1 00:00:02,969 --> 00:00:04,170 ♪ ARE YOU READY, Y'ALL 2 00:00:04,237 --> 00:00:08,441 TO HAVE SOME FUN ♪ AND ROCK YOUR BODY TONIGHT. 3 00:00:08,508 --> 00:00:16,049 ♪ DON'T YOU WORRY ABOUT. ♪ WE'RE GOING TO ROCK YOU RIGHT. 4 00:00:16,116 --> 00:00:21,888 ♪ ON THE "LATE, LATE SHOW". >> THAT'S RIGHT. 5 00:00:21,955 --> 00:00:27,961 THAT WAS ONLY 73 SHOIS LEFT TO G IT YOUR FAVORITE HOST, JAMES 6 00:00:28,027 --> 00:00:31,664 CORDEN! (CHEERS AND APPLAUSE). 7 00:00:31,731 --> 00:00:34,067 >> James: THANK YOU VERY, VERY MUCH. 8 00:00:34,134 --> 00:00:43,243 THANK YOU VERY, VERY MUCH, THANK YOU FOR COMING THANK YOU 9 00:00:43,309 --> 00:00:48,748 EVERYBODY, THANK YOU, HELLO, GOOD EVENING, WELCOME TO THE 10 00:00:48,815 --> 00:00:51,184 "LATE, LATE SHOW," THANK YOU FOR BEING HERE. 11 00:00:51,251 --> 00:00:54,154 THANK YOU FOR COMING OUT, EVERYBODY. 12 00:00:54,220 --> 00:00:55,822 VERY, VERY KIND. LET'S TAKE A LOOK AND SEE WHO 13 00:00:55,889 --> 00:00:56,923 THE GUESTS ARE ON THE SHOW TONIGHT! 14 00:00:56,990 --> 00:00:59,225 HE'S A TALENTED ACTOR, HOST, VOICEOVER HALL-OF-FAMER, 15 00:00:59,292 --> 00:01:02,395 PODCASTING MOGUL-- THERE'S NOTHING HE CAN'T DO! 16 00:01:02,462 --> 00:01:07,133 WE LOVE HIM! IT'S WILL ARNETT IS ON THE SHOW 17 00:01:07,200 --> 00:01:14,874 TONIGHT! (CHEERS AND APPLAUSE) 18 00:01:14,941 --> 00:01:18,978 OH, HEY WILL, WHAT'S GOING ON? >> I'M JUST CATCHING UP WITH MY 19 00:01:19,045 --> 00:01:20,980 GIRLFRIEND JDZ YEAH? WHAT IS GOING DOWN? 20 00:01:21,047 --> 00:01:26,753 WHAT ARE YOU DOING? >> JUST, I WAS MAKE YURG 21 00:01:26,820 --> 00:01:31,658 CHRISTMAS PRESENT, BUSTED. >> James: OH, WHAT IS IT? 22 00:01:31,724 --> 00:01:38,598 >> IT'S-- IT IS A CANADIAN TOQUE, A TOXIC WARM HAT, I JUST 23 00:01:38,665 --> 00:01:40,800 THOUGHT IT IS YOUR LAST SEASON AND WANTED TO GIVE I SOMETHING 24 00:01:40,867 --> 00:01:46,439 TO REMEMBER ME BY. DON'T YOU-- . 25 00:01:46,506 --> 00:01:48,975 >> James: DON'T YOU DARE. >> OH GOD, ARE YOU A BEAUTIFUL 26 00:01:49,042 --> 00:01:51,211 ENGLISH BAS TARD. >> James: I PROMISED MYSELF I 27 00:01:51,277 --> 00:01:57,183 WOULDN'T CRY. >> I PROMISED MYSELF I WOULD. 28 00:01:57,250 --> 00:02:03,389 >> James: I GOT TO MOVE ON, WILL ARNETT, EVERYBODY. 29 00:02:03,456 --> 00:02:04,657 AND AND SHE IS A TALENTED ACTRESS 30 00:02:04,724 --> 00:02:07,293 YOU KNOW FROM "GUARDIANS OF THE GALAXY," "FILTHY RICH," AND HER 31 00:02:07,360 --> 00:02:10,396 NEW SERIES "MAMMALS." COMING SOON TO PRIME VIDEO, 32 00:02:10,463 --> 00:02:14,300 THE STUNNING MELIA KREILING IS ON THE SHOW TONIGHT! 33 00:02:14,367 --> 00:02:16,903 (CHEERS AND APPLAUSE) HOW ARE. 34 00:02:16,970 --> 00:02:19,038 >> I'M GOOD, HI. >> James: GOOD DRESS TONIGHT, 35 00:02:19,105 --> 00:02:21,241 GOOD DRESS, I LIKE THIS. >> WE'RE MATCHING. 36 00:02:21,307 --> 00:02:24,377 >> James: WE ARE, WHO KNEW THAT-- WOW, LOOK AT THAT. 37 00:02:24,444 --> 00:02:28,114 IT WAS TWO YEARS AGO WE GOT MARRIED ON THAT SHOW AND WE'RE 38 00:02:28,181 --> 00:02:32,352 STILL HOLDING AN AUTUMNAL VIBE. >> YEAH, THE CONNECTION IS 39 00:02:32,418 --> 00:02:33,586 INCREDIBLE. >> James: I ABSOLUTELY LOVE 40 00:02:33,653 --> 00:02:39,092 TAND I LOVE YOU, BLESS YOU FOR BEING HERE, MELIA KRIELING, 41 00:02:39,158 --> 00:02:40,293 EVERYBODY. AND HE IS A GRAMMY-NOMINATED AND 42 00:02:40,360 --> 00:02:41,361 MULTI-PLATINUM SELLING RAPPER YOU KNOW FROM HITS LIKE "RACK 43 00:02:41,427 --> 00:02:45,765 CITY" AND "TASTE." WE'RE DELIGHTED TO HAVE HIM WITH 44 00:02:45,832 --> 00:02:48,234 US! THE MAGNIFICENT, TYGA IS ON THE 45 00:02:48,301 --> 00:02:53,740 SHOW TONIGHT! (CHEERS AND APPLAUSE) 46 00:02:53,806 --> 00:02:55,475 TYGA, HOW ARE YOU, MAN, HOW NICE TO SEE YOU. 47 00:02:55,542 --> 00:02:58,678 >> WHAT'S GOING ON MAN. >> YEAH, I'M GOOD, GOOD, I'M 48 00:02:58,745 --> 00:03:01,214 HAPPY TO BE HERE. >> James: I LIKE THIS HAPPEN. 49 00:03:01,281 --> 00:03:04,317 >> ST JUST A LITTLE BENNY. >> James: DON'T DISMISS IT. 50 00:03:04,384 --> 00:03:07,554 DON'T MAKE OUTLINING IT IS JUST, LIKE YOU DIDN'T PLAN THIS THREE 51 00:03:07,620 --> 00:03:10,823 WEEKS AGO. I ABSOLUTELY LOVE IT, YOU LOOK 52 00:03:10,890 --> 00:03:13,459 GREAT, HOW ARE YOU DOING, BEEN GOOD. 53 00:03:13,526 --> 00:03:16,462 >> BEEN GOOD, REALLY GOOD. >> James: GOOD, TYGA, 54 00:03:16,529 --> 00:03:18,765 EVERYBODY. HE WITH LOVE THAT MAN. 55 00:03:18,831 --> 00:03:24,804 ARE YOU READY THEN LET'S, I'M JAMES CORDEN, THIS IS THE "LATE, 56 00:03:24,871 --> 00:03:32,178 LATE SHOW," ROLL THE TITLES, COME ON. 57 00:03:32,245 --> 00:03:38,318 ♪ THE "LATE, LATE SHOW." ♪ THE "LATE, LATE SHOW" WOO. 58 00:03:38,384 --> 00:03:43,022 ♪ THE "LATE, LATE SHOW" OH OH THE "LATE, LATE SHOW" OH OH. 59 00:03:43,089 --> 00:03:47,660 ♪ IT'S THE "LATE, LATE SHOW." >> James: BLESS YOU FOR BEING 60 00:03:47,727 --> 00:03:54,000 HERE, IT IS THAT TIME, IT'S TIME FOR THE NEWS. 61 00:03:54,067 --> 00:03:55,435 >> James: EARLIER TODAY, CHIEF JUSTICE JOHN ROBERTS PUT A 62 00:03:55,501 --> 00:03:58,938 TEMPORARY HOLD ON THE HAND-OVER OF DONALD TRUMP'S TAX RETURNS TO 63 00:03:59,005 --> 00:03:59,806 THE HOUSE WAYS AND MEANS COMMITTEE. 64 00:03:59,872 --> 00:04:02,275 YOU KNOW. SOMETHING I'M SURE THE CHIEF 65 00:04:02,342 --> 00:04:05,511 JUSTICE WOULD EXTEND TO ANY OTHER AMERICAN CITIZEN WHO 66 00:04:05,578 --> 00:04:08,414 REQUESTED TO HAVE THEIR TAX RETURNS WITHHELD. 67 00:04:08,481 --> 00:04:14,220 WE'VE BEEN TALKING ABOUT THESE TAX RETURNS FOR YEARS, BUT 68 00:04:14,287 --> 00:04:18,992 STILL, NO ONE'S SEEN THEM. THESE TAX RETURNS ARE BASICALLY 69 00:04:19,058 --> 00:04:24,564 THE NEW "AVATAR" MOVIE. THE CHIEF JUSTICE ISSUED A 70 00:04:24,631 --> 00:04:27,467 TEMPORARY HOLD. BY THE WAY, A "TEMPORARY HOLD" 71 00:04:27,533 --> 00:04:30,403 ALSO HAPPENS TO BE THE CLOSEST ERIC AND DONALD JR. HAVE EVER 72 00:04:30,470 --> 00:04:41,180 GOTTEN TO A HUG WHEN THEY WERE GROWING UP. 73 00:04:41,247 --> 00:04:42,749 TEMPORARY HOLD. AND, LAST NIGHT, THE BIDENS 74 00:04:42,815 --> 00:04:45,551 WELCOMED TRICK-OR-TREATERS TO THE WHITE HOUSE. 75 00:04:45,618 --> 00:04:47,887 IT WAS THE BIDENS' FIRST HALLOWEEN AT THE WHITE HOUSE, 76 00:04:47,954 --> 00:04:49,589 HERE'S BIDEN PASSING OUT CANDY TO CHILDREN, WHILE HE'S DRESSED 77 00:04:49,656 --> 00:04:56,996 AS WHAT APPEARS TO BE KENDALL ROY FROM SUCCESSION. 78 00:04:57,063 --> 00:04:59,132 AT ONE POINT, THE PRESIDENT POSED FOR A PICTURE WITH A YOUNG 79 00:04:59,198 --> 00:05:02,201 CHILD DRESSED AS BUZZ LIGHTYEAR. OR, AS BIDEN CALLED HIM, 80 00:05:02,268 --> 00:05:06,372 "BIFF SPACEWEEK." THE PRESIDENT AND FIRST LADY 81 00:05:06,439 --> 00:05:09,509 HANDED OUT CANDY, AND THEN, IF JILL'S COSTUME IS ANY 82 00:05:09,575 --> 00:05:13,212 INDICATION, THEY POPPED SOME MOLLY AND CUDDLE-DANCED TO ACID 83 00:05:13,279 --> 00:05:17,550 HOUSE IN THE LINCOLN BEDROOM. HOW WAS YOUR NEIGHBORHOOD 84 00:05:17,617 --> 00:05:20,286 DISURKS DO ANYTHING LAST NIGHT, ANYTHING CRAZY GO ON WHERE YOU 85 00:05:20,353 --> 00:05:21,954 WERE. >> NOTHING CRAZY, PRETTY 86 00:05:22,021 --> 00:05:25,892 STANDARD. BUT OUR PORCH LIGHT BURNED OUT 87 00:05:25,958 --> 00:05:27,960 OVER THE WEEKEND AND I HADN'T REPLACED IT YET. 88 00:05:28,027 --> 00:05:32,732 AND I DIDN'T REALIZE UNTIL THAT NO PORCH LIGHT IS THE UNIVERSAL 89 00:05:32,799 --> 00:05:35,334 SIGN FOR DON'T COME HERE, WE DON'T HAVE CANDY. 90 00:05:35,401 --> 00:05:39,472 BUT WE HAD SO MUCH CANDY SO A LOT OF MY MIGHT WAS THEY AT THE 91 00:05:39,539 --> 00:05:43,342 END OF THE SIDEWALK SAYING COME N WE HAVE CANDY. 92 00:05:43,409 --> 00:05:47,680 COME IN TO THE DARKENED. >> COME TO THE DARKENED HOUSE, 93 00:05:47,747 --> 00:05:51,484 JUST UP THERE, UP THE PATH. >> THAT IS ME GOING NO, NO, NO, 94 00:05:51,551 --> 00:05:54,020 IT'S FINE, THANK YOU. >> THAT THR WAS A LOT. 95 00:05:54,087 --> 00:05:57,156 DANAH MY WIFE AND THAT WAS MUCH MORE SUCCESSFUL THAN ME. 96 00:05:57,223 --> 00:06:00,493 STALKING IN THE SHADOWS. >> YEAH, YEAH. 97 00:06:00,560 --> 00:06:04,997 I WILL SAY, FROM WHAT I CAN WORK OUT, TRICK OR TREATING IN 98 00:06:05,064 --> 00:06:10,036 AMERICA IS JUST TREATING. I WAS DISAPPOINTED AT THE LACK 99 00:06:10,103 --> 00:06:11,637 OF TRICKS. >> YEAH. 100 00:06:11,704 --> 00:06:12,872 >> James: IT WAS ALMOST NO TRICKS. 101 00:06:12,939 --> 00:06:17,443 >> I DIDN'T HAPPEN UPON A GROUP OF GUYS EGGING A HOUSE, DO YOU 102 00:06:17,510 --> 00:06:19,245 KNOW WHAT I MEAN. >> YEAH. 103 00:06:19,312 --> 00:06:21,881 >> James: TOILET PAPERING, THAT IS GONE NOW, WE SHOULD JUST 104 00:06:21,948 --> 00:06:24,951 CALL IT TREATING. >> YOU CAN'T SEND YOUR KID UP TO 105 00:06:25,017 --> 00:06:28,054 A DOOR, GO ON, GO ON, AND THE KID IS JUST LIKE TREAT. 106 00:06:28,121 --> 00:06:32,792 >> James: I'M JUST SAYING, I THINK THAT THE IDEA S IT IS A 107 00:06:32,859 --> 00:06:35,661 KNOWN FACT F YOU DON'T GIVE OUT THE CANDY, IT IS GOING TO GET 108 00:06:35,728 --> 00:06:37,096 REAL FOR YOU. >> YEAH. 109 00:06:37,163 --> 00:06:39,699 >> James: AND I DIDN'T SEE ANY EVIDENCE OF THAT LAST NIGHT. 110 00:06:39,766 --> 00:06:42,635 >> YOU'RE PROPOSES AN ESCAATION IN TRIMS. 111 00:06:42,702 --> 00:06:45,638 >> James: YEAH, YEAH, I THINK THE TRICKS SHOULD BE STANDARD. 112 00:06:45,705 --> 00:06:49,542 THE TRICKS SHOULD BE STANDARD. I WAS OUT THERE PAPER BAG, A 113 00:06:49,609 --> 00:06:53,846 COUPLE OF DOG TURDS IN IT, NOTHING, NOTHING. 114 00:06:53,913 --> 00:06:55,081 AND, THIS WAS AN INTERESTING FINDING. 115 00:06:55,148 --> 00:06:56,816 ACCORDING TO A NEW RESEARCH STUDY, KIDS WHO PLAY VIDEO GAMES 116 00:06:56,883 --> 00:07:00,787 FOR THREE OR MORE HOURS A DAY PERFORM BETTER ON COGNITIVE 117 00:07:00,853 --> 00:07:03,356 SKILL TESTS THAN THOSE WHO DON'T. 118 00:07:03,422 --> 00:07:05,191 "REMEMBER NOW, SON, NO MATH HOMEWORK UNTIL YOU FINISH YOUR 119 00:07:05,258 --> 00:07:11,430 'GRAND THEFT AUTO'." KIDS WHO PLAY VIDEO GAMES FOR 120 00:07:11,497 --> 00:07:15,001 THREE HOURS OR MORE PER DAY TESTED BETTER THAN THOSE WHO 121 00:07:15,067 --> 00:07:17,870 NEVER PLAYED VIDEO GAMES. THE STUDY WAS CONDUCTED BY THE 122 00:07:17,937 --> 00:07:19,338 NATIONAL INSTITUTE FOR "GET OUT OF MY ROOM, MOM!" 123 00:07:19,405 --> 00:07:24,110 THE KIDS TESTED BETTER ON MEMORY SKILLS AND IMPULSE CONTROL. 124 00:07:24,177 --> 00:07:28,080 NOT TO MENTION JACKING CARS, USING BAZOOKAS, AND CALLING 125 00:07:28,147 --> 00:07:35,688 STRANGERS ON THE INTERNET WHINY LITTLE BITCHES. 126 00:07:35,755 --> 00:07:39,058 AND, DID YOU SEE THIS? DESIGNERS HAVE CREATED A VERY 127 00:07:39,125 --> 00:07:43,062 LIMITED-EDITION, $134,000 iPHONE WITH A DIAMOND-STUDDED GOLD 128 00:07:43,129 --> 00:07:48,901 ROLEX ON THE BACK. HERE IT IS HERE. 129 00:07:48,968 --> 00:07:50,603 LOOK AT THAT. SO, NOW, WHEN YOU DROP YOUR 130 00:07:50,670 --> 00:07:53,372 PHONE, YOU CAN CRACK TWO EXPENSIVE SCREENS. 131 00:07:53,439 --> 00:08:02,582 AN iPHONE WITH A BUILT-IN ROLEX. I MEAN, CAN YOU IMAGINE THAT? 132 00:08:02,648 --> 00:08:12,792 A PHONE THAT ALSO TELLS TIME? WHAT IS THIS FOR, A ROLEX EYE 133 00:08:12,859 --> 00:08:17,196 PHONE WHO IS THE TARGET AUDIENCE. 134 00:08:17,263 --> 00:08:26,505 >> [BLEEP] YOU THINK THEY SAT DOWN AND SAID WE REALLY WANT TO 135 00:08:26,572 --> 00:08:28,274 SELL TO SOME [BLEEP]. >> I DO. 136 00:08:28,341 --> 00:08:31,277 >> IT IS THE LAMEST WAY TO HAVE A ROLEX AND THE DUMBEST THING TO 137 00:08:31,344 --> 00:08:35,815 DO TO YOUR PHONE. >> James: YEAH, I DON'T WANT 138 00:08:35,882 --> 00:08:38,684 AN EXTRA BULGE ON MY PHONE. THE AMOUNT OF TIMES THAT IS 139 00:08:38,751 --> 00:08:44,190 GOING TO CATCH ON YOUR POCKET, AS YOU TRY TO PUT IT IN, OH, 140 00:08:44,257 --> 00:08:48,027 SORRY. CUZ, I HAVE GOT THIS ROLEX, 141 00:08:48,094 --> 00:08:51,731 YEAH-- IT HAS A ROLEX ON THE BACK, IT IS DIAMOND ENCRUSTED, 142 00:08:51,797 --> 00:08:56,035 WHAT? YEAH, $134,000. 143 00:08:56,102 --> 00:08:59,372 WAIT, WHERE ARE YOU GOING? AND, WE WANTED TO TELL YOU ABOUT 144 00:08:59,438 --> 00:09:02,074 THIS-- SEVERAL SUSPECTS HAVE NOW BEEN ARRESTED FOR STEALING 145 00:09:02,141 --> 00:09:05,244 $9 MILLION WORTH OF FROZEN MEAT IN NEBRASKA. 146 00:09:05,311 --> 00:09:09,415 IN ONE CASE, THEY MADE OFF WITH 40,000 POUNDS OF MEAT IN A 147 00:09:09,482 --> 00:09:12,184 SINGLE HEIST. AND IF YOU'RE WONDERING WHAT $9 148 00:09:12,251 --> 00:09:15,888 MILLION WORTH OF MEAT LOOKS LIKE, JUST GO TO DWAYNE 149 00:09:15,955 --> 00:09:19,892 JOHNSON'S INSTAGRAM PAGE ON ANY OF HIS CHEAT DAYS. 150 00:09:19,959 --> 00:09:22,695 ACCORDING TO AUTHORITIES, THESE KINDS OF MEAT HEISTS 151 00:09:22,762 --> 00:09:24,630 HAPPEN FROM TIME TO TIME. YOU COULD SAY, THEY'RE RARE TO 152 00:09:24,697 --> 00:09:33,606 MEDIUM-RARE. YZ THAT'S OUR SHOW, WE'LL SEE 153 00:09:33,673 --> 00:09:36,909 YOU TOMORROW NIGHT, GOOD NIGHT, EVERYBODY. 154 00:09:36,976 --> 00:09:39,412 IT'S GOT TO BE PRETTY EASY TO CATCH THIEVES WHO HAVE A 155 00:09:39,478 --> 00:09:45,885 TON OF MONEY, BUT ONLY IN THE FORM OF MEAT. 156 00:09:45,952 --> 00:09:47,753 DO YOU KNOW WHAT I MEAN, JUST WAIT FOR SOMEONE TO SHOW UP 157 00:09:47,820 --> 00:09:50,923 TO A FERRARI DEALERSHIP LIKE, "AND IS IT COOL IF I PAY YOU 158 00:09:50,990 --> 00:09:55,962 GUYS IN RIBEYES?" AND FINALLY, DID YOU SEE THIS? 159 00:09:56,028 --> 00:09:59,231 ONCE AGAIN, HEIDI KLUM WENT ALL-OUT FOR HER ANNUAL HALLOWEEN 160 00:09:59,298 --> 00:10:00,766 PARTY IN NEW YORK. THIS YEAR, SHE WENT AS AN 161 00:10:00,833 --> 00:10:03,469 EARTHWORM. HERE SHE IS HERE. 162 00:10:03,536 --> 00:10:10,142 LOOK AT THAT. IT WAS DEFINITELY SOMEBODY'S JOB 163 00:10:10,209 --> 00:10:12,545 TO FEED HER DRINKS THROUGH A STRAW ALL NIGHT. 164 00:10:12,611 --> 00:10:14,380 HERE'S HOW REALISTIC THIS COSTUME WAS-- 165 00:10:14,447 --> 00:10:17,850 YOU CAN CUT IT IN HALF, AND IT'LL GROW INTO TWO HEIDI KLUMS. 166 00:10:17,917 --> 00:10:20,786 IT'S ACTUALLY THE PERFECT COSTUME TO GET DRUNK IN, BECAUSE 167 00:10:20,853 --> 00:10:24,123 YOU CAN PASS OUT AND YOUR FRIENDS CAN JUST ROLL YOU HOME. 168 00:10:24,190 --> 00:10:25,825 BUT SHE WASN'T THE ONLY CELEBRITY WITH AN AMAZING 169 00:10:25,891 --> 00:10:28,728 COSTUME THIS HALLOWEEN. HERE'S LIZZO, DRESSED AS MARGE 170 00:10:28,794 --> 00:10:34,800 SIMPSON. LOOK AT THAT, I LOVE THAT. 171 00:10:34,867 --> 00:10:36,335 SHE LOOKS SO GOOD. NOT EASY TO LOOK GOOD IN A WIG, 172 00:10:36,402 --> 00:10:42,541 JUST ASK ROB CRABBE. DIDDY ALSO GOT IN THE SPIRIT, HE 173 00:10:42,608 --> 00:10:45,811 WENT AS THE JOKER. LOOK AT THAT. 174 00:10:45,878 --> 00:10:50,916 A GOOD COSTUME. IF THO EVER MAKE A BATMAN OFTEN 175 00:10:50,983 --> 00:10:53,319 AS THEY DO OFTEN THEY SHOULD GIVE HIM A CALL. 176 00:10:53,386 --> 00:10:54,887 AND JOE JONAS HAD A GREAT COSTUME. 177 00:10:54,954 --> 00:11:03,996 HE WENT AS FLO, THE PROGRESSIVE INSURANCE LADY. 178 00:11:04,063 --> 00:11:07,800 HE REALLY COMMITTED ABOUT T IT WASN'T JUST JOE JONAS, THROW 179 00:11:07,867 --> 00:11:12,538 ALSO WENT AS JOE, LOOK AT A HER HERE, LOOK AT THAT. 180 00:11:12,605 --> 00:11:21,680 AND THAT IS THE NEWS. NOW, BEFORE WE GO TO BREAK, I 181 00:11:21,747 --> 00:11:27,186 WANT TO SAY HOW DEVASTATED WE WERE TO WAKE UP TO THE NEWS THAT 182 00:11:27,253 --> 00:11:31,991 AT THE AGE OF 28, TAKEOFF HAS TRAGICALLY DIED. 183 00:11:32,058 --> 00:11:35,628 IT'S HEART-BREAKING TO ANYONE WHO KNEW HIM, AND TO ALL OF HIS 184 00:11:35,694 --> 00:11:50,576 FANS AROUND THE WORLD. TAKEOFF WAS FUNNY AND KIND, 185 00:11:50,643 --> 00:11:51,343 FANS AROUND THE WORLD. TAKEOFF WAS FUNNY AND KIND, 186 00:11:51,410 --> 00:11:53,045 I WAS THINKING ABOUT HIM ALL DAY. 187 00:11:53,112 --> 00:11:56,182 AND MY BIGGEST FEELING WHEN I WAS AROUND HIM WAS HOW MUCH HE 188 00:11:56,248 --> 00:12:01,454 LOVED MUSIC. HE LIVED FOR IT. 189 00:12:01,520 --> 00:12:05,891 IT WAS THAT LOVE OF MUSIC THAT ESSENTIALLY WILLED MIGOS INTO 190 00:12:05,958 --> 00:12:08,961 EXISTENCE, BY RECRUITING HIS UNCLE, QUAVO, TO MAKE SONGS THAT 191 00:12:09,028 --> 00:12:11,363 THEY RECORDED, WITH WINDOW'S MOVIE MAKER. 192 00:12:11,430 --> 00:12:16,469 AND QUAVO HIMSELF, THE TAKEOFF WAS THE STRONGEST RAPPER IN THE 193 00:12:16,535 --> 00:12:18,971 GROUP. AND THEY CALLED HIM TAKEOFF 194 00:12:19,038 --> 00:12:23,509 BECAUSE HE WOULD RECORD HIS VERSES OFTEN IN JUST A SINGLE 195 00:12:23,576 --> 00:12:25,945 TAKE. AND HE WAS SO PROUD OF WHAT 196 00:12:26,011 --> 00:12:29,548 MIGOS HAD ACHIEVED. AND BOY DID THEY ACHIEVE. 197 00:12:29,615 --> 00:12:32,017 THEY PENETRATED CULTURE. BEFORE THEY SPLIT THEY REALLY 198 00:12:32,084 --> 00:12:37,223 JUST BECAME ONE OF THE MOST INFLIENGS RAP GROUPS OF THIS 199 00:12:37,289 --> 00:12:41,060 GENERATION. THEY MOVED THE NEED NELL THEIR 200 00:12:41,127 --> 00:12:45,531 OWN UNIQUE WAY AM TAKEOFF HELPED DEFINE TRAP MUSIC AND HE PUT IT 201 00:12:45,598 --> 00:12:50,402 ON A NATIONAL STAGE, FROM THE NORTH SIDE OF ATLANTA. 202 00:12:50,469 --> 00:12:55,875 HE INFLUENCED THE ENTIRE WORLD AND HE WAS ALWAYS, ALWAYS SO 203 00:12:55,941 --> 00:12:57,042 PROUD OF THAT. HE REALLY WAS. 204 00:12:57,109 --> 00:13:00,980 I WAS LUCKY ENOUGH, I GOT TO SPEND SOME UNANOTHER GETTABLE 205 00:13:01,046 --> 00:13:03,582 MOMENTS WITH TAKEOFF OVER THE PAST FEW YEARS. 206 00:13:03,649 --> 00:13:07,987 HE WAS AN INCREDIBLE GUY. LIKE WARM AND GENEROUS AND 207 00:13:08,053 --> 00:13:11,957 WHENEVER I WOULD SEE HIM HE WOULD ALWAYS CALL ME "BIG DRIP" 208 00:13:12,024 --> 00:13:13,826 AND HE KNEW HOW MUCH I LOVED THAT. 209 00:13:13,893 --> 00:13:16,462 AND I LOVED BEING AROUND HIM AND EVERY MEMBER OF MIGOS. 210 00:13:16,529 --> 00:13:21,200 OUR THOUGHTS ARE WITH HIS FAMILY AND ALL OF HIS FRIENDS. 211 00:13:21,267 --> 00:13:24,970 WE HAVE LOST SOMEONE INCREDIBLY SPECIAL TODAY. 212 00:13:25,037 --> 00:13:25,704 WELL-- WE'LL BE RIGHT BACK. (APPLAUSE) 213 00:13:45,858 --> 00:13:49,128 >> James: WELCOME BACK. HAVE YOU ALL SEEN EDDIE 214 00:13:49,195 --> 00:13:50,196 REDMAYNE'S NEW FILM, "THE GOOD NURSE?" 215 00:13:50,262 --> 00:13:55,634 IT'S SO PHENOMENAL. I WAS WATCHING IT THE OTHER 216 00:13:55,701 --> 00:14:01,040 NIGHT, AND IT REALLY MADE ME APPRECIATE HOW FAR WE'VE BOTH 217 00:14:01,106 --> 00:14:04,677 COME IN OUR CAREERS. IN FACT, EDDIE AND I JUST OPENED 218 00:14:04,743 --> 00:14:07,947 UP ABOUT OUR JOURNEY AS ACTORS IN A BRAND-NEW INTERVIEW. 219 00:14:08,013 --> 00:14:12,818 TAKE A LOOK. S S S 220 00:14:12,885 --> 00:14:14,320 >> James: EDDIE AND I HAVE BEEN ACTING ALONGSIDE EACH OTHER 221 00:14:14,386 --> 00:14:15,354 FOR YEARS. >> IT'S TRUE. 222 00:14:15,421 --> 00:14:16,555 WE ATTENDED THE SAME AFTER-SCHOOL PROGRAM AT THE 223 00:14:16,622 --> 00:14:19,825 JACKIE PALMER DRAMA SCHOOL. >> James: IT'S JUST SO 224 00:14:19,892 --> 00:14:21,493 INCREDIBLE TO SEE SOMEONE WHOM YOU STARTED WITH ON THE SMALL 225 00:14:21,560 --> 00:14:26,465 STAGE GO ON TO HAVE SUCH A STORIED FILM CAREER. 226 00:14:26,532 --> 00:14:27,566 ESPECIALLY CONSIDERING HOW IT ALL STARTED. 227 00:14:27,633 --> 00:14:30,569 >> OH, RIGHT, YEAH. A LOT OF PEOPLE DON'T KNOW THIS, 228 00:14:30,636 --> 00:14:33,138 BUT JAMES AND I WERE SUPPOSED TO BE THE BIGGEST ACTION STARS OF 229 00:14:33,205 --> 00:14:35,407 ALL TIME. >> James: BIGGER THAN THE ROCK 230 00:14:35,474 --> 00:14:38,577 AND VIN DIESEL. >> ARNOLD AND STALLONE. 231 00:14:38,644 --> 00:14:42,381 >> James: NICHOLAS CAGE AND JOHN TRAVOLTA AS NICOLAS CAGE. 232 00:14:42,448 --> 00:14:50,055 >> BUT JAMES AND I, WE'RE NICE BRITISH BOYS. 233 00:14:50,122 --> 00:14:51,890 AND, LET'S FACE IT, ACTION MOVIES ARE JUST NO PLACE FOR 234 00:14:51,957 --> 00:14:54,860 NICE BRITISH BOYS. >> James: THAT WAS NEVER MORE 235 00:14:54,927 --> 00:14:57,263 CLEAR THAN WHEN WE SIGNED ON TO PLAY MAVERICK AND GOOSE IN THE 236 00:14:57,329 --> 00:15:06,405 ORIGINAL "TOP GUN." TALK TO ME, GOOSE. 237 00:15:06,472 --> 00:15:10,376 >> ROGER, CONTACT 20 LEFT AT 30 MILES, 900 KNOTS CLOSURE. 238 00:15:10,442 --> 00:15:16,615 >> James: ROGER THAT. AH, I LOVE COMING UP HERE. 239 00:15:16,682 --> 00:15:17,583 REALLY CLEARS THE HEAD, YOU KNOW? 240 00:15:17,650 --> 00:15:21,153 >> I AGREE. OUR PROBLEMS DON'T HAVE WINGS, 241 00:15:21,220 --> 00:15:25,791 BUT, GUESS WHAT? WE DO. 242 00:15:25,858 --> 00:15:28,827 >> James: WOW. THAT IS SUCH A BEAUTIFUL 243 00:15:28,894 --> 00:15:36,669 PERSPECTIVE-- (GUNFIRE) 244 00:15:36,735 --> 00:15:37,903 >> OH MY GOD, WHAT WAS THAT? ARE THEY SHOOTING AT US? 245 00:15:37,970 --> 00:15:38,804 >> James: THAT'S NOT VERY NICE, IS IT? 246 00:15:38,871 --> 00:15:41,106 (GUNFIRE) STOP IT! 247 00:15:41,173 --> 00:15:42,041 >> MAVERICK, GOOSE, WHAT ARE YOU DOING? 248 00:15:42,107 --> 00:15:43,909 GO, GO, GO! FIRE YOUR MISSILES! 249 00:15:43,976 --> 00:15:46,679 >> WHAT? SURELY THERE'S A BETTER WAY OF 250 00:15:46,745 --> 00:15:52,418 SETTLING THIS? >> James: LET'S ALL JUST 251 00:15:52,484 --> 00:15:55,754 LAND OUR PLANES AND TALK THIS OUT OVER A NICE CUP OF TEA AND 252 00:15:55,821 --> 00:16:00,426 SOME DIGESTIVE BISCUITS. >> OH, THAT DOES SOUND NICE. 253 00:16:00,492 --> 00:16:04,997 MAYBE SOME LEMON DRIZZLE? WHAT ABOUT CHOCOLATE-- 254 00:16:05,064 --> 00:16:10,069 WITH YOU'RE FIRED. >> GET ARING FIRED IS NEVER 255 00:16:10,135 --> 00:16:16,041 EASY, YOU GET OVER IT. >> I'M OVER IT. 256 00:16:16,108 --> 00:16:21,046 >> WE DID GET ANOTHER SHOT AS THE HENCHMEN IN THE FIRST JOHN 257 00:16:21,113 --> 00:16:35,994 WICK MOVIE. (SUSPENSEFUL MUSIC) 258 00:16:36,061 --> 00:16:37,029 >> James: WHERE ARE THE KEYS? (CLATTERING) 259 00:16:37,096 --> 00:16:51,343 >> WHERE ARE THEY? (DOG BARKING) 260 00:16:51,410 --> 00:16:55,714 OFFICIAL LOOK. >> LOOK AT HIM. 261 00:16:55,781 --> 00:16:58,016 YOU CAN SMELL MY DOG ON ME. >> REALLY. 262 00:16:58,083 --> 00:17:01,653 >> YEAH, I GOT A YORKAPOO AT HOME. 263 00:17:01,720 --> 00:17:03,589 >> I HAVE GOT ONE. >> YOU DO. 264 00:17:03,655 --> 00:17:04,323 >> STOP. >> ALL RIGHT, GUYS. 265 00:17:04,390 --> 00:17:07,926 >> LOOK AT HIM. LOOK. 266 00:17:07,993 --> 00:17:10,129 OH STOP S THAT PADDINGTON. >> ST. 267 00:17:10,195 --> 00:17:15,000 WHERE DO YOU GET YOUR. >> ONLINE. 268 00:17:15,067 --> 00:17:16,635 >> CUT, CUT. >> WHAT HAPPENED? 269 00:17:16,702 --> 00:17:20,272 >> CAN WE GET THESE GUYS OUT OF HERE? 270 00:17:20,339 --> 00:17:22,408 >> WHY. >> THESE GUYS? 271 00:17:22,474 --> 00:17:24,743 >> YOU GUYS. >> US? 272 00:17:24,810 --> 00:17:26,879 >> THAT'S LUNCH, LET'S GO. >> LUNCH. 273 00:17:26,945 --> 00:17:34,887 >> COME ON. >> IN RETROSPECT I CAN SEE WHY 274 00:17:34,953 --> 00:17:37,256 THEY FIRED US. THE MOVIE DOESN'T WORK WITH 275 00:17:37,322 --> 00:17:43,295 SOMEONE KILLING HIS DOG AND IT WAS A BILLION DOLLAR FRANCHISE. 276 00:17:43,362 --> 00:17:46,432 >> LOOK IF YOU WERE'S NOT A DOG PERSON, I'M NOT A YOU PERSON. 277 00:17:46,498 --> 00:17:49,868 LIKE WHEN WE WERE ORIGINALLY CAST IN "SCARFACE," INSTED OF 278 00:17:49,935 --> 00:17:53,972 AL PACINO. >> James: WHAT ARE WE GOING TO 279 00:17:54,039 --> 00:17:59,545 DO NOW? >> DO? 280 00:17:59,611 --> 00:18:07,853 WE GO TO WAR, THAT'S WHAT WE'RE GOING TO DO. 281 00:18:07,920 --> 00:18:11,924 I'M SORRY, IS THIS COCAINE? IS THIS A GIGANTIC PILE OF 282 00:18:11,990 --> 00:18:18,130 COCAINE? YZ IT CAN'T BE, COCAINE IS 283 00:18:18,197 --> 00:18:23,001 ILLEGAL, THAT'S VERY ILLEGAL T WOULDN'T BE COCAINE ON A MOVIE 284 00:18:23,068 --> 00:18:28,707 SET, SORRY S THIS COCAINE? >> OH, YEAH. 285 00:18:28,774 --> 00:18:33,745 >> OH MY GOD, I JUST TOUCHED IT. OH MY GOSH, MY HEART, MY HEART, 286 00:18:33,812 --> 00:18:38,350 OH, MY HEART, IT IS GOING VERY, VERY FAST, OH MY GORD, I'M 287 00:18:38,417 --> 00:18:40,586 INCREDIBLY HIGH ON COCAINE. >> DON'T MOVE, DON'T MOVE, WAIT 288 00:18:40,652 --> 00:18:44,189 RIGHT THERE, YOU CAN CALL MY MOM, MY MOTHER, PLEASE, CAN WE 289 00:18:44,256 --> 00:18:50,295 CALL MY MOMMY S THAT ALL RIGHT? >> SAY HELLO TO MY LITTLE 290 00:18:50,362 --> 00:18:55,901 FRIEND! GUYS, IT IS I DONE CARE WHAT 291 00:18:55,968 --> 00:19:01,406 STRAIN OF COCAINE IT IS. >> 292 00:19:01,473 --> 00:19:02,674 >> GUYS, IT'S PROP COCAINE. >> James: I DON'T CARE WHAT 293 00:19:02,741 --> 00:19:06,645 STRAIN OF COCAINE IT IS! >> CUT! 294 00:19:06,712 --> 00:19:14,553 YOU'RE BOTH FIRED. >> YEAH, THAT WAS A TOUGH SHOOT. 295 00:19:14,620 --> 00:19:20,259 NOT ONLY DID WE GET FIRED, BUT IN EVERY OTHER WAY, WE WERE 296 00:19:20,325 --> 00:19:22,661 PERFECT FOR A GRITTY FILM ABOUT CUBAN DRUG LORDS. 297 00:19:22,728 --> 00:19:26,765 >> BUT, ULTIMATELY THAT FILM MADE US REALIZE SOME HARD 298 00:19:26,832 --> 00:19:30,669 TRUTHS. AND THAT IS-- WE'RE JUST 299 00:19:30,736 --> 00:19:33,672 TOO NICE. >> James: AND YOU KNOW WHAT? 300 00:19:33,739 --> 00:19:40,178 I THINK WE'RE OKAY WITH THAT. >> THAT'S A WRAP. 301 00:19:40,245 --> 00:19:50,589 GREAT INTERVIEW, GUYS. IS THIS SOMEONE FROM SOWFNED. 302 00:19:50,656 --> 00:19:54,893 >> JUST RIP IT OFF. >> THAT-- THAT-- OUR THANKS TO 303 00:19:54,960 --> 00:19:57,996 EDDIED REDMAYNE GOOD NURSE STREAMING ON NETFLIX, I 304 00:19:58,063 --> 00:20:00,198 ENCOURAGE EVERYBODY TO WATCH IT. >> WE'LL BE RIGHT BACK WITH 305 00:20:00,265 --> 00:20:03,368 MELIA KRIELING AND WILL ARNETT, EVERYBODY. 306 00:20:28,327 --> 00:20:29,828 >> James: WELCOME BACK. LET'S MEET OUR GUESTS TONIGHT! 307 00:20:29,895 --> 00:20:31,597 SHE STARS IN "MAMMALS." PLEASE WELCOME MELIA KREILING! 308 00:20:31,663 --> 00:20:44,776 (CHEERS AND APPLAUSE) 309 00:20:44,843 --> 00:20:46,612 HE HOSTS AND PRODUCES "LEGO MASTERS." 310 00:20:46,678 --> 00:21:01,560 PLEASE WELCOME WILL ARNETT! (CHEERS AND APPLAUSE) 311 00:21:01,627 --> 00:21:11,236 PLEASE WELCOME WILL ARNETT! (CHEERS AND APPLAUSE) 312 00:21:11,303 --> 00:21:12,771 >> James: THANK YOU FOR BEING HERE. 313 00:21:12,838 --> 00:21:14,640 I'M SO HAPPY THAT ARE YOU BOTH HERE. 314 00:21:14,706 --> 00:21:19,344 WILL, NOW I KNOW, BECAUSE I DON'T KNOW IF PEOPLE KNOW THIS, 315 00:21:19,411 --> 00:21:23,849 YOU ARE CONSIDERED IF NOT THE BEST, ARE YOU ONE OF THE TOP 316 00:21:23,915 --> 00:21:26,284 THREE AIR BASS PLAYERS IN THE WORLD T IS SOMETHING YOU RARELY 317 00:21:26,351 --> 00:21:30,756 TALK ABOUT IN A TALK SHOW, BUT YOU JUST GAVE IT THERE. 318 00:21:30,822 --> 00:21:33,258 WOULD YOU BE ABLE TO GIVE US A QUICK. 319 00:21:33,325 --> 00:21:36,895 >> I'M INCREDIBLY MODEST ABOUT IT, I'M ONE OF THE BEST AT BEING 320 00:21:36,962 --> 00:21:39,765 MODEST, BY THE WAY. I GUESS I COULD SHALL-- YOUR 321 00:21:39,831 --> 00:21:43,101 AUDIENCE PROBABLY DOESN'T WANT TO SEE IT 322 00:21:43,168 --> 00:21:46,038 (CHEERS AND APPLAUSE) >> BUT I DO FEEL AN OBLIGATION, 323 00:21:46,104 --> 00:21:51,243 THE IDEA THAT WHEN YOU HAVE A GIFT, THAT YOU HAVE TO SHARE IT 324 00:21:51,309 --> 00:21:59,251 WITH THE ENTIRE WORLD. NOW I AM'S SPEAKING-- I AM 325 00:21:59,317 --> 00:22:00,786 EUROPEAN. I'M NOT EUROPEAN BUT I GUESS IF 326 00:22:00,852 --> 00:22:15,734 I HAD-- IN HORN OR OF THE GREAT JOHN GLAZER, YOU READY? 327 00:22:15,801 --> 00:22:18,503 I HAD-- IN HORN OR OF THE GREAT JOHN GLAZER, YOU READY? 328 00:22:18,570 --> 00:22:22,708 ♪ (CHEERS AND APPLAUSE). 329 00:22:22,774 --> 00:22:25,844 >> James: WOW. WOW. 330 00:22:25,911 --> 00:22:29,748 THAT IS A WORLD EXCLUSIVE. >> THANK YOU. 331 00:22:29,815 --> 00:22:34,453 IT FEELS GOOD, THE TERM GOAT GETS USED SO MUCH. 332 00:22:34,519 --> 00:22:38,356 >> James: YOU'RE RIGHT. AND WHAT A WAY, MELIA, TO BE 333 00:22:38,423 --> 00:22:42,728 INDUCTED, YOUR FIRST EVER LATE NIGHT TALK SHOW APPEARANCE, YOUR 334 00:22:42,794 --> 00:22:45,630 FIRST. HOW ARE YOU DOING, DO YOU FEEL 335 00:22:45,697 --> 00:22:47,632 OKAY. >> I FEEL GOOD BECAUSE I'M WITH 336 00:22:47,699 --> 00:22:51,870 YOU BY I FEEL VERY NERVOUS. >> James: YOU DNTS NEED TO 337 00:22:51,937 --> 00:22:54,306 FELL NERVOUS ABOUT ANYTHING. ARE YOU A WONDERFULLY SKILLED 338 00:22:54,372 --> 00:22:56,975 PERFORMER. WHAT WAS YOUR FIRST EVERY TIME 339 00:22:57,042 --> 00:22:59,411 ON STAGE IN FRONT OF AN AUDIENCE LIKE? 340 00:22:59,478 --> 00:23:04,683 WHAT DO YOU REMEMBER ABOUT THAT? >> I THINK I WAS NINE OR TEN. 341 00:23:04,750 --> 00:23:10,155 IT WAS A PRODUCTION OF, LIKE A DIFFERENT VERSION OF THE "LITTLE 342 00:23:10,222 --> 00:23:12,724 MERMAID," AND I REALLY WANTED TO BE THE "LITTLE MERMAID" BUT MY 343 00:23:12,791 --> 00:23:15,093 VOICE IS TOO LOW. SO I COULDN'T SING THOSE 344 00:23:15,160 --> 00:23:20,031 BEAUTIFUL HIGH NOTEDS. SO THEY MADE ME THE WITCH. 345 00:23:20,098 --> 00:23:24,770 AND I HAD TO, THERE WAS LIKE A DIVIDE BETWEEN THE AUDIENCE AND 346 00:23:24,836 --> 00:23:28,306 I HAD TO WALK THROUGH THE AUDIENCE WITH A CAPE AND GO OVER 347 00:23:28,373 --> 00:23:31,710 THEM AND BELT OUT THESE LOW NOTES. AND IT WAS REALLY COOL. 348 00:23:31,777 --> 00:23:34,713 >> James: LOOK AT THAT. AND WHO WOULD HAVE THOUGHT THAT 349 00:23:34,780 --> 00:23:39,117 BACK THEN YOU WOULD BE TELLING THAT ON A COUCH NEXT TO WHAT IS 350 00:23:39,184 --> 00:23:42,521 ARGUABLY THE GREATEST AIR BASS PLAYER OF ALL TIME. 351 00:23:42,587 --> 00:23:47,459 WILL WHAT ABOUT YOU, WHAT DO YOU REMEMBER ABOUT YOUR, WHAT WAS 352 00:23:47,526 --> 00:23:50,028 YOUR FIRST. >> JUST ARGUABLY YOU WOULD NEED 353 00:23:50,095 --> 00:23:52,998 TO SAY THAT. >> James: WHAT WAS YOUR FIRST 354 00:23:53,064 --> 00:23:55,300 TIME ON STAGE LIKE? WHEN DID YOU START PERFORMING? 355 00:23:55,367 --> 00:24:00,205 >> STRANGELY ENOUGH, I ALSO, I DID NOT HAVE A VERY LOW VOICE AT 356 00:24:00,272 --> 00:24:03,175 THE TIME. HI QUITE A HIGH VOICE. 357 00:24:03,241 --> 00:24:06,178 I WAS 12 YEARS OLD AND I WAS STILL SQUEAKING, KIND OF, LIKE 358 00:24:06,244 --> 00:24:12,217 THIS. AND I DID A PRODUCTION OF 359 00:24:12,284 --> 00:24:15,720 H-- PINEFORTD AND I HAD TO SING AND I DON'T THINK IT I WAS VERY 360 00:24:15,787 --> 00:24:20,125 GOOD BUT IT WAS A LOT OF FUN AND I HAVE NEVER BEEN ASKED TO SING 361 00:24:20,192 --> 00:24:21,560 AGAIN. >> James: WE SWRAI PHOTO OF 362 00:24:21,626 --> 00:24:22,794 YOU. >> THERE I AM ON THE RIGHT. 363 00:24:22,861 --> 00:24:28,300 >> James: THIS IS YOU HERE, THAT IS YOU, I ALREADY FEEL LIKE 364 00:24:28,366 --> 00:24:31,136 ARE YOU ABSOLUTELY COMMITTED TO THE PERFORMANCE. 365 00:24:31,203 --> 00:24:35,106 >> I WAS SWRE COMMITTED. I WAS ABOUT TO BE SENT FOR 366 00:24:35,173 --> 00:24:39,945 CRIMES UNKNOWN I SENT TO A DUNGEON, I REMEMBER THE LYRIC. 367 00:24:40,011 --> 00:24:43,815 AS IF IT WERE 40 YEARS AGO. >> James: NOW MELIA, YOU HAVE 368 00:24:43,882 --> 00:24:47,719 A VERY INTERESTING BACKGROUND. YOU WERE BORN IN SWITZERLAND, 369 00:24:47,786 --> 00:24:50,789 WERE YOU RAISED IN GREECE, YOU WENT TO SCHOOL IN ENGLAND, YOU 370 00:24:50,856 --> 00:24:56,862 NOW LIVE IN LOS ANGELES. WHERE DO YOU CONSIDER TO BE HOME? 371 00:24:56,928 --> 00:25:00,031 >> LET ME ADD ONE IN THERE I WAS CONCEIVED IN CHINA. 372 00:25:00,098 --> 00:25:02,934 >> James: WOW. WOW. 373 00:25:03,001 --> 00:25:05,704 >> APPARENTLY. >> James: THEY REALLY GOT 374 00:25:05,770 --> 00:25:06,838 AROUND. >> . 375 00:25:06,905 --> 00:25:08,840 >> James: WHERE DO YOU CONSIDER HOME. 376 00:25:08,907 --> 00:25:10,842 >> I'M VERY CONFUSED, HAVE I GOT TO SAY. 377 00:25:10,909 --> 00:25:15,247 MY DAD WHO IS NO LONGER WITH US IS FROM PEORIA, ILLINOIS, A VERY 378 00:25:15,313 --> 00:25:19,484 SPECIFIC CASE AND MY MOM SO SO GREEK AND I WAS RAISED THERE BUT 379 00:25:19,551 --> 00:25:22,587 IN AN ENGLISH SCHOOL BUT SO I HAVE ALWAYS FELT CONFUSED. 380 00:25:22,654 --> 00:25:27,459 >> James: I MEAN WE'RE TALKING ABOUT GETTING AROUND THE GLOBE, 381 00:25:27,525 --> 00:25:33,465 YOU STARTED HOSTING A BRILLIANT FORMULA ONE PODCAST. 382 00:25:33,531 --> 00:25:36,468 YOU'VE ALREADY BEEN TO QUITE A FEW RACES THIS SEASON. 383 00:25:36,534 --> 00:25:40,438 HAVE THEY LET YOU THRIE A-- NEAR A CAR YET. 384 00:25:40,505 --> 00:25:41,640 >> NO, THEY ARE SMART IN THAT WAY. 385 00:25:41,706 --> 00:25:44,910 THAT IS NOT TRUE, I WAS IN SINGAPORE, DANNY RICARDO LET ME 386 00:25:44,976 --> 00:25:48,680 HOLD THE STEERING WHEEL WHICH LOOKS LIKE A VIDEO GAME REMOTE 387 00:25:48,747 --> 00:25:51,249 TIMES A MILLION. AND THEN WHEN I WAS IN AUSTIN A 388 00:25:51,316 --> 00:25:55,654 COUPLE OF WEEKS AGO FOR THE U.S. GRAND PRIKS, I DID GET INTO A 389 00:25:55,720 --> 00:26:00,992 SOUND UP McLAREN WITH MIC BLANCA WE DID A HOLD LAB AS IT 390 00:26:01,059 --> 00:26:03,395 IS CALLED. IRDON'T KNOW WHY I AM LOOKING 391 00:26:03,461 --> 00:26:07,299 OUT, HOT LAP, ANYBODY, HOT LAP, HOT LAP, ANYBODY? 392 00:26:07,365 --> 00:26:11,870 AND SO I DID 175 MILES AN HOUR. VERY SCARY. 393 00:26:11,937 --> 00:26:17,075 >> James: BUT I MEAN YOUR SON'S 14th BIRTHDAY THIS 394 00:26:17,142 --> 00:26:19,811 WEEKEND AND YOU TOOK HIM AND HIS BUDDIES GO CARTING. 395 00:26:19,878 --> 00:26:24,215 >> I TOOK MY 14 YEAR OLD SON, HIS BIRTHDAY, HE AND SOME OF HIS 396 00:26:24,282 --> 00:26:30,221 FRIENDS OUT TO A REAL RACING HOT BED UP IN BURBANK. 397 00:26:30,288 --> 00:26:35,460 , BURBANK. SO WE GO OUT THERE AND WE DID 398 00:26:35,527 --> 00:26:38,663 P-1, QUALLI AND THE RACE WITH THE KIDS, FIRST P1 WHICH IS 399 00:26:38,730 --> 00:26:41,132 LIKE, EVERYBODY IS JUST SETTING THE TIME. 400 00:26:41,199 --> 00:26:43,134 HI GREAT LAP AVERAGE BUT NOT THE BEST TIME. 401 00:26:43,201 --> 00:26:46,938 BUT I ALSO REALIZED I WAS GETTING WAY TOO IN NOO IT AND 402 00:26:47,005 --> 00:26:52,610 THE 14 YEAR OLDS ARE LIKE YO, YOUR DAD CUT ME OFF, YOU KNOW, 403 00:26:52,677 --> 00:26:57,048 AND SO I LOOKED AT HIS MOM AND I WAS LIKE YOU KNOW I'M GOING TO 404 00:26:57,115 --> 00:26:59,351 HANG WITH YOU. I THINK WE'LL LET THE BOYS. 405 00:26:59,417 --> 00:27:00,685 >> James: SIT OUT THE QUALIFYING. 406 00:27:00,752 --> 00:27:05,290 >> I HAD TO SIT OUT THE QUALIS. >> James: WE HAVE TO 407 00:27:05,357 --> 00:27:11,096 CONGRATULATE YOU ON YOUR-- BRILLIANT TV SHOW 408 00:27:11,162 --> 00:27:12,297 "MAMMALS," FOR ANYONE THAT DOESN'T KNOW, TELL US WHAT IT IS 409 00:27:12,364 --> 00:27:19,871 ABOUT AND WHO YOU PLAY. >> IT IS, MAMMALS IS A SHOW THAT 410 00:27:19,938 --> 00:27:29,447 I, JAMES, I PLAY YOUR-- I AM I GUESS A LITTLE NAUGHTY AS A 411 00:27:29,514 --> 00:27:31,483 WIFE. I'M NOT THE EASIEST WIFE TO BE 412 00:27:31,549 --> 00:27:33,785 WITH. >> IT IS A HARD SHOW TO TALK 413 00:27:33,852 --> 00:27:36,921 ABOUT BECAUSE ESSENTIALLY EVERYTHING AFTER THE FIRST FIVE 414 00:27:36,988 --> 00:27:40,125 MINUTES IS AN ABSOLUTE SPOILER. THAT IS WHY IT IS DIFFICULT. 415 00:27:40,191 --> 00:27:42,327 LET ME TELL YOU, THIS I MEAN, THIS FROM THE BOTTOM OF MY 416 00:27:42,394 --> 00:27:49,834 HEART. THERE WAS, WHO WROTE THE SHOW 417 00:27:49,901 --> 00:27:55,340 DID 129 ACTORS PUT THEMSELVES ON TAPE FOR THE PART THAT MELIA 418 00:27:55,407 --> 00:27:56,574 PLAYS. ONE PERSON SCREEN TESTED HERE IN 419 00:27:56,641 --> 00:27:59,744 THIS BUILDING. IT WAS 35 FEET FROM WHERE WE ARE 420 00:27:59,811 --> 00:28:02,113 RIGHT NOW. MELIA CAME IN AND DID HER SCREEN 421 00:28:02,180 --> 00:28:05,250 TEST AND FROM THE FIRST TAKE YOU EVER PUT DOWN TO EVERY DAY YOU 422 00:28:05,316 --> 00:28:09,487 WERE WERE ON SET T COULD HAVE NEVER BEEN ANYONE ELSE. 423 00:28:09,554 --> 00:28:11,489 YOU ARE ABSOLUTELY BRILLIANT IN THE SHOW. 424 00:28:11,556 --> 00:28:16,061 pLET'S TAKE A LOOK AT A GRIP FRM "MAMMALS," WHICH IS AVAILABLE ON 425 00:28:16,127 --> 00:28:25,036 AMAZON PRIME VIDEO NOVEMBER 11. >> OH, IS HE WAKING UP. 426 00:28:25,103 --> 00:28:29,574 FEEL THAT. >> SHE THINKS IS HE. 427 00:28:29,641 --> 00:28:34,412 >> THEN HE WILL FIND THIS EMBARRASSING. 428 00:28:34,479 --> 00:28:36,114 >> HOPEFULLY AFTER I WHILE HE WILL LIKE US AGAIN, BUT NOT TOO 429 00:28:36,181 --> 00:28:39,384 MUCH SO WHEN WE'RE GONE HE MISSES US FOR A BET AND FORGETS 430 00:28:39,451 --> 00:28:52,063 ALL ABOUT US. >> . 431 00:28:52,130 --> 00:28:54,165 >> STICK AROUND, MORE WITH THESE TWO WHEN WE COME BACK. 432 00:29:04,909 --> 00:29:10,315 >> BUILD A PIRATE SHIP, YEAH, RIGHT? 433 00:29:10,381 --> 00:29:14,252 WHAT, WHY ARE YOU GUYS ALL-- WHAT IS THE BIG DEAL, WHY 434 00:29:14,319 --> 00:29:20,825 ARE YOU LOOKING AT ME IKE THAT. >> THIS WAS NOT THE PLAN. 435 00:29:20,892 --> 00:29:29,334 FINE, DO YOUR WORST. THE FULL THING. 436 00:29:29,400 --> 00:29:40,778 OH YEAH. YOU WIN AGAIN. 437 00:29:40,845 --> 00:29:43,047 (APPLAUSE) >> James: THAT WAS A CLIP FROM 438 00:29:43,114 --> 00:29:45,350 "LEGO MASTERS," WHICH AIRS WEDNESDAYS AT 9:00 ON FOX, AND 439 00:29:45,416 --> 00:29:53,791 THE NEXT DAY ON HULU. >> CONGRATULATIONS, ON THE THIRD 440 00:29:53,858 --> 00:29:55,660 SEASON NOW. >> WHILE YOU HAVE BEEN DOING, 441 00:29:55,727 --> 00:29:58,763 THIS I KNEEL LIKE THIS IS MAYBE THE MOST FUN JOB YOU HAVE. 442 00:29:58,830 --> 00:30:03,001 >> IT IS, IT IS SO MUCH FUN. I GET TO GO AND WATCH PEOPLE 443 00:30:03,067 --> 00:30:04,702 BUILD LEGGO. THAT'S IT. 444 00:30:04,769 --> 00:30:07,772 AND IT, AND THEY ARE LIKE, ALL THE PEOPLE WHO DO IT ARE 445 00:30:07,839 --> 00:30:09,340 SUPERPOSITIVE, REALLY, REALLY INTO IT. 446 00:30:09,407 --> 00:30:11,776 ANY TIME YOU DO ANYTHING WITH PEOPLE WHO ARE REALLY INTO 447 00:30:11,843 --> 00:30:13,678 WHATEVER THEY ARE DOING T IS FUN. 448 00:30:13,745 --> 00:30:17,849 >> James: YES. >> SO WELL, I CAN THINK OF A FEW 449 00:30:17,916 --> 00:30:21,152 THINGS THAT'S NOT TRUE FOR, BUT ON THE WHOLE. 450 00:30:21,219 --> 00:30:23,922 >> James: ON THE WHOLE. >> ON THE WHOLE, THAT COULD BE 451 00:30:23,988 --> 00:30:30,061 ALWAYS THE DISCLAIMER.pSO YEAH,. AND I LOVE THAT, I LEGITIMATELY 452 00:30:30,128 --> 00:30:33,064 LOVE WHEN PEOPLE COME UP AND SAY WE WATCH THIS AS A FAMILY AND 453 00:30:33,131 --> 00:30:35,333 HAD A GREAT TIME THAT MAKES ME FEEL REALLY GOOD. 454 00:30:35,400 --> 00:30:37,001 I LOVE KNOWING THAT PEOPLE DO THAT. 455 00:30:37,068 --> 00:30:38,536 AND WE SAY WE WATCH AS A FAMILY AND I'M LIKE I'M ENJOYING MY 456 00:30:38,603 --> 00:30:41,472 DINNER. BUT JUST TO HEAR THEM SAY THAT 457 00:30:41,539 --> 00:30:42,740 IS NICE. >> James: BUT THE SHOW IS 458 00:30:42,807 --> 00:30:45,910 BRILLIANT AND ARE YOU SO GOOD HOSTING IT, I THINK IT WILL RUN 459 00:30:45,977 --> 00:30:48,179 AS LONG AS YOU WANT TO DO IT, I REALLY, REALLY DO. 460 00:30:48,246 --> 00:30:53,451 MELIA, ONE OF YOUR FIRST BIG MOVIES, THE GUARDIANS OF THE 461 00:30:53,518 --> 00:30:55,687 GALAXY, AND I NEVER KNEW THIS, THAT YOU HAD QUITE THE 462 00:30:55,753 --> 00:30:57,488 EXPERIENCE ON YOUR FIRST DAY ON SET. 463 00:30:57,555 --> 00:31:05,863 WHAT HAPPENED? >> WHAT HAPPENED? 464 00:31:05,930 --> 00:31:09,434 >> I, THIS WAS MY FIRST BIG EXPERIENCE ON A BIG MOVIE SCET, 465 00:31:09,500 --> 00:31:13,004 I WAS VERY NERVOUS, KIND OF LIKE TODAY. 466 00:31:13,071 --> 00:31:17,375 I WAS WEARING THESE BEAUTIFUL BIG YELLOW CONTACT LENSES THAT 467 00:31:17,442 --> 00:31:22,614 HAD A VERY SMALL OPENING SO MY PERSONAL VISION WAS REALLY, 468 00:31:22,680 --> 00:31:24,282 REALLY TIGHT. SO I COULDN'T SEE ANYTHING. 469 00:31:24,349 --> 00:31:27,218 AND THINGS WERE EXPLODING IN THAT SCENE AND THERE WAS LIKE 470 00:31:27,285 --> 00:31:29,354 FAKE RUBBLE AND I HAD TO BE CAREFUL. 471 00:31:29,420 --> 00:31:34,092 SO I WENT OVER SOMETHING AND I DON'T KNOW HOW IT HAPPENED, BUT 472 00:31:34,158 --> 00:31:38,696 MY BACK MOL AR JUST CRACKED RIGHT OFF AND WAS HANGING OFF OF 473 00:31:38,763 --> 00:31:42,367 ONE LITTLE-- PIECE. AND I WAS, I DIDN'T WANT TO MAKE 474 00:31:42,433 --> 00:31:51,776 A BIG DEAL OUT OF IT. SO, SO I CUED A LITTLE GIT BIT 475 00:31:51,843 --> 00:31:54,812 OF GUN ON THE OTHER SIDE AND JUST KIND OF SECURED IT. 476 00:31:54,879 --> 00:31:58,349 I ONLY HAD A COUPLE OF HOURS LEFT ON SET SOIRKS JUST SECURED 477 00:31:58,416 --> 00:31:59,584 IT. >> WAIT A SECOND. 478 00:31:59,651 --> 00:32:02,587 >> UNTIL I COULD GO TO A LOCAL DENTIST T WASN'T PAINFUL IT WAS 479 00:32:02,654 --> 00:32:05,390 JUST WEIRD. >> YOU SECURED YOUR TOOTH WITH 480 00:32:05,456 --> 00:32:07,725 SOME CHEWING GUM. >> James: AND JUST CARRIED ON 481 00:32:07,792 --> 00:32:10,795 WITH THE DAY. >> BECAUSE YOU DIDN'T WANT TO 482 00:32:10,862 --> 00:32:14,866 PUT ANYBODY OUT ON A MOVIE SET. THEY ARE THERE TO BE PUT OUT. 483 00:32:14,932 --> 00:32:18,369 THAT IS WHAT THEY DO. >> James: WOW. 484 00:32:18,436 --> 00:32:20,872 >> NO WAY, GOD, THAT'S TOUGH. >> James: THAT IS TRUE 485 00:32:20,938 --> 00:32:23,107 COMMITMENT. >> WE WOULD HAVE-- HE AND I 486 00:32:23,174 --> 00:32:26,077 WOULD HAVE BEEN IN TEARS. >> James: I WOULD HAVE BEEN 487 00:32:26,144 --> 00:32:29,447 OUT FOR A WEEK. >> OH MY GOD. 488 00:32:29,514 --> 00:32:32,150 >> James: WHERE IS CHRIS PRATT WHERE IS CHRIS PRATT. 489 00:32:32,216 --> 00:32:36,054 >> I WOULD HAVE SUED EVERYBODY. >> James: YES. 490 00:32:36,120 --> 00:32:41,659 >> I WOULD HAVE BEEN LIKE AON THE GRUND ROLLING AROUND. 491 00:32:41,726 --> 00:32:46,230 >> James: NOW WILL I WANT TO TALK TO YOU ABOUT THIS, ARE YOU 492 00:32:46,297 --> 00:32:49,167 THE VOICE, AND I CAN'T GET MY HEAD AROUND THIS. 493 00:32:49,233 --> 00:32:53,104 ARE YOU THE VOICE OF THE NEW AUSTRALIAN TOURIST BOARD 494 00:32:53,171 --> 00:32:54,372 COMMERCIAL. >> RIGHT. 495 00:32:54,439 --> 00:32:57,475 >> James: WHEN I THINK OF YOU AS I DO OFTEN, I NEVER THINK OF 496 00:32:57,542 --> 00:33:00,645 AUSTRALIA, HOW DID YOU DO THIS, WHAT IS THE STORY BEHIND IT. 497 00:33:00,712 --> 00:33:10,555 >> WELL, AUSTRALIA WAS LOOKING TO UP ITS BRAND AND SO AS A 498 00:33:10,621 --> 00:33:18,963 NATION, SO MY OBVI MY PHONE RINGS,-- NO. 499 00:33:19,030 --> 00:33:22,433 GOT TO GET ARNETT. THEY WERE LOOKING TO DO IN THIS 500 00:33:22,500 --> 00:33:25,203 POST PANDEMIC WORLD THEY WANT TO GET PEOPLE BACK OUT AND COME 501 00:33:25,269 --> 00:33:28,072 TOTION AUSTRALIA. THEY CAME TO ME AND SAID THIS 502 00:33:28,139 --> 00:33:30,742 GREAT AUSTRALIAN FILMMAKER IS MAKING A FILM ABOUT HOW 503 00:33:30,808 --> 00:33:32,677 BEAUTIFUL AND A I MAAING AUSTRALIA IS. 504 00:33:32,744 --> 00:33:35,780 AND ROSEBERG IS THE LEAD AND WOULD YOU COME AND DO A VOICE. 505 00:33:35,847 --> 00:33:38,449 YOU PLAY THE VOICE OF THE-- CHARACTERS AND AT THE END 506 00:33:38,516 --> 00:33:41,953 ROSE COMES TO LIFE AND IS THERE WELCOMING PEOPLE. 507 00:33:42,019 --> 00:33:44,956 I SAID YES, OF COURSE, I LOVE AUSTRALIA T SAY GREAT COUNTRY. 508 00:33:45,022 --> 00:33:49,127 I FEEL A KINSHIP BEING CANADIAN, BEING SORT BOTH FROM 509 00:33:49,193 --> 00:33:51,629 COMMONWEALTH COUNTRIES, WE GET ALONG REALLY WELL. 510 00:33:51,696 --> 00:33:54,499 I GUESS I'M KIND OF LIKE AN ICON OF TWO COUNTRIES. 511 00:33:54,565 --> 00:34:00,505 >> James: YEAH. >> MAYBE THREE. 512 00:34:00,571 --> 00:34:01,773 >> James: AN ICON, LADIES AND GENTLEMEN, THANK OUR WONDERFUL 513 00:34:01,839 --> 00:34:04,942 GUEST, MELIA KRIELING, WILL ARNETT, STICK AROUND. 514 00:34:05,009 --> 00:34:08,413 TYGA WHEN WE COME BACK. WELL DONE. 515 00:34:25,663 --> 00:34:27,598 WELCOME BACK. HERE PERFORMING A MEDLEY OF 516 00:34:27,665 --> 00:34:30,368 "ADRENALINE," "ICE CREAM MAN," AND "FREAKY DEAKY," PLEASE 517 00:34:30,435 --> 00:34:36,808 WELCOME TYGA! (CHEERS AND APPLAUSE) 518 00:34:36,874 --> 00:34:38,209 S YEAH ONLY ONE I TRUST IS BENJAMIN 519 00:34:38,276 --> 00:34:39,844 S GONE OFF THE DRANK AND IT'S BOOSTIN' MY ADRENALINE 520 00:34:39,911 --> 00:34:41,412 S SHE WANNA PLAY GAMES I AIN'T SCRIMMAGING 521 00:34:41,479 --> 00:34:43,881 SCRIMMAGING S DUNKIN' ON YOUR (BLEEP) 522 00:34:43,948 --> 00:34:45,750 AND I'M HANGIN' ON THE RIM AGAIN S TELL ME WHAT IT IS 523 00:34:45,817 --> 00:34:47,285 I NEED CLARITY, CLARITY S SHE DOWN ON ONE KNEE 524 00:34:47,351 --> 00:34:48,719 SHE WANNA MARRY ME, MARRY ME YEAH 525 00:34:48,786 --> 00:34:51,222 S BOOST MY EGO AND ADRENALINE I PRAY TO THE LORD 526 00:34:51,289 --> 00:34:58,629 S BUT HE KNOW IMMA SIN AGAIN S >> INITIALIZE LOG IN. 527 00:34:58,696 --> 00:35:10,975 ACTIVATE. WHY ARE YOU SO OBSESSED WITH ME? 528 00:35:11,042 --> 00:35:15,580 SHE LIKE TO TOUCH ME, TOUCH ME, LOVE ME, LOVE ME. 529 00:35:15,646 --> 00:35:20,017 S I'M THE ICE CREAM MAN SHE CHUNKY MONKEY 530 00:35:20,084 --> 00:35:22,453 TOUCH MEE, TOUCHY. S I'M THE ICE CREAM MAN 531 00:35:22,520 --> 00:35:23,521 SHE CHUNKY MONKEY S SHE LIKE TO TWIRLY SWIRLY 532 00:35:23,588 --> 00:35:25,156 IN MY VANILLA COUPE S SHE LIKE MY SUGAR CONE SEATS 533 00:35:25,223 --> 00:35:29,360 I JUST TOOK OFF THE ROOF S SHE GOT A MARSHMALLOW BOOTY 534 00:35:29,427 --> 00:35:30,795 I LIKE TO SPRINKLE IT, TOO S I'M THE ICE CREAM MAN 535 00:35:30,862 --> 00:35:34,866 THIS MY SONG WHEN I'M RIDIN' THROUGH 536 00:35:34,932 --> 00:35:39,270 SHE LIKE TO TOUCH ME, TOUCH ME, LOVE ME, LOVE ME. 537 00:35:39,337 --> 00:35:40,638 S I'M THE ICE CREAM MAN SHE CHUNKY MONKEY 538 00:35:40,705 --> 00:35:41,973 S I'M THE ICE CREAM MAN SHE CHUNKY MONKEY 539 00:35:42,039 --> 00:35:45,710 S ALL THESE MONEY-HUNGRY HUNGRY-HIPPOS WANNA LOVE ME 540 00:35:45,776 --> 00:35:50,047 S ALL THESE DIAMONDS DUSTY MINE JUST CLEAR AND SUNNY 541 00:35:50,114 --> 00:35:56,721 S I DON'T ROCK GIUSEPPES THIM IS UGLY. 542 00:35:56,787 --> 00:35:58,055 S I'M IN THE GHETTO, THE GUTTER I GOT THE SUGAR, THE BUTTER 543 00:35:58,122 --> 00:36:03,361 S I GOT THE MAMA, THE BROTHER OH, YEAH, YOUR SON IS A HUSTLER 544 00:36:03,427 --> 00:36:08,799 SHE WANNA-- ME LOVE MEE. BUT I AIN'T GON' RUSH IT 545 00:36:08,866 --> 00:36:09,901 S I'M THE ICE CREAM MAN, YEAH I BALL EVERY SUMMER 546 00:36:09,967 --> 00:36:11,235 S THESE BOYS WANNA RUN IT THAT'S COOL, 'CAUSE 547 00:36:11,302 --> 00:36:17,542 I NEED MORE RUNNERS SHE LIKE TO TOUCH ME, TOUCH ME, 548 00:36:17,608 --> 00:36:23,014 LOVE ME, LOVE MEE. S I'M THE ICE CREAM MAN 549 00:36:23,080 --> 00:36:28,653 SHE CHUNKY MONKEY SHE LIKE TO TOUCH ME, TOUCH MEE, 550 00:36:28,719 --> 00:36:31,989 LOVE PLEE, LOVE MEE S I'M THE ICE CREAM MAN 551 00:36:32,056 --> 00:36:37,061 SHE CHUNKY MONKEY S >> CODE ACCEPTED. 552 00:36:37,128 --> 00:36:38,763 ALTERNATE. UNIVERSE LOCATED. 553 00:36:38,829 --> 00:36:40,298 S I'VE BEEN FEELIN' FREAKY DEAKY 554 00:36:40,364 --> 00:36:41,032 S YOU'RE ON YOUR WAY TO SEE ME 555 00:36:41,098 --> 00:36:42,333 S GOT THE MIRROR ON THE CEILING 556 00:36:42,400 --> 00:36:51,242 S YOU'RE IN THE MOOD TO PLEASE ME, YEAH 557 00:36:51,309 --> 00:36:52,677 S I PICK YOU UP, COME OUTSIDE TAKE YOU FOR A RIDE 558 00:36:52,743 --> 00:36:53,611 S BODY LIKE DECEMBER ON SUMMERTIME 559 00:36:53,678 --> 00:36:54,412 S TAKE OFF THE TOP, OOH, OOH SWEET CAROLINE 560 00:36:54,478 --> 00:36:55,880 S MEET MY JEWELER PUT ICE ON THAT 561 00:36:55,947 --> 00:36:58,449 S AYY, TWO DIAMOND CHAINS WHAT'S THE PRICE ON THAT? 562 00:36:58,516 --> 00:37:00,318 S WHEN YOU WORTH WHAT YOU WORTH I INVEST IN THAT 563 00:37:00,384 --> 00:37:01,152 S ITTY-BITTY WAIST BUT YOUR (BLEEP) SO FAT 564 00:37:01,218 --> 00:37:02,320 S LET ME SLIDE IN IT WAYNE GRETZKY 565 00:37:02,386 --> 00:37:04,722 S LET ME SEE IT BOUNCE LIKE A JET SKI, AYY 566 00:37:04,789 --> 00:37:08,492 S I KNOW YOU WISHING HE WAS LIKE ME 567 00:37:08,559 --> 00:37:10,127 S LATE NIGHT, CALLIN' ME FOR SOME GOOD, AYY 568 00:37:10,194 --> 00:37:11,128 S I'VE BEENFEELIN' FREAKY DEAKY 569 00:37:11,195 --> 00:37:13,264 S YOU'RE ON YOUR WAY TO SEE ME 570 00:37:13,331 --> 00:37:15,833 S GOT THE MIRROR ON THE CEILING 571 00:37:15,900 --> 00:37:17,568 S YOU'RE IN THE MOOD TO PLEASE ME, YEAH 572 00:37:17,635 --> 00:37:19,870 S I'VE BEEN FEELIN' FREAKY DEAKY 573 00:37:19,937 --> 00:37:21,973 S YOU'RE ON YOUR WAY TO SEE ME 574 00:37:22,039 --> 00:37:24,375 S GOT THE MIRROR ON THE CEILING 575 00:37:24,442 --> 00:37:28,579 S YOU'RE IN THE MOOD TO PLEASE ME, YEAH 576 00:37:28,646 --> 00:37:31,082 S AH, BACK IT UP BACK IT UP, BACK IT UP 577 00:37:31,148 --> 00:37:34,151 S BACK IT UP FOR YOU I WANNA SEE YOU BACK IT UP 578 00:37:34,218 --> 00:37:35,486 S SO, I CAN BACK IT UP BACK IT UP 579 00:37:35,553 --> 00:37:38,889 S BACK IT UP FOR YOU MMM, GON' 'HEAD, BACK IT UP 580 00:37:38,956 --> 00:37:39,857 S SO, LET ME BACK IT UP BACK IT UP 581 00:37:39,924 --> 00:37:41,926 S BACK IT UP FOR YOU MMM, GON' 'HEAD 582 00:37:41,993 --> 00:37:44,729 S BACK IT UP BOY I CAN BACK IT UP 583 00:37:44,795 --> 00:37:46,998 S BACK IT UP BACK IT UP FOR YOU S 584 00:37:47,064 --> 00:37:51,035 (CHEERS AND APPLAUSE) >> James: COME ON, WHAT ABOUT 585 00:37:51,102 --> 00:37:54,939 THAT. TYGA, EVERYBODY. 586 00:37:55,006 --> 00:37:59,944 IS GOOD TO SIGH YOU, TYGA, EVERYBODY, WE'LL BE RIGHT BACK. 587 00:38:14,825 --> 00:38:15,993 >> James: THANK YOU SO MUCH FOR WATCHING. 588 00:38:16,060 --> 00:38:18,095 >> James: TOMORROW NIGHT, ALICIA VIKANDER WILL JOIN US, CHRIS 589 00:38:18,162 --> 00:38:20,965 O'DOWD WILL BE HERE, AND WE'LL HAVE MUSIC FROM TOMMY McLAIN. 590 00:38:21,032 --> 00:38:22,800 WE HOPE YOU'LL JOIN US, TOO. WE HOPE TO SEE YOU THEN, BAND, 591 00:38:22,867 --> 00:38:23,467 TAKE US HOME.