1 00:00:04,871 --> 00:00:14,147 ♪ ARE YOU READY, Y'ALL 2 00:00:14,214 --> 00:00:16,082 TO HAVE SOME FUN COME ON COME ON COME ON. 3 00:00:16,149 --> 00:00:18,184 ♪ IT'S "THE LATE LATE SHOW!" >> Reggie: LADIES AND GENTLEMEN, 4 00:00:18,251 --> 00:00:23,089 ALL THE WAY FROM GREAT FALLS, MONTANA, 5 00:00:23,156 --> 00:00:26,793 GIVE IT UP FOR YOUR HOST, THE ONE, THE ONLY... JAMES CORDEN! 6 00:00:26,860 --> 00:00:36,202 (CHEERS AND APPLAUSE) >> James: HOW ARE YOU? 7 00:00:36,269 --> 00:00:38,538 THANK YOU VERY, VERY MUCH. CHEERS, GUYS! 8 00:00:38,605 --> 00:00:40,640 IT'S VERY NICE TO SEE YOU. THANK YOU VERY, VERY MUCH, 9 00:00:40,707 --> 00:00:45,645 EVERYBODY! HELLO, GOOD EVENING, AND WELCOME 10 00:00:45,712 --> 00:00:47,147 TO "THE LATE LATE SHOW." THANKS FOR STOPPING BY. 11 00:00:47,213 --> 00:00:51,684 WE APPRECIATE YOU BEING HERE. THANK YOU VERVE MUCH! 12 00:00:51,751 --> 00:00:53,052 LET'S TAKE A LOOK AND SEE WHO THE GUESTS ARE ON THE SHOW 13 00:00:53,119 --> 00:00:57,357 TONIGHT! SHE IS AN OUTRAGEOUSLY TALENTED 14 00:00:57,424 --> 00:00:59,058 ACTOR YOU KNOW FROM "ARRIVAL," "AMERICAN HUSTLE," "THE MASTER," 15 00:00:59,125 --> 00:01:02,195 AND SO MUCH MORE. THE EVER ENCHANTING, AMY ADAMS 16 00:01:02,262 --> 00:01:04,898 IS ON THE SHOW TONIGHT! (CHEERS AND APPLAUSE) 17 00:01:04,964 --> 00:01:08,635 AMY HOW ARE YOU? >> I'M GOOD. 18 00:01:08,701 --> 00:01:12,439 I NOW HAVE TWO OF THE SAME SHOES ON WHICH IS VERY HELPFUL. 19 00:01:12,505 --> 00:01:16,943 >> James: I WENT TO SEE AMY BEFORE, WE WERE CHATTING, 20 00:01:17,010 --> 00:01:22,515 CHATTING, CHATTING, SHE SAID, I HAVE GOT TWO DIFFERENT SHOES ON 21 00:01:22,582 --> 00:01:24,951 HERE. >> IT'S NOT FIRST TIME THAT'S 22 00:01:25,018 --> 00:01:29,522 HAPPENED. >> James: AMY ADAMS 23 00:01:29,589 --> 00:01:34,060 EVERYBODY. (CHEERS AND APPLAUSE) 24 00:01:34,127 --> 00:01:35,195 SHE IS A BRILLIANT FOUR-TIME EMMY AWARD-WINNING ACTOR AND 25 00:01:35,261 --> 00:01:36,763 PERFORMER YOU KNOW FROM "BRIDESMAIDS," "SATURDAY NIGHT 26 00:01:36,830 --> 00:01:37,931 LIVE," AND "LOOT." THE MAGNIFICENT, MAYA RUDOLPH IS 27 00:01:37,997 --> 00:01:42,235 ON THE SHOW TONIGHT! (CHEERS AND APPLAUSE) 28 00:01:42,302 --> 00:01:44,337 HOW ARE YOU? >> I'VE GOTTEN THE CHILDREN DOWN 29 00:01:44,404 --> 00:01:46,873 TO SLEEP. >> James: IS EVERYTHING ALL 30 00:01:46,940 --> 00:01:52,111 RIGHT? >> EVERYTHING IS WONDERFUL,l-; 31 00:01:52,178 --> 00:01:54,347 THEIR BEDS. >> James: DO YOU NEED 32 00:01:54,414 --> 00:02:00,320 ANYTHING? >> JUST A CUP OF WARM COCOA. 33 00:02:00,386 --> 00:02:09,362 >> James: I'LL LEAVE YOU. MAYA RUDOLPH, EVERYBODY. 34 00:02:09,429 --> 00:02:10,763 AND LATER, WE'LL HAVE A MUSICAL PERFORMANCE FROM FRANZ 35 00:02:10,830 --> 00:02:14,501 FERDINAND! (CHEERS AND APPLAUSE) 36 00:02:14,567 --> 00:02:15,702 REGGIE, ARE YOU READY? THEN LET'S! 37 00:02:15,768 --> 00:02:16,469 I'M JAMES CORDEN, AND THIS? THIS IS "THE LATE LATE SHOW!" 38 00:02:16,536 --> 00:02:21,941 ROLL THE TITLES! 39 00:02:22,008 --> 00:02:30,016 ♪ THE LATE LATE SHOW, OH, OH 40 00:02:30,083 --> 00:02:32,785 THE LATE LATE SHOW, WOO! ♪ THE LATE LATE SHOW, OH, OH 41 00:02:32,852 --> 00:02:39,959 THE LATE LATE SHOW OH-OH! ♪ IT'S THE LATE, LATE SHOW ♪ 42 00:02:40,026 --> 00:02:43,863 >> James: BLESS YOU ONE AND ALL. 43 00:02:43,930 --> 00:02:46,366 IT'S OFFICIAL, GUESS WHAT HAPPENED TODAY? 44 00:02:46,432 --> 00:02:50,803 >> WHAT HAPPENED TODAY? >> James: A LITTLE SOMEONE 45 00:02:50,870 --> 00:02:55,108 YOU MIGHT KNOW STARTED TO FEEL CHRISTMASSY. 46 00:02:55,174 --> 00:02:57,243 IT HAPPENED. IT HAPPENED. 47 00:02:57,310 --> 00:03:00,914 >> Reggie: WHAT HAPPENED? >> James: I DON'T KNOW, IT'S 48 00:03:00,980 --> 00:03:06,319 THANKSGIVING, AND I THOUGHT IT'S TIME, BUBLE, STRAIGHT IN! 49 00:03:06,386 --> 00:03:15,762 IT WENT OFF IN MY CAR! , DELUX EDITION. 50 00:03:15,828 --> 00:03:23,670 >> BIG BUBLE. >> James: FIVE EXTRA TRACKS. 51 00:03:23,736 --> 00:03:31,110 I WAS POPPING, I WAS MARIAH. >> YOU GOT TO SAVE MARIAH. 52 00:03:31,177 --> 00:03:35,915 YOU CAN'T START WITH "ALL I WANT FOR CHRISTMAS IS YOU" YOU'LL 53 00:03:35,982 --> 00:03:42,055 BOTTOM OUT, THAT IS TOO HIGH. >> James: THE DING DING DING 54 00:03:42,121 --> 00:03:47,460 DING ... REALLY GOT IN THE ZONE! I'M GOING TO GO BACK TONIGHT, 55 00:03:47,527 --> 00:03:57,103 GOING TO LIGHT A CHRISTMAS SCENTED CANDLE. 56 00:03:57,170 --> 00:04:02,575 >> WATCH THE CHRISTMAS HLTD. >> James: ARE YOU BUSY 57 00:04:02,642 --> 00:04:11,417 TONIGHT? YOU WANT TO WATCH THE HOLIDAY? 58 00:04:11,484 --> 00:04:13,720 >> Reggie: WATCH THE HOLIDAY? >> James: DON'T MAKE OUT THIS 59 00:04:13,786 --> 00:04:19,125 IS A CHAT WE'RE HAVING ON TV. >> Reggie: YOU WANT TO COMMIT 60 00:04:19,192 --> 00:04:24,130 TO IT RIGHT NOW? I'M NOT COMING OVER! 61 00:04:24,197 --> 00:04:27,867 (LAUGHTER) >> James: WE CAN CHITCHAT 62 00:04:27,934 --> 00:04:34,540 LIKE THAT FORFEIT BUT WE'VE GOT YOU THE NEWS. 63 00:04:34,607 --> 00:04:36,275 EARLIER TODAY, PRESIDENT BIDEN 64 00:04:36,342 --> 00:04:37,510 TOOK PART IN THE ANNUAL WHITE HOUSE THANKSGIVING TRADITION BY 65 00:04:37,577 --> 00:04:38,678 PARDONING TWO TURKEYS-- ONE NAMED CHOCOLATE AND ONE NAMED 66 00:04:38,745 --> 00:04:43,950 CHIP. HAVE A LOOK. 67 00:04:44,017 --> 00:04:58,898 >> CHOCOLATE AND CHIP. HE DOESN'T NEED TO BE PARDONED, 68 00:04:58,965 --> 00:05:05,371 >> CHOCOLATE AND CHIP. HE DOESN'T NEED TO BE PARDONED, 69 00:05:05,438 --> 00:05:07,373 I KNEW I WAS PARDONED. THIS IS THE HAPPIEST BIDEN HAS 70 00:05:07,440 --> 00:05:11,044 LOOKED IN TWO YEARS. IF YOU TAKE AWAY ALL OF THE 71 00:05:11,110 --> 00:05:14,881 POMP AND CIRCUMSTANCE, YOU REALIZE WE'RE JUST WATCHING AN 72 00:05:14,947 --> 00:05:15,915 OLD MAN TRY TO HAVE A CONVERSATION WITH A TURKEY. 73 00:05:15,982 --> 00:05:21,120 HE PARDONED TWO TURKEYS. USUALLY, THIS IS A CUTE 74 00:05:21,187 --> 00:05:22,188 TRADITION... BUT BOTH OF THESE TURKEYS WERE 75 00:05:22,255 --> 00:05:26,292 ACTUALLY PRETTY HIGH-LEVEL COCAINE DEALERS IN MIAMI. 76 00:05:26,359 --> 00:05:30,029 (LAUGHTER) MY ISSUE IS: 77 00:05:30,096 --> 00:05:31,664 WHAT ABOUT OTHER TURKEYS OUT THERE WHO'VE BEEN WRONGLY 78 00:05:31,731 --> 00:05:35,368 CONVICTED? HOW CAN WE HELP THEM? 79 00:05:35,435 --> 00:05:41,174 >> I'VE ACTUALLY BEEN WORKING WITH KIM CARR DAESH YAH, HAND IN 80 00:05:41,240 --> 00:05:51,417 HAND, TO GET OUR INITIATIVE OFF OF DEATH ROW. 81 00:05:51,484 --> 00:05:53,986 >> James: I CAN TELL YOU, THERE ARE GOING TO BE SO MANY 82 00:05:54,053 --> 00:05:58,925 THINGS I'M GOING TO MISS WHEN I STOP HOSTING OUR SHOW. 83 00:05:58,991 --> 00:06:01,994 WHEN IT COME THE MY LAST SHOW, I'LL CRY MY EYES OUT, BUT I'LL 84 00:06:02,061 --> 00:06:04,797 NEVER EVER MISS DOING THIS STORY EVERY YEAR. 85 00:06:04,864 --> 00:06:12,371 EVERY YORE. SERIOUSLY, PRESIDENT BIDEN WILL 86 00:06:12,438 --> 00:06:20,747 TAKE PART IN AN ANNUAL WHITE HOUSE TRADITION, THE TURKEY 87 00:06:20,813 --> 00:06:23,015 PARDON. I'LL NEVER GET USED TO THE FACT 88 00:06:23,082 --> 00:06:36,028 THAT TWO TURKEYS ARE SPENDING THE NIGHTD÷ A LUXURIOUS SUITE. 89 00:06:36,095 --> 00:06:38,331 INSTEAD OF BREAD AND BUTTER, THEY'RE CALLED JUICE AND 90 00:06:38,397 --> 00:06:46,339 CLEANSE. THE ANNUAL TURKEY PARDONING AT 91 00:06:46,405 --> 00:06:52,211 THE WHITE HOUSE, THE TURKEYS ARE LIKE KID US NOW, IT'S BAD ENOUGH 92 00:06:52,278 --> 00:07:01,687 I GOT TO COME HERE TO MEET YOU. YOU THOUGHT YOU HAD LEFTOVERS. 93 00:07:01,754 --> 00:07:06,893 AND, REMEMBER ALL THE CONTROVERSY ABOUT HUNTER BIDEN'S 94 00:07:06,959 --> 00:07:08,528 LAPTOP-- THAT IT HAD RECORDS SHOWING HE LEVERAGED HIS 95 00:07:08,594 --> 00:07:10,563 FATHER'S POSITION FOR LUCRATIVE JOBS AND CONTRACTS? 96 00:07:10,630 --> 00:07:16,135 THE STORY WAS CENSORED ON TWITTER FOR BEING 97 00:07:16,202 --> 00:07:20,006 "DISINFORMATION," AND EVEN PRESIDENT BIDEN CALLED THE 98 00:07:20,072 --> 00:07:22,708 LAPTOP "A RUSSIAN PLANT?" WELL, CBS NEWS ANNOUNCED TODAY, 99 00:07:22,775 --> 00:07:27,947 THAT AFTER A FORENSIC REVIEW, THE LAPTOP DATA APPEARS GENUINE. 100 00:07:28,014 --> 00:07:31,050 PERFECT! JUST IN TIME FOR YOUR 101 00:07:31,117 --> 00:07:35,221 THANKSGIVING DINNER CONVERSATION! 102 00:07:35,288 --> 00:07:37,156 CBS NEWS COMMISSIONED AN INDEPENDENT FORENSIC REVIEW OF 103 00:07:37,223 --> 00:07:41,794 THE LAPTOP. SO, AS ONE OF CBS'S TOP NEWS 104 00:07:41,861 --> 00:07:47,433 PROGRAMS, I CAN ONLY ASSUME WE'LL GET THE LAPTOP NEXT. 105 00:07:47,500 --> 00:07:55,541 WHEN DO WE GET THE LAPTOP, NICK? WHEN DO WE GET TO EXPLORE THE 106 00:07:55,608 --> 00:07:58,644 LAPTOP? >> I HAVEN'T ASKED CBS NEWS. 107 00:07:58,711 --> 00:08:00,413 >> James: WELL, THAT IS A PROBLEM. 108 00:08:00,479 --> 00:08:02,248 >> DO YOU WANT ME TO ASK THEM NOW? 109 00:08:02,315 --> 00:08:04,750 >> James: YES. I FEEL LIKE WE SHOULD BE THE 110 00:08:04,817 --> 00:08:09,255 NEXT IN LINE AS THE FLAGSHIP NEWS PROGRAM. 111 00:08:09,322 --> 00:08:12,058 >> YOU KNOW WHAT I BET THEY HAVEN'T THOUGHT TO DO. 112 00:08:12,124 --> 00:08:18,731 YOU GO ON THERE AND THEY'RE LIKE LOOKING FOR STUFF LIKE DRUGS OR 113 00:08:18,798 --> 00:08:20,333 ILLEGAL OIL CONTRACTS. RIGHT? 114 00:08:20,399 --> 00:08:24,704 WE GO ON THERE AND WE CLICK ON TAXES AND LIKE 1998. 115 00:08:24,770 --> 00:08:29,208 BECAUSE THAT'S WHERE I USED TO HIDE MY PORN AND I BET THAT'S 116 00:08:29,275 --> 00:08:33,079 WHERE HIS BAD STUFF IS! >> James: APPARENTLY, THE 117 00:08:33,145 --> 00:08:35,681 LAPTOP CONTAINS ALL KINDS OF PERSONAL EMAILS, 118 00:08:35,748 --> 00:08:40,353 PHOTOS, AND EVEN VOICEMAILS. WHO SAVES VOICEMAIL MESSAGES TO 119 00:08:40,419 --> 00:08:43,522 A LAPTOP? EVEN WORSE, WHAT KIND OF MONSTER 120 00:08:43,589 --> 00:08:44,657 LEAVES VOICEMAIL MESSAGES? BUT THE WHITE HOUSE IS GETTING 121 00:08:44,724 --> 00:08:45,992 NERVOUS ABOUT ALL OF THIS. PRESIDENT BIDEN WAS LIKE 122 00:08:46,058 --> 00:08:47,260 "AS LONG AS WE'RE ALREADY DOING SOME PARDONING TODAY, CAN I JUST 123 00:08:47,326 --> 00:08:53,799 ADD ONE MORE?" IN OTHER NEWS, AN ELECTION TO 124 00:08:53,866 --> 00:08:56,435 FILL A CITY COUNCIL SEAT IN MICHIGAN RESULTED IN A TIE-- 125 00:08:56,502 --> 00:09:00,239 SO THE WINNER WAS DETERMINED BY A DRAWING. 126 00:09:00,306 --> 00:09:04,010 SERIOUSLY, THE TWO CANDIDATES DREW OUT OF A BOWL, WITH ONE 127 00:09:04,076 --> 00:09:08,581 PIECE OF PAPER LABELED "ELECTED" AND ONE THAT SAID "NOT ELECTED." 128 00:09:08,648 --> 00:09:14,353 THEY JUST DREW PIECES OF PAPER OUT OF A BOWL? 129 00:09:14,420 --> 00:09:15,955 WHAT HAPPENED TO ROCK-PAPER-SCISSORS, LIKE THE 130 00:09:16,022 --> 00:09:21,127 FOUNDING FATHERS INTENDED? THAT WOULD BE A FUN WAY TO FIND 131 00:09:21,193 --> 00:09:27,934 OUT WHO WINS BEST ACTOR. CAN HE OSCARS, WOULDN'T IT? 132 00:09:28,000 --> 00:09:29,368 ALL OF THE NOMINEES GATHERED ON STAGE AT THE ACADEMY AWARDS 133 00:09:29,435 --> 00:09:32,405 LIKE, "AND BEST ACTOR IS... VIN DIESEL!" 134 00:09:32,471 --> 00:09:37,910 CAN WE SEE THEM AGAIN? LOOK AT THAT. 135 00:09:37,977 --> 00:09:39,812 IF YOU TOOK AWAY THAT PIECE OF PAPER THAT SAYS "ELECTED," THIS 136 00:09:39,879 --> 00:09:46,552 IS 100% A MOTHER-DAUGHTER PHOTO FROM A BON JOVI CONCERT. 137 00:09:46,619 --> 00:09:48,754 AND FINALLY, THE FASHION BRAND BALENCIAGA IS UNDER FIRE TODAY 138 00:09:48,821 --> 00:09:51,724 AFTER ADVERTISING TEDDY BEARS DRESSED IN BONDAGE ATTIRE. 139 00:09:51,791 --> 00:09:56,896 IN ONE IMAGE, A LITTLE GIRL CUDDLED A WHITE BEAR, WHICH WAS 140 00:09:56,963 --> 00:09:58,965 STRAPPED IN A VEST WITH A PADLOCKED CHOKER AROUND ITS 141 00:09:59,031 --> 00:10:02,001 NECK. IN ANOTHER, A CHILD HELD A 142 00:10:02,068 --> 00:10:06,772 PURPLE PLUSH ANIMAL WHICH WAS FASHIONED IN SIMILAR B.D.S.M. 143 00:10:06,839 --> 00:10:10,376 ATTIRE. THIS IS WHY WE CAN'T HAVE A 144 00:10:10,443 --> 00:10:12,778 RAILROAD STRIKE. I'VE GOT TO GET MY BONDAGE TEDDY 145 00:10:12,845 --> 00:10:17,650 BEARS IN TIME FOR CHRISTMAS. A LOT OF PEOPLE ARE UPSET ABOUT 146 00:10:17,717 --> 00:10:20,619 THIS. IT SEEMS STRANGE TO BE UPSET BY 147 00:10:20,686 --> 00:10:21,821 THESE BEARS, WHEN WINNIE THE POOH HASN'T WORN ANYTHING FROM 148 00:10:21,887 --> 00:10:32,832 THE WAIST DOWN IN OVER 90 YEARS. (APPLAUSE) 149 00:10:32,898 --> 00:10:34,100 BUT OTHER COMPANIES ARE ALREADY JUMPING ON THIS. 150 00:10:34,166 --> 00:10:35,634 THIS NEW TOY IS COMING OUT JUST IN TIME FOR CHRISTMAS, IT'S 151 00:10:35,701 --> 00:10:41,607 "TICKLE ME, SPANK ME, AND HANDCUFF ME ELMO." 152 00:10:41,674 --> 00:10:42,675 (LAUGHTER) AND THAT'S THE NEWS! 153 00:10:42,742 --> 00:10:48,047 WE'LL BE RIGHT BACK EVERYBODY! (CHEERS AND APPLAUSE) 154 00:11:00,826 --> 00:11:03,796 ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 155 00:11:03,863 --> 00:11:05,464 LET'S MEET OUR GUESTS TONIGHT! SHE PLAYS GISELLE IN 156 00:11:05,531 --> 00:11:10,503 "DISENCHANTED." IT'S AMY ADAMS! 157 00:11:10,569 --> 00:11:20,513 >> Reggie: IT'S AMY ADAMS! >> James: SHE PLAYS MALVINA 158 00:11:20,579 --> 00:11:22,982 MONROE IN "DISENCHANTED." IT'S MAYA RUDOLPH! 159 00:11:23,049 --> 00:11:28,721 (CHEERS AND APPLAUSE) >> Reggie: IT'S MAYA RUDOLPH! 160 00:11:28,788 --> 00:11:37,797 SHE WONDERFUL. SHE BAD! 161 00:11:37,863 --> 00:11:45,404 MAYA RUDOLPH, SHE'S MAYA REUSMED! 162 00:11:45,471 --> 00:11:46,972 MAYA RUDOLPH! 163 00:11:47,039 --> 00:11:49,642 >> James: BLESS YOU FOR BEING HERE. 164 00:11:49,708 --> 00:11:55,848 WHAT A TARNLTED COUCH, HOW -- TALENTED COWMP, TO BE IN YOUR 165 00:11:55,915 --> 00:11:58,851 ORBIT. THANKSGIVING WEEK, ARE WE GOOD, 166 00:11:58,918 --> 00:12:03,289 DO WE HAVE A SIGNATURE DISH? >> WE'RE JUST TALK GOING THIS. 167 00:12:03,355 --> 00:12:06,592 I'M EXCITED TO MAKE PIES AND THINGS LIKE THAT. 168 00:12:06,659 --> 00:12:10,463 I FEEL A LITTLE BIT OF PRESSURES. 169 00:12:10,529 --> 00:12:14,100 I'M THE PERSON THAT MAKES POPOVERS IN MY HOUSE. 170 00:12:14,166 --> 00:12:18,504 >> James: TALK TO ME ABOUT WHAT A POPOVER IS. 171 00:12:18,571 --> 00:12:33,452 >> RIGHT REGGIE? >> IT'S LIKE TRIANGULAR FUF 172 00:12:33,519 --> 00:12:34,220 >> RIGHT REGGIE? >> IT'S LIKE TRIANGULAR FUF 173 00:12:34,286 --> 00:12:37,790 PASTRY. >> IT IS A FANCY ROLL. 174 00:12:37,857 --> 00:12:42,895 >> James: LIKE A YORKSHIRE PUDDING. 175 00:12:42,962 --> 00:12:43,996 YES. THAT IS A LOT OF PRESSURE. 176 00:12:44,063 --> 00:12:47,299 >> LIKE THE TIMING. EVERYTHING HAS TO BE HOT WHEN IT 177 00:12:47,366 --> 00:12:53,672 GETS TO THE TABLE. IF YOU OPEN THE U URCH -- OVEN,E 178 00:12:53,739 --> 00:13:03,249 PEOPLE LIKE TO DO -- >> THET GE DEPRESSED. 179 00:13:03,315 --> 00:13:06,986 THEY'RE TEENAGERS, EXACTLY WHAT THEY ARE. 180 00:13:07,052 --> 00:13:10,022 I WISH YOU LUCK. >> THANK YOU. 181 00:13:10,089 --> 00:13:13,225 >> James: AMY WHAT ARE YOU PARTICULARLY THANKFUL FOR? 182 00:13:13,292 --> 00:13:18,097 p>> FOR MY FAMILY, ALL HEALTH AD HAPPINESS. 183 00:13:18,164 --> 00:13:24,537 I GOT TO DO RISE OF THE RESISTANCE. 184 00:13:24,603 --> 00:13:31,844 PEOPLE THAT PUT THAT TOGETHER. AT DISNEYLAND. 185 00:13:31,911 --> 00:13:36,415 >> YOU GO IN THERE BECAUSE THE STORM TROOPERS THERE ARE. 186 00:13:36,482 --> 00:13:38,517 THEY MOVE A LITTLE BIT. >> THEY ARE REALLY THERE. 187 00:13:38,584 --> 00:13:42,688 >> I LIKE TO JUMP OFF THE RIDE AND PRETEND I'M IN THE MOVIE. 188 00:13:42,755 --> 00:13:44,890 >> James: YES. >> I THINK YOU SHOULD. 189 00:13:44,957 --> 00:13:48,928 THAT WOULD REALLY MESS WITH PEOPLE! 190 00:13:48,994 --> 00:13:55,868 ESPECIALLY IN DISNEY EARS. >> THAT'S REALLY WEIRD. 191 00:13:55,935 --> 00:13:57,937 BUT I COULD SEE LIKE GETTING INTO CHARACTER. 192 00:13:58,003 --> 00:14:01,540 >> James: I COULD SEE YOU BEING IN STAR WARS. 193 00:14:01,607 --> 00:14:03,809 >> YES, YES! >> James: I THINK YOU'RE MADE 194 00:14:03,876 --> 00:14:06,679 FOR IT. YOU'D BE AMAZING IN A NEW -- 195 00:14:06,745 --> 00:14:11,383 THEY SHOULD MAKE 17 A YEAR. I THOUGHT THEY USED TO MAKE ONE 196 00:14:11,450 --> 00:14:14,186 EVERY 25 YEARS AND NOW THEY MAKE 17 A YEAR. 197 00:14:14,253 --> 00:14:16,822 >> COME TO YOUR PLANET. >> James: YES. 198 00:14:16,889 --> 00:14:21,193 >> THE PLANET OF AMY ADAMS. p>> WHATEVER YOUR CHARACTER'S 199 00:14:21,260 --> 00:14:24,063 PLANET LIVES ON. A BEAUTIFUL GREEN PLANET. 200 00:14:24,129 --> 00:14:26,966 SO EASY! >> James: IT DOES. 201 00:14:27,032 --> 00:14:29,702 >> IF YOU ARE LISTENING I'M GAME. 202 00:14:29,768 --> 00:14:36,875 >> YOU MAY NOT KNOW THIS BUT YOU HAVE A LOT IN COMMON. 203 00:14:36,942 --> 00:14:41,113 OTHER THAN BEING IN THE DISENCHANTED. 204 00:14:41,180 --> 00:14:46,919 YOU CO-STAR IN A MOVIE IDINA MENZEL ENDED UP GETTING. 205 00:14:46,986 --> 00:14:51,957 RENT, HOW DID THAT GO? >> IT WAS AFTER THE MOVIE, 206 00:14:52,024 --> 00:14:58,964 BEFORE THE MUSICAL. I CAN'T SING LIKE IDINA. 207 00:14:59,031 --> 00:15:03,769 I WAS FAMILIAR, HAD TRAINED IN IT, PRACTICED TO THE CD THE 208 00:15:03,836 --> 00:15:11,343 NIGHT BEFORE, TRIED TO ABSENT LIKE THAT CHARACTER. 209 00:15:11,410 --> 00:15:14,747 >> SHE ESTABLISHED IT SO I'M SURE IT WAS HARD LIKE YOU'RE 210 00:15:14,813 --> 00:15:17,049 THINKING OF HER TALL TIME. >> I'M ALSO SINGING LIKE 211 00:15:17,116 --> 00:15:23,722 GIZELLE, SINGING "EVER SINCE PUBERTY EVERYONE NOTICES ME" OR 212 00:15:23,789 --> 00:15:28,027 SOMETHING LIKE THAT. >> James: KIND OF A POP STAR 213 00:15:28,093 --> 00:15:30,529 LIKE WHOA? >> I CAN'T DO THAT. 214 00:15:30,596 --> 00:15:33,198 THEN I STEPPED OUT INTO THE WAITING ROOM AND ALL THESE 215 00:15:33,265 --> 00:15:39,772 PEOPLE WHO CLEARLY HAD BEEN FAMILIAR AND FANS OF RENT 216 00:15:39,838 --> 00:15:43,108 FOREVER, LIKE THE RESISTANT T SHIRTS AND THEIR BAGS WERE 217 00:15:43,175 --> 00:15:47,079 STARING AT ME LIKE WHITE-FACED, I ROIFERRED THEY COULD HEAR THE 218 00:15:47,146 --> 00:15:48,947 WHOLE THING. >> James: THAT WAS CRUEL! 219 00:15:49,014 --> 00:15:53,619 >> NO NO, IT'S OKAY NAP SHOULD BE A SOUND PROOFED ROOM. 220 00:15:53,686 --> 00:15:57,423 ESPECIALLY WHEN I WAS IN THERE IT SHOULD HAVE BEEN SOUND 221 00:15:57,489 --> 00:16:00,059 PROOFED. >> NO WAY JOSE. 222 00:16:00,125 --> 00:16:05,931 >> I'M ONE OF THE PEOPLE WHO THINKS ITS REALLY FUNNY WHEN I 223 00:16:05,998 --> 00:16:08,967 DO FOORL. >> James: YOU WERE LIKE THAT 224 00:16:09,034 --> 00:16:11,970 WAS HILARIOUS. >> I WAS EMBARRASSED BUT YEAH. 225 00:16:12,037 --> 00:16:15,507 IT WAS REALLY FUNNY. >> James: WHAT WAS YOUR 226 00:16:15,574 --> 00:16:20,212 AUDITION FOR? >> I DIDN'T KNOW -- I KNEW I WAS 227 00:16:20,279 --> 00:16:24,416 AUDITIONING FOR A DISNEY ANIMATED FILM I DIDN'T KNOW WHAT 228 00:16:24,483 --> 00:16:27,586 IT WAS BUT IT ENDED UP BEING FROZEN. 229 00:16:27,653 --> 00:16:30,622 YOU NEED TO PREPARE A SONG BECAUSE YOU'RE GOING TO BE LIKE 230 00:16:30,689 --> 00:16:36,562 THE ICE QUEEN, AND I'M OKAY. I'M LOOKING BACK, TO SEE WHETHER 231 00:16:36,628 --> 00:16:45,804 THE SONG I CHOSE WAS IN MY RANGE, I SANG "REHAB" BY AMY 232 00:16:45,871 --> 00:16:50,442 WINEHOUSE. BUT NOW -- I COULD SING -- 233 00:16:50,509 --> 00:16:54,012 >> James: FROZEN 3 IS ELSA IN REHAB. 234 00:16:54,079 --> 00:17:00,285 IT WOULD BE UNBELIEVABLE. >> I'M LIKE I DON'T GIVE A 235 00:17:00,352 --> 00:17:02,454 (BLEEP). >> MAYA THAT IS REALLY FUNNY. 236 00:17:02,521 --> 00:17:06,692 >> IT IS REALLY FUNNY. WHAT IT BECAME I HAD NO IDEA. 237 00:17:06,759 --> 00:17:13,031 >> James: YOU'RE SINGING IT, "I AIN'T GOT THE TIME" THEY ASK 238 00:17:13,098 --> 00:17:17,136 YOU, DO YOU HAVE ANYTHING ELSE? >> THEY DIDN'T ASK ME IF I HAD 239 00:17:17,202 --> 00:17:20,372 ANYTHING ELSE, WEIRD. WE SHOULD HAVE SWITCHED 240 00:17:20,439 --> 00:17:21,974 AUDITIONS, WOULD YOU HAVE KILLED THAT SONG. 241 00:17:22,040 --> 00:17:24,643 >> I THINK YOU WERE PROBABLY IN THE RIGHT PLACE. 242 00:17:24,710 --> 00:17:27,813 >> James: IT DOESN'T HAPPEN NOW BECAUSE YOU HAVE THIS HUGE 243 00:17:27,880 --> 00:17:30,949 MOVIE THAT'S COME BACK AFTER 17 YEARS AWAY. 244 00:17:31,016 --> 00:17:36,021 15 YEARS DISENCHANTED. AMY, IS THIS RIGHT, YOUR 245 00:17:36,088 --> 00:17:39,558 DAUGHTER HAS A CAMEO IN THE MOVIE? 246 00:17:39,625 --> 00:17:42,261 >> SHE DOES. >> James: WHAT WAS IT LIKE, 247 00:17:42,327 --> 00:17:44,763 HAVING HER AROUND? >> WE WERE IN COVID 248 00:17:44,830 --> 00:17:47,032 RESTRICTIONS. I HAD TO INVITE HER TO BE IN THE 249 00:17:47,099 --> 00:17:52,004 MOVIE SO SHE WALKS THROUGH MARKET AND SORT OF GAZES 250 00:17:52,070 --> 00:17:57,976 LONGINGLY AT A DRAG ON FRUIT, AND HER MOTHER PULLS HER AWAY. 251 00:17:58,043 --> 00:18:03,182 SHE HAS A TALENT FOR CONTINUITY. WHEN YOU'RE WORKING ON MOVIES 252 00:18:03,248 --> 00:18:08,787 YOU HAVE TO DO THINGS OVER AND OVER AGAIN. 253 00:18:08,854 --> 00:18:15,194 SHE GOT REALLY GOOD THE AT IT, SHE WANTS TO QUEEN-OUT 254 00:18:15,260 --> 00:18:19,698 CONTINUITY. >> LIKE THE APPLE WAS IN YOUR 255 00:18:19,765 --> 00:18:22,634 LEFT HAND. >> I'D LOVE TO DO THAT WITH HER. 256 00:18:22,701 --> 00:18:25,103 >> James: THE FILM IS ABSOLUTELY HUGE. 257 00:18:25,170 --> 00:18:28,640 YOU PLAY A BRAND-NEW CHARACTER IN THE MOVIE. 258 00:18:28,707 --> 00:18:35,347 WHO DO YOU PLAY? >> I PLAY MALLVINA MONROE. 259 00:18:35,414 --> 00:18:40,786 SHE DID NOT SELL AMY AND HER FAMILY THEIR HOUSE. 260 00:18:40,853 --> 00:18:47,593 SHE'S UPSET ABOUT IT. GISELLE IS VERY GISELLE AND 261 00:18:47,659 --> 00:18:51,029 MALVINA DOESN'T LIKE THAT. THEY ARE LIKE HOW SHALL I SAY, 262 00:18:51,096 --> 00:18:56,235 OIL AND WATER. ALTHOUGH GISELLE GETS ALONG WITH 263 00:18:56,301 --> 00:18:58,203 EVERYBODY. >> I THINK SHE'S WONDERFUL. 264 00:18:58,270 --> 00:19:03,876 >> SHE THINKS SHE'S WONDERFUL. >> James: DO YOU HAVE AN ALL 265 00:19:03,942 --> 00:19:09,448 TIME FAVORITE DISNEY VILLAIN? >> I DIDN'T POLL FROM ANYBODY 266 00:19:09,515 --> 00:19:19,424 BUT SHE'S GOT ALLOT OF CREWLLA deVILLE, HER NAILS HER GOWNS 267 00:19:19,491 --> 00:19:27,633 AND EVERYTHING, SHE'S SO EVIL, CRUELLA SKINS DOGS AND WEARS 268 00:19:27,699 --> 00:19:31,737 THEM. >> James: RIGHT. 269 00:19:31,803 --> 00:19:43,615 NOBODY TALKS ABOUT CRUELLA BEING A PROBLEMATIC PERSON ON FILM. 270 00:19:43,682 --> 00:19:47,519 SHE WEARS 101 DOGS AND SKINS THEM TO MAKE A COAT. 271 00:19:47,586 --> 00:19:50,656 NO ONE TALKS ABOUT THAT. >> AS A PROBLEM. 272 00:19:50,722 --> 00:19:57,496 >> James: NO THEY DON'T. JAMES MARSDEN AND IDINA WERE 273 00:19:57,563 --> 00:20:03,068 HERE A FEW DAYS AGO. IT SOUND LIKE A WONDERFUL FILM. 274 00:20:03,135 --> 00:20:07,272 YOU ALL ARE FAVORITE PEOPLE WE HAVE ON THIS SHOW AND I HEARD 275 00:20:07,339 --> 00:20:09,908 THERE WAS A LOT OF HARMONIZINGS ON SET. 276 00:20:09,975 --> 00:20:13,211 >> OH YES. >> James: WHAT KIND OF 277 00:20:13,278 --> 00:20:18,317 HARMONY ARE WE TALKING ABOUT? >> WE DO IT ALL THE TIME. 278 00:20:18,383 --> 00:20:24,222 WE SING ALL THE TIME. >> TO BE CLEAR I USUALLY TAKE 279 00:20:24,289 --> 00:20:27,559 THE MELODY. SHE'S THE HARMONY. 280 00:20:27,626 --> 00:20:32,731 >> YOU CAN'T DO IT BY YOURSELF. >> James: NO YOU CAN'T. 281 00:20:32,798 --> 00:20:35,834 >> YOU NEED SOMEBODY TO HOLD THEIR NOTE DOWN. 282 00:20:35,901 --> 00:20:40,138 >> James: CAN WE TRY A LITTLE HARMONIZING RIGHT NOW? 283 00:20:40,205 --> 00:20:43,508 CAN WE TRY RIGHT NOW? I'M GOING TO GIVE YOU SOME 284 00:20:43,575 --> 00:20:46,678 PHRASES. AND YOU START. 285 00:20:46,745 --> 00:20:50,482 AMY, MAYA YOU DO WHENEVER YOU CAN. 286 00:20:50,549 --> 00:20:52,818 STEAMED BROCCOLI. GO FOR IT. 287 00:20:52,884 --> 00:20:59,658 >> STEAMED BROCCOLI. >> STEAMED BROCCOLI ♪ 288 00:20:59,725 --> 00:21:09,067 >> James: TRY THIS ONE. GO WHERE EVER YOU WANT TO GO ON 289 00:21:09,134 --> 00:21:13,338 THIS. >> COLONOSCOPY. 290 00:21:13,405 --> 00:21:28,286 >> COLO COLONOSCOPY. A♪ 291 00:21:28,353 --> 00:21:29,187 >> COLO COLONOSCOPY. A♪ 292 00:21:29,254 --> 00:21:33,025 >> James: GO FOR IT. >> COLONOSCOPY. 293 00:21:33,091 --> 00:21:40,432 >> James: COME ON GUYS. LET'S TAKE A LOOK AT A CLIP FROM 294 00:21:40,499 --> 00:21:42,334 STREAMING EXCLUSIVELY ON DISNEY+ RIGHT NOW! 295 00:21:42,401 --> 00:21:54,012 >> I'M SORRY TO RUIN YOUR PARTY WITH ALL THIS MESSING YOUR PARTY 296 00:21:54,079 --> 00:21:59,885 BUSINESS. >> OH YOU ARE DILUTIONAL, BULL 297 00:21:59,951 --> 00:22:01,787 HILARIOUS. PLEASE DON'T FEEL THAT YOU'RE 298 00:22:01,853 --> 00:22:05,190 UPSETTING ME ♪ ♪ DEAR I BARELY KNOW YOU'RE 299 00:22:05,257 --> 00:22:06,725 THERE. SORRY WERE YOU SPEAKING? 300 00:22:06,792 --> 00:22:10,996 YOU'RE HARD TO SEE LIKE A SMELL THAT LINGERS IN THE AIR. 301 00:22:11,063 --> 00:22:15,734 ♪ TRYING TO BE CLEVER THAT MAKES NO SENSE, THAT'S A ROLE YOU 302 00:22:15,801 --> 00:22:19,571 HAVEN'T EARNED. YOU HAVEN'T SEEN YOUR OWN 303 00:22:19,638 --> 00:22:21,807 INSIGNIFICANCE, IT'S TIME YOU LEARNED. 304 00:22:21,873 --> 00:22:27,746 ♪ YOU MAY THINK YOU'RE BAD BUT DARLING I AM BADDER, STRICTLY 305 00:22:27,813 --> 00:22:32,684 SPEAKING WHERE IS THE THRILL IN, I WANT TO BE VILLAIN. 306 00:22:32,751 --> 00:22:33,719 >> James: STICK AROUND MORE WITH THESE TWO WHEN WE 307 00:22:33,785 --> 00:22:37,222 COME BACK. 308 00:22:46,298 --> 00:22:48,266 ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 309 00:22:48,333 --> 00:22:51,937 NOW, AMY AND MAYA, YOU ALREADY KNEW EACH OTHER BEFORE WORKING 310 00:22:52,003 --> 00:22:54,439 ON "DISENCHANTED." BUT, YOU BECAME GREAT FRIENDS 311 00:22:54,506 --> 00:22:57,809 AFTER FILMING THE MOVIE. THE REAL QUESTION IS, HOW WELL 312 00:22:57,876 --> 00:23:03,749 DO YOU REALLY KNOW EACH OTHER? WE THOUGHT WE'D MAYBE TRY TO 313 00:23:03,815 --> 00:23:06,485 TEST YOUR FRIEND SHIP WITH A LITTLE GAME. 314 00:23:06,551 --> 00:23:09,955 IT'S A SIMPLE GAME. HERE'S HOW IT WORKS. 315 00:23:10,021 --> 00:23:14,359 I'LL BE ASKING YOU A SERIES OF QUESTIONS WHILE YOU 316 00:23:14,426 --> 00:23:18,663 BOTH HOLD THESE BUZZERS. >> THIS IS A BUZZER? 317 00:23:18,730 --> 00:23:20,699 >> I BUZZ IN WITH THE RIGHT ANSWER? 318 00:23:20,766 --> 00:23:26,738 >> IT'S LIKE A SHAKE-WEIGHT? >> James: IF YOU GET ANY 319 00:23:26,805 --> 00:23:32,544 QUESTIONS WRONG, YOU'LL RECEIVE AN ELECTRIC SHOCK THAT I WILL 320 00:23:32,611 --> 00:23:38,383 ADMINISTER WITH THIS. >> WHAT KIND OF A GAME IS THIS 321 00:23:38,450 --> 00:23:40,719 JAMES? >> James: ALL YOU HAVE TO DO 322 00:23:40,786 --> 00:23:45,690 IS GET THE QUESTIONS RIGHT. >> DID I ALREADY FEEL IT? 323 00:23:45,757 --> 00:23:48,894 I'M SCARED. >> James: YOU FEEL GOOD, 324 00:23:48,960 --> 00:23:50,762 CONFIDENT IN THIS? YOU SURE? 325 00:23:50,829 --> 00:23:53,732 >> NO. >> James: OKAY WELL THIS 326 00:23:53,799 --> 00:24:01,807 FIRST ONE IS TO AMY. THIS IS TO YOU, ABOUT MAYA 327 00:24:01,873 --> 00:24:04,609 RUDOLPH, HOLD THIS RIGHT HERE AND IF YOU GET IT WRONG I WILL 328 00:24:04,676 --> 00:24:07,312 CLICK THIS, RIGHT? >> OKAY, OKAY. 329 00:24:07,379 --> 00:24:09,447 >> James: NOTHING TO BE WORRIED ABOUT, NOTHING TO BE 330 00:24:09,514 --> 00:24:13,885 SCARED ABOUT. OKAY. 331 00:24:13,952 --> 00:24:16,221 YOU KNOW MAYA PRETTY WELL. >> SURE. 332 00:24:16,288 --> 00:24:17,022 >> James: KNOWN HER A LONG TIME. 333 00:24:17,088 --> 00:24:22,594 HOW MANY SEASONS WAS MAYA ON S SNL? 334 00:24:22,661 --> 00:24:25,397 TAKE A ROUGH GUESS. >> FIVE? 335 00:24:25,463 --> 00:24:33,538 >> DID IT FEEL WEIRD? >> James: WRONG, IT WAS 7.5 336 00:24:33,605 --> 00:24:36,208 YEARS. SEVEN AND SOME CHANGE. 337 00:24:36,274 --> 00:24:46,151 >> SHOCKY WIGGLY WORM. >> James: MAYA HERE IS YOUR 338 00:24:46,218 --> 00:24:50,422 QUESTION ABOUT AMY ADAMS. LOT OF PEOPLE KNOW THIS, 339 00:24:50,488 --> 00:24:54,492 CERTAINLY PEOPLE WHO REALLY LOVE AMY WOULD KNOW THIS. 340 00:24:54,559 --> 00:24:56,761 HOW MANY SIBLINGS DOES AMY ADAMS HAVE? 341 00:24:56,828 --> 00:25:02,434 >> THAT'S NOT FAIR. YOU HAVE A LOT. 342 00:25:02,500 --> 00:25:07,973 >> James: GUESS. >> YOU HAVE A LOT. 343 00:25:08,039 --> 00:25:09,875 YOU HAVE MORE THAN I HAVE CHILDREN. 344 00:25:09,941 --> 00:25:14,212 I HAVE FOUR CHILDREN. YOU HAVE -- YOU INCLUDED? 345 00:25:14,279 --> 00:25:18,783 HOW MANY LONGER CAN I STALL? >> James: HOW MANY SIBLINGS 346 00:25:18,850 --> 00:25:21,953 JUST GIVE US A NUMBER. >> I WOULD SAY I DON'T REMEMBER, 347 00:25:22,020 --> 00:25:25,757 IT'S BETWEEN FIVE OR SEVEN. I'M GOING TO SAY YOU HAVE SIX 348 00:25:25,824 --> 00:25:28,059 SIBLINGS. >> OOH! 349 00:25:28,126 --> 00:25:31,229 >> THAT'S TRUE. I'M ONE OF SEVEN. 350 00:25:31,296 --> 00:25:34,666 IT'S MY FAULT. >> James: IT'S SEVEN. 351 00:25:34,733 --> 00:25:38,837 IT SAYS YOU'VE GOT SEVEN! >> YOU KNOW WHAT THOUGH? 352 00:25:38,904 --> 00:25:45,477 MY HAND FEELS YOUNGER. >> THAT'S MY FAULT. 353 00:25:45,543 --> 00:25:47,579 I'M SORRY. >> I FELT HAD A! 354 00:25:47,646 --> 00:25:50,916 >> I WAS GIVING ALL THE WRONG ANSWERS. 355 00:25:50,982 --> 00:25:53,118 >> THAT'S NOT RIGHT. >> James: MAYA YOU GOT THAT 356 00:25:53,184 --> 00:25:57,122 ABSOLUTELY RIGHT AT SIX, BUT YOU GOT SHOCKED. 357 00:25:57,188 --> 00:25:59,324 I'M SORRY. AMY. 358 00:25:59,391 --> 00:26:04,396 MAYA HAS A HUGE FEAR, SOMETHING YOU MAY OR MAY NOT HAVE FOUND 359 00:26:04,462 --> 00:26:11,803 OUT WHILST YOU WERE FILMING DISENCHANTED, WHAT IS THAT FEAR? 360 00:26:11,870 --> 00:26:16,241 >> FEAR OF CLOWNS? >> I REALLY HATE SPIDERS. 361 00:26:16,308 --> 00:26:21,146 I REALLY HATE THEM. >> James: HOW BIG IS THAT 362 00:26:21,212 --> 00:26:24,883 FEAR? >> I GOT BITTEN BY A BLACK 363 00:26:24,950 --> 00:26:29,087 WIDOW, IT REALLY UPSET ME. I WAS ON A GIRLS TRIP WITH ALL 364 00:26:29,154 --> 00:26:35,193 THE SNL LADIES. I WAS ACTUALLY FUNNY, MY THIGH 365 00:26:35,260 --> 00:26:39,731 WAS KILLING ME, WHAT IS THAT? IT WAS A BLACK WIDOW, THE 366 00:26:39,798 --> 00:26:42,767 PARAMEDICS CAME AND ALL THIS STUFF BUT I'M FINE REALLY. 367 00:26:42,834 --> 00:26:47,706 >> I'M AFRAID OF BLACK WIDOWS, ESPECIALLY, I SHAKE OUT ALL MY 368 00:26:47,772 --> 00:26:51,910 SHOES BEFORE I PUT THEM ON. >> James: YOU WON'T EVEN 369 00:26:51,977 --> 00:26:56,214 WATCH THE MOVIE BLACK WIDOW. >> THIS IS HARDER THAN I 370 00:26:56,281 --> 00:27:05,357 THOUGHT. >> James: YOU ALREADY GOT ONE 371 00:27:05,423 --> 00:27:08,727 RIGHT! MAYA AFTER AMY GRADUATED HIGH 372 00:27:08,793 --> 00:27:11,162 SCHOOL, WHICH RESTAURANT DID SHE FAMOUSLY WORK IN? 373 00:27:11,229 --> 00:27:14,966 >> IT WAS DINNER THEATER BUT I DON'T KNOW WHAT THE NAME OF THE 374 00:27:15,033 --> 00:27:17,736 THEATER -- HOOTERS? >> James: YES, YOU'RE 375 00:27:17,802 --> 00:27:22,607 ABSOLUTELY RIGHT! WELL DONE! 376 00:27:22,674 --> 00:27:26,411 >> I DID KNOW THAT. >> HE SAVES THE DAY. 377 00:27:26,478 --> 00:27:29,047 >> HE REALLY DOES. >> James: HOW LONG DID YOU 378 00:27:29,114 --> 00:27:30,882 WORK IN HOOTERS FOR? >> I WORKED THERE FOR ABOUT 4 379 00:27:30,949 --> 00:27:34,452 MONTHS. I WAS SAVING UP MONEY TO BUY A 380 00:27:34,519 --> 00:27:37,789 CAR, MY FIRST CAR, CHEVY CITATION. 381 00:27:37,856 --> 00:27:40,558 >> James: THE BEST OF CHEVIES. 382 00:27:40,625 --> 00:27:44,629 >> THEY WERE GREAT. >> James: AMY, WHICH OF THIS 383 00:27:44,696 --> 00:27:51,603 ICONIC FILMS WAS MAYA NOT IN? GAS RVETIONICA, AS GOOD AS IT 384 00:27:51,669 --> 00:27:57,142 GETS OR GOODWILL HUNTING? >> GATTICA. 385 00:27:57,208 --> 00:28:00,779 >> YOU THINK I WAS IN GOODWILL HUNTING. 386 00:28:00,845 --> 00:28:06,551 I WAS MATT DAMON. YOU THINK I WAS THAT COOL! 387 00:28:06,618 --> 00:28:11,256 >> YOU ARE SO COOL, SUCH A GOOD ACTRESS. 388 00:28:11,322 --> 00:28:15,126 >> THEY CHOSE THE TWO MOVIES I HAVE ONE LINE IN EACH. 389 00:28:15,193 --> 00:28:19,064 >> OKAY. >> James: AS GOOD AS IT GETS 390 00:28:19,130 --> 00:28:24,269 MY FAVORITE MOVIE OF ALL TIME. >> MY LINE IS, "THEY WANT YOU 391 00:28:24,335 --> 00:28:26,871 INSIDE SIR." THAT IS MY LINE IN THAT FILM. 392 00:28:26,938 --> 00:28:34,446 >> I REALIZE I GOT NO ANSWERS ABOUT YOU RIGHT, I'M SORRY. 393 00:28:34,512 --> 00:28:36,247 >> James: SO HERE IS THE -- >> DO I WIN A PRIZE? 394 00:28:36,314 --> 00:28:40,051 >> >> James: YOU ABSOLUTELY DO. 395 00:28:40,118 --> 00:28:47,392 MAYA AMY HAS BEEN NOMINATED FOR SIX ACADEMY AWARDS. 396 00:28:47,459 --> 00:28:50,128 >> DAMN! >> James: NAME JUST THREE OF 397 00:28:50,195 --> 00:28:53,164 THE SIX FILMS THAT THEY WERE FOR. 398 00:28:53,231 --> 00:28:58,570 >> OH, WHAT CAN YOU -- >> James: JUST ALL WE'RE 399 00:28:58,636 --> 00:29:02,807 ASKING FOR. >> THE ONE WITH RILEY COOPER, 400 00:29:02,874 --> 00:29:11,716 THE ONE WITH CHRISTIAN BALE -- >> THE ONE THAT YOU ARE VERY 401 00:29:11,783 --> 00:29:14,519 CLOSE TO -- >> IS THAT ENOUGH? 402 00:29:14,586 --> 00:29:18,323 >> James: I DON'T MEAN THE ONE WITH CHRISTIAN BALE. 403 00:29:18,389 --> 00:29:20,258 I'M GOING TO HAVE TO PUCH YOU FOR -- 404 00:29:20,325 --> 00:29:23,328 >> WHAT WAS THAT MOVIE CALLED, YOU WERE REALLY GOOD IN IT. 405 00:29:23,394 --> 00:29:27,832 >> James: THERE WE GO. WE'LL BE RIGHT BACK EVERYBODY! 406 00:29:42,380 --> 00:29:44,549 ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 407 00:29:44,616 --> 00:29:48,720 AMY ADAMS AND MAYA RUDOLPH ARE STILL HERE WITH US, LADIES AND 408 00:29:48,786 --> 00:29:50,922 GENTLEMEN. NOW AMY, YOU MOVED TO LOS 409 00:29:50,989 --> 00:29:57,862 ANGELES FROM MINNESOTA. >> YES. 410 00:29:57,929 --> 00:29:59,931 >> James: I'VE NEVER BEEN TO MINNESOTA. 411 00:29:59,998 --> 00:30:02,934 HOW DIFFERENT IS IT? DID YOU SETTLE EASILY HERE IN 412 00:30:03,001 --> 00:30:05,003 LOS ANGELES? >> IT WAS VERY DIFFERENT. 413 00:30:05,069 --> 00:30:10,875 I CAME FROM A REALLY REALLY FRIENDLY FAMILIAR DINNER THEATER 414 00:30:10,942 --> 00:30:13,778 NAMED CHANHASSEN WHICH I REALLY LOVED, AND I THOUGHT EVERYONE 415 00:30:13,845 --> 00:30:18,716 WOULD BE FRIENDLY, THAT IS REALLY FITTING, I THOUGHT 416 00:30:18,783 --> 00:30:21,252 EVERYONE WOULD BE FRIENDLY AND THEY WERE NOT. 417 00:30:21,319 --> 00:30:25,523 I WAS SURPRISED AND SAD. >> James: HOW DID THAT 418 00:30:25,590 --> 00:30:28,193 MANIFEST ITSELF? >> IN A LOT OF WAYS -- I THINK 419 00:30:28,259 --> 00:30:31,963 THE MOMENT THAT I REALLY REALIZED I HAD TO TOUGHEN UP 420 00:30:32,030 --> 00:30:46,911 THAT I HAD GONE TO SEVEN LERCH 7-ELEVEN TOGET A SLURPY, A GUY T 421 00:30:46,978 --> 00:30:47,946 THAT I HAD GONE TO SEVEN LERCH 7-ELEVEN TOGET A SLURPY, A GUY T 422 00:30:48,012 --> 00:30:51,683 WATCH WHERE YOU'RE GOING YOU DUMB BITCH, RIGHT? 423 00:30:51,749 --> 00:30:57,789 >> YOU THINK HAT'S SWEARING? I (BLEEP), CAN I SWEAR? 424 00:30:57,855 --> 00:31:04,195 (BLEEP) HE WAS NOT PLEASED AND INSTEAD OF SAYING ANYTHING BACK 425 00:31:04,262 --> 00:31:08,166 I JUST SAT THERE AND CRIED AND VERY MUCH LIKE GISELLE, AND WAS 426 00:31:08,233 --> 00:31:13,371 LIKE, "WHY DID YOU HAVE TO BE SO MEAN?" I REALIZED I NEEDED TO 427 00:31:13,438 --> 00:31:18,743 GET A BIT OF A THICKER SKIN. >> I DIDN'T KNOW MUCH ABOUT 428 00:31:18,810 --> 00:31:22,380 MINNESOTA, TERM LIKE MINNESOTA NICE, PEOPLE ARE VERY, VERY 429 00:31:22,447 --> 00:31:24,249 NICE. >> James: I THOUGHT YOU LOVED 430 00:31:24,315 --> 00:31:27,919 MIRNZ. >> THEY ARE REALLY NICE. 431 00:31:27,986 --> 00:31:28,853 THEY'RE THE SALT OF THE EITHER. >> THAT'S WHERE PAISLEY PARK 432 00:31:28,920 --> 00:31:37,562 IS,. >> CHANHASSEN. 433 00:31:37,629 --> 00:31:39,197 DID PRINCE EVER COME AND SEE YOU? 434 00:31:39,264 --> 00:31:42,867 >> LEGEND HAS IT, WE SHOCHED AT THE SAME GROCERY STORE. 435 00:31:42,934 --> 00:31:49,307 >> YOU BOUGHT THE SAME FRITOS. >> James: PRINCE IS KNOWN FOR 436 00:31:49,374 --> 00:32:04,255 HIS LOVE OF FRITOS FOR SURE. YOU OR OBVIOUSLY LOVE NEW YORK 437 00:32:04,322 --> 00:32:05,390 HIS LOVE OF FRITOS FOR SURE. YOU OR OBVIOUSLY LOVE NEW YORK 438 00:32:05,456 --> 00:32:08,493 CITY. >> YOU GET LIKE NEW YORK MUGS 439 00:32:08,559 --> 00:32:16,234 YOU. SO WHEN I MOVED THERE IN 19, I 440 00:32:16,301 --> 00:32:21,472 GUESS 99, MAYBE 2000, I WAS TOLD IF YOU GET OFF THE SUBWAY, DON'T 441 00:32:21,539 --> 00:32:27,145 LOOK UP BECAUSE THAT WILL MAKE PEOPLE THINK YOU'RE TOURIST. 442 00:32:27,211 --> 00:32:30,415 GET OUT, AND LOOK LIKE YOU KNOW WHERE YOU'RE GOING. 443 00:32:30,481 --> 00:32:38,856 SO I GOT OFF THE SUBWAY AND JUST WALKED, AND AFTER ABOUT A BLOCK 444 00:32:38,923 --> 00:32:41,259 I WAS LIKE, WHERE AM I? I WAS SCARED I WOULD GET MUGGED 445 00:32:41,326 --> 00:32:45,463 AND I DID NOT GET MUGGED. >> James: SOLID ADVICE. 446 00:32:45,530 --> 00:32:49,734 REGGIE, DO YOU HAVE A QUESTION FOR ANY OF OUR GUESTS THIS 447 00:32:49,801 --> 00:32:51,035 EVENING? >> Reggie: YES, I DO. 448 00:32:51,102 --> 00:32:53,705 TONIGHT'S QUESTION GOES TO... (DRUM ROLL) 449 00:32:53,771 --> 00:32:56,607 ALL THREE OF OUR GUESTS. >> OH. 450 00:32:56,674 --> 00:33:01,512 >> Reggie: SO OBVIOUSLY, ONE OF THE GUESTS IS WEARING AN 451 00:33:01,579 --> 00:33:05,049 OPTICAL CAMOUFLAGE SYSTEM THAT'S NEXT TO YOU, MAYA. 452 00:33:05,116 --> 00:33:10,121 >> OKAY. >> Reggie: HAVE YOU 453 00:33:10,188 --> 00:33:12,457 QUESTIONED EVEN THOUGH YOU KNOW THAT THEY THERE ARE, HAVE YOU 454 00:33:12,523 --> 00:33:15,326 THOUGHT ABOUT WHY THERE IS NO INDENT IN THE CUSHION NEXT TO 455 00:33:15,393 --> 00:33:19,230 YOU OR DO YOU THINK THAT THAT PARTICULAR CUSHION IS JUST A 456 00:33:19,297 --> 00:33:21,899 REPLACEMENT CUSHION WHICH IS ACTUALLY VERY HARD SO NO MATTER 457 00:33:21,966 --> 00:33:26,471 WHAT IS SAT THERE IT DOES NOT INDENT? 458 00:33:26,537 --> 00:33:29,707 >> OH, THAT GUY? OH. 459 00:33:29,774 --> 00:33:31,776 THAT GUY. >> Reggie: YES. 460 00:33:31,843 --> 00:33:35,046 >> THAT GUY. I WENT TO HIGH SCHOOL WITH THAT 461 00:33:35,113 --> 00:33:36,247 GUY. >> Reggie: YEAH YOU DID. 462 00:33:36,314 --> 00:33:39,884 >> THAT GUY IS A REAL DICK. >> Reggie: YES, YES. 463 00:33:39,951 --> 00:33:45,456 >> I JUST DON'T UNDERSTAND WHY HE DOESN'T BEAR ANY WEIGHT. 464 00:33:45,523 --> 00:33:47,191 >> Reggie: THAT'S WHAT I'M SAYING. 465 00:33:47,258 --> 00:33:50,261 >> WHAT WAS THE QUESTION? >> Reggie: WELL I GUESS IT'S 466 00:33:50,328 --> 00:33:55,032 MORE OF AN OBSERVATION, JUST SEEING IF YOU GUYS WERE CLUED IN 467 00:33:55,099 --> 00:33:59,504 ON THAT. IT'S EASY TO FORGET AN INVISIBLE 468 00:33:59,570 --> 00:34:02,473 PERSON. >> I THINK I KNOW ALL YOU NEED 469 00:34:02,540 --> 00:34:05,510 TO KNOW ABOUT HIM FROM YOU THINKING HE WAS A DICK IN HIGH 470 00:34:05,576 --> 00:34:10,948 SCHOOL. IF MAYA SAYS HE WAS A DICK, I'M 471 00:34:11,015 --> 00:34:13,117 ALL IN. >> Reggie: YOU BOTH ARE 472 00:34:13,184 --> 00:34:15,653 CORRECT. >> James: PLEASE THANK OUR 473 00:34:15,720 --> 00:34:16,821 INCREDIBLE. GUESTS, AMY ADAMS AND MAYA 474 00:34:16,888 --> 00:34:18,723 RUDOLPH! FRANZ FERDINAND IS HERE WHEN WE 475 00:34:18,790 --> 00:34:24,429 COME BACK! 476 00:34:35,473 --> 00:34:36,808 ♪ ♪ ♪ ♪ ♪ >> James: WELCOME BACK. 477 00:34:36,874 --> 00:34:39,844 HERE PERFORMING "THIS FIRE" FROM THEIR GREATEST HITS ALBUM, "HITS 478 00:34:39,911 --> 00:34:43,481 TO THE HEAD," WHICH IS OUT NOW, PLEASE WELCOME FRANZ FERDINAND! 479 00:34:43,548 --> 00:34:55,793 (CHEERS AND APPLAUSE) >> AUBREY TATE, JINA BARDONE, 480 00:34:55,860 --> 00:35:05,903 BASE GUITAR, WE ARE FRANZ FERDINAND FROM GLASGOW, 481 00:35:05,970 --> 00:35:16,447 SCOTLAND. ♪ ♪ ♪ 482 00:35:16,514 --> 00:35:19,951 ♪ EYES BURNING A WAY THROUGH ME 483 00:35:20,017 --> 00:35:23,921 ♪ EYES DESTROYING SO SWEETLY 484 00:35:23,988 --> 00:35:26,290 ♪ EYES BORING A WAY THROUGH ME 485 00:35:26,357 --> 00:35:28,726 ♪ PARALYSE CONTROLLING COMPLETELY 486 00:35:28,793 --> 00:35:30,595 ♪ BUT NOW THERE IS A 487 00:35:30,661 --> 00:35:41,439 ♪ FIRE IN ME A FIRE THAT BURNS 488 00:35:41,506 --> 00:35:44,342 ♪ THIS FIRE IS OUT OF CONTROL 489 00:35:44,408 --> 00:35:47,678 ♪ I'M GOING TO BURN THIS CITY BURN THIS CITY 490 00:35:47,745 --> 00:35:50,248 ♪ THIS FIRE IS OUT OF CONTROL 491 00:35:50,314 --> 00:35:54,552 ♪ I'M GOING TO BURN THIS CITY BURN THIS CITY 492 00:35:54,619 --> 00:36:01,259 ♪ THIS FIRE IS OUT OF CONTROL ♪ I'M GOING TO BURN THIS CITY 493 00:36:01,325 --> 00:36:16,207 BURN THIS CITY 494 00:36:16,274 --> 00:36:27,151 BURN THIS CITY 495 00:36:27,218 --> 00:36:31,889 ♪ ♪ ♪ ♪ EYES 496 00:36:31,956 --> 00:36:41,332 BORING A WAY THROUGH ME ♪ PARALYSE 497 00:36:41,399 --> 00:36:47,672 ♪ DESTROYING SO SWEETLY ♪ ♪ 498 00:36:47,738 --> 00:36:49,006 ♪ NOW THERE IS A 499 00:36:49,073 --> 00:36:56,714 ♪ FIRE IN ME A FIRE THAT BURNS 500 00:36:56,781 --> 00:36:58,749 ♪ THIS FIRE IS OUT OF CONTROL 501 00:36:58,816 --> 00:37:01,852 ♪ I'M GOING TO BURN THIS CITY BURN THIS CITY 502 00:37:01,919 --> 00:37:05,122 ♪ THIS FIRE IS OUT OF CONTROL 503 00:37:05,189 --> 00:37:07,425 ♪ I'M GOING TO BURN THIS CITY BURN THIS CITY 504 00:37:07,491 --> 00:37:11,963 ♪ THIS FIRE IS OUT OF CONTROL BURN THIS ITY 505 00:37:12,029 --> 00:37:14,131 BURN THIS CITY ♪ THIS FIRE IS OUT OF CONTROL 506 00:37:14,198 --> 00:37:21,906 THIS FIRE IS OUT OF CONTROL ♪ THIS FIRE IS OUT OF CONTROL 507 00:37:21,973 --> 00:37:28,479 OH, HOW I BURN FOR YOU ♪ BURN 508 00:37:28,546 --> 00:37:31,082 OH, HOW I BURN FOR YOU ♪ BURN 509 00:37:31,148 --> 00:37:41,058 HOW I BURN ♪ HOW I BURN 510 00:37:41,125 --> 00:37:48,399 OH, HOW I ♪ HOW I BURN 511 00:37:48,466 --> 00:38:03,347 ♪ HOW I BURN ♪ ♪ ♪ 512 00:38:03,414 --> 00:38:04,982 ♪ HOW I BURN ♪ ♪ ♪ 513 00:38:05,049 --> 00:38:06,017 ♪ ♪ ♪ ♪ THIS FIRE 514 00:38:06,083 --> 00:38:08,686 IS OUT OF CONTROL ♪ I'M GOING TO BURN THIS CITY 515 00:38:08,753 --> 00:38:12,023 BURN THIS CITY ♪ THIS FIRE 516 00:38:12,089 --> 00:38:14,058 IS OUT OF CONTROL ♪ I'M GOING TO BURN THIS CITY 517 00:38:14,125 --> 00:38:16,761 BURN THIS CITY ♪ THIS FIRE 518 00:38:16,827 --> 00:38:20,965 IS OUT OF CONTROL ♪ I'M GOING TO BURN THIS CITY 519 00:38:21,032 --> 00:38:24,268 BURN THIS CITY ♪ THIS FIRE 520 00:38:24,335 --> 00:38:26,837 IS OUT OF CONTROL ♪ WE'RE GOING TO BURN IT 521 00:38:26,904 --> 00:38:32,443 I'LL BURN IT YES I WILL, BURN IT DOWN ♪ 522 00:39:01,505 --> 00:39:03,374 >> James: THANK YOU SO MUCH FOR WATCHING. 523 00:39:03,441 --> 00:39:05,009 REGGIE, TAKE US HOME!