1 00:00:03,103 --> 00:00:04,070 ♪ ARE YOU READY, Y'ALL 2 00:00:04,137 --> 00:00:09,309 TO HAVE SOME FUN ♪ trick or treat TONIGHT 3 00:00:09,376 --> 00:00:13,680 DON'T YOU WORRY WHERE THE CANDY COMES FROM, IT'S 4 00:00:13,747 --> 00:00:18,785 GOING TO BE ALL RIGHT. ♪ IT'S "THE LATE LATE SHOW!" 5 00:00:18,852 --> 00:00:29,195 >> ALL RIGHT FROM THE WORLD'S BIGGEST HALLOWEEN ENTHUSIAST, 6 00:00:29,262 --> 00:00:38,705 PLEASE WELCOME MR. JAMES CORDEN! >> James: BLESS YOU, THANK 7 00:00:38,772 --> 00:00:43,009 YOU, YOU'RE VERY, VERY KIND, THANK YOU VERVE MUCH. 8 00:00:43,076 --> 00:00:48,782 WELCOME TO THE "LATE LATE SHOW." HAPPY HALLOWEEN. 9 00:00:48,848 --> 00:00:50,116 THANKS FOR STOPPING BY. WE APPRECIATE YOU BEING HERE. 10 00:00:50,183 --> 00:00:53,787 LET'S TAKE A LOOK AND SEE WHO THE GUESTS ARE ON THE SHOW 11 00:00:53,853 --> 00:00:55,155 TONIGHT! SHE IS AN EMMY AWARD-WINNING 12 00:00:55,221 --> 00:00:58,258 ACTOR, PRODUCER, AND ACTIVIST YOU KNOW FROM "SCANDAL," "RAY," 13 00:00:58,324 --> 00:00:59,492 AND HER NEW SERIES, "REASONABLE DOUBT." 14 00:00:59,559 --> 00:01:00,360 THE ENCHANTING, THE MIGHTY, KERRY WASHINGTON IS ON THE SHOW 15 00:01:00,427 --> 00:01:02,929 TONIGHT! HOW ARE YOU? 16 00:01:02,996 --> 00:01:05,331 >> HI! >> ARE YOU GOOD? 17 00:01:05,398 --> 00:01:07,734 >> I'M SO GOOD. >> James: IT IS SO NICE TO 18 00:01:07,801 --> 00:01:11,638 SEE YOU. I LOVE KERRY WASHINGTON WITH A 19 00:01:11,704 --> 00:01:13,339 POWER SHOULDER. >> YES. 20 00:01:13,406 --> 00:01:18,211 >> James: I LOVE IT. HOW ARE YOU KERRY HOUSE HAVE YOU 21 00:01:18,278 --> 00:01:20,847 BEEN? >> I'VE MISSED YOU MADLY. 22 00:01:20,914 --> 00:01:25,151 >> James: I CAN'T WAIT TO TALK TO YOU LATER. 23 00:01:25,218 --> 00:01:29,422 KERRY WASHINGTON EVERYBODY. AND EAST THE GENIUS BEHIND SO 24 00:01:29,489 --> 00:01:39,833 MANY OF YOUR MOVIES, "BRIDESMAIDS," "THE HEAT," 25 00:01:39,899 --> 00:01:41,100 "SPY," "GHOSTBUSTERS," AND HIS LATEST, "THE SCHOOL FOR GOOD AND 26 00:01:41,167 --> 00:01:41,835 EVIL." THE ALWAYS DASHING PAUL FEIG IS 27 00:01:41,901 --> 00:01:46,206 ON THE SHOW TONIGHT! HOW ARE YOU? 28 00:01:46,272 --> 00:01:59,285 >> WE'RE JUST LOOKING FOR THE RECIPE, IT'S NOT QUITE READY. 29 00:01:59,352 --> 00:02:01,888 >> James: PAUL FEIG EVERYBODY. 30 00:02:01,955 --> 00:02:04,157 AND SHE'S A CHART TOPPING SINGER-SONGWRITER HAILING FROM 31 00:02:04,224 --> 00:02:06,326 ARMENIA. SHE'S HERE TONIGHT TO MAKE HER 32 00:02:06,392 --> 00:02:09,796 LATE-NIGHT TELEVISION DEBUT. WE'RE SO EXCITED TO HAVE HER 33 00:02:09,863 --> 00:02:11,264 WITH US! THE DAZZLING, THE DIVINE, ROSA 34 00:02:11,331 --> 00:02:12,799 LINN IS ON THE SHOW TONIGHT! (CHEERS AND APPLAUSE) 35 00:02:12,866 --> 00:02:15,401 THERE SHE IS! HOW ARE YOU, ARE YOU WELL? 36 00:02:15,468 --> 00:02:17,770 >> I'M GREAT. HOW ARE YOU? 37 00:02:17,837 --> 00:02:25,144 >> James: I WAS TALKING TO ROSA EARLIER, AND TELL EVERYBODY 38 00:02:25,211 --> 00:02:28,781 ABOUT WHAT YOU LEARNED. >> I LEARNED ENGLISH BY WATCHING 39 00:02:28,848 --> 00:02:32,285 YOU! >> James: I SAID, THAT IS A 40 00:02:32,352 --> 00:02:37,090 BAD START! THAT IS A BAD START! 41 00:02:37,156 --> 00:02:40,260 SHE SAID, ESPECIALLY ALL THE CURSE WORDS. 42 00:02:40,326 --> 00:02:44,430 WE LOVE YOU, THANK YOU FOR BEING HERE. 43 00:02:44,497 --> 00:02:49,969 ROSA LINN EVERYBODY. (CHEERS AND APPLAUSE) 44 00:02:50,036 --> 00:02:59,145 BAND, ARE YOU READY? LETS ROLL THE TITLES. 45 00:02:59,746 --> 00:03:03,483 ♪ THE LATE LATE SHOW, OH, OH 46 00:03:03,550 --> 00:03:04,784 THE LATE LATE SHOW, WOO! ♪ THE LATE LATE SHOW, OH, OH 47 00:03:04,851 --> 00:03:08,655 THE LATE LATE SHOW OH-OH! ♪ IT'S THE LATE, LATE SHOW ♪ 48 00:03:11,324 --> 00:03:20,767 >> James: IT CERTAINLY IS! IT'S HALLOWEEN! 49 00:03:20,833 --> 00:03:24,103 WHICH MEANS IT IS THE FINAL NIGHT OF OUR CANDY BAR. 50 00:03:24,170 --> 00:03:26,506 THANKS TO OUR FRIENDS AT HERSHEY'S FOR PROVIDING US 51 00:03:26,573 --> 00:03:30,076 WITH ALL OF THE REESE'S CUPS AND KIT-KATS WE COULD EVER NEED. 52 00:03:30,143 --> 00:03:33,780 THERE IT IS THERE, THANK YOU SO MUCH ENJOYS. 53 00:03:33,846 --> 00:03:38,217 BAND I KNOW YOU'RE ANXIOUS. I PROMISE YOU BY THIS TIME 54 00:03:38,284 --> 00:03:41,988 TOMORROW ALL THE ALCOHOL WILL BE BACK BEHIND THE BAR. 55 00:03:42,055 --> 00:03:49,662 YOU'LL BE FINE. LOOK AT YOU A LITTLE TOP GUN 56 00:03:49,729 --> 00:03:54,200 WORK HERE. >> I THOUGHT IT WAS FINALLY TIME 57 00:03:54,267 --> 00:03:58,705 WE DID SOMETHING TOP GUN THEMED ON OUR SHOW. 58 00:03:58,771 --> 00:04:03,242 >> James: WHAT YOU'RE WEARING THERE IS MY KIND OF COSTUME. 59 00:04:03,309 --> 00:04:08,781 I'VE ONLY WORN COSTUME ONCE TO A HALLOWEEN THING AND I WAS AN 60 00:04:08,848 --> 00:04:11,217 ASTRONAUT AND I WAS VERY COMFORTABLE. 61 00:04:11,284 --> 00:04:15,254 >> THIS IS NOT ONLY YOUR KIND OF COSTUME, THIS IS YOUR COSTUME! 62 00:04:15,321 --> 00:04:18,358 >> James: I LOVE THAT! >> THIS IS EXACTLY LIKE, YOU 63 00:04:18,424 --> 00:04:28,701 WORE THIS IN THE TOP GUN SKETCH WE DID WITH TOM CRUZ. 64 00:04:28,768 --> 00:04:31,838 CRUISE AND I WAS LIKE OH NO. 65 00:04:31,904 --> 00:04:34,073 CHRISTINA IN OUR WARD DRONE DEPARTMENT BROUGHT ME A BUNCH OF 66 00:04:34,140 --> 00:04:37,944 COSTUMES THAT YOU'D WORN AND I THOUGHT THIS WAS THE CLEANEST. 67 00:04:38,011 --> 00:04:44,250 THERE WE ARE. >> James: DID YOU GO TO ANY 68 00:04:44,317 --> 00:04:46,586 HALLOWEEN PARTIES? >> I DID. 69 00:04:46,653 --> 00:04:54,694 MY WIFE AND I DRESSED UP AS GOMEZ AND MORTICIA ADAMS. 70 00:04:54,761 --> 00:05:00,733 IF SHE KNEW THOSE WERE GOING TO BE ON NATIONAL TELEVISION, SHE 71 00:05:00,800 --> 00:05:07,140 PROBABLY WOULD HAVE ASKED WE BE BETTER LIT. 72 00:05:07,206 --> 00:05:16,416 WE USED SO MUCH POMADE. >> James: I'M TRYING TO MAKE 73 00:05:16,482 --> 00:05:28,528 A CONSCIOUS DECISION WHETHER TO IGNORE ROB CRAB. 74 00:05:28,594 --> 00:05:30,430 (LAUGHTER) >> James: I SAW HIM IN THE 75 00:05:30,496 --> 00:05:35,368 BACK OF MY MIND I'M THINKING, IMAGINE WE JUST NEVER GO TO ROB, 76 00:05:35,435 --> 00:05:38,771 ONCE IN THE SHOW. WE NEVER MENTION ROB, WE NEVER 77 00:05:38,838 --> 00:05:42,442 TALK TO ROB. >> I DEFINITELY THOUGHT YOU 78 00:05:42,508 --> 00:05:45,845 WEREN'T GOING TO TALK TO ME. SITTING HERE LIKE THIS. 79 00:05:45,912 --> 00:05:49,782 >> James: IS THIS WHAT YOU'RE GOING TO WEAR TONIGHT, TRICK OR 80 00:05:49,849 --> 00:05:52,585 TREATING? >> THIS COULD GO HOME TONIGHT 81 00:05:52,652 --> 00:05:55,955 BUT I DID HAVE TO DRESS UP OVER THE WEEKEND. 82 00:05:56,022 --> 00:06:02,495 >> James: WE'VE GOT A PICTURE. 83 00:06:02,562 --> 00:06:06,799 THIS IS ROB CRAB OVER THE WEEKEND. 84 00:06:06,866 --> 00:06:11,437 (LAUGHTER) >> I DON'T CHOOSE THOSE THINGS. 85 00:06:11,504 --> 00:06:16,943 THERE IS A WOMAN STANDING NEXT TO ME, MY WIFE, WHO COMES UP 86 00:06:17,009 --> 00:06:19,312 WITH THIS. >> James: SHE SAYS, YOU'RE 87 00:06:19,378 --> 00:06:27,153 GOING TO DRESS UP AS THIS DOLL. AND AT NO POINT DO YOU GO OH NO, 88 00:06:27,220 --> 00:06:29,856 I'M NOT GOING TO -- >> NO I DON'T. 89 00:06:29,922 --> 00:06:33,392 I 100% DO NOT! LOOK AT ME RIGHT NOW AND THIS 90 00:06:33,459 --> 00:06:37,964 WAS JUST PEER PRESSURE AT WORK! >> James: (LAUGHING) WITHOUT 91 00:06:38,030 --> 00:06:43,970 THE DOLL YOU LOOK LIKE A SORT OF DISGRACED FORMER YOUTUBEER. 92 00:06:44,036 --> 00:06:47,073 >> YES! >> James: ARE YOU GOING TO 93 00:06:47,140 --> 00:06:50,743 STAY AS THIS LOBSTER ALL NIGHT? >> IT'S A CRAB, THANK YOU VERY 94 00:06:50,810 --> 00:07:03,523 MUCH! (CHEERING AND APPLAUSE) 95 00:07:03,589 --> 00:07:08,828 >> James: LOOK AT NICKY B, NEK BERNSTEIN, SLASH, SLASH IN 96 00:07:08,895 --> 00:07:17,870 THE HOUSE! ALSO YOU LOOK LIKE A DISGRACED 97 00:07:17,937 --> 00:07:22,108 MAGICIAN. WHO'S BEEN THROWN OUT OF THE 98 00:07:22,175 --> 00:07:25,611 MAGIC CIRCLE. >> YOU KNOW WHAT I LIKE ABOUT 99 00:07:25,678 --> 00:07:29,816 THE COSTUME, IT'S TWO COSTUMES. RIGHT NOW HE'S SLASH. 100 00:07:29,882 --> 00:07:32,919 TAKE OFF THE HAT, HOWARD STERN, BABY! 101 00:07:32,985 --> 00:07:36,589 >> James: WE COULD GO ON LIKE THIS 102 00:07:36,656 --> 00:07:37,824 ALL NIGHT LONG, BUT-- HALLOWEEN OR NOT-- WE HAVE A DUTY TO THE 103 00:07:37,890 --> 00:07:39,959 VIEWER AT HOME. THAT'S RIGHT. 104 00:07:40,026 --> 00:07:44,730 IT'S TIME FOR THE NEWS. ♪ ♪ ♪ 105 00:07:44,797 --> 00:07:46,098 AND TODAY, OPENING STATEMENTS 106 00:07:46,165 --> 00:07:48,835 BEGAN IN THE CRIMINAL TRIAL OF THE TRUMP ORGANIZATION. 107 00:07:48,901 --> 00:07:51,838 THE PROSECUTION LAID OUT THEIR CASE THAT THE COMPANY, FOR 108 00:07:51,904 --> 00:07:56,242 YEARS, PROVIDED UNTAXED COMPENSATION TO TOP EXECUTIVES. 109 00:07:56,309 --> 00:07:57,076 THEIR OPENING STATEMENT WAS, "COME ON! 110 00:07:57,143 --> 00:07:58,177 I MEAN, COME ON! LIKE, COME ON." 111 00:07:58,244 --> 00:07:59,045 THEY PICKED A WEIRD DAY TO BEGIN OPENING STATEMENTS. 112 00:07:59,111 --> 00:08:02,415 IT'S HALLOWEEN. IT'S HARD TO TAKE THINGS 113 00:08:02,481 --> 00:08:04,050 SERIOUSLY, WHEN THE JUDGE IS DRESSED AS ONE OF THE MINIONS. 114 00:08:04,116 --> 00:08:05,518 OF COURSE, WHEN IT WAS THEIR TURN, TRUMP'S LEGAL TEAM OPENED 115 00:08:05,585 --> 00:08:07,153 WITH AN ELABORATE EXPLANATION THAT THE GUILTY PARTY WHO NEEDS 116 00:08:07,220 --> 00:08:12,658 TO BE LOCKED UP IS CLEARLY HILLARY CLINTON. 117 00:08:12,725 --> 00:08:13,993 AND, ELON MUSK IS WASTING NO TIME MAKING CHANGES AT TWITTER. 118 00:08:14,060 --> 00:08:26,405 TODAY, HE FIRED THE ENTIRE BOARD, AND HE'S NOW FLOATING 119 00:08:26,472 --> 00:08:31,410 THE IDEA THAT VERIFIED USERS MAY HAVE TO PAY $20 A MONTH TO 120 00:08:31,477 --> 00:08:36,816 RETAIN THEIR BLUE CHECKMARKS. NOT HIS WORST IDEA. 121 00:08:36,883 --> 00:08:41,554 HIS WORST IDEA WOULD BE BUYING TWITTER. 122 00:08:41,621 --> 00:08:45,825 THAT'S HIS WORST IDEA. SO FAR, MUSK'S BIG PLAN IS JUST, 123 00:08:45,892 --> 00:08:46,993 "I CAN'T MAKE TWITTER SUCK LESS, BUT WHAT IF I MADE IT SUCK 124 00:08:47,059 --> 00:08:51,964 DIFFERENTLY?" HOW MUCH WOULD YOU PAY A MONTH 125 00:08:52,031 --> 00:08:55,735 TO KEEP YOUR BLUE TICK? >> NOTHING. 126 00:08:55,801 --> 00:08:59,205 I'M HANGING ON BY A THREAD RIGHT NOW. 127 00:08:59,272 --> 00:09:04,677 >> James: THAT'S WHY I THINK WHEN YOU SEE MUSK TALK ABOUT 128 00:09:04,744 --> 00:09:08,481 TWITTER, IT'S THE TOWN SQUARE, BUT IT ISN'T. 129 00:09:08,547 --> 00:09:14,487 BECAUSE IF SOMEONE PUTS UP A POSTER IN THE TOWN SQUARE THAT 130 00:09:14,553 --> 00:09:18,424 SAYS GUITAR LESSONS AVAILABLE, YOU DON'T HAVE PEOPLE IN THE 131 00:09:18,491 --> 00:09:23,562 TOWN SAYING, I DON'T WANT TO PLAY THE GUITAR, I WANT TO PLAY 132 00:09:23,629 --> 00:09:28,601 THE PIANO, YOU PIECE OF (BLEEP. YOU DON'T HAVE TO GET MAD ABOUT 133 00:09:28,668 --> 00:09:33,706 ALL OF IT! >> ALL RIGHT, PIANO LESSONS, 134 00:09:33,773 --> 00:09:37,810 WHAT ABOUT PEOPLE WITH NO HANDS? >> James: WHY CAN'T YOU BE 135 00:09:37,877 --> 00:09:46,419 KIND YOU PIECE OF (BLEEP)! IN OTHER NEWS, INSTAGRAM FACED 136 00:09:46,485 --> 00:09:49,455 A MAJOR GLOBAL OUTAGE TODAY, WITH THOUSANDS OF USERS SUDDENLY 137 00:09:49,522 --> 00:09:52,658 FINDING THAT THEIR ACCOUNTS HAD BEEN MYSTERIOUSLY SUSPENDED. 138 00:09:52,725 --> 00:09:58,698 MY HEART GOES OUT TO ALL OF THE INFLUENCERS WHO HAD TO CONFRONT 139 00:09:58,764 --> 00:09:59,966 THEIR OWN PRIVATE THOUGHTS FOR A FEW HOURS. 140 00:10:00,032 --> 00:10:05,171 THE OUTAGE DIDN'T AFFECT ME. NO WAY. 141 00:10:05,237 --> 00:10:06,539 AS LONG AS I HAVE A SKETCHPAD, SOME CHARCOAL PENCILS, AND A 142 00:10:06,605 --> 00:10:07,773 FAX MACHINE, MY FRIENDS ARE ALWAYS GOING TO KNOW WHAT I JUST 143 00:10:07,840 --> 00:10:12,511 HAD FOR LUNCH. AN INSTAGRAM OUTAGE. 144 00:10:12,578 --> 00:10:16,349 HONESTLY, WITH ALL THESE ADULTS IN HALLOWEEN COSTUMES, COULDN'T 145 00:10:16,415 --> 00:10:22,254 HAVE HAPPENED ON A BETTER DAY. AND FINALLY, A WOMAN IN SCOTLAND 146 00:10:22,321 --> 00:10:24,323 WAS SURPRISED TO ATTEND A SERIOUS WORK MEETING TODAY 147 00:10:24,390 --> 00:10:27,226 AND FIND OUT THAT SHE WAS THE ONLY ONE WHO WORE A HALLOWEEN 148 00:10:27,293 --> 00:10:31,797 COSTUME. HAVE A LOOK AT THIS. 149 00:10:31,864 --> 00:10:33,866 HERE THEY ARE. ALL HER COWORKERS ARE GATHERED 150 00:10:33,933 --> 00:10:36,736 IN THE CONFERENCE ROOM. JUST A REGULAR NORMAL MEETING. 151 00:10:36,802 --> 00:10:46,278 EXCEPT FOR ONE PERSON. (LAUGHTER) 152 00:10:46,345 --> 00:10:52,351 DRESSED AS ALLIEG. I LOVE IT. 153 00:10:52,418 --> 00:10:55,021 IT'D BE GREAT IF SHE PLAYED IT OFF, LIKE, "THIS ISN'T A 154 00:10:55,087 --> 00:10:57,156 COSTUME, THIS IS JUST WHAT I LOOK LIKE NOW." 155 00:10:57,223 --> 00:11:00,159 AT THE VERY LEAST, I HOPE SHE AT LEAST STAYED IN CHARACTER. 156 00:11:00,226 --> 00:11:00,960 "LAY OFF HALF THE STAFF? RESPEK. 157 00:11:01,027 --> 00:11:04,063 BOOYAKASHA." THE WOMAN SHOWED UP TO 158 00:11:04,130 --> 00:11:09,435 A "SERIOUS TEAM MEETING" AS ALI G., ONLY TO DISCOVER THAT 159 00:11:09,502 --> 00:11:14,673 -- HARD TO SAY THAT, I'VE JUST REALIZED, ONLY TO IS DISCOVER, 160 00:11:14,740 --> 00:11:20,980 I'M STAYING DRUNK! ONLY TO DISCOVER THAT NO ONE 161 00:11:21,047 --> 00:11:23,549 ELSE HAD DRESSED UP FOR HALLOWEEN. 162 00:11:23,616 --> 00:11:25,117 WHAT A GREAT WAY TO FIND OUT THAT YOU DON'T HAVE ANY FRIENDS 163 00:11:25,184 --> 00:11:25,985 AT WORK. PRETTY EMBARRASSING. 164 00:11:26,052 --> 00:11:26,852 BUT NOT NEARLY AS EMBARRASSING AS THIS! 165 00:11:26,919 --> 00:11:28,287 BUT IT'S EMBARRASSING. THAT'S THE NEWS. 166 00:11:28,354 --> 00:11:30,156 WE'LL BE RIGHT BACK WITH MORE "LATE LATE SHOW!" 167 00:11:51,710 --> 00:11:52,645 ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK NOW. 168 00:11:52,711 --> 00:11:56,649 IT'S OKAY STEVE, YES NICE, I LIKE IT, I DIG THAT! 169 00:11:56,715 --> 00:12:02,688 >> YES IT IS A LONG ONE WASN'T IT, LONG SYNTHESIZER TONE. 170 00:12:02,755 --> 00:12:08,427 I WAS NOT EXPECTING THAT ONE. >> YOU HAD A HAIR BALL EARLIER. 171 00:12:08,494 --> 00:12:10,296 FEELING WEIRD. >> James: YOU HAD A WHAT? 172 00:12:10,362 --> 00:12:16,469 >> A HAIR BALL. >> James: BECAUSE YOU WERE A 173 00:12:16,535 --> 00:12:17,503 CAT. >> CATS. 174 00:12:17,570 --> 00:12:20,506 THAT'S WHAT WE WERE DOING, WE WERE CATS. 175 00:12:20,573 --> 00:12:24,243 WE WERE CATS. HAIR BALLS, YOU KNOW? 176 00:12:24,310 --> 00:12:27,947 >> James: YEAH YEAH YEAH, GOT IT. 177 00:12:28,013 --> 00:12:32,885 >> AND I'M GRAY. I HAVE A GRAY AND THE EAR'S BIT 178 00:12:32,952 --> 00:12:40,626 OFF BECAUSE I'M AN OLD TEXT. >> James: REGGIE TEXTED ME, 179 00:12:40,693 --> 00:12:44,130 SAID I'M SO SORRY, I CAN'T BE AT THE SHOW. 180 00:12:44,196 --> 00:12:46,499 I SAID TAKE YOUR TIME, WE'LL BE FINE. 181 00:12:46,565 --> 00:12:50,569 AND I REGRET THAT NOW. (LAUGHTER) 182 00:12:50,636 --> 00:12:56,809 >> James: BUT IT'S HALLOWEEN AND IT SEEMS 183 00:12:56,876 --> 00:12:58,010 THAT EVERYWHERE, THINGS ARE GETTING INTO THE SPIRIT, 184 00:12:58,077 --> 00:12:58,811 INCLUDING ONE OF MY FAVORITE SHOWS. 185 00:12:58,878 --> 00:13:00,146 TAKE A LOOK. ♪ ♪ ♪ 186 00:13:00,212 --> 00:13:05,317 >> Announcer: IT'S THE FINAL ROUND OF THE "GREAT BRITISH 187 00:13:05,384 --> 00:13:10,756 BAKING SHOW HALLOWEEN EDITION." AND VYING FOR THE CROWN OF 188 00:13:10,823 --> 00:13:12,158 STAR BAKER ARE FOUR OF THE MOST TERRIFYING BEINGS KNOWN TO 189 00:13:12,224 --> 00:13:14,793 MAN! FREDDY KREUGER! 190 00:13:14,860 --> 00:13:19,732 PINHEAD! THE GIRL FROM "THE EXORCIST!" 191 00:13:19,798 --> 00:13:26,939 AND, JOSH GAD! (LAUGHTER) 192 00:13:27,006 --> 00:13:29,041 >> WHO'S IN THE LEAD? I WOULD HAVE SAID FREDDY WITH 193 00:13:29,108 --> 00:13:31,143 HIS BRANDY SNAPS, BUT HE LET HIMSELF DOWN WHEN HE BRUTALLY 194 00:13:31,210 --> 00:13:32,711 STABBED PRUE LEITH TO DEATH. SO RIGHT NOW, IT'S ANYONE'S 195 00:13:32,778 --> 00:13:37,950 GAME. >> LOOK, I LOVE BAKING, BUT I 196 00:13:38,017 --> 00:13:42,354 DON'T UNDERSTAN WHY I'M HERE. I'M A NICE GUY. 197 00:13:42,421 --> 00:13:49,328 I'M NOT EVIL. >> James: WELCOME BACK 198 00:13:49,395 --> 00:13:55,668 BAKERS, FOR YOUR FINAL SHOWSTOPPER 199 00:13:55,734 --> 00:13:56,936 CHALLENGE, I WOULD LIKE YOU TO MAKE "THE CAKE OF YOUR DREAMS." 200 00:13:57,002 --> 00:13:58,804 IT NEEDS TO BE VISUALLY EXCITING, TEXTUALLY STUNNING, 201 00:13:58,871 --> 00:13:59,972 AND A TASTE SENSATION. YOU HAVE FOUR HOURS. 202 00:14:00,039 --> 00:14:09,148 ON YOUR MARKS, GET SET... BAKE. 203 00:14:09,215 --> 00:14:14,620 ♪ ♪ ♪ NOTES >> YOU KNOW, I ACTUALLY GOT INTO 204 00:14:14,687 --> 00:14:15,821 BAKING FAIRLY RECENTLY. IT'S A NICE SORT OF RESET, AFTER 205 00:14:15,888 --> 00:14:19,091 A DAY SPENT TORTURING PEOPLE FOR MY OWN SICK PLEASURE. 206 00:14:19,158 --> 00:14:24,630 PLUS, FOOD IS MY LOVE LANGUAGE. THANKS A LOT, MOM! 207 00:14:24,697 --> 00:14:32,238 (LAUGHTER) (DRAMATIC MUSIC) 208 00:14:32,304 --> 00:14:34,974 IS HE ALWAYS LIKE THIS? HIS EYES. 209 00:14:35,040 --> 00:14:42,915 IT'S LIKE HE'S LOOKING INTO YOUR SOUL. 210 00:14:42,982 --> 00:14:44,717 >> SO, REGAN, WHAT HAVE WE GOT HERE? 211 00:14:44,783 --> 00:14:47,686 >> YOUR MOTHER ROTS IN HELL! >> SHE SAYS SHE'S MAKING A LEMON 212 00:14:47,753 --> 00:14:50,489 CHIFFON CAKE. >> I SEE. 213 00:14:50,556 --> 00:14:52,124 AND, REGAN, IS THAT A CREAM CHEESE FROSTING YOU'RE USING? 214 00:14:52,191 --> 00:15:00,432 >> YOU'RE GOING TO DIE, WORTHLESS SLIME! 215 00:15:00,499 --> 00:15:02,034 >> SHE SAYS IT'S ACTUALLY A FRENCH BUTTERCREAM. 216 00:15:02,101 --> 00:15:03,502 >> FRENCH BUTTERCREAM? REALLY? 217 00:15:03,569 --> 00:15:04,670 IN A LEMON CHIFFON? HMM... 218 00:15:04,737 --> 00:15:10,509 GOOD LUCK. >> I'M MAKING A RASPBERRY JAM, 219 00:15:10,576 --> 00:15:14,213 FOR A CLASSIC SPONGE CAKE. THIS RECIPE WAS PASSED DOWN 220 00:15:14,280 --> 00:15:15,848 TO ME BY MY BUBBIE, WHO USED TO MAKE IT DURING ALL THE 221 00:15:15,914 --> 00:15:19,918 HIGH HOLIDAYS. STILL DON'T KNOW WHY I'M HERE 222 00:15:19,985 --> 00:15:22,221 BU I'M GOING TO MAKE THE BEST OF IT. 223 00:15:22,288 --> 00:15:33,932 >> OH, HE KNOWS WHY HE'S HERE. YOU KNOW WHY YOU'RE HERE! 224 00:15:33,999 --> 00:15:39,672 (LAUGHTER) >> BAKERS, YOU HAVE ONE HOUR 225 00:15:39,738 --> 00:15:42,474 LEFT! (SNARLING) 226 00:15:42,541 --> 00:15:45,444 THE POWER OF CHRIST COMPELS YOU! THE POWER OF CHRIST COMPELS YOU! 227 00:15:45,511 --> 00:15:54,920 59 MINUTES. THE POWER OF CHRIST COMPELS YOU! 228 00:15:54,987 --> 00:15:56,322 THIS IS NOT GOOD! MY CORNERS ARE COLLAPSING, AND I 229 00:15:56,388 --> 00:15:59,158 HAVEN'T EVEN MADE MY FONDANT! WHERE'S MY WHISK? 230 00:15:59,224 --> 00:16:04,563 WHERE'S MY WHISK! >> BAKERS YOU HAVE FIVE MINUTES 231 00:16:04,630 --> 00:16:11,203 LEFT. >> ARGGH... 232 00:16:11,270 --> 00:16:12,638 IT DOESN'T LOOK LIKE IT'S RISING. 233 00:16:12,705 --> 00:16:15,674 >> I NEED MORE TIME FOR THIS PIPING! 234 00:16:15,741 --> 00:16:16,475 >> YOUR MOTHER (BLEEP) IN HELL! >> TIME'S UP! 235 00:16:16,542 --> 00:16:24,817 BAKERS, STEP AWAY. FROM YOUR BAKES. 236 00:16:24,883 --> 00:16:27,753 >> NOW THIS IS TIME FOR PAUL HOLLYWOOD TO JUDGE THEIR 237 00:16:27,820 --> 00:16:29,121 CREATIONS. FIRST UP IS FREDDY KRUEGER. 238 00:16:29,188 --> 00:16:31,190 >> MMM. FREDDY, THAT IS FANTASTIC. 239 00:16:31,256 --> 00:16:32,091 THAT FONDANT IS SO RICH. WELL DONE. 240 00:16:32,157 --> 00:16:44,403 AHHHHHH! NEXT UP, LITTLE POSSESSED GIRL. 241 00:16:44,470 --> 00:16:48,574 pWELL, AT FIRST GLANCE, IT DOES LOOK A BIT BORING. 242 00:16:48,640 --> 00:17:02,454 (VOMITING) NEXT! 243 00:17:02,521 --> 00:17:05,557 >> WHEN I THINK OF MY DREAMS, I THINK OF MY DAUGHTERS. 244 00:17:05,624 --> 00:17:07,559 THIS IS THEIR FAVORITE MYTHICAL CREATURE. 245 00:17:07,626 --> 00:17:10,929 AND MINE. HASHTAG "GIRL DAD." 246 00:17:10,996 --> 00:17:13,399 >> MMM. HOW DO YOU THINK YOU DID? 247 00:17:13,465 --> 00:17:16,001 >> WELL, I THINK PRETTY GOOD. >> REALLY? 248 00:17:16,068 --> 00:17:17,436 >> YES. >> YOU THINK THIS CAKE IS GOOD? 249 00:17:17,503 --> 00:17:27,279 >> I THINK THE CAKE IS GOOD. ♪ ♪ ♪ 250 00:17:27,346 --> 00:17:34,453 >> GO OVER THERE YOU EVIL BASTARD. 251 00:17:34,520 --> 00:17:40,225 >> SO THIS IS THE CAKE OF MY DREAMS. 252 00:17:40,292 --> 00:17:41,693 OBVIOUSLY, IT'S A FLAYED TORSO, BUT IT ALSO REPRESENTS ETERNAL 253 00:17:41,760 --> 00:17:42,961 DAMNATION. IT'S A THREE-LAYER SPONGE. 254 00:17:43,028 --> 00:17:44,229 THE ENTRAILS ARE A STRAWBERRY FONDANT, AND THE BLOOD IS FROM A 255 00:17:44,296 --> 00:17:59,178 DEAD LATVIAN PRIEST. >> YOU MEAN YOU TOOK A RISK. 256 00:17:59,244 --> 00:18:00,145 DEAD LATVIAN PRIEST. >> YOU MEAN YOU TOOK A RISK. 257 00:18:00,212 --> 00:18:01,513 UNFORTUNATELY IT'S NOT PAID OFF. I'M SORRY. 258 00:18:01,580 --> 00:18:06,418 I'M SORRY. >> WELL, IT'S BEEN AN AMAZING 259 00:18:06,485 --> 00:18:07,519 COMPETITION. YOU'VE ALL DONE SO WELL. 260 00:18:07,586 --> 00:18:11,156 AND I AM DELIGHTED TO TELL YOU, THE STAR BAKER IS... 261 00:18:11,223 --> 00:18:20,132 (SUSPENSEFUL MUSIC) JOSH GAD. 262 00:18:20,199 --> 00:18:31,376 [ CLA COLL CLAPS, ] OKAY, THEN. 263 00:18:31,443 --> 00:18:38,217 PINHEAD. THE STAR BAKER IS FINHEAD. 264 00:18:38,283 --> 00:18:46,058 WELL DONE. I THINK I'M GOING TO CRY. 265 00:18:46,125 --> 00:18:52,865 THANK YOU. I CAN'T BELIEVE IT! 266 00:18:52,931 --> 00:19:01,073 I WAS ALWAYS THE UNDERDOG. THE FRIENDSHIPS WILL LAST A 267 00:19:01,139 --> 00:19:04,042 LIFETIME. >> I THINK THIS IS JUST THE 268 00:19:04,109 --> 00:19:18,724 BEGINNING OF ME. >> SHE SAID SATAN, IN HELL! 269 00:19:18,790 --> 00:19:23,862 >> WE'LL BE RIGHT BACK EVERYBODY! 270 00:19:45,951 --> 00:19:47,085 ♪ ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 271 00:19:47,152 --> 00:19:49,021 LET'S MEET OUR GUESTS TONIGHT! SHE STARS IN "THE SCHOOL FOR 272 00:19:49,087 --> 00:20:03,969 GOOD AND EVIL." IT'S KERRY WASHINGTON! 273 00:20:04,036 --> 00:20:05,070 GOOD AND EVIL." IT'S KERRY WASHINGTON! 274 00:20:05,137 --> 00:20:05,871 (CHEERS AND APPLAUSE) SCHOOL FOR GOOD AND EVIL, IT'S 275 00:20:05,938 --> 00:20:06,939 CALLED ME! >> James: HE DIRECTED "THE 276 00:20:07,005 --> 00:20:07,806 SCHOOL FOR GOOD AND EVIL." PLEASE WELCOME PAUL FEIG! 277 00:20:07,873 --> 00:20:22,754 (CHEERS AND APPLAUSE) YOU'RE AMAZING. 278 00:20:22,821 --> 00:20:26,992 (CHEERS AND APPLAUSE) YOU'RE AMAZING. 279 00:20:27,059 --> 00:20:30,162 BLESS YOU FOR BEING HERE, THANK YOU FOR COMING. 280 00:20:30,228 --> 00:20:34,333 I'M SO HAPPY THAT YOU BOTH FOUND THE TIME TO BE HERE. 281 00:20:34,399 --> 00:20:38,070 NOW I KNOW YOU'VE WANTED TO WORK TOGETHER FOR QUITE SOME TIME. 282 00:20:38,136 --> 00:20:41,907 PAUL WHAT WAS IT THAT FIRST DREW YOU TO KERRY? 283 00:20:41,974 --> 00:20:46,511 >> WHAT DIDN'T? I WAS A HUGE SCANDAL FAN. 284 00:20:46,578 --> 00:20:53,585 I HAVE TO MEET KERRY. THEN WHEN I SAW HER HOST S AND L 285 00:20:53,652 --> 00:20:56,221 THAT WAS IT! >> HUGE FAN. 286 00:20:56,288 --> 00:21:06,598 WHEN I SAW "BRIDES MAIDS" THAT WAS LIKE THIS IS MY FAVORITE 287 00:21:06,665 --> 00:21:09,034 MOVIE EVER EVER EVER! I WAS SO EXCITED. 288 00:21:09,101 --> 00:21:14,640 >> James: WHEN YOU WATCH FILMS AND YOU FEEL LIKE THEY'RE 289 00:21:14,706 --> 00:21:18,944 HAVING A GOOD TIME YOU FEEL EXCLUDED. 290 00:21:19,011 --> 00:21:21,513 IT FEELS LIKE YOU'RE INCLUDED IN ALL THE FUN. 291 00:21:21,580 --> 00:21:25,250 HOW DO YOU DO THAT? >> I WANT TO MAKE MY MOVIES FEEL 292 00:21:25,317 --> 00:21:28,220 LIKE A PARTY. WE HAVE A GREAT SCRIPT, THEY 293 00:21:28,286 --> 00:21:31,390 SURPRISE ME WITH JOKES AND I SURPRISE THEM WITH JOKES AND YOU 294 00:21:31,456 --> 00:21:34,059 WANT TO FEEL LIKE YOU'RE WATCHING THERE WITH THEM. 295 00:21:34,126 --> 00:21:36,928 >> James: WE'RE TALK BHG PARTIES. 296 00:21:36,995 --> 00:21:45,671 IT IS -- ABOUT PARTIES, DON'T WORRY ABOUT PARTIES BECAUSE 297 00:21:45,737 --> 00:22:00,619 KERRY WASHINGTON HAS WON WITH THIS LYE L LIONEL RICHIE. 298 00:22:00,686 --> 00:22:03,088 KERRY WASHINGTON HAS WON WITH THIS LYE L LIONEL RICHIE. 299 00:22:03,155 --> 00:22:10,362 WHAT MADE YOU A LIONEL RICHIE FAN. 300 00:22:10,429 --> 00:22:22,240 >> I PROBABLY WOULD CRY IF IT WAS "HELLO IDENTITY -- 301 00:22:22,307 --> 00:22:29,614 >> I DO IT ALL AGAIN AND AGAIN ♪ ♪ WHOA, WHOA. 302 00:22:29,681 --> 00:22:32,951 >> James: SO GOOD. IT'S SO GOOD! 303 00:22:33,018 --> 00:22:35,387 >> I LOVE THAT YOUR CAPTION FOR THAT WAS I'M GOING TO TORTURE MY 304 00:22:35,454 --> 00:22:42,260 CHILDREN ALL NIGHT LONG. >> HE REPOSTED THAT, HIS 305 00:22:42,327 --> 00:22:49,234 DAUGHTER IN A POST COMMENTED. >> I HAVE NEVER FELT CLOSER TO 306 00:22:49,301 --> 00:22:51,403 YOUR DAD. >> James: WHAT WAS YOUR 307 00:22:51,470 --> 00:22:55,907 FAVORITE HALLOWEEN COSTUME WITH YOUR KIDS WHEN YOU WERE GROWING 308 00:22:55,974 --> 00:22:58,443 UP? >> MY MOM HAD THIS WIG THAT I 309 00:22:58,510 --> 00:23:02,214 THOUGHT WAS REALLY NICE. I THOUGHT, I WOULD DRESS UP LIKE 310 00:23:02,280 --> 00:23:07,552 00 GIRL, I KIND OF FELL IN LOVE WITH MYSELF, I WAS SO BEAUTIFUL, 311 00:23:07,619 --> 00:23:12,524 SO THERE YOU GO. >> HIS FAVORITE COSTUME WAS 312 00:23:12,591 --> 00:23:14,626 HIMSELF. > James: NOW PAUL YOU'VE 313 00:23:14,693 --> 00:23:17,395 BEEN SPENDING A LOT OF TIME IN MY HOME TOWND OF LONDON. 314 00:23:17,462 --> 00:23:22,200 I WANT TO KNOW ALL ABOUT THIS. YOU RECENTLY HAD AN AUDIENCE 315 00:23:22,267 --> 00:23:24,402 WITH KING CHARLES. HOW DID THIS HAPPEN? 316 00:23:24,469 --> 00:23:31,777 TELL ME EVERYTHING. >> I'M A GOOD FRIEND WITH AN 317 00:23:31,843 --> 00:23:41,019 AUTHOR SANTA MONTAFIORI. SHE SAID I'M GOING TO TAKE YOU 318 00:23:41,086 --> 00:23:46,591 TO TEA WITH THE PRINCE. NICE TO MEET YOU, YOUR ROYAL 319 00:23:46,658 --> 00:23:52,831 HIGHNESS. THERE HE IS, AND I WENT NICE TO 320 00:23:52,898 --> 00:23:57,869 MEET YOU RUFFF. I BLEW ALL THE AIR OUT OF MY 321 00:23:57,936 --> 00:24:01,039 LUNGS. HE WENT, NICE TO MEET YOU. 322 00:24:01,106 --> 00:24:04,910 I MADE A MARTINI WITH THE NOW THE KING. 323 00:24:04,976 --> 00:24:08,747 THERE YOU GO. >> James: STOP! 324 00:24:08,814 --> 00:24:13,552 YOU FIXED A MARTINI FOR KING CHARLES! 325 00:24:13,618 --> 00:24:16,454 WOW! >> WELL WHAT ARE YOU GOING TO 326 00:24:16,521 --> 00:24:17,589 DO! >> James: HOW LONG WERE 327 00:24:17,656 --> 00:24:19,825 THROUGH? >> HOUR AND A HALF TEA AND IT 328 00:24:19,891 --> 00:24:22,194 WAS LOVELY. >> James: WHAT TIME OF DAY 329 00:24:22,260 --> 00:24:24,696 WAS THIS? >> TEA TIME. 330 00:24:24,763 --> 00:24:30,735 >> HOW DOES HE LIKE HIS MARTINI? >> VERY DRY. 331 00:24:30,802 --> 00:24:35,307 I WAS A SUPER-POWER. >> A LOT OF SUPER-POWERS. 332 00:24:35,373 --> 00:24:39,978 >> James: YOU HAVE SPENT TIME WITH WHAT I CONSIDER TO BE 333 00:24:40,045 --> 00:24:43,515 AMERICAN ROYALTY. STACY ABRAMS. 334 00:24:43,582 --> 00:24:45,717 HOW HAS IT BEEN OUT ON THE CAMPAIGN TRAIL? 335 00:24:45,784 --> 00:24:51,489 >> WHEN I'M NOT WORKING I LIKE TO REMIND PEOPLE HOW IMPORTANT 336 00:24:51,556 --> 00:24:56,595 OUR VOTE IS, WE LIVE IN A DEMOCRACY, EVERY VOTE MATTERS. 337 00:24:56,661 --> 00:25:00,999 NEXT WEEK I GO TO I LOVE STACY, I WANT YOU TO GET OUT THERE AND 338 00:25:01,066 --> 00:25:04,736 VOTE. I'M GOING TO BE IN NEXT WEEK IN 339 00:25:04,803 --> 00:25:08,139 ARIZONA, NEVADA, MICHIGAN AND PENNSYLVANIA JUST REALLY 340 00:25:08,206 --> 00:25:12,010 ENCOURAGING PEOPLE IN THESE KEY STATES TO GET OUT AND VOTE. 341 00:25:12,077 --> 00:25:15,947 BECAUSE MID TERMS ARE WHEN YOUR LOCAL ELECTIONS ARE CHOSEN. 342 00:25:16,014 --> 00:25:18,516 SO IMPORTANT! (APPLAUSE) 343 00:25:18,583 --> 00:25:24,055 >> James: AND HOW DOES STACY ABRAMS LIKE HER MARTINI? 344 00:25:24,122 --> 00:25:30,562 >> I DON'T KNOW, I DIDN'T GET TO FIX HER A MARTINI. 345 00:25:30,629 --> 00:25:35,267 I DID GET HER DANCING OUT IN THE STREETS, WHICH IS REALLY FUN. 346 00:25:35,333 --> 00:25:39,471 >> James: WE LOVE HER IN THIS SHOW. 347 00:25:39,537 --> 00:25:43,375 SHE'S EXCEPTIONAL SHE REALLY IS. PAUL, ANNAL EARLY TELEVISION 348 00:25:43,441 --> 00:25:46,278 APPEARANCE, THIS IS YOU, I DON'T KNOW HOW OLD YOU ARE BUT THIS IS 349 00:25:46,344 --> 00:25:52,050 YOU AS A CONTESTANT ON A GAME SHOW. 350 00:25:52,117 --> 00:25:59,925 >> LOOK AT YOU! >> THE $25,000 PYRAMID, 1985. 351 00:25:59,991 --> 00:26:03,662 I HAD A HAIRCUT LIKE A TOILET BRUSH. 352 00:26:03,728 --> 00:26:08,733 I ENDED UP WINNING, $29,000! >> WHAT? 353 00:26:08,800 --> 00:26:14,773 >> THE LOIS NETTLETON, ACTRESS, SHE WAS GREAT. 354 00:26:14,839 --> 00:26:21,279 IT ALLOWED ME TO QUIT MY REGULAR JOB AND BECOME A STAND-UP 355 00:26:21,346 --> 00:26:25,951 COMEDIAN. I OWE IT ALL TO DICK CLARK AND 356 00:26:26,017 --> 00:26:30,522 LOIS NETTLETON. >> James: QUIT YOUR DAY JOB. 357 00:26:30,588 --> 00:26:38,229 >> I WANTED TO BE A COMEDIAN. THE LONG MIC, THE LONG '70s 358 00:26:38,296 --> 00:26:41,599 MIC. >> HE'S ALWAYS IMPECCABLY 359 00:26:41,666 --> 00:26:43,702 DRESSED. >> James: YOU ARE ALLOWED, 360 00:26:43,768 --> 00:26:47,439 YOU ARE ALLOWED NOBODY WILL SHOW YOU MORE THAN KERRY WASHINGTON 361 00:26:47,505 --> 00:26:50,308 THAT YOU ARE ALLOWED TO MULTITASK. 362 00:26:50,375 --> 00:26:57,682 BECAUSE YOU RECENTLY DIRECTED AN EPISODE OF "REASONABLE DOUBT" 363 00:26:57,749 --> 00:27:05,557 YOU ALSO EXEC DIRECTED THE SHOW. DID PAUL GIVE YOU ANY ADVICE? 364 00:27:05,623 --> 00:27:07,926 >> DIRECTING WOULD BE LIKE THE CAPTAIN OF A SHIP. 365 00:27:07,993 --> 00:27:12,297 IF HE WALKED ON THE SHIP AND THE CAPTAIN WAS IN SWEAT PANTS HE 366 00:27:12,364 --> 00:27:18,570 WOULD WALK OFF THE SHIP. WHICH IS WHY HE IS DRESSED THIS 367 00:27:18,636 --> 00:27:23,942 WAY ALL THE TIME. EVERY TIME I DIRECT, I'M IN 368 00:27:24,009 --> 00:27:28,213 SWEATS, THREE ARE GREAT SWEATS, LIKE DOPE SNEAKERS, I HOPE 369 00:27:28,279 --> 00:27:31,316 THEY'RE SOME COMFORT BUT I'M FAILING IN THE FALL! 370 00:27:31,383 --> 00:27:34,486 >> James: A LOT OF THE TIME THAT YOU'RE ON A SET YOU'VE HAD 371 00:27:34,552 --> 00:27:37,422 TO GO THROUGH COSTUME AND MAKEUP AND ALL OF THOSE THINGS. 372 00:27:37,489 --> 00:27:41,426 >> THAT'S WHAT IT IS. >> James: I ACTUALLY THINK IT 373 00:27:41,493 --> 00:27:43,995 MAKES COMPLETE SENSE TO ME THAT YOU WOULD WANT TO FEEL 374 00:27:44,062 --> 00:27:47,165 DIFFERENT. >> I DON'T WANT TO BE THE GLAM 375 00:27:47,232 --> 00:27:52,470 VERSION, I WANT TO LET EVERYBODY KNOW I'M IN THE TRENCHES. 376 00:27:52,537 --> 00:27:55,206 BRILLIANT. LET ME OFF THE HOOK! 377 00:27:55,273 --> 00:28:01,279 >> James: WHEN DID IT START PAUL THIS INCREDIBLE BESPOKE? 378 00:28:01,346 --> 00:28:06,051 >> I'VE NEVER SEEN HIM IN THE SAME OUTFIT. 379 00:28:06,117 --> 00:28:11,389 >> James: THIS IS THE SECOND OUTFIT HE'S HAD ON THERE SHOW 380 00:28:11,456 --> 00:28:14,059 TONIGHT. YOU CHANGED FOR THE CHECK IN AND 381 00:28:14,125 --> 00:28:18,797 CHANGED AGAIN. >> THAT'S HOW WE DO IT JAMES, 382 00:28:18,863 --> 00:28:23,001 IT'S SHOW BIZ. I WAS PROBABLY EIGHT YEARS OLD 383 00:28:23,068 --> 00:28:26,271 WHEN I GOT MY FIRST THREE PIECE SUIT. 384 00:28:26,337 --> 00:28:30,975 MY FATHER WAS SO UPSET NOT BECAUSE OF THE SUIT. 385 00:28:31,042 --> 00:28:35,046 HE SAYS HE'S GOING TO GROW OUT OF IT IN THREE MONTHS. 386 00:28:35,113 --> 00:28:40,718 I LOOKED LIKE A VENTRILOQUIST'S DUMMY. 387 00:28:40,785 --> 00:28:44,456 BUT I ALWAYS LOVE SUITS. >> James: WHAT WILL MAKE THE 388 00:28:44,522 --> 00:28:46,791 GAME SHOW POP. >> I AGREE. 389 00:28:46,858 --> 00:28:52,197 >> James: WHY DON'T YOU TAKE THIS TO BREAK PAUL, THE CAMERA 390 00:28:52,263 --> 00:28:55,266 NUMBER 2? >> EVERYBODY STICK AROUND WE'LL 391 00:28:55,333 --> 00:28:57,669 BE -- OH SHOOT! YOU'LL DIRECT. 392 00:28:57,735 --> 00:29:01,473 >> TAKE YOU. >> STICK AROUND WITH MORE OF 393 00:29:01,539 --> 00:29:05,610 THESE TWO WHEN WE COME BACK! HEY! 394 00:29:15,286 --> 00:29:18,123 >> I'VE GOT TO FIND MY FRIEND AND GET BACK TOGETHER. 395 00:29:18,189 --> 00:29:23,828 >> STOP. >> LOOK IF THERE IS A MISTAKE, 396 00:29:23,895 --> 00:29:30,335 THEN THERE'S SOMETHING SOMEONE IS GOING TO GET FIRED FOR, 397 00:29:30,401 --> 00:29:33,338 LITERALLY, LET'S PRETEND THERE IS NOT A MISTAKE UNTIL WE CAN 398 00:29:33,404 --> 00:29:37,375 SORT THIS ALL OUT, YES? BESIDES, THERE IS NO WAY BACK! 399 00:29:37,442 --> 00:29:39,677 >> LIKE WHAT? >> OH I KNOW. 400 00:29:39,744 --> 00:29:46,651 LET'S GET YOU IN YOUR ARMOR! ♪ ♪ ♪ ♪ 401 00:29:46,718 --> 00:29:51,890 >> OH YES! LOOK AT THAT! 402 00:29:51,956 --> 00:29:57,862 ♪ ♪ ♪ ♪ >> James: THAT WAS A CLIP FROM 403 00:29:57,929 --> 00:29:59,864 "THE SCHOOL FOR GOOD AND EVIL," WHICH IS STREAMING NOW ON 404 00:29:59,931 --> 00:30:09,007 NETFLIX. CONGRATS ON THE FILM, IT IS A 405 00:30:09,073 --> 00:30:11,976 NUMBER ONE. TELL US WHAT IT'S ABOUT AND WHO 406 00:30:12,043 --> 00:30:14,946 YOU PLAY. >> IT'S ABOUT A SCHOOL FOR GOOD 407 00:30:15,013 --> 00:30:21,653 AND EVIL, ABOUT THESE SORT OF ACADEMIES FOR FUTURE VILLAINS 408 00:30:21,719 --> 00:30:25,557 AND HEROES, HOW THEY SORT OF COME INTO THEMSELVES. 409 00:30:25,623 --> 00:30:29,561 TWO GIRLS WHO ARE BEST FRIENDS WHO SOMEHOW WIND UP IN WHAT THEY 410 00:30:29,627 --> 00:30:33,031 THINK IS THE WRONG SCHOOL AND CHAOS ENSUED. 411 00:30:33,097 --> 00:30:36,534 AND I PLAY THE DEAN FOR THE SCHOOL OF GOOD. 412 00:30:36,601 --> 00:30:44,742 >> James: AND YOU SAY YOUR COUNTESS GOOD WAS INSPIRED BY 413 00:30:44,809 --> 00:30:48,112 BEYONCE. ARE YOU A FULLY PAID UP MEMBER 414 00:30:48,179 --> 00:30:53,051 OF THE BEHI? >> OF COURSE, OF COURSE. 415 00:30:53,117 --> 00:30:59,857 pIF YOU PLAN TO PLAY SOME VERSIN OF ROYALTY, AS A BLACK WOMAN, 416 00:30:59,924 --> 00:31:07,365 YOU PLAY BEYONCE. SORT OF FAIRY GOD MOTHERS AND 417 00:31:07,432 --> 00:31:14,239 PRINCESSES, ALL THE CROWNS AND TEXTURED HAIR, THAT WAS ALL 418 00:31:14,305 --> 00:31:18,209 QUEEN B. >> James: I WAS NEVER ABLE TO 419 00:31:18,276 --> 00:31:20,612 SECOND-GUESS WHAT YOU'RE GOING TO DO NEXT. 420 00:31:20,678 --> 00:31:23,381 IT NEVER CROSSED MY MIND THAT THIS IS THE TYPE OF MOVIE. 421 00:31:23,448 --> 00:31:26,384 YOU MUST BE THRILLED THAT IT'S SUCH A SUCCESS. 422 00:31:26,451 --> 00:31:30,388 >> OH YES, TWO AND A HALF YEARS I WORKED ON THIS MOVIE TOO. 423 00:31:30,455 --> 00:31:36,027 BUT I LIKE TO DO DIFFERENT GENRES, I LIKE TO CHALLENGE 424 00:31:36,094 --> 00:31:41,199 MYSELF AND SURPRISE MYSELF. IT'S FREAKS AND GEEKS WITH 425 00:31:41,266 --> 00:31:42,800 MAGIC. IF YOU LOOK AT IT THAT WAY. 426 00:31:42,867 --> 00:31:46,838 >> THAT'S SO TRUE. >> THE CHANCE TO DESIGN ALL 427 00:31:46,904 --> 00:31:51,576 THESE AMAZING COSTUMES AND IT WAS JUST A THRILL. 428 00:31:51,643 --> 00:31:56,614 >> James: IF WE ARE ASKING FOR THINGS THRILLING, PAUL FEIG 429 00:31:56,681 --> 00:32:02,387 HAS WRITTEN HIS OWN COCKTAIL BOOK, IT'S OUT NOVEMBER 15th. 430 00:32:02,453 --> 00:32:08,860 IT'S CALLED COCKTAIL TIME. >> DON'T YOU WISH THAT IT HAS 431 00:32:08,926 --> 00:32:13,698 MAN WHO MADE A MARTINI FOR THE KING? 432 00:32:13,765 --> 00:32:17,335 >> James: WHEN DID YOU FIRST GET INTERESTED IN MAKING 433 00:32:17,402 --> 00:32:19,537 COCKTAILS? >> I LOVED COCKTAIL CULTURE. 434 00:32:19,604 --> 00:32:22,974 WHEN I WAS FIVE YEARS OLD, SOUNDS LIKE A TRAGIC STORY. 435 00:32:23,041 --> 00:32:27,078 WHEN I WAS FIVE MY PARENTS TOOK ME TO LAS VEGAS, THIS IS BACK IN 436 00:32:27,145 --> 00:32:30,615 THE OLD DAYS WHEN THIS KIND OF STUFF HAPPENED. 437 00:32:30,682 --> 00:32:36,921 THEY WENT TO SEE A FIGHT, LIKE A MOHAMMED ALI FIGHT, I THOUGHT I 438 00:32:36,988 --> 00:32:42,560 WAS GOING TO BE ABLE TO GO, BUT THEY PUT ME IN A ROOM THAT WAS 439 00:32:42,627 --> 00:32:47,765 LIKE A NURSERY, IT LOOKED OUT ON PEOPLE WHO WERE IN THE CASINO. 440 00:32:47,832 --> 00:32:52,503 I WANT THAT! HONESTLY EVER SINCE THAT MOMENT, 441 00:32:52,570 --> 00:32:56,908 GOD IS MY WITNESS I'M GOING TO HAVE COCKTAILS AND BE INTO THAT 442 00:32:56,974 --> 00:33:00,845 CULTURE. >> IT'S LIKE OLD HOLLYWOOD 443 00:33:00,912 --> 00:33:04,549 GLAMOR. >> James: THERE IS ACTUALLY A 444 00:33:04,615 --> 00:33:07,685 COCKTAIL THAT IS NAMED AFTER YOU, KERRY WASHINGTON. 445 00:33:07,752 --> 00:33:11,956 >> I DON'T DRINK A LOT, WHAT'S IN YOUR DRINK? 446 00:33:12,023 --> 00:33:17,628 I DO WORK OCCASIONALLY, IT'S THE FIRST NIGHT OF MY VACATION, I 447 00:33:17,695 --> 00:33:22,967 FALL ASLEEP ON THE TABLE. I'M SUCH A LIGHT WEIGHT, I'M 448 00:33:23,034 --> 00:33:33,378 SOMETHING WITH KOMBUCHA, I'M KOMBUCHA-OBSESSED, HE PUT 449 00:33:33,444 --> 00:33:38,182 TOGETHER THAT COCKTAIL. >> THE VERY SCHERY KERRY. 450 00:33:38,249 --> 00:33:39,617 >> James: LADIES AND GENTLEMEN PLEASE THANK OUR 451 00:33:39,684 --> 00:33:42,754 WONDERFUL GUESTS, PAUL FEIG AND KERRY WASHINGTON. 452 00:33:42,820 --> 00:33:45,022 WE'LL COME BACK. 453 00:34:04,675 --> 00:34:05,443 ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 454 00:34:05,510 --> 00:34:07,612 I'M HERE THE LATE LATE SHOW CANDY BAR. 455 00:34:07,678 --> 00:34:12,083 MAKING HER LATE-NIGHT TELEVISION DEBUT, PERFORMING "SNAP," 456 00:34:12,150 --> 00:34:16,220 WHICH IS OUT NOW, PLEASE WELCOME ROSA LINN! 457 00:34:16,287 --> 00:34:27,565 ♪ ♪ ♪ ♪ ♪ IT'S 4 A.M. 458 00:34:27,632 --> 00:34:32,670 I CAN'T TURN MY HEAD OFF ♪ WISHIN' THESE MEMORIES 459 00:34:32,737 --> 00:34:37,542 WOULD FADE ♪ THEY NEVER DO 460 00:34:37,608 --> 00:34:39,577 TURNS OUT PEOPLE LIED ♪ THEY SAID 461 00:34:39,644 --> 00:34:44,081 "JUST SNAP YOUR FINGERS" ♪ AS IF IT WAS REALLY THAT EASY 462 00:34:44,148 --> 00:34:50,421 FOR ME TO GET OVER YOU ♪ I 463 00:34:50,488 --> 00:34:56,060 JUST NEED TIME ♪ SNAPPING ONE, TWO 464 00:34:56,127 --> 00:35:04,869 WHERE ARE YOU? ♪ YOU'RE STILL IN MY HEART 465 00:35:04,936 --> 00:35:09,974 SNAPPING THREE, FOUR ♪ DON'T NEED YOU HERE ANYMORE 466 00:35:10,041 --> 00:35:17,415 GET OUT OF MY HEART ♪ 'CAUSE I MIGHT 467 00:35:17,482 --> 00:35:20,485 SNAP ♪ I'M WRITING A SONG 468 00:35:20,551 --> 00:35:29,460 SAID, "THIS IS THE LAST ONE" ♪ HOW MANY LAST SONGS ARE LEFT? 469 00:35:29,527 --> 00:35:33,564 I'M LOSING COUNT ♪ SINCE JUNE 22nd 470 00:35:33,631 --> 00:35:38,102 MY HEART'S BEEN ON FIRE ♪ I'VE BEEN SPENDING MY NIGHTS 471 00:35:38,169 --> 00:35:44,775 IN THE RAIN, TRYNA PUT IT OUT ♪ SO, I'M SNAPPING ONE, TWO 472 00:35:44,842 --> 00:35:52,617 WHERE ARE YOU? ♪ YOU'RE STILL IN MY HEART 473 00:35:52,683 --> 00:35:58,022 SNAPPING THREE, FOUR ♪ DON'T NEED YOU HERE ANYMORE 474 00:35:58,089 --> 00:36:06,764 GET OUT OF MY HEART ♪ 'CAUSE I MIGHT SNAP 475 00:36:06,831 --> 00:36:12,103 OH-OH-OH-OH ♪ 'CAUSE I MIGHT SNAP 476 00:36:12,169 --> 00:36:17,575 OH-OH-OH-OH ♪ AND IF ONE MORE PERSON SAYS, 477 00:36:17,642 --> 00:36:23,915 "YOU SHOULD GET OVER IT" ♪ OH, I MIGHT STOP TALKING TO 478 00:36:23,981 --> 00:36:38,863 PEOPLE BEFORE I SNAP SNAP, SNAP 479 00:36:38,930 --> 00:36:40,064 PEOPLE BEFORE I SNAP SNAP, SNAP 480 00:36:40,131 --> 00:36:41,399 ♪ AND IF ONE MORE PERSON SAYS, "YOU SHOULD GET OVER IT" 481 00:36:41,465 --> 00:36:42,466 ♪ OH, I MIGHT STOP TALKING TO PEOPLE BEFORE I SNAP 482 00:36:42,533 --> 00:36:49,807 SNAP, SNAP ♪ SNAPPING ONE, TWO 483 00:36:49,874 --> 00:36:52,476 WHERE ARE YOU? ♪ WHERE ARE YOU? 484 00:36:52,543 --> 00:36:58,182 YOU'RE STILL IN MY HEART ♪ STILL IN MY HEART 485 00:36:58,249 --> 00:37:02,186 SNAPPING THREE, FOUR ♪ DON'T NEED YOU HERE ANYMORE 486 00:37:02,253 --> 00:37:13,764 NEED YOU HERE ANYMORE ♪ OH-OH-OH-OH 487 00:37:13,831 --> 00:37:15,566 'CAUSE I MIGHT SNAP ♪ OH-OH-OH-OH 488 00:37:15,633 --> 00:37:19,937 'CAUSE I MIGHT SNAP ♪ OH-OH-OH-OH 489 00:37:20,004 --> 00:37:29,480 GET OUT OF MY HEART ♪ OH-OH-OH-OH 490 00:37:29,547 --> 00:37:30,915 GET OUT OF MY HEART ♪ OH-OH-OH-OH 491 00:37:30,982 --> 00:37:42,493 'CAUSE I MIGHT SNAP ♪ OH-OH-OH-OOH 492 00:37:42,560 --> 00:37:53,304 ♪ OH OH OH, OH OH OH ♪ >> James: OH MY WORD, OH MY 493 00:37:53,371 --> 00:37:58,843 GOODNESS, AWAY A PERFORMANCE ROSA LINN EVERYBODY ACCOUNTABLE 494 00:37:58,909 --> 00:38:01,012 REMEMBER WHERE YOU SAW HER AND COME ON BACK! 495 00:38:15,793 --> 00:38:16,861 ♪ ♪ ♪ ♪ ♪ ♪ >> James: HAPPY HALLOWEEN 496 00:38:16,927 --> 00:38:18,929 FROM EVERYBODY HERE FROM THE LATE LATE SHOW CANDY BAR. 497 00:38:18,996 --> 00:38:29,407 THANK YOU HERSHEY'S FOR GIVING US. 498 00:38:29,473 --> 00:38:31,308 WHO WANTS SOME RELEASE'S AND KIT-KATS!