1 00:00:02,001 --> 00:00:04,804 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:04,871 --> 00:00:07,440 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY, BABY 3 00:00:07,507 --> 00:00:13,947 ♪ WHERE YOU COME FROM IT'LL BE ALL RIGHT 4 00:00:14,013 --> 00:00:21,654 ♪ IT'S "THE LATE LATE SHOW!" GENTLEMEN ALL THE WAY FROM THE 5 00:00:21,721 --> 00:00:23,723 LAND, GIVE IT UP FOR YOUR HOST, THE ONE, THE ONLY JAMES CORDEN! 6 00:00:36,035 --> 00:00:39,973 [CHEERS AND APPLAUSE] >> James: THANK YOU VERY, VERY 7 00:00:40,039 --> 00:00:41,207 BLESS YOU, EVERYBODY. 8 00:00:41,274 --> 00:00:42,275 THANKS FOR COMING OUT. 9 00:00:42,342 --> 00:00:44,577 I APPRECIATE IT. 10 00:00:44,644 --> 00:00:49,115 WELCOME TO "THE LATE LATE SHOW." 11 00:00:49,182 --> 00:00:51,484 BLESS YOU FOR STAYING UP FOR US. 12 00:00:51,551 --> 00:00:54,587 LET'S TAKE A LOOK AND SEE WHO OUR GUESTS ARE ON 13 00:00:54,654 --> 00:00:55,722 THE SHOW TONIGHT! 14 00:00:55,789 --> 00:00:56,756 THEY'RE THE UNSTOPPABLE GRAMMY-WINNING DUO WHO HAVE SOLD 15 00:00:56,823 --> 00:00:59,926 OVER 36 MILLION RECORDS WORLDWIDE AND HAVE CREATED 16 00:00:59,993 --> 00:01:01,127 TIMELESS HITS LIKE "LOVE IS A BATTLEFIELD," "HEARTBREAKER," 17 00:01:01,194 --> 00:01:03,029 AND SO MANY MORE! 18 00:01:03,096 --> 00:01:05,465 THEY WERE JUST INDUCTED INTO THE ROCK AND ROLL HALL OF FAME! 19 00:01:05,532 --> 00:01:08,735 THE LEGENDARY PAT BENATAR AND NEIL GIRALDO ARE ON THE SHOW 20 00:01:08,802 --> 00:01:09,636 TONIGHT! 21 00:01:09,702 --> 00:01:15,909 [CHEERS AND APPLAUSE] THERE THEY ARE! 22 00:01:15,975 --> 00:01:17,277 HOW ARE YOU, ARE YOU WELL? 23 00:01:17,343 --> 00:01:19,112 >> WE ARE WELL AND YOURSELF. 24 00:01:19,179 --> 00:01:20,747 >> James: WE'RE VERY, VERY WELL. 25 00:01:20,814 --> 00:01:21,948 THANK YOU SO MUCH FOR BEING HERE. 26 00:01:22,015 --> 00:01:23,082 HAVE YOU GOT EVERYTHING YOU NEED? 27 00:01:23,149 --> 00:01:25,718 >> LOOK AT THIS HERE! 28 00:01:25,785 --> 00:01:27,654 LOOK AT THIS BEAUTIFUL PLATE. 29 00:01:27,720 --> 00:01:30,457 THIS IS THE BEST FOOD WE EVER GOT AT A TV SHOW. 30 00:01:30,523 --> 00:01:31,791 LOOK AT THIS. 31 00:01:31,858 --> 00:01:33,426 SERIOUS. 32 00:01:33,493 --> 00:01:34,861 >> James: DON'T MESS AROUND, NEIL? 33 00:01:34,928 --> 00:01:37,430 ARE YOU BEING SERIOUS? 34 00:01:37,497 --> 00:01:38,164 WE'LL PRINT THAT OUT. 35 00:01:38,231 --> 00:01:40,467 YOU'VE BEEN ON A LOT OF TV SHOWS. 36 00:01:40,533 --> 00:01:43,436 >> I'M SAYING, THIS IS THE BEAUTIFUL DINNER HERE. 37 00:01:43,503 --> 00:01:45,939 >> James: THE BEST FOOD THAT NEIL AND PAT HAVE EVER HAD. 38 00:01:46,005 --> 00:01:47,874 >> ON THE TV SHOW. 39 00:01:47,941 --> 00:01:50,477 >> James: YOU MADE OUR LIVES. 40 00:01:50,543 --> 00:01:52,712 GOD BLESS YOU. 41 00:01:52,779 --> 00:01:57,684 AND HE'S AN ACTOR, A MULTI-PLATINUM-SELLING RECORDING 42 00:01:57,750 --> 00:01:59,152 ARTIST, AND WITHOUT A DOUBT, ONE OF THE TOP FOUR JONAS BROTHERS! 43 00:01:59,219 --> 00:02:09,295 THE MIGHTY, THE DELICIOUS JOE JONAS IS ON THE SHOW TONIGHT! 44 00:02:09,362 --> 00:02:13,266 >> HEY, IT'S JAMES CORDEN, EVERYBODY! 45 00:02:13,333 --> 00:02:14,734 HOW ARE YOU DOING, JAMES? 46 00:02:14,801 --> 00:02:18,371 >> James: I'M GOOD, WHY ARE YOU DRESSED LIKE ME? 47 00:02:18,438 --> 00:02:23,376 >> Joe: I THINK YOU'LL FIND YOU'RE THE ONE DRESSED LIKE ME. 48 00:02:23,443 --> 00:02:26,646 WONDERFUL TO HAVE YOU ON THE "JOE JOE SHOW." 49 00:02:26,713 --> 00:02:28,114 >> James: WHAT SHOW? 50 00:02:28,181 --> 00:02:32,051 >> Joe: THE HILARIOUS JAMES CORDEN, EVERYBODY. 51 00:02:32,118 --> 00:02:32,519 REG, READY? 52 00:02:32,585 --> 00:02:33,987 >> Reggie: READY? 53 00:02:34,053 --> 00:02:41,694 >> Joe: HE'S REGGIE WATTS AND I'M JOE JONAS AND THIS IS THE 54 00:02:41,761 --> 00:02:48,134 "JOE JOE SHOW!" ♪ IT'S THE JOE JOE SHOW 55 00:02:48,201 --> 00:02:50,937 ♪ IT'S THE JOE JOE SHOW! 56 00:02:51,004 --> 00:02:52,372 >> James: CAN WE STOP, PLEASE? 57 00:02:52,438 --> 00:02:53,873 WHAT'S GOING ON? 58 00:02:53,940 --> 00:02:55,074 DOES ANYONE KNOW WHAT IS GOING ON? 59 00:02:55,141 --> 00:02:56,743 HANG ON, I'M GOING TO FIX THIS. 60 00:02:56,809 --> 00:02:58,177 WAIT, I'M GOING TO BE RIGHT BACK! 61 00:02:58,244 --> 00:02:59,746 WHAT IS GOING ON? 62 00:02:59,812 --> 00:03:02,015 GUYS! 63 00:03:02,081 --> 00:03:10,690 GUYS! 64 00:03:10,757 --> 00:03:11,524 I'M ALREADY WEARING MAKEUP. 65 00:03:11,591 --> 00:03:14,794 >> HERE WE GO IN 3, 2, 1. 66 00:03:14,861 --> 00:03:17,096 >> Joe: PLEASE WELCOME JAMES CORDEN! 67 00:03:17,163 --> 00:03:18,298 >> James: WHAT THE? 68 00:03:18,364 --> 00:03:19,566 WHAT IS HAPPENING HERE? 69 00:03:19,632 --> 00:03:20,967 >> Joe: JAMES, HELLO. 70 00:03:21,034 --> 00:03:21,801 HAVE A SEAT. 71 00:03:21,868 --> 00:03:23,903 >> James: NO, I WILL NOT HAVE A SEAT. 72 00:03:23,970 --> 00:03:25,705 REGGIE, WHAT ARE YOU DOING UP HERE? 73 00:03:25,772 --> 00:03:28,675 >> Reggie: WHAT ARE ANY OF US DOING HERE, MAN? 74 00:03:28,741 --> 00:03:32,912 >> Joe: SITTIER ASS DOWN AND LET'S MEET OUR FIRST GUEST 75 00:03:32,979 --> 00:03:33,746 TONIGHT. 76 00:03:33,813 --> 00:03:37,216 IT'S THE EVER-GLORIOUS ALLISON JANNEY. 77 00:03:37,283 --> 00:03:37,984 >> James: NO. 78 00:03:38,051 --> 00:03:38,284 NO. 79 00:03:38,351 --> 00:03:38,518 NO. 80 00:03:38,585 --> 00:03:38,918 NO. 81 00:03:38,985 --> 00:03:39,452 NO. 82 00:03:39,519 --> 00:03:40,453 HANG ON. 83 00:03:40,520 --> 00:03:41,654 WAIT. 84 00:03:41,721 --> 00:03:42,155 SORRY. 85 00:03:42,221 --> 00:03:42,722 >> NICE TO SEE YOU. 86 00:03:42,789 --> 00:03:44,691 >> Joe: YOU LOOK LOVELY. 87 00:03:44,757 --> 00:03:46,392 >> THANK YOU. 88 00:03:46,459 --> 00:03:48,528 >> James: ALLISON, WHAT ARE YOU DOING HERE? 89 00:03:48,595 --> 00:03:53,032 >> HERE TO TALK TO MY ALL-TIME FAVORITE LATE NIGHT TALK SHOW 90 00:03:53,099 --> 00:03:53,633 HOST. 91 00:03:53,700 --> 00:03:54,934 >> James: I THOUGHT I WAS! 92 00:03:55,001 --> 00:03:56,035 >> YOU HAVE A SHOW. 93 00:03:56,102 --> 00:03:58,638 >> James: YOU'VE BEEN ON IT LIKE 14 TIMES. 94 00:03:58,705 --> 00:04:00,306 DON'T YOU REMEMBER? 95 00:04:00,373 --> 00:04:01,975 >> Joe: SHHH. 96 00:04:02,041 --> 00:04:02,909 GREAT TO HAVE YOU BOTH ON. 97 00:04:02,976 --> 00:04:04,077 JAMES, LET'S START WITH YOU. 98 00:04:04,143 --> 00:04:05,745 YOU'RE TRULY ONE OF THE MOST TALENTED PEOPLE IN THE WORLD. 99 00:04:05,812 --> 00:04:10,650 LET'S SEE A CLIP OF YOU IN ACTION, SHALL WE? 100 00:04:10,717 --> 00:04:16,489 >> James: OH OW, REG. 101 00:04:16,556 --> 00:04:22,629 [APPLAUSE] >> Joe: JAMES, HOW DO YOU DO 102 00:04:22,695 --> 00:04:23,830 IT? 103 00:04:23,896 --> 00:04:26,299 >> YEAH, THAT WAS JUST -- I MEAN, I CAN'T -- WOW, IT'S JUST. 104 00:04:26,366 --> 00:04:28,568 >> Joe: I MEAN, HOW DO YOU DO IT? 105 00:04:28,635 --> 00:04:32,038 HOW DOES JAMES CORDEN GET IN TOUCH WITH THE REAL JAMES 106 00:04:32,105 --> 00:04:33,239 CORDEN? 107 00:04:33,306 --> 00:04:34,207 >> James: I'M NOT GOING TO BE PART -- THAT'S ACTUALLY A VERY 108 00:04:34,273 --> 00:04:35,875 GOOD QUESTION. 109 00:04:35,942 --> 00:04:39,646 I ALWAYS -- I THINK WHAT I TRY TO DO IS I CHALLENGE MYSELF, YOU 110 00:04:39,712 --> 00:04:40,780 KNOW? 111 00:04:40,847 --> 00:04:45,184 BUT TO START FROM A PLACE OF HUMILITY BUT ALSO GRATITUDE. 112 00:04:45,251 --> 00:04:46,653 >> THAT'S REALLY BEAUTIFUL. 113 00:04:46,719 --> 00:04:47,887 >> James: THANK YOU, THANK YOU. 114 00:04:47,954 --> 00:04:53,192 BUT I DO THINK IT'S IMPORTANT FOR ALL OF US TO LIVE IN THIS -- 115 00:04:53,259 --> 00:04:54,193 NO I'M NOT DOING THIS! 116 00:04:54,260 --> 00:04:54,894 I'M NOT DOING ANY OF THIS. 117 00:04:54,961 --> 00:04:56,295 >> Joe: YOU KNOW WHAT? 118 00:04:56,362 --> 00:04:58,364 WE'VE GOT TAKE A BREAK. 119 00:04:58,431 --> 00:05:02,902 STICK AROUND, WHEN WE COME BACK, MORE FROM THESE TWO! 120 00:05:02,969 --> 00:05:03,970 AND MEHGAN TRAINOR IS JOINING US FOR A BRAND NEW 121 00:05:04,037 --> 00:05:04,971 "RIDESHARE CAR-AOKE!" >> James: RIDESHARE CAR-AOKE? 122 00:05:05,038 --> 00:05:06,205 OH, COME ON! 123 00:05:06,272 --> 00:05:06,973 >> Joe: YOU DON'T WANT TO MISS IT, HERE ON THE "JOE JOE SHOW!" 124 00:05:07,040 --> 00:05:08,041 >> James: NO, "THE LATE LATE SHOW!" 125 00:05:08,107 --> 00:05:08,841 >> Joe: "THE JOE JOE SHOW!" >> James: "THE LATE LATE 126 00:05:08,908 --> 00:05:13,913 SHOW!" >> Allison: I DON'T HAVE TIME 127 00:05:13,980 --> 00:05:14,514 FOR THIS [BLEEP]. 128 00:05:14,580 --> 00:05:15,248 >> Both: ROLL THE TITLES. 129 00:05:15,314 --> 00:05:15,915 >> James: NO, I ROLL THE TITLES! 130 00:05:15,982 --> 00:05:17,684 >> Joe: NO, I ROLL THE TITLES! 131 00:05:25,425 --> 00:05:32,031 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, WOO! 132 00:05:32,098 --> 00:05:37,303 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW OH-OH! 133 00:05:37,370 --> 00:05:45,311 ♪ IT'S THE LATE, LATE SHOW ♪ >> James: HERE WE GO! 134 00:05:45,378 --> 00:05:46,546 WHAT ABOUT THAT? 135 00:05:46,612 --> 00:05:49,682 HEY, GREAT TO HAVE PAT BENATAR AND NEIL GIRARDO HERE, ISN'T IT? 136 00:05:49,749 --> 00:05:50,516 IT'S WONDERFUL. 137 00:05:50,583 --> 00:05:53,519 >> Reggie: FANTASTIC. 138 00:05:53,586 --> 00:05:53,953 ICONS. 139 00:05:54,020 --> 00:05:54,854 >> James: ICONS. 140 00:05:54,921 --> 00:05:55,888 >> Reggie: ICONS. 141 00:05:55,955 --> 00:05:59,125 >> James: ICONS JUST STRUTTING AROUND BACK THERE. 142 00:05:59,192 --> 00:06:01,594 REG, WHAT'S YOUR FAVORITE 80'S POWER BALLAD? 143 00:06:01,661 --> 00:06:05,732 >> Reggie: WHITE SNAKE "IS THIS LOVE?" 144 00:06:05,798 --> 00:06:11,604 >> James: VERY POPULAR WITHIN THE BAND. 145 00:06:11,671 --> 00:06:12,939 WHAT ABOUT YOU? 146 00:06:13,005 --> 00:06:13,706 >> TOTAL ECLIPSE OF THE HEART. 147 00:06:13,773 --> 00:06:15,475 >> James: WHAT'S THE ONE THAT GOES 148 00:06:15,541 --> 00:06:19,579 ♪ SOMETIMES WHEN WE TOUCH ♪ IT ALWAYS SEEMS TOO MUCH 149 00:06:19,645 --> 00:06:25,918 ♪ AND I HAVE TO CLOSE MY EYES AND CRY ♪ 150 00:06:25,985 --> 00:06:32,625 [CHEERS AND APPLAUSE] NOW I'M SAYING THAT'S A WEIRD 151 00:06:32,692 --> 00:06:33,593 LYRIC. 152 00:06:33,659 --> 00:06:35,094 >> Ian: IT IS WEIRD. 153 00:06:35,161 --> 00:06:37,430 >> James: IT'S A WEIRD LYRIC. 154 00:06:37,497 --> 00:06:41,667 LITERALLY AT THIS MOMENT IS WHEN I THOUGHT, HANG ON, SOMETIMES 155 00:06:41,734 --> 00:06:50,009 WHEN WE TOUCH THE HONESTY'S TOO MUCH AND I HAVE TO CLOSE MY EYES 156 00:06:50,076 --> 00:06:50,910 AND CRY. 157 00:06:50,977 --> 00:06:53,913 >> Ian: DOES SOUND POSITIVE TO ME, THOUGH. 158 00:06:53,980 --> 00:06:57,183 YOU'RE LOOKING AT EACH OTHER AND CRYING AND RELINQUISHING AND 159 00:06:57,250 --> 00:07:02,121 BEING MORE VULNERABLE AND YOUR FEAR GOES AWAY AND THEN YOU'RE 160 00:07:02,188 --> 00:07:08,961 GOING TO [BLEEP] WHAT ABOUT... 161 00:07:09,028 --> 00:07:11,063 ♪ WE BELONG, WE BELONG, WE BELONG TOGETHER. 162 00:07:11,130 --> 00:07:12,231 >> James: THAT'S A BEAUTY. 163 00:07:12,298 --> 00:07:13,566 THAT'S AN ABSOLUTE BEAUTY. 164 00:07:13,633 --> 00:07:19,038 YEAH, PEOPLE AREN'T MAKING -- I DON'T WANT TO SOUND LIKE A DAD 165 00:07:19,105 --> 00:07:22,008 -- WHICH I AM -- BUT I EVEN HATE I'M ABOUT TO SAY OUT LOUD WHAT 166 00:07:22,074 --> 00:07:25,845 I'M ABOUT TO SAY BUT THEY DON'T MAKE THEM LIKE THAT ANYMORE. 167 00:07:25,912 --> 00:07:27,146 NO ONE IS SLAPPING LIKE THAT. 168 00:07:27,213 --> 00:07:31,150 >> Ian: WHEN ARE WE GOING TO GET JOE JONAS. 169 00:07:31,217 --> 00:07:34,253 >> James: SOMETHING JUST HAPPENED THERE BETWEEN ROBIN AND 170 00:07:34,320 --> 00:07:34,787 LAUREN. 171 00:07:34,854 --> 00:07:36,756 YOU'RE SUCH AN IDIOT. 172 00:07:36,823 --> 00:07:38,024 >> WE'RE AGREEING WITH YOU. 173 00:07:38,090 --> 00:07:47,033 HE DOESN'T THINK ABCDC -- IS THE POWER BALLAD WE'RE LOOKING FOR. 174 00:07:47,099 --> 00:07:54,106 >> James: NO ONE IS LOOKING THESE ANYMORE. 175 00:07:54,173 --> 00:07:55,975 >> HARRY NAKED BARE CHESTS. 176 00:07:56,042 --> 00:07:57,577 >> James: WHO'S GOT IT IN THEM? 177 00:07:57,643 --> 00:08:01,547 >> HARRY STYLES STYLES IS A GREAT SINGER BUT DOES HE EVER 178 00:08:01,614 --> 00:08:01,981 BELT? 179 00:08:02,048 --> 00:08:02,448 >> James: YEAH. 180 00:08:02,515 --> 00:08:03,683 SIGN OF THE TIMES. 181 00:08:03,749 --> 00:08:05,751 >> IF HE CAN BELT THAT WOULD BE A GOOD EXAMPLE BECAUSE HE'S AT 182 00:08:05,818 --> 00:08:09,856 THAT HEIGHT OF RECOGNITION BUT IF HE CAME UP WITH THAT PERFECT 183 00:08:09,922 --> 00:08:10,623 BALLAD. 184 00:08:10,690 --> 00:08:11,757 >> James: YOU'RE ABSOLUTELY RIGHT. 185 00:08:11,824 --> 00:08:14,293 HE'S THE ONLY PERSON THAT'S CAPABLE OF PULLING THAT BACK 186 00:08:14,360 --> 00:08:14,961 AROUND. 187 00:08:15,027 --> 00:08:16,696 I FEEL LIE HARRY COULD DO IT. 188 00:08:16,762 --> 00:08:19,799 I FEEL LIKE DUA COULD DO IT. 189 00:08:19,866 --> 00:08:26,706 >> I DON'T THINK DUA LIPA AND HARRY STYLES CAN DO IT BECAUSE 190 00:08:26,772 --> 00:08:29,275 THEY'RE BOTH SO HOT, I DON'T THINK THEY'VE EVER BEEN HURT 191 00:08:29,342 --> 00:08:30,042 LIKE THAT. 192 00:08:30,109 --> 00:08:31,277 >> James: YOU'RE ABSOLUTELY RIGHT. 193 00:08:31,344 --> 00:08:34,247 LOOK, WE CAN TALK ABOUT POWER BALLADS LIKE THIS ALL DAY -- WE 194 00:08:34,313 --> 00:08:38,584 COULD -- AND WE'LL COME BACK TO THIS, WE'LL CIRCLE BACK BUT 195 00:08:38,651 --> 00:08:41,787 RIGHT NOW IT'S OUR HONOR, OUR DUTY TO PROVIDE YOU WITH THE 196 00:08:41,854 --> 00:08:42,755 NEWS. 197 00:08:42,822 --> 00:08:44,490 >> Reggie: THE NEWS. 198 00:08:44,557 --> 00:08:55,234 >> James: EARLIER THIS EVENING AT MAR-A-LAGO, DONALD 199 00:08:55,301 --> 00:08:56,402 TRUMP ANNOUNCED HIS THIRD CAMPAIGN FOR THE WHITE HOUSE. 200 00:08:56,469 --> 00:08:57,570 WE THINK. 201 00:08:57,637 --> 00:08:58,004 TO BE HONEST, TRUMP'S "BIG ANNOUNCEMENT" HAPPENED AFTER WE 202 00:08:58,070 --> 00:09:00,940 TAPED THIS SHOW. 203 00:09:01,007 --> 00:09:02,975 WE DON'T KNOW WHAT HE SAID OR DID. 204 00:09:03,042 --> 00:09:07,179 IT WOULD BE FUNNY IF HE JUST CAME OUT, AFTER PLAYING THIS BIG 205 00:09:07,246 --> 00:09:11,017 ANNOUNCEMENT, HE JUST CAME OUT AND SAID "A HOT DOG IS NOT A 206 00:09:11,083 --> 00:09:16,055 SANDWICH." 207 00:09:16,122 --> 00:09:17,423 LIKE I SAID, TRUMP'S ANNOUNCEMENT TOOK PLACE AFTER 208 00:09:17,490 --> 00:09:19,759 WE TAPED THIS SHOW, SO WE'RE NOT SURE EXACTLY WHAT HE SAID. 209 00:09:19,825 --> 00:09:23,596 BUT WE CAN ASSUME THIS: IT WAS A HUMBLE, DOWN-TO-EARTH 210 00:09:23,663 --> 00:09:26,299 ANNOUNCEMENT, COMPLETELY GROUNDED IN REALITY. 211 00:09:26,365 --> 00:09:27,566 [LAUGHTER] TRUMP MADE THE ANNOUNCEMENT AT 212 00:09:27,633 --> 00:09:28,768 9:00 P.M. 213 00:09:28,834 --> 00:09:31,904 SO IF YOU HEARD A WEIRD SOUND SHORTLY AFTER THAT TIME, DON'T 214 00:09:31,971 --> 00:09:33,139 WORRY. 215 00:09:33,205 --> 00:09:35,775 THAT WAS JUST THE SOUND OF MILLIONS OF PEOPLE BREATHING 216 00:09:35,841 --> 00:09:37,843 INTO PAPER BAGS. 217 00:09:37,910 --> 00:09:41,914 [LAUGHTER] SPEAKING OF DONALD TRUMP, THE 218 00:09:41,981 --> 00:09:45,117 JANUARY 6 COMMITTEE IS NOW WEIGHING "NEXT STEPS," AFTER HE 219 00:09:45,184 --> 00:09:48,187 FAILED TO COMPLY WITH A SUBPOENA CALLING HIM TO APPEAR FOR A 220 00:09:48,254 --> 00:09:51,257 CLOSED-DOOR DEPOSITION YESTERDAY. 221 00:09:51,324 --> 00:09:53,225 THE COMMITTEE SAID HOLDING TRUMP IN CONTEMPT OF CONGRESS "COULD 222 00:09:53,292 --> 00:09:54,093 BE AN OPTION." 223 00:09:54,160 --> 00:09:58,030 "COULD BE AN OPTION." 224 00:09:58,097 --> 00:09:59,832 TOUGH TALK FROM CONGRESS. 225 00:09:59,899 --> 00:10:01,233 THAT'LL SCARE HIM. 226 00:10:01,300 --> 00:10:03,869 I LIKE THAT THEY'RE CONSIDERING NEXT STEPS NOW. 227 00:10:03,936 --> 00:10:09,308 LIKE ANYONE THOUGHT FOR EVEN ONE SECOND THAT TRUMP WOULD SHOW UP. 228 00:10:09,375 --> 00:10:11,210 CONGRESS WANTED HIM FOR A DEPOSITION, AND HE JUST BLEW IT 229 00:10:11,277 --> 00:10:14,714 OFF. 230 00:10:14,780 --> 00:10:17,249 TRUMP TREATS SUBPOENAS LIKE THE REST OF US TREAT AN EMAIL 231 00:10:17,316 --> 00:10:20,252 FROM LINKEDIN. 232 00:10:20,319 --> 00:10:29,161 [LAUGHTER] AND, HERE'S AN IMPORTANT 233 00:10:29,228 --> 00:10:30,396 MILESTONE WE WANTED TO TELL YOU ABOUT. 234 00:10:30,463 --> 00:10:31,397 ACCORDING TO THE UNITED NATIONS, THE WORLD'S POPULATION REACHED 235 00:10:31,464 --> 00:10:31,998 EIGHT BILLION TODAY. 236 00:10:32,064 --> 00:10:33,265 ALL THANKS TO NICK CANNON. 237 00:10:33,332 --> 00:10:33,899 WELL DONE, NICK. 238 00:10:33,966 --> 00:10:34,834 THANK YOU FOR YOUR SERVICE. 239 00:10:34,900 --> 00:10:36,502 WE APPRECIATE IT! 240 00:10:36,569 --> 00:10:40,773 EIGHT BILLION PEOPLE IN THE WORLD. 241 00:10:40,840 --> 00:10:44,643 ALL EIGHT BILLION OF THEM TRIED TO BUY TAYLOR SWIFT TICKETS AT 242 00:10:44,710 --> 00:10:46,045 THE EXACT SAME TIME THIS MORNING. 243 00:10:46,112 --> 00:10:50,149 EXACT SAME TIME. 244 00:10:50,216 --> 00:10:51,317 AND WE WANTED TO TELL YOU ABOUT THIS. 245 00:10:51,384 --> 00:10:52,418 A 50-YEAR-OLD CHINESE MAN KNOWN AS "UNCLE CHEN" IS MAKING 246 00:10:52,485 --> 00:10:53,285 HEADLINESBECAUSE HE RAN A MARATHON WHILE CHAIN-SMOKING 247 00:10:53,352 --> 00:10:53,919 CIGARETTES. 248 00:10:53,986 --> 00:10:56,922 HERE HE IS HERE. 249 00:10:56,989 --> 00:10:58,958 LOOK AT THAT. 250 00:10:59,025 --> 00:11:02,028 NOW, GET THIS, HE RAN THE MARATHON A FULL HOUR FASTER THAN 251 00:11:02,094 --> 00:11:04,730 THE AVERAGE MAN OF HIS AGE. 252 00:11:04,797 --> 00:11:06,298 YOU'VE GOT TO RESPECT THIS. 253 00:11:06,365 --> 00:11:13,072 JUST BLOWING SMOKE IN THE OTHER RUNNERS' FACES, LIKE, "OH, ARE 254 00:11:13,139 --> 00:11:22,048 YOU HAVING TROUBLE BREATHING?" NOT MY PROBLEM, BABE! 255 00:11:22,114 --> 00:11:23,349 GET OUT OF THE SLIP STREAM. 256 00:11:23,416 --> 00:11:24,116 YEAH. 257 00:11:24,183 --> 00:11:25,351 AND THAT WAS JUST FOR A MARATHON. 258 00:11:25,418 --> 00:11:27,953 WHEN IT'S A TRIATHLON, HE SMOKES A CUBAN KILLINGGAR AND A CORN 259 00:11:28,020 --> 00:11:28,754 THIS IS TRUE. 260 00:11:28,821 --> 00:11:34,360 HE SAYS HE ONLY SMOKES WHEN HE RUNS. 261 00:11:34,427 --> 00:11:36,962 TRANSLATION, HIS WIFE DOESN'T KNOW HE STILL SMOKES. 262 00:11:37,029 --> 00:11:38,130 AND FINALLY, DID YOU SEE THIS? 263 00:11:38,197 --> 00:11:39,098 THE PARIS 2024 SUMMER GAMES HAS JUST UNVEIED ITS OFFICIAL 264 00:11:39,165 --> 00:11:39,665 OLYMPICS MASCOT. 265 00:11:39,732 --> 00:11:44,770 HERE IT IS HERE. 266 00:11:44,837 --> 00:11:46,806 LOOK AT THAT. 267 00:11:46,872 --> 00:11:50,376 ANY IDEAS OR GUESSES WHAT THOSE MASCOTS ARE SUPPOSED TO BE? 268 00:11:50,443 --> 00:11:50,876 DO YOU KNOW? 269 00:11:50,943 --> 00:11:53,479 >> BLOOD CLOT! 270 00:11:53,546 --> 00:12:00,352 [LAUGHTER] >> James: YEAH, THAT'S WHAT 271 00:12:00,419 --> 00:12:01,253 THEY THOUGHT. 272 00:12:01,320 --> 00:12:06,058 THEY THOUHT IT'S THE ONLY PARIS OLYMPICS. 273 00:12:06,125 --> 00:12:08,394 WHAT SHOULD WE DO? 274 00:12:08,461 --> 00:12:09,762 BLOOD CLOTS. 275 00:12:09,829 --> 00:12:10,096 THAT'LL DO IT. 276 00:12:10,162 --> 00:12:10,696 YEAH. 277 00:12:10,763 --> 00:12:11,630 PULL IT UP AGAIN. 278 00:12:11,697 --> 00:12:14,533 >> IT LOOKS LIKE A COOKIE OR LIKE A DUMPLING. 279 00:12:14,600 --> 00:12:16,735 MAYBE IT'S LIKE A DUMPLINS. 280 00:12:16,802 --> 00:12:21,040 MAYBE IT'S THE PARIS DUMPLINGS. 281 00:12:21,107 --> 00:12:21,674 IT ISN'T. 282 00:12:21,740 --> 00:12:23,576 >> James:ANY OTHER THOUGHTS? 283 00:12:23,642 --> 00:12:24,343 DAVE? 284 00:12:24,410 --> 00:12:27,113 >> A LITTLE RED EIFFEL TOWER? 285 00:12:27,179 --> 00:12:32,885 >> James: IT WOULD BE IF MY 5-YEAR-OLD DAUGHTER HAD DRAWN IT 286 00:12:32,952 --> 00:12:33,652 BUT NO. 287 00:12:33,719 --> 00:12:37,022 >> IS IT THE SPIRIT OF COMPETITION? 288 00:12:37,089 --> 00:12:39,458 >> James: YEAH, THAT'S WHAT IT IS. 289 00:12:39,525 --> 00:12:42,361 THEY'RE THE SPIRIT OF COMPETITION. 290 00:12:42,428 --> 00:12:44,563 NO. 291 00:12:44,630 --> 00:12:45,764 THE MASCOTS ARE SUPPOSED TO BE HATS. 292 00:12:45,831 --> 00:12:48,334 SPECIFICALLY, THE THREE-CORNERED HAT WORN DURING THE FRENCH 293 00:12:48,400 --> 00:12:49,301 REVOLUTION. 294 00:12:49,368 --> 00:12:49,735 YEAH. 295 00:12:49,802 --> 00:12:50,803 YOU SEE IT NOW. 296 00:12:50,870 --> 00:12:53,172 NOW I'VE SAID IT AND YOU'RE LIKE, YEAH! 297 00:12:53,239 --> 00:12:56,842 MY ISSUE IS THEY DON'T EVEN LOOK REMOTELY FRENCH. 298 00:12:56,909 --> 00:12:59,845 LIKE THEY SHOULD E SMOKING CIGARETTES! 299 00:12:59,912 --> 00:13:01,080 A THREE-CORNERED HAT? 300 00:13:01,147 --> 00:13:03,716 IF ONLY THE FRENCH HAD SOME KIND OF A HAT THAT FAMOUSLY DEFINED 301 00:13:03,782 --> 00:13:06,619 THEM. 302 00:13:06,685 --> 00:13:08,220 YOU KNOW? 303 00:13:08,287 --> 00:13:09,488 >> TOO BAD. 304 00:13:09,555 --> 00:13:17,963 >> James: SO ODD TO THINK, THIS OLYMPICS? SHOULD WE DO FOR- 305 00:13:18,030 --> 00:13:18,564 WE'RE THINKING HATS. 306 00:13:18,631 --> 00:13:21,934 OH, LIKE A BERET? 307 00:13:22,001 --> 00:13:22,234 NO. 308 00:13:22,301 --> 00:13:23,068 NO. 309 00:13:23,135 --> 00:13:24,803 YOU'RE RIDICULOUS! 310 00:13:24,870 --> 00:13:28,874 THE THREE-CORNERED HATS FROM THE FRENCH REVOLUTION! 311 00:13:28,941 --> 00:13:33,646 I THINK THIS MASCOT LOOKS MORE LIKE A HAT MAYBE WHEN IT'S 312 00:13:33,712 --> 00:13:37,183 ACTUALLY PLACED ON SOMEONE'S HEAD. 313 00:13:37,249 --> 00:13:37,950 DO YOU KNOW WHAT I MEAN? 314 00:13:38,017 --> 00:13:39,985 LET'S HAVE A LOOK AND SEE IT LIVE! 315 00:13:47,059 --> 00:13:48,394 OH, WE ALL SEE IT NOW. 316 00:13:48,460 --> 00:13:49,428 AND THAT'S THE NEWS. 317 00:13:49,495 --> 00:13:51,497 WE'LL BE RIGHT BACK, EVERYBODY. 318 00:14:13,986 --> 00:14:14,920 ♪ >> James: LET'S MEET OUR 319 00:14:14,987 --> 00:14:15,921 SHE STARS IN "THE PEOPLE WE HATE AT THE WEDDING." 320 00:14:15,988 --> 00:14:16,555 PLEASE WELCOME ALLISON JANNEY! 321 00:14:16,622 --> 00:14:21,927 [CHEERS AND APPLAUSE] ♪ 322 00:14:21,994 --> 00:14:23,996 >> Reggie: IT'S ALLISON JANNEY. 323 00:14:31,003 --> 00:14:31,704 >> James: HE STARS IN "DEVOTION." 324 00:14:31,770 --> 00:14:33,038 PLEASE WELCOME JOE JONAS! 325 00:14:33,105 --> 00:14:35,107 [CHEERS AND APPLAUSE] >> Reggie: IT'S JOE JONAS. 326 00:14:52,558 --> 00:14:53,959 >> James: BLESS YOU FOR BEING HERE. 327 00:14:54,026 --> 00:14:57,029 THANK YOU, BOTH, FOR BEING PART OF OUR SKETCH EARLIER. 328 00:14:57,096 --> 00:14:59,331 I LOVE, I LOVE HANGING OUT AND PLAYING WITH ALL OF YOU. 329 00:14:59,398 --> 00:15:01,533 IT'S SO WONDERFUL. 330 00:15:01,600 --> 00:15:02,301 YOU WERE VERY GOOD, JOE! 331 00:15:02,368 --> 00:15:02,968 >> THANK YOU. 332 00:15:03,035 --> 00:15:04,503 >> James: YOU WERE VERY GOOD. 333 00:15:04,570 --> 00:15:06,438 YOU WERE VERY, VERY GOOD. 334 00:15:06,505 --> 00:15:09,341 YOU USED TO HOST YOUR OWN TALK SHOW WHEN YOU WERE A KID. 335 00:15:09,408 --> 00:15:10,009 IS THIS RIGHT? 336 00:15:10,075 --> 00:15:10,943 WHAT WAS IT LIKE? 337 00:15:11,010 --> 00:15:12,011 TALK TO ME ABOUT IT. 338 00:15:12,077 --> 00:15:14,346 >> IT WAS IN OUR BASEMENT GROWING UP IN NEW JERSEY. 339 00:15:14,413 --> 00:15:17,416 IT WAS CALLED "THE JOE SHOW." 340 00:15:17,483 --> 00:15:19,485 NOT THE "JOE JOE SHOW." 341 00:15:19,551 --> 00:15:21,053 YOU WERE MORE CLEVER. 342 00:15:21,120 --> 00:15:25,090 MY BIG BIT WAS THE WORDS S AND W WOULD FALL AND IT WOULD BE THE 343 00:15:25,157 --> 00:15:27,393 JOE HOST SHOW AND I THOUGHT IT WAS BRILLIANT. 344 00:15:27,459 --> 00:15:28,460 NOT MANY GUESTS ON THE SHOW. 345 00:15:28,527 --> 00:15:29,895 HAD A DOG ONCE. 346 00:15:29,962 --> 00:15:32,264 OUR HOUSE DOG AND OUR GRANDMOTHER. 347 00:15:32,331 --> 00:15:34,667 OTHER THAN THAT, IT WAS PRETTY LIMITED BUT I THOUGHT I WAS 348 00:15:34,733 --> 00:15:35,701 PRETTY GOOD. 349 00:15:35,768 --> 00:15:37,136 >> James: YEAH, I THINK YOU'RE AN ABSOLUTE NATURAL. 350 00:15:37,202 --> 00:15:40,406 I ALSO THINK, ALLISON, YOU'D BE A VERY GOOD TALK SHOW HOST. 351 00:15:40,472 --> 00:15:41,340 >> I WOULD BE TERRIBLE. 352 00:15:41,407 --> 00:15:42,374 I DON'T LIKE TO TALK. 353 00:15:42,441 --> 00:15:45,077 >> James: YOU'RE SO GOOD AT IT. 354 00:15:45,144 --> 00:15:48,314 >> MY DREAM WAS TO HAVE A VARIETY SHOW LIKE CAROL BURNETT. 355 00:15:48,380 --> 00:15:49,782 THAT WAS MY ULTMATE. 356 00:15:49,848 --> 00:15:52,117 I JUST -- >> James: YES. 357 00:15:52,184 --> 00:15:53,852 YES. 358 00:15:53,919 --> 00:15:55,120 [APPLAUSE] YOU WOULD BE SO GOOD AT THAT. 359 00:15:55,187 --> 00:15:58,891 >> I WOULD -- I THINK I WOULD BE, BUT I THINK THAT SHIP HAS 360 00:15:58,957 --> 00:16:00,259 SAILED MAYBE OR MAYBE NOT. 361 00:16:00,326 --> 00:16:02,961 >> James: NO! 362 00:16:03,028 --> 00:16:03,395 I DISAGREE! 363 00:16:03,462 --> 00:16:04,430 >> I DON'T KNOW. 364 00:16:04,496 --> 00:16:07,933 >> James: I WERE JUST WORKING WITH CAROL BURNETT? 365 00:16:08,000 --> 00:16:13,339 >> I WAS WORKING ON SOMETHING FOR APPLE CALLED "MRS. AMERICAN 366 00:16:13,405 --> 00:16:15,474 PIE." 367 00:16:15,541 --> 00:16:19,445 >> James: WHY DON'T YOU GET ALL OF THOSE PEOPLE AND DO A 368 00:16:19,511 --> 00:16:20,879 VARIETY SHOW FOR APPLE AFTER THAT SHOW IS ON. 369 00:16:20,946 --> 00:16:21,947 >> MY GOD! 370 00:16:22,014 --> 00:16:24,516 THAT'S A FANTASTIC IDEA. 371 00:16:24,583 --> 00:16:26,185 >> James: BIG BRAIN MOVE. 372 00:16:26,251 --> 00:16:26,752 BIG BRAIN MOVE. 373 00:16:26,819 --> 00:16:27,619 IT'S A BIG BRAIN MOVE. 374 00:16:27,686 --> 00:16:28,520 >> I'M DOING IT. 375 00:16:28,587 --> 00:16:31,256 I'M GOING TO CALL CAROL RIGHT AFTER THIS. 376 00:16:31,323 --> 00:16:34,326 >> James: JOE, CONGRAT CONGRATULATIONS. 377 00:16:34,393 --> 00:16:36,095 LAST TIME YOU WERE HERE, YOU HAD YOUR SECOND CHILD. 378 00:16:36,161 --> 00:16:38,430 A BRAND-NEW DAUGHTER HAS BEEN BORN INTO YOUR WORLD. 379 00:16:38,497 --> 00:16:39,331 SHE'S THREE MONTHS NOW. 380 00:16:39,398 --> 00:16:42,034 TALK TO ME, HOW IS LIFE AT HOME WITH TWO? 381 00:16:42,101 --> 00:16:43,802 >> IT'S DIFFERENT. 382 00:16:43,869 --> 00:16:45,204 >> James: MMMM. 383 00:16:45,270 --> 00:16:48,507 >> ONE IS -- YOU CAN PLAN THI THINGS. 384 00:16:48,574 --> 00:16:49,641 >> James: YES. 385 00:16:49,708 --> 00:16:51,710 >> TWO IS JUST -- ALL OF THAT [BLEEP] IS OUT THE WINDOW. 386 00:16:51,777 --> 00:16:53,212 >> James: GONE, YEP. 387 00:16:53,278 --> 00:16:56,148 >> NATURALLY. 388 00:16:56,215 --> 00:16:58,016 COOL, NAP TIME, I CAN GO OUT TO EAT. 389 00:16:58,083 --> 00:16:58,384 NO. 390 00:16:58,450 --> 00:16:58,617 DINNER TIME? 391 00:16:58,684 --> 00:16:59,651 NO. 392 00:16:59,718 --> 00:17:03,956 YOU JUST GOT TO GET THEM FED, SLEPT -- IT'S GONE. 393 00:17:04,022 --> 00:17:05,657 >> James: IT COULD BE CARNAGE WITH TWO. 394 00:17:05,724 --> 00:17:07,259 THE LEAP FROM ONE TO TWO IS HU HUGE. 395 00:17:07,326 --> 00:17:08,894 BUT, HEY, LET ME ASK YOU THIS. 396 00:17:08,961 --> 00:17:12,297 SO YOU, KEVIN AND NICK, YOU ALL HAVE DAUGHTERS NOW, RIGHT? 397 00:17:12,364 --> 00:17:13,465 >> YEAH. 398 00:17:13,532 --> 00:17:16,602 >> James: WHAT WOULD YOU SAY IF IN LIKE 15 YEARS' TIME THEY 399 00:17:16,668 --> 00:17:23,509 COME TO US -- YOU AND THEY SAY, "DADS, WE'RE STARTING A BAND. 400 00:17:23,575 --> 00:17:28,213 WE'RE GOING TO BE CALLED THE JONAS SISTERS." 401 00:17:28,280 --> 00:17:29,181 WHAT WOULD YOU DO? 402 00:17:29,248 --> 00:17:29,915 WOULD YOU GO FOR IT? 403 00:17:29,982 --> 00:17:30,949 WHAT WOULD YOU THINK? 404 00:17:31,016 --> 00:17:35,320 >> I WOULD PROBABLY SAY WHO IS PAYING FOR THERAPY? 405 00:17:35,387 --> 00:17:36,522 FIRST OF ALL. 406 00:17:36,588 --> 00:17:39,825 AND HONESTLY, I WOULD -- LOOK, OBVIOUSLY, YOU WANT TO SUPPORT 407 00:17:39,892 --> 00:17:44,997 YOUR KIDS' AMBITIONS AND DREAMS, BUT, UM, MAYBE JUST WAIT A BIT. 408 00:17:45,063 --> 00:17:47,433 I THINK SOMETHING I WISH I WAS TOLD WHEN I WAS YOUNGER IS YOU 409 00:17:47,499 --> 00:17:51,303 GOT A LOT OF TIME TO LEARN WHAT LIFE'S ABOUT AND BE A KID AND IF 410 00:17:51,370 --> 00:17:53,772 THERE'S A MUSICAL THEATER PROGRAM IN YOUR SCHOOL OR PICK 411 00:17:53,839 --> 00:17:57,943 UP A GUITAR AND PRACTICE, YOU DON'T HAVE TO DO IT WHEN YOU'RE 412 00:17:58,010 --> 00:17:58,710 12 LIKE MY BROTHERS DID. 413 00:17:58,777 --> 00:17:59,912 JUST TAKE YOUR SWEET TIME. 414 00:17:59,978 --> 00:18:00,779 >>James: YEAH. 415 00:18:00,846 --> 00:18:01,814 THAT'S GOOD ADVICE. 416 00:18:01,880 --> 00:18:02,881 THAT'S VERY GOOD ADVICE. 417 00:18:02,948 --> 00:18:05,918 ALLISON, YOU HAVE JUST EXPANDED YOUR FAMILY AT HOME. 418 00:18:05,984 --> 00:18:08,654 YOU HAVE ADOPTED THIS LITTLE FELLA. 419 00:18:08,720 --> 00:18:11,123 LOOK AT THIS LITTLE PUPPY THAT YOU'VE ADOPTED. 420 00:18:11,190 --> 00:18:12,224 WHERE DID HE COME FROM? 421 00:18:12,291 --> 00:18:14,293 >> WELL, THIS IS HENRY. 422 00:18:14,359 --> 00:18:18,864 AND, YOU GUYS, HE WAS FOUND IN A BAG ON THE SIDEWALK IN FRONT OF 423 00:18:18,931 --> 00:18:20,799 JERRY BRUCKHEIMER'S OFFICE. 424 00:18:20,866 --> 00:18:26,872 AND THE FUNNY THING WAS SO WAS I, SO WE HAD A -- WE HAD AN 425 00:18:26,939 --> 00:18:29,041 INSTANT CONNECTION -- WE HAD AN INSTANT CONNECTION. 426 00:18:29,107 --> 00:18:32,010 HE WAS A VERY SICK LITTLE BOY. 427 00:18:32,077 --> 00:18:33,479 HE WEIGHED TWO POUNDS. 428 00:18:33,545 --> 00:18:36,148 HE WAS WORM-INFESTED. 429 00:18:36,215 --> 00:18:36,715 PARVO. 430 00:18:36,782 --> 00:18:37,583 WONDERFUL STORY. 431 00:18:37,649 --> 00:18:38,951 HE ENDED UP IN MY ARMS. 432 00:18:39,017 --> 00:18:41,153 MY ASSISTANT HAD MANY NAMES. 433 00:18:41,220 --> 00:18:45,858 JERRY BRUCKHEIMER PRODUCED "TOP GUN" AND "PIRATES OF THE 434 00:18:45,924 --> 00:18:46,725 CARIBBEAN." 435 00:18:46,792 --> 00:18:47,893 >> James: HUGE MOVIES, YES! 436 00:18:47,960 --> 00:18:51,430 >> I THOUGHT I'M GOING TO CALL HIM JERRY AND THEN J.B. 437 00:18:51,497 --> 00:18:54,833 THEN HE BECAME BARRY AND THEN HE WAS GOOSE AND MAVERICK. 438 00:18:54,900 --> 00:18:56,034 HE HAD 10 MILLION NAMES. 439 00:18:56,101 --> 00:18:57,236 I COULDN'T NAME HIM. 440 00:18:57,302 --> 00:19:01,273 MY ASSISTANT'S DAUGHTER -- SHE SWEARS SHE'S A DOG WHISPERER. 441 00:19:01,340 --> 00:19:02,708 SHE'S NINE YEARS OLD. 442 00:19:02,774 --> 00:19:08,146 WE PUT HENRY ON FACETIME AND SHE LOOKED AT HIM AND SAID, "OH, 443 00:19:08,213 --> 00:19:13,352 THAT'S HENRY!" IN TWO SECONDS. 444 00:19:13,418 --> 00:19:15,087 HE'S THE SWEETEST THING. 445 00:19:15,153 --> 00:19:19,024 PUPPIES ARE PRETTY MUCH [BLEEP]. 446 00:19:19,091 --> 00:19:20,225 THEY'RE ADORABLE. 447 00:19:20,292 --> 00:19:23,328 THIS LITTLE BOY WANTS NOTHING MORE THAN TO CHEW ON MY FLESH. 448 00:19:23,395 --> 00:19:24,563 IT'S NOT ENJOYABLE. 449 00:19:24,630 --> 00:19:26,965 AS SOMEONE SAID, YOU KNOW, WHEN HE DOES THAT, YOU SHOULD BITE 450 00:19:27,032 --> 00:19:27,733 HIM BACK. 451 00:19:27,799 --> 00:19:29,134 I TRIED THAT, AND IT DID NOT WORK. 452 00:19:29,201 --> 00:19:32,538 HE DID NOT -- HE WAS LIKE -- HE WAS LIKE GAME ON. 453 00:19:32,604 --> 00:19:33,605 LET'S GO FOR IT. 454 00:19:33,672 --> 00:19:34,206 >> James: SURE! 455 00:19:34,273 --> 00:19:36,108 >> AND HE JUST CAME AT ME. 456 00:19:36,174 --> 00:19:40,312 SO I'VE GOT -- HE'S GOT SOME LEARNING TO DO. 457 00:19:40,379 --> 00:19:44,216 >> James: I WILL SAY WEARING THAT HAT, HE COULDN'T LOOK -- HE 458 00:19:44,283 --> 00:19:49,254 COULDN'T LOOK MORE LIKE A DOG WHO WAS FOUND OUTSIDE OF FILM 459 00:19:49,321 --> 00:19:50,322 PRODUCER'S STUDIO. 460 00:19:50,389 --> 00:19:55,794 LIKE, HE ALMOST LOOKS LIKE AN AGENT FOR OTHER DOGS. 461 00:19:55,861 --> 00:19:59,932 "GOT TO GET MY OTHER DOGS ANOTHER MOVIE! 462 00:19:59,998 --> 00:20:00,933 COME ON, JERRY. 463 00:20:00,999 --> 00:20:02,167 COME ON, JERRY. 464 00:20:02,234 --> 00:20:03,335 GIVE HIM A CHANCE." 465 00:20:03,402 --> 00:20:05,470 >> HE COULD HAVE A CAREER. 466 00:20:05,537 --> 00:20:06,838 I MIGHT START PUSHING HIM. 467 00:20:06,905 --> 00:20:09,174 >> James: JOE, I WANT TO TALK TO YOU ABOUT THIS. 468 00:20:09,241 --> 00:20:11,276 I WANT TO TALK TO YOU ABOUT GHOSTS. 469 00:20:11,343 --> 00:20:12,110 >> OH YEAH, OF COURSE. 470 00:20:12,177 --> 00:20:13,812 >> James: I DIDN'T KNOW THIS ABOUT YOU. 471 00:20:13,879 --> 00:20:17,416 I DIDN'T KNOW YOU'RE SOMETHING OF A GHOST MAGNET. 472 00:20:17,482 --> 00:20:19,985 YOU'VE CLAIMED TO HAVE MANY -- >> I BROUGHT A COUPLE HERE 473 00:20:20,052 --> 00:20:21,920 TODAY. 474 00:20:21,987 --> 00:20:28,327 >> James: PARANORMAL ENCOUNTERS. 475 00:20:28,393 --> 00:20:32,164 >> I LIVED IN A HAUNTED HOUSE WITH A FEW ROOMMATES BACK IN THE 476 00:20:32,230 --> 00:20:33,198 DAY. 477 00:20:33,265 --> 00:20:37,369 >> James: YOU AND YOUR BROTHERS, ARE YOU SURE THEY 478 00:20:37,436 --> 00:20:39,771 WEREN'T JUST SAYING THIS IF YOU DIDN'T SELL ENOUGH SEATS IN A 479 00:20:39,838 --> 00:20:40,806 SHOW? 480 00:20:40,872 --> 00:20:48,180 IT'S A 6,000-SEAT VENUE AND YOU SOLD 5,000 SEATS. 481 00:20:48,246 --> 00:20:50,849 >> NATALIE PORTMAN OWNED THE HOME BEFORE US. 482 00:20:50,916 --> 00:20:52,184 THEY QUICKLY MOVED OUT. 483 00:20:52,250 --> 00:20:54,653 I ASSUMED IT MUST BE A POOL ISSUE. 484 00:20:54,720 --> 00:20:58,790 INSTEAD THINGS LIKE POLICE SHOWING UP AT THE DOOR SAYING 485 00:20:58,857 --> 00:21:02,361 THERE WAS A PHONE CALL FROM INSIDE THE HOUSE SAYING "HELP. 486 00:21:02,427 --> 00:21:03,862 HELP. 487 00:21:03,929 --> 00:21:04,930 HELP" FROM THE LANDLINE. 488 00:21:04,997 --> 00:21:06,064 >> James: STOP! 489 00:21:06,131 --> 00:21:09,701 >> WE KNEW OF ONE LANDLINE THAT WAS IN A CLOSET, ODDLY. 490 00:21:09,768 --> 00:21:10,902 WE GO IN TO CHECK. 491 00:21:10,969 --> 00:21:13,271 SURE ENOUGH, THERE'S THE PHONE UNPLUGGED FROM THE WALL, FROM 492 00:21:13,338 --> 00:21:14,806 THE LANDLINE. 493 00:21:14,873 --> 00:21:15,974 JUST CREEPY THINGS LIKE THAT. 494 00:21:16,041 --> 00:21:19,911 >> DID YOU EVER CALL NATALIE AND GET THE SCOOP ON IT? 495 00:21:19,978 --> 00:21:24,216 >> AFTER WE MOVED OUT, OLIVIA WILDE MOVED IN AND SHE BOUGHT 496 00:21:24,282 --> 00:21:25,450 THE HOUSE. 497 00:21:25,517 --> 00:21:27,919 AND I GUESS -- THIS IS PUBLIC RECORD -- THEY MOVED OUT PRETTY 498 00:21:27,986 --> 00:21:29,087 QUICK, TOO. 499 00:21:29,154 --> 00:21:32,224 SO I FEEL LIKE THERE'S A TV SHOW TO BE HAD HERE SOMEWHERE. 500 00:21:32,290 --> 00:21:32,557 >> James: WOW. 501 00:21:32,624 --> 00:21:33,692 WOW. 502 00:21:33,759 --> 00:21:36,028 AND YOU'RE SURE IT WASN'T KEVIN JUST CALLING THE POLICE? 503 00:21:36,094 --> 00:21:40,065 >> IT WAS DURING THE -- >> James: SAYING "HELP! 504 00:21:40,132 --> 00:21:42,734 HELP!" >> IT WAS THE TIME WHEN THE BAND 505 00:21:42,801 --> 00:21:44,369 BROKE UP. 506 00:21:44,436 --> 00:21:47,606 HE MAY HAVE JUST TRIED TO GET ME BACK IN THE STUDIO. 507 00:21:47,673 --> 00:21:50,909 >> James: WE HAVE TO CONGRATULATE YOU, ALLISON, ON 508 00:21:50,976 --> 00:21:54,880 THE NEW MOVIE! 509 00:21:54,946 --> 00:21:59,017 >> I PLAY THE MOTHER OF A VERY FRACTURED DYSFUNCTIONAL FAMILY 510 00:21:59,084 --> 00:22:02,621 AND I HAVE ONE DAUGHTER WITH PREVIOUS MARRIAGE WHO LIVES IN 511 00:22:02,688 --> 00:22:09,361 LONDON TO MY FABULOUSLY RICH EX-HUSBAND AND TWO KIDS, KRISTIN 512 00:22:09,428 --> 00:22:14,900 BELL AND BEN PLATT WHO ARE FROM MY NOT RICH HUSBAND. 513 00:22:14,966 --> 00:22:17,002 THERE ARE RESENTMENTS. 514 00:22:17,069 --> 00:22:19,805 THE DAUGHTER IN LONDON IS NOW GETTING MARRIED SO THE AMERICANS 515 00:22:19,871 --> 00:22:22,240 GO OVER TO LONDON FOR THIS WEDDING AND I HOPE THAT 516 00:22:22,307 --> 00:22:25,844 EVERYTHING'S GOING TO END HAPPILY AND IT'S JUST -- IT'S 517 00:22:25,911 --> 00:22:32,884 JUST A RAUNCHY WEDDING DISA DISASTER/FUN/HYSTERICAL MOVIE. 518 00:22:32,951 --> 00:22:38,356 >> James: NOW, YOU FILMED PART OF THE MOVIE JUST MINUTES FROM 519 00:22:38,423 --> 00:22:39,691 WHERE I GREW UP IN BUCKINGHAMSHIRE. 520 00:22:39,758 --> 00:22:42,761 HOW DID YOU ENJOY TIME ON MY HOME TURF? 521 00:22:42,828 --> 00:22:43,795 >> VERY MUCH. 522 00:22:43,862 --> 00:22:46,364 I'M NOT SURE YOUR HOME TURF WOULD INVITE ME BACK. 523 00:22:46,431 --> 00:22:47,499 >> James: WHY? 524 00:22:47,566 --> 00:22:53,538 >> WELL, UM, WE HAD -- KRISTEN, BEN AND I WERE FILMING. 525 00:22:53,605 --> 00:22:54,673 WE FINISHED LATE ONE NIGHT. 526 00:22:54,740 --> 00:22:58,410 WE STAYED IN A LOVELY INN. 527 00:22:58,477 --> 00:22:59,711 WE HAD FINISHED LATE. 528 00:22:59,778 --> 00:23:01,947 WHEN YOU'RE FINISHED WORKING, YOU CAN'T ALWAYS GO TO BED. 529 00:23:02,013 --> 00:23:03,615 YOU WANT TO UNWIND. 530 00:23:03,682 --> 00:23:04,850 THERE WAS A PUB THERE. 531 00:23:04,916 --> 00:23:06,251 WE WERE IN THE PUB. 532 00:23:06,318 --> 00:23:10,055 ALL THE CATERERS HAD BROUGHT OVER THE SECOND MEAL NO ONE ATE 533 00:23:10,122 --> 00:23:12,958 SO WE HAD TRAYS OF QUESTIONABLE MEAT SANDWICHES AND WE'RE 534 00:23:13,024 --> 00:23:15,227 SITTING THERE EATING THEM. 535 00:23:15,293 --> 00:23:18,330 THE BARKEEP MADE US LOVELY DRINKS AND THEN HE DISAPPEARED. 536 00:23:18,396 --> 00:23:21,133 WE KEPT EATING AND DRINKING OUR DRINK AND I GOT SORT OF THIRSTY 537 00:23:21,199 --> 00:23:23,101 AND THE BARKEEP WASN'T THERE. 538 00:23:23,168 --> 00:23:27,873 I SAID, BEN, I SAID "BE A GOOD SON AND POP OVER THE BAR AND MIX 539 00:23:27,939 --> 00:23:28,807 YOUR MAMMA A DRINK." 540 00:23:28,874 --> 00:23:30,509 JUST SORT OF KIDDING, AND HE DID! 541 00:23:30,575 --> 00:23:34,146 HE JUMPED OVER THE BAR AND STARTED BEING TOM CRUISE IN 542 00:23:34,212 --> 00:23:36,314 "COCKTAIL" JUST MAKING DRINKS FOR US AND WE WERE -- AND LITTLE 543 00:23:36,381 --> 00:23:40,252 DO I KNOW IN LONDON, THEY HAVE ALL THOSE CAMERAS EVERYWHERE. 544 00:23:40,318 --> 00:23:45,123 CCTV CAMERAS RECORDING YOU, SO ALL OF OUR ANTICS IN THIS BAR 545 00:23:45,190 --> 00:23:48,360 WERE BEING RECORDED AND ABOUT FIVE MINUTES LATER, THE BARKEEP 546 00:23:48,426 --> 00:23:52,531 AND THE MANAGER CAME IN AND SAID WE WERE PROMPTLY ASKED TO LEAVE 547 00:23:52,597 --> 00:23:53,799 AND -- YES! 548 00:23:53,865 --> 00:23:56,668 IT WAS SORT OF EMBARRASSING, BUT ACTUALLY THE NEXT DAY, WE FILMED 549 00:23:56,735 --> 00:23:59,404 THE SCENE WHERE WE HAVE TO BE IN JAIL, OUR CHARACTERS, SO WE FELT 550 00:23:59,471 --> 00:24:03,208 LIKE WE WERE DOING SOME -- YOU KNOW, JUST METHOD ACTING. 551 00:24:03,275 --> 00:24:06,878 >> James: IT'S METHOD ACTING, THAT'S WHAT IT IS! 552 00:24:06,945 --> 00:24:08,113 LET'S TAKE A LOOK AT A CLIP FROM WEDDING," WHICH IS AVAILABLE 553 00:24:08,180 --> 00:24:09,881 THIS FRIDAY ON PRIME VIDEO. 554 00:24:09,948 --> 00:24:11,950 >> MOM, YOU BIT SOMEONE! 555 00:24:12,017 --> 00:24:13,852 >> I DID! 556 00:24:13,919 --> 00:24:15,153 HA-HA. 557 00:24:15,220 --> 00:24:17,789 AND I DON'T KNOW WHAT KIND OF LOTION SHE USES BUT IT WAS 558 00:24:17,856 --> 00:24:19,958 HONESTLY KIND OF PLEASANT. 559 00:24:20,025 --> 00:24:23,361 >> SHE DID SMELL AMAZING, SO I'M NOT SHOCKED THAT SHE TASTED GO 560 00:24:23,428 --> 00:24:24,029 GOOD. 561 00:24:24,095 --> 00:24:24,629 >> HA-HA. 562 00:24:24,696 --> 00:24:26,398 >> YOU GUYS ARE SO WEIRD. 563 00:24:26,464 --> 00:24:28,500 >> OH MY GOD. 564 00:24:28,567 --> 00:24:32,003 YOU KNOW AT EVERY WEDDING THERE ARE "THOSE" PEOPLE, THE PEOPLE 565 00:24:32,070 --> 00:24:33,772 EVERYONE TALK ABOUT AFTER. 566 00:24:33,839 --> 00:24:35,640 THE DRUNK UNCLE. 567 00:24:35,707 --> 00:24:41,146 THE COUSIN WHO HOPES ARE HUMPS S EVERYONE ON THE DANCE FLOOR. 568 00:24:41,213 --> 00:24:42,147 >> COUSIN RANDY ALL THE TIME. 569 00:24:42,214 --> 00:24:43,148 >> EW. 570 00:24:43,215 --> 00:24:44,149 >> WE'RE THOSE PEOPLE THIS TIME. 571 00:24:44,216 --> 00:24:46,117 >> WE'RE THOSE PEOPLE. 572 00:24:46,184 --> 00:24:48,186 >> OH SAVAGE, MOM! 573 00:24:48,253 --> 00:24:50,388 >> James: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 574 00:24:50,455 --> 00:24:52,457 BACK. 575 00:25:16,214 --> 00:25:18,917 >> STAY ON THE AA! 576 00:25:18,984 --> 00:25:19,351 BRAKE LEFT! 577 00:25:19,417 --> 00:25:21,152 >> ROGER THAT! 578 00:25:21,219 --> 00:25:24,089 >> HAPPY HUNTING! 579 00:25:24,155 --> 00:25:26,157 IT'S BO TIME. 580 00:25:32,197 --> 00:25:32,631 THREE GOOD HITS! 581 00:25:32,697 --> 00:25:35,300 >> THERE WE GO, ACE! 582 00:25:35,367 --> 00:25:40,505 ♪ ♪ 583 00:25:40,572 --> 00:25:42,574 THAT WAS A CLIP FROM "DEVOTION," WHICH IS IN THEATERS NOVEMBER 584 00:25:42,641 --> 00:25:45,710 23. 585 00:25:45,777 --> 00:25:47,345 CONGRATS ON THE MOVIE, JOE. 586 00:25:47,412 --> 00:25:49,814 FOR ANYONE WHO DOESN'T KNOW, TELL US WHAT IT'S ABOUT AND WHO 587 00:25:49,881 --> 00:25:51,049 YOU PLAY? 588 00:25:51,116 --> 00:25:56,021 >> IT FOCUSES AROUND JESSE BROWN AND TOM HUNTER, REAL NAVAL AIR 589 00:25:56,087 --> 00:25:57,055 FORCE PILOTS. 590 00:25:57,122 --> 00:25:59,691 THEIR STORY NEVER WAS REALLY TOLD ON A BIG SCREEN. 591 00:25:59,758 --> 00:26:03,929 THIS BEAUTIFUL BOOK, "DEVOTION" SPEAKS TO THEIR FRIENDSHIP AND 592 00:26:03,995 --> 00:26:07,299 CAMARADERIE IN THE KOREAN WAR WHICH GROWING UP, I NEVER REALLY 593 00:26:07,365 --> 00:26:08,500 KNEW ABOUT. 594 00:26:08,566 --> 00:26:10,869 A LOT OF THE ACTORS WHEN WE GOT ON THE SET, WE SPOKE TO THE 595 00:26:10,936 --> 00:26:13,305 DIRECTOR, WE'RE LIKE, I DON'T KNOW WHETHER TO BE MADAT MY 596 00:26:13,371 --> 00:26:15,840 HISTORY TEACHERS OR JUST IN GENERAL BECAUSE WE DON'T SPEAK 597 00:26:15,907 --> 00:26:17,509 ABOUT IT ENOUGH. 598 00:26:17,575 --> 00:26:20,712 MOST OF THOSE YEARS WERE HOMESCHOOLED FOR ME SO MOM AND 599 00:26:20,779 --> 00:26:23,915 DAD, I'LL SEE YOU LATER AT THE PREMIER AND WE'LL TALK ABOUT IT 600 00:26:23,982 --> 00:26:26,685 BUT IT WAS A BEAUTIFUL EXPERIENCE. 601 00:26:26,751 --> 00:26:28,086 >> James: IT'S A BRILLIANT CAST. 602 00:26:28,153 --> 00:26:29,721 JONATHAN MAJORS WAS HERE LAST NIGHT. 603 00:26:29,788 --> 00:26:31,222 SUCH A BRILLIANT CAST. 604 00:26:31,289 --> 00:26:33,892 I IMAGINE YOU ALL GOT ALONG. 605 00:26:33,959 --> 00:26:35,093 DID YOU BOND? 606 00:26:35,160 --> 00:26:36,661 IF SO, HOW DID YOU BOND AS A GROUP? 607 00:26:36,728 --> 00:26:39,898 >> A LOT OF MAFIA GAME NIGHTS AT MY PLACE. 608 00:26:39,965 --> 00:26:41,166 SOME SUPER BOWL PARTIES. 609 00:26:41,232 --> 00:26:44,936 THERE WAS A LOT OF TIME WHERE WE MADE SURE THERE WAS AN OPEN-DOOR 610 00:26:45,003 --> 00:26:47,372 POLICY WHERE WE CAN HAVE PEOPLE OVER BECAUSE I THINK ESPECIALLY 611 00:26:47,439 --> 00:26:50,442 TOP OF LAST YEAR, IT WASN'T EASY TO GET TOGETHER SO IT WAS NICE 612 00:26:50,508 --> 00:26:52,344 FOR US TO SAY, YOU KNOW WHAT? 613 00:26:52,410 --> 00:26:54,245 LET'S BREAK SOME RULES AND HANG OUT. 614 00:26:54,312 --> 00:26:58,717 THESE GUYS, SIMILAR TO "BAND OF BROTHERS" YOU NEED TO HAVE THE 615 00:26:58,783 --> 00:27:01,052 ON-CAMERA PROCESS WHERE YOU FEEL LIKE YOU'VE KNOWN THESE PEOPLE 616 00:27:01,119 --> 00:27:01,686 FOR A LONG TIME. 617 00:27:01,753 --> 00:27:04,656 >> James: IT'S A GREAT FILM. 618 00:27:04,723 --> 00:27:06,291 I THINK IT'LL BE A GREAT SUCCESS. 619 00:27:06,358 --> 00:27:07,425 I REALLY DO. 620 00:27:07,492 --> 00:27:13,264 TALKING ABOUT SUCCESS, IN MOVIES, LAST MONTH YOU STARRED 621 00:27:13,331 --> 00:27:17,802 IN A HUGE HIT, ACTION THRILLER CALLED "LOU" ON NETFLIX WHERE 622 00:27:17,869 --> 00:27:20,705 YOU KICKED SERIOUS ASS IN THAT ROLE! 623 00:27:20,772 --> 00:27:24,009 IS IT TRUE WE IN THE "THE LATE LATE SHOW" HAD A ROLE IN YOU 624 00:27:24,075 --> 00:27:24,509 GETTING THAT MOVIE? 625 00:27:24,576 --> 00:27:26,177 >> ABSOLUTELY, 100%. 626 00:27:26,244 --> 00:27:28,446 >> James: TALK ABOUT IT. 627 00:27:28,513 --> 00:27:29,681 WHAT HAPPENED? 628 00:27:29,748 --> 00:27:32,584 >> I DON'T KNOW WHAT APPEARANCE IT WAS HERE, YOU ASKED ME WHAT 629 00:27:32,650 --> 00:27:33,485 WAS NEXT. 630 00:27:33,551 --> 00:27:36,755 I SAID I WANT TO PLAY A BADASS ACTION HERO. 631 00:27:36,821 --> 00:27:40,625 I DID A HIGH KICK AND SOMETHING TO SHOW I CAN DO IT OR 632 00:27:40,692 --> 00:27:41,826 SOMETHING. 633 00:27:41,893 --> 00:27:45,296 AND THEN LIKE A COUPLE MONTHS LATER, THE "LOU" SCRIPT SHOWED 634 00:27:45,363 --> 00:27:46,598 UP ON MY DOORSTEP. 635 00:27:46,664 --> 00:27:49,734 I FEEL LIKE I MANIFESTED IT RIGHT HERE THAT IT CAME TRUE. 636 00:27:49,801 --> 00:27:53,538 >> James: OK, HERE IS YOUR CHANCE, LET'S MANIFEST SOMETHING 637 00:27:53,605 --> 00:27:54,439 NOW. 638 00:27:54,506 --> 00:27:57,275 WHAT DO YOU WANT TO CONJURE UP TO DO NEXT? 639 00:27:57,342 --> 00:27:58,743 >> I -- OK. 640 00:27:58,810 --> 00:28:03,348 THIS IS A CHOICE BETWEEN BEING SERIOUS OR FUNNY, AND I THINK 641 00:28:03,415 --> 00:28:07,952 I'M GOING TO SAY SINCE I WAS SO UPSET I DIDN'T WIN THAT LAST 642 00:28:08,019 --> 00:28:12,023 LOTTERY, I WANT TO WIN THE NEXT $2 BILLION LOTTERY! 643 00:28:12,090 --> 00:28:14,426 >> James: THAT'S THE PART YOU'D LIKE TO MANIFEST? 644 00:28:14,492 --> 00:28:15,527 IT WOULD BE THAT? 645 00:28:15,593 --> 00:28:16,728 THAT IS THE ROLE? 646 00:28:16,795 --> 00:28:20,031 >> YES, AND I WILL SHARE IT WITH YOU GUYS AND EVERYONE IN THE 647 00:28:20,098 --> 00:28:20,932 AUDIENCE. 648 00:28:20,999 --> 00:28:22,067 >> James: IF YOU WIN THE NEXT $2 BILLION. 649 00:28:22,133 --> 00:28:25,070 >> IF I WIN THE NEXT $2 BILLION, I WILL GIVE YOU ALL EACH 650 00:28:25,136 --> 00:28:25,937 $1 MILLION. 651 00:28:26,004 --> 00:28:26,771 >> James: OH. 652 00:28:26,838 --> 00:28:27,939 YOU HEARD IT HERE! 653 00:28:28,006 --> 00:28:29,107 WHAT ABOUT THAT? 654 00:28:29,174 --> 00:28:33,711 NOW, I DO WANT TO SAY THIS, I DO WANT TO SAY THIS, UM, THIS 655 00:28:33,778 --> 00:28:38,016 ALLISON JANNEY, THIS MAY BE GIVEN THE -- BECAUSE YOU'RE 656 00:28:38,083 --> 00:28:40,685 GOING TO TAKE SOME TIME OFF AND START SHOOTING A SHOW IN MARCH. 657 00:28:40,752 --> 00:28:41,686 >> MARCH. 658 00:28:41,753 --> 00:28:44,489 >> James: YOU HAVE CONSISTENTLY -- I WANT TO JUST 659 00:28:44,556 --> 00:28:46,825 SAY THIS -- EVERY SINGLE TIME YOU'VE BEEN ON THIS SHOW, YOU'VE 660 00:28:46,891 --> 00:28:52,397 BEEN ARGUABLY THE GREATEST GUEST THAT WE COULD EVER HAVE. 661 00:28:52,464 --> 00:28:53,331 YOU'VE ALWAYS SHOWN UP. 662 00:28:53,398 --> 00:28:53,998 YOU'VE ALWAYS HAD FUN. 663 00:28:54,065 --> 00:28:55,066 YOU'VE ALWAYS BEEN BRILLIANT. 664 00:28:55,133 --> 00:28:56,434 YOU'VE ALWAYS BEEN HERE FOR US. 665 00:28:56,501 --> 00:28:59,471 AND IF THIS IS THE LAST TIME YOU'RE ON THE SHOW, I WANT YOU 666 00:28:59,537 --> 00:29:02,440 TO KNOW THAT WE ABSOLUTELY LOVE YOU SO MUCH. 667 00:29:02,507 --> 00:29:03,341 WE LOVE YOU. 668 00:29:03,408 --> 00:29:06,244 YOU'VE BEEN AMAZING EVERY SINGLE TIME. 669 00:29:06,311 --> 00:29:07,412 WE LOVE YOU. 670 00:29:07,479 --> 00:29:08,980 WE ABSOLUTELY DO. 671 00:29:09,047 --> 00:29:09,647 >> THANK YOU SO MUCH. 672 00:29:09,714 --> 00:29:10,815 >> James: WE DO. 673 00:29:10,882 --> 00:29:12,984 REGGIE, DO YOU HAVE A QUESTION FOR OUR GUESTS THIS EVENING? 674 00:29:13,051 --> 00:29:15,887 >> Reggie: I DO. 675 00:29:15,954 --> 00:29:18,356 TONIGHT'S QUESTION GOES TO OUR GUESTS THIS EVENING. 676 00:29:18,423 --> 00:29:22,927 WHAT ARE YOUR FOOD ALLERGIES? 677 00:29:22,994 --> 00:29:25,930 >> I'M ALLERGIC TO ABSOLUTELY NOTHING. 678 00:29:25,997 --> 00:29:29,134 >> I THOUGHT I WAS ALLERGIC TO SHELLFISH. 679 00:29:29,200 --> 00:29:30,268 I AM NOT. 680 00:29:30,335 --> 00:29:34,339 >> Reggie:ING UM, YEP, I CHECKED THE MEDICAL RECORDS AND 681 00:29:34,405 --> 00:29:35,173 THOSE ARE CORRECT. 682 00:29:35,240 --> 00:29:37,609 >> James: THAT'S ABSOLUTELY CORRECT! 683 00:29:37,675 --> 00:29:38,776 PLEASE THANK OUR INCREDIBLE GUESTS, ALLISON JANNEY AND JOE 684 00:29:38,843 --> 00:29:39,911 JONAS! 685 00:29:39,978 --> 00:29:44,182 PAT BENATAR AND NEIL GIRALDO ARE HERE WHEN WE COME BACK! 686 00:29:44,249 --> 00:29:45,250 LOVE YA! 687 00:30:00,999 --> 00:30:02,400 >> James: WELCOME BACK. 688 00:30:02,467 --> 00:30:04,569 LOOK WHO'S AT THE BAR! 689 00:30:04,636 --> 00:30:10,708 LADIES AND GENTLEMEN, PAT BENATAR AND NEIL GERALDO ARE 690 00:30:10,775 --> 00:30:11,943 HERE. 691 00:30:12,010 --> 00:30:17,649 YOU WERE BOTH JUST INDUCTED INTO THE ROCK-N-ROLL HALL OF FAME. 692 00:30:17,715 --> 00:30:20,285 THAT'S A WONDERFUL ACHIEVEMENT. 693 00:30:20,351 --> 00:30:23,154 PAT, WHEN YOU CAST YOUR MIND BACK TO WHEN YOU WERE GROWING UP 694 00:30:23,221 --> 00:30:26,257 AND JUST STARTING TO FALL IN LOVE WITH MUSIC D YOU EVER THINK 695 00:30:26,324 --> 00:30:32,630 AT ONE POINT YOU'LL EVER BE INDUCTED INTO THE ROCK-N-ROLL 696 00:30:32,697 --> 00:30:33,498 HALL OF FAME? 697 00:30:33,565 --> 00:30:36,267 >> WE WERE HOPING WE WOULD LIVE PAST 45. 698 00:30:36,334 --> 00:30:38,570 >> James: EVEN THEN WHEN YOU FIRST FELL IN LOVE WITH MUSIC. 699 00:30:38,636 --> 00:30:40,939 >> I THOUGHT I WAS THINKING I'D OBJECT BROADWAY. 700 00:30:41,005 --> 00:30:42,207 IT WAS A -- BE ON BROADWAY. 701 00:30:42,273 --> 00:30:45,476 IT WAS A TOTAL 180. 702 00:30:45,543 --> 00:30:46,844 TOTAL CHANGE. 703 00:30:46,911 --> 00:30:48,513 >> James: NEIL AND PAT, YOU'RE MARRIED. 704 00:30:48,580 --> 00:30:51,983 YOU'VE HAD A -- YOU'VE BEEN MARRIED FOR 40 YEARS. 705 00:30:52,050 --> 00:30:54,052 SO YOU'VE BEEN MARRIED FOR 40 YEARS. 706 00:30:54,118 --> 00:30:57,155 MARRIED FOR 40 YEARS AND BEEN PERFORMING ON STAGE TOGETHER FOR 707 00:30:57,222 --> 00:30:58,890 40 YEARS. 708 00:30:58,957 --> 00:31:02,894 HOW DO YOU KEEP YOUR MARRIAGE TOGETHER? 709 00:31:02,961 --> 00:31:04,629 HOW DO YOU KEEP IT FRESH ON STAGE? 710 00:31:04,696 --> 00:31:05,496 WHAT'S THE SECRET? 711 00:31:05,563 --> 00:31:06,731 HOW DO YOU DO IT? 712 00:31:06,798 --> 00:31:10,668 >> JAMES, THERE'S NO SECRET, BUT I'LL TELL YOU THIS, WE STARTED 713 00:31:10,735 --> 00:31:13,204 IN 1979, SO THAT'S MORE THAN 40 YEARS. 714 00:31:13,271 --> 00:31:14,405 IS THAT 43? 715 00:31:14,472 --> 00:31:16,574 WE STARTED OFF AS MUSICIAS. 716 00:31:16,641 --> 00:31:19,410 WE WEREN'T IN A RELATIONSHIP. 717 00:31:19,477 --> 00:31:20,378 EVERYTHING MEANT TO MAKE MUSIC TOGETHER. 718 00:31:20,445 --> 00:31:22,180 IT WAS A SPECIAL MOMENT. 719 00:31:22,247 --> 00:31:23,982 IT WORKED PHENOMENALLY. 720 00:31:24,048 --> 00:31:26,651 I THINK IT'S PRETTY GOOD. 721 00:31:26,718 --> 00:31:30,688 >> James: WHAT ABOUT -- I MEAN, YOU MUST HAVE SUCH -- YOU 722 00:31:30,755 --> 00:31:33,958 MUST JUST KNOW WHAT EACH OTHER ARE GOING TO DO ON STAGE EVERY 723 00:31:34,025 --> 00:31:34,459 NIGHT? 724 00:31:34,525 --> 00:31:34,859 NO? 725 00:31:34,926 --> 00:31:35,326 IS THIS STILL. 726 00:31:35,393 --> 00:31:36,561 >> I HAVE NO IDEA. 727 00:31:36,628 --> 00:31:37,795 >> James: REALLY? 728 00:31:37,862 --> 00:31:40,765 >> YOU HAVE THE WORD MELLOW AND PATRICIA IN THE SAME SENTENCE 729 00:31:40,832 --> 00:31:42,867 AND THERE'S NOTHING MELLOW ABOUT PATRICIA. 730 00:31:42,934 --> 00:31:44,736 I'M KIND OF A MELLOW GUY. 731 00:31:44,802 --> 00:31:45,870 >> HE'S A MELLOW GUY. 732 00:31:45,937 --> 00:31:52,577 >> I'M A MELLOW GUY, BUT ON STAGE, I GET JERRY LEE LEWIS 733 00:31:52,644 --> 00:31:56,547 BLOOD BECAUSE I STARTED PLAYING PIANO WHEN I WAS 11. 734 00:31:56,614 --> 00:31:59,384 I LOVED THE PERSONA OF JERRY LEE. 735 00:31:59,450 --> 00:32:02,453 HE WAS A ROCKER AND PLAYED PIANO AND WAS AN AGGRESSIVE PLAYER. 736 00:32:02,520 --> 00:32:03,655 I WANTED TO BE LIKE HIM. 737 00:32:03,721 --> 00:32:05,456 ON STAGE, I WANT TO BE LIKE THAT. 738 00:32:05,523 --> 00:32:10,428 OFF STAGE, I'M LIKE A -- >> HE'S VERY NICE. 739 00:32:10,495 --> 00:32:11,629 >> I DON'T ARGUE ABOUT ANYTHING. 740 00:32:11,696 --> 00:32:13,564 >> James: AFTER THE BREAK, YOU HAVE A BRAND-NEW SHOW WHICH IS 741 00:32:13,631 --> 00:32:18,770 GOING TO DEBUT CALLED "INVINCIBLE" HERE IN LOS ANGE 742 00:32:18,836 --> 00:32:20,338 ANGELES. 743 00:32:20,405 --> 00:32:23,141 IN THE WALLIS? 744 00:32:23,207 --> 00:32:26,244 WHAT INSPIRED YOU TO WANT TO DO THIS TO PUT ON A MUSICAL? 745 00:32:26,311 --> 00:32:27,378 >> I DON'T KNOW. 746 00:32:27,445 --> 00:32:28,112 WE LOVE THEATER. 747 00:32:28,179 --> 00:32:30,448 WE ALWAYS WANTED TO DO A MUSICAL. 748 00:32:30,515 --> 00:32:34,686 WE HOOKED UP WITH A GOOD FRIEND OF OURS, BRADLEY, WHO IS THE 749 00:32:34,752 --> 00:32:35,753 BOOK WRITER FOR THE SHOW. 750 00:32:35,820 --> 00:32:39,924 HE WAS DOING A VERY EARLY BEGINNING VERSION OF THIS. 751 00:32:39,991 --> 00:32:42,794 SO IT WAS HIS IDEA, AND WE JUST FOUND OUT THAT HE WAS DOING IT 752 00:32:42,860 --> 00:32:44,696 WITH ALL OF OUR SONGS. 753 00:32:44,762 --> 00:32:46,030 WE'RE LIKE, WAIT A MINUTE, THIS IS TOO GOOD. 754 00:32:46,097 --> 00:32:48,933 WE'RE GOING TO HAVE TO SHUT THIS DOWN, SO WE DID, AND THEN AS 755 00:32:49,000 --> 00:32:52,737 TIME WENT ON, WE HOOKED UP WITH HIM AGAIN AND WE WENT AND JOINED 756 00:32:52,804 --> 00:32:55,606 FORCES AND NOW WE HAVE "INVINCIBLE" THE MUSICAL. 757 00:32:55,673 --> 00:32:59,143 >> THERE'S A LITTLE BACK STORY TO THAT BECAUSE WE WERE WORKING 758 00:32:59,210 --> 00:33:01,979 IN A BIO-MUSICAL. 759 00:33:02,046 --> 00:33:04,482 WE MET WITH BRADLEY LATER, BUT WE WERE WORKING ON IT, AND THEN 760 00:33:04,549 --> 00:33:08,753 WE FOUND OUT ABOUT THIS ROMEO & JULIET PROJECT THAT BRADLEY WAS 761 00:33:08,820 --> 00:33:09,520 DOING. 762 00:33:09,587 --> 00:33:11,456 SO WE SENT OUR MANAGER DOWN THERE. 763 00:33:11,522 --> 00:33:12,523 >> TO SPY. 764 00:33:12,590 --> 00:33:13,424 >> AS A SPY. 765 00:33:13,491 --> 00:33:15,793 HE CAME BACK, AND HE GOES, "YOU KNOW WHAT? 766 00:33:15,860 --> 00:33:17,729 IT'S ACTUALLY REALLY GOOD." 767 00:33:17,795 --> 00:33:22,166 I TOLD HIM, "GO DOWN THERE AND TELL HIM HE COULD EITHER STOP OR 768 00:33:22,233 --> 00:33:24,836 MEET SOME OF MY ITALIAN RELATIVES AND BUDDIES." 769 00:33:24,902 --> 00:33:27,038 HE SAID, "I WILL TAKE A VISIT. 770 00:33:27,105 --> 00:33:27,839 HE'S GOT TO STOP." 771 00:33:27,905 --> 00:33:28,973 IT WAS SO GOOD. 772 00:33:29,040 --> 00:33:31,976 WE DECIDED TO JOIN FORCES. 773 00:33:32,043 --> 00:33:32,710 AS GREAT WRITER. 774 00:33:32,777 --> 00:33:33,344 >> James: SO THRILLED YOU DID. 775 00:33:33,411 --> 00:33:33,978 CAN'T WAIT TO SEE THE SHOW. 776 00:33:34,045 --> 00:33:34,979 THANK YOU, BOTH. 777 00:33:35,046 --> 00:33:40,318 >> WE HAVE TWO OF OUR CASTMEMBERS HERE TONIGHT. 778 00:33:40,385 --> 00:33:42,186 KAY SIBEL AND JAMARI ROSE. 779 00:33:42,253 --> 00:33:43,988 >> James: THEY'LL BE PERFORMING WITH YOU RIGHT AFTER 780 00:33:44,055 --> 00:33:45,156 THE BREAK. 781 00:33:45,223 --> 00:33:46,958 STICK AROUND BECAUSE PAT AND NEIL WILL PERFORM RIGHT AFTER 782 00:33:47,024 --> 00:33:47,425 THIS. 783 00:33:47,492 --> 00:33:49,227 DON'T GO ANYWHERE. 784 00:34:07,979 --> 00:34:09,013 >> James: WELCOME BACK! 785 00:34:09,080 --> 00:34:12,083 HERE PERFORMING A SPECIAL RENDITION OF "HEARTBREAKER" 786 00:34:12,150 --> 00:34:17,388 ALONG WITH THE LEAD CAST MEMBERS OF "INVINCIBLE: THE MUSICAL," 787 00:34:17,455 --> 00:34:28,065 PLEASE WELCOME PAT BENATAR AND NEIL GIRALDO. 788 00:34:28,132 --> 00:34:29,834 ♪ ♪ ♪ ♪ YOUR LOVE IS LIKE 789 00:34:29,901 --> 00:34:33,604 A TIDAL WAVE ♪ SPINNING OVER MY HEAD 790 00:34:33,671 --> 00:34:39,777 DROWNIN' ME IN YOUR PROMISES ♪ BETTER LEFT UNSAID 791 00:34:39,844 --> 00:34:47,218 YOU'RE THE RIGHT KIND OF SINNER ♪ TO RELEASE MY INNER FANTASY 792 00:34:47,285 --> 00:34:51,222 THE INVINCIBLE WINNER ♪ AND YA KNOW THAT YOU WERE 793 00:34:51,289 --> 00:34:55,893 BORN TO PLEASE ♪ YOU'RE A 794 00:34:55,960 --> 00:34:59,363 HEARTBREAKER ♪ DREAM-MAKER 795 00:34:59,430 --> 00:35:01,766 LOVE-TAKER ♪ DON'T YOU MESS AROUND WITH ME 796 00:35:01,833 --> 00:35:04,769 YOU'RE A ♪ HEARTBREAKER 797 00:35:04,836 --> 00:35:07,638 DREAM-MAKER ♪ LOVE-TAKER 798 00:35:07,705 --> 00:35:12,877 DON'T YOU MESS AROUND ♪ YOUR LOVE HAS SET MY 799 00:35:12,944 --> 00:35:18,149 SOUL ON FIRE ♪ BURNIN' OUT OF CONTROL 800 00:35:18,216 --> 00:35:25,957 YOU TAUGHT ME THE WAYS OF DESIRE ♪ NOW IT'S TAKIN' ITS TOLL 801 00:35:26,023 --> 00:35:32,830 YOU'RE THE RIGHT KIND OF SINNER ♪ TO RELEASE MY INNER FANTASY 802 00:35:32,897 --> 00:35:37,602 THE INVINCIBLE WINNER ♪ AND YA KNOW THAT YOU WERE 803 00:35:37,668 --> 00:35:41,839 BORN TO PLEASE ♪ YOU'RE A 804 00:35:41,906 --> 00:35:45,610 HEARTBREAKER ♪ DREAM-MAKER 805 00:35:45,676 --> 00:35:48,279 LOVE-TAKER ♪ DON'T YOU MESS AROUND WITH ME 806 00:35:48,346 --> 00:35:50,815 YOU'RE A ♪ HEARTBREAKER 807 00:35:50,882 --> 00:35:53,784 DREAM-MAKER ♪ LOVE-TAKER 808 00:35:53,851 --> 00:35:59,257 DON'T YOU MESS AROUND ♪ DON'T YA BREAK MY HEART 809 00:35:59,323 --> 00:36:02,293 DON'T YA MESS AROUND ♪ DON'T YA BREAK MY HEART 810 00:36:02,360 --> 00:36:04,195 YOU'RE THE RIGHT KIND OF SINNER NO, NO, NO! 811 00:36:04,262 --> 00:36:07,565 ♪ DON'T YA BREAK MY HEART DON'T YA MESS AROUND 812 00:36:07,632 --> 00:36:11,168 ♪ DON'T YA BREAK HEART THE INVINCIBLE WINNER 813 00:36:11,235 --> 00:36:15,873 ♪ AND I KNOW THAT YOU WERE BORN TO PLEASE 814 00:36:15,940 --> 00:36:18,409 ♪ YOU'RE A HEARTBREAKER 815 00:36:18,476 --> 00:36:21,512 ♪ DREAM-MAKER LOVE-TAKER 816 00:36:21,579 --> 00:36:24,215 ♪ DON'T YOU MESS AROUND WITH ME YOU'RE A 817 00:36:24,282 --> 00:36:27,451 ♪ HEARTBREAKER DREAM-MAKER 818 00:36:27,518 --> 00:36:31,656 ♪ LOVE-TAKER DON'T YOU MESS AROUND 819 00:36:31,722 --> 00:36:42,066 ♪ DON'T YA BREAK MY HEART [CHEERS AND APPLAUSE] 820 00:36:42,133 --> 00:36:43,134 >> James: OH, MY WORD! 821 00:36:43,200 --> 00:36:52,677 LADIES AND GENTLEMEN, THAT WAS ABSOLUTELY BRILLIANT! 822 00:36:52,743 --> 00:36:54,045 TICKETS FOR "INVINCIBLE: THE MUSICAL" ARE ON SALE NOW. 823 00:36:54,111 --> 00:36:56,847 COME ON BACK! 824 00:36:56,914 --> 00:36:58,916 THAT WAS SO GOOD! 825 00:37:14,966 --> 00:37:16,133 >> James: THANK YOU SO MUCH FOR WATCHING. 826 00:37:16,200 --> 00:37:17,435 TOMORROW NIGHT, IDINA MENZEL WILL BE JOINING US, JAMES 827 00:37:17,501 --> 00:37:18,636 MARSDEN WILL BE HERE, AND WE'LL HAVE MUSIC FROM BETH ORTON. 828 00:37:18,703 --> 00:37:19,170 WE'LL SEE YOU THEN. 829 00:37:19,236 --> 00:37:21,138 REGGIE, TAKE US HOME.