --> 00:14:15,921 WE WENT TO TAKE HIS CLASS. 329 00:14:15,988 --> 00:14:20,659 IT WAS ME, TWO OTHER GUYS AND LIKE 45 WOMEN, AND THE SONG THAT 330 00:14:20,726 --> 00:14:25,030 HE CHOSE WAS A SONG CALLED "KING" BY FLORENCE AND THE 331 00:14:25,097 --> 00:14:27,499 MACHINE -- >> James: YES! 332 00:14:27,566 --> 00:14:30,970 THAT'S THE SONG YOU'RE GOING TO PERFORM LATER IN THE SHOW. 333 00:14:31,036 --> 00:14:31,537 AMAZING. 334 00:14:31,604 --> 00:14:32,605 YES. 335 00:14:32,671 --> 00:14:34,406 >> SO WE DID A LITTLE CHOREOGRAPHY AND LEARNED THAT, 336 00:14:34,473 --> 00:14:36,508 AND IT WAS VERY INSPIRING. 337 00:14:36,575 --> 00:14:37,476 >> James: DO YOU REMEMBER ANY OF THESE MOVES? 338 00:14:37,543 --> 00:14:44,216 >> UM -- [CHEERING] 339 00:14:44,283 --> 00:14:45,517 >> James: LET'S BRING OUT THE TRACK. 340 00:14:45,584 --> 00:14:46,919 LET'S BRING OUT THE TRACK. 341 00:14:46,986 --> 00:14:49,822 JUST TAKE YOURSELF RIGHT OUT THERE. 342 00:14:49,888 --> 00:14:50,789 LET'S -- >> OK. 343 00:14:50,856 --> 00:14:52,925 ALL RIGHT. 344 00:14:52,992 --> 00:15:07,873 [CHEERING] ♪ 345 00:15:07,940 --> 00:15:11,277 [CHEERING] ♪ 346 00:15:14,380 --> 00:15:16,649 >> James: YES! 347 00:15:16,715 --> 00:15:21,053 WOW! 348 00:15:21,120 --> 00:15:21,620 [CHEERING] WOW. 349 00:15:21,687 --> 00:15:21,954 WOW. 350 00:15:22,021 --> 00:15:22,721 WOW. 351 00:15:22,788 --> 00:15:23,322 >> THAT WAS GOOD? 352 00:15:23,389 --> 00:15:25,557 >> THAT WAS VERY GOOD. 353 00:15:25,624 --> 00:15:26,825 >> James: ACTUAL CHILLS. 354 00:15:26,892 --> 00:15:27,526 ACTUAL CHILLS. 355 00:15:27,593 --> 00:15:28,227 THAT WAS ABSOLUTELY INCREDIBLE. 356 00:15:28,294 --> 00:15:29,228 >> THANK YOU. 357 00:15:29,295 --> 00:15:30,462 THANK YOU. 358 00:15:30,529 --> 00:15:32,698 IT WAS -- >> James: I DON'T KNOW IF I 359 00:15:32,765 --> 00:15:35,701 WOULD CALL IT DANCING BUT IT WAS 360 00:15:35,768 --> 00:15:36,068 GOOD. 361 00:15:36,135 --> 00:15:36,435 I LIKED IT. 362 00:15:36,502 --> 00:15:37,336 I LIKED IT. 363 00:15:37,403 --> 00:15:37,736 I LIKED IT. 364 00:15:37,803 --> 00:15:38,070 >> THANK YOU. 365 00:15:38,137 --> 00:15:38,871 THANK YOU. 366 00:15:38,937 --> 00:15:41,440 THANK YOU TO RYAN MORE THAN ANYBODY. 367 00:15:41,507 --> 00:15:43,309 >> James: FLORENCE, YOU AND THE BAND, YOU OBVIOUSLY ARE ON 368 00:15:43,375 --> 00:15:44,943 THIS BIG TOUR AT THE MOMENT. 369 00:15:45,010 --> 00:15:47,713 YOU'VE BECOME OBSESSED WITH SOMETHING I WOULD SAY IS THE 370 00:15:47,780 --> 00:15:48,881 EPITOME OF ROCK-N-ROLL. 371 00:15:48,947 --> 00:15:53,052 TALK TO ME ABOUT WHAT THE OBSESSION IS ON THIS PARTICULAR 372 00:15:53,118 --> 00:15:55,521 LEG OF THE TOUR? 373 00:15:55,587 --> 00:16:00,826 >> WE'RE INTO PERFUME. 374 00:16:00,893 --> 00:16:01,960 >> James: YOU'RE INTO PERFUME? 375 00:16:02,027 --> 00:16:02,728 >> YES. 376 00:16:02,795 --> 00:16:03,095 YES. 377 00:16:03,162 --> 00:16:03,929 YES. 378 00:16:03,996 --> 00:16:05,964 IN TIMES GONE BY, WE WOULD BE AT BARS. 379 00:16:06,031 --> 00:16:11,904 NOW WE KIND OF GO TO FRAGRANCE BARS. 380 00:16:11,970 --> 00:16:13,305 WE'RE A VERY GOOD SMELLING BAND NOW. 381 00:16:13,372 --> 00:16:17,176 REALLY LAUREN, MY DRUMMER, WELL, THAT WAS ACTUALLY THE TECHNICAL 382 00:16:17,242 --> 00:16:19,812 TERM IS FRAG HERD. 383 00:16:19,878 --> 00:16:23,449 IT' LIKE BEING A FRAGRANCE GROUPIE. 384 00:16:23,515 --> 00:16:25,451 WE'RE A FRAGRANCE GROUPIE. 385 00:16:25,517 --> 00:16:27,319 WE'RE FRAG HERDS. 386 00:16:27,386 --> 00:16:30,923 WHENEVER WE'RE TRAVELING AND TOURING, WE'LL FIND THE NICHE 387 00:16:30,989 --> 00:16:32,925 BETTER TO HAVE LITTLE BAGS OF PERFUME THAN LITTLE BAGS OF 388 00:16:32,991 --> 00:16:38,931 VODKA IN YOUR BAG. 389 00:16:38,997 --> 00:16:41,934 >> YOU CAN DRINK THE PERFUME. 390 00:16:42,000 --> 00:16:43,435 >> James: THAT WOULD BE WORSE THAN THE VODKA. 391 00:16:43,502 --> 00:16:44,069 I WOULDN'T DO THAT. 392 00:16:44,136 --> 00:16:45,404 LET'S TALK ABOUT THIS, NICK. 393 00:16:45,471 --> 00:16:48,941 YOU'RE ONE OF THE STARS OF THE BRILLIANT FILM -- 394 00:16:49,007 --> 00:16:55,681 >> THE TOUR IS OVER AND NOW YOU ARE TELLING HER SHE CAN DRINK 395 00:16:55,748 --> 00:16:57,182 http://upload.youtube.com/closek THE PERFUME. 396 00:16:57,249 --> 00:16:57,983 >> YOUR BREATH SMELLS GREAT. 397 00:16:58,050 --> 00:16:58,584 >> James: NOW IT'S JUST THE MACHINE. 398 00:16:58,650 --> 00:16:59,852 THAT'S WHO WE'LL SEE. 399 00:16:59,918 --> 00:17:04,223 NICK, LET'S TALK ABOUT THIS, YOU'RE ONE OF THE STARS OF THE 400 00:17:04,289 --> 00:17:06,492 GREAT FILM "DON'T WORRY DARLING." 401 00:17:06,558 --> 00:17:11,163 I IMAGINE TAKING A MOVIE LIKE THAT TO VENICE MIGHT HAVE BEEN 402 00:17:11,230 --> 00:17:11,930 QUITE AN INCREDIBLE EXPERIENCE. 403 00:17:11,997 --> 00:17:12,865 DID YOU ENJOY IT? 404 00:17:12,931 --> 00:17:14,299 DID YOU ENJOY THE FESTIVAL? 405 00:17:14,366 --> 00:17:14,900 >> I DID. 406 00:17:14,967 --> 00:17:16,268 I HAVE A BLAST. 407 00:17:16,335 --> 00:17:17,302 I LOVE VENICE. 408 00:17:17,369 --> 00:17:20,239 I LIKE HOW THE ITALIANS SAY, "DON'T WORRY DARLING!" 409 00:17:20,305 --> 00:17:21,073 AND IT WAS REALLY FUN. 410 00:17:21,140 --> 00:17:22,708 I HAD A GREAT TIME. 411 00:17:22,775 --> 00:17:28,013 IT WAS -- YOU KNOW, IT'S A MASSIVE FESTIVAL, AND, YOU KNOW, 412 00:17:28,080 --> 00:17:30,315 YOU'RE ENTERING INTO THE -- YOU KNOW, WE ALL DROVE IN THESE CARS 413 00:17:30,382 --> 00:17:33,118 TO GET TO THE RED CARPET, AND IT'S JUST SORT OF THIS INTENSE 414 00:17:33,185 --> 00:17:34,286 EXPERIENCE. 415 00:17:34,353 --> 00:17:40,959 EVERYBODY IS WAITING TO SEE, UM, HARRY STYLES, AND, UM, AND 416 00:17:41,026 --> 00:17:47,132 OLIVIA AND FLORENCE AND CHRIS PINE AND GEMMA, IT'S QUITE A 417 00:17:47,199 --> 00:17:48,167 CAST, BUT IT WAS VERY FUN. 418 00:17:48,233 --> 00:17:51,703 >> James: YOU ACTUALLY SENT A VIDEO FROM FLORENCE. 419 00:17:51,770 --> 00:17:53,105 SET US WHAT WE'RE ABOUT TO SEE. 420 00:17:53,172 --> 00:17:54,339 WHAT IS THIS TAKE? 421 00:17:54,406 --> 00:17:56,074 >> WHEN YOU'RE DRIVING UP TO THE RED CARPET, IN THIS PARTICULAR 422 00:17:56,141 --> 00:18:00,612 CASE, THERE ARE THOUSANDS OF PEOPLE, LIKE, LINING UP TO GET A 423 00:18:00,679 --> 00:18:02,314 GLIMPSE OF, IN THIS CASE LIKE, OUR INCREDIBLE CAST. 424 00:18:02,381 --> 00:18:13,759 THEY WERE NOT NECESSARILY TRYING TO GET A GLIMPSE OF LITTLE NICKY 425 00:18:13,826 --> 00:18:17,062 KROLL BUT IT WAS FUN NONETHELESS SO I FILMED SOME OF IT. 426 00:18:17,129 --> 00:18:18,430 >> James: HAVE A LOOK AT THIS. 427 00:18:18,497 --> 00:18:20,199 >> WE'RE SORT OF -- >> HI! 428 00:18:20,265 --> 00:18:21,667 http://upload.youtube.com/closek >> HELLO. 429 00:18:21,733 --> 00:18:21,934 HELLO. 430 00:18:22,000 --> 00:18:22,468 >> HI. 431 00:18:22,534 --> 00:18:22,901 HI. 432 00:18:22,968 --> 00:18:23,235 HI. 433 00:18:23,302 --> 00:18:24,236 >> HELLO. 434 00:18:24,303 --> 00:18:28,273 YEAH. 435 00:18:28,340 --> 00:18:29,508 THE FACES OF QUIET DISAPPOINTMENT. 436 00:18:29,575 --> 00:18:32,611 >> James: HA-HA-HA! 437 00:18:32,678 --> 00:18:33,479 >> YEAH. 438 00:18:33,545 --> 00:18:34,079 YEAH. 439 00:18:34,146 --> 00:18:35,113 YEAH. 440 00:18:35,180 --> 00:18:37,549 >> James: NOW, FLORENCE, OBVIOUSLY HARRY IS IN THAT 441 00:18:37,616 --> 00:18:38,450 MOVIE. 442 00:18:38,517 --> 00:18:42,588 HUGE, HUGE MUSICIAN, NOW ACTING IN FILMS. 443 00:18:42,654 --> 00:18:44,523 YOU'VE ALWAYS BEEN OBSESSED WITH MUSICALS. 444 00:18:44,590 --> 00:18:47,693 DO YOU THINK THERE'S EVER A WAY WE WOULD SEE YOU IN A MUSICAL? 445 00:18:47,759 --> 00:18:49,194 A LIVE ACTION MUSICAL OR ON FILM? 446 00:18:49,261 --> 00:18:50,429 WOULD YOU EVER DO THIS? 447 00:18:50,496 --> 00:18:58,237 >> I MEAN, A TOUR KIND OF FEELS LIKE A MUSICAL BUT IT'S LIKE A 448 00:18:58,303 --> 00:19:02,741 MUSICAL EVERY NIGHT OR IT'S LIKE A MUSICAL ABOUT MENTAL HEALTH 449 00:19:02,808 --> 00:19:04,910 THAT I'M THE STAR. 450 00:19:04,977 --> 00:19:06,044 HA-HA. 451 00:19:06,111 --> 00:19:09,047 AND EVERYBODY HAS TO COME AND HEAR ABOUT IT EVERY NIGHT. 452 00:19:09,114 --> 00:19:13,652 SO, YEAH, IT FEELS SO THEATRICAL WHAT WE'RE DOING BUT WHEN I WAS 453 00:19:13,719 --> 00:19:17,055 FIRST -- WHEN I FIRST STARTED SINGING WHEN I WAS A KID, THAT'S 454 00:19:17,122 --> 00:19:19,691 WHAT I WANTED TO BE IN MUSICALS. 455 00:19:19,758 --> 00:19:22,394 MUSICAL FILMS OR -- UM, AND I THINK -- I DON'T KNOW, THE ROCKY 456 00:19:22,461 --> 00:19:24,730 HORROR PICTURE SHOW, THE LITTLE MERMAID, THE COMBINATION OF 457 00:19:24,796 --> 00:19:27,900 THOSE TWO THINGS SEEMS LIKE -- >> THAT'S WHERE YOU ARE? 458 00:19:27,966 --> 00:19:29,101 >> THIS IS WHAT ENDED UP. 459 00:19:29,167 --> 00:19:36,408 >> James: YOU'RE RIGHT, YES.-ñ AERIAL'S HAIR AND ROCKY HORROR 460 00:19:36,475 --> 00:19:37,142 PICTURE SHOW VIBE. 461 00:19:37,209 --> 00:19:37,543 I LOVE IT. 462 00:19:37,609 --> 00:19:38,377 I LOVE IT. 463 00:19:38,443 --> 00:19:43,248 NOW, LET'S TALK ABOUT "BIG 464 00:19:43,315 --> 00:19:43,916 MOUTH." 465 00:19:43,982 --> 00:19:44,683 EVERY SEASON HAS A NEW THEME. 466 00:19:44,750 --> 00:19:47,352 WHAT'S GOING ON THIS TIME AROUND? 467 00:19:47,419 --> 00:19:49,421 >> THIS SEASON "BIG MOUTH" AS VIN DIESEL WOULD SAY, IT'S ALL 468 00:19:49,488 --> 00:19:51,256 ABOUT FAMILY. 469 00:19:51,323 --> 00:19:53,392 COULDN'T DO IT HE'S GOT MILK VOICE. 470 00:19:53,458 --> 00:19:54,526 I CAN'T DO IT. 471 00:19:54,593 --> 00:19:58,564 BUT IT'S A GREAT -- IT'S A SEASON ABOUT EVERYBODY DEALING 472 00:19:58,630 --> 00:19:59,731 WITH THEIR FAMILIES. 473 00:19:59,798 --> 00:20:04,770 WE'VE GOT INCREDIBLE GUEST STARS IN ADDITIO TO OUR REGULAR 474 00:20:04,836 --> 00:20:05,837 CASTS. 475 00:20:05,904 --> 00:20:11,310 JEFF GOLDBLUM, TYLER THE CREA CREATOR, ALI WONG. 476 00:20:11,376 --> 00:20:13,312 IT'S AN INCREDIBLE GROUP OF PEOPLE. 477 00:20:13,378 --> 00:20:14,546 IT'S A VERY SPECIAL SEASON. 478 00:20:14,613 --> 00:20:19,952 >> James: LET'S TAKE A LOOK AT A CLIP FROM THE SIXTH SEASON OF 479 00:20:20,018 --> 00:20:22,154 "BIG MOUTH," WHICH PREMIERES OCTOBER 28 ON NETFLIX. 480 00:20:22,220 --> 00:20:25,624 >> MY FRIENDS WERE SIMPLY TOO HOT. 481 00:20:25,691 --> 00:20:26,491 >> OBJECTION, THEY'RE SUPPOSED TO BE HOT. 482 00:20:26,558 --> 00:20:30,362 IT'S RIGHT IN THE NAME GIANT THAT H -- 483 00:20:30,429 --> 00:20:31,597 >> NOT THAT HOT. 484 00:20:31,663 --> 00:20:34,099 >> WHERE WERE YOUR PARENTS WHEN THIS HORRIBLE INJURY OCCURRED? 485 00:20:34,166 --> 00:20:38,070 >> WELL, I HAVE NO DAD, AND MY MOM IS BOTH A GROUPIE AND A 486 00:20:38,136 --> 00:20:41,873 WORKAHOLIC, SO SHE WAS ON THE ROAD AS PER USUAL. 487 00:20:41,940 --> 00:20:44,876 HER PAROLE OFFICER RODNEY RUSHED ME TO THE MOUTH HOSPITAL BUT LET 488 00:20:44,943 --> 00:20:50,983 THE RECORD SHOW THAT RODNEY'S CAR ABSOLUTELY STUNK. 489 00:20:51,049 --> 00:20:51,984 >> THAT'S MY BAD, YOUR HONOR. 490 00:20:52,050 --> 00:20:55,487 >> A SQUIRREL PASSED AWAY IN MY TRUNK. 491 00:20:55,554 --> 00:20:56,688 >> James: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 492 00:20:56,755 --> 00:20:58,757 BACK. 493 00:21:16,008 --> 00:21:16,942 >> James: WELCOME BACK. 494 00:21:17,009 --> 00:21:19,978 WE'RE HERE WITH FLORENCE WELCH AND NICK KROLL. 495 00:21:20,045 --> 00:21:24,583 NOW, FLORENCE, LET'S TALK ABOUT THIS UTTERLY, UTTERLY BRILLIANT 496 00:21:24,650 --> 00:21:26,885 ALBUM "DANCE FEVER" WHICH IS OUT RIGHT NOW. 497 00:21:26,952 --> 00:21:27,786 I LOVE THIS RECORD. 498 00:21:27,853 --> 00:21:28,186 I LOVE IT. 499 00:21:28,253 --> 00:21:29,421 IT'S SO GOOD. 500 00:21:29,488 --> 00:21:33,191 NOW, I HEAR HORROR MOVIES WERE QUITE A BIG INSPIRATION FOR WHEN 501 00:21:33,258 --> 00:21:34,660 YOU WERE MAKING THIS ALBUM. 502 00:21:34,726 --> 00:21:35,027 HOW SO? 503 00:21:35,093 --> 00:21:36,294 IN WHAT WAY? 504 00:21:36,361 --> 00:21:40,932 >> I'VE NEVER ACTUALLY BEEN -- I WOULDN'T GO TO SEE HORROR MOVIES 505 00:21:40,999 --> 00:21:41,700 FOR YEARS. 506 00:21:41,767 --> 00:21:44,903 IT IS SCARY ENOUGH INSIDE MY HEAD. 507 00:21:44,970 --> 00:21:48,073 I DON'T NEED TO BE SCARED RECREATIONALLY. 508 00:21:48,140 --> 00:21:52,244 LIKE, MY FACE LINE SORT OF EMOTION IS JUST TERROR. 509 00:21:52,310 --> 00:21:56,515 SO I DON'T NEED TO GO BE SCARED FOR FUN. 510 00:21:56,581 --> 00:22:01,386 BUT THEN ACTUALY, YOU KNOW, IN THE LOCKDOWNS, I -- WHEN I WAS 511 00:22:01,453 --> 00:22:06,458 TRYING TO WATCH THINGS, IF I WATCH A ROM COM WERE PEOPLE WERE 512 00:22:06,525 --> 00:22:09,461 OUT AND TOUCHING AND EATING AT RESTAURANTS, I'M LIKE THAT! 513 00:22:09,528 --> 00:22:10,095 THAT! 514 00:22:10,162 --> 00:22:11,830 IT FELT LIKE A LOST WORLD. 515 00:22:11,897 --> 00:22:16,435 IT FELT TOO DISTRESSING TO WATCH THOSE AND ACTUALLY HORROR WAS 516 00:22:16,501 --> 00:22:19,971 INCREDIBLY SOOTHING SO I WATCHED ALL THE HORROR FILMS I NEVER HAD 517 00:22:20,038 --> 00:22:21,573 SEEN "THE SHINING." 518 00:22:21,640 --> 00:22:28,647 I DON'T LIKE SLASHERS BUT THE ONESbOk 519 00:22:28,714 --> 00:22:34,753 KIND OF -- I JUST REALLY -- THE BEAUTY OF IT AS A GENRE REALLY, 520 00:22:34,820 --> 00:22:36,722 I WATCHED THEM ALL. 521 00:22:36,788 --> 00:22:38,356 >> James: I NEVER THOUGHT OF ABOUT THAT. 522 00:22:38,423 --> 00:22:40,092 DURING COVID IF YOU WATCHED 523 00:22:40,158 --> 00:22:43,028 STUFF LIKE THAT YOU ARE GOING, "WELL T COULD BE WORSE." 524 00:22:43,095 --> 00:22:44,963 >> YOU HAVE TO FIND PERSPECTIVE. 525 00:22:45,030 --> 00:22:47,265 >> James: I LOVE THAT THE ALBUM IS GREAT. 526 00:22:47,332 --> 00:22:51,570 I FEEL IT'LL GO ON AND GET BIGGER AND BIGGER AND BIGGER AS 527 00:22:51,636 --> 00:22:54,005 IS NICK KROLL'S INCREDIBLE STAND-UP SPECIAL "LITTLE BIG 528 00:22:54,072 --> 00:22:54,740 BOY." 529 00:22:54,806 --> 00:22:55,507 I LOVE THIS SPECIAL. 530 00:22:55,574 --> 00:22:56,308 IT'S SO FUNNY. 531 00:22:56,374 --> 00:22:59,311 IT'S SO GOOD.#G;C$@&C >> THANK YOU. 532 00:22:59,377 --> 00:23:00,078 >> James: AND LOOK AT THIS. 533 00:23:00,145 --> 00:23:00,912 LOOK AT THIS GUY IN THE BIG TIME. 534 00:23:00,979 --> 00:23:04,316 YOU MADE IT. 535 00:23:04,382 --> 00:23:05,083 TIMES SQUARE ON THE BILLBOARD! 536 00:23:05,150 --> 00:23:08,186 >> THAT'S TIMES SQUARE. 537 00:23:08,253 --> 00:23:09,387 >> James: THIS MUST HAVE BEEN AN INCREDIBLY EXCITING MOMENT 538 00:23:09,454 --> 00:23:09,855 FOR YOU. 539 00:23:09,921 --> 00:23:11,123 >> IT WAS. 540 00:23:11,189 --> 00:23:15,227 I WENT WITH MY ASSISTANT AND SHE WENT TO TAKE A PICTURE OF ME IN 541 00:23:15,293 --> 00:23:16,728 FRONT OF MY BILLBOARD. 542 00:23:16,795 --> 00:23:18,597 YOU'RE IN TIMES SQUARE AND IT'S VERY EXCITING. 543 00:23:18,663 --> 00:23:23,335 THEN YOU GO TO TIMES SQUARE AND YOU REALIZE THERE'S A DRUNK 544 00:23:23,401 --> 00:23:26,838 IRONMAN AND NAKED COWBOY. 545 00:23:26,905 --> 00:23:28,173 I WALK PAST THEM. 546 00:23:28,240 --> 00:23:33,078 I DIDN'T REALIZE NETFLIX DOESN'T TELL YOU IT'S A DIGITAL 547 00:23:33,145 --> 00:23:34,279 BILLBOARD. 548 00:23:34,346 --> 00:23:36,448 IT'S NOT ONLY YOUR PROGRAMMING BUT THE 75 OTHER THINGS COMING 549 00:23:36,515 --> 00:23:40,886 OUT THAT WAY I WAS WAITING FOR LIKE 10 MINUTES THROUGH LIKE 550 00:23:40,952 --> 00:23:44,489 BRIDGERTON 2 AND EVERYTHING ELSE AND THEN FINALLY MY BILLBOARD 551 00:23:44,556 --> 00:23:47,626 CAME UP AND I TOOK A PICTURE AND THEN SOME GUY CAME UP TO ME AND 552 00:23:47,692 --> 00:23:52,430 IS LIKE "OH, ARE YOU THE GUY -- IS THAT YOU IN THE SPECIAL?" 553 00:23:52,497 --> 00:24:01,673 I GO, "YEAH!" "DO YOU MIND IF I TAKE A 554 00:24:01,740 --> 00:24:03,141 http://upload.youtube.com/closek PICTURE?" 555 00:24:03,208 --> 00:24:05,410 THEN HE TAKES A PICTURE WITH THE NAKED IRONMAN. 556 00:24:05,477 --> 00:24:07,379 >> James: REGGIE, DO YOU HAVE ANY QUESTIONS FOR OUR GUESTS 557 00:24:07,445 --> 00:24:08,180 THIS EVENING? 558 00:24:08,246 --> 00:24:09,314 >> Reggie: YES! 559 00:24:09,381 --> 00:24:13,785 AS YOU MAY OR MAY NOT KNOW, A LOT OF YARN ETS DISCARDED 560 00:24:13,852 --> 00:24:20,792 THROUGHOUT THE YEAR FOR VARIOUS FORMS OF THREAD IN ALL KINDS OF 561 00:24:20,859 --> 00:24:21,193 SIZES. 562 00:24:21,259 --> 00:24:22,260 >> OF COURSE. 563 00:24:22,327 --> 00:24:26,131 >> Reggie: SO, UM, KNOWING THAT THERE ARE THINGS LIKE 564 00:24:26,198 --> 00:24:29,334 NEEDLE POINT, KNITTING AND EMBROIDERY. 565 00:24:29,401 --> 00:24:30,468 >> UH-HUH. 566 00:24:30,535 --> 00:24:33,905 >> Reggie: GIVEN AS MANY RESOURCES AS YOU COULD BE GIVEN 567 00:24:33,972 --> 00:24:37,008 TO CREATE WHATEVER YOU WANTED TO CREATE USING ANY OF THOSE THREE 568 00:24:37,075 --> 00:24:42,781 TECHNIQUES, WHAT TYPE OF AN OBJECT WOULD YOU MAKE FROM THOSE 569 00:24:42,848 --> 00:24:45,383 DISCARDED MATERIALS, AGAIN, USING ANY OF THOSE TECHNIQUES? 570 00:24:45,450 --> 00:24:46,484 >> UH-HUH. 571 00:24:46,551 --> 00:24:47,652 >> PROBABLY THIS. 572 00:24:47,719 --> 00:24:48,186 >> YEAH. 573 00:24:48,253 --> 00:24:49,688 >> Reggie: OK. 574 00:24:49,754 --> 00:24:52,324 >> UM, FOR ME -- I THINK YOU'VE DONE IT. 575 00:24:52,390 --> 00:25:07,272 AND I -- FOR ME, IT WOULD PROBABLY BE A McLEMORE MACR 576 00:25:07,339 --> 00:25:10,909 AND I -- FOR ME, IT WOULD PROBABLY BE A McLEMORE MACR 577 00:25:10,976 --> 00:25:11,977 AMAE. 578 00:25:12,043 --> 00:25:14,512 >> Reggie: THAT'S CORRECT BUT NICK IS ULTRA CORRECT. 579 00:25:14,579 --> 00:25:15,847 >> James: IT'S ULTRA CORRECT. 580 00:25:15,914 --> 00:25:20,986 PLEASE THANK OUR WONDERFUL GUESTS, NICK KROLL AND FLORENCE 581 00:25:21,052 --> 00:25:22,120 WELCH. 582 00:25:22,187 --> 00:25:23,722 FLORENCE AND THE MACHINE ARE GOING TO PERFORM RIGHT AFTER 583 00:25:44,009 --> 00:25:46,378 >> James: WELCOME BACK! 584 00:25:46,444 --> 00:25:47,946 NOW, HERE ON "THE LATE LATE 585 00:25:48,013 --> 00:25:49,547 SHOW" WE HAVE THE MOST INCREDIBLE GRAPHICS DEPARTMENT. 586 00:25:49,614 --> 00:25:52,684 OK, NOW I'VE REALIZED THAT USING THEIR SKILLS, I CAN SEE 587 00:25:52,751 --> 00:25:54,486 LITERALLY ANYTHING. 588 00:25:54,552 --> 00:25:55,720 ANYTHING AT ALL. 589 00:25:55,787 --> 00:25:58,690 SO I THOUGHT I WOULD LET THEM GO HOG WILD AND PUT TOGETHER SOME 590 00:25:58,757 --> 00:26:09,501 THINGS THAT I MIGHT OTHERWISE NEVER GET TO SEE. 591 00:26:09,567 --> 00:26:10,502 THIS IS "JAMES WANNA SEE IT." 592 00:26:10,568 --> 00:26:13,238 ♪ ♪ ♪ [CHEERS AND APPLAUSE] 593 00:26:13,305 --> 00:26:16,241 THEY CAME TO ME AT THE TOP OF THE HALLWAY AND SAID, "WHAT DO 594 00:26:16,308 --> 00:26:19,978 YOU WANT TO SEE?" I SAID, I WANT TO SEE A WHEEL. 595 00:26:20,045 --> 00:26:21,613 THEY SAID, WHAT? 596 00:26:21,680 --> 00:26:32,257 I SAID, I WANT TO SEE A WHEEL OF WHAT I WANNA SEE. 597 00:26:32,324 --> 00:26:35,193 THEN I SAID, "I WANNA SEE A WHEEL OF WHAT I WANNA SEE." 598 00:26:35,260 --> 00:26:38,697 THEY SAID "DONE." 599 00:26:38,763 --> 00:26:39,431 AND THERE IT IS. 600 00:26:39,497 --> 00:26:39,798 LOOK. 601 00:26:39,864 --> 00:26:40,832 RIGHT THERE. 602 00:26:40,899 --> 00:26:42,867 [CHEERS AND APPLAUSE] SO THIS HERE IS THE WHEEL O' 603 00:26:42,934 --> 00:26:46,838 "WANNA SEE. 604 00:26:46,905 --> 00:26:48,907 ON IT, THERE ARE OPTIONS OF THINGS THAT JAMES MIGHT WANNA 605 00:26:48,974 --> 00:26:56,081 SEE -- NOT WHAT THE BAND MIGHT WANNA SEE. 606 00:26:56,147 --> 00:26:59,150 NOT WHAT PETE OR SCOTTY WANNA SEE. 607 00:26:59,217 --> 00:27:04,389 NOT WHAT IAN WANNA SEE. 608 00:27:04,456 --> 00:27:10,028 ZOOM IN ON THAT. 609 00:27:10,095 --> 00:27:15,367 J-A-M-E-S WANNA SEE! 610 00:27:15,433 --> 00:27:21,106 WHAT'S THAT SPELL? 611 00:27:21,172 --> 00:27:21,873 >> audience: JAMES WANNA SEE. 612 00:27:21,940 --> 00:27:24,242 >> James: ANYONE HERE CALLED JAMES? 613 00:27:24,309 --> 00:27:25,110 SIR, THEN LEAVE, OK? 614 00:27:25,176 --> 00:27:29,881 [LAUGHTER] I NEED YOU TO LEAVE OR ACCEPT 615 00:27:29,948 --> 00:27:33,985 FOR THE NEXT HOWEVER LONG THIS SEGMENT GOES, WHEN I TALK ABOUT 616 00:27:34,052 --> 00:27:37,856 JAMES WANTING TO SEE T YOU COULD NOT BE LESS RELEVANT, OK? 617 00:27:37,922 --> 00:27:39,924 ALL RIGHT, LET'S GIVE IT A SPIN 618 00:27:39,991 --> 00:27:41,993 AND SEE IF JAMES WANNA SEE IT. 619 00:27:50,602 --> 00:27:52,837 GORDON RAMSAY YELLING AT THE WORLD'S LARGEST POTATO. 620 00:27:52,904 --> 00:27:55,473 DO YOU WANNA SEE IT? 621 00:27:55,540 --> 00:27:57,742 WHY WOULD YOU ANSWER THAT? 622 00:27:57,809 --> 00:28:02,180 IT'S GOT NOTHING TOJe HAS LITERALLY -- DON'T PUT THE 623 00:28:02,247 --> 00:28:03,114 MICROPHONE NEAR HIM. 624 00:28:03,181 --> 00:28:07,385 WHY WOULD YOU GO NEAR HIM? 625 00:28:07,452 --> 00:28:10,488 IT'S NOTHING TO DO WITH ANY -- LET'S GO ACK TO THE TOP OF THE 626 00:28:10,555 --> 00:28:13,024 BIT SO YOU -- GO BACK. 627 00:28:13,091 --> 00:28:27,372 KEEP GOING.a SO, THE STAFF AT THE "THE LATE 628 00:28:27,439 --> 00:28:36,314 LATE SHOW" SAID WHAT DO YOU WANT TO SEE? 629 00:28:36,381 --> 00:28:38,216 THEN I SAID, "I WANNA SEE A WHEEL OF WHAT I WANNA SEE." 630 00:28:38,283 --> 00:28:39,084 THEY SAID "DONE." 631 00:28:39,150 --> 00:28:48,293 SO THIS HERE IS THE WHEEL O' "WANNA SEE. 632 00:28:48,359 --> 00:28:49,360 IS ANYONE HERE CALLED JAMES? 633 00:28:49,427 --> 00:28:52,297 IS ANYONE HERE IN THE AUDIENCE CALLED JAMES? 634 00:28:52,363 --> 00:28:56,134 SIR, I NEED YOU TO UNDERSTAND THAT FOR THE NEXT HOWEVER LONG 635 00:28:56,201 --> 00:28:59,537 THIS SEGMENT GOES, IT'S IRRELEVANT THAT YOU'RE CALLED 636 00:28:59,604 --> 00:29:00,738 JAMES, ALL RIGHT. 637 00:29:00,805 --> 00:29:06,311 SO LET'S GIVE IT A SPIN AND SEE WHAT IT LANDS ON AND SEE IF 638 00:29:06,377 --> 00:29:08,880 JAMES WANNA SEE IT. 639 00:29:08,947 --> 00:29:10,849 OK. 640 00:29:10,915 --> 00:29:15,386 [LAUGHTER] DO YOU WANNA SEE IT? 641 00:29:15,453 --> 00:29:16,354 OH MY GOD! 642 00:29:16,421 --> 00:29:17,489 OH MY GOD! 643 00:29:17,555 --> 00:29:24,796 HOW ARE YOU SO BAD AT THIS? 644 00:29:24,863 --> 00:29:26,231 RIGHT. 645 00:29:26,297 --> 00:29:33,538 [LAUGHTER] OK. 646 00:29:33,605 --> 00:29:37,609 [LAUGHTER] GORDON RAMSAY YELLING AT THE 647 00:29:37,675 --> 00:29:39,677 WORLD'S LARGEST POTATO. 648 00:29:43,982 --> 00:29:45,984 DOES JAMES WANNA SEE IT? 649 00:30:00,999 --> 00:30:02,500 I DON'T WANNA SEE IT. 650 00:30:02,567 --> 00:30:09,908 LET'S GIVE IT ANOTHER. 651 00:30:09,974 --> 00:30:13,611 HELEN MIRRAN UNHINGING HER JAW 652 00:30:13,678 --> 00:30:16,047 LIKE A SNAKE TO EAT A GIANT SUB SANDWICH. 653 00:30:16,114 --> 00:30:19,951 TOU WANNA SEE IT -- DO YOU WANNA SEE IT? 654 00:30:20,018 --> 00:30:21,719 DO YOU WANNA SEE IT? 655 00:30:21,786 --> 00:30:23,922 DO YOU WANNA SEE IT? 656 00:30:23,988 --> 00:30:25,623 >> I'M SCARED TO ANSWER. 657 00:30:25,690 --> 00:30:26,691 >> James: HA-HA. 658 00:30:26,758 --> 00:30:28,426 >> IT'S NOTHING TO DO WITH ME. 659 00:30:28,493 --> 00:30:32,797 >> James: YOU'RE ABSOLUTELY RIGHT! 660 00:30:32,864 --> 00:30:33,498 YES! 661 00:30:33,565 --> 00:30:37,402 YES! 662 00:30:37,468 --> 00:30:40,672 ACTUALLY MADE ME QUITE EMOTIONAL. 663 00:30:40,738 --> 00:30:41,606 OK. 664 00:30:41,673 --> 00:30:53,818 THE QUESTION IS... DOES JAMES WANNA SEE IT? 665 00:30:53,885 --> 00:31:02,794 [SUSPENSEFUL SOUNDS] a2█ 666 00:31:05,396 --> 00:31:07,398 JAMES WANNA SEE IT! 667 00:31:20,411 --> 00:31:25,783 JABBA THE HUT WITH DAK SHEPPARD'S FACE. 668 00:31:25,850 --> 00:31:29,254 DOES JAMES WANNA SEE IT? 669 00:31:29,320 --> 00:31:31,322 [SUSPENSEFUL SOUNDS] 670 00:31:52,644 --> 00:31:53,111 NO. 671 00:31:53,177 --> 00:31:54,979 I DON'T WANNA SEE IT. 672 00:32:34,018 --> 00:32:36,954 [LAUGHTER] GORDON RAMSAY YELLING AT THE 673 00:32:37,021 --> 00:32:40,558 WORLD'S LARGEST POTATO. 674 00:32:40,625 --> 00:32:42,694 I ACTUALLY THINK I'M HAVING A BREAKDOWN. 675 00:32:42,760 --> 00:32:44,762 [LAUGHTER] 676 00:33:02,880 --> 00:33:08,653 DOES JAMES WANNA SEE IT? 677 00:33:08,720 --> 00:33:10,722 [SUSPENSEFUL SOUNDS] 678 00:33:28,873 --> 00:33:30,608 JAMES WANNA SEE IT! 679 00:33:30,675 --> 00:33:34,679 [CHEERS AND APPLAUSE] WE'LL BE RIGHT BACK. 680 00:33:58,536 --> 00:33:59,704 >> James: HERE PERFORMING "KING" FROM THEIR BRILLIANT 681 00:33:59,771 --> 00:34:03,908 ALBUM, "DANCE FEVER," WHICH IS OUT NOW, PLEASE WELCOME FLORENCE 682 00:34:03,975 --> 00:34:04,442 & THE MACHINE! 683 00:34:04,509 --> 00:34:11,115 [CHEERS AND APPLAUSE] 684 00:34:15,420 --> 00:34:16,888 ♪ WE ARGUE IN THE KITCHEN ABOUT WHETHER TO HAVE CHILDREN 685 00:34:16,954 --> 00:34:20,992 ♪ ABOUT THE WORLD ENDING, AND THE SCALE OF MY AMBITION 686 00:34:21,058 --> 00:34:24,629 ♪ AND HOW MUCH IS ART REALLY WORTH 687 00:34:24,695 --> 00:34:29,434 ♪ THE VERY THING YOU'RE BEST AT IS THE THING THAT HURTS THE MOST 688 00:34:29,500 --> 00:34:31,736 ♪ BUT YOU NEED YOUR ROTTEN HEART 689 00:34:31,803 --> 00:34:34,205 ♪ YOUR DAZZLING PAIN LIKE DIAMOND RINGS 690 00:34:34,272 --> 00:34:38,309 ♪ YOU NEED TO GO TO WAR TO FIND MATERIAL TO SING 691 00:34:38,376 --> 00:34:42,447 ♪ I AM NO MOTHER I AM NO BRIDE 692 00:34:42,513 --> 00:34:49,253 ♪ I AM KING I NEED MY GOLDEN CROWN 693 00:34:49,320 --> 00:34:52,557 ♪ OF SORROW MY BLOODY SWORD TO SWING 694 00:34:52,623 --> 00:34:56,627 ♪ MY EMPTY HALLS TO ECHO WITH GRAND SELF-MYTHOLOGY 695 00:34:56,694 --> 00:35:00,865 ♪ I AM NO MOTHER I AM NO BRIDE 696 00:35:00,932 --> 00:35:07,605 ♪ I AM KING I AM NO MOTHER 697 00:35:07,672 --> 00:35:14,946 ♪ I AM NO BRIDE I AM KING 698 00:35:15,012 --> 00:35:18,816 ♪ BUT A WOMAN IS A CHANGELING ALWAYS SHIFTING SHAPE 699 00:35:18,883 --> 00:35:21,552 ♪ JUST WHEN YOU THINK YOU HAVE IT FIGURED OUT 700 00:35:21,619 --> 00:35:25,923 ♪ SOMETHING NEW BEGINS TO TAKE 701 00:35:25,990 --> 00:35:28,526 WHAT STRANGE CLAWS ARE THESE ♪ SCRATCHINé 702 00:35:28,593 --> 00:35:33,164 I NEVER KNEW MY KILLER ♪ WOULD BE COMING FROM WITHIN 703 00:35:33,231 --> 00:35:37,034 I AM NO MOTHER ♪ I AM NO BRIDE 704 00:35:37,101 --> 00:35:43,941 I AM KING ♪ I AM NO MOTHER 705 00:35:44,008 --> 00:35:51,015 I AM NO BRIDE ♪ I AM KING 706 00:35:51,082 --> 00:35:56,254 I NEED MY GOLDEN CROWN OF SORROW ♪ MY BLOODY SWORD TO SWING 707 00:35:56,320 --> 00:35:59,724 I NEED MY EMPTY HALLS TO ECHO ♪ WITH GRAND SELF-MYTHOLOGY 708 00:35:59,790 --> 00:36:04,195 'CAUSE I AM NO MOTHER ♪ I AM NO BRIDE 709 00:36:04,262 --> 00:36:10,935 I AM KING ♪ I AM NO MOTHER 710 00:36:11,002 --> 00:36:17,975 I AM NO BRIDE ♪ I AM KING 711 00:36:18,042 --> 00:36:21,913 I AM NO MOTHER ♪ I AM NO BRIDE 712 00:36:21,979 --> 00:36:29,720 I AM KINGKW █ ♪ I AM NO MOTHER 713 00:36:29,787 --> 00:36:33,157 I AM NO BRIDE ♪ I AM KING 714 00:36:33,224 --> 00:36:43,034 ♪ ♪ ♪ ♪ OHHH 715 00:36:43,100 --> 00:36:57,982 OHHH-OHHH-OHHH ♪ OHHH 716 00:36:58,049 --> 00:36:58,683 OHHH-OHHH-OHHH ♪ OHHH 717 00:36:58,749 --> 00:37:06,524 OHHH-OHHH-OHHH ♪ OHHH 718 00:37:06,591 --> 00:37:18,836 OHHH-OHHH-OHHH ♪ ♪ ♪ 719 00:37:18,903 --> 00:37:33,784 ♪ ♪ ♪8 ♪ I WAS NEVER AS GOOD 720 00:37:33,851 --> 00:37:34,785 ♪ ♪ ♪8 ♪ I WAS NEVER AS GOOD 721 00:37:34,852 --> 00:37:39,123 AS I ALWAYS THOUGHT I WAS ♪ BUT I KNEW HOW TO 722 00:37:39,190 --> 00:37:42,560 DRESS IT UP ♪ I WAS NEVER SATISFIED 723 00:37:42,627 --> 00:37:47,198 IT NEVER LET ME GO ♪ JUST DRAGGED ME BY MY HAIR 724 00:37:47,264 --> 00:37:53,504 AND BACK ON ♪ WITH THE SHOW ♪ 725 00:37:53,571 --> 00:38:07,351 ♪ ♪ ♪ 726 00:38:09,387 --> 00:38:15,059 [CHEERS AND APPLAUSE] >> James: OH MY GOODNESS ME! 727 00:38:15,126 --> 00:38:16,827 OH, OH, I LOVE IT! 728 00:38:16,894 --> 00:38:18,562 THAT WAS SO AMAZING! 729 00:38:18,629 --> 00:38:20,598 YOU'RE SO AMAZING! 730 00:38:20,665 --> 00:38:21,399 FLORENCE & THE MACHINE. 731 00:38:21,465 --> 00:38:23,467 CATCH THEM ON TOUR. 732 00:38:35,980 --> 00:38:37,181 >> James: THANKS SO MUCH FOR WATCHING. 733 00:38:37,248 --> 00:38:39,583 TOMORROW NIGHT, EDDIE REDMAYNE JOINS US, GRACE VAN PATTEN WILL 734 00:38:39,650 --> 00:38:40,518 BE HERE, AND WE'LL HAVE MUSIC FROM GABRIELS. 735 00:38:40,584 --> 00:38:41,986 WE HOPE YOU'LL JOIN US, TOO. 736 00:38:42,053 --> 00:38:42,520 WE'LL SEE YOU THEN. 737 00:38:42,586 --> 00:38:44,488 REGGIE, TAKE US HOME.