1 00:00:02,001 --> 00:00:09,008 ♪ ARE YOU READY, Y'ALL TO HAVE SOME FUN 2 00:00:09,075 --> 00:00:11,244 ♪ ON THE SHOW TONIGHT DON'T YOU WORRY, BABY 3 00:00:11,311 --> 00:00:17,283 ♪ WHERE YOU COME FROM ♪ IT'S "THE LATE LATE SHOW!" 4 00:00:17,350 --> 00:00:25,158 >> Reggie: LADIES AND GENTLEMEN, WAY FROM INSIDE A VERY EXCLUSIVE 5 00:00:25,225 --> 00:00:28,962 FOUNTAIN IN VERONNAITILY, GIVE IT UP FOR YOUR HOST, THE ONE, 6 00:00:29,028 --> 00:00:33,566 THE ONLY JAMES CORDEN! 7 00:00:33,633 --> 00:00:34,501 >> James: HOW ARE YOU. 8 00:00:34,567 --> 00:00:39,606 THANK YOU VERY, VERY MUCH. 9 00:00:39,672 --> 00:00:40,507 THANKERS, EVERYBODY. 10 00:00:40,573 --> 00:00:42,876 THANK YOU VERY, VERY MUCH FOR COMING OUT. 11 00:00:42,942 --> 00:00:45,111 WE APPRECIATE IT. 12 00:00:45,178 --> 00:00:47,414 HELLO, GOOD EVENING AND WELCOME TO THE "LATE, LATE SHOW." 13 00:00:47,480 --> 00:00:49,849 THANKS FOR STOPPING BY. 14 00:00:49,916 --> 00:00:53,953 BLESS YOU FOR COMING OUT, WE GREATLY APPRECIATE IT THANK YOU. 15 00:00:54,020 --> 00:00:56,456 LET'S SEE WHO THE GUESTS ARE ON THE SHOW TONIGHT! 16 00:00:56,523 --> 00:00:57,657 SHE IS A TONY AWARD-WINNER YOU KNOW FROM "FROZEN," 17 00:00:57,724 --> 00:01:00,326 "CINDERELLA," "UNCUT GEMS" AND SO MUCH MORE, THE INCREDIBLE, 18 00:01:00,393 --> 00:01:05,031 THE INCOMPARABLE, IDINA MENZEL! 19 00:01:05,098 --> 00:01:09,803 IS HERE TONIGHT. 20 00:01:09,869 --> 00:01:10,937 >> HI, HI. 21 00:01:11,004 --> 00:01:15,942 >> James: NICE REVEAL, IDINA MENZEL. 22 00:01:16,009 --> 00:01:17,177 EVERYBODY. 23 00:01:17,243 --> 00:01:18,411 HE'S A TALENTED ACTOR YOU KNOW FROM "DEAD TO ME," "WEST WORLD" 24 00:01:18,478 --> 00:01:25,819 AND "ENCHANTED," THE DASHING, THE CAPTIVATING, JAMES MARSDEN! 25 00:01:25,885 --> 00:01:26,519 AND SHE'S A BRIT AWARD-WINNING 26 00:01:26,586 --> 00:01:28,021 SINGER-SONGWRITER. 27 00:01:28,087 --> 00:01:30,790 HER LATEST ALBUM "WEATHER ALIVE" IS OUT NOW, AND IT'S ABSOLUTELY 28 00:01:30,857 --> 00:01:36,262 BRILLIANT, WE'RE SO EXCITED TO HAR WITH US, HAVE I BEEN A FAN 29 00:01:36,329 --> 00:01:37,497 FOR SO LONG. 30 00:01:37,564 --> 00:01:40,967 I ABSOLUTELY LOVE HER, WHAT A TREAT WE ARE IN FOR, BETH ORTON 31 00:01:41,034 --> 00:01:46,339 IS HERE TONIGHT. 32 00:01:46,406 --> 00:01:47,540 ARE YOU READY? 33 00:01:47,607 --> 00:01:48,975 THEN LET'S, I'M JAMES CORDEN, THIS IS THE "LATE, LATE SHOW," 34 00:01:49,042 --> 00:01:49,342 ROLL THE TITLES. 35 00:01:49,409 --> 00:01:50,410 COME ON. 36 00:01:55,381 --> 00:01:59,052 ♪ THE "LATE, LATE SHOW" OOO. 37 00:01:59,118 --> 00:02:02,322 ♪ THE "LATE, LATE SHOW" OH OH. 38 00:02:02,388 --> 00:02:04,390 ♪ THE "LATE, LATE SHOW" OH OH IT'S "LATE, LATE SHOW." 39 00:02:10,997 --> 00:02:13,867 >> James: IT CERTAINLY IS, BLESS YOU FOR BEING HERE. 40 00:02:13,933 --> 00:02:19,639 GOOD COUCH TONIGHT, GOOD GUEST, BELT ORTON, IDINA MENZEL, JAMES 41 00:02:19,706 --> 00:02:20,874 MARS DEN. 42 00:02:20,940 --> 00:02:25,945 THEIR NEW MOVIE DISENCHANTED, IT THE FIRST MOVIE WAS ENCHANTED, 43 00:02:26,012 --> 00:02:29,549 DISNEY FAIRY TALE, REGGIE IF YOU COULD PUT YOURSELF INTO ANY 44 00:02:29,616 --> 00:02:35,855 DISNEY, YOU KNOW, FAIRY TALE STORY, WHAT CHARACTER WOULD YOU 45 00:02:35,922 --> 00:02:36,956 BE AND WHAT WORLD. 46 00:02:37,023 --> 00:02:40,460 >> WHAT IS THE ONE WHERE THE LADY FALL AS SLEEP A LOT. 47 00:02:40,527 --> 00:02:41,628 >> SLEEPING BEAUTY. 48 00:02:41,694 --> 00:02:45,865 >> James: SHE DOESN'T HAVE NARC HELP SEE, SHE DOESN'T-- SHE 49 00:02:45,932 --> 00:02:47,934 DOESN'T JUST FALL ASLEEP A LOT. 50 00:02:48,001 --> 00:02:50,970 SHE FALL AS SLEEP ONCE FOR A LONG TIME. 51 00:02:51,037 --> 00:02:52,105 >> OH, OKAY. 52 00:02:52,171 --> 00:02:55,875 >> James: IT'S NOT LIKE OH, WHAT IS WRONG WITH ME TODAY, 53 00:02:55,942 --> 00:02:57,277 IT'S NOT THAT. 54 00:02:57,343 --> 00:03:02,682 >> THAT SLEEPY LADY SHOW, I WOULD LOVE TO BE, WHEN YOU SEE 55 00:03:02,749 --> 00:03:06,252 THAT SHOT OF THEM GOING THROUGH THE FOREST, THE FIRST TIME YOU 56 00:03:06,319 --> 00:03:10,490 SEE THE FOREST, THE THE THIRD TREE. 57 00:03:10,557 --> 00:03:13,493 >> James: YES, PIVOTAL ROLE. 58 00:03:13,560 --> 00:03:16,396 WHO IS THE PERSON WHO-- WHAT IS THE STORY OF THE PERSON WITH THE 59 00:03:16,462 --> 00:03:18,031 PEA IN THE BED. 60 00:03:18,097 --> 00:03:18,898 >> PRINCESS AND A PEA. 61 00:03:18,965 --> 00:03:21,167 >> James: ARE YOU ALL OVER, THIS BOBBY. 62 00:03:21,234 --> 00:03:26,439 THE MOST ENGAGED I HAVE SEEN YOU IN THIS SHOW FOR A LONG TIME. 63 00:03:26,506 --> 00:03:28,675 NORMALLY ARE YOU JUST LIKE TEXTING SOMEONE, CHATTING TO 64 00:03:28,741 --> 00:03:31,177 LAUREN ABOUT WHAT ARE YOU DOING ON THE WEEKEND. 65 00:03:31,244 --> 00:03:34,881 THIS ARE YOU LIKE THAT WILL BE THE PRINCESS AND THE PEA. 66 00:03:34,948 --> 00:03:40,119 ACTUALLY A BROTHER'S GRIMM FAIRY TALE BUT WRONGLY ACCREDITED 67 00:03:40,186 --> 00:03:41,254 TO. 68 00:03:41,321 --> 00:03:44,791 >> NO, JUST WAITING 1,130 SHOWS FOR YOU TO COME INTO MY 69 00:03:44,857 --> 00:03:46,192 WHEELHOUSE, FAIRY TALES. 70 00:03:46,259 --> 00:03:48,595 >> James: RIGHT, THIS IS IT. 71 00:03:48,661 --> 00:03:49,796 >> FINALLY TAKE AN INTEREST IN THE SHOW. 72 00:03:49,862 --> 00:03:52,432 >> James: SO WHAT FAIR'S TALE WOULD YOU WANT TO BE PART OF. 73 00:03:52,498 --> 00:03:55,668 >> I WAS THINKING ABOUT THE DISNEY MOVIE ABOUT ROBINHOOD, 74 00:03:55,735 --> 00:03:57,904 THE LITTLE FOX IS ROBINHOOD, THAT KIND OF FAIRY TALE, I WOULD 75 00:03:57,971 --> 00:03:59,005 PUT MYSELF RIGHT IN THERE. 76 00:03:59,072 --> 00:04:02,342 >> James: I DON'T THINK ROBINHOOD IS A FAIRLY TALE, I 77 00:04:02,408 --> 00:04:03,776 THINK THAT ACTUALLY HAPPENED. 78 00:04:03,843 --> 00:04:04,110 >> REALLY? 79 00:04:04,177 --> 00:04:07,814 ALL RIGHT. 80 00:04:07,880 --> 00:04:11,484 >> James: WHAT BUT WINNIE? 81 00:04:11,551 --> 00:04:12,418 >> IN ARIEL WHO IS THE VILAN. 82 00:04:12,485 --> 00:04:14,020 >> James: URSULA. 83 00:04:14,087 --> 00:04:16,489 >> URSULA, YEAH, SHE SAY BAT BITCH. 84 00:04:16,556 --> 00:04:17,924 >> James: BAD BITCH. 85 00:04:17,991 --> 00:04:18,992 >> I WANT TO BE HER. 86 00:04:19,058 --> 00:04:22,962 >> James: AMAZING HOW WELL THEY CAN SING UNDERWATER. 87 00:04:23,029 --> 00:04:24,197 >> YEAH. 88 00:04:24,263 --> 00:04:27,800 >> James: HAVE YOU EVER TRIED TO SING UNDERWATER, YOU DO THAT 89 00:04:27,867 --> 00:04:29,335 THING, SEE IF YOU CAN GUESS THIS SONG. 90 00:04:29,402 --> 00:04:30,336 ALMOST IMPOSSIBLE. 91 00:04:30,403 --> 00:04:34,707 THE WAY SHE SINGS PART OF THAT WORLD, UNDERWATER. 92 00:04:34,774 --> 00:04:36,876 SHE DOESN'T GET THE CREDIT. 93 00:04:36,943 --> 00:04:39,178 SHE DOES NOT GET THE CREDIT SHE DESERVES. 94 00:04:39,245 --> 00:04:40,113 >> NO. 95 00:04:40,179 --> 00:04:47,487 >> James: AND I'M GOING TO SAY IT RIGHT NOW. 96 00:04:47,553 --> 00:04:49,422 >> WE CAN CHAT LIKE THIS ALL NIGHT BUT WE CAN'T BECAUSE IT'S 97 00:04:49,489 --> 00:04:56,863 THAT TIME, IT'S TIME FOR THE NEWS. 98 00:04:56,929 --> 00:04:59,499 AS EXPECTED, DONALD TRUMP ANNOUNCED LAST NIGHT THAT HE IS 99 00:04:59,565 --> 00:05:00,566 ONCE AGAIN RUNNING FOR PRESIDENT. 100 00:05:00,633 --> 00:05:03,836 YEAH, I KNOW. 101 00:05:03,903 --> 00:05:05,538 I KNOW. 102 00:05:05,605 --> 00:05:07,607 HERE HE IS ON STAGE AT MAR-A-LAGO. 103 00:05:07,674 --> 00:05:08,975 HE'S RUNNING FOR PRESIDENT. 104 00:05:09,042 --> 00:05:15,048 I JUST DON'T KNOW WHICH COUNTRY. 105 00:05:15,114 --> 00:05:16,249 HARD TO FIGURE IT OUT. 106 00:05:16,315 --> 00:05:17,250 MAR-A-LAGO HAS TO BE THE ONLY HOTEL IN THE COUNTRY WHERE YOU 107 00:05:17,316 --> 00:05:20,353 CAN ORDER AN AMERICAN FLAG THROUGH ROOM SERVICE. 108 00:05:20,420 --> 00:05:23,222 AND THIS TIME, WHEN HE ANNOUNCED HIS RUN, TRUMP WENT BEYOND JUST 109 00:05:23,289 --> 00:05:25,291 PROMISING TO MAKE AMERICA GREAT AGAIN. 110 00:05:25,358 --> 00:05:27,827 HE SAID HE WANTS TO "MAKE AMERICA GREAT AND GLORIOUS 111 00:05:27,894 --> 00:05:33,666 AGAIN." 112 00:05:33,733 --> 00:05:35,635 WHAT EXACTLY DOES A GLORIOUS AMERICA LOOK LIKE? 113 00:05:35,702 --> 00:05:38,638 IS THAT JUST REGULAR AMERICA WITH A BLOWOUT AND NEW FIT? 114 00:05:38,705 --> 00:05:40,640 TRUMP SAID "MAKE AMERICA GREAT AND GLORIOUS AGAIN." 115 00:05:40,707 --> 00:05:43,543 AS A RESULT, THE PHRASE "MA-GAGA" WAS TRENDING ON 116 00:05:43,609 --> 00:05:44,711 TWITTER LAST NIGHT. 117 00:05:44,777 --> 00:05:53,286 "MA-GAGA" SOUNDS LIKE SOMETHING AN ITALIAN BABY WOULD SAY. 118 00:05:53,352 --> 00:05:54,253 "AAAYYY! 119 00:05:54,320 --> 00:05:55,755 MA-GAGA! 120 00:05:55,822 --> 00:05:59,726 I'M A DA BABY!" IN HIS RAMBLING, HOUR-LONG 121 00:05:59,792 --> 00:06:01,561 SPEECH, TRUMP BLAMED "THE SWAMP" FOR HIS PROBLEMS. 122 00:06:01,627 --> 00:06:06,432 TAKE A LOOK. 123 00:06:06,499 --> 00:06:11,070 >> DRAIN THE SWAMP, DWAYNE ITS SWAMP, DRAIN THE SWAMP. 124 00:06:11,137 --> 00:06:13,306 >> THANK YOU. 125 00:06:13,372 --> 00:06:16,576 AND I'M A VICTIM, I WILL TELL YOU. 126 00:06:16,642 --> 00:06:17,810 I'M A VICTIM. 127 00:06:17,877 --> 00:06:19,312 >> James: YEAH, THAT'S WHO SHOULD BE PLAYING THE "VICTIM 128 00:06:19,378 --> 00:06:20,413 CARD." 129 00:06:20,480 --> 00:06:21,047 A BILLIONAIRE WHO USED HIS DADDY'S MONEY TO BUY HIS WAY 130 00:06:21,114 --> 00:06:23,416 INTO THE PRESIDENCY. 131 00:06:23,483 --> 00:06:33,126 SOCIETY REALLY HELD HIM BACK. 132 00:06:33,192 --> 00:06:35,661 REALLY CUT THREW, REALLY RAISED HIS WEALTH. 133 00:06:35,728 --> 00:06:41,100 THIS IS TRUE. 134 00:06:41,167 --> 00:06:42,368 THIS IS TRUE, IVANKA TRUMP SKIPPED HER FATHER'S BIG 135 00:06:42,435 --> 00:06:43,436 ANNOUNCEMENT, AND THEN RELEASED A STATEMENT SAYING SHE WON'T BE 136 00:06:43,503 --> 00:06:44,070 A PART OF HER FATHER'S CAMPAIGN. 137 00:06:44,137 --> 00:06:45,238 OOF. 138 00:06:45,304 --> 00:06:46,773 YOU THOUGHT TRUMP WAS ANGRY BEFORE, WAIT UNTIL YOU SEE HIM 139 00:06:46,839 --> 00:06:50,610 AFTER GETTING REJECTED BY HIS CRUSH. 140 00:06:50,676 --> 00:06:55,148 MEANWHILE, ERIC AND DON JUNIOR ALSO RELEASED A STATEMENT THAT 141 00:06:55,214 --> 00:06:55,782 SAID, "DADDY! 142 00:06:55,848 --> 00:06:56,549 LOOK AT ME! 143 00:06:56,616 --> 00:07:00,787 LOOK AT ME, DADDY! 144 00:07:00,853 --> 00:07:07,059 DO YOU LIKE ME NOW??" DADDY! 145 00:07:07,126 --> 00:07:08,161 AND I'M NOT SURE TRUMP'S ANNOUNCEMENT GOT THE COVERAGE 146 00:07:08,227 --> 00:07:12,532 HE HOPED FOR. 147 00:07:12,598 --> 00:07:17,303 BACK IN 2015 HERE IS HOW THE "NEW YORK POST," 148 00:07:17,370 --> 00:07:18,805 WHICH HAS HISTORICALLY BEEN FAVORABLE TO TRUMP, ANNOUNCED 149 00:07:18,871 --> 00:07:19,272 HIS RUN IN 2015. 150 00:07:19,338 --> 00:07:20,506 PRETTY FLASHY. 151 00:07:20,573 --> 00:07:24,043 AND HERE'S WHAT THEY RAN TODAY, A LINE AT THE BOTTOM OF THE 152 00:07:24,110 --> 00:07:29,348 FRONT PAGE THAT READS, "FLORIDA MAN MAKES ANNOUNCEMENT, PAGE 153 00:07:29,415 --> 00:07:36,989 26." 154 00:07:37,056 --> 00:07:40,226 A FARNTLY IT WASN'T EVEN RECEIVED WELL BY THE PEOPLE 155 00:07:40,293 --> 00:07:43,629 WATCHING LIVE IN THE ROOM, ACCORDING TO ABC SOME AUDIENCE 156 00:07:43,696 --> 00:07:52,905 MEMBERS TRIED TO LEAVE EARLY BUT WERE STOPPED BY SECURITY. 157 00:07:52,972 --> 00:07:55,608 I SAY PEOPLE TRYING TO LEAVE, WORRIED THE HALL WOULD EMPTY 158 00:07:55,675 --> 00:07:59,512 OUT, THEY PREVENTED PEOPLE FROM LEAVING, THEY NO LONGER ALLOWING 159 00:07:59,579 --> 00:08:06,719 PEOPLE TO LEAVE, PEOPLE LEAVING EARLY. 160 00:08:06,786 --> 00:08:11,490 I AM NO FAN OF DONALD TRUMP BUT EVEN I KNOW YOU HAVE TO STAY 161 00:08:11,557 --> 00:08:12,892 UNTIL HE DANCE TO THE VILLAGE PEOPLE, THAT SLIEK A LEAVING 162 00:08:12,959 --> 00:08:16,162 HARRY STYLE BEFORE HE PLAYS AS IT WAS. 163 00:08:16,229 --> 00:08:19,065 TRUMP SUPPORTERS HAVE NEVER REALLY LET SILLY THINGS LIKE 164 00:08:19,131 --> 00:08:25,905 DOORS OR SECURITY STOP THEM GETTING SOMEWHERE BEFORE. 165 00:08:25,972 --> 00:08:30,509 IN OTHER NEWS, SOME UNLUCKY STUDENTS IN EL PASO, TEXAS NOW 166 00:08:30,576 --> 00:08:36,449 HAVE TO RETAKE THEIR SAT EXAMS AFTER A BUNCH OF EXAM PAPERS 167 00:08:36,515 --> 00:08:42,688 BLEW OUT OF THE BACK OF A UPS TRUCK AND GOT LOST. 168 00:08:42,755 --> 00:08:44,123 IS THAT HOW U.P.S. TRANSPORTS THINGS? 169 00:08:44,190 --> 00:08:45,791 JUST LOOSE PAPERS LYING AROUND IN THE BACK OF A TRUCK? 170 00:08:45,858 --> 00:08:48,594 I FEEL BAD FOR THESE STUDENTS. 171 00:08:48,661 --> 00:08:51,998 IF I JUST TOOK THE S.A.T. AND WAS IMMEDIATELY TOLD I HAVE TO 172 00:08:52,064 --> 00:08:54,166 TAKE IT AGAIN, I'D BE LIKE, "YOU KNOW WHAT? 173 00:08:54,233 --> 00:08:58,971 MAYBE COLLEGE ISN'T FOR ME." 174 00:08:59,038 --> 00:09:02,708 BUT THIS SOUNDS LIKE A QUESTION ON A STANDARDIZED TEST. 175 00:09:02,775 --> 00:09:07,313 IF A TRUCK IN EL PASO IS GOING 55 MILES PER HOUR, AND THE BACK 176 00:09:07,380 --> 00:09:15,721 DOOR FLIES OPEN, HOW MANY KIDS' LIVES ARE RUINED? 177 00:09:15,788 --> 00:09:19,492 HOW DID YOU DO IN STANDARDIZED TEST, ANY GOOD. 178 00:09:19,558 --> 00:09:23,095 >> I GOT A GREAT SCORE ON MY SAT'S. AND TURNS OUT THAT WAS 179 00:09:23,162 --> 00:09:24,263 KIND OF THE HIGH POINT FOR ME. 180 00:09:24,330 --> 00:09:25,865 >> James: YEAH WHAT BUT REG. 181 00:09:25,932 --> 00:09:31,604 >> I WAS GOOD UNTIL THE AGE 15. 182 00:09:31,671 --> 00:09:37,843 I DISCOVERED ROBITUSSIN. 183 00:09:37,910 --> 00:09:38,444 >> YEAH. 184 00:09:38,511 --> 00:09:39,512 >> James: THAT WILL DO IT. 185 00:09:39,578 --> 00:09:42,481 AND FINALLY JEFF BEZOS' GIRLFRIEND, LAUREN 186 00:09:42,548 --> 00:09:46,552 SANCHEZ, HAS ANNOUNCED THAT SHE PLANS TO GO TO SPACE NEXT YEAR 187 00:09:46,619 --> 00:09:48,554 WITH AN ALL FEMALE CREW. 188 00:09:48,621 --> 00:09:56,062 GIRLS TRIP, BABY! 189 00:09:56,128 --> 00:10:00,299 IT WAS THE ONLY WAY JEFF BEZ OSCO GET HER FROM LEAVING HIM 190 00:10:00,366 --> 00:10:02,568 FOR PETE DAVIDSON. 191 00:10:02,635 --> 00:10:05,671 I LOVE HOW WE ARE CASUALLY TALKING ABOUT LAUREN SANCHEZ 192 00:10:05,738 --> 00:10:14,747 GOING TO SPACE LIKE GOING ON A SPA DAY WITH FRIENDS. 193 00:10:14,814 --> 00:10:16,082 WAS THAT ME OR THE JOKE. 194 00:10:16,148 --> 00:10:17,950 >> I DON'T THINK IT WAS THE JOKE. 195 00:10:18,017 --> 00:10:19,285 >> James: I THINK IT WAS ME. 196 00:10:19,352 --> 00:10:20,286 >> I WOULDN'T BE SO HARD ON YOURSELF. 197 00:10:20,353 --> 00:10:25,358 >> CHIN UP, BUDDY. 198 00:10:25,424 --> 00:10:27,994 LAUREN SANCHEZ IS GOING TO SPACE WITH AN ALL-FEMALE CREW SOMETIME 199 00:10:28,060 --> 00:10:31,497 NEXT YEAR, WHICH WOULD BE AN INCREDIBLY EMPOWERING MOMENT FOR 200 00:10:31,564 --> 00:10:34,300 WOMEN, IF ONLY THEY DIDN'T HAVE TO TRAVEL TO SPACE INSIDE... AN 201 00:10:34,367 --> 00:10:37,536 ENORMOUS PENIS. 202 00:10:37,603 --> 00:10:39,605 AND THAT'S THE NEWS! 203 00:10:56,055 --> 00:10:57,189 >> James: WELCOME BACK. 204 00:10:57,256 --> 00:10:58,190 LET'S MEET OUR GUESTS. 205 00:10:58,257 --> 00:10:59,725 SHE PLAYS NANCY IN "DISENCHANTED," IDINA MENZEL! 206 00:11:03,729 --> 00:11:09,902 >> Reggie: IT'S IDINA MENS ETH. 207 00:11:09,969 --> 00:11:10,369 -- MENZEL. 208 00:11:10,436 --> 00:11:13,305 HOW ARE YOU? 209 00:11:13,372 --> 00:11:17,376 HE PLAYS PRINCE EDWARD IN "DISENCHANTED," JAMES MARSDEN! 210 00:11:37,163 --> 00:11:38,164 (CHEERS AND APPLAUSE). 211 00:11:38,230 --> 00:11:40,599 >> James: BLESS YOU FOR BEING HERE. 212 00:11:40,666 --> 00:11:42,635 THANK YOU SO MUCH FOR COMING. 213 00:11:42,701 --> 00:11:44,336 I'M SO THRILLED THAT ARE YOU HERE AND THAT WE'RE HERE 214 00:11:44,403 --> 00:11:47,940 TOGETHER BECAUSE YOU HAVE A REAL AFFECTION FOR EACH OTHER, RIGHT. 215 00:11:48,007 --> 00:11:49,175 DID YOU. 216 00:11:49,241 --> 00:11:52,678 >> CAN I JUST SAY THIS IS LIKE A REALLY, THIS SAY REALLY GREAT 217 00:11:52,745 --> 00:11:53,112 JAMES SANDWICH. 218 00:11:53,179 --> 00:11:54,113 >> James: YEAH. 219 00:11:54,180 --> 00:11:55,281 >> OH YEAH. 220 00:11:55,347 --> 00:11:58,284 >> James: I MEAN ARGUABLY, IS THERE A JAMES YOU SWITCH FOR 221 00:11:58,350 --> 00:11:59,585 ANOTHER JAMES? 222 00:11:59,652 --> 00:12:02,588 >> JUST LIKE KIND OF A MONDAY JAMES, TUESDAY JAMES. 223 00:12:02,655 --> 00:12:05,858 >> James: NO WOULD YOU THROW JAMES EARL JONES IN HERE. 224 00:12:05,925 --> 00:12:10,863 IF I WAS YOU, I WOULD SWITCH ME FOR A McAVOY. 225 00:12:10,930 --> 00:12:12,698 >> I WOULD NEVER, NO, NO, I WOULD NOT. 226 00:12:12,765 --> 00:12:15,634 >> James: OH, LOOK AT YOU. 227 00:12:15,701 --> 00:12:17,470 >> BECAUSE I CAN-- WITH BOFT YOU. 228 00:12:17,536 --> 00:12:20,106 >> James: DID YOU HIT IT OFF RIGHT AWAY YOU TWO? 229 00:12:20,172 --> 00:12:21,373 WHAT WAS IT LIKE WHEN YOU FIRST MET? 230 00:12:21,440 --> 00:12:23,943 WHAT DO YOU REMEMBER? 231 00:12:24,009 --> 00:12:27,246 >> HE LIKES TO BE NICE TO ME BUT I HAD TO, THE FIRST DAY OF 232 00:12:27,313 --> 00:12:33,486 REHEARSAL FOREIGN CHANTED, 15 YEARS AGO, WAS-- WAS IN 233 00:12:33,552 --> 00:12:36,655 REHEARSAL LEARNING HOW TO WALTZ FOR THE BALLROOM SCENE. 234 00:12:36,722 --> 00:12:37,690 >> James: YES. 235 00:12:37,756 --> 00:12:39,625 >> SO I HAD TO SHOW UP AND I NEVER MET HIM BEFORE. 236 00:12:39,692 --> 00:12:42,962 AND I HAD SEEN HIM IN THE NOTEBOOK AND I THOUGHT WERE YOU 237 00:12:43,028 --> 00:12:44,697 REALLY GOOD LOOKING. 238 00:12:44,763 --> 00:12:47,666 AND I HAD TO LEARN HOW TO WALTZ, YOU KNOW LIKE IN DIRTY DANCING, 239 00:12:47,733 --> 00:12:52,705 THIS IS YOUR DANCE SPACE, THIS IS MY DANCE-- I AM LIKE HI. 240 00:12:52,771 --> 00:12:57,076 AND PATRICK DEMPSEY WAS THERE TOO BUT HONESTLY I FAVORED THIS 241 00:12:57,143 --> 00:12:57,743 ONE. 242 00:12:57,810 --> 00:12:58,110 AND, YEAH. 243 00:12:58,177 --> 00:12:59,378 >> GO AHEAD. 244 00:12:59,445 --> 00:13:03,015 >> I DIDN'T WANT TO STEP ON HIS FEET, I DIDN'T WANT TO HAVE BAD 245 00:13:03,082 --> 00:13:03,415 BREATHE. 246 00:13:03,482 --> 00:13:04,283 I WAS A MESS. 247 00:13:04,350 --> 00:13:05,818 >> IT DIDN'T SEEM LIKE WERE YOU A MESS. 248 00:13:05,885 --> 00:13:10,923 MI HERE WITH IDINA MENZEL, STAR OF STAGE. 249 00:13:10,990 --> 00:13:12,358 A PROPERLY TRAINED SINGER, DANCER. 250 00:13:12,424 --> 00:13:13,025 >> NOT DANCER. 251 00:13:13,092 --> 00:13:13,993 >> FROM OKAY OKAY. 252 00:13:14,059 --> 00:13:14,994 >> REALLY. 253 00:13:15,060 --> 00:13:17,129 >> James: NOT A GOOD DANCER S THAT YOUR MEMORY. 254 00:13:17,196 --> 00:13:17,630 >> ME,. 255 00:13:17,696 --> 00:13:19,999 >> James: NO, IDINA. 256 00:13:20,065 --> 00:13:22,301 OF COURSE SHE'S A GREAT DANCER. 257 00:13:22,368 --> 00:13:24,703 >> NO, I'M NOT, YOU CALL ME A TRIPLE THREAT. 258 00:13:24,770 --> 00:13:25,804 BUT I'M NOT. 259 00:13:25,871 --> 00:13:29,108 HAVE I TO GET TUTORS FOR CHOREOGRAPHIES FOR WHEN I DO A 260 00:13:29,175 --> 00:13:29,942 SHOW. 261 00:13:30,009 --> 00:13:33,379 >> YOU ARE 2.5 THREAT, MAKE NO MISTAKE. 262 00:13:33,445 --> 00:13:35,481 MAKE NO MISTAKE. 263 00:13:35,548 --> 00:13:38,350 IDINA, WHAT IS SOMETHING THAT NONE OF US WOULD KNOW ABOUT 264 00:13:38,417 --> 00:13:41,253 MR. MARSDEN, COULD YOU SHARE SOMETHING. 265 00:13:41,320 --> 00:13:43,022 >> WELL, I MEAN. 266 00:13:43,088 --> 00:13:44,089 >> TAKE YOUR PICK. 267 00:13:44,156 --> 00:13:47,726 >> I THINK THAT HE SHOULD BE LIKE A RECORDING ARTIST. 268 00:13:47,793 --> 00:13:50,362 LIKE FRANK SIN AT RA, MICHAEL BUBLE. 269 00:13:50,429 --> 00:13:54,934 LIKE HE REALLY HAS THAT KIND OF VOICE. 270 00:13:55,000 --> 00:13:55,534 >> James: IT'S TRUE. 271 00:13:55,601 --> 00:13:56,869 >> COMING FROM YOU. 272 00:13:56,936 --> 00:13:59,205 >> HE HAS A BEAUTIFUL VOICE AND WHEN WE GO IN THE STUDIO AND WE 273 00:13:59,271 --> 00:14:02,908 RECORD TOGETHER, WE START TO DO WHAT WE LEARNED AND THEN WE GO A 274 00:14:02,975 --> 00:14:05,211 LITTLE OFF BOOK AND ALL OF A SUDDEN WE BECOME LIKE WE'RE 275 00:14:05,277 --> 00:14:08,647 GOING TO TAKE TON THE ROAD, LIKE EDWARD AND NANCY ENCHANTED WORLD 276 00:14:08,714 --> 00:14:09,181 TOUR. 277 00:14:09,248 --> 00:14:11,684 >> James: YOU SHOULD. 278 00:14:11,750 --> 00:14:15,955 WHEN DID YOU KNOW THAT YOU HAD STH BRILLIANT SINGING VOICE. 279 00:14:16,021 --> 00:14:17,790 >> I DIDN'T-- WELL, BRILLIANT-- . 280 00:14:17,856 --> 00:14:19,925 >> James: NO, YOU DO. 281 00:14:19,992 --> 00:14:21,293 >> THE JUDGE SOWT ON THAT ONE. 282 00:14:21,360 --> 00:14:26,165 I WAS IN HIGH SCHOOL IN A MUSICAL, BYE BYE BIRDIE. 283 00:14:26,232 --> 00:14:28,334 YEAH, AND I DIDN'T SING IN THE MUSICAL BECAUSE I DIDN'T THINK I 284 00:14:28,400 --> 00:14:29,602 COULD. 285 00:14:29,668 --> 00:14:32,004 I DIDN'T KNOW SO THEY WERE LIKE WE ASSUME YOU CAN'T SING SO YOUR 286 00:14:32,071 --> 00:14:34,506 SONG IS GONE BUT EVERYBODY ELSE IS GOING TO SING, YEAH. 287 00:14:34,573 --> 00:14:38,444 AND THEN I TOOK MUSIC CLASS AND NEXT YEAR TO SEE IF I COULD 288 00:14:38,510 --> 00:14:39,612 SING. 289 00:14:39,678 --> 00:14:41,847 AND SHE IS LIKE YOU HAVE A NOISE VOICE SO I WAS CAST IN THE 290 00:14:41,914 --> 00:14:45,918 MUSICAL AFTER THAT BUT I WAS ALWAYS EMULATING ARTISTS, I 291 00:14:45,985 --> 00:14:49,722 WOULD PRETEND TO SOUND LIKE SINATRA OR HARRY CONNqC=, JR. 292 00:14:49,788 --> 00:14:54,526 >> AND I SAY YOU NEED TO FIND YOUR TRUE VOICE. 293 00:14:54,593 --> 00:14:55,894 I WOULD MIMIC. 294 00:14:55,961 --> 00:14:58,330 >> James: SO WHO CAN YOU DO, WHO VOICE CAN YOU DO. 295 00:14:58,397 --> 00:15:00,399 >> I DON'T KNOW. 296 00:15:00,466 --> 00:15:01,400 I AM ON THE SPOT NOW. 297 00:15:01,467 --> 00:15:04,270 I CAN'T THINK OF ONE. 298 00:15:04,336 --> 00:15:04,737 JOHN LEGEND. 299 00:15:04,803 --> 00:15:05,738 >> James: OH, YES. 300 00:15:05,804 --> 00:15:06,572 >> TRYING TO THINK. 301 00:15:06,639 --> 00:15:11,810 >> James: GIVE US SORT OF JOHN LEGEND. 302 00:15:11,877 --> 00:15:12,311 SHE'S ALL OF ME. 303 00:15:12,378 --> 00:15:17,349 ♪ LOVES ALL OF YOU. 304 00:15:17,416 --> 00:15:20,819 ♪ LOVE YOUR PERFECT IMPERFECTIONS. 305 00:15:20,886 --> 00:15:22,054 ♪ JUST LIKE THAT. 306 00:15:22,121 --> 00:15:25,891 >> James: I WANT TO SEE THESE TWO ON BROADWAY, THAT IS WHAT I 307 00:15:25,958 --> 00:15:26,692 WANT TO SEE. 308 00:15:26,759 --> 00:15:29,895 >> WE WERE TRYING TO FIGURE THAT OUT. 309 00:15:29,962 --> 00:15:30,996 WHAT THAT MUSICAL WOULD BE. 310 00:15:31,063 --> 00:15:34,166 HE IS JUST A REAL PAIN IN THE ASS. 311 00:15:34,233 --> 00:15:36,435 EVERY TIME-- AND AMY ADAMS TOO. 312 00:15:36,502 --> 00:15:39,471 THEY WERE ALWAYS SINGING AND DANCING EVEN WHEN THEY SAID CUT, 313 00:15:39,538 --> 00:15:40,339 YOU KNOW. 314 00:15:40,406 --> 00:15:43,442 AND THEN WELL, YOU TELL THEM ABOUT IT. 315 00:15:43,509 --> 00:15:45,077 >> SHE WAS ALWAYS SO KIND. 316 00:15:45,144 --> 00:15:50,316 AND SHE WOULD INDULGE US BECAUSE AMY AND I WERE SUCH SUPERFANS OF 317 00:15:50,382 --> 00:15:52,484 IDINA WHEN THEY WOULD YELL CUT OR IN THE MAKEUP TRAILER WE 318 00:15:52,551 --> 00:15:57,022 WOULD GO TOYED INA AND SAY WILL YOU SING A SONG WITH ME. 319 00:15:57,089 --> 00:15:58,223 >> IT'S 6:00 IN THE MORNING. 320 00:15:58,290 --> 00:16:01,293 >> BUT THEY WOULD REALLY GO LITERALLY CUT, EVERYONE, THAT IS 321 00:16:01,360 --> 00:16:03,429 LUNCH AND I TURN TO IDINA, OKAY, WE HAVE AN HOUR LUNCH. 322 00:16:03,495 --> 00:16:07,366 DO YOU WANT DO-- I CAN SHOW YOU THE WORLD. 323 00:16:07,433 --> 00:16:09,435 >> James: YEAH. 324 00:16:09,501 --> 00:16:14,907 >> SHINING SHIMMERING. 325 00:16:14,973 --> 00:16:17,810 ♪ AND TRY TO GET LETTER SO SING. 326 00:16:17,876 --> 00:16:21,814 TELL ME PRINCESS, NOW WHEN DID YOU LAST LET YOUR HEART. 327 00:16:21,880 --> 00:16:27,886 >> A WHOLE NEW WORLD SNOATD. 328 00:16:27,953 --> 00:16:31,090 ♪ HOLD YOUR BREATHE IT GETS BETTER. 329 00:16:31,156 --> 00:16:33,959 ♪ I AM LIKE A SHOOTING STAR. 330 00:16:34,026 --> 00:16:36,428 ♪ I HAVE COME SO FAR. 331 00:16:36,495 --> 00:16:39,298 ♪ HOW DOES IT GO. 332 00:16:39,365 --> 00:16:40,432 >> I FORGOT. 333 00:16:40,499 --> 00:16:41,934 ♪ A WHOLE NEW WORLD. 334 00:16:42,000 --> 00:16:42,701 ♪ WITH YOU. 335 00:16:42,768 --> 00:16:47,906 >> James: OH, COME ON! 336 00:16:47,973 --> 00:16:51,043 NOW WE CAN SING SOME BACKGROUND DANCERS. 337 00:16:51,110 --> 00:16:53,312 >> James: THIS IS IT, LET'S TALK ABOUT DISENCHANTED. 338 00:16:53,379 --> 00:16:55,381 WHAT IS HAPPENING IN THIS FILM. 339 00:16:55,447 --> 00:16:57,750 JAMES, TELL US WHAT IS GOING ON. 340 00:16:57,816 --> 00:17:01,453 >> SO IT IS 15 YEARS LATER BUT NONE OF US HAVE AGED. 341 00:17:01,520 --> 00:17:02,588 >> NO, WE LOOK GREAT. 342 00:17:02,654 --> 00:17:05,324 >> WE LOOK THE SAME, ANIMATED CHARACTERS THAT DON'T AGE. 343 00:17:05,391 --> 00:17:09,128 TAND IS SORT OF A STORY OF WHAT HAPPENS AFTER HAPPILY EVER 344 00:17:09,194 --> 00:17:10,329 AFTER, RIGHT. 345 00:17:10,396 --> 00:17:12,931 MAYBE THE BLUSH HAS FALLEN OFF THE ROSE A LITTLE BIT WITH THE 346 00:17:12,998 --> 00:17:13,365 RELATIONSHIPS. 347 00:17:13,432 --> 00:17:14,500 >> BUT NOT OURS. 348 00:17:14,566 --> 00:17:15,968 >> BUT NOT OURS. 349 00:17:16,034 --> 00:17:20,005 >> OURS IS LIVING IN ANDALASIA WITH THE PERFECT FAIRY TALE 350 00:17:20,072 --> 00:17:22,841 WORLD AND SING AND DANCE AND FROLIC. 351 00:17:22,908 --> 00:17:24,676 >> BATTLE TROLLS AND DRAGONS. 352 00:17:24,743 --> 00:17:26,178 >> AND OGRES. 353 00:17:26,245 --> 00:17:28,380 >> James: YOU ARE VERY MUCH IN LOVE IN THE FILM. 354 00:17:28,447 --> 00:17:28,981 >> I THINK SO. 355 00:17:29,048 --> 00:17:30,883 >> James: THE TWO OF YOU. 356 00:17:30,949 --> 00:17:32,117 >> I KNOW SO. 357 00:17:32,184 --> 00:17:34,720 >> James: JAMES, YOU STRIKE ME AS SOMEONE IN YOUR PERSONAL LIFE 358 00:17:34,787 --> 00:17:37,589 WHO I WOULD CONSIDER TO BE A ROMANTIC. 359 00:17:37,656 --> 00:17:38,357 IS THAT FAIR TO SAY. 360 00:17:38,424 --> 00:17:39,324 >> I THINK SO. 361 00:17:39,391 --> 00:17:40,893 I THINK I HAVE ALWAYS BEEN SOME WHAT ROMANTIC. 362 00:17:40,959 --> 00:17:42,428 >> James: ALWAYS? 363 00:17:42,494 --> 00:17:45,264 EVEN BACK WHEN WERE YOU IN SCHOOL AND SUCH? 364 00:17:45,330 --> 00:17:49,067 >> WELL, I GUESS I'M TRYING TO THINK THE FIRST TIME I ACTUALLY 365 00:17:49,134 --> 00:17:51,670 FELT ROMANTIC. 366 00:17:51,737 --> 00:17:53,672 IN SOMETHING. 367 00:17:53,739 --> 00:17:56,875 NO, I REMEMBER BEING SEVEN YEARS OLD AND I HAD A BABYSITTER AND 368 00:17:56,942 --> 00:17:58,210 SHE WAS 17. 369 00:17:58,277 --> 00:18:01,947 AND I WAS MASSIVE CRUSH ON THE BABYSITTER AND SHE ASKED ME TO 370 00:18:02,014 --> 00:18:05,150 GET HER A GLASS OF WATER SO I WENT INTO THE KITCHEN AND POURED 371 00:18:05,217 --> 00:18:10,522 HER A GLASS OF WATER AND WITHOUT HER SEEING, I KISHED THE RIM OF 372 00:18:10,589 --> 00:18:17,529 THE GLASS LIKE THIS, LIKE-- SO WHEN I I GAVE THE GLASS BACK TO 373 00:18:17,596 --> 00:18:20,799 HER AND DRANK IT SHE WILL HAVE TOUCHED MY LIPS. 374 00:18:20,866 --> 00:18:24,369 I DON'T KNOW IF THAT IS ROMANTIC OR CREEPY. 375 00:18:24,436 --> 00:18:25,971 >> THAT IS WEIRD. 376 00:18:26,038 --> 00:18:28,373 >> James: I THINK WHEN YOU HEAR THE STORY YOUR FIRST 377 00:18:28,440 --> 00:18:32,644 THOUGHT IS, HOW ROMANTIC-- I DON'T THINK. 378 00:18:32,711 --> 00:18:34,446 >> MORE LIKE DROOL. 379 00:18:34,513 --> 00:18:35,681 >> YEAH. 380 00:18:35,747 --> 00:18:38,851 ACTUALLY NOW THAT I THINK ABOUT T I WAS 21 WHEN THAT HAPPENED. 381 00:18:38,917 --> 00:18:42,054 >> James: LET'S TAKE A LOOK AT A CLIP INTEREST DISENCHANTED 382 00:18:42,120 --> 00:18:49,828 WHICH IS STREAMING ON DISNEY PLUS THIS FRIDAY. 383 00:18:49,895 --> 00:18:51,029 ♪. 384 00:18:51,096 --> 00:18:54,867 >> WE SEE YOUR NEW HOME. 385 00:18:54,933 --> 00:19:00,806 >> HEY, WOW. 386 00:19:00,873 --> 00:19:01,907 ROBERT. 387 00:19:01,974 --> 00:19:04,476 CONGRATULATIONS ON THE INCREASING SIZE OF YOUR PROGENY. 388 00:19:04,543 --> 00:19:07,145 >> THANK YOU, THANK YOU. 389 00:19:07,212 --> 00:19:09,348 >> YOUR DWELLING, ARE YOU POOR NOW? 390 00:19:09,414 --> 00:19:09,882 >> EDWARD. 391 00:19:09,948 --> 00:19:10,983 >> NO, WE'RE NOT POOR. 392 00:19:11,049 --> 00:19:13,952 >> IT IS WHAT THEY CALL A FIXER UPPER. 393 00:19:14,019 --> 00:19:17,890 >> I SEE, A FIXER UPPER. 394 00:19:17,956 --> 00:19:22,561 YES, THEY ADDED A TURRET AND BALCONY FROM WHICH YOU YOU CAN 395 00:19:22,628 --> 00:19:24,863 SING, BATHED IN THE LIGHT OF A FORGIVING MOON. 396 00:19:24,930 --> 00:19:26,598 I SEE IT NOW. 397 00:19:26,665 --> 00:19:30,335 >> OKAY, AND ON THAT NOTE I'M OFF. 398 00:19:30,402 --> 00:19:33,238 >> James: STICK AROUND, MORE WITH THESE TWO WHEN WE COME 399 00:19:33,305 --> 00:19:33,805 BACK. 400 00:19:57,996 --> 00:20:01,266 >> James: WELCOME BACK, WE ARE HERE WITH THE INCREDIBLE. 401 00:20:01,333 --> 00:20:02,467 IDINA MENZEL AND JAMES MARSDEN. 402 00:20:02,534 --> 00:20:06,572 NOW, IDINA AND JAMES, YOU'RE WHAT I CONSIDER TRIPLE THREATS. 403 00:20:06,638 --> 00:20:11,410 YOU SING, YOU DANCE, AND YOU BOTH HAVE ABSOLUTELY STUNNING 404 00:20:11,476 --> 00:20:13,979 EYEBROWS, WHICH MAKES YOU PERFECT TO PLAY OUR NEXT GAME. 405 00:20:14,046 --> 00:20:21,920 THIS IS "SING OR SWING?" LET'S MEET OUR CONTESTANTS! 406 00:20:21,987 --> 00:20:23,188 HI EVERYONE! 407 00:20:23,255 --> 00:20:28,093 IDINA AND JAMES, SOME OF THESE PEOPLE ARE EXTRAORDINARY DANCERS 408 00:20:28,160 --> 00:20:33,799 AND SOME OF THEM ARE FANTASTIC SINGERS. 409 00:20:33,865 --> 00:20:35,934 YOU MUST IDENTIFY WHO CAN DO WHAT. 410 00:20:36,001 --> 00:20:44,743 DON'T GUESS JUST YET, FEEL FREE TO ASK THEM SOME QUESTIONS. 411 00:20:44,810 --> 00:20:50,882 LET'S START WITH KALA DO WE THINK KALA CAN SING OR SWING. 412 00:20:50,949 --> 00:20:53,085 >> WHAT WOULD YOU SAY, IS IT KALA. 413 00:20:53,151 --> 00:20:54,553 >> YES. 414 00:20:54,620 --> 00:20:58,323 >> WHAT WOULD YOU SAY YOUR GO-TO STYLE, IF YOU ARE A SINGER, WHAT 415 00:20:58,390 --> 00:21:03,228 IS YOUR SORT OF, HOW WOULD WE SEE YOU AS A VOCAL INTERPRETER, 416 00:21:03,295 --> 00:21:06,698 WHAT GENRE. 417 00:21:06,765 --> 00:21:08,300 >> ROCK, GOSPEL, R&B. 418 00:21:08,367 --> 00:21:13,839 >> James: AS A SINGER, BECAUSE-- IT COMES TOO DRESSED 419 00:21:13,905 --> 00:21:21,279 LIKE SOMEONE WHO JUST LEFT THE-- WHAT DO YOU THINK. 420 00:21:21,346 --> 00:21:24,516 >> I THINK SHE'S A DANCER, SHE ZIGGED, ZAGGED AND ZIGGED AGAIN 421 00:21:24,583 --> 00:21:25,984 WITH THE OUTFIT. 422 00:21:26,051 --> 00:21:26,785 >> YEAH. 423 00:21:26,852 --> 00:21:28,120 >> James: YOU THINK IT IS A DOUBLE. 424 00:21:28,186 --> 00:21:32,858 >> I THINK SHE IS A DANCER, SHE HAS THAT LIKE J.LO BODY FROM 425 00:21:32,924 --> 00:21:33,725 THE, WHAT IS THE. 426 00:21:33,792 --> 00:21:35,994 >> IN LIVING COLOR. 427 00:21:36,061 --> 00:21:36,862 >> YEAH. 428 00:21:36,928 --> 00:21:39,665 >> James: SO YOU THINK KALA IS A DANCER. 429 00:21:39,731 --> 00:21:40,732 >> I DO. 430 00:21:40,799 --> 00:21:43,602 >> James: WELL, LET'S FIND OUT. 431 00:21:43,669 --> 00:21:45,103 KALA LET'S FIND OUT. 432 00:21:45,170 --> 00:21:47,806 ARE YOU A DANCER? 433 00:21:47,873 --> 00:21:56,114 HIT IT. 434 00:21:56,181 --> 00:21:59,918 SHE IS AN APPALLING DANCER. 435 00:21:59,985 --> 00:22:08,093 KALA STOP! 436 00:22:08,160 --> 00:22:15,867 KALA THAT WAS THE WORST DANCING ANY OF US HAVE EVER SEEN. 437 00:22:15,934 --> 00:22:19,871 SO LET'S HEAR YOU SING. 438 00:22:19,938 --> 00:22:27,479 ♪ I GOT THE EYE OF THE TIGER. 439 00:22:27,546 --> 00:22:33,385 ♪ YOU'RE GOING TO HEAR ME ROAR. 440 00:22:33,452 --> 00:22:36,254 ♪ LOUDER. 441 00:22:36,321 --> 00:22:40,125 >> James: GIVE IT UP FOR KALA EVERYBODY. 442 00:22:40,192 --> 00:22:41,893 >> YOU COULD ARGUE SHE DOES BOTH. 443 00:22:41,960 --> 00:22:45,564 >> James: OKAY SO YOU WERE BOTH WRONG ON THAT. 444 00:22:45,630 --> 00:22:49,668 LET'S MOVE NOW TO JASON, DO YOU HAVE A QUESTION FOR JASON BEFORE 445 00:22:49,735 --> 00:22:51,770 WE FIND OUT WHETHER HE CAN SING OR SWING. 446 00:22:51,837 --> 00:22:59,311 >> JASON, CAN YOU PLEASE TOUCH YOUR TOES. 447 00:22:59,377 --> 00:23:00,412 >> THAT WAS MORE OF AN ORDER. 448 00:23:00,479 --> 00:23:01,780 >> THAT WAS BENDY. 449 00:23:01,847 --> 00:23:02,814 HE DIDN'T GET DOWN-- . 450 00:23:02,881 --> 00:23:07,352 >> James: WHAT DO YOU THINK, CAN HE SWING OR SING. 451 00:23:07,419 --> 00:23:08,320 JAMES. 452 00:23:08,386 --> 00:23:11,089 >> I THINK JASON HAS GOT THE VOICE OF AN ANGEL. 453 00:23:11,156 --> 00:23:12,057 >> ME TOO. 454 00:23:12,124 --> 00:23:26,371 >> James: JASON, LET'S FIND OUT, TAKE IT AWAY. 455 00:23:26,438 --> 00:23:28,640 ♪ AND I. 456 00:23:28,707 --> 00:23:29,441 ♪ I. 457 00:23:29,508 --> 00:23:34,112 ♪ WILL ALWAYS LOVE YOU. 458 00:23:34,179 --> 00:23:35,747 ♪ AND YOU AND YOU. 459 00:23:35,814 --> 00:23:39,151 ♪ AND ESPECIALLY YOU. 460 00:23:39,217 --> 00:23:44,923 >> James: OH JASON. 461 00:23:44,990 --> 00:23:45,524 JASON. 462 00:23:45,590 --> 00:23:47,125 HE MIST BE ABLE TO DANCE. 463 00:23:47,192 --> 00:24:02,073 JASON, SHOW US WHAT YOU GOT. 464 00:24:02,140 --> 00:24:07,813 JASON, SHOW US WHAT YOU GOT. 465 00:24:08,680 --> 00:24:09,114 >> JASON. 466 00:24:09,181 --> 00:24:10,949 >> James: OH MY GOD. 467 00:24:11,016 --> 00:24:14,519 JASON, THAT IS UNBELIEVABLE. 468 00:24:14,586 --> 00:24:18,890 OH MY GOODNESS. 469 00:24:18,957 --> 00:24:19,925 >> . 470 00:24:19,991 --> 00:24:23,128 >> I HAVE TO ADJUST SOME SETTING, RECALIBRATE. 471 00:24:23,195 --> 00:24:26,097 >> James: YOU TWO ARE AW SFL-- AWFUL AT THIS. 472 00:24:26,164 --> 00:24:27,032 >> WE ARE. 473 00:24:27,098 --> 00:24:30,836 >> James: TERRY, DO YOU HAVE A QUESTION. 474 00:24:30,902 --> 00:24:31,903 >> BOXERS OR BRIEFS. 475 00:24:31,970 --> 00:24:36,041 >> James: THAT IS VERY PERSONAL, IF HE SAY DANCER HE 476 00:24:36,107 --> 00:24:37,509 WILL WEAR BRIEFS. 477 00:24:37,576 --> 00:24:39,911 >> TIGHTY WHITEY. 478 00:24:39,978 --> 00:24:40,579 >> James: TIGHTY QUITEY. 479 00:24:40,645 --> 00:24:42,180 HE IS GIVING VERY LITTLE AWAY. 480 00:24:42,247 --> 00:24:46,952 DO WE THINK THAT TERRY CAN SING OR SWING, IDINA, JAMES WA, DO 481 00:24:47,018 --> 00:24:48,119 YOU THINK? 482 00:24:48,186 --> 00:24:50,222 >> LET'S KEEP THIS TRAIN ROLLING. 483 00:24:50,288 --> 00:24:53,158 I THINK HE IS A DANCER, AND IS HE PROBABLY A SINGER. 484 00:24:53,225 --> 00:24:55,160 >> James: WHAT DO YOU THINK, SINGER. 485 00:24:55,227 --> 00:24:56,294 >> I THINK IT IS SINGER. 486 00:24:56,361 --> 00:24:58,163 >> James: YOU THINK SINGER. 487 00:24:58,230 --> 00:24:58,430 >> YEAH. 488 00:24:58,496 --> 00:24:59,598 >> O. 489 00:24:59,664 --> 00:25:03,134 >> James: WE THINK THAT TERRY IS A SINGER, PUTS OUT OF OUR 490 00:25:03,201 --> 00:25:10,709 MISERY AND TAKE IT AWAY. 491 00:25:10,775 --> 00:25:11,509 IS. 492 00:25:11,576 --> 00:25:15,881 ♪ HELLO FROM THE OTHER SIDE. 493 00:25:15,947 --> 00:25:22,654 ♪ I MUST HAVE CALLED A THOUSAND TIMES. 494 00:25:22,721 --> 00:25:24,990 ♪ I'M SORRY. 495 00:25:25,056 --> 00:25:26,558 ♪ FOR BREAKING YOUR HEART. 496 00:25:26,625 --> 00:25:31,496 >> James: OH TERRY. 497 00:25:31,563 --> 00:25:34,532 TERRY, THAT WAS APPALLING. 498 00:25:34,599 --> 00:25:36,434 IT MUST MEAN THAT YOU CAN DANCE. 499 00:25:36,501 --> 00:25:51,383 TERRY, SHOW US WHAT YOU GOT. 500 00:25:51,449 --> 00:25:57,322 TERRY, SHOW US WHAT YOU GOT. 501 00:26:01,393 --> 00:26:02,661 THAT WAS INCREDIBLE. 502 00:26:02,727 --> 00:26:03,528 THAT WAS AMAZING. 503 00:26:03,595 --> 00:26:04,930 THANK YOU SO MUCH, TERRY. 504 00:26:04,996 --> 00:26:08,733 THAT WAS ABSOLUTELY BRILLIANT, WHICH BRINGS US TO SHARLOTTE, 505 00:26:08,800 --> 00:26:11,336 ANYTHING WOULD YOU LIKE TO KNOW ABOUT SHARLOTTE BEFORE WE FIND 506 00:26:11,403 --> 00:26:18,143 OUT WHETHER SHE CAN SING OR SWING. 507 00:26:18,209 --> 00:26:19,411 >> FAVORITE KARAOKE SONG. 508 00:26:19,477 --> 00:26:24,049 >> MEMORY BY BARBARA STREISAND. 509 00:26:24,115 --> 00:26:24,716 >> THAT'S GOOD. 510 00:26:24,783 --> 00:26:26,351 >> James: MEMORY BY STREISAND. 511 00:26:26,418 --> 00:26:27,352 >> CAN I ASK ONE MORE QUESTION. 512 00:26:27,419 --> 00:26:30,121 >> James: OF COURSE YOU CAN. 513 00:26:30,188 --> 00:26:30,722 >> DO YOU HAVE KIDS. 514 00:26:30,789 --> 00:26:33,158 >> I FORGOT TO HAVE KIDS. 515 00:26:33,224 --> 00:26:35,727 >> CAN YOU SAY JAMES, GET IN THE HOUSE. 516 00:26:35,794 --> 00:26:37,362 >> JAMES, GET IN THE HOUSE. 517 00:26:37,429 --> 00:26:43,501 >> James: YOU WANT TO HEAR IF SHE CAN SHOWT,THE POWER OF HER 518 00:26:43,568 --> 00:26:44,069 VOICE. 519 00:26:44,135 --> 00:26:45,603 WHAT DID YOU ASCERTAIN. 520 00:26:45,670 --> 00:26:50,075 >> IT WASN'T AS HIGH AND I THOUGHT IT WAS GOING TO BE BUT 521 00:26:50,141 --> 00:26:51,076 SHE MIGHT JUST BE OFF. 522 00:26:51,142 --> 00:26:54,713 I'M GOING TO GO WITH-- WHAT ARE YOU GOING WITH? 523 00:26:54,779 --> 00:26:55,613 >> I'M NOT GOING TO TELL YOU. 524 00:26:55,680 --> 00:26:57,015 >> I SAY SINGER. 525 00:26:57,082 --> 00:26:57,849 >> I SAY SINGER TOO. 526 00:26:57,916 --> 00:27:00,018 >> James: YOU ARE GOING TO GO SINGER. 527 00:27:00,085 --> 00:27:01,152 >> YES. 528 00:27:01,219 --> 00:27:03,121 >> James: THEY'RE BOTH GOING FOR SINGER, LET'S FIND OUT. 529 00:27:03,188 --> 00:27:09,327 SHARLOTTE, CAN YOU SING, LET'S FIND OUT. 530 00:27:09,394 --> 00:27:24,275 >> I KEEP ON FALLIN' IN AND OUT OF LOVE 531 00:27:24,342 --> 00:27:29,414 >> I KEEP ON FALLIN' IN AND OUT OF LOVE 532 00:27:29,481 --> 00:27:31,149 I KEEP ON FALLIN' IN AND OUT 533 00:27:31,216 --> 00:27:36,821 OF LOVE WITH YOU I NEVER LOVED SOMEONE 534 00:27:36,888 --> 00:27:40,892 THE WAY THAT I LOVE YOU 535 00:27:40,959 --> 00:27:46,131 >> James: OH MY GOODNESS. 536 00:27:46,197 --> 00:27:47,966 SHARLOTTE, THAT WAS INCREDIBLE. 537 00:27:48,033 --> 00:27:49,200 THAT WAS AMAZING. 538 00:27:49,267 --> 00:27:51,269 THANK YOU SO MUCH. 539 00:27:51,336 --> 00:27:54,739 LET'S MOVE ON TO SYDNEY THIS IS THE FINAL ONE. 540 00:27:54,806 --> 00:28:03,848 >> THEY ARE ALL SO GOOD, THIS IS SUCH A GREAT GAME. 541 00:28:03,915 --> 00:28:07,485 >> James: DO YOU HAVE A QUESTION FOR SYDNEY WHETHER THEY 542 00:28:07,552 --> 00:28:09,187 CAN SING OR SWING. 543 00:28:09,254 --> 00:28:10,622 >> DO YOU HAVE A QUESTION. 544 00:28:10,688 --> 00:28:12,757 >> James: HOW DO YOU WARM UP, SYDNEY. 545 00:28:12,824 --> 00:28:13,792 >> LIP TRILLS. 546 00:28:13,858 --> 00:28:19,064 >> James: LET'S SEE WHAT THAT SOUNDS LIKE, SYDNEY. 547 00:28:19,130 --> 00:28:21,266 >> UH-HUH. 548 00:28:21,332 --> 00:28:21,766 >> YEAH. 549 00:28:21,833 --> 00:28:22,600 >> THAT'S VERY GOOD. 550 00:28:22,667 --> 00:28:25,070 >> James: SYDNEY IS VERY GOOD AT THIS. 551 00:28:25,136 --> 00:28:28,440 >> DO YOU SMOKE CIGARETTES. 552 00:28:28,506 --> 00:28:28,873 >> NO. 553 00:28:28,940 --> 00:28:30,041 >> James: OKAY. 554 00:28:30,108 --> 00:28:33,278 >> THAT COULD BE BAD FOR BOTH THINGS, BAD FOR RESPIRATORY. 555 00:28:33,344 --> 00:28:38,316 >> James: DO YOU TAKE COCAINE. 556 00:28:38,383 --> 00:28:38,750 >> NEVER. 557 00:28:38,817 --> 00:28:39,984 >> James: OKAY. 558 00:28:40,051 --> 00:28:44,289 IT'S THAT TIME T IS UP TO YOU TOO, IDINA AN JAMES, CAN SYDNEY 559 00:28:44,355 --> 00:28:46,558 SING OR SWING WA, DO YOU THINK. 560 00:28:46,624 --> 00:28:48,460 >> WITH I THINK SHE'S A SINGER. 561 00:28:48,526 --> 00:28:52,730 >> James: OKAY, ALL RIGHT, JAMES, SINCE ARE YOU A SINGER 562 00:28:52,797 --> 00:28:54,732 AND A DANCER, I NEED YOU TO BOTH AGREE. 563 00:28:54,799 --> 00:28:59,771 WHAT DO YOU THINK, ARE YOU GO OING TO GO WITH DANCE, DANCER? 564 00:28:59,838 --> 00:29:01,106 >> YEAH, I'M GOING TO DANCER. 565 00:29:01,172 --> 00:29:02,807 >> YOU CHANGED MY MIND. 566 00:29:02,874 --> 00:29:04,008 >> NO, THAT IS PRESSURE. 567 00:29:04,075 --> 00:29:06,744 >> James: YOU ARE GOING TO GO WITH DANCER, SYDNEY, WE THINK 568 00:29:06,811 --> 00:29:08,113 YOU CAN DANCE. 569 00:29:08,179 --> 00:29:23,061 TAKE IT AWAY. 570 00:29:23,128 --> 00:29:27,665 TAKE IT AWAY. 571 00:29:27,732 --> 00:29:29,734 ♪ WE'LL BE RIGHT BACK, EVERYBODY. 572 00:29:54,692 --> 00:29:55,827 ♪ >> James: WE'RE BACK WITH 573 00:29:55,894 --> 00:29:58,863 IDINA MENZEL AND JAMES MARS EN, JAMES YOU HAVE ANOTHER SHOW 574 00:29:58,930 --> 00:30:04,335 PREMIERING TOMORROW ON NETFLIX, "DEAD TO ME." 575 00:30:04,402 --> 00:30:07,105 NOW YOUR CHARACTER DIED IN SEASON ONE. 576 00:30:07,172 --> 00:30:08,306 >> YES. 577 00:30:08,373 --> 00:30:09,674 >> James: WAS IT ALWAYS PART OF THE PLAN TO BRING YOU BACK AS 578 00:30:09,741 --> 00:30:10,575 A TWIN? 579 00:30:10,642 --> 00:30:12,710 DID YOU KNOW THAT THIS WAS GOING TO HAPPEN? 580 00:30:12,777 --> 00:30:14,412 >> NO, NO, IT WAS NEVER PART OF THE PLAN. 581 00:30:14,479 --> 00:30:17,115 >> James: SO WHO SPEAKS TO YOU ABOUT THIS? 582 00:30:17,182 --> 00:30:20,251 >> SO AFTER THE FIRST SEASON I PLAY THIS CHARACTER NAMED STEVE 583 00:30:20,318 --> 00:30:26,257 WHO IS KIND OF A SLIMY CHARACTER BUT A FUN WAY TO PLAY, THAT WAS 584 00:30:26,324 --> 00:30:29,294 IT, WAS GOING TO BE ONE SEASON AND DONE AND I KIND OF FELL IN 585 00:30:29,360 --> 00:30:34,065 LOVE WITH THE SHOW AND LIZ FELDMAN, THE CREATOR AND 586 00:30:34,132 --> 00:30:39,404 CHRISTINA AND-- IT WAS LIKE THIS LOVE FEST AND I SENT LIZ AN 587 00:30:39,470 --> 00:30:42,607 EMAIL SAYING CONGRATULATIONS ON THE SHOW, THIS IS SO MUCH FUN S 588 00:30:42,674 --> 00:30:45,610 THERE ANYWAY HE'S NOT DEAD OR LIKE WHAT. 589 00:30:45,677 --> 00:30:47,679 AND SHE GOES MAYBE TWINS. 590 00:30:47,745 --> 00:30:51,683 AND I WAS LIKE HA, HA, HA, NO, AND SHE IS LIKE NO, I'M SERIOUS, 591 00:30:51,749 --> 00:30:53,117 I THINK WE COULD PULL IT OFF. 592 00:30:53,184 --> 00:30:55,820 SO OKAY, CAME BACK AS THE TWIN BROTHER. 593 00:30:55,887 --> 00:30:58,590 >> James: AND THE SHOW IS GREAT, I'M SO PLEASED ABOUT IN, 594 00:30:58,656 --> 00:31:02,427 AND I HAD INAA THERE SAY DOCUMENTERRARY ABOUT YOUR CAREER 595 00:31:02,493 --> 00:31:06,931 AND YOUR LAST TOUR ON DISNEY PLUS CALLED "WHICH WAY TO THE 596 00:31:06,998 --> 00:31:08,099 STAGE." 597 00:31:08,166 --> 00:31:11,769 NOW THERE IS A STORY ABOUT YOUR LAST EVER PERFORMANCES IN 598 00:31:11,836 --> 00:31:12,971 WICKED. 599 00:31:13,037 --> 00:31:15,173 >> THANK YOU SO MUCH FOR ASKING ABOUT T SO YOU KNOW HOW THE 600 00:31:15,240 --> 00:31:17,675 WICKED WITCH, "WIZARD OF OZ," I'M MELTING. 601 00:31:17,742 --> 00:31:21,546 SO IN WICKED IN ORDER TO KIND OF REENACT THAT THERE IS A SING IN 602 00:31:21,613 --> 00:31:25,250 THE STAGE, THE HOLE THEY CUT OUT SORT OF AN ELEVATOR SO I STEP ON 603 00:31:25,316 --> 00:31:29,320 IT AND IT WOULD GO OWN DOWN AND INTO THE FLOOR, YOU KNOW. 604 00:31:29,387 --> 00:31:32,790 AND ONE NIGHT THERE WAS LIKE A SUBAUTOMATION PERSON ON AND THEY 605 00:31:32,857 --> 00:31:36,094 DID IT WRONG AND THEY HAD IT OPEN ALREADY AND I WALKED INTO A 606 00:31:36,160 --> 00:31:37,462 FIVE FOOT OPEN HOLE. 607 00:31:37,528 --> 00:31:38,696 >> NO. 608 00:31:38,763 --> 00:31:41,699 >> AND I CAUGHT MYSELF WITH-- I BROKE MY RIBS AND WAS HANGING 609 00:31:41,766 --> 00:31:45,370 LIKE, THIS AND THEY PULLED ME OUT AND I'M IN FULL GREEN MAKEUP 610 00:31:45,436 --> 00:31:49,107 AND THIS BIG CORSETED DRESS AND CAN BARELY BREATHE AND TAKE ME 611 00:31:49,173 --> 00:31:50,341 TO THE HOSPITAL. 612 00:31:50,408 --> 00:31:54,646 AND MY EX-HUSBAND, TAYE DIGGS WHO THE NURSES ARE IN LOVE WITH, 613 00:31:54,712 --> 00:31:57,148 HE SHOWS UP AND THEY ARE WHEELING ME TO GET MY X-RAYS AND 614 00:31:57,215 --> 00:32:00,518 THEY FORGET ME IN THE MIDDLE OF THE HALLWAY BECAUSE THEY SEE 615 00:32:00,585 --> 00:32:01,786 HIM. 616 00:32:01,853 --> 00:32:04,589 AND I'M LIKE LADIES, I WILL GET YOU AN AUTOGRAPH IF YOU CAN TAKE 617 00:32:04,656 --> 00:32:06,724 CARE OF ME AND GET MY X-RAYS. 618 00:32:06,791 --> 00:32:09,027 AND THEN THEY DIDN'T WANT TO-- THE DRESS WAS SUPPOSED TO 619 00:32:09,093 --> 00:32:12,196 BE REALLY EXPENSIVE SO THEY DIDN'T WANT TO CUT IT OFF ME, SO 620 00:32:12,263 --> 00:32:16,834 LIKE THEY GOT ME IN TRACTION, THEY, THESE GUYS CAME AROUND, ON 621 00:32:16,901 --> 00:32:19,971 MORPHINE, THE WHOLE THING AND NO CLOTHES TO LEAVE WHEN I FINALLY 622 00:32:20,038 --> 00:32:20,938 LEFT. 623 00:32:21,005 --> 00:32:23,975 I HAD TO SWARY SCRUBS AND HI A LIME GREEN FACE. 624 00:32:24,042 --> 00:32:28,279 >> James: THAT ASK WHAT I WAS GOING TO SAY, PRESUMABLY 625 00:32:28,346 --> 00:32:30,348 THROUGHOUT ALL OF THIS YOUR FACE WAS PAINTED GREEN. 626 00:32:30,415 --> 00:32:32,684 >> YES, AND IT WAS LESS BECAUSE HI BEEN CRYING AND MY DRESSER, 627 00:32:32,750 --> 00:32:35,853 MY BREAST FRIEND WAS THERE TRYING TO GET IT OFF T DOESN'T 628 00:32:35,920 --> 00:32:40,325 COME OFF UNLESS ARE YOU IN THE SHOWER WITH THE RIGHT NEUTROGENA 629 00:32:40,391 --> 00:32:42,026 SO I'M THIS LIME WITCH. 630 00:32:42,093 --> 00:32:43,928 >> James: IMAGINE THE OTHER PEOPLE IN THE WAITING ROOM WHEN 631 00:32:43,995 --> 00:32:47,198 YOU COME IN AND THEY HAVE NO IDEA WHAT WICKED IS OR THAT IT 632 00:32:47,265 --> 00:32:51,135 IS EVEN ON AND THEY WOULD BE LIKE WOW, SHE'S REALLY SICK. 633 00:32:51,202 --> 00:32:55,840 REGGIE, DO YOU HAVE A QUESTION FOR OUR GUESTS THIS EVENING? 634 00:32:55,907 --> 00:32:56,541 YEAH. 635 00:32:56,607 --> 00:32:57,742 >> Reggie: SURE, YEAH, WHY NOT. 636 00:32:57,809 --> 00:33:05,183 TONIGHT'S QUESTION IS, SOME OF YOU YOU PROBABLY GREW UP AT A 637 00:33:05,249 --> 00:33:08,720 TIME WHERE YOU LIKED VIDEO GAMES AT SOME POINT. 638 00:33:08,786 --> 00:33:10,455 WHAT WAS YOUR FAVORITE VIDEO GAMES. 639 00:33:10,521 --> 00:33:13,124 >> WHY IS THAT SUCH AN EASY QUESTION, I THOUGHT WERE YOU 640 00:33:13,191 --> 00:33:15,059 GOING TO DO THIS WHOLE CRAZY. 641 00:33:15,126 --> 00:33:15,960 >> Reggie: MAYBE IT IS NOT OVER YET. 642 00:33:16,027 --> 00:33:16,627 >> IT IS NOT OVER YET. 643 00:33:16,694 --> 00:33:18,863 >> THAT IS THE WHOLE QUESTION. 644 00:33:18,930 --> 00:33:19,831 >> I PLAYED IN TELEVISION. 645 00:33:19,897 --> 00:33:22,066 >> Reggie: HOLY CRAP, AMAZING. 646 00:33:22,133 --> 00:33:23,568 >> James: JAMES. 647 00:33:23,634 --> 00:33:27,305 >> WHAT DID I PLAY, THE COMMODORE64. 648 00:33:27,372 --> 00:33:29,674 >> James: THAT WAS THE CONSOLE, WHAT GAME. 649 00:33:29,741 --> 00:33:31,109 >> PONG. 650 00:33:31,175 --> 00:33:34,379 >> DO YOU REMEMBER PARSEC. 651 00:33:34,445 --> 00:33:35,546 >> WHICH ONE. 652 00:33:35,613 --> 00:33:37,949 >> Reggie: YES, YES, I DON'T REMEMBER IT BUT I REMEMBER THE 653 00:33:38,015 --> 00:33:39,083 GAME. 654 00:33:39,150 --> 00:33:41,719 >> IT WAS A 64 CART RIDGE GAME, ANYWAYS, THAT IS GREAT. 655 00:33:41,786 --> 00:33:46,457 IN TELEVISION THAT IS A DEEP CUT, THANK YOU. 656 00:33:46,524 --> 00:33:47,992 HYPERULTRA CORRECT. 657 00:33:48,059 --> 00:33:49,327 JONATHAN: HYPERULTRA CORRECT. 658 00:33:49,394 --> 00:33:51,929 PLEASE THANK OUR WONDERFUL GUEST, LADIES AND GENTLEMEN, 659 00:33:51,996 --> 00:33:56,200 IDINA MENZEL, WOW. 660 00:33:56,267 --> 00:34:00,271 AND JAMES MARSDEN. 661 00:34:00,338 --> 00:34:00,838 BETH ORTON WHEN WE COME BACK. 662 00:34:17,655 --> 00:34:18,856 >> James: WELCOME BACK. 663 00:34:18,923 --> 00:34:22,193 HERE PERFORMING "FRACTALS" FROM HER LATEST ALBUM "WEATHER ALIVE" 664 00:34:22,260 --> 00:34:26,264 WHICH IS OUT NOW, PLEASE WELCOME BETH ORTON! 665 00:34:26,330 --> 00:34:33,171 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 666 00:34:33,237 --> 00:34:46,050 ♪ ♪ ♪ ♪ ♪ ♪ 667 00:34:46,117 --> 00:34:49,887 >> ♪ YOU LAY ON YOUR BACK UNDER SPIDER-SPUN TREES 668 00:34:49,954 --> 00:34:53,791 ♪ HALLUCINATED ON FRACTALS OF GREEN 669 00:34:53,858 --> 00:34:58,362 ♪ AND THOUGHT ABOUT LIVING WITH NOTHING TO LOSE 670 00:34:58,429 --> 00:35:02,066 ♪ WITH WINDOWS TO SEE THEM BEFORE THEY SEE YOU 671 00:35:02,133 --> 00:35:05,703 ♪ AND YOU DO NOT KNOW HOW TO PRETEND 672 00:35:05,770 --> 00:35:09,774 ♪ YOU HOPED IT WOULD ALL GO AWAY IN THE END 673 00:35:09,841 --> 00:35:13,044 ♪ BUT YOU'RE EVERY PERSON IN YOUR DREAM 674 00:35:13,110 --> 00:35:17,348 ♪ WHEN ANYTHING HAPPENS IT HAPPENS TO YOU, AND YOU 675 00:35:17,415 --> 00:35:24,255 ♪ ♪ ♪ ♪ ♪ ♪ 676 00:35:24,322 --> 00:35:34,699 ♪ YOU START BELIEVING IN MAGIC WHAT IN THE WORLD 677 00:35:34,765 --> 00:35:37,068 ♪ ARE WE GONNA DO NOW? 678 00:35:37,134 --> 00:35:41,372 THERE'S NOWHERE TO TURN ♪ AND THERE'S NO ONE AROUND 679 00:35:41,439 --> 00:35:45,042 I SUPPOSE, IN THE END ♪ WELL, THAT IS WHAT IT IS 680 00:35:45,109 --> 00:35:49,680 YOU GROW UP ALONE ♪ AND THAT'S WHAT YOU GET LEFT 681 00:35:49,747 --> 00:35:53,417 BUT NOBODY KNOWS ♪ HOW TO FORGIVE 682 00:35:53,484 --> 00:35:57,421 YOU THOUGHT IT MIGHT ALL ♪ GO AWAY IF YOU DID 683 00:35:57,488 --> 00:36:00,625 NOW YOU'RE EVERY PERSON ♪ IN YOUR DREAM 684 00:36:00,691 --> 00:36:05,463 WHEN ANYTHING HAPPENS ♪ IT HAPPENS FOR REAL, AND YOU 685 00:36:05,530 --> 00:36:10,434 WHO DO YOU ♪ CRY TO? 686 00:36:10,501 --> 00:36:13,371 YOU START BELIEVING IN MAGIC ♪ WHO DO YOU 687 00:36:13,437 --> 00:36:17,275 CRY TO? 688 00:36:17,341 --> 00:36:23,581 ♪ ♪ ♪ ♪ ♪ ♪ 689 00:36:23,648 --> 00:36:36,727 ♪ ♪ ♪ ♪ ♪ ♪ 690 00:36:36,794 --> 00:36:41,299 ♪ WE LAY ON OUR BACK UNDER VIBRATING GREEN 691 00:36:41,365 --> 00:36:45,603 ♪ HALLUCINATED ON WHAT IT ALL MEANS 692 00:36:45,670 --> 00:36:51,576 ♪ NOW, I COULD BE PATIENT BUT JUST TELL ME HOW LONG 693 00:36:51,642 --> 00:36:53,244 ♪ AND WHY I FEEL LIKE FOR WHAT I DIDN'T DO WRONG 694 00:36:53,311 --> 00:36:56,781 ♪ 'CAUSE I DO NOT KNOW HOW TO PRETEND 695 00:36:56,847 --> 00:37:00,751 ♪ I THOUGHT IT WOULD ALL GO AWAY IN THE END 696 00:37:00,818 --> 00:37:04,021 ♪ BUT I'M EVERY PERSON IN THIS DREAM 697 00:37:04,088 --> 00:37:08,059 ♪ BUT WHEN ANYTHING HAPPENS IT DOESN'T JUST HAPPEN TO ME 698 00:37:08,125 --> 00:37:13,631 ♪ WHO DO YOU CRY TO? 699 00:37:13,698 --> 00:37:16,767 ♪ YOU START BELIEVING IN MAGIC WHO DO YOU 700 00:37:16,834 --> 00:37:21,639 ♪ CRY TO? 701 00:37:21,706 --> 00:37:25,710 WELL, I'M BELIEVING IN MAGIC TURNING LIKE A 702 00:37:25,776 --> 00:37:30,548 ♪ STONE IN THE HAND OF THE 703 00:37:30,615 --> 00:37:33,651 ♪ UNKNOWN WHO DO YOU 704 00:37:33,718 --> 00:37:42,226 ♪ CRY TO? 705 00:37:42,293 --> 00:37:45,630 WHO DO YOU ♪ CRY TO? 706 00:37:45,696 --> 00:37:58,776 ♪ MMM ♪ OUT OF BELIEVING IN MAGIC 707 00:37:58,843 --> 00:37:59,844 ♪ GRANTED FALLING LIKE A 708 00:37:59,910 --> 00:38:04,015 ♪ STAR ♪ MMM 709 00:38:04,081 --> 00:38:07,652 I FELL INTO YOUR ♪ ARMS 710 00:38:07,718 --> 00:38:17,261 FELL INTO YOUR ♪ ARMS 711 00:38:17,328 --> 00:38:19,964 OH OH 712 00:38:20,031 --> 00:38:24,869 IT JUST HAPPENED BY MAGIC OH 713 00:38:24,935 --> 00:38:27,571 ♪ ♪ ♪ ♪ ♪ ♪ 714 00:38:27,638 --> 00:38:34,111 ♪ IT JUST HAPPENED BY MAGIC ( CHEERS AND APPLAUSE ) 715 00:38:34,178 --> 00:38:39,050 BETH ORTON, EVERYBODY THAT WAS FANTASTIC. 716 00:38:39,116 --> 00:38:39,617 WE'LL BE RIGHT BACK. 717 00:38:53,998 --> 00:38:55,066 >> James: THANK YOU SO MUCH FOR WATCHING, WE'LL SEE YOU 718 00:38:55,132 --> 00:38:55,599 SOON. 719 00:38:55,666 --> 00:38:57,334 REGGIE, TAKE US HOME.