1 00:00:08,675 --> 00:00:23,556 ♪ ♪ ♪ ♪ ♪ ♪ 2 00:00:23,623 --> 00:00:25,959 ♪ ♪ ♪ ♪ ♪ ♪ 3 00:00:26,025 --> 00:00:28,027 ♪ ♪ ♪ GIVE IT UP FOR JAMES CORDEN! 4 00:00:41,941 --> 00:00:42,409 (CHEERS AND APPLAUSE). 5 00:00:42,475 --> 00:00:43,009 >> James: HOW ARE YOU? 6 00:00:43,076 --> 00:00:45,145 THANK YOU VERY, VERY MUCH. 7 00:00:45,211 --> 00:00:46,112 I APPRECIATE IT. 8 00:00:46,179 --> 00:00:47,981 THANK YOU FOR COMING TO SEE US, EVERYBODY. 9 00:00:48,047 --> 00:00:50,483 WELCOME TO THE "LATE, LATE SHOW." 10 00:00:50,550 --> 00:00:51,618 I HOPE YOU HAD THE BEST DAY. 11 00:00:51,684 --> 00:00:54,988 WE'RE SO APPRECIATIVE OF YOU SPENDING YOUR TIME WITH US. 12 00:00:55,054 --> 00:00:56,556 LET'S SEE WHO THE GUESTS ARE ON THE SHOW TONIGHT! 13 00:00:56,623 --> 00:00:58,892 SHE IS AN OSCAR-WINNING ACTOR YOU KNOW FROM "THE DANISH GIRL," 14 00:00:58,958 --> 00:01:01,261 "EX MACHINA," AND "IRMA VEP," THE DAZZLING, THE INCREDIBLE, 15 00:01:01,327 --> 00:01:05,598 ALICIA VIKANDER! 16 00:01:05,665 --> 00:01:08,401 IS HERE TONIGHT. 17 00:01:08,468 --> 00:01:08,935 >> HELLO. 18 00:01:09,002 --> 00:01:09,335 >> James: HOW ARE YOU? 19 00:01:09,402 --> 00:01:10,003 >> DOING GOOD. 20 00:01:10,069 --> 00:01:11,438 >> James: HOW NICE TO SEE YOU. 21 00:01:11,504 --> 00:01:13,907 IT'S BEEN SO LONG SINCE YOU WERE LAST ON THE SHOW. 22 00:01:13,973 --> 00:01:16,109 I FEEL LIKE YOUR ENTIRE LIFE HAS CHANGED. 23 00:01:16,176 --> 00:01:17,277 ARE YOU WELL? 24 00:01:17,343 --> 00:01:21,247 >> I'M REALLY GOOD, BUT YEAH, IT'S LIKE I WAS NEVER GONE. 25 00:01:21,314 --> 00:01:24,217 >> James: LIKE YOU WERE NEVER GONE AND YET LOOK HOW MUCH WE'VE 26 00:01:24,284 --> 00:01:25,018 ALL GROWN. 27 00:01:25,084 --> 00:01:26,820 CAN I NOT WAIT TO SPEAK TO YOU LATER. 28 00:01:26,886 --> 00:01:31,524 THANK YOU FOR BEING HERE, ALICIA VIKANDER, EVERYBODY. 29 00:01:31,591 --> 00:01:32,725 AND HE'S AN EMMY-WINNING ACTOR YOU 30 00:01:32,792 --> 00:01:33,927 KNOW FROM "BRIDESMAIDS," "THE I.T. CROWD," AND HIS UPCOMING 31 00:01:33,993 --> 00:01:35,962 NETFLIX MOVIE, "SLUMBERLAND," THE EVER HANDSOME, THE ALWAYS 32 00:01:36,029 --> 00:01:40,433 CHARMING, CHRIS O'DOWD! 33 00:01:40,500 --> 00:01:42,168 IS HERE TONIGHT. 34 00:01:42,235 --> 00:01:44,170 HOW ARE YOU? 35 00:01:44,237 --> 00:01:46,072 >> I'M SWEET, SO LOVELY TO SEE YOU. 36 00:01:46,139 --> 00:01:48,107 >> James: SO NICE TO HE SUE, HOW ARE YOU DOING? 37 00:01:48,174 --> 00:01:51,144 >> I'M GREAT, I JUST FOUND 20 BUCKS ON THE GROUND. 38 00:01:51,211 --> 00:01:52,412 >> James: DID YOU. 39 00:01:52,479 --> 00:01:54,781 >> I'M GOING TO LEAVE IT AT THE FRONT BUT IF NOBODY PICKS UP BY 40 00:01:54,848 --> 00:01:56,182 THE TIME I LEAVE I WILL TAKE IT HOME. 41 00:01:56,249 --> 00:01:59,552 >> James: ABSOLUTELY, I THINK THAT IS COMPLETELY FAIR ENOUGH. 42 00:01:59,619 --> 00:02:00,787 >> I WANT TO GIVE EVERYBODY THEIR CHANCE. 43 00:02:00,854 --> 00:02:02,655 >> James: GIVE EVERYBODY THEIR CHANCE. 44 00:02:02,722 --> 00:02:03,857 >> BUT IT'S LIKE AN HOUR AND A HALF. 45 00:02:03,923 --> 00:02:05,925 >> James: CHRIS, THANK YOU FOR BEING HERE, YOU LOOK GORGEOUS 46 00:02:05,992 --> 00:02:11,231 TONIGHT, WE'RE SO GLAD ARE YOU HERE, CHRIS O'DOWD, EVERYBODY. 47 00:02:11,297 --> 00:02:15,034 AND THIS IS HUGELY EXCITING, HE'S A SWAMP POP LEGEND HAILING 48 00:02:15,101 --> 00:02:16,169 FROM THE LOUISIANA BAYOU. 49 00:02:16,236 --> 00:02:17,670 AT 82 YEARS OLD, HE'S HERE TONIGHT TO MAKE HIS LATE-NIGHT 50 00:02:17,737 --> 00:02:21,808 TELEVISION DEBUT. 51 00:02:21,875 --> 00:02:25,378 WE COULDN'T BE MORE HONORED OR THRILLED TO HAVE HIM JOIN US, 52 00:02:25,445 --> 00:02:31,885 THE SINGULAR TOMMY McLAIN ON THE SHOW TONIGHT. 53 00:02:31,951 --> 00:02:42,529 HOW ARE YOU? 54 00:02:42,595 --> 00:02:46,466 ♪ COME ON IN, BROTHER. 55 00:02:46,533 --> 00:02:49,068 >> James: TOMMY McLAIN, EVERYBODY. 56 00:02:49,135 --> 00:02:50,270 ARE YOU READY? 57 00:02:50,336 --> 00:02:50,803 >> YES. 58 00:02:50,870 --> 00:02:51,571 >> James: THEN LET'S. 59 00:02:51,638 --> 00:02:53,306 I'M JAMES CORDEN, AND THEN LET'S! 60 00:02:53,373 --> 00:02:54,274 I'M JAMES CORDEN, AND THIS? 61 00:02:54,340 --> 00:02:54,908 THIS IS "THE LATE LATE SHOW!" ROLL THE TITLES! 62 00:02:54,974 --> 00:02:55,909 COME ON! 63 00:02:57,277 --> 00:02:59,178 Captioning sponsored by CBS 64 00:03:00,413 --> 00:03:03,917 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 65 00:03:03,983 --> 00:03:18,865 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 66 00:03:18,932 --> 00:03:19,499 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 67 00:03:19,566 --> 00:03:20,333 BLESS YOU FOR BEING HERE. 68 00:03:20,400 --> 00:03:21,568 I LOVE IT WHEN CHRIS O'DOWD IS IN TOWN. 69 00:03:21,634 --> 00:03:26,539 >> OH YEAH, NO O'DOWD ABOUT IT. 70 00:03:26,606 --> 00:03:27,941 >> James: THAT'S A SHAME. 71 00:03:28,007 --> 00:03:32,612 THAT'S-- WE WERE OFF ON A REAL TEAR THERE AND THAT IS REALLY. 72 00:03:32,679 --> 00:03:34,080 >> NO CHRIS O'DOWD ABOUT IT. 73 00:03:34,147 --> 00:03:35,715 >> James: DOESN'T WORK. 74 00:03:35,782 --> 00:03:40,887 IT DOESN'T MAKE IT BETTER IF YOU MAKE IT LONGER. 75 00:03:40,954 --> 00:03:43,990 >> VIKANDER THINK OF ANYONE WE WOULD RATHER HAVE ON THE SHOW. 76 00:03:44,057 --> 00:03:46,225 >> James: YOU MAY HAVE RESCUED IT THERE. 77 00:03:46,292 --> 00:03:50,496 YOU MAY HAVE RESCUED IT, YEAH, ABSOLUTELY. 78 00:03:50,563 --> 00:03:53,399 YOU HAVE HEARD ABOUT CHRIS' NEW MOVIE CALLED INTLUM BERLAND. 79 00:03:53,466 --> 00:03:58,705 LIKE IN A DREAMWORLD? 80 00:03:58,771 --> 00:04:00,306 ARE I A DREAMER. 81 00:04:00,373 --> 00:04:02,709 >> YOU MEAN LIKE AT NIGHT OR DO I HAVE ASPIRATIONS BEYOND THIS 82 00:04:02,775 --> 00:04:03,876 SHOW. 83 00:04:03,943 --> 00:04:06,779 >> James: NO, I KNOW UDAY DREAM, I SIT IN MEETINGS MEETINH 84 00:04:06,846 --> 00:04:07,647 YOU ALL DAY. 85 00:04:07,714 --> 00:04:11,618 I'M SAYING AT NIGHT WHEN YOU GO TO BED. 86 00:04:11,684 --> 00:04:12,885 >> OH, YEAH, I DREAM. 87 00:04:12,952 --> 00:04:15,421 I'M HESITANT TO TALK ABOUT THEM ON THIS SHOW BECAUSE I FEEL LIKE 88 00:04:15,488 --> 00:04:17,757 I WILL SAY WHAT I DREAM ABOUT AND SOMEONE ON TWITTER WILL BE 89 00:04:17,824 --> 00:04:22,362 LIKE THAT MEANS YOU WANT TO KISS YOUR DAD. 90 00:04:22,428 --> 00:04:25,999 >> James: WHICH IS IRONICALLY THE DREAMS THAT I HAVE. 91 00:04:26,065 --> 00:04:34,674 LOOK, WE CAN TALK ABOUT DREAMS BUT IT WILL BE A NIGHTMARE-- 92 00:04:34,741 --> 00:04:38,578 (APPLAUSE) >> WOW. 93 00:04:38,645 --> 00:04:40,980 >> THAT'S WHY YOU ARE THE GUY BEHIND THAT DESK. 94 00:04:41,047 --> 00:04:48,021 >> James: HEY THERE IS NO O'DOWD ABOUT IT. 95 00:04:48,087 --> 00:04:49,288 >> YEAH! 96 00:04:49,355 --> 00:05:00,033 LET'S GIVE AMERICA THE NEWS. 97 00:05:00,099 --> 00:05:06,039 SOURCES ARE SAY PRESIDENT DONALD TRUMP IS GOING TO-- TRUMP'S AID 98 00:05:06,105 --> 00:05:09,709 SAY THE FORMER PRESIDENT PLANS TO LAUNCH HIS CAMPAIGN AFTER THE 99 00:05:09,776 --> 00:05:12,779 MID-TERM ELECTION, SORRY, AFTER THE INSURRECTION PROTESTING THE 100 00:05:12,845 --> 00:05:17,250 MID-TERM ELECTIONS DO YOU THINK IS HE GOING TO DO IT? 101 00:05:17,316 --> 00:05:22,622 DO YOU THINK IS HE GOING TO RUNNINGS DO YOU THINK WILL GO 102 00:05:22,689 --> 00:05:23,856 OUT? 103 00:05:23,923 --> 00:05:25,892 >> THAT SEEMS THE WORST THING THAT CAN HAPPEN, AND THAT TENDS 104 00:05:25,958 --> 00:05:28,327 TO BE WHAT IS HAPPENING LATELY, THE WORST THING THAT CAN HAPPEN. 105 00:05:28,394 --> 00:05:30,663 >> James: I DON'T THINK HE CAN DO MAKE AMERICA GREAT AGAIN. 106 00:05:30,730 --> 00:05:31,431 >> OH YEAH. 107 00:05:31,497 --> 00:05:34,367 >> James:BECAUSE IT WAS SO [BLEEP]. 108 00:05:34,434 --> 00:05:35,101 >> YEAH. 109 00:05:35,168 --> 00:05:39,105 >> James: WHEN HE WAS-- CAN YOU? 110 00:05:39,172 --> 00:05:41,974 CAN YOU DO THAT? 111 00:05:42,041 --> 00:05:47,346 >> I THINK THE NEW SLOGAN SHOULD BE LIKE OOPS, I DID IT AGAIN. 112 00:05:47,413 --> 00:05:56,389 >> James: AND THEN BIDENS SHOULD BE YOUR. 113 00:05:56,456 --> 00:05:57,056 >> YEAH, YEAH. 114 00:05:57,123 --> 00:06:01,394 >> James: WHAT IS ANOTHER ONE. 115 00:06:01,461 --> 00:06:01,961 >> WOMENNIZEER. 116 00:06:02,028 --> 00:06:02,495 >> James: YOU'RE TOXIC. 117 00:06:02,562 --> 00:06:04,197 YOU WITH A WOMANIZER. 118 00:06:04,263 --> 00:06:06,766 NO WOMANIZER. 119 00:06:06,833 --> 00:06:08,835 nd ALL HE'S GOT IS OOPS I DID IT AGAIN. 120 00:06:08,901 --> 00:06:11,204 >> WE SHOULD HAVE THEMED ELECTIONS LIKE THAT. 121 00:06:11,270 --> 00:06:16,609 >> James: YEAH, OR MAYBE YOU JUST OPEN IT TO ANY FORMER MOUSE 122 00:06:16,676 --> 00:06:19,412 HE CAN TEAR. 123 00:06:19,479 --> 00:06:20,346 >> YEAH. 124 00:06:20,413 --> 00:06:20,847 TIMBERLAKE. 125 00:06:20,913 --> 00:06:22,482 >> James: AGUILARA. 126 00:06:22,548 --> 00:06:23,382 YOU WHAT? 127 00:06:23,449 --> 00:06:25,785 RYAN GOSLING? 128 00:06:25,852 --> 00:06:27,420 >> YEAH, GOS WAS A MUS KEY TEAR. 129 00:06:27,487 --> 00:06:30,123 >> James: THAT IS WHY HE IS SO GOOD AT DANCING. 130 00:06:30,189 --> 00:06:31,991 >> IS HE A GOOD DANCER. 131 00:06:32,058 --> 00:06:34,093 >> James: YOU HAVE NOT EVEN LA LA LAND, THAT LITTLE ROUTINE OUT 132 00:06:34,160 --> 00:06:38,164 BY THE BENCH. 133 00:06:38,231 --> 00:06:39,265 >> YEAH. 134 00:06:39,332 --> 00:06:49,342 >> James: THAT IS SOMETHING I HAVE NEVER DONE BEFORE. 135 00:06:49,408 --> 00:06:53,379 THAT IS MY THING, THAT IS MY THING, IF I JUST LIKE SOMETHING, 136 00:06:53,446 --> 00:06:58,584 I JUST GO-- (LAUGHTER) 137 00:06:58,651 --> 00:06:59,719 >> I DON'T LIKE IT. 138 00:06:59,786 --> 00:07:04,056 >> James: I DON'T LIKE T I'M NOT SAYING I LIKE T I'M JUST 139 00:07:04,123 --> 00:07:05,758 SAYING IT'S. 140 00:07:05,825 --> 00:07:07,827 >> NO! 141 00:07:07,894 --> 00:07:09,028 (APPLAUSE). 142 00:07:09,095 --> 00:07:14,467 >> James: HERE'S ITS THING, SCARY AS IT IS, YOU HAVE TO LOOK 143 00:07:14,534 --> 00:07:19,305 ON THE BRIGHT SIDE, IF TRUMP MOVES BACK INTO THE 144 00:07:19,372 --> 00:07:20,506 THE WHITE HOUSE, AT LEAST THE GOVERNMENT WILL GET BACK ALL 145 00:07:20,573 --> 00:07:22,909 THOSE CLASSIFIED DOCUMENTS HE HAD STOLEN. 146 00:07:22,975 --> 00:07:24,110 AND THIS WAS AN INTERESTING NEW STUDY. 147 00:07:24,177 --> 00:07:26,646 CONTRARY TO POPULAR BELIEF, MARIJUANA DOES NOT MAKE YOU MORE 148 00:07:26,712 --> 00:07:29,182 CREATIVE. 149 00:07:29,248 --> 00:07:30,316 OH YEAH? 150 00:07:30,383 --> 00:07:33,286 YOU TELL THAT TO THE PEANUT BUTTER AND BEEF JERKY 151 00:07:33,352 --> 00:07:37,156 BUTTERSCOTCH FAJITA THAT I INVENTED ON SUNDAY AFTERNOON. 152 00:07:37,223 --> 00:07:40,960 MARIJUANA DOESN'T MAKE YOU MORE CREATIVE. 153 00:07:41,027 --> 00:07:42,295 COCAINE, HOWEVER, DOES MAKE YOU MORE CREATIVE. 154 00:07:42,361 --> 00:07:51,604 BUT ALL YOUR IDEAS ARE PIR MID SCHEMES INVOLVING NFT'S 155 00:07:51,671 --> 00:07:52,772 A 68 THE RESEARCHERS FOUND THAT THE 156 00:07:52,839 --> 00:07:53,906 PARTICIPANTS WERE NO MORE CREATIVE THAN THOSE WHO DID NOT 157 00:07:53,973 --> 00:07:56,442 USE MARIJUANA, TO WHICH MARIJUANA USERS RESPONDED YEAH, 158 00:07:56,509 --> 00:08:03,783 WELL, THAT'S JUST LIKE YOUR OPINION MAN. 159 00:08:03,850 --> 00:08:06,686 YOU ARE EVER COME UP WITH A GREAT IDEA WHEN ARE YOU WERE 160 00:08:06,752 --> 00:08:07,920 STONED. 161 00:08:07,987 --> 00:08:11,324 >> A LOT OF THE STUFF WE HAVE DONE ON THIS SHOW WERE IDEAS HI 162 00:08:11,390 --> 00:08:16,762 WHILE I WAS STONE NS GO ON, LIKE CROSS WALK THE MUSICAL. 163 00:08:16,829 --> 00:08:18,898 CROSS WALK THE MUSICAL IAN PITCHED IN HIS THIRD WEEK ON THE 164 00:08:18,965 --> 00:08:20,900 ALL THE BIG CAT RIGHT THERE. 165 00:08:20,967 --> 00:08:21,634 >> THANK YOU. 166 00:08:21,701 --> 00:08:23,369 BEEN COASTING ON THAT EVER SINCE. 167 00:08:23,436 --> 00:08:24,637 >> James: YEAH. 168 00:08:24,704 --> 00:08:28,241 >> MUSICAL CHAIRS WAS DEFINITELY ME STONED AT HOME TRYING TO COME 169 00:08:28,307 --> 00:08:32,912 UP, WHICH IS, MUSICAL CHAIRS BUT WITH EVERYONE DRESSED LIKE 170 00:08:32,979 --> 00:08:33,679 CHAIRS. 171 00:08:33,746 --> 00:08:35,715 >> James: THEY UNDERSTAND WHAT ST. 172 00:08:35,781 --> 00:08:39,585 THEY GAVE TTS ADEQUATE RESPONSE. 173 00:08:39,652 --> 00:08:40,186 >> YEAH. 174 00:08:40,253 --> 00:08:40,920 YOU TAKE A CHAIR AWAY-- . 175 00:08:40,987 --> 00:08:42,321 >> James: THEY UNDERSTAND. 176 00:08:42,388 --> 00:08:44,023 IS. 177 00:08:44,090 --> 00:08:44,991 >> THEY-- . 178 00:08:45,057 --> 00:08:47,793 >> James: EVER DRESSED AS CHAIR, THEY GOT IT. 179 00:08:47,860 --> 00:08:51,330 >> THIS ISN'T ABOUT THE SHOW BUT ONE TIME WHEN I WAS STONED I 180 00:08:51,397 --> 00:08:56,202 THOUGHT I HAD INVENTED SORT OF LIKE A DESSERT LASAGNA. 181 00:08:56,269 --> 00:08:57,103 AND I WROTE IT DOWN. 182 00:08:57,169 --> 00:08:58,638 I WAS LIKE THIS IS A GREAT IDEA. 183 00:08:58,704 --> 00:09:00,273 PEOPLE ARE GOING TO LOVE. 184 00:09:00,339 --> 00:09:04,677 THIS AND THE FEKS DAY I WOKE UP AND I WAS LIKE THAT IS CAKE, YOU 185 00:09:04,744 --> 00:09:12,351 INVENTED CAKE. 186 00:09:12,418 --> 00:09:13,886 >> James: AND HAVE YOU SEEN THIS VIDEO? 187 00:09:13,953 --> 00:09:15,554 YESTERDAY, TWO GIANT CHRISTMAS ORNAMENTS BROKE LOOSE ON THE 188 00:09:15,621 --> 00:09:17,223 STREETS OF LONDON, PROPELLED BY UNUSUALLY HIGH WINDS. 189 00:09:17,290 --> 00:09:25,564 HAVE A LOOK AT THIS. 190 00:09:25,631 --> 00:09:28,401 LOOK AT THAT. 191 00:09:28,467 --> 00:09:33,639 IT LOOKS LIKE GOD IS PLAYING PINBALL. 192 00:09:33,706 --> 00:09:36,309 IS IT JUST ME, OR DO THE GIANT CHRISTMAS ORNAMENTS START 193 00:09:36,375 --> 00:09:40,413 ROLLING DOWN THE STREET EARLIER AND EARLIER EACH YEAR? 194 00:09:40,479 --> 00:09:41,914 LUCKILY NOBODY WAS HURT. 195 00:09:41,981 --> 00:09:42,315 CAN YOU IMAGINE? 196 00:09:42,381 --> 00:09:43,215 WHERE'S DAVE? 197 00:09:43,282 --> 00:09:46,052 OH, HE'S IN THE HOSPITAL. 198 00:09:46,118 --> 00:09:49,588 HE WAS TAKEN OUT BY ONE OF SANTA'S GIANT BALLS. 199 00:09:49,655 --> 00:09:54,493 AND FINALLY, A SCOTTISH VILLAGE IS NOW WORKING TO TAMPER PROOF 200 00:09:54,560 --> 00:09:58,931 ROAD SIGNS, BECAUSE PEOPLE KEEP STEALING THEM. 201 00:09:58,998 --> 00:10:03,336 THE SIGNS ARE BEING STOLEN BECAUSE, WE'RE NOT MAKING THIS 202 00:10:03,402 --> 00:10:08,240 UP, THE VILLAGE IS CALLED COCK BRIDGE. 203 00:10:08,307 --> 00:10:14,313 BY THE WAY, COCK BRIDGE IS ALSO HOW YOU GET TO PETE'S HOUSE. 204 00:10:14,380 --> 00:10:16,582 THE LOCAL COUNCIL IS NOW WORKING TO PUT UP TAMPER PROOF SIGNS. 205 00:10:16,649 --> 00:10:19,385 THAT'S RIGHT, COCK BRIDGE IS NOW USING PROTECTION. 206 00:10:19,452 --> 00:10:22,455 NOW THE LOCAL COUNCIL IN ABERDEENSHIRE IS WORKING ON WAYS 207 00:10:22,521 --> 00:10:24,390 TO KEEP PEOPLE FROM STEALING THE SIGNS. 208 00:10:24,457 --> 00:10:28,394 THEY'VE STARTED BY GOING UNDER A DIFFERENT NAME, THE TOWN IS NOW 209 00:10:28,461 --> 00:10:30,963 KNOWN AS PUBIC OVERPASS. 210 00:10:31,030 --> 00:10:39,271 AND THAT'S THE NEWS! 211 00:10:39,338 --> 00:10:42,842 (APPLAUSE) NOW BEFORE WE GO TO BREAK, YOU 212 00:10:42,908 --> 00:10:46,545 MAY HAVE NTLED THAT REGGIE HAS NOT-- REGGIE HAS NOT BEEN HERE 213 00:10:46,612 --> 00:10:47,913 THIS WEEK. 214 00:10:47,980 --> 00:10:54,320 AND WE HAVE SOME VERY SAD NEWS TO SHARE WITH YOU, HIS DEAR MUM 215 00:10:54,387 --> 00:10:55,988 CHRISTIAN MARGUARITE GORGET WATTS PASSED AWAY PEACEFULLY AT 216 00:10:56,055 --> 00:10:58,591 HOME IN MONTANA LAST NIGHT. 217 00:10:58,657 --> 00:11:03,729 REGGIE FLEW UP THE WEEKEND AND THANKFULLY HE WAS BY HER SIDE. 218 00:11:03,796 --> 00:11:08,334 AND HE HEARD HER SAY HER LAST WORDS WHICH ARE, I LOVE YOU TOO. 219 00:11:08,401 --> 00:11:13,005 AND WE'RE SENDING ALL OUR LOVE TO YOU, REG, WE ARE THINKING OF 220 00:11:13,072 --> 00:11:15,374 YOU, WE LOVE YOUSO MUCH AND WE ARE ALL HERE TO SUPPORT YOU 221 00:11:15,441 --> 00:11:17,443 THROUGH THIS, WE'LL BE RIGHT BACK. 222 00:11:43,035 --> 00:11:44,170 >> James: WELCOME BACK. 223 00:11:44,236 --> 00:11:46,138 SOME OF YOU MAY HAVE NOTICED THAT BEHIND MY DESK THERE ARE A 224 00:11:46,205 --> 00:11:49,575 LOT OF VINYL RECORDS. 225 00:11:49,642 --> 00:11:54,146 YOU NGHTSED THAT, YOU NOTICED THE VINYL? 226 00:11:54,213 --> 00:12:00,186 SO AND EVERYDAY, WITHOUT FAIL, 227 00:12:00,252 --> 00:12:03,689 THEY SAY CAN I TALK TO YOU ABOUT SOMETHINGK GI SURE, IS THIS 228 00:12:03,756 --> 00:12:05,124 ABOUT THE VIEM. 229 00:12:05,191 --> 00:12:08,828 AND THEY GO YES, HOW DID YOU KNOW AND I GO THIS HAPPENS EVERY 230 00:12:08,894 --> 00:12:09,995 DAY. 231 00:12:10,062 --> 00:12:13,966 AND THEY GO WHAT IS BACK IN IN THE "LATE, LATE SHOW" RECORD 232 00:12:14,033 --> 00:12:15,167 COLLECTION. 233 00:12:15,234 --> 00:12:15,601 SO I THOUGHT IT MIGHT BE FUN TAKE A FEW OUT AND HAVE A LISTEN 234 00:12:15,668 --> 00:12:16,402 TO SOME OF THEM. 235 00:12:16,469 --> 00:12:22,274 THIS IS LATE LATE RECORD COLLECTION. 236 00:12:22,341 --> 00:12:27,379 NOW THIS FIRST, THIS FIRST ONE I'M GOING PLAY YOU IS AN 237 00:12:27,446 --> 00:12:30,416 ABSOLUTE FAVORITE OF MINE. 238 00:12:30,483 --> 00:12:35,454 IT'S PEARL JAM ORDERING A PIZZA. 239 00:12:35,521 --> 00:12:37,623 YOU KNOW THE THE BAND PEARL JAM ARE FAMOUS 240 00:12:37,690 --> 00:12:38,824 FOR GETTING HUNGRY WHILE THEY PLAY. 241 00:12:38,891 --> 00:12:42,161 EVERYBODY KNOWS THIS. 242 00:12:42,228 --> 00:12:47,032 THIS IS A VERY RARE RECORDING, SLEULLY ONLY SEVEN OF THESE OF 243 00:12:47,099 --> 00:12:52,938 PEARL JAM ORDERING A PIZZA MID PERFORMANCE. 244 00:12:53,005 --> 00:13:06,919 HAVE A LISTEN TO THIS. 245 00:13:06,986 --> 00:13:12,358 HI, THIS IS-- PIZZA CAN I TAKE YOUR ORDER. 246 00:13:12,424 --> 00:13:15,728 >> CHEESE, A LOT OF PEP RONI AND A LITTLE BIT OF ONION. 247 00:13:15,794 --> 00:13:16,262 >> OKAY. 248 00:13:16,328 --> 00:13:19,365 AND WILL THAT BE ALL. 249 00:13:19,431 --> 00:13:27,139 >> NO, CHEESE, PEPPERONI AND SOME PARMESAN. 250 00:13:27,206 --> 00:13:30,209 >> OKAY. 251 00:13:30,276 --> 00:13:36,382 >> (APPLAUSE). 252 00:13:36,448 --> 00:13:43,956 >> James: EVERYBODY HERE REMEMBER THE VENGA BOY, AND THEY 253 00:13:44,023 --> 00:13:45,424 HAVE THAT BUS. 254 00:13:45,491 --> 00:13:48,761 YOU REMEMBER THE BOYS, YOU ARE REMEMBER THE BUS, THE VENGA BUS, 255 00:13:48,827 --> 00:13:50,796 YOU CAN'T REMEMBER THE BOY WAS REMEMBERING THE BUS STRKS AS 256 00:13:50,863 --> 00:13:59,371 SIMPLE AS THAT YOU KNOW T THE VENGA BUS IS COMING. 257 00:13:59,438 --> 00:14:02,975 THIS ST 9 VENGA BUS STUCK IN TRAFFIC. 258 00:14:03,042 --> 00:14:06,145 AND TO SHOW YOU HOW RARE THIS IS, EVEN THE VENGA BOYS DON'T 259 00:14:06,212 --> 00:14:10,049 HAVE A COPY OF THIS, THEY'RE ON THEIR WAY TO A PARTY AND THEY 260 00:14:10,115 --> 00:14:12,117 ARE STUCK IN TRAFFIC. 261 00:14:46,018 --> 00:14:52,958 ♪ I HAVE TOW SAY, VENGA BOYS DIDN'T STICK AROUND AS LONG AS I 262 00:14:53,025 --> 00:14:54,193 THOUGHT THEY WERE GOING TO. 263 00:14:54,260 --> 00:14:58,697 >> I THOUGHT WE WOULD GET THE VENGA MEN BUT IT NEVER HAPPENED. 264 00:14:58,764 --> 00:15:00,633 >> James: NEVER MAYBE IT COMES BACK AROUND. 265 00:15:00,699 --> 00:15:03,969 THIS NEXT RECORD, NOW THIS SAY CLASSIC. 266 00:15:04,036 --> 00:15:07,940 I ACTUALLY WON THIS IN A GAME OF POKER AGAINST STEVEN SEGAL. 267 00:15:08,007 --> 00:15:17,082 IT'S AN ALTERNATE VERSION OF STARSHIP'S CLASSIC SONG WE BUILT 268 00:15:17,149 --> 00:15:23,622 THIS CITY ON ROCK AND ROLL WHERE THE FIRST IS THEY ACTUALLY BUILT 269 00:15:23,689 --> 00:15:27,393 CITY ON JAZZ. 270 00:15:27,459 --> 00:15:28,894 WE BUILT THIS CITY. 271 00:15:28,961 --> 00:15:32,264 ♪ WE BUILT THIS CITY ON. 272 00:15:32,331 --> 00:15:34,333 ♪ JAZZ. 273 00:15:41,874 --> 00:15:47,446 >> James: THIS NEXT ONE, ALL-TIME FAVOURITE OF MINE, YOU 274 00:15:47,513 --> 00:15:51,283 KNOW THE SONG-- THAT CAMERA IS SO CLOSE TO MY-- GEORGE, HAVE I 275 00:15:51,350 --> 00:15:56,689 NEVER SEEN YOU COME THIS CLOSE TO ME EVER. 276 00:15:56,755 --> 00:15:59,158 I THOUGHT LEGALLY I WASN'T ALLOWED TO BE THIS CLOSE TO YOU, 277 00:15:59,224 --> 00:16:00,426 GEORGE. 278 00:16:00,492 --> 00:16:02,728 I THOUGHT YOU HAD MADE THAT VERY CLEAR IN THE RESTRAINING ORDER. 279 00:16:02,795 --> 00:16:05,764 YOU DON'T HAVE TO BACK AWAY. 280 00:16:05,831 --> 00:16:19,111 COME BACK IN, BABY. 281 00:16:19,178 --> 00:16:22,047 >> YOU SHOULD KEEP IT THERE FOR THE WHOLE SHOW, DO YOU LIKE IT 282 00:16:22,114 --> 00:16:25,117 THERE, PETE, DO YOU FEEL THREATENED BY IT BEING THERE. 283 00:16:25,184 --> 00:16:33,425 >> IT KIND OF EXCITES MEE. 284 00:16:33,492 --> 00:16:45,838 >> James: THIS-- I'M TRYING TO DO THE SHOW. 285 00:16:45,904 --> 00:16:46,972 NOW YOU YOU KNOW THE SONG BE OUR GUEST 286 00:16:47,039 --> 00:16:56,248 FROM BEAUTY & THE BEAST WHERE WELL THIS IS AN ALTERNATE 287 00:16:56,315 --> 00:16:59,551 THEY MADE A LIVE ACTION, THEY WERE GOING TO MAKE A TRUE, TRUE 288 00:16:59,618 --> 00:17:02,421 LIVE ACTION FIRST OF ALL AND IT WAS ACTUALLY GOING TO BE ALL 289 00:17:02,488 --> 00:17:07,893 PERFORMED BY REAL HOUSEHOLD FURNITURE SINGING. 290 00:17:07,960 --> 00:17:14,733 HAVE A LISS HE EN. 291 00:17:14,800 --> 00:17:21,240 SNOATD. 292 00:17:21,306 --> 00:17:35,888 ♪ >> James: YOU GET THE IDEA. 293 00:17:35,954 --> 00:17:39,892 (APPLAUSE) NOW THIS NEXT ONE IS A CLASSIC, 294 00:17:39,958 --> 00:17:47,433 YOU KNOW THE-- YOU KNOW THE MEATLOAF SONG I WOULD DO 295 00:17:47,499 --> 00:17:52,204 ANYTHING FOR LOVE, WELL, THIS IS AN ALTERNATE VERSION WHERE YOU 296 00:17:52,271 --> 00:18:07,152 ACTUALLY FIND OUT WHAT HE WON'T DO FOR LOVE. 297 00:18:07,219 --> 00:18:14,493 ACTUALLY FIND OUT WHAT HE WON'T DO FOR LOVE. 298 00:18:21,500 --> 00:18:23,969 ♪ I WOULD DO ANYTHING FOR LOVE. 299 00:18:24,036 --> 00:18:25,170 ♪. 300 00:18:25,237 --> 00:18:27,439 >> OH, YOU CAN PICK UP ITS DRY CLEANING ON YOUR WAY HOME FROM 301 00:18:27,506 --> 00:18:27,940 PICKLEBALL. 302 00:18:28,006 --> 00:18:30,008 >> I WON'T DO THAT. 303 00:18:30,075 --> 00:18:35,914 >> CAN YOU AGREE TO STOP SAYING BAZANGA DURING SEX. 304 00:18:35,981 --> 00:18:37,349 >> I WON'T DO THAT. 305 00:18:37,416 --> 00:18:39,518 >> CAN YOU AT LEAST PUT YOUR DIRTY CLOTHES IN THE HAMPER AND 306 00:18:39,585 --> 00:18:41,653 NOT ON TOP OF IT. 307 00:18:41,720 --> 00:18:43,255 >> I CAN DO THAT. 308 00:18:43,322 --> 00:18:46,892 >> James: THAT WAS ITS LATE LATE RECORD COLLECTION. 309 00:18:46,959 --> 00:18:47,960 WE'LL BE RIGHT BACK. 310 00:19:14,953 --> 00:19:15,954 >> James: LET'S MEET OUR GUESTS TONIGHT! 311 00:19:16,021 --> 00:19:22,661 HE STARS IN "SLUMBERLAND," CHRIS O'DOWD! 312 00:19:22,728 --> 00:19:24,730 (CHEERS AND APPLAUSE) O'DOWD. 313 00:19:31,136 --> 00:19:42,748 >> James: SHE STARS IN "IRMA VEP," ALICIA VIKANDER! 314 00:19:42,814 --> 00:19:50,455 >> GOOD TO SEE YOU. 315 00:19:50,522 --> 00:19:54,359 >> James: LOOK AT THIS. 316 00:19:54,426 --> 00:19:57,429 TWO GLORIOUS FOLKS, I'M SO HAPPY ARE YOU BOTH HERE, THANKS FOR 317 00:19:57,496 --> 00:20:00,265 FINDING THE TIME, IT'S BEEN AWHILE SINCE YOU HAVE LAST BEEN 318 00:20:00,332 --> 00:20:01,934 ON THE SHOW AND THERE IS MUCH TO TALK ABOUT. 319 00:20:02,000 --> 00:20:03,468 YOU HAVE A SON NOW. 320 00:20:03,535 --> 00:20:04,069 >> YES. 321 00:20:04,136 --> 00:20:06,605 >> James: CONGRATULATIONS. 322 00:20:06,672 --> 00:20:07,873 HOW IS EVERYONE DOING. 323 00:20:07,940 --> 00:20:08,607 >> IS HE OUT HEE. 324 00:20:08,674 --> 00:20:10,609 >> James: HE'S OUT HERE WITH YOU. 325 00:20:10,676 --> 00:20:11,343 >> YEAH. 326 00:20:11,410 --> 00:20:12,578 >> James: AND HOW OLD IS HE NOW. 327 00:20:12,644 --> 00:20:13,378 >> HE'S 20 MONTHS. 328 00:20:13,445 --> 00:20:15,747 >> James: AND AND EVERYTHING IS GOOD. 329 00:20:15,814 --> 00:20:19,685 >> NO, IT'S GREAT, AND YEAH, WE WENT FOR FIRST HALLOWEEN. 330 00:20:19,751 --> 00:20:20,819 >> James: HOW WAS IT. 331 00:20:20,886 --> 00:20:22,721 >> IT WAS ACTUALLY MY FIRST HALLOWEEN TOO IT WENT GREAT. 332 00:20:22,788 --> 00:20:25,324 >> James: 20 MONTHS, KNEW WHAT WAS GOING ON. 333 00:20:25,390 --> 00:20:26,625 >> YEAH, HE SHOWED ME AROUND. 334 00:20:26,692 --> 00:20:27,960 I WAS A BIT TERRIFIED. 335 00:20:28,026 --> 00:20:29,361 >> James: THAT IS GREAT. 336 00:20:29,428 --> 00:20:35,701 AND CRIST, YOUR PARTNER SOWT OF TOWN AT THE MOMENT, YOU ARE. 337 00:20:35,767 --> 00:20:36,802 >> IS SHE. 338 00:20:36,868 --> 00:20:37,869 >> James:. 339 00:20:37,936 --> 00:20:39,037 >> MY NIGHT JUST OPENED UP. 340 00:20:39,104 --> 00:20:40,839 >> James: YOU ARE HOLDING DOWN THE FORT, YOU HAVE TWO YOUNG 341 00:20:40,906 --> 00:20:41,440 SONS. 342 00:20:41,506 --> 00:20:42,507 >> THAT'S RIGHT. 343 00:20:42,574 --> 00:20:44,810 >> James: YOU DID SOMETHING THIS WEEKEND, KIND OF A 344 00:20:44,876 --> 00:20:46,411 THROWBACK, TELL US WHAT YOU DID. 345 00:20:46,478 --> 00:20:48,947 >> OH, WE DID SOME APPLE BOBBING. 346 00:20:49,014 --> 00:20:51,383 WHICH YOU KNOW, IT WAS HALLOWEEN,. 347 00:20:51,450 --> 00:20:54,019 >> James: DO YOU KNOW WHAT APPLE BOBBING IS. 348 00:20:54,086 --> 00:21:01,827 >> NOW IT'S GOING TO SOUND WEIRD BUT YOU GET A BIG BOWL OF WATER. 349 00:21:01,893 --> 00:21:02,628 APPLES. 350 00:21:02,694 --> 00:21:03,895 BOB. 351 00:21:03,962 --> 00:21:05,130 >> WHY? 352 00:21:05,197 --> 00:21:08,767 >> THE KID HAS TO TRY TO GET AS MANY APPLES OUT OF THE BOWL OF 353 00:21:08,834 --> 00:21:09,534 WATER. 354 00:21:09,601 --> 00:21:10,736 >> James: WITHOUT USING YOUR HANDS. 355 00:21:10,802 --> 00:21:15,641 >> PRETTY MUCH WITHOUT USING YOUR HANDS WKS JUST YOUR MOUTH. 356 00:21:15,707 --> 00:21:19,244 >> ST NOT THE MOST HEALTH CONCIOUS BECAUSE ESSENTIALLY YOU 357 00:21:19,311 --> 00:21:22,514 WHAT FIND IS THEY TAKE LITTLE BITES OUT OF THE APPLE AND THEN 358 00:21:22,581 --> 00:21:24,583 THEY JUST PIT THEM BACK IN THE BOWL. 359 00:21:24,650 --> 00:21:27,753 >> MY SON DOES THAT, HE JUST BITES AND GIVES IT TO ME. 360 00:21:27,819 --> 00:21:28,754 >> AND THEN NEXT KID IN,. 361 00:21:28,820 --> 00:21:32,924 >> James: SO HANG ON, HOW MANY KIDS WERE BOBBING. 362 00:21:32,991 --> 00:21:34,593 >> THERE WERE SIX. 363 00:21:34,660 --> 00:21:35,460 >> James: SIX BOBBERS. 364 00:21:35,527 --> 00:21:38,330 >> WE HAD SEPARATE BOWLS FOR EACH FAMILY. 365 00:21:38,397 --> 00:21:39,765 >> James: VERY WISE. 366 00:21:39,831 --> 00:21:43,068 >> A PAIR OF MODERN [BLEEP], THAT WAS EXCITING. 367 00:21:43,135 --> 00:21:44,269 BUT IT WAS GOOD. 368 00:21:44,336 --> 00:21:47,706 I LIKE TO KEEP THEM ON THEIREAU TOES, THROW BE A ONION THIS 369 00:21:47,773 --> 00:21:48,440 THERE. 370 00:21:48,507 --> 00:21:52,411 THROW AN EGG, YOU KNOW, JUST SEE. 371 00:21:52,477 --> 00:21:55,313 >> IF IT IS NOT BOILED IT WILL FLOAT, SOMETIMES A BLINDFOLD 372 00:21:55,380 --> 00:22:03,121 THEM, LET'S SEE WHAT IS GOING ON >> BUT IT'S GOOD, WHAT DID YOUR 373 00:22:03,188 --> 00:22:05,557 KID DRESS UP AS. 374 00:22:05,624 --> 00:22:07,793 >> HE WAS A DRAGON. 375 00:22:07,859 --> 00:22:10,162 >> I WAS KAL IZZY. 376 00:22:10,228 --> 00:22:12,831 >> James: WHAT DID YOUR CATS GO. 377 00:22:12,898 --> 00:22:20,672 >> I WAS CATS, I WAS WHAT WAS LEFT, AND IT WAS A CAT HEAD AND 378 00:22:20,739 --> 00:22:24,042 NORMAL CLOTHES WITH THANS IS WHAT I DID, I JUST DID A WHITE 379 00:22:24,109 --> 00:22:24,543 WIG. 380 00:22:24,609 --> 00:22:27,446 >> James: THAT'S IT. 381 00:22:27,512 --> 00:22:28,480 >> THAT IS THE WAY TO DO IT. 382 00:22:28,547 --> 00:22:30,615 >> THE KIDS LOOKED GREAT. 383 00:22:30,682 --> 00:22:32,684 THERE WERE TIGERS AND CROCODILES. 384 00:22:32,751 --> 00:22:36,621 >> James: I SAW A GUY OUT TRICK OR TREATING AND HE WAS 385 00:22:36,688 --> 00:22:42,728 JUST IN WHITE BED SHEETS WITH TWO HOLES IN HIS EYES AND JUST, 386 00:22:42,794 --> 00:22:48,100 YOU KNOW, AND I HEARD HIS WIFE AT ONE POINT SAY, GIVING SOME 387 00:22:48,166 --> 00:22:49,735 ORDERS TO GO AND GET SOMETHING. 388 00:22:49,801 --> 00:22:55,273 AND I HEARD HIM JUST SAY [BLEEP] KILL ME. 389 00:22:55,340 --> 00:22:57,843 >> AT LEAST HE CAN HIDE BEHIND THAT THING. 390 00:22:57,909 --> 00:22:59,077 >> James: ARE YOU ALREADY A GHOST. 391 00:22:59,144 --> 00:23:00,245 >> IS HE ALREADY THERE. 392 00:23:00,312 --> 00:23:03,782 >> Jams: NOW I WANT TO TALK TO YOU ABOUT THIS, ALICIA, YOU 393 00:23:03,849 --> 00:23:05,183 USED TO LIVE IN LONDON. 394 00:23:05,250 --> 00:23:08,220 A FEW YEARS AGO YOU DECIDED TO MOVE TO PORTUGAL. 395 00:23:08,286 --> 00:23:08,954 BIG MOVE. 396 00:23:09,020 --> 00:23:10,589 HOW IS IT, HOW IS LIFE OUT THERE. 397 00:23:10,655 --> 00:23:12,057 >> OH, IT IS PRETTY GOOD. 398 00:23:12,124 --> 00:23:15,927 YEAH, I MEAN IT IS FUNNY BECAUSE WE MADE OUR MOVE FOUR AND A HALF 399 00:23:15,994 --> 00:23:18,663 YEARS AGO, WE KIND OF WENT THERE AND BOUGHT A HOUSE AND CAME BACK 400 00:23:18,730 --> 00:23:21,133 AND SAID I THINK WE ARE MOVING. 401 00:23:21,199 --> 00:23:24,903 AND NOW LIKE FOUR AND A HALF YEARS LATER WE SIT ON A BOACH 20 402 00:23:24,970 --> 00:23:26,138 MINUTES FROM OUR HOUSE. 403 00:23:26,204 --> 00:23:30,575 WE HAVE LIKE 15, TO FRIENDS THAT WE USED TO HAVE LUNCH WITH IN 404 00:23:30,642 --> 00:23:31,243 LONDON. 405 00:23:31,309 --> 00:23:32,611 >> James: THEY MOVED AS WELL. 406 00:23:32,677 --> 00:23:35,947 >> ON THE BEACH, I WAS TERRIFIED WHEN WE MADE THE MOVE AND I TOLD 407 00:23:36,014 --> 00:23:39,718 MY HUSBAND, I WAS LIKE IF I SAY WE GO BACK, WE GO STRAIGHT BACK. 408 00:23:39,785 --> 00:23:42,487 BUT I HAVEN'T, WHEN I SIT ON THAT BEACH, I HAVEN'T REALLY 409 00:23:42,554 --> 00:23:43,555 THOUGHT ABOUT IT. 410 00:23:43,622 --> 00:23:45,824 >> James: WOULD YOU EVER CONSIDER MAKING A MOVE LIKE 411 00:23:45,891 --> 00:23:47,359 THAT. 412 00:23:47,425 --> 00:23:51,229 >> IF I CAN SWING OVER THERE, WITH YOU GUYS. 413 00:23:51,296 --> 00:23:52,764 >> ON THE BEACH. 414 00:23:52,831 --> 00:23:56,301 >> James: YOU AND MICHAEL FASSBENDER, TWO IRISHMAN GETTING 415 00:23:56,368 --> 00:23:57,903 ON. 416 00:23:57,969 --> 00:24:01,973 >> WE COULD CREATE-- HE WOULD UNDERSTAND. 417 00:24:02,040 --> 00:24:03,208 >> AT LAST. 418 00:24:03,275 --> 00:24:05,710 >> James: WHAT IS IT ABOUT THE IRISH THAT YOU GRAVITATE TOWARDS 419 00:24:05,777 --> 00:24:06,778 IT. 420 00:24:06,845 --> 00:24:09,514 >> IT IS FUNNY, MY MOM AND SISTER WENT IRISH AS WELL. 421 00:24:09,581 --> 00:24:14,085 >> DID SHE. 422 00:24:14,152 --> 00:24:14,986 >> YEAH. 423 00:24:15,053 --> 00:24:17,522 JONATHAN: YOUR REACTION WAS UNBELIEVABLE. 424 00:24:17,589 --> 00:24:21,827 I DON'T THINK I'VE EVER SEEN YOU THAT INQUISITIVE LIKE DID SHE. 425 00:24:21,893 --> 00:24:23,895 >> THAT SEEMS LIKE A LOT. 426 00:24:23,962 --> 00:24:28,066 WE DON'T USUALLY GET THAT. 427 00:24:28,133 --> 00:24:31,603 >> FAMILIES-- I THINK WE JUST WANTED TO LEAVE, MY DAD WAS MORE 428 00:24:31,670 --> 00:24:36,374 THAN POINTING OUT ABOUT MICHAEL, HE WAS OH, HE'S IRISH, HE WAS 429 00:24:36,441 --> 00:24:37,609 VERY HAPPY ABOUT THAT. 430 00:24:37,676 --> 00:24:40,378 HE STILL TALKS ABOUT, MICHAEL'S FAMILY ARE VERY HAPPY BECAUSE 431 00:24:40,445 --> 00:24:44,182 EVERY TIME WE GO HE JUST GOES ON AND ON ABOUT HIS FAVORITE TRIP 432 00:24:44,249 --> 00:24:49,387 WHEN HE WAS IN HIS YOUTH WAS TO GO TO KERRY COUNTING TBLANS IS 433 00:24:49,454 --> 00:24:49,855 LOVELY. 434 00:24:49,921 --> 00:24:51,089 >> James: GORGEOU. 435 00:24:51,156 --> 00:24:53,124 DID YOU GET THIS A LOT, CHRIS, WHEN ARE YOU WALKING AROUND, DO 436 00:24:53,191 --> 00:24:56,795 YOU FIND WHEN ARE YOU IN AMERICA PEOPLE GRAVITATE TOWARDS THE 437 00:24:56,862 --> 00:25:00,232 IRISH MAN MORE THAN BACK HOME? 438 00:25:00,298 --> 00:25:01,800 >> USUALLY BECAUSE I HAVE SNACKS IN MY POCKET. 439 00:25:01,867 --> 00:25:06,204 AND THAT WILL DRAW THEM IN, NEAR AND FAR. 440 00:25:06,271 --> 00:25:08,773 >> James: YOU ARE ALWAYS CARRYING A BOWL AND BAG OF 441 00:25:08,840 --> 00:25:12,544 APPLES, FOLLOW THIS GUY FOR A GOOD TIME, RIGHT. 442 00:25:12,611 --> 00:25:13,144 >> MR. HALLOWEEN. 443 00:25:13,211 --> 00:25:14,179 THAT'S WHAT THEY CALL ME. 444 00:25:14,246 --> 00:25:16,248 >> James: NOW CHRIS LET'S TALK ABOUT YOUR NEW MOVIE 445 00:25:16,314 --> 00:25:18,483 SLUMBERLAND, CONGRATULATIONS. 446 00:25:18,550 --> 00:25:21,519 FOR NIRN WHO DOESN'T KNOW TELL US WHAT IT IS ABOUT AND WHO YOU 447 00:25:21,586 --> 00:25:22,320 PLAY. 448 00:25:22,387 --> 00:25:24,556 >> SO YOU KNOW, IT SAY LOVELY FILM. 449 00:25:24,623 --> 00:25:27,626 IT IS KIND OF AN ACTION ADVENTURE, BIT OF A THROWBACK 450 00:25:27,692 --> 00:25:32,264 FAMILY MOVIE KIND OF GOONIE, KIND OF LABYRINTH KIND OF THING 451 00:25:32,330 --> 00:25:36,801 THAT RESOLVES AROUND THERE YOUNG GIRL WHO TIENDS A TREASURE MAP 452 00:25:36,868 --> 00:25:41,506 IN HER DREAMS. AND THEN SHE GOES INTO HER DREAMS, AND SHE 453 00:25:41,573 --> 00:25:46,645 MEETS IN HER DREAMS JASON MAMOA. 454 00:25:46,711 --> 00:25:49,848 THEY DON'T CALL HIM JASON MAMOA IN THE MOVIE. 455 00:25:49,915 --> 00:25:56,121 I THINK HE IS CALLED FLIT MAMOA OR THE LIKE. 456 00:25:56,187 --> 00:25:59,691 AND HE KIND OF BRINGS HER AROUND THE DREAMS, TRYING TO FIND HER 457 00:25:59,758 --> 00:26:02,994 WAY BACK TO HER HOME PLACE WHICH SHE HAS LEFT. 458 00:26:03,061 --> 00:26:07,365 AND THEN SHE WAKES FRUP THIS KIND OF MAD ADVENTURE. 459 00:26:07,432 --> 00:26:10,735 I'M MAKING BREAKFAST BECAUSE I'M AN UNCLE WHO HAS KIND OF TAKEN 460 00:26:10,802 --> 00:26:11,569 HER IN. 461 00:26:11,636 --> 00:26:15,173 AND I'M LESS EXCITING THAN JASON MAMOA. 462 00:26:15,240 --> 00:26:15,974 >> YOU HAVE GOOD APPLES. 463 00:26:16,041 --> 00:26:18,443 >> I HAVE GREAT APPLES, THAT'S RIGHT. 464 00:26:18,510 --> 00:26:20,712 HOW DO YOU LIKE THEM APPLES, I SAY EVERY MORNING. 465 00:26:20,779 --> 00:26:22,847 >> James: NOW THE MOVIE IS ABOUT SLEEP AND DREAMS, YOU HAVE 466 00:26:22,914 --> 00:26:24,883 A GOOD IDEA FOR A NEW KIND OF SLEEP APP. 467 00:26:24,950 --> 00:26:26,551 TELL US WHAT THIS IS. 468 00:26:26,618 --> 00:26:29,254 >> WELL, I THINK IT IS SATURATED,. 469 00:26:29,321 --> 00:26:30,522 >> James: SATURATED MARKET. 470 00:26:30,588 --> 00:26:39,831 >> SO I WILL DO A WAKE APP WHERE WHENEVER, YOU GO HEY YYY, SHALL 471 00:26:39,898 --> 00:26:42,701 WE DO IT? 472 00:26:42,767 --> 00:26:44,736 AND THAT JUST KEEPS GOING ON UNTIL-- . 473 00:26:44,803 --> 00:26:48,740 >> James: IT GETS MORE A BUSSIVE WITH EVERY BUTTON. 474 00:26:48,807 --> 00:26:51,843 >> HAVE I TO GO FOR POSITIVITY, REALLY, LIKE YOU CAN GET UP. 475 00:26:51,910 --> 00:26:57,182 >> James: BUT ON THE FIFTH OR SIRKS SNOOZE IT SHOULD BE. 476 00:26:57,248 --> 00:26:58,783 >> COME ON, IDIOT. 477 00:26:58,850 --> 00:27:01,653 >> James: YOUR BREATHE STINK, GET OUT OF BED. 478 00:27:01,720 --> 00:27:04,255 >> ARE YOU ALREADY PRETTY CLOSE AT GETTING FIRED AT WORK. 479 00:27:04,322 --> 00:27:09,327 >> James: LET'S TAKE A LOOK AT SLUMBER LANDERS WHICH PREMIERS 480 00:27:09,394 --> 00:27:11,229 ON NETFLIX NOVEMBER 18th. 481 00:27:11,296 --> 00:27:16,334 >> YOU ARE GOING TO RAISE HER IN A HER MIT, NOT IN A BAD WAY, 482 00:27:16,401 --> 00:27:18,670 JUST YOU HAVE YOUR WORK CUT OUT FOR YOU. 483 00:27:18,737 --> 00:27:21,039 >> SHE WILL NEED A LOT OF EMOTIONAL SUPPORT. 484 00:27:21,106 --> 00:27:25,043 >> YEAH, I'M HOPING THAT YOU GUYS CAN HELP WITH ALL OF THAT. 485 00:27:25,110 --> 00:27:26,444 >> SHE CAN'T DO THAT ALL BY HERSELF. 486 00:27:26,511 --> 00:27:27,178 >> NO. 487 00:27:27,245 --> 00:27:29,581 >> RIGHT? 488 00:27:29,647 --> 00:27:30,448 >> RIGHT, OBVIOUSLY. 489 00:27:30,515 --> 00:27:31,883 IS THAT NOT SOMETHING YOU DO? 490 00:27:31,950 --> 00:27:35,453 I DON'T KNOW HOW TO TAKE CARE OF A LITTLE KID OR TALK ABOUT 491 00:27:35,520 --> 00:27:37,055 FEELINGS. 492 00:27:37,122 --> 00:27:43,495 I THINK THAT SHE WOULD BE BETTER OFF LITERALLY ANY WHERE ELSE. 493 00:27:43,561 --> 00:27:46,731 >> YOU ARE KANL OF MORE THAN YOU THINK. 494 00:27:46,798 --> 00:27:47,866 >> UH-HUH. 495 00:27:47,932 --> 00:27:48,833 >> James: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 496 00:27:48,900 --> 00:27:49,901 BACK. 497 00:28:03,948 --> 00:28:05,650 >> I THINK THE REASON WHY YOU PUT ALL THESE BAGS MIGHT BE 498 00:28:05,717 --> 00:28:13,491 BECAUSE HE'S BEEN-- -- ON A TOUR OF ALL THE STORES YOU USED TO 499 00:28:13,558 --> 00:28:18,630 TAKE ME TOO, I WAS DOING THE BUYING AND YOU WERE SCHHELPING 500 00:28:18,696 --> 00:28:19,497 THE BAGS. 501 00:28:19,564 --> 00:28:20,799 >> AND NOW YOU HAVE YOUR REVENGE. 502 00:28:20,865 --> 00:28:22,033 >> NO, NO, NO. 503 00:28:22,100 --> 00:28:26,905 MY REVENGE IS TO FEEL LIKE HAVE I YOU WRAPPED AROUND MY LITTLE 504 00:28:26,971 --> 00:28:27,238 FINGER. 505 00:28:27,305 --> 00:28:29,607 >> YOU DO. 506 00:28:29,674 --> 00:28:37,082 >> I KNOW. 507 00:28:37,148 --> 00:28:39,150 >> PUT YOUR HANDS. 508 00:28:47,025 --> 00:28:48,159 >> James: THAT WAS A CLIP FROM "IRMA VEP." 509 00:28:48,226 --> 00:28:55,266 THE ENTIRE SEASON IS STREAMING NOW ON HBO MAX. 510 00:28:55,333 --> 00:28:55,767 CONGRATS ON THE SHOW. 511 00:28:55,834 --> 00:28:56,901 >> THANK YOU. 512 00:28:56,968 --> 00:28:59,337 >> James: I'M AWARE AS I SAY THIS, IT IS NOT THE EASIEST 513 00:28:59,404 --> 00:29:03,975 SERIES TO SUM UP OR TALK ABOUT. 514 00:29:04,042 --> 00:29:05,243 TELL US WHAT THE SHOW IS ABOUT. 515 00:29:05,310 --> 00:29:10,648 >> I KNOW THIS WHEN I DID PRESS, NO, IT IS A SERIES REALLY ABOUT 516 00:29:10,715 --> 00:29:11,349 FILM MAKING. 517 00:29:11,416 --> 00:29:15,453 YOU GET TO GO BEHIND THE SCENES. 518 00:29:15,520 --> 00:29:20,892 WHERE ACTORS, YOU KIND OF RE-CREATE HER CAREER, TO BE PART 519 00:29:20,959 --> 00:29:23,394 OF THIS REMAKE OF A SILENT FILL FRM 1914. 520 00:29:23,461 --> 00:29:26,965 BUT ALL IN ALL, IT IS QUITE FUNNY. 521 00:29:27,031 --> 00:29:32,003 IT IS A SATISTIRE AND SOMETIMES IT WAS HARD MAKING IT BECAUSE IT 522 00:29:32,070 --> 00:29:37,575 WAS CRAZY AND SOME OF THE THINGS WE RECORDED, I WAS LIKE THIS IS 523 00:29:37,642 --> 00:29:39,043 ACTUALLY QUITE ALIKE HOW IT IS. 524 00:29:39,110 --> 00:29:40,145 >> James: I'M THRILLED THAT YOU DID IT. 525 00:29:40,211 --> 00:29:46,084 I AM REALLY, REALLY DID I URGE EVERYONE TO SEE IT IT IS 526 00:29:46,151 --> 00:29:47,152 BRILLIANT. 527 00:29:47,218 --> 00:29:49,754 YOUR HUSBAND MICHAEL, OBVIOUSLY AN INCREDIBLE ACTOR. 528 00:29:49,821 --> 00:29:55,093 BUT NOW A FULLY FLEDGED, 100% PROPER RACE CAR DRIVER. 529 00:29:55,160 --> 00:30:02,100 THIS SUMMER, HE DROVE IN LAMANCE 24, THE 24 HOUR RACE. 530 00:30:02,167 --> 00:30:03,468 >> IN REAL LIFE. 531 00:30:03,535 --> 00:30:07,639 >> James: WHEN YOU WERE THERE WERE YOU TRACKSIDE, THE WHOLE 532 00:30:07,705 --> 00:30:08,907 TIME. 533 00:30:08,973 --> 00:30:10,608 >> I REMEMBER IN THE BEGINNING I THOUGHT I WOULD BE TERRIFIED BUT 534 00:30:10,675 --> 00:30:13,545 INSTEAD I GUCH THERE AND I'M LIKE, YOU GO! 535 00:30:13,611 --> 00:30:19,484 BUT THE 24 HOUR, WAS A BIT LIKE I ARRIVED AND I WAS SO EXCITED 536 00:30:19,551 --> 00:30:25,657 THAT HE, I WAS HAVING DRINKS, CHEERING, QUITE A FEW MORE 537 00:30:25,723 --> 00:30:27,592 DRINKS, GOT TIRED, HAD DINNER, CAME BACK. 538 00:30:27,659 --> 00:30:28,826 >> James: STILL GOING. 539 00:30:28,893 --> 00:30:33,431 >> AND THEN IT'S LIKE LATE AND SO I AM GOING TO SLEEP, COME 540 00:30:33,498 --> 00:30:34,265 BACK. 541 00:30:34,332 --> 00:30:36,935 IS T IS LIKE NEVER ENDING STRKS LONG. 542 00:30:37,001 --> 00:30:41,940 >> James: NUTS TO RACE FOR 24 HOURS, EVER SEE YOU IN A RACE 543 00:30:42,006 --> 00:30:45,043 CAR CHRIS, YOU DIDN'T START DRIVING UNTIL WERE YOU IN YOUR 544 00:30:45,109 --> 00:30:45,476 30S. 545 00:30:45,543 --> 00:30:45,843 >> THAT'S RIGHT. 546 00:30:45,910 --> 00:30:47,111 >> LICK ME. 547 00:30:47,178 --> 00:30:48,379 >> THERE WAS NO POINT. 548 00:30:48,446 --> 00:30:51,883 I WAS IN CITIES OR THE COUNTRY, ANYWAY, SO I LEARED HERE HOW TO 549 00:30:51,950 --> 00:30:53,084 DRIVE. 550 00:30:53,151 --> 00:30:58,122 CALIFORNIA.CAUSE WE WERE HERE I- AND SO I BOUGHT MY FIRST CAR 551 00:30:58,189 --> 00:31:03,494 BECAUSE I DIDN'T HAVE-- IT COST ME TWO GRAND AND I BOUGHT A 552 00:31:03,561 --> 00:31:08,099 2004, A 1-9D OF 9 VOLKSWAGEN CARMEN GHIA AND I PAID FOR IT IN 553 00:31:08,166 --> 00:31:11,803 CASH OFF A GUY AT A BURGER KING IN SAN DIEGO. 554 00:31:11,869 --> 00:31:13,438 DO YOU REMEMBER CRAIGSLIST. 555 00:31:13,504 --> 00:31:14,105 >> YEAH. 556 00:31:14,172 --> 00:31:15,039 >> OF COURSE. 557 00:31:15,106 --> 00:31:16,574 CRAIGSLIST, CAR. 558 00:31:16,641 --> 00:31:19,344 >> DIDN'T MAKE IT HOME, MATE. 559 00:31:19,410 --> 00:31:20,912 >> NO, STOP, ARE YOU SERIOUS. 560 00:31:20,979 --> 00:31:22,714 >> SO WE GOT IT. 561 00:31:22,780 --> 00:31:28,519 WE MUST HAVE DRIVEN, WE HAD A RENT A CARE, SO WE DROVE DOWN 562 00:31:28,586 --> 00:31:30,955 ANDDOM WAS GOING DRIVE IT BACK AND BUT I THINK SHE DROVE THE 563 00:31:31,022 --> 00:31:34,726 CAR THAT WE HADN'T DRIVEN BEFORE BECAUSE SHE IS THE BETTER 564 00:31:34,792 --> 00:31:37,262 DRIVER. AND IT DIDN'T, THAT, ONE OF THOSE THREE DAYS OF RAIN 565 00:31:37,328 --> 00:31:42,200 AND IT JUST COULDN'T DEAL WITH THE RAIN. 566 00:31:42,267 --> 00:31:43,501 WE HAD IT FOR FIVE YEARS AFTER THAT. 567 00:31:43,568 --> 00:31:46,304 AND I DON'T KNOW IF THERE WAS A WEEK THAT IT STAYED ON THE ROAD 568 00:31:46,371 --> 00:31:48,306 BUT IT WAS REAL PRETTY, THIS CAR. 569 00:31:48,373 --> 00:31:54,178 IT WAS LIKE BABY BLUE AND IT LOOKED LIKE ONE OF THOSE 570 00:31:54,245 --> 00:31:57,849 VOLKSWAGENS YOU GO IF YOU SAT ON T I WOULD NOTICE, I DON'T KNOW, 571 00:31:57,915 --> 00:32:01,486 THIS IS SOME KIND OF DISCRIMINATION. 572 00:32:01,552 --> 00:32:04,789 BUT PEOPLE WOULD COME OUT OF NOWHERE TO PUSH THIS CAR WHEN IT 573 00:32:04,856 --> 00:32:06,291 WAS WOO BREAK DOWN. 574 00:32:06,357 --> 00:32:09,427 >> THERE WAS A GUY, I'M NOT JOKING T BROKE DOWN ON MELROSE 575 00:32:09,494 --> 00:32:13,731 AND THIS [BLEEP] WAS ON CRUTCHES. 576 00:32:13,798 --> 00:32:16,934 OUT OF NOWHERE, PUSHING THE CAR. 577 00:32:17,001 --> 00:32:19,203 SO I ALWAYS LOVE THE CITY FOR THAT REASON. 578 00:32:19,270 --> 00:32:26,177 >> James: I ONCE BOUGHT A 100CC SCOOTER WHICH I BOUGHT 579 00:32:26,244 --> 00:32:29,147 FROM ONE OF THE BOX ADS, RIGHT. 580 00:32:29,213 --> 00:32:30,882 SO I WENT TO SEE THE GUY. 581 00:32:30,948 --> 00:32:34,719 AND IT WAS 450 POUNDS FOR THIS SCOOTER. 582 00:32:34,786 --> 00:32:38,656 SO I AM OUTSIDE, HE COMES TO MEET ME AT MY HOUSE. 583 00:32:38,723 --> 00:32:46,464 GOES TO THE HOUSE, LOOK AT THE SCOOTER.pI JUST DUMP MY PROVISIE 584 00:32:46,531 --> 00:32:49,967 SAVING, I GAVE HIM THE MONEY, HE GOES EXCELLENT. 585 00:32:50,034 --> 00:32:54,005 COME AROUND THE BACK, AND I WILL CLEAN IT UP FOR YOU SO YOU CAN 586 00:32:54,072 --> 00:32:55,640 DRIVE IT AWAY. 587 00:32:55,707 --> 00:32:56,874 GREAT. 588 00:32:56,941 --> 00:33:00,945 SO I WALKED IN, I OPEN THE CASE GATE, I WALK INTO THIS GARDEN. 589 00:33:01,012 --> 00:33:06,984 AND I SEE THE VERY MAN JUST ZOOMING OFF DOWN THE ROAD ON THE 590 00:33:07,051 --> 00:33:08,386 SCOOTER, WITH MY MONEY. 591 00:33:08,453 --> 00:33:09,487 >> OH MAN. 592 00:33:09,554 --> 00:33:13,558 >> SO I BANG ON THE KITCHEN DOOR, LIKE THE BACK DOOR. 593 00:33:13,624 --> 00:33:16,894 , THIS LADY OPENS THE DOOR. 594 00:33:16,961 --> 00:33:21,399 I SAID HE JUST HAS STOLEN MY TWO THROUGH. 595 00:33:21,466 --> 00:33:22,800 >> SHE GOES WHO. 596 00:33:22,867 --> 00:33:24,902 >> I SAID THE GUY WHO LIVES HERE. 597 00:33:24,969 --> 00:33:26,671 >> SHE GOES I LIVE ON MY OWN. 598 00:33:26,738 --> 00:33:31,242 >> IT WASN'T EVEN HIS HOUSE, MEET ME OUT OF SOMEONE'S HOUSE 599 00:33:31,309 --> 00:33:32,710 AND HE WAS GONE, 450. 600 00:33:32,777 --> 00:33:33,711 >> HE OWNS TWITTER NOW. 601 00:33:33,778 --> 00:33:38,883 >> James: LADIES AND GENTLEMEN, PLEASE THANK OUR 602 00:33:38,950 --> 00:33:40,952 INCREDIBLE GUESTS, ALICIA VIKANDER, CHRIS O'DOWD. 603 00:33:54,966 --> 00:33:57,935 HERE PERFORMING THE TITLE TRACK FROM HIS LATEST ALBUM “I RAN 604 00:33:58,002 --> 00:34:01,839 DOWN EVERY DREAM,” WHICH IS OUT NOW, PLEASE WELCOME, TOMMY 605 00:34:01,906 --> 00:34:03,241 McLAIN FEATURING C.C. ADCOCK! 606 00:34:03,307 --> 00:34:08,279 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 607 00:34:08,346 --> 00:34:21,225 ♪ ♪ ♪ >> ♪ I REMEMBER 608 00:34:21,292 --> 00:34:33,604 A LONG TIME AGO ♪ RECORDS SEND ME REELING 609 00:34:33,671 --> 00:34:41,045 FALLING IN ♪ AND OUT OF LOVE 610 00:34:41,112 --> 00:34:51,456 MUSIC, IT KEPT INTERFERING ♪ WHEN WE WERE YOUNG 611 00:34:51,522 --> 00:35:04,135 WE'D SET THE WORLD ON FIRE ♪ CHANGE EVERYONE'S OPINION 612 00:35:04,202 --> 00:35:14,245 ♪ NOW THE WORLD'S MADE ME A LIAR 613 00:35:14,312 --> 00:35:26,491 ♪ FROM A HERO TO THE VILLAIN BUT I RAN DOWN EVERY DREAM 614 00:35:26,557 --> 00:35:41,439 ♪ I SWEAR I HAD THE BEST INTENTIONS 615 00:35:41,506 --> 00:35:46,878 ♪ I SWEAR I HAD THE BEST INTENTIONS 616 00:35:57,088 --> 00:35:58,523 ♪ I RAN DOWN EVERY DREAM SOME GOOD, SOME BAD 617 00:35:58,589 --> 00:36:11,402 ♪ SOME WE SHALL NOT EVER MENTION EVER MENTION AGAIN 618 00:36:11,469 --> 00:36:18,743 ♪ AND I RECALL WHEN TIME STOOD STILL 619 00:36:18,809 --> 00:36:29,353 ♪ NOW THE CLOCK IS TICKING I'VE SEEN SO MANY DREAMS 620 00:36:29,420 --> 00:36:35,593 ♪ DISAPPEAR FORGOT LIKE RHYMES 621 00:36:35,660 --> 00:36:43,668 ♪ THAT I'VE WRITTEN BUT THAT'S MY LIFE 622 00:36:43,734 --> 00:36:49,507 ♪ HEY, HOW ABOUT YOU? 623 00:36:49,574 --> 00:36:56,948 DO YOU FIND YOURSELF FORGIVEN? 624 00:36:57,014 --> 00:37:03,955 ♪ WHEN I WAKE UP WITH A BRAND NEW TUNE 625 00:37:04,021 --> 00:37:13,798 ♪ THAT'S HOW I KNOW I'M STILL LIVING 626 00:37:13,864 --> 00:37:21,806 ♪ AND I RAN DOWN EVERY DREAM I SWEAR I HAD THE 627 00:37:21,872 --> 00:37:36,754 ♪ BEST INTENTIONS I RAN DOWN EVERY DREAM 628 00:37:36,821 --> 00:37:37,855 ♪ BEST INTENTIONS I RAN DOWN EVERY DREAM 629 00:37:37,922 --> 00:37:48,599 ♪ SOME GOOD, SOME BAD SOME WE SHALL NOT EVER MENTION 630 00:37:48,666 --> 00:38:00,044 ♪ EVER MENTION AGAIN ♪ EVER MENTION AGAIN 631 00:38:00,111 --> 00:38:05,383 ♪ ♪ ♪ I REMEMBER ♪ 632 00:38:05,449 --> 00:38:15,292 ( CHEERS AND APPLAUSE ) >> James: OH MY GOODNESS. 633 00:38:15,359 --> 00:38:18,396 OH, THATWAS JUST SO BEAUTIFUL. 634 00:38:18,462 --> 00:38:19,664 OH MY GOSH. 635 00:38:19,730 --> 00:38:20,765 I LOVE YOU TWO. 636 00:38:20,831 --> 00:38:22,033 THANK YOU FOR BEING HERE. 637 00:38:22,099 --> 00:38:24,168 THANK YOU >> James: TOMMY MCLAIN AND C.C. 638 00:38:24,235 --> 00:38:26,237 ADCOCK, EVERYBODY! 639 00:38:39,984 --> 00:38:42,920 >> James: TOMORROW NIGHT, KAL PENN, MELISSA FUMERO, AND STAND- 640 00:38:42,987 --> 00:38:46,924 UP FROM TREY WAKEMAN. 641 00:38:46,991 --> 00:38:47,925 GOOD LUCK TOMORROW, WE'RE ROOTING FOR YOU, BUDDY. 642 00:38:47,992 --> 00:38:48,993 MELISSA, TAKE US HOME.