1 00:00:02,001 --> 00:00:08,141 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:08,208 --> 00:00:13,580 ♪ AND FEEL THE LOVE TONIGHT, DON'T YOU WORRY WHERE YOU COME 3 00:00:13,646 --> 00:00:16,950 IT'LL BE ALL RIGHT ♪ IT'S "THE LATE LATE SHOW!" 4 00:00:17,016 --> 00:00:22,956 >> Reggie: LADIES AND GENTLEMEN, ALL THE WAY FROM 5 00:00:23,022 --> 00:00:25,125 WAY FROM INSIDE KENNEBUNKPORT, MASSACHUSETTS, GIVE IT UP FOR 6 00:00:25,191 --> 00:00:32,866 YOUR HOST, THE ONE, THE ONLY JAMES CORDEN! 7 00:00:32,932 --> 00:00:34,901 >> James: HOW ARE YOU. 8 00:00:34,968 --> 00:00:40,173 THANK YOU VERY MUCH FOR COMEING OUT. 9 00:00:40,240 --> 00:00:43,343 THANK YOU VERY, VERY MUCH, EVERYBODY. 10 00:00:43,410 --> 00:00:44,077 I APPRECIATE IT. 11 00:00:44,144 --> 00:00:45,845 CHEERS GUYS. 12 00:00:45,912 --> 00:00:49,015 HELLO, GOOD EVENING AND WELCOME TO THE "LATE, LATE SHOW." 13 00:00:49,082 --> 00:00:49,682 THANKS FOR COMING BY. 14 00:00:49,749 --> 00:00:51,184 WE APPRECIATE YOU BEING HERE. 15 00:00:51,251 --> 00:00:54,387 LET'S TAKE A LOOK AND SEE WHO OUR GUESTS ARE ON THE SHOW 16 00:00:54,454 --> 00:00:55,688 TONIGHT. 17 00:00:55,755 --> 00:00:57,223 HE IS A HE'S A PHENOMENAL OSCAR AND 18 00:00:57,290 --> 00:00:58,691 TONY-WINNING ACTOR YOU KNOW FROM "THE THEORY OF EVERYTHING," THE 19 00:00:58,758 --> 00:01:00,093 "FANTASTIC BEASTS" MOVIES, AND SO MUCH MORE, THE GLORIOUS, 20 00:01:00,160 --> 00:01:03,296 EDDIE REDMAYNE! 21 00:01:03,363 --> 00:01:04,397 IS ON THE SHOW TONIGHT. 22 00:01:04,464 --> 00:01:06,566 THERE HE IS. 23 00:01:06,633 --> 00:01:07,500 HOW ARE YOU, EDDIE. 24 00:01:07,567 --> 00:01:10,303 >> THANK YOU, I'M VERY WELL, HOW ARE YOU. 25 00:01:10,370 --> 00:01:12,038 >> James: I WILL TELL YOU WHAT ALMOST HAPPENED, I ALMOST CALLED 26 00:01:12,105 --> 00:01:15,809 YOU SIR EDDIE REDMAYNE WHICH I THINK HAS A DAMN FINE RING TO T 27 00:01:15,875 --> 00:01:16,576 DON'T SNU. 28 00:01:16,643 --> 00:01:18,077 >> I AM LOVING YOUR SUIT, JAMES. 29 00:01:18,144 --> 00:01:28,721 >> James: I'M LOVING YOURS I THINK SIR EDDIE REDMAYNE FEELS 30 00:01:28,788 --> 00:01:30,089 ABSOLUTELY RIGHT, I DO. 31 00:01:30,156 --> 00:01:32,725 I THINK, HOW FAR AWAY. 32 00:01:32,792 --> 00:01:33,927 >> ENOUGH ALREADY. 33 00:01:33,993 --> 00:01:37,997 >> James: WHAT DO YOU THINK IS COMING FIRST, IREDDIE REDMAYNE 34 00:01:38,064 --> 00:01:39,732 OR YOU COMPLETE THE EGOT. 35 00:01:39,799 --> 00:01:41,901 YOU ONLY NEED A GRAMMY AND AN EMMY. 36 00:01:41,968 --> 00:01:45,805 >> I'M LOOKING AT ALL YOUR EMMYS DOWN HERE. 37 00:01:45,872 --> 00:01:48,107 >> James: I WOULD TRADE THEM ALL FOR YOUR OSCAR, I WOULD 38 00:01:48,174 --> 00:01:50,743 TRADE THEM ALL. 39 00:01:50,810 --> 00:01:51,978 >> YOU LOOK VERY SWANKE. 40 00:01:52,045 --> 00:01:54,914 >> James: YOU LOOK ABSOLUTELY GLORIOUS WHAT IS THIS, A MUSTARD 41 00:01:54,981 --> 00:01:56,249 SORT OF ROLL NECK. 42 00:01:56,316 --> 00:01:59,486 >> STRKS SORT OF, I THINK IT'S LOUD. 43 00:01:59,552 --> 00:02:00,186 MI COLOR BLIND. 44 00:02:00,253 --> 00:02:01,020 I THINK IT PROBABLY ALL CLASHES. 45 00:02:01,087 --> 00:02:03,656 >> James: ARE YOU ACTUALLY COLOR BLIND. 46 00:02:03,723 --> 00:02:04,257 >> VERY COLOR BLIND. 47 00:02:04,324 --> 00:02:05,458 >> James: GO ON. 48 00:02:05,525 --> 00:02:06,226 HOW DO I NOT KNOW THIS. 49 00:02:06,292 --> 00:02:09,062 >> I KNOW, MATE, IT'S BEEN AWHILE. 50 00:02:09,128 --> 00:02:13,233 >> James: THE PRANKS I COULD HAVE PLAYED. 51 00:02:13,299 --> 00:02:14,400 OH! 52 00:02:14,467 --> 00:02:17,937 I'M DEVASTATED, THE VOLUME OF MUSTARD YOU COULD HAVE EATEN 53 00:02:18,004 --> 00:02:18,505 INSTEAD OF KETCHUP. 54 00:02:18,571 --> 00:02:19,305 I LOVE YOU, BUDDY. 55 00:02:19,372 --> 00:02:20,840 THANKS FOR BEING HERE. 56 00:02:20,907 --> 00:02:25,845 SIR EDDIE REDMAYNE, EVERYBODY. 57 00:02:25,912 --> 00:02:27,580 SHE'S A TALENTED ACTOR YOU KNOW FROM "NINE PERFECT STRANGERS," 58 00:02:27,647 --> 00:02:29,883 "UNDER THE SILVER LAKE," AND THE NEW SERIES "TELL ME LIES" ON 59 00:02:29,949 --> 00:02:34,954 HULU, MAKING HER LATE NIGHT TALK SHOW DEBUT, THE ENCHANTING, 60 00:02:35,021 --> 00:02:39,826 GRACE VAN PATTEN! 61 00:02:39,893 --> 00:02:41,094 IS ON THE SHOW, GRACE. 62 00:02:41,160 --> 00:02:41,728 >> HELLO. 63 00:02:41,794 --> 00:02:43,029 >> James: HOW ARE YOU DOING? 64 00:02:43,096 --> 00:02:43,930 >> I'M FREAKING OUT. 65 00:02:43,997 --> 00:02:44,864 >> James: YOU'RE FREAKING OUT. 66 00:02:44,931 --> 00:02:46,132 >> I'M VERY EXCITED. 67 00:02:46,199 --> 00:02:49,269 >> James: DON'T FREAK OUT, IS EVERYTHING OKAY. 68 00:02:49,335 --> 00:02:50,103 >> EVERYTHING IS SO GOOD. 69 00:02:50,169 --> 00:02:52,338 I'M SO, SO HAPPY TO BE HERE, THANK YOU. 70 00:02:52,405 --> 00:02:54,474 >> James: WE ARE SO HAPPY THAT YOU ARE HERE. 71 00:02:54,541 --> 00:02:57,677 AND WE LOVE, YOUR HAPPINESS IS MAKING US HAPPIER WHICH I HOPE 72 00:02:57,744 --> 00:03:02,282 WILL MAKE YOU HAPPIER, WHICH IN TURN WOULD ROLL HAPPINESS BACK 73 00:03:02,348 --> 00:03:05,285 HERE AND THEN WE WOULD GO LOOK AT ALL THIS HAPPINESS, I GOT A 74 00:03:05,351 --> 00:03:06,553 FLING OF IT OVER THERE. 75 00:03:06,619 --> 00:03:10,089 AND WOULD YOU BE LIKE I'M SO IN YOU WILL A OF THIS HAPPINESS AND 76 00:03:10,156 --> 00:03:13,760 WE WOULD FIND OURSELVES AT SOME POINT GETTING DEPRESSED. 77 00:03:13,826 --> 00:03:14,928 >> IT ALL COMES TO THAT. 78 00:03:14,994 --> 00:03:16,262 >> James: BUT THAT IS ALOT LATER ON. 79 00:03:16,329 --> 00:03:21,968 WE LOVE YOU, THANKS FOR BEING HERE, GRACE VAN PATTEN, 80 00:03:22,035 --> 00:03:22,702 EVERYBODY. 81 00:03:22,769 --> 00:03:23,903 >> THEY'RE A CRITICALLY-ACCLAIMED 82 00:03:23,970 --> 00:03:28,241 "FUTURISTIC SOUL" TRIO WHOSE DEBUT ALBUM ANGELS AND QUEENS IS 83 00:03:28,308 --> 00:03:32,011 SO GOOD, I IMPLORE YOU TO GET IT. 84 00:03:32,078 --> 00:03:32,745 IT IS OUT RIGHT NOW, THE DIVINE, 85 00:03:32,812 --> 00:03:35,848 THE DASHING, GABRIELS! 86 00:03:35,915 --> 00:03:36,783 IS HERE TONIGHT. 87 00:03:36,849 --> 00:03:38,217 HOW ARE WE DOING. 88 00:03:38,284 --> 00:03:39,085 >> I'M GOOD, HOW ARE YOU. 89 00:03:39,152 --> 00:03:40,753 >> James: I'M VERY, VERY WELL. 90 00:03:40,820 --> 00:03:41,921 WHAT HAVE WE GOT. 91 00:03:41,988 --> 00:03:42,989 >> A LITTLE ICE POP. 92 00:03:43,056 --> 00:03:45,158 >> James: LITTLE ICE POP. 93 00:03:45,224 --> 00:03:48,227 MI SO JEALOUS THAT YOU HAVE GOT AN ICE POP RIGHT NOW. 94 00:03:48,294 --> 00:03:50,496 >> IT'S VERY REFRESHING. 95 00:03:50,563 --> 00:03:51,631 >> James: IT LOOKS REFRESHING. 96 00:03:51,698 --> 00:03:54,934 AND ALSO I AM LOVING THE BOLDNESS OF EVEN ATTEMPTING TO 97 00:03:55,001 --> 00:03:58,538 EAT THAT IN A CRISP WHITE SHIRT. 98 00:03:58,605 --> 00:04:04,978 CAN I TELL YOU THIS, LET ME TELL TELL EVERYBODY HOW GABE REELS 99 00:04:05,044 --> 00:04:06,779 WHO IS ON THE SHOW. 100 00:04:06,846 --> 00:04:09,248 >> WE WERE JUST SUPPORTING HARRY STYLES. 101 00:04:09,315 --> 00:04:12,852 >> James: I GET A VIDEO ONE NIGHT WHERE HARRY SECRETLY SNUCK 102 00:04:12,919 --> 00:04:16,789 OUT AND HE WAS FILMING GABRIELS, HE SAID YOU HAVE GOT TO BOOK 103 00:04:16,856 --> 00:04:18,725 THESE GUYS ONTHE SHOW. 104 00:04:18,791 --> 00:04:22,295 HIS ACTUAL WORDS WERE, THIS GUYS VOICE IS THE BEST HAVE I EVER 105 00:04:22,362 --> 00:04:22,829 HEARD. 106 00:04:22,895 --> 00:04:25,231 THAT IS WHAT HE SAID. 107 00:04:25,298 --> 00:04:25,965 >> I DIDN'T KNOW THAT. 108 00:04:26,032 --> 00:04:26,833 >> James: THAT IS WHAT HE SAID. 109 00:04:26,899 --> 00:04:29,702 AND AS IF BY MAGIC, HERE ARE YOU. 110 00:04:29,769 --> 00:04:31,204 ICE POP IN HAND. 111 00:04:31,270 --> 00:04:32,472 >> YEAH. 112 00:04:32,538 --> 00:04:35,808 WE'RE EXCITED TO BE HERE, THAT'S A LOT OF PRESSURE, WE AIN'T THAT 113 00:04:35,875 --> 00:04:39,078 GREAT BUT WE'RE EXCITED TO BE HERE, THANK YOU FOR HAVING US. 114 00:04:39,145 --> 00:04:42,081 >> James: WILL YOU ABSOLUTELY FINE, THANK YOU FOR BEING HERE, 115 00:04:42,148 --> 00:04:43,349 GABRIEL, EVERYBODY, ARE YOU READY? 116 00:04:43,416 --> 00:04:45,885 THEN LET'S, I'M JAMES CORDEN AND THIS IS THE "LATE, LATE SHOW." 117 00:04:45,952 --> 00:04:47,954 ROLL THE TITLES. 118 00:04:54,227 --> 00:04:57,163 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 119 00:04:57,230 --> 00:05:01,267 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 120 00:05:01,334 --> 00:05:10,343 ♪ IT'S THE LATE, LATE SHOW ♪ 121 00:05:10,410 --> 00:05:11,210 CERTAINLY IS, BLESS YOU FOR BEING HERE. 122 00:05:11,277 --> 00:05:12,612 THANKS FOR COMING OUT, EVERYBODY. 123 00:05:12,679 --> 00:05:14,514 HOT CROWD IN HERE TONIGHT. 124 00:05:14,580 --> 00:05:16,849 I LOVE IT. 125 00:05:16,916 --> 00:05:18,084 LOVE IT. 126 00:05:18,151 --> 00:05:23,289 I DO LOVE EDDIE, YOU KNOW HIS NEW NETFLIX, THE GOOD NURSE, THE 127 00:05:23,356 --> 00:05:25,525 GOOD NURSE IT IS CALLED. 128 00:05:25,591 --> 00:05:30,296 A LOT OF GOODS AROUND, A LOT OF GOOD, GOOD WIFE, GOOD DOCTOR, 129 00:05:30,363 --> 00:05:33,466 GOOD PLACE. 130 00:05:33,533 --> 00:05:35,068 I WANT THE GREAT PLACE. 131 00:05:35,134 --> 00:05:37,770 >> YEAH THERE IS A SHOW CALLED THE GREAT. 132 00:05:37,837 --> 00:05:39,005 >> James: CORRECT. 133 00:05:39,072 --> 00:05:42,675 >> BUT IF YOU WATCH IT, OFTEN A LOT OF THE PEOPLE ON THERE ARE 134 00:05:42,742 --> 00:05:43,242 NOT. 135 00:05:43,309 --> 00:05:44,777 >> James: ARE NOT GREAT. 136 00:05:44,844 --> 00:05:47,680 WE HAVE SOMETIMES GOOD MEANS IT'S NOT GOOD. 137 00:05:47,747 --> 00:05:50,883 LIKE IF I SAID TO YOU I SAW A MOVIE THIS WEEKEND. 138 00:05:50,950 --> 00:05:54,654 AND YOU SAID HOW WAS IT, IT'S GOOD. 139 00:05:54,721 --> 00:05:57,056 IT'S GOOD, GOOD ISN'T ENOUGH ANY MORE S IT. 140 00:05:57,123 --> 00:05:57,824 >> NO, IT'S NOT. 141 00:05:57,890 --> 00:06:01,294 >> James: GOOD IS ACTUALLY [BLEEP]. 142 00:06:01,360 --> 00:06:02,161 >> YEAH. 143 00:06:02,228 --> 00:06:02,595 YOU KNOW WHAT THIS IS A SPILLOVER FROM. 144 00:06:02,662 --> 00:06:03,763 >> James: GO ON. 145 00:06:03,830 --> 00:06:07,066 >> HAVING TO USE EXCLAMATION POINTS IN YOUR EMAILS AND TEXT 146 00:06:07,133 --> 00:06:07,767 MESSAGES. 147 00:06:07,834 --> 00:06:08,301 >> James: YES. 148 00:06:08,367 --> 00:06:10,002 >> HOW ARE YOU DOING. 149 00:06:10,069 --> 00:06:13,406 >> GOOD, PERIOD, OH NO, WHAT'S WRONG. 150 00:06:13,473 --> 00:06:14,006 >> YEAH. 151 00:06:14,073 --> 00:06:16,909 >> James: NOTHING, PERIOD. 152 00:06:16,976 --> 00:06:23,249 WHEREAS HOW ARE YOU DOING GOOD HEART EYES EMOJI. 153 00:06:23,316 --> 00:06:24,016 >> YEAH. 154 00:06:24,083 --> 00:06:26,219 >> James: DON'T EVEN NEED TO REPLY. 155 00:06:26,285 --> 00:06:29,722 >> NO, THAT IS GREAT, HE'S FINE, CAN I ONLY MAKE HIS DAY WORSE. 156 00:06:29,789 --> 00:06:31,491 >> James: CORRECT. 157 00:06:31,557 --> 00:06:35,595 THIS IS WHY I ONLY REALLY NOW HAVE GOTTEN TO A POINT WHERE I 158 00:06:35,661 --> 00:06:40,066 AM ONLY TEXTING WITH GIVES TO THEIR. 159 00:06:40,133 --> 00:06:41,200 >> YEAH. 160 00:06:41,267 --> 00:06:43,636 >> James: THERE IS ONE FOR EVERY MOOD, EVERY SINGLE MOOD. 161 00:06:43,703 --> 00:06:47,740 >> RIGHT, LET'S SAY, LET'S SAY LIKE IT WAS JUST YOUR BIRTHDAY. 162 00:06:47,807 --> 00:06:49,876 AND ARE YOU FEELING GOOD ABOUT IT BUT ALSO ARE YOU A LITTLE 163 00:06:49,942 --> 00:06:51,110 WORRIED ABOUT GETTING OLDER. 164 00:06:51,177 --> 00:06:53,613 SO MI LIKE HEY, HAPPY BIRTHDAY, JAMES. 165 00:06:53,679 --> 00:06:55,148 >> Jams: YOU WANT ME TO FIND YOU THE GIF. 166 00:06:55,214 --> 00:06:59,118 >> I WAN YOU TO SHOW ME THE EXACT SHARE GIF FOR THAT 167 00:06:59,185 --> 00:07:02,255 SITUATION, HANG ON I SAID. 168 00:07:02,321 --> 00:07:07,560 IT IS ACTUALLY, WHAT I AM GOING TO SEND SU THE GIF THAT I SENT 169 00:07:07,627 --> 00:07:12,198 YOU, LOOK, THERE YOU CAN YOU SEE SHARE THERE, GET RID OF THAT. 170 00:07:12,265 --> 00:07:20,773 IS THAT BEN SENDING ME A TEXT SAYING THIS IS [BLEEP] IDEA. 171 00:07:20,840 --> 00:07:22,008 (LAUGHTER) HANG ON. 172 00:07:22,074 --> 00:07:23,242 YOU GOT TO SEE. 173 00:07:23,309 --> 00:07:26,112 THIS BEN IS UP STAIRS, BEN IS UP STAIRS OBVIOUSLY WATCHING THIS 174 00:07:26,179 --> 00:07:27,346 FOR THE EDIT. 175 00:07:27,413 --> 00:07:30,483 AND WHILES WE'RE DOING THIS BIT HE SENTED THIS GIF OF SHARE, 176 00:07:30,550 --> 00:07:35,121 HANG ON. 177 00:07:35,188 --> 00:07:38,791 -- CAN YOU ZOOM IN ON THAT T IS CHER PRETENDING TO BLOW OUR 178 00:07:38,858 --> 00:07:40,560 BRAINS OUT. 179 00:07:40,626 --> 00:07:44,931 WHICH I THINK, I THINK IT TELLS US THAT IT IS THAT TIME, IT'S 180 00:07:44,997 --> 00:07:47,466 TIME FOR THE NEWS IT. 181 00:07:47,533 --> 00:07:49,802 PRESIDENT BIDEN HAS ESCALATED HIS FEUD WITH SAUDI ARABIA, NOW 182 00:07:49,869 --> 00:07:53,840 WARNING OF CONSEQUENCES FOR COORDINATING WITH RUSSIA TO CUT 183 00:07:53,906 --> 00:07:57,977 OIL PRODUCTION AND DRIVE UP PRICES. 184 00:07:58,044 --> 00:08:01,447 WOW, WITH A STATEMENT LIKE THAT THERE'S NO TELLING WHAT BIDEN 185 00:08:01,514 --> 00:08:04,016 MIGHT DO TO NOT PUNISH THEM. 186 00:08:04,083 --> 00:08:07,420 BUT THE CONSEQUENCES COULD INCLUDE ANYTHING: SANCTIONS, 187 00:08:07,486 --> 00:08:09,989 SEVERE SANCTIONS, MAYBE EVEN A THIRD KIND OF SANCTION WE DON'T 188 00:08:10,056 --> 00:08:12,058 EVEN KNOW ABOUT YET. 189 00:08:12,124 --> 00:08:15,995 BIDEN'S AVOIDING SPECIFICS ON THESE CONSEQUENCES. 190 00:08:16,062 --> 00:08:20,499 HE SOUNDS LIKE ME AFTER FORGETTING TO MAKE ANNIVERSARY 191 00:08:20,566 --> 00:08:21,968 PLANS. 192 00:08:22,034 --> 00:08:26,439 WHAT DID I PLAN FOR US? 193 00:08:26,505 --> 00:08:29,575 OH IT'S GOING TO BE BIG! 194 00:08:29,642 --> 00:08:35,781 IT'S TOO THOUGHTFUL AND AMAZING TO EVEN TALK ABOUT. 195 00:08:35,848 --> 00:08:39,952 YOU JUST WAIT, I'M GOING TO THE BATHROOM FOR AN HOUR 196 00:08:40,019 --> 00:08:41,621 CONGRESS IS LOOKING TO FIGHT BACK AGAINST SAUDI ARABIA, AS 197 00:08:41,687 --> 00:08:42,755 WELL. 198 00:08:42,822 --> 00:08:44,991 IN RESPONSE TO OPEC CUTTING OIL SUPPLIES, THERE'S A NEW 199 00:08:45,057 --> 00:08:53,499 BILL GAINING MOMENTUM, CALLED, THIS IS TRUE, NOPEC. 200 00:08:53,566 --> 00:08:55,167 DO YOU SEE WHAT THEY DID THERE? 201 00:08:55,234 --> 00:08:56,869 AND AFTER COMING UP WITH THE NAME OF THAT BILL, CONGRESS IS 202 00:08:56,936 --> 00:08:59,739 NOW CONSIDERING DOING AN OPEN MIC NIGHT. 203 00:08:59,805 --> 00:09:03,676 GOOD TO KNOW CONGRESS NAMES THEIR BILLS THE SAME WAY WE COME 204 00:09:03,743 --> 00:09:07,513 UP WITH BITS FOR THE SHOW. 205 00:09:07,580 --> 00:09:11,217 WE'LL CALL IT 'MUSICAL CHERS,' WE'LL FIGURE OUT WHAT THAT IS 206 00:09:11,284 --> 00:09:12,385 LATER. 207 00:09:12,451 --> 00:09:16,255 NOPEC WOULD ALLOW THE JUSTICE DEPARTMENT TO BRING LAWSUITS 208 00:09:16,322 --> 00:09:18,758 AGAINST OPEC COUNTRIES AND THEIR STATE-OWNED OIL COMPANIES. 209 00:09:18,824 --> 00:09:19,425 WOW. 210 00:09:19,492 --> 00:09:22,094 THAT IS SERIOUS. 211 00:09:22,161 --> 00:09:26,198 I HOPE SOMEONE'S LIKE,WOAH-PEC! 212 00:09:26,265 --> 00:09:28,868 LET'S TAKE THIS SLOW-PEC, MAYBE WE CAN SIT DOWN WITH A 213 00:09:28,935 --> 00:09:32,338 BOTTLE OF BORDEAUX-PEC, LET THE CONVERSATION FLOW-PEC, 214 00:09:32,405 --> 00:09:43,015 AND THE TALK WILL HELP US GROW-PEC. 215 00:09:43,082 --> 00:09:45,117 AND THERE'S A NEW SKYSCRAPER THAT COULD SOON BE BUILT IN SAN 216 00:09:45,184 --> 00:09:46,686 FRANCISCO, WHICH APPEARS TO HAVE A FLOATING CUBE ON TOP. 217 00:09:46,752 --> 00:09:49,555 THE 54th FLOOR WOULD BE TRANSPARENT, CREATING THE 218 00:09:49,622 --> 00:09:52,692 ILLUSION THAT THE FLOORS ABOVE IT ARE FLOATING IN THE AIR. 219 00:09:52,758 --> 00:09:57,596 HERE'S WHAT IT WOULD LOOK LIKE. 220 00:09:57,663 --> 00:09:59,765 LOOK AT THAT. 221 00:09:59,832 --> 00:10:02,969 IT'S PERFECT FOR SOMEONE WHO WANTS TO LIVE INSIDE A 222 00:10:03,035 --> 00:10:06,272 HALF-FINISHED GAME OF JENGA. 223 00:10:06,339 --> 00:10:09,241 CAN WE SEE IT AGAIN? 224 00:10:09,308 --> 00:10:11,110 A GIANT CUBE, FLOATING AT THE TOP OF A SKYSCRAPER, ABOVE A 225 00:10:11,177 --> 00:10:12,244 TRANSPARENT FLOOR. 226 00:10:12,311 --> 00:10:17,249 EXACTLY WHAT YOU WANT IN THE HEART OF EARTHQUAKE COUNTRY. 227 00:10:17,316 --> 00:10:20,920 EVERYBODY WAS REALLY EXCITED ABOUT THIS BUILDING, EXCEPT FOR 228 00:10:20,987 --> 00:10:26,525 EVERY BIRD IN SAN FRANCISCO. 229 00:10:26,592 --> 00:10:33,432 IMLING TO TAKE A LOT-- IT CAN'T, IT IS. 230 00:10:33,499 --> 00:10:34,400 WHAT? 231 00:10:34,467 --> 00:10:36,035 YEAH, IT'S FLOATING, YEAH. 232 00:10:36,102 --> 00:10:36,836 I DON'T BELIEVE YOU. 233 00:10:36,902 --> 00:10:40,006 YOU GO, I'VE DONE IT. 234 00:10:40,072 --> 00:10:42,008 I'VE BEEN THROUGH IT. 235 00:10:42,074 --> 00:10:42,441 >> REALLY? 236 00:10:42,508 --> 00:10:43,509 >> YEAH, YEAH. 237 00:10:43,576 --> 00:10:49,615 >> WELL, GO ON, BAM. 238 00:10:49,682 --> 00:10:51,217 WELL DONE. 239 00:10:51,283 --> 00:10:55,354 IS THAT YOU GUILLERMO, OFF THE DOME. 240 00:10:55,421 --> 00:10:55,988 >> IT WAS A COMBO. 241 00:10:56,055 --> 00:10:59,825 >> A COMBO, LOOK AT US. 242 00:10:59,892 --> 00:11:02,928 >> BEN TOLD US TO RESPOND TO YOU AS WELL. 243 00:11:02,995 --> 00:11:05,831 >> IT'S ALL TIM AFTER BEN. 244 00:11:05,898 --> 00:11:11,303 >> HOT CROWD TONIGHT. 245 00:11:11,370 --> 00:11:12,471 >> YOU ASKED. 246 00:11:12,538 --> 00:11:16,675 >> THIS IS HOW THINGS-- THIS IS HOW THINGS GET DONE HERE. 247 00:11:16,742 --> 00:11:19,045 >> WELL, SO HE WAS LIKE A LITTLE NOISE HERE. 248 00:11:19,111 --> 00:11:20,246 >> IT WOULDBE REALLY FUNNY. 249 00:11:20,312 --> 00:11:21,313 >> EXACTLY. 250 00:11:21,380 --> 00:11:22,548 >> HE SAID IT WOULD BE REALLY FUNNY. 251 00:11:22,615 --> 00:11:24,583 >> HE SAID IT WOULD BE REALLY FUNNY. 252 00:11:24,650 --> 00:11:26,552 >> YOU ARE BLAMING US FOR? 253 00:11:26,619 --> 00:11:27,787 >> YEAH, ALL BEN. 254 00:11:27,853 --> 00:11:30,423 >> LET'S TRY IT AGAIN ON EVERY MEMBER OF BAND TO MAKE THE NOISE 255 00:11:30,489 --> 00:11:34,994 BUT SERIOUSLY IT'S A BIRD FLYING, AND THE BIRD IS ALMOST 256 00:11:35,061 --> 00:11:37,163 CERTAINLY GOING TO DIE. 257 00:11:37,229 --> 00:11:46,505 OKAY. 258 00:11:46,572 --> 00:11:48,841 IT'S NICE UP HERE, ISN'T IT. 259 00:11:48,908 --> 00:11:49,608 >> YEAH, YEAH. 260 00:11:49,675 --> 00:11:52,845 I LOVE SAN FRANCISCO. 261 00:11:52,912 --> 00:11:58,951 YOU HAVE BEEN TO-- YOU HAVE BEEN TO THE BRIG, I WENT THIS MORNING 262 00:11:59,018 --> 00:12:07,126 BUT IT WAS FOGGY SO I AM GOING TO GO BACK THIS AFTERNOON. 263 00:12:07,193 --> 00:12:07,726 NO! 264 00:12:07,793 --> 00:12:08,260 NO. 265 00:12:08,327 --> 00:12:09,095 >> YOU'RE [BLEEP] ME. 266 00:12:09,161 --> 00:12:10,963 >> James: NO, I'M NOT. 267 00:12:11,030 --> 00:12:18,804 HE ONLY JUST SAW THE BUILDING. 268 00:12:18,871 --> 00:12:19,405 OIRKS NO. 269 00:12:19,472 --> 00:12:22,641 >> YEAH. 270 00:12:22,708 --> 00:12:28,681 >> WHERE IS KAMALA HARRIS? 271 00:12:28,747 --> 00:12:31,617 I HAVE SEEN NOTHING OF HER. 272 00:12:31,684 --> 00:12:34,186 DO YOU THINK SHE'S GOING TO UNARE AGAIN, I DON'T KNOW, IT 273 00:12:34,253 --> 00:12:38,958 PLAYS ON MY-- (LAUGHTER) 274 00:12:39,024 --> 00:12:41,760 LOOK AT THAT BUILDING. 275 00:12:41,827 --> 00:12:44,864 THAT IS FLOATING. 276 00:12:44,930 --> 00:12:45,464 >> REALLY? 277 00:12:45,531 --> 00:12:47,967 YOU HAVE BEEN THROUGH IT? 278 00:12:48,033 --> 00:12:51,003 I JUST GO-- BUT FAST? 279 00:12:51,070 --> 00:12:52,304 ALL RIGHT. 280 00:12:52,371 --> 00:13:07,253 YEAH, I'LL DO IT, YEAH, OKAY, HERE WE GO. 281 00:13:07,319 --> 00:13:09,155 YEAH, I'LL DO IT, YEAH, OKAY, HERE WE GO. 282 00:13:09,221 --> 00:13:11,223 (APPLAUSE) 283 00:13:27,006 --> 00:13:28,240 >> James: AND DID YOU GUYS SEE THIS? 284 00:13:28,307 --> 00:13:32,945 YOU CAN NOW STAY AT THE CREEPY COTTAGE FROM THE DISNEY MOVIE 285 00:13:33,012 --> 00:13:34,280 HOCUS POCUS. 286 00:13:34,346 --> 00:13:37,416 IT'S LOCATED IN THE REMOTE WOODS OF SALEM, MASSACHUSETTS, AND YOU 287 00:13:37,483 --> 00:13:41,820 CAN BOOK IT THROUGH AIRBNB STARTING TODAY. 288 00:13:41,887 --> 00:13:44,990 THAT'S FUN TO EXPLAIN TO YOUR DELIVERY GUY. 289 00:13:45,057 --> 00:13:46,592 YEAH, IT'S THE HOUSE FROM THE WITCH MOVIE. 290 00:13:46,659 --> 00:13:48,594 IT'S IN THE MIDDLE OF THE WOODS. 291 00:13:48,661 --> 00:13:54,934 IT'S EXTREMELY SPOOKY AND NO, RIGHT IN THE WOOD THERE IS 292 00:13:55,000 --> 00:13:57,670 NO SELL SERVICE, HELLO, HELLO? 293 00:13:57,736 --> 00:13:58,938 A STAY AT THE HOCUS POCUS HOUSE. 294 00:13:59,004 --> 00:14:01,307 IT'S PERFECT FOR ANY COUPLE WHO HAVE ALWAYS WANTED TO CROSS HAVE 295 00:14:01,373 --> 00:14:03,142 SEX IN A HOUSE FROM A DISNEY MOVIE OFF THEIR BUCKET LIST. 296 00:14:03,209 --> 00:14:09,248 I'VE SAID IT BEFORE AND I'LL SAY , I HAVE SIDE THIS, I BROUGHT 297 00:14:09,315 --> 00:14:13,485 THIS UP, NICK, WHY ARE WE NOT RENTING OUT THIS STUDIO FOR 298 00:14:13,552 --> 00:14:14,687 AIRBNB. 299 00:14:14,753 --> 00:14:20,459 WE ARE LEAVING I'M SERIOUS, WE ARE LEAVING CASH ON THE TABLE, 300 00:14:20,526 --> 00:14:21,927 HOW ABOUT SLEEP ON THE COUCH WITH BENEDICT CUMBERBATCH SAT ON 301 00:14:21,994 --> 00:14:25,931 THE COUCH AND TALKED TO ABOUT POWER OF THE DOG. 302 00:14:25,998 --> 00:14:29,935 THIS MORNING, ELON MUSK TWEETED OUT HIS LATEST PRODUCT OFFERING 303 00:14:30,002 --> 00:14:30,536 A PERFUME CALLED BURNT HAIR. 304 00:14:30,603 --> 00:14:32,071 THIS IS APPARENTLY REAL. 305 00:14:32,137 --> 00:14:36,508 THE PERFUME COSTS $100, AND ACCORDING TO MUSK, HE SOLD ALL 306 00:14:36,575 --> 00:14:38,777 10,000 BOTTLES IN JUST A FEW HOURS. 307 00:14:38,844 --> 00:14:39,979 HERE IT IS HERE. 308 00:14:40,045 --> 00:14:42,748 THIS JUST PROVES THAT ELON MUSK WILL ALWAYS BE ABLE TO MAKE 309 00:14:42,815 --> 00:14:47,286 MONEY, BECAUSE THERE ARE LIKE 10,000 WEIRD DUDES WHO ARE 310 00:14:47,353 --> 00:14:49,955 OBSESSED WITH HIM. 311 00:14:50,022 --> 00:14:58,964 MUSK PROMOTED THE PERFUME AS, THE ESSENCE OF REPUGNANT DESIRE, 312 00:14:59,031 --> 00:15:03,969 WHICH SOUNDS LIKE THE TITLE OF HARRY POTTER EROTIC FAN FICTION. 313 00:15:04,036 --> 00:15:06,238 ELON MUSK CAME OUT WITH A PERFUME THAT SMELLS LIKE BURNT 314 00:15:06,305 --> 00:15:10,142 HAIR. 315 00:15:10,209 --> 00:15:14,747 AND YET, YET, IT'S STILL BETTER BUSINESS THAN BUYING TWITTER. 316 00:15:14,813 --> 00:15:15,814 WE'LL BE RIGHT BACK, EVERYBODY. 317 00:15:41,006 --> 00:15:44,943 ( CHEERS AND APPLAUSE ) >> James: WELCOME BACK. 318 00:15:45,010 --> 00:15:49,381 THIS SHOW FOR OVER SEVEN YEARS NOW AND OVER THAT TIME MORE AND 319 00:15:49,448 --> 00:15:54,320 MORE PEOPLE HAVE BEEN COMING UP TO ME TO ASK HOW WE DO THINGS 320 00:15:54,386 --> 00:15:56,322 AROUND HERE. 321 00:15:56,388 --> 00:16:00,859 DID THING HE AT THE SHOW, HOW WE CREATED CERTAIN BITS SO WE 322 00:16:00,926 --> 00:16:04,096 THOUGHT WE HAD A IL BIT OF TIME SO WHY DON'T WE ANSWER SOME OF 323 00:16:04,163 --> 00:16:06,165 THOSE QUESTION, THIS IS AUDIENCE Q & A. 324 00:16:11,704 --> 00:16:12,905 OKAY. 325 00:16:12,971 --> 00:16:15,974 ANYONE HERE GOT A QUESTION, JUST PUT YOUR HAND UP, IF ANYONE HAS 326 00:16:16,041 --> 00:16:22,414 GOT A-- OKAY, THE LADY SECOND IN, GO FOR IT. 327 00:16:22,481 --> 00:16:25,150 >> HIM JIM BO, I AM A HUGE FAN. 328 00:16:25,217 --> 00:16:30,622 I WAS WONDERING DO YOU USED TO DO THE UPON LOG STANDING UP BUT 329 00:16:30,689 --> 00:16:33,258 NOW AT THE DESK, WHICH DO YOU PREFER. 330 00:16:33,325 --> 00:16:35,894 >> YES, AT THE START OF THE SHOW, I USED TO DO IT RIGHT HERE 331 00:16:35,961 --> 00:16:39,732 WHICH YOU PROBABLY CAN'T SEE THERE WHICH IS THE BADGE OF MY 332 00:16:39,798 --> 00:16:43,469 SOCCER TEAM, WEST HAM UNITED I WOULD STAND THERE AND DID JOKES 333 00:16:43,535 --> 00:16:49,174 T WAS REALLY BECAUSE OF COVID ACTUALLY THAT WE MOVED TO DO IT 334 00:16:49,241 --> 00:16:55,080 AT THE DESK WITHOUT AN AUDIENCE SO IT SEEMED ODD TO DO JOKES, I 335 00:16:55,147 --> 00:16:57,282 GUESS IF THE QUESTION IS WHICH DO I PREFER, I PREFER AT THE 336 00:16:57,349 --> 00:17:02,054 DESK IT FEELS MORE ORGANIC, MORE NATURAL TO TALK WITH IAN AND REG 337 00:17:02,121 --> 00:17:04,556 AND THE BAND THE-OF-AND ALL THOSE THINGS AT THE TOP OF THE 338 00:17:04,623 --> 00:17:05,824 SHOW. 339 00:17:05,891 --> 00:17:09,061 SO I WOULD SAY OUT OF THE TWO, I ABSOLUTELY PREFER THAT AND IT 340 00:17:09,128 --> 00:17:11,330 WAS ONE OF THE FEW GOOD THINGS TO COME OUT OF COVID. 341 00:17:11,397 --> 00:17:15,367 ANYONE ELSE GOT A QUESTION, ANYBODY, LET'S GO THIS LADY ON 342 00:17:15,434 --> 00:17:18,237 THE FRONT ROW, THERE IS A MICROPHONE COMING TO YOU G FOR 343 00:17:18,303 --> 00:17:19,671 IT. 344 00:17:19,738 --> 00:17:21,273 >> HI, I'M SO EXCITED. 345 00:17:21,340 --> 00:17:22,508 >> James: BLESS YOU. 346 00:17:22,574 --> 00:17:25,043 >> I'VE ALWAYS WANTED TO COME TO ONE OF THESE TAPES AND NOW I'M 347 00:17:25,110 --> 00:17:26,278 HERE. 348 00:17:26,345 --> 00:17:30,182 OKAY SO ANYWAY, JIMBOXER I WAS WONDERING WHO WAS YOUR FAVORITE 349 00:17:30,249 --> 00:17:32,317 CARPOOL KARAOKE GUEST. 350 00:17:32,384 --> 00:17:37,423 >> James: OH, MY FAVORITE, MY FAVORITE CARPOOL IS-- I THINK 351 00:17:37,489 --> 00:17:41,260 JUST BECAUSE IT WAS A SPECIAL DAY, WAS DOING IT WITH-- SORRY, 352 00:17:41,326 --> 00:17:45,030 I JUST WANT TO SAY, GET SOMETHING STRAIGHT, MY NAME IS 353 00:17:45,097 --> 00:17:49,234 JAMES, NOT JIMBO, IT IS JAMES, NO ONE HAS EVER CALLED ME JIM 354 00:17:49,301 --> 00:17:52,204 DISZ BO. 355 00:17:52,271 --> 00:17:57,443 NO ONE IN MY FAMILY, NONE OF MY FRIENDS, SO PAUL MCCARTNEY 356 00:17:57,509 --> 00:18:00,712 REALLY, GOING UP TO LIVERPOOL, SINGING PENNY LANE DOWN PENNY 357 00:18:00,779 --> 00:18:04,750 LANE, YOU KNOW, THAT WAS INCREDIBLE. 358 00:18:04,817 --> 00:18:07,953 SO YEAH, IT WOULD BE THAT ONE, OKAY, NIBBLES GOT A-- THE 359 00:18:08,020 --> 00:18:10,456 GENTLEMAN RIGHT IN THE MIDDLE, HANG ON, THERE IS A MICROPHONE 360 00:18:10,522 --> 00:18:15,828 COMING TO YOU, GO FOR IT SO I WAS WONDERING IF I COULD GET 361 00:18:15,894 --> 00:18:17,830 SOME ADVICE FROM YOU. 362 00:18:17,896 --> 00:18:19,498 >> OKAY. 363 00:18:19,565 --> 00:18:22,334 >> UNFORTUNATELY MY WIFE LEFT ME RECENTLY. 364 00:18:22,401 --> 00:18:24,369 >> James: I'M SO SORRY TO HEAR THAT. 365 00:18:24,436 --> 00:18:25,137 >> THANK YOU. 366 00:18:25,204 --> 00:18:26,271 AT HE BEEN QUITE HARD. 367 00:18:26,338 --> 00:18:27,906 BUT I WATCH YOUR SHOW EVERY NIGHT AND YOU ALWAYS SEEM SO 368 00:18:27,973 --> 00:18:29,341 WONDERFULLY UPBEAT. 369 00:18:29,408 --> 00:18:31,844 SO ANY THOUGHTS ON HOW I CAN KEEP MY SPIRITS UP. 370 00:18:31,910 --> 00:18:38,717 >> James: WELL, OKAY, ONE THING I'VE ALWAYS FOUND HELPFUL 371 00:18:38,784 --> 00:18:41,753 IS TO START THE DAY BY WRITING A LIST OF ALL OF THE THINGS THAT 372 00:18:41,820 --> 00:18:43,322 YOU ARE FEEL GRAILTFUL FOR. 373 00:18:43,388 --> 00:18:50,028 AND THERE IS SOMETHING ABOUT READING THAT LIST AND SEEING-- I 374 00:18:50,095 --> 00:18:55,300 THINK IT WAS THE DALAI LAMA WHO SAID THE ROOTS OF ALL HAPPINESS 375 00:18:55,367 --> 00:19:00,739 LIE IN THE SOIL OF APPRECIATION THAT IS SOMETHING I THINK ABOUT. 376 00:19:00,806 --> 00:19:03,876 >> THAT IS AMAZING. 377 00:19:03,942 --> 00:19:06,979 >> James: THAT IS JUST SOMETHING I THINK ABOUT THAT 378 00:19:07,045 --> 00:19:10,249 GIVES ME A BITS OF HOPE, I HOPE IT ANSWERS. 379 00:19:10,315 --> 00:19:11,850 >> INCREDIBLE ANSWER, THANK YOU, JIMBO. 380 00:19:11,917 --> 00:19:14,720 >> James: WHAT DID I-- WHAT DID I JUST SAY? 381 00:19:14,786 --> 00:19:15,654 >> SORRY. 382 00:19:15,721 --> 00:19:18,557 >> James: WHAT DID I JUST SAY A MOMENT AGO? 383 00:19:18,624 --> 00:19:21,460 >> I DON'T KNOW TO APPRECIATE STUFF OR-- . 384 00:19:21,527 --> 00:19:25,264 >> James: NO, I SAID NOT TO CALL ME JIMBO. 385 00:19:25,330 --> 00:19:26,498 >> SORRY, I DIDN'T HEAR THAT. 386 00:19:26,565 --> 00:19:28,767 >> James: WELL, PERHAPS IF YOU LISTENED MORE YOUR WIFE WOULDN'T 387 00:19:28,834 --> 00:19:30,035 HAVE LEFT YOU, ALL RIGHT. 388 00:19:30,102 --> 00:19:35,307 I'M GOING SAY THIS ONE MORE TIME AND I HOPE EVERYBODY IS 389 00:19:35,374 --> 00:19:42,314 LISTENING OKAY, IT IS JAMES, J-A-M-E-S, NOT JIMBO, JAMES, 390 00:19:42,381 --> 00:19:43,949 NEVER JIMBO, DO YOU UNDERSTAND. 391 00:19:44,016 --> 00:19:46,852 >> YES DO YOU UNDERSTAND. 392 00:19:46,919 --> 00:19:48,086 >> YES. 393 00:19:48,153 --> 00:19:53,659 >> James: GOOD, OKAY, LET'S GO TO NIBBLES WITH A QUESTION, THIS 394 00:19:53,725 --> 00:19:56,995 MAN PATIENTLY WAITED, A MICROPHONE, YOU ARE NOT GOING TO 395 00:19:57,062 --> 00:19:58,497 CALL MY JIMBO. 396 00:19:58,564 --> 00:19:59,331 >> NO. 397 00:19:59,398 --> 00:19:59,731 >> James: PROMISE? 398 00:19:59,798 --> 00:20:00,866 >> PROMISE. 399 00:20:00,933 --> 00:20:02,768 >> James: ALL RIGHT G FOR IT, SO WHAT IS YOUR QUESTION. 400 00:20:02,834 --> 00:20:04,403 >> SO J-BONE. 401 00:20:04,469 --> 00:20:07,239 >> James: MY NAME IS NOT J-BONE. 402 00:20:07,306 --> 00:20:08,407 >> REALLY, I LIKE IT. 403 00:20:08,473 --> 00:20:14,546 >> James: I DON'T CARE IF YOU LIKE IT THAT ISN'T MY NAME. 404 00:20:14,613 --> 00:20:15,447 >> J-DOG >> James: NO. 405 00:20:15,514 --> 00:20:15,847 >> J-ZILLER? 406 00:20:15,914 --> 00:20:16,548 >> James: NO. 407 00:20:16,615 --> 00:20:17,082 >> JAZZY-J? 408 00:20:17,149 --> 00:20:17,950 >> James: NO. 409 00:20:18,016 --> 00:20:18,617 >> JAR JAR BINKS? 410 00:20:18,684 --> 00:20:19,284 >> James: NO. 411 00:20:19,351 --> 00:20:19,851 >> JIM JONG UN? 412 00:20:19,918 --> 00:20:20,752 >> James: NO. 413 00:20:20,819 --> 00:20:21,987 >> JIM JONG IL? 414 00:20:22,054 --> 00:20:24,456 >> James: NO! NO! NO! 415 00:20:24,523 --> 00:20:25,357 I DON'T WANT ANY NICKNAMES! 416 00:20:25,424 --> 00:20:25,791 JUST CALL ME JAMES! 417 00:20:25,857 --> 00:20:29,494 JAMES CORDEN. 418 00:20:29,561 --> 00:20:35,267 BECAUSE THAT'S MY (/ BLEEP/ ) NAME. 419 00:20:35,334 --> 00:20:35,867 OKAY. 420 00:20:35,934 --> 00:20:39,004 THAT IS WHAT I AM CALLED. 421 00:20:39,071 --> 00:20:41,473 GOT IT? 422 00:20:41,540 --> 00:20:41,873 >> REALLY? 423 00:20:41,940 --> 00:20:43,008 >> James: YES. 424 00:20:43,075 --> 00:20:45,978 >> James: IT'S JUST NOT THAT IS THAT IS NOT WHAT IT SAYS 425 00:20:46,044 --> 00:20:47,446 OUTSIDE. 426 00:20:47,512 --> 00:20:52,184 >> James: WHAT ARE YOU TALKING ABOUT OH MY-- WHO DID THAT, WHO 427 00:20:52,250 --> 00:20:52,985 DID THAT. 428 00:20:53,051 --> 00:20:54,419 I'M GOING TO SORT THIS OUT. 429 00:20:54,486 --> 00:20:56,421 WE'LL BE RIGHT BACK, EVERYBODY. 430 00:20:56,488 --> 00:20:57,489 WHO IS IN CHARGE OF THE SIGN? 431 00:21:18,010 --> 00:21:20,946 ( CHEERS AND APPLAUSE ) >> James: WELCOME BACK. 432 00:21:21,013 --> 00:21:25,584 SHE STARS IN "TELL ME LIES," GRACE VAN PATTEN! 433 00:21:25,651 --> 00:21:35,460 >> Reggie: IT'S GRACE VAN PATTEN! 434 00:21:35,527 --> 00:21:37,529 HE STARS IN "THE GOOD NURSE," EDDIE REDMAYNE! 435 00:21:55,547 --> 00:21:58,750 >> THANK YOU FOR BEING HERE, BLESS YOU FOR COMING. 436 00:21:58,817 --> 00:22:00,719 WE'RE SO HAPPY THAT YOU ARE HERE, GRACE, THIS IS IT, FIRST 437 00:22:00,786 --> 00:22:02,387 LATE NIGHT TALK SHOW, HOW ARE YOU FEELING? 438 00:22:02,454 --> 00:22:04,756 ARE YOU FEELING GOOD? 439 00:22:04,823 --> 00:22:10,829 >> YEAH, IMMEDIATELY HAVE TO POOP! 440 00:22:10,896 --> 00:22:12,330 >> James: OKAY, THAT IS A WONDERFUL FIRST LINE ON YOUR 441 00:22:12,397 --> 00:22:13,665 FIRST LATE NIGHT EXPERIENCE. 442 00:22:13,732 --> 00:22:16,968 BUT YOU FEEL OKAY, YOU HAVE GOT EVERYTHING YOU NEED. 443 00:22:17,035 --> 00:22:17,602 >> I'M GOOD. 444 00:22:17,669 --> 00:22:18,837 THANK YOU SO MUCH. 445 00:22:18,904 --> 00:22:22,774 I HAVE TO THANK YOU BECAUSE MY LITTLE SISTER IS SUCH A BIG FAN. 446 00:22:22,841 --> 00:22:24,509 AND SHE'S MY IDOL. 447 00:22:24,576 --> 00:22:27,612 AND I FEEL LIKE I FINALLY HAVE EARNED HER RESPECT BECAUSE SHE 448 00:22:27,679 --> 00:22:29,981 DOESN'T CARE ABOUT ANYTHING I DO. 449 00:22:30,048 --> 00:22:31,049 SHE IS 11. 450 00:22:31,116 --> 00:22:33,085 nd WHEN I TOLD HER I WAS COMING ON, SHE WAS LIKE WOW, 451 00:22:33,151 --> 00:22:34,152 GRACE. 452 00:22:34,219 --> 00:22:35,821 AND SO I FEEL LIKE I FINALLY HAVE EARNED HER RESPECT. 453 00:22:35,887 --> 00:22:37,923 >> James: WHAT IS HER NAME? 454 00:22:37,989 --> 00:22:38,990 >> JUNE. 455 00:22:39,057 --> 00:22:40,492 >> James: JUNE, WE LOVE YOU, BLESS YOU FOR WATCHING. 456 00:22:40,559 --> 00:22:43,061 WE LOVE YOU, JUNE. 457 00:22:43,128 --> 00:22:47,466 I MEAN EDDIE, YOU HAVE GOT A DONE A LOT OF TALK SHOWS IN YOUR 458 00:22:47,532 --> 00:22:52,804 TIME WHAT ADVICE WITHOUT YOU GIVE TO GRACE. 459 00:22:52,871 --> 00:22:54,840 >> VODKA. 460 00:22:54,906 --> 00:22:55,874 VODKA AND-- . 461 00:22:55,941 --> 00:22:58,076 >> James: REALLY. 462 00:22:58,143 --> 00:23:01,580 >> I LEARNED FROM AMANDA SAYFRIED, I GET VERY NERVOUS. 463 00:23:01,646 --> 00:23:05,951 SHE TOLD ME A TRICK WHICH IS DO A LOAD OF JUMPING JACKS, I THINK 464 00:23:06,017 --> 00:23:09,054 THEY CALL THEM IN AMERICA. 465 00:23:09,121 --> 00:23:10,255 STAR JUMPS. 466 00:23:10,322 --> 00:23:12,858 >> James: WE CALL THEM STAR JUMPS, AMERICA HAS TO ADMIT, IS 467 00:23:12,924 --> 00:23:14,926 A MUCH BETTER NAME. 468 00:23:14,993 --> 00:23:15,861 >> I AGREE. 469 00:23:15,927 --> 00:23:17,529 >> Reggie: ST. >> James: IT IS A MUCH BETTER 470 00:23:17,596 --> 00:23:18,130 NAME. 471 00:23:18,196 --> 00:23:19,264 >> WAY BETTER. 472 00:23:19,331 --> 00:23:22,000 >> James: THIS MAY BE YOUR FIRST SHOW BUT YOU GREW UP IN 473 00:23:22,067 --> 00:23:24,770 THIS BUSINESS OF SHOW, YOU GREW UP IN A FAMILY OF PERFORMERS. 474 00:23:24,836 --> 00:23:27,939 WE HAVE A PHOTO HERE, LOOK AT, THIS A VERY, VERY YOUNG GRACE 475 00:23:28,006 --> 00:23:29,474 WHICH MOHAMMED ALI. 476 00:23:29,541 --> 00:23:31,076 WHAT AN AMAZING PHOTO TO HAVE. 477 00:23:31,143 --> 00:23:33,445 WHAT DO YOU REMEMBER ABOU THIS IF ANYTHING? 478 00:23:33,512 --> 00:23:35,380 >> I WISH I COULD SAY I REMEMBERED IT. 479 00:23:35,447 --> 00:23:40,185 BUT MY DAD WAS WORKING ON A SHOW AND MO HAM I HAD ALI WAS A GUEST 480 00:23:40,252 --> 00:23:43,455 STAR AND MUHAMMAD ALI IS ONE OF MY DAD'S BIGGEST IDOLS. 481 00:23:43,522 --> 00:23:44,689 HE DOESN'T HAVE MANY. 482 00:23:44,756 --> 00:23:50,328 I THINK IT IS MUHAMMAD ALI ALONG WITH PHILLIP PETIT AND HE JUST 483 00:23:50,395 --> 00:23:53,365 CALLED MY MOM, YOU HAVE STO GET OVER HERE, BRING THE GIRLS. 484 00:23:53,431 --> 00:23:56,968 AND MY MOM BROUGHT US AND WE GOT A PICTURE AND ST FRAMED IN THE 485 00:23:57,035 --> 00:23:57,769 HOUSE. 486 00:23:57,836 --> 00:23:58,870 AND IT IS LIKE A LITTLE SHRINE. 487 00:23:58,937 --> 00:24:02,841 >> James: IT IS ABSOLUTELY AMAZING PHOTO TO HAVE. 488 00:24:02,908 --> 00:24:04,009 >> YEAH. 489 00:24:04,075 --> 00:24:05,844 >> James: NOW EDDIE, I WANT TO TALK TO YOU ABOUT THIS, YOU 490 00:24:05,911 --> 00:24:08,713 PRODUCED AND STARRED IN THE MOST PHENOMENAL REVIVAL OF CABARET IN 491 00:24:08,780 --> 00:24:13,752 THE WEST END LAST YEAR T WAS A SMASH HIT. 492 00:24:13,819 --> 00:24:17,889 YOU WERE BEST ACTOR, THE REVIEWS WERE INCREDIBLE. 493 00:24:17,956 --> 00:24:20,692 THE SHOW IS STILL ON AND I WOULD IMPLORE ANYBODY TO GO AND SEE IT 494 00:24:20,759 --> 00:24:21,459 IF YOU ARE IN LONDON. 495 00:24:21,526 --> 00:24:22,661 IT IS AN AMAZING PRODUCTION. 496 00:24:22,727 --> 00:24:26,865 BUT YOU SAID THAT YOU HAD A SEVERE CRISIS OF CONFIDENCE JUST 497 00:24:26,932 --> 00:24:29,234 BEFORE YOU OPENED, WHAT HAPPENED? 498 00:24:29,301 --> 00:24:33,004 >> SO THIS WAS A PRODUCTION I HAD BEEN HELPING TO PRODUCE FOR 499 00:24:33,071 --> 00:24:34,172 LIKE SIX YEARS. 500 00:24:34,239 --> 00:24:38,510 KIND OF A DREAM, WHEN I WAS 18 YEARS OLD HI DONE A STUDENT 501 00:24:38,577 --> 00:24:39,578 PRODUCTION AND I LOVED THAT. 502 00:24:39,644 --> 00:24:41,279 FELT THAT HAD GONE QUITE WELL. 503 00:24:41,346 --> 00:24:45,417 AND WHEN WHICH STARTED PUTTING IT TOGETHER SIX YEARS AGO, IT 504 00:24:45,483 --> 00:24:47,686 WAS A BATTLE TO GET IT UP IN THE WORLD. 505 00:24:47,752 --> 00:24:48,954 AND THEN IT HAPPENED. 506 00:24:49,020 --> 00:24:53,859 AND WE WERE RE-- REHEARSING AND IT WAS ABOUT THREE WEEKS BEFORE 507 00:24:53,925 --> 00:24:57,562 WE ACTUALLY WENT ON STAGE, I WAS FOUND BY ONE OF THE ACTORS IN 508 00:24:57,629 --> 00:25:01,366 THE ENSEMBLE IN A CORRIDOR pHAVING A TOTAL MELTDOWN. 509 00:25:01,433 --> 00:25:03,501 AND SHE TURNED TO ME. 510 00:25:03,568 --> 00:25:04,336 EMILY, AMAING. 511 00:25:04,402 --> 00:25:08,707 AND SHE SAID EDDIE, YOU HAVE GOT THIS. 512 00:25:08,773 --> 00:25:10,609 YOU WERE CAST FOR A REASON. 513 00:25:10,675 --> 00:25:15,080 AND IT WAS VERY SWEET, EXCEPT I TURNED AND SAID THE THING IS I 514 00:25:15,146 --> 00:25:16,047 CAST MYSELF. 515 00:25:16,114 --> 00:25:18,216 SO I DON'T ACTUALLY HAVE THAT. 516 00:25:18,283 --> 00:25:19,584 >> James: IT REALLY DOESN'T WORK. 517 00:25:19,651 --> 00:25:20,785 >> IT WAS HORRIFIC. 518 00:25:20,852 --> 00:25:22,821 >> James: THERE IS NO PROOF THAT I CAN DO THIS OTHER THAN A 519 00:25:22,888 --> 00:25:23,655 PERFORMANCE AT 18. 520 00:25:23,722 --> 00:25:27,359 >> AT 18, I WAS ALL RIGHT. 521 00:25:27,425 --> 00:25:31,296 I THOUGHT WHAT THE [BLEEP] -- AM I DOING. 522 00:25:31,363 --> 00:25:33,932 >> James: YOU BOTH HAVE SOMETHING IN COMMON, QUITE 523 00:25:33,999 --> 00:25:37,702 SURPRISING, YOU ARE BOTH FANS OF A PARTICULAR REALITY TELEVISION 524 00:25:37,769 --> 00:25:40,705 SHOW, GRACE, SHARE WITH US WHAT ARE WE WATCHING WHAT ARE YOU 525 00:25:40,772 --> 00:25:41,940 OBSESSED WITH? 526 00:25:42,007 --> 00:25:42,941 >> IS THIS LOVE ISLAND. 527 00:25:43,008 --> 00:25:44,943 >> James: IT ABSOLUTELY IS. 528 00:25:45,010 --> 00:25:46,077 LOVE ISLAND. 529 00:25:46,144 --> 00:25:49,047 >> I AM ACTUALLY SURPRISED BY THIS, AND IT MAKES ME FEEL 530 00:25:49,114 --> 00:25:51,816 BETTER ABOUT WATCHING IT KNOWING THAT YOU WATCH IT. 531 00:25:51,883 --> 00:25:53,752 >> James: BUT WHAT DO YOU LIKE ABOUT IT, GRACE, WHAT IS IT 532 00:25:53,818 --> 00:25:54,486 ABOUT THE SHOW? 533 00:25:54,552 --> 00:25:56,655 >> IN IS A U.K. VERSION. 534 00:25:56,721 --> 00:25:59,090 >> WHAT IS THERE NOT TO LIKE ABOUT THAT SHOW. 535 00:25:59,157 --> 00:26:02,627 >> EXACTLY THERE IS NOTHING NOT TO LIKE AND IT IS SO SOOTHING TO 536 00:26:02,694 --> 00:26:05,664 ME, ODDLY ENOUGH, ESPECIALLY WHEN I'M WORKING T IS SOMETHING 537 00:26:05,730 --> 00:26:10,001 TO TURN ON THAT IS SO LIKE, MINDLESS IT MAKES YOU FEEL JUST 538 00:26:10,068 --> 00:26:14,673 A LITTLE BIT BETTER ABOUT YOUR LIFE. 539 00:26:14,739 --> 00:26:15,941 AND DID IS SO NICE. 540 00:26:16,007 --> 00:26:20,412 AND I FIND MYSELF FALL ASLEEP TO IT AND DREAMING ABOUT, YOU KNOW, 541 00:26:20,478 --> 00:26:22,714 DAVIDE AND ECKIN SUE. 542 00:26:22,781 --> 00:26:26,117 >> James: SURE, YEAH, I UNDERSTAND. 543 00:26:26,184 --> 00:26:27,319 >> THEY ARE THERE. 544 00:26:27,385 --> 00:26:29,321 >> THAT IS EXACTLY THE SAME, WHEN I AM WORKING, I CAN'T WATCH 545 00:26:29,387 --> 00:26:30,422 FILMS. 546 00:26:30,488 --> 00:26:33,625 I CAN'T READ, I HAVE TO STAY IN THE ZONE, SO SOMETHING 547 00:26:33,692 --> 00:26:36,628 MINDERLESS, IT IS LIKE [BLEEP]. 548 00:26:36,695 --> 00:26:41,066 >> WE LOVE IT I AM WATCHING IT NOW. 549 00:26:41,132 --> 00:26:42,434 >> James. 550 00:26:42,500 --> 00:26:49,574 >> TRUTH BE TOLD, I WAS WAS MAKING A FANTASTIC BEASTS MOVIE, 551 00:26:49,641 --> 00:26:52,610 I WILL BLAME THERE ON MY BROTHER IN THE MOVIE, HE WAS TALKING 552 00:26:52,677 --> 00:26:54,145 ABOUT THIS THING LOVE ISLAND. 553 00:26:54,212 --> 00:26:57,949 I MENTIONED IN THE PAST I HAD AN OBSESSION WITH THE HILLS AND 554 00:26:58,016 --> 00:27:01,786 OTHER SLIGHTLY TRASHY THINGS, MY WIFE IS NOT SO INTO T SLIGHTLY 555 00:27:01,853 --> 00:27:03,521 EMBARRASSED THAT I LIKE T SO I DIDN'T TELL HER BECAUSE I TOLD 556 00:27:03,588 --> 00:27:06,591 HER I WAS GOING TO WORK EVERY DAY AND DOING REALLY INTENSE 557 00:27:06,658 --> 00:27:10,095 WORK, REALLY INTENSE WICKED WORK. 558 00:27:10,161 --> 00:27:12,530 BUT THERE ARE LONG BILTS BETWEEN SCENES WHERE YOU ARE JUST 559 00:27:12,597 --> 00:27:15,000 SITTING IN YOUR TRAILER AND I SORT OF HAPPENED TO GO ON TO 560 00:27:15,066 --> 00:27:18,837 LIKE WATCH LOVE ISLAND T BECAME A HARD-CORE ADDICTION WHICH I 561 00:27:18,903 --> 00:27:22,173 KEPT TO MYSELF UNTIL ONE EVENING AT DINNER SOMEONE WAS TALKING 562 00:27:22,240 --> 00:27:25,543 ABOUT T AND I COULDN'T HELP, OH MY GOD, YES, CHRIS AND KEN 563 00:27:25,610 --> 00:27:29,647 AND-- GOT CALL FORD A CHAT. 564 00:27:29,714 --> 00:27:30,582 >> WHAT? 565 00:27:30,648 --> 00:27:31,816 AND THEY ARE LIKE QULAI, I WATCH IT AT WORK. 566 00:27:31,883 --> 00:27:35,620 YOU YOU WATCH IT AT WORK. 567 00:27:35,687 --> 00:27:37,455 >> COMING HOME SAYING HOW TIRED YOU ARE. 568 00:27:37,522 --> 00:27:40,892 >> James: WELL, IT IS SO WONDERFUL TO HAVE A COUPLE OF 569 00:27:40,959 --> 00:27:44,896 LOVE ISLAND FANS IN THE AND BEING OPEN ABOUT IT. 570 00:27:44,963 --> 00:27:46,064 >> I'M OWNING IT. 571 00:27:46,131 --> 00:27:49,234 >> James: EDDIE, LET'S TALK ABOUT YOUR BRILLIANT NEW FILM, 572 00:27:49,300 --> 00:27:51,736 THE GOOD NURSE WHICH IS BASED ON A FASCINATING TRUE STORY IT IS 573 00:27:51,803 --> 00:27:54,539 YOU AND JESSICA CHASTAIN. 574 00:27:54,606 --> 00:27:57,542 FOR ANYONE WHO DOESN'T KNOW, TELL US WHAT IT IS ABOUT AND WHO 575 00:27:57,609 --> 00:27:58,743 YOU PLAY. 576 00:27:58,810 --> 00:28:01,613 >> SO THE GOOD NURSE IS A TRUE STORY ABOUT THIS EXTRAORDINARY 577 00:28:01,679 --> 00:28:06,017 WOMAN THAT JESSICA PLAYS CALLED AMY LOCKHORN WHO WAS A NURSE WHO 578 00:28:06,084 --> 00:28:12,357 WORKED ALONGSIDE A GUY CALLED CHARLIE CULLEN WHO MURDERED MANY 579 00:28:12,424 --> 00:28:16,995 PEOPLE BETWEEN POTENTIALLY BETWEEN 3400 AND-- 400 AND A 580 00:28:17,062 --> 00:28:18,229 THOUSAND PEOPLE. 581 00:28:18,296 --> 00:28:20,065 AND HE HAD BEEN MOVED ON FROM HOSPITAL TO HOSPITAL DESPITE THE 582 00:28:20,131 --> 00:28:23,768 FACT THAT THEY MAY HAVE HAD A SENSE THAT HE WAS DOING IT. 583 00:28:23,835 --> 00:28:25,303 BECAUSE THEY DIDN'T WANT TO PAY FOR THE LIABILITY. 584 00:28:25,370 --> 00:28:28,440 SO JESSICA PLAY THIS NURSE WHO WAS VERY CLOSE TO HIM WHO ENDED 585 00:28:28,506 --> 00:28:31,776 UP BECOMING LIKE THE KEY INTO STOPPING HIM. 586 00:28:31,843 --> 00:28:33,678 SO IT IS INTENSE STORY. 587 00:28:33,745 --> 00:28:38,016 BUT THE REAL AMY LOCKHORN IS A STAGGERING WOMAN. 588 00:28:38,083 --> 00:28:41,319 >> AND YOU HAD TO TAKE NURSING CLASSES. 589 00:28:41,386 --> 00:28:42,320 >> YEAH. 590 00:28:42,387 --> 00:28:44,522 >> HOW DID YOU DO, DID YOU LEARN ANYTHING USEFUL? 591 00:28:44,589 --> 00:28:48,226 >> WELL, I MEAN, I WAS USELESS. 592 00:28:48,293 --> 00:28:52,263 NEVER COME TO ME IN A MEDICAL EMERGENCY. 593 00:28:52,330 --> 00:28:55,467 BUT THE ONE THING THAT I DID TAKE ALREADY WHICH WAS 594 00:28:55,533 --> 00:29:00,071 INTERESTING S WHEN ARE YOU DOING CPR, WHEN PEOPLE CODE AND ARE 595 00:29:00,138 --> 00:29:02,874 YOU TRYING TO BRING THEM BACK TO LIFE, THE FEW THINGS I LEARNED 596 00:29:02,941 --> 00:29:05,877 THAT I THOUGHT WERE INTRIGUING AND I WILL NEVER FORGET WERE 597 00:29:05,944 --> 00:29:09,280 THAT YOU HAVE TO HAVE YOUR ARMS, THEY HAVE TO BE RIGID AND YOU 598 00:29:09,347 --> 00:29:13,384 HAVE TO PULL FROM THE CORE AND THE RHYTHM THAT YOU HAVE TO DO 599 00:29:13,451 --> 00:29:16,821 IS OH, OH, OH, STAYING ALIVE, STAYING ALIVE. 600 00:29:16,888 --> 00:29:19,958 OH, OH, OH, STAYING ALIVE. 601 00:29:20,024 --> 00:29:24,896 AND THAT IS GENUINELY TRUE, THAT IS NOT A JOKE. 602 00:29:24,963 --> 00:29:28,766 SO I AM IN USE UNLESS A CRISIS, EVERYTHING GOES OUT OF MY HEAD, 603 00:29:28,833 --> 00:29:33,671 I AM HOPING IF THAT WERE EVER TO BE NEEDED, STAYING ALIVE, BEE 604 00:29:33,738 --> 00:29:34,839 GEES. 605 00:29:34,906 --> 00:29:36,774 >> James: I WOULD LOVE TO BRING SOMEONE BACK TO LIFE DOING 606 00:29:36,841 --> 00:29:42,080 THAT AND THEY COME BACK TO LIFE JUST AS IT MOVES UP, GOING LIKE 607 00:29:42,147 --> 00:29:48,753 OH, OH, O, STAYING ALIVE, OH, OH, STAYING ALIVE. 608 00:29:48,820 --> 00:29:52,590 ♪ THAT WOULD BE MY DREAM. 609 00:29:52,657 --> 00:29:55,627 LET'S TAKE A LOOK AT A CLIP FROM THE GOOD NURSE WHICH OPENS IN 610 00:29:55,693 --> 00:29:58,263 SELECT THEATERS OCTOBER 19th AND IS AVAILABLE ON NETFLIX 611 00:29:58,329 --> 00:29:59,564 OCTOBER 26th. 612 00:29:59,631 --> 00:30:08,306 >> I DON'T WANT TO TALK ABOUT HARD FEELINGS. 613 00:30:08,373 --> 00:30:13,611 >> WHY NOT. 614 00:30:13,678 --> 00:30:28,560 >> IS IT BECAUSE WHAT THEY ARE SAYING IS TRUE? 615 00:30:28,626 --> 00:30:29,661 >> IS IT BECAUSE WHAT THEY ARE SAYING IS TRUE? 616 00:30:29,727 --> 00:30:31,496 >> James: I DON'T LIKE HIM, I DON'T LIKE HIM AT ALL. 617 00:30:32,697 --> 00:30:34,699 STICK AROUND, MORE WITH THESE TWO WHEN WE COME BACK. 618 00:30:46,044 --> 00:30:51,616 >> DID YOU HATE HAVING TO GO TO THAT WITH ME? 619 00:30:51,683 --> 00:30:54,552 >> NO, IT WAS FINE. 620 00:30:54,619 --> 00:30:56,754 >> YOU DIDN'T WANT. 621 00:30:56,821 --> 00:30:59,257 >> OKAY, I DON'T HAVE TIME FOR DRAMA. 622 00:30:59,324 --> 00:31:04,929 >> OH, I'M ON MY PERIOD, AND-- I COULD FEEL IT, I FELT IT. 623 00:31:04,996 --> 00:31:07,198 >> ANY ONE WOULD THINK THAT IS WEIRD TO MAKE OUT IN FRONT OF 624 00:31:07,265 --> 00:31:08,266 SOMEONE'S EX, YOU SHOULD THINK THAT IS WEIRD. 625 00:31:17,342 --> 00:31:21,179 >> James: THAT IS FROM TELL ME LIES, NEW EPISODES STREAM 626 00:31:21,246 --> 00:31:24,282 WEDNESDAYS ONLY ON HULLO, CONGRATULATIONS ON THE SHOW. 627 00:31:24,349 --> 00:31:25,516 >> THANK YOU. 628 00:31:25,583 --> 00:31:27,819 >> IT IS SO GREAT, TELL US WHAT IT IS ABOUT AND WHO YOU PLAY. 629 00:31:27,885 --> 00:31:28,953 >> THANK YOU. 630 00:31:29,020 --> 00:31:34,592 >> ST A SHOW ABOUT A VERY INTOXICATING, TOXIC TUMULTUOUS 631 00:31:34,659 --> 00:31:37,862 RELATIONSHIP THAT HAPPENS OVER THE COURSE OF EIGHT YEARS AND I 632 00:31:37,929 --> 00:31:42,600 PLAY LUCY WHO IS AN 18 YEAR OLD WHO IS VERY EMOTIONALLY 633 00:31:42,667 --> 00:31:45,703 REPRESSED AND KIND OF SPENT YEARS BUILDING UP THIS EMOTIONAL 634 00:31:45,770 --> 00:31:47,872 WALL DUE TO HER PAST TRAUMA. 635 00:31:47,939 --> 00:31:51,609 AND SHE MEET THIS GUY THAT SLOWLY CHIPS AWAY AT IT AND SHE 636 00:31:51,676 --> 00:31:56,180 JUST COMPLETELY UNRAVELED. 637 00:31:56,247 --> 00:32:02,654 >> NOW IT WAS IN 2007,S THAT BEEN ONE REVISITING THE FASHION 638 00:32:02,720 --> 00:32:03,921 HOIS CHOICES FROM THAT ERA. 639 00:32:03,988 --> 00:32:06,858 >> IT WAS A NIGHTMARE TO BEGIN W I REMEMBER MY FIRST FITTING AND 640 00:32:06,924 --> 00:32:12,297 WANTING TO VOMIT AT THE SIGHT OF LOW RISE JEANS AND UGGS. 641 00:32:12,363 --> 00:32:17,035 AND BY THE END OF IT, I HAVE MULTIPLE ED HARDY PURCHASES. 642 00:32:17,101 --> 00:32:20,972 I GOT BRAIN WASHED AND I'M SLOWLY COMING BACK TO MYSELF, I 643 00:32:21,039 --> 00:32:22,206 THINK. 644 00:32:22,273 --> 00:32:26,411 >> HANG ON SORKTS ED HARDIE IS THE BIG LETTERS AND THE DRAGONS 645 00:32:26,477 --> 00:32:29,314 AND THE, YEAH, IT WAS. 646 00:32:29,380 --> 00:32:31,549 >> THOSE LOW RIDE JEANS BACK IN FASHION. 647 00:32:31,616 --> 00:32:33,918 >> IT IS BACK, THAT IS WHAT IS CRAZY. 648 00:32:33,985 --> 00:32:36,087 >> BACK AT IT, VERY TIMELY, VERY IN RIGHT NOW. 649 00:32:36,154 --> 00:32:40,091 >> SPEAKING OF EARLY FASHION, I WOULD LIKE TO SHARE WITH 650 00:32:40,158 --> 00:32:47,265 EVERYBODY THIS LITTLE RIGHT HERE, NOW LOOK AT THIS GUY. 651 00:32:47,332 --> 00:32:51,703 [BLEEP]. 652 00:32:51,769 --> 00:32:54,672 >> WHAT IS THAT? 653 00:32:54,739 --> 00:32:59,277 WAIT, WHAT IS THAT? 654 00:32:59,344 --> 00:33:04,582 >> WHAT IS HANGING DOWN THERE? 655 00:33:04,649 --> 00:33:07,652 >> THAT IS-- NO, NO, NO. 656 00:33:07,719 --> 00:33:10,888 >> IS THAT A-- . 657 00:33:10,955 --> 00:33:15,059 >> IF YOU HAVE ANY PHOTO WHEN A FRIEND LOOKS AT YOU AND SAYS THE 658 00:33:15,126 --> 00:33:21,199 WORDS YOU [BLEEP], [BLEEP] THAT IS SO PERFECT. 659 00:33:21,265 --> 00:33:22,934 LET'S JUST TAKE THIS THIS? 660 00:33:23,000 --> 00:33:25,937 >> THE LAST TIME I WAS ON THE SHOW YOU MADE ME LISTEN MYSELF 661 00:33:26,003 --> 00:33:31,542 ING ISING MEMORY AS AN 8 YEAR OLD, HAVE I NEVER BEEN MORE 662 00:33:31,609 --> 00:33:32,377 FURIOUS. 663 00:33:32,443 --> 00:33:36,180 I AM SO THRILLED YOUR SHOW IS ENDING. 664 00:33:36,247 --> 00:33:38,316 >> James: TALK TO ME ABOUT THIS, BECAUSE IT IS WORKING ON 665 00:33:38,383 --> 00:33:41,452 SO MANY LEVELS. 666 00:33:41,519 --> 00:33:45,890 WHAT IS HAPPENING IN THE LOWER HALF? 667 00:33:45,957 --> 00:33:54,399 >> SO THIS-- I HAD A VERY AT 19 I HAD A VERY SHORT LIVED AND 668 00:33:54,465 --> 00:33:55,566 UNSUCCESSFUL PERIOD AS A MODEL. 669 00:33:55,633 --> 00:33:59,804 THE ONLY MAGAZINE THAT I EVER GOT SHOOTS FOR WERE SO HIGH 670 00:33:59,871 --> 00:34:01,172 FASHION THAT NO ONE READ THEM. 671 00:34:01,239 --> 00:34:10,248 THAT IS WHY THEY STAYED UNSIGNABLE FOR PEOPLE WHO LOOKED 672 00:34:10,314 --> 00:34:11,482 FOR STUFF. 673 00:34:11,549 --> 00:34:14,786 THIS WAS CALLED SLEEVE NATION, WAS THE NAME OF THE MAGAZINE, I 674 00:34:14,852 --> 00:34:17,121 DON'T THINK IT REMEMBERS ANY MORE. 675 00:34:17,188 --> 00:34:21,092 THE STYLIST, THERE IS WOMEN'S HARLEQUIN TROWSER AND THEY TRIED 676 00:34:21,159 --> 00:34:24,862 TO ZIP ME IN AND CAUGHT MY FLESH IN THE THINGY SO THAT WAS A 677 00:34:24,929 --> 00:34:25,596 BLOOD WOUND. 678 00:34:25,663 --> 00:34:27,265 THERE I REALLY. 679 00:34:27,331 --> 00:34:29,667 >> I ALSO QUITE LIKE THIS BECAUSE YOU LOOK LIKE YOU MIGHT 680 00:34:29,734 --> 00:34:31,903 HAVE FOUR ARMS. 681 00:34:31,969 --> 00:34:33,438 >> YES. 682 00:34:33,504 --> 00:34:35,673 >> THE OLD OCTOPUS JACKET. 683 00:34:35,740 --> 00:34:36,808 >> ISLANDER. 684 00:34:36,874 --> 00:34:40,945 >> AND WHAT IS AMAZING IS THE FACE IS A SAING, KILL ME. 685 00:34:41,012 --> 00:34:46,451 GET ME OUT OF HERE, AND JUST YOU WAIT ONE DAY I'M GOING TO WIN AN 686 00:34:46,517 --> 00:34:48,019 ACADEMY AWARD. 687 00:34:48,085 --> 00:34:53,291 PLEASE THANK OUR INCREDIBLE GUESTS, GRACE VAN PATTEN, EDDIE 688 00:34:53,357 --> 00:34:54,358 REDMAYNE, STICK AROUND, GABRIELS IS HERE WHEN WE COME BACK. 689 00:35:07,972 --> 00:35:09,907 ( CHEERS AND APPLAUSE ) >> James: HERE PERFORMING THE 690 00:35:09,974 --> 00:35:12,210 TITLE TRACK FROM THEIR DEBUT ALBUM “ANGELS AND QUEENS,” WHICH 691 00:35:12,276 --> 00:35:14,378 IS OUT RIGHT NOW, PLEASE WELCOME, GABRIELS! 692 00:35:14,445 --> 00:35:22,320 ( CHEERS AND APPLAUSE ) >> ♪ BABY GIRL IS FINE 693 00:35:22,386 --> 00:35:27,758 AND 19 ♪ RAISED ON CATFISH 694 00:35:27,825 --> 00:35:32,830 AND COLLARD GREEN ♪ BROWN EYES 695 00:35:32,897 --> 00:35:37,835 SMELLING REAL SWEET ♪ KITTY TIGHT 696 00:35:37,902 --> 00:35:41,639 WITH A STRONG HEARTBEAT ♪ THE WAY SHE PUT THAT THING ON 697 00:35:41,706 --> 00:35:42,940 ME THAT OOH-WEE NANA MAKE ME 698 00:35:43,007 --> 00:35:46,611 ♪ LOSE CONTROL ♪ MICHAEL SAID SHE GON BREAK MY 699 00:35:46,677 --> 00:35:50,715 HEART ♪ AND THEN TAKE MY SOUL 700 00:35:50,781 --> 00:35:55,920 ♪ ANGELS JUST LIKE IT'S ALWAYS 701 00:35:55,987 --> 00:35:57,154 ♪ AND ♪ QUEENS 702 00:35:57,221 --> 00:36:04,629 BEEN ♪ SOMEBODY HELP ME 703 00:36:04,695 --> 00:36:10,368 ♪ BABY GIRL UP IN THE MAGAZINE 704 00:36:10,434 --> 00:36:14,805 ♪ BJ DARLING OF THE FASHION SCENE 705 00:36:14,872 --> 00:36:20,111 ♪ SOLD HER SOUL TO BE A BEAUTY QUEEN 706 00:36:20,177 --> 00:36:23,848 ♪ THAT'S THE WORST DAMN DEAL I'VE EVER SEEN 707 00:36:23,915 --> 00:36:26,284 ♪ OH NOBODY SAID THAT YOU AIN'T 708 00:36:26,350 --> 00:36:27,051 ♪ GOT THE FACE TO CHANGE THE GAME 709 00:36:27,118 --> 00:36:30,187 ♪ AND CHANGE IT ALL OH, YEAH 710 00:36:30,254 --> 00:36:32,189 ♪ YOU'RE JUST ANOTHER MOTHER LOOKIN' UP 711 00:36:32,256 --> 00:36:38,229 ♪ AT A MIRROR BALL, AY ♪ ANGELS 712 00:36:38,296 --> 00:36:40,064 JUST LIKE IT'S ALWAYS AND 713 00:36:40,131 --> 00:36:46,537 ♪ QUEENS BEEN 714 00:36:46,604 --> 00:36:52,643 ♪ SOMEBODY HELP ME ♪ I'VE BEEN FEELING ALONE 715 00:36:52,710 --> 00:36:56,380 SOMEBODY HELP ME ♪ STILL BELIEVING THAT 716 00:36:56,447 --> 00:37:00,551 THIS WOULD GROW ♪ SOMEBODY HELP ME 717 00:37:00,618 --> 00:37:03,654 ♪ I'VE BEEN MEANING TO LET YOU KNOW 718 00:37:03,721 --> 00:37:06,824 ♪ SOMEBODY HELP ME IT'S TIME NOW 719 00:37:06,891 --> 00:37:08,759 ♪ FOR ME TO GO SOMEBODY HELP ME 720 00:37:08,826 --> 00:37:13,030 OH ♪ THIS GLASS CEILING 721 00:37:13,097 --> 00:37:16,000 IS FALLING THROUGH ♪ SOMEBODY HELP ME 722 00:37:16,067 --> 00:37:22,974 STILL I AM NOTHING ♪ WITHOUT YOU 723 00:37:23,040 --> 00:37:26,310 ♪ I DON'T NEED NOBODY BUT YOU AND ME 724 00:37:26,377 --> 00:37:30,615 ♪ I CAN CONQUER ANYTHING I DON'T NEED NOTHING BUT 725 00:37:30,681 --> 00:37:33,517 ♪ YOUR LOVE AND TIME, IT'LL BE JUST FINE 726 00:37:33,584 --> 00:37:36,420 ♪ WHEN I THINK OF ALL THE THINGS WE WENT THROUGH 727 00:37:36,487 --> 00:37:41,158 ♪ NO MATTER WHAT, I STAYED TRUE THROUGH THE UPS AND DOWNS, I 728 00:37:41,225 --> 00:37:43,628 ♪ REALIZED ALL THAT I NEEDED WAS YOU 729 00:37:43,694 --> 00:37:46,197 ♪ ANGELS ANGELS AND 730 00:37:46,263 --> 00:37:47,632 ♪ QUEENS AND 731 00:37:47,698 --> 00:37:50,568 ♪ QUEENS YOU AND ME 732 00:37:50,635 --> 00:37:56,574 ♪ WE WILL ALWAYS BE ANGELS ANGELS 733 00:37:56,641 --> 00:38:01,278 ♪ AND QUEENS AND JUST LIKE IT'S ALWAYS BEEN 734 00:38:01,345 --> 00:38:04,081 ♪ QUEENS JUST LIKE IT'S ALWAYS BEEN 735 00:38:04,148 --> 00:38:08,586 ♪ ANGELS ANGELS AND 736 00:38:08,653 --> 00:38:12,390 ♪ AND QUEENS QUEENS 737 00:38:12,456 --> 00:38:14,425 ♪ BABY, BABY, BABY, BABY, BABY, BABY 738 00:38:14,492 --> 00:38:17,495 ♪ ANGELS WILL ALWAYS BE AND 739 00:38:17,561 --> 00:38:22,033 ♪ YOU AND ME QUEENS 740 00:38:22,099 --> 00:38:27,238 ♪ WE WILL ALWAYS BE ANGELS 741 00:38:27,304 --> 00:38:29,306 ♪ AND QUEENS ( CHEERS AND APPLAUSE ) 742 00:38:42,987 --> 00:38:51,028 >> James: LADIES AND GENTLEMEN, COME ON. 743 00:38:51,095 --> 00:38:53,097 GAB GABRIELS, EVERYBODY, WE'LL BE RIGHT BACK, THAT WAS SO GOOD. 744 00:39:02,940 --> 00:39:03,874 ( CHEERS AND APPLAUSE ) >> James: THANK YOU SO MUCH 745 00:39:03,941 --> 00:39:05,042 FOR WATCHING, >> James: TOMORROW NIGHT: JAMIE 746 00:39:05,109 --> 00:39:09,880 LEE CURTIS, JASON BLUM, AND STAND-UP FROM ZACH ZIMMERMAN. 747 00:39:09,947 --> 00:39:11,949 REGGIE, TAKE US HOME.